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APPLAUSE | 0:00:22 | 0:00:24 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong. | 0:00:24 | 0:00:27 | |
A very warm welcome to this special Talent Show edition | 0:00:27 | 0:00:29 | |
of Pointless Celebrities, | 0:00:29 | 0:00:31 | |
the show that makes big winners out of the lowest scorers. | 0:00:31 | 0:00:33 | |
Let's meet today's Pointless Celebrities. | 0:00:33 | 0:00:36 | |
APPLAUSE | 0:00:36 | 0:00:38 | |
And couple number one. | 0:00:40 | 0:00:42 | |
My name is Nina Myskow. I'm a journalist and broadcaster. | 0:00:42 | 0:00:46 | |
I write for national newspapers and I work for Radio 2 and Radio 4. | 0:00:46 | 0:00:50 | |
I was the judge on New Faces in the 1980s. | 0:00:50 | 0:00:55 | |
My name is Patti Boulaye and... | 0:00:57 | 0:00:59 | |
I won New Faces in 1978, I think it was - | 0:00:59 | 0:01:02 | |
gosh, feels like 100 years ago. | 0:01:02 | 0:01:04 | |
And I also have my own charity which has built five health care clinics | 0:01:04 | 0:01:08 | |
in Africa and a school. | 0:01:08 | 0:01:09 | |
APPLAUSE | 0:01:09 | 0:01:11 | |
Couple number two. | 0:01:13 | 0:01:15 | |
My name is Danielle Hope, | 0:01:15 | 0:01:17 | |
and I won Andrew Lloyd Webber's BBC's Over The Rainbow | 0:01:17 | 0:01:20 | |
about five years ago now. | 0:01:20 | 0:01:21 | |
And have since been in various West End shows. | 0:01:21 | 0:01:24 | |
My name is Ben Forster. | 0:01:24 | 0:01:26 | |
I won Andrew Lloyd Webber's search for Jesus. | 0:01:26 | 0:01:30 | |
I won that competition and played Jesus Christ Superstar, | 0:01:30 | 0:01:33 | |
and I'm currently in Phantom Of The Opera | 0:01:33 | 0:01:35 | |
in the West End. | 0:01:35 | 0:01:36 | |
APPLAUSE | 0:01:36 | 0:01:38 | |
Couple number three. | 0:01:40 | 0:01:41 | |
My name's David Grant. I'm a vocal coach, | 0:01:41 | 0:01:45 | |
a record producer, TV presenter, | 0:01:45 | 0:01:47 | |
and I was a coach and judge on Fame Academy | 0:01:47 | 0:01:50 | |
and Comic Relief Does Fame Academy. | 0:01:50 | 0:01:52 | |
My name's Richard Park, and I was with David Grant on Fame Academy. | 0:01:52 | 0:01:55 | |
We had four or five tremendous years. | 0:01:55 | 0:01:57 | |
I'm also a director of broadcasting for Global Radio, | 0:01:57 | 0:02:00 | |
which includes Classic FM, on which you broadcast. | 0:02:00 | 0:02:03 | |
APPLAUSE | 0:02:03 | 0:02:05 | |
And finally, couple number four. | 0:02:08 | 0:02:09 | |
Hi, I'm Ashleigh and this is Pudsey, | 0:02:09 | 0:02:12 | |
and we won Britain's Got Talent back in 2012. | 0:02:12 | 0:02:14 | |
And hi, I am Jamie Raven. I'm a magician, | 0:02:14 | 0:02:17 | |
and I came one place lower than Ashleigh and Pudsey | 0:02:17 | 0:02:20 | |
on Britain's Got Talent in 2015. | 0:02:20 | 0:02:23 | |
APPLAUSE | 0:02:23 | 0:02:26 | |
Thanks very much to all of you, lovely to have you here, as ever. | 0:02:26 | 0:02:30 | |
We'll get to chat to each of you throughout the show | 0:02:30 | 0:02:32 | |
as it goes along, of course. | 0:02:32 | 0:02:33 | |
So that just leaves one more person for me to introduce, | 0:02:33 | 0:02:35 | |
opportunity knocks, but this man uses the intercom. | 0:02:35 | 0:02:38 | |
It's my Pointless friend, it's Richard. | 0:02:38 | 0:02:40 | |
Hiya. Hi, everybody. | 0:02:40 | 0:02:42 | |
Good evening. | 0:02:42 | 0:02:44 | |
-Good evening to you. -Good evening. -How are you? | 0:02:44 | 0:02:46 | |
-I'm very well. -Excellent. | 0:02:46 | 0:02:48 | |
Did I take it, in amongst the introductions there, | 0:02:48 | 0:02:50 | |
that somebody here is essentially your boss? | 0:02:50 | 0:02:53 | |
-Yep. -So Richard Park could fire you if things go badly here. | 0:02:53 | 0:02:56 | |
Yep. | 0:02:56 | 0:02:59 | |
That's going to be interesting. | 0:02:59 | 0:03:01 | |
-Yep. -So it would be useful for you if I was helpful as well, | 0:03:01 | 0:03:05 | |
and all that kind of stuff? Well, let's see if I am! | 0:03:05 | 0:03:08 | |
LAUGHTER | 0:03:08 | 0:03:10 | |
We've got a couple of people who've done very well on the show before. | 0:03:10 | 0:03:13 | |
Danielle's been through to the head-to-head, | 0:03:13 | 0:03:15 | |
and Nina's been through to a Final. | 0:03:15 | 0:03:16 | |
But a couple of people who are looking for redemption. | 0:03:16 | 0:03:19 | |
Ashleigh and Pudsey, knocked out in the first round last time, as was Ben. | 0:03:19 | 0:03:22 | |
Should be a lot of fun. First round, | 0:03:22 | 0:03:24 | |
something for everyone in this first round, I think. | 0:03:24 | 0:03:26 | |
Something for everybody. | 0:03:26 | 0:03:28 | |
Your boss should do well in the first round. | 0:03:28 | 0:03:30 | |
Oh, you've got to hope! For so many reasons. | 0:03:30 | 0:03:32 | |
And that's not deliberate. | 0:03:32 | 0:03:33 | |
Certainly, if your boss does badly in the first round, | 0:03:33 | 0:03:36 | |
it's not going to put him in a good mood, I would suggest. | 0:03:36 | 0:03:38 | |
It's almost like an episode of Terry And June, this, isn't it? | 0:03:38 | 0:03:40 | |
Very, very similar to an episode of Terry And June. | 0:03:40 | 0:03:43 | |
Thank you very much, Richard. | 0:03:43 | 0:03:45 | |
As usual, all of today's questions have been put to 100 people before the show. | 0:03:45 | 0:03:48 | |
Our lovely contestants here are looking for those | 0:03:48 | 0:03:50 | |
all-important pointless answers. | 0:03:50 | 0:03:52 | |
These are the answers that none of our 100 people gave. | 0:03:52 | 0:03:54 | |
Find one of those, and we will add £250 to the jackpot. | 0:03:54 | 0:03:57 | |
As today's show is a celebrity special, | 0:03:57 | 0:03:59 | |
and each of our celebrities is playing for a nominated charity, | 0:03:59 | 0:04:02 | |
we're going to start off with a generous jackpot of £2,500. | 0:04:02 | 0:04:05 | |
There we are. | 0:04:05 | 0:04:07 | |
APPLAUSE | 0:04:07 | 0:04:09 | |
Right, if everyone's ready, let's play Pointless. | 0:04:09 | 0:04:11 | |
Only one thing you have to remember, | 0:04:16 | 0:04:18 | |
and it is this - the pair with the highest score | 0:04:18 | 0:04:20 | |
at the end of each round will be eliminated. | 0:04:20 | 0:04:23 | |
The highest score. | 0:04:23 | 0:04:24 | |
So, no conferring for the first two rounds. | 0:04:24 | 0:04:26 | |
Best of luck to all four pairs. | 0:04:26 | 0:04:28 | |
Our first category today is... | 0:04:28 | 0:04:30 | |
Can you all decide in your pairs who's going to go first, | 0:04:33 | 0:04:35 | |
who's going to go second? | 0:04:35 | 0:04:36 | |
And whoever's going first, please step up to the podium. | 0:04:38 | 0:04:41 | |
OK. And our question concerns... | 0:04:44 | 0:04:47 | |
Yep, we're going to show you a board of 12 bands, | 0:04:55 | 0:04:57 | |
we need you to tell us anyone who was a member of one of these bands | 0:04:57 | 0:04:59 | |
when they released their debut album, please. | 0:04:59 | 0:05:03 | |
OK. So, as Richard said, | 0:05:03 | 0:05:04 | |
we're going to put a board up with 12 band names on. | 0:05:04 | 0:05:07 | |
That's going to stay up for the whole round. | 0:05:07 | 0:05:09 | |
That won't be changing. | 0:05:09 | 0:05:11 | |
So you just need to throw out the name of somebody | 0:05:11 | 0:05:13 | |
who was in one of those bands | 0:05:13 | 0:05:14 | |
when they made their debut album recording. | 0:05:14 | 0:05:17 | |
Very best of luck. Here is the image with the 12 band names on. | 0:05:17 | 0:05:20 | |
Now then, Nina. | 0:05:29 | 0:05:32 | |
When were you doing New Faces? | 0:05:32 | 0:05:34 | |
In the 1980s. Three years in the 1980s. | 0:05:34 | 0:05:37 | |
New Faces launched huge comedy careers, didn't it? | 0:05:37 | 0:05:40 | |
Absolutely. It was a wonderful opportunity for people. | 0:05:40 | 0:05:42 | |
How else are they going to get a chance? | 0:05:42 | 0:05:45 | |
You can do your act down the local pub, | 0:05:45 | 0:05:47 | |
but if no-one sees you and says, | 0:05:47 | 0:05:49 | |
"Come on the telly," how are you going to do it? | 0:05:49 | 0:05:51 | |
So they're great opportunities. | 0:05:51 | 0:05:53 | |
Fantastic opportunities. | 0:05:53 | 0:05:54 | |
Now let's talk about Jackie, because you used to edit Jackie? | 0:05:54 | 0:05:57 | |
The teenage magazine. | 0:05:57 | 0:05:59 | |
I was editor in the 1970s. | 0:05:59 | 0:06:01 | |
And now, decades later, they've turned it into Jackie The Musical, | 0:06:01 | 0:06:05 | |
which is extraordinary, which is doing brilliantly. | 0:06:05 | 0:06:08 | |
And you're advising on that, or...? | 0:06:08 | 0:06:10 | |
They've made me - fancy title - editor in chief. | 0:06:10 | 0:06:13 | |
But all it means is I'm a kind of consultant. | 0:06:13 | 0:06:15 | |
I'm a kind of mascot. | 0:06:15 | 0:06:17 | |
How exciting. Now, Nina, into the round. | 0:06:17 | 0:06:21 | |
-Right. -There we are, 12 bands. | 0:06:21 | 0:06:24 | |
We just need the most obscure member you can think of | 0:06:24 | 0:06:26 | |
of one of those bands. | 0:06:26 | 0:06:29 | |
-John Taylor. -John Taylor, says Nina. | 0:06:29 | 0:06:32 | |
Let's see how many of our 100 people said John Taylor. | 0:06:32 | 0:06:35 | |
Well, it's right. | 0:06:38 | 0:06:40 | |
Still going down, Nina. | 0:06:42 | 0:06:44 | |
Look at that, still... | 0:06:44 | 0:06:46 | |
Six for John Taylor! | 0:06:46 | 0:06:47 | |
Cracking start to the show there, Nina, | 0:06:47 | 0:06:50 | |
very well done. | 0:06:50 | 0:06:51 | |
Yeah, the Duran Duran bassist, John Taylor. Born Nigel Taylor. | 0:06:53 | 0:06:57 | |
Now, Ben, welcome. | 0:06:57 | 0:06:59 | |
Great to have you here. | 0:06:59 | 0:07:00 | |
So, Superstar - because it must have been quite stressful, | 0:07:00 | 0:07:03 | |
because, obviously, you know what it's like, doing a show, | 0:07:03 | 0:07:06 | |
you share all the elation, | 0:07:06 | 0:07:08 | |
you share the nerves with all the other people you're doing it with. | 0:07:08 | 0:07:11 | |
The pool gets smaller and smaller each week | 0:07:11 | 0:07:14 | |
until you're literally just left with your arch-rivals. | 0:07:14 | 0:07:16 | |
-And that's really hard. -Yeah, it was. | 0:07:16 | 0:07:19 | |
It was a terrifying experience, really. | 0:07:19 | 0:07:21 | |
If I knew now what I know, I don't think I'd be able to do it again. | 0:07:21 | 0:07:24 | |
But it was incredible. | 0:07:24 | 0:07:26 | |
Shall we ask Ben what he now knows? | 0:07:26 | 0:07:28 | |
Ben, what do you now know? | 0:07:28 | 0:07:30 | |
Do you know, sitting in my dressing room, | 0:07:30 | 0:07:32 | |
and then watching them on TV live, | 0:07:32 | 0:07:34 | |
and thinking, "I'm just going to literally really pop into the TV," | 0:07:34 | 0:07:37 | |
and then they would knock on my door and say, | 0:07:37 | 0:07:39 | |
-"Come on, we're ready for you." -That's why I never, | 0:07:39 | 0:07:42 | |
ever watch the television in my dressing room. | 0:07:42 | 0:07:44 | |
Yeah, terrifying. Anyway, Ben - | 0:07:44 | 0:07:47 | |
how are we feeling about this board of bands? | 0:07:47 | 0:07:49 | |
I don't know whether to play it safe, | 0:07:49 | 0:07:51 | |
because I made a real fool of myself | 0:07:51 | 0:07:53 | |
the last time I was here. | 0:07:53 | 0:07:56 | |
I'm going to say Ana Matronic. | 0:07:56 | 0:07:58 | |
Ana Matronic, says Ben. | 0:07:58 | 0:08:00 | |
Let's see if it's right, let's see how many of our 100 people said it. | 0:08:00 | 0:08:03 | |
Ana Matronic. | 0:08:03 | 0:08:04 | |
It's right. Six is our only score at this point. | 0:08:07 | 0:08:09 | |
One for Ana Matronic. | 0:08:16 | 0:08:18 | |
Very well done indeed, Ben. | 0:08:18 | 0:08:21 | |
That's more like it, Ben, isn't it? | 0:08:21 | 0:08:23 | |
Yeah, one of the singers in the Scissor Sisters. | 0:08:23 | 0:08:25 | |
Thanks very much, Richard. | 0:08:25 | 0:08:27 | |
Now, David, a very warm welcome to Pointless to you. | 0:08:27 | 0:08:30 | |
Great to have you here. My goodness, you've done some amazing things. | 0:08:30 | 0:08:33 | |
I've been very fortunate, because, you know, | 0:08:33 | 0:08:35 | |
all I wanted to do when I was a kid was to be in the music business, | 0:08:35 | 0:08:39 | |
be connected with music. | 0:08:39 | 0:08:41 | |
And to sort of still, 30 plus years later, | 0:08:41 | 0:08:43 | |
be connected with music, | 0:08:43 | 0:08:45 | |
it's really a bit of a dream come true. | 0:08:45 | 0:08:47 | |
Fabulous. Now, when you're coaching, | 0:08:47 | 0:08:49 | |
what's the bare minimum you require from a voice? | 0:08:49 | 0:08:52 | |
Anyone can sing. | 0:08:52 | 0:08:54 | |
If you can talk, you can sing. | 0:08:54 | 0:08:55 | |
But to become a singer, you need vocal identity. | 0:08:55 | 0:08:59 | |
So if somebody's heard your record once, or your music once, | 0:08:59 | 0:09:03 | |
or your performance, and they hear you again, | 0:09:03 | 0:09:06 | |
they know exactly who it is. | 0:09:06 | 0:09:08 | |
Yeah, that's it. | 0:09:08 | 0:09:10 | |
OK, now, David, back to the bands. | 0:09:10 | 0:09:12 | |
Now, I'm thinking... | 0:09:12 | 0:09:14 | |
I'm going to go for Keavy Lynch. | 0:09:16 | 0:09:19 | |
Keavy Lynch, says David. | 0:09:19 | 0:09:21 | |
Let's see if that's right, | 0:09:21 | 0:09:23 | |
Let's see how many of our 100 people said Keavy Lynch. | 0:09:23 | 0:09:25 | |
It's a right answer. | 0:09:27 | 0:09:29 | |
I have a funny feeling I might know where this is going. | 0:09:29 | 0:09:32 | |
Six is our high score, which is passed... | 0:09:32 | 0:09:36 | |
It's a pointless answer, very well done indeed. | 0:09:36 | 0:09:38 | |
David, our first pointless answer of the show. | 0:09:38 | 0:09:41 | |
That adds £250 to the jackpot, | 0:09:41 | 0:09:43 | |
takes the total up to £2,750. | 0:09:43 | 0:09:45 | |
It scores you nothing | 0:09:45 | 0:09:46 | |
and earns you eternal respect. | 0:09:46 | 0:09:48 | |
Very well done indeed. | 0:09:48 | 0:09:49 | |
That's terrific work, David, very well played. | 0:09:49 | 0:09:52 | |
Yeah, Keavy Lynch, she, of course, was in the Rolling Stones. | 0:09:52 | 0:09:55 | |
No, she was in B*Witched. | 0:09:55 | 0:09:58 | |
-Have you worked with Keavy? -I have, yeah. -Well, there you go. | 0:09:58 | 0:10:00 | |
That turned out nicely. | 0:10:00 | 0:10:01 | |
You should give her her money back. Say, "Look, you've helped me out." | 0:10:01 | 0:10:04 | |
Thanks very much indeed. Jamie, welcome. | 0:10:04 | 0:10:07 | |
-Thank you. -Very good to have you here on the show. | 0:10:07 | 0:10:10 | |
Now, going on Britain's Got Talent as a magician is tough. | 0:10:10 | 0:10:14 | |
I mean, you've got to win over that huge, huge hall | 0:10:14 | 0:10:17 | |
-very, very quickly. -It's pretty terrifying, yeah. | 0:10:17 | 0:10:19 | |
And you've got to do something that looks amazing close up as well | 0:10:19 | 0:10:23 | |
-as it has got to play to the... -Yeah, when I did my audition, | 0:10:23 | 0:10:25 | |
the thinking behind it was to do something | 0:10:25 | 0:10:27 | |
that would be right underneath the noses of the four judges | 0:10:27 | 0:10:30 | |
that they would find just as amazing as everybody | 0:10:30 | 0:10:32 | |
watching in the 2000-seater Dominion Theatre, where we did it. | 0:10:32 | 0:10:35 | |
It was a challenge, but thrilled to have done it. | 0:10:35 | 0:10:38 | |
Absolutely incredible. Have you got any tricks you could do? | 0:10:38 | 0:10:41 | |
I could right now, if you'd like. | 0:10:41 | 0:10:42 | |
-Really? -Yeah, would that be all right? | 0:10:42 | 0:10:44 | |
Come and do one here. Come on. | 0:10:44 | 0:10:46 | |
APPLAUSE | 0:10:46 | 0:10:47 | |
I thought, as Ashleigh and I were representing | 0:10:49 | 0:10:52 | |
Team Britain's Got Talent, | 0:10:52 | 0:10:53 | |
I'd share with you one of the tricks I actually did for the judges | 0:10:53 | 0:10:56 | |
on my audition of Britain's Got Talent. | 0:10:56 | 0:10:58 | |
These are the Bank of Britain's Got Talent banknotes. | 0:10:58 | 0:11:01 | |
That is actually legal tender in the Bahamas. | 0:11:01 | 0:11:04 | |
-Absolutely right. Have a look. Check it out. -Yeah, look at that. | 0:11:04 | 0:11:07 | |
Sadly, now that we've finished the show | 0:11:07 | 0:11:09 | |
they are obviously of no use to me | 0:11:09 | 0:11:10 | |
so I thought, with your help, | 0:11:10 | 0:11:12 | |
I could change this into English sterling. | 0:11:12 | 0:11:14 | |
I need two things from you. | 0:11:14 | 0:11:15 | |
I need the index finger on your left hand, | 0:11:15 | 0:11:17 | |
if you could point it just there for me. | 0:11:17 | 0:11:18 | |
-OK, there we are. -And I need a magic word. | 0:11:18 | 0:11:20 | |
You can have anything in the world except abracadabra or pointless. | 0:11:20 | 0:11:23 | |
-What would you like? -Richard Osman. | 0:11:23 | 0:11:24 | |
Richard Osman. No problem. On three, watch the nail. | 0:11:24 | 0:11:27 | |
-One, two, Richard Osman. -Look what you've done! | 0:11:27 | 0:11:29 | |
There is £250 in English sterling, which... | 0:11:29 | 0:11:33 | |
APPLAUSE | 0:11:33 | 0:11:35 | |
-I can keep it for you. -OK. | 0:11:35 | 0:11:36 | |
Fantastic. Wow. | 0:11:39 | 0:11:42 | |
APPLAUSE | 0:11:42 | 0:11:44 | |
I tell you what, and just after we saw David Grant | 0:11:48 | 0:11:50 | |
turn Keavy Lynch into £250, as well. | 0:11:50 | 0:11:53 | |
It's very impressive. | 0:11:53 | 0:11:55 | |
So, then, Jamie. | 0:11:55 | 0:11:57 | |
-Yes. -What would you like to go for on this board? | 0:11:57 | 0:11:59 | |
It's a gentleman who I know was in one of these bands, | 0:11:59 | 0:12:02 | |
I don't know if he was in it when they released their debut album, | 0:12:02 | 0:12:05 | |
but I'm going to guess, I'm going to say Charlie Watts. | 0:12:05 | 0:12:08 | |
Charlie Watts, says Jamie. | 0:12:08 | 0:12:10 | |
Charlie Watts. Let's see how many of our 100 people said that. | 0:12:10 | 0:12:13 | |
It's right. Well, six remains our high score at this point, | 0:12:16 | 0:12:19 | |
zero our low score. | 0:12:19 | 0:12:20 | |
Seven for Charlie Watts. | 0:12:22 | 0:12:23 | |
Not bad at all. | 0:12:23 | 0:12:25 | |
Down in the zone there. | 0:12:25 | 0:12:26 | |
APPLAUSE | 0:12:26 | 0:12:28 | |
That's terrific work, Jamie. Very well played. | 0:12:28 | 0:12:30 | |
A lot of pressure on everybody now, isn't there? | 0:12:30 | 0:12:33 | |
No big scores at all. | 0:12:33 | 0:12:34 | |
Very impressive stuff. Yeah, the drummer from The Stones. | 0:12:34 | 0:12:37 | |
Very good. We are halfway through the round. | 0:12:37 | 0:12:39 | |
Let's take a look at those scores. | 0:12:39 | 0:12:41 | |
Nothing, the best score of that pass, David. | 0:12:41 | 0:12:43 | |
Very well done indeed to you. | 0:12:43 | 0:12:44 | |
David and Richard looking pretty strong at this point, | 0:12:44 | 0:12:47 | |
as are Ben and Danielle on one. | 0:12:47 | 0:12:48 | |
Then up to six, where we find Nina and Patti. | 0:12:48 | 0:12:50 | |
Then up to seven where we find Jamie and Ashleigh. | 0:12:50 | 0:12:52 | |
It's incredibly close. | 0:12:52 | 0:12:54 | |
Ashleigh, you happened, just by a trick of numerics, | 0:12:54 | 0:12:56 | |
to be out in front, but, I mean, | 0:12:56 | 0:12:58 | |
not by anything significant, but we do need a low score from you. | 0:12:58 | 0:13:01 | |
Oh, well, no pressure there, thanks. | 0:13:01 | 0:13:03 | |
Just a bit. Pudsey can help you a bit, if you like. | 0:13:03 | 0:13:06 | |
So, good luck with that. We're going to come back down the line now. | 0:13:06 | 0:13:08 | |
Can the second players please step up to the podium? | 0:13:08 | 0:13:11 | |
OK. Remember, we are looking for the name of any band member | 0:13:14 | 0:13:17 | |
of any of these 12 bands. | 0:13:17 | 0:13:19 | |
And obviously you are going to try and find the most obscure | 0:13:19 | 0:13:21 | |
one you can think of. Now, Ashleigh. | 0:13:21 | 0:13:24 | |
-I'm so nervous. -Don't you worry. | 0:13:24 | 0:13:26 | |
You can't be anything like as nervous as you were doing BGT. | 0:13:26 | 0:13:30 | |
Well, that was pretty nerve-racking, | 0:13:30 | 0:13:32 | |
but I had Pudsey helping me out a bit there. | 0:13:32 | 0:13:35 | |
It's crazy to think that it was four years ago, well, soon. | 0:13:35 | 0:13:39 | |
Yeah, it has just been amazing, an amazing experience. | 0:13:39 | 0:13:42 | |
I mean, there has been a tour, there's been a film. | 0:13:42 | 0:13:45 | |
-Yeah. -A book. | 0:13:45 | 0:13:46 | |
A book. And what else is in the pipeline? | 0:13:46 | 0:13:49 | |
Who knows? Like, we've done so many incredible things, | 0:13:49 | 0:13:52 | |
it's like, what can we possibly do next? | 0:13:52 | 0:13:54 | |
-Maybe a musical? -We might team up with you. | 0:13:54 | 0:13:56 | |
-I think we should. -There you go. | 0:13:56 | 0:13:57 | |
Do some magic with Pudsey. | 0:13:57 | 0:13:58 | |
Fabulous. Now, look. | 0:13:58 | 0:14:00 | |
There you are. You're on a high score of seven. | 0:14:00 | 0:14:02 | |
That's the kind of round it's been. | 0:14:02 | 0:14:05 | |
We need to have a lower score | 0:14:05 | 0:14:06 | |
than everyone else is going to give, Ashleigh. | 0:14:06 | 0:14:09 | |
I think I'm going to have to just play it safe because I have no idea, | 0:14:09 | 0:14:12 | |
and I'm so sorry. | 0:14:12 | 0:14:14 | |
I don't know why I came on this show again! | 0:14:14 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:19 | |
But I'm just going to have to say Freddie Mercury | 0:14:21 | 0:14:24 | |
because that's just playing it safe and I'm just going out there. | 0:14:24 | 0:14:27 | |
OK, Freddie Mercury, says Ashleigh. | 0:14:27 | 0:14:30 | |
No red line for you as you are the high-scorers at the moment. | 0:14:30 | 0:14:32 | |
Let's see how many of our 100 people said Freddie Mercury. | 0:14:32 | 0:14:35 | |
It's right. | 0:14:38 | 0:14:39 | |
66. | 0:14:42 | 0:14:43 | |
Now, that is brand recognition, isn't it? | 0:14:45 | 0:14:48 | |
66 taking your total up to 73. | 0:14:48 | 0:14:50 | |
Yeah, a big scorer, but you know what, someone might get 100. | 0:14:50 | 0:14:53 | |
There's big scorers out there. | 0:14:53 | 0:14:54 | |
So, much better than getting a wrong answer. | 0:14:54 | 0:14:57 | |
Yeah. Very good indeed. | 0:14:57 | 0:15:00 | |
Now, Richard. | 0:15:00 | 0:15:01 | |
-Good evening. -Richard, a very warm welcome. | 0:15:01 | 0:15:04 | |
I've sort of got two questions for you, actually. | 0:15:04 | 0:15:06 | |
As the headmaster of Fame Academy, | 0:15:06 | 0:15:08 | |
how many of your alumni have gone on to achieve great things? | 0:15:08 | 0:15:11 | |
Do you know? Many, in so vastly different ways. | 0:15:11 | 0:15:14 | |
I think David is as excited as I am | 0:15:14 | 0:15:17 | |
about some of them turning out to be great songwriters. | 0:15:17 | 0:15:19 | |
Others like David Sneddon, number one in the charts. | 0:15:19 | 0:15:22 | |
Lemar, a brilliant career, | 0:15:22 | 0:15:23 | |
a song that went, you know, worldwide megahit. | 0:15:23 | 0:15:27 | |
We've all wound up extremely proud of what they were accomplishing. | 0:15:27 | 0:15:30 | |
And the second question I was going to ask you is, as my boss, | 0:15:30 | 0:15:32 | |
would you like us to put your trophy in your dressing room? | 0:15:32 | 0:15:35 | |
LAUGHTER | 0:15:35 | 0:15:38 | |
Surely, Richard, if anyone can find a pointless answer on this board, | 0:15:38 | 0:15:41 | |
surely it's you? | 0:15:41 | 0:15:42 | |
I'll toss one in. Tom Parker. | 0:15:44 | 0:15:47 | |
Tom Parker, says Richard. | 0:15:47 | 0:15:49 | |
Tom Parker. Here is your red line. | 0:15:49 | 0:15:51 | |
Nice and high. If you can get below that, | 0:15:51 | 0:15:52 | |
you are through to the next round | 0:15:52 | 0:15:54 | |
but, next round, we want a pointless answer. | 0:15:54 | 0:15:56 | |
Let's see how far down the column we get with Tom Parker. | 0:15:56 | 0:15:59 | |
It's right. | 0:16:03 | 0:16:04 | |
You're through. | 0:16:04 | 0:16:05 | |
Oh, no! One! | 0:16:10 | 0:16:11 | |
One person got Tom Parker. | 0:16:12 | 0:16:14 | |
Taking your total up to one. | 0:16:15 | 0:16:17 | |
I let him down. | 0:16:17 | 0:16:18 | |
He's very good, isn't he? | 0:16:19 | 0:16:21 | |
-Brilliant. -He's very good. | 0:16:21 | 0:16:23 | |
-When's your contract up? -Oh, he's very good. | 0:16:23 | 0:16:25 | |
Quite soon. Quite soon. He's very good. | 0:16:25 | 0:16:27 | |
Yeah, singer in The Wanted, Tom Parker. | 0:16:27 | 0:16:30 | |
-Very good answer. -And Danielle. | 0:16:30 | 0:16:32 | |
-Welcome back. -Thank you. | 0:16:32 | 0:16:34 | |
Great to have you here. | 0:16:34 | 0:16:36 | |
Now, obviously, | 0:16:36 | 0:16:37 | |
Over The Rainbow was the show that landed you in to The Wizard of Oz, | 0:16:37 | 0:16:41 | |
how long did you then go on and do The Wizard of Oz? | 0:16:41 | 0:16:44 | |
For a year in the West End at the London Palladium | 0:16:44 | 0:16:46 | |
with Michael Crawford and many other wonderful actors. | 0:16:46 | 0:16:49 | |
Just incredible. And do you imagine you might have ended up | 0:16:49 | 0:16:52 | |
where you are now without the show? | 0:16:52 | 0:16:54 | |
I have no idea. | 0:16:54 | 0:16:56 | |
I'm so thankful that I took the path I have, | 0:16:56 | 0:16:58 | |
and hopefully, I would have still been doing what I'm doing now, | 0:16:58 | 0:17:01 | |
but who knows to what degree. | 0:17:01 | 0:17:04 | |
And then you've gone on and done other things. | 0:17:04 | 0:17:05 | |
-What are you up to at the moment? -I'm currently doing, | 0:17:05 | 0:17:08 | |
with Phillip Schofield, A Knights Of Music tour | 0:17:08 | 0:17:10 | |
-which is great fun. -Well done, what fun. | 0:17:10 | 0:17:13 | |
Danielle, there you are on one. | 0:17:13 | 0:17:15 | |
The high-scorers at the moment, Ashleigh and Jamie, on 73. | 0:17:15 | 0:17:18 | |
So 71 or less is what we want from you. | 0:17:18 | 0:17:21 | |
A lot of the ones I had have been taken, | 0:17:21 | 0:17:24 | |
so I'm going to go for Roger Taylor. | 0:17:24 | 0:17:28 | |
Roger Taylor, says Daniel. | 0:17:28 | 0:17:30 | |
Roger Taylor. There is your red line. | 0:17:30 | 0:17:34 | |
Let's see if you can get below that red line with Roger Taylor. | 0:17:34 | 0:17:39 | |
I'm sorry if I don't. I'm so nervous. | 0:17:39 | 0:17:43 | |
It's right. Well done. | 0:17:43 | 0:17:45 | |
You are through. | 0:17:45 | 0:17:46 | |
19. | 0:17:49 | 0:17:51 | |
19, taking your total up to 20. | 0:17:51 | 0:17:54 | |
-APPLAUSE -That's great work, Danielle. | 0:17:54 | 0:17:57 | |
And that's an interesting answer because..? | 0:17:57 | 0:17:59 | |
Well, because there are two Roger... Rogers Taylor. | 0:17:59 | 0:18:01 | |
-There are. They're both on the board. -Yeah. | 0:18:01 | 0:18:02 | |
They're both drummers. They're both drummers. | 0:18:02 | 0:18:05 | |
One in Duran Duran, and one in Queen. | 0:18:05 | 0:18:07 | |
Yeah. Both Roger Taylors. | 0:18:07 | 0:18:08 | |
How did we arrive at that? | 0:18:08 | 0:18:09 | |
Or did they both score the same? | 0:18:09 | 0:18:11 | |
Anyone who mentioned Roger Taylor, that's the point. | 0:18:11 | 0:18:14 | |
I'm guessing Queen's Roger Taylor is scoring more of that | 0:18:14 | 0:18:17 | |
-than Duran Duran's Roger Taylor. -I think that's true. | 0:18:17 | 0:18:20 | |
Thanks very much indeed, Richard. | 0:18:20 | 0:18:21 | |
-Now, Patti. -Can I go now? | 0:18:21 | 0:18:24 | |
No. By no means, Patti. | 0:18:24 | 0:18:27 | |
Absolutely not. Now, you won New Faces in 1978. | 0:18:27 | 0:18:32 | |
-That's right. -I think you got unanimous top scores. | 0:18:32 | 0:18:35 | |
I think it was the only time in the show's history | 0:18:35 | 0:18:37 | |
or something like that that everybody said, right, ten, ten. | 0:18:37 | 0:18:41 | |
It was one of those moments. | 0:18:41 | 0:18:43 | |
But before that, I mean, | 0:18:43 | 0:18:44 | |
you'd been dabbling in the West end, hadn't you? | 0:18:44 | 0:18:46 | |
Yes, I had done a few musicals. | 0:18:46 | 0:18:47 | |
The first musical I did was Hair. | 0:18:47 | 0:18:50 | |
And then I went on to Two Gentlemen Of Verona, | 0:18:50 | 0:18:52 | |
I did Black Mikado, | 0:18:52 | 0:18:54 | |
I played Yum Yum. | 0:18:54 | 0:18:55 | |
But I had to change my name because I had a hit with a song | 0:18:55 | 0:18:58 | |
called The Sun And I, | 0:18:58 | 0:19:00 | |
and the DJs would go that was Patricia N... N... | 0:19:00 | 0:19:03 | |
That was Yum Yum from the Black Mikado. | 0:19:03 | 0:19:05 | |
So I thought, that name has got to go. | 0:19:05 | 0:19:08 | |
So my husband met the gorgeous Evelyn Laye, | 0:19:08 | 0:19:11 | |
her friends call her Boo Laye. | 0:19:11 | 0:19:12 | |
So I stole that name as my second name. | 0:19:12 | 0:19:15 | |
-And kept Patti as my first name. -Never looked back. | 0:19:15 | 0:19:18 | |
Fantastic. Now, Patti, you're on six. | 0:19:18 | 0:19:20 | |
The high-scorers on 73 are Ashleigh and Jamie, | 0:19:20 | 0:19:23 | |
which means 66 or less keeps you in the game. | 0:19:23 | 0:19:28 | |
OK, I'm going to play it safe | 0:19:28 | 0:19:30 | |
because I'm completely blank on that board right now. | 0:19:30 | 0:19:34 | |
I'm going to go for Bill Wyman. | 0:19:34 | 0:19:36 | |
Bill Wyman. Bill Wyman, says Patti. | 0:19:36 | 0:19:39 | |
Here is your red line. If you can get below | 0:19:39 | 0:19:41 | |
this red line with Bill Wyman, | 0:19:41 | 0:19:42 | |
you are into the next round. | 0:19:42 | 0:19:44 | |
How many people said Bill Wyman? | 0:19:44 | 0:19:46 | |
It's right. | 0:19:49 | 0:19:50 | |
You are through to the next round. | 0:19:52 | 0:19:53 | |
Very well done indeed. | 0:19:53 | 0:19:54 | |
24 is what it scores. | 0:19:55 | 0:19:57 | |
Lovely round 30 is your total. | 0:19:57 | 0:20:00 | |
Very well done indeed. | 0:20:00 | 0:20:02 | |
Yeah, the bassist of The Stones, Bill Wyman. | 0:20:04 | 0:20:06 | |
24 points. Very good. | 0:20:06 | 0:20:08 | |
Have you got an answer up on that board? | 0:20:08 | 0:20:09 | |
I was going to go for Mat Osman. | 0:20:09 | 0:20:11 | |
That's my brother. My brother's in Suede. | 0:20:13 | 0:20:15 | |
It would be bragging rights at Christmas | 0:20:15 | 0:20:17 | |
if he's a pointless answer, wouldn't it? | 0:20:17 | 0:20:19 | |
Oh, that would be beautiful. | 0:20:19 | 0:20:21 | |
He is. He's a pointless answer. | 0:20:21 | 0:20:23 | |
APPLAUSE | 0:20:23 | 0:20:24 | |
Well done, you. Unlucky, Mat. | 0:20:26 | 0:20:28 | |
There it is. Them's the breaks, right? | 0:20:28 | 0:20:30 | |
That's bassists for you. | 0:20:30 | 0:20:32 | |
Let's take a look at some other pointless answers, shall we? | 0:20:32 | 0:20:35 | |
Andy Rourke of The Smiths is a pointless answer, amazingly. | 0:20:35 | 0:20:37 | |
Bernard Butler, the guitarist in Suede, a pointless answer. | 0:20:37 | 0:20:41 | |
Butch Vig, better known as a producer. | 0:20:41 | 0:20:43 | |
Produced a lot of Nirvana stuff. | 0:20:43 | 0:20:45 | |
He was in Garbage. He was the drummer on that first Garbage album. | 0:20:45 | 0:20:47 | |
And Donna Matthews from Alaska, | 0:20:47 | 0:20:50 | |
all of Alaska apart from Justine were pointless answers. | 0:20:50 | 0:20:52 | |
Jay McGuiness from The Wanted. | 0:20:52 | 0:20:54 | |
In fact, Tom Parker is the only member of The Wanted | 0:20:54 | 0:20:56 | |
who wasn't a pointless answer. There's Keavy Lynch. | 0:20:56 | 0:20:58 | |
Her sister scored one point. | 0:20:58 | 0:21:00 | |
Matt Healy from The 1975. | 0:21:00 | 0:21:01 | |
All of The 1975 were pointless answers. | 0:21:01 | 0:21:03 | |
Mike Joyce from The Smiths also a pointless answer, as well. | 0:21:03 | 0:21:06 | |
And Paddy Boom From the Scissor Sisters. | 0:21:06 | 0:21:08 | |
Let's take a look at the top three answers, | 0:21:08 | 0:21:10 | |
the ones that most of our 100 people said. | 0:21:10 | 0:21:12 | |
Brian May would have scored you 32. | 0:21:14 | 0:21:17 | |
We've seen Freddie on 66. | 0:21:17 | 0:21:19 | |
And Mick Jagger right at the top on 71. | 0:21:19 | 0:21:22 | |
Thanks very much indeed, Richard. | 0:21:22 | 0:21:23 | |
So, at the end of our first round, | 0:21:23 | 0:21:25 | |
the pair we are sending home with their not that high score, | 0:21:25 | 0:21:27 | |
it just happens to be a high score of 73, | 0:21:27 | 0:21:31 | |
it's Ashleigh and Jamie, I'm afraid. | 0:21:31 | 0:21:33 | |
Again. | 0:21:33 | 0:21:35 | |
You just keep coming back as many times as you like | 0:21:35 | 0:21:38 | |
until you get through to Round Two. | 0:21:38 | 0:21:39 | |
I will get past the first round. | 0:21:39 | 0:21:41 | |
It's been lovely having you both on. | 0:21:41 | 0:21:43 | |
Ashleigh and Jamie. Brilliant. | 0:21:43 | 0:21:45 | |
APPLAUSE | 0:21:45 | 0:21:48 | |
But for the remaining three pairs, it's now time for Round Two. | 0:21:48 | 0:21:51 | |
Well done, everyone. | 0:21:54 | 0:21:56 | |
Here we are in Round Two. | 0:21:56 | 0:21:57 | |
Now, you will have noticed one of our pairs has just disappeared. | 0:21:57 | 0:22:00 | |
At the end of this round, | 0:22:00 | 0:22:01 | |
another pair will have to disappear, I'm afraid, | 0:22:01 | 0:22:04 | |
in time for our head-to-head round. | 0:22:04 | 0:22:05 | |
But well done, all of you. | 0:22:05 | 0:22:07 | |
Particular praise to my boss, Richard, | 0:22:07 | 0:22:09 | |
for the best answer. | 0:22:09 | 0:22:11 | |
It wasn't the lowest score of the round | 0:22:11 | 0:22:13 | |
but it was the best answer of the round | 0:22:13 | 0:22:15 | |
by some margin. | 0:22:15 | 0:22:17 | |
Well done, you. | 0:22:17 | 0:22:19 | |
Best of luck to all three pairs, mainly Richard. | 0:22:19 | 0:22:21 | |
Our category for Round Two this evening is... | 0:22:21 | 0:22:24 | |
Can you all decide in your pairs | 0:22:28 | 0:22:29 | |
who's going to go first, who's going to go second? | 0:22:29 | 0:22:32 | |
And whoever is going first, please step up to the podium. | 0:22:32 | 0:22:34 | |
OK, and our question concerns... | 0:22:38 | 0:22:40 | |
-Richard. -Oh, man, Pudsey would have loved this round. | 0:22:46 | 0:22:48 | |
-I know. -Can you imagine? | 0:22:48 | 0:22:50 | |
On each board we're going to show you | 0:22:50 | 0:22:52 | |
six quotations from Shakespeare plays. | 0:22:52 | 0:22:53 | |
We've missed one word out of each quotation. | 0:22:53 | 0:22:56 | |
Can you fill in that word, please? | 0:22:56 | 0:22:57 | |
12 in all to have a go at, at home, so very best of luck. | 0:22:57 | 0:23:00 | |
Thanks very much indeed. | 0:23:00 | 0:23:01 | |
OK, so we're looking for the missing words from these quotations. | 0:23:01 | 0:23:04 | |
Here is our first board of six. | 0:23:04 | 0:23:06 | |
And we have got... | 0:23:06 | 0:23:07 | |
"And BLANK me, Kate, we will be married a Sunday." | 0:23:29 | 0:23:32 | |
LAUGHTER | 0:23:32 | 0:23:33 | |
The Taming Of the Shrew. | 0:23:33 | 0:23:36 | |
I don't know what else I could have said there, but... | 0:23:39 | 0:23:41 | |
Yeah. I'm going to read those again. | 0:23:41 | 0:23:43 | |
And "BLANK me, Kate..." | 0:24:03 | 0:24:06 | |
LAUGHTER | 0:24:06 | 0:24:08 | |
.."we will be married a Sunday," The Taming of the Shrew. | 0:24:08 | 0:24:12 | |
Nina. | 0:24:12 | 0:24:14 | |
I'm going for the one from King Lear and I think the word is serpent. | 0:24:14 | 0:24:21 | |
Serpent. "How sharper than a serpent's tooth | 0:24:21 | 0:24:23 | |
"it is to have a thankless child." | 0:24:23 | 0:24:25 | |
Let's see if that's right. | 0:24:25 | 0:24:27 | |
Let's see how many of our 100 people said that. | 0:24:27 | 0:24:29 | |
It is absolutely a serpent's tooth. | 0:24:31 | 0:24:33 | |
That was a great answer. | 0:24:38 | 0:24:39 | |
Very well done indeed. | 0:24:39 | 0:24:40 | |
-You star, you! -8 for serpent. | 0:24:40 | 0:24:43 | |
Very well played Nina. Nice answer. | 0:24:44 | 0:24:46 | |
It doesn't work when you are telling your kids off, that quotation. | 0:24:46 | 0:24:49 | |
Thanks very much. Now, Danielle. | 0:24:49 | 0:24:52 | |
All of a sudden everything you ever learned in English and drama class | 0:24:52 | 0:24:55 | |
just disappears. I'm sorry, all of my teachers at school. | 0:24:55 | 0:24:58 | |
I think I'm going to go for "A pair of star-cross'd lovers | 0:25:00 | 0:25:03 | |
-"take their life. -Lovers, says Danielle. | 0:25:03 | 0:25:06 | |
Let's see if that is right, | 0:25:06 | 0:25:07 | |
let's see how many of our 100 people went for lovers. | 0:25:07 | 0:25:10 | |
It's right. | 0:25:13 | 0:25:15 | |
But it's 79. | 0:25:15 | 0:25:17 | |
Still, it's a lot better than 100. | 0:25:17 | 0:25:19 | |
And you might well have taken something off the board | 0:25:20 | 0:25:22 | |
that David knew. So, tactically, not a bad thing to do. | 0:25:22 | 0:25:25 | |
Yeah, delivered by the Chorus in the prologue. | 0:25:25 | 0:25:27 | |
Thanks very much, Richard. | 0:25:27 | 0:25:29 | |
Now, David, this board is all yours, | 0:25:29 | 0:25:30 | |
if you wanted to go through it and fill in the blanks, | 0:25:30 | 0:25:34 | |
you'd be very welcome. | 0:25:34 | 0:25:35 | |
The ones that are left, three of them are well-known, | 0:25:35 | 0:25:38 | |
one of them less so, | 0:25:38 | 0:25:40 | |
and it's the one that's less so that I'm not 100% certain on. | 0:25:40 | 0:25:44 | |
So do I go for broke or play it safe? | 0:25:44 | 0:25:47 | |
Or maybe don't confer. | 0:25:48 | 0:25:50 | |
I don't know, you could do anything you fancy. | 0:25:50 | 0:25:53 | |
I'm not allowed to confer? | 0:25:53 | 0:25:54 | |
That the first time I've ever seen Xander not tell someone off for | 0:25:54 | 0:25:57 | |
-conferring. Weird. I don't know why. -LAUGHTER | 0:25:57 | 0:25:59 | |
So odd. | 0:26:01 | 0:26:03 | |
Why would you let that slide? | 0:26:03 | 0:26:04 | |
I'm so sorry, I was miles away. | 0:26:06 | 0:26:08 | |
OK, I'm going to go for... | 0:26:10 | 0:26:13 | |
"He that hath no reputation is less than a man." | 0:26:13 | 0:26:16 | |
"He that hath no reputation is less than a man," says David. | 0:26:16 | 0:26:19 | |
Let's see if that's right, let's see how many of our 100 people said it. | 0:26:19 | 0:26:23 | |
No, I'm afraid that's an incorrect answer, David. | 0:26:28 | 0:26:30 | |
It scores you 100 points. | 0:26:30 | 0:26:32 | |
That's a good one, though. | 0:26:32 | 0:26:33 | |
It's actually better than what Shakespeare wrote, | 0:26:33 | 0:26:35 | |
I'm going to be honest with you. | 0:26:35 | 0:26:37 | |
It's a weird one this, they could have this outside coffee shops | 0:26:37 | 0:26:40 | |
-in Shoreditch, I think. -XANDER LAUGHS | 0:26:40 | 0:26:42 | |
It is, "He that hath no beard is less than a man." | 0:26:42 | 0:26:46 | |
Would have scored you one point. | 0:26:48 | 0:26:50 | |
As you say, the other three are the more obvious ones. | 0:26:50 | 0:26:52 | |
Let's see what they would have scored. A pound of... ? | 0:26:52 | 0:26:55 | |
Flesh. Yeah, Merchant of Venice. | 0:26:55 | 0:26:57 | |
65 for that. | 0:26:57 | 0:26:59 | |
-"To be or not to be, that is the...?" -Question. | 0:26:59 | 0:27:01 | |
And that is the answer. 98 points for that. | 0:27:01 | 0:27:04 | |
98 points. | 0:27:04 | 0:27:06 | |
-And...? -Kiss. -"Kiss me, Kate, We will be married a Sunday." | 0:27:06 | 0:27:10 | |
Thank goodness for that. 33 points for that. | 0:27:10 | 0:27:13 | |
There we go. Thanks very much indeed, Richard. | 0:27:13 | 0:27:16 | |
So, we are halfway through the round. | 0:27:16 | 0:27:17 | |
Let's take a quick look at those scores. | 0:27:17 | 0:27:19 | |
Eight the best score of the pass, | 0:27:19 | 0:27:21 | |
Nina and Patti. You are looking very, very strong | 0:27:21 | 0:27:24 | |
as contenders for our head-to-head at this stage, | 0:27:24 | 0:27:26 | |
I must say. 79, Danielle and Ben. | 0:27:26 | 0:27:29 | |
And 100, David and Richard. | 0:27:29 | 0:27:30 | |
You're not that far ahead, you see. | 0:27:30 | 0:27:32 | |
Thank goodness it's Richard because that will just save the day. | 0:27:32 | 0:27:37 | |
Richard will find a lovely low-scoring answer. | 0:27:37 | 0:27:39 | |
-Very bright man. -Incredibly bright. | 0:27:39 | 0:27:42 | |
And handsome. | 0:27:42 | 0:27:43 | |
Well, we are going to come back down the line now. | 0:27:46 | 0:27:48 | |
Can the second players please step up to the podium. | 0:27:48 | 0:27:51 | |
OK, now, let's put six more incomplete quotes up on the board. | 0:27:53 | 0:27:57 | |
And here they are. | 0:27:57 | 0:27:58 | |
"I cannot tell what the BLANK his name is," | 0:28:01 | 0:28:04 | |
The Merry Wives of Windsor. LAUGHTER | 0:28:04 | 0:28:06 | |
I'm going to read those all one last time. | 0:28:21 | 0:28:23 | |
-Now then, Richard. -Yes. | 0:28:42 | 0:28:44 | |
You're the highest scorers so we need a low score from you. | 0:28:44 | 0:28:47 | |
We do, don't we? | 0:28:47 | 0:28:49 | |
I think, upon balance, I will go for - | 0:28:51 | 0:28:55 | |
"A horse! A horse! My kingdom for a horse." | 0:28:55 | 0:28:58 | |
Kingdom, says Richard. | 0:28:58 | 0:28:59 | |
No red line for you as you are the highest scorers | 0:28:59 | 0:29:01 | |
but let's see how far down the column we get with kingdom. | 0:29:01 | 0:29:04 | |
90. | 0:29:07 | 0:29:09 | |
90 for kingdom. | 0:29:09 | 0:29:11 | |
Taking your total up to 190. | 0:29:11 | 0:29:13 | |
Ooh, that is awkward. | 0:29:17 | 0:29:18 | |
-That is awkward. -THEY LAUGH | 0:29:18 | 0:29:20 | |
You very much just sent your boss home in Round Two of the show. | 0:29:20 | 0:29:24 | |
-I have. I have. -Well done. | 0:29:24 | 0:29:27 | |
It looks like you will be on this show for a few more years, then. | 0:29:27 | 0:29:31 | |
Ben. Now, good news. | 0:29:34 | 0:29:36 | |
It doesn't matter what you score, | 0:29:36 | 0:29:38 | |
you are still through to the next round. | 0:29:38 | 0:29:40 | |
But you will know loads of these, I'm sure. | 0:29:40 | 0:29:42 | |
I know one, I think. | 0:29:42 | 0:29:44 | |
"The course of true love never did run smooth." | 0:29:45 | 0:29:48 | |
OK. Ben is going to go for smooth. | 0:29:50 | 0:29:52 | |
Smooth. No red line for you as you are already through, remember, | 0:29:52 | 0:29:55 | |
so don't worry. But smooth sounds good to me. | 0:29:55 | 0:29:57 | |
Let's see if it's right. | 0:29:57 | 0:29:59 | |
Absolutely right. | 0:30:02 | 0:30:03 | |
71. | 0:30:05 | 0:30:06 | |
Takes your total up to 150. | 0:30:06 | 0:30:09 | |
Yeah, and it's yet another bit of pro-beard propaganda | 0:30:09 | 0:30:12 | |
-from Shakespeare. -Thanks very much. Now then, Patti. | 0:30:12 | 0:30:15 | |
Again you are through to the head-to-head even if you score | 0:30:15 | 0:30:18 | |
-100 points, so with that pressure off... -Yes. | 0:30:18 | 0:30:21 | |
..would you like to take us through the board and fill in as many blanks | 0:30:21 | 0:30:24 | |
-as you dare? -Oh, my goodness. | 0:30:24 | 0:30:27 | |
The ones I know are gone, so I'm going to go for... | 0:30:27 | 0:30:29 | |
"But I will wear my heart upon my... | 0:30:31 | 0:30:35 | |
-"sleeve." -Sleeve, says Patti. | 0:30:35 | 0:30:37 | |
No red line for you either because you're already through. | 0:30:37 | 0:30:40 | |
Let's see how many of our 100 people said sleeve. | 0:30:40 | 0:30:42 | |
It's right. 88. | 0:30:46 | 0:30:48 | |
My goodness, these are high-scorers. | 0:30:48 | 0:30:50 | |
Takes your total up to 96. | 0:30:50 | 0:30:52 | |
Now, we will leave the second one down for a minute. | 0:30:54 | 0:30:58 | |
"Better a witty fool than a foolish wit." | 0:30:58 | 0:31:01 | |
51. It doesn't really mean anything, Shakespeare, that in my opinion. | 0:31:01 | 0:31:05 | |
This is my favourite Shakespearean speech of all. | 0:31:05 | 0:31:08 | |
"We are such stuff as dreams are made on." | 0:31:08 | 0:31:11 | |
"And our little lives are rounded with a sleep." | 0:31:11 | 0:31:13 | |
23 points for that. | 0:31:14 | 0:31:16 | |
And it is, "I cannot tell what the..." | 0:31:16 | 0:31:18 | |
-Dickens. I cannot tell... -It is, What the Dickens. | 0:31:18 | 0:31:22 | |
I cannot tell what the Dickens. No, it's famous for being that. | 0:31:22 | 0:31:25 | |
Two points for that. | 0:31:25 | 0:31:26 | |
Long time before Charles Dickens. | 0:31:26 | 0:31:28 | |
There we are. Before Charles Dickens. | 0:31:28 | 0:31:30 | |
Thanks very much indeed, Richard. | 0:31:30 | 0:31:32 | |
So at the end of our second round, the pair we have to say goodbye to, | 0:31:32 | 0:31:35 | |
I'm afraid, Richard and David, I'm so sorry. | 0:31:35 | 0:31:37 | |
Ah... | 0:31:39 | 0:31:41 | |
I... I don't know what to say. It's been lovely having you on. | 0:31:41 | 0:31:44 | |
Will you please come back and play another time? It's been great. | 0:31:44 | 0:31:46 | |
Thank you so much. Richard and David. Superb. | 0:31:46 | 0:31:49 | |
APPLAUSE | 0:31:49 | 0:31:51 | |
But for Ben and Danielle, Patti and Nina, | 0:31:51 | 0:31:54 | |
it's now time for our head-to-head. | 0:31:54 | 0:31:56 | |
APPLAUSE | 0:31:56 | 0:32:00 | |
Congratulations, Patti and Nina, Ben and Danielle. | 0:32:00 | 0:32:02 | |
You are now one step closer to the final and the chance to play for our | 0:32:02 | 0:32:05 | |
jackpot which currently stands at £2,750. | 0:32:05 | 0:32:10 | |
So, we have to decide who is going to go through to the final | 0:32:14 | 0:32:17 | |
and play for that jackpot and we do it by making you go head-to-head. | 0:32:17 | 0:32:20 | |
But the big news is you're now allowed to confer. | 0:32:20 | 0:32:22 | |
You can talk before you give your answers out. | 0:32:22 | 0:32:25 | |
First pair to win two questions will be playing for that jackpot. | 0:32:25 | 0:32:28 | |
This is exciting. | 0:32:28 | 0:32:29 | |
It is New Faces versus Andrew Lloyd Webber musicals. | 0:32:29 | 0:32:32 | |
Brilliant. I wouldn't want to call that one. | 0:32:33 | 0:32:36 | |
PATTI LAUGHS Nuh-uh-uh-uh. | 0:32:36 | 0:32:38 | |
Very exciting indeed. Best of luck to both pairs. | 0:32:38 | 0:32:40 | |
Let's play the head-to-head. | 0:32:40 | 0:32:41 | |
Here is your first question. | 0:32:47 | 0:32:48 | |
And your first question concerns... | 0:32:48 | 0:32:51 | |
We are going to show you five pictures now of actors | 0:32:55 | 0:32:57 | |
who celebrated their 40th birthday in 2016. | 0:32:57 | 0:32:59 | |
Can you identify the most obscure of these? | 0:32:59 | 0:33:02 | |
Thanks very much. Let's reveal our five actors. | 0:33:02 | 0:33:04 | |
And here they come. | 0:33:04 | 0:33:06 | |
We have got... | 0:33:06 | 0:33:08 | |
There we are. Five actors who celebrated their 40th birthdays | 0:33:29 | 0:33:34 | |
in the last 12 months, at time of recording. | 0:33:34 | 0:33:37 | |
Now, Patti and Nina, you've been our low scorers so far, | 0:33:37 | 0:33:39 | |
so you will go first. | 0:33:39 | 0:33:41 | |
-Right, which shall we go for? -THEY WHISPER | 0:33:41 | 0:33:43 | |
We are going to go for E. | 0:33:49 | 0:33:52 | |
And we are striking out because this is a tricky one. | 0:33:52 | 0:33:56 | |
Mark Gatiss. | 0:33:56 | 0:33:57 | |
Mark Gatiss say Patti and Nina for E. | 0:33:58 | 0:34:00 | |
Mark Gatiss. Now then, | 0:34:00 | 0:34:02 | |
Ben and Danielle. | 0:34:02 | 0:34:04 | |
-Are you sure? -Yes. | 0:34:04 | 0:34:06 | |
-Benedict Cumberbatch. -For? -B. | 0:34:06 | 0:34:09 | |
-B. -B. Benedict Cumberbatch for B. | 0:34:09 | 0:34:11 | |
So Patti and Nina have gone for Mark Gatiss for E. | 0:34:11 | 0:34:16 | |
Mark Gatiss. You say Mark Gatiss. | 0:34:16 | 0:34:17 | |
I say Gay-tiss, you say Gatt-tiss. | 0:34:17 | 0:34:19 | |
I think you can probably say what you like. | 0:34:19 | 0:34:21 | |
Let's see if it's right, let's see how many of our 100 people | 0:34:21 | 0:34:23 | |
went with Mark Gatiss for E. | 0:34:23 | 0:34:25 | |
I'm sorry. It's not Mark Gatiss. | 0:34:31 | 0:34:34 | |
-Isn't it? -No, there is a link. | 0:34:34 | 0:34:36 | |
But it's not Mark Gatiss. | 0:34:36 | 0:34:38 | |
Ben and Danielle, which means you merely have to be correct | 0:34:38 | 0:34:40 | |
with Benedict Cumberbatch for B, | 0:34:40 | 0:34:43 | |
and you win the point. Let's see. | 0:34:43 | 0:34:45 | |
Is Benedict Cumberbatch right? | 0:34:45 | 0:34:46 | |
It is. Very well done indeed. | 0:34:50 | 0:34:52 | |
You see, that paid off. | 0:34:52 | 0:34:54 | |
41. | 0:34:55 | 0:34:56 | |
And it means, Ben and Danielle, after one question, you are up 1-0. | 0:34:56 | 0:35:00 | |
Yes, it's literally Sherlock Holmes and the mystery of Mark Gatiss. | 0:35:01 | 0:35:04 | |
Benedict Cumberbatch is Sherlock Holmes, | 0:35:04 | 0:35:06 | |
Mark Gatiss is Mycroft Holmes. | 0:35:06 | 0:35:07 | |
He plays his brother. | 0:35:07 | 0:35:09 | |
And this is Andrew Scott. | 0:35:09 | 0:35:11 | |
He plays Moriarty. | 0:35:11 | 0:35:13 | |
He plays his arch nemesis. | 0:35:13 | 0:35:15 | |
Five points for that. Very well done if you said that at home. | 0:35:15 | 0:35:17 | |
I know Sherlock fans would have got it. | 0:35:17 | 0:35:19 | |
-A is... -Reese Witherspoon. -..Reese Witherspoon. | 0:35:19 | 0:35:22 | |
Would have scored you 19. | 0:35:22 | 0:35:24 | |
C is Naomie Harris. | 0:35:25 | 0:35:27 | |
Naomie Harris which would have scored you three points. | 0:35:27 | 0:35:30 | |
Terrific answer if you got that. And D is Colin Farrell. | 0:35:30 | 0:35:33 | |
Would have scored you fewer points than Benedict. | 0:35:34 | 0:35:37 | |
Would have scored you 27 points. | 0:35:37 | 0:35:38 | |
Thanks very much indeed. Here comes your second question. | 0:35:38 | 0:35:41 | |
Ben and Danielle, you get to answer this one first, | 0:35:41 | 0:35:43 | |
but Patti and Nina, we need you to win this one to stay in the game, | 0:35:43 | 0:35:46 | |
so very best of luck. It concerns... | 0:35:46 | 0:35:48 | |
-Richard. -We are going to play you five songs now from Disney films, | 0:35:51 | 0:35:55 | |
we need you to tell us the name of the films that these songs | 0:35:55 | 0:35:58 | |
-come from, please. -OK, let's have a listen to our five songs. | 0:35:58 | 0:36:02 | |
And here they come. We have got - A. | 0:36:02 | 0:36:04 | |
# Flipping your fins you don't get too far | 0:36:04 | 0:36:08 | |
# Legs are required for jumping, dancing | 0:36:08 | 0:36:11 | |
# Strolling along down a... What's that word again? | 0:36:11 | 0:36:16 | |
# Street | 0:36:16 | 0:36:18 | |
# Up where they walk Up where they run | 0:36:18 | 0:36:21 | |
# Up where they stay all day in the sun | 0:36:21 | 0:36:25 | |
# Wondering free | 0:36:25 | 0:36:27 | |
# Wish I could be | 0:36:27 | 0:36:29 | |
# Part of that world. # | 0:36:29 | 0:36:32 | |
We were tempted to play the whole film, in fact. | 0:36:33 | 0:36:37 | |
Let's go to B. | 0:36:37 | 0:36:38 | |
# Conceal don't feel | 0:36:39 | 0:36:41 | |
# Don't let them know | 0:36:41 | 0:36:45 | |
# Well, now they know | 0:36:45 | 0:36:48 | |
# Let it go | 0:36:48 | 0:36:50 | |
# Let it go | 0:36:50 | 0:36:52 | |
# Can't hold it back any more | 0:36:52 | 0:36:55 | |
# Let it go | 0:36:55 | 0:36:57 | |
# Let it go | 0:36:57 | 0:36:59 | |
# Turn away and slam the door... # | 0:36:59 | 0:37:02 | |
C. | 0:37:04 | 0:37:05 | |
# I want to be a man, man cub | 0:37:06 | 0:37:09 | |
# And stroll right into town | 0:37:09 | 0:37:11 | |
# And be just like the other men | 0:37:11 | 0:37:14 | |
# I'm tired of monkeying around | 0:37:14 | 0:37:16 | |
-# Oh-oobee-doo -Ooh-do-wee | 0:37:16 | 0:37:18 | |
-# I want to be like you-oo-oo -Hoop-do-oobee-do-wa | 0:37:18 | 0:37:21 | |
# I want to walk like you | 0:37:21 | 0:37:22 | |
# Talk like you, too. # | 0:37:22 | 0:37:25 | |
D. | 0:37:27 | 0:37:29 | |
# I can open your eyes | 0:37:29 | 0:37:32 | |
# Take you wonder by wonder | 0:37:32 | 0:37:36 | |
# Over sideways and under | 0:37:36 | 0:37:39 | |
# On a magic carpet ride | 0:37:39 | 0:37:42 | |
# A whole new world | 0:37:42 | 0:37:46 | |
# A new fantastic point of view... # | 0:37:46 | 0:37:50 | |
And E. | 0:37:51 | 0:37:53 | |
# Mmm, I'm almost there | 0:37:54 | 0:37:56 | |
# People down here think I'm crazy | 0:37:56 | 0:38:00 | |
# But I don't care | 0:38:00 | 0:38:03 | |
# Trials and tribulations | 0:38:03 | 0:38:06 | |
# I've had my share | 0:38:06 | 0:38:09 | |
# There ain't nothing going to stop me now | 0:38:09 | 0:38:11 | |
# Cos I'm almost there... # | 0:38:11 | 0:38:14 | |
That was sweet, wasn't it? Watching Ben and Danielle knowing | 0:38:16 | 0:38:19 | |
all the words and all the moves to every single one of those. | 0:38:19 | 0:38:21 | |
Which one would you like to go for? | 0:38:21 | 0:38:23 | |
All of them are wonderful and very well known. | 0:38:23 | 0:38:27 | |
I'm going to go with my opinion of the most obscure which is E, | 0:38:27 | 0:38:30 | |
which is The Princess And The Frog. | 0:38:30 | 0:38:32 | |
E, The Princess And The Frog, say Ben and Danielle. | 0:38:32 | 0:38:35 | |
-Do you need the song title? -No, we do not. | 0:38:35 | 0:38:37 | |
Now, Patti and Nina... PATTI AND NINA GROAN | 0:38:37 | 0:38:40 | |
..talk us through the other songs. | 0:38:40 | 0:38:42 | |
B is Frozen. | 0:38:42 | 0:38:43 | |
Was that right, yeah? | 0:38:44 | 0:38:46 | |
Yeah, and A is Little Mermaid. | 0:38:46 | 0:38:50 | |
C is Jungle Book | 0:38:50 | 0:38:52 | |
and D - Aladdin? | 0:38:52 | 0:38:55 | |
I think I'll go with you. I'll go for D. | 0:38:55 | 0:38:58 | |
OK, D, Aladdin. | 0:38:58 | 0:38:59 | |
So we have The Princess And The Frog and we have Aladdin. | 0:38:59 | 0:39:02 | |
Now then, Ben and Danielle said The Princess And The Frog. | 0:39:02 | 0:39:05 | |
Let's see if that is right for E and let's see how many people said it. | 0:39:05 | 0:39:08 | |
It's right. | 0:39:12 | 0:39:13 | |
Down it goes to three. | 0:39:18 | 0:39:20 | |
Fantastic! Very well done indeed. | 0:39:20 | 0:39:23 | |
Now... | 0:39:23 | 0:39:24 | |
..Patti and Nina | 0:39:27 | 0:39:29 | |
have said that D was Aladdin. | 0:39:29 | 0:39:31 | |
Let's see if that's right, | 0:39:31 | 0:39:33 | |
let's see how many of our 100 people said Aladdin. | 0:39:33 | 0:39:35 | |
It is indeed Aladdin. | 0:39:37 | 0:39:39 | |
Where is that going to go down to? | 0:39:41 | 0:39:42 | |
-33. -Well done, guys. | 0:39:42 | 0:39:45 | |
And that means, very well done indeed, Ben and Danielle. | 0:39:45 | 0:39:49 | |
After only two questions, you're through to the final 2-0. | 0:39:49 | 0:39:52 | |
That turned out very nicely, didn't it? | 0:39:52 | 0:39:54 | |
I think everyone knew everything there, | 0:39:54 | 0:39:55 | |
but you couldn't have beaten the Princess and the Frog. | 0:39:55 | 0:39:58 | |
It is a terrific answer. The next best answer was A, | 0:39:58 | 0:40:00 | |
which was The Little Mermaid. | 0:40:00 | 0:40:02 | |
that would have scored you 11. | 0:40:02 | 0:40:03 | |
You would have got 49 for Frozen. | 0:40:03 | 0:40:06 | |
Let It Go, the song there. | 0:40:07 | 0:40:09 | |
And the biggest scorer was The Jungle Book. | 0:40:09 | 0:40:12 | |
That would have scored you 60. | 0:40:12 | 0:40:13 | |
Thanks very much indeed, Richard. | 0:40:15 | 0:40:16 | |
So, the pair leaving us at the end of our head-to-head around, | 0:40:16 | 0:40:19 | |
I'm afraid, Patti and Nina, | 0:40:19 | 0:40:20 | |
you have been our low scorers up to this point. | 0:40:20 | 0:40:22 | |
I should have said Colin Farrell, I knew it. | 0:40:22 | 0:40:24 | |
-I apologise. -No, no, no. | 0:40:26 | 0:40:28 | |
You did the right thing, you did exactly what we want people to do | 0:40:28 | 0:40:31 | |
which is to just test yourselves and go a little bit... | 0:40:31 | 0:40:34 | |
-You have to find something obscure. -Absolutely. | 0:40:34 | 0:40:36 | |
You sort of must have known, you knew it was Andrew Scott, I'm sure. | 0:40:36 | 0:40:39 | |
Anyway, it has been lovely having you on again, Nina. | 0:40:39 | 0:40:42 | |
-Wonderful to have you on for the first time, Patti. -Thank you. | 0:40:42 | 0:40:44 | |
-Please come back and play again. -It has been great fun. Thank you. | 0:40:44 | 0:40:47 | |
Thank you so much, Patti and Nina. | 0:40:47 | 0:40:49 | |
APPLAUSE | 0:40:49 | 0:40:52 | |
But for Ben and Danielle, it's now time for our Pointless final. | 0:40:52 | 0:40:55 | |
Well, congratulations, Ben and Danielle. | 0:40:59 | 0:41:01 | |
You have seen off all the competition and you have won | 0:41:01 | 0:41:04 | |
our coveted Pointless trophy. | 0:41:04 | 0:41:06 | |
-BOTH: -Yes! | 0:41:11 | 0:41:12 | |
You now have a chance to win our Pointless jackpot for your charities. | 0:41:12 | 0:41:16 | |
At the end of today's show the jackpot is standing at £2,750. | 0:41:16 | 0:41:19 | |
What about that? In our 'talent show' show, you have seen off | 0:41:22 | 0:41:27 | |
Britain's Got Talent, you've seen off New Faces | 0:41:27 | 0:41:30 | |
and you've seen off Fame Academy. | 0:41:30 | 0:41:32 | |
Does that mean we are officially the most talented? | 0:41:32 | 0:41:34 | |
-I think it does. -We will just go with it. -I'll take that. | 0:41:34 | 0:41:38 | |
Fantastic. Brilliant. 2-0 in the head-to-head. | 0:41:38 | 0:41:41 | |
As always, what happens in this round is we put four | 0:41:41 | 0:41:44 | |
impossible-seeming categories up there, | 0:41:44 | 0:41:46 | |
you know that behind each one of those will be three subsections. | 0:41:46 | 0:41:48 | |
So there will be more questions and at least one of those three, | 0:41:48 | 0:41:51 | |
I hope, will be kind. But let's see what today's choices look like. | 0:41:51 | 0:41:54 | |
We've got... | 0:41:54 | 0:41:55 | |
For me, it would be between US Soul Singers | 0:42:05 | 0:42:08 | |
and the Year 2012. | 0:42:08 | 0:42:10 | |
That's my two things as well. | 0:42:10 | 0:42:12 | |
Although the Olympics might be in that and I'm not that... | 0:42:12 | 0:42:15 | |
I'm not good on the athletes' names and things but then I'm not good at | 0:42:15 | 0:42:18 | |
names in general. | 0:42:18 | 0:42:19 | |
I feel like I don't know enough about US soul singers, | 0:42:20 | 0:42:22 | |
whereas 2012 might not just be the Olympics. | 0:42:22 | 0:42:25 | |
I know. OK, let's do that. | 0:42:25 | 0:42:26 | |
It's just so open cos I don't know enough about the rest. | 0:42:26 | 0:42:28 | |
-OK. 2012 it is. Richard. -OK, three very different questions here. | 0:42:28 | 0:42:32 | |
I hope one of these suits you. | 0:42:32 | 0:42:33 | |
We are looking for, | 0:42:33 | 0:42:34 | |
any of the 18 players named in the Team GB football squad for the 2012 | 0:42:34 | 0:42:39 | |
Olympics. We are looking for any act or artist on the 2012 album | 0:42:39 | 0:42:44 | |
Now That's What I Call Music! 82. | 0:42:44 | 0:42:47 | |
And we are looking for any of the 25 towns shortlisted | 0:42:47 | 0:42:50 | |
for the 2012 city status upgrade. | 0:42:50 | 0:42:53 | |
So players in the GB football squad from 2012, | 0:42:53 | 0:42:56 | |
artists on Now That's What I Call Music, | 0:42:56 | 0:42:58 | |
or any town shortlisted to become a city in 2012. | 0:42:58 | 0:43:02 | |
-Very best of luck. -Thanks very much indeed. | 0:43:02 | 0:43:05 | |
Now, as always, you've got up to one minute to come up with three | 0:43:05 | 0:43:07 | |
answers and all you need to win that jackpot is for just one of those | 0:43:07 | 0:43:10 | |
-answers to be pointless. Are you ready? -Yes. -Think so. | 0:43:10 | 0:43:13 | |
OK, let's put 60 seconds up on the clock. | 0:43:13 | 0:43:15 | |
There they are. Your time starts now. | 0:43:15 | 0:43:17 | |
I don't know anything about football. | 0:43:17 | 0:43:18 | |
Neither do I. OK, so you won Jesus Christ Superstar 2012, | 0:43:18 | 0:43:21 | |
can you remember what you were listening to on your iPod | 0:43:21 | 0:43:24 | |
-or singles that came out? -Not particularly. | 0:43:24 | 0:43:26 | |
-Emeli Sande brought out the Olympics song... -Yes. | 0:43:26 | 0:43:29 | |
-..and that was her big single in 2012. -Yeah. | 0:43:29 | 0:43:32 | |
-Read All About It. -Yeah. So I would say Emeli Sande. | 0:43:32 | 0:43:34 | |
-I know that is going to be popular but... -Yeah, yeah, yeah. | 0:43:34 | 0:43:37 | |
Any town shortlisted for a city status upgrade. | 0:43:37 | 0:43:40 | |
-I wouldn't really know that. -We need to hit some more artists. | 0:43:40 | 0:43:42 | |
-Let's do artists. -OK. | 0:43:42 | 0:43:44 | |
So we've got | 0:43:44 | 0:43:46 | |
Emeli Sande. | 0:43:46 | 0:43:47 | |
It doesn't even have to be new artists. Let's do one... | 0:43:48 | 0:43:51 | |
One Direction is kind of... | 0:43:51 | 0:43:53 | |
We've only got ten seconds. | 0:43:53 | 0:43:54 | |
-One Direction. -They would have been on that. | 0:43:54 | 0:43:57 | |
-Ariana Grande, was she around then? -Probably, yeah. | 0:43:57 | 0:43:59 | |
Shall we go for those three? | 0:43:59 | 0:44:01 | |
-Can you think of... -? Yeah. Adele was before that, wasn't she? | 0:44:01 | 0:44:04 | |
Er...Sia? | 0:44:04 | 0:44:06 | |
Ten seconds left. | 0:44:06 | 0:44:07 | |
Shall we swap One Direction for Sia? | 0:44:08 | 0:44:10 | |
So Emeli Sande, Sia, and what was the one I just said? | 0:44:10 | 0:44:14 | |
OK, that is your time up. | 0:44:17 | 0:44:20 | |
Let's have your three answers. | 0:44:20 | 0:44:22 | |
-OK. -And if you say which category you are answering. | 0:44:22 | 0:44:25 | |
OK, so we are answering - Artists on the 2012 album | 0:44:25 | 0:44:27 | |
-Now That's What I Call Music! -For all three of them? -All three. | 0:44:27 | 0:44:29 | |
OK, and your artists are? | 0:44:29 | 0:44:30 | |
-Emeli Sande. -Emeli Sande. | 0:44:30 | 0:44:32 | |
-Sia. -Sia. | 0:44:32 | 0:44:35 | |
-And Ariana Grande. -Ariana Grande. | 0:44:35 | 0:44:38 | |
OK. Of those three, which do you think is your best shot | 0:44:38 | 0:44:40 | |
-at a pointless answer? -Maybe Ariana Grande. | 0:44:40 | 0:44:42 | |
Yeah, because she was quite new. | 0:44:42 | 0:44:44 | |
Ariana Grande we will put last. | 0:44:44 | 0:44:45 | |
Least likely to be pointless? | 0:44:45 | 0:44:47 | |
-Emeli Sande. -Emeli Sande was the big one. | 0:44:47 | 0:44:49 | |
OK, we'll pop those up on the board in that order. And here they are. | 0:44:49 | 0:44:53 | |
Well, three good answers on the board there. | 0:44:58 | 0:45:00 | |
Now, if one of these turns out to be pointless and you win that jackpot, | 0:45:00 | 0:45:03 | |
which charities are you playing for? | 0:45:03 | 0:45:05 | |
-Ben first. -My charity is an incredible small charity | 0:45:05 | 0:45:09 | |
called Scotty's Little Soldiers, | 0:45:09 | 0:45:10 | |
which supports the bereaved children of our military personnel | 0:45:10 | 0:45:14 | |
if they are lost in the field during war or on call. | 0:45:14 | 0:45:18 | |
So it's a lovely charity and I'd really like to support them. | 0:45:18 | 0:45:21 | |
-Excellent. Danielle? -Mine is the Make A Wish charity. | 0:45:21 | 0:45:24 | |
I was lucky enough to go and perform at one of their events whilst I was | 0:45:24 | 0:45:27 | |
doing The Wizard of Oz. | 0:45:27 | 0:45:29 | |
And they do incredible parties, | 0:45:29 | 0:45:30 | |
events and trips and things for all different kinds of children | 0:45:30 | 0:45:34 | |
who may be sick or disabled. | 0:45:34 | 0:45:37 | |
And for their whole families it's a real amazing chance to bring | 0:45:37 | 0:45:39 | |
-them all together. -Wonderful. Two excellent charities there. | 0:45:39 | 0:45:42 | |
Fingers crossed one of these answers will be pointless | 0:45:44 | 0:45:47 | |
and will win that jackpot. It's a lovely jackpot. | 0:45:47 | 0:45:49 | |
£2,750. | 0:45:49 | 0:45:51 | |
Fingers crossed. Your first answer was Emeli Sande. | 0:45:51 | 0:45:54 | |
In all three cases we are looking for artists who featured on | 0:45:54 | 0:45:57 | |
Now That's What I Call Music! 82, | 0:45:57 | 0:45:59 | |
which was the one relevant to 2012. | 0:45:59 | 0:46:01 | |
The one you thought was probably least likely to be pointless | 0:46:01 | 0:46:04 | |
was Emeli Sande. | 0:46:04 | 0:46:05 | |
Only one of these has to be pointless, remember, | 0:46:06 | 0:46:08 | |
for you to win that jackpot. Let's find out, for £2,750, | 0:46:08 | 0:46:11 | |
how many of our 100 people said Emeli Sande. | 0:46:11 | 0:46:13 | |
Is it pointless? | 0:46:13 | 0:46:15 | |
It's right. | 0:46:19 | 0:46:21 | |
Emeli Sande absolutely right. | 0:46:21 | 0:46:22 | |
Now, if Emeli Sande takes us down to zero, you will leave | 0:46:22 | 0:46:25 | |
with that jackpot for your charity. | 0:46:25 | 0:46:27 | |
Down goes Emeli Sande into single figures. | 0:46:27 | 0:46:29 | |
Still going down, still going down, still going down. | 0:46:29 | 0:46:32 | |
Got it! | 0:46:32 | 0:46:33 | |
-Very well done. -Oh, my God. | 0:46:34 | 0:46:38 | |
APPLAUSE | 0:46:38 | 0:46:41 | |
Oh, brilliant. | 0:46:41 | 0:46:42 | |
Look at that! Congratulations. | 0:46:45 | 0:46:47 | |
Emeli Sande is a pointless answer, | 0:46:48 | 0:46:50 | |
which means you go home with that £2,750 jackpot for your charities. | 0:46:50 | 0:46:56 | |
Brilliant. Ben and Danielle. | 0:46:56 | 0:46:58 | |
APPLAUSE | 0:46:58 | 0:47:01 | |
That is amazing. | 0:47:03 | 0:47:04 | |
Congratulations. | 0:47:04 | 0:47:05 | |
Very, very well played. | 0:47:05 | 0:47:07 | |
Yeah, My Kind Of Love was the Emeli Sande track on that album. | 0:47:07 | 0:47:10 | |
Sia and Ariana Grande both wrong. | 0:47:10 | 0:47:13 | |
-Oh. -So thank you very much, Emeli Sande. | 0:47:13 | 0:47:16 | |
Terrific stuff. | 0:47:16 | 0:47:17 | |
Lots and lots of pointless answers on that first category. | 0:47:17 | 0:47:19 | |
Actually, lots of pointless answers on all of these. | 0:47:19 | 0:47:22 | |
Let's take a look at some of them. | 0:47:22 | 0:47:23 | |
Also could have had Craig Dawson, | 0:47:27 | 0:47:29 | |
Jack Cork, Jason Steele and Neil Taylor. | 0:47:29 | 0:47:31 | |
Very well done, football fans who got any of those at home. | 0:47:31 | 0:47:34 | |
Let's move on now. | 0:47:34 | 0:47:35 | |
You could have had Azealia Banks, Carly Rae Jepsen, David Guetta, | 0:47:41 | 0:47:45 | |
Janelle Monae, John Newman, Labrinth, Lawson, Nicki Minaj, | 0:47:45 | 0:47:48 | |
Paloma Faith, Plan B, | 0:47:48 | 0:47:49 | |
Rudimental, Scissor Sisters were there, | 0:47:49 | 0:47:51 | |
like they were at the start of the show. | 0:47:51 | 0:47:53 | |
As are The Wanted, actually. will.i.am, Wiz Khalifa, | 0:47:53 | 0:47:55 | |
Swedish House Mafia, Taio Cruz. All of them pointless answers. | 0:47:55 | 0:47:58 | |
Well done if you said one of those. | 0:47:58 | 0:48:00 | |
And the towns that tried to become cities in 2012. | 0:48:00 | 0:48:02 | |
Bournemouth, Corby, Craigavon, Croydon, Dorchester, Dudley, | 0:48:07 | 0:48:09 | |
Gateshead, Goole, St Austell and Stockport. | 0:48:09 | 0:48:11 | |
Loads of pointless answers in all the categories there. | 0:48:11 | 0:48:14 | |
There's only one we care about, and that's Emeli Sande. | 0:48:14 | 0:48:16 | |
-Congratulations. -Thank you very much indeed and thanks once again to our | 0:48:16 | 0:48:19 | |
winning players, Ben and Danielle, | 0:48:19 | 0:48:21 | |
who go away with today's jackpot of £2,750 for their charities. | 0:48:21 | 0:48:25 | |
Very well done indeed. | 0:48:25 | 0:48:26 | |
APPLAUSE | 0:48:26 | 0:48:30 | |
Well, join us next time when we'll be putting more obscure knowledge | 0:48:30 | 0:48:32 | |
to the test on Pointless. | 0:48:32 | 0:48:34 | |
-Meanwhile, it's goodbye from Richard... -Goodbye. | 0:48:34 | 0:48:36 | |
..and it's goodbye from me. Goodbye. | 0:48:36 | 0:48:38 | |
APPLAUSE | 0:48:38 | 0:48:40 |