Browse content similar to News. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:13 | 0:00:16 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong | 0:00:22 | 0:00:25 | |
and welcome to this special news edition of Pointless Celebrities, | 0:00:25 | 0:00:28 | |
the show that puts obscure knowledge to the test. | 0:00:28 | 0:00:31 | |
Let's meet today's Pointless celebrities. | 0:00:31 | 0:00:33 | |
APPLAUSE | 0:00:33 | 0:00:36 | |
-Couple number one. -I'm Alastair Stewart and I'm an ITV newsreader. | 0:00:38 | 0:00:42 | |
I'm Charlene White and I'm also an ITV newsreader. | 0:00:42 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:48 | |
Couple number two. | 0:00:48 | 0:00:50 | |
I'm Nick Robinson. I'm a presenter of Radio 4's Today programme. | 0:00:50 | 0:00:54 | |
And I'm Emily Maitlis and I work for BBC Newsnight. | 0:00:54 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:01:01 | |
Couple number three. | 0:01:01 | 0:01:03 | |
I'm Cathy Newman and I present Channel 4 News. | 0:01:03 | 0:01:06 | |
I'm Rageh Omaar and I'm a presenter and reporter for ITV News. | 0:01:06 | 0:01:09 | |
APPLAUSE | 0:01:09 | 0:01:12 | |
-And, finally, couple number four. -I'm Piers Morgan. | 0:01:14 | 0:01:16 | |
I am currently the co-host of Good Morning Britain, | 0:01:16 | 0:01:19 | |
although by the time this airs, that is unlikely to be the case. | 0:01:19 | 0:01:22 | |
I'm Susanna Reid. I'm also on Good Morning Britain, | 0:01:22 | 0:01:26 | |
but sometimes I'm just a guest on the Piers Morgan Show. | 0:01:26 | 0:01:30 | |
LAUGHTER AND APPLAUSE | 0:01:30 | 0:01:33 | |
Thanks very much, all of you. A very warm welcome to Pointless. | 0:01:33 | 0:01:36 | |
We'll get to chat to each of you throughout the show | 0:01:36 | 0:01:38 | |
as it goes along. That just leaves one more person for me to introduce. | 0:01:38 | 0:01:41 | |
He's the man who knows what's what | 0:01:41 | 0:01:43 | |
and he can get our editors' names in before the pips. | 0:01:43 | 0:01:45 | |
It's my Pointless friend, it's Richard. | 0:01:45 | 0:01:47 | |
Hiya. Hi, everybody. Good evening. | 0:01:47 | 0:01:51 | |
APPLAUSE | 0:01:51 | 0:01:53 | |
-Good evening to you. -Good evening. | 0:01:53 | 0:01:55 | |
-I'm so excited about this one, are you? -So much, yes. -What a line-up. | 0:01:55 | 0:01:59 | |
The most competitive shows we ever do | 0:01:59 | 0:02:01 | |
are when we have sports stars on, normally. | 0:02:01 | 0:02:04 | |
But walking up and down the line beforehand, | 0:02:04 | 0:02:05 | |
I think this might be even more brutal. | 0:02:05 | 0:02:08 | |
This might be like an episode of Game Of Thrones, I think, | 0:02:08 | 0:02:11 | |
-this evening, don't you think? -LAUGHTER | 0:02:11 | 0:02:13 | |
But it's going to be great, isn't it? | 0:02:13 | 0:02:15 | |
Fantastic. Thank you very much, Richard. | 0:02:15 | 0:02:17 | |
As usual, all of today's questions | 0:02:17 | 0:02:18 | |
have been put to 100 people before the show. | 0:02:18 | 0:02:20 | |
Our contestants are looking for those all-important pointless answers, | 0:02:20 | 0:02:23 | |
these being answers that none of our 100 people gave. | 0:02:23 | 0:02:25 | |
Find of those and we will add £250 to the jackpot. | 0:02:25 | 0:02:28 | |
Now, as today's show is a celebrity special, | 0:02:28 | 0:02:30 | |
each of our celebrities is playing for a nominated charity, | 0:02:30 | 0:02:33 | |
we start off with a jackpot of £2,500. There we are. | 0:02:33 | 0:02:36 | |
APPLAUSE | 0:02:36 | 0:02:39 | |
Right, if everyone's ready, let's play Pointless. | 0:02:39 | 0:02:42 | |
APPLAUSE | 0:02:42 | 0:02:46 | |
Here's the thing. Here is the thing. | 0:02:48 | 0:02:50 | |
The pair with the highest score at the end of each round | 0:02:50 | 0:02:53 | |
will be eliminated. That's it. | 0:02:53 | 0:02:55 | |
Just keep your score nice and low and you'll be fine. | 0:02:55 | 0:02:58 | |
Best of luck to all four pairs. Our first category this evening is... | 0:02:58 | 0:03:02 | |
Words. | 0:03:04 | 0:03:06 | |
Can you decide in your pairs who's going first, who's going second. | 0:03:06 | 0:03:09 | |
Whoever's going first, please step up to the podium. | 0:03:09 | 0:03:12 | |
Let's find out what the question is. | 0:03:15 | 0:03:17 | |
We gave 100 people 100 seconds to name... | 0:03:17 | 0:03:21 | |
Words ending in "DLE". | 0:03:26 | 0:03:28 | |
Simply looking for any word which has its own entry | 0:03:28 | 0:03:31 | |
in the British and World English section | 0:03:31 | 0:03:33 | |
of oxforddictionaries.com that ends "DLE". | 0:03:33 | 0:03:36 | |
As always, no proper nouns, no hyphenated words. | 0:03:36 | 0:03:39 | |
Loads of pointless answers out there as well. | 0:03:39 | 0:03:42 | |
Thank you very much. Alastair, very warm welcome to Pointless. | 0:03:42 | 0:03:46 | |
-Thank you. -Good to have you here. | 0:03:46 | 0:03:48 | |
Over the years, you have broken a great many stories. | 0:03:48 | 0:03:50 | |
You've been the person on the scene | 0:03:50 | 0:03:52 | |
when all sorts of events have unfolded. | 0:03:52 | 0:03:54 | |
Do you have any particular favourites, | 0:03:54 | 0:03:56 | |
any ones that stand out in your memory? | 0:03:56 | 0:03:58 | |
I think the Berlin Wall in 1989 is the one that stands out. | 0:03:58 | 0:04:02 | |
My father was in the Royal Air Force and he'd been in Bomber Command, | 0:04:02 | 0:04:05 | |
so we grew up with the bombers, with nuclear weapons | 0:04:05 | 0:04:08 | |
at the bottom of our garden, quite literally. | 0:04:08 | 0:04:10 | |
So, to stand there in '89 and see the Wall come down | 0:04:10 | 0:04:13 | |
and the possibility of some kind of rapprochement | 0:04:13 | 0:04:15 | |
was really very moving. | 0:04:15 | 0:04:17 | |
And then to see the faces of all of those young people in East Berlin | 0:04:17 | 0:04:20 | |
finally win the day, it was amazing, and that will live with me. | 0:04:20 | 0:04:24 | |
-Incredible. Now, words ending "DLE", Alastair. -Yeah. | 0:04:24 | 0:04:27 | |
I'm going to go with "twaddle." | 0:04:27 | 0:04:30 | |
"Twaddle," says Alastair. Our first answer of the show, "twaddle." | 0:04:30 | 0:04:33 | |
Let's see how many of our 100 people said "twaddle". | 0:04:33 | 0:04:36 | |
Very well done indeed, Alastair. "Twaddle." | 0:04:45 | 0:04:47 | |
APPLAUSE | 0:04:47 | 0:04:49 | |
1. | 0:04:49 | 0:04:51 | |
Fantastic start to the round and, indeed, the show. "Twaddle." | 0:04:51 | 0:04:54 | |
Yeah, that's a terrific answer, Alastair. | 0:04:54 | 0:04:56 | |
So tough on that first podium to come up with stuff. | 0:04:56 | 0:04:58 | |
Foolish speech, "twaddle". | 0:04:58 | 0:05:00 | |
Now, Nick, welcome to Pointless. | 0:05:00 | 0:05:03 | |
As such an affable person, | 0:05:03 | 0:05:05 | |
you have a great skill for getting up certain people's noses. | 0:05:05 | 0:05:08 | |
-Off the top of my head, well, George W Bush, let's not forget. -Yeah. | 0:05:08 | 0:05:12 | |
Alex Salmond, let's not forget. What's behind this? | 0:05:12 | 0:05:16 | |
You're just a very, very persistent questioner. | 0:05:16 | 0:05:19 | |
I think, possibly, being what we call, where I'm from, | 0:05:19 | 0:05:21 | |
being arsey - that's probably the reason. | 0:05:21 | 0:05:24 | |
I constantly was asking George Bush a series of questions | 0:05:24 | 0:05:26 | |
he didn't really want asked, | 0:05:26 | 0:05:28 | |
like was he in denial about the Iraq War, | 0:05:28 | 0:05:30 | |
which he took a little bit of offence to. | 0:05:30 | 0:05:32 | |
And then I thought, slightly offensively in return, on a hot day | 0:05:32 | 0:05:35 | |
when I was at a news conference, out in the sunshine, mopping my brow | 0:05:35 | 0:05:40 | |
he turned to me and said, | 0:05:40 | 0:05:41 | |
"Next time, you should cover your bald head." | 0:05:41 | 0:05:43 | |
-LAUGHTER -Which told me. | 0:05:43 | 0:05:45 | |
Wow, what about that? | 0:05:45 | 0:05:48 | |
Anyway, Nick, you've had a little bit longer than Alastair. "DLE". | 0:05:48 | 0:05:53 | |
I'm going for the American theme. "Panhandle." | 0:05:53 | 0:05:57 | |
"Panhandle." Let's see if that's right, | 0:05:57 | 0:05:59 | |
let's see how many of our 100 people said panhandle. | 0:05:59 | 0:06:02 | |
-Is it a word? -It's a word. Look at that. | 0:06:03 | 0:06:05 | |
Pointless! There we are, Nick. | 0:06:11 | 0:06:13 | |
A pointless answer adds £250 to our jackpot, | 0:06:13 | 0:06:15 | |
taking our total up to £2,750. | 0:06:15 | 0:06:18 | |
APPLAUSE | 0:06:18 | 0:06:20 | |
It scores you nothing and earns you considerable kudos. | 0:06:20 | 0:06:23 | |
We did say it was going to be competitive, didn't we? | 0:06:23 | 0:06:26 | |
LAUGHTER | 0:06:26 | 0:06:27 | |
"Panhandle". It's a word for a strip of land | 0:06:27 | 0:06:30 | |
-between one territory and another. "Panhandle". -Thank you, Richard. | 0:06:30 | 0:06:34 | |
-Now, Rageh, great to have you here. -Thank you. | 0:06:34 | 0:06:38 | |
Now, one of our most famous foreign correspondents. | 0:06:38 | 0:06:42 | |
-Do you miss being out in the cut and thrust? -A little bit. | 0:06:42 | 0:06:46 | |
I miss the camaraderie, because it is a very competitive industry, | 0:06:46 | 0:06:51 | |
but you make a lot of friends and you have to survive on the road | 0:06:51 | 0:06:54 | |
-in very difficult sort of places. -Yeah. | 0:06:54 | 0:06:56 | |
So, I miss that, but I enjoy seeing my kids as well. | 0:06:56 | 0:06:59 | |
-Might you ever go out again, do you think? -I still do. | 0:06:59 | 0:07:01 | |
Not as much, but I've been covering stories in Iran, | 0:07:01 | 0:07:05 | |
I've been to northern Iraq, I've been to Nigeria, Sudan, | 0:07:05 | 0:07:10 | |
so I still do go out but not as much as I used to. | 0:07:10 | 0:07:14 | |
-OK, Rageh, "DLE." Words ending in "DLE." -Minus 1. | 0:07:14 | 0:07:17 | |
Um, I'm going to go for "bundle". | 0:07:17 | 0:07:20 | |
"Bundle", says Rageh. | 0:07:20 | 0:07:22 | |
Let's see how many of our 100 people said "bundle". | 0:07:22 | 0:07:25 | |
-Oh. -21. | 0:07:33 | 0:07:35 | |
APPLAUSE | 0:07:35 | 0:07:38 | |
Yeah, a collection of things tied or wrapped together. | 0:07:39 | 0:07:42 | |
Thank you very much, Richard. | 0:07:42 | 0:07:44 | |
-Now, Susanna. -Oh, yes. | 0:07:44 | 0:07:46 | |
Do you know, I just thought about this. | 0:07:46 | 0:07:48 | |
Three out of our eight are early risers. How do you do it? | 0:07:48 | 0:07:52 | |
What's the structure of your day? Do you divide your sleep into two? | 0:07:52 | 0:07:56 | |
-Yes, exactly. The alarm is set for 3.20 each morning.... -Ah! | 0:07:56 | 0:08:01 | |
..and then I turn the alarm off and I kind of play Russian roulette | 0:08:01 | 0:08:04 | |
with my eyelids and I just let them close and then open and then... | 0:08:04 | 0:08:08 | |
-I've only overslept twice on that system. -Not bad. -Yeah. | 0:08:08 | 0:08:12 | |
I was saying to you earlier, I think Good Morning Britain | 0:08:12 | 0:08:14 | |
is probably the most... It's the best place to be for Pointless. | 0:08:14 | 0:08:17 | |
You get to meet so many different people. | 0:08:17 | 0:08:19 | |
-I think it's just the best place to be anyway, isn't it? -Exactly. | 0:08:19 | 0:08:22 | |
-There you are, exactly. Now, Susanna. -Yes. | 0:08:22 | 0:08:26 | |
What are you going to go for? | 0:08:26 | 0:08:28 | |
-I'm going to for "rekindle". -Ooh. -Oh, that's nice. -I like it. | 0:08:28 | 0:08:33 | |
"Rekindle." Let's see how many of our 100 people said "rekindle." | 0:08:33 | 0:08:36 | |
It's right. 21's our high score at the moment. 0 is our low score. | 0:08:39 | 0:08:43 | |
"Rekindle" takes you past 21. | 0:08:43 | 0:08:45 | |
-Oh! -Very well done indeed. | 0:08:45 | 0:08:48 | |
APPLAUSE "Rekindle," scoring you 1. | 0:08:48 | 0:08:51 | |
-That's terrific stuff, Susanna. Well played. What a round, eh? -Mmm. | 0:08:53 | 0:08:56 | |
It's when your book doesn't download properly. Just so annoying. | 0:08:56 | 0:08:59 | |
LAUGHTER We're halfway through the round, | 0:08:59 | 0:09:02 | |
so let's look at those scores. Well done, Nick. | 0:09:02 | 0:09:05 | |
0, the best score of that pass. Nick and Emily looking quite strong | 0:09:05 | 0:09:10 | |
as contenders for Round Two. Alastair and Charlene on 1 | 0:09:10 | 0:09:13 | |
and Susanna and Piers on 1 as well. Now, 21, Rageh. | 0:09:13 | 0:09:16 | |
You've left Cathy with a mountain to climb. | 0:09:16 | 0:09:19 | |
-A mountain to climb. -But good luck with that. -Thanks! | 0:09:19 | 0:09:23 | |
Can the second players please step up to the podium? | 0:09:23 | 0:09:26 | |
OK, so, Piers, remember it's words ending in "DLE." | 0:09:29 | 0:09:32 | |
"Rekindle" - absolutely fantastic | 0:09:32 | 0:09:34 | |
-word. -That was a star. -Wasn't it? | 0:09:34 | 0:09:36 | |
Piers, when did you come back from the US? When did you move back here? | 0:09:36 | 0:09:40 | |
When I left CNN, so about 18 months ago, so I had about ten years there, | 0:09:40 | 0:09:43 | |
doing various shows, and America's Got Talent and then CNN. | 0:09:43 | 0:09:47 | |
I had a good time. | 0:09:47 | 0:09:49 | |
You had a great time, didn't you? Do you miss it at all, | 0:09:49 | 0:09:51 | |
or did you miss us so much you had to come back? | 0:09:51 | 0:09:54 | |
I love being back. I missed all the things... | 0:09:54 | 0:09:56 | |
Anyone who's worked in America or anywhere else, | 0:09:56 | 0:09:59 | |
you miss the weird little things. | 0:09:59 | 0:10:00 | |
Our pubs, our cricket, our baked beans, | 0:10:00 | 0:10:03 | |
the fish and chips with mushy peas, just the way you like them. | 0:10:03 | 0:10:06 | |
It's all those little things that start to eat away at you. | 0:10:06 | 0:10:09 | |
And now I just come back and eat them. | 0:10:09 | 0:10:11 | |
So, yeah, it's great to be back. | 0:10:11 | 0:10:13 | |
Very good. Now, Piers, you're on 1. | 0:10:13 | 0:10:15 | |
The high-scorers at the moment are Cathy and Rageh on 21. | 0:10:15 | 0:10:18 | |
So, 19 or less is what you need. | 0:10:18 | 0:10:20 | |
OK, I'm going to go for... | 0:10:20 | 0:10:23 | |
-.."cradle." -Mmm. -"Cradle." | 0:10:23 | 0:10:26 | |
"Cradle," says Piers. | 0:10:26 | 0:10:28 | |
Here is your red line. Get below that with "cradle" | 0:10:28 | 0:10:30 | |
and you are into the next round. How many of our 100 people said it? | 0:10:30 | 0:10:34 | |
It's right. | 0:10:35 | 0:10:37 | |
Look at that! 16. | 0:10:41 | 0:10:43 | |
Very well done indeed. APPLAUSE | 0:10:43 | 0:10:45 | |
Takes your total up to 17 | 0:10:45 | 0:10:47 | |
and sees you into Round Two. | 0:10:47 | 0:10:49 | |
And even deliberately getting quite close to 21 | 0:10:49 | 0:10:52 | |
to make it even worse for Rageh. | 0:10:52 | 0:10:54 | |
That's what Piers has done there. So clever. | 0:10:54 | 0:10:57 | |
So, now, Cathy, welcome. | 0:10:57 | 0:10:59 | |
-Mmm, yes. -Welcome to Pointless. Now you, | 0:10:59 | 0:11:01 | |
before you went into journalism, were a violinist. | 0:11:01 | 0:11:04 | |
-I was. -Were you going to pursue a career in music, do you think? | 0:11:04 | 0:11:08 | |
I was all set on being a violinist and then I saw Kate Adie, | 0:11:08 | 0:11:12 | |
who was on the BBC. | 0:11:12 | 0:11:14 | |
So I abandoned all thought of being a violinist and thought, | 0:11:14 | 0:11:17 | |
"I'm going to be Kate Adie." | 0:11:17 | 0:11:18 | |
Well, that didn't quite work out, but I'm sort of halfway there. | 0:11:18 | 0:11:21 | |
It kind of did. | 0:11:21 | 0:11:22 | |
-Well, I'm not standing in a flak jacket. -No. | 0:11:22 | 0:11:24 | |
-I'm here in the Pointless studio. -Yes. | 0:11:24 | 0:11:26 | |
-Oh, she's good at that. -Which is kind of as terrifying! | 0:11:26 | 0:11:29 | |
-She's been on, hasn't she, Kate Adie? -She has, yeah. | 0:11:29 | 0:11:32 | |
Oh, she was brilliant, Kate Adie. | 0:11:32 | 0:11:34 | |
-Oh, no! -Her words were superb! | 0:11:34 | 0:11:37 | |
-So brave. -Yes. | 0:11:37 | 0:11:39 | |
Now, 21. You're the high-scorers. | 0:11:39 | 0:11:41 | |
-We need a low score. -OK. | 0:11:41 | 0:11:42 | |
"Sidle." | 0:11:43 | 0:11:45 | |
-There we go. Very nice. -It's not that good. -"Sidle." | 0:11:45 | 0:11:48 | |
-It's not that good. -No red line for you, as you're the high-scorers. | 0:11:48 | 0:11:51 | |
But let's see how many of our 100 people said "sidle." | 0:11:51 | 0:11:54 | |
Come on, come, on, come on... | 0:12:01 | 0:12:03 | |
-Yes! -10. | 0:12:03 | 0:12:05 | |
Taking your total up to 31. APPLAUSE | 0:12:05 | 0:12:08 | |
Yeah, to walk sideways or obliquely. It's a very good answer. | 0:12:10 | 0:12:13 | |
Given yourself a chance there, Cathy. | 0:12:13 | 0:12:15 | |
Could be interesting, these last two podiums now. | 0:12:15 | 0:12:17 | |
-Yes. -No pressure. | 0:12:17 | 0:12:20 | |
-Now, Emily. Emily, welcome to Pointless. -Thank you very much. | 0:12:20 | 0:12:24 | |
Now, you get to meet | 0:12:24 | 0:12:26 | |
all sorts of people on Newsnight, don't you? | 0:12:26 | 0:12:29 | |
-That's what we do. -Prime ministers... | 0:12:29 | 0:12:30 | |
-Well, it is, it's what you do. -That's what we do. | 0:12:30 | 0:12:32 | |
And you have interviewed Donald Trump. | 0:12:32 | 0:12:34 | |
-Many times. -Many times? -Weirdly. -What...what's he like? | 0:12:34 | 0:12:39 | |
Oh, he's a charming chap, actually. Yeah, it's all bluster. | 0:12:39 | 0:12:42 | |
There was this wonderful moment, actually, | 0:12:42 | 0:12:44 | |
where I interviewed him in a greenroom, | 0:12:44 | 0:12:46 | |
in a dressing room, | 0:12:46 | 0:12:47 | |
and before we started the interview, | 0:12:47 | 0:12:49 | |
he actually sent for hairspray - as you do. | 0:12:49 | 0:12:52 | |
And three assistants came back with cans of hairspray | 0:12:52 | 0:12:55 | |
at the same time and he self-lacquers. | 0:12:55 | 0:12:57 | |
I don't know if that's a phrase, but he does. | 0:12:57 | 0:13:00 | |
He sprays and lacquers and it sort of, | 0:13:00 | 0:13:02 | |
you know, the comb-over is done to his taste. | 0:13:02 | 0:13:05 | |
Terrifying. Right, Emily, you're on nothing. Excellent score from Nick. | 0:13:05 | 0:13:10 | |
I think this gives me the chance | 0:13:10 | 0:13:11 | |
to go up to 100, really, without worrying. | 0:13:11 | 0:13:14 | |
That's the way I've explained it to Nick. | 0:13:14 | 0:13:16 | |
-Well, 30 or less is your target. -Um... | 0:13:16 | 0:13:19 | |
-I'm going for "dwindle." -Oh, very nice. | 0:13:19 | 0:13:21 | |
"Dwindle." Here is your red line. | 0:13:21 | 0:13:25 | |
If you can get below that red line, you are through to the next round. | 0:13:25 | 0:13:28 | |
"Dwindle." | 0:13:28 | 0:13:30 | |
Very well done. | 0:13:37 | 0:13:39 | |
4 for "Dwindle." | 0:13:39 | 0:13:40 | |
-Fantastic! -Taking your total up to 4. | 0:13:40 | 0:13:44 | |
APPLAUSE | 0:13:44 | 0:13:47 | |
Well played, Emily. Very good answer. | 0:13:47 | 0:13:49 | |
As used in the sentence, "Cathy and Rageh's chances | 0:13:49 | 0:13:51 | |
"on Pointless Celebrities were beginning to dwindle." | 0:13:51 | 0:13:54 | |
LAUGHTER | 0:13:54 | 0:13:56 | |
-Then we sidled off. -LAUGHTER | 0:13:56 | 0:13:58 | |
-PIERS: -Twaddle! -LAUGHTER | 0:13:58 | 0:14:01 | |
-Now, Charlene. -Hi. -Welcome to Pointless. | 0:14:01 | 0:14:03 | |
So, how did you get into journalism? What was your route in? | 0:14:03 | 0:14:06 | |
My route was I did a lot of work placements. | 0:14:06 | 0:14:08 | |
I wanted to be a lawyer | 0:14:08 | 0:14:10 | |
until I was about 16 and then went on law work experience | 0:14:10 | 0:14:13 | |
in Croydon Crown Court. | 0:14:13 | 0:14:15 | |
Fell asleep in court, because it wasn't as exciting as LA Law. | 0:14:15 | 0:14:18 | |
So, I decided I wanted to tell people stories | 0:14:18 | 0:14:21 | |
and change the world in that way instead, so became a journalist. | 0:14:21 | 0:14:24 | |
There you are. | 0:14:24 | 0:14:25 | |
As an anchor at ITN, are you sort of on call all the time? | 0:14:25 | 0:14:28 | |
Yeah, I have no routine whatsoever. | 0:14:28 | 0:14:31 | |
I get to work with the lovely Alastair a lot, which is wonderful. | 0:14:31 | 0:14:34 | |
So, I chop and change, sometimes with Alastair, sometimes with Mark. | 0:14:34 | 0:14:37 | |
-I basically go with whoever, really. -Very good indeed. | 0:14:37 | 0:14:41 | |
Now, Charlene, this is exciting. | 0:14:41 | 0:14:43 | |
The high-scorers, I'm afraid, are still Rageh and Cathy on 31, | 0:14:43 | 0:14:46 | |
so you want a score of 29 | 0:14:46 | 0:14:48 | |
-or less. -OK, so I'm going to go for... | 0:14:48 | 0:14:52 | |
"Doodle." | 0:14:52 | 0:14:53 | |
"Doodle." "Doodle." | 0:14:53 | 0:14:55 | |
That's the most popular answer anyone has given. | 0:14:55 | 0:14:58 | |
Everyone loves "Doodle." There is your red line. | 0:14:58 | 0:15:00 | |
You have to get below that with "Doodle." | 0:15:00 | 0:15:02 | |
Let's see if you can do it. How many people said it? | 0:15:02 | 0:15:04 | |
Very well done. | 0:15:11 | 0:15:13 | |
Yes! | 0:15:13 | 0:15:15 | |
-APPLAUSE 6. -Brilliant. -Wonderful. | 0:15:15 | 0:15:18 | |
Taking your total up to 7. Very well done. | 0:15:18 | 0:15:21 | |
Very well played, Charlene. That's a relief, isn't it? | 0:15:21 | 0:15:24 | |
-That really is. -And going last is tough. -It's nerve-racking. | 0:15:24 | 0:15:28 | |
To scribble absentmindedly, to doodle. | 0:15:28 | 0:15:30 | |
There's loads of good pointless answers here, | 0:15:30 | 0:15:32 | |
loads of words on the pointless answer list that you'll know. | 0:15:32 | 0:15:35 | |
Let's look at a few of them. | 0:15:35 | 0:15:36 | |
To enkindle. | 0:15:37 | 0:15:39 | |
"Flapdoodle" - your guess is as good as mine! | 0:15:39 | 0:15:43 | |
"Girdle" is a pointless answer, amazingly. | 0:15:43 | 0:15:46 | |
"Labradoodle," a cross between a Labrador and a poodle. | 0:15:46 | 0:15:50 | |
To mollycoddle. There's "panhandle." We had that from Nick. | 0:15:50 | 0:15:55 | |
Skedaddle. "Swaddle" a pointless answer. And unsaddle as well. | 0:15:55 | 0:15:59 | |
Let's look at the top three answers, | 0:15:59 | 0:16:00 | |
the one that most of our 100 people said when we asked them online. | 0:16:00 | 0:16:04 | |
-And "idle" at the top. Who'd have thought? -There we are. | 0:16:09 | 0:16:13 | |
Thank you very much, Richard. So, at the end of our first round, | 0:16:13 | 0:16:16 | |
the pair we have to say goodbye to, with their not that high, | 0:16:16 | 0:16:19 | |
but highest score of 31, | 0:16:19 | 0:16:20 | |
-is Cathy and Rageh. I'm so sorry. -I'm sorry. | 0:16:20 | 0:16:23 | |
Come back and play again. It's been lovely having you. Thanks for playing. | 0:16:23 | 0:16:26 | |
Cathy and Rageh. APPLAUSE | 0:16:26 | 0:16:29 | |
For the remaining three pairs, it's now time for Round Two. | 0:16:31 | 0:16:33 | |
APPLAUSE | 0:16:33 | 0:16:36 | |
And so we're down to three pairs. | 0:16:37 | 0:16:39 | |
At the end of this round, we'll have to say goodbye to another pair. | 0:16:39 | 0:16:42 | |
Very well done, everyone. | 0:16:42 | 0:16:43 | |
Single figure scoring in that round from all our remaining contestants, | 0:16:43 | 0:16:48 | |
apart from Piers. LAUGHTER | 0:16:48 | 0:16:50 | |
But the game is but young. | 0:16:50 | 0:16:52 | |
Best of luck to all three pairs. Our category for Round Two is... | 0:16:52 | 0:16:56 | |
Cinema. | 0:16:58 | 0:17:00 | |
Can you decide in your pairs who's going first, who's going second. | 0:17:00 | 0:17:03 | |
Whoever's going first, please step up to the podium. | 0:17:03 | 0:17:05 | |
OK, and the question concerns... | 0:17:08 | 0:17:11 | |
Films... LAUGHTER | 0:17:15 | 0:17:18 | |
Films and their directors. Richard. | 0:17:18 | 0:17:20 | |
-Gone down well, hasn't it? -Yes. -Blimey! | 0:17:20 | 0:17:23 | |
On each board, we're going to show you six pairs of films | 0:17:23 | 0:17:26 | |
all directed by the same person. | 0:17:26 | 0:17:27 | |
You just need to name the directors for these pairs of films. | 0:17:27 | 0:17:30 | |
We'll give you their initials as well. | 0:17:30 | 0:17:32 | |
Six on the first board, six on the second, | 0:17:32 | 0:17:34 | |
12 in all to have a go at home. Very best of luck. | 0:17:34 | 0:17:36 | |
On each board, we're looking for the names of six directors for you to choose from. | 0:17:36 | 0:17:40 | |
Our first board of six looks like this. | 0:17:40 | 0:17:42 | |
I'll read those all again. | 0:18:00 | 0:18:02 | |
That's not as bad as you thought, is it? | 0:18:17 | 0:18:19 | |
It's pretty close to being | 0:18:19 | 0:18:20 | |
as bad as I thought, yes. | 0:18:20 | 0:18:23 | |
Er, The Shining and 2001 | 0:18:23 | 0:18:24 | |
is Stanley Kubrick. | 0:18:24 | 0:18:26 | |
Stanley Kubrick, says Alastair. | 0:18:26 | 0:18:28 | |
Let's see if that's right | 0:18:28 | 0:18:29 | |
and how many of our 100 people agree with Alastair. | 0:18:29 | 0:18:31 | |
It is right. | 0:18:33 | 0:18:34 | |
-Look at that! 14. -That's really good! | 0:18:39 | 0:18:41 | |
-Is that all right? Is it good? -It's good. | 0:18:41 | 0:18:43 | |
-This is good. 14 for Stanley Kubrick. -Well played, Alastair. | 0:18:43 | 0:18:47 | |
He only ever won one personal Oscar. | 0:18:47 | 0:18:48 | |
-That was for Best Visual Effects for 2001, Stanley Kubrick. -Really? -Mmm. | 0:18:48 | 0:18:52 | |
Nick. Nick. | 0:18:52 | 0:18:55 | |
I'm going to for Alien | 0:18:55 | 0:18:56 | |
and Gladiator - Ridley Scott. | 0:18:56 | 0:18:58 | |
Ridley Scott, says Nick. | 0:18:58 | 0:18:59 | |
Let's see how many of our 100 people said Ridley Scott. | 0:18:59 | 0:19:03 | |
It's right. 14 is our only score at this point. | 0:19:05 | 0:19:08 | |
And Ridley Scott finishes at 42. | 0:19:08 | 0:19:11 | |
-APPLAUSE -Well done. | 0:19:11 | 0:19:14 | |
Once directed an episode of Z Cars, Ridley Scott. | 0:19:15 | 0:19:19 | |
-Bet that was a very good episode. -It was. | 0:19:19 | 0:19:21 | |
-A £47 million budget it was, which, back in those days, was a lot. -Yeah. | 0:19:21 | 0:19:26 | |
Thanks very much, Richard. | 0:19:26 | 0:19:28 | |
Now then, Susanna. Susanna, this board's all yours. | 0:19:28 | 0:19:32 | |
If you wanted to, you could go through it | 0:19:32 | 0:19:34 | |
and fill in all those directors for us. | 0:19:34 | 0:19:36 | |
Slumdog Millionaire and Trainspotting is Danny Boyle. | 0:19:36 | 0:19:39 | |
Goodfellas, Wolf Of Wall Street - Martin Scorsese. | 0:19:39 | 0:19:44 | |
Jaws, Raiders Of The Lost Ark - Steven Spielberg. | 0:19:44 | 0:19:47 | |
And Fight Club, Social Network - David Fincher. | 0:19:47 | 0:19:50 | |
-I'm going to go for David Fincher. -David Fincher. | 0:19:50 | 0:19:52 | |
I think that's the right one to have gone for. | 0:19:52 | 0:19:54 | |
Let's see how many of our 100 people said David Fincher. | 0:19:54 | 0:19:56 | |
It's right. 42 is our high score, 14 our low. | 0:19:58 | 0:20:01 | |
-You pass 42. -Come on! | 0:20:01 | 0:20:03 | |
You pass 14. | 0:20:03 | 0:20:05 | |
Down to 5. Very well done indeed. | 0:20:05 | 0:20:07 | |
Splendid work on the far podium. 5. APPLAUSE | 0:20:07 | 0:20:10 | |
Great work, Susanna. Took us through the board perfectly and then chose | 0:20:13 | 0:20:16 | |
-the best answer of the ones you knew as well. -It's an ace. | 0:20:16 | 0:20:21 | |
He would've scored 76 you did well to avoid that. | 0:20:21 | 0:20:25 | |
Martin Scorsese for the next one, | 0:20:25 | 0:20:28 | |
he would have scored you 26. | 0:20:28 | 0:20:30 | |
And Danny Boyle would have scored you 36. | 0:20:30 | 0:20:33 | |
So, David Fincher best answer on the board. | 0:20:33 | 0:20:35 | |
Thanks. We're halfway through the round. Let's look at those scores. | 0:20:35 | 0:20:38 | |
5 the best score of the pass, Susanna. Very well done. | 0:20:38 | 0:20:41 | |
Then up to 14, where we find Alastair and Charlene. | 0:20:41 | 0:20:43 | |
Then 42, Nick and Emily. | 0:20:43 | 0:20:45 | |
Emily, find a low score. We need a low score from you. | 0:20:45 | 0:20:49 | |
Can the second players please step up to the podium? | 0:20:49 | 0:20:53 | |
Let's put six more clues up on the board and here they are... | 0:20:56 | 0:21:00 | |
I'll read those again. | 0:21:17 | 0:21:18 | |
Piers. | 0:21:31 | 0:21:32 | |
I'm going to go for Kathryn Bigelow | 0:21:32 | 0:21:35 | |
for Hurt Locker and Point Break. | 0:21:35 | 0:21:37 | |
OK, Kathryn Bigelow, says Piers. Here is your red line. | 0:21:37 | 0:21:40 | |
Get below that with Kathryn Bigelow, | 0:21:40 | 0:21:42 | |
you are into our head-to-head round. | 0:21:42 | 0:21:44 | |
It's right. | 0:21:48 | 0:21:50 | |
Kathryn Bigelow sees you into the head-to-head. Well done. | 0:21:51 | 0:21:53 | |
Down it goes. That's a great answer! 3! | 0:21:53 | 0:21:55 | |
-APPLAUSE -Thank you. | 0:21:55 | 0:21:57 | |
Application, Piers, for the last round. | 0:21:57 | 0:21:59 | |
Takes your total up to 8. | 0:21:59 | 0:22:02 | |
That's another great answer, Piers. Very well done. | 0:22:02 | 0:22:04 | |
They mean business. In fact, everyone means business, don't they? | 0:22:04 | 0:22:07 | |
-They're very clever today. -Yeah. Now then, so, Emily. | 0:22:07 | 0:22:10 | |
Yeah, it's a lot of pressure now. | 0:22:10 | 0:22:13 | |
Cos, film, it will astonish you to know, is not my forte. | 0:22:13 | 0:22:16 | |
I'm going to go for Woody Allen, | 0:22:18 | 0:22:20 | |
-Annie Hall and Blue Jasmine. -Woody Allen. | 0:22:20 | 0:22:22 | |
No red line for you as you're the high-scorers. | 0:22:22 | 0:22:24 | |
Let's see how many of our 100 people said Woody Allen. | 0:22:24 | 0:22:27 | |
It's right. | 0:22:28 | 0:22:30 | |
Not bad. 26. | 0:22:34 | 0:22:35 | |
APPLAUSE 26. 68 is your total. | 0:22:35 | 0:22:39 | |
It's a good answer. Keeps the pressure on a bit. | 0:22:39 | 0:22:41 | |
Four Oscars Woody Allen's won - | 0:22:41 | 0:22:43 | |
three of them for Original Screenplay. | 0:22:43 | 0:22:45 | |
Thanks very much indeed. | 0:22:45 | 0:22:46 | |
Now, Charlene, you can talk us through the board, | 0:22:46 | 0:22:49 | |
if you like. | 0:22:49 | 0:22:50 | |
Titanic and Avatar is James Cameron. | 0:22:50 | 0:22:53 | |
Pulp Fiction and The Hateful Eight is Quentin Tarantino | 0:22:53 | 0:22:55 | |
and Psycho and Vertigo is Alfred Hitchcock. | 0:22:55 | 0:22:58 | |
So I'm going to go for | 0:22:58 | 0:23:00 | |
The Godfather, Apocalypse Now - Francis Ford Coppola. | 0:23:00 | 0:23:02 | |
Francis Ford Coppola. Let's see if that's right | 0:23:02 | 0:23:05 | |
and how many people said it. There's your red line. | 0:23:05 | 0:23:07 | |
Not too high, not too low, but get below that, | 0:23:07 | 0:23:09 | |
you are into the head-to-head. How many said Francis Ford Coppola? | 0:23:09 | 0:23:12 | |
-It's right. -Well done, well done. | 0:23:15 | 0:23:18 | |
-You've done it. -Yes! -Well done. Look at that. 42. | 0:23:18 | 0:23:21 | |
-Bingo! -42, taking your total up to 56. -Bingo day. | 0:23:21 | 0:23:24 | |
APPLAUSE | 0:23:24 | 0:23:26 | |
Very nicely played, Charlene. | 0:23:26 | 0:23:28 | |
The best two answers had already been taken | 0:23:28 | 0:23:30 | |
in this round. Titanic and Avatar | 0:23:30 | 0:23:32 | |
is James Cameron. | 0:23:32 | 0:23:34 | |
A slightly better scorer than Coppola. | 0:23:34 | 0:23:35 | |
But the other two were bigger scorers. | 0:23:37 | 0:23:38 | |
Quentin Tarantino would have scored you 71 | 0:23:38 | 0:23:41 | |
and Alfred Hitchcock would have scored you 63. | 0:23:41 | 0:23:45 | |
Thanks very much indeed. So, at the end of our second round, | 0:23:45 | 0:23:48 | |
the pair we have to say goodbye to, I'm afraid, a high score of 68, | 0:23:48 | 0:23:51 | |
-it's Emily and Nick. PIERS: -Oh, no(!) | 0:23:51 | 0:23:53 | |
-Stop it! -I'm so sorry. ALASTAIR COUGHS: -ITV! -Nothing... | 0:23:53 | 0:23:56 | |
LAUGHTER | 0:23:56 | 0:23:59 | |
Well, thank you so much, Emily and Nick. | 0:23:59 | 0:24:01 | |
Please come and play again. | 0:24:01 | 0:24:02 | |
Is there a quiz question with the answer "inferiority complex"? | 0:24:02 | 0:24:05 | |
LAUGHTER | 0:24:05 | 0:24:07 | |
It's been lovely having you on. Thanks so much for playing. | 0:24:07 | 0:24:10 | |
APPLAUSE | 0:24:10 | 0:24:12 | |
But for Piers and Susanna, Charlene and Alastair, | 0:24:12 | 0:24:15 | |
it's now time for our head-to-head. | 0:24:15 | 0:24:17 | |
APPLAUSE | 0:24:17 | 0:24:19 | |
Congratulations, Piers and Susanna, Charlene and Alastair. | 0:24:20 | 0:24:23 | |
You are now one step closer to the final and a chance | 0:24:23 | 0:24:27 | |
to play for our jackpot, which currently stands at £2,750. | 0:24:27 | 0:24:31 | |
CHEERING AND APPLAUSE | 0:24:31 | 0:24:33 | |
So, we have to decide who's going to go through to the final | 0:24:33 | 0:24:36 | |
and play for that jackpot for their charities | 0:24:36 | 0:24:38 | |
and we do that by making you go head-to-head. | 0:24:38 | 0:24:40 | |
But you can start playing as teams, which is nice. You can confer. | 0:24:40 | 0:24:43 | |
The first player to win two questions | 0:24:43 | 0:24:45 | |
will be playing for that jackpot. | 0:24:45 | 0:24:47 | |
Very best of luck to both pairs. Let's play the head-to-head. | 0:24:47 | 0:24:50 | |
APPLAUSE | 0:24:50 | 0:24:53 | |
Here is your first question and it concerns... | 0:24:55 | 0:24:59 | |
Political families, Richard. | 0:25:01 | 0:25:03 | |
Going to show you pictures of people from the field of politics | 0:25:03 | 0:25:06 | |
who are related to each other. | 0:25:06 | 0:25:07 | |
We're looking for the surnames of any of these people, please. | 0:25:07 | 0:25:10 | |
-Very best of luck. -Thanks very much indeed. | 0:25:10 | 0:25:13 | |
Let's reveal our political families, and here they are. | 0:25:13 | 0:25:15 | |
There we are. Five political surnames we need. | 0:25:42 | 0:25:46 | |
Now, Piers and Susanna, you've been our low-scorers up this point, | 0:25:46 | 0:25:49 | |
so you will go first. | 0:25:49 | 0:25:50 | |
Um, we're going to go with the Bottomleys, A. | 0:25:53 | 0:25:58 | |
OK, Bottomley, say Piers and Susanna. | 0:25:58 | 0:26:03 | |
Now, Charlene and Alastair, do you want to talk us through all... | 0:26:03 | 0:26:06 | |
-You can do all your talking out loud now. -Oh, right, OK. | 0:26:06 | 0:26:09 | |
Um, B is Sarkozy on the left and you say... | 0:26:09 | 0:26:13 | |
-No, cos that's not his brother. -I think it might be his son. -Yeah. | 0:26:13 | 0:26:18 | |
C is Stephen, Glenys and Neil Kinnock. | 0:26:18 | 0:26:21 | |
D is Robert and Jack Kennedy. | 0:26:21 | 0:26:24 | |
And E, it's the Ghandi dynasty. | 0:26:24 | 0:26:28 | |
-E. -E, Ghandi. -Ghandi. | 0:26:28 | 0:26:31 | |
OK, we have Bottomley and we have Ghandi. | 0:26:31 | 0:26:33 | |
Piers and Susannah went for the Bottomleys at A. | 0:26:33 | 0:26:36 | |
Let's see if that's right and how many people said Bottomley. | 0:26:36 | 0:26:39 | |
That's a great answer, look at that! | 0:26:48 | 0:26:50 | |
-2! Very well done indeed. -Wow! | 0:26:50 | 0:26:53 | |
Superb. APPLAUSE | 0:26:53 | 0:26:57 | |
Now, Charlene and Alastair, you have gone for Ghandi for E. | 0:26:57 | 0:27:00 | |
Ghandi. Let's see if it's right and how many of our 100 people said it. | 0:27:00 | 0:27:04 | |
It's right. | 0:27:06 | 0:27:08 | |
Ooh, 31! | 0:27:11 | 0:27:13 | |
APPLAUSE | 0:27:13 | 0:27:14 | |
31. Which means very well done, Piers and Susanna. | 0:27:14 | 0:27:19 | |
After one question, you're up 1-0. | 0:27:19 | 0:27:21 | |
-PIERS: -Do you want to go? -We're doing fine, Piers! | 0:27:21 | 0:27:24 | |
You've given the best answer you could as well. | 0:27:24 | 0:27:26 | |
That's the best answer on the board. The Bottomleys. B is the Sarkozys. | 0:27:26 | 0:27:29 | |
That's him with his son, who's a councillor, Jean Sarkozy. | 0:27:29 | 0:27:33 | |
C is the Kinnocks. Quite a low score as well. | 0:27:35 | 0:27:38 | |
That is the Kennedys, D, of course. | 0:27:41 | 0:27:43 | |
Thanks very much, Richard. Here comes your second question. | 0:27:48 | 0:27:51 | |
Charlene and Alastair, you get to answer this first | 0:27:51 | 0:27:53 | |
but you have to win this one to stay in the game, so best of luck. | 0:27:53 | 0:27:56 | |
Our second question concerns... | 0:27:56 | 0:27:58 | |
-Mountains, Richard. -Going to show you the names of five countries | 0:28:01 | 0:28:05 | |
and the initials of the highest mountains in those countries. | 0:28:05 | 0:28:08 | |
Can you name that mountain, please? | 0:28:08 | 0:28:10 | |
Let's reveal our mountains and here they are. | 0:28:10 | 0:28:13 | |
Charlene and Alastair, you will go first. | 0:28:31 | 0:28:35 | |
Go on, then. We're going to go for Greece, Mount Olympus. | 0:28:36 | 0:28:40 | |
Mount Olympus, say Charlene and Alastair. | 0:28:40 | 0:28:42 | |
Now, Piers and Susanna, | 0:28:42 | 0:28:44 | |
do you fancy talking us through all those others, as many as you can? | 0:28:44 | 0:28:48 | |
Well, France is Mont Blanc, we know that. | 0:28:48 | 0:28:51 | |
Tanzania we think is Kilimanjaro. | 0:28:51 | 0:28:54 | |
Turkey is Mount something, I can safely say that. | 0:28:54 | 0:28:57 | |
LAUGHTER | 0:28:57 | 0:28:58 | |
It could be Mount Argentina. | 0:28:58 | 0:29:02 | |
You have the final decision. | 0:29:02 | 0:29:04 | |
I have to deal with this every single morning! | 0:29:05 | 0:29:08 | |
-What did you make me do it in the evening for as well? -Go on. | 0:29:08 | 0:29:12 | |
-I can't cope with it. -Go for the one you think will win. | 0:29:12 | 0:29:15 | |
Oh, I will not hear the end of it unless I go for a massive gamble. | 0:29:15 | 0:29:19 | |
We're going to go for Argentina. | 0:29:19 | 0:29:22 | |
Argentina, Argentina. | 0:29:22 | 0:29:25 | |
So, we have Olympus and we have Argentina. | 0:29:25 | 0:29:29 | |
-It's very good if it is right, honestly. -It's not going to be... | 0:29:29 | 0:29:32 | |
-CHARLENE: -We'll never hear the end of it if it's right. | 0:29:32 | 0:29:34 | |
-Just wait till it's wrong. -I'm so looking forward to this. | 0:29:34 | 0:29:37 | |
-Now, Mount Olympus. -That does not fill me... -Well, I don't know. | 0:29:37 | 0:29:40 | |
Let's see. Mount Olympus. Is it right? | 0:29:40 | 0:29:42 | |
How many of our 100 people said Mount Olympus? | 0:29:42 | 0:29:45 | |
Mount Olympus is right. | 0:29:49 | 0:29:51 | |
55. | 0:29:51 | 0:29:52 | |
APPLAUSE | 0:29:52 | 0:29:55 | |
What were we thinking?! | 0:29:55 | 0:29:57 | |
-But, though, you were taking a punt... -Yes. | 0:29:59 | 0:30:02 | |
..on the mountain in Argentina being called Argentina. | 0:30:02 | 0:30:06 | |
LAUGHTER | 0:30:06 | 0:30:08 | |
-It could be! -It's not, but why not? -It begins with A. | 0:30:08 | 0:30:10 | |
It may! Let's just find out. | 0:30:10 | 0:30:12 | |
-Let's see. Is it right? -Come on! -Is it right? | 0:30:12 | 0:30:15 | |
Oh! | 0:30:18 | 0:30:19 | |
Strangely... | 0:30:19 | 0:30:21 | |
LAUGHTER AND APPLAUSE | 0:30:21 | 0:30:24 | |
Can someone just record this moment for posterity? | 0:30:24 | 0:30:27 | |
Piers Morgan with his head in his hands. | 0:30:27 | 0:30:30 | |
-LAUGHTER -Argh! | 0:30:30 | 0:30:34 | |
What were you thinking?! | 0:30:34 | 0:30:36 | |
LAUGHTER | 0:30:36 | 0:30:38 | |
Do you know what, I admire his chutzpah, though. | 0:30:38 | 0:30:40 | |
I definitely do, exactly. Very well done, Charlene and Alastair. | 0:30:40 | 0:30:43 | |
After two questions, it's 1-1. You're back in the game. | 0:30:43 | 0:30:46 | |
Very good indeed. Richard. | 0:30:46 | 0:30:47 | |
It's weird, cos normally mountains ARE named after the countries. | 0:30:47 | 0:30:50 | |
LAUGHTER | 0:30:50 | 0:30:52 | |
-They never are, that's the point. -Norway, Brazil, Burkina Faso. | 0:30:52 | 0:30:56 | |
It's... Genuinely, I think that was a good one to go for. | 0:30:56 | 0:30:59 | |
It's a good guess. Kilimanjaro would have scored 57 points. | 0:30:59 | 0:31:04 | |
We'd have lost anyway. | 0:31:04 | 0:31:05 | |
-It would have been exciting though. -OK, then it was | 0:31:05 | 0:31:08 | |
a gamble worth taking. | 0:31:08 | 0:31:09 | |
Now, let's fill in these gaps. | 0:31:09 | 0:31:11 | |
France is Mont Blanc. | 0:31:11 | 0:31:12 | |
And it's too high a scorer. | 0:31:12 | 0:31:14 | |
We'll fill in Argentina. | 0:31:15 | 0:31:17 | |
It's Aconcagua and it's the highest mountain in South America. | 0:31:17 | 0:31:20 | |
A well-known mountain. | 0:31:20 | 0:31:22 | |
This other one is a very well-known mountain, because, famously, | 0:31:22 | 0:31:26 | |
it supposedly had a boat at the top of it. | 0:31:26 | 0:31:28 | |
-Ararat. -Mount Ararat is the answer. | 0:31:28 | 0:31:32 | |
-Well done if you said that. -Thanks very much, Richard. | 0:31:34 | 0:31:37 | |
So, it all comes down to our third question. This is the decider. | 0:31:37 | 0:31:39 | |
Whoever wins this one goes through to the final | 0:31:39 | 0:31:41 | |
and plays for that jackpot, so best of luck to both pairs. | 0:31:41 | 0:31:44 | |
We're doing so well. | 0:31:44 | 0:31:46 | |
We would have lost anyway, just to put it out there. | 0:31:46 | 0:31:48 | |
Our third question is all about... | 0:31:48 | 0:31:51 | |
-Oh! -Turner Prize winners, Richard. | 0:31:53 | 0:31:55 | |
We'll show you the initials now of five Turner Prize winners | 0:31:55 | 0:31:58 | |
and the year in which they won the Turner Prize. | 0:31:58 | 0:32:00 | |
Whichever team gives us the most obscure answer | 0:32:00 | 0:32:02 | |
is going through to play for that jackpot. | 0:32:02 | 0:32:04 | |
-Very best of luck, everybody. -Thanks very much. | 0:32:04 | 0:32:06 | |
Let's reveal our five Turner Prize winners and here they come. | 0:32:06 | 0:32:09 | |
Piers and Susanna will go first. | 0:32:28 | 0:32:30 | |
OK, so the only one we think we know | 0:32:33 | 0:32:36 | |
is Damien Hirst, 1995. | 0:32:36 | 0:32:39 | |
Damien Hirst. OK, Damien Hirst. | 0:32:39 | 0:32:42 | |
Now then, Charlene and Alastair, | 0:32:42 | 0:32:43 | |
can you talk us through the others? | 0:32:43 | 0:32:45 | |
-No. -You'll be lucky! -LAUGHTER | 0:32:45 | 0:32:49 | |
-Um, OK, because neither of us know, do we? -No... | 0:32:49 | 0:32:53 | |
In the process of doing that, | 0:32:53 | 0:32:55 | |
you might suddenly find the right answer. | 0:32:55 | 0:32:57 | |
Well, for the last one - MC, 2001 - I'm going to go for MC Hammer. | 0:32:57 | 0:33:01 | |
LAUGHTER | 0:33:01 | 0:33:02 | |
-PIERS: -MC Hammer?! -Oh, yes, he's a very well-known Turner Prize winner. | 0:33:02 | 0:33:06 | |
-Installation art. -Oh, yeah. -Music, scaffolding. -He's brilliant. | 0:33:06 | 0:33:10 | |
-He's brilliant. -OK, so Piers and Susanna have gone for Damien Hirst. | 0:33:10 | 0:33:14 | |
Let's see if that's right and how many of our 100 people said it. | 0:33:14 | 0:33:17 | |
-Phew. -It's right. | 0:33:19 | 0:33:21 | |
Wow. | 0:33:24 | 0:33:26 | |
27. | 0:33:26 | 0:33:27 | |
APPLAUSE | 0:33:27 | 0:33:29 | |
27. | 0:33:29 | 0:33:31 | |
If only 27 people got Damien Hirst, what did the others get? | 0:33:31 | 0:33:34 | |
Let's see how many people got MC hammer. | 0:33:34 | 0:33:36 | |
How many of our 100 said that? | 0:33:36 | 0:33:38 | |
LAUGHTER | 0:33:38 | 0:33:40 | |
-Yeah, there we go. -I'm shocked. | 0:33:43 | 0:33:44 | |
-Very well done, Piers and Susanna. -Mr Hammer was robbed! | 0:33:44 | 0:33:47 | |
After three questions, you are through to the final, 2-1. | 0:33:47 | 0:33:49 | |
That is unlucky. I went to that last MC Hammer exhibition. | 0:33:49 | 0:33:52 | |
-It was great! -I got followed | 0:33:52 | 0:33:54 | |
round by the security guard the whole time | 0:33:54 | 0:33:56 | |
and all he was saying was, | 0:33:56 | 0:33:57 | |
"You can't touch this, you can't touch this." | 0:33:57 | 0:34:00 | |
LAUGHTER AND APPLAUSE | 0:34:00 | 0:34:02 | |
Let's fill these in. | 0:34:05 | 0:34:06 | |
There will be a couple of names you probably know up here. AK is... | 0:34:06 | 0:34:09 | |
-Do you know that one? -Anish Kapoor. -Anish Kapoor. -Oh, yeah. | 0:34:09 | 0:34:12 | |
-GP is... -Grayson Perry. -The wonderful Grayson Perry. | 0:34:14 | 0:34:17 | |
-DC is Duncan Campbell. -Ah. | 0:34:19 | 0:34:21 | |
And MC is Martin Creed who's the one who kept turning lights on and off. | 0:34:24 | 0:34:27 | |
-So, Anish Kapoor the best answer on that board. -There we are. | 0:34:29 | 0:34:32 | |
Thank you very much indeed. | 0:34:32 | 0:34:33 | |
So, the pair leaving us at the end of the head-to-head round, | 0:34:33 | 0:34:36 | |
-Charlene and Alastair. That was eventful, wasn't it? -Oh, it was. | 0:34:36 | 0:34:38 | |
-Yeah. -I had fun. -Absolutely. It's been lovely having you here. | 0:34:38 | 0:34:42 | |
Thank you so much for playing. | 0:34:42 | 0:34:43 | |
I'm sorry we say goodbye to you at this stage, | 0:34:43 | 0:34:45 | |
but come back and play again and win. | 0:34:45 | 0:34:47 | |
# Don't cry for me, Argentina... # | 0:34:47 | 0:34:49 | |
Don't forget, Piers, I know where you work. | 0:34:49 | 0:34:51 | |
Charlene and Alastair, everyone. APPLAUSE | 0:34:51 | 0:34:55 | |
For Piers and Susanna, it's now time for our Pointless final. | 0:34:56 | 0:34:59 | |
APPLAUSE | 0:34:59 | 0:35:01 | |
Congratulations, Piers and Susanna. | 0:35:02 | 0:35:04 | |
You've seen off all the competition | 0:35:04 | 0:35:06 | |
and you have won our coveted Pointless trophy. | 0:35:06 | 0:35:09 | |
-I feel so proud. -Can we just have a little moment, please? | 0:35:14 | 0:35:18 | |
-Maybe a little longer. -No, that's enough! Goodness me. | 0:35:20 | 0:35:23 | |
You now have a chance to win our Pointless jackpot | 0:35:23 | 0:35:25 | |
and at the end of today's show, the jackpot is standing at £2,750. | 0:35:25 | 0:35:29 | |
-Oh, wow. -There. We are. APPLAUSE | 0:35:29 | 0:35:32 | |
Well, Susanna, you've traded up. What about that? Charlie Stayt. | 0:35:32 | 0:35:37 | |
-Charlie who? -Oh! Sorry, Charlie. I got further with Piers. | 0:35:37 | 0:35:41 | |
One step better. Absolutely fantastic. | 0:35:41 | 0:35:44 | |
You know what it's like in this final round. | 0:35:44 | 0:35:46 | |
We put four things up there that are pretty impossible | 0:35:46 | 0:35:49 | |
and there are subsections. | 0:35:49 | 0:35:50 | |
There will be three questions behind each topic up there. | 0:35:50 | 0:35:52 | |
Our selection reads like this. | 0:35:52 | 0:35:55 | |
I think Wimbledon, because tennis, it's got to be tennis related. | 0:36:02 | 0:36:05 | |
-I know where Wimbledon is. -Mmm. -So, we can't lose. | 0:36:05 | 0:36:10 | |
-Are you happy with that? -Yeah. -Wimbledon it is. OK, Wimbledon. | 0:36:10 | 0:36:13 | |
Very best of luck. Three very different questions here. | 0:36:13 | 0:36:15 | |
Hopefully, one of these suits you. | 0:36:15 | 0:36:17 | |
We are looking for any manager of Wimbledon FC | 0:36:17 | 0:36:20 | |
all the way from 1977 to when they became MK Dons in 2004. | 0:36:20 | 0:36:25 | |
-Get in there! -We are looking for... | 0:36:25 | 0:36:27 | |
Oh, if you think THAT'S good, Piers, we're looking for | 0:36:27 | 0:36:29 | |
any UK Top 40 singles by the Wombles. | 0:36:29 | 0:36:31 | |
LAUGHTER | 0:36:31 | 0:36:33 | |
-I know, right. -# Wombling, wombling, wombling free... # | 0:36:33 | 0:36:37 | |
According to officialcharts.com. | 0:36:37 | 0:36:38 | |
Or we are looking for | 0:36:38 | 0:36:39 | |
any British player who played | 0:36:39 | 0:36:41 | |
in the singles tournaments, | 0:36:41 | 0:36:43 | |
men's or women's, in 2015, please. | 0:36:43 | 0:36:45 | |
So, managers of Wimbledon FC | 0:36:45 | 0:36:47 | |
from 1977 to 2004, | 0:36:47 | 0:36:48 | |
UK top 40 singles by The Wombles | 0:36:48 | 0:36:50 | |
or British singles players at Wimbledon in 2015. | 0:36:50 | 0:36:54 | |
Been a brilliant show, you've defeated allcomers. | 0:36:54 | 0:36:56 | |
Very, very best of luck. | 0:36:56 | 0:36:57 | |
As always, you have up to one minute to come up with three answers. | 0:36:57 | 0:37:00 | |
All you need to win that jackpot | 0:37:00 | 0:37:02 | |
is for just one of those answers to be pointless. | 0:37:02 | 0:37:04 | |
-Are you ready? -Yes. -I'm excited cos I know some of these. | 0:37:04 | 0:37:07 | |
OK, let's put 60 seconds up | 0:37:07 | 0:37:08 | |
on the clock. Your time starts now. | 0:37:08 | 0:37:10 | |
I can't think of a single by | 0:37:10 | 0:37:11 | |
The Wombles that nobody else would know. | 0:37:11 | 0:37:13 | |
-Managers of Wimbledon Football Club. -Yes. | 0:37:13 | 0:37:14 | |
-Joe Kinnear, Dave Bassett... -Yes. | 0:37:14 | 0:37:17 | |
-Well, there's two. -I'm not going to be able to help you here. | 0:37:17 | 0:37:20 | |
I can go for one of the others, right? | 0:37:20 | 0:37:22 | |
OK, the most obscure British singles player at Wimbledon last year. | 0:37:22 | 0:37:27 | |
-OK, well, Andy Murray's the least obscure. -Yes. | 0:37:27 | 0:37:31 | |
Who is the most obscure? Who were the Wimbledon guys? | 0:37:31 | 0:37:35 | |
-Or women? -Women? | 0:37:35 | 0:37:37 | |
-The young woman, what's her name? -Laura... -Laura... | 0:37:37 | 0:37:41 | |
That's not going to help, is it? | 0:37:41 | 0:37:43 | |
No, no... Who's the one recently, who's been winning? | 0:37:43 | 0:37:46 | |
-Da Conte or what is it? What's her name? -Conte? She's not British. | 0:37:46 | 0:37:51 | |
-She is. -Is she? -Yes. -Oh. -What's her name? | 0:37:51 | 0:37:54 | |
All right. Wombling Free by The Wombles. Wombling Free... | 0:37:57 | 0:38:00 | |
-Ten seconds left. -..Dave Bassett, Joe Kinnear. | 0:38:00 | 0:38:03 | |
Are those going to be your answers? | 0:38:03 | 0:38:05 | |
-You're happy with those? -Yes. | 0:38:05 | 0:38:06 | |
OK, we'll stop the clock. | 0:38:06 | 0:38:08 | |
So, of those three, | 0:38:08 | 0:38:10 | |
which of those is your best shot at a pointless answer, do you think? | 0:38:10 | 0:38:13 | |
-Joe Kinnear. -Joe Kinnear goes last. Least likely to be pointless? | 0:38:13 | 0:38:17 | |
-The Wombling... -Wombling Free. -Wombling Free. | 0:38:17 | 0:38:19 | |
Let's put those answers up on the board in that order | 0:38:19 | 0:38:22 | |
and here they are. | 0:38:22 | 0:38:23 | |
There we are. Three good answers... | 0:38:27 | 0:38:29 | |
TWO good answers on the board there. | 0:38:29 | 0:38:30 | |
LAUGHTER | 0:38:30 | 0:38:32 | |
Now, let's just say one of these wins that jackpot | 0:38:32 | 0:38:34 | |
and you get that jackpot for your charities, | 0:38:34 | 0:38:36 | |
which charities are you playing for? Piers, you first. | 0:38:36 | 0:38:39 | |
I'm playing for Great Ormond Street Hospital. | 0:38:39 | 0:38:42 | |
I had a cousin who was there for a long time | 0:38:42 | 0:38:44 | |
as a paediatric neurologist, | 0:38:44 | 0:38:46 | |
so it's a place close to my heart, does amazing work for children. | 0:38:46 | 0:38:49 | |
Arguably the best children's hospital in the world | 0:38:49 | 0:38:52 | |
and a great flagship hospital for this country, so that's my choice. | 0:38:52 | 0:38:57 | |
-Susanna? -And at the other end of the sort of time span, | 0:38:57 | 0:39:01 | |
I'm going for Silver Line, which is for elderly people | 0:39:01 | 0:39:04 | |
who don't have a lot of contact. | 0:39:04 | 0:39:06 | |
Sometimes the only human voice they hear | 0:39:06 | 0:39:08 | |
is the television during the day. | 0:39:08 | 0:39:09 | |
And they get a call once a week from a volunteer. | 0:39:09 | 0:39:12 | |
-Befriending service, really vital work. -Very good indeed. | 0:39:12 | 0:39:15 | |
APPLAUSE | 0:39:15 | 0:39:18 | |
Two excellent charities there. | 0:39:18 | 0:39:20 | |
Let's hope one of these answers wins that jackpot for you | 0:39:20 | 0:39:23 | |
to split between them. Your fist answer was Wombling Free. | 0:39:23 | 0:39:25 | |
In this case, we were looking for Wombles UK top 40 hits. | 0:39:25 | 0:39:28 | |
Only one of these answers has to be pointless | 0:39:28 | 0:39:31 | |
for you to win that jackpot. | 0:39:31 | 0:39:33 | |
So, for £2,750, let's see | 0:39:33 | 0:39:34 | |
how many of our 100 people said Wombling Free. Is it pointless? | 0:39:34 | 0:39:38 | |
-Ooh, bad luck. -It was Remember You're A Womble, wasn't it? | 0:39:40 | 0:39:44 | |
-It must have been. -It was the only Wombles song anyone knows! | 0:39:44 | 0:39:47 | |
-Maybe that's not what it's called. -Of course. | 0:39:47 | 0:39:49 | |
-I think it's called Remember You're A Womble. -Mmm. I forgot. | 0:39:49 | 0:39:52 | |
Sadly not a pointless answer, | 0:39:52 | 0:39:54 | |
which means you only have two more shots at today's jackpot. | 0:39:54 | 0:39:56 | |
Your next answer was Dave Bassett. | 0:39:56 | 0:39:58 | |
In this case, we were looking for managers of Wimbledon FC | 0:39:58 | 0:40:00 | |
from 1977 to 2004. | 0:40:00 | 0:40:03 | |
Again, it has to be pointless for you to win that jackpot, | 0:40:03 | 0:40:06 | |
so for £2,750, let's see how many people said Dave Bassett. | 0:40:06 | 0:40:10 | |
It's right. | 0:40:13 | 0:40:15 | |
Your first answer, Wombling Free, was incorrect. | 0:40:15 | 0:40:18 | |
Dave Bassett, on the other hand, absolutely on the money. | 0:40:18 | 0:40:21 | |
-Down it goes. -Come on! -If this goes down to zero... | 0:40:21 | 0:40:24 | |
-Oh. -Oh! -6. | 0:40:24 | 0:40:26 | |
APPLAUSE | 0:40:26 | 0:40:28 | |
-Six people got Dave Bassett. -He's the better known, I would say. | 0:40:31 | 0:40:35 | |
Good, cos everything is now riding on your third and final answer. | 0:40:35 | 0:40:39 | |
-He took them to the Cup Final. -Joe Kinnear. | 0:40:39 | 0:40:41 | |
If this is pointless - | 0:40:41 | 0:40:42 | |
this is the one you thought most likely to be pointless - | 0:40:42 | 0:40:44 | |
if it IS pointless, it'll win you £2,750. | 0:40:44 | 0:40:48 | |
Let's see how many people said Joe Kinnear. Is it pointless? | 0:40:48 | 0:40:51 | |
It's right. | 0:40:54 | 0:40:56 | |
Your first answer, Wombling Free, was incorrect. | 0:40:56 | 0:40:58 | |
-Dave Bassett took us all the way down to 6. -Come on! | 0:40:58 | 0:41:01 | |
Joe Kinnear takes us down through the teens, into single figures. | 0:41:01 | 0:41:05 | |
-Down it... Ooh. -No! -7. | 0:41:05 | 0:41:07 | |
-Oh, what a shame! -APPLAUSE | 0:41:07 | 0:41:11 | |
Well, two very, very good low scores. | 0:41:13 | 0:41:15 | |
You'd be thrilled with those scores at any other stage of the game | 0:41:15 | 0:41:17 | |
but, sadly, in this last round, it's only pointless answers | 0:41:17 | 0:41:20 | |
-that'll win that jackpot for you. -Bobby Gould, wasn't it? | 0:41:20 | 0:41:22 | |
You didn't find that pointless answer to win you that jackpot, | 0:41:22 | 0:41:25 | |
so I'm afraid you don't win today's jackpot of £2,750. | 0:41:25 | 0:41:29 | |
However, as it is a celebrity special and everyone's playing | 0:41:29 | 0:41:32 | |
for a charity, we're going to donate £500 to each celebrity pair, | 0:41:32 | 0:41:35 | |
so they can give to their respective charities. | 0:41:35 | 0:41:37 | |
It's been fabulous having you on. A really entertaining show | 0:41:37 | 0:41:40 | |
and a brilliant performance all the way through, so thank you. | 0:41:40 | 0:41:43 | |
And you get a Pointless trophy to take home as well. | 0:41:43 | 0:41:46 | |
And that's the only silverware | 0:41:46 | 0:41:47 | |
-Pier's Morgan's going to earn all season! -Piers and Susanna. | 0:41:47 | 0:41:51 | |
APPLAUSE | 0:41:51 | 0:41:54 | |
Yeah, the Wombling Free - it's called The Wombling Song. | 0:41:54 | 0:41:57 | |
Underground, overground, that is. | 0:41:57 | 0:41:58 | |
It would have scored you 3 points anyway. Remember You're A Womble... | 0:41:58 | 0:42:01 | |
-Bobby Gould, wasn't it? -Bobby Gould - | 0:42:01 | 0:42:03 | |
there's only three Wimbledon managers who scored | 0:42:03 | 0:42:05 | |
any points at all and they were Kinnear, Bassett and Bobby Gould, | 0:42:05 | 0:42:08 | |
-who would have scored you 4 points. -Oh. -Oh. | 0:42:08 | 0:42:10 | |
I think you thought of one of the tennis players as well. | 0:42:10 | 0:42:13 | |
-Johanna Konta. -Johanna Konta would have scored you 1 point. -Oh. -Ooh. | 0:42:13 | 0:42:16 | |
So I'm glad you didn't say it. | 0:42:16 | 0:42:19 | |
Let's start with those Wimbledon managers, shall we? | 0:42:19 | 0:42:22 | |
Dario Gradi, who was a manager at Crewe for many years. | 0:42:22 | 0:42:24 | |
Egil Olsen, the Norwegian. Ray Harford was a manager at Wimbledon. | 0:42:24 | 0:42:28 | |
Terry Burton as well. | 0:42:28 | 0:42:29 | |
You could have had Allen Batsford, Peter Withe and Stuart Murdoch. | 0:42:29 | 0:42:32 | |
All of those pointless answers. | 0:42:32 | 0:42:34 | |
Wombles now. Sing along if you remember these. | 0:42:34 | 0:42:38 | |
Super Womble. Of course, Super Womble! | 0:42:43 | 0:42:46 | |
And Wombling White Tie And Tails. | 0:42:46 | 0:42:48 | |
Those were the five pointless answers there. | 0:42:48 | 0:42:51 | |
Slightly worried if you got any of those, but well done if you did. | 0:42:51 | 0:42:54 | |
And three pointless answers for British singles players. | 0:42:54 | 0:42:57 | |
He's in the world's top 50 now, Aljaz Bedene. | 0:42:57 | 0:43:00 | |
This guy's going to go a long way as well - Kyle Edmund. | 0:43:01 | 0:43:03 | |
You'll hear an awful lot more about him. | 0:43:03 | 0:43:05 | |
Well done if you got any of those pointless answers at home. | 0:43:05 | 0:43:08 | |
It's been an absolute treat, today's show, so thank you so much. | 0:43:08 | 0:43:10 | |
And sorry we didn't give you the right jackpot round. | 0:43:10 | 0:43:13 | |
Thanks very much, Richard. And thank you again, Piers and Susanna. | 0:43:13 | 0:43:16 | |
Brilliant. Join us next time, | 0:43:16 | 0:43:18 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:43:18 | 0:43:21 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:43:21 | 0:43:23 | |
And it's goodbye from me. Goodbye. | 0:43:23 | 0:43:25 | |
APPLAUSE | 0:43:25 | 0:43:27 |