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CHEERING AND APPLAUSE | 0:00:16 | 0:00:19 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong | 0:00:22 | 0:00:25 | |
and welcome to this special writers edition of Pointless Celebrities, | 0:00:25 | 0:00:28 | |
the show that makes big winners out of the lowest scorers. | 0:00:28 | 0:00:31 | |
Let's meet today's Pointless celebrities. | 0:00:31 | 0:00:34 | |
And couple number one. | 0:00:39 | 0:00:40 | |
Hello, my name's Benjamin Zephaniah | 0:00:40 | 0:00:43 | |
and I'm a poet and writer and I'm a troublemaker. | 0:00:43 | 0:00:46 | |
LAUGHTER | 0:00:46 | 0:00:48 | |
I'm Roger McGough, and I'm a poet and less of a troublemaker, I think. | 0:00:48 | 0:00:52 | |
-And we're twins. -We're twins! | 0:00:52 | 0:00:53 | |
Couple number two. | 0:00:58 | 0:00:59 | |
My name's Kate Mosse. | 0:00:59 | 0:01:01 | |
Obviously I'm a supermodel, and in my spare time, | 0:01:01 | 0:01:03 | |
I write novels and plays and nonfiction. | 0:01:03 | 0:01:05 | |
And I'm Kathy Lette. I'm an author, finishing my 14th novel, | 0:01:05 | 0:01:09 | |
and also, I left school at 16. | 0:01:09 | 0:01:10 | |
I'm an autodidact - that's a word I taught myself, obviously - | 0:01:10 | 0:01:13 | |
-so I think I should have a handicap. -And YOU'RE a troublemaker. | 0:01:13 | 0:01:16 | |
And I am a troublemaker. Yeah. | 0:01:16 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:19 | |
Couple number three. | 0:01:22 | 0:01:24 | |
My name's John O'Farrell. I'm an author and a comedy scriptwriter. | 0:01:24 | 0:01:28 | |
And I'm Emma Kennedy, and I'm also an author and a comedy scriptwriter. | 0:01:28 | 0:01:33 | |
And finally, couple number four. | 0:01:37 | 0:01:39 | |
I'm Terry Deary, I'm a children's author, | 0:01:39 | 0:01:41 | |
probably best known for the books Horrible Histories | 0:01:41 | 0:01:44 | |
because I'm a horrible man. | 0:01:44 | 0:01:46 | |
And I'm Bryony Gordon. I am a columnist at the Telegraph | 0:01:47 | 0:01:50 | |
and the author of a book called The Wrong Knickers. | 0:01:50 | 0:01:52 | |
And I know nothing about history. | 0:01:52 | 0:01:53 | |
-Nothing? -Nothing. -I don't. | 0:01:53 | 0:01:55 | |
Thanks very much, all of you. | 0:01:57 | 0:01:58 | |
We'll find out more about each of you throughout the show. | 0:01:58 | 0:02:01 | |
So that just leaves one more person for me to introduce. | 0:02:01 | 0:02:03 | |
Like your favourite pair of slippers, | 0:02:03 | 0:02:06 | |
he might not be fashionable but my goodness, he's comfy. | 0:02:06 | 0:02:08 | |
He's my Pointless friend. It's Richard. | 0:02:08 | 0:02:11 | |
Hiya. Hi, everybody. | 0:02:11 | 0:02:14 | |
Evening. | 0:02:14 | 0:02:15 | |
-Good evening to you. -Good evening. | 0:02:15 | 0:02:17 | |
This is what I like to call one of our "clever people" specials. | 0:02:17 | 0:02:21 | |
-Yes. -It's all writers. | 0:02:21 | 0:02:22 | |
WRITERS EXCLAIM | 0:02:22 | 0:02:24 | |
All right, clever for US. | 0:02:24 | 0:02:26 | |
We've had a few people on before, Benjamin's been on before... | 0:02:26 | 0:02:29 | |
I'm very glad he's brought the wonderful Roger McGough with him. | 0:02:29 | 0:02:32 | |
Welcome, Roger. | 0:02:32 | 0:02:33 | |
Kathy's been on before as well, got through to Round Two... | 0:02:33 | 0:02:36 | |
-Brought my lovely friend Kate. -Brought Kate this time. | 0:02:36 | 0:02:38 | |
-Emma has been on before, and got to the final. -I did. | 0:02:38 | 0:02:40 | |
Didn't win the jackpot, | 0:02:40 | 0:02:42 | |
-but has been through to the final. -Got the trophy. | 0:02:42 | 0:02:44 | |
Got the trophy, exactly. | 0:02:44 | 0:02:46 | |
Lovely to have you all along, it's going to be a cracker. | 0:02:46 | 0:02:48 | |
Some great questions. | 0:02:48 | 0:02:49 | |
-Let's get going. -Oh, let's do it. -Do you think? -Yes. | 0:02:49 | 0:02:51 | |
Thanks, Richard. Now, as usual, all of today's questions | 0:02:51 | 0:02:54 | |
have been put to 100 people before the show. | 0:02:54 | 0:02:56 | |
Our contestants are looking for those all-important pointless answers, | 0:02:56 | 0:02:59 | |
these are the answers that none of our 100 people gave. | 0:02:59 | 0:03:01 | |
Each time you find one of those, we'll add £250 to the jackpot. | 0:03:01 | 0:03:04 | |
Now, as today's show is a celebrity special | 0:03:04 | 0:03:07 | |
and each of our celebrities is playing for a nominated charity, | 0:03:07 | 0:03:09 | |
we start off with a special jackpot | 0:03:09 | 0:03:11 | |
of £2,500. There it is. | 0:03:11 | 0:03:13 | |
Right, if everyone's ready, let's play Pointless. | 0:03:17 | 0:03:20 | |
All you have to remember is this - | 0:03:25 | 0:03:26 | |
the pair with the highest score | 0:03:26 | 0:03:28 | |
at the end of each round will be eliminated. | 0:03:28 | 0:03:30 | |
Your job is to make sure you are not that pair. | 0:03:30 | 0:03:33 | |
Best of luck, our first category this evening is... | 0:03:33 | 0:03:37 | |
THEY ALL GROAN | 0:03:37 | 0:03:39 | |
XANDER LAUGHS | 0:03:39 | 0:03:40 | |
-It's Geography. -That's gone down well, hasn't it? | 0:03:40 | 0:03:42 | |
Yeah. Can you all decide in your pairs who's going to go first, | 0:03:42 | 0:03:45 | |
who's going to go second? And whoever's going first, | 0:03:45 | 0:03:47 | |
please step up to the podium. | 0:03:47 | 0:03:49 | |
OK. Let's find out what the question is. Here it comes. | 0:03:53 | 0:03:55 | |
We gave 100 people 100 seconds to name as many... | 0:03:55 | 0:04:01 | |
-Richard. -Yes, we're looking for any country in the world | 0:04:09 | 0:04:11 | |
that begins with one of those letters, please. | 0:04:11 | 0:04:13 | |
As always, by country we mean a sovereign state | 0:04:13 | 0:04:15 | |
that is a member of the UN in its own right. | 0:04:15 | 0:04:18 | |
Thank you very much indeed. | 0:04:18 | 0:04:20 | |
Roger, warm welcome to Pointless. | 0:04:20 | 0:04:22 | |
-Lovely to have you here. -Lovely to be here. | 0:04:22 | 0:04:24 | |
Now, Roger, do you remember, | 0:04:24 | 0:04:25 | |
do you remember when you first became a poet? | 0:04:25 | 0:04:29 | |
Do you remember when you first ever read out a poem | 0:04:29 | 0:04:31 | |
that you had written? | 0:04:31 | 0:04:33 | |
Didn't read it out for a long time, | 0:04:33 | 0:04:35 | |
but I remember writing my first poems when I was about 17 or 18 | 0:04:35 | 0:04:39 | |
-at Hull, Hull University. -Mm-hm? | 0:04:39 | 0:04:41 | |
But you were part of the Merseyside, the Beat poet movement. | 0:04:41 | 0:04:44 | |
Yes. I wouldn't say it was a movement. | 0:04:44 | 0:04:46 | |
In a sense, it was just what we were doing best. | 0:04:46 | 0:04:49 | |
And I remember I was reading a lot of poetry at the time | 0:04:49 | 0:04:52 | |
and became a teacher back in Liverpool | 0:04:52 | 0:04:54 | |
and the poetry I could see around me | 0:04:54 | 0:04:56 | |
didn't really interest the kids. | 0:04:56 | 0:04:59 | |
So, I gave them poems that I was writing, the poems about football, | 0:04:59 | 0:05:02 | |
-about Grandma, about countries beginning with C, F, R. -I see! | 0:05:02 | 0:05:06 | |
And they enjoyed those and I realised that maybe I was a poet. | 0:05:06 | 0:05:10 | |
There we are. Never looked back. Right, now, Roger, | 0:05:10 | 0:05:13 | |
we are looking for countries that begin with these letters. | 0:05:13 | 0:05:17 | |
All right. Rwanda. | 0:05:17 | 0:05:18 | |
Rwanda, says Roger. | 0:05:18 | 0:05:20 | |
Rwanda. Let's see if that's right. | 0:05:20 | 0:05:22 | |
Let's see how many people of our 100 people said Rwanda. | 0:05:22 | 0:05:25 | |
It is right. | 0:05:27 | 0:05:29 | |
20. | 0:05:32 | 0:05:34 | |
-That's all right. -20 for Rwanda. Good start to the round. | 0:05:34 | 0:05:37 | |
Well played, Roger. | 0:05:37 | 0:05:39 | |
Very nice start. That's in Africa as well, which is nice. | 0:05:39 | 0:05:41 | |
And it rhymes with a lot. | 0:05:41 | 0:05:43 | |
-It does. -Quite handy. | 0:05:43 | 0:05:44 | |
Quite a nice country for a poet. | 0:05:44 | 0:05:45 | |
-It is a good one. -Yeah. | 0:05:45 | 0:05:47 | |
Have a gander at Rwanda. | 0:05:47 | 0:05:49 | |
And Xander. | 0:05:49 | 0:05:50 | |
-I went to Rwanda, I saw a panda. -No, you weren't. -Eating Xander! | 0:05:50 | 0:05:54 | |
LAUGHTER | 0:05:54 | 0:05:57 | |
-Now, Kathy. -Hi. -Welcome back to the show. -Thank you. | 0:05:57 | 0:06:00 | |
Now, Kathy, at what stage did you start writing | 0:06:00 | 0:06:03 | |
"occupation author"? | 0:06:03 | 0:06:05 | |
When did you think, "This is what I now do, this is my living"? | 0:06:05 | 0:06:08 | |
Well, I wrote my first book when I was 17, actually, | 0:06:08 | 0:06:10 | |
about growing up as a surfy girl in Australia, | 0:06:10 | 0:06:12 | |
because the boys I grew up with disproved the theory of evolution. | 0:06:12 | 0:06:16 | |
They were evolving into apes. | 0:06:16 | 0:06:17 | |
For example, they used to get us to cut their names out in paper | 0:06:17 | 0:06:20 | |
and sticky-tape them to our stomachs and then sun-bake, | 0:06:20 | 0:06:23 | |
so we'd get a tan tattoo in the shape of their names. | 0:06:23 | 0:06:26 | |
So, yes, I did start very young. | 0:06:26 | 0:06:28 | |
Now, Kathy, what would you like to go for? | 0:06:28 | 0:06:30 | |
Which country would you like to name? | 0:06:30 | 0:06:33 | |
Well, I think I'll go for Chad, | 0:06:33 | 0:06:34 | |
because not many people, I don't think, | 0:06:34 | 0:06:37 | |
-know that it is actually a place in Africa. -OK, Chad, says Kathy. | 0:06:37 | 0:06:41 | |
Let's see how many of our 100 people said Chad. | 0:06:41 | 0:06:43 | |
It's right. 20 is our only score at this point. | 0:06:46 | 0:06:50 | |
You're past 20. 11. Down to 11 for Chad. | 0:06:52 | 0:06:54 | |
Not bad at all, Kathy. | 0:06:54 | 0:06:55 | |
So glad I went out with that guy. | 0:06:55 | 0:06:57 | |
Well played, Kathy. That rhymes with even more. | 0:06:57 | 0:07:00 | |
What a lovely answer. I went to Chad with my dad. | 0:07:00 | 0:07:02 | |
-Yeah. He's bad. -Yeah. | 0:07:02 | 0:07:04 | |
That was a bit... Yeah. Good! | 0:07:04 | 0:07:07 | |
Thank you very much indeed, Richard. Now, Emma, welcome to Pointless. | 0:07:07 | 0:07:10 | |
Welcome back, I should say. | 0:07:10 | 0:07:11 | |
-Lovely to be here. -It'd be nice to have another bookend, | 0:07:11 | 0:07:14 | |
-wouldn't it? -Oh, it would be audacious. | 0:07:14 | 0:07:15 | |
It would be audacious of me to win twice. | 0:07:15 | 0:07:18 | |
Well... So, Emma, you're one of the writers on Danger Mouse. | 0:07:18 | 0:07:22 | |
-Yes! -So, do you know what's coming up for Danger Mouse? | 0:07:22 | 0:07:25 | |
-I do, but I'm not going to tell you. -OK. Good, good. | 0:07:25 | 0:07:29 | |
Will...will, erm...the fabulous... I can't remember... | 0:07:29 | 0:07:33 | |
-Jellyfishovitz. That's your name, isn't it? -Jellyfishovitz. | 0:07:33 | 0:07:35 | |
-Will Professor Jellyfishovitz be returning? -It's unlikely. | 0:07:35 | 0:07:39 | |
We were very disappointed with the actor. | 0:07:39 | 0:07:42 | |
-All right. -That's true. That is true. | 0:07:42 | 0:07:45 | |
Now, Emma, countries. Countries beginning with these letters. | 0:07:45 | 0:07:48 | |
Yes, I'm going to go for American Samoa. | 0:07:48 | 0:07:51 | |
Said with such confidence. | 0:07:51 | 0:07:53 | |
Yeah, well, I tell you for why. | 0:07:53 | 0:07:55 | |
It's because I watched a film called Next Goal Wins, | 0:07:55 | 0:07:58 | |
and it's one of the most wonderful documentaries ever | 0:07:58 | 0:08:00 | |
and it's about the American Samoan football team. | 0:08:00 | 0:08:02 | |
OK, American Samoa, says Emma. Let's see if it's right. | 0:08:02 | 0:08:05 | |
Oh, no... Oh, no! | 0:08:06 | 0:08:09 | |
-Oh, no. -Oh, no. -Listen, you broke out of Africa | 0:08:09 | 0:08:11 | |
and that's what happens. | 0:08:11 | 0:08:13 | |
Yeah, it's an American territory, I'm afraid. | 0:08:13 | 0:08:16 | |
But I will say, Next Goal Wins, genuinely | 0:08:16 | 0:08:19 | |
one of the greatest documentaries I've ever seen. Oh, it's unbelei... | 0:08:19 | 0:08:22 | |
Even if you don't like sport, you can hate sport, | 0:08:22 | 0:08:25 | |
it's an unbelievable documentary, isn't it? | 0:08:25 | 0:08:27 | |
-Yeah. -Next Goal Wins. -Yep. | 0:08:27 | 0:08:29 | |
-Brilliant. Thank you. -So good. | 0:08:29 | 0:08:31 | |
-Thank you. Bryony. -Hi. -Welcome to Pointless. | 0:08:31 | 0:08:33 | |
Lovely to have you here. | 0:08:33 | 0:08:36 | |
Now, Bryony, you've done some audacious things in your career | 0:08:36 | 0:08:39 | |
as a journalist. I'm thinking, for example, | 0:08:39 | 0:08:41 | |
you have set off in a dinghy from Scotland | 0:08:41 | 0:08:44 | |
and set sail for the Arctic Circle. | 0:08:44 | 0:08:46 | |
-Yes. -That was pretty punchy. Just to write an article for it. | 0:08:46 | 0:08:50 | |
I mean, I didn't have anything else to do. | 0:08:50 | 0:08:52 | |
So, I thought, why not? | 0:08:52 | 0:08:54 | |
-And it was kind of a glorified dinghy. It was a rib. -Still. | 0:08:54 | 0:08:57 | |
It was the first time anyone had done it, would you believe it? | 0:08:57 | 0:09:00 | |
-Amazing. -No-one had thought to do it before! | 0:09:00 | 0:09:02 | |
-How long did it take you? -Two weeks. | 0:09:02 | 0:09:04 | |
Wow. To Norway? | 0:09:04 | 0:09:06 | |
Well, yeah, we went to the Lofoten Islands. | 0:09:06 | 0:09:08 | |
Oh, beautiful. The Lofoten Islands! | 0:09:08 | 0:09:10 | |
Bryony, what would you like to go for? | 0:09:10 | 0:09:13 | |
OK, I'm going to go with Fiji. | 0:09:13 | 0:09:16 | |
Fiji, says Bryony. | 0:09:16 | 0:09:18 | |
Fiji, let's see if that's right. | 0:09:18 | 0:09:20 | |
Let's see how many of our 100 people said Fiji. | 0:09:20 | 0:09:22 | |
There it is. | 0:09:24 | 0:09:26 | |
Now, 11 is our lowest score. | 0:09:26 | 0:09:28 | |
100 our highest. You passed the high score. | 0:09:28 | 0:09:31 | |
And you've passed the lowest score. | 0:09:31 | 0:09:33 | |
Very well done indeed, Bryony. | 0:09:33 | 0:09:34 | |
9. Our first single-digit score. | 0:09:34 | 0:09:37 | |
The best answer of the round so far, Bryony. | 0:09:37 | 0:09:40 | |
Very well played. It begins with F. | 0:09:40 | 0:09:42 | |
-Yes. Fiji. -If you think about it. | 0:09:42 | 0:09:44 | |
Otherwise it would be Iji. | 0:09:44 | 0:09:46 | |
It's got two I's in it as well. | 0:09:46 | 0:09:47 | |
-It has got two I's. -Like most of us have! | 0:09:47 | 0:09:50 | |
-Yes, like a lot of us have. -OK, thanks very much indeed, Richard. | 0:09:50 | 0:09:53 | |
We're halfway through the round. Let's take a look at those scores. | 0:09:53 | 0:09:56 | |
9 was our low score in that pass. Well done, Bryony and Terry. | 0:09:56 | 0:09:59 | |
Looking very strong at this point. | 0:09:59 | 0:10:00 | |
Kathy and Kate looking pretty good on 11 as well. | 0:10:00 | 0:10:03 | |
Then up to 20, Roger and Benjamin. | 0:10:03 | 0:10:05 | |
And then up to 100, Emma and John, I'm afraid. | 0:10:05 | 0:10:07 | |
John, a low score from you would be nice. | 0:10:07 | 0:10:10 | |
But let's see if it's going to be enough. | 0:10:10 | 0:10:12 | |
We'll come back down the line now. | 0:10:12 | 0:10:13 | |
Can the second players please step up to the podium? | 0:10:13 | 0:10:15 | |
So, there we are. Terry, now, remember, | 0:10:18 | 0:10:20 | |
we are looking for any country whose name begins with | 0:10:20 | 0:10:23 | |
the letters A, F, R, I or C. | 0:10:23 | 0:10:26 | |
Terry, first, a huge welcome to Pointless. | 0:10:26 | 0:10:28 | |
Did you ever, ever, ever in your wildest dreams | 0:10:28 | 0:10:31 | |
imagine that Horrible Histories | 0:10:31 | 0:10:33 | |
would be the huge, huge behemoth it has become? | 0:10:33 | 0:10:36 | |
Yes. | 0:10:36 | 0:10:38 | |
No, authors are supposed to say, humbly, "Oh, no." | 0:10:38 | 0:10:42 | |
But when you're an author and you write a book, | 0:10:42 | 0:10:44 | |
you always imagine it's the best book ever written. | 0:10:44 | 0:10:46 | |
So, of course you do. Sorry, I've got to be honest. | 0:10:46 | 0:10:49 | |
No, no. That's perfect. | 0:10:49 | 0:10:51 | |
Do you have a favourite period of history? | 0:10:51 | 0:10:53 | |
Is there one period that you think is just rich comic territory? | 0:10:53 | 0:10:55 | |
I like the age I grew up with - the 1950s. | 0:10:55 | 0:10:59 | |
And I once explained this to a little girl and she said, | 0:10:59 | 0:11:02 | |
"The 19... Is that the Middle Ages?" | 0:11:02 | 0:11:05 | |
LAUGHTER | 0:11:05 | 0:11:07 | |
Now, Terry, listen, there you are on 9. | 0:11:07 | 0:11:10 | |
If you can score 90 or less, you are into the next round. | 0:11:10 | 0:11:13 | |
What would you like to go for? | 0:11:13 | 0:11:15 | |
I'll play fairly safe and go for Cuba. | 0:11:15 | 0:11:17 | |
Cuba, says Terry. Cuba. Here is your red line. | 0:11:17 | 0:11:20 | |
If you get below that, you're through. | 0:11:20 | 0:11:22 | |
How many of our 100 people said Cuba? | 0:11:22 | 0:11:24 | |
It's right and you are through. | 0:11:26 | 0:11:29 | |
10. Very well done indeed, Terry. | 0:11:35 | 0:11:37 | |
Takes your total up to 19. | 0:11:37 | 0:11:39 | |
Very nicely played, Terry. Safely through there. 19 points. | 0:11:39 | 0:11:42 | |
-A good score on podium four. -Very good. | 0:11:42 | 0:11:44 | |
-Thank you. Now, John. -Yes. | 0:11:44 | 0:11:46 | |
Welcome to Pointless. | 0:11:46 | 0:11:48 | |
Bryony got in a boat and went to the Lofoten Islands | 0:11:48 | 0:11:51 | |
as part of her research. You've actually stood for Parliament twice. | 0:11:51 | 0:11:54 | |
Yes. I think I did as well there as we're going to do here today, | 0:11:54 | 0:11:58 | |
-so... -LAUGHTER | 0:11:58 | 0:12:00 | |
You last stood in a by-election in 2013. | 0:12:00 | 0:12:03 | |
In Eastleigh. Yes, yes. | 0:12:03 | 0:12:05 | |
Could you maintain another election, as it were? | 0:12:05 | 0:12:07 | |
I might do again at some point. | 0:12:07 | 0:12:08 | |
But let's see. | 0:12:08 | 0:12:10 | |
Let's see if I can get through Pointless first. | 0:12:10 | 0:12:12 | |
OK. One step at a time, John. | 0:12:12 | 0:12:14 | |
OK, there you are. You're the high scorers, I'm afraid, on 100. | 0:12:14 | 0:12:17 | |
We need a low score from you, obviously. | 0:12:17 | 0:12:19 | |
I bet there are some pointless answers. | 0:12:19 | 0:12:22 | |
There might be some close-to-pointless answers. | 0:12:22 | 0:12:25 | |
Yeah, I'm nervous about this one, | 0:12:25 | 0:12:26 | |
but I've got to go for something low. | 0:12:26 | 0:12:28 | |
I'm going to go for Cape Verde, | 0:12:28 | 0:12:30 | |
-or Cabo Verdi as I think they like to be called. -Cabo Verdi. | 0:12:30 | 0:12:33 | |
Always call them what they like to be called. | 0:12:33 | 0:12:36 | |
Let's see how many of our 100 people said Cabo Verdi. | 0:12:36 | 0:12:38 | |
No red line, as I say, because you're the high scorers. | 0:12:38 | 0:12:40 | |
It's right. | 0:12:42 | 0:12:43 | |
I think it's going to be a low one, John. | 0:12:45 | 0:12:48 | |
It's pointless! | 0:12:49 | 0:12:50 | |
Look at that - from one extreme to the other! | 0:12:50 | 0:12:52 | |
That adds £250 to today's jackpot, takes the total up to £2,750. | 0:12:52 | 0:12:58 | |
It scores you absolutely nothing and it leaves your total at 100 points. | 0:12:58 | 0:13:03 | |
You see, you get a Fulham fan on the show, this is what happens. | 0:13:03 | 0:13:07 | |
Suddenly, no-one scores anything. | 0:13:07 | 0:13:08 | |
Yes, used to be the Cape Verdi Islands, now Cabo Verdi. | 0:13:08 | 0:13:12 | |
That's what they call it. And it's a pointless answer. | 0:13:12 | 0:13:15 | |
-Terrific stuff. -There we are. Kate, welcome to the show. | 0:13:15 | 0:13:17 | |
-Hello, hello! -Now, you were a publisher before you were a writer. | 0:13:17 | 0:13:20 | |
I was. Yes, poacher turned gamekeeper. | 0:13:20 | 0:13:22 | |
What would your advice be to aspiring writers watching now? | 0:13:22 | 0:13:25 | |
-Pithy advice. -Pithy advice? | 0:13:25 | 0:13:27 | |
It's sounds ridiculous, but the only thing is, you've got to write. | 0:13:27 | 0:13:30 | |
If you had a quid for everybody who came up to you | 0:13:30 | 0:13:32 | |
and told you about the book they WERE going to write. | 0:13:32 | 0:13:34 | |
-Yeah. -So, everybody watching, all you can do, | 0:13:34 | 0:13:37 | |
it doesn't matter how long you've got, just put a pad by the kettle, | 0:13:37 | 0:13:40 | |
pen by the kettle. Just describe what the smoke looks like when it's | 0:13:40 | 0:13:43 | |
coming out the kettle and then you can say every day you're a writer. | 0:13:43 | 0:13:47 | |
Very good indeed. You're on 11. | 0:13:47 | 0:13:49 | |
The high scorers remain John and Emma on 100, | 0:13:49 | 0:13:51 | |
which means 88 or less is your target. | 0:13:51 | 0:13:53 | |
What would you like to go for? | 0:13:53 | 0:13:55 | |
I'm going to go for Cameroon. | 0:13:55 | 0:13:57 | |
Cameroon, says Kate. | 0:13:57 | 0:13:59 | |
Cameroon. Here is your red line. | 0:13:59 | 0:14:01 | |
If you get below that with Cameroon - (I think you will) - | 0:14:01 | 0:14:04 | |
you're through to the next round. | 0:14:04 | 0:14:06 | |
How many of our 100 people said Cameroon? | 0:14:06 | 0:14:08 | |
Look at that. | 0:14:10 | 0:14:11 | |
20. | 0:14:17 | 0:14:18 | |
-Taking your total up to 31. -Very well played, Kate. | 0:14:20 | 0:14:23 | |
Very nice answer. | 0:14:23 | 0:14:24 | |
The only country in the world that's an anagram of "macaroon". | 0:14:24 | 0:14:27 | |
-It's why I went for it, obviously. -Exactly that. | 0:14:27 | 0:14:30 | |
Benjamin, welcome back. | 0:14:30 | 0:14:31 | |
-Hello. -Welcome back. | 0:14:31 | 0:14:33 | |
Now, as a self-confessed troublemaker, | 0:14:33 | 0:14:35 | |
You're now listed by the Times | 0:14:35 | 0:14:38 | |
as one of the 50 most important post-war writers. | 0:14:38 | 0:14:42 | |
You're now a professor at Brunel. | 0:14:42 | 0:14:44 | |
You're very much at the heart of the Establishment now, Benjamin. | 0:14:44 | 0:14:47 | |
Did you ever imagine this was going to happen? | 0:14:47 | 0:14:50 | |
It's interesting. | 0:14:50 | 0:14:51 | |
To a certain extent, I think, what I do, I want to inspire other people. | 0:14:51 | 0:14:55 | |
So, if that inspires other people, then so be it. | 0:14:55 | 0:14:58 | |
I think creative people | 0:14:58 | 0:15:00 | |
can get their creativity from so many places. | 0:15:00 | 0:15:03 | |
But the most important place is yourself, | 0:15:03 | 0:15:05 | |
so it's about inspiring people. | 0:15:05 | 0:15:07 | |
It not about the qualifications you have. | 0:15:07 | 0:15:09 | |
No. No, indeed. | 0:15:09 | 0:15:10 | |
But I suppose it's good. | 0:15:10 | 0:15:12 | |
The Establishment is a better place now because it has you amongst it. | 0:15:12 | 0:15:15 | |
Ah! | 0:15:15 | 0:15:17 | |
Anyway, there we are! Now, what are you going to go for? | 0:15:17 | 0:15:20 | |
Going red now. | 0:15:20 | 0:15:22 | |
What would you like to go for, Benjamin? | 0:15:22 | 0:15:24 | |
It's interesting. All the ones that I fancied have been taken. | 0:15:24 | 0:15:28 | |
So, I'm going to go for Ivory Coast. | 0:15:28 | 0:15:31 | |
Ivory Coast, says Benjamin. Here is your red line. | 0:15:31 | 0:15:34 | |
If you can get below that red line, nice and high, | 0:15:34 | 0:15:37 | |
you are through to Round Two. | 0:15:37 | 0:15:38 | |
Let's see how many of our 100 people said Ivory Coast. | 0:15:38 | 0:15:41 | |
There you go. | 0:15:45 | 0:15:46 | |
6! | 0:15:50 | 0:15:52 | |
6, our second-best score of the round. | 0:15:52 | 0:15:55 | |
26 is your total. | 0:15:55 | 0:15:56 | |
Very well played, Benjamin. That's another one like Cape Verdi, | 0:15:56 | 0:15:59 | |
Cabo Verdi, in that they call themselves Cote d'Ivoire, | 0:15:59 | 0:16:02 | |
we call them Ivory Coast. | 0:16:02 | 0:16:03 | |
Begins with C or I, whichever way you look at it anyway. | 0:16:03 | 0:16:05 | |
So, great answer. Now, a great pointless answer from John. | 0:16:05 | 0:16:09 | |
There is only one pointless answer on the whole board | 0:16:09 | 0:16:12 | |
-and that's Cabo Verdi, so very, very well played, John. -Wow. | 0:16:12 | 0:16:16 | |
APPLAUSE | 0:16:16 | 0:16:18 | |
Not bad, is it? | 0:16:18 | 0:16:21 | |
Other low scorers you could have had. | 0:16:21 | 0:16:23 | |
Two for the Comoros Islands. | 0:16:23 | 0:16:25 | |
You would have had four for Costa Rica. | 0:16:25 | 0:16:27 | |
Five for Andorra, seven for Congo and Cyprus. | 0:16:27 | 0:16:30 | |
You'd have got eight for Croatia, Antigua and Barbuda. | 0:16:30 | 0:16:33 | |
Let's take a look at the top three scores, | 0:16:33 | 0:16:35 | |
the ones that most of our 100 people said when we asked them online. | 0:16:35 | 0:16:37 | |
-How about that? -Look at that. | 0:16:47 | 0:16:49 | |
Thanks very much, Richard. So, at the end of our first round, | 0:16:49 | 0:16:52 | |
the pair we have to say goodbye to with their high score of 100, | 0:16:52 | 0:16:54 | |
I'm so sorry! Please come back and play again. | 0:16:54 | 0:16:56 | |
It's been wonderful having you on the show. Thank you, John and Emma. | 0:16:56 | 0:16:59 | |
APPLAUSE | 0:16:59 | 0:17:00 | |
But for the remaining three pairs, it's now time for Round Two. | 0:17:03 | 0:17:05 | |
And so, we're suddenly down to three pairs. | 0:17:10 | 0:17:12 | |
At the end of this round, we'll have to say goodbye to another pair. | 0:17:12 | 0:17:16 | |
You've seen off our only finalists. | 0:17:16 | 0:17:18 | |
-Phew! -Yeah. And we've seen off the geography round, as well, | 0:17:18 | 0:17:21 | |
-which is quite exciting. -Another phew! | 0:17:21 | 0:17:23 | |
Of our remaining contestants, | 0:17:23 | 0:17:24 | |
Bryony and Benjamin sticking out for their excellent low score there, | 0:17:24 | 0:17:28 | |
Fiji and the Ivory Coast. | 0:17:28 | 0:17:29 | |
Anyway, best of luck to all three pairs. | 0:17:29 | 0:17:31 | |
Our category for Round Two this evening is... | 0:17:31 | 0:17:35 | |
Can you all decide in your pairs who's going to go first, | 0:17:35 | 0:17:38 | |
who's going to go second? | 0:17:38 | 0:17:40 | |
And whoever's going first, please step up to the podium. | 0:17:40 | 0:17:43 | |
OK, and the question concerns... | 0:17:47 | 0:17:50 | |
Colourful Films. | 0:17:52 | 0:17:54 | |
-Richard. -We're going to show you the name of six films, | 0:17:54 | 0:17:56 | |
all of which have a colour in their title. | 0:17:56 | 0:17:58 | |
We're also going to show you the director of those films. | 0:17:58 | 0:18:01 | |
The one thing we've missed out is the colour in the title. | 0:18:01 | 0:18:03 | |
You need to tell us those colours, please. | 0:18:03 | 0:18:05 | |
12 in all to have a go at at home. | 0:18:05 | 0:18:07 | |
-Very best of luck. -Thanks very much indeed, Richard. | 0:18:07 | 0:18:10 | |
So, we're looking for the missing colour from these film titles. | 0:18:10 | 0:18:13 | |
And here's our first board of six. We've got... | 0:18:13 | 0:18:15 | |
I'm going to read those one last time. | 0:18:36 | 0:18:39 | |
Roger? | 0:18:45 | 0:18:47 | |
I like the film, | 0:18:48 | 0:18:51 | |
so I'll go for burgundy, the bottom one - Anchorman. | 0:18:51 | 0:18:56 | |
The Legend Of Ron Burgundy. | 0:18:56 | 0:18:57 | |
Ron Burgundy. Let's see how many of our 100 people said Ron Burgundy. | 0:18:57 | 0:19:01 | |
Good answer, Roger. Down it goes. | 0:19:07 | 0:19:09 | |
28. | 0:19:09 | 0:19:10 | |
Very nicely played, Roger. | 0:19:13 | 0:19:14 | |
It's a great film, isn't it? | 0:19:14 | 0:19:16 | |
Very good. Thanks, Richard. | 0:19:16 | 0:19:18 | |
-Kathy. -Well, I adore Woody Allen. | 0:19:18 | 0:19:22 | |
So, I'm going to go for The Purple Rose Of Cairo, obviously, | 0:19:22 | 0:19:26 | |
because Woody Allen likes to shoot from the lip, as do I. | 0:19:26 | 0:19:29 | |
Wonderful. OK, Purple Rose Of Cairo, says Kathy. | 0:19:29 | 0:19:31 | |
Let's see if that's right. | 0:19:31 | 0:19:33 | |
Let's see how many of our 100 people went for purple. | 0:19:33 | 0:19:35 | |
Well, 28 is our only score so far, and you pass it. | 0:19:40 | 0:19:43 | |
Down it goes... 14. | 0:19:43 | 0:19:45 | |
-Marvellous. -Well done. -I suddenly thought, "I hope that's right!" | 0:19:45 | 0:19:48 | |
Another good film, another good answer, as well. | 0:19:48 | 0:19:51 | |
You've been in a Woody Allen movie, haven't you? | 0:19:51 | 0:19:53 | |
-I've been in two. -Two Woody Allen movies. | 0:19:53 | 0:19:55 | |
The two least watched. | 0:19:55 | 0:19:58 | |
Yeah. Anyway, there we are. | 0:19:58 | 0:20:00 | |
Thank you very much indeed. Now, Terry. | 0:20:00 | 0:20:02 | |
Terry, what would you like to go for? | 0:20:02 | 0:20:04 | |
This board, if you like, is all yours. | 0:20:04 | 0:20:06 | |
You could go through it and fill in all the blanks for us. | 0:20:06 | 0:20:08 | |
The violin is... | 0:20:08 | 0:20:10 | |
Most violins are brown. | 0:20:10 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:14 | |
Pretty In Pink is obvious. | 0:20:14 | 0:20:17 | |
And My Blue Heaven is fairly obvious as well. | 0:20:17 | 0:20:20 | |
I'll play safe. | 0:20:20 | 0:20:22 | |
How Green Was My Valley. | 0:20:22 | 0:20:24 | |
How Green Was My Valley, says Terry. | 0:20:24 | 0:20:26 | |
Let's see how many of our 100 people said How Green Was My Valley. | 0:20:26 | 0:20:29 | |
72. | 0:20:34 | 0:20:35 | |
72 for How Green Was My Valley. | 0:20:35 | 0:20:38 | |
Yeah, of the three you knew there, Terry, you picked the middle one. | 0:20:39 | 0:20:42 | |
you did well to avoid Pretty In Pink, that's the big scorer. | 0:20:42 | 0:20:46 | |
Pretty In Pink would have scored you 91 points. | 0:20:46 | 0:20:50 | |
My Blue Heaven would have been a better answer. | 0:20:50 | 0:20:53 | |
Only would have scored you 43. | 0:20:53 | 0:20:55 | |
I think if it was a brown violin, | 0:20:55 | 0:20:57 | |
they'd just call the film The Violin(!) I think. | 0:20:57 | 0:21:01 | |
It is called... You don't know that one? | 0:21:01 | 0:21:03 | |
My Red Violin. | 0:21:03 | 0:21:05 | |
-It's called The Red Violin. -Sorry. The Red... -Oh, wow. | 0:21:05 | 0:21:09 | |
Two points for that. Very well done if you said that. | 0:21:09 | 0:21:11 | |
It's a story of a red violin. | 0:21:11 | 0:21:12 | |
Thank you very much, Richard. | 0:21:12 | 0:21:14 | |
We're halfway through the round. Let's take a look at those scores. | 0:21:14 | 0:21:17 | |
14 is where we find Kathy and Kate. | 0:21:17 | 0:21:19 | |
Lovely low-scoring there. | 0:21:19 | 0:21:21 | |
Then up to 28, where we find | 0:21:21 | 0:21:22 | |
Roger and Benjamin. | 0:21:22 | 0:21:23 | |
72 is where we find | 0:21:23 | 0:21:24 | |
Terry and Bryony. | 0:21:24 | 0:21:26 | |
So, yes, Bryony, we need a low score from you in the next pass. | 0:21:26 | 0:21:28 | |
Don't be tempted to go for an easy thing. | 0:21:28 | 0:21:30 | |
-No, obviously. -You need a low score. -I know the rules. -OK. | 0:21:30 | 0:21:33 | |
I know, I know! | 0:21:33 | 0:21:34 | |
-You tell him! -OK. We'll come back down the line now. | 0:21:34 | 0:21:38 | |
Can the second players please step up to the podium? | 0:21:38 | 0:21:40 | |
OK. We'll put six more films up on the board. | 0:21:43 | 0:21:46 | |
Here they are. We have got... | 0:21:46 | 0:21:48 | |
I'm going to read those all one last time. | 0:22:06 | 0:22:08 | |
-Bryony. -OK, I'm going to go for this film, because it's quite obscure | 0:22:15 | 0:22:20 | |
and I don't think that many people will have seen it. | 0:22:20 | 0:22:23 | |
-And it's Mood Indigo. -Mood Indigo, says Bryony. | 0:22:23 | 0:22:27 | |
There's no red line for you, because you're the high scorers, | 0:22:27 | 0:22:30 | |
but let's see how far down that column you can get with indigo. | 0:22:30 | 0:22:33 | |
Well done, Bryony. | 0:22:39 | 0:22:40 | |
Nice low score there. Down it goes. | 0:22:40 | 0:22:42 | |
11. Very well done indeed. | 0:22:42 | 0:22:44 | |
83 is your total. | 0:22:44 | 0:22:47 | |
Yeah, kept yourself in the game there, Bryony. | 0:22:47 | 0:22:49 | |
Michel Gondry. He started as a videos director. | 0:22:49 | 0:22:52 | |
A very good one, as well. | 0:22:52 | 0:22:54 | |
Thanks very much, Richard. | 0:22:54 | 0:22:55 | |
Now, Kate, what would you like to go for? | 0:22:55 | 0:22:57 | |
You want to be scoring 68 or less. | 0:22:57 | 0:23:00 | |
I am so rubbish at this... | 0:23:00 | 0:23:02 | |
I'm going to have to go for Silver Linings Playbook. | 0:23:02 | 0:23:04 | |
Silver Linings Playbook, says Kate. | 0:23:04 | 0:23:06 | |
Here is your red line. | 0:23:06 | 0:23:08 | |
If you can get below that with silver, | 0:23:08 | 0:23:09 | |
you are through to the next round. | 0:23:09 | 0:23:11 | |
Let's see how many of our 100 people said silver. | 0:23:11 | 0:23:13 | |
It's right. | 0:23:15 | 0:23:16 | |
You've done it. Very well done indeed. | 0:23:17 | 0:23:20 | |
Look at that, 33. Nothing to worry about. | 0:23:20 | 0:23:22 | |
Fantastic. 47 is your total. | 0:23:23 | 0:23:25 | |
-Well! -Well played, Kate. | 0:23:25 | 0:23:27 | |
Yeah, Jennifer Lawrence won the Best Actress Oscar for that film. | 0:23:27 | 0:23:30 | |
Thanks very much, Richard. | 0:23:30 | 0:23:32 | |
-Now, then, Benjamin. -Hmm. | 0:23:32 | 0:23:35 | |
Benjamin, this board is all yours. | 0:23:35 | 0:23:36 | |
Do you want to talk us through it and fill in all those blanks? | 0:23:36 | 0:23:38 | |
I'm really terrible at films. | 0:23:38 | 0:23:41 | |
I think I probably know one. | 0:23:41 | 0:23:43 | |
But I'm going to go for Jackie Brown. | 0:23:43 | 0:23:45 | |
Jackie Brown, Quentin Tarantino. | 0:23:45 | 0:23:47 | |
Here is your red line. | 0:23:47 | 0:23:48 | |
If you can get below that with Jackie Brown, | 0:23:48 | 0:23:50 | |
you're through to the next round. How many people said brown? | 0:23:50 | 0:23:53 | |
Very well done. | 0:23:58 | 0:24:00 | |
35. | 0:24:00 | 0:24:01 | |
35. 63 is your total. | 0:24:03 | 0:24:04 | |
One of Tarantino's early movies. | 0:24:04 | 0:24:07 | |
Benjamin, well played. Let's fill in the rest of this board. | 0:24:07 | 0:24:10 | |
-She Wore A... -Yellow. | 0:24:10 | 0:24:12 | |
..Yellow Ribbon. Yep. | 0:24:12 | 0:24:14 | |
John Ford movie. | 0:24:14 | 0:24:15 | |
That would have scored 79. | 0:24:15 | 0:24:17 | |
-County? -Orange County. -Orange County, yep. | 0:24:18 | 0:24:21 | |
That would've scored 24. | 0:24:21 | 0:24:23 | |
-And...? -Lavender. | 0:24:23 | 0:24:24 | |
The Lavender Hill Mob, | 0:24:24 | 0:24:25 | |
wonderful film, | 0:24:25 | 0:24:27 | |
would've scored 54. | 0:24:27 | 0:24:28 | |
So, the best answer on the board, Bryony, if it's any consolation, | 0:24:28 | 0:24:31 | |
was Indigo. So, well played. | 0:24:31 | 0:24:33 | |
Thanks very much, Richard. So, at the end of our second round, | 0:24:33 | 0:24:35 | |
the pair we have to say goodbye to with a high score of 83, I'm afraid, | 0:24:35 | 0:24:38 | |
Bryony and Terry, it is your turn. Your turn to leave us. | 0:24:38 | 0:24:41 | |
-Thank you for having us. -It's been such a pleasure. | 0:24:41 | 0:24:43 | |
Thank you so much for playing. | 0:24:43 | 0:24:45 | |
It's been lovely having you on. | 0:24:45 | 0:24:46 | |
Bryony and Terry, everyone! | 0:24:46 | 0:24:47 | |
APPLAUSE | 0:24:47 | 0:24:49 | |
But for Kathy and Kate, Roger and Benjamin, | 0:24:51 | 0:24:53 | |
it's now time for our head-to-head. | 0:24:53 | 0:24:55 | |
Congratulations, Kate and Kathy, Roger and Benjamin. | 0:24:59 | 0:25:02 | |
You are now one step closer to the final | 0:25:02 | 0:25:04 | |
and the chance to play for our jackpot, | 0:25:04 | 0:25:06 | |
which is currently standing at... | 0:25:06 | 0:25:09 | |
APPLAUSE | 0:25:09 | 0:25:11 | |
So, now we have to decide who goes through to the final to play for | 0:25:14 | 0:25:17 | |
that jackpot for their charities. | 0:25:17 | 0:25:18 | |
We do that by making you go head-to-head. | 0:25:18 | 0:25:21 | |
You are now allowed to confer before you give the answers. | 0:25:21 | 0:25:23 | |
The first pair to win two questions will be playing for that jackpot. | 0:25:23 | 0:25:27 | |
Best of luck to both pairs, let's play the head-to-head. | 0:25:27 | 0:25:29 | |
Here comes your first question. | 0:25:34 | 0:25:36 | |
And our first question today is all about... | 0:25:36 | 0:25:39 | |
Beatles singles. Richard. | 0:25:39 | 0:25:42 | |
We are going to show you five pairs of pictures now and each pair | 0:25:42 | 0:25:45 | |
represents a title of a single released by the Beatles. | 0:25:45 | 0:25:47 | |
Can you tell us the most obscure one, please? | 0:25:47 | 0:25:50 | |
OK. Let's reveal our five picture clues. | 0:25:50 | 0:25:53 | |
And we have got... | 0:25:53 | 0:25:55 | |
CONTESTANT LAUGHS | 0:25:59 | 0:26:00 | |
There we are. Kathy and Kate, you are our low scorers, | 0:26:19 | 0:26:23 | |
so you'll go first. | 0:26:23 | 0:26:25 | |
-You think? -Hmm. | 0:26:28 | 0:26:30 | |
Well, the number C we like a lot. | 0:26:30 | 0:26:32 | |
But we also think number A | 0:26:32 | 0:26:34 | |
is probably more obscure. | 0:26:34 | 0:26:36 | |
So, we're going with that. | 0:26:36 | 0:26:37 | |
Yeah, we're going with Paperback Writer. | 0:26:37 | 0:26:39 | |
Paperback Writer, say Kate and Kathy. | 0:26:39 | 0:26:42 | |
Roger and Benjamin, that board's all yours. | 0:26:42 | 0:26:44 | |
Do you want to talk us through all of the others? | 0:26:44 | 0:26:46 | |
Obviously, B is Yellow Submarine. | 0:26:46 | 0:26:49 | |
We Know E is Helter Skelter. | 0:26:49 | 0:26:51 | |
-Lady Madonna. -Lady Madonna. | 0:26:51 | 0:26:54 | |
-Let's go for Lady Madonna. -Yeah. | 0:26:54 | 0:26:56 | |
Lady Madonna. | 0:26:56 | 0:26:58 | |
Lady Madonna. So, there's Paperback Writer and Lady Madonna. | 0:26:58 | 0:27:02 | |
Kathy and Kate went for Paperback Writer. | 0:27:02 | 0:27:04 | |
Let's see if that's right for A. Let's see how many people said it. | 0:27:04 | 0:27:07 | |
Very well done indeed. | 0:27:16 | 0:27:17 | |
10! | 0:27:17 | 0:27:18 | |
APPLAUSE | 0:27:18 | 0:27:21 | |
10 for Paperback Writer. | 0:27:21 | 0:27:22 | |
Roger and Benjamin have gone for Lady Madonna for C. | 0:27:22 | 0:27:25 | |
Let's see if that's right. | 0:27:25 | 0:27:26 | |
Let's see how many of our 100 people said Lady Madonna. | 0:27:26 | 0:27:28 | |
It's right. | 0:27:31 | 0:27:34 | |
-Ah... -51. | 0:27:34 | 0:27:36 | |
APPLAUSE | 0:27:36 | 0:27:38 | |
51. Well done, Kate and Kathy. After one question, you are up 1-0. | 0:27:38 | 0:27:42 | |
So, gents, nothing you could have done there. | 0:27:42 | 0:27:44 | |
It's the best answer on the board, Paperback Writer. | 0:27:44 | 0:27:46 | |
Nothing you could have done at all. | 0:27:46 | 0:27:47 | |
I was confused for a while because I thought that was Colonel Sanders. | 0:27:47 | 0:27:50 | |
-LAUGHTER -I genuinely had trouble. | 0:27:50 | 0:27:52 | |
It's not Colonel Sanders, it's the writer, Ernest Hemingway. | 0:27:52 | 0:27:56 | |
B is of course Yellow Submarine. | 0:27:56 | 0:27:58 | |
What do you think Yellow Submarine scored? | 0:27:58 | 0:28:00 | |
I'd like to think in the 90s. | 0:28:00 | 0:28:01 | |
-96, maybe? -Let's take a little look. | 0:28:01 | 0:28:03 | |
-90. -90. -That's in the 90s! | 0:28:03 | 0:28:06 | |
-That's good. -Yep. | 0:28:06 | 0:28:08 | |
D, you have to know who they are. | 0:28:08 | 0:28:10 | |
-If I tell you the second one is Diane Lane... -Oh... | 0:28:10 | 0:28:13 | |
-The first one was Penny Lancaster. -Very good. -Penny Lane. | 0:28:13 | 0:28:15 | |
It would have scored more than | 0:28:15 | 0:28:17 | |
Paperback Writer, | 0:28:17 | 0:28:18 | |
it would have scored 11 points. | 0:28:18 | 0:28:19 | |
And E is not Helter Skelter, | 0:28:19 | 0:28:21 | |
not Helter Skelter from '65. | 0:28:21 | 0:28:23 | |
It's Ticket To Ride, yeah. | 0:28:23 | 0:28:25 | |
That would have scored 61 points. | 0:28:25 | 0:28:27 | |
Thanks very much indeed. | 0:28:27 | 0:28:29 | |
So here comes your second question. | 0:28:29 | 0:28:30 | |
Roger and Benjamin, you get to answer this one first | 0:28:30 | 0:28:33 | |
but you have to win this one to stay in the game, so best of luck. | 0:28:33 | 0:28:35 | |
Our second question today concerns... | 0:28:35 | 0:28:40 | |
LAUGHTER | 0:28:40 | 0:28:42 | |
Cow jokes. | 0:28:42 | 0:28:43 | |
-Richard. -Over to you, darling. | 0:28:43 | 0:28:45 | |
We are giving you the five set-ups now to cow jokes | 0:28:45 | 0:28:48 | |
and we're giving you alternate letters of the punchlines. | 0:28:48 | 0:28:51 | |
Can you tell us what the punchlines are, please? | 0:28:51 | 0:28:53 | |
Thank you very much indeed. | 0:28:53 | 0:28:55 | |
This is fun. Let's reveal our five cow joke set-ups and here they are. | 0:28:55 | 0:29:00 | |
We've got... | 0:29:00 | 0:29:02 | |
CONTESTANT LAUGHS | 0:29:05 | 0:29:07 | |
I'll read those all again. | 0:29:26 | 0:29:28 | |
Roger and Benjamin will go first. | 0:29:39 | 0:29:41 | |
We'll go for the last one, I think. | 0:29:50 | 0:29:52 | |
An UDDER failure. | 0:29:52 | 0:29:53 | |
An UDDER failure. | 0:29:54 | 0:29:56 | |
An UDDER failure. | 0:29:56 | 0:29:57 | |
OK, Kate and Kathy, what would you like to try? | 0:29:57 | 0:29:59 | |
They are horribly fun, in a weird way, aren't they? | 0:29:59 | 0:30:02 | |
They're pun-tastic. | 0:30:02 | 0:30:04 | |
We're going to go for the second to last one, aren't we? | 0:30:04 | 0:30:07 | |
Yeah. I think so. | 0:30:07 | 0:30:09 | |
It must be BEEF flat. | 0:30:09 | 0:30:11 | |
-It must be. BEEF flat. -It's obvious. | 0:30:11 | 0:30:14 | |
OK, we have another failure. | 0:30:14 | 0:30:16 | |
I've been through a process of elimination. | 0:30:16 | 0:30:18 | |
It just has to be BEEF flat. | 0:30:18 | 0:30:20 | |
Whoever wrote these jokes has got mad cow disease, I think. | 0:30:20 | 0:30:24 | |
I think so. Roger and Benjamin have gone for an UDDER failure. | 0:30:24 | 0:30:27 | |
Let's see if that's right. Let's see how many of our 100 people said it. | 0:30:27 | 0:30:29 | |
It's a good answer, look at that, 17. | 0:30:38 | 0:30:40 | |
Very well done, for an UDDER failure. | 0:30:40 | 0:30:42 | |
Kate and Kathy have gone for BEEF flat, let's see if that's right. | 0:30:42 | 0:30:46 | |
Let's see how many people said it. | 0:30:46 | 0:30:47 | |
It's right. | 0:30:51 | 0:30:52 | |
-Oh! -32. | 0:30:55 | 0:30:57 | |
APPLAUSE | 0:30:57 | 0:30:58 | |
32, which means well done, Roger and Benjamin, you are back in the game. | 0:30:58 | 0:31:02 | |
After two questions, it's 1-1. | 0:31:02 | 0:31:04 | |
Yeah, let's fill in these other three jokes. | 0:31:04 | 0:31:07 | |
What is it called when one cow spies on another? | 0:31:07 | 0:31:09 | |
-STEAK out. -A STEAK out. | 0:31:09 | 0:31:12 | |
That would have scored 19. | 0:31:12 | 0:31:13 | |
What do you call a cow with no legs? | 0:31:13 | 0:31:15 | |
-GROUND beef. -GROUND beef. | 0:31:15 | 0:31:17 | |
I just... | 0:31:17 | 0:31:18 | |
Oh, that's so tasteless. | 0:31:18 | 0:31:20 | |
I like that one. | 0:31:20 | 0:31:22 | |
And what happened to the lost cattle? | 0:31:22 | 0:31:24 | |
-Nobody's HERD. -Nobody's HERD. | 0:31:24 | 0:31:26 | |
That scored 43. | 0:31:26 | 0:31:27 | |
So the best answer on the board is ground BEEF. | 0:31:27 | 0:31:30 | |
Hmm... There we are, thank you very much indeed, Richard. | 0:31:30 | 0:31:34 | |
So here's your third question. | 0:31:34 | 0:31:35 | |
Whoever wins this goes through to the final | 0:31:35 | 0:31:37 | |
and plays for that jackpot. Best of luck to both pairs. | 0:31:37 | 0:31:39 | |
Our third question today is all about... | 0:31:39 | 0:31:42 | |
Sir Ian McKellen. Richard. | 0:31:42 | 0:31:45 | |
Five clues now to facts about Sir Ian McKellen. | 0:31:45 | 0:31:47 | |
Whichever team gives us the most obscure answer | 0:31:47 | 0:31:49 | |
will play for that jackpot, so very best of luck to everybody. | 0:31:49 | 0:31:53 | |
OK, let's reveal our five clues and here they are. | 0:31:53 | 0:31:55 | |
We've got... | 0:31:55 | 0:31:56 | |
I'll read those one last time. | 0:32:17 | 0:32:19 | |
Kathy and Kate, you'll go first this time. | 0:32:36 | 0:32:39 | |
Which is the most obscure? | 0:32:39 | 0:32:41 | |
-Yeah. -Shall we go for that one? | 0:32:41 | 0:32:44 | |
We know that one. | 0:32:44 | 0:32:45 | |
We'll go for that one. | 0:32:45 | 0:32:47 | |
We're going to go for Widow Twankey | 0:32:47 | 0:32:48 | |
in Aladdin. | 0:32:48 | 0:32:50 | |
Widow Twankey, say Kate and Kathy, | 0:32:50 | 0:32:52 | |
Widow Twankey. Now, Roger and Benjamin, | 0:32:52 | 0:32:55 | |
do you want to take us through the rest of these Ian McKellen facts? | 0:32:55 | 0:32:58 | |
Erm... | 0:32:58 | 0:33:00 | |
The Master for number one. | 0:33:02 | 0:33:03 | |
Character of the X-Men, he played the Master. | 0:33:03 | 0:33:06 | |
-That's the one you're going to go for? -Yeah. -The Master. | 0:33:06 | 0:33:08 | |
So we have Widow Twankey and the Master. | 0:33:08 | 0:33:10 | |
Kathy and Kate said Widow Twankey. | 0:33:10 | 0:33:11 | |
Let's see if that is right. | 0:33:11 | 0:33:13 | |
Let's see how many of our 100 people said it. | 0:33:13 | 0:33:15 | |
It's right. | 0:33:17 | 0:33:18 | |
I saw it. | 0:33:21 | 0:33:22 | |
22. | 0:33:22 | 0:33:24 | |
APPLAUSE | 0:33:24 | 0:33:26 | |
Roger and Benjamin have said | 0:33:28 | 0:33:29 | |
he played the Master in the X-Men series of films. | 0:33:29 | 0:33:32 | |
Let's see if that's right, let's see how many people said it. | 0:33:32 | 0:33:35 | |
Oh. Not the Master. | 0:33:38 | 0:33:40 | |
I thought that was the Master's pose! | 0:33:40 | 0:33:42 | |
I'm afraid an incorrect answer, | 0:33:42 | 0:33:44 | |
which means, Kate and Kathy, very well done. | 0:33:44 | 0:33:46 | |
After three questions, you are through to the final, 2-1. | 0:33:46 | 0:33:50 | |
Great head-to-head. Well played, both pairs. | 0:33:54 | 0:33:57 | |
We'll fill in the board. | 0:33:57 | 0:33:58 | |
-The character in the X-Men series of films is Magneto. -Yes. | 0:33:58 | 0:34:01 | |
30 points for that. Let's go down the bottom now. | 0:34:01 | 0:34:04 | |
The character he played in The Hobbit was...? | 0:34:04 | 0:34:06 | |
-BOTH: Gandalf. -Gandalf. Yeah. | 0:34:06 | 0:34:08 | |
It would have scored 47. | 0:34:08 | 0:34:10 | |
The soap opera - anyone? | 0:34:10 | 0:34:12 | |
-BOTH: Coronation Street. -Corrie. Yep. | 0:34:12 | 0:34:15 | |
-It's like hearing a choir. -It's the only one we could do. | 0:34:15 | 0:34:19 | |
39. They're not joining in on this one. | 0:34:19 | 0:34:21 | |
This is the hardest one on the board. This would've won the point. | 0:34:21 | 0:34:24 | |
-The British singer was George Ezra. -Ah. -George Ezra. -That's nice. | 0:34:24 | 0:34:29 | |
It would have scored you eight points. | 0:34:29 | 0:34:30 | |
Very well done if you said that at home. | 0:34:30 | 0:34:32 | |
Excellent. So the pair leaving us at the end of the head-to-head round, | 0:34:32 | 0:34:35 | |
I'm afraid it's Roger and Benjamin. | 0:34:35 | 0:34:37 | |
I'm so sorry. | 0:34:37 | 0:34:38 | |
Please come back and play again | 0:34:38 | 0:34:40 | |
and let's hope next time you will be | 0:34:40 | 0:34:41 | |
through to the final and lifting the trophy but, meantime, | 0:34:41 | 0:34:44 | |
thanks very much for playing, Roger and Benjamin. | 0:34:44 | 0:34:46 | |
APPLAUSE | 0:34:46 | 0:34:49 | |
But for Kate and Kathy, it's now time for our Pointless final. | 0:34:49 | 0:34:52 | |
Well, congratulations, Kate and Kathy, | 0:34:55 | 0:34:57 | |
you have fought off, rustled off, | 0:34:57 | 0:35:00 | |
all the competition and you have won our coveted Pointless trophy. | 0:35:00 | 0:35:04 | |
You now have a chance | 0:35:09 | 0:35:10 | |
to win our Pointless jackpot for your nominated charities | 0:35:10 | 0:35:13 | |
and at the end of today's show, the jackpot is standing at £2,750. | 0:35:13 | 0:35:17 | |
Amazing. | 0:35:20 | 0:35:21 | |
OK, now, as always, you get to choose your category. | 0:35:23 | 0:35:25 | |
This is what happens in the final round. | 0:35:25 | 0:35:26 | |
We put four categories up on the board. | 0:35:26 | 0:35:28 | |
Today's selection of options look like this, and we have got... | 0:35:28 | 0:35:32 | |
You choose, you choose. | 0:35:38 | 0:35:39 | |
Oh, God! | 0:35:39 | 0:35:41 | |
-1983. -1983? Surely a good choice. | 0:35:42 | 0:35:45 | |
-Richard. -Very best of luck, three very different questions here. | 0:35:45 | 0:35:48 | |
Hopefully one of these suits you. | 0:35:48 | 0:35:50 | |
We're looking for the name of anyone who was appointed | 0:35:50 | 0:35:52 | |
-in Margaret Thatcher's Cabinet, post election, in 1983, -Oh, oh. | 0:35:52 | 0:35:57 | |
We're looking for any of the cast of the first series | 0:35:57 | 0:36:00 | |
of The Black Adder, | 0:36:00 | 0:36:01 | |
or we're looking for any of the acts on the very first | 0:36:01 | 0:36:03 | |
-Now That's What I Call Music album. -Aw... -Which was released in '83. | 0:36:03 | 0:36:07 | |
Very, very best of luck. | 0:36:11 | 0:36:14 | |
Now, you can't say that's not fun. | 0:36:14 | 0:36:16 | |
-That's fun. -It is fun. | 0:36:16 | 0:36:18 | |
You've got up to one minute to come up with three answers. | 0:36:18 | 0:36:20 | |
All you need to win that jackpot for your charities | 0:36:20 | 0:36:23 | |
is for just one of those answers to be pointless. | 0:36:23 | 0:36:25 | |
-Are you ready? -OK. | 0:36:25 | 0:36:26 | |
-Yes. -OK, let's put 60 seconds on the clock. | 0:36:26 | 0:36:29 | |
There they are, your time starts now. | 0:36:29 | 0:36:30 | |
So with the cast of Black Adder, we can't do him, | 0:36:30 | 0:36:35 | |
-because he's famous. -Miranda Richardson. | 0:36:35 | 0:36:38 | |
-Was she in the first one, though? -I don't know. | 0:36:38 | 0:36:40 | |
Was it the cast of all the Blackadders? | 0:36:40 | 0:36:42 | |
No, it's that first series. | 0:36:42 | 0:36:43 | |
So she's Queenie. | 0:36:43 | 0:36:45 | |
-Was that the first one? -I don't know. That's true. | 0:36:45 | 0:36:48 | |
-Tony Robinson was in it. -Let's do Tony Robinson. | 0:36:48 | 0:36:51 | |
The man with the long neck who had the big ruff. | 0:36:51 | 0:36:54 | |
-Oh, yes. -Tim McInnerny. | 0:36:54 | 0:36:56 | |
Was the Elizabethan one the first one? | 0:36:56 | 0:36:59 | |
I'm not sure. Stephen Fry was in that. | 0:36:59 | 0:37:01 | |
-Stephen Fry. -What if it's not the Elizabethan one? | 0:37:01 | 0:37:04 | |
What about post-election Cabinet? | 0:37:04 | 0:37:06 | |
-Heseltine. -Her first one. | 0:37:06 | 0:37:09 | |
Norman Tebbit. | 0:37:09 | 0:37:11 | |
No, I don't think... | 0:37:11 | 0:37:13 | |
But that man she... You know? | 0:37:13 | 0:37:15 | |
What?! | 0:37:15 | 0:37:16 | |
Parkinson. She must have met him somewhere. | 0:37:16 | 0:37:20 | |
Ten seconds left. | 0:37:20 | 0:37:21 | |
Which one shall we do? | 0:37:21 | 0:37:23 | |
-And... -Let's do that Tony Robinson from Black Adder. | 0:37:23 | 0:37:26 | |
Let's do Heseltine or Parkinson or the first one... | 0:37:26 | 0:37:30 | |
That is your time up, I'm afraid. | 0:37:30 | 0:37:32 | |
I now need your three answers. | 0:37:32 | 0:37:35 | |
If you could say which category you're answering, | 0:37:35 | 0:37:37 | |
just so I don't confuse Cabinet members with Black Adder. | 0:37:37 | 0:37:40 | |
-Although... -Hard to see! | 0:37:40 | 0:37:42 | |
So, cast of the first Black Adder, Tim McInnerny and Tony Robinson. | 0:37:42 | 0:37:47 | |
And post-election Cabinet, Heseltine. | 0:37:47 | 0:37:49 | |
-OK. -For the Cabinet... -First name? -Michael. | 0:37:49 | 0:37:53 | |
Of those three, which is your best shot at a pointless answer? | 0:37:53 | 0:37:57 | |
-Tim McInnerny. -Black Adder. -Tim McInnerny we'll put last. | 0:37:57 | 0:37:59 | |
Least likely to be pointless? | 0:37:59 | 0:38:01 | |
-Heseltine. -Heseltine. Tony Robinson in the middle. | 0:38:01 | 0:38:04 | |
OK, let's pop those up on the board in that order. Here they are. | 0:38:04 | 0:38:07 | |
We've got Michael Heseltine, Tony Robinson and Tim McInnerny. | 0:38:07 | 0:38:12 | |
So three good answers on the board. | 0:38:12 | 0:38:14 | |
Now, if one of these works out to be pointless and you win that jackpot | 0:38:14 | 0:38:18 | |
for your charities, that would be a wonderful thing. | 0:38:18 | 0:38:21 | |
What charities are you playing for? | 0:38:21 | 0:38:22 | |
-Kate, you first. -I'm playing for the Parkinson's Society | 0:38:22 | 0:38:26 | |
because my very wonderful, lovely dad, | 0:38:26 | 0:38:28 | |
who, with my mum, made it possible for me to do anything I wanted, | 0:38:28 | 0:38:32 | |
suffered from Parkinson's for ten years, | 0:38:32 | 0:38:34 | |
and when he died, instead of having flowers and things, | 0:38:34 | 0:38:37 | |
it all went to the Parkinson's Society, | 0:38:37 | 0:38:39 | |
and my mum did the same, so I'd love them to have a boost | 0:38:39 | 0:38:41 | |
-and a bit more support. -Wonderful. | 0:38:41 | 0:38:43 | |
Kathy, how about you? | 0:38:47 | 0:38:48 | |
I'm today playing for Ambitious About Autism, | 0:38:48 | 0:38:52 | |
because my son is autistic and what he's taught me, of course, | 0:38:52 | 0:38:55 | |
is that there's no such thing as normal and abnormal, | 0:38:55 | 0:38:58 | |
there's ordinary and extraordinary, | 0:38:58 | 0:39:00 | |
so Ambitious About Autism is my choice today. | 0:39:00 | 0:39:02 | |
Fantastic. Well... two wonderful charities there. | 0:39:02 | 0:39:06 | |
Let's hope you can win that jackpot for those charities. | 0:39:06 | 0:39:10 | |
Now, your first answer was Michael Heseltine. | 0:39:10 | 0:39:12 | |
In this case, we were looking for post-1983 | 0:39:12 | 0:39:15 | |
Mrs Thatcher Cabinet members. | 0:39:15 | 0:39:17 | |
This, you thought, was your least likely to be pointless. | 0:39:17 | 0:39:20 | |
If it is pointless, it will win you £2,750 for your charities. | 0:39:20 | 0:39:23 | |
Let's see how many people said Michael Heseltine. | 0:39:23 | 0:39:26 | |
-It's right. -Phew! | 0:39:28 | 0:39:31 | |
All it has to be now is pointless and you will win that jackpot. | 0:39:31 | 0:39:34 | |
Down it goes, Michael Heseltine going down into the teens, | 0:39:34 | 0:39:37 | |
down into single figures, still going down, still going down. | 0:39:37 | 0:39:41 | |
3! That's a wonderful answer. | 0:39:41 | 0:39:43 | |
Fabulous score. | 0:39:44 | 0:39:46 | |
-Sadly, not a pointless answer. -No. | 0:39:46 | 0:39:48 | |
Which means you only have two more shots at today's jackpot. | 0:39:48 | 0:39:51 | |
Let's hope nobody said your next answer, which was Tony Robinson. | 0:39:51 | 0:39:54 | |
In this case, we were looking for the cast members of the original | 0:39:54 | 0:39:56 | |
Blackadder series, The Black Adder. | 0:39:56 | 0:39:59 | |
It has to be pointless for you to win that jackpot of £2,750. | 0:39:59 | 0:40:02 | |
Let's see how many people said Tony Robinson. | 0:40:02 | 0:40:05 | |
It's right. | 0:40:08 | 0:40:10 | |
Michael Heseltine took us all the way down to 3. | 0:40:10 | 0:40:12 | |
Tony Robinson, will he take us down that far? | 0:40:12 | 0:40:16 | |
No, I'm afraid he won't, 34. | 0:40:16 | 0:40:17 | |
-And this might be wrong. -Oh, it might be wrong. | 0:40:19 | 0:40:22 | |
So not a pointless answer, | 0:40:22 | 0:40:24 | |
which means everything is now riding on your third and final answer, | 0:40:24 | 0:40:27 | |
-your most confident answer, you felt. -Not really. -No. | 0:40:27 | 0:40:30 | |
Tim McInnerny. | 0:40:30 | 0:40:32 | |
This is the one you decided to put last anyway, shall we say? | 0:40:32 | 0:40:35 | |
If this is right, and if it goes down to the bottom of the column, | 0:40:35 | 0:40:39 | |
you will leave with £2,750 for your charities. | 0:40:39 | 0:40:42 | |
Tim McInnerny. How many people said it? Is it right? | 0:40:42 | 0:40:46 | |
It is right. | 0:40:49 | 0:40:50 | |
So your first answer, Michael Heseltine, took us down to 3. | 0:40:51 | 0:40:55 | |
Tony Robinson took us down to 34. | 0:40:55 | 0:40:57 | |
Tim McInnerny now taking us down into single figures, down it goes. | 0:40:57 | 0:41:00 | |
Passes 3! Down to 1! | 0:41:00 | 0:41:02 | |
-Oh. -Oh... -That's so mean. | 0:41:09 | 0:41:11 | |
That is mean. | 0:41:11 | 0:41:13 | |
I'm afraid you didn't manage to find that all-important pointless answer, | 0:41:13 | 0:41:17 | |
so I'm afraid you don't win today's jackpot of £2,750. | 0:41:17 | 0:41:19 | |
-However... -We didn't humiliate ourselves! | 0:41:19 | 0:41:21 | |
..as it's a celebrity special | 0:41:21 | 0:41:23 | |
and each of you were playing for a charity, | 0:41:23 | 0:41:25 | |
we're going to donate £500 to each celebrity pair | 0:41:25 | 0:41:27 | |
-for their respective charities. -Thank you. | 0:41:27 | 0:41:29 | |
It has been wonderful having you on. Thank you so much. | 0:41:29 | 0:41:32 | |
And remember, you get to take home a Pointless trophy. | 0:41:32 | 0:41:35 | |
THEY CHEER | 0:41:35 | 0:41:38 | |
He's in that first series, he plays Percy, Tim McInnerny. | 0:41:39 | 0:41:42 | |
Let's look at the post-election Cabinet. | 0:41:42 | 0:41:44 | |
A couple of names you suggested. | 0:41:44 | 0:41:46 | |
Cecil Parkinson would have scored you 9, Norman Tebbit 6. | 0:41:46 | 0:41:49 | |
But there will be some names you remember, | 0:41:49 | 0:41:51 | |
even if it's just from Spitting Image. | 0:41:51 | 0:41:53 | |
Up here, let's take a look at some pointless ones, | 0:41:53 | 0:41:56 | |
Jim Prior was a pointless answer, Keith Joseph, Lord Hailsham, | 0:41:56 | 0:41:59 | |
Norman Fowler. You could have had George Younger, John Biffen, | 0:41:59 | 0:42:02 | |
John Wakeham, Michael Jopling, you could have had Patrick Jenkin, | 0:42:02 | 0:42:05 | |
Peter Rees, Peter Walker or Tom King - | 0:42:05 | 0:42:07 | |
all of those were pointless answers. | 0:42:07 | 0:42:09 | |
-Very well done if you said any of those at home. -All men! | 0:42:09 | 0:42:12 | |
We will take a look at Black Adder now. | 0:42:12 | 0:42:14 | |
-Angus Deayton was in that series. -Angus Deayton! | 0:42:14 | 0:42:17 | |
Frank Finlay, Patrick Malahide, Stephen Frost and Mark Arden, | 0:42:17 | 0:42:21 | |
his comedy partner, both pointless answers. | 0:42:21 | 0:42:23 | |
The only people that scored points in that - | 0:42:23 | 0:42:25 | |
Rowan Atkinson, of course, he would have scored you 83. | 0:42:25 | 0:42:28 | |
We've had Tony Robinson. Brian Blessed, Rik Mayall, Peter Cook, | 0:42:28 | 0:42:30 | |
Miriam Margolyes would have scored. Elspet Gray, | 0:42:30 | 0:42:33 | |
Robert East and Jim Broadbent. Every other character, | 0:42:33 | 0:42:35 | |
every other actor in that series was a pointless answer. | 0:42:35 | 0:42:38 | |
Well done if you got one. | 0:42:38 | 0:42:39 | |
Now the acts on Now That's What I Call Music, | 0:42:39 | 0:42:41 | |
which I have to admit I bought at the time. | 0:42:41 | 0:42:44 | |
-Bonnie Tyler. -My favourite! -Total Eclipse Of The Heart. | 0:42:44 | 0:42:47 | |
Limahl was on there, Tina Turner, Tracey Ullman, Heaven 17, | 0:42:47 | 0:42:51 | |
KC and the Sunshine Band, Rock Steady Crew, Simple Minds, | 0:42:51 | 0:42:54 | |
The Cure and Will Powers, all of those are pointless answers. | 0:42:54 | 0:42:57 | |
Very well done if you got those at home. | 0:42:57 | 0:42:59 | |
Congratulations on winning our writers special, | 0:42:59 | 0:43:01 | |
-our clever people special. -Yes, very, very impressive. | 0:43:01 | 0:43:03 | |
And one point away from that jackpot win as well, terrific performance. | 0:43:03 | 0:43:06 | |
Thank you very much, Richard. | 0:43:06 | 0:43:08 | |
Kathy, have you come up with a pun to cover this episode of Pointless? | 0:43:08 | 0:43:12 | |
I think, watch at your own risque. | 0:43:12 | 0:43:15 | |
LAUGHTER | 0:43:15 | 0:43:17 | |
Join us next time, | 0:43:17 | 0:43:18 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:43:18 | 0:43:21 | |
-Meanwhile it's goodbye from Richard. -Goodbye. | 0:43:21 | 0:43:23 | |
And it's goodbye from me. Goodbye. | 0:43:23 | 0:43:25 | |
APPLAUSE | 0:43:25 | 0:43:27 |