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Thank you very much! | 0:00:22 | 0:00:23 | |
Hello, I'm Alexander Armstrong and welcome to this special | 0:00:23 | 0:00:26 | |
'90s edition of Pointless Celebrities, | 0:00:26 | 0:00:28 | |
the show where the more obscure your knowledge, | 0:00:28 | 0:00:30 | |
the better your chances of winning. | 0:00:30 | 0:00:32 | |
Let's meet today's Pointless Celebrities. | 0:00:32 | 0:00:34 | |
And couple number one. | 0:00:38 | 0:00:40 | |
I'm Ulrika Jonsson and I'm a '90s throwback from Gladiators. | 0:00:40 | 0:00:45 | |
That's right. You're not a throwback, though! | 0:00:45 | 0:00:48 | |
And I am one of those said Gladiators. | 0:00:48 | 0:00:50 | |
I was Jet on the Gladiators, but you can call me Diane. | 0:00:50 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:56 | |
And couple number two. | 0:00:58 | 0:00:59 | |
Yes, I'm Terry Christian, an award-winning broadcaster | 0:00:59 | 0:01:03 | |
and a Manchester United fan. | 0:01:03 | 0:01:05 | |
BOOING | 0:01:05 | 0:01:07 | |
-That worked(!) -I'm Katie Puckrik and I'm a TV and radio presenter | 0:01:07 | 0:01:11 | |
and a survivor of a funny little show called The Word. | 0:01:11 | 0:01:15 | |
ALEXANDER CHEERS | 0:01:15 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:20 | |
-Couple number three. -Well, I'm that Trevor out of that Trev and Simon. | 0:01:20 | 0:01:24 | |
And I'm the Simon out of Trev and Simon | 0:01:24 | 0:01:26 | |
and in the '90s, we used to swing our pants. | 0:01:26 | 0:01:29 | |
And I'm a Manchester City supporter! | 0:01:29 | 0:01:31 | |
CHEERING | 0:01:31 | 0:01:34 | |
And finally, couple number four. | 0:01:36 | 0:01:39 | |
-I'm Fred from Right Said Fred. -And I'm Richard from Right Said Fred. | 0:01:39 | 0:01:43 | |
It says so there. And we are a group. | 0:01:43 | 0:01:45 | |
APPLAUSE | 0:01:46 | 0:01:48 | |
-That's it. -And these are today's contestants. | 0:01:50 | 0:01:54 | |
APPLAUSE | 0:01:54 | 0:01:56 | |
Thanks very much, all of you. | 0:01:56 | 0:01:57 | |
We'll find out more about you as the show goes along. | 0:01:57 | 0:01:59 | |
That just leaves one more person for me to introduce. | 0:01:59 | 0:02:02 | |
He's made grown men cry, but not me. | 0:02:02 | 0:02:05 | |
Not for a while, at least. | 0:02:05 | 0:02:06 | |
It's my Pointless friend, it's Richard. | 0:02:06 | 0:02:08 | |
Hiya. Hi, everybody. APPLAUSE | 0:02:08 | 0:02:11 | |
-Good evening to you. -Good evening. -What a brilliant line-up. | 0:02:13 | 0:02:16 | |
-This is great fun. A '90s special. -Yeah. | 0:02:16 | 0:02:19 | |
The '90s to me, mean just one word, | 0:02:19 | 0:02:22 | |
which is rave. | 0:02:22 | 0:02:23 | |
As you know. Massive raver. Huge. Just such a... | 0:02:23 | 0:02:26 | |
The first time we ever met, 1991, in The Warehouse, | 0:02:26 | 0:02:30 | |
-just outside Bracknell. -Yeah. -Great days. | 0:02:30 | 0:02:34 | |
Here we are. 20-odd years later. | 0:02:34 | 0:02:37 | |
-Oh, is it really? -Now, there's a few people who've played before. | 0:02:37 | 0:02:40 | |
Ulrika's been on before, with Ronan Rivron. Terry has been on before. | 0:02:40 | 0:02:43 | |
Trevor and Simon have been on together before, as well. | 0:02:43 | 0:02:46 | |
Got through to the second round, gents, didn't you? | 0:02:46 | 0:02:48 | |
So, we've got a little bit of experience, | 0:02:48 | 0:02:50 | |
but no-one who's actually won the show before, | 0:02:50 | 0:02:52 | |
so it should be an absolute cracker. | 0:02:52 | 0:02:54 | |
-Shall I start us off with a little song? -Yeah. | 0:02:54 | 0:02:57 | |
MUSIC: No Good (Start The Dance) by The Prodigy | 0:02:57 | 0:03:02 | |
There we go. There we go. APPLAUSE | 0:03:14 | 0:03:17 | |
-Whoa. -Let's have it, shall we? -What about that? Yeah, let's do it. | 0:03:19 | 0:03:24 | |
-Thank you very much. -Actually, I, sort of, need a cup of tea now. | 0:03:24 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:29 | |
And a sit down. No, you've got a sit down. All right for some. | 0:03:29 | 0:03:32 | |
Every question on Pointless has been asked to 100 people before the show. | 0:03:32 | 0:03:35 | |
Today's contestants are looking for a pointless answer, | 0:03:35 | 0:03:38 | |
an answer which none of our 100 people gave. | 0:03:38 | 0:03:40 | |
Find one of those and we will add £250 to the jackpot. | 0:03:40 | 0:03:43 | |
Now, as today's show is a celebrity special | 0:03:43 | 0:03:45 | |
and each of our celebrities is playing for a nominated charity, | 0:03:45 | 0:03:48 | |
we start off with a jackpot of £2,500. | 0:03:48 | 0:03:51 | |
APPLAUSE | 0:03:51 | 0:03:53 | |
Right, if everyone's ready, let's play Pointless. | 0:03:53 | 0:03:56 | |
OK, all you have to remember is that the pair with the highest score | 0:03:59 | 0:04:03 | |
at the end of each round will be eliminated. The highest score. | 0:04:03 | 0:04:06 | |
So, do everything you can to make sure that is not you. | 0:04:06 | 0:04:09 | |
Best of luck, all four pairs. Our category for Round 1 today is... | 0:04:09 | 0:04:12 | |
Music and Film. What could be better? | 0:04:15 | 0:04:17 | |
Can you all decide in your pairs | 0:04:17 | 0:04:18 | |
who's going to go first, who's going to go second? | 0:04:18 | 0:04:21 | |
And whoever's going first, please, step up to the podium. | 0:04:21 | 0:04:23 | |
OK, and the question concerns... | 0:04:27 | 0:04:29 | |
HE REPEATS CATEGORY | 0:04:33 | 0:04:36 | |
Yes, we're going to show you a series of pairs now. | 0:04:36 | 0:04:38 | |
One of them is a film title. One of them's a song title. | 0:04:38 | 0:04:40 | |
And they've both got the same word shared with both of them. | 0:04:40 | 0:04:43 | |
And we've left that word blank, | 0:04:43 | 0:04:44 | |
so can you fill in the blanks you're about to see? | 0:04:44 | 0:04:47 | |
-Very, very best of luck. -Thanks very much, indeed. Now. | 0:04:47 | 0:04:50 | |
Let's have a look at our first board of shared film and song titles | 0:04:50 | 0:04:53 | |
and here are the first seven. | 0:04:53 | 0:04:54 | |
I'm going to read those all one last time... | 0:05:28 | 0:05:30 | |
Ulrika. Welcome. Welcome back. Now, hang on. Last time, what happened? | 0:05:45 | 0:05:49 | |
-You were head-to-head. -Yes. -You were all-but finalists. | 0:05:49 | 0:05:53 | |
-So close, but we were against two very competitive sportsmen. -Yes. | 0:05:53 | 0:05:57 | |
-That's right. Scott Quinnell and Austin Healey. -Indeed. | 0:05:57 | 0:06:00 | |
-Through they went to the final. Oh. -You can never beat a sportsman. | 0:06:00 | 0:06:03 | |
-No, but you were flying. -I had so much fun. I did. | 0:06:03 | 0:06:07 | |
-I cried with laughter. -Good stuff. Now, Ulrika. -Yes. | 0:06:07 | 0:06:11 | |
-What do you fancy going for? -Erm... I'm going to go for... | 0:06:11 | 0:06:15 | |
And I don't know if this is right. But I'm going to go with it, anyway. | 0:06:15 | 0:06:20 | |
The Third Man - Man On Fire? | 0:06:20 | 0:06:23 | |
The Third Man - Man On Fire. | 0:06:23 | 0:06:26 | |
Let's find out if that's right and, | 0:06:26 | 0:06:27 | |
if it is, let's see how many people said The Third Man - Man On Fire. | 0:06:27 | 0:06:30 | |
Is "man" the right missing word there? | 0:06:30 | 0:06:32 | |
It is! | 0:06:34 | 0:06:36 | |
That's a very good answer, Ulrika. | 0:06:37 | 0:06:39 | |
APPLAUSE | 0:06:40 | 0:06:42 | |
There's your reward. 39. Not a bad score at all to get the game going. | 0:06:42 | 0:06:45 | |
Well played, Ulrika. Good start. | 0:06:45 | 0:06:47 | |
The Third Man, Orson Welles film and Man On Fire, a Frankie Vaughan song. | 0:06:47 | 0:06:51 | |
Thank you, Richard. | 0:06:52 | 0:06:54 | |
-Now, then, Katie. -What? -A warm welcome. -Oh, thank you. | 0:06:54 | 0:06:57 | |
It's lovely to have you here. This is like a school reunion, isn't it? | 0:06:57 | 0:07:00 | |
It's slightly like a school reunion, yes. | 0:07:00 | 0:07:02 | |
-With the unresolved sexual tension. -Yes. | 0:07:02 | 0:07:05 | |
Which is going to stay unresolved. | 0:07:05 | 0:07:06 | |
Have you and Terry seen much of each other since the heady days...? | 0:07:06 | 0:07:09 | |
-We ran into each other. -You came to my gig at the ICA. | 0:07:09 | 0:07:13 | |
He was doing a little confessional stand-up | 0:07:13 | 0:07:15 | |
about being traumatised by his Catholic childhood. | 0:07:15 | 0:07:18 | |
-The cruel nuns. -The cruel nuns. | 0:07:18 | 0:07:21 | |
But it's made him the man he is today. | 0:07:21 | 0:07:23 | |
-And what a man he is. -A mess! | 0:07:23 | 0:07:26 | |
Now, Katie, you are the queen of the blog at the moment, aren't you? | 0:07:26 | 0:07:30 | |
Yeah, well. I get around. | 0:07:30 | 0:07:33 | |
Speaking in an internet way, of course, virtually only. | 0:07:33 | 0:07:37 | |
-Now then, Katie. -Yes. -Which of these shared titles do you want to go for? | 0:07:37 | 0:07:41 | |
I'm going to go with 500 Days Of Summer Nights. | 0:07:41 | 0:07:46 | |
OK. Summer is the missing word on that bottom one. | 0:07:46 | 0:07:49 | |
Let's find out if that's right. | 0:07:49 | 0:07:51 | |
Is it "summer" and how many people said it, if it is? | 0:07:51 | 0:07:53 | |
It's absolutely right. 39 is our only score at the moment. | 0:07:55 | 0:07:59 | |
You've passed it. | 0:07:59 | 0:08:01 | |
APPLAUSE | 0:08:01 | 0:08:04 | |
This is very good, Katie. Very well done. 21. | 0:08:04 | 0:08:07 | |
Well played, Katie. | 0:08:07 | 0:08:08 | |
Joseph Gordon-Levitt film and, of course, | 0:08:08 | 0:08:10 | |
John Travolta and Olivia Newton-John. | 0:08:10 | 0:08:12 | |
-Summer Nights. -Indeed. Thank you very much. | 0:08:12 | 0:08:15 | |
People often say we have an unresolved sexual tension. | 0:08:15 | 0:08:17 | |
-Yeah, I've heard that. -To which I always say... | 0:08:17 | 0:08:19 | |
-What do you mean, unresolved?! -Yeah. LAUGHTER | 0:08:19 | 0:08:22 | |
-Come on, it's a tea-time show. Come on. -Yeah. -Yeah. | 0:08:22 | 0:08:26 | |
-Looking good. -We should do a single. | 0:08:26 | 0:08:28 | |
-We should do a single. -It's just occurred to me now. | 0:08:28 | 0:08:31 | |
-I can't believe we haven't done that. -I can't believe we haven't. | 0:08:31 | 0:08:33 | |
What should we do, do you think? | 0:08:33 | 0:08:35 | |
How about... | 0:08:35 | 0:08:37 | |
MUSIC: Everybody's Free (To Feel Good) by Rozalla | 0:08:37 | 0:08:42 | |
WHISTLE SOUNDS WEAKLY | 0:08:42 | 0:08:45 | |
APPLAUSE | 0:08:50 | 0:08:53 | |
I tell you what this show is revealing, | 0:08:54 | 0:08:57 | |
is that I only had one dance in the '90s. | 0:08:57 | 0:08:59 | |
-It was this. -LAUGHTER | 0:08:59 | 0:09:02 | |
And I'm glad that I used to do a sitting-down dance, | 0:09:02 | 0:09:04 | |
-because it's come in handy. -Yeah. | 0:09:04 | 0:09:07 | |
-Trevor. -Hello. -A warm welcome to you. | 0:09:07 | 0:09:10 | |
Last time you were here - Round 2. | 0:09:10 | 0:09:12 | |
-We've got to be hoping for much more than that, surely. -I hope so. | 0:09:12 | 0:09:16 | |
Nicholas Parsons and Rick Wakeman were, you know, tough competition. | 0:09:16 | 0:09:20 | |
-They were good, weren't they? -They were, yeah. | 0:09:20 | 0:09:22 | |
Oh, they were good. Now, when did you two meet? | 0:09:22 | 0:09:24 | |
When did you first start working together, Trevor? | 0:09:24 | 0:09:26 | |
-About 52 years ago. -No, don't be ridiculous. -About 32 years ago. | 0:09:26 | 0:09:31 | |
We're just this year in fact having our 30th reunion at university. | 0:09:31 | 0:09:35 | |
-Are you really? -Yes. | 0:09:35 | 0:09:36 | |
-And you're still working together, still friends? -Yeah, yeah. | 0:09:36 | 0:09:39 | |
-From a distance. -Well, that's OK. That's fine. | 0:09:39 | 0:09:42 | |
-So, Trevor. There's this board. -Yeah. | 0:09:42 | 0:09:45 | |
-And there are still five unanswered shared titles there. -There is. | 0:09:45 | 0:09:50 | |
It's difficult, you know, because you don't know what's obvious. | 0:09:50 | 0:09:53 | |
There's a few that seem obvious, but... Um... | 0:09:53 | 0:09:58 | |
-I'm going to go for Modern Times. -Modern Times. | 0:09:58 | 0:10:02 | |
Modern Times - Times Like These. Let's see if that's right | 0:10:02 | 0:10:05 | |
and, if it is, let's see how many of our 100 people said "times." | 0:10:05 | 0:10:08 | |
It's absolutely right. 39 is our high score, 21 our low. | 0:10:10 | 0:10:13 | |
You've passed the high. | 0:10:13 | 0:10:15 | |
-You've passed the low. Look at that! -APPLAUSE | 0:10:15 | 0:10:18 | |
A new low score, Trevor. | 0:10:18 | 0:10:20 | |
You selected wisely. | 0:10:20 | 0:10:21 | |
Yeah, well played, Trevor. | 0:10:23 | 0:10:24 | |
That's some Pointless experience kicking in there. | 0:10:24 | 0:10:26 | |
Modern Times, Charlie Chaplin of course, | 0:10:26 | 0:10:28 | |
and Times Like These by the Foo Fighters. | 0:10:28 | 0:10:30 | |
-Thank you very much. Now, then... OK, now, Fred. -Hello. | 0:10:30 | 0:10:33 | |
-Welcome to Pointless. -Thank you. -It's great to have you here. | 0:10:33 | 0:10:36 | |
Now, how did Right Said Fred come about? | 0:10:36 | 0:10:40 | |
-Erm, well, Mum introduced us. -Yeah? -Yes. Over the breakfast table. | 0:10:40 | 0:10:45 | |
-Indeed. -And then we started Right Said Fred in 1989. | 0:10:45 | 0:10:49 | |
But we'd been playing before that and, erm... | 0:10:49 | 0:10:51 | |
Richard played bass with David Bowie for a little bit. | 0:10:51 | 0:10:54 | |
We both worked with Mick Jagger. | 0:10:54 | 0:10:56 | |
-And I played guitar for Bob Dylan for a short time. -Wow. | 0:10:56 | 0:10:58 | |
For some reason I thought you had some sort of background | 0:10:58 | 0:11:01 | |
-in...personal training. -Yeah, we had a gym. | 0:11:01 | 0:11:03 | |
And when we were in New York, we ended up running a gym there | 0:11:03 | 0:11:07 | |
and then we did it when we came back to London. | 0:11:07 | 0:11:09 | |
that's a brilliant thing. | 0:11:09 | 0:11:10 | |
So, as well as being in the band, you are personal trainers, as well? | 0:11:10 | 0:11:13 | |
-Yes, we did. -That's superb. | 0:11:13 | 0:11:15 | |
-Well now, Fred. -Yes. -You're the last person to have this board. | 0:11:15 | 0:11:18 | |
So, it is your joy and delight to take us through it | 0:11:18 | 0:11:21 | |
and fill in all the missing words. | 0:11:21 | 0:11:23 | |
Do you think you fancy that? | 0:11:23 | 0:11:24 | |
Yeah, erm... | 0:11:24 | 0:11:25 | |
I think I'll go for The Colour Purple. | 0:11:25 | 0:11:28 | |
-Purple Rain. -Purple, for The Colour Purple and Purple Rain. | 0:11:28 | 0:11:31 | |
Let's see is that's right. | 0:11:31 | 0:11:32 | |
Let's see how many of our 100 people said "purple." | 0:11:32 | 0:11:35 | |
It's good. | 0:11:37 | 0:11:38 | |
APPLAUSE | 0:11:40 | 0:11:43 | |
Very hard to know what was going to score high and what was going to score low there. | 0:11:45 | 0:11:48 | |
But 67 is quite a punishing high score. But still, it's good. | 0:11:48 | 0:11:51 | |
-It's right. -Yeah, it's a lot better than 100. | 0:11:51 | 0:11:53 | |
-Well played, all the teams there. -Thank you. -No, it is better. | 0:11:53 | 0:11:55 | |
We see much worse scores in Round 1, I assure you. | 0:11:55 | 0:11:57 | |
-Oh, that's reassuring. -It is. | 0:11:57 | 0:11:59 | |
Steven Spielberg film, Prince single, of course. | 0:11:59 | 0:12:02 | |
Some Like It Hot - Hot Right Now. | 0:12:02 | 0:12:04 | |
DJ Fresh and Rita Ora. 78 points for that, even bigger score. | 0:12:04 | 0:12:08 | |
My Fair Lady Madonna. | 0:12:08 | 0:12:09 | |
-RICHARD: -That's the one I was going to go for. | 0:12:09 | 0:12:12 | |
-Would have scored you 91. -91! -So you see? 67, not bad at all is the truth. | 0:12:12 | 0:12:17 | |
And Django Unchained Melody. | 0:12:17 | 0:12:20 | |
At the bottom there, would have scored 49. | 0:12:20 | 0:12:21 | |
So, Modern Times - Times Like These, Trevor. Best answer on the board. | 0:12:21 | 0:12:25 | |
Thanks very much. Let's have a look at those scores. | 0:12:25 | 0:12:27 | |
The best score of that pass was yours, Trevor. Very well done. | 0:12:27 | 0:12:31 | |
-We're winning! -Yeah, in a way. Yes. -In a way. -Yeah. -Be nice. | 0:12:31 | 0:12:38 | |
Then up to 21 where we find Katie and Terry. 39, Ulrika and Diane. | 0:12:38 | 0:12:42 | |
And then up to 67, where Fred and Richard are. | 0:12:42 | 0:12:44 | |
But, you know, there wasn't much left on the plate there, was there? | 0:12:44 | 0:12:47 | |
-There wasn't. -You were always going to be the high scorers. -Yes. | 0:12:47 | 0:12:50 | |
-And that's your fault. -In many ways, yes. I'll take that one. | 0:12:50 | 0:12:54 | |
Richard, you get first choice of the next board, though. | 0:12:54 | 0:12:57 | |
So use it and find a really lovely low score. | 0:12:57 | 0:12:59 | |
It might be enough to keep you in the game. Let's hope so. | 0:12:59 | 0:13:01 | |
We're going to come back down the line. | 0:13:01 | 0:13:03 | |
Second players, please, step up to the podium. | 0:13:03 | 0:13:06 | |
OK, let's put seven more songs and films up on the board. | 0:13:07 | 0:13:10 | |
And here they are. We've got... | 0:13:10 | 0:13:12 | |
OK, I'll read those all again without the dates and here we are. | 0:13:38 | 0:13:40 | |
Now, then, Richard. | 0:13:52 | 0:13:54 | |
-I'm Too Sexy...? -I know you are. -LAUGHTER | 0:13:54 | 0:13:57 | |
Which is just... Oh, thank you. Thank you for the laugh(!) | 0:13:57 | 0:14:02 | |
We have friends in the audience. | 0:14:02 | 0:14:05 | |
How did you achieve something that's a really funny song | 0:14:05 | 0:14:09 | |
and actually a really cool song? | 0:14:09 | 0:14:11 | |
That is almost impossible. | 0:14:11 | 0:14:13 | |
It's like tossing a coin and it landing on the rim. | 0:14:13 | 0:14:16 | |
Well, the top line for the verse | 0:14:16 | 0:14:18 | |
was actually a bass line for another song. | 0:14:18 | 0:14:20 | |
So, we had the bass line running round on a computer. | 0:14:20 | 0:14:23 | |
And then we were in a basement in Acton, in this guy's studio, | 0:14:23 | 0:14:26 | |
and it was really hot. Brian, his name was. And, um... | 0:14:26 | 0:14:29 | |
The studio was in another room | 0:14:29 | 0:14:31 | |
and then there was his bedroom which was slightly cooler. | 0:14:31 | 0:14:33 | |
And I went into the bedroom. | 0:14:33 | 0:14:35 | |
And I know it sounds ridiculous. | 0:14:35 | 0:14:36 | |
I just took my shirt off and started dancing round in front of a mirror. | 0:14:36 | 0:14:40 | |
Singing, "I'm too sexy for my shirt." | 0:14:40 | 0:14:43 | |
And we all burst out laughing and thought it was very funny. | 0:14:43 | 0:14:45 | |
It was on film soundtracks and everything. It was brilliant. | 0:14:45 | 0:14:48 | |
Yeah, it made more money since it was a hit than it did at the time. | 0:14:48 | 0:14:51 | |
-Really? Well, congratulations. -No, I love it. I'm very proud of it. | 0:14:51 | 0:14:54 | |
Yeah. And you're going to play it for us at the end of the show. | 0:14:54 | 0:14:57 | |
-Yes, we are. -Which we're really looking forward to. | 0:14:57 | 0:14:59 | |
-That is going to be fantastic. -APPLAUSE | 0:14:59 | 0:15:03 | |
Now, Richard, you have a mountain to climb here. | 0:15:05 | 0:15:08 | |
-50 points ahead of your nearest rivals. -Excellent. -Fabulous. | 0:15:08 | 0:15:11 | |
-But I think you can claw it all back here. -Do you think? -I think so. | 0:15:11 | 0:15:13 | |
Do you think? | 0:15:13 | 0:15:15 | |
OK. I'm going to go for the top one. | 0:15:15 | 0:15:18 | |
And I'm going to say window. | 0:15:18 | 0:15:19 | |
Rear Window - Window In The Skies. Let's see if that's right. | 0:15:19 | 0:15:22 | |
Let's see how many people said it. | 0:15:22 | 0:15:24 | |
No red line for you, as you're the high scorers, | 0:15:24 | 0:15:26 | |
but we've got to hope this goes a long way down the column. | 0:15:26 | 0:15:28 | |
APPLAUSE | 0:15:36 | 0:15:39 | |
97 is your total, Richard. | 0:15:39 | 0:15:42 | |
Well played, Richard. Good answer. Alfred Hitchcock film, of course. | 0:15:42 | 0:15:45 | |
-Do you know who the single Window In The Skies is by? -Cascada? | 0:15:45 | 0:15:49 | |
-It's by U2. It was a number four hit by U2. -Number four hit? | 0:15:49 | 0:15:54 | |
-Whoosh, we've all forgotten it. -It was their 39th top 40 hit. | 0:15:54 | 0:15:57 | |
Their only hit with the word "window" in it. | 0:15:57 | 0:15:59 | |
-Really? -LAUGHTER | 0:16:00 | 0:16:03 | |
-I know. -Erm. Thanks very much indeed. Now then, Simon. | 0:16:03 | 0:16:06 | |
-Hello. -Simon. Great to have you here. | 0:16:06 | 0:16:09 | |
What are you up to at the moment, Simon? | 0:16:09 | 0:16:11 | |
Erm, at the moment, writing for Three Little Dinosaurs on CBeebies. | 0:16:11 | 0:16:16 | |
ALL: Aw! | 0:16:16 | 0:16:18 | |
Actually, we've just finished that. | 0:16:18 | 0:16:20 | |
Just finished writing for a thing called Dinopaws, | 0:16:20 | 0:16:22 | |
which is about Gwen, Bob and Tony, three little dinosaurs. | 0:16:22 | 0:16:25 | |
Although, I have been in a sonic movie. | 0:16:25 | 0:16:27 | |
It was... | 0:16:27 | 0:16:28 | |
It's true, I was in a kind of online thing called | 0:16:28 | 0:16:31 | |
The Minister Of Chance, which has a great cast. | 0:16:31 | 0:16:33 | |
I was acting with Jenny Agutter in it, which was very, you know, | 0:16:33 | 0:16:36 | |
I was in awe. We had Jenny Agutter, Paul McGann, Sylvester McCoy... | 0:16:36 | 0:16:41 | |
In fact, I met your mate. | 0:16:41 | 0:16:42 | |
Well, I didn't meet him, but I was at BritSciFi with Ben Miller. | 0:16:42 | 0:16:46 | |
-Oh, he's good, isn't he? He really is good. ULRIKA: -He's so much nicer! | 0:16:46 | 0:16:52 | |
Well... Let's just say he's really nice. | 0:16:52 | 0:16:55 | |
-He's really nice. -A very, very funny, very funny, very handsome man. | 0:16:55 | 0:16:58 | |
-We miss him. -You know, every double act's got one. | 0:16:58 | 0:17:02 | |
LAUGHTER | 0:17:02 | 0:17:04 | |
Listen, that's not saying anything about you, at all. | 0:17:04 | 0:17:07 | |
-Yeah, yeah. No, no, no. -You're one of the great straight men. | 0:17:07 | 0:17:10 | |
LAUGHTER | 0:17:10 | 0:17:12 | |
Never a truer word said. Thanks very much, indeed. | 0:17:14 | 0:17:18 | |
Anyway, Simon, you're on 16. | 0:17:18 | 0:17:20 | |
The high scorers are Richard and Fred on 97. 80 or less... | 0:17:20 | 0:17:23 | |
..sees you into the next round. | 0:17:24 | 0:17:27 | |
OK, dokes. Well, I think I will go for the bottom one | 0:17:27 | 0:17:32 | |
and I will go for Any Given Sunday and Sunday Girl. | 0:17:32 | 0:17:35 | |
Any Given Sunday - Sunday Girl. Let's see if that's right. | 0:17:35 | 0:17:38 | |
Here's your red line. Nice and high. | 0:17:38 | 0:17:40 | |
If you get below that, you are through to the next round for sure. | 0:17:40 | 0:17:43 | |
Let's see how many people said "Sunday." | 0:17:43 | 0:17:45 | |
It's right. | 0:17:48 | 0:17:49 | |
And you are in Round 2. Very well done. | 0:17:49 | 0:17:51 | |
APPLAUSE | 0:17:54 | 0:17:56 | |
31 is your total. | 0:17:56 | 0:17:57 | |
Well played, Simon. Very nice score. | 0:18:00 | 0:18:02 | |
Oliver Stone film and Blondie's second UK number one. | 0:18:02 | 0:18:05 | |
Thanks very much, Rich. Terry. Terry. | 0:18:05 | 0:18:10 | |
So, we were hearing about your stand-up show. Your one-man show. | 0:18:10 | 0:18:14 | |
What's that? | 0:18:14 | 0:18:15 | |
It's called Naked Confessions Of A Recovering Catholic. | 0:18:15 | 0:18:17 | |
I've actually had good reviews for it. | 0:18:17 | 0:18:19 | |
-They're all laughing at my pain. -And are you still doing that? -Oh, yeah. | 0:18:19 | 0:18:24 | |
I've done about 25 gigs now, but it's been a bit of a slow burner. | 0:18:24 | 0:18:28 | |
So, you know, I'll carry on doing it until everyone's seen it | 0:18:28 | 0:18:31 | |
and paid their tenners. | 0:18:31 | 0:18:33 | |
But it's very popular, by the way. | 0:18:33 | 0:18:35 | |
OK, so, Terry. | 0:18:35 | 0:18:37 | |
Terry. Listen, you are on 21. | 0:18:37 | 0:18:39 | |
-The high scorers still Richard and Fred on 97. -Yeah, all right. | 0:18:39 | 0:18:42 | |
-75 or less. -Calm down! | 0:18:42 | 0:18:44 | |
75 or less gets you through to the next round. | 0:18:44 | 0:18:48 | |
You can do this in your sleep. | 0:18:48 | 0:18:49 | |
Yeah, well, actually this film was a first date for me with a girl. | 0:18:50 | 0:18:55 | |
And not a good idea, by the way, | 0:18:55 | 0:18:57 | |
because of one particular scene in it. | 0:18:57 | 0:18:58 | |
So, it's Midnight Express and Express Yourself. | 0:18:58 | 0:19:01 | |
Express, says Terry. | 0:19:01 | 0:19:03 | |
Let's see if that's right and, if it is, | 0:19:03 | 0:19:05 | |
let's see how many people said "express." There's your red line. | 0:19:05 | 0:19:08 | |
Get below that, you're in Round 2. | 0:19:08 | 0:19:09 | |
It's right. | 0:19:12 | 0:19:14 | |
You are in Round 2. | 0:19:14 | 0:19:15 | |
-Very good. Very good. -APPLAUSE | 0:19:19 | 0:19:22 | |
-17 takes your total up to 38. -Well played, Terry. Good answer there. | 0:19:24 | 0:19:28 | |
Yes, it's an Alan Parker film and a Madonna single. | 0:19:28 | 0:19:31 | |
-Thanks very much indeed. Now, Diane. -Hello. -Diane, welcome to the show. | 0:19:31 | 0:19:35 | |
Jet on Gladiators. Now, how did that come about? | 0:19:35 | 0:19:40 | |
It was a bit bizarre, to be honest. | 0:19:40 | 0:19:42 | |
I think I'd been teaching a lot of fitness. | 0:19:42 | 0:19:44 | |
I had done a lot of TV and a bit of theatre prior | 0:19:44 | 0:19:48 | |
and they knew me as a fairly fit girl, | 0:19:48 | 0:19:51 | |
in the sense that I could run a bit and climb a bit | 0:19:51 | 0:19:53 | |
and do a few gymnastics and a bit of dancing. | 0:19:53 | 0:19:55 | |
They were wanting to cast girls that weren't really body builders, | 0:19:55 | 0:19:58 | |
so they looked at the world of dance and theatre a bit. | 0:19:58 | 0:20:02 | |
And they found me. | 0:20:02 | 0:20:04 | |
And I thought, "There's no way I'll be able to do this!" | 0:20:04 | 0:20:06 | |
I'd seen the American show and they were really, | 0:20:06 | 0:20:09 | |
kind of, buff, as they say. | 0:20:09 | 0:20:10 | |
-It was terrifying. -I think butch is... -Possibly, yes. You said it. | 0:20:10 | 0:20:14 | |
And then, of course, I did it and the rest is history. | 0:20:14 | 0:20:16 | |
I did about four, four and a half years, before an accident, | 0:20:16 | 0:20:19 | |
and got the chance to work with Ulrika and the rest of the team, | 0:20:19 | 0:20:22 | |
who were fantastic, but the contenders were even better. | 0:20:22 | 0:20:25 | |
Brilliant. And here you are today on 39. | 0:20:25 | 0:20:27 | |
-The high scorers still Richard and Fred on 97. -All right! | 0:20:27 | 0:20:30 | |
You enjoy that, don't you? | 0:20:30 | 0:20:31 | |
I'm, literally... I'm just saying what I see. | 0:20:31 | 0:20:34 | |
Yeah, you have to score 57 or less. | 0:20:35 | 0:20:37 | |
57 or less and you are through to the next round. | 0:20:37 | 0:20:39 | |
Do you feel confident enough to talk us through that board? | 0:20:39 | 0:20:42 | |
Million Dollar Baby - Baby Love. | 0:20:42 | 0:20:44 | |
Er...Office Space - Space Oddity. | 0:20:46 | 0:20:48 | |
Apocalypse Now - Now You're Gone and Dirty Dancing - Dancing Queen. | 0:20:49 | 0:20:53 | |
I'd like to go for...space, if that's right. | 0:20:54 | 0:20:59 | |
OK, space. Office and Oddity sharing Space. There is your red line. | 0:20:59 | 0:21:04 | |
If you get below that, you're through to Round 2. | 0:21:04 | 0:21:06 | |
Let's see if space is right | 0:21:06 | 0:21:07 | |
and, if it is, let's see how many people said it. | 0:21:07 | 0:21:09 | |
It is right. | 0:21:11 | 0:21:12 | |
You're in Round 2. | 0:21:13 | 0:21:15 | |
-Very well done indeed. -APPLAUSE | 0:21:16 | 0:21:19 | |
Close in the end. 82, your total. | 0:21:19 | 0:21:21 | |
Very well played, Diane. | 0:21:21 | 0:21:22 | |
-A Mike Judge film and the first of David Bowie's 57 top 40 hits. -57? | 0:21:22 | 0:21:26 | |
Space Oddity. Amazing, isn't it? And that's just up to time of recording. | 0:21:26 | 0:21:30 | |
He's not done yet, is he? | 0:21:30 | 0:21:31 | |
-No. -Now, you took us through the board very nicely, as well. | 0:21:31 | 0:21:33 | |
You'd have got more points for Million Dollar Baby - Baby Love. | 0:21:33 | 0:21:36 | |
Would have seen you knocked out. It would have scored you 61 points. | 0:21:36 | 0:21:39 | |
Apocalypse Now - Now You're Gone, you're right as well. | 0:21:39 | 0:21:42 | |
Also would have seen you knocked out with 69 points. | 0:21:42 | 0:21:45 | |
And Dirty Dancing - Dancing Queen. | 0:21:45 | 0:21:46 | |
Also would have seen you knocked out. 82. | 0:21:46 | 0:21:48 | |
You went for the one answer that would have seen you through. | 0:21:48 | 0:21:51 | |
-Well played. -Well, thanks very much, Richard. | 0:21:51 | 0:21:53 | |
So, at the end of our first round, I'm so sorry. | 0:21:53 | 0:21:55 | |
The pair who will be heading home with their high score of 97, | 0:21:55 | 0:21:58 | |
it's Richard and Fred. Nothing wrong with your answers. | 0:21:58 | 0:22:01 | |
And who would have known the The Colour Purple | 0:22:01 | 0:22:03 | |
-and Purple Rain would have been so high? -Who would have guessed? | 0:22:03 | 0:22:06 | |
It's been wonderful having you on the show, and you're not going yet. | 0:22:06 | 0:22:09 | |
You're going to play us out at the end of the show. What a treat. | 0:22:09 | 0:22:11 | |
Looking forward to that. | 0:22:11 | 0:22:13 | |
But in the meantime, thank you so much for playing. Richard and Fred. | 0:22:13 | 0:22:16 | |
APPLAUSE | 0:22:16 | 0:22:18 | |
But for the remaining three pairs, it's now time for Round 2. | 0:22:18 | 0:22:21 | |
So, three pairs remain. | 0:22:24 | 0:22:26 | |
At the end of this round, we'll have to say goodbye to another pair | 0:22:26 | 0:22:29 | |
in time for our head-to-head round. | 0:22:29 | 0:22:30 | |
Congratulations to each of our pairs. | 0:22:30 | 0:22:32 | |
Our category for Round 2 today is... | 0:22:32 | 0:22:34 | |
Oh, no. Shame. | 0:22:35 | 0:22:38 | |
Tennis. Can you all decide in your pairs who's going to go first, | 0:22:38 | 0:22:41 | |
who's going to go second? | 0:22:41 | 0:22:43 | |
And whoever's going first, please step up to the podium. | 0:22:43 | 0:22:45 | |
OK, let's find out what the question is. Here it comes. | 0:22:49 | 0:22:51 | |
We gave 100 people 100 seconds to name as many... | 0:22:51 | 0:22:56 | |
..as they could. | 0:22:58 | 0:23:00 | |
Current tennis players who've won a Grand Slam tournament. Richard. | 0:23:00 | 0:23:03 | |
We're looking for any tennis player | 0:23:03 | 0:23:05 | |
who's currently in the world's top 100 | 0:23:05 | 0:23:06 | |
who's ever won a Grand Slam singles title, please. | 0:23:06 | 0:23:09 | |
So, anyone in the top 100, as of January 2014 | 0:23:09 | 0:23:11 | |
who's ever won Wimbledon, French Open, Australian Open or the US Open singles title, please. | 0:23:11 | 0:23:16 | |
-Very best of luck. -Thanks very much, indeed. | 0:23:16 | 0:23:19 | |
So, Diane, we come to you first. And what are you going to go for? | 0:23:19 | 0:23:22 | |
Um, it's going to have to be a bit of a guess. | 0:23:23 | 0:23:25 | |
My knowledge is very low on tennis, so I'll go for Peter Sampras. | 0:23:25 | 0:23:29 | |
Peter Sampras, says Diane. | 0:23:29 | 0:23:31 | |
Let's see if that's right and, if it is, let's see how many of our 100 people said Pete Sampras. | 0:23:31 | 0:23:35 | |
Oh, I'm afraid that's incorrect, Diane. | 0:23:38 | 0:23:40 | |
-Scores you the maximum of 100 points. I'm sorry. -Sorry, Diane. | 0:23:40 | 0:23:44 | |
But you've got Ulrika's tennis knowledge | 0:23:44 | 0:23:46 | |
to save you in the second pass. THEY LAUGH | 0:23:46 | 0:23:48 | |
No, he's been retired for a long time. It's Pete Sampras, | 0:23:48 | 0:23:51 | |
but Peter Sampras is a rather nice way of referring to him. | 0:23:51 | 0:23:53 | |
If his mother is watching now, she will be delighted. | 0:23:53 | 0:23:56 | |
Thanks very much. Now, Katie. | 0:23:56 | 0:23:58 | |
-What are you thinking? -OK. | 0:24:00 | 0:24:02 | |
So, I'm just going to say this very, um, fun name that I remember. | 0:24:02 | 0:24:09 | |
Venus Williams. | 0:24:09 | 0:24:11 | |
Venus Williams, says Katie. Venus Williams. | 0:24:11 | 0:24:14 | |
Let's see if that's right and let's see how many people said it. | 0:24:14 | 0:24:16 | |
It's right. | 0:24:18 | 0:24:20 | |
-Very well done, Katie. -Oh, my God, I'm just... -Still going down. | 0:24:20 | 0:24:24 | |
APPLAUSE DROWNS SPEECH | 0:24:24 | 0:24:26 | |
A good answer. | 0:24:26 | 0:24:28 | |
Well played, Katie. Terrific answer. | 0:24:29 | 0:24:31 | |
Yes, world number 38, as of January 2014. | 0:24:31 | 0:24:34 | |
-Won all sorts of Grand Slam titles. -Thank you very much, Richard. | 0:24:34 | 0:24:37 | |
Trevor. | 0:24:37 | 0:24:39 | |
There's a name in my mind, but I know he's not pointless. | 0:24:39 | 0:24:42 | |
I just have...Roger Federer. | 0:24:42 | 0:24:44 | |
Roger Federer, says Trevor. Roger Federer. | 0:24:44 | 0:24:47 | |
Let's see how many of our 100 people said that. | 0:24:47 | 0:24:48 | |
It's right. | 0:24:51 | 0:24:52 | |
-APPLAUSE -57 for Roger Federer. | 0:24:54 | 0:24:57 | |
Still ranked in the top ten, Roger Federer | 0:25:00 | 0:25:02 | |
and 17 Grand Slam titles to date. | 0:25:02 | 0:25:05 | |
I bet he's got one more in him. That's my opinion. | 0:25:05 | 0:25:07 | |
-That's my betting opinion. -It'd be nice. | 0:25:07 | 0:25:09 | |
-18's a nicer number to stop on. -It is, isn't it? | 0:25:09 | 0:25:11 | |
-When this goes out, he might have already won one. -Oh, he might? | 0:25:11 | 0:25:14 | |
That's good. We'll look so old and faded. | 0:25:14 | 0:25:17 | |
-Do you think? -Yeah. Banging on about 17. Slightly embarrassing. | 0:25:17 | 0:25:21 | |
-It'll look ridiculous, won't it? -Yeah. | 0:25:21 | 0:25:23 | |
We'll have to do something to make us look cooler and younger. | 0:25:23 | 0:25:25 | |
-That's a good idea. -What could we do? Oh, hold on. | 0:25:25 | 0:25:27 | |
MUSIC: Firestarter by The Prodigy | 0:25:27 | 0:25:31 | |
APPLAUSE | 0:25:39 | 0:25:42 | |
I'm almost certain we didn't have those in the '90s. | 0:25:44 | 0:25:47 | |
If I'd had one of these in the '90s, | 0:25:47 | 0:25:49 | |
I could have started a small church or something. | 0:25:49 | 0:25:51 | |
-LAUGHTER -A cult. I'd have been a leader of men. | 0:25:51 | 0:25:54 | |
We're halfway through the round. Let's take a look at the scores. | 0:25:54 | 0:25:57 | |
28, Katie. You see, there you are, the lowest score of the pass. | 0:25:57 | 0:26:00 | |
-You see? You see? -It's just dumb luck. | 0:26:00 | 0:26:02 | |
-I'm telling you. -Listen, whatever it is, you are the low scorers on 28. | 0:26:02 | 0:26:05 | |
Then we go up to 57, where we find Trevor and Simon. | 0:26:05 | 0:26:07 | |
Up to 100, Diane and Ulrika. Ulrika, yes, you've got a job to do here. | 0:26:07 | 0:26:12 | |
That's all I'm saying. We're going to come back down the line. | 0:26:12 | 0:26:15 | |
Second players, please, step up to the podium. | 0:26:15 | 0:26:17 | |
OK, so, Simon, | 0:26:20 | 0:26:21 | |
we're looking for any male or female tennis player, | 0:26:21 | 0:26:24 | |
currently ranked in the top 100, | 0:26:24 | 0:26:25 | |
who has won at least one Grand Slam title. | 0:26:25 | 0:26:28 | |
Thank you, Katie. You've given me a hint. | 0:26:29 | 0:26:34 | |
-So I'm going to go for Serena Williams. -Serena Williams. OK. | 0:26:34 | 0:26:37 | |
Well, listen, there you are on 57. High scorers on 100. | 0:26:37 | 0:26:40 | |
You have to score 42 or less. There's your red line. | 0:26:40 | 0:26:43 | |
If you can get below that red line with Serena Williams, | 0:26:43 | 0:26:45 | |
you're in Round 2. | 0:26:45 | 0:26:46 | |
It's right. | 0:26:49 | 0:26:50 | |
You've done it. Trevor and Simon will be in the head-to-head. | 0:26:53 | 0:26:56 | |
You've gone one better. That takes your total up to 90. | 0:26:57 | 0:27:01 | |
Well played, Simon. Ranked number one, actually, in January 2014. | 0:27:01 | 0:27:03 | |
Oldest woman ever to be world rank number one. | 0:27:03 | 0:27:06 | |
-Thanks very much. Now, Terry. -Oh. -Listen, good news. | 0:27:06 | 0:27:10 | |
28, lovely low score from Katie. What are you going to go for? | 0:27:10 | 0:27:14 | |
Anna Kournikova. | 0:27:14 | 0:27:16 | |
Anna Kournikova, says Terry. Anna Kournikova. | 0:27:16 | 0:27:19 | |
There's your red line. | 0:27:19 | 0:27:20 | |
If you get below that with Anna Kournikova, you are through to the next round. | 0:27:20 | 0:27:24 | |
Let's see if it's right, then let's see how many people said Anna Kournikova. | 0:27:24 | 0:27:27 | |
Sorry, Terry. I'm afraid that's an incorrect answer. | 0:27:30 | 0:27:32 | |
Scores you 100 points. Takes your total up to 128. | 0:27:32 | 0:27:36 | |
Sorry, Terry. Not in the world's top 100 as of January 2014, I'm afraid. | 0:27:36 | 0:27:41 | |
And also hasn't won a Grand Slam. | 0:27:41 | 0:27:42 | |
Apart from that - impeccable. LAUGHTER | 0:27:42 | 0:27:46 | |
And you got the first name. | 0:27:46 | 0:27:47 | |
The only other one I knew was too obvious | 0:27:47 | 0:27:49 | |
and wouldn't have scored less than 71. | 0:27:49 | 0:27:51 | |
Well, that still would have been 29 better than what you did score. | 0:27:51 | 0:27:54 | |
LAUGHTER | 0:27:54 | 0:27:56 | |
Thanks very much indeed. OK, now, Ulrika. | 0:27:56 | 0:27:59 | |
-Hi. -Listen, you've got a target. You've got a target to aim for. | 0:27:59 | 0:28:02 | |
You're going to get a red line and everything. | 0:28:02 | 0:28:04 | |
-Yes. -Terry and Katie are on 128, so if you can score 27 or less... | 0:28:04 | 0:28:10 | |
-I've got a name. -Yes. | 0:28:11 | 0:28:14 | |
But I... I can't remember. | 0:28:14 | 0:28:17 | |
Honestly, it's the lights. They're dazzling me. | 0:28:17 | 0:28:19 | |
So I'm going to go for... | 0:28:19 | 0:28:22 | |
-Richard, don't look bored yet. -Hmm? LAUGHTER | 0:28:22 | 0:28:26 | |
-So rude. -I was focusing. I was concentrating. -I'm going to go for... | 0:28:26 | 0:28:29 | |
Sharapova. | 0:28:30 | 0:28:33 | |
And her first name is... | 0:28:33 | 0:28:34 | |
Er... Ah... | 0:28:37 | 0:28:40 | |
She's not that old. | 0:28:40 | 0:28:41 | |
Anna, El... | 0:28:41 | 0:28:44 | |
DIANE LAUGHS | 0:28:44 | 0:28:46 | |
Anne, Elizabeth, Jane? Anna. | 0:28:46 | 0:28:49 | |
-Anna? -No, it's not. Ka? I have to go through the alphabet. | 0:28:50 | 0:28:54 | |
That's how I remember people's names. | 0:28:54 | 0:28:55 | |
Ulrika, is it all right if I look bored now? | 0:28:55 | 0:28:58 | |
LAUGHTER | 0:28:58 | 0:29:00 | |
-Maria Sharapova! Maria! Yes! -Maria. -I got it. Maria. | 0:29:10 | 0:29:16 | |
OK, Maria Sharapova. There's your red line. | 0:29:16 | 0:29:18 | |
But it's not going to be less than that. | 0:29:18 | 0:29:20 | |
If you get below that red line with Maria Sharapova, | 0:29:20 | 0:29:22 | |
you are in the head-to-head. | 0:29:22 | 0:29:24 | |
Let's see how many of our 100 people said Maria Sharapova. | 0:29:24 | 0:29:28 | |
It's right. | 0:29:31 | 0:29:32 | |
You've done it! Very well done indeed. | 0:29:36 | 0:29:38 | |
APPLAUSE | 0:29:38 | 0:29:40 | |
Very good. Maria Sharapova takes your total up to 114 | 0:29:40 | 0:29:43 | |
-and takes you into the head-to-head. -How about that? | 0:29:43 | 0:29:46 | |
World number three. That took as long as an entire series | 0:29:46 | 0:29:49 | |
of How Do You Solve A Problem Like Maria. LAUGHTER | 0:29:49 | 0:29:52 | |
OK, let's take a look. There's two pointless answers on the board. | 0:29:52 | 0:29:55 | |
Let's take a look at both of them. You could have had... | 0:29:55 | 0:29:57 | |
Very good answers if you got them. | 0:29:57 | 0:29:59 | |
Francesca Schiavone and Svetlana Kuznetsova. | 0:29:59 | 0:30:01 | |
Some of the low scorers. | 0:30:01 | 0:30:03 | |
You'd have got one point for Ana Ivanovic, Sam Stosur | 0:30:03 | 0:30:05 | |
and Petra Kvitova. | 0:30:05 | 0:30:07 | |
Very well done if you said any of those at home. | 0:30:07 | 0:30:09 | |
Thanks very much, indeed, Richard. | 0:30:09 | 0:30:10 | |
So, at the end of our second round, | 0:30:10 | 0:30:12 | |
I'm afraid it's Terry and Katie, | 0:30:12 | 0:30:14 | |
with a high score of 128, who are heading away. | 0:30:14 | 0:30:16 | |
Oh, it's the glass wall at the end of the second round, Terry. | 0:30:16 | 0:30:19 | |
You're not breaking through it. | 0:30:19 | 0:30:21 | |
Hitting the net in football's great, but in tennis, no good. | 0:30:21 | 0:30:25 | |
LAUGHTER | 0:30:27 | 0:30:29 | |
This is where, I'm afraid, we have to say goodbye. | 0:30:29 | 0:30:31 | |
It's been lovely having you on the show. | 0:30:31 | 0:30:33 | |
-Terry and Katie, thank you so much for playing. Terry and Katie. -APPLAUSE | 0:30:33 | 0:30:36 | |
But for Trevor and Simon, Ulrika and Diane, | 0:30:37 | 0:30:39 | |
it's now time for our head-to-head. | 0:30:39 | 0:30:41 | |
Congratulations, Trevor and Simon, Ulrika and Diane, | 0:30:45 | 0:30:47 | |
you're now one step closer to the final and a chance to play | 0:30:47 | 0:30:50 | |
for our jackpot, which currently stands at £2,500. | 0:30:50 | 0:30:53 | |
APPLAUSE | 0:30:53 | 0:30:55 | |
So, this is the point where we decide who gets to play | 0:30:57 | 0:30:59 | |
for that money for their chosen charities. | 0:30:59 | 0:31:01 | |
To do that, you're going to go head-to-head. | 0:31:01 | 0:31:03 | |
The big difference is, | 0:31:03 | 0:31:04 | |
you're now allowed to confer before you give your answers. | 0:31:04 | 0:31:06 | |
And the first pair to win two questions | 0:31:06 | 0:31:09 | |
will be playing for that jackpot. | 0:31:09 | 0:31:10 | |
Oh, and this is exciting, this is exciting! Listen. | 0:31:10 | 0:31:13 | |
Singing Corner, ready! Gladiators, ready! | 0:31:13 | 0:31:18 | |
Let's play the head-to-head. | 0:31:18 | 0:31:20 | |
OK, here comes your first question, and it concerns... | 0:31:25 | 0:31:29 | |
-LAUGHTER -Celebrity beards. -There's one. | 0:31:31 | 0:31:34 | |
This isn't anything to do with sham marriages, is it? | 0:31:34 | 0:31:36 | |
It's not, I'm afraid. | 0:31:36 | 0:31:37 | |
We're going to show you five pictures now of celebrities sporting beards. | 0:31:37 | 0:31:40 | |
You just need to tell us who they are, please. Very best of luck. | 0:31:40 | 0:31:43 | |
OK, let's reveal our five celebrity beards. And here they come. | 0:31:43 | 0:31:46 | |
We have got... | 0:31:46 | 0:31:47 | |
There we are. Five celebrities sporting beards. | 0:32:07 | 0:32:10 | |
Now, Trevor and Simon, you've played best throughout the show so far, | 0:32:10 | 0:32:13 | |
so you will go first. | 0:32:13 | 0:32:14 | |
(I think we should go for B or E.) | 0:32:14 | 0:32:16 | |
-(Yeah, I think so.) -Well, which do you think? | 0:32:18 | 0:32:21 | |
-(I think E. -E? -I'm fairly happy it's him.) | 0:32:21 | 0:32:24 | |
We're going to go for E and we think that's Antonio Banderas. | 0:32:25 | 0:32:29 | |
Antonio Banderas, say Trevor and Simon, for E. | 0:32:29 | 0:32:32 | |
Now then, Ulrika and Diane, the board is all yours. | 0:32:32 | 0:32:36 | |
OK! I'm not going to touch anything. Shall we talk you through it? | 0:32:36 | 0:32:39 | |
-Well, we don't know them all. -A is Brad Pitt. | 0:32:39 | 0:32:43 | |
B, we think, is Will Young. | 0:32:43 | 0:32:45 | |
-C, we think, is... -Daniel Radcliffe. | 0:32:47 | 0:32:50 | |
-D, we think is... -SHE MUMBLES | 0:32:50 | 0:32:55 | |
-And E... -Is Banderas. -Obviously, Antonio Banderas. | 0:32:55 | 0:32:59 | |
-Are we going to go for B? -Yes. -We're going to go for B, Will Young. | 0:32:59 | 0:33:03 | |
B, Will Young, say Ulrika and Diane. | 0:33:03 | 0:33:05 | |
So, we have Antonio Banderas and we have Will Young. | 0:33:05 | 0:33:08 | |
Now, Trevor and Simon said Antonio Banderas, for E. | 0:33:08 | 0:33:11 | |
Let's see if that's right and let's see how many people said it. | 0:33:11 | 0:33:13 | |
It is right. | 0:33:16 | 0:33:17 | |
APPLAUSE | 0:33:22 | 0:33:24 | |
-Very good. -Now, Ulrika and Diane have said that B is Will Young. | 0:33:24 | 0:33:31 | |
Let's see if that's right and, | 0:33:31 | 0:33:33 | |
if it is, let's see how many people said Will Young. | 0:33:33 | 0:33:35 | |
-It is Will Young. -It is Will Young. | 0:33:37 | 0:33:39 | |
Is this going to beat 30, though? | 0:33:39 | 0:33:41 | |
APPLAUSE | 0:33:42 | 0:33:44 | |
Very well done, Trevor and Simon. | 0:33:46 | 0:33:48 | |
After one question, you are up 1-0. | 0:33:48 | 0:33:51 | |
Very well played, guys. Two good answers there. | 0:33:51 | 0:33:54 | |
You're right about Brad Pitt. | 0:33:54 | 0:33:55 | |
Would have scored you a lot of points, though. | 0:33:55 | 0:33:57 | |
Would have scored you 68. | 0:33:57 | 0:33:59 | |
Daniel Radcliffe. | 0:33:59 | 0:34:00 | |
The wonderful Daniel Radcliffe would have scored you 55. | 0:34:00 | 0:34:03 | |
-Matthew Fox! Matthew Fox! -And it is. From Lost, the actor Matthew Fox. | 0:34:03 | 0:34:08 | |
Absolutely. And it's the best answer there. 9 points. | 0:34:08 | 0:34:10 | |
-Should have thought of that a few moments ago. -The alphabet! | 0:34:10 | 0:34:13 | |
OK, well, thanks very much. Here comes your second question. | 0:34:13 | 0:34:16 | |
Ulrika and Diane, you get to answer this one first, | 0:34:16 | 0:34:18 | |
but you have to win it to stay in the game, so very best of luck. | 0:34:18 | 0:34:21 | |
It concerns... | 0:34:21 | 0:34:22 | |
-What? -Fire, Richard. | 0:34:24 | 0:34:25 | |
Just going to give you five clues now to answers | 0:34:25 | 0:34:28 | |
all of which have the word "fire" somewhere in them. | 0:34:28 | 0:34:30 | |
Different things, but all with "fire" somewhere in their titles. | 0:34:30 | 0:34:33 | |
Can you give us the most obscure answer? | 0:34:33 | 0:34:35 | |
OK, thanks, Richard. Let's reveal our five clues. And here they come. | 0:34:35 | 0:34:38 | |
We've got... | 0:34:38 | 0:34:40 | |
I'll read those all one last time. | 0:34:58 | 0:35:00 | |
Ulrika and Diane, you will go first. | 0:35:16 | 0:35:19 | |
-(Pontypandy is Fireman Sam.) -Oh! OK. | 0:35:19 | 0:35:23 | |
Don't know. | 0:35:23 | 0:35:24 | |
ULRIKA WHISPERS | 0:35:24 | 0:35:27 | |
Yes. | 0:35:27 | 0:35:28 | |
-And what's the bottom one? -(Do you know the second one? I don't know. | 0:35:28 | 0:35:31 | |
-(I've no idea.) -OK. -We might be going for the first one. | 0:35:31 | 0:35:37 | |
Which is Fireman Sam. | 0:35:37 | 0:35:40 | |
Fireman Sam say Ulrika and Diane. Fireman Sam. | 0:35:40 | 0:35:43 | |
Trevor and Simon, talk us through that board, if you can. | 0:35:43 | 0:35:46 | |
Um, OK. Um, the Tom Wolfe novel is Bonfire Of The Vanities. | 0:35:46 | 0:35:52 | |
The title of the 1989 Jerry Lee Lewis biopic is Great Balls Of Fire. | 0:35:52 | 0:35:57 | |
And the disaster is the Great Fire of London. | 0:35:57 | 0:36:01 | |
And, erm, the indie band whose album is Reflector...is Arcade Fire, | 0:36:01 | 0:36:06 | |
-we think. -We'll go with Tom Wolfe's novel, The Bonfire Of The Vanities. | 0:36:06 | 0:36:10 | |
Bonfire Of The Vanities. So, we have Fireman Sam. | 0:36:10 | 0:36:12 | |
We have Bonfire Of The Vanities. | 0:36:12 | 0:36:14 | |
Now then, Ulrika and Diane went with Fireman Sam. | 0:36:14 | 0:36:16 | |
Let's see if that's right and let's see how many people said it. | 0:36:16 | 0:36:19 | |
It's right. | 0:36:21 | 0:36:22 | |
-Fireman Sam, 36. -APPLAUSE | 0:36:26 | 0:36:29 | |
We should have definitely gone for B. | 0:36:29 | 0:36:31 | |
Trevor and Simon have named the Tom Wolfe New York-set novel | 0:36:31 | 0:36:35 | |
as The Bonfire Of The Vanities. Let's see if that's right. | 0:36:35 | 0:36:37 | |
Let's see how many people said that. | 0:36:37 | 0:36:39 | |
It is right. | 0:36:41 | 0:36:43 | |
I have a feeling this might beat Pontypandy. | 0:36:44 | 0:36:46 | |
And it does, look at that. | 0:36:46 | 0:36:47 | |
-Down it goes to ten. Look at that. -APPLAUSE | 0:36:47 | 0:36:51 | |
Very, very well done, Trevor and Simon. | 0:36:51 | 0:36:53 | |
After two questions, you are straight through to the final, 2-0. | 0:36:53 | 0:36:56 | |
Well played, gents. You took us through the board very nicely there. | 0:36:56 | 0:36:59 | |
The Jerry Lee Lewis film was Great Balls Of Fire. You're quite right. | 0:36:59 | 0:37:02 | |
Would have scored you 24 points. | 0:37:02 | 0:37:04 | |
The disaster was the biggest scorer there. Great Fire of London. | 0:37:04 | 0:37:07 | |
Would have scored you 77. | 0:37:07 | 0:37:08 | |
And the indie band was Arcade Fire, as you said. | 0:37:08 | 0:37:10 | |
That would have scored 17. | 0:37:10 | 0:37:11 | |
Bonfire Of The Vanities couldn't have beaten it. Best answer. | 0:37:11 | 0:37:14 | |
Thank you, Richard. | 0:37:14 | 0:37:15 | |
So, the pair leaving us at the end of the head-to-head round, | 0:37:15 | 0:37:18 | |
I'm afraid, Ulrika... It's head-to-head again. | 0:37:18 | 0:37:21 | |
It was head-to-head last time. | 0:37:21 | 0:37:22 | |
It was head-to-head this time. | 0:37:22 | 0:37:23 | |
You both must come back. But thank you so much for playing. | 0:37:23 | 0:37:26 | |
-Ulrika and Diane, wonderful performance. -APPLAUSE | 0:37:26 | 0:37:30 | |
But for Trevor and Simon, it's now time for our Pointless final. | 0:37:30 | 0:37:33 | |
Congratulations, Trevor and Simon. | 0:37:38 | 0:37:39 | |
You fought off all the competition | 0:37:39 | 0:37:41 | |
and you have won our coveted Pointless trophy. | 0:37:41 | 0:37:44 | |
You now have a chance to win our Pointless jackpot | 0:37:50 | 0:37:52 | |
for your chosen charities. | 0:37:52 | 0:37:53 | |
At the moment, the jackpot stands at £2,500. | 0:37:53 | 0:37:57 | |
APPLAUSE | 0:37:57 | 0:37:59 | |
As always, you get to choose your category for this last round. | 0:38:01 | 0:38:04 | |
You have four options to choose from. Let's see what they are. | 0:38:04 | 0:38:07 | |
We've got... | 0:38:07 | 0:38:08 | |
-International Organisations? -Should we? Should we? | 0:38:18 | 0:38:21 | |
It's a bit specific, isn't it? | 0:38:21 | 0:38:22 | |
It's going to be a Thunderbirds thing or something. I don't know. | 0:38:22 | 0:38:26 | |
Modern Female Novelists? | 0:38:26 | 0:38:27 | |
I, er... Hmm. | 0:38:27 | 0:38:30 | |
-Erm... -Let's do British Comedy and hope for the best. -British Comedy. | 0:38:30 | 0:38:33 | |
-Go on, British Comedy. -OK, British Comedy it is. | 0:38:33 | 0:38:35 | |
OK, three very different options here, including a film one, | 0:38:35 | 0:38:38 | |
so hopefully something here suits. | 0:38:38 | 0:38:39 | |
We are looking for the title of any of the episodes | 0:38:39 | 0:38:43 | |
of the Mr Bean series that ran from 1990 to 1995. | 0:38:43 | 0:38:46 | |
That's the live-action one, not the animated one. | 0:38:46 | 0:38:48 | |
We are looking for any cast member from the 2013 comedy The World's End. | 0:38:48 | 0:38:52 | |
So, anybody according to IMDB credited with acting in that film. | 0:38:52 | 0:38:56 | |
Terrific film. | 0:38:56 | 0:38:57 | |
Or we are looking for anybody nominated for an individual | 0:38:57 | 0:39:00 | |
British Comedy Award in 2013. | 0:39:00 | 0:39:02 | |
So, any nominee or winner of an individual British Comedy Award. | 0:39:02 | 0:39:05 | |
In terms of double acts, we'll take either answer as acceptable. | 0:39:05 | 0:39:08 | |
So, any title of a Mr Bean episode, | 0:39:08 | 0:39:10 | |
any cast member of The World's End or anyone who was nominated | 0:39:10 | 0:39:13 | |
for an individual category in the 2013 British Comedy Awards. | 0:39:13 | 0:39:16 | |
Very, very best of luck. | 0:39:16 | 0:39:19 | |
Thanks very much. | 0:39:19 | 0:39:20 | |
As always, you've got up to one minute to come up with three answers | 0:39:20 | 0:39:23 | |
and all you need to win that jackpot for your charities | 0:39:23 | 0:39:25 | |
is for just one of those answers to be pointless. | 0:39:25 | 0:39:28 | |
-Are you ready? -Yes. | 0:39:28 | 0:39:29 | |
OK, let's put 60 seconds up on the clock. There they are. | 0:39:29 | 0:39:32 | |
Your time starts now. | 0:39:32 | 0:39:34 | |
-Mr Bean... -I'd leave that, wouldn't you? | 0:39:35 | 0:39:38 | |
British Comedy Award nominees and winners. | 0:39:38 | 0:39:40 | |
I'm trying to think about double acts that... | 0:39:40 | 0:39:43 | |
The thing on Channel 4, they were nominated, | 0:39:43 | 0:39:45 | |
and I can't think of their names. | 0:39:45 | 0:39:47 | |
-Female double act? -No, a male double act. Erm... | 0:39:47 | 0:39:50 | |
Cast of the film World's End. | 0:39:50 | 0:39:52 | |
Paddy Considine, erm, and what's the name of... | 0:39:52 | 0:39:55 | |
the guy who was in... | 0:39:55 | 0:39:58 | |
I always think of him going, "Fancy a nice, sweet cup of tea?" | 0:39:58 | 0:40:01 | |
Do you know that guy? From...Gangster No. 1. | 0:40:01 | 0:40:04 | |
"Would you like a nice, sweet cup of tea?" | 0:40:04 | 0:40:07 | |
-That's no good, is it? Paddy Considine. -Oh, I know, yes. | 0:40:07 | 0:40:09 | |
Do you know the one I mean? What's his name? | 0:40:09 | 0:40:11 | |
-The tea boy. No, I know it. -Erm... | 0:40:11 | 0:40:14 | |
Nick Frost, but that's no good. Erm... | 0:40:15 | 0:40:18 | |
Who plays... Is Michael...? Is Brian Cox possibly in it? | 0:40:20 | 0:40:24 | |
It's someone like that. | 0:40:24 | 0:40:27 | |
This is awful. Um. | 0:40:27 | 0:40:28 | |
Frost. | 0:40:30 | 0:40:32 | |
-Not Nick Frost. What's... -That is your time up. | 0:40:32 | 0:40:35 | |
I now need your three answers. | 0:40:35 | 0:40:39 | |
-OK, so we'll go Paddy Considine. -Paddy Considine. | 0:40:40 | 0:40:44 | |
Yeah, for The World's End. | 0:40:44 | 0:40:46 | |
Um, Mark... | 0:40:46 | 0:40:47 | |
-Got a Mr Bean thing... -Do you want to try a Mr Bean one? | 0:40:47 | 0:40:49 | |
No, I just think we'd think of it. There were so many episodes. | 0:40:49 | 0:40:52 | |
But what were the titles, though? | 0:40:52 | 0:40:53 | |
Um...comedy award winners. | 0:40:55 | 0:40:57 | |
We'll have to go... | 0:40:58 | 0:40:59 | |
Let's say, I think, Brian Cox, possibly, was in The World's End. | 0:41:01 | 0:41:04 | |
-Brian Cox. Wonderful. -Not 100% sure of that. It's...Josh Widdicombe. | 0:41:04 | 0:41:08 | |
-Josh Widdicombe. -Yeah? Yeah? -Go on, then. Yeah, yeah. -There we are then. | 0:41:08 | 0:41:11 | |
Three answers. Josh Widdicombe, a nominee from the Comedy Awards | 0:41:11 | 0:41:14 | |
-and the other two are from World's End. -Yes. | 0:41:14 | 0:41:17 | |
Of those three, best shot at a pointless answer? | 0:41:17 | 0:41:19 | |
-Um...Josh Widdicombe. -Josh Widdicombe, we'll put last. | 0:41:21 | 0:41:25 | |
OK, least likely to be pointless? | 0:41:25 | 0:41:27 | |
Well, I don't know if Brian Cox is right. So, shall we put him first? | 0:41:27 | 0:41:30 | |
-Yeah. -We'll put Brian Cox first. -Do that. | 0:41:30 | 0:41:32 | |
Let's put those on the board, in that order. | 0:41:32 | 0:41:34 | |
And here they come. We have got... | 0:41:34 | 0:41:35 | |
Three fantastic personalities up there. | 0:41:40 | 0:41:43 | |
Let's hope at least one of them is right and pointless. | 0:41:43 | 0:41:45 | |
If it is, it'll win you 2,500 quid for your charities. | 0:41:45 | 0:41:48 | |
What are your charities? Trevor? | 0:41:48 | 0:41:50 | |
Well, mine's Surf Life Saving GB. | 0:41:50 | 0:41:52 | |
I don't surf myself, although I am going to have a lesson this summer. | 0:41:52 | 0:41:56 | |
But my daughter, who's with me tonight, | 0:41:56 | 0:41:59 | |
she had an accident just before Christmas. | 0:41:59 | 0:42:01 | |
She fell into the Margate Harbour. | 0:42:01 | 0:42:04 | |
And there was a guy on the spot | 0:42:04 | 0:42:06 | |
who just happened to be the local surf hero, life saver | 0:42:06 | 0:42:10 | |
and water safety expert | 0:42:10 | 0:42:12 | |
and he was there on the spot and, I think, saved her life, pretty much. | 0:42:12 | 0:42:16 | |
So, I thought his charity... His name is Dave Melmoth | 0:42:16 | 0:42:20 | |
and I think he deserved a mention and a thank you, | 0:42:20 | 0:42:22 | |
so if we can get some money for that charity, that would be fantastic. | 0:42:22 | 0:42:25 | |
Excellent. Simon? | 0:42:25 | 0:42:27 | |
I'd like to raise some money for the Lymphoedema Support Network, | 0:42:27 | 0:42:30 | |
which is mainly because of my mum. | 0:42:30 | 0:42:33 | |
My mum had breast cancer and had the lymph nodes removed | 0:42:33 | 0:42:36 | |
and for anyone who's got problems with the lymphatic system, | 0:42:36 | 0:42:39 | |
they need help, being taught and given support. | 0:42:39 | 0:42:44 | |
The Lymphoedema Network Support, | 0:42:44 | 0:42:46 | |
which is just funded by its members and donations, | 0:42:46 | 0:42:49 | |
they've been fantastic with my mum. | 0:42:49 | 0:42:51 | |
So I'd like to be able to give something back for that. | 0:42:51 | 0:42:53 | |
-Very good. Two fabulous charities. -APPLAUSE | 0:42:53 | 0:42:56 | |
Two great charities, | 0:43:00 | 0:43:01 | |
two excellent reasons to be raising money for them. | 0:43:01 | 0:43:04 | |
Let's hope one of these answers will raise some money. | 0:43:04 | 0:43:07 | |
Your first answer was Brian Cox. | 0:43:07 | 0:43:09 | |
Slightly off the top of your heads, | 0:43:09 | 0:43:11 | |
but he's a likely kind of character to be in World's End, surely. | 0:43:11 | 0:43:16 | |
Let's find out if it's right. | 0:43:16 | 0:43:18 | |
If it is and it's pointless, it'll win you £2,500 for those charities. | 0:43:18 | 0:43:21 | |
Let's see how many people said Brian Cox, if it's right. | 0:43:21 | 0:43:24 | |
Oh, no. | 0:43:29 | 0:43:30 | |
Sadly, Brian Cox, not in World's End. | 0:43:30 | 0:43:33 | |
Your next answer, also for World's End, is Paddy Considine. | 0:43:33 | 0:43:38 | |
Let's hope it's correct, let's hope nobody said it. | 0:43:38 | 0:43:40 | |
If it is pointless, it'll win you £2,500, | 0:43:40 | 0:43:43 | |
so let's find out how many people said Paddy Considine. | 0:43:43 | 0:43:45 | |
It's right. | 0:43:47 | 0:43:49 | |
So, your first answer, Brian Cox, was incorrect. | 0:43:49 | 0:43:52 | |
But Paddy Considine is very much in World's End. | 0:43:52 | 0:43:55 | |
Down it goes, into single figures, still going down. | 0:43:55 | 0:43:57 | |
-You've done it! -CHEERING | 0:43:57 | 0:44:00 | |
Very well done! Superb. | 0:44:00 | 0:44:01 | |
-Brilliant. Brilliant. -Incredible! -That is fantastic. | 0:44:02 | 0:44:05 | |
What a great answer. | 0:44:05 | 0:44:06 | |
Amazing! | 0:44:09 | 0:44:11 | |
Congratulations. | 0:44:12 | 0:44:14 | |
Paddy Considine was a pointless answer which means you go home | 0:44:14 | 0:44:17 | |
with that jackpot of £2,500 for your charities. | 0:44:17 | 0:44:19 | |
This is why I love being in a double act. | 0:44:19 | 0:44:21 | |
APPLAUSE | 0:44:21 | 0:44:24 | |
Superb. | 0:44:24 | 0:44:25 | |
-Very well done. -Amazing. That's so fantastic. | 0:44:27 | 0:44:30 | |
Really well deserved. | 0:44:30 | 0:44:31 | |
I'll put you out of your misery | 0:44:31 | 0:44:32 | |
on some of those other people that are in World's End. | 0:44:32 | 0:44:34 | |
-The guy from Gangster No. 1 is Eddie Marsan. -Eddie Marsan. | 0:44:34 | 0:44:37 | |
He was also a pointless answer. | 0:44:37 | 0:44:38 | |
There is a woman in it that's been in James Bond, as well. | 0:44:38 | 0:44:41 | |
-It's Rosamund Pike. -That's it! -Who was also a pointless answer. -Oh! | 0:44:41 | 0:44:44 | |
The other answer you gave, Josh Widdicombe, | 0:44:44 | 0:44:47 | |
was an incorrect answer, so would have scored 100 points. | 0:44:47 | 0:44:50 | |
Let's have a look at some of the answers. We'll start with Mr Bean. | 0:44:50 | 0:44:52 | |
You could have had... | 0:44:53 | 0:44:55 | |
You also could have had Do It Yourself, Mr Bean | 0:44:59 | 0:45:01 | |
and Mind The Baby, Mr Bean. | 0:45:01 | 0:45:02 | |
Don't give a... Don't give a baby to Mr Bean, right? | 0:45:02 | 0:45:06 | |
Chaos would ensue, surely. Now, here's The World's End. Look at that. | 0:45:06 | 0:45:10 | |
Eddie Marsan, Paddy Considine, Pierce Brosnan. | 0:45:10 | 0:45:12 | |
He was in a Bond film, wasn't he? LAUGHTER | 0:45:12 | 0:45:15 | |
And Rosamund Pike. | 0:45:15 | 0:45:16 | |
In fact, the only people who scored points were | 0:45:16 | 0:45:18 | |
Simon Pegg, Nick Frost, Martin Freeman, Mark Heap, | 0:45:18 | 0:45:21 | |
Bill Nighy would have scored you one point, if you said him, | 0:45:21 | 0:45:24 | |
and Reece Shearsmith, as well. | 0:45:24 | 0:45:26 | |
And Comedy Award nominees. | 0:45:26 | 0:45:28 | |
These four all won. Adam Hills won Best Breakthrough Artist. | 0:45:29 | 0:45:32 | |
Nina Conti, who won Best Female Comic. | 0:45:32 | 0:45:34 | |
Steve Coogan and Will Ferrell, who both won achievement awards. | 0:45:34 | 0:45:37 | |
Also could have had all sorts of people - | 0:45:37 | 0:45:39 | |
Greg Davies, James Corden, Jon Richardson. | 0:45:39 | 0:45:41 | |
You could have had Mel Giedroyc, Sue Perkins, as well. | 0:45:41 | 0:45:44 | |
But £2,500 safely in the bank. Very well done. | 0:45:44 | 0:45:46 | |
Two deserving charities, two deserving winners. | 0:45:46 | 0:45:48 | |
It's been a pleasure to have you here. | 0:45:48 | 0:45:51 | |
Well, thanks once again to our winning players, Trevor and Simon, | 0:45:51 | 0:45:55 | |
who go away with today's jackpot of £2,500 for their charities. | 0:45:55 | 0:45:58 | |
-Very well done, indeed. -APPLAUSE | 0:45:58 | 0:46:00 | |
Join us next time, | 0:46:02 | 0:46:04 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:46:04 | 0:46:07 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:46:07 | 0:46:09 | |
And it's goodbye from me. | 0:46:09 | 0:46:10 | |
And, playing us out with I'm Too Sexy, it's Right Said Fred. | 0:46:10 | 0:46:13 | |
-Goodbye. -CHEERING | 0:46:13 | 0:46:16 | |
# I'm too sexy for my love | 0:46:16 | 0:46:19 | |
# Too sexy for my love | 0:46:19 | 0:46:20 | |
# Love's going to leave me... # | 0:46:20 | 0:46:23 | |
Here we go. | 0:46:23 | 0:46:24 | |
You weren't expecting this, were you? | 0:46:30 | 0:46:33 | |
Or were you? I don't know. | 0:46:33 | 0:46:35 | |
# I'm too sexy for my shirt | 0:46:40 | 0:46:42 | |
# Too sexy for my shirt | 0:46:42 | 0:46:44 | |
# So sexy it hurts | 0:46:44 | 0:46:47 | |
# And I'm too sexy for Milan | 0:46:47 | 0:46:50 | |
# Too sexy for Milan | 0:46:50 | 0:46:52 | |
# New York and Japan | 0:46:52 | 0:46:54 | |
# Too sexy for Japan | 0:46:54 | 0:46:56 | |
# New York and Birmingham | 0:46:58 | 0:47:00 | |
# And I'm too sexy for your party | 0:47:03 | 0:47:06 | |
# Too sexy for your party | 0:47:06 | 0:47:08 | |
# No way I'm disco dancing | 0:47:08 | 0:47:10 | |
# I'm a model, you know what I mean | 0:47:11 | 0:47:14 | |
# And I do my little turn on the catwalk | 0:47:14 | 0:47:18 | |
# Yeah, on the catwalk, on the catwalk, yeah | 0:47:18 | 0:47:22 | |
# I shake my little tush on the catwalk... # | 0:47:22 | 0:47:26 | |
Here we go! | 0:47:26 | 0:47:27 | |
# I'm too sexy for my car | 0:47:42 | 0:47:45 | |
# Too sexy for my car | 0:47:45 | 0:47:47 | |
# Too sexy by far | 0:47:47 | 0:47:50 | |
# And I'm too sexy for my hat | 0:47:50 | 0:47:53 | |
# Too sexy for my hat | 0:47:53 | 0:47:55 | |
# What d'ya think about that? | 0:47:55 | 0:47:57 | |
# I'm a model, you know what I mean | 0:47:58 | 0:48:01 | |
# And I do my little turn on the catwalk | 0:48:01 | 0:48:05 | |
# Yeah, on the catwalk, on the catwalk, yeah | 0:48:05 | 0:48:09 | |
# I do my little turn on the catwalk... # | 0:48:09 | 0:48:12 | |
All right, here we go now. | 0:48:15 | 0:48:17 | |
# I'm too sexy for my... | 0:48:22 | 0:48:24 | |
# Too sexy for my... | 0:48:24 | 0:48:26 | |
# Too sexy for my... | 0:48:26 | 0:48:28 | |
# I'm a model, you know what I mean | 0:48:30 | 0:48:33 | |
# And I do my little turn on the catwalk | 0:48:33 | 0:48:37 | |
# Yeah, on the catwalk, on the catwalk, yeah | 0:48:37 | 0:48:41 | |
# I shake my little tush on the catwalk | 0:48:41 | 0:48:44 | |
# I'm too sexy for my cat | 0:48:47 | 0:48:50 | |
# Too sexy for my cat | 0:48:50 | 0:48:52 | |
# Poor pussy | 0:48:52 | 0:48:53 | |
# Poor pussy cat | 0:48:53 | 0:48:55 | |
# I'm too sexy for my love | 0:48:55 | 0:48:58 | |
# Too sexy for my love | 0:48:58 | 0:49:00 | |
# Love's going to leave me | 0:49:00 | 0:49:03 | |
# And I'm too sexy for this song. # | 0:49:03 | 0:49:05 | |
CHEERING AND APPLAUSE | 0:49:05 | 0:49:07 |