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-APPLAUSE -Thank you very much. | 0:00:21 | 0:00:23 | |
I'm Alexander Armstrong and welcome to this special '70s edition | 0:00:23 | 0:00:27 | |
of Pointless Celebrities - the show that puts obscure to the test. | 0:00:27 | 0:00:31 | |
Let's meet today's Pointless Celebrities. | 0:00:31 | 0:00:34 | |
APPLAUSE | 0:00:34 | 0:00:37 | |
And couple number one. | 0:00:37 | 0:00:39 | |
I'm Madeline and I was in bed with Roger, Sir Roger Moore, | 0:00:39 | 0:00:43 | |
in Live And Let Die. | 0:00:43 | 0:00:44 | |
-Ooh! -AUDIENCE: Ooh! | 0:00:44 | 0:00:47 | |
My name is Paul Henry. I was never a James Bond. | 0:00:47 | 0:00:52 | |
I was in a show called Crossroads, playing Benny, | 0:00:52 | 0:00:55 | |
and I was in bed with Starry the goat. | 0:00:55 | 0:00:57 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:02 | |
And couple number two. | 0:01:03 | 0:01:04 | |
I'm Rick Wakeman and I've been married lots of times, | 0:01:04 | 0:01:07 | |
so I've been in bed a lot. | 0:01:07 | 0:01:09 | |
LAUGHTER | 0:01:09 | 0:01:10 | |
In a band called Yes for many years and a few other bits | 0:01:10 | 0:01:13 | |
and pieces and now officially a Grumpy Old Man. | 0:01:13 | 0:01:17 | |
And I'm Roy Wood from The Move, ELO and Wizzard, and currently touring | 0:01:17 | 0:01:23 | |
with the Roy Wood Rock & Roll Band, and doing a bit of street cleaning. | 0:01:23 | 0:01:28 | |
-That's me. -LAUGHTER AND APPLAUSE | 0:01:28 | 0:01:31 | |
-Couple number three. -Hello. I'm Anna Karen. | 0:01:33 | 0:01:36 | |
I was in a series called On The Buses | 0:01:36 | 0:01:39 | |
and I played the glamorous and intelligent one in the cast. | 0:01:39 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Hello. I'm Sally Thomsett and I was in Man About The House. | 0:01:44 | 0:01:49 | |
I played ditzy Jo and it was typecast. | 0:01:49 | 0:01:53 | |
And also Phyllis in the Railway Children. | 0:01:53 | 0:01:56 | |
APPLAUSE | 0:01:56 | 0:02:00 | |
-And finally, couple number four. -Hello. | 0:02:00 | 0:02:04 | |
I'm Sally James and I'm probably best remembered for flinging | 0:02:04 | 0:02:07 | |
flans and throwing buckets of water on Tizwas. | 0:02:07 | 0:02:10 | |
Hello. I'm Ed Stewart and during the '70s, | 0:02:10 | 0:02:13 | |
I was one of the presenters of Crackerjack! | 0:02:13 | 0:02:16 | |
AUDIENCE: Crackerjack! | 0:02:16 | 0:02:18 | |
-APPLAUSE -Thank you for remembering! | 0:02:18 | 0:02:21 | |
And these are today's contestants. We'll find out more about you throughout the show. | 0:02:21 | 0:02:25 | |
That just leaves one more person for me to introduce. | 0:02:25 | 0:02:27 | |
If Hannibal Lecter and Albert Einstein had a child, it would be ludicrous and unbelievable, | 0:02:27 | 0:02:31 | |
but this man would certainly know something about it. It's my Pointless friend. It's Richard. | 0:02:31 | 0:02:36 | |
Hiya. Hi, everybody. APPLAUSE | 0:02:36 | 0:02:39 | |
Hiya. | 0:02:39 | 0:02:41 | |
-Good evening to you. -Oh, my goodness! You've got a moustache! | 0:02:41 | 0:02:45 | |
And so have you. You look good! | 0:02:45 | 0:02:47 | |
Yeah, so do you! I think you pull it off better than I do. | 0:02:47 | 0:02:52 | |
I don't think I do! | 0:02:52 | 0:02:53 | |
I think you look like a 1970s PE teacher who is dressed | 0:02:53 | 0:02:57 | |
up for parents' evening. | 0:02:57 | 0:02:59 | |
No, who has got to sit in on a geography lesson cos the geography teacher's a bit hung-over. | 0:02:59 | 0:03:04 | |
-He's furious about it. You've probably got a little bottle of whisky in your pocket. -Yeah, yeah. | 0:03:04 | 0:03:08 | |
-Yeah, you look amazing! -Yeah(!) -LAUGHTER | 0:03:08 | 0:03:10 | |
I tell you what it is about these, you have to laugh like this. | 0:03:10 | 0:03:14 | |
You have to go, "Ha-ha-ha!" | 0:03:14 | 0:03:17 | |
LAUGHTER | 0:03:17 | 0:03:19 | |
-It's quite hard to smile with a moustache, isn't it? -Yeah, yeah. | 0:03:19 | 0:03:23 | |
-But anyway, what a line-up. Isn't this great? It's like our childhood's come to life. -I know! | 0:03:23 | 0:03:28 | |
On the last podium, we've got Tizwas and Crackerjack. | 0:03:28 | 0:03:32 | |
How brilliant is that? And Rick and Roy are both back. | 0:03:32 | 0:03:35 | |
They both changed partners cos Rick came on last time with Nicholas | 0:03:35 | 0:03:38 | |
Parsons and Roy, last time, was on with the real Father Christmas. | 0:03:38 | 0:03:42 | |
-That's right. -How about that? | 0:03:42 | 0:03:44 | |
-Well, thank you very much indeed. -It's a pleasure. | 0:03:44 | 0:03:47 | |
As always, our questions have been put to 100 people before the show. | 0:03:47 | 0:03:50 | |
Our contestants need to find the obscure answers | 0:03:50 | 0:03:52 | |
those 100 people didn't get. | 0:03:52 | 0:03:54 | |
Everyone's trying to find a pointless answer - | 0:03:54 | 0:03:56 | |
an answer that none of our 100 people gave | 0:03:56 | 0:03:59 | |
and each time that happens, we will add £250 to the jackpot. | 0:03:59 | 0:04:02 | |
As today's show is a celebrity special and our celebrities | 0:04:02 | 0:04:05 | |
are playing for charity, we start off with a jackpot of £2,500. | 0:04:05 | 0:04:09 | |
CHEERS AND APPLAUSE | 0:04:09 | 0:04:13 | |
If everyone's ready, let's play Pointless. | 0:04:13 | 0:04:16 | |
The pair with the highest score at the end of the round will be eliminated. | 0:04:18 | 0:04:23 | |
Remember, there is to be no conferring during the round itself. | 0:04:23 | 0:04:27 | |
OK, our first category today is: | 0:04:27 | 0:04:29 | |
Famous figures. Can you all decide in your pairs who's going first and second? | 0:04:32 | 0:04:37 | |
And whoever's going first, please step up to the podium. | 0:04:37 | 0:04:40 | |
OK, and the question concerns: | 0:04:44 | 0:04:46 | |
-Famous Sarahs, Richard. -On each pass, we're going to show you seven descriptions of famous people, | 0:04:49 | 0:04:54 | |
all with the first name Sarah, or known by the first name Sarah. | 0:04:54 | 0:04:57 | |
Tell us the most obscure one up there, please. | 0:04:57 | 0:04:59 | |
14 in all to have a got at at home. Very best of luck. 14 Sarahs to get. | 0:04:59 | 0:05:03 | |
Thank you very much indeed. | 0:05:03 | 0:05:05 | |
OK, so remember, we're looking for the names of these famous Sarahs | 0:05:05 | 0:05:07 | |
and here is our first board of seven Sarahs. | 0:05:07 | 0:05:09 | |
And here they are... | 0:05:10 | 0:05:12 | |
I'll read those all one last time. | 0:05:35 | 0:05:37 | |
Now, Madeline and Paul, you all drew lots before the show and today, | 0:06:01 | 0:06:05 | |
you are going to go first. | 0:06:05 | 0:06:07 | |
-So, Madeline, Live And Let Die? -Yes. | 0:06:07 | 0:06:09 | |
Live And Let Die. | 0:06:09 | 0:06:11 | |
-Was he nervous, Roger? -What, being in bed with me? | 0:06:11 | 0:06:14 | |
-No, no, no, that was his first outing as Bond! -Oh, right! | 0:06:14 | 0:06:17 | |
I don't think he was nervous, no. | 0:06:17 | 0:06:20 | |
He looked great. Very handsome, wonderful. | 0:06:20 | 0:06:23 | |
No, he wasn't. But they'd already done a lot of filming. | 0:06:23 | 0:06:26 | |
They'd almost finished all the location filming | 0:06:26 | 0:06:29 | |
by the time they got to me. | 0:06:29 | 0:06:30 | |
I was in bed for three days with him. | 0:06:30 | 0:06:33 | |
"I was in bed for three days with Roger Moore." | 0:06:33 | 0:06:35 | |
It sounds like an illness! | 0:06:35 | 0:06:37 | |
I hope not! | 0:06:37 | 0:06:39 | |
-Now then, Madeline... -Yes. -..we have some Sarahs. -Yes, I know. | 0:06:41 | 0:06:45 | |
I think I might know the top one. | 0:06:45 | 0:06:48 | |
But I might get it slightly wrong but I think her name | 0:06:49 | 0:06:52 | |
was Sarah Chaplain. Is that right? | 0:06:52 | 0:06:55 | |
OK. Sarah Chaplain, says Madeline. | 0:06:55 | 0:06:57 | |
Let's see if it's right and if it is, | 0:06:57 | 0:06:58 | |
-how many of our 100 people said Sarah Chaplain. -Could be Caplan. | 0:06:58 | 0:07:01 | |
-No, bad luck, Madeline. -Sorry. -I'm so sorry. | 0:07:04 | 0:07:07 | |
-I went for obscure and got it wrong. -You're not a million miles off | 0:07:07 | 0:07:10 | |
but I'm afraid that's an incorrect answer. | 0:07:10 | 0:07:12 | |
-OK. -It scores you the maximum of 100 points. | 0:07:12 | 0:07:14 | |
I'm really sorry. Always tough on that first podium. | 0:07:14 | 0:07:16 | |
Yeah, sorry, Madeline. | 0:07:16 | 0:07:17 | |
It really is tough to start on podium one on this show. | 0:07:17 | 0:07:20 | |
-Yeah, I'll give you the correct answer at the end of the pass. -OK. | 0:07:20 | 0:07:22 | |
OK, Roy. | 0:07:22 | 0:07:24 | |
-Yes, thank you. -Welcome back to Pointless. | 0:07:24 | 0:07:26 | |
It's great to have you here. Now, listen, last time, | 0:07:26 | 0:07:28 | |
with the venerable Father Christmas, | 0:07:28 | 0:07:30 | |
Round Two you made it to. | 0:07:30 | 0:07:32 | |
I was back in Derbyshire before closing time. | 0:07:32 | 0:07:34 | |
That's how good it was! | 0:07:34 | 0:07:36 | |
OK. | 0:07:36 | 0:07:37 | |
Well, now, Roy, listen, one of the great proponents of prog rock, | 0:07:37 | 0:07:42 | |
one of the founding members of the Electric Light Orchestra. | 0:07:42 | 0:07:45 | |
-ELO, yeah. -Yeah, these are big things. And obviously Wizzard. | 0:07:45 | 0:07:47 | |
Yeah, and The Move before that, as well. | 0:07:47 | 0:07:50 | |
Have there been any years in the last three decades | 0:07:50 | 0:07:52 | |
when I Wish It Could Be Christmas Everyday | 0:07:52 | 0:07:55 | |
hasn't been in the charts? | 0:07:55 | 0:07:56 | |
-No. That's all right, thank you. -It's every single year. | 0:07:56 | 0:07:59 | |
-My bank manager likes it. -I bet he does! | 0:07:59 | 0:08:01 | |
Fantastic. Now, listen, Roy, | 0:08:03 | 0:08:05 | |
-we have all these Sarahs lined up especially for you. -OK, | 0:08:05 | 0:08:07 | |
I'd go for... | 0:08:07 | 0:08:09 | |
I'll go for number two, Sarah Brightman. | 0:08:10 | 0:08:13 | |
Sarah Brightman played Christine in the Phantom Of The Opera. | 0:08:13 | 0:08:17 | |
Let's find out if that's right and if it is, | 0:08:17 | 0:08:19 | |
how many of our 100 people said it. | 0:08:19 | 0:08:20 | |
It's right. | 0:08:23 | 0:08:24 | |
At least it's right. | 0:08:24 | 0:08:26 | |
28 for Sarah Brightman. Very well done, Roy. | 0:08:29 | 0:08:31 | |
Well played, Roy. Good answer. | 0:08:34 | 0:08:36 | |
She had a top ten hit as well with The Phantom Of The Opera, | 0:08:36 | 0:08:38 | |
alongside Steve Harley, | 0:08:38 | 0:08:39 | |
who would be a good answer in famous Steves | 0:08:39 | 0:08:41 | |
but not a good answer in famous Sarahs. | 0:08:41 | 0:08:43 | |
-Steve Harley... -Steve Harley. -..was in Phantom Of The Opera? | 0:08:43 | 0:08:47 | |
He sang Phantom Of The Opera with Sarah Brightman, yes. | 0:08:47 | 0:08:50 | |
-I like your one eyebrow. -I know, I'm doing a lot of that. | 0:08:50 | 0:08:54 | |
It's cos we can't move our mouths. | 0:08:54 | 0:08:56 | |
-I know, I had to make up. -That's the thing, isn't it? | 0:08:56 | 0:08:59 | |
Steve... | 0:08:59 | 0:09:00 | |
-Steve Harley? -That's very good. | 0:09:00 | 0:09:02 | |
THE Steve Harley, Rich? | 0:09:03 | 0:09:05 | |
-There we are. Well, thank you very much indeed. -Such a pleasure. | 0:09:07 | 0:09:10 | |
Now, then, now, between Sally and Anna, | 0:09:10 | 0:09:13 | |
-which of you wants to go first? -I'm going first. | 0:09:13 | 0:09:16 | |
-Anna, welcome back to Pointless. -Thank you. | 0:09:16 | 0:09:18 | |
-You were here with Laila Morse last time... -That's right. | 0:09:18 | 0:09:21 | |
-..on an EastEnders special. -Yes. | 0:09:21 | 0:09:22 | |
Cos you played Sal Mitchell? | 0:09:22 | 0:09:24 | |
-I played Aunt Sal, yes. -That's right, Peggy's sister. | 0:09:24 | 0:09:27 | |
And you and Barbara, you have previous? | 0:09:27 | 0:09:30 | |
Oh, yes, we go back to Carry On Camping. | 0:09:30 | 0:09:32 | |
Yeah, you were in the famous Carry On Camping scene with the... | 0:09:32 | 0:09:35 | |
-Yes. -..with the bikini tops, there. -Yeah. | 0:09:35 | 0:09:38 | |
Yeah, I was billed in that as Hefty Girl. | 0:09:38 | 0:09:40 | |
-That was my billing. -Hefty Girl? | 0:09:40 | 0:09:42 | |
"Hefty Girl - Anna Karen." | 0:09:42 | 0:09:44 | |
Is that what it says?! | 0:09:44 | 0:09:46 | |
Now then, Anna, what do you make of these Sarahs, here? | 0:09:46 | 0:09:49 | |
Well, I know two of them. I don't know which is more obscure. | 0:09:49 | 0:09:53 | |
I'm going to go for number four... | 0:09:53 | 0:09:56 | |
..Sarah Ferguson. | 0:09:57 | 0:09:59 | |
Sarah Ferguson married Prince Andrew in 1986. | 0:09:59 | 0:10:02 | |
Let's see if that's right and if it is, how many people said it. | 0:10:02 | 0:10:05 | |
It is absolutely right. | 0:10:06 | 0:10:08 | |
-Oh, 81. -Oh, no! -That's a high score. | 0:10:08 | 0:10:11 | |
I'm sorry, I'm so sorry. | 0:10:12 | 0:10:15 | |
-That's a very high score, isn't it, for Sarah Ferguson? -Yeah, it is. | 0:10:15 | 0:10:18 | |
Big name recognition still. But it's better than 100, Anna, | 0:10:18 | 0:10:21 | |
-that's the key. -Thanks very much indeed. | 0:10:21 | 0:10:23 | |
-Now, Sally. -Hello. -Sally, we come to you. | 0:10:23 | 0:10:27 | |
-Tiswas! Tiswas recently voted second only to Blue Peter. -I know! | 0:10:27 | 0:10:32 | |
-We were so thrilled at that. -All-time favourite. -I know. | 0:10:32 | 0:10:34 | |
But that's one of those few programmes that you watch | 0:10:34 | 0:10:37 | |
and you just know that that is every bit as much fun to make. | 0:10:37 | 0:10:40 | |
It was good fun. We all got on really well together. | 0:10:40 | 0:10:42 | |
-Yeah. -We were a very happy little team, | 0:10:42 | 0:10:43 | |
a bit like you and Richard I think. | 0:10:43 | 0:10:45 | |
Oh, I hope not! Oh, I really hope not. | 0:10:45 | 0:10:48 | |
And when you work with someone that you get on with, | 0:10:48 | 0:10:50 | |
then the whole thing is a massive success, just like this is. | 0:10:50 | 0:10:53 | |
-Aw-w, thanks. -I would love that. | 0:10:53 | 0:10:54 | |
-Wouldn't you like that?! -Wouldn't that be nice? | 0:10:54 | 0:10:56 | |
-I would love to work with someone I got on with. -Yeah! | 0:10:56 | 0:10:58 | |
-Seriously, wouldn't that be amazing? -That would be nice. | 0:11:00 | 0:11:02 | |
-Oh... -Oh, God, can you imagine? -Turning up to work, | 0:11:02 | 0:11:05 | |
-just not thinking... -And joy. | 0:11:05 | 0:11:07 | |
You don't have to listen to somebody going, | 0:11:07 | 0:11:09 | |
-"Gib, gib, gib, gib." -Oh, yeah. | 0:11:09 | 0:11:10 | |
Something or other they did yesterday | 0:11:10 | 0:11:13 | |
which you're not interested in. | 0:11:13 | 0:11:15 | |
Now, Sally, what do you do... | 0:11:15 | 0:11:16 | |
You've gone into a completely new era...era...area! | 0:11:16 | 0:11:20 | |
Area, even. I have. | 0:11:20 | 0:11:21 | |
-Yes. -What you do now? | 0:11:21 | 0:11:23 | |
I started my own business 21 years ago, | 0:11:23 | 0:11:25 | |
school uniform supply. | 0:11:25 | 0:11:27 | |
-So that keeps me quite busy. -Wow. | 0:11:27 | 0:11:29 | |
-So I'm doing that but I do still get asked about Tiswas a lot. -I bet. | 0:11:29 | 0:11:32 | |
I do appear on a few game shows here and there | 0:11:32 | 0:11:35 | |
and I did pantomime last year. | 0:11:35 | 0:11:36 | |
So I'm doing things all the time, really. | 0:11:36 | 0:11:38 | |
Anyway, Sally, this is your board. It's all yours. | 0:11:38 | 0:11:40 | |
-All mine?! -Do you want to talk us through it? -Yes. | 0:11:40 | 0:11:43 | |
-Fill in the blanks... -Every answer, no problem! | 0:11:43 | 0:11:45 | |
-..and then submit your favourite. -Yes. Well, I know two. | 0:11:45 | 0:11:49 | |
And the ones I know are the last one from the bottom, | 0:11:50 | 0:11:54 | |
Carrie Bradshaw was obviously Sarah Jessica Parker, | 0:11:54 | 0:11:57 | |
which I imagine will be quite a high score. | 0:11:57 | 0:12:00 | |
So I think I know number one and I hope I get it right. | 0:12:00 | 0:12:03 | |
And I imagine that would be a lesser answer. | 0:12:03 | 0:12:06 | |
So I'm going for Sarah Palin. | 0:12:06 | 0:12:08 | |
Sarah Palin. There you are, Madeline. | 0:12:08 | 0:12:11 | |
-She's right! -Am I? I hope so. | 0:12:11 | 0:12:13 | |
Let's find out if you are and if you are, | 0:12:13 | 0:12:15 | |
let's see how many people said Sarah Palin. | 0:12:15 | 0:12:17 | |
It's right. | 0:12:19 | 0:12:20 | |
-40! -Oh, quite high. | 0:12:23 | 0:12:25 | |
Not bad. Not bad. | 0:12:25 | 0:12:28 | |
-Well done. -Thank you. | 0:12:28 | 0:12:29 | |
Very well played, Sally. Unlucky, Madeline. | 0:12:29 | 0:12:32 | |
You had most of the right letters, | 0:12:32 | 0:12:33 | |
-just not necessarily in the right order. -That's right! | 0:12:33 | 0:12:36 | |
Now, let's fill in the rest of this board. | 0:12:36 | 0:12:38 | |
Anna, was Sarah Palin going to be your other answer? | 0:12:38 | 0:12:41 | |
No, my other answer was Sarah Jessica Parker. | 0:12:41 | 0:12:43 | |
OK, Sarah Jessica Parker would have been | 0:12:43 | 0:12:45 | |
a much, much, much better answer. | 0:12:45 | 0:12:48 | |
She would have scored you... | 0:12:48 | 0:12:50 | |
-30 points. -Oh, no! | 0:12:50 | 0:12:52 | |
Yeah, it would have been a terrific answer. | 0:12:52 | 0:12:54 | |
The cyclist, she's been on the show as well, | 0:12:54 | 0:12:56 | |
Dame Sarah Storey. | 0:12:56 | 0:12:58 | |
She would have scored you 12. | 0:12:58 | 0:13:00 | |
The England wicketkeeper was Sarah Taylor. | 0:13:00 | 0:13:03 | |
She would have scored you three. | 0:13:03 | 0:13:05 | |
And the first woman to row solo across the Indian Ocean | 0:13:05 | 0:13:08 | |
was Sarah Outen. | 0:13:08 | 0:13:10 | |
She would have scored you one point | 0:13:10 | 0:13:12 | |
so it would have been a terrific answer. | 0:13:12 | 0:13:14 | |
Thanks very much. We're halfway through the round. | 0:13:14 | 0:13:16 | |
Let's look at those scores. | 0:13:16 | 0:13:18 | |
28 the best score of that pass. | 0:13:18 | 0:13:19 | |
Very well done, Roy and Rick. Looking very strong at this stage. | 0:13:19 | 0:13:22 | |
Then up to 40, where we find Sally and Ed. | 0:13:22 | 0:13:25 | |
Up to 81, Sally and Anna. | 0:13:25 | 0:13:27 | |
And then up to 100, where we find Madeline and Paul. | 0:13:27 | 0:13:29 | |
But I tell you what, you're not that far out in front. | 0:13:29 | 0:13:32 | |
Only 19 ahead. | 0:13:32 | 0:13:34 | |
So, Paul, a low score from you at the end of the round might be | 0:13:34 | 0:13:38 | |
enough to keep you in the game. Best of luck with that. | 0:13:38 | 0:13:41 | |
Can the second players please step up to the podium? | 0:13:41 | 0:13:44 | |
We're going to put seven more famous Sarahs up on the board | 0:13:46 | 0:13:49 | |
and here they come. | 0:13:49 | 0:13:50 | |
I'll read those one last time. | 0:14:19 | 0:14:20 | |
-Ed. -Yes, sir. -Stewpot, great to have you here. -Lovely to be here. | 0:14:43 | 0:14:48 | |
-I watch you every day. -Welcome. We watch you every single Friday. | 0:14:48 | 0:14:53 | |
-Junior Choice as well. -Oh, yeah. -Ed, you're on 40. | 0:14:53 | 0:14:56 | |
The highest scorers, on 100, are Paul and Madeline. | 0:14:56 | 0:14:59 | |
-If you can get 59 or less, you're definitely in the next round. -Right. | 0:14:59 | 0:15:05 | |
Well, I think I'll go for number one, because she is of my era, | 0:15:05 | 0:15:10 | |
and I'll say Sarah Vaughan. | 0:15:10 | 0:15:13 | |
Sarah Vaughan, says Ed. There's your red line. | 0:15:13 | 0:15:15 | |
If you go below that you're through to the next round. | 0:15:15 | 0:15:18 | |
Let's see how many of our 100 people said Sarah Vaughan. | 0:15:18 | 0:15:21 | |
-Well done, Ed. -Keep going, Sarah! Keep going! | 0:15:25 | 0:15:30 | |
Very well done indeed. Three for Sarah Vaughan. | 0:15:30 | 0:15:33 | |
-APPLAUSE -Well done, you! -That takes your total up to 43. Very well done. | 0:15:33 | 0:15:38 | |
Well played, Ed. Terrific work from podium 4, from Sally and Ed. | 0:15:38 | 0:15:42 | |
Passed away in 1990, Sarah Vaughan. She's in the Jazz Hall of Fame, | 0:15:42 | 0:15:45 | |
got a star on the Hollywood Walk Of Fame, all sorts of things. | 0:15:45 | 0:15:48 | |
-Thanks, Rich. Sally Thomsett, welcome to the show. -Hello. | 0:15:48 | 0:15:53 | |
-Great to have you here. -Thank you. -Phyllis in the Railway Children. | 0:15:53 | 0:15:57 | |
-One of my all-time favourite films. -Oh, thank you. | 0:15:57 | 0:16:00 | |
It was sort of like making an ordinary little children's film, | 0:16:00 | 0:16:04 | |
which I'd done many of. | 0:16:04 | 0:16:07 | |
And it was only after we'd made it and | 0:16:07 | 0:16:09 | |
we had royal premieres and things like that, that we realised it | 0:16:09 | 0:16:13 | |
-was actually quite special. -It was a massive film. | 0:16:13 | 0:16:15 | |
-Bernard Cribbins, who's been on the show as well. -He's divine. | 0:16:15 | 0:16:19 | |
He's the nicest man in the world, isn't he? | 0:16:19 | 0:16:22 | |
Just fabulous. And Lionel Jeffries wrote the screenplay. | 0:16:22 | 0:16:25 | |
-Yeah, and directed. -And he directed. -It was his first film. -Fantastic. | 0:16:25 | 0:16:31 | |
Well, Sally, look, you're at 81. | 0:16:31 | 0:16:33 | |
You're not out of the woods yet, | 0:16:33 | 0:16:35 | |
because the highest scorers are Paul and Madeline on 100. | 0:16:35 | 0:16:38 | |
-I thought you meant I was 81! -No, no! | 0:16:38 | 0:16:40 | |
-No, no. That's your score! -Oh, sorry. -SHE LAUGHS | 0:16:40 | 0:16:45 | |
I'm going to go for the actress born in Paris, Sarah Bernhardt. | 0:16:46 | 0:16:53 | |
Sarah Bernhardt, says Sally. | 0:16:53 | 0:16:55 | |
Some vigorous nodding from this end of the stage. There's your red line. | 0:16:55 | 0:16:59 | |
If you get below that you are through to the next round. | 0:16:59 | 0:17:01 | |
Let's see if Sarah Bernhardt's right and how many people said it. | 0:17:01 | 0:17:05 | |
Oh, wow. There you are, 20. | 0:17:13 | 0:17:16 | |
Takes your total up to 101. For the moment you are the highest scorers. | 0:17:18 | 0:17:22 | |
I think that's enough to see you through. | 0:17:22 | 0:17:24 | |
Probably the most famous actor of the 19th century, Sarah Bernhardt. | 0:17:24 | 0:17:27 | |
Thousands lined the route of her funeral procession in Paris as well. | 0:17:27 | 0:17:31 | |
Thanks, Rich. | 0:17:32 | 0:17:33 | |
Rick, last time you were on you were here with Nicholas Parsons. | 0:17:33 | 0:17:36 | |
-I was, indeed. -You made it through to the head-to-head. | 0:17:36 | 0:17:40 | |
We did and I think it was Cheese that threw us. | 0:17:40 | 0:17:42 | |
It's always the cheese! | 0:17:42 | 0:17:44 | |
Yeah, it was the Caerphilly that did for us at the end. | 0:17:44 | 0:17:46 | |
It was a lot of fun. Nick was amazing. | 0:17:46 | 0:17:49 | |
His knowledge is amazing | 0:17:49 | 0:17:50 | |
and he is as bright as a button for 90-years-old. | 0:17:50 | 0:17:53 | |
He is very spry, isn't he? Extraordinary. | 0:17:53 | 0:17:56 | |
Rick, you mentioned Yes, but you played piano on Hunky Dory. | 0:17:56 | 0:18:00 | |
Yeah, I did. | 0:18:00 | 0:18:02 | |
I was very lucky in the '60s and '70s to play on lots of different | 0:18:02 | 0:18:05 | |
people's records. I did Life On Mars and all the Hunky Dory | 0:18:05 | 0:18:09 | |
and Space Oddity. I did Morning Has Broken with Cat Stevens | 0:18:09 | 0:18:11 | |
-and a few others. -And you played on Transformer, as well, I think? | 0:18:11 | 0:18:14 | |
-Yeah, and look where I am now. -Look where you are now, see. | 0:18:14 | 0:18:17 | |
It was a wonderful apprenticeship of course, it really was. | 0:18:17 | 0:18:20 | |
I did about 2,000-odd records with different people | 0:18:20 | 0:18:22 | |
-and you learnt from every single one, it was great. -Amazing. | 0:18:22 | 0:18:26 | |
Well, you are currently on 28. | 0:18:26 | 0:18:28 | |
The high-scorers now are Sally T and Anna on 101. | 0:18:28 | 0:18:31 | |
72 or less gets you through. I think this will be easy for you, won't it? | 0:18:31 | 0:18:35 | |
No. Erm... | 0:18:35 | 0:18:37 | |
There are two that I definitely knew, which are those two | 0:18:37 | 0:18:40 | |
and there is one I think I know, the other three not a clue. | 0:18:40 | 0:18:44 | |
I'm going to go for the comedian whose 2013 tour was entitled, | 0:18:44 | 0:18:48 | |
-Home Bird. I think that's Sarah Millican. -Sarah Millican, says Rick. | 0:18:48 | 0:18:51 | |
Sarah Millican. | 0:18:51 | 0:18:52 | |
Here is your red line, get below that and you are through to the next round. | 0:18:52 | 0:18:56 | |
Let's see how many of our 100 people said Sarah Millican. | 0:18:56 | 0:18:58 | |
It's right. | 0:19:01 | 0:19:02 | |
And, you're through, very well done, indeed. | 0:19:02 | 0:19:05 | |
-30. -APPLAUSE | 0:19:05 | 0:19:06 | |
I'll take that. | 0:19:06 | 0:19:08 | |
30 takes your total up to 58. | 0:19:08 | 0:19:10 | |
Well played, Rick, the brilliant Sarah Millican. | 0:19:12 | 0:19:14 | |
It's a good show, I went to see that. It's very, very funny. | 0:19:14 | 0:19:17 | |
-She's funny, isn't she? -She's funny. -And lovely as well. | 0:19:17 | 0:19:19 | |
-And lovely as well. -And annoyingly talented. -Yeah. | 0:19:19 | 0:19:23 | |
Now then, Paul, right, you know what you have to do. | 0:19:23 | 0:19:26 | |
-You have to score a pointless answer here, or score one. -Yeah. | 0:19:26 | 0:19:29 | |
Before we go any further, I do want to say a very warm, | 0:19:29 | 0:19:32 | |
warm welcome to you to the show. | 0:19:32 | 0:19:34 | |
I would say one of the great all-time characters from television. | 0:19:34 | 0:19:38 | |
I would think if anyone had to name a character from '70s and '80s TV | 0:19:38 | 0:19:41 | |
-within five nominations, they would get to Benny. -Yeah. | 0:19:41 | 0:19:46 | |
It is a great achievement, what a great character | 0:19:46 | 0:19:48 | |
-and what a fantastic achievement, as well. -Thank you. | 0:19:48 | 0:19:50 | |
When did you start in Crossroads, '70...? | 0:19:50 | 0:19:52 | |
I started in '75 and I finished in '87 | 0:19:52 | 0:19:57 | |
-but I never did more than six months in a year. -Oh, really? -No. | 0:19:57 | 0:20:00 | |
Because I didn't get any holiday pay, so I know I didn't. | 0:20:00 | 0:20:04 | |
LAUGHTER | 0:20:04 | 0:20:05 | |
That was nice, it gave you time to do other things, too. | 0:20:05 | 0:20:08 | |
That was all great cos I used to go around the stage | 0:20:08 | 0:20:10 | |
because I have done more theatre than I have done television. | 0:20:10 | 0:20:13 | |
I was at the Birmingham Rep for nine years | 0:20:13 | 0:20:16 | |
and so I was in the good old days of repertory theatre. | 0:20:16 | 0:20:20 | |
Yeah, very good. | 0:20:20 | 0:20:21 | |
All right, now then, talk us through this board if you can, Paul. | 0:20:21 | 0:20:24 | |
I haven't got a clue. | 0:20:24 | 0:20:26 | |
Sarah Bernhardt, I don't know the author of Tipping Velvet. | 0:20:26 | 0:20:29 | |
I know the Sarah girl, she's got blonde hair | 0:20:32 | 0:20:34 | |
but I can't think of her name, property developer. | 0:20:34 | 0:20:37 | |
Sarah Bingham, I'm sorry. | 0:20:38 | 0:20:40 | |
Sarah Bingham. Well, I think... | 0:20:40 | 0:20:42 | |
Let's just say your red line is there. | 0:20:42 | 0:20:44 | |
It's just invisible, it's only visible to dogs, I'm afraid. | 0:20:44 | 0:20:48 | |
LAUGHTER | 0:20:48 | 0:20:49 | |
It's that low. | 0:20:49 | 0:20:51 | |
OK, let's see if Sarah Bingham is right and if it is let's see | 0:20:51 | 0:20:54 | |
if it will get you down there, Paul. | 0:20:54 | 0:20:56 | |
Look, I'm sorry, not Sarah Bingham. | 0:20:59 | 0:21:01 | |
It scores you the maximum of 100 points | 0:21:01 | 0:21:03 | |
and takes your total up to 200. | 0:21:03 | 0:21:05 | |
Sorry, Sarah Bingham and Sarah Chaplin have served you ill, | 0:21:05 | 0:21:09 | |
-I'm afraid, 200 points. -They have. | 0:21:09 | 0:21:11 | |
You were both very close, actually, it's Sarah Palin | 0:21:11 | 0:21:13 | |
-and this is Sarah Beeny. -I knew. | 0:21:13 | 0:21:16 | |
Would have scored you 21 points. | 0:21:16 | 0:21:18 | |
It would have been a very good answer. | 0:21:18 | 0:21:20 | |
Now the title role in the TV series Buffy The Vampire Slayer | 0:21:20 | 0:21:23 | |
was Sarah Michelle Gellar. | 0:21:23 | 0:21:24 | |
Quite a big score, it would have scored you 47. | 0:21:24 | 0:21:27 | |
Another big score at the bottom, the fifth member of Girls Aloud, | 0:21:27 | 0:21:31 | |
45 points if you said Sarah Harding. | 0:21:31 | 0:21:34 | |
The best answer on the board is Sarah Vaughan, which Ed got, | 0:21:34 | 0:21:36 | |
a terrific answer. Next best was the author of Tipping The Velvet | 0:21:36 | 0:21:40 | |
and Fingersmith, Sarah Waters. Five points if you said that, well done. | 0:21:40 | 0:21:43 | |
Thanks very much, Richard. | 0:21:43 | 0:21:45 | |
At the end of our first round I'm so sorry to say the pair | 0:21:45 | 0:21:47 | |
heading home with their high score of 200, it's Paul and Maddie. | 0:21:47 | 0:21:50 | |
-I'm so sorry. -We are sorry. | 0:21:50 | 0:21:53 | |
It's such an honour to have two such wonderful people here. | 0:21:53 | 0:21:55 | |
We have to send you away. It's ridiculous, you've only just got here. | 0:21:55 | 0:21:58 | |
-It's been a real treat. -We had a go. -Well, thank you. | 0:21:58 | 0:22:01 | |
-Thank you for inviting us. -Thank you so much. | 0:22:01 | 0:22:04 | |
-Thank you so much, Paul and Madeleine, lovely contestants. -APPLAUSE | 0:22:04 | 0:22:08 | |
But for the remaining three pairs it's now time for Round Two. | 0:22:10 | 0:22:13 | |
And so three pairs remain. Sadly, at the end of this round, | 0:22:16 | 0:22:20 | |
we will have to say goodbye to another pair. | 0:22:20 | 0:22:22 | |
I wouldn't really want to call it at this stage. | 0:22:22 | 0:22:24 | |
-Ed and Sally, very well done to you. -Thank you. | 0:22:24 | 0:22:27 | |
Not only the lowest combined score but Ed, very well done, Sarah Vaughan the best score of the round. | 0:22:27 | 0:22:32 | |
One of my favourite singers. | 0:22:32 | 0:22:33 | |
Great, well, very well done. | 0:22:33 | 0:22:35 | |
Best of luck to all three pairs. | 0:22:35 | 0:22:37 | |
Our category for Round Two is | 0:22:37 | 0:22:39 | |
-Pop Music. -Oh, no. | 0:22:39 | 0:22:42 | |
It's Pop Music. | 0:22:42 | 0:22:43 | |
Can you all decide in your pairs who is going first, who is going second. | 0:22:43 | 0:22:47 | |
And whoever is going first, please step up to the podium. | 0:22:49 | 0:22:51 | |
OK, and the question concerns... | 0:22:54 | 0:22:57 | |
..artists with multiple UK number ones. | 0:22:57 | 0:23:00 | |
Multiple UK number ones. | 0:23:00 | 0:23:02 | |
-Richard? -In a moment we're going to show you the name of four acts, | 0:23:02 | 0:23:05 | |
all of whom have had multiple UK number ones. | 0:23:05 | 0:23:07 | |
We're looking for the name of any number one single by any of these acts, please. | 0:23:07 | 0:23:11 | |
They've 20-odd number ones between them, so plenty to choose from. | 0:23:11 | 0:23:14 | |
Any UK number one single by any of the four acts you are about to see. | 0:23:14 | 0:23:17 | |
Very best of luck. | 0:23:17 | 0:23:19 | |
As Richard mentioned we're going to put four acts up on the board. | 0:23:19 | 0:23:22 | |
They'll remain on the board for the whole round, | 0:23:22 | 0:23:24 | |
so up the line and back down again. They won't change halfway through. | 0:23:24 | 0:23:27 | |
We just need any number one single by any of these four acts. | 0:23:27 | 0:23:31 | |
Good luck, here are the four acts. | 0:23:31 | 0:23:32 | |
OK, Roy, we come to you first. | 0:23:40 | 0:23:44 | |
I'll go with... | 0:23:45 | 0:23:47 | |
Blondie, Hanging On The Telephone. | 0:23:49 | 0:23:52 | |
Hanging On The Telephone, says Roy. | 0:23:52 | 0:23:54 | |
Let's see if that's right and, if it is, see how many people | 0:23:54 | 0:23:56 | |
said Hanging On The Telephone. | 0:23:56 | 0:23:58 | |
That's tough, bad luck, Roy. | 0:24:02 | 0:24:04 | |
I'm sorry to say that's an incorrect answer. | 0:24:04 | 0:24:06 | |
That scores you 100 points. | 0:24:06 | 0:24:08 | |
They had lots of number ones but not Hanging on the Telephone, | 0:24:08 | 0:24:11 | |
it was number five in 1978. | 0:24:11 | 0:24:13 | |
Thanks, Richard. Now who wants to go first of you two? | 0:24:13 | 0:24:16 | |
I will. | 0:24:16 | 0:24:18 | |
The Bee Gees, Stayin' Alive. | 0:24:18 | 0:24:22 | |
Stayin' Alive, says Sally. Let's see if that's right. | 0:24:22 | 0:24:24 | |
If it is, let's see how many of our 100 people said Stayin' Alive. | 0:24:24 | 0:24:28 | |
-No! -No. | 0:24:30 | 0:24:32 | |
It's a high-scoring round. I'm afraid an incorrect answer. Yes, scores you 100 points. Rich? | 0:24:32 | 0:24:37 | |
Yes, Stayin' Alive not number one. It was number four in 1978. | 0:24:37 | 0:24:40 | |
-It's going well, isn't it? -Yeah. -Very well. What we need now is a pop radio DJ to... | 0:24:40 | 0:24:45 | |
Yes! | 0:24:45 | 0:24:46 | |
-That's what we need. -So now, Ed... | 0:24:46 | 0:24:49 | |
This has made me more nervous now. | 0:24:49 | 0:24:51 | |
-Everybody is expecting me to get the right answer. -Go, go. | 0:24:51 | 0:24:53 | |
I think Tragedy. | 0:24:53 | 0:24:55 | |
Tragedy, says Ed. Let's see if Tragedy is right | 0:24:55 | 0:24:58 | |
and let's see how many of our 100 people said that. | 0:24:58 | 0:25:01 | |
It's right! Very well done, Ed. | 0:25:03 | 0:25:05 | |
Seven. | 0:25:09 | 0:25:11 | |
APPLAUSE | 0:25:11 | 0:25:12 | |
Very well done, indeed. Seven points for Tragedy. | 0:25:12 | 0:25:16 | |
Well played, Ed, cometh the hour, cometh the man here. Well played. | 0:25:16 | 0:25:19 | |
A number one in 1979. Steps also had a number one single with it. | 0:25:19 | 0:25:22 | |
Thanks, Rich, we're halfway through the round, let's take a look at those scores. | 0:25:22 | 0:25:26 | |
As they stand, only two scores between the three pairs. | 0:25:26 | 0:25:28 | |
Ed and Sally, very well done, | 0:25:28 | 0:25:30 | |
seven, a very strong position to be in at this stage. | 0:25:30 | 0:25:32 | |
Then Sally T and Anna, Roy and Rick, you are all on 100. | 0:25:32 | 0:25:36 | |
So it's going to be between you, Anna, and you, Rick, | 0:25:36 | 0:25:39 | |
to see who stays with us and who leaves at the end of the round. | 0:25:39 | 0:25:42 | |
Best of luck, we're coming back down the line. Can the second players step up to the podium. | 0:25:42 | 0:25:46 | |
OK, now, Sally, we are looking for any UK number one | 0:25:49 | 0:25:53 | |
by any one of these four acts. There they are. | 0:25:53 | 0:25:57 | |
Now, listen, you're on seven. Ed's left you in a very strong position. | 0:25:57 | 0:26:00 | |
-He's good, isn't he? I'm so glad I'm with him. -The high scorers are on 100, so 92 or less. | 0:26:00 | 0:26:04 | |
OK, I think I'll go for the Bee Gees. | 0:26:04 | 0:26:08 | |
Erm... | 0:26:08 | 0:26:10 | |
New York Mining Disaster. | 0:26:10 | 0:26:12 | |
-Oh, no, no, no. -New York Mining Disaster. | 0:26:12 | 0:26:14 | |
-Ed looks like he's just had a slight mining disaster. -Ed looks unhappy. | 0:26:14 | 0:26:18 | |
I've clearly not done well here. | 0:26:18 | 0:26:20 | |
New York Mining Disaster. | 0:26:20 | 0:26:22 | |
Well, Sally, there's your red line. | 0:26:22 | 0:26:24 | |
Get below that with your mining disaster and... | 0:26:24 | 0:26:27 | |
It is not going to happen, is it? | 0:26:27 | 0:26:29 | |
Let's see if it's right and how many people said it. | 0:26:29 | 0:26:31 | |
-No. -Bad luck. | 0:26:33 | 0:26:35 | |
I'm sorry. | 0:26:35 | 0:26:36 | |
Bad luck, takes your total up to 107. | 0:26:36 | 0:26:40 | |
Sorry, Sally, it's good news for anyone who's ever wanted to | 0:26:40 | 0:26:43 | |
hear Ed Stewart whisper, "Oh, no, no, no, no, no." | 0:26:43 | 0:26:45 | |
LAUGHTER | 0:26:45 | 0:26:47 | |
You didn't hear me whisper that was their first release in this country. | 0:26:47 | 0:26:50 | |
-It was indeed, it got to number 12. -That's right. -Thanks, Richard. | 0:26:50 | 0:26:53 | |
Now then, Anna... | 0:26:53 | 0:26:55 | |
How do you find this board? | 0:26:55 | 0:26:57 | |
Dreadful! | 0:26:57 | 0:26:58 | |
I just haven't got a clue. | 0:26:58 | 0:27:00 | |
Er... | 0:27:04 | 0:27:05 | |
The Bee Gees, er... | 0:27:05 | 0:27:07 | |
I don't know... | 0:27:07 | 0:27:09 | |
I'll just say anything. | 0:27:09 | 0:27:11 | |
I just have to make it up. My Heart And I, I haven't a clue. | 0:27:11 | 0:27:15 | |
My Heart And I, what a nice song. It's poetic, isn't it? | 0:27:15 | 0:27:17 | |
# I'm in love with you. # | 0:27:17 | 0:27:19 | |
-Richard Tauber. -My Heart And I. | 0:27:19 | 0:27:21 | |
My Heart And I says Anna. | 0:27:21 | 0:27:23 | |
OK, here's your red line. | 0:27:23 | 0:27:25 | |
My Heart And I, let's see, is it right? | 0:27:25 | 0:27:27 | |
I am so sorry. | 0:27:30 | 0:27:33 | |
I am sorry, Anna, an incorrect answer scores you 100 points, | 0:27:33 | 0:27:36 | |
takes your total up to 200. | 0:27:36 | 0:27:38 | |
Yes, My Heart And I, it's a lovely love song | 0:27:38 | 0:27:41 | |
about a cardiac surgeon and an optician. | 0:27:41 | 0:27:43 | |
A very beautiful er... | 0:27:43 | 0:27:45 | |
beautiful song. | 0:27:45 | 0:27:49 | |
Look at you laughing in that. | 0:27:49 | 0:27:51 | |
Now then, Rick, listen, you have a target there, | 0:27:53 | 0:27:57 | |
200 is the high score. | 0:27:57 | 0:27:59 | |
You are on 100, you have to score 99 or less. | 0:27:59 | 0:28:01 | |
Er, it could be very embarrassing. | 0:28:02 | 0:28:05 | |
There's two I've got in mind, one for David Bowie and one for Blondie. | 0:28:05 | 0:28:08 | |
We recorded Space Oddity in 1969. | 0:28:08 | 0:28:11 | |
I don't think it was a number one the first time around | 0:28:11 | 0:28:13 | |
but I believe it was when it was released the second time around. | 0:28:13 | 0:28:17 | |
So, on my head be it, I'll go David Bowie, Space Oddity. | 0:28:17 | 0:28:21 | |
Space Oddity, says Rick. | 0:28:21 | 0:28:23 | |
There is your red line, if you get below that you're in the head-to-head. | 0:28:23 | 0:28:27 | |
Is it right? | 0:28:27 | 0:28:28 | |
It is, very well done indeed, Rick. | 0:28:30 | 0:28:33 | |
Second time around. | 0:28:33 | 0:28:34 | |
11. | 0:28:37 | 0:28:38 | |
APPLAUSE | 0:28:38 | 0:28:40 | |
111 is your total, very well done, Rick. | 0:28:40 | 0:28:43 | |
That's a cool way to know something, isn't it? | 0:28:43 | 0:28:45 | |
That's a very cool way to know something, playing on it yourself | 0:28:45 | 0:28:48 | |
and you are right, as well. The first time it came out it got to number five in 1969. | 0:28:48 | 0:28:51 | |
It was '75 when it got to number one. Very, very well played. | 0:28:51 | 0:28:55 | |
That's a rare thing on Pointless for someone to get a pointless answer | 0:28:55 | 0:28:58 | |
-of something they were involved with. -Absolutely. | 0:28:58 | 0:29:01 | |
It's quite nice that, isn't it? | 0:29:01 | 0:29:02 | |
I'll take you through some of the low-scoring answers in each category, | 0:29:02 | 0:29:05 | |
starting with Britney Spears because that's the only place where there's a pointless answer. | 0:29:05 | 0:29:09 | |
If you had said, Born To Make You Happy, | 0:29:09 | 0:29:12 | |
that was a pointless answer for Britney Spears. | 0:29:12 | 0:29:14 | |
You'd have got one point for Everytime , | 0:29:14 | 0:29:16 | |
two points Scream And Shout, | 0:29:16 | 0:29:17 | |
17 for Toxic, Baby One More Time, 23 | 0:29:17 | 0:29:20 | |
and Oops I Did It Again, 27. | 0:29:20 | 0:29:22 | |
David Bowie, Dancing In the Street would have scored two points, | 0:29:22 | 0:29:25 | |
a collaboration with Mick Jagger, of course. | 0:29:25 | 0:29:27 | |
Under Pressure, a collaboration with Queen, six. | 0:29:27 | 0:29:29 | |
Let's Dance would have scored you seven, | 0:29:29 | 0:29:32 | |
Space Oddity we've seen, Ashes To Ashes would've scored you 15. | 0:29:32 | 0:29:34 | |
-Did you play on that? That's a bit later, isn't it? -A bit later on. | 0:29:34 | 0:29:37 | |
-Blondie, what would you have gone for with Blondie? -Heart Of Glass. | 0:29:37 | 0:29:42 | |
And One Way Or Another. | 0:29:42 | 0:29:43 | |
One Way Or Another wasn't a number one single | 0:29:43 | 0:29:45 | |
but Heart Of Glass was a number one single. | 0:29:45 | 0:29:47 | |
That would have scored you 25. It's the biggest score, actually. | 0:29:47 | 0:29:50 | |
You could've had The Tide Is High and Sunday Girl, | 0:29:50 | 0:29:52 | |
both would have scored you five points. | 0:29:52 | 0:29:54 | |
You would've got six for Maria, | 0:29:54 | 0:29:56 | |
which was one of their comeback singles, many years later. | 0:29:56 | 0:29:59 | |
And Call Me and Atomic both would have scored you eight points. | 0:29:59 | 0:30:02 | |
And the Bee Gees, best answer there, I've Got To Get A Message To You | 0:30:02 | 0:30:05 | |
would have scored you one point, a great answer. | 0:30:05 | 0:30:07 | |
You Win Again would have scored five, Massachusetts would have scored | 0:30:07 | 0:30:10 | |
nine and Night Fever was a number one single | 0:30:10 | 0:30:12 | |
and that would have scored you 16. | 0:30:12 | 0:30:14 | |
Thanks very much indeed, Richard. | 0:30:14 | 0:30:16 | |
So at the end of our second-round, I'm sorry to say the pair | 0:30:16 | 0:30:19 | |
leaving us with their high score of 200, it's Sally and Anna. | 0:30:19 | 0:30:22 | |
-Oh, dear, I'm so sorry. -So are we. -Yeah. | 0:30:22 | 0:30:26 | |
It's been lovely having you back, Anna, and lovely having you, Sally. | 0:30:26 | 0:30:29 | |
-Thank you so much for playing. Sally and Anna. -Thank you. -APPLAUSE | 0:30:29 | 0:30:33 | |
But for the remaining two pairs, it's now time for the head-to-head. | 0:30:34 | 0:30:37 | |
Congratulations Ed and Sally, Roy and Rick, | 0:30:41 | 0:30:43 | |
you're one step closer to the final and a chance to play for our jackpot, | 0:30:43 | 0:30:47 | |
-which currently stands at £2,500. -APPLAUSE and CHEERING | 0:30:47 | 0:30:50 | |
We have to decide who's playing for that money for their nominated charities | 0:30:53 | 0:30:57 | |
and to do that you're now going to go head-to-head. | 0:30:57 | 0:30:59 | |
You are now allowed to confer, that's the big difference. | 0:30:59 | 0:31:02 | |
The first pair to win two questions will be playing for the jackpot. | 0:31:02 | 0:31:06 | |
In our 1970s special edition of Pointless, | 0:31:06 | 0:31:09 | |
-it '70s kids TV versus '70s rockers. -Yeah. | 0:31:09 | 0:31:13 | |
This is absolutely fantastic. | 0:31:13 | 0:31:14 | |
I think it's going to be very close indeed. Let's play the head-to-head. | 0:31:14 | 0:31:18 | |
OK, here comes your first question and it concerns... | 0:31:23 | 0:31:26 | |
Classic 1970s Television. | 0:31:27 | 0:31:29 | |
Classic 1970s Television, Richard. | 0:31:29 | 0:31:32 | |
We're going to show you five stills now from classic 1970s television programmes. | 0:31:32 | 0:31:36 | |
Can you name the most obscure of these? Good luck. | 0:31:36 | 0:31:39 | |
Thanks very much, indeed. | 0:31:39 | 0:31:40 | |
Let's reveal our five stills and here they come. | 0:31:40 | 0:31:43 | |
We have got... | 0:31:43 | 0:31:44 | |
There we are, Classic 1970s Television. | 0:32:01 | 0:32:04 | |
Now, Ed and Sally, you played best throughout the show so far | 0:32:04 | 0:32:06 | |
so you will go first. | 0:32:06 | 0:32:08 | |
SALLY: I only know B and C, do you know E? | 0:32:08 | 0:32:10 | |
-What do you think E is? -I don't know. | 0:32:10 | 0:32:12 | |
-Right, I think we'll go, are you in agreement? -Yes. | 0:32:16 | 0:32:19 | |
Upstairs Downstairs with B. | 0:32:19 | 0:32:21 | |
OK, B, Upstairs Downstairs, say Ed and Sally. | 0:32:21 | 0:32:25 | |
Now Roy and Rick, | 0:32:25 | 0:32:27 | |
do you fancy talking us through the rest of the board? | 0:32:27 | 0:32:29 | |
Well, we know three, as I'm sure Ed and Sal knew the same three we did. | 0:32:29 | 0:32:34 | |
A, I should know A but... | 0:32:34 | 0:32:36 | |
It's... I'll know it when Richard tells us. | 0:32:38 | 0:32:41 | |
C is obviously Porridge and D is Some Mothers Do 'Ave 'Em. | 0:32:41 | 0:32:43 | |
And E, we feel we should know, but we don't. | 0:32:43 | 0:32:48 | |
So we will go for D and we'll go with Some Mothers Do 'Ave 'Em. | 0:32:48 | 0:32:52 | |
Some Mothers Do 'Ave 'Em, for D. OK. | 0:32:52 | 0:32:54 | |
So Ed and Sally went Upstairs Downstairs, | 0:32:54 | 0:32:56 | |
let's see if that's right. If it is, see how many people said Upstairs Downstairs. | 0:32:56 | 0:32:59 | |
It's right. | 0:33:02 | 0:33:03 | |
-APPLAUSE -48. | 0:33:06 | 0:33:08 | |
48, Upstairs Downstairs. | 0:33:11 | 0:33:13 | |
Roy and Rick have said that D is Some Mothers Do 'Ave 'Em. | 0:33:13 | 0:33:16 | |
Let's see if that's right and, if it is, let's see how many people said that. | 0:33:16 | 0:33:19 | |
It's right. | 0:33:22 | 0:33:23 | |
-61. -APPLAUSE. | 0:33:25 | 0:33:27 | |
Well, there's your answer. Ed and Sally, well done. | 0:33:27 | 0:33:30 | |
After one question you are up 1-0. Richard... | 0:33:30 | 0:33:33 | |
Yeah, well played. | 0:33:33 | 0:33:34 | |
You all avoided C, which is Porridge, of course. | 0:33:34 | 0:33:38 | |
For a show that is 35-years-old, | 0:33:38 | 0:33:40 | |
it scores a very healthy 87 points still. | 0:33:40 | 0:33:44 | |
Amazing. | 0:33:44 | 0:33:45 | |
A is the best answer on the board. | 0:33:45 | 0:33:47 | |
They made a remake of this a few years ago, Survivors. | 0:33:47 | 0:33:50 | |
Survivors, one point, very well done if you said that. | 0:33:51 | 0:33:55 | |
And the last one, is part of the Play For Today series, it is | 0:33:55 | 0:33:58 | |
-a Michael Leigh play... -Abigail's Party. -Abigail's Party. | 0:33:58 | 0:34:01 | |
That would have scored you 18 points. | 0:34:01 | 0:34:04 | |
Thanks very much. OK, here's your second question. | 0:34:04 | 0:34:07 | |
Roy and Rick, you will get to answer this one first | 0:34:07 | 0:34:09 | |
but you have to win it to stay in the game, so best of luck. | 0:34:09 | 0:34:11 | |
It concerns... | 0:34:11 | 0:34:13 | |
The recipe for Coronation Chicken sauce, Richard? | 0:34:16 | 0:34:19 | |
We are going to give you five lines from the original recipe from 1953 for Coronation Chicken. | 0:34:19 | 0:34:23 | |
We've left out the names of the actual ingredients from each line, | 0:34:23 | 0:34:26 | |
apart from the first letter of each. Can you fill in the gaps, please. | 0:34:26 | 0:34:30 | |
Thanks very much, indeed. Let's reveal our five ingredients. | 0:34:30 | 0:34:34 | |
I'll read those one last time. | 0:34:47 | 0:34:48 | |
Now then, Roy and Rick, you will go first. | 0:35:00 | 0:35:04 | |
We've been on the road a lot and eaten a lot of this kind of stuff. | 0:35:05 | 0:35:08 | |
We will go for number two, curry powder. | 0:35:08 | 0:35:11 | |
Curry powder. Curry powder. | 0:35:11 | 0:35:14 | |
OK, now then Ed and Sally. | 0:35:14 | 0:35:17 | |
-The bottom one is obviously a tablespoon of oil. -Yeah. | 0:35:17 | 0:35:20 | |
The third one, obviously, is three quarters of a pint mayonnaise. | 0:35:20 | 0:35:24 | |
Half a tablespoon of, what is that apple, almond... | 0:35:24 | 0:35:28 | |
It will be almond paste. | 0:35:28 | 0:35:30 | |
-A P, almond. -That one, yeah. | 0:35:30 | 0:35:32 | |
I will let the lady give us the answer. | 0:35:32 | 0:35:36 | |
-Go on. -We are going to go for almond paste, please. | 0:35:36 | 0:35:39 | |
You're going to go, almond paste. | 0:35:39 | 0:35:41 | |
So we have curry powder and we have almond paste. | 0:35:41 | 0:35:44 | |
Roy and Rick have said curry powder. | 0:35:44 | 0:35:47 | |
This will decide whether or not you stay with us or | 0:35:47 | 0:35:49 | |
whether we say goodbye to you. | 0:35:49 | 0:35:50 | |
Curry powder, how many of our 100 people said that, if it's right? | 0:35:50 | 0:35:53 | |
It's right. | 0:35:55 | 0:35:57 | |
-49. -APPLAUSE | 0:35:59 | 0:36:01 | |
49 for curry powder. | 0:36:04 | 0:36:06 | |
OK, now Ed and Sally, you have gone for almond paste. | 0:36:06 | 0:36:09 | |
1-2 tablespoons of almond paste. | 0:36:09 | 0:36:11 | |
Let's see if that's right and, if it is, let's see how many of our 100 people said almond paste. | 0:36:11 | 0:36:16 | |
Oh, it's not right. It's not almond paste. | 0:36:18 | 0:36:20 | |
It's not right, what is it? | 0:36:20 | 0:36:22 | |
Of course it's not almond paste. | 0:36:22 | 0:36:24 | |
In Coronation Chicken? | 0:36:24 | 0:36:26 | |
Very well done, Roy and Rick you're back in the game after two questions. | 0:36:27 | 0:36:30 | |
It's 1-1. | 0:36:30 | 0:36:32 | |
Once you've seen almond paste it's impossible to see anything else. | 0:36:32 | 0:36:35 | |
I think it should be in there. | 0:36:35 | 0:36:37 | |
What it actually is is apricot puree. | 0:36:37 | 0:36:41 | |
Like that's any better, sorry. | 0:36:41 | 0:36:43 | |
-Apricot puree. -I never put that in my Coronation Chicken. | 0:36:43 | 0:36:45 | |
That would've scored two points. If you don't put that in your Coronation Chicken, Ed, | 0:36:45 | 0:36:49 | |
you're making it wrong. | 0:36:49 | 0:36:50 | |
The top one is a bay leaf. | 0:36:50 | 0:36:52 | |
That would have been a good scorer, it would've scored ten. | 0:36:54 | 0:36:56 | |
You're right, Sally, with three quarters of a pint of mayonnaise. | 0:36:56 | 0:36:59 | |
It would've seen you into the final as well | 0:36:59 | 0:37:01 | |
-because that would've scored 24 points. -I'm sorry, I've been a disaster. | 0:37:01 | 0:37:04 | |
And at the bottom, one tablespoon of oil. It's a big scorer. | 0:37:04 | 0:37:07 | |
It would have scored 85. | 0:37:07 | 0:37:09 | |
There we are, OK, now it all comes down to our decider. | 0:37:09 | 0:37:12 | |
Whoever wins this goes through to the final and plays for that jackpot for their charities. | 0:37:12 | 0:37:16 | |
Here it comes, best of luck to both pairs. It concerns... | 0:37:16 | 0:37:19 | |
Birds. | 0:37:19 | 0:37:21 | |
It concerns, Birds, Richard. | 0:37:21 | 0:37:22 | |
We're going to show you the names of five British game birds now | 0:37:22 | 0:37:25 | |
but we have removed alternate letters. Can you fill in the gaps and give us the most obscure. | 0:37:25 | 0:37:29 | |
OK, thanks very much, indeed. Let's reveal our five game birds and here they are... | 0:37:29 | 0:37:33 | |
I'll read those all one last time. | 0:37:47 | 0:37:48 | |
-There we are. Ed and Sally you will go first this time. -Oh, no. | 0:37:56 | 0:37:58 | |
Number three will be woodcock, won't it? | 0:37:58 | 0:38:01 | |
Yes, very good. | 0:38:01 | 0:38:03 | |
OK, shall we go for that, then? I'm not going to speak. | 0:38:07 | 0:38:10 | |
I'll speak this time. She didn't bring us any luck last time. | 0:38:10 | 0:38:13 | |
Number three, woodcock. | 0:38:13 | 0:38:15 | |
Woodcock, say Ed and Sally. | 0:38:15 | 0:38:17 | |
Now, Roy and Rick, do you want to talk us through the rest of the board? | 0:38:17 | 0:38:20 | |
-Yeah, we were going to go for woodcock. -We were, yeah. | 0:38:20 | 0:38:23 | |
We reckon the bottom one is red grouse. | 0:38:23 | 0:38:26 | |
-And pheasant is the second one. -Yeah, erm... | 0:38:26 | 0:38:29 | |
-Common, not snipe? -Is it a common snipe? | 0:38:29 | 0:38:33 | |
-It could be snipe, yeah. -Or shall we go... | 0:38:33 | 0:38:36 | |
Or shall we go for red grouse. | 0:38:36 | 0:38:39 | |
I would go for red grouse, I would. | 0:38:39 | 0:38:40 | |
We're not sure about common snipe | 0:38:40 | 0:38:43 | |
and pheasant we think will be probably more than 100. | 0:38:43 | 0:38:46 | |
We are going to go for | 0:38:46 | 0:38:48 | |
red grouse at the bottom. | 0:38:48 | 0:38:50 | |
Red grouse say Roy and Rick. Woodcock versus red grouse. | 0:38:50 | 0:38:52 | |
Ed and Sally said woodcock, let's see if that's right, | 0:38:52 | 0:38:55 | |
let's see how many people said woodcock. | 0:38:55 | 0:38:57 | |
It's right. | 0:38:59 | 0:39:00 | |
Keep going, keep going. | 0:39:00 | 0:39:02 | |
43 for Woodcock. | 0:39:02 | 0:39:04 | |
APPLAUSE | 0:39:04 | 0:39:06 | |
Roy and Rick have gone for red grouse. | 0:39:09 | 0:39:11 | |
Let's see if that's right and, if it is, let's see how many of our 100 said red grouse. | 0:39:11 | 0:39:15 | |
It is right, obviously it has to beat 43. | 0:39:17 | 0:39:20 | |
Which it does, very well done, indeed! | 0:39:20 | 0:39:23 | |
12. | 0:39:23 | 0:39:24 | |
APPLAUSE | 0:39:24 | 0:39:26 | |
Very well done. | 0:39:29 | 0:39:30 | |
Roy and Rick, after three questions you are through to the final, 2-1. | 0:39:30 | 0:39:33 | |
Yeah, great head-to-head, very well played. | 0:39:33 | 0:39:36 | |
You're right about the top one, it is common snipe | 0:39:36 | 0:39:39 | |
and would have been an even better answer, it would have scored you seven points. | 0:39:39 | 0:39:43 | |
I think both teams knew the next one down, pheasant. | 0:39:43 | 0:39:46 | |
It would have scored you a fairly hefty 62. | 0:39:46 | 0:39:50 | |
-The last one. -Yeah. | 0:39:50 | 0:39:52 | |
It's got an unusual letter between the P and the A. It is a ptarmigan. | 0:39:52 | 0:39:55 | |
It is a ptarmigan, that's exactly what it is | 0:39:55 | 0:39:58 | |
and would have scored you 21 points. | 0:39:58 | 0:40:01 | |
Thanks very much, indeed. | 0:40:01 | 0:40:03 | |
The pair leaving us at the end of the head-to-head round, I'm afraid it's Ed and Sally. | 0:40:03 | 0:40:07 | |
You've done so well throughout the show. | 0:40:07 | 0:40:08 | |
That was a really exciting head-to-head. | 0:40:08 | 0:40:11 | |
-I'm sorry, almond paste... -I know! I'm never going to live that down. | 0:40:11 | 0:40:15 | |
I've never had that on my sandwiches! | 0:40:15 | 0:40:17 | |
Ed and Sally thank you so much for playing, | 0:40:17 | 0:40:19 | |
-it's been lovely having you on the show. -Thank you. | 0:40:19 | 0:40:21 | |
-Ed and Sally, you've been brilliant contestants. -Good luck. | 0:40:21 | 0:40:24 | |
For Rick and Roy, it's now time for our Pointless Final. | 0:40:25 | 0:40:28 | |
Congratulations, Roy and Rick, you fought off all the competition | 0:40:33 | 0:40:36 | |
and you have won our coveted Pointless trophy. | 0:40:36 | 0:40:38 | |
Very well done. | 0:40:38 | 0:40:40 | |
You now have a chance to win our Pointless jackpot and at the end of today's show, | 0:40:45 | 0:40:49 | |
-the jackpot stands at £2,500. -APPLAUSE | 0:40:49 | 0:40:52 | |
I think this is entirely fitting | 0:40:55 | 0:40:57 | |
because you have each been here before. | 0:40:57 | 0:40:59 | |
You've come back, you've reformed as a super group, | 0:40:59 | 0:41:01 | |
a '70s super group. | 0:41:01 | 0:41:04 | |
It's on our special '70s show, I think it's entirely fitting | 0:41:04 | 0:41:07 | |
that you should storm through to the final. | 0:41:07 | 0:41:09 | |
What would really tip it off would be if you could also win the jackpot | 0:41:09 | 0:41:12 | |
for your charities as well. Let's hope you can do that. | 0:41:12 | 0:41:15 | |
As always, you choose your category | 0:41:15 | 0:41:17 | |
and you have four options to choose from and here they come. | 0:41:17 | 0:41:20 | |
You have got... | 0:41:20 | 0:41:22 | |
I'm no good with chick-lit, whatsoever. I don't know anything. | 0:41:28 | 0:41:32 | |
Goon Films? What's Famous Vans? | 0:41:32 | 0:41:34 | |
You know, transit? | 0:41:34 | 0:41:36 | |
We were in bands. | 0:41:36 | 0:41:38 | |
Is that famous driving vans or is that famous... | 0:41:38 | 0:41:42 | |
-Or is it famous vans in films, I don't know. -We don't know. | 0:41:42 | 0:41:46 | |
-I'm no good on chick-lit. -Famous Vans is so obscure. | 0:41:46 | 0:41:49 | |
Unless it's Vans, people, | 0:41:49 | 0:41:52 | |
-like Dick Van Dyke. -Oh, man! Go on, then. | 0:41:52 | 0:41:55 | |
-Shall we have a go? -Yeah. | 0:41:55 | 0:41:57 | |
Probably a huge error here but we're going to try Famous Vans | 0:41:57 | 0:42:01 | |
-because it's so obscure as to what it could be. -Famous Vans it is. | 0:42:01 | 0:42:04 | |
-Rich? -It is not going to be like Dick Van Dyke, or anything like that. | 0:42:04 | 0:42:08 | |
Let's take a look at the three categories. | 0:42:08 | 0:42:10 | |
The first one is, any film starring Dick Van Dyke. | 0:42:10 | 0:42:13 | |
LAUGHTER | 0:42:13 | 0:42:14 | |
According to IMDb. Any Van Morrison top 75 single. | 0:42:14 | 0:42:20 | |
Or, any team that Robin Van Persie | 0:42:22 | 0:42:24 | |
scored against during the 2011/2012 season for either Arsenal or Holland. | 0:42:24 | 0:42:28 | |
So any feature film made for cinema release for which Dick Van Dyke | 0:42:28 | 0:42:31 | |
has an acting credit. | 0:42:31 | 0:42:32 | |
Any Van Morrison top 75 single, or any team that Robin Van Persie | 0:42:32 | 0:42:36 | |
scored against during 2011/2012, either for Arsenal or for Holland. | 0:42:36 | 0:42:40 | |
Very, very best of luck, guys. | 0:42:40 | 0:42:42 | |
Thanks, Rich. | 0:42:42 | 0:42:44 | |
You've got up to one minute to come up with three answers. | 0:42:44 | 0:42:47 | |
All you need to win that jackpot is for just one of those answers to be pointless. | 0:42:47 | 0:42:51 | |
The answers you provide can come from any of these categories, | 0:42:51 | 0:42:54 | |
it's entirely up to you how you spread them across the categories. | 0:42:54 | 0:42:58 | |
-We just need three answers from you. Are you ready? -Yeah. | 0:42:58 | 0:43:00 | |
OK, let's put 60 seconds on the clock. | 0:43:00 | 0:43:03 | |
There they are, your time starts now. | 0:43:03 | 0:43:05 | |
-We're struggling on this. We've got Chitty Chitty Bang Bang. -Yeah. | 0:43:05 | 0:43:08 | |
Mary Poppins. | 0:43:08 | 0:43:10 | |
I'm trying to think of what other films did he do. | 0:43:10 | 0:43:14 | |
Teams that Van Persie would have scored against. | 0:43:14 | 0:43:17 | |
He scored against Man City. | 0:43:17 | 0:43:19 | |
-Man United he did, as well. -But everybody will know that. | 0:43:19 | 0:43:21 | |
I'm trying to think of sides that were relegated that season. | 0:43:21 | 0:43:24 | |
-OK. -That might be teams that people have forgotten about. | 0:43:24 | 0:43:28 | |
-Bolton Wanderers. -Yeah. | 0:43:28 | 0:43:29 | |
It is a thought. | 0:43:29 | 0:43:30 | |
-I reckon Bolton Wanderers and Blackburn. -Blackburn. | 0:43:32 | 0:43:36 | |
Oh, Blackburn would be a good one. | 0:43:36 | 0:43:37 | |
If we do Blackburn Rovers, Bolton Wanderers | 0:43:37 | 0:43:40 | |
and is it worth doing Chitty Chitty Bang Bang. | 0:43:40 | 0:43:42 | |
Yeah, go on, then. | 0:43:42 | 0:43:44 | |
Brown Eyed Girl. | 0:43:46 | 0:43:48 | |
Van Morrison stuff... | 0:43:48 | 0:43:51 | |
It's a bit weird, isn't it? | 0:43:51 | 0:43:53 | |
-I can't think of one. -Ten seconds left. | 0:43:53 | 0:43:56 | |
OK, shall we go Bolton Wanderers, Blackburn Rovers | 0:43:56 | 0:43:59 | |
-and Chitty Chitty Bang Bang? -Yeah, do that. | 0:43:59 | 0:44:01 | |
-We're OK. -OK, there you are. | 0:44:01 | 0:44:04 | |
Your time is now up. What are your three answers going to be? | 0:44:04 | 0:44:06 | |
The amazing thing is neither of us can come up with any | 0:44:06 | 0:44:09 | |
Van Morrison top 75 singles, which is a bit embarrassing, really. | 0:44:09 | 0:44:13 | |
It is mad, isn't it? | 0:44:13 | 0:44:15 | |
Dick Van Dyke films. | 0:44:15 | 0:44:16 | |
I know that Richard is going to mention loads of obscure ones. | 0:44:16 | 0:44:19 | |
We are just going to cringe when we know. | 0:44:19 | 0:44:21 | |
-We'll go Chitty Chitty Bang Bang. -Chitty Chitty Bang Bang. | 0:44:21 | 0:44:24 | |
Teams Van Persie scored against, what we've try to do | 0:44:24 | 0:44:27 | |
is think of sides that were relegated that season, | 0:44:27 | 0:44:30 | |
or the last season so that's a good chance. | 0:44:30 | 0:44:34 | |
-So we are going to go for Bolton Wanderers. -Bolton Wanderers. | 0:44:34 | 0:44:38 | |
-And Blackburn Rovers. -And Blackburn Rovers. | 0:44:38 | 0:44:40 | |
Of those three, which is your best shot at a pointless? | 0:44:40 | 0:44:43 | |
-Blackburn Rovers we'll put. -Blackburn Rovers we'll put last. | 0:44:43 | 0:44:46 | |
-Which is your least likely to be pointless? -Chitty Chitty Bang Bang. | 0:44:46 | 0:44:49 | |
OK, let's pop those on the board in that order | 0:44:49 | 0:44:52 | |
and here they are. | 0:44:52 | 0:44:54 | |
There we are, very, very best of luck. | 0:44:59 | 0:45:02 | |
Three perfectly good answers up there on the board. | 0:45:02 | 0:45:04 | |
Only one of these has to be pointless for you to win that jackpot for your charities. | 0:45:04 | 0:45:07 | |
If you were to win the jackpot, what are your charities. | 0:45:07 | 0:45:10 | |
-Roy, what's yours? -Mine is the Birmingham Children's Hospital. | 0:45:10 | 0:45:13 | |
Excellent, Rick, what is yours? | 0:45:13 | 0:45:15 | |
-Mine is for the Grand Order Of Water Rats. -Very good. | 0:45:15 | 0:45:18 | |
Of which I am proudly King Rat. | 0:45:18 | 0:45:20 | |
Two excellent charities there. | 0:45:20 | 0:45:23 | |
Let's hope one of these three answers will win that jackpot | 0:45:23 | 0:45:26 | |
for your charities. OK, your first answer was Chitty Chitty Bang Bang. | 0:45:26 | 0:45:30 | |
This was the one you thought was probably least likely to be | 0:45:30 | 0:45:33 | |
pointless. You never know, it could be. It could be. | 0:45:33 | 0:45:35 | |
It has to be correct, | 0:45:35 | 0:45:37 | |
then it has to be pointless for you to win that jackpot. | 0:45:37 | 0:45:39 | |
For £2,500, let's find out how many people named | 0:45:39 | 0:45:42 | |
Chitty Chitty Bang Bang as a Dick Van Dyke film. | 0:45:42 | 0:45:45 | |
Well, obviously, it's right. | 0:45:47 | 0:45:49 | |
Down it goes. | 0:45:49 | 0:45:51 | |
Through the 60s, through the 50s, still going down. | 0:45:51 | 0:45:53 | |
Into the 30s... | 0:45:53 | 0:45:55 | |
31! | 0:45:55 | 0:45:56 | |
APPLAUSE | 0:45:56 | 0:45:58 | |
Not bad. | 0:45:58 | 0:46:00 | |
-You have just thought of another answer you could have given. -Yeah, Stoke City. | 0:46:00 | 0:46:03 | |
Well, there are two perfectly good ones on the board. | 0:46:03 | 0:46:06 | |
Everything is now riding on those two, | 0:46:06 | 0:46:08 | |
only two shots left at the jackpot. | 0:46:08 | 0:46:10 | |
Your next answer was Bolton Wanderers. | 0:46:10 | 0:46:12 | |
You're not entirely sure it is correct but it's likely. | 0:46:12 | 0:46:15 | |
So for £2,500, it has to be pointless. | 0:46:15 | 0:46:18 | |
It's right. | 0:46:20 | 0:46:22 | |
It's right. | 0:46:22 | 0:46:24 | |
Now then, your first answer Chitty Chitty Bang Bang took us all the way down to 31. | 0:46:24 | 0:46:27 | |
Bolton Wanderers now taking us down through the teams | 0:46:27 | 0:46:30 | |
into single figures and still going down. Down it goes. | 0:46:30 | 0:46:32 | |
You've done it! Very well done, indeed! | 0:46:32 | 0:46:35 | |
CHEERING AND APPLAUSE | 0:46:35 | 0:46:37 | |
Congratulations, that is fantastic. Very well done indeed. | 0:46:37 | 0:46:40 | |
Well done. Superb. Brilliant! | 0:46:40 | 0:46:44 | |
That is fantastic. | 0:46:47 | 0:46:49 | |
Congratulations, Bolton Wanderers was a pointless answer which | 0:46:49 | 0:46:52 | |
means you go home with that jackpot of £2,500 for your charities. | 0:46:52 | 0:46:55 | |
Very, very well done. | 0:46:55 | 0:46:57 | |
APPLAUSE | 0:46:57 | 0:46:58 | |
You played so well throughout the show, what a fitting end to it all. | 0:46:58 | 0:47:02 | |
Absolutely wonderful. Richard... | 0:47:02 | 0:47:04 | |
Congratulations, you've been terrific right from the beginning. | 0:47:04 | 0:47:06 | |
Blackburn Rovers also a pointless answer. | 0:47:06 | 0:47:10 | |
APPLAUSE | 0:47:10 | 0:47:12 | |
The one you thought of after your time, Stoke City, | 0:47:15 | 0:47:17 | |
if you had said that, two points. It just goes to show, doesn't it? | 0:47:17 | 0:47:21 | |
Let's take a look at the pointless answers in all the categories. | 0:47:21 | 0:47:24 | |
Well done if you said any of those at home. | 0:47:31 | 0:47:34 | |
You could have Borussia Dortmund, Northern Ireland, San Marino, Udinese, or Wolves. | 0:47:54 | 0:47:58 | |
Very well done if you got any of those at home. | 0:47:58 | 0:48:00 | |
-Brilliantly done in the studio, congratulations. -Thank you. -Thank you. | 0:48:00 | 0:48:04 | |
Very well done, indeed. Thanks once again to our winning players, | 0:48:04 | 0:48:07 | |
Roy and Rick go away with today's jackpot of £2,500 for their charities. Very well done. | 0:48:07 | 0:48:11 | |
APPLAUSE | 0:48:11 | 0:48:14 | |
Join us next time when we'll put more obscure knowledge to the test. | 0:48:15 | 0:48:18 | |
-Meanwhile, it's goodbye from Richard... -Goodbye. | 0:48:18 | 0:48:20 | |
And it is goodbye from me, goodbye. | 0:48:20 | 0:48:22 | |
APPLAUSE | 0:48:22 | 0:48:24 |