Browse content similar to Comedy. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:13 | 0:00:15 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong | 0:00:23 | 0:00:26 | |
and welcome to this special edition of Pointless Celebrities, | 0:00:26 | 0:00:29 | |
the game where the aim is to find obscure answers | 0:00:29 | 0:00:32 | |
and ignore the obvious ones. Let's meet today's players. | 0:00:32 | 0:00:35 | |
APPLAUSE | 0:00:35 | 0:00:37 | |
-And couple number one. -After you, boss. -I'm Don Warrington. | 0:00:39 | 0:00:44 | |
I'm an actor. | 0:00:44 | 0:00:46 | |
I'm Ray Burdis. | 0:00:46 | 0:00:47 | |
I'm a writer, director and sometimes an actor, when I'm not signing on. | 0:00:47 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:55 | |
-And couple number two. -I'm Robert Llewellyn. | 0:00:57 | 0:00:59 | |
I'm occasionally a fairly rubbish actor | 0:00:59 | 0:01:02 | |
and occasionally a TV presenter and I write books and stuff. | 0:01:02 | 0:01:05 | |
And I'm Dom Joly and I'm an alcoholic. | 0:01:05 | 0:01:08 | |
LAUGHTER AND APPLAUSE | 0:01:08 | 0:01:10 | |
And couple number three. | 0:01:11 | 0:01:14 | |
I'm Rhona Cameron and I'm a comedian and author-writer. | 0:01:14 | 0:01:19 | |
I'm Richard Herring. I'm a stand-up comedian. | 0:01:19 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:24 | |
-And finally, couple number four. -I'm John Bird. I'm... | 0:01:25 | 0:01:30 | |
I seem to be retired. I was not my idea. | 0:01:30 | 0:01:33 | |
I'm Tim Brooke-Taylor and I'm a comedy-writer-actor-ish. | 0:01:34 | 0:01:38 | |
APPLAUSE | 0:01:38 | 0:01:40 | |
Thank you very much. And these are today's Pointless Celebrities. | 0:01:42 | 0:01:45 | |
Thanks, all of you. We'll get to know more about you throughout the show, | 0:01:46 | 0:01:50 | |
so that just leaves one more person for me to introduce. | 0:01:50 | 0:01:53 | |
He once got into a staring match with a cat | 0:01:53 | 0:01:55 | |
that lasted for seven months. | 0:01:55 | 0:01:56 | |
He won and he has never let Tiddles forget it. | 0:01:56 | 0:01:59 | |
-It's my Pointless friend, it's Richard. -Hiya. | 0:01:59 | 0:02:01 | |
Hi, everybody. Hiya. | 0:02:01 | 0:02:04 | |
-Good evening to you. -Good evening to you. -Are you well? | 0:02:06 | 0:02:09 | |
-Yeah, I am. -Excellent. I think this is going to be fun. -It's definitely going to be fun. | 0:02:09 | 0:02:12 | |
But quite often when you have lots of comedy people on, | 0:02:12 | 0:02:15 | |
you get some people who are very, very, very up for it. | 0:02:15 | 0:02:18 | |
There's a couple of people in our line-up who really want this. | 0:02:18 | 0:02:21 | |
They can taste it. I'll tell you two of them. | 0:02:21 | 0:02:23 | |
-Dom Joly wants it. -Uh-hm. | 0:02:23 | 0:02:26 | |
-Richard Herring wants it. -Yeah. -Both of them do. | 0:02:26 | 0:02:29 | |
In a way, if you'd put them on the same team, | 0:02:29 | 0:02:32 | |
it would just be like heart to heart, it would be crazy. | 0:02:32 | 0:02:35 | |
My son will be very excited cos Dom Joly's got Kryten on his team, | 0:02:37 | 0:02:40 | |
Kryten from Red Dwarf, Robert Llewellyn. My son will be over the moon about that. He really will. | 0:02:40 | 0:02:44 | |
But first round today, we're going to ease you in. | 0:02:44 | 0:02:47 | |
Everybody here remembers the 1980s, right? | 0:02:47 | 0:02:49 | |
-First round, that's where we're headed... -OK. Good. -..the 1980s. | 0:02:49 | 0:02:52 | |
Sounds fun. Thanks very much indeed. Now, all of our questions | 0:02:52 | 0:02:55 | |
on Pointless have been put to 100 people before the show. | 0:02:55 | 0:02:58 | |
Our contestants need to find the obscure answers | 0:02:58 | 0:03:00 | |
those 100 people didn't get. | 0:03:00 | 0:03:02 | |
Of course, everyone's trying to find a pointless answer, | 0:03:02 | 0:03:04 | |
that being an answer that none of our 100 people gave. | 0:03:04 | 0:03:06 | |
Each time that happens, we will add 250 quid to the jackpot. | 0:03:06 | 0:03:09 | |
Now, as today's show is a celebrity special | 0:03:09 | 0:03:11 | |
and each of our celebrities is playing for a nominated charity, | 0:03:11 | 0:03:14 | |
we start off with a jackpot of £2,500. There we are. | 0:03:14 | 0:03:17 | |
CHEERING AND APPLAUSE | 0:03:17 | 0:03:20 | |
Right. If everyone's ready, let's play Pointless. | 0:03:20 | 0:03:24 | |
OK. Now, remember, the pair with the highest score at the end | 0:03:27 | 0:03:30 | |
of this round will be eliminated | 0:03:30 | 0:03:31 | |
and you are not to confer throughout the round itself. | 0:03:31 | 0:03:34 | |
OK. Our first category today is... | 0:03:34 | 0:03:37 | |
There we are. 1980s Pop. John, all your prayers have been answered. | 0:03:39 | 0:03:43 | |
Can you all decide in your pairs who is going to play first, | 0:03:43 | 0:03:46 | |
who's going to play second? | 0:03:46 | 0:03:48 | |
And whoever's going first, please step up to the podium. | 0:03:50 | 0:03:53 | |
OK. Let's find out what the question is. Here it comes. | 0:03:55 | 0:03:58 | |
We gave 100 people 100 seconds to name... | 0:03:58 | 0:04:01 | |
as many solo artists who had a UK number one in the 1980s | 0:04:01 | 0:04:06 | |
as they could. | 0:04:06 | 0:04:07 | |
Solo artists who had a UK number one in the 1980s. Richard. | 0:04:07 | 0:04:12 | |
Yes. Simply looking for any solo artist who had a UK number one single | 0:04:12 | 0:04:15 | |
in the UK charts in the 1980s, please. Not duos, anything like that. | 0:04:15 | 0:04:19 | |
Has to be credited to one individual performer, please. | 0:04:19 | 0:04:22 | |
The name of any of those people. Loads of names there. | 0:04:22 | 0:04:25 | |
Loads of pointless ones too. Very best of luck to everyone. | 0:04:25 | 0:04:27 | |
Thanks very much. Now, Don and Ray, you all drew lots before the show | 0:04:27 | 0:04:31 | |
and today you are going to go first. Ray, welcome to Pointless. | 0:04:31 | 0:04:36 | |
Great to have you here. | 0:04:36 | 0:04:37 | |
Of course, you and Don worked together on Manwatch with Nigel... | 0:04:37 | 0:04:41 | |
Manchild, not Manwatch. What am I talking about, Manwatch?! | 0:04:41 | 0:04:44 | |
-That's... That's another show. -Sounds a bit dodgy, that. | 0:04:44 | 0:04:48 | |
You worked together on Manchild with Nigel Havers, | 0:04:50 | 0:04:55 | |
-Three Up, Two Down, of course. -Oh, yeah. Long time ago. | 0:04:55 | 0:04:58 | |
But since then, you've produced lots of things. | 0:04:58 | 0:05:01 | |
You've co-written films with Jude Law and Ray Winstone. | 0:05:01 | 0:05:05 | |
You've produced all sorts of music videos. You've directed things. | 0:05:05 | 0:05:09 | |
So, yeah, which did you prefer? | 0:05:09 | 0:05:10 | |
Have you preferred being behind the camera or in front of it? | 0:05:10 | 0:05:13 | |
I don't know. You know, as an actor, work is quite hard to come by, | 0:05:13 | 0:05:17 | |
so I thought I'd better add another string to my bow, | 0:05:17 | 0:05:21 | |
stay in the industry and start writing and directing films. | 0:05:21 | 0:05:25 | |
-And become a writer-producer-director. -Yeah. | 0:05:25 | 0:05:28 | |
-Why not? -We've done all right. -Yeah. Fair enough. | 0:05:28 | 0:05:30 | |
Now, how was the '80s for you, Ray? | 0:05:30 | 0:05:33 | |
It should be really, really good cos I was into making pop promos | 0:05:33 | 0:05:38 | |
around that period, but I guarantee that I muck this one up. | 0:05:38 | 0:05:42 | |
I guarantee it. | 0:05:42 | 0:05:43 | |
Who are you going to go for? | 0:05:43 | 0:05:46 | |
I'll go for Chris Rea. | 0:05:46 | 0:05:47 | |
Chris Rea says Ray. Let's see if that's right and, if it is, | 0:05:47 | 0:05:50 | |
let's see how many of our 100 people said Chris Rea. | 0:05:50 | 0:05:54 | |
Oh, Ray. | 0:05:56 | 0:05:58 | |
I'm sorry. An incorrect answer. | 0:05:58 | 0:06:00 | |
Scores the maximum of 100 points. | 0:06:00 | 0:06:03 | |
Sorry, Ray. Really tough one, that first podium. Road to Hell was | 0:06:03 | 0:06:06 | |
his biggest hit. It was only number ten. | 0:06:06 | 0:06:08 | |
That one didn't get close to number one. | 0:06:08 | 0:06:10 | |
-Thank you, Richard. -Pleasure. -Now, Dom, welcome to the show. -Thank you. | 0:06:10 | 0:06:14 | |
Great to have you here. Known for Trigger Happy TV, obviously, | 0:06:14 | 0:06:18 | |
-but particularly "Splash!" recently. -Yes. Thank you. It was a real high point. | 0:06:18 | 0:06:22 | |
ALEXANDER LAUGHS | 0:06:22 | 0:06:24 | |
-How did you do in it? -Very, very badly. | 0:06:24 | 0:06:27 | |
Well, I lived and I can still walk, so it's OK. | 0:06:27 | 0:06:30 | |
What really annoyed me is they can't show the terror that you feel | 0:06:30 | 0:06:34 | |
when you're on the 10m board which I have to say I did do, just to show off, | 0:06:34 | 0:06:37 | |
I fell off the 10m board, but it is insane. | 0:06:37 | 0:06:40 | |
Everything in your body and your mind is saying, "Leave now. | 0:06:40 | 0:06:44 | |
"Push Vernon Kay off. Run away." | 0:06:44 | 0:06:47 | |
And it was terrible. I'd rather not go back there, if that's all right? | 0:06:47 | 0:06:51 | |
-I'm getting quite bad flashbacks. -OK. | 0:06:51 | 0:06:53 | |
-Dom, what are you going to go for? -I quite like the '80s. | 0:06:53 | 0:06:57 | |
It's the last decade I can remember properly and I quite like the music, | 0:06:57 | 0:07:01 | |
so I can either go for something really obscure and I'm going to... | 0:07:01 | 0:07:05 | |
Or go safe. I'm going to go safe. I'm going to say Paul Young. | 0:07:05 | 0:07:09 | |
Paul Young says Dom. Paul Young. Let's see how many people said it. | 0:07:09 | 0:07:12 | |
Is it right? | 0:07:12 | 0:07:13 | |
It is right. | 0:07:16 | 0:07:17 | |
7 for Paul Young. | 0:07:23 | 0:07:24 | |
APPLAUSE | 0:07:24 | 0:07:26 | |
Well played, Dom. Very good answer. | 0:07:29 | 0:07:31 | |
Yeah, he's taken care of business, hasn't he, Dom? | 0:07:31 | 0:07:33 | |
Richard pretending to be happy with that. Giving him nice applause. | 0:07:33 | 0:07:37 | |
Absolutely seething there. Just recalibrating his answer right now. | 0:07:37 | 0:07:42 | |
Wherever I Lay My Hat, (That's My Home). | 0:07:42 | 0:07:44 | |
-That was a number one for Paul Young in the '80s. The Marvin Gaye song. -And others, surely? | 0:07:44 | 0:07:48 | |
-No, it was his only number one in the '80s. -Love of the Common People didn't make it to number one? -No. | 0:07:48 | 0:07:52 | |
Whoa. Wow. What were we doing, not buying that? | 0:07:52 | 0:07:55 | |
Well, we were buying lots of other solo artists on this list. | 0:07:55 | 0:07:58 | |
-Hey, hey. I've got it. I've got one. -Have you got one? -Yes. -OK. | 0:07:58 | 0:08:02 | |
In fact, I've probably got the one Richard Herring's going to say. | 0:08:02 | 0:08:05 | |
Rhona, welcome to Pointless. Do you still do stand up, Rhona? | 0:08:07 | 0:08:11 | |
A little bit. I'm doing some more next year. | 0:08:11 | 0:08:13 | |
I've been writing a thing for TV at the moment, | 0:08:13 | 0:08:17 | |
so I'm going to do some more stand up next year, yeah. | 0:08:17 | 0:08:20 | |
But I like to also do some other things. | 0:08:20 | 0:08:23 | |
I like to write, I like to direct, so...I don't know what to say | 0:08:23 | 0:08:27 | |
because I'm worrying about the '80s. | 0:08:27 | 0:08:29 | |
Worry about the '80s. You can do that now. Worry about the '80s. | 0:08:29 | 0:08:33 | |
-But you remember the '80s clearly, Rhona? -I do, yeah. It was good. | 0:08:33 | 0:08:37 | |
It was a good decade for music. | 0:08:37 | 0:08:38 | |
Not as good as the '70s, but I've got some fond '80s musical memories. | 0:08:38 | 0:08:43 | |
OK. Well, 7 is our lowest score. | 0:08:43 | 0:08:46 | |
I feel like I want to go for something a little obscure | 0:08:46 | 0:08:51 | |
and something a bit safer that I'm worried isn't safe | 0:08:51 | 0:08:54 | |
cos it might be a bit more popular. | 0:08:54 | 0:08:57 | |
So I'm going to say, erm... | 0:08:57 | 0:09:02 | |
..T'Pau. | 0:09:03 | 0:09:05 | |
Solo artist. | 0:09:06 | 0:09:08 | |
-She's a solo artist. -Now. | 0:09:08 | 0:09:11 | |
-It's a band. -It's a band. | 0:09:11 | 0:09:14 | |
-It's a band? She was... -No, it's fine. We'll find out. | 0:09:14 | 0:09:17 | |
We'll find out if it's right. Let's find out if it's right. | 0:09:17 | 0:09:19 | |
-Who knows! T'Pau. -No, no, no. We'll do another one. | 0:09:19 | 0:09:21 | |
I'm really sorry, Rhona. I have to accept your first answer. | 0:09:21 | 0:09:24 | |
I thought T'Pau was good. | 0:09:24 | 0:09:26 | |
I thought T'Pau were brilliant. | 0:09:26 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:31 | |
-No, I thought it was a good answer. -Let's find out if it's good. | 0:09:31 | 0:09:34 | |
-Is it right? How many of our 100 people said T'Pau? -No, it's not. | 0:09:34 | 0:09:38 | |
Oh. | 0:09:38 | 0:09:39 | |
No. | 0:09:39 | 0:09:41 | |
-I'm sorry. -I know, listen, Richard, I had... I'm very musical. | 0:09:41 | 0:09:44 | |
I had about 20 up my sleeve and I just thought... | 0:09:44 | 0:09:47 | |
-Could you mention two of them? -..I thought this was good. | 0:09:47 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:52 | |
I'm really sorry, Rhona. T'Pau is an incorrect answer. | 0:09:52 | 0:09:54 | |
Scores you 100 points. But you're in good company. | 0:09:54 | 0:09:57 | |
There may be more joining you there. | 0:09:57 | 0:09:59 | |
You'll soon be in really good company. | 0:09:59 | 0:10:01 | |
I am sorry, Rhona. Yeah, T'Pau not... | 0:10:03 | 0:10:05 | |
Although within the group, there are a number of individuals, | 0:10:05 | 0:10:08 | |
-so that's good. -I thought she was... | 0:10:08 | 0:10:11 | |
-I just want to go home now. -You'll be fine. -No, no, no. | 0:10:11 | 0:10:13 | |
-We're going to see so many... -This is my strongest area. | 0:10:13 | 0:10:17 | |
That's OK. I tell you what, when we get to the very end, | 0:10:17 | 0:10:19 | |
we'll have a little special game. You can come up with some other ones. | 0:10:19 | 0:10:22 | |
I'm an only child. I'd like that. | 0:10:22 | 0:10:24 | |
At least you've made Dom Joly so happy. | 0:10:24 | 0:10:27 | |
-I can't tell you how happy he looks. -I am quite strict on the rules. | 0:10:27 | 0:10:31 | |
Thanks very much indeed. Tim, welcome to Pointless. | 0:10:31 | 0:10:35 | |
-Lovely to have you here. -Lovely to be here, Xander. | 0:10:35 | 0:10:39 | |
People mainly know you, of course, from I'm Sorry I Haven't A Clue, | 0:10:39 | 0:10:43 | |
but a lot of people, I'm sure, will remember you from The Goodies. | 0:10:43 | 0:10:46 | |
-Used to be. -The greatest highlight of your life, of course, | 0:10:46 | 0:10:49 | |
was appearing in a sitcom called TLC. | 0:10:49 | 0:10:51 | |
-With some of the best actors I've ever worked with. -Yes, yes. | 0:10:51 | 0:10:54 | |
Wait a minute. You were one of them. | 0:10:54 | 0:10:57 | |
I was. You're absolutely right. I was. | 0:10:57 | 0:11:00 | |
And it was, actually, I thought, very good, | 0:11:00 | 0:11:02 | |
but sadly the public didn't. | 0:11:02 | 0:11:04 | |
So, Tim, what are you going to say? | 0:11:04 | 0:11:07 | |
Well, I think... I'm not certain about this, I think I'm going to | 0:11:07 | 0:11:11 | |
stand and deliver and say Adam Ant. | 0:11:11 | 0:11:13 | |
Adam Ant. Adam Ant says Tim. | 0:11:13 | 0:11:16 | |
That's a great answer, surely. Let's see if that's right | 0:11:16 | 0:11:18 | |
and, if it is, let's how many of our 100 people said Adam Ant. | 0:11:18 | 0:11:21 | |
It's absolutely right, Tim. Very well done indeed. | 0:11:23 | 0:11:26 | |
7. Look at that! | 0:11:30 | 0:11:33 | |
APPLAUSE | 0:11:33 | 0:11:35 | |
A superb answer, Tim. | 0:11:35 | 0:11:38 | |
7 it scores. | 0:11:38 | 0:11:40 | |
Well played, Tim. After Adam and the Ants split up, he went solo, | 0:11:40 | 0:11:42 | |
had a number one single with Goody Two Shoes. At one point in 1981, | 0:11:42 | 0:11:45 | |
they had seven singles in the top 40 at the same time, Adam and the Ants. | 0:11:45 | 0:11:48 | |
-Too many. That's too many at once. -Do you think? -Isn't it? | 0:11:48 | 0:11:51 | |
-They were great. -First album I bought, Kings of the Wild Frontier. | 0:11:51 | 0:11:54 | |
I loved Adam and the Ants. Sorry, Dom Joly has got an objection. | 0:11:54 | 0:11:58 | |
It's the only thing I'm going to say, but were they not a band? | 0:11:58 | 0:12:00 | |
-Adam and the Ants? -Yeah. -Adam and the Ants were a band, yes. | 0:12:00 | 0:12:03 | |
-Oh, he said Adam Ant. -Yeah, Adam Ant had a solo number one | 0:12:03 | 0:12:06 | |
-with Goody Two Shoes. -Did he? -Yeah. Well, that's what we were just saying. | 0:12:06 | 0:12:09 | |
LAUGHTER | 0:12:09 | 0:12:11 | |
I completely drifted off. I drifted off. | 0:12:11 | 0:12:14 | |
Thanks very much indeed, Richard. So, we're halfway through the round. | 0:12:14 | 0:12:17 | |
Let's take a look at the scores. | 0:12:17 | 0:12:18 | |
Only two scores between the four teams. 7 and 100. | 0:12:18 | 0:12:21 | |
7 is where we find Tim and John and Dom and Robert | 0:12:21 | 0:12:23 | |
and 100 is where we find Rhona and Richard and Ray and Don. | 0:12:23 | 0:12:27 | |
So, yes, it's between Richard and Don to see who stays. | 0:12:27 | 0:12:31 | |
Very best of luck to the pair of you. We're going to come back down | 0:12:31 | 0:12:34 | |
the line now. Can the second players please step up to the podium? | 0:12:34 | 0:12:37 | |
OK. John, it is your moment. | 0:12:40 | 0:12:43 | |
When I was contacted by this show... | 0:12:43 | 0:12:46 | |
..they said, "Are there any things you really don't want to answer | 0:12:48 | 0:12:51 | |
"questions about?" and I said, "Yes, pop music." | 0:12:51 | 0:12:54 | |
So, here it is and my friend here has just sabotaged our game plan | 0:12:54 | 0:12:59 | |
which was to score 200 points and go home early | 0:12:59 | 0:13:03 | |
and I have to feed my cat. | 0:13:03 | 0:13:06 | |
Now my cat will starve. | 0:13:06 | 0:13:08 | |
OK. Well, now, John. | 0:13:10 | 0:13:12 | |
Listen, before that, I hope you won't be upset | 0:13:12 | 0:13:16 | |
if I call you a senior statesman of satire. Is that all right? | 0:13:16 | 0:13:18 | |
-Are you happy with that? -The surviving, I think. | 0:13:18 | 0:13:21 | |
The surviving senior statesman of satire. | 0:13:21 | 0:13:23 | |
You have worked with everyone from Peter Cook right up to Rory Bremner. | 0:13:23 | 0:13:27 | |
You have been right across, the whole satire boom, you were there. | 0:13:27 | 0:13:31 | |
It boomed, yes. Yes. | 0:13:31 | 0:13:33 | |
And here you still are on 7. The high scorers on 100, John. | 0:13:33 | 0:13:39 | |
You can score 92 or less and still go through. | 0:13:39 | 0:13:43 | |
What are you going to go for, John? | 0:13:43 | 0:13:45 | |
-I'm going to say Paul Simon. -Paul Simon. That gets a nod from Richard. | 0:13:45 | 0:13:50 | |
-A qualified nod from Richard. -Might not be the right era. | 0:13:50 | 0:13:53 | |
Let's find out if Paul Simon's right and, if it is, let's see how many of our 100 people said Paul Simon. | 0:13:53 | 0:13:58 | |
There's your red line, John. | 0:13:58 | 0:13:59 | |
I'm afraid it's an incorrect answer. | 0:14:04 | 0:14:06 | |
I thought that was a great answer. | 0:14:06 | 0:14:07 | |
We will discover why not in a second. That scores you 100 points, | 0:14:07 | 0:14:10 | |
takes your total up to 107. | 0:14:10 | 0:14:12 | |
-It was certainly a convincing answer, wasn't it? -Yeah. | 0:14:12 | 0:14:15 | |
His biggest hit in the '80s was You Can Call Me Al | 0:14:15 | 0:14:17 | |
which got to number four. | 0:14:17 | 0:14:19 | |
-Yup. -Thank you very much indeed. Richard. | 0:14:19 | 0:14:22 | |
-Yes. -Welcome to the show. -Thank you very much. | 0:14:22 | 0:14:25 | |
Here's the bit where I give a little potted history of your career. | 0:14:25 | 0:14:29 | |
-I tell you what you've done. -OK. | 0:14:29 | 0:14:31 | |
Fist of Fun, Lee and Herring, is probably the thing that | 0:14:31 | 0:14:34 | |
I know you best for. | 0:14:34 | 0:14:36 | |
Lee and Herring, I got two points on an edition of Pointless for my name. | 0:14:36 | 0:14:40 | |
-That's good. -That's good. But you've written for countless comedy shows. | 0:14:40 | 0:14:44 | |
I've written for Al Murray and... | 0:14:44 | 0:14:46 | |
I was I was in a thing you wrote. | 0:14:46 | 0:14:48 | |
-The Pub landlord. -That's how we get the jobs. | 0:14:48 | 0:14:50 | |
I'm doing lots of podcasting and stand-up. | 0:14:50 | 0:14:54 | |
-Stand-up. -Doing lots of podcasting and stand-up tours at the moment. | 0:14:54 | 0:14:59 | |
-And you are about to get a pointless answer. -I'm really not. | 0:14:59 | 0:15:03 | |
This is tactically a very difficult place to be in | 0:15:03 | 0:15:07 | |
because I have to try and get something low. And... | 0:15:07 | 0:15:11 | |
-I'm just so sorry. -I'm going to take a bit of a punt. | 0:15:11 | 0:15:15 | |
And hope that he did this one on his own. | 0:15:17 | 0:15:20 | |
I'm going to go for Bryan Ferry. | 0:15:20 | 0:15:23 | |
-Bryan Ferry. -With Jealous Guy, I'm hoping he did it on his own. | 0:15:23 | 0:15:29 | |
He did. Let's find out though if he got to number one with that. | 0:15:29 | 0:15:32 | |
I'm pretty sure. | 0:15:32 | 0:15:33 | |
The high scorers are John and Tim at the moment on 107. | 0:15:33 | 0:15:35 | |
You want to be scoring 6 or less to avoid becoming the new high scorers. | 0:15:35 | 0:15:38 | |
Let's see how many of our 100 people said Bryan Ferry. | 0:15:38 | 0:15:41 | |
There is your red line. | 0:15:41 | 0:15:42 | |
-Oh, no. -Had to take a chance. -Richard. | 0:15:47 | 0:15:50 | |
That scores you 100 points. Takes your total up to 200. | 0:15:52 | 0:15:55 | |
Jealous Guy was number one but Roxy Music it was credited to, | 0:15:55 | 0:15:58 | |
-not Bryan Ferry. But you had to take a risk. -I did. | 0:15:58 | 0:16:01 | |
-That's gutting, isn't it? -Yeah. | 0:16:02 | 0:16:04 | |
-You look furious. -I just thought... -I love this game. | 0:16:05 | 0:16:09 | |
It's such a shame to be going home after the first round. | 0:16:09 | 0:16:13 | |
Luckily I don't have low self esteem issues. | 0:16:13 | 0:16:15 | |
Anyway, the round is not over yet. | 0:16:17 | 0:16:19 | |
We want any solo artist who had a UK number one in the '80s. | 0:16:19 | 0:16:22 | |
Robert, we come to you. Red Dwarf, Kryten. | 0:16:22 | 0:16:26 | |
-But you were the second person to play Kryten. -I was. I'm a fake. | 0:16:26 | 0:16:29 | |
-Newcomer. -But you made it your own as they say on X Factor. | 0:16:29 | 0:16:33 | |
-I had long enough to do it. About 24, 25 years. -Yeah. | 0:16:33 | 0:16:37 | |
But of course, also an author. This is becoming quite a pattern. | 0:16:37 | 0:16:41 | |
Dom's an author. Rhona's an author, Richard's an author. | 0:16:41 | 0:16:44 | |
I dare say between them John and Tim must have written countless books. | 0:16:44 | 0:16:48 | |
-Countless. -Shelf-fulls. | 0:16:48 | 0:16:50 | |
Scrapheap Challenge, you do that. | 0:16:50 | 0:16:53 | |
Anything around our set you've got your eye on? | 0:16:53 | 0:16:55 | |
There's a couple of bits and bobs we could do something with. | 0:16:55 | 0:16:58 | |
I love Scrapheap Challenge | 0:16:58 | 0:16:59 | |
because weirdly they find a huge chassis of something. | 0:16:59 | 0:17:03 | |
"Actually we could use that." | 0:17:03 | 0:17:05 | |
-It's lucky it was there. -It's extraordinary. | 0:17:05 | 0:17:07 | |
Very, very big scrap yard it was. | 0:17:07 | 0:17:10 | |
Robert, what are you going to go for? | 0:17:10 | 0:17:12 | |
I have got no clue. | 0:17:12 | 0:17:14 | |
It's in an absolutely blind panic but I am going to go for Cher. | 0:17:14 | 0:17:17 | |
Dom likes Cher. | 0:17:18 | 0:17:20 | |
This is the good news, you're through. | 0:17:20 | 0:17:22 | |
Even if you score 100 you're through. | 0:17:22 | 0:17:24 | |
Let's find out is that right and if it is how many people said Cher. | 0:17:24 | 0:17:27 | |
No red line as you're already through. | 0:17:27 | 0:17:29 | |
Not Cher. | 0:17:31 | 0:17:34 | |
That's fine. | 0:17:34 | 0:17:35 | |
Unfortunately another incorrect answer scores you 100 points. | 0:17:35 | 0:17:38 | |
Takes your total up to 107, Robert. | 0:17:38 | 0:17:40 | |
She didn't have her first number one until '91. The Shoop Shoop Song. | 0:17:40 | 0:17:43 | |
Thank you very much indeed. Don, welcome to Pointless. | 0:17:44 | 0:17:48 | |
Great to have you here. | 0:17:48 | 0:17:50 | |
Of course, Manchild is what you and Ray worked together on. | 0:17:50 | 0:17:54 | |
-And more recently Death In Paradise. -Indeed. -What's that Ben Miller like? | 0:17:56 | 0:18:01 | |
-He's all right. -I like him. -You do, don't you? You are a fan of his. | 0:18:01 | 0:18:06 | |
He can make anyone look good, I think. | 0:18:06 | 0:18:08 | |
LAUGHTER | 0:18:08 | 0:18:09 | |
You know what I mean? | 0:18:10 | 0:18:12 | |
Don doesn't need that sort of help but he can team up with people. | 0:18:12 | 0:18:15 | |
Given that half of the people in it were no good that was | 0:18:15 | 0:18:19 | |
surprisingly watchable. | 0:18:19 | 0:18:20 | |
He's got charisma for two. | 0:18:21 | 0:18:23 | |
LAUGHTER | 0:18:23 | 0:18:24 | |
-Which is fortunate, isn't it? -Yeah. | 0:18:26 | 0:18:29 | |
He's great, Don, isn't he? Lovely to work with as well, I bet. | 0:18:29 | 0:18:33 | |
-He's wonderful. -Terrific guy. -Very nice. -Very nice. | 0:18:33 | 0:18:39 | |
Don, what are you going to go for? You have to score 99 or less. | 0:18:39 | 0:18:43 | |
-Basically, you have to have a correct answer. -Well, OK. | 0:18:44 | 0:18:48 | |
I'll go for Michael Jackson. | 0:18:51 | 0:18:54 | |
Michael Jackson says Don. Here's your red line nice and high. | 0:18:55 | 0:19:00 | |
If you get below that red line you're through to the next round. | 0:19:00 | 0:19:03 | |
Let's see if Michael Jackson is right. | 0:19:03 | 0:19:05 | |
Let's see how many people said it. | 0:19:05 | 0:19:07 | |
It's right. | 0:19:08 | 0:19:09 | |
25. | 0:19:15 | 0:19:16 | |
Very well done, Don and Ray. Through you go to Round Two. | 0:19:18 | 0:19:21 | |
That's the way to do it. | 0:19:23 | 0:19:24 | |
Everyone mucking about all the way up, all the way back. | 0:19:24 | 0:19:28 | |
Two words, straight into a second round. Very well played. | 0:19:28 | 0:19:30 | |
There's lots and lots of pointless answers | 0:19:30 | 0:19:32 | |
but I'll go through some of the low scorers first. | 0:19:32 | 0:19:35 | |
ALEXANDER COUGHS | 0:19:35 | 0:19:36 | |
Sorry, you've got one. Xander. | 0:19:36 | 0:19:38 | |
-Captain Sensible. -Captain Sensible would have scored you 1 point. | 0:19:38 | 0:19:42 | |
Good answer though. There's lots of low ones. | 0:19:43 | 0:19:47 | |
Just thinking of things that might have seen you through. | 0:19:47 | 0:19:50 | |
Shakin' Stevens with 5, Diana Ross, Enya, Midge Ure with 3. | 0:19:50 | 0:19:55 | |
Shakin' Stevens. I was a massive fan. I went to all his concerts. | 0:19:55 | 0:20:02 | |
I can't believe that. | 0:20:02 | 0:20:04 | |
-Shakin' Stevens. -Don't have a go at me. -What's wrong with me? | 0:20:04 | 0:20:07 | |
It's almost like you think I said T'Pau. | 0:20:07 | 0:20:09 | |
3 for Jennifer Rush and Tiffany. | 0:20:13 | 0:20:15 | |
2 for Belinda Carlisle, Lisa Stansfield, | 0:20:15 | 0:20:18 | |
Billy Joel, Barbra Streisand. | 0:20:18 | 0:20:21 | |
1 for Johnny Logan, Smokey Robinson, Don McLean, Kenny Rogers, | 0:20:21 | 0:20:24 | |
Billy Ocean, Sonia, Joe Dolce. | 0:20:24 | 0:20:27 | |
-Nick Berry would have scored you 1 point. -Nick Berry. | 0:20:27 | 0:20:30 | |
Falco, Chaka Khan, Eddy Grant, Stevie Wonder would have scored you 1. | 0:20:30 | 0:20:34 | |
Let's take a look at some pointless answers. | 0:20:34 | 0:20:36 | |
Well done if you said any of these. | 0:20:36 | 0:20:37 | |
Ben E King had a number one hit with Stand By Me. | 0:20:37 | 0:20:40 | |
Bonnie Tyler, Total Eclipse Of The Heart. She was a pointless answer. | 0:20:40 | 0:20:43 | |
Chris de Burgh - Lady in Red was a number one single in the '80s. | 0:20:43 | 0:20:47 | |
Glenn Medeiros- Nothing's Going To Change My Love For You. | 0:20:47 | 0:20:50 | |
One of the classic one hit wonders. | 0:20:50 | 0:20:52 | |
Irene Cara who sang the theme from Fame. | 0:20:52 | 0:20:54 | |
Jackie Wilson had a Christmas number one with Reet Petite. | 0:20:54 | 0:20:59 | |
Nicole won Eurovision with A Little Piece. | 0:20:59 | 0:21:01 | |
Paul Hardcastle - 19. | 0:21:01 | 0:21:02 | |
And Phyllis Nelson - Move Closer. | 0:21:02 | 0:21:05 | |
All of those pointless answers. | 0:21:05 | 0:21:07 | |
Let's take a look at the top three answers. | 0:21:07 | 0:21:09 | |
The ones that most of our 100 people said. | 0:21:09 | 0:21:12 | |
Thanks very much indeed. | 0:21:20 | 0:21:22 | |
At the end of our First Round the pair heading home with a high | 0:21:22 | 0:21:24 | |
score of 200, Richard and Rhona. | 0:21:24 | 0:21:26 | |
-I'm really sorry. -No, I'm really sorry. | 0:21:26 | 0:21:28 | |
-Can't understand how sorry I am. I'm sorry. -It's fine. | 0:21:29 | 0:21:32 | |
This is one of my strong categories. | 0:21:32 | 0:21:35 | |
-This and Russian cinema is all I know. -Which is the next round. | 0:21:37 | 0:21:41 | |
Richard and Rhona, you'll have to come back. Come back and play. | 0:21:41 | 0:21:44 | |
-I'm sure I won't be asked back after that. -I'm sure you will. | 0:21:44 | 0:21:47 | |
In the meantime, thank you for playing. | 0:21:47 | 0:21:49 | |
Richard and Rhona, it's been lovely having you on the show. | 0:21:49 | 0:21:52 | |
APPLAUSE | 0:21:52 | 0:21:53 | |
But for the remaining three pairs it's now time for Round Two. | 0:21:53 | 0:21:57 | |
So three pairs remain. | 0:22:00 | 0:22:02 | |
At the end of this round we will be saying goodbye to another | 0:22:02 | 0:22:04 | |
pair before our head-to-head round. | 0:22:04 | 0:22:06 | |
Five incorrect answers in that round. | 0:22:06 | 0:22:09 | |
Each of our three remaining pairs had at least one incorrect answer. | 0:22:09 | 0:22:14 | |
-But, Dom, very well done. -Thank you. | 0:22:14 | 0:22:17 | |
I never thought any knowledge of Paul Young would be useful to me | 0:22:17 | 0:22:20 | |
but there you go. | 0:22:20 | 0:22:22 | |
And actually, Tim, special mention to you. | 0:22:22 | 0:22:24 | |
I thought that was very good | 0:22:24 | 0:22:26 | |
but even the wrong answers were considered wrong answers. | 0:22:26 | 0:22:29 | |
-They were sensible wrong answers. -Except for T'Pau. | 0:22:29 | 0:22:32 | |
LAUGHTER | 0:22:32 | 0:22:34 | |
But anyway enough to let me | 0:22:34 | 0:22:36 | |
know it's going to be very close is all I'm going to say. | 0:22:36 | 0:22:38 | |
It's going to be very, very close. Best of luck to all three pairs. | 0:22:38 | 0:22:41 | |
Our category for Round Two today is... | 0:22:41 | 0:22:43 | |
Can you all decide in your pairs who is going first and who is going to go second? | 0:22:45 | 0:22:49 | |
And whoever's going first please step up to the podium. | 0:22:49 | 0:22:52 | |
And the question concerns... | 0:22:55 | 0:22:56 | |
I think you'll all be fairly good at this. | 0:23:02 | 0:23:04 | |
We're going to show you a couple of boards now | 0:23:04 | 0:23:06 | |
with proverbs from the Oxford Dictionary of Proverbs. | 0:23:06 | 0:23:09 | |
They've all got body parts in them. | 0:23:09 | 0:23:11 | |
But we've blanked out the body part in each one. | 0:23:11 | 0:23:14 | |
Can you fill in the blanks and give us the most obscure body part? | 0:23:14 | 0:23:16 | |
There's going to be six on each board so 12 in all to have a go at home. | 0:23:16 | 0:23:20 | |
-Best of luck. -Thank you very much indeed. | 0:23:20 | 0:23:22 | |
We're looking for the body parts that complete these proverbs. | 0:23:22 | 0:23:25 | |
And here's our first board of six. We've got. | 0:23:25 | 0:23:28 | |
HE REPEATS CLUES | 0:23:44 | 0:23:45 | |
Six proverbs with body parts missing. | 0:24:00 | 0:24:04 | |
Ray. | 0:24:04 | 0:24:05 | |
I think I better go with the safest one. | 0:24:07 | 0:24:10 | |
-Hand that rocks the cradle. -OK, the hand that rocks the cradle. | 0:24:12 | 0:24:17 | |
Let's see if that's right and how many people said hand. | 0:24:17 | 0:24:20 | |
It's right. Look at that, 88. | 0:24:21 | 0:24:23 | |
88 for the hand that rocks the cradle, Richard. | 0:24:24 | 0:24:28 | |
It's a big score but it's the fourth best score we've had all show, 88. | 0:24:28 | 0:24:31 | |
It's from the American poet William Ross Wallace. | 0:24:34 | 0:24:37 | |
Wrote that line in the 19th century. | 0:24:37 | 0:24:39 | |
Thanks very much, Richard. Robert. | 0:24:39 | 0:24:41 | |
I know all of them except for the one that's probably the one | 0:24:42 | 0:24:47 | |
that nobody knows and I don't know it either. | 0:24:47 | 0:24:49 | |
Fancy having a punt at it? | 0:24:51 | 0:24:53 | |
It is not spring until you can plant your something upon 12 daisies. | 0:24:53 | 0:24:57 | |
12 daisies, what are you going to plant on that? | 0:24:57 | 0:25:00 | |
I'm going to go for that one and say foot. | 0:25:01 | 0:25:03 | |
-Foot, Dom looking worried. -I'm always worried. | 0:25:03 | 0:25:06 | |
OK, let's see if foot is right. Your foot upon 12 daisies. | 0:25:06 | 0:25:10 | |
It's right, well done, Robert. | 0:25:12 | 0:25:14 | |
Very well done. | 0:25:20 | 0:25:21 | |
That's the only one I didn't know. | 0:25:21 | 0:25:23 | |
Well played, Robert. | 0:25:25 | 0:25:27 | |
Daisies are found on every continent in the world except Antarctica. | 0:25:27 | 0:25:31 | |
-Or maybe you just can't see them. -They're underneath the snow. | 0:25:31 | 0:25:36 | |
-No, it's all white. You wouldn't see them. -You got the yellow bits. | 0:25:36 | 0:25:39 | |
Yeah, but yellow bits in the snow. | 0:25:39 | 0:25:42 | |
Thanks very much indeed. Now, John. | 0:25:44 | 0:25:47 | |
You're the last person to have the board. | 0:25:47 | 0:25:49 | |
-Why not fill in all our blanks. -I can't. Two legs are better than one. | 0:25:49 | 0:25:53 | |
That is true but whether it's a saying or not I don't know. | 0:25:53 | 0:25:57 | |
Home is where the heart is. | 0:26:00 | 0:26:01 | |
I'm going for the eyes are the window of the soul. | 0:26:01 | 0:26:04 | |
The eye is the window of the soul says John. | 0:26:04 | 0:26:06 | |
Let's see if that's right and how many of our 100 said eyes. | 0:26:06 | 0:26:10 | |
It is, of course, right. Oh, 87. | 0:26:12 | 0:26:14 | |
-I wouldn't have got that one. -87. | 0:26:15 | 0:26:17 | |
APPLAUSE | 0:26:17 | 0:26:20 | |
Another big scorer but another correct answer. | 0:26:20 | 0:26:23 | |
-Let's fill in the rest of these. Two. -Heads. -Yeah. | 0:26:23 | 0:26:27 | |
Depends on context that one. There's many a slip between cup and lip. | 0:26:32 | 0:26:37 | |
-Home is where the heart is. What do you think that scored? -98. | 0:26:41 | 0:26:44 | |
Thanks very much indeed. We're halfway through the round. | 0:26:47 | 0:26:49 | |
Let's take a look at those scores. 22 the best score of that pass. | 0:26:49 | 0:26:53 | |
Then we travel to 87 where we find John and Tim. | 0:26:54 | 0:26:56 | |
Then up a squeak to 88 where we find Ray and Don. | 0:26:56 | 0:27:00 | |
So Tim and Don, it is between you on the next pass, | 0:27:00 | 0:27:03 | |
and, Tim, you will get to go first. | 0:27:03 | 0:27:05 | |
We're going to come back down the line now. | 0:27:05 | 0:27:07 | |
Will the second players please step up to the podium? | 0:27:07 | 0:27:10 | |
OK, let's put six more proverbs up on the board and here they come. | 0:27:11 | 0:27:14 | |
We have got... | 0:27:14 | 0:27:15 | |
HE REPEATS CLUES | 0:27:31 | 0:27:32 | |
There we are. Six proverbs with body parts missing. | 0:27:45 | 0:27:49 | |
-Tim. -Hello. | 0:27:50 | 0:27:51 | |
To avoid being the new high scorers you want a pointless answer here. | 0:27:51 | 0:27:55 | |
Yes, several I don't know at all. | 0:27:57 | 0:28:00 | |
And the other ones are easy. So where do we go? | 0:28:00 | 0:28:03 | |
-Walls have ears. -Walls have ears. | 0:28:04 | 0:28:07 | |
There is a red line but it is invisible | 0:28:08 | 0:28:11 | |
to all but dogs. | 0:28:11 | 0:28:13 | |
Quite low. Take my word for it. It's there but it's on Pointless. | 0:28:14 | 0:28:19 | |
Let's see is walls have ears is right, let's see how many said it. | 0:28:19 | 0:28:22 | |
Wow, 95. | 0:28:26 | 0:28:28 | |
APPLAUSE | 0:28:28 | 0:28:30 | |
95 takes your total up to 182. | 0:28:30 | 0:28:33 | |
That's a big score for two correct answers as well. | 0:28:33 | 0:28:37 | |
-Walls have ears although that has recently been disproven. -Yeah. | 0:28:37 | 0:28:40 | |
They did a study. Four of our 100 said eyes. | 0:28:42 | 0:28:47 | |
Walls? That's much worse. | 0:28:47 | 0:28:50 | |
-Imagine walls watching you. -That would be scary. | 0:28:52 | 0:28:55 | |
-I tell you what, walls have noses, couldn't care. -I think they do. | 0:28:56 | 0:29:00 | |
Walls have guns. | 0:29:01 | 0:29:02 | |
Walls have guns and a grudge, that's the worse kind of wall. | 0:29:04 | 0:29:07 | |
Dom, you're through to the head-to-head. This is great news. | 0:29:08 | 0:29:13 | |
However, I bet you've got a good answer from that board. | 0:29:13 | 0:29:16 | |
There's one who kisses and one who turns the head or the cheek. | 0:29:16 | 0:29:19 | |
I'm going to go for there's always one who kisses | 0:29:22 | 0:29:24 | |
and one who turns the cheek. | 0:29:24 | 0:29:26 | |
One who turns the cheek. | 0:29:26 | 0:29:28 | |
-Robert, you don't like it? -I'm just worried. I don't know it. | 0:29:28 | 0:29:31 | |
-What would you go for? -I wouldn't have gone for that one. | 0:29:31 | 0:29:34 | |
I've never heard it before, I have to say. | 0:29:34 | 0:29:37 | |
No red line because you're already through. | 0:29:37 | 0:29:39 | |
But let's see how many of our 100 people said turns the cheek. Is that right? | 0:29:39 | 0:29:43 | |
It is right. Two guesses from the middle podium there. | 0:29:43 | 0:29:49 | |
Well done. Takes your total up to 67. | 0:29:49 | 0:29:52 | |
It's French in origin, that, and it implies that in any | 0:29:55 | 0:29:58 | |
relationship one person is slightly keener than the other. | 0:29:58 | 0:30:01 | |
Only in France. | 0:30:02 | 0:30:03 | |
-Thanks very much indeed. Now, then, Don. -Yeah. | 0:30:05 | 0:30:08 | |
Now, you are not yet through. You have to score 93 or less. | 0:30:08 | 0:30:14 | |
93 or less. Do you want to talk us through the board, Don? | 0:30:14 | 0:30:17 | |
I don't know the first one. I know the last two. | 0:30:18 | 0:30:24 | |
But it's which one will get us below the required mark. | 0:30:24 | 0:30:29 | |
Something always returns to the sore tooth. | 0:30:29 | 0:30:32 | |
There's a tempting answer to that one. | 0:30:32 | 0:30:34 | |
I'm not sure I want to go for it really. | 0:30:34 | 0:30:36 | |
I have an idea but I'll go don't cut off your nose to spite your face. | 0:30:36 | 0:30:44 | |
Don't cut off your nose to spite your face says Don. | 0:30:44 | 0:30:47 | |
Let's see if that's right and if it is how many people said it. | 0:30:47 | 0:30:50 | |
You want to score 93 or less. There's your red line. | 0:30:50 | 0:30:52 | |
You've done it. | 0:30:55 | 0:30:57 | |
You needed 93, you got 92. Very well done indeed. | 0:30:58 | 0:31:00 | |
180 is your total. | 0:31:02 | 0:31:03 | |
Well done, Don. | 0:31:05 | 0:31:06 | |
If you had gone for sticks and stones may break my bones you would | 0:31:06 | 0:31:10 | |
have been knocked out because that would have scored 98. | 0:31:10 | 0:31:13 | |
The top one is you scratch my back, I'll scratch yours. | 0:31:15 | 0:31:18 | |
Don, you had an idea on this second one down. | 0:31:21 | 0:31:23 | |
-The what always returns to the sore tooth? -The dentist. | 0:31:23 | 0:31:26 | |
That's not a body part. | 0:31:28 | 0:31:30 | |
-The what always returns to the sore tooth? -The tongue. | 0:31:31 | 0:31:34 | |
The tongue is the right answer. It's the best answer on the board. | 0:31:34 | 0:31:37 | |
Very well done if you said tongue at home. It's the best answer up there. | 0:31:37 | 0:31:41 | |
Thanks very much indeed. | 0:31:41 | 0:31:43 | |
At the end of our second round I'm afraid it is | 0:31:43 | 0:31:46 | |
Tim and John who are leaving us with 182. | 0:31:46 | 0:31:50 | |
They were high scores. | 0:31:50 | 0:31:53 | |
All right. | 0:31:53 | 0:31:54 | |
On those boards. I mean, who knew? John, your cat will live. Thank God. | 0:31:55 | 0:32:02 | |
-That is the good news. -That's why we threw it away. | 0:32:02 | 0:32:05 | |
It's been lovely having you on the show. | 0:32:07 | 0:32:09 | |
Tim and John, thank you so much for playing. | 0:32:09 | 0:32:11 | |
I'm sorry we had to say goodbye to you far too soon. | 0:32:11 | 0:32:13 | |
APPLAUSE | 0:32:13 | 0:32:15 | |
But for the remaining two pairs it's now time for our head-to-head. | 0:32:15 | 0:32:19 | |
Well, congratulation Dom and Robert, Don and Ray you are now one step | 0:32:22 | 0:32:25 | |
closer to the final | 0:32:25 | 0:32:27 | |
and a chance to play for the jackpot which currently stands at... | 0:32:27 | 0:32:30 | |
CHEERING AND APPLAUSE | 0:32:32 | 0:32:34 | |
So now we have to decide who is going to go through to the final and | 0:32:35 | 0:32:38 | |
play for that money and to do that you are now going to go head-to-head. | 0:32:38 | 0:32:41 | |
This time you're allowed to confer before you give your answers | 0:32:41 | 0:32:43 | |
and the first pair to get two will be playing for that jackpot. | 0:32:43 | 0:32:46 | |
Well done, firstly. Well done. | 0:32:46 | 0:32:49 | |
-Don and Ray, some high scores in there. -Yeah. -But you got through. | 0:32:49 | 0:32:54 | |
Dom and Robert, well done. Our low scoring pair. | 0:32:54 | 0:32:57 | |
Two of you took risks there. | 0:32:57 | 0:32:59 | |
Your reward for that is you get to answer first. | 0:32:59 | 0:33:01 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:33:01 | 0:33:04 | |
APPLAUSE | 0:33:04 | 0:33:06 | |
OK, here comes your first question. And it concerns... | 0:33:10 | 0:33:13 | |
We're going to show you five pictures of different villains | 0:33:17 | 0:33:20 | |
from James Bond films. | 0:33:20 | 0:33:21 | |
We just need you to name the Bond villain you're going to see. | 0:33:21 | 0:33:24 | |
Give us the most obscure answer. Best of luck. | 0:33:24 | 0:33:26 | |
Thanks very much. Let's reveal our five Bond villains. | 0:33:26 | 0:33:28 | |
And here they come. We've got... | 0:33:28 | 0:33:30 | |
There we are. Five Bond villains. | 0:33:51 | 0:33:54 | |
Dom and Robert, you've played best throughout the show | 0:33:54 | 0:33:56 | |
so you get to go first. | 0:33:56 | 0:33:58 | |
OK, we're going to go D and it's Goldfinger. | 0:34:09 | 0:34:13 | |
D, Goldfinger, say Dom and Robert. D, Goldfinger. | 0:34:15 | 0:34:18 | |
Don and Ray, do you fancy talking us through the rest of the board? | 0:34:18 | 0:34:21 | |
-There's only one I'm certain of which is B. -Oddjob. | 0:34:24 | 0:34:28 | |
Obviously I know E. | 0:34:30 | 0:34:32 | |
Jaws. | 0:34:32 | 0:34:33 | |
D is interesting because that's not the response I would have had. | 0:34:36 | 0:34:39 | |
Let's go with B. | 0:34:44 | 0:34:47 | |
-B is Oddjob. -B, Oddjob. So Goldfinger and Oddjob. | 0:34:47 | 0:34:53 | |
Dom and Robert said Goldfinger. Let's see if that's right | 0:34:53 | 0:34:55 | |
and if it is let's see how many people said that. | 0:34:55 | 0:34:58 | |
It's right. | 0:35:00 | 0:35:02 | |
21 for Goldfinger. | 0:35:10 | 0:35:12 | |
Don and Ray, you have said B is Oddjob. | 0:35:14 | 0:35:17 | |
Let's see if that's right and if it is how many people said it. | 0:35:17 | 0:35:20 | |
It's right. | 0:35:23 | 0:35:24 | |
It has to beat 21... | 0:35:26 | 0:35:27 | |
Oh, 28. Not bad. | 0:35:27 | 0:35:29 | |
Close but Dom and Robert, you have done it after one question | 0:35:31 | 0:35:34 | |
you're up 1-0. | 0:35:34 | 0:35:36 | |
Two good answers there. | 0:35:36 | 0:35:37 | |
Oddjob played by Harold Sakata, who has an Olympic silver medal | 0:35:37 | 0:35:41 | |
in weightlifting from the 1948 London Olympics. | 0:35:41 | 0:35:44 | |
Now, A, two people at home said it was Dr Evil. They are both wrong. | 0:35:44 | 0:35:49 | |
It is Blofeld. He would have scored 30. | 0:35:49 | 0:35:54 | |
E next, I think everybody knows that's Jaws. Big scorer. | 0:35:56 | 0:36:00 | |
Would have scored you 81 points. | 0:36:00 | 0:36:02 | |
More iconic than all of those others. And C is a pointless answer. | 0:36:03 | 0:36:08 | |
He's from Live and Let Die and it's Tee Hee. | 0:36:08 | 0:36:11 | |
Very well done if you said that. It's a terrific answer. | 0:36:11 | 0:36:13 | |
OK, here comes your second question. | 0:36:15 | 0:36:16 | |
Don and Ray, you get to answer this one first. | 0:36:16 | 0:36:19 | |
You have to win it to stay in the game so best of luck. It concerns... | 0:36:19 | 0:36:22 | |
We're going to give you the titles of five George Formby songs now | 0:36:27 | 0:36:29 | |
but we've missed out the last word from each one. | 0:36:29 | 0:36:32 | |
Can you supply that final word please? | 0:36:32 | 0:36:34 | |
Thanks very much. Let's reveal our five George Formby songs. | 0:36:34 | 0:36:39 | |
HE REPEATS CLUES | 0:36:51 | 0:36:53 | |
There we are. Five George Formby songs. | 0:37:02 | 0:37:04 | |
Don and Ray, you will go first. | 0:37:04 | 0:37:06 | |
-Well. -Go on. -The ones we know you know are going to be quite high. | 0:37:07 | 0:37:12 | |
-Yeah. -So I'll let you pick. Governor. | 0:37:13 | 0:37:19 | |
Oh... | 0:37:24 | 0:37:26 | |
-When I'm Cleaning Windows. -When I'm cleaning Windows. | 0:37:27 | 0:37:31 | |
When I'm Cleaning Windows. | 0:37:31 | 0:37:33 | |
Now, Dom and Robert, do you want to talk us | 0:37:33 | 0:37:35 | |
through as much of the board as you can? | 0:37:35 | 0:37:37 | |
With My Little Ukulele, it would be very odd if it wasn't in his hand. | 0:37:38 | 0:37:43 | |
You think Grandad's Flannelette Pyjamas. | 0:37:43 | 0:37:46 | |
-No. -You did. -I did think that. But then shirt. | 0:37:46 | 0:37:50 | |
When I'm Cleaning Windows, we know. | 0:37:50 | 0:37:53 | |
Leaning On A Lamp Post. Or Shade or Lampeter. | 0:37:53 | 0:38:01 | |
Could be Lampeter. | 0:38:01 | 0:38:02 | |
There are two, the Lancashire Hotpot, which is unlikely, | 0:38:04 | 0:38:08 | |
and there was a racehorse called the Lancashire Lad. | 0:38:08 | 0:38:11 | |
But it's too obscure. | 0:38:11 | 0:38:12 | |
When I'm Cleaning Windows is the most popular. Should we go for... | 0:38:12 | 0:38:17 | |
My Little Ukulele In My Hand. | 0:38:17 | 0:38:22 | |
With My Little Ukulele In My Hand is what you're going to say. | 0:38:22 | 0:38:25 | |
So Don and Ray have said, When I'm Cleaning Windows. | 0:38:25 | 0:38:28 | |
Let's see if that's right and if it is how many people said that. | 0:38:28 | 0:38:31 | |
Dom and Robert have said With My Little Ukulele In My Hand. | 0:38:40 | 0:38:44 | |
Let's see if it's right | 0:38:44 | 0:38:46 | |
and if it is let's see how many of our 100 people said it. | 0:38:46 | 0:38:48 | |
It's right. It wins you the point. Very well done indeed. | 0:38:51 | 0:38:55 | |
Which means, Dom and Robert, | 0:39:00 | 0:39:03 | |
after two questions only you are straight through to the final 2-0. | 0:39:03 | 0:39:07 | |
Well played, guys. There have been some big scores on today's show. | 0:39:07 | 0:39:10 | |
I know all of these. | 0:39:10 | 0:39:12 | |
-We got Leaning on a Lamp... -Post. | 0:39:12 | 0:39:14 | |
-Grandad's Flannelette... -Nightshirt. | 0:39:19 | 0:39:21 | |
It was written by Bruce Williams, who was also George Formby's | 0:39:24 | 0:39:28 | |
funeral director when he died. | 0:39:28 | 0:39:30 | |
-That is nice. -How about that? | 0:39:30 | 0:39:32 | |
How about that. For the Lancashire you guessed lad and hotpot. | 0:39:32 | 0:39:38 | |
We'd be here a long, long time before we got it by guessing | 0:39:38 | 0:39:41 | |
because it is... | 0:39:41 | 0:39:42 | |
-Toreador. -The Lancashire Toreador. | 0:39:42 | 0:39:45 | |
Well done if you got that at home. | 0:39:47 | 0:39:49 | |
I've got the 12-inch. | 0:39:49 | 0:39:50 | |
Thanks very much indeed. | 0:39:53 | 0:39:54 | |
So leaving us at the end of the head-to-head round, | 0:39:54 | 0:39:56 | |
I'm afraid it's Don and Ray. | 0:39:56 | 0:39:57 | |
Nothing wrong with either of your answers there. It was close. | 0:39:57 | 0:40:00 | |
Oddjob a nice low score there. | 0:40:00 | 0:40:02 | |
I'm afraid this is where we have to say goodbye to you. | 0:40:02 | 0:40:04 | |
It's been great having you on the show. Don and Ray. | 0:40:04 | 0:40:07 | |
APPLAUSE | 0:40:07 | 0:40:10 | |
For Dom and Robert it's now time for our Pointless final. | 0:40:11 | 0:40:14 | |
Congratulations, Dom and Robert. | 0:40:19 | 0:40:20 | |
You've fought off all the competition | 0:40:20 | 0:40:22 | |
and you've won our coveted Pointless trophy so very well done. | 0:40:22 | 0:40:25 | |
You now have a chance to win our Pointless jackpot. | 0:40:31 | 0:40:33 | |
At the end of today's show the jackpot stands at... | 0:40:33 | 0:40:37 | |
APPLAUSE | 0:40:37 | 0:40:39 | |
What a performance. Fantastic. Apart from one answer, Cher, | 0:40:41 | 0:40:46 | |
you haven't put a foot wrong. | 0:40:46 | 0:40:47 | |
In fact, foot was one of your answers, and that wasn't wrong. | 0:40:47 | 0:40:51 | |
You get to choose your category for this last round. | 0:40:51 | 0:40:53 | |
Here are your four options. They are... | 0:40:53 | 0:40:55 | |
I've got to be honest with you straightaway. That's not... | 0:41:04 | 0:41:09 | |
Bizarrely the only tennis player I've ever seen in real life | 0:41:09 | 0:41:12 | |
playing tennis is Martina Navratilova. | 0:41:12 | 0:41:15 | |
You know what? Of those four I quite fancy Martina Navratilova. | 0:41:15 | 0:41:19 | |
-Not literally, well... -I think she's good for her age. -Amazing. | 0:41:19 | 0:41:24 | |
-I like tennis. -Do you like ladies tennis? | 0:41:24 | 0:41:28 | |
-I do. I've watched it. -Are we agreed? | 0:41:28 | 0:41:32 | |
We're both going for Martina Navratilova. A weird move. | 0:41:32 | 0:41:38 | |
OK, that's what they're going for. | 0:41:38 | 0:41:39 | |
We're going to give you three different options on this. | 0:41:39 | 0:41:42 | |
Take your answers from any of these. As many as you want from any of them. | 0:41:42 | 0:41:45 | |
Anyone who has beaten her in the finals of a Singles Grand Slam event. | 0:41:45 | 0:41:52 | |
Anyone who has ever partnered her at Wimbledon. | 0:41:52 | 0:41:55 | |
Either mixed doubles or ladies doubles. | 0:41:55 | 0:41:57 | |
Anyone who has ever partnered her. | 0:41:57 | 0:41:59 | |
Or anyone who was on her series of... | 0:41:59 | 0:42:01 | |
So anyone who has defeated her in a Singles Grand Slam event in a final. | 0:42:03 | 0:42:07 | |
Anyone who has been part of a doubles pairing with her at Wimbledon, | 0:42:07 | 0:42:11 | |
either mixed doubles or ladies doubles or anyone in her series of | 0:42:11 | 0:42:14 | |
I'm a Celebrity... Get Me Out Of Here. | 0:42:14 | 0:42:16 | |
As always you're got up to one minute to come up with three | 0:42:16 | 0:42:18 | |
answers and all you need to win that jackpot for your chosen | 0:42:18 | 0:42:21 | |
charities is for just one of those answers to be pointless. | 0:42:21 | 0:42:24 | |
Remember, the answers you provide can come from any of these three categories. | 0:42:24 | 0:42:27 | |
How you spread them across the categories is up to you. | 0:42:27 | 0:42:30 | |
They could all come from one or one from each, two from one | 0:42:30 | 0:42:32 | |
and one from another. It's entirely up to you. | 0:42:32 | 0:42:34 | |
Are you ready? | 0:42:34 | 0:42:35 | |
OK, let's put 60 seconds on the clock. | 0:42:36 | 0:42:39 | |
There they are. Your time starts now. | 0:42:39 | 0:42:41 | |
Who do you think she was defeated by? | 0:42:42 | 0:42:44 | |
I think she was defeated by Chris Evert at some stage. | 0:42:44 | 0:42:47 | |
-I saw her win at doubles and I don't know who it was. -Jana Novotna. | 0:42:47 | 0:42:53 | |
-Just a woman. She had nice legs. -Pam Shriver, I've got a feeling. | 0:42:53 | 0:42:58 | |
I'm A Celebrity... | 0:42:58 | 0:43:00 | |
You can't remember the year but I think she was in there with | 0:43:00 | 0:43:03 | |
George Takei and I think Kim Woodbridge the cleaning woman. | 0:43:03 | 0:43:08 | |
George Takei, I'm feeling strong with that. | 0:43:11 | 0:43:15 | |
-George Takei. -Doubles partner, I have a feeling it's Pam Shriver. | 0:43:15 | 0:43:19 | |
-I'm impressed. -Defeats, you go for that. Some woman, you're going for. | 0:43:19 | 0:43:25 | |
-Who did you say? -Chris Evert. | 0:43:27 | 0:43:30 | |
We've got ten seconds so let's throw some names in. | 0:43:31 | 0:43:34 | |
Was she in there with Madonna or T'Pau? | 0:43:34 | 0:43:36 | |
-She could have been. -OK, that's your time up. I need your three answers. | 0:43:39 | 0:43:43 | |
What are you going to go for? | 0:43:43 | 0:43:44 | |
It's so difficult, I'm A Celebrity, because every series is such genius | 0:43:46 | 0:43:50 | |
it's really difficult to put it together. | 0:43:50 | 0:43:53 | |
I have a funny feeling she was in there with George Takei who | 0:43:53 | 0:43:56 | |
was on Star Trek. | 0:43:56 | 0:43:57 | |
We'll say George Takei for one of your answers. | 0:43:57 | 0:44:00 | |
What else are you going to go for? | 0:44:00 | 0:44:02 | |
Doubles partner, I have a feeling she played with Pam Shriver. | 0:44:02 | 0:44:05 | |
Pam Shriver. Doubles partner. | 0:44:05 | 0:44:08 | |
-You think she was defeated by... -You have to have one. | 0:44:09 | 0:44:12 | |
-You can't put it all on me. -I haven't got a clue so Chris Evert. | 0:44:12 | 0:44:15 | |
Defeated by Chris Evert. One in each category. | 0:44:15 | 0:44:18 | |
Of those three which is your best shot at a pointless answer? | 0:44:18 | 0:44:22 | |
-I have a feeling Pam Shriver. -Do you really think so? -OK, Pam Shriver. | 0:44:22 | 0:44:27 | |
We'll put that last. Least likely to be pointless? | 0:44:27 | 0:44:31 | |
George Takei because we don't know. It could have been another series. | 0:44:31 | 0:44:35 | |
OK, we'll pop that one first. | 0:44:35 | 0:44:37 | |
Let's pop those up on the board in that order. Here they are. | 0:44:37 | 0:44:41 | |
Very best of luck. Your first answer was George Takei. | 0:44:45 | 0:44:48 | |
You have no idea if this is right. | 0:44:48 | 0:44:49 | |
No, it was either him or George Hamilton, actually. | 0:44:49 | 0:44:53 | |
-Someone called George. -An American called George. | 0:44:53 | 0:44:56 | |
You can usually remember the American they pay a lot more than | 0:44:56 | 0:44:59 | |
everyone else to come in. | 0:44:59 | 0:45:01 | |
Who was the American on yours? | 0:45:01 | 0:45:02 | |
I think we had a Playboy bunny. | 0:45:05 | 0:45:06 | |
Someone pulled out at the last minute. | 0:45:06 | 0:45:08 | |
They heard I was coming in and I literally can't remember her | 0:45:08 | 0:45:11 | |
name so it didn't work out for her. | 0:45:11 | 0:45:13 | |
OK, if one of these answers wins you the jackpot, | 0:45:13 | 0:45:16 | |
what are your charities? | 0:45:16 | 0:45:19 | |
I'm an ambassador for Save The Children and so mine | 0:45:19 | 0:45:22 | |
will go to save the children of the world. | 0:45:22 | 0:45:24 | |
Excellent. Robert, how about you? | 0:45:24 | 0:45:26 | |
Mine is more nationalistic, it's the NSPCC | 0:45:26 | 0:45:28 | |
so it's only to save children in this country. | 0:45:28 | 0:45:30 | |
-But together children are safe with us. -Very well done. | 0:45:30 | 0:45:34 | |
Two excellent charities there. | 0:45:34 | 0:45:36 | |
APPLAUSE | 0:45:36 | 0:45:38 | |
Now, three perfectly good looking answers up there on the board. | 0:45:42 | 0:45:45 | |
Let's hope at least one of those is pointless. | 0:45:45 | 0:45:47 | |
You can win that jackpot for your charities. | 0:45:47 | 0:45:50 | |
OK, George Takei, your least confident answer. | 0:45:50 | 0:45:52 | |
This has to be correct and it has to be pointless so for £2,500 let's | 0:45:52 | 0:45:56 | |
find out if George Takei was in the jungle with Martina Navratilova. | 0:45:56 | 0:45:59 | |
It's right. | 0:46:02 | 0:46:04 | |
If this goes all the way down to zero you will win | 0:46:05 | 0:46:08 | |
that £2,500 for your charities. | 0:46:08 | 0:46:11 | |
Down it goes. | 0:46:11 | 0:46:13 | |
You've done it! | 0:46:14 | 0:46:16 | |
Fantastic. Very well played. | 0:46:18 | 0:46:19 | |
Well done. | 0:46:22 | 0:46:23 | |
Very well done, Dom and Robert. | 0:46:29 | 0:46:31 | |
George Takei was a pointless answer which means you leave here | 0:46:31 | 0:46:34 | |
with that jackpot of £2,500 for your charities. | 0:46:34 | 0:46:36 | |
Brilliant. | 0:46:36 | 0:46:38 | |
APPLAUSE | 0:46:38 | 0:46:40 | |
Very well played, guys. That's a terrific answer, George Takei. | 0:46:44 | 0:46:47 | |
There's pointless answers in all the different categories. | 0:46:47 | 0:46:50 | |
Very few in the first one. | 0:46:50 | 0:46:51 | |
The second and third are where you're going to get your pointless answers. | 0:46:51 | 0:46:55 | |
Someone who defeated Martina in a final was Conchita Martinez. | 0:46:55 | 0:47:00 | |
1 point for Evonne Cawley and Mandlikova. | 0:47:00 | 0:47:02 | |
Let's take a look at some of the people she's partnered. | 0:47:02 | 0:47:05 | |
Lots of pointless answers. | 0:47:05 | 0:47:06 | |
Emilio Sanchez, Heinz Gunthardt, Leander Paes who | 0:47:14 | 0:47:17 | |
she won the mixed doubles with. He was a pointless answer. | 0:47:17 | 0:47:20 | |
Lisa Raymond, loads of pointless answers there. | 0:47:20 | 0:47:23 | |
Also Brian Paddick, Carly Zucker, Dani Behr, Nicola McLean or | 0:47:36 | 0:47:39 | |
Simon Webb. | 0:47:39 | 0:47:40 | |
If we had to go on both your other answers were correct | 0:47:40 | 0:47:43 | |
but Chris Evert would have scored 24 and Pam Shriver did partner | 0:47:43 | 0:47:47 | |
Martina Navratilova but 7 points. | 0:47:47 | 0:47:50 | |
-The Playboy bunny with you was Kayla Collins, is that right? -Kayla. | 0:47:51 | 0:47:56 | |
Call me. | 0:47:56 | 0:47:58 | |
Thanks very much. | 0:48:00 | 0:48:01 | |
Thanks once again to our winning players Dom and Robert who go away | 0:48:01 | 0:48:04 | |
with today's jackpot of £2,500 for their charities. Well done. | 0:48:04 | 0:48:07 | |
APPLAUSE | 0:48:07 | 0:48:09 | |
Join us next time | 0:48:11 | 0:48:12 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:48:12 | 0:48:15 | |
-Meanwhile it's goodbye from Richard. -Goodbye. -And it's goodbye from me, goodbye. | 0:48:15 | 0:48:19 | |
APPLAUSE | 0:48:19 | 0:48:21 |