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APPLAUSE AND CHEERING | 0:00:17 | 0:00:22 | |
Thank you very much indeed. | 0:00:23 | 0:00:25 | |
Hello, I'm Alexander Armstrong and welcome to this special | 0:00:25 | 0:00:27 | |
British film edition of Pointless Celebrities, | 0:00:27 | 0:00:29 | |
the game where we aim for the obscure and we ignore the obvious. | 0:00:29 | 0:00:33 | |
Let's meet today's Pointless celebrities. | 0:00:33 | 0:00:35 | |
APPLAUSE | 0:00:35 | 0:00:36 | |
And couple number one. | 0:00:39 | 0:00:42 | |
Hi, my name's Keith Allen. I'm Alfie and Lily Allen's dad. | 0:00:42 | 0:00:45 | |
I'm a jobbing actor and a very close friend of Clare. | 0:00:45 | 0:00:48 | |
Hello, yes, I'm Clare Grogan | 0:00:48 | 0:00:50 | |
and I am a girl who just can't make her mind up, really. | 0:00:50 | 0:00:53 | |
I'm an actress, | 0:00:53 | 0:00:55 | |
presenter, singer, | 0:00:55 | 0:00:57 | |
an author, | 0:00:57 | 0:00:58 | |
the world's most embarrassing mum. | 0:00:58 | 0:01:01 | |
Yeah, I'm a bit all over the place, really. | 0:01:01 | 0:01:03 | |
APPLAUSE | 0:01:03 | 0:01:05 | |
Couple number two. | 0:01:07 | 0:01:09 | |
Hello, I'm Leslie and I'm an actress. | 0:01:09 | 0:01:12 | |
LAUGHTER | 0:01:13 | 0:01:14 | |
Hello, I'm Phil | 0:01:14 | 0:01:16 | |
and I'm all those things and more. | 0:01:16 | 0:01:18 | |
APPLAUSE | 0:01:18 | 0:01:21 | |
Couple number three. | 0:01:23 | 0:01:25 | |
Hello, I'm Sally and I'm an actress, too. | 0:01:25 | 0:01:28 | |
Hello, yeah, strangely enough, my name's Phil and I'm an actor, too. | 0:01:30 | 0:01:33 | |
And I was in Gone With The Wind and I used to be Clark Gable. | 0:01:33 | 0:01:37 | |
LAUGHTER AND APPLAUSE | 0:01:37 | 0:01:39 | |
And, finally, couple number four. | 0:01:43 | 0:01:45 | |
I'm Vas Blackwood. | 0:01:45 | 0:01:46 | |
I played Rory Breaker in Lock, Stock And Two Smoking Barrels | 0:01:46 | 0:01:49 | |
and the Shadow in Only Fools And Horses. | 0:01:49 | 0:01:51 | |
It's really nice to be here and we're in it to win it. | 0:01:51 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:56 | |
My name's Thomas Turgoose, | 0:01:56 | 0:01:58 | |
more known for playing Shaun Fields in This Is England. | 0:01:58 | 0:02:01 | |
Ten years on, I'm still clinging onto that. | 0:02:01 | 0:02:04 | |
LAUGHTER AND APPLAUSE | 0:02:04 | 0:02:06 | |
And these are today's contestants. Thanks very much, all of you. | 0:02:08 | 0:02:11 | |
We'll find out more about you each throughout the show | 0:02:11 | 0:02:13 | |
as it goes along. That just leaves one more person for me to introduce. | 0:02:13 | 0:02:16 | |
An Eiffel Tower of intellect. | 0:02:16 | 0:02:18 | |
Yes, he's very clever | 0:02:18 | 0:02:20 | |
and he lets tourists climb him for 15 euros. | 0:02:20 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:23 | |
It's my Pointless friend, it's Richard. | 0:02:23 | 0:02:25 | |
APPLAUSE Hiya. Hey, everybody. | 0:02:25 | 0:02:27 | |
-Good evening to you. -Good evening to you. -What a line-up we've got here. | 0:02:29 | 0:02:33 | |
-I know. -Genuinely, some of the stars of some of the greatest | 0:02:33 | 0:02:36 | |
British films of all time. | 0:02:36 | 0:02:37 | |
It'd be a nice weekend to watch... You've got This Is England, | 0:02:37 | 0:02:40 | |
you've got Lock, Stock. You've got Quadrophenia. | 0:02:40 | 0:02:42 | |
We've also got some experienced Pointless players, here, as well. | 0:02:42 | 0:02:46 | |
We've got Sally, who's been on before. | 0:02:46 | 0:02:47 | |
Got knocked out in Round Two, last time. | 0:02:47 | 0:02:49 | |
We've also got Phil Daniels, who got knocked out in Round Two. | 0:02:49 | 0:02:52 | |
We've got a Pointless legend with us. | 0:02:52 | 0:02:54 | |
-Yes. -Phil Cornwell. -Moi? | 0:02:54 | 0:02:55 | |
Who has not only won Pointless, he's got a pointless answer, | 0:02:55 | 0:02:58 | |
as well, on a previous edition. | 0:02:58 | 0:03:00 | |
So, he is the man to beat, although Vas and Thomas seem very confident, | 0:03:00 | 0:03:03 | |
I have to say. | 0:03:03 | 0:03:04 | |
-That's right, that's right. -Let the battle be joined. | 0:03:04 | 0:03:07 | |
Thank you very much, Richard. Now, as usual, | 0:03:07 | 0:03:09 | |
all of today's questions have been put to 100 people before the show. | 0:03:09 | 0:03:12 | |
Our contestants are looking for those pointless answers. | 0:03:12 | 0:03:15 | |
Those are the answers that none of our 100 people gave. | 0:03:15 | 0:03:18 | |
Each time that happens we will add £250 to the jackpot. | 0:03:18 | 0:03:21 | |
Now, as today's show is a celebrity special, | 0:03:21 | 0:03:23 | |
each of our lovely celebrities here is playing for a nominated charity. | 0:03:23 | 0:03:26 | |
We will start off with a bumper jackpot of £2,500. | 0:03:26 | 0:03:29 | |
-APPLAUSE -There it is. | 0:03:29 | 0:03:31 | |
Right, if everyone's ready, let's play Pointless. | 0:03:33 | 0:03:36 | |
APPLAUSE | 0:03:39 | 0:03:40 | |
OK, so, the only thing you have to remember is that the pair | 0:03:40 | 0:03:43 | |
with the highest score at the end of each round will be eliminated. | 0:03:43 | 0:03:46 | |
So, just make sure you are not that pair. | 0:03:46 | 0:03:48 | |
Our first category this evening is... | 0:03:48 | 0:03:50 | |
Pop Art. Can you all decide in your pairs who's going to go first, | 0:03:53 | 0:03:56 | |
who's going to go second? | 0:03:56 | 0:03:57 | |
And whoever's going first, please step up to the podium. | 0:03:59 | 0:04:01 | |
OK. And the question concerns... | 0:04:05 | 0:04:07 | |
Works of art and pop songs with shared words in their titles. | 0:04:12 | 0:04:14 | |
On each board we're going to show you seven pairs of titles. | 0:04:14 | 0:04:17 | |
One is a work of art, one is a UK top 40 single. | 0:04:17 | 0:04:20 | |
They share a word and we've left that word out, please. | 0:04:20 | 0:04:22 | |
All you have to do is fill in the gap. | 0:04:22 | 0:04:24 | |
There's going to be seven on each board, | 0:04:24 | 0:04:26 | |
14 in all to have a go at at home. Very best of luck. | 0:04:26 | 0:04:28 | |
Thanks very much. | 0:04:28 | 0:04:29 | |
So, we are looking for the word that is shared between | 0:04:29 | 0:04:32 | |
these pairs of titles. | 0:04:32 | 0:04:33 | |
Here's our first board of seven. | 0:04:33 | 0:04:35 | |
I'm going to read those one last time. | 0:05:04 | 0:05:05 | |
-There we go. Now, Clare, welcome. -Yes, hello. | 0:05:18 | 0:05:22 | |
Now, I read somewhere that Bill Forsyth, | 0:05:22 | 0:05:26 | |
who made Gregory's Girl, discovered you in a spaghetti factory. | 0:05:26 | 0:05:30 | |
Is there any truth in that? | 0:05:30 | 0:05:32 | |
I was working as a waitress, not in a cocktail bar, | 0:05:32 | 0:05:35 | |
but in a pasta restaurant called The Spaghetti Factory. | 0:05:35 | 0:05:37 | |
Oh, not a spaghetti factory, it was called The Spaghetti Factory. I see. | 0:05:37 | 0:05:41 | |
-So, Gregory's Girl came along and then Altered Images. -Yes. | 0:05:41 | 0:05:45 | |
Were they just two separate irons you had in the fire? | 0:05:45 | 0:05:47 | |
Or did one sort of slightly grow out of the other? | 0:05:47 | 0:05:50 | |
The year that Gregory's Girl came out was the summer | 0:05:50 | 0:05:52 | |
I left school and that summer I also got signed to Epic Records. | 0:05:52 | 0:05:58 | |
But I never ever mentioned to the record label that | 0:05:58 | 0:06:00 | |
I had made a movie and I never mentioned to the movie people | 0:06:00 | 0:06:05 | |
that I was in a band. | 0:06:05 | 0:06:06 | |
We were very, very naive back then. | 0:06:06 | 0:06:08 | |
-Now, Clare. -Yes. | 0:06:08 | 0:06:10 | |
-How are we feeling about this board? -Um, mm-hm... | 0:06:10 | 0:06:13 | |
-OK, I'm going to go for the Bjork one. Venus. -Venus, says Clare. | 0:06:14 | 0:06:18 | |
Let's see if that is right | 0:06:18 | 0:06:20 | |
and, if it is, let's see how many of our 100 people said Venus. | 0:06:20 | 0:06:23 | |
It's right. | 0:06:26 | 0:06:27 | |
Still going down, Clare, still going down. Still it goes down... | 0:06:29 | 0:06:33 | |
-APPLAUSE -..to 12. That's a lovely score. | 0:06:33 | 0:06:35 | |
Great start to the show. Thanks very much, Clare. | 0:06:35 | 0:06:37 | |
Well done, 12. | 0:06:37 | 0:06:38 | |
Well played, Clare. Terrific start from podium one. 12 points. | 0:06:40 | 0:06:43 | |
Venus As A Boy by Bjork and Birth Of Venus by Botticelli. | 0:06:43 | 0:06:47 | |
Thanks very much indeed, Richard. | 0:06:47 | 0:06:50 | |
Leslie. Leslie, welcome to Pointless. | 0:06:50 | 0:06:53 | |
-Thank you. -It's lovely to have you here. | 0:06:53 | 0:06:55 | |
Now, you started out at the very, | 0:06:55 | 0:06:57 | |
-very tender age of something like four. -Four. | 0:06:57 | 0:07:00 | |
In a Fairy Liquid commercial. | 0:07:00 | 0:07:02 | |
That's true. | 0:07:02 | 0:07:03 | |
Then, one of the great cornerstone films, Quadrophenia. | 0:07:03 | 0:07:06 | |
Then you went on to be in, certainly, | 0:07:06 | 0:07:08 | |
the biggest sitcom of the '90s. | 0:07:08 | 0:07:11 | |
-I've been very lucky, actually. -You've been very good, to be fair. | 0:07:11 | 0:07:14 | |
Thank you. I've enjoyed it all, actually. | 0:07:14 | 0:07:17 | |
Quadrophenia, you get lots... | 0:07:17 | 0:07:19 | |
When you go out on tour and you get people who come to see you | 0:07:19 | 0:07:22 | |
and they always bring loads and loads of pictures of Quadrophenia... | 0:07:22 | 0:07:25 | |
-Yeah. -..for you to sign, | 0:07:25 | 0:07:27 | |
and it's just gone on and on forever, that film. | 0:07:27 | 0:07:30 | |
-What are you up to at the moment? -I'm trying to write a sitcom. | 0:07:30 | 0:07:34 | |
-Excellent. -Which is very difficult. I'd rather be in one. | 0:07:34 | 0:07:37 | |
Well, very, very best of luck with that. | 0:07:37 | 0:07:39 | |
Now, Leslie, look at this board. | 0:07:39 | 0:07:41 | |
This board of works of art and songs. | 0:07:41 | 0:07:44 | |
OK, I'm going to go for the obvious one, which is...living. | 0:07:44 | 0:07:48 | |
-Dining/Kitchen/Living, Living Doll. -Dining/Kitchen/Living. | 0:07:48 | 0:07:52 | |
Let's see if that's right and, if it is, | 0:07:52 | 0:07:54 | |
let's see how many of our 100 people said living. | 0:07:54 | 0:07:56 | |
It's right. Well, we had 12... | 0:07:59 | 0:08:00 | |
-Yee! -APPLAUSE | 0:08:00 | 0:08:02 | |
75! | 0:08:02 | 0:08:04 | |
75 for living. | 0:08:05 | 0:08:08 | |
Yeah, big scorer, I think, Living Doll. Very popular song. | 0:08:08 | 0:08:11 | |
Living Doll, number one single for Cliff Richard, of course. | 0:08:11 | 0:08:13 | |
And Dining/Kitchen/Living, a number eight painting for Patrick Caulfield. | 0:08:13 | 0:08:18 | |
-There you go, thanks very much. Phil, welcome back. -Hello, mate. | 0:08:18 | 0:08:21 | |
Oh, you've got to be looking for that pair. | 0:08:21 | 0:08:24 | |
Well, yes, the double, as it were. | 0:08:24 | 0:08:25 | |
Phil, you started out doing impressions. | 0:08:25 | 0:08:28 | |
-I did. -But huge films you've had. | 0:08:28 | 0:08:32 | |
-You've had massive... -No... -Alpha Papa. | 0:08:32 | 0:08:34 | |
-Massive, massive hits. -Stop. | 0:08:34 | 0:08:37 | |
Are they going to do another Alpha Papa film? Please say yes. | 0:08:37 | 0:08:40 | |
I don't know. That's, yeah, that's possible, I would say, | 0:08:40 | 0:08:42 | |
maybe down the line. I have no idea, but only Steve would know that. | 0:08:42 | 0:08:45 | |
I just did a Mid Morning Matters with him, which was really funny. | 0:08:45 | 0:08:50 | |
In the studio, it was a very funny... With Dave Clifton. | 0:08:50 | 0:08:53 | |
-Where do you do Mid Morning Matters? -In Croydon. | 0:08:53 | 0:08:55 | |
LAUGHTER | 0:08:55 | 0:08:56 | |
-Actually in a studio... -In an office building. -Oh, it's an office? | 0:08:56 | 0:08:59 | |
It's just one of those, you know, grey, horrible... | 0:08:59 | 0:09:01 | |
Nothing wrong with Croydon. I like Croydon. | 0:09:01 | 0:09:04 | |
Be nice when it's finished. Anyway... | 0:09:04 | 0:09:05 | |
-LAUGHTER -I'm here all week, try the veal. | 0:09:05 | 0:09:08 | |
Now... | 0:09:08 | 0:09:09 | |
It's all timing, innit? Carry on, sorry, mate. Your show. | 0:09:09 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:14 | |
So, Phil, what are you going to go for on our lovely board? | 0:09:14 | 0:09:18 | |
Right, I'm going to go for And When Did You Last See Your Father? | 0:09:18 | 0:09:22 | |
Father, says Phil. Let's see if that's right | 0:09:22 | 0:09:25 | |
and, if it is, let's see how many of our 100 people said father. | 0:09:25 | 0:09:29 | |
Well, 75's our high score, you pass that. | 0:09:29 | 0:09:32 | |
12 is our low score. 42. | 0:09:32 | 0:09:34 | |
-APPLAUSE -Nice midway point there, 42. | 0:09:34 | 0:09:37 | |
-Not bad at all. -Well played, Phil. | 0:09:38 | 0:09:41 | |
Yeah, Father Figure, George Michael. It's from the Faith album. | 0:09:41 | 0:09:44 | |
Thank you very much indeed. Now, Thomas, lovely to have you here. | 0:09:44 | 0:09:47 | |
The star of This Is England, This Is England '86, This Is England '88... | 0:09:47 | 0:09:50 | |
I know, it's getting boring. | 0:09:50 | 0:09:52 | |
How many more do you think there might be? | 0:09:52 | 0:09:54 | |
Well, we're just making the last one now. | 0:09:54 | 0:09:57 | |
This is England '90, but Shane Meadows is very... | 0:09:57 | 0:10:01 | |
He's constantly changing his mind about what he wants to do, | 0:10:01 | 0:10:04 | |
because ideas are changing. But I'm sure he'll... I'm sure it will... | 0:10:04 | 0:10:07 | |
So, how far are you through? | 0:10:07 | 0:10:09 | |
We're planning on it being four episodes | 0:10:09 | 0:10:11 | |
and we've done three of them now so we've just got the last one to do. | 0:10:11 | 0:10:14 | |
Now, Thomas, you can talk us through the whole board if you fancy it. | 0:10:14 | 0:10:17 | |
I'm going to go for Park Is My Radar, for Blur. | 0:10:17 | 0:10:21 | |
Park Is My Radar. | 0:10:21 | 0:10:24 | |
Blue And Green Park Is My Radar. | 0:10:24 | 0:10:26 | |
Let's see if that's right and, if it is, | 0:10:26 | 0:10:28 | |
let's see how many of our 100 people said park. | 0:10:28 | 0:10:30 | |
-Oh, bad luck, Thomas. -See you later, then. Cheers! | 0:10:32 | 0:10:35 | |
I'm afraid an incorrect answer there. | 0:10:35 | 0:10:37 | |
I'm afraid that scores you 100 points, Thomas. Richard. | 0:10:37 | 0:10:40 | |
Yes, sorry, Thomas, a tough one to go for, actually. | 0:10:40 | 0:10:43 | |
It's a pointless answer, that one. | 0:10:43 | 0:10:45 | |
-Music Is My Radar. -Park Life! | 0:10:45 | 0:10:47 | |
-Music Is My Radar. -Well, you would say that, wouldn't you? | 0:10:47 | 0:10:50 | |
Blue And Green Music, Music Is My Radar. | 0:10:50 | 0:10:52 | |
Pointless answer, well done if you said that. Beer...? | 0:10:52 | 0:10:54 | |
-Street. -Beer Street and Street Fighting Man. | 0:10:54 | 0:10:56 | |
Would have scored you 18. | 0:10:57 | 0:10:59 | |
CONTESTANTS MURMUR | 0:10:59 | 0:11:00 | |
The son of...? | 0:11:00 | 0:11:01 | |
-Man. -The Son Of Man, Man In The Mirror. | 0:11:01 | 0:11:04 | |
Would have scored you 62. | 0:11:04 | 0:11:06 | |
Big scorer, there. | 0:11:06 | 0:11:07 | |
And The...? | 0:11:07 | 0:11:08 | |
-Kiss. -The Kiss. | 0:11:08 | 0:11:09 | |
The Kiss and The Kiss Of Life by The Friendly Fires. | 0:11:09 | 0:11:11 | |
And that would have scored you 5. | 0:11:11 | 0:11:13 | |
So, Music Is My Radar, best answer on that board. | 0:11:13 | 0:11:15 | |
-Well done if you got that. -Thank you. We're halfway through the round, | 0:11:15 | 0:11:18 | |
so let's take a look at those scores as they stand. | 0:11:18 | 0:11:20 | |
Clare, well done, you. 12, the lowest score of the pass. | 0:11:20 | 0:11:23 | |
Beautiful. | 0:11:23 | 0:11:25 | |
Then up to 42 where we find Phil Cornwell and Sally. | 0:11:25 | 0:11:28 | |
Then up to 75 where we find Leslie and Phil Daniels. | 0:11:28 | 0:11:32 | |
And then up to 100 where we find Thomas and Vas. | 0:11:32 | 0:11:35 | |
Listen, Thomas, the game's not over yet. | 0:11:35 | 0:11:37 | |
Best of luck, we're going to come back down the line. | 0:11:37 | 0:11:39 | |
Can the second players please step up to the podium? | 0:11:39 | 0:11:42 | |
OK, let's put seven more pairs of titles up on the board. | 0:11:44 | 0:11:47 | |
And here they come. We've got... | 0:11:47 | 0:11:49 | |
I'll read those all one last time. | 0:12:16 | 0:12:18 | |
Remember, we're looking for the word that | 0:12:31 | 0:12:33 | |
is shared by both of these titles. | 0:12:33 | 0:12:36 | |
Vas, welcome. Welcome to Pointless. | 0:12:36 | 0:12:38 | |
-Great to have you here. -Yeah, thank you very much. | 0:12:38 | 0:12:40 | |
Lock, Stock, as you mentioned, that was... | 0:12:40 | 0:12:42 | |
That's a massive British film. | 0:12:42 | 0:12:45 | |
Before that, obviously, you had your thing with Lenny Henry, as well. | 0:12:45 | 0:12:48 | |
Yes, Lenny Henry and I, we did Delbert Wilkins. | 0:12:48 | 0:12:53 | |
Brixton Broadcasting Corporation, I played Winston, his sidekick. | 0:12:53 | 0:12:56 | |
Dulcet tones... In actual fact, | 0:12:56 | 0:12:58 | |
that's why Guy casted me in Lock, Stock because he used to rush | 0:12:58 | 0:13:01 | |
home from college, he said, to absorb Winston's dulcet tones. | 0:13:01 | 0:13:05 | |
LAUGHTER | 0:13:05 | 0:13:06 | |
That's the truth. | 0:13:06 | 0:13:08 | |
Well, it's lovely to have your dulcet tones on the show. | 0:13:08 | 0:13:10 | |
Listen, you're the high-scorers on 100. | 0:13:10 | 0:13:12 | |
We need a low score from you and there, look, we have obliged. | 0:13:12 | 0:13:15 | |
We've given you a board of nice, low-scoring, | 0:13:15 | 0:13:18 | |
quite tricky, challenges. | 0:13:18 | 0:13:19 | |
I'm going to be clever. Try and be clever. | 0:13:19 | 0:13:21 | |
Bon Jovi, I want to say, | 0:13:21 | 0:13:24 | |
-shotgun. -OK. | 0:13:24 | 0:13:27 | |
My Shotgun. | 0:13:28 | 0:13:30 | |
The Tracey Emin. | 0:13:30 | 0:13:31 | |
OK, no red line for you as you are the high-scorers but let's see | 0:13:31 | 0:13:34 | |
if that's right and let's see how many of our 100 people said shotgun. | 0:13:34 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:40 | |
-GROANING -Vas... | 0:13:43 | 0:13:45 | |
-No, it was gun, it was gun. -I'm really sorry to say... | 0:13:47 | 0:13:49 | |
Shotgun Of Roses is a great name for a song. | 0:13:49 | 0:13:52 | |
LAUGHTER | 0:13:52 | 0:13:53 | |
There we go. Well, 200 is your total, Vas. | 0:13:53 | 0:13:57 | |
-Sally, welcome back. -Hello. -Now, when you | 0:13:57 | 0:14:00 | |
were doing The Railway Children, | 0:14:00 | 0:14:02 | |
-you had to pretend that you were 11. -I know. | 0:14:02 | 0:14:06 | |
-And how old were you? -20. | 0:14:06 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:10 | |
But.. You... Did you...? | 0:14:10 | 0:14:12 | |
You weren't allowed to tell the crew or anything, is that right? | 0:14:12 | 0:14:14 | |
No, nobody was allowed to know. | 0:14:14 | 0:14:16 | |
I didn't realise, I mean, I just thought it was just another kids' film. | 0:14:16 | 0:14:19 | |
And then I thought, "Well, they're being a bit strict here," | 0:14:19 | 0:14:22 | |
because I couldn't drive my car, which was my biggest heartache, | 0:14:22 | 0:14:25 | |
because I just bought a new one, and I couldn't go out with my boyfriend. | 0:14:25 | 0:14:31 | |
Couldn't go into a pub. I couldn't do anything. | 0:14:31 | 0:14:34 | |
And I wasn't allowed to say it or refer to anything | 0:14:34 | 0:14:38 | |
that would make me older than that for ever. | 0:14:38 | 0:14:40 | |
And it was in my contract, too. | 0:14:40 | 0:14:43 | |
Well, listen, Sally, I've got great news. | 0:14:44 | 0:14:46 | |
You are through to the next round. What are you going to go for? | 0:14:46 | 0:14:48 | |
Well, I was thinking of Geri Halliwell, shout. | 0:14:48 | 0:14:52 | |
The Shout and Shout If You Want To Go Faster. | 0:14:52 | 0:14:54 | |
OK, Shout If You Want To Go Faster, says Sally. | 0:14:54 | 0:14:56 | |
Let's see if that's right, no red line for you | 0:14:56 | 0:14:58 | |
cos you're already through. Let's see how many people said shout. | 0:14:58 | 0:15:01 | |
-No. -No?! -I'm afraid, another incorrect answer. | 0:15:03 | 0:15:06 | |
Scores you 100 points, takes your total up to 142. | 0:15:06 | 0:15:08 | |
You're through anyway. It doesn't matter. | 0:15:08 | 0:15:10 | |
Yeah, sorry, Sally, not shout, I'm afraid. | 0:15:10 | 0:15:13 | |
We'll find out all the answers at the end of the round. | 0:15:13 | 0:15:15 | |
Thank you very much indeed, Richard. | 0:15:15 | 0:15:17 | |
Phil, welcome back. | 0:15:17 | 0:15:19 | |
Lovely to have you here again. | 0:15:19 | 0:15:21 | |
Were you a mod before Quadrophenia? | 0:15:21 | 0:15:24 | |
No, I wasn't. I was a mocker. | 0:15:24 | 0:15:26 | |
LAUGHTER | 0:15:26 | 0:15:28 | |
Better than being a rod, I guess. | 0:15:28 | 0:15:30 | |
Yeah, Quadrophenia. | 0:15:30 | 0:15:32 | |
Were you saying earlier that you hadn't seen Leslie since then? | 0:15:32 | 0:15:35 | |
No, we haven't seen each other for 35 years. | 0:15:35 | 0:15:38 | |
-We were lovers in that film. -Yeah. And that was it. | 0:15:38 | 0:15:42 | |
And this is your reunion now. | 0:15:42 | 0:15:43 | |
OK, Phil, good news for you also, you are through to the next round. | 0:15:43 | 0:15:46 | |
-What are you going to go for? -Scream. | 0:15:46 | 0:15:49 | |
-The one that Sally... -Yeah, got wrong. -..went for. OK. | 0:15:49 | 0:15:51 | |
Not shout, scream. We're going to turn it up a notch. | 0:15:51 | 0:15:54 | |
Scream, no red line for you, you're already through. | 0:15:54 | 0:15:57 | |
Let's see how many of our 100 people said scream. | 0:15:57 | 0:16:01 | |
It is, of course, scream. | 0:16:03 | 0:16:04 | |
-53. -APPLAUSE | 0:16:06 | 0:16:09 | |
Your score takes your total up to 128. | 0:16:09 | 0:16:12 | |
Yeah, very well played. The Scream, Edvard Munch, worth 120 million. | 0:16:12 | 0:16:17 | |
Thanks very much indeed. Now, Keith. | 0:16:17 | 0:16:20 | |
Now, you've been part of so many film canons. | 0:16:20 | 0:16:22 | |
-Let's think, you were in a Carry On film. -Oh, God, yeah. | 0:16:22 | 0:16:25 | |
You were, had you forgot about that? | 0:16:25 | 0:16:27 | |
I spent most of the film, myself | 0:16:27 | 0:16:29 | |
and Danny Peacock, I think... | 0:16:29 | 0:16:30 | |
If you ever watch it, at the end of all lines, you'll see me | 0:16:30 | 0:16:33 | |
and Danny Peacock trying to get out of the picture. | 0:16:33 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:37 | |
-But you're in it. -Yes. | 0:16:37 | 0:16:38 | |
You're in that, you were in Comic Strip films, of course. | 0:16:38 | 0:16:41 | |
A lot of those. | 0:16:41 | 0:16:43 | |
You were in the Danny Boyle, you know, | 0:16:43 | 0:16:45 | |
-the early canon of Danny Boyle. Trainspotting... -Shallow Grave. | 0:16:45 | 0:16:49 | |
-Then you made that lovely programme with Keith Floyd. -I did. | 0:16:49 | 0:16:51 | |
You were probably the last person to work with him, I suppose. | 0:16:51 | 0:16:54 | |
-Yeah, I was, yeah. -How was that? -It was great. | 0:16:54 | 0:16:56 | |
He was great fun. | 0:16:56 | 0:16:57 | |
You're the last person to have this board. | 0:16:57 | 0:16:59 | |
You're through, as well. Do you want to talk us through... | 0:16:59 | 0:17:02 | |
-I imagine you'll know quite a few of these. -Yeah, I know the Frida Kahlo, | 0:17:02 | 0:17:05 | |
-I know the Van Gogh. -You can fill in all those answers if you want, | 0:17:05 | 0:17:08 | |
just say which one you want to submit. | 0:17:08 | 0:17:09 | |
-No, no. I'll just go for the one that I want to. -OK. | 0:17:09 | 0:17:12 | |
LAUGHTER | 0:17:12 | 0:17:14 | |
And it's Self-portrait With Judy. | 0:17:14 | 0:17:17 | |
Self-portrait With Judy. | 0:17:18 | 0:17:21 | |
Judy Wrench. | 0:17:22 | 0:17:24 | |
I just wanted to get that in as a gag! | 0:17:24 | 0:17:26 | |
-Self-portrait With Judy. -No, it's monkey, obviously. | 0:17:26 | 0:17:29 | |
-You should have gone for Dame Judy. -It's monkey. | 0:17:29 | 0:17:31 | |
It is, indeed. Er, how do we know? | 0:17:33 | 0:17:35 | |
Self-portrait With Monkey, says Keith. | 0:17:35 | 0:17:37 | |
Let's see how many of our 100 people said monkey. | 0:17:37 | 0:17:39 | |
No red line because you're already through. | 0:17:39 | 0:17:41 | |
It is right. | 0:17:43 | 0:17:44 | |
-Oh, it's a lovely low score. -APPLAUSE | 0:17:47 | 0:17:49 | |
30, very well done indeed. Takes your total up to 42. | 0:17:49 | 0:17:53 | |
The only two-figure total of the round. | 0:17:53 | 0:17:56 | |
Well played, Keith, very good answer. | 0:17:56 | 0:17:57 | |
Let's take a look at the rest of them. It is The Last...? | 0:17:57 | 0:18:01 | |
Do you know that one? | 0:18:01 | 0:18:03 | |
Last Judgment. Judgment Day. | 0:18:03 | 0:18:06 | |
Would have scored you 4. The Starry...? | 0:18:06 | 0:18:09 | |
-Night. -The Starry Night, Night Fever. | 0:18:09 | 0:18:11 | |
Would have scored you 73. Do you know this one? | 0:18:11 | 0:18:14 | |
The Night...? | 0:18:14 | 0:18:15 | |
Watch. And Watch The Sun Come Up. Rembrandt and Example. | 0:18:15 | 0:18:18 | |
The next one's girl. | 0:18:18 | 0:18:20 | |
Another Fulham fan, Example. Also me and Keith. 12 points for that. | 0:18:20 | 0:18:23 | |
-Drowning...? -Girl. -Girl. -Girl. -Girl. | 0:18:23 | 0:18:27 | |
Why didn't you say that, Vas? | 0:18:27 | 0:18:28 | |
-What?! -Because that's just how I roll. | 0:18:28 | 0:18:30 | |
LAUGHTER | 0:18:30 | 0:18:32 | |
That's how I roll. | 0:18:32 | 0:18:34 | |
-13 points for that. And Thomas? -Bed. | 0:18:34 | 0:18:36 | |
Bed is exactly right. | 0:18:36 | 0:18:37 | |
My Bed, Tracey Emin and Bed Of Roses, Bon Jovi. | 0:18:37 | 0:18:39 | |
51 points for that. So, the best answer on the board is judgment. | 0:18:39 | 0:18:42 | |
-Very well done if you said that. -Thanks very much indeed. | 0:18:42 | 0:18:45 | |
At the end of our first round, the pair who are heading home | 0:18:45 | 0:18:47 | |
with their high score of 200, | 0:18:47 | 0:18:49 | |
I'm sorry, it's Vas and Thomas. | 0:18:49 | 0:18:50 | |
APPLAUSE | 0:18:50 | 0:18:54 | |
Well, listen, it's been lovely having you on the show. | 0:18:54 | 0:18:57 | |
Thomas, you can come back. | 0:18:57 | 0:18:59 | |
No, I'm not going, I'm staying! | 0:18:59 | 0:19:01 | |
-You can stay, if you like. -You can't make me. | 0:19:01 | 0:19:04 | |
-I -can't, no. | 0:19:06 | 0:19:08 | |
-Let's go! -Vas and Thomas, great contestants. | 0:19:08 | 0:19:11 | |
But for the remaining three pairs, it's now time for Round Two. | 0:19:14 | 0:19:17 | |
So, now we're down to three pairs and at the end of this round | 0:19:21 | 0:19:23 | |
we'll say goodbye to another pair. | 0:19:23 | 0:19:25 | |
Our category for Round Two this evening is... | 0:19:25 | 0:19:28 | |
It's Board Games. Can you all decide in your pairs | 0:19:31 | 0:19:33 | |
who's going to go first, who's going to second? | 0:19:33 | 0:19:35 | |
And whoever's going first, please step up to the podium. | 0:19:36 | 0:19:38 | |
OK. Let's find out what the question is. Here it comes. | 0:19:41 | 0:19:44 | |
We gave 100 people 100 seconds | 0:19:44 | 0:19:47 | |
to name as many... | 0:19:47 | 0:19:49 | |
Places on the Monopoly board that come alphabetically after Mayfair. | 0:19:55 | 0:20:00 | |
-Richard. -Yeah, we're looking for the name of any square on the classic | 0:20:00 | 0:20:03 | |
London Monopoly board, please, | 0:20:03 | 0:20:04 | |
that comes after Mayfair alphabetically. | 0:20:04 | 0:20:06 | |
-Very, very best of luck. -Thanks very much indeed, Richard. So, Keith? | 0:20:06 | 0:20:11 | |
-Yeah... -Always tough on that first podium. | 0:20:11 | 0:20:13 | |
Vine Street. | 0:20:13 | 0:20:15 | |
HE STUTTERS | 0:20:15 | 0:20:17 | |
That's the one I'd have gone for. Vine Street, says Keith. | 0:20:17 | 0:20:20 | |
I think that's an excellent answer. | 0:20:20 | 0:20:21 | |
Let's see how many of our 100 people said it. | 0:20:21 | 0:20:23 | |
It's right. | 0:20:27 | 0:20:28 | |
10. | 0:20:33 | 0:20:34 | |
APPLAUSE | 0:20:34 | 0:20:36 | |
Very well done indeed. | 0:20:36 | 0:20:38 | |
10 for Vine Street. | 0:20:38 | 0:20:39 | |
Another terrific answer, Keith. Well done. | 0:20:39 | 0:20:42 | |
That podium is going to be very tough to beat. | 0:20:42 | 0:20:44 | |
Used to be famous for its police station, | 0:20:44 | 0:20:45 | |
the busiest police station in the world, | 0:20:45 | 0:20:47 | |
Vine Street police station. | 0:20:47 | 0:20:48 | |
-In the WORLD? -In the WORLD. | 0:20:48 | 0:20:51 | |
-Yeah. -Wow. Thank you very much indeed. | 0:20:51 | 0:20:53 | |
OK, now, Leslie. | 0:20:53 | 0:20:55 | |
Northumberland Avenue. | 0:20:55 | 0:20:57 | |
Northumberland Avenue is a lovely answer. | 0:20:57 | 0:20:59 | |
Let's see how many of our 100 people said Northumberland Avenue. | 0:20:59 | 0:21:02 | |
Well, we've only got 10 so far for Vine Street. | 0:21:06 | 0:21:11 | |
Ooh, it's better! | 0:21:11 | 0:21:12 | |
5! | 0:21:12 | 0:21:13 | |
Leslie, superb. | 0:21:13 | 0:21:16 | |
5 for Northumberland Avenue. | 0:21:16 | 0:21:18 | |
Great answer, Leslie, very well played. | 0:21:18 | 0:21:20 | |
That was going to be my answer, Northumberland Avenue. | 0:21:20 | 0:21:22 | |
-It's a better answer than mine, yeah. -It is five better than yours. | 0:21:22 | 0:21:25 | |
It's twice as good as yours. | 0:21:25 | 0:21:26 | |
It runs up from the Thames embankment, Northumberland Avenue. | 0:21:26 | 0:21:30 | |
-Thanks very much, indeed, Richard. Phil? -Yes, sir? | 0:21:30 | 0:21:33 | |
Phil, now. Yes, what are you going to go for? | 0:21:33 | 0:21:35 | |
-Pentonville Road. -Pentonville Road. | 0:21:35 | 0:21:37 | |
Pentonville Road. Let's see if that's right. | 0:21:37 | 0:21:40 | |
Let's see how many of our 100 people said Pentonville Road. | 0:21:40 | 0:21:42 | |
It's right, obviously. | 0:21:45 | 0:21:46 | |
10 our highest score, | 0:21:46 | 0:21:47 | |
5 our lowest at this point. | 0:21:47 | 0:21:50 | |
Pentonville takes us... | 0:21:50 | 0:21:51 | |
down to 13! | 0:21:51 | 0:21:52 | |
-APPLAUSE -It's a new high. | 0:21:52 | 0:21:55 | |
Very good. | 0:21:55 | 0:21:56 | |
13 for Pentonville. | 0:21:56 | 0:21:58 | |
Well played, Phil. Three very good answers there. | 0:21:58 | 0:22:00 | |
Three very low scores. Yeah, Pentonville. | 0:22:00 | 0:22:02 | |
Pentonville prison's not on Pentonville Road. | 0:22:02 | 0:22:04 | |
No, I've often wondered why. | 0:22:04 | 0:22:06 | |
Maybe just to confuse, I don't know, runaway prisoners. | 0:22:06 | 0:22:09 | |
LAUGHTER | 0:22:09 | 0:22:10 | |
Thank you. Well, we're halfway through the round. | 0:22:10 | 0:22:13 | |
Let's take a look at those scores as they stand. | 0:22:13 | 0:22:15 | |
5, Leslie, hats off to you. | 0:22:15 | 0:22:16 | |
Best score of the pass there. | 0:22:16 | 0:22:18 | |
Very strong indeed. Then up to 10. | 0:22:18 | 0:22:20 | |
Hats off to you, indeed, also, Keith. | 0:22:20 | 0:22:22 | |
Vine Street, beautiful answer. | 0:22:22 | 0:22:23 | |
Then up to 13, Phil. | 0:22:23 | 0:22:25 | |
Nothing wrong with that. | 0:22:25 | 0:22:26 | |
Sally, through no fault of your own, | 0:22:26 | 0:22:28 | |
you find yourself out in front, | 0:22:28 | 0:22:30 | |
so we just need a low score. | 0:22:30 | 0:22:31 | |
-OK. -We just need a low score. | 0:22:31 | 0:22:33 | |
That's all we need, then we'll see you in the head-to-head. | 0:22:33 | 0:22:35 | |
We're going to come back down the line. | 0:22:35 | 0:22:37 | |
Can the second players please step up to the podium? | 0:22:37 | 0:22:39 | |
OK. So, remember, it's any square on the Monopoly board, Sally, | 0:22:42 | 0:22:45 | |
that comes alphabetically after Mayfair. | 0:22:45 | 0:22:48 | |
I'm going to say... | 0:22:50 | 0:22:52 | |
..erm, Old Street. | 0:22:53 | 0:22:55 | |
Old Street, says Sally. | 0:22:56 | 0:22:58 | |
Old Street. | 0:22:58 | 0:23:00 | |
OK. | 0:23:00 | 0:23:01 | |
There's no red line as you're the highest scorers. | 0:23:01 | 0:23:03 | |
Let's see how far down the column you can get with Old Street. | 0:23:03 | 0:23:06 | |
-Oh! -No! | 0:23:09 | 0:23:11 | |
-I thought it was on the board. -I did. | 0:23:11 | 0:23:13 | |
I'm afraid that's an incorrect answer, Sally. I'm so sorry. | 0:23:13 | 0:23:16 | |
-That's terrible. -It is the curse of the far podium. -Yeah. | 0:23:16 | 0:23:20 | |
It did for Vas and Thomas in the first round, | 0:23:20 | 0:23:22 | |
-now it's doing for you. -Oh, heavens. | 0:23:22 | 0:23:24 | |
-113 is your total, I'm afraid. -It's interesting, | 0:23:24 | 0:23:26 | |
as soon as you said Old Street, genuinely, everyone else | 0:23:26 | 0:23:29 | |
nodding away, I was nodding away at Old Street. | 0:23:29 | 0:23:31 | |
I was thinking, hang on, what colour's Old Street? | 0:23:31 | 0:23:33 | |
-Yeah, it's not there. -Thanks very much, indeed, Richard. | 0:23:33 | 0:23:36 | |
So, Phil. | 0:23:36 | 0:23:38 | |
Old Kent Road. | 0:23:38 | 0:23:40 | |
There you go, Old Kent Road. | 0:23:40 | 0:23:42 | |
You're already through to the next round. | 0:23:42 | 0:23:44 | |
No red line for you. | 0:23:44 | 0:23:45 | |
But let's see how far down the column you can get | 0:23:45 | 0:23:49 | |
with Old Kent Road. | 0:23:49 | 0:23:50 | |
It's right. | 0:23:53 | 0:23:54 | |
48. | 0:23:56 | 0:23:57 | |
-APPLAUSE -Popular choice, but there you are. | 0:23:57 | 0:24:00 | |
It takes your total up to 53. | 0:24:00 | 0:24:01 | |
-Through you go anyway. -Well played, Phil. | 0:24:01 | 0:24:04 | |
Did exactly what you had to. In the original Monopoly, | 0:24:04 | 0:24:06 | |
it's the cheapest square on the board. | 0:24:06 | 0:24:07 | |
But they recalculated the property prices. | 0:24:07 | 0:24:09 | |
It would now be the 10th cheapest on the board. | 0:24:09 | 0:24:12 | |
It's overtaken nine other squares. | 0:24:12 | 0:24:14 | |
-Good for Old Kent Road. -Yeah. | 0:24:14 | 0:24:16 | |
Thanks very much, indeed. | 0:24:16 | 0:24:17 | |
-Now, Clare. -Yes. | 0:24:17 | 0:24:19 | |
Clare, can we keep up this fantastic low-scoring, I wonder, | 0:24:19 | 0:24:22 | |
-on that first podium? -I doubt it. | 0:24:22 | 0:24:24 | |
-Listen, you're on 10, you're through. -Do the utilities count? | 0:24:24 | 0:24:27 | |
-Can I ask that question? -Any square counts. -Any square. | 0:24:27 | 0:24:30 | |
Any square. | 0:24:30 | 0:24:31 | |
-That's what you're going to go for, utilities? -Yeah. | 0:24:31 | 0:24:34 | |
No red line for you, you're already through. | 0:24:34 | 0:24:36 | |
Let's see how far down in the column Clare can get with utilities. | 0:24:36 | 0:24:39 | |
-SHE GASPS -Oh! | 0:24:42 | 0:24:44 | |
It scores you 100 points. | 0:24:44 | 0:24:46 | |
Takes your total up to 110. | 0:24:46 | 0:24:47 | |
But you're through comfortably anyway. | 0:24:47 | 0:24:50 | |
Sorry, Clare, I thought it was right next to Old Street, is it not? | 0:24:50 | 0:24:53 | |
Utilities, on the board? It's not there, | 0:24:53 | 0:24:55 | |
but there are individual utilities like Water Works, | 0:24:55 | 0:24:57 | |
would have scored you 16 points, which would have been a good answer. | 0:24:57 | 0:25:00 | |
-Oh, yeah. -Now, there's a pointless answer up there. | 0:25:00 | 0:25:03 | |
There's a pointless answer on the board after Mayfair. | 0:25:03 | 0:25:05 | |
-What do you think it is? -Super Tax. | 0:25:05 | 0:25:08 | |
Is the right answer, a pointless answer. | 0:25:08 | 0:25:10 | |
APPLAUSE Very well done. | 0:25:10 | 0:25:12 | |
I literally thought of it while we were discussing utilities. | 0:25:12 | 0:25:15 | |
I'll take you through some of the other low scorers. | 0:25:15 | 0:25:18 | |
Whitehall would have scored you 4. It would have been a terrific answer. | 0:25:18 | 0:25:21 | |
Here's a good one for 5 points, | 0:25:21 | 0:25:23 | |
The Angel Islington, | 0:25:23 | 0:25:24 | |
because it starts with a T... | 0:25:24 | 0:25:26 | |
-Oh. -..for "The". I know, right? | 0:25:26 | 0:25:28 | |
Then Whitechapel Road would have scored 16, | 0:25:28 | 0:25:31 | |
Water Works 16, Strand 16. | 0:25:31 | 0:25:33 | |
You would have got 19 for Oxford Street, 20 for Regent Street, | 0:25:33 | 0:25:36 | |
25 for Piccadilly, | 0:25:36 | 0:25:38 | |
26 for Trafalgar Square and Pall Mall, | 0:25:38 | 0:25:41 | |
29 for Park Lane, and Old Kent Road was the highest scorer of all. | 0:25:41 | 0:25:44 | |
Thank you very much indeed, Richard. | 0:25:44 | 0:25:46 | |
So, at the end of our second round, I'm sorry to say | 0:25:46 | 0:25:49 | |
the pair who are heading home, with their high score of 113, | 0:25:49 | 0:25:51 | |
-it's Sally and Phil. -Hey! | 0:25:51 | 0:25:53 | |
-Oh, I'm sorry. -We done good. | 0:25:53 | 0:25:55 | |
Well, you done good. You have done good. | 0:25:55 | 0:25:57 | |
Old Street let you down badly | 0:25:57 | 0:25:59 | |
with its absence from the board. | 0:25:59 | 0:26:01 | |
It should be on there, really. | 0:26:01 | 0:26:02 | |
Do not collect £200. | 0:26:02 | 0:26:04 | |
-LAUGHTER -I'm afraid, no. | 0:26:04 | 0:26:06 | |
Oh, I'm sorry, you won't be collecting £200. | 0:26:06 | 0:26:08 | |
-But come back. -He's here all week! | 0:26:08 | 0:26:10 | |
Come back. Come back and play again. | 0:26:10 | 0:26:12 | |
Phil, you need your second trophy | 0:26:12 | 0:26:14 | |
and, Sally, it would just be such a treat to see you again. | 0:26:14 | 0:26:16 | |
Thanks so much, Sally and Phil. Lovely contestants. | 0:26:16 | 0:26:19 | |
-APPLAUSE -Thank you. | 0:26:19 | 0:26:22 | |
But for Phil and Leslie, Clare and Keith, | 0:26:22 | 0:26:24 | |
it's now time for our head-to-head. | 0:26:24 | 0:26:26 | |
So, congratulations, Clare and Keith, Phil and Leslie. | 0:26:29 | 0:26:32 | |
You're now one step closer to the final | 0:26:32 | 0:26:34 | |
and a chance to play for our jackpot for your charities. | 0:26:34 | 0:26:37 | |
Our jackpot currently stands at £2,500. | 0:26:37 | 0:26:41 | |
APPLAUSE | 0:26:41 | 0:26:43 | |
Right here is where we have to decide who goes through | 0:26:44 | 0:26:47 | |
to the final and plays for that jackpot. | 0:26:47 | 0:26:48 | |
We do that by making you go head-to-head. | 0:26:48 | 0:26:51 | |
The first pair to win two questions will be playing for that jackpot. | 0:26:51 | 0:26:54 | |
Best of luck to both pairs. That's play the head-to-head. | 0:26:54 | 0:26:57 | |
APPLAUSE | 0:26:57 | 0:26:59 | |
So, here comes your first question and it concerns... | 0:27:03 | 0:27:06 | |
The Royal family. Richard. | 0:27:10 | 0:27:11 | |
LAUGHTER | 0:27:11 | 0:27:12 | |
Looks like we've got a lot of royal lovers | 0:27:12 | 0:27:14 | |
in our head-to-head there(!) | 0:27:14 | 0:27:17 | |
Which royal family? | 0:27:18 | 0:27:20 | |
We're going to show you five pictures | 0:27:20 | 0:27:21 | |
of members of the Royal family. | 0:27:21 | 0:27:23 | |
We need you to tell us the decade in which each was born, please. | 0:27:23 | 0:27:27 | |
What's the most obscure answer of the five you're about to see? | 0:27:27 | 0:27:29 | |
Thanks very much indeed. Let's reveal our five pictures | 0:27:29 | 0:27:32 | |
and here they come. We have got... | 0:27:32 | 0:27:34 | |
OK, there we are. | 0:27:57 | 0:27:59 | |
Five members of the Royal family. | 0:27:59 | 0:28:01 | |
Clare and Keith, you've played best throughout the show so far, | 0:28:01 | 0:28:04 | |
so you will go first. | 0:28:04 | 0:28:06 | |
-OK. -OK, we'll go for C... | 0:28:06 | 0:28:08 | |
-Yeah. -And it's the '50s. | 0:28:08 | 0:28:10 | |
C, the '50s. C, the '50s. | 0:28:10 | 0:28:13 | |
Now, Phil and Leslie, the board's all yours. | 0:28:13 | 0:28:17 | |
Talk us through it. | 0:28:17 | 0:28:18 | |
A, what's he? About 25 or something? So what would that make him, | 0:28:18 | 0:28:21 | |
in the 1990s? | 0:28:21 | 0:28:22 | |
I don't know who B is. | 0:28:22 | 0:28:24 | |
-He's George. -Oh, is he? | 0:28:24 | 0:28:25 | |
-LAUGHTER -God, everyone knows that! | 0:28:25 | 0:28:28 | |
-Do they? -Yeah. | 0:28:28 | 0:28:30 | |
Is that Michael of Kent? | 0:28:31 | 0:28:33 | |
He's got to be 1930s or 1940s, | 0:28:33 | 0:28:36 | |
-hasn't he? -1930s, I'd say. -OK. | 0:28:36 | 0:28:38 | |
Is that going to be your answer? | 0:28:38 | 0:28:40 | |
Yeah, D, 1930s. | 0:28:40 | 0:28:43 | |
D, 1930s. So, we have the 1950s and the 1930s. | 0:28:43 | 0:28:47 | |
Clare and Keith said the 1950s for C. Let's see if that's right, | 0:28:47 | 0:28:49 | |
and if it is, let's see how many of our 100 people said the 1950s. | 0:28:49 | 0:28:54 | |
It's right. | 0:28:55 | 0:28:57 | |
48. | 0:29:01 | 0:29:02 | |
APPLAUSE | 0:29:02 | 0:29:04 | |
48. Phil and Leslie, meanwhile, have said the 1930s for D. | 0:29:05 | 0:29:09 | |
Let's see if that's right, | 0:29:09 | 0:29:11 | |
and if it is, let's see how many people said that. | 0:29:11 | 0:29:13 | |
-It's right. -Ooh! | 0:29:15 | 0:29:16 | |
And it wins you the point. | 0:29:19 | 0:29:20 | |
Very well done. | 0:29:20 | 0:29:21 | |
-APPLAUSE -It takes you down to 33. | 0:29:21 | 0:29:24 | |
Which means, Phil and Leslie, | 0:29:24 | 0:29:26 | |
after one question, you are up 1-0. | 0:29:26 | 0:29:28 | |
Well played, Phil and Leslie. That's the Duke of Kent | 0:29:28 | 0:29:31 | |
-and he was born in 1935. -The Duke of Kent. | 0:29:31 | 0:29:34 | |
Let's take a look at the rest of these. Prince Harry was born... | 0:29:34 | 0:29:38 | |
You underestimated his age, 1984 he was born. | 0:29:38 | 0:29:40 | |
-So the -'80s. Yeah. | 0:29:40 | 0:29:42 | |
That would have scored you 70 points. | 0:29:42 | 0:29:45 | |
B is, of course, Prince George. | 0:29:45 | 0:29:47 | |
Oh, look at that face! | 0:29:47 | 0:29:49 | |
He was born in the 2010s. | 0:29:49 | 0:29:51 | |
That would have scored you 74. | 0:29:51 | 0:29:52 | |
And E, | 0:29:53 | 0:29:55 | |
that is Charles Armstrong Jones, | 0:29:55 | 0:29:57 | |
the son of Viscount Linley, | 0:29:57 | 0:29:59 | |
and I think just by people working out how old he was, | 0:29:59 | 0:30:02 | |
he was born in 1999. That would have scored you 18 points. | 0:30:02 | 0:30:05 | |
Thank you very much indeed, Richard. | 0:30:05 | 0:30:08 | |
So, here comes your second question. | 0:30:08 | 0:30:09 | |
Now, Phil and Leslie, you get to answer it first. | 0:30:09 | 0:30:12 | |
But Clare and Keith, you have to win this to stay in the game. | 0:30:12 | 0:30:14 | |
So, very best of luck. It concerns... | 0:30:14 | 0:30:16 | |
Film Music. Richard. | 0:30:20 | 0:30:21 | |
I'm just going to play you five excerpts now of music | 0:30:21 | 0:30:23 | |
that's featured in various films. | 0:30:23 | 0:30:25 | |
You just need to tell us the name of the film, please, | 0:30:25 | 0:30:27 | |
-or the film franchise. Very best of luck. -Excellent. | 0:30:27 | 0:30:30 | |
So, let's listen to our five music excerpts, and here they come. | 0:30:30 | 0:30:33 | |
We've got, A... | 0:30:33 | 0:30:35 | |
MUSIC PLAYS | 0:30:37 | 0:30:40 | |
B. | 0:30:52 | 0:30:54 | |
MUSIC PLAYS | 0:30:54 | 0:30:58 | |
MUSIC DROWNS SPEECH | 0:31:05 | 0:31:07 | |
C. | 0:31:16 | 0:31:18 | |
MUSIC PLAYS | 0:31:18 | 0:31:20 | |
D. | 0:31:34 | 0:31:35 | |
MUSIC PLAYS | 0:31:35 | 0:31:38 | |
MUSIC DROWNS SPEECH | 0:31:55 | 0:31:58 | |
And E. | 0:31:58 | 0:31:59 | |
MUSIC PLAYS | 0:32:00 | 0:32:03 | |
There we are. Five excerpts of music from films. | 0:32:21 | 0:32:25 | |
-Da-da dum, ssss! -Phil and Leslie? | 0:32:25 | 0:32:29 | |
-We're going to go for C. -Yes. | 0:32:29 | 0:32:32 | |
-Yeah, it's The Godfather? -The Godfather. | 0:32:32 | 0:32:34 | |
C, the Godfather. OK. | 0:32:34 | 0:32:36 | |
Now, then, Clare and Keith, what do you want to go for? | 0:32:36 | 0:32:39 | |
-I think we're... I mean, we're going to go out. -So... | 0:32:39 | 0:32:42 | |
-Because we... -Which tune would you like to go out to? | 0:32:42 | 0:32:46 | |
-LAUGHTER -Rocky. The winning! -We have to go out to E. -Yeah, to E. | 0:32:46 | 0:32:49 | |
-OK, you're going to go out to E. -Yes. -Yeah. | 0:32:49 | 0:32:52 | |
-OK, and that is? -Rocky. -Rocky. -We don't know if ours is right. | 0:32:52 | 0:32:54 | |
OK, so we have The Godfather and we have Rocky. | 0:32:54 | 0:32:57 | |
Phil and Leslie have gone for The Godfather, | 0:32:57 | 0:32:59 | |
which was C, they think. | 0:32:59 | 0:33:01 | |
-Let's see if that's right, let's see how many people said it. -Please! | 0:33:01 | 0:33:05 | |
It's right. | 0:33:05 | 0:33:06 | |
Going down. | 0:33:08 | 0:33:10 | |
38. | 0:33:10 | 0:33:11 | |
APPLAUSE | 0:33:11 | 0:33:13 | |
-PHIL LAUGHS -It's going to be close, Keith. | 0:33:13 | 0:33:16 | |
-38 for The Godfather. -I don't believe that! | 0:33:16 | 0:33:19 | |
Clare and Keith, meanwhile, have said that E was Rocky. | 0:33:19 | 0:33:22 | |
Let's see if that's right, let's see how many people said Rocky. | 0:33:22 | 0:33:25 | |
It's right. | 0:33:26 | 0:33:28 | |
-Has to beat 38 to keep you in the game... -Ohhh! | 0:33:28 | 0:33:31 | |
-I'm afraid you're at 50. -APPLAUSE | 0:33:31 | 0:33:34 | |
-Oh, Rocky. -Very well done, though. | 0:33:34 | 0:33:37 | |
Phil and Leslie, after only two questions, | 0:33:37 | 0:33:39 | |
you're straight through to the final, 2-nil. | 0:33:39 | 0:33:41 | |
Yeah, those are the two biggest scorers on the board, actually. All of the other answers | 0:33:41 | 0:33:45 | |
would have won you the point. I think you knew... | 0:33:45 | 0:33:47 | |
Let's have a little listen to A. MUSIC PLAYS | 0:33:47 | 0:33:49 | |
-I think everyone recognises it. -I know the tune. -Recognise the tune. | 0:33:49 | 0:33:52 | |
Beverly Hills Cop. And would have scored you 34 points. | 0:33:52 | 0:33:57 | |
-Wouldn't have got that. -34 points. Now, B, let's have a little listen. | 0:33:57 | 0:34:01 | |
MUSIC PLAYS | 0:34:01 | 0:34:03 | |
It's actually the best answer on the board, and it's Enter The Dragon. | 0:34:03 | 0:34:07 | |
-Oh! -5 points. | 0:34:07 | 0:34:09 | |
-There was a Chinese bit in it, yeah. -Very well done if you said that. | 0:34:09 | 0:34:12 | |
-I would never have known that. -And D, let's take a little listen, | 0:34:12 | 0:34:15 | |
would have won you the point if you'd got it right. | 0:34:15 | 0:34:17 | |
-MUSIC PLAYS -Star Trek? -No, Star Wars. | 0:34:17 | 0:34:20 | |
-Back To The Future. -Oh! -LAUGHTER | 0:34:20 | 0:34:22 | |
Back To The Future. And that would have scored you 15 points. | 0:34:22 | 0:34:25 | |
-Well done if you said that at home. -There we go. | 0:34:25 | 0:34:28 | |
Well, thank you very much indeed, Richard. | 0:34:28 | 0:34:31 | |
So the pair leaving us at the end of the head-to-head round, I'm so sorry, Clare and Keith. | 0:34:31 | 0:34:35 | |
Do you know, actually, I went to a wedding where the bride and groom | 0:34:35 | 0:34:38 | |
actually did leave to that Rocky music. But it was brilliant, | 0:34:38 | 0:34:41 | |
-because it starts off like the Mendelssohn Wedding March... -HE HUMS | 0:34:41 | 0:34:44 | |
..and then goes into Rocky. That was great. Oh how we laughed. | 0:34:44 | 0:34:48 | |
LAUGHTER | 0:34:48 | 0:34:51 | |
Anyway, Clare and Keith, it's been lovely having you on. | 0:34:51 | 0:34:53 | |
Just come back and win. Thanks very much, though. | 0:34:53 | 0:34:55 | |
Clare and Keith, wonderful contestants. | 0:34:55 | 0:34:57 | |
-APPLAUSE -Thank you. -Thank you, and congratulations. | 0:34:57 | 0:35:01 | |
But for Phil and Leslie, it's now time for our Pointless final. | 0:35:01 | 0:35:04 | |
Congratulations, Phil and Leslie. You've seen off all the competition | 0:35:08 | 0:35:11 | |
and you've won our coveted Pointless trophy. | 0:35:11 | 0:35:14 | |
You now have a chance to win our Pointless jackpot | 0:35:19 | 0:35:22 | |
for your charities, and at the end of today's show, | 0:35:22 | 0:35:24 | |
the jackpot stands at £2,500. | 0:35:24 | 0:35:27 | |
-There it is. -APPLAUSE | 0:35:27 | 0:35:31 | |
You've done so well. As always, you get to choose your category | 0:35:31 | 0:35:34 | |
from the four we put up on the board. | 0:35:34 | 0:35:36 | |
Here are those four. We have... | 0:35:36 | 0:35:39 | |
-Between us we should know something about Shakespeare. -All right. | 0:35:45 | 0:35:48 | |
-We'll have a go at Shakespeare. -You're going to go Shakespeare. | 0:35:48 | 0:35:51 | |
-Richard? -Good, two actors going for Shakespeare. Quite right too. | 0:35:51 | 0:35:54 | |
We've got three different questions for you here. We are looking for... | 0:35:54 | 0:35:57 | |
the first names of any of Shakespeare's family - | 0:35:57 | 0:36:00 | |
that's his parents, his siblings or his children. | 0:36:00 | 0:36:03 | |
We are looking for any character with a name | 0:36:03 | 0:36:06 | |
from the cast list of Othello. | 0:36:06 | 0:36:08 | |
Or we are looking for any Shakespeare play from his first folio | 0:36:08 | 0:36:12 | |
that contains the letter S anywhere in its title, please. | 0:36:12 | 0:36:16 | |
So any of Shakespeare's family - | 0:36:16 | 0:36:17 | |
that's his parents, his siblings, his children - | 0:36:17 | 0:36:19 | |
any character from Othello, or any of Shakespeare's plays | 0:36:19 | 0:36:22 | |
in the first folio with the letter S. | 0:36:22 | 0:36:24 | |
Thank you very much indeed, Richard. Now, as always, | 0:36:24 | 0:36:27 | |
you've got up to a minute to come up with three answers. | 0:36:27 | 0:36:29 | |
All you need to win that jackpot for your charities is for just one of those answers to be pointless. | 0:36:29 | 0:36:33 | |
-Are you ready? -No. | 0:36:33 | 0:36:35 | |
-Erm, yes. -Let's put 60 seconds up on the clock. | 0:36:35 | 0:36:38 | |
There they are. Your time starts now. | 0:36:38 | 0:36:40 | |
-Plays with the S in it. -Yeah. -Yeah. | 0:36:42 | 0:36:45 | |
-Yeah, it doesn't have to start with S. -Oh. | 0:36:45 | 0:36:48 | |
-So there's Titus Andronicus... -OK. | 0:36:48 | 0:36:50 | |
The Merry Wives Of Windsor... | 0:36:51 | 0:36:53 | |
-Midsummer Night's Dream. -Midsummer Night's Dream. | 0:36:53 | 0:36:56 | |
-The odd plays. -Tempest. | 0:36:56 | 0:36:58 | |
Let's do another one, cos we've got them. | 0:37:03 | 0:37:05 | |
OK. Character from Othello - | 0:37:05 | 0:37:06 | |
I think there's someone called Roderigo in Othello. | 0:37:06 | 0:37:09 | |
-I know there's Iago and all that. -Is there? -Yeah. | 0:37:11 | 0:37:15 | |
Shakespeare's family, does that... | 0:37:15 | 0:37:17 | |
-Anne Hathaway, you said. -Anne Hathaway, but I'm not sure | 0:37:17 | 0:37:20 | |
if that's just... Was he married to Anne Hathaway? | 0:37:20 | 0:37:22 | |
He's got to call someone William, hasn't he? | 0:37:22 | 0:37:24 | |
After himself. Is that right? | 0:37:24 | 0:37:26 | |
I don't know, don't look at me! | 0:37:26 | 0:37:29 | |
Ten seconds left, go on. | 0:37:29 | 0:37:31 | |
-Quick! -All right. | 0:37:31 | 0:37:33 | |
-We'll go for, then, Titus Andronicus. -Yeah. | 0:37:33 | 0:37:37 | |
-Roderigo. -Yeah. -And... | 0:37:38 | 0:37:41 | |
That's your time up. OK, what are your three answers going to be? | 0:37:41 | 0:37:43 | |
Sorry, I'm just interrupting you while you were saying, | 0:37:43 | 0:37:46 | |
but, yeah, give me your three answers. | 0:37:46 | 0:37:48 | |
-Roderigo. -Roderigo, in which category? | 0:37:48 | 0:37:52 | |
Character from Othello. | 0:37:52 | 0:37:53 | |
-Character from Othello. -Titus Andronicus as a play. | 0:37:53 | 0:37:56 | |
-Titus Andronicus, play with an S in it. -And... | 0:37:56 | 0:37:59 | |
-A Winter's tale. -A Winter's Tale, there we go. | 0:37:59 | 0:38:03 | |
-Look at that. -Festive. -So of those three, | 0:38:03 | 0:38:05 | |
which do you like the best as a pointless answer? | 0:38:05 | 0:38:08 | |
Which do you think is your best shot at a pointless answer? | 0:38:08 | 0:38:11 | |
-Winter's Tale? -Winter's Tale. -Winter's Tale we'll put last. | 0:38:11 | 0:38:14 | |
-Least likely to be pointless? -Roderigo. I think it might... | 0:38:14 | 0:38:16 | |
-It could be wrong. -Roderigo from Othello. | 0:38:16 | 0:38:18 | |
-And then Titus Andronicus in the middle? -Yeah. | 0:38:18 | 0:38:21 | |
OK, well lets put those up on the board in that order, then. | 0:38:21 | 0:38:24 | |
And here they are. We've got... | 0:38:24 | 0:38:26 | |
Roderigo, Titus Andronicus, | 0:38:26 | 0:38:29 | |
and The Winter's Tale. | 0:38:29 | 0:38:32 | |
Well, very, very best of luck. | 0:38:32 | 0:38:34 | |
Now, let's suppose one of those answers is pointless - | 0:38:34 | 0:38:38 | |
every reason to suppose it might be - | 0:38:38 | 0:38:40 | |
what would you be giving your money to? | 0:38:40 | 0:38:42 | |
Which charity are you playing for, Phil? | 0:38:42 | 0:38:44 | |
The Pancreatic Cancer Research. | 0:38:44 | 0:38:47 | |
I lost my lady to pancreatic cancer, so... | 0:38:47 | 0:38:51 | |
-it would be good. -Very good. | 0:38:51 | 0:38:54 | |
-Leslie? -Cancer Research. | 0:38:54 | 0:38:57 | |
Excellent. Let's hope. | 0:38:57 | 0:38:59 | |
APPLAUSE | 0:38:59 | 0:39:01 | |
Let's hope one of these answers at least will win that jackpot | 0:39:01 | 0:39:04 | |
for those charities. Very well done. So, Roderigo, your first answer. | 0:39:04 | 0:39:09 | |
In this case, we were looking for characters from Othello. | 0:39:09 | 0:39:11 | |
You thought this was probably your least likely to be pointless, | 0:39:11 | 0:39:14 | |
but let's find out. Roderigo sounds perfectly good to me. | 0:39:14 | 0:39:17 | |
Let's just see, though - if nobody has said it, it will win you £2,500. | 0:39:17 | 0:39:22 | |
How many people said Roderigo? | 0:39:22 | 0:39:24 | |
-It's right. -Oh, my goodness! -Roderigo is right. | 0:39:27 | 0:39:30 | |
Now, if this goes all the way down to 0, | 0:39:30 | 0:39:33 | |
you will leave here with £2,500 for your charities. | 0:39:33 | 0:39:36 | |
Down it goes, single figures, still going down. | 0:39:36 | 0:39:38 | |
-Down it goes... -1! Argh! | 0:39:38 | 0:39:40 | |
APPLAUSE | 0:39:40 | 0:39:43 | |
-Oh, Phil. -1 for Roderigo. That's a fabulous first answer. | 0:39:49 | 0:39:53 | |
Unfortunately, not a pointless answer. | 0:39:53 | 0:39:55 | |
Two more shots at today's jackpot. | 0:39:55 | 0:39:58 | |
Your second answer was Titus Andronicus, and in this case, | 0:39:58 | 0:40:01 | |
we were looking for Shakespeare plays | 0:40:01 | 0:40:02 | |
containing the letter S in the title. | 0:40:02 | 0:40:04 | |
For £2,500, let's see how many people named Titus Andronicus. | 0:40:04 | 0:40:09 | |
Well, it's also correct. Roderigo took us all the way down to 1. | 0:40:13 | 0:40:18 | |
Titus Andronicus, now taking us through the 30s and the 20s, | 0:40:18 | 0:40:21 | |
into the teens, into single figures, | 0:40:21 | 0:40:23 | |
down it goes, still going down... | 0:40:23 | 0:40:25 | |
3. | 0:40:25 | 0:40:26 | |
-APPLAUSE -That's good. That's really good. | 0:40:26 | 0:40:29 | |
OK, fair enough. | 0:40:29 | 0:40:31 | |
We started off with a 1, just to get it all exciting, | 0:40:31 | 0:40:34 | |
then up to 3 again. Fair enough. It was filling a place. | 0:40:34 | 0:40:36 | |
We're now back in, I think, pointless territory here, with the Winter's Tale. | 0:40:36 | 0:40:43 | |
If this goes all the way down to 0, | 0:40:43 | 0:40:45 | |
you leave here with that jackpot for your charities. For £2,500, | 0:40:45 | 0:40:49 | |
How many people said the Winter's Tale? Is it pointless? | 0:40:49 | 0:40:51 | |
It's right. We kind of knew that. | 0:40:55 | 0:40:58 | |
Roderigo took us down to 1, | 0:40:58 | 0:41:00 | |
Titus Andronicus took us down to 3. | 0:41:00 | 0:41:03 | |
The Winter's Tale, into single figures, down it goes, | 0:41:03 | 0:41:06 | |
still going down, passes 3... | 0:41:06 | 0:41:07 | |
-AUDIENCE GROANS -Oh, no! 2. | 0:41:07 | 0:41:10 | |
APPLAUSE | 0:41:10 | 0:41:13 | |
-Well done. -Really? | 0:41:13 | 0:41:15 | |
Three very good answers there. | 0:41:17 | 0:41:20 | |
Lovely low scores there. Roderigo. | 0:41:20 | 0:41:23 | |
-That deserved to go all the way down, surely. -Yeah. | 0:41:23 | 0:41:26 | |
But I'm afraid, I'm very sorry to say, | 0:41:26 | 0:41:27 | |
you didn't manage to find that all-important pointless answer. | 0:41:27 | 0:41:30 | |
So I'm afraid you don't win today's jackpot of £2,500. | 0:41:30 | 0:41:33 | |
However, as today is a celebrity special, | 0:41:33 | 0:41:35 | |
all our celebrities were playing for a nominated charity. | 0:41:35 | 0:41:38 | |
We're going to donate 500 quid to each pair | 0:41:38 | 0:41:40 | |
-to give to their respective charities. -Thank you. | 0:41:40 | 0:41:42 | |
-APPLAUSE -And you've done so well. | 0:41:42 | 0:41:44 | |
Really strong performance across the show, and we've loved having you on. | 0:41:44 | 0:41:48 | |
And you get to take home a Pointless trophy each, | 0:41:48 | 0:41:50 | |
so very, very well done. | 0:41:50 | 0:41:51 | |
-APPLAUSE -Very well done. -Yeah. | 0:41:51 | 0:41:54 | |
Wow. I mean, no, absolutely brilliant jackpot round. | 0:41:56 | 0:41:59 | |
You know, you covered yourself in glory there. So sorry you didn't get the pointless answer. | 0:41:59 | 0:42:03 | |
There are a couple of pointless Shakespeare plays - | 0:42:03 | 0:42:05 | |
there are only two on that pointless list. | 0:42:05 | 0:42:07 | |
Do you want to have a little go at one of those? | 0:42:07 | 0:42:10 | |
-Taming Of The Shrew? -Taming Of The Shrew | 0:42:10 | 0:42:12 | |
-would have scored you ten points. -Oh, what about that? | 0:42:12 | 0:42:14 | |
-It's actually the third biggest answer. -Useless. -Coriolanus? | 0:42:14 | 0:42:17 | |
Coriolanus would have scored you 2. | 0:42:17 | 0:42:19 | |
Measure For Measure, what about that? | 0:42:19 | 0:42:22 | |
Measure For Measure is a pointless answer. | 0:42:22 | 0:42:23 | |
-AUDIENCE: -Oooh! -Get in there! | 0:42:23 | 0:42:25 | |
APPLAUSE Very good. | 0:42:25 | 0:42:28 | |
And the other pointless answer in that category was Timon Of Athens. | 0:42:28 | 0:42:31 | |
Timon Of Athens. Very well done if you got any of those at home. | 0:42:31 | 0:42:33 | |
Let's take a look at Shakespeare's family. Gilbert was his brother. | 0:42:33 | 0:42:36 | |
Joan, Judith, and Margaret, who was his sister. | 0:42:36 | 0:42:38 | |
Edmund, also a pointless answer. Well done if you said any of those. | 0:42:38 | 0:42:41 | |
We'll take a look at characters from Othello. Roderigo - great answer, | 0:42:41 | 0:42:45 | |
cos there are only two pointless answers, and those were Gratiano... | 0:42:45 | 0:42:48 | |
-Lodovico! -..and Lodovico. | 0:42:48 | 0:42:50 | |
Very well done if you said any of those at home. | 0:42:50 | 0:42:52 | |
Thank you very much indeed, Richard. Well, unfortunately, we have to say goodbye to you, Phil and Leslie, | 0:42:52 | 0:42:57 | |
but we've loved having you on the show. Thank you so much for being such brilliant contestants. | 0:42:57 | 0:43:01 | |
-Phil and Leslie! -APPLAUSE -Well done. | 0:43:01 | 0:43:04 | |
Join us next time, when we'll be putting more obscure knowledge | 0:43:04 | 0:43:07 | |
to the test on Pointless. Meanwhile, it's goodbye from Richard... | 0:43:07 | 0:43:09 | |
-Goodbye. -..and it's goodbye from me. Goodbye. | 0:43:09 | 0:43:13 | |
APPLAUSE | 0:43:13 | 0:43:16 |