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'This is Scott Mills. BBC Radio One.' | 0:00:03 | 0:00:07 | |
Xander and Richard, | 0:00:07 | 0:00:08 | |
thank you so much for agreeing to do our show while we're on holidays. | 0:00:08 | 0:00:11 | |
Oh, it's a pleasure. | 0:00:11 | 0:00:12 | |
Thank you for agreeing to do Pointless Celebrities. | 0:00:12 | 0:00:14 | |
It's all fine. What have you got planned? | 0:00:14 | 0:00:16 | |
Music-wise, let's start with the music. | 0:00:16 | 0:00:19 | |
We have been digging around, shall we say? We have found some things. | 0:00:19 | 0:00:23 | |
I don't think anyone's heard of him yet. Joe Dolce. | 0:00:23 | 0:00:26 | |
Joe Dolce. Have you heard of him? | 0:00:26 | 0:00:28 | |
-No... -Wait till you hear the name of the song. | 0:00:28 | 0:00:31 | |
Shaddap You Face. | 0:00:31 | 0:00:32 | |
-I mean, what's not to like? -Yeah. | 0:00:32 | 0:00:34 | |
-It's a-not so bad. -Eh! | 0:00:34 | 0:00:36 | |
Great stuff. | 0:00:36 | 0:00:37 | |
Chris, look, I love the stuff you do, | 0:00:37 | 0:00:39 | |
-all the quizzes and that kind of stuff. -OK. | 0:00:39 | 0:00:42 | |
I've got a great quiz idea which I think... | 0:00:42 | 0:00:45 | |
Don't nick it. Don't nick it. | 0:00:45 | 0:00:47 | |
It's essentially 45 minutes simply about the Industrial Revolution. | 0:00:47 | 0:00:53 | |
A lot of 18th century stuff. | 0:00:53 | 0:00:54 | |
I know what you're thinking, though, some 19th century stuff too, | 0:00:54 | 0:00:57 | |
because, hey, it's Radio 1. It's going to wicked. | 0:00:57 | 0:00:59 | |
-It's going to be fantastic. All the way back to the... -Hi, guys. | 0:00:59 | 0:01:03 | |
Hey, how are you doing? | 0:01:03 | 0:01:05 | |
Good. | 0:01:05 | 0:01:06 | |
Enjoy the show. | 0:01:06 | 0:01:07 | |
-It's Bruno Brookes! -That was Bruno Brookes. | 0:01:07 | 0:01:10 | |
Bruno Brookes! | 0:01:13 | 0:01:14 | |
I can't believe it. | 0:01:14 | 0:01:16 | |
Guys, I've actually... | 0:01:16 | 0:01:18 | |
Sorry, I've just got a message saying that we're not | 0:01:18 | 0:01:20 | |
-actually on holiday that week now. -Oh, no. -Oh, you're... | 0:01:20 | 0:01:23 | |
-That's a real shame. -They change it all the time. | 0:01:23 | 0:01:25 | |
-I'm so sorry. -Oh, no. -Oh, you are kidding me. | 0:01:25 | 0:01:27 | |
We're going to have to cancel it. | 0:01:27 | 0:01:29 | |
You'll still do Pointless Celebrities, right? | 0:01:29 | 0:01:31 | |
-Of course. -Absolutely. -Yep, yep. | 0:01:31 | 0:01:34 | |
Sorry, lads. It's just one of those things. | 0:01:34 | 0:01:36 | |
Sorry to let you down like that. | 0:01:36 | 0:01:37 | |
-That is gutting, isn't it? -Yeah. | 0:01:37 | 0:01:39 | |
Really nice to see you. | 0:01:39 | 0:01:41 | |
-All right, gents. -See you soon. -See you later. -Bye. | 0:01:41 | 0:01:43 | |
-What a couple of suckers! -Lovely, got out of that. | 0:01:45 | 0:01:49 | |
Right, let's listen to some Fetty Wap. | 0:01:49 | 0:01:51 | |
MUSIC: Trap Queen by Fetty Wap | 0:01:51 | 0:01:52 | |
CHEERING AND APPLAUSE | 0:02:09 | 0:02:11 | |
Thank you very much indeed! Hello, I'm Alexander Armstrong. | 0:02:15 | 0:02:17 | |
A warm welcome to this special Radio 1 and Radio 1Xtra edition | 0:02:17 | 0:02:20 | |
of Pointless Celebrities, the show where the aim of the game | 0:02:20 | 0:02:23 | |
is to find the most obscure answer possible. | 0:02:23 | 0:02:26 | |
Let's meet today's Pointless Celebrities. | 0:02:26 | 0:02:28 | |
And couple number one. | 0:02:32 | 0:02:34 | |
Hello, my name's Scott Mills. This is my radio wife, Chris Stark. | 0:02:34 | 0:02:38 | |
Couple number two. | 0:02:43 | 0:02:45 | |
Hi, I'm Sarah-Jane Crawford from 1Xtra, and... | 0:02:45 | 0:02:47 | |
My name is Dev from Radio 1. Hello. | 0:02:47 | 0:02:49 | |
Couple number three. | 0:02:53 | 0:02:55 | |
Hello, I'm Clara Amfo, and this is my radio uncle, Trevor Nelson. | 0:02:55 | 0:02:58 | |
Ooh! | 0:02:58 | 0:03:00 | |
Uncle! | 0:03:00 | 0:03:01 | |
Uncle Trev. | 0:03:01 | 0:03:03 | |
And, finally, couple number four. | 0:03:03 | 0:03:05 | |
Hi, I'm Yasmin Evans from 1Xtra Breakfast. | 0:03:05 | 0:03:07 | |
And I'm Greg James from Radio 1's drive time show. | 0:03:07 | 0:03:11 | |
CHEERING AND APPLAUSE | 0:03:11 | 0:03:14 | |
Thanks very much. We'll find out more about all of you throughout the show. | 0:03:14 | 0:03:18 | |
That just leaves one more person for me to introduce. | 0:03:18 | 0:03:20 | |
Sitting on an orthopaedic sculpted chair he definitely, | 0:03:20 | 0:03:23 | |
definitely didn't steal from his physiotherapist, | 0:03:23 | 0:03:25 | |
it's my pointless friend, it's Richard. | 0:03:25 | 0:03:28 | |
Hiya. | 0:03:28 | 0:03:29 | |
CHEERING AND APPLAUSE | 0:03:29 | 0:03:30 | |
Hiya, evening. | 0:03:30 | 0:03:32 | |
-Good evening to you. -Good evening. | 0:03:32 | 0:03:33 | |
Wow, how about this line-up. | 0:03:33 | 0:03:35 | |
I think this might be the coolest line-up we've ever had. | 0:03:35 | 0:03:37 | |
I think so. | 0:03:37 | 0:03:39 | |
As if there weren't enough cool people here, we've also got, | 0:03:39 | 0:03:41 | |
at the end of the show, we've got Ella Eyre playing us her new single. | 0:03:41 | 0:03:44 | |
-Amazing. -So the only uncool people in this whole line-up | 0:03:44 | 0:03:47 | |
are me, you and Scott. That's it. | 0:03:47 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:50 | |
That's harsh. | 0:03:50 | 0:03:52 | |
Scott, I have to say as well, as quite often we do shows | 0:03:52 | 0:03:55 | |
where people from the same workplaces work together, | 0:03:55 | 0:03:58 | |
this is so competitive, | 0:03:58 | 0:03:59 | |
so I've made sure we've got a couple of questions | 0:03:59 | 0:04:01 | |
that are not the sort of things you'd want to get wrong | 0:04:01 | 0:04:03 | |
if you make a living talking about and playing music. | 0:04:03 | 0:04:05 | |
-Oh, good. -Oh, my gosh! -Oh, good. | 0:04:05 | 0:04:07 | |
If you are competitive, it's probably best | 0:04:07 | 0:04:09 | |
-we put it to the test. -Thank you very much, Richard. | 0:04:09 | 0:04:12 | |
As usual, all of today's questions have been put | 0:04:12 | 0:04:14 | |
to 100 people before the show. Our contestants are on the lookout | 0:04:14 | 0:04:16 | |
for those all-important pointless answers. | 0:04:16 | 0:04:18 | |
These are answers that none of our 100 people gave. | 0:04:18 | 0:04:20 | |
Find one of those and we will add £250 to the jackpot. | 0:04:20 | 0:04:24 | |
As today's show is a celebrity special - | 0:04:24 | 0:04:26 | |
each of our celebrities is playing for a nominated charity - | 0:04:26 | 0:04:29 | |
we start off with a jackpot of... | 0:04:29 | 0:04:31 | |
There it is. | 0:04:31 | 0:04:32 | |
CHEERING AND APPLAUSE | 0:04:32 | 0:04:34 | |
Now, if everyone's ready, let's play Pointless. | 0:04:35 | 0:04:38 | |
I know you all know this, but just to remind you, | 0:04:43 | 0:04:46 | |
the pair with the highest score at the end of each round | 0:04:46 | 0:04:49 | |
will be eliminated. | 0:04:49 | 0:04:50 | |
Your job, if you like, is to make sure that you are not that pair. | 0:04:50 | 0:04:54 | |
Very best of luck to all four pairs. | 0:04:54 | 0:04:55 | |
Our first category this evening is... | 0:04:55 | 0:04:58 | |
Yes! | 0:05:00 | 0:05:01 | |
Famous People. Can you all decide in your pairs who is going to first, | 0:05:01 | 0:05:04 | |
who's going to go second. | 0:05:04 | 0:05:06 | |
Whoever is going first, please step up to the podium. | 0:05:06 | 0:05:09 | |
OK. The question concerns... | 0:05:11 | 0:05:14 | |
-Famous DJs and MCs, Richard. -Absolutely. | 0:05:17 | 0:05:20 | |
I've been a bit naughty, though, | 0:05:20 | 0:05:21 | |
cos actually what we're going to do is show you seven clues on each pass | 0:05:21 | 0:05:24 | |
to famous people whose initials are either DJ or MC. | 0:05:24 | 0:05:28 | |
I know, I know. There it is. | 0:05:28 | 0:05:31 | |
Seven on each pass, 14 in all to have a go at at home, | 0:05:31 | 0:05:34 | |
so very best of luck. | 0:05:34 | 0:05:35 | |
OK, let's reveal our first board of seven famous DJs and MCs. | 0:05:35 | 0:05:38 | |
Here they are. | 0:05:38 | 0:05:40 | |
ALEXANDER READS BOARD | 0:05:40 | 0:05:42 | |
I'll read those all one last time. | 0:06:06 | 0:06:08 | |
Scott, welcome back to Pointless. | 0:06:36 | 0:06:38 | |
-Thank you. -You've been on twice before. | 0:06:38 | 0:06:40 | |
Yeah, this is third time lucky. | 0:06:40 | 0:06:42 | |
What is your proudest achievement? Your high water mark on Pointless? | 0:06:42 | 0:06:45 | |
I did better with Gemma Cairney last time. | 0:06:45 | 0:06:47 | |
The lowest point was losing out to Chico and Sinitta. | 0:06:47 | 0:06:50 | |
Yeah. | 0:06:51 | 0:06:52 | |
Scott, I was reading that someone took a musical version of your life | 0:06:52 | 0:06:57 | |
up to the Edinburgh festival. | 0:06:57 | 0:06:58 | |
Yeah, a few years ago we did a thing called Scott Mills The Musical, | 0:06:58 | 0:07:01 | |
which was entirely tongue-in-cheek, cos I don't really like musicals, | 0:07:01 | 0:07:04 | |
we decided to do a musical about me. | 0:07:04 | 0:07:06 | |
It sold out for three nights at the Edinburgh Festival. | 0:07:06 | 0:07:09 | |
There you are. How many nights did it run for? | 0:07:09 | 0:07:11 | |
-Three. -Oh, I see. Good. | 0:07:11 | 0:07:13 | |
3 of the 48, it sold out. | 0:07:13 | 0:07:15 | |
Now, Scott, DJs, MCs. | 0:07:15 | 0:07:18 | |
OK, I want to go for the actor that played Gareth Keenan in The Office, | 0:07:18 | 0:07:25 | |
which is Mackenzie Crook. | 0:07:25 | 0:07:26 | |
Mackenzie Crook, says Scott. | 0:07:26 | 0:07:28 | |
Let's see how many of our 100 people agree with that. Mackenzie Crook. | 0:07:28 | 0:07:32 | |
Look at that! 3! | 0:07:41 | 0:07:42 | |
What a start to the show and the round. Brilliant. Mackenzie Crook, 3. | 0:07:46 | 0:07:49 | |
Very well played, Scott. | 0:07:49 | 0:07:51 | |
That lays down a marker for all your colleagues there. | 0:07:51 | 0:07:53 | |
You should have seen their faces when that column was going down. | 0:07:53 | 0:07:56 | |
They were not impressed. | 0:07:56 | 0:07:57 | |
One of his very first performances was in a short film called | 0:07:57 | 0:08:00 | |
The Man Who Fell In Love With A Traffic Cone. | 0:08:00 | 0:08:02 | |
Thank you very much indeed, Richard. | 0:08:02 | 0:08:05 | |
-Sarah-Jane, welcome back. -Hi. -Welcome back. | 0:08:05 | 0:08:07 | |
Tell us what you did last time you were on. | 0:08:07 | 0:08:10 | |
-So I got to the head-to-head. -Yes, exactly. | 0:08:10 | 0:08:12 | |
-Beat Trevor Nelson. -Yes! | 0:08:12 | 0:08:13 | |
We thought Radio 2 and Radio 4 would be really smart, | 0:08:13 | 0:08:16 | |
but they were out the door, so... I'm just saying. | 0:08:16 | 0:08:19 | |
Can I just ask, what radio station do you listen to? | 0:08:19 | 0:08:21 | |
-Radio 1. -Oh, OK. | 0:08:21 | 0:08:23 | |
You guys are so on message. | 0:08:23 | 0:08:25 | |
I know. | 0:08:25 | 0:08:26 | |
A bit of Radio 4, Woman's Hour. | 0:08:26 | 0:08:28 | |
Woman's Hour, very good. Little bit of Radio 3. | 0:08:28 | 0:08:30 | |
Nice lunchtime concerts from the Wigmore. | 0:08:30 | 0:08:32 | |
Love a bit of classical. Love a bit of classical. | 0:08:32 | 0:08:34 | |
Very good. | 0:08:34 | 0:08:35 | |
How do you like our board of MCs and DJs? | 0:08:35 | 0:08:38 | |
I like it. I like it. | 0:08:38 | 0:08:40 | |
There's a couple that I want to go for, but I'm not 100% sure. | 0:08:40 | 0:08:43 | |
I'm not sure whether to sort of take a bit of a risk. | 0:08:43 | 0:08:47 | |
OK, I'll just go for it. | 0:08:47 | 0:08:48 | |
French star who one Best Actress is Marion Cotillard. | 0:08:48 | 0:08:53 | |
Marion Cotillard. Marion Cotillard. Let's put it to the 100. | 0:08:53 | 0:08:57 | |
How many of our 100 people said Marion Cotillard? Is it right? | 0:08:57 | 0:09:01 | |
It is right. | 0:09:03 | 0:09:04 | |
-Beautifully pronounced as well. -Did I? | 0:09:04 | 0:09:06 | |
4! | 0:09:10 | 0:09:11 | |
Look at that. | 0:09:14 | 0:09:16 | |
What a round. | 0:09:16 | 0:09:18 | |
I would not want to be on podiums three or four, would you? | 0:09:18 | 0:09:21 | |
Good luck. | 0:09:21 | 0:09:23 | |
-Clara. -Hello. -Clara. Lovely to have you on Pointless. -Thanks very much. | 0:09:23 | 0:09:27 | |
Now, I want to know this. | 0:09:27 | 0:09:29 | |
Amongst the DJs at Radio 1 and Radio 1Xtra, is there any rivalry? | 0:09:29 | 0:09:32 | |
We're all one big happy family. | 0:09:32 | 0:09:34 | |
The only statistics that matter are the ones on this game show. | 0:09:34 | 0:09:38 | |
-There you go. -Aw. | 0:09:38 | 0:09:40 | |
-Even between Radio 1 and Radio 1Xtra? -It's all love. | 0:09:40 | 0:09:43 | |
-It's all love. -It's all love, yeah. | 0:09:43 | 0:09:45 | |
Does the love continue outside the building, though? | 0:09:45 | 0:09:47 | |
To be honest, I don't particularly like Trevor that much, | 0:09:47 | 0:09:50 | |
but because he was desperate to come back to Pointless, | 0:09:50 | 0:09:52 | |
I thought I'd give him a... you know, do him a favour | 0:09:52 | 0:09:55 | |
and let him come and redeem himself. | 0:09:55 | 0:09:57 | |
We're on at the same time as well. | 0:09:57 | 0:09:58 | |
-Yeah, we're rivals now. -Of course you are. | 0:09:58 | 0:10:01 | |
We're on the radio at the same time. | 0:10:01 | 0:10:02 | |
-Of course you are. -Yeah. | 0:10:02 | 0:10:04 | |
Clara, what would you like to go for on this board? | 0:10:04 | 0:10:07 | |
Well... I am going to go with the goalkeeper. | 0:10:07 | 0:10:12 | |
David James, I believe his name is. | 0:10:12 | 0:10:14 | |
David James, says Clara. Let's see if it's right, | 0:10:14 | 0:10:16 | |
let's see how many of our 100 people agree with Clara. David James. | 0:10:16 | 0:10:20 | |
-Look at that. -Well done. | 0:10:22 | 0:10:23 | |
Well, 4 is our high score, 3 is our low. | 0:10:23 | 0:10:26 | |
Ooh... | 0:10:26 | 0:10:27 | |
21. | 0:10:27 | 0:10:29 | |
-Still in the game. -Not bad. | 0:10:29 | 0:10:31 | |
21 for David James. Not bad. | 0:10:31 | 0:10:34 | |
Well played, Clara. Good scoring all round. David James. | 0:10:34 | 0:10:36 | |
The season before that, he was playing for an Icelandic team. | 0:10:36 | 0:10:39 | |
It's just the traditional route for a footballer. | 0:10:39 | 0:10:42 | |
Thanks very much indeed, Richard. | 0:10:42 | 0:10:45 | |
-Yasmin, welcome. -Hello. | 0:10:45 | 0:10:46 | |
-Lovely to have you here. -Thanks for having me. | 0:10:46 | 0:10:49 | |
But you, of course, you do the breakfast slot on Radio 1Xtra. | 0:10:49 | 0:10:53 | |
-What time do you turn up? -Well, I start at 6am. | 0:10:53 | 0:10:56 | |
You start at six. You're on air from seven. | 0:10:56 | 0:10:58 | |
-On air from seven. -Well, that's not too bad, I suppose. | 0:10:58 | 0:11:01 | |
-No. -Do you maybe have a rest in the afternoon? | 0:11:01 | 0:11:04 | |
-Sometimes I have a little bit of a disco nap. -Quite right. | 0:11:04 | 0:11:06 | |
-I have done the straight-through crew before. -Yeah, ooft. | 0:11:06 | 0:11:09 | |
Along with some of these... | 0:11:09 | 0:11:10 | |
I'm not going to say who the bad influences are in the panel, | 0:11:10 | 0:11:13 | |
Sarah-Jane Crawford. | 0:11:13 | 0:11:15 | |
But, yeah, no, it's an early start. | 0:11:15 | 0:11:18 | |
OK, Yasmin, you're the last person to have this board. | 0:11:18 | 0:11:21 | |
Do you want to go through it and fill in all the blanks for us? | 0:11:21 | 0:11:25 | |
I'm going to have to go with the professional wrestler turned actor. | 0:11:25 | 0:11:29 | |
-Dwayne Johnson. -Dwayne Johnson, says Yasmin. | 0:11:29 | 0:11:32 | |
Let's see how many of our 100 people agree with Yasmin. Dwayne Johnson. | 0:11:32 | 0:11:36 | |
Well, it's right. 21 is now our high score, 3 our low. | 0:11:38 | 0:11:43 | |
28 for Dwayne Johnson. There we are. | 0:11:43 | 0:11:45 | |
Still, not a bad score. | 0:11:47 | 0:11:50 | |
Have to say, well played everybody in that round. Impressive stuff. | 0:11:50 | 0:11:53 | |
Let's fill in the rest of these. Anyone know the American singer? | 0:11:53 | 0:11:55 | |
Mariah Carey. | 0:11:55 | 0:11:56 | |
Mariah Carey, absolutely. Actually a very low scorer. | 0:11:56 | 0:11:59 | |
Would have scored you 10 points. Would have been a very good answer. | 0:11:59 | 0:12:02 | |
-What?! -Knighted in 2005 was? -David Jason. | 0:12:02 | 0:12:05 | |
David Jason. Sir David Jason. 50 points for that. | 0:12:06 | 0:12:09 | |
-Men Behaving Badly? -Martin Clunes. -Martin Clunes. | 0:12:09 | 0:12:12 | |
He would have scored you 26, so the best answer on the board, | 0:12:12 | 0:12:14 | |
Scott, was Mackenzie Crook. | 0:12:14 | 0:12:16 | |
-Wow. -Very well done. | 0:12:16 | 0:12:17 | |
Thanks very much. We're halfway through the round. | 0:12:21 | 0:12:23 | |
Let's take a quick look at those scores. | 0:12:23 | 0:12:25 | |
3, Scott. Very good, Scott and Chris. Starting as they mean to go on. | 0:12:25 | 0:12:29 | |
Then we travel up to 4, where we find Sarah-Jane and Dev. | 0:12:29 | 0:12:32 | |
Then up to 21, Clara and Trevor. Then Yasmin and Greg on 28. | 0:12:32 | 0:12:37 | |
-Greg, you know what you have to do. We need a low score. -Sort us out. | 0:12:37 | 0:12:40 | |
We're going to come back down the line. | 0:12:40 | 0:12:42 | |
Can the second players please step up to the podium? | 0:12:42 | 0:12:46 | |
Let's put seven more clues up on the board, here they come. | 0:12:46 | 0:12:49 | |
We have got... | 0:12:49 | 0:12:51 | |
ALEXANDER READS BOARD | 0:12:51 | 0:12:53 | |
I'm going to read those all one last time. | 0:13:15 | 0:13:17 | |
Greg. | 0:13:39 | 0:13:40 | |
-Welcome to Pointless. -Hi. | 0:13:40 | 0:13:42 | |
Very good to have you here. | 0:13:42 | 0:13:43 | |
I read that you'd started work at Radio 1 | 0:13:43 | 0:13:46 | |
the morning after you graduated. | 0:13:46 | 0:13:49 | |
I did, yes. | 0:13:49 | 0:13:50 | |
How did you do that? | 0:13:50 | 0:13:51 | |
Sara Cox was doing a weekend show and she was ill. It was a Saturday. | 0:13:51 | 0:13:56 | |
My graduation ball was on the Friday | 0:13:56 | 0:13:58 | |
and I got a call from one of the bosses that said, | 0:13:58 | 0:14:00 | |
"Do you want to come and cover the show on Saturday?" | 0:14:00 | 0:14:02 | |
So I had to go round and go, "I've got to leave, guys, | 0:14:02 | 0:14:05 | |
"I'm going to be on Radio 1 tomorrow." | 0:14:05 | 0:14:07 | |
What a shame to have to tell everyone that(!) | 0:14:07 | 0:14:10 | |
Now, Greg, you're on 28. You are our high scorers. | 0:14:10 | 0:14:13 | |
You know what you have to do here. | 0:14:13 | 0:14:14 | |
Nice, low score. | 0:14:14 | 0:14:15 | |
OK. | 0:14:15 | 0:14:17 | |
I'm going to go for the singer in Blue. | 0:14:17 | 0:14:22 | |
I'm going to go for Duncan James. | 0:14:22 | 0:14:24 | |
Duncan James, says Greg. | 0:14:24 | 0:14:26 | |
No red line for you, | 0:14:26 | 0:14:28 | |
you just have to hope this goes a long way down the column. | 0:14:28 | 0:14:30 | |
How many people said Duncan James? | 0:14:30 | 0:14:32 | |
29. | 0:14:40 | 0:14:42 | |
29, Greg, taking your total up to 57. | 0:14:44 | 0:14:46 | |
Yeah, pretty big score on podium four. | 0:14:46 | 0:14:49 | |
11 top 10 singles, | 0:14:49 | 0:14:50 | |
three number ones, Blue. | 0:14:50 | 0:14:52 | |
Thank you very much indeed, Richard. | 0:14:52 | 0:14:55 | |
Trevor, welcome back. | 0:14:55 | 0:14:56 | |
Trevor, since you were last on, | 0:14:56 | 0:14:58 | |
you have been inducted into the Radio Academy Hall of Fame. | 0:14:58 | 0:15:02 | |
CHEERING AND APPLAUSE | 0:15:02 | 0:15:05 | |
Yeah, actually. What did that involve? | 0:15:05 | 0:15:07 | |
They inducted about, I think about seven other people. | 0:15:07 | 0:15:10 | |
Nicky Campbell is there, Jo Whiley, people like that got inducted. | 0:15:10 | 0:15:13 | |
You go up, say a little speech about your humble beginnings, I suppose. | 0:15:13 | 0:15:16 | |
-You thank everybody. -Very exciting indeed. | 0:15:16 | 0:15:19 | |
Now, Trevor, you're on 21. You now have a target. | 0:15:19 | 0:15:22 | |
57 is the high score. | 0:15:22 | 0:15:23 | |
If you can score 35 or less, you're into the next round. | 0:15:23 | 0:15:26 | |
It's a little bit tricky. There are only a few I know on here. | 0:15:26 | 0:15:29 | |
I'm going to go for the actress daughter | 0:15:29 | 0:15:33 | |
of film star Melanie Griffith. | 0:15:33 | 0:15:35 | |
I believe it's Dakota Johnson. | 0:15:35 | 0:15:38 | |
-Dakota Johnson. -Yes. | 0:15:38 | 0:15:40 | |
Dakota Johnson. There is your red line. | 0:15:40 | 0:15:41 | |
Get below that, through you go to the next round. | 0:15:41 | 0:15:44 | |
Let's see how many people said Dakota Johnson. | 0:15:44 | 0:15:47 | |
It is Dakota Johnson. | 0:15:49 | 0:15:51 | |
It's a tough one. | 0:15:52 | 0:15:53 | |
Into the second round. | 0:15:53 | 0:15:55 | |
10. Very good. Third lowest score so far, taking you total to 31. | 0:15:55 | 0:15:59 | |
Well done. | 0:15:59 | 0:16:00 | |
Good work. | 0:16:00 | 0:16:01 | |
Well played, Trevor. | 0:16:03 | 0:16:04 | |
If you want to know what a man with a broken heart looks like, | 0:16:04 | 0:16:06 | |
you should have seen Greg during that. He was not happy. | 0:16:06 | 0:16:09 | |
She of course plays Anastasia Steele in 50 Shades of Grey. | 0:16:09 | 0:16:12 | |
Thank you very much, Richard. | 0:16:12 | 0:16:15 | |
-Dev. -Hello. -Dev! Welcome to Pointless, lovely to have you here. | 0:16:15 | 0:16:19 | |
You started in pirate radio. | 0:16:19 | 0:16:21 | |
Yeah, DJing when the decks are set up | 0:16:21 | 0:16:23 | |
in someone's kitchen worktop surface. | 0:16:23 | 0:16:25 | |
How did you end up at Radio 1? What was the route? | 0:16:25 | 0:16:29 | |
I did a children's TV show when I was about 17, | 0:16:29 | 0:16:32 | |
so, yes, went from pirate radio to children's TV, | 0:16:32 | 0:16:35 | |
you know, the usual route. | 0:16:35 | 0:16:36 | |
From that, I did a pilot for 1Xtra, I was on 1Xtra for seven years, | 0:16:36 | 0:16:41 | |
and then I crossed over to Radio 1. | 0:16:41 | 0:16:44 | |
I've been there ever since. Nobody's found out till today. | 0:16:44 | 0:16:47 | |
Dev, you're on 4. | 0:16:47 | 0:16:49 | |
The high scorers at the moment are still Yasmin and Greg on 57, | 0:16:49 | 0:16:52 | |
so 52 or less gets you through. | 0:16:52 | 0:16:54 | |
I thought that the last round that Mariah Carey was going to | 0:16:54 | 0:16:57 | |
score really high and it didn't, so I want to go for the physicist. | 0:16:57 | 0:17:03 | |
-It's Mary Curie. -Mary Curie or Marie Curie, you're going to say. | 0:17:03 | 0:17:07 | |
Here's your red line. | 0:17:07 | 0:17:08 | |
You have to get below that with Mary or Marie Curie. | 0:17:08 | 0:17:11 | |
Let's see how many of our 100 people said Marie Curie. | 0:17:11 | 0:17:14 | |
It's right. | 0:17:16 | 0:17:17 | |
-There you go. -Yes! | 0:17:19 | 0:17:21 | |
37. Not much to spare, | 0:17:21 | 0:17:23 | |
but it's good enough. Takes your total up to 41. | 0:17:23 | 0:17:25 | |
Well played, Dev. Safe and sound. | 0:17:26 | 0:17:28 | |
Not only an extraordinary scientist, | 0:17:28 | 0:17:30 | |
but worked very close to the front line in the First World War | 0:17:30 | 0:17:32 | |
assisting wounded soldiers, all sorts of things, Marie Curie. | 0:17:32 | 0:17:35 | |
Thanks, Richard. Chris, welcome to Pointless. | 0:17:35 | 0:17:38 | |
Very good to have you here. | 0:17:38 | 0:17:40 | |
How did you end up in music broadcasting? | 0:17:40 | 0:17:43 | |
Well, basically, obviously me and Scott are very good friends | 0:17:43 | 0:17:47 | |
and Scott found me quite funny, | 0:17:47 | 0:17:48 | |
so started getting me involved in his show. | 0:17:48 | 0:17:50 | |
It kind of went from there, really. | 0:17:50 | 0:17:52 | |
Sometimes funny for the wrong reasons. | 0:17:52 | 0:17:54 | |
-But it worked out fine. -It worked out fine. | 0:17:54 | 0:17:56 | |
I'm here on Pointless now, so something's gone right. | 0:17:56 | 0:17:59 | |
There you are. Do you fancy talking us through this board, Chris? | 0:17:59 | 0:18:02 | |
Yeah. The first one I think I know. | 0:18:02 | 0:18:05 | |
It fits with the theme, cos she came in on the show at one point. | 0:18:05 | 0:18:10 | |
The next answer after that I'm really tempted to go for, | 0:18:10 | 0:18:13 | |
cos Scott managed to get really low points, | 0:18:13 | 0:18:15 | |
but I worry too many people are going to know it. | 0:18:15 | 0:18:17 | |
The rest, I don't have a clue. | 0:18:17 | 0:18:18 | |
So, I'm going to go for the first one up there. | 0:18:18 | 0:18:23 | |
It's Marcia Cross. | 0:18:23 | 0:18:24 | |
Marcia Cross. Marcia Cross. There's your red line. | 0:18:24 | 0:18:27 | |
Get below that, Chris, and you are into Round Two. | 0:18:27 | 0:18:30 | |
How many people said Marcia Cross? | 0:18:30 | 0:18:31 | |
It is Marcia Cross. | 0:18:34 | 0:18:35 | |
Well done, you're through. | 0:18:36 | 0:18:39 | |
And how! Look at that! | 0:18:39 | 0:18:40 | |
Whoa! 10! | 0:18:40 | 0:18:42 | |
Taking your total up to 13, lowest score of the round. Well done. | 0:18:42 | 0:18:46 | |
And you've broken Greg James as well, so well done. | 0:18:49 | 0:18:52 | |
Very, very good answer. Funnily enough, | 0:18:52 | 0:18:54 | |
Macaulay Culkin would have seen you through as well, | 0:18:54 | 0:18:57 | |
cos Macaulay Culkin is a correct answer, | 0:18:57 | 0:18:59 | |
but would only have scored 46 points. | 0:18:59 | 0:19:01 | |
The British actor, very, very famous. | 0:19:01 | 0:19:04 | |
-Derek Jacobi. -Derek Jacobi is the answer there. | 0:19:04 | 0:19:06 | |
Would have scored you 4. | 0:19:06 | 0:19:07 | |
Played the role of Kristen... Bing Crosby's daughter, | 0:19:07 | 0:19:10 | |
which gives you the C. | 0:19:10 | 0:19:13 | |
Mary Crosby, it was. | 0:19:13 | 0:19:14 | |
Mary Crosby. That would have scored you 7 points. | 0:19:14 | 0:19:16 | |
Derek Jacobi the best answer on the board. | 0:19:16 | 0:19:18 | |
Thanks very much. Well, at the end of our first round, | 0:19:18 | 0:19:21 | |
the pair we're saying goodbye to, I'm sorry, Greg and Yasmin. | 0:19:21 | 0:19:24 | |
-I'm so sorry. -Took a day off my show for this. | 0:19:24 | 0:19:27 | |
I'm so... LAUGHTER | 0:19:27 | 0:19:28 | |
It turns out you only needed to take about seven or eight minutes off. | 0:19:29 | 0:19:32 | |
Yasmin, it's been such a treat having you on the show. | 0:19:33 | 0:19:36 | |
Thank you so much for coming and playing. | 0:19:36 | 0:19:38 | |
Please come and play again and be even better. | 0:19:38 | 0:19:40 | |
Very well done, Greg, Yasmin. | 0:19:40 | 0:19:42 | |
But for the remaining three pairs, it's now time for Round Two. | 0:19:42 | 0:19:46 | |
Well, what about that! | 0:19:50 | 0:19:51 | |
We're now down to only three pairs. At the end of this round, | 0:19:51 | 0:19:54 | |
another pair will disappear from before my very eyes. | 0:19:54 | 0:19:57 | |
Best of luck to all three pairs. | 0:19:57 | 0:19:59 | |
Our category for Round Two this evening is... | 0:19:59 | 0:20:01 | |
It's Pop Music. Can you all decide in your pairs who's going to go first, | 0:20:03 | 0:20:06 | |
who is going to go second. | 0:20:06 | 0:20:07 | |
Whoever's going first, please step up to the podium. | 0:20:07 | 0:20:10 | |
OK. The question concerns... | 0:20:12 | 0:20:14 | |
Colourful Singles, Richard. | 0:20:17 | 0:20:18 | |
In a moment, Xander is going to show you the names of four colours. | 0:20:18 | 0:20:21 | |
We're looking for any UK top 40 single up to March 2015, | 0:20:21 | 0:20:25 | |
please, that contains one of these colours in its name. | 0:20:25 | 0:20:28 | |
Any UK top 40 single with one of the following colours in its name. | 0:20:28 | 0:20:31 | |
OK. So as Richard's just said, | 0:20:31 | 0:20:32 | |
we're going to put four colours on the board. | 0:20:32 | 0:20:34 | |
We just need any single that has one of these colours in its name. | 0:20:34 | 0:20:37 | |
Here are the colours. | 0:20:37 | 0:20:39 | |
ALEXANDER READS BOARD | 0:20:40 | 0:20:45 | |
Chris. | 0:20:45 | 0:20:46 | |
OK, I'm going to go with green - | 0:20:46 | 0:20:50 | |
a song by Ultrabeat called Pretty Green Eyes. | 0:20:50 | 0:20:53 | |
Pretty Green Eyes, says Chris. | 0:20:53 | 0:20:55 | |
Let's see how many of our 100 people like Pretty Green Eyes. | 0:20:55 | 0:20:59 | |
It's right. | 0:21:00 | 0:21:01 | |
It's a pointless answer, there we are. | 0:21:08 | 0:21:11 | |
Come on! Come on! | 0:21:11 | 0:21:13 | |
Come on! | 0:21:13 | 0:21:15 | |
It adds £250 to today's jackpot, takes the total up to... | 0:21:15 | 0:21:20 | |
It scores you nothing and earns you a stroke on the shoulder from Scott | 0:21:20 | 0:21:23 | |
and a pat on the back from us, so very well done indeed. | 0:21:23 | 0:21:26 | |
-Calm down. -Pretty Green Eyes. -Well done. | 0:21:26 | 0:21:28 | |
-I'm so sorry about him. -It's a terrific answer. | 0:21:28 | 0:21:30 | |
I knew it would be a good round for radio DJs, this. | 0:21:30 | 0:21:33 | |
As you say, by Ultrabeat, number two hit. | 0:21:33 | 0:21:35 | |
Thanks very much, Rich. | 0:21:35 | 0:21:37 | |
Now, Sarah-Jane. | 0:21:37 | 0:21:38 | |
OK. I'm going to go for Lady In Red. | 0:21:38 | 0:21:41 | |
Lady In Red, says Sarah-Jane. | 0:21:41 | 0:21:44 | |
OK, let's see how many of our 100 people said Lady In Red. | 0:21:44 | 0:21:47 | |
Lady In Red is absolutely right. | 0:21:50 | 0:21:52 | |
-18. -Not bad. | 0:21:55 | 0:21:57 | |
Yeah, well done, Sarah-Jane. | 0:22:01 | 0:22:03 | |
Absolutely, credibility shot to pieces, but well played. | 0:22:03 | 0:22:06 | |
Chris de Burgh, of course. Lady In Red. | 0:22:06 | 0:22:08 | |
Thanks very much indeed. Trevor. | 0:22:08 | 0:22:10 | |
I can think of a song with every colour, | 0:22:10 | 0:22:12 | |
but the one I'm going to go for, I hope it's the right title. | 0:22:12 | 0:22:15 | |
-CLARA: -Careful, now. | 0:22:15 | 0:22:16 | |
I'm going for Green Garden. | 0:22:18 | 0:22:20 | |
Green Garden. | 0:22:20 | 0:22:22 | |
-Yes. -Green Garden, says Trevor. | 0:22:22 | 0:22:24 | |
Laura Mvula. I think that might have sneaked the 40. | 0:22:24 | 0:22:27 | |
OK, Green Garden. Let's see if that's right. | 0:22:27 | 0:22:30 | |
Can Trevor find another pointless answer? Green Garden. | 0:22:30 | 0:22:33 | |
It's a great answer! Look at that, Trevor. | 0:22:35 | 0:22:37 | |
It's going. | 0:22:37 | 0:22:38 | |
Still going down. | 0:22:41 | 0:22:43 | |
It's a pointless answer. | 0:22:43 | 0:22:44 | |
That adds another £250 to today's jackpot, takes the total up to... | 0:22:48 | 0:22:54 | |
It equals Chris' low score. It scores you nothing. | 0:22:54 | 0:22:57 | |
Very, very, very well done. | 0:22:57 | 0:22:59 | |
The celebration was better than Chris', wasn't it? I got down. | 0:22:59 | 0:23:02 | |
You wait for the next one. | 0:23:02 | 0:23:03 | |
-It was less violent. I could talk over it, which was nice. -Yeah. | 0:23:03 | 0:23:06 | |
LAUGHTER | 0:23:06 | 0:23:07 | |
It's a very good answer. By Laura Mvula, as you say. | 0:23:07 | 0:23:10 | |
It did, it was number 31. | 0:23:10 | 0:23:12 | |
We're halfway through the round, so let's take a look at those scores. | 0:23:12 | 0:23:15 | |
Nothing is the lowest score, Chris and Scott, | 0:23:15 | 0:23:17 | |
Trevor and Clara tied on nothing. | 0:23:17 | 0:23:20 | |
Then we travel up to 18, where we find Sarah-Jane and Dev. | 0:23:20 | 0:23:23 | |
Dev, let's have a low score from you, let's hope it keeps you in the game. | 0:23:23 | 0:23:26 | |
We're going to come back down the line. | 0:23:26 | 0:23:27 | |
Can the second players step up to the podium? | 0:23:27 | 0:23:30 | |
-Clara. -Hello. | 0:23:31 | 0:23:33 | |
We're looking for songs that contain these colours... | 0:23:33 | 0:23:37 | |
I am going to say Red Dress by the Sugababes. | 0:23:38 | 0:23:43 | |
Red Dress. | 0:23:43 | 0:23:45 | |
OK, if you can score 17 or less, you're definitely in the next round. | 0:23:45 | 0:23:48 | |
Here's your red line, get below that and you're in good shape. | 0:23:48 | 0:23:51 | |
Let's see how many people said Red Dress. | 0:23:51 | 0:23:53 | |
You're through. | 0:24:01 | 0:24:03 | |
2! | 0:24:03 | 0:24:04 | |
That's a great score, Clara. | 0:24:06 | 0:24:07 | |
2 for Red Dress. | 0:24:09 | 0:24:11 | |
Terrific answer, Clara. Very well played. By the Sugababes. | 0:24:11 | 0:24:13 | |
Also a song by Alvin Stardust, of slightly different vintage. | 0:24:13 | 0:24:17 | |
Thanks, Richard. | 0:24:17 | 0:24:18 | |
Dev, you're still the high scorers at this point, | 0:24:18 | 0:24:21 | |
so we kind of need a minus score from you. | 0:24:21 | 0:24:23 | |
-You need a 0, we need pointless. -OK. -Yeah. | 0:24:23 | 0:24:25 | |
I would like to say D-12 and Purple Hills | 0:24:25 | 0:24:29 | |
I think they changed it to. | 0:24:29 | 0:24:31 | |
Purple Hill, says Dev. No red line for you, you're the high scorers. | 0:24:31 | 0:24:34 | |
Let's see if we can get to the bottom of the column with Purple Hill. | 0:24:34 | 0:24:38 | |
It's right. Purple Hill is right. | 0:24:40 | 0:24:42 | |
Good lad. Very, very well done indeed, Dev! | 0:24:47 | 0:24:51 | |
That's another pointless answer. | 0:24:51 | 0:24:52 | |
That's another £250 to today's jackpot, takes the total up to... | 0:24:52 | 0:24:56 | |
It scores you absolutely nothing, it leaves your total at 18. | 0:24:56 | 0:25:01 | |
-Fantastic. -Wow, it is raining pointless. | 0:25:01 | 0:25:03 | |
-It is. -It is raining pointless. Terrific answer, Dev. | 0:25:03 | 0:25:06 | |
-Very well played. -Very strong indeed. | 0:25:06 | 0:25:07 | |
Scott, you know what you have to do here. | 0:25:07 | 0:25:10 | |
Chiefly, you have to score 17 or less to get to the next round, | 0:25:10 | 0:25:13 | |
-that's the first thing. -Oh, no. -That's not right. | 0:25:13 | 0:25:15 | |
OK. I'm going to go for... | 0:25:15 | 0:25:19 | |
Roses Are Red. | 0:25:19 | 0:25:21 | |
Roses Are Red. | 0:25:21 | 0:25:23 | |
Roses Are Red. Here's your red line. | 0:25:23 | 0:25:25 | |
Get below that red line and you're definitely in the head-to-head. | 0:25:25 | 0:25:28 | |
Can you find another pointless answer? Get a double-O, an OO? | 0:25:28 | 0:25:31 | |
Let's see how many of our 100 people said Roses Are Red. | 0:25:31 | 0:25:34 | |
It's right. | 0:25:36 | 0:25:37 | |
Oh, no. Oh, no. No, no, no. | 0:25:40 | 0:25:42 | |
You're through. | 0:25:42 | 0:25:43 | |
It's another pointless answer. Look at that! | 0:25:43 | 0:25:47 | |
That adds another £250 to today's jackpot, taking the total up to... | 0:25:47 | 0:25:51 | |
It scores you nothing, it leave your total at nothing. | 0:25:53 | 0:25:58 | |
-Very, very well done. -That was amazing. | 0:25:58 | 0:26:01 | |
Terrific play, well done. The Mac Band. | 0:26:01 | 0:26:03 | |
That's the most successful Round Two in the history | 0:26:03 | 0:26:06 | |
of Pointless Celebrities as well, so congratulations. | 0:26:06 | 0:26:09 | |
Terrific stuff. | 0:26:09 | 0:26:10 | |
APPLAUSE | 0:26:10 | 0:26:11 | |
Let's take a look at some of the pointless answers. | 0:26:13 | 0:26:17 | |
Blue Jean by David Bowie. Erasure, Blue Savanna. | 0:26:17 | 0:26:20 | |
Everything's Gone Green by New Order. | 0:26:20 | 0:26:23 | |
Green Onions, you could have had Booker T and the MGs. | 0:26:23 | 0:26:25 | |
Little Red Rooster by the Stones is a pointless answer. | 0:26:25 | 0:26:28 | |
Old Red Eyes Is Back, Beautiful South, pointless answer. | 0:26:28 | 0:26:31 | |
Purple Heather, which is Rod Stewart and the Scotland Euro '96 squad. | 0:26:31 | 0:26:35 | |
Union City Blue by Blondie was pointless. | 0:26:35 | 0:26:38 | |
You're More Than A Number In My Little Red Book by The Drifters. | 0:26:38 | 0:26:41 | |
-All sorts of other pointless answers. -Thank you, Richard. | 0:26:41 | 0:26:44 | |
At the end of our second round, the pair who are heading home, | 0:26:44 | 0:26:46 | |
this is an honourable departure, I have to say, | 0:26:46 | 0:26:49 | |
nothing wrong with your score at all. | 0:26:49 | 0:26:51 | |
18 is usually a world-beating score in Pointless, | 0:26:51 | 0:26:54 | |
but in this case, it happens to be our high score. | 0:26:54 | 0:26:56 | |
We have to say goodbye to you, Dev and Sarah-Jane. | 0:26:56 | 0:26:58 | |
What a treat to have you on the show. Thanks so much. | 0:26:58 | 0:27:00 | |
-Thank you, that was so fun. -Come and play again. | 0:27:00 | 0:27:02 | |
Wonderful contestants. | 0:27:02 | 0:27:04 | |
But for Trevor and Clara, Chris and Scott, | 0:27:06 | 0:27:08 | |
it's now time for our head-to-head. | 0:27:08 | 0:27:10 | |
I'm almost lost for words. Chris, Scott, Trevor and Clara. | 0:27:14 | 0:27:18 | |
Well done, you. | 0:27:18 | 0:27:19 | |
You're now one step closer to the final | 0:27:19 | 0:27:21 | |
and a chance to play for our jackpot, which now stands at... | 0:27:21 | 0:27:24 | |
OOHING | 0:27:26 | 0:27:27 | |
Obviously, we have to try and separate you so we can work | 0:27:29 | 0:27:32 | |
out which pair goes through to the final and plays for that jackpot. | 0:27:32 | 0:27:35 | |
We're going to do that by making you go head-to-head. | 0:27:35 | 0:27:37 | |
You can confer before you give your answers. | 0:27:37 | 0:27:39 | |
First pair to win two questions will be playing for that jackpot. | 0:27:39 | 0:27:42 | |
Very best of luck to both pairs. | 0:27:42 | 0:27:44 | |
This is going to be very, very close indeed, I have a feeling. | 0:27:44 | 0:27:46 | |
Let's play the head-to-head. | 0:27:46 | 0:27:48 | |
Here comes your first question. It concerns... | 0:27:54 | 0:27:57 | |
Tennis Terminology, Richard. | 0:27:59 | 0:28:01 | |
We're going to show you five images now which all represent a term | 0:28:01 | 0:28:04 | |
you might use in tennis. | 0:28:04 | 0:28:06 | |
Can you tell us the most obscure of these, please? | 0:28:06 | 0:28:08 | |
OK, let's reveal our five images. Here they are. | 0:28:08 | 0:28:11 | |
OK. There we are. | 0:28:35 | 0:28:37 | |
Right, Chris and Scott, you're our low scorers, | 0:28:37 | 0:28:39 | |
so you will go first, but feel free to confer a bit. | 0:28:39 | 0:28:42 | |
THEY CONFER QUIETLY | 0:28:42 | 0:28:44 | |
-Sweaty dog. -Sweaty dog? | 0:28:49 | 0:28:52 | |
Is that a thing? | 0:28:54 | 0:28:55 | |
-In tennis, yes. -Oh, this is so much easier when you're watching it. | 0:28:55 | 0:28:59 | |
OK, we're going to go E, Hawk-Eye. | 0:29:01 | 0:29:03 | |
Hawk-Eye. | 0:29:03 | 0:29:04 | |
Chris and Scott say Hawk-Eye. | 0:29:04 | 0:29:05 | |
Trevor and Clara, do you want to talk us through those other images | 0:29:05 | 0:29:08 | |
and see if you can decode them? | 0:29:08 | 0:29:10 | |
A is definitely tiebreak. | 0:29:10 | 0:29:13 | |
B is clay court. | 0:29:13 | 0:29:14 | |
D is match point. | 0:29:15 | 0:29:17 | |
I don't know what C is. It looks like hot dog. | 0:29:17 | 0:29:19 | |
-Hot dog. -But I've never heard of hot dog. | 0:29:19 | 0:29:21 | |
Neither have I. | 0:29:21 | 0:29:22 | |
I'd go for B, personally. What do you think? | 0:29:22 | 0:29:25 | |
Clay court. | 0:29:25 | 0:29:27 | |
It's a tough one, they all seem very close. | 0:29:27 | 0:29:29 | |
-What, C? -Hot dog, no? | 0:29:29 | 0:29:31 | |
Hot dog might be a shot between... What's a shot between your legs? | 0:29:31 | 0:29:34 | |
I do not know. | 0:29:34 | 0:29:36 | |
When you're turning and you do that. Is that a hot dog? | 0:29:36 | 0:29:39 | |
-SCOTT: -Yeah. Yes, it is. | 0:29:39 | 0:29:41 | |
Is it, Scott, is it? | 0:29:41 | 0:29:43 | |
Say that. | 0:29:43 | 0:29:44 | |
-TREVOR: -Clay court? What do you think? | 0:29:44 | 0:29:47 | |
-I think clay court. -We'll go B, clay court. | 0:29:47 | 0:29:49 | |
Clay court, say Trevor and Clara. | 0:29:49 | 0:29:51 | |
So Hawk-Eye versus clay court. | 0:29:51 | 0:29:53 | |
Chris and Scott said Hawk-Eye for E. Let's see if that's right. | 0:29:53 | 0:29:57 | |
Let's see how many people said it. | 0:29:57 | 0:29:59 | |
It's right. | 0:30:01 | 0:30:03 | |
46. | 0:30:07 | 0:30:08 | |
46 for Hawk-Eye. Trevor and Clara have said clay court for B. | 0:30:10 | 0:30:15 | |
Let's see how many of our 100 people said clay court. | 0:30:15 | 0:30:18 | |
It's right. | 0:30:21 | 0:30:22 | |
Yeah, look at that. | 0:30:24 | 0:30:26 | |
22. | 0:30:26 | 0:30:28 | |
I tell you what you've done there, you've broken their serve. | 0:30:30 | 0:30:32 | |
Look at that. Trevor and Clara, after one question, you're up 1-0. | 0:30:32 | 0:30:35 | |
Well played, Trevor and Clara. | 0:30:35 | 0:30:37 | |
There's only one answer up there that would have beaten clay court, | 0:30:37 | 0:30:40 | |
and that is C. It's the name for a trick shot | 0:30:40 | 0:30:42 | |
and it is sweaty dog. | 0:30:42 | 0:30:44 | |
-No way! -No, not really. Not really. | 0:30:44 | 0:30:47 | |
It is, in fact, a hot dog. It is hot dog. | 0:30:48 | 0:30:51 | |
It is a shot between your legs, or any trick shot, actually. | 0:30:51 | 0:30:53 | |
It would have scored you 11 points. | 0:30:53 | 0:30:55 | |
Let's look at the others. A is tiebreak. | 0:30:56 | 0:30:59 | |
That's the biggest scorer, actually. | 0:30:59 | 0:31:00 | |
81, just beats D, which of course is match point. | 0:31:00 | 0:31:04 | |
That would have scored you 77. | 0:31:04 | 0:31:06 | |
Look how powerful. | 0:31:06 | 0:31:07 | |
That point is so powerful it's making the flame go the other way. | 0:31:07 | 0:31:10 | |
-No, it's two different photos. -Oh, right, OK. | 0:31:10 | 0:31:13 | |
OK, here comes your second question. | 0:31:13 | 0:31:15 | |
Trevor and Clara get to answer it first, | 0:31:15 | 0:31:17 | |
but Chris and Scott, you have to break back to be back in the game. | 0:31:17 | 0:31:20 | |
Best of luck with that. It concerns... | 0:31:20 | 0:31:23 | |
Songs with Long Intros. | 0:31:27 | 0:31:29 | |
We're going to play you five intros now for some very well-known songs. | 0:31:29 | 0:31:32 | |
You just need to name the most obscure of these five. Good luck. | 0:31:32 | 0:31:35 | |
Thanks. We'll play our five long intros. Here they are. | 0:31:35 | 0:31:37 | |
We have got A... | 0:31:37 | 0:31:39 | |
POP BALLAD INTRO PLAYS | 0:31:39 | 0:31:41 | |
Here's B. | 0:32:00 | 0:32:02 | |
DISCO POP INTRO PLAYS | 0:32:02 | 0:32:05 | |
Here is C. | 0:32:22 | 0:32:24 | |
POP INTRO PLAYS | 0:32:24 | 0:32:27 | |
Here's D. | 0:32:47 | 0:32:49 | |
INDIE ROCK INTRO PLAYS | 0:32:49 | 0:32:51 | |
And here's E. | 0:33:08 | 0:33:10 | |
POP ROCK INTRO PLAYS | 0:33:10 | 0:33:12 | |
Now, Trevor and Clara, which are you going to go for? | 0:33:31 | 0:33:34 | |
-We know they know all of them as well. -This is it. | 0:33:34 | 0:33:36 | |
This is the problem. | 0:33:36 | 0:33:37 | |
It's a weird tactical game, this, for this one. | 0:33:37 | 0:33:40 | |
This is really close. It's about different eras, isn't it? | 0:33:40 | 0:33:44 | |
-CLARA: -Exactly. | 0:33:44 | 0:33:45 | |
-Clara. -OK. Going to actually go for the Arctic Monkeys. | 0:33:45 | 0:33:49 | |
I Bet You Look Good On The Dance Floor. | 0:33:49 | 0:33:51 | |
-That was D. -D, Arctic Monkeys. | 0:33:51 | 0:33:53 | |
OK, now, it's Chris and Scott. | 0:33:53 | 0:33:55 | |
Do you want to talk us through all the others? | 0:33:55 | 0:33:58 | |
OK, so... | 0:33:58 | 0:33:59 | |
B is Luther Vandross, Never Too Much. | 0:33:59 | 0:34:04 | |
C is Poker Face, Lady Gaga. | 0:34:04 | 0:34:08 | |
E is Easy Lover by Phil Bailey and Phil Collins. | 0:34:08 | 0:34:10 | |
Which leaves A, which is the one we'd like to go for, | 0:34:10 | 0:34:13 | |
which is Madonna, Crazy For You. | 0:34:13 | 0:34:15 | |
Crazy For You. | 0:34:15 | 0:34:17 | |
OK, so we have I Bet You Look Good On The Dance Floor versus Crazy For You. | 0:34:17 | 0:34:21 | |
Trevor and Clara, said I Bet You Look God On The Dance Floor. | 0:34:21 | 0:34:24 | |
Let's see if that's right for D and, if it is, | 0:34:24 | 0:34:26 | |
let's see how many people said it. | 0:34:26 | 0:34:28 | |
-31. -It's going to be close. | 0:34:35 | 0:34:38 | |
It's going to be close. | 0:34:38 | 0:34:40 | |
31 for the Arctic Monkeys. | 0:34:40 | 0:34:41 | |
Now, then, Chris and Scott have gone for Crazy For You for A. | 0:34:41 | 0:34:44 | |
Let's see if that's right. Let's see how many people said it. | 0:34:44 | 0:34:47 | |
You have to win this one to stay in the game, remember. | 0:34:49 | 0:34:52 | |
You've done it. Oh, look at that. 29! | 0:34:55 | 0:34:57 | |
I said this was going to be close. | 0:35:00 | 0:35:03 | |
Chris and Scott, very, very well done indeed. Fantastically played. | 0:35:03 | 0:35:07 | |
You're back in the game. After two questions, it's 1-1. | 0:35:07 | 0:35:10 | |
This might be the most competitive head-to-head I've ever seen. | 0:35:10 | 0:35:13 | |
Exciting, though. Exciting stuff. Well played on that one. | 0:35:13 | 0:35:17 | |
There is a killer answer on this board, you both knew it, and it's B. | 0:35:17 | 0:35:20 | |
Never Too Much would have just scored 9 points. | 0:35:20 | 0:35:22 | |
-CHRIS: -No way. -Yep. | 0:35:22 | 0:35:24 | |
The other two are the big scorers. | 0:35:24 | 0:35:26 | |
C is Poker Face, Lady Gaga. | 0:35:26 | 0:35:29 | |
That would have scored you 60. | 0:35:29 | 0:35:30 | |
The biggest scorer of all, Easy Lover. | 0:35:30 | 0:35:33 | |
As you say, Phil Bailey and Phil Collins, 63 points for that. | 0:35:33 | 0:35:37 | |
There we go. Thanks. Here comes your third question. | 0:35:37 | 0:35:40 | |
Whoever wins this goes through to the final and plays for that jackpot. | 0:35:40 | 0:35:43 | |
Best of luck to both pairs. It concerns... | 0:35:43 | 0:35:45 | |
Brit Award Trophy Designers. | 0:35:49 | 0:35:50 | |
We're going to show you the names of five artists or designers | 0:35:50 | 0:35:53 | |
who've designed a Brit trophy, | 0:35:53 | 0:35:54 | |
but we've missed out alternate letters from their names. | 0:35:54 | 0:35:57 | |
Whichever team gives us | 0:35:57 | 0:35:58 | |
the most obscure answer is going through to play for the jackpot. | 0:35:58 | 0:36:00 | |
Very best of luck. | 0:36:00 | 0:36:02 | |
OK. Thanks, Richard. Let's reveal our five designers with missing letters. | 0:36:02 | 0:36:06 | |
Here they are. ALEXANDER READS BOARD | 0:36:06 | 0:36:09 | |
I'll read those all one last time. | 0:36:18 | 0:36:20 | |
Chris and Scott will go first this time. | 0:36:28 | 0:36:31 | |
OK, we're going to go for Tracey Emin. | 0:36:35 | 0:36:37 | |
Tracey Emin, say Chris and Scott. | 0:36:37 | 0:36:39 | |
Trevor and Clara, talk us through that board if you can. | 0:36:39 | 0:36:42 | |
-Well, top one's obvious. Damien Hirst. -Damien Hirst. | 0:36:42 | 0:36:45 | |
-We think the second one might be Peter Blake. -Peter Blake. | 0:36:45 | 0:36:49 | |
Vivienne Westwood is definitely the last one. | 0:36:49 | 0:36:52 | |
And Phil... Oh... | 0:36:52 | 0:36:53 | |
Treacy. No, he's a hat designer. | 0:36:57 | 0:36:58 | |
Yeah, it could be Treacy. | 0:36:58 | 0:36:59 | |
-I'd go for Peter Blake, yeah. -Peter Blake. | 0:36:59 | 0:37:02 | |
You're going to go Peter Blake. | 0:37:02 | 0:37:03 | |
We've got Tracey Emin, we've got Peter Blake. | 0:37:03 | 0:37:05 | |
Chris and Scott went for Tracey Emin. | 0:37:05 | 0:37:08 | |
Let's see if that's right, | 0:37:08 | 0:37:09 | |
let's see how many of our 100 people said Tracey Emin. | 0:37:09 | 0:37:12 | |
It's right. | 0:37:13 | 0:37:15 | |
38. | 0:37:19 | 0:37:20 | |
38 for Tracey Emin. | 0:37:23 | 0:37:25 | |
Now, Trevor and Clara, the moment of truth. You've gone for Peter Blake. | 0:37:25 | 0:37:28 | |
Let's see if that's right. | 0:37:28 | 0:37:29 | |
Let's see how many of our 100 people said Peter Blake. | 0:37:29 | 0:37:32 | |
You did it. | 0:37:39 | 0:37:40 | |
Look at that. 21 for Peter Blake! | 0:37:41 | 0:37:43 | |
Very well done, Trevor and Clara. | 0:37:45 | 0:37:47 | |
After three very tightly contested questions, | 0:37:47 | 0:37:49 | |
you are through to the final, 2-1. | 0:37:49 | 0:37:51 | |
Great head-to-head, very well played. | 0:37:51 | 0:37:53 | |
Let's clear up the first one and the last one. | 0:37:53 | 0:37:55 | |
The first one is Damien Hirst. | 0:37:55 | 0:37:57 | |
That would have scored you 69. The bottom one is Vivienne Westwood. | 0:37:57 | 0:38:01 | |
That would have scored you 75. | 0:38:01 | 0:38:03 | |
The fourth one down, you knew it. It was the hat designer, Philip Treacy. | 0:38:03 | 0:38:06 | |
Very well done. It's the best answer on the board by a mile. | 0:38:06 | 0:38:09 | |
Would have scored you 8 points. | 0:38:09 | 0:38:11 | |
Thanks very much indeed, Richard. | 0:38:11 | 0:38:13 | |
The pair leading us at the end of the head-to-head. | 0:38:13 | 0:38:15 | |
They've been our low scorers round after round after round after round, | 0:38:15 | 0:38:18 | |
-Chris and Scott. -Disappointed face. | 0:38:18 | 0:38:21 | |
You haven't put a foot wrong. Nothing wrong and so close. | 0:38:21 | 0:38:25 | |
So close in all those scores. | 0:38:25 | 0:38:27 | |
-That was genuinely exciting. -Yeah, very exciting indeed. | 0:38:27 | 0:38:30 | |
Brilliant having you on the show. Please come back and play again. | 0:38:30 | 0:38:33 | |
-Fabulous performance. -Thank you very much. | 0:38:33 | 0:38:35 | |
APPLAUSE | 0:38:35 | 0:38:38 | |
But for Trevor and Clara, it's now time for our Pointless final. | 0:38:38 | 0:38:42 | |
Well, congratulations. | 0:38:46 | 0:38:47 | |
Trevor and Clara, you have fought tooth and nail | 0:38:47 | 0:38:50 | |
and you have won our coveted pointless trophy. | 0:38:50 | 0:38:53 | |
You now have a chance to win our Pointless jackpot. | 0:38:58 | 0:39:00 | |
At the end of today's show, the jackpot is standing at... | 0:39:00 | 0:39:03 | |
CHEERING AND APPLAUSE | 0:39:05 | 0:39:07 | |
You have now got the bragging rights at Radio 1 and Radio 1Xtra. | 0:39:08 | 0:39:12 | |
Most important, to be fair. | 0:39:12 | 0:39:14 | |
We're going to be humble with it, though, aren't we? | 0:39:14 | 0:39:16 | |
-No. -Oh, OK. | 0:39:16 | 0:39:17 | |
Let's see what we've got for you this evening. | 0:39:17 | 0:39:20 | |
Let's hope there's something up here you like. | 0:39:20 | 0:39:22 | |
ALEXANDER READS BOARD | 0:39:22 | 0:39:23 | |
I like the boxers, you like the X-Men. | 0:39:28 | 0:39:31 | |
I'm thinking X-Men Stars potentially, | 0:39:31 | 0:39:33 | |
but I know there's going to be a catch with that, isn't there? | 0:39:33 | 0:39:35 | |
But if you really know them... | 0:39:35 | 0:39:37 | |
My spirit is telling me X-Men Stars. | 0:39:37 | 0:39:40 | |
Do you know what? I'm going to go with you. | 0:39:40 | 0:39:42 | |
It's not fair if I go British Boxers, you won't know any. | 0:39:42 | 0:39:44 | |
-Exactly. -X-Men Stars it is. | 0:39:44 | 0:39:46 | |
Trevor, that was inevitable from the start of that consultation. | 0:39:46 | 0:39:49 | |
You know it was. | 0:39:49 | 0:39:51 | |
OK, you've got three questions here, best of luck. | 0:39:51 | 0:39:53 | |
We're looking for any film made for cinema release | 0:39:53 | 0:39:55 | |
for which any of the following three have ever received a credit. | 0:39:55 | 0:39:58 | |
Any feature film starring James McAvoy, | 0:39:58 | 0:40:00 | |
starring Hugh Jackman | 0:40:00 | 0:40:02 | |
or starring Michael Fassbender. | 0:40:02 | 0:40:05 | |
Any feature film made for cinema release for which those three | 0:40:05 | 0:40:08 | |
have got a credit according to IMDb up to February 2015, please. | 0:40:08 | 0:40:12 | |
-Very, very best of luck. -Thanks, Richard. | 0:40:12 | 0:40:15 | |
As always, you've got up to one minute | 0:40:15 | 0:40:16 | |
to come you with three answers. | 0:40:16 | 0:40:18 | |
All you need to win that jackpot for your charities | 0:40:18 | 0:40:20 | |
is for just one of your answers to be pointless. Are you ready? | 0:40:20 | 0:40:23 | |
-Yes. -OK, let's put 60 seconds on the clock. There they are. | 0:40:23 | 0:40:25 | |
Your time starts now. | 0:40:25 | 0:40:27 | |
-OK, one James McAvoy film. -James McAvoy. -Yep. | 0:40:27 | 0:40:30 | |
Did a film about Idi Amin. | 0:40:30 | 0:40:31 | |
-Last King Of Scotland. -That's the one. -There we go. | 0:40:31 | 0:40:33 | |
That's not bad, a lot of people saw that. | 0:40:33 | 0:40:35 | |
He did one also about a detective. A mad, crazy... | 0:40:35 | 0:40:37 | |
-Oh, the pig. What was it called? -He was completely drug crazy, | 0:40:37 | 0:40:40 | |
he was a detective in Scotland I think it was. | 0:40:40 | 0:40:43 | |
Hugh Jackman is also in that really popular made-for-TV movie. | 0:40:43 | 0:40:46 | |
We don't want popular. | 0:40:46 | 0:40:48 | |
Actually, it wasn't very popular, then. | 0:40:48 | 0:40:50 | |
Fassbender was in 12... | 0:40:50 | 0:40:53 | |
-Shame. -12 Years A Slave. | 0:40:53 | 0:40:55 | |
But that's massive. | 0:40:55 | 0:40:57 | |
-Was he in Shame? -He was in Shame. | 0:40:57 | 0:41:00 | |
How big was Shame? | 0:41:00 | 0:41:02 | |
Biggish. It had a bit of a following. | 0:41:02 | 0:41:04 | |
Hugh Jackman, anything else? McAvoy. | 0:41:04 | 0:41:08 | |
McAvoy has been in the ones, the independent films, surely. | 0:41:08 | 0:41:12 | |
Hugh Jackman was in Les Mis as well. | 0:41:12 | 0:41:14 | |
-OK, we're going to need to choose some. -OK. | 0:41:14 | 0:41:16 | |
Ten seconds left. | 0:41:16 | 0:41:18 | |
Last King Of Scotland, might as well do that. | 0:41:18 | 0:41:21 | |
-Fassbender. -Yeah, we'll do two Fassbender and one James McAvoy. | 0:41:21 | 0:41:25 | |
That is your time up, I'm sorry to say. Let's have your three answers. | 0:41:27 | 0:41:30 | |
-OK. -McAvoy. -James McAvoy. | 0:41:30 | 0:41:32 | |
Let's get the Last King Of Scotland in just in case, you never know. | 0:41:32 | 0:41:35 | |
OK. Well, actually, I think there was a film which was less popular, | 0:41:35 | 0:41:39 | |
-which will be more pointless. -Say it. -A film called Penelope. | 0:41:39 | 0:41:42 | |
Penelope for James McAvoy. | 0:41:42 | 0:41:44 | |
-I would say Shame over Last King for Michael Fassbender. -Go for that. | 0:41:45 | 0:41:51 | |
OK, we'll say Shame for Michael Fassbender. | 0:41:51 | 0:41:54 | |
You got a Hugh Jackman? | 0:41:54 | 0:41:56 | |
Hugh Jackman, I'm going to say Kate & Leopold. | 0:41:56 | 0:41:58 | |
Kate & Leopold. | 0:41:58 | 0:41:59 | |
-Clara suddenly digging them out! -Come on, Clara. | 0:41:59 | 0:42:01 | |
This is fabulous. | 0:42:01 | 0:42:03 | |
Of those three, which is | 0:42:03 | 0:42:04 | |
your best shot at a pointless answer do you think? | 0:42:04 | 0:42:07 | |
Kate & Leopold, I will put as the most likely to be pointless. | 0:42:07 | 0:42:12 | |
Most likely, we'll put Kate & Leopold. | 0:42:12 | 0:42:14 | |
Least likely to be pointless we'll put? | 0:42:14 | 0:42:16 | |
-Shame, Michael Fassbender. -Shame. -Yes. | 0:42:16 | 0:42:18 | |
Fabulous. | 0:42:18 | 0:42:19 | |
OK. Let's pop those up on the board in that order, then. Here they are. | 0:42:19 | 0:42:23 | |
We have got... | 0:42:23 | 0:42:24 | |
Three excellent answers on the board, there. | 0:42:27 | 0:42:30 | |
Only one of them has to be pointless for you to win that jackpot, | 0:42:30 | 0:42:32 | |
maybe all three are. | 0:42:32 | 0:42:34 | |
But if one of them is and you win that jackpot, | 0:42:34 | 0:42:36 | |
which charities are you playing for, Trevor? | 0:42:36 | 0:42:38 | |
Prostate Cancer UK. | 0:42:38 | 0:42:39 | |
I shall be playing for ACLT. | 0:42:41 | 0:42:43 | |
Wonderful. | 0:42:43 | 0:42:44 | |
APPLAUSE | 0:42:44 | 0:42:46 | |
Very well done indeed. | 0:42:46 | 0:42:47 | |
Two excellent causes there. | 0:42:50 | 0:42:52 | |
Let's hope at least one of these answers is pointless | 0:42:52 | 0:42:54 | |
and will win that jackpot for you to share between your charities. | 0:42:54 | 0:42:57 | |
In the first instance, we were looking for Michael Fassbender films, | 0:42:57 | 0:43:00 | |
and you have gone for Shame. | 0:43:00 | 0:43:02 | |
It has to be pointless for you to win that jackpot, | 0:43:02 | 0:43:04 | |
but if you do, it'll be a jackpot of £3,500. | 0:43:04 | 0:43:07 | |
Let's see how many people said Shame for Michael Fassbender. | 0:43:07 | 0:43:10 | |
It's right. That's the first thing it had to be. | 0:43:12 | 0:43:14 | |
The second thing it has to be is pointless. | 0:43:14 | 0:43:16 | |
If it goes all the way down to 0, | 0:43:16 | 0:43:18 | |
you will leave here with a cheque for £3,500 for your charities. | 0:43:18 | 0:43:21 | |
Shame now going down through the single figures. | 0:43:21 | 0:43:23 | |
Still going down, still going down. You've done it! | 0:43:23 | 0:43:26 | |
Look at that! | 0:43:26 | 0:43:27 | |
-Brilliant. Very well done indeed. -Well done. Really good. | 0:43:27 | 0:43:31 | |
That is superb. | 0:43:31 | 0:43:33 | |
You pulled it out, you pulled it out. | 0:43:34 | 0:43:36 | |
Very well done. Brilliant. | 0:43:36 | 0:43:38 | |
Let's do the dance. | 0:43:38 | 0:43:40 | |
What about that! | 0:43:41 | 0:43:43 | |
You've got your dance. | 0:43:43 | 0:43:45 | |
-Many, many congratulations. Shame was a pointless answer. -Wow! | 0:43:45 | 0:43:48 | |
That was the one you thought was least likely to be pointless. | 0:43:48 | 0:43:51 | |
-Well, there you go. -It's won that jackpot of £3,500 for your charities. | 0:43:51 | 0:43:54 | |
Very, very well done, Trevor and Clara. | 0:43:54 | 0:43:56 | |
What a brilliant end to this show! | 0:43:56 | 0:43:58 | |
-Fabulous. -Yes, friend. -Brilliant end to a brilliant show. | 0:43:58 | 0:44:00 | |
Goes down in the Pointless annals, this one. | 0:44:00 | 0:44:02 | |
Absolutely fantastic answers from everyone, | 0:44:02 | 0:44:04 | |
played in the right spirit. | 0:44:04 | 0:44:06 | |
The only thing you did wrong is that we like people to order them | 0:44:06 | 0:44:08 | |
so that the pointless answer goes last, it makes it more exciting. | 0:44:08 | 0:44:11 | |
You got your pointless answer first. | 0:44:11 | 0:44:13 | |
Although, if we had gone on to Penelope by James McAvoy, | 0:44:13 | 0:44:15 | |
it was also a pointless answer. | 0:44:15 | 0:44:16 | |
CHEERING AND APPLAUSE | 0:44:16 | 0:44:19 | |
Although, if we'd had to reveal your third one, | 0:44:23 | 0:44:25 | |
which is Kate & Leopold, Hugh Jackman, | 0:44:25 | 0:44:26 | |
it was also a pointless answer. Three pointless answers. | 0:44:26 | 0:44:29 | |
CHEERING AND APPLAUSE | 0:44:29 | 0:44:31 | |
Wow, wow, wow, wow. | 0:44:32 | 0:44:34 | |
Let's take a look at the pointless answers in the different categories, | 0:44:37 | 0:44:40 | |
see how you did at home. | 0:44:40 | 0:44:41 | |
James McAvoy first. Gnomeo & Juliet, he's a voice in that. | 0:44:41 | 0:44:44 | |
Inside I'm Dancing, Regeneration, Wimbledon. | 0:44:44 | 0:44:46 | |
You also could have had for him Arthur Christmas, | 0:44:46 | 0:44:48 | |
he's a voice in that. | 0:44:48 | 0:44:50 | |
You could have had Bright Young Things, Muppets Most Wanted, | 0:44:50 | 0:44:52 | |
The Last Station, all of those were pointless answers. | 0:44:52 | 0:44:55 | |
Let's take a look at Hugh Jackman. | 0:44:55 | 0:44:57 | |
Another voice performance, Happy Feet. There's Kate & Leopold. | 0:44:57 | 0:45:00 | |
Scoop, The Fountain. | 0:45:00 | 0:45:01 | |
Also could have had Flushed Away, Movie 43, | 0:45:01 | 0:45:04 | |
Real Steel, Rise Of The Guardians, all of those were pointless. | 0:45:04 | 0:45:06 | |
Well done if you said them. Michael Fassbender. | 0:45:06 | 0:45:09 | |
300, Jonah Hex, there's Shame, The Counselor. | 0:45:10 | 0:45:13 | |
Also lots of other answers. | 0:45:13 | 0:45:15 | |
Blood Creek, Centurion, Eden Lake, Fish Tank and Jane Eyre. | 0:45:15 | 0:45:18 | |
Very well done if you got any of those at home. | 0:45:18 | 0:45:20 | |
Congratulations in the studio. So many pointless answers. | 0:45:20 | 0:45:23 | |
What a wonderful show, thank you so much. | 0:45:23 | 0:45:25 | |
Thanks, Richard. | 0:45:25 | 0:45:26 | |
Thanks once again to our winning players, Trevor and Clara, | 0:45:26 | 0:45:29 | |
who win today's jackpot of £3,500 for their charities. | 0:45:29 | 0:45:33 | |
CHEERING AND APPLAUSE | 0:45:33 | 0:45:36 | |
Join us next time | 0:45:36 | 0:45:38 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:45:38 | 0:45:41 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:45:41 | 0:45:43 | |
And it's goodbye from me, goodbye. | 0:45:43 | 0:45:45 | |
But, before we go, we've got the fantastic Ella Eyre singing us out | 0:45:45 | 0:45:48 | |
with Good Times. | 0:45:48 | 0:45:49 | |
CHEERING AND APPLAUSE | 0:45:49 | 0:45:52 | |
# Oh, oh, oh-oh | 0:45:52 | 0:45:53 | |
# Oh, oh, oh | 0:45:53 | 0:45:55 | |
# Oh, oh, oh-oh | 0:45:55 | 0:45:56 | |
# Oh, oh, oh | 0:45:56 | 0:45:57 | |
# Oh, oh, oh-oh | 0:45:57 | 0:45:59 | |
# Oh, oh, oh | 0:45:59 | 0:46:00 | |
# Dark days holding me down | 0:46:03 | 0:46:05 | |
# And it's so grey, got my head in the cloud | 0:46:05 | 0:46:08 | |
# And you | 0:46:08 | 0:46:10 | |
# You feel it too | 0:46:10 | 0:46:12 | |
# But I told you that we'd figure it out | 0:46:13 | 0:46:16 | |
# All these old fools that we're better without | 0:46:16 | 0:46:19 | |
# And you | 0:46:19 | 0:46:21 | |
# You know it's true, yeah | 0:46:21 | 0:46:25 | |
# But tell me, tell me | 0:46:25 | 0:46:27 | |
# Tell me what it is that you need | 0:46:27 | 0:46:30 | |
# Cos I think I'm on to something | 0:46:30 | 0:46:33 | |
# Cos I feel the good times coming | 0:46:33 | 0:46:36 | |
# Tell me, tell me | 0:46:36 | 0:46:38 | |
# Tell me what it is that you need | 0:46:38 | 0:46:40 | |
# Cos I think I'm on to something | 0:46:41 | 0:46:44 | |
# Cos I feel the good times coming | 0:46:44 | 0:46:47 | |
# Oh, oh, oh-oh | 0:46:47 | 0:46:48 | |
# Oh, oh, oh | 0:46:48 | 0:46:49 | |
# Oh, oh, oh-oh | 0:46:49 | 0:46:51 | |
# Oh, oh, oh | 0:46:51 | 0:46:52 | |
# Cos I think I'm on to something | 0:46:52 | 0:46:55 | |
# Cos I feel the good times coming | 0:46:55 | 0:46:58 | |
# Oh, oh, oh-oh | 0:46:58 | 0:46:59 | |
# Oh, oh, oh | 0:46:59 | 0:47:00 | |
# Oh, oh, oh-oh | 0:47:00 | 0:47:02 | |
# Oh, oh, oh | 0:47:02 | 0:47:03 | |
# Cos I think I'm on to something | 0:47:03 | 0:47:06 | |
# Cos I feel the good times coming | 0:47:06 | 0:47:09 | |
# Tell me, tell me | 0:47:09 | 0:47:11 | |
# Tell me what it is that you need | 0:47:11 | 0:47:13 | |
# Cos I think I'm on to something | 0:47:14 | 0:47:17 | |
# Cos I feel the good times coming | 0:47:17 | 0:47:20 | |
# Cos I feel the good times coming | 0:47:23 | 0:47:25 | |
# We're getting by, we've done it before | 0:47:31 | 0:47:33 | |
# All the nightmares that I've learned to ignore | 0:47:33 | 0:47:36 | |
# And you | 0:47:36 | 0:47:38 | |
# You've been there too | 0:47:38 | 0:47:42 | |
# But somehow I can settle the score | 0:47:42 | 0:47:44 | |
# Cos I know now that I need more | 0:47:44 | 0:47:47 | |
# And you | 0:47:47 | 0:47:49 | |
# You know it too, yeah | 0:47:49 | 0:47:53 | |
# But tell me, tell me | 0:47:53 | 0:47:54 | |
# Tell me what it is that you need | 0:47:54 | 0:47:57 | |
# Cos I think I'm on to something | 0:47:58 | 0:48:01 | |
# Cos I feel the good times coming | 0:48:01 | 0:48:04 | |
# Tell me, tell me | 0:48:04 | 0:48:05 | |
# Tell me what it is that you need | 0:48:05 | 0:48:08 | |
# Cos I think I'm on to something | 0:48:09 | 0:48:12 | |
# Cos I feel the good times coming | 0:48:12 | 0:48:15 | |
# Oh, oh, oh-oh | 0:48:15 | 0:48:16 | |
# Oh, oh, oh | 0:48:16 | 0:48:17 | |
# Oh, oh, oh-oh | 0:48:17 | 0:48:18 | |
# Oh, oh, oh | 0:48:18 | 0:48:20 | |
# Cos I think I'm on to something | 0:48:20 | 0:48:23 | |
# Cos I feel the good times coming | 0:48:23 | 0:48:25 | |
# Tell me, tell me | 0:48:25 | 0:48:27 | |
# Tell me what it is that you need | 0:48:27 | 0:48:31 | |
# Cos I think I'm on to something | 0:48:31 | 0:48:34 | |
# Cos I feel the good times coming | 0:48:34 | 0:48:36 | |
# Tell me, tell me | 0:48:36 | 0:48:38 | |
# Tell me what it is that you need | 0:48:38 | 0:48:41 | |
# Cos I think I'm on to something | 0:48:42 | 0:48:45 | |
# Cos I feel the good times coming. # | 0:48:45 | 0:48:48 | |
CHEERING AND APPLAUSE | 0:48:48 | 0:48:50 |