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APPLAUSE | 0:00:14 | 0:00:18 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong | 0:00:22 | 0:00:25 | |
and a very warm welcome to this special child stars edition | 0:00:25 | 0:00:28 | |
of Pointless Celebrities, the show where the aim is to avoid | 0:00:28 | 0:00:31 | |
the obvious answers and find the obscure ones. | 0:00:31 | 0:00:34 | |
Let's meet today's Pointless celebrities. | 0:00:34 | 0:00:36 | |
APPLAUSE | 0:00:36 | 0:00:39 | |
-Couple number one. -Hello, my name is Thomas Turgoose, | 0:00:40 | 0:00:44 | |
most famously known for the part in This Is England | 0:00:44 | 0:00:47 | |
which started ten years ago and we're still doing it now. | 0:00:47 | 0:00:50 | |
We've got a new series due to release soon, so yeah. | 0:00:50 | 0:00:54 | |
Hi, I'm Tyger Drew-Honey | 0:00:54 | 0:00:56 | |
and I am most well-known for my role as Jake in Outnumbered | 0:00:56 | 0:00:59 | |
which was a long-running British sitcom | 0:00:59 | 0:01:01 | |
-which might be coming back for a special in the near future. -Ooh! | 0:01:01 | 0:01:05 | |
APPLAUSE | 0:01:05 | 0:01:07 | |
Couple number two. | 0:01:07 | 0:01:09 | |
Hi, my name is Lee MacDonald and I played Zammo in Grange Hill. | 0:01:09 | 0:01:14 | |
My name's Erkan Mustafa and I played Roland in Grange Hill. | 0:01:14 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:20 | |
-Couple number three. -Hi, I'm Michelle Gayle and when I was a child actor, | 0:01:21 | 0:01:25 | |
cos I'm pretty old now, I was in Grange Hill. | 0:01:25 | 0:01:28 | |
I'm Adam Rickitt and when I was a child actor | 0:01:28 | 0:01:31 | |
I was in Coronation Street. | 0:01:31 | 0:01:33 | |
APPLAUSE | 0:01:33 | 0:01:35 | |
And finally, couple number four. | 0:01:36 | 0:01:39 | |
I'm Julie Dawn Cole but perhaps better known as Veruca Salt | 0:01:39 | 0:01:42 | |
in the original Willy Wonka And The Chocolate Factory. | 0:01:42 | 0:01:45 | |
Hello, I'm Mark Lester. | 0:01:45 | 0:01:47 | |
I was Oliver in the 1968 musical of the same name. | 0:01:47 | 0:01:51 | |
APPLAUSE | 0:01:51 | 0:01:54 | |
Thank you very much. | 0:01:54 | 0:01:56 | |
We'll find out more about you throughout the show. | 0:01:56 | 0:01:58 | |
So, that just leaves one more person for me to introduce. | 0:01:58 | 0:02:01 | |
A man with a brain which baffles medical science, | 0:02:01 | 0:02:04 | |
mainly because his head won't fit in the MRI machine, | 0:02:04 | 0:02:06 | |
it's my Pointless friend, it's Richard. | 0:02:06 | 0:02:08 | |
-Hiya. Evening, everybody. -APPLAUSE | 0:02:08 | 0:02:12 | |
-Good evening to you, Xander. -And to you. | 0:02:12 | 0:02:14 | |
-This is going to be fun, isn't it? -I know! -Really, really nice line-up. | 0:02:14 | 0:02:18 | |
Some of these people have been with us before as well. | 0:02:18 | 0:02:20 | |
Thomas has been with us before. | 0:02:20 | 0:02:22 | |
Came on with Vas Blackwood last time. Round One, wasn't it, Thomas? | 0:02:22 | 0:02:25 | |
You were let down slightly by your partner. | 0:02:25 | 0:02:28 | |
-I don't want to talk about it. -It's not going to happen again. | 0:02:28 | 0:02:30 | |
Bad luck, cos we WILL be talking about it. | 0:02:30 | 0:02:32 | |
And podium two there, Lee and Erkan, they came on before with each other. | 0:02:32 | 0:02:36 | |
-Round One as well. -Yeah. -We were bottom of the class. | 0:02:36 | 0:02:39 | |
We was in the car, cab home, before the show had finished. | 0:02:39 | 0:02:42 | |
-Hopefully not again today. -I often am as well, Lee, if I'm honest. | 0:02:42 | 0:02:46 | |
But there, on podium three, Michelle. | 0:02:46 | 0:02:48 | |
-She's been in a head-to-head. -Yeah. | 0:02:48 | 0:02:50 | |
She had the good sense to come on with her Grange Hill headmistress. | 0:02:50 | 0:02:53 | |
-Yes. -Mrs McCluskey. That's the way to do it. | 0:02:53 | 0:02:55 | |
But come on with Adam this time. | 0:02:55 | 0:02:57 | |
And Julie Dawn and Mark on that last podium as well. | 0:02:57 | 0:03:00 | |
It's going to be fantastic, I think. | 0:03:00 | 0:03:02 | |
Round One should be easy if anyone here is an actor. | 0:03:02 | 0:03:06 | |
Anyone who's an actor should be all right on Round One. | 0:03:06 | 0:03:09 | |
Thanks very much, Richard. | 0:03:09 | 0:03:10 | |
All of today's questions have been put to 100 people before the show. | 0:03:10 | 0:03:14 | |
Our contestants are looking to find | 0:03:14 | 0:03:16 | |
those all-important pointless answers. | 0:03:16 | 0:03:18 | |
Those are those answers that none of our 100 people gave. | 0:03:18 | 0:03:22 | |
Each time that happens, we will add £250 to the jackpot. | 0:03:22 | 0:03:25 | |
Now, as today's show is a celebrity special, | 0:03:25 | 0:03:27 | |
each of our celebrities is playing for a nominated charity. | 0:03:27 | 0:03:29 | |
We start off with a jackpot of £2,500. There we are. | 0:03:29 | 0:03:33 | |
APPLAUSE | 0:03:33 | 0:03:36 | |
If everyone's ready, let's play Pointless. | 0:03:36 | 0:03:38 | |
APPLAUSE | 0:03:38 | 0:03:41 | |
The only thing you have to remember is this - | 0:03:43 | 0:03:45 | |
the pair with the highest score at the end of each round | 0:03:45 | 0:03:48 | |
will be eliminated. That's it. | 0:03:48 | 0:03:50 | |
And no conferring for the first two rounds. Very best of luck. | 0:03:50 | 0:03:54 | |
Our first category this evening is... | 0:03:54 | 0:03:56 | |
Film Directors. Can you decide in your pairs who's going to go first, | 0:03:59 | 0:04:02 | |
who's going second. Whoever's going first, step up to the podium. | 0:04:02 | 0:04:06 | |
Let's find out what the question is. Here it comes. | 0:04:09 | 0:04:12 | |
We gave 100 people 100 seconds to name... | 0:04:12 | 0:04:14 | |
Steven Spielberg films with an S in the title. Richard. | 0:04:20 | 0:04:24 | |
We are looking for any feature film | 0:04:24 | 0:04:25 | |
made for cinema release before April 2015, | 0:04:25 | 0:04:28 | |
directed by Steven Spielberg, with an S in its title, | 0:04:28 | 0:04:31 | |
-according to IMDb. Very best of luck. -Thank you very much indeed. | 0:04:31 | 0:04:35 | |
Now, Thomas, welcome back to Pointless. Ohhh! | 0:04:35 | 0:04:39 | |
So, Vas, last time... | 0:04:39 | 0:04:41 | |
I'm going to say he wasn't taking it that seriously. | 0:04:41 | 0:04:43 | |
-No, I don't think he was, was he? -No, I don't think he was. | 0:04:43 | 0:04:46 | |
-To this day, I'll never forgive him. -You shouldn't. | 0:04:46 | 0:04:48 | |
-I'm not sure Pointless will either. -No. | 0:04:48 | 0:04:50 | |
Now, Thomas, last time you were here, | 0:04:50 | 0:04:53 | |
you were filming This Is England '90, which I think is about to come out. | 0:04:53 | 0:04:56 | |
It's coming out this year, isn't it? | 0:04:56 | 0:04:58 | |
Yeah, it's coming out later on in the year. | 0:04:58 | 0:05:00 | |
-It's coming out pretty soon. -Is that going to be it? Will there be a '92? | 0:05:00 | 0:05:05 | |
Maybe. I honestly don't know. Hopefully. | 0:05:05 | 0:05:08 | |
Shane keeps his cards close to his chest. | 0:05:08 | 0:05:10 | |
He does, yeah, even to his closest friends, | 0:05:10 | 0:05:13 | |
but I mean, he loves the job as much as I do, | 0:05:13 | 0:05:15 | |
so hopefully, there'll be another one. | 0:05:15 | 0:05:17 | |
We've got a picture of you here. | 0:05:17 | 0:05:19 | |
Ah... LAUGHTER | 0:05:19 | 0:05:23 | |
-Who's that on the left? -That's you when you're older. Yeah. | 0:05:23 | 0:05:28 | |
There we are. Now then, Thomas, Spielberg films with S in the title. | 0:05:28 | 0:05:35 | |
-Just one is all we need. -I should really think about it. | 0:05:35 | 0:05:38 | |
Apocalypse Now, was that Spielberg? | 0:05:40 | 0:05:42 | |
Well, I'm going to have to go for that cos I've said it now. | 0:05:42 | 0:05:45 | |
Well, we'll discover. We shall discover, Thomas. Apocalypse Now. | 0:05:45 | 0:05:48 | |
Is it right? How many people said if it is? | 0:05:48 | 0:05:51 | |
No. I tell you what, that's got an S in though. | 0:05:54 | 0:05:56 | |
LAUGHTER Apocalypse Now, | 0:05:56 | 0:05:59 | |
but I'm afraid it is not a Spielberg film. | 0:05:59 | 0:06:01 | |
-Gutted. -Scores you 100 points. | 0:06:01 | 0:06:03 | |
It might not be the last 100 points of the round though. | 0:06:03 | 0:06:05 | |
Yeah, sorry, Thomas. | 0:06:05 | 0:06:07 | |
Perhaps Vas wasn't the problem last time, I dunno. Perhaps... | 0:06:07 | 0:06:09 | |
It's a Francis Ford Coppola film, Apocalypse Now. | 0:06:09 | 0:06:13 | |
-Apocalypse Now hasn't even got an S in it, has it? -It has. | 0:06:13 | 0:06:16 | |
-LAUGHTER -Has it? -Yeah! -That's all right then. | 0:06:16 | 0:06:18 | |
You were absolutely exemplary on that bit. That was perfect. | 0:06:18 | 0:06:23 | |
-It has, hasn't it? -Yeah. -Oh, OK. -Yeah, yeah, yeah. | 0:06:23 | 0:06:26 | |
-Erkan, welcome back. -Thank you very much. | 0:06:26 | 0:06:28 | |
I have every confidence | 0:06:28 | 0:06:31 | |
that you're going to be in the head-to-head this time. | 0:06:31 | 0:06:33 | |
I'm so glad that you've got confidence. | 0:06:33 | 0:06:35 | |
-If not the final. -Put the pressure on, why don't you? | 0:06:35 | 0:06:38 | |
Well, you know. Erkan, how nice to see you. | 0:06:38 | 0:06:40 | |
I was saying to someone before, that anybody aged about 40 or over | 0:06:40 | 0:06:46 | |
probably reckons they were at school with you. | 0:06:46 | 0:06:48 | |
-Yeah, people do say that to me. -I bet they do. | 0:06:48 | 0:06:50 | |
They say, "Did I go to school with you?" I say, "I don't think so. | 0:06:50 | 0:06:53 | |
"Did you go to an all boys school? Oh, it's a girl, OK." | 0:06:53 | 0:06:56 | |
What do you do? You present things now, don't you? | 0:06:56 | 0:06:58 | |
Yeah, I basically work for a TV company | 0:06:58 | 0:07:01 | |
and we interview people like these greats, basically - | 0:07:01 | 0:07:04 | |
people that have been on TV and have got stories to tell, | 0:07:04 | 0:07:07 | |
be it musicians, poets, great actors, | 0:07:07 | 0:07:11 | |
basically, people who have got a story to tell | 0:07:11 | 0:07:13 | |
and they're forgotten about on our TVs. | 0:07:13 | 0:07:15 | |
We don't see them on TV much except UK Gold. | 0:07:15 | 0:07:18 | |
-So that's my passion. -Very good. | 0:07:18 | 0:07:21 | |
Erkan, look, we've got a picture of you and Lee in your Grange Hill days. | 0:07:21 | 0:07:25 | |
Same glasses, but the hair's... I don't know where that's gone. | 0:07:25 | 0:07:28 | |
-The pair of you have changed hardly at all. -No. | 0:07:28 | 0:07:32 | |
We have good doctors, Botox works and, yeah... | 0:07:32 | 0:07:36 | |
-Did you keep the blazers? -I do, but I can't wear it any more. | 0:07:36 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:42 | |
I've put on a bit of weight - just a tadge. | 0:07:42 | 0:07:44 | |
Now, Erkan, Steven Spielberg films. | 0:07:44 | 0:07:47 | |
I'm going to take a stab...at Jaws. | 0:07:47 | 0:07:52 | |
OK, let's see if that's right and how many of our 100 said Jaws. | 0:07:52 | 0:07:55 | |
-It's right. -Yeah. | 0:07:57 | 0:07:59 | |
38. This is good, Erkan, this is good. | 0:08:02 | 0:08:06 | |
APPLAUSE | 0:08:06 | 0:08:08 | |
I tell you what, when you first said that, | 0:08:08 | 0:08:10 | |
I thought, "Where's the S in Jaws?" Then "Oh, of course." | 0:08:10 | 0:08:12 | |
The author of the book, Peter Benchley, | 0:08:12 | 0:08:14 | |
got a bit upset because sharks were vilified after Jaws came out. | 0:08:14 | 0:08:18 | |
-He became a shark conservationist in the end. -Ah, to atone. -Yeah. -Oh. | 0:08:18 | 0:08:23 | |
He could always have written a book in which, maybe, | 0:08:23 | 0:08:26 | |
-dolphins were the baddies. -That's a good idea. Called Gums. | 0:08:26 | 0:08:30 | |
LAUGHTER | 0:08:30 | 0:08:32 | |
Thanks very much indeed. Now then, Michelle. | 0:08:32 | 0:08:34 | |
-Yes. -Michelle, welcome back. -Thank you for having me back. | 0:08:34 | 0:08:37 | |
-Head-to-head last time. -Yeah. -You were in Grange Hill as well. -I was. | 0:08:37 | 0:08:41 | |
How long were you in Grange Hill for? | 0:08:41 | 0:08:43 | |
I was in Grange Hill for about three years | 0:08:43 | 0:08:45 | |
but I did it previously before as an extra with these guys. | 0:08:45 | 0:08:48 | |
I have known them since I was 10 or 11. | 0:08:48 | 0:08:51 | |
We've known each other since we about... | 0:08:51 | 0:08:53 | |
Over 30 years we've known each other. | 0:08:53 | 0:08:54 | |
-Thanks for reminding everybody in the nation. -We're old! | 0:08:54 | 0:08:58 | |
-Then onto EastEnders. -Yes. -Then onto a singing career. -Mmm. | 0:08:58 | 0:09:02 | |
-Quite a successful singing career. -Yes, I've done all right. | 0:09:02 | 0:09:06 | |
-I've seen the world twice. -And you've written a book. | 0:09:06 | 0:09:09 | |
-You've got a novel. -I've written three novels now as well, | 0:09:09 | 0:09:11 | |
so I'm working hard at the computer. | 0:09:11 | 0:09:16 | |
So writing is what currently occupies you. | 0:09:16 | 0:09:18 | |
Writing's what I concentrate on most. | 0:09:18 | 0:09:20 | |
-I still do acting as well but I concentrate on writing. -Very good. | 0:09:20 | 0:09:23 | |
Now, how are you feeling about Spielberg films with S in? | 0:09:23 | 0:09:26 | |
I've got a few, but I'm going to take a chance, if Adam doesn't mind. | 0:09:26 | 0:09:31 | |
-Yeah, go for it. -Close Encounters Of The Third Kind. -Ah! | 0:09:31 | 0:09:35 | |
Close Encounters Of The Third Kind, says Michelle. | 0:09:35 | 0:09:38 | |
Let's just see how far down the column we get with that. | 0:09:38 | 0:09:41 | |
It's right. 100 was our high score. You passed that some time ago. | 0:09:43 | 0:09:47 | |
38's our low score. You passed that some time ago. | 0:09:47 | 0:09:49 | |
17, Michelle. APPLAUSE | 0:09:49 | 0:09:52 | |
-There we go. -Good answer, Michelle. | 0:09:55 | 0:09:57 | |
-Earned him his first Oscar nomination as well. -Yes, thank you. | 0:09:57 | 0:10:00 | |
-Thank you very much indeed. Julie, welcome. -Thank you. | 0:10:00 | 0:10:04 | |
How nice to see you. So, the first Willy Wonka film. | 0:10:04 | 0:10:06 | |
-Where did you film that? -It was filmed in Munich in Germany. | 0:10:06 | 0:10:10 | |
-Oh, really? -Yes. | 0:10:10 | 0:10:11 | |
But what an amazing cast, all the people involved in that. | 0:10:11 | 0:10:14 | |
Gene Wilder, Jack Albertson, Roy Kinnear. | 0:10:14 | 0:10:17 | |
And was Tony Newley involved? | 0:10:17 | 0:10:19 | |
Did he come along for any of the music stuff? | 0:10:19 | 0:10:22 | |
He did come along and direct some of the.. | 0:10:22 | 0:10:24 | |
In fact, I have a demo of him singing my song, | 0:10:24 | 0:10:26 | |
which is a rather different interpretation. | 0:10:26 | 0:10:29 | |
Let's just get the picture of you and Mark up when you were child stars. | 0:10:29 | 0:10:33 | |
There we are. Ah... | 0:10:33 | 0:10:35 | |
You must have got quite hot, under the lights in that. | 0:10:37 | 0:10:39 | |
-I didn't like that coat. I hated it. -No. -But look at it. | 0:10:39 | 0:10:43 | |
-You've got the saint and the sinner. -Yeah, right! | 0:10:43 | 0:10:46 | |
I read somewhere that you kept, rather naughtily, | 0:10:46 | 0:10:49 | |
-you kept the chocolate bar and the gold ticket. -Moi? Would I do that? | 0:10:49 | 0:10:53 | |
-Did you really? -I might have done. -Have you still got them? | 0:10:53 | 0:10:57 | |
I still have a Scrumdiddlyumptious bar. Well, only the wrapper. | 0:10:57 | 0:11:01 | |
-I ate what was inside it. -It was a real bar inside? | 0:11:01 | 0:11:04 | |
It was. It was Turkish delight | 0:11:04 | 0:11:06 | |
and I think they were made by an American chocolate company, | 0:11:06 | 0:11:08 | |
but since they'd been shipped over to Germany, | 0:11:08 | 0:11:10 | |
they were a little bit past the sell-by date. | 0:11:10 | 0:11:13 | |
-Well, you were doing them a service then. -I think so. -Now, Julie. | 0:11:13 | 0:11:16 | |
-Yes. -Julie, what would you like to go for from our Spielberg films? | 0:11:16 | 0:11:22 | |
I'm going to go for - lots of S's in this one - Schindler's List. | 0:11:22 | 0:11:26 | |
Schindler's List, says Julie. Let's see if that's right | 0:11:26 | 0:11:28 | |
and how many of our 100 said Schindler's List. | 0:11:28 | 0:11:31 | |
Absolutely right. | 0:11:33 | 0:11:35 | |
17 is our low score at this point. 31 is what you get for that. | 0:11:36 | 0:11:39 | |
APPLAUSE Really not bad at all. | 0:11:39 | 0:11:43 | |
-Schindler's List. -Another very good answer. | 0:11:43 | 0:11:46 | |
-He refused a salary on that film as well. -Thank you, Richard. | 0:11:46 | 0:11:49 | |
We're halfway through the round. | 0:11:49 | 0:11:51 | |
Let's look at those scores as they stand. 17, Michelle. | 0:11:51 | 0:11:54 | |
The lowest score of the pass. Very well done indeed. | 0:11:54 | 0:11:57 | |
Then up to 31, Julie and Mark, up to 38, Erkan and Lee, | 0:11:57 | 0:12:01 | |
then up to 100, Thomas and Tyger. | 0:12:01 | 0:12:02 | |
So, Tyger, we're going to need a low score from you. | 0:12:02 | 0:12:06 | |
Let's hope there are some Spielberg films left with S's in. | 0:12:06 | 0:12:09 | |
Have you got one at this stage? All you have to say is yes or no. | 0:12:09 | 0:12:12 | |
Yes - good! Good luck with that. | 0:12:13 | 0:12:15 | |
Can the second players please step up to the podium? | 0:12:15 | 0:12:18 | |
Now, Mark, a very warm welcome to you to Pointless. | 0:12:22 | 0:12:25 | |
-How old were you when you made "Oliver!"? -I was eight years old. | 0:12:25 | 0:12:30 | |
-And how were you discovered for that? -We had a series of auditions. | 0:12:30 | 0:12:33 | |
I was at a stage school, Corona Academy, at the time | 0:12:33 | 0:12:37 | |
and there was just hundreds and hundreds of auditions | 0:12:37 | 0:12:41 | |
and I was whittled down and whittled down and whittled down | 0:12:41 | 0:12:44 | |
and eventually, I got the part. | 0:12:44 | 0:12:47 | |
And then, you've sort of turned your back on acting. | 0:12:47 | 0:12:49 | |
You're now an osteopath. | 0:12:49 | 0:12:51 | |
I am an osteopath. I haven't turned my back on it. | 0:12:51 | 0:12:54 | |
I think it was one of those progressions... | 0:12:54 | 0:12:56 | |
-I had great fun while I was an actor. -Yeah. | 0:12:56 | 0:13:00 | |
-And we kind of outgrew each other. -Fair enough. | 0:13:00 | 0:13:02 | |
Do all your clients know that the hands that held the bowl | 0:13:02 | 0:13:07 | |
-are the very hands that...? -Well, I hope... | 0:13:07 | 0:13:10 | |
Well, a few of them do, | 0:13:10 | 0:13:12 | |
maybe a few of them do know but don't comment, | 0:13:12 | 0:13:15 | |
-but it's not something I would advertise. -No. | 0:13:15 | 0:13:18 | |
Do you ever wear a slightly tall peaked hat at all? | 0:13:18 | 0:13:21 | |
-Only on certain days. -OK, fair enough. | 0:13:21 | 0:13:25 | |
Now, Mark, there you are on 31. | 0:13:25 | 0:13:27 | |
The high-scorers still Tyger and Thomas on 100. | 0:13:27 | 0:13:29 | |
-68 or less gets you through. -Right, well, I'm hoping... | 0:13:29 | 0:13:34 | |
I know the director's right, but I'm hoping | 0:13:34 | 0:13:37 | |
the title will provide the S, | 0:13:37 | 0:13:40 | |
so I'm going with ET Extra-Terrestrial. | 0:13:40 | 0:13:44 | |
ET Extra-Terrestrial, says Mark. There's your red line. | 0:13:44 | 0:13:47 | |
If you get below that, you are through to the next round. | 0:13:47 | 0:13:50 | |
It's right. Through you go. Very well done. | 0:13:53 | 0:13:56 | |
-Ooh, that's god! 13. -Well done. -APPLAUSE | 0:13:59 | 0:14:01 | |
Our new lowest score of the round, in fact, Mark. | 0:14:01 | 0:14:04 | |
Very well done. 44 is your total. Through you go. | 0:14:04 | 0:14:07 | |
Great answer, Mark. A lot of people wouldn't have got that, | 0:14:07 | 0:14:10 | |
but it is ET The Extra-Terrestrial, not just ET. A scary one to go for | 0:14:10 | 0:14:13 | |
-but a very good one. -Thank you very much, Richard. | 0:14:13 | 0:14:16 | |
-Now, Adam. -Hello. -A warm welcome to you. | 0:14:16 | 0:14:20 | |
You took over as Nick Tilsley. But taking over is interesting. | 0:14:20 | 0:14:23 | |
-I was the second incarnation. There have been three now. -Yeah. | 0:14:23 | 0:14:27 | |
What's that like? This is in Coronation Street. | 0:14:27 | 0:14:29 | |
I'll be honest, cos I never watched it as a child, I didn't know | 0:14:29 | 0:14:32 | |
until I arrived and it was in the papers and ooh, I felt bad. | 0:14:32 | 0:14:35 | |
-Right. -So, he's like the everlasting child. | 0:14:35 | 0:14:40 | |
-I'm going to hold you there because there he is. -Ooh! -There he is. | 0:14:40 | 0:14:44 | |
-And Michelle there as well. -Matching orange. -Look at that! | 0:14:44 | 0:14:47 | |
You're virtually wearing the same jacket there. | 0:14:47 | 0:14:50 | |
Exactly! We're matching. | 0:14:50 | 0:14:51 | |
-You then had a career in music as well. -Yes. -You had a solo career. | 0:14:51 | 0:14:55 | |
-I did. -Then there was a kind of super-band you joined, wasn't there? | 0:14:55 | 0:14:59 | |
Yeah, in an ITV show last year - The Big Reunion, 5th Story. | 0:14:59 | 0:15:02 | |
It was kind of destined to not work | 0:15:02 | 0:15:05 | |
cos we're like five guys with not quite the sort of optimism | 0:15:05 | 0:15:08 | |
we had before about going out and working hard. | 0:15:08 | 0:15:12 | |
So, we weren't ever going to be the new One Direction. | 0:15:12 | 0:15:15 | |
-You didn't tour though, did you? -No. -No. | 0:15:15 | 0:15:17 | |
-We barely got to the recording booth. -Oh, right. | 0:15:17 | 0:15:20 | |
-And then you dabbled in politics, briefly. -I did, yes. | 0:15:20 | 0:15:23 | |
-Are you still interested in that? -No! -You've moved on from that. | 0:15:23 | 0:15:26 | |
-No, I still act and I also work in the third sector now. -Right. | 0:15:26 | 0:15:30 | |
I work in charities as well as acting. | 0:15:30 | 0:15:32 | |
OK, well very good for you. | 0:15:32 | 0:15:34 | |
You're on 17 at the moment, the high-scorers still, | 0:15:34 | 0:15:36 | |
here on the near podium, are Thomas and Tyger. | 0:15:36 | 0:15:38 | |
-82 or less gets you through. -Yeah, um, I know this one | 0:15:38 | 0:15:42 | |
cos my uncle was in it. | 0:15:42 | 0:15:44 | |
It's Indiana Jones And The Raiders Of The Lost Ark. | 0:15:44 | 0:15:47 | |
-Oh, that's good. Who's your uncle in it? -Bill Weston. | 0:15:47 | 0:15:49 | |
-He was a stuntman. He was the stunt coordinator. -Very exciting. | 0:15:49 | 0:15:53 | |
-So, Indiana Jones And Raiders Of The Lost Ark. -Yeah. | 0:15:53 | 0:15:56 | |
Let's see if that's right and how many of our 100 said that. | 0:15:56 | 0:15:59 | |
There is your red line. | 0:15:59 | 0:16:00 | |
Very well done indeed. | 0:16:04 | 0:16:05 | |
That's another great answer! | 0:16:08 | 0:16:10 | |
13. Look at that! | 0:16:10 | 0:16:12 | |
APPLAUSE Our lowest total of the round. | 0:16:12 | 0:16:14 | |
-Very, very well done indeed. 30. -Well played, Adam. | 0:16:14 | 0:16:17 | |
It's originally just called Raiders Of The Lost Ark | 0:16:17 | 0:16:19 | |
but they did rename it later. | 0:16:19 | 0:16:21 | |
-Indiana Jones And The Raiders Of The Lost Ark. -Thank you. | 0:16:21 | 0:16:24 | |
-It's got an S in either way. -Either way. | 0:16:24 | 0:16:26 | |
It's an embarrassment of S's there. | 0:16:26 | 0:16:28 | |
Awful lot of S's, yeah. | 0:16:28 | 0:16:30 | |
-Well, look at his name - he's got so many. -He's got lots. | 0:16:30 | 0:16:33 | |
Well, two, but yes, that's... | 0:16:33 | 0:16:35 | |
-Enough's as good as a feast, isn't it? -Isn't it just? | 0:16:35 | 0:16:37 | |
-Certainly in the world of S's. -Correct. -There we go. | 0:16:37 | 0:16:40 | |
Now, Lee, welcome back. Lovely to have you here. | 0:16:40 | 0:16:42 | |
-Hiya. -Now, Lee, | 0:16:42 | 0:16:45 | |
for heaven's sake, you had a glittering lifelong career, | 0:16:45 | 0:16:48 | |
had you wanted it, in television. | 0:16:48 | 0:16:51 | |
You'd still be a massive star now, I'm absolutely certain of that. | 0:16:51 | 0:16:55 | |
-And you went off to locksmithery. -I did. | 0:16:55 | 0:16:57 | |
Initially, I did Grange Hill and I wanted to be a boxer | 0:16:57 | 0:17:00 | |
and through an accident, | 0:17:00 | 0:17:02 | |
I couldn't box any more. And I didn't know what to do, | 0:17:02 | 0:17:05 | |
so I just sort of got thrown into locksmithing | 0:17:05 | 0:17:07 | |
and I've got my own shop over in Wallington. | 0:17:07 | 0:17:09 | |
I've been there 15 years. But I'm starting to do stuff now. | 0:17:09 | 0:17:12 | |
Now Zammo's sort of died away, getting back in. | 0:17:12 | 0:17:15 | |
I just finished a film called Dirty British Boys, | 0:17:15 | 0:17:19 | |
which is out later in the year, so the finger's back in. | 0:17:19 | 0:17:23 | |
You've gone back in. | 0:17:23 | 0:17:24 | |
Well, as I say, there's a glittering career still there. | 0:17:24 | 0:17:27 | |
-It's still warm, Lee. -Absolutely. | 0:17:27 | 0:17:31 | |
Anyway, you're on 38. | 0:17:31 | 0:17:33 | |
-You want to be scoring 61 or less. -No pressure. | 0:17:33 | 0:17:36 | |
Both of mine have gone. Everybody says that, but it's true! | 0:17:36 | 0:17:39 | |
-No pressure. -OK... -No pressure. -Right, I think... | 0:17:39 | 0:17:43 | |
I watched the old version of this recently and the name come up | 0:17:43 | 0:17:47 | |
-and I'm 99% sure. I'm going to say Poltergeist. -Poltergeist. | 0:17:47 | 0:17:53 | |
There's your red line, Lee. | 0:17:53 | 0:17:54 | |
Get below that and you are into Round Two. | 0:17:54 | 0:17:57 | |
-Erkan, what are we thinking? -I hope so. | 0:17:57 | 0:17:59 | |
Otherwise, me and him might fall out. | 0:17:59 | 0:18:01 | |
LAUGHTER | 0:18:01 | 0:18:03 | |
Let's see if Poltergeist is right and how many people said it. | 0:18:03 | 0:18:06 | |
Oh, no... | 0:18:08 | 0:18:09 | |
If I come back, can I bring somebody else with me? | 0:18:09 | 0:18:12 | |
LAUGHTER | 0:18:12 | 0:18:13 | |
Listen, the round is not over yet, by any means. 138 is your total. | 0:18:13 | 0:18:18 | |
That's really unlucky, Lee. | 0:18:18 | 0:18:20 | |
He produced it and he wrote it but... | 0:18:20 | 0:18:23 | |
-Oh, he produced it and he wrote it! -But he didn't direct it, I'm afraid. | 0:18:23 | 0:18:26 | |
-Oh, well, that don't make me feel AS bad now. -Exactly. | 0:18:26 | 0:18:29 | |
I'd seen the name on the credits. I knew it was there. | 0:18:29 | 0:18:31 | |
It's a very, very good wrong answer. | 0:18:31 | 0:18:33 | |
-Yeah, exactly that. -I'm going to do a show one time | 0:18:33 | 0:18:36 | |
where every single question is about finding S's in the title. | 0:18:36 | 0:18:39 | |
I'm going to call it The Only Way Is S's. | 0:18:39 | 0:18:41 | |
LAUGHTER Thanks, Richard. | 0:18:41 | 0:18:44 | |
Tyger, welcome to Pointless. Lovely to have you here. | 0:18:44 | 0:18:48 | |
It's very rarely, in fact it's never happened before that I've had | 0:18:48 | 0:18:52 | |
someone who's played my son on the show. It's really nice, that. | 0:18:52 | 0:18:55 | |
We had a good couple of years as father and son. | 0:18:55 | 0:18:57 | |
We did. We were a good double act, you and me. | 0:18:57 | 0:18:59 | |
-It was fantastic. -You were a bit smaller. -A little bit. | 0:18:59 | 0:19:02 | |
I tell you what's slightly disconcerting me | 0:19:02 | 0:19:04 | |
-is you went on to do Outnumbered and you played Hugh Dennis's son. -Yeah. | 0:19:04 | 0:19:09 | |
It's funny how you're starting to look a bit like Hugh Dennis. | 0:19:09 | 0:19:12 | |
-I do get that quite a lot actually. -It's funny. You've... | 0:19:12 | 0:19:16 | |
It's just happened, maybe by being on set with him. | 0:19:16 | 0:19:19 | |
Little bit of Claire Skinner in there as well, I think, possibly. | 0:19:19 | 0:19:22 | |
-Isn't that funny? -When did Tyger play your son? | 0:19:22 | 0:19:25 | |
-In about 2005, maybe? -I'm not sure. | 0:19:25 | 0:19:28 | |
I remember one of the days we were filming, | 0:19:28 | 0:19:31 | |
it was my 11th birthday | 0:19:31 | 0:19:32 | |
and everyone in the crew sang Happy Birthday | 0:19:32 | 0:19:35 | |
which was a lovely experience for one of my first ever jobs, | 0:19:35 | 0:19:37 | |
-so I would have been 10 or 11, so it was a good 8, 9 years ago. -Yeah. | 0:19:37 | 0:19:42 | |
What are you up to now? You hinted at an Outnumbered return, possibly. | 0:19:42 | 0:19:45 | |
It's possible. I mean, the series is over, in terms of series, | 0:19:45 | 0:19:50 | |
but don't hold me to anything, but there's a possibility | 0:19:50 | 0:19:53 | |
that the general public might be seeing the Brockman family | 0:19:53 | 0:19:57 | |
for some sort of special in the future. | 0:19:57 | 0:20:00 | |
I really hope so. Such a wonderful show. | 0:20:00 | 0:20:02 | |
And a huge part you contributed to its success as well, Tyger, | 0:20:02 | 0:20:05 | |
so well done for that. You're not the high-scorers. | 0:20:05 | 0:20:07 | |
Thomas, you're not the high-scorers. We might see you in Round Two. | 0:20:07 | 0:20:11 | |
See, what just happened there, I didn't really expect it | 0:20:11 | 0:20:15 | |
and now I'm having to think | 0:20:15 | 0:20:17 | |
-about my tactics a bit. Um, I am going to say Jaws 2. -Jaws 2. | 0:20:17 | 0:20:22 | |
Erkan is patting Lee on the shoulder. | 0:20:22 | 0:20:25 | |
Is that to say, "We are through, my fiend" | 0:20:25 | 0:20:27 | |
or is that to say, "This has been fun"? | 0:20:27 | 0:20:29 | |
-No, "Why didn't you think of that?" -LAUGHTER | 0:20:29 | 0:20:32 | |
There is your red line. | 0:20:32 | 0:20:34 | |
Let's see if we can get below that with Jaws 2. Good luck, Tyger. | 0:20:34 | 0:20:38 | |
-Oh...Tyger! -Told you to come again, yes! | 0:20:41 | 0:20:44 | |
I just presumed it was such a successful film, | 0:20:44 | 0:20:47 | |
I thought they wouldn't change the director. | 0:20:47 | 0:20:49 | |
I was thinking that as well. If it ain't broke, why? Why fix it? | 0:20:49 | 0:20:52 | |
Scores you 100 points. | 0:20:52 | 0:20:54 | |
Takes your total up to 200. Thomas, I can only apologise. | 0:20:54 | 0:20:57 | |
We WILL see you again, but listen... Richard. | 0:20:57 | 0:20:59 | |
I'm so sorry. What I thought you were going to do | 0:20:59 | 0:21:02 | |
is go for one of the other Indiana Jones films. | 0:21:02 | 0:21:04 | |
All three of those would have been good answers. | 0:21:04 | 0:21:06 | |
Indiana Jones And The Temple Of Doom would have scored 8 points, | 0:21:06 | 0:21:09 | |
Indiana Jones And The Last Crusade would have scored 4 points | 0:21:09 | 0:21:11 | |
and Indiana Jones and The Kingdon Of The Crystal Skull, 1 point. | 0:21:11 | 0:21:15 | |
-Second best answer on the board. -I told you to say that! | 0:21:15 | 0:21:17 | |
I was thinking about going for an Indiana Jones | 0:21:17 | 0:21:20 | |
but I presumed that Jaws would have been... Who was it directed by? | 0:21:20 | 0:21:22 | |
Jeannot Szwarc, I think, the second one. | 0:21:22 | 0:21:25 | |
-I will remember that! -Yeah, yeah. | 0:21:25 | 0:21:28 | |
I tell you what, I can see, now, him playing your son. | 0:21:28 | 0:21:31 | |
There's a resemblance. | 0:21:31 | 0:21:33 | |
There's only one pointless answer out of all of Spielberg's films. | 0:21:33 | 0:21:36 | |
As you can imagine, he's done lots of famous films. | 0:21:36 | 0:21:38 | |
That's The Sugarland Express. Very well done if you said that. | 0:21:38 | 0:21:42 | |
2 points for The Adventures Of Tintin, | 0:21:42 | 0:21:44 | |
Always, Amistad and The Lost World: Jurassic Park. | 0:21:44 | 0:21:47 | |
You'd have got 4 points for War Of The Worlds, | 0:21:47 | 0:21:50 | |
Indiana Jones And The Last Crusade and War Horse. | 0:21:50 | 0:21:52 | |
5 for Empire Of The Sun. Let's take a look at the top three. | 0:21:52 | 0:21:56 | |
We've heard two of them already. | 0:21:56 | 0:21:58 | |
Thanks very much indeed. So, at the end of our first round, | 0:22:05 | 0:22:08 | |
I'm afraid to say the pair heading home, it's the Ts on podium one. | 0:22:08 | 0:22:12 | |
I'm so sorry, Tyger, Thomas. | 0:22:12 | 0:22:15 | |
I'm sorry. Well, you'll just have to come back. | 0:22:15 | 0:22:19 | |
You'll just have to come back and do it again. | 0:22:19 | 0:22:21 | |
We WILL see you beyond first round next time, I'm sure of that. | 0:22:21 | 0:22:24 | |
-Let's hope, eh? -Thanks so much. Tyger and Thomas, wonderful people, | 0:22:24 | 0:22:28 | |
great contestants. APPLAUSE | 0:22:28 | 0:22:31 | |
For the remaining three pairs, it's time for Round Two. | 0:22:31 | 0:22:34 | |
APPLAUSE | 0:22:34 | 0:22:36 | |
Suddenly, there were only three pairs. | 0:22:39 | 0:22:40 | |
And at the end of this round, there will be only two pairs. | 0:22:40 | 0:22:43 | |
We'll have to say goodbye to one of the pairs. | 0:22:43 | 0:22:45 | |
Congratulations to Adam and Mark | 0:22:45 | 0:22:48 | |
who each share the title of individual lowest-scorer. | 0:22:48 | 0:22:51 | |
Congratulations to Michelle and Adam for joint lowest-scorer | 0:22:51 | 0:22:55 | |
and congratulations to Erkan and Lee | 0:22:55 | 0:22:57 | |
for fluking it through into Round Two. | 0:22:57 | 0:23:00 | |
-What about that?! Whoo! -We'll take it. | 0:23:00 | 0:23:02 | |
One more round to go till you can all confer. Best of luck. | 0:23:02 | 0:23:06 | |
Our category for Round Two this evening is... | 0:23:06 | 0:23:08 | |
It's Famous People. | 0:23:11 | 0:23:12 | |
Can you all decide who's going first, who's going second | 0:23:12 | 0:23:15 | |
and whoever's going first, please step up to the podium. | 0:23:15 | 0:23:18 | |
And the question concerns... | 0:23:21 | 0:23:23 | |
Famous Teachers. Richard. | 0:23:26 | 0:23:27 | |
On each board, we're going to show you six clues to famous people | 0:23:27 | 0:23:31 | |
who, at one point of their life, have been a teacher. | 0:23:31 | 0:23:33 | |
You need to tell us the most obscure of those. | 0:23:33 | 0:23:35 | |
Six on the first board, six on the second. | 0:23:35 | 0:23:37 | |
12 in all to have a go at home. Good luck. | 0:23:37 | 0:23:39 | |
We're looking for the names of these people. Here's our first board. | 0:23:39 | 0:23:42 | |
I'll read those all one last time. | 0:24:06 | 0:24:08 | |
-Erkan. -Well, when it came up, I thought of a name | 0:24:28 | 0:24:32 | |
and it's gone out, so I'm not going to say that. | 0:24:32 | 0:24:35 | |
What I am going to say is the bottom one | 0:24:35 | 0:24:38 | |
-and I'm going to say Roberta Flack. -Roberta Flack, says Erkan. | 0:24:38 | 0:24:41 | |
Let's see how many of our 100 people said that. | 0:24:41 | 0:24:44 | |
Good answer, Erkan. This has got head-to-head written all over it. | 0:24:46 | 0:24:51 | |
Look at that. Down it goes. | 0:24:51 | 0:24:52 | |
18. APPLAUSE | 0:24:52 | 0:24:55 | |
Very nice. Well played, Erkan. | 0:24:57 | 0:24:59 | |
She started as a music teacher, perhaps unsurprisingly. | 0:24:59 | 0:25:02 | |
-Mmm, now, Michelle. Michelle. -Yes. -How are we feeling about this board? | 0:25:02 | 0:25:09 | |
I was going to say Roberta Flack, | 0:25:09 | 0:25:11 | |
but I think I know two more, | 0:25:11 | 0:25:14 | |
but one's going to be hugely popular, | 0:25:14 | 0:25:17 | |
so I'm going to try and go for the other one. | 0:25:17 | 0:25:20 | |
George Orwell - Animal Farm and Homage To Catalonia. | 0:25:20 | 0:25:24 | |
George Orwell, says Michelle. | 0:25:24 | 0:25:26 | |
Let see if that's right and how many people said it. | 0:25:26 | 0:25:29 | |
It's right. 18 is our only score at this point. | 0:25:32 | 0:25:35 | |
57 for George Orwell. APPLAUSE | 0:25:35 | 0:25:37 | |
Animal Farm might have brought a few more people | 0:25:37 | 0:25:40 | |
round to that one. | 0:25:40 | 0:25:42 | |
Yeah, he taught at The Hawthorns School in Hayes. | 0:25:42 | 0:25:44 | |
-Thank you very much indeed. Now, Julie. -Mmm. | 0:25:44 | 0:25:47 | |
You're the last person to have this board. | 0:25:47 | 0:25:49 | |
If you want, you can just waltz through it and tell us all the names. | 0:25:49 | 0:25:52 | |
Well, I can tell you that one, | 0:25:52 | 0:25:55 | |
I worked with Trudie Styler in the original series of Poldark, | 0:25:55 | 0:25:59 | |
so that would be either Sting or Gordon Sumner. | 0:25:59 | 0:26:02 | |
Bass guitarist, co-lead vocalist would be, I'm guessing, Gene Simmons | 0:26:02 | 0:26:06 | |
but I'm going to go for Under The Dome and Salem's Lot | 0:26:06 | 0:26:09 | |
-which I think is Stephen King. -Stephen King, says Julie. | 0:26:09 | 0:26:12 | |
Let's see if that's right and how many people said Stephen King. | 0:26:12 | 0:26:15 | |
It's right. | 0:26:17 | 0:26:19 | |
29. Good scores all round there. | 0:26:22 | 0:26:24 | |
29 for Stephen King. APPLAUSE | 0:26:24 | 0:26:27 | |
Well played, everyone. He taught English in Maine. | 0:26:27 | 0:26:30 | |
Imagine having Stephen King as your English teacher. | 0:26:30 | 0:26:33 | |
-That would be pretty cool. -Yeah. | 0:26:33 | 0:26:35 | |
You should have gone for Gene Simmons. | 0:26:35 | 0:26:37 | |
It's a right answer and it's a much lower score, as you'd expect. | 0:26:37 | 0:26:40 | |
Riskier, I know. Would have scored 6 points. | 0:26:40 | 0:26:42 | |
You were right to avoid Sting though. | 0:26:42 | 0:26:44 | |
-Not the first time that's been said. -LAUGHTER | 0:26:44 | 0:26:47 | |
It would have scored you 61. And the best answer on the board, | 0:26:47 | 0:26:50 | |
the English author and Children's Laureate, is... | 0:26:50 | 0:26:53 | |
-Michael Morpurgo. -Michael Morpurgo. Would have scored you 3 points. | 0:26:53 | 0:26:57 | |
-Well done if you said that. -Thanks very much. | 0:26:57 | 0:26:59 | |
We're halfway through the round. Let's look at those scores. | 0:26:59 | 0:27:02 | |
-18, Erkan, Lee. -Is it good enough? -The class swots, look at that. | 0:27:02 | 0:27:05 | |
18 - well done, you. Then up to 29, where we find Julie and Mark. | 0:27:05 | 0:27:08 | |
Up to 57, Michelle and Adam. | 0:27:08 | 0:27:10 | |
Not wildly out in front. Actually, pretty wildly out in front there. | 0:27:10 | 0:27:13 | |
-Adam, we need a really low score from you. -Yeah. | 0:27:13 | 0:27:16 | |
Find a nice low one in this next pass and maybe it'll keep you in the game. | 0:27:16 | 0:27:20 | |
Can the second players step up to the podium? | 0:27:20 | 0:27:22 | |
Let's put six more clues up on the board and here they come. | 0:27:26 | 0:27:29 | |
I'll read those one last time. | 0:27:50 | 0:27:51 | |
-Mark. -Right, hmm... | 0:28:09 | 0:28:11 | |
This is... | 0:28:11 | 0:28:14 | |
I know two or three | 0:28:14 | 0:28:15 | |
but it's trying to figure out which will have the least scores. | 0:28:15 | 0:28:20 | |
Hmm, I'm going to go Mad Men | 0:28:20 | 0:28:23 | |
and Jon Hamm. | 0:28:23 | 0:28:25 | |
OK, very good indeed. There is your red line. | 0:28:25 | 0:28:28 | |
Let's see if that's right and how many of our 100 people said it. | 0:28:28 | 0:28:31 | |
It is right. | 0:28:33 | 0:28:35 | |
Well done, Mark. | 0:28:38 | 0:28:40 | |
Very well done indeed. 6, the lowest score of the round. | 0:28:40 | 0:28:42 | |
They're very good on that far podium. | 0:28:42 | 0:28:45 | |
35 is your total. | 0:28:45 | 0:28:47 | |
He taught drama for two years | 0:28:47 | 0:28:49 | |
at his old high school in Missouri, Jon Hamm. | 0:28:49 | 0:28:51 | |
I find it hard to tell the difference | 0:28:51 | 0:28:53 | |
-between Jon Hamm and Kevin Bacon. -LAUGHTER | 0:28:53 | 0:28:56 | |
Well, Kevin Bacon's cured. Did I tell you? | 0:28:56 | 0:28:59 | |
LAUGHTER | 0:28:59 | 0:29:01 | |
Um, Adam. | 0:29:01 | 0:29:04 | |
I'm really struggling on this board. | 0:29:04 | 0:29:05 | |
I know some surnames but I don't know first names. | 0:29:05 | 0:29:09 | |
The one I'm thinking of is the illusionist. | 0:29:09 | 0:29:12 | |
-I'm pretty sure it's Teller. -Teller, says Adam. | 0:29:12 | 0:29:16 | |
OK, you're the high-scorers, so there's no red line for you. | 0:29:16 | 0:29:19 | |
Let's see if it's right and how many of people said Teller. | 0:29:19 | 0:29:21 | |
How far down the column will you get? | 0:29:21 | 0:29:23 | |
-28. -Still good. | 0:29:30 | 0:29:32 | |
APPLAUSE | 0:29:32 | 0:29:35 | |
28 takes your total up to 85. | 0:29:35 | 0:29:37 | |
Well played, Adam. Only ever known by his surname, Teller. | 0:29:37 | 0:29:40 | |
He used to be a Latin teacher. | 0:29:40 | 0:29:42 | |
Mmm, there you go. Thank you, Richard. | 0:29:42 | 0:29:45 | |
Now, Lee. LEE LAUGHS | 0:29:45 | 0:29:47 | |
Lee, Lee, Lee, come on, you are THIS close to the head-to-head. | 0:29:47 | 0:29:50 | |
-Right. -You're on 18. | 0:29:50 | 0:29:52 | |
The high-scorers, Michelle and Adam, are on 85, | 0:29:52 | 0:29:55 | |
so if you can score 66 or less - 66 or less... | 0:29:55 | 0:29:58 | |
OK, if we're going for 66 - we don't want our cab going already - | 0:29:58 | 0:30:01 | |
I'm going to have to say Garfunkel. | 0:30:01 | 0:30:03 | |
OK, we do need a first name there. | 0:30:03 | 0:30:06 | |
Think of any name. It's 30 years' friendship, Lee. Don't ruin it! | 0:30:06 | 0:30:09 | |
LAUGHTER | 0:30:09 | 0:30:12 | |
-Oh, golly, it's... Peter. -Peter Garfunkel? | 0:30:12 | 0:30:15 | |
LEE LAUGHS | 0:30:15 | 0:30:18 | |
-OK, let's run that up the flagpole... -You're going to knock yourself out. | 0:30:18 | 0:30:22 | |
..and watch it run back down again. | 0:30:22 | 0:30:25 | |
There's your red line. Peter Garfunkel. Is it right? | 0:30:25 | 0:30:28 | |
-Oh, I'm sorry. -It's Art! I know it's Art now. | 0:30:30 | 0:30:33 | |
-He did teach it. -I'm afraid that scores you 100 points, | 0:30:33 | 0:30:36 | |
takes your total up to 118. | 0:30:36 | 0:30:39 | |
I'm sorry, Lee. Art Garfunkel was a mathematics teacher. | 0:30:39 | 0:30:42 | |
59 points that would have scored you, | 0:30:42 | 0:30:44 | |
-so it would have seen you through. -Oh! -Let's fill in the rest of these. | 0:30:44 | 0:30:47 | |
You just would have been knocked out with the bottom one. | 0:30:47 | 0:30:51 | |
It's Barak Obama. | 0:30:51 | 0:30:52 | |
Would have scored you 68. Would have been 1 point too many. | 0:30:52 | 0:30:55 | |
-The author best known for the Robert Langdon novels? -Dan Brown. | 0:30:55 | 0:30:59 | |
Dan Brown. Would have scored 15. | 0:30:59 | 0:31:02 | |
-And the female author, very much more famous. -JK Rowling. | 0:31:02 | 0:31:05 | |
JK Rowling, yes. 13 points for that. | 0:31:05 | 0:31:07 | |
So, Jon Hamm is the best answer on that board, Mark. Well played. | 0:31:07 | 0:31:10 | |
Thanks very much indeed. | 0:31:10 | 0:31:11 | |
So, at the end of our second round, the pair heading home... | 0:31:11 | 0:31:14 | |
You were so nearly there. The sunlit uplands of the head-to-head. | 0:31:14 | 0:31:18 | |
You've done twice as well | 0:31:18 | 0:31:20 | |
as you did last time, Lee and Erkan. LEE LAUGHS | 0:31:20 | 0:31:23 | |
Just come back again, please come back again. | 0:31:23 | 0:31:25 | |
You know how to ruin friendships, you guys. | 0:31:25 | 0:31:28 | |
Come on with Peter Garfunkel next time. | 0:31:28 | 0:31:30 | |
I've got all his albums as well at home. | 0:31:30 | 0:31:33 | |
It's been lovely having you on. Thanks, Lee and Erkan. | 0:31:33 | 0:31:35 | |
APPLAUSE | 0:31:35 | 0:31:37 | |
For Julie and Mark, Michelle and Adam, | 0:31:37 | 0:31:40 | |
it's now time for our head-to-head. | 0:31:40 | 0:31:42 | |
APPLAUSE | 0:31:42 | 0:31:46 | |
Congratulations, Julie and Mark, Michelle and Adam. | 0:31:46 | 0:31:49 | |
You're now one step closer to the final | 0:31:49 | 0:31:51 | |
and a chance to play for our jackpot, which currently stands at... | 0:31:51 | 0:31:54 | |
APPLAUSE | 0:31:56 | 0:31:59 | |
This is the point where we decide who goes through to the final | 0:31:59 | 0:32:02 | |
and plays for that jackpot. We do that by making you go head-to-head. | 0:32:02 | 0:32:05 | |
But you play as teams from here on in, which is great. | 0:32:05 | 0:32:07 | |
You can now confer before you give your answers. | 0:32:07 | 0:32:10 | |
First pair to win two questions will be playing for that jackpot. | 0:32:10 | 0:32:13 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:32:13 | 0:32:16 | |
APPLAUSE | 0:32:16 | 0:32:19 | |
OK, here is your first question and it concerns... | 0:32:22 | 0:32:26 | |
-My Favourite Things, Richard. -I'll show you five pictures, | 0:32:28 | 0:32:32 | |
which represent one of the favourite things | 0:32:32 | 0:32:34 | |
from Maria's My Favourite Things song in The Sound Of Music. | 0:32:34 | 0:32:37 | |
Can you tell us the most obscure of these, please? | 0:32:37 | 0:32:39 | |
OK, let's reveal our favourite things. And here they are. | 0:32:39 | 0:32:42 | |
There we are. Julie and Mark, you've been our low-scorers in total, | 0:33:05 | 0:33:10 | |
-so you will go first, but feel free to confer. -Which do we think? | 0:33:10 | 0:33:13 | |
I don't know what the first one is. I've no idea what A is. | 0:33:13 | 0:33:16 | |
INAUDIBLE WHISPERED DISCUSSION | 0:33:16 | 0:33:19 | |
-Bright copper kettles. B. -OK, bright copper kettles, say Julie and Mark. | 0:33:22 | 0:33:26 | |
Bright copper kettles. B. Michelle and Adam, | 0:33:26 | 0:33:29 | |
do you think you can talk us through the rest of the board? | 0:33:29 | 0:33:32 | |
-Oh, yeah, absolutely! -Not rightly, but we can talk. | 0:33:32 | 0:33:35 | |
We think D is warm woollen mittens | 0:33:35 | 0:33:38 | |
and we think C is crisp apple strudel. | 0:33:38 | 0:33:40 | |
But we don't know A and E. | 0:33:40 | 0:33:43 | |
I think we're going to say warm woollen mittens. | 0:33:43 | 0:33:45 | |
Warm woollen mittens. So, we have bright copper kettles, | 0:33:45 | 0:33:48 | |
we have warm woollen mittens. | 0:33:48 | 0:33:50 | |
Julie and Mark said bright copper kettles. | 0:33:50 | 0:33:53 | |
Let's see if that's right and how many people said that for B. | 0:33:53 | 0:33:55 | |
It's right. | 0:33:57 | 0:33:59 | |
33. APPLAUSE | 0:34:02 | 0:34:06 | |
OK, now let's see what Michelle and Adam get | 0:34:08 | 0:34:10 | |
for warm woollen mittens for D. | 0:34:10 | 0:34:12 | |
Let's see if that right and how many people said it. | 0:34:12 | 0:34:15 | |
It's right. | 0:34:17 | 0:34:19 | |
There we are. APPLAUSE | 0:34:21 | 0:34:24 | |
50 for warm woollen mittens which means well done, Julie and Mark. | 0:34:24 | 0:34:28 | |
After one question, you're up 1-0. | 0:34:28 | 0:34:30 | |
The best answer on the board was C, which is crisp apple strudels. | 0:34:30 | 0:34:33 | |
Oh, you kidder! | 0:34:33 | 0:34:36 | |
That would have scored you 8 points. It would have been a great answer. | 0:34:36 | 0:34:39 | |
-Sorry! -Gutted! -Now A. | 0:34:39 | 0:34:41 | |
-I didn't get this. -No, no idea. -Doorbells. | 0:34:41 | 0:34:44 | |
-Doorbells? -They're not doorbells, they're buzzers. | 0:34:44 | 0:34:47 | |
-Hello! -28. But it's got the D and all of those gaps | 0:34:47 | 0:34:51 | |
and they are things that you ring people's doors with and... | 0:34:51 | 0:34:54 | |
But I didn't get it. | 0:34:54 | 0:34:56 | |
-And E is cream-coloured ponies. -Ah... | 0:34:56 | 0:35:00 | |
That would have scored you 16 points. | 0:35:00 | 0:35:03 | |
There you go. Thank you very much. Here comes your second question. | 0:35:03 | 0:35:06 | |
Michelle and Adam, you answer this first | 0:35:06 | 0:35:08 | |
but you have to win it to stay in the game so best of luck. It concerns... | 0:35:08 | 0:35:12 | |
Types Of Pasta, Richard. | 0:35:14 | 0:35:16 | |
We'll to show you the names of five types of pasta | 0:35:16 | 0:35:18 | |
but with alternate letters removed. Can you fill in the gaps? | 0:35:18 | 0:35:21 | |
OK, let's reveal our five types of pasta. Here they come. | 0:35:21 | 0:35:25 | |
I'll read those one last time. | 0:35:35 | 0:35:37 | |
Michelle and Adam will go first. | 0:35:42 | 0:35:44 | |
INAUDIBLE DISCUSSION | 0:35:44 | 0:35:46 | |
-OK, We'll go with the first one. Vermicelli? -Vermicelli. | 0:35:55 | 0:36:00 | |
Vermicelli, say Michelle and Adam. | 0:36:00 | 0:36:02 | |
Now, Julie and Mark, do you fancy talking us | 0:36:02 | 0:36:04 | |
through the other pastas? | 0:36:04 | 0:36:06 | |
Last one would be spaghetti. | 0:36:06 | 0:36:09 | |
And then macaroni. | 0:36:09 | 0:36:10 | |
-Not sure about the one above that, so we... Fusilli. -Fusilli, yeah. | 0:36:10 | 0:36:15 | |
-Is that the one you want to go for? -Yes, please. -Fusilli. | 0:36:15 | 0:36:17 | |
OK, we have vermicelli and we have fusilli. | 0:36:17 | 0:36:20 | |
Michelle and Adam went for vermicelli. | 0:36:20 | 0:36:22 | |
Let's see if that's right and how many people said it. | 0:36:22 | 0:36:24 | |
It's right, vermicelli. | 0:36:26 | 0:36:28 | |
And it's a good answer. Down it goes. Very good answer. | 0:36:29 | 0:36:32 | |
20. APPLAUSE | 0:36:32 | 0:36:36 | |
Now, Julie and Mark have gone for fusilli. | 0:36:38 | 0:36:40 | |
Let's see if that's right and how many people said that. | 0:36:40 | 0:36:43 | |
It's right and... | 0:36:45 | 0:36:47 | |
Ooh, look at that. 83. | 0:36:47 | 0:36:48 | |
-83 for fusilli. -Rats! -Which means, well done, Michelle and Adam. | 0:36:48 | 0:36:52 | |
You're back in the game. After two questions, it's 1-1. | 0:36:52 | 0:36:55 | |
There's three very big scores up there | 0:36:55 | 0:36:58 | |
and one score that would have won you the game | 0:36:58 | 0:37:01 | |
cos macaroni is a big score. | 0:37:01 | 0:37:03 | |
Spaghetti is a big score. | 0:37:05 | 0:37:08 | |
But the best answer on the board, 4 points, | 0:37:08 | 0:37:10 | |
it means "little wheels", rotelle. Rotelle. | 0:37:10 | 0:37:13 | |
Well done if you said that at home. 4 points. | 0:37:13 | 0:37:16 | |
Here comes your third question. | 0:37:16 | 0:37:17 | |
Whoever wins this goes through to the final and plays for that jackpot. | 0:37:17 | 0:37:21 | |
Best of luck to both pairs. It concerns... | 0:37:21 | 0:37:23 | |
People Who Have Married Each Other Twice. | 0:37:27 | 0:37:29 | |
I'll show you the names of five people | 0:37:29 | 0:37:31 | |
who have married the same person twice. | 0:37:31 | 0:37:33 | |
We'll give you the initials of the person they married. | 0:37:33 | 0:37:35 | |
Can you name them, please? Best of luck, both teams. | 0:37:35 | 0:37:38 | |
Let's reveal our board of five and here they are. | 0:37:38 | 0:37:41 | |
Julie and Mark will go first. | 0:37:59 | 0:38:02 | |
OK, we think we know three of them, but who would be the...? | 0:38:02 | 0:38:07 | |
INAUDIBLE DISCUSSION | 0:38:07 | 0:38:10 | |
-OK. -Depends what demographic they've gone for. | 0:38:10 | 0:38:13 | |
-Depends how old you are, cos we're quite old. -We're old crumblies. | 0:38:13 | 0:38:17 | |
Um, Natalie Wood and Robert Wagner. | 0:38:17 | 0:38:21 | |
Robert Wagner, say Julie and Mark. Robert Wagner. | 0:38:21 | 0:38:24 | |
Now, Michelle and Adam, talk us through that board. | 0:38:24 | 0:38:27 | |
Well, we know Marshall Mathers married Kim | 0:38:27 | 0:38:30 | |
-but I can't remember Kim's surname. -No. | 0:38:30 | 0:38:32 | |
We're kind of thinking Melanie Griffith and Don Johnson | 0:38:32 | 0:38:35 | |
is probably one people won't know quite so well. | 0:38:35 | 0:38:38 | |
-So, we're going to say Don Johnson. -Don Johnson. -OK, Don Johnson. | 0:38:38 | 0:38:41 | |
We have Robert Wagner and Don Johnson. | 0:38:41 | 0:38:43 | |
Julie and Mark said Robert Wagner. | 0:38:43 | 0:38:45 | |
Let's if that's right and how many people said Robert Wagner. | 0:38:45 | 0:38:48 | |
It's right. | 0:38:50 | 0:38:52 | |
APPLAUSE 40. | 0:38:55 | 0:38:58 | |
Now then, Michelle and Adam have gone for Don Johnson. | 0:39:01 | 0:39:04 | |
Let's see if that's right and how many people said it. | 0:39:04 | 0:39:07 | |
It's right. | 0:39:09 | 0:39:11 | |
Ooh, look at that! 38! APPLAUSE | 0:39:13 | 0:39:16 | |
Oh, that was close! | 0:39:16 | 0:39:18 | |
Very well done indeed. Michelle and Adam, after three questions, | 0:39:18 | 0:39:21 | |
-you're through to the final, 2-1. -That is about as close as it gets. | 0:39:21 | 0:39:25 | |
Very well played there, both teams. Let's fill in the board. | 0:39:25 | 0:39:28 | |
Elizabeth Taylor married Richard Burton. | 0:39:28 | 0:39:31 | |
That's a big scorer, as you'd expect. 71. | 0:39:31 | 0:39:34 | |
The other two were the best answers on the board. | 0:39:34 | 0:39:36 | |
We'll start with Elliott Gould. | 0:39:36 | 0:39:39 | |
He married Jennifer Bogart twice. | 0:39:39 | 0:39:41 | |
Not Juliette Binoche, then. | 0:39:41 | 0:39:43 | |
Not Juliette Binoche or Jacqueline Bissett. | 0:39:43 | 0:39:45 | |
Or anyone else you can think of with JB. | 0:39:45 | 0:39:47 | |
Now, Marshall Mathers did marry Kim and Kim Scott was the answer. | 0:39:47 | 0:39:50 | |
-6 points if you said that. -Thanks very much indeed. | 0:39:50 | 0:39:53 | |
The pair leaving us at the end of the head-to-head round, | 0:39:53 | 0:39:56 | |
I'm so sorry to say, Julie and Mark, it is you. | 0:39:56 | 0:39:58 | |
An exemplary performance throughout the show today. Fantastic. | 0:39:58 | 0:40:02 | |
Nothing wrong with your answers in the head-to-head. | 0:40:02 | 0:40:04 | |
You were just beaten so narrowly when it came down right to the wire | 0:40:04 | 0:40:08 | |
in the third deciding question, | 0:40:08 | 0:40:10 | |
but it's been such a pleasure having you here. | 0:40:10 | 0:40:12 | |
Thank you so much for joining us. Julie and Mark. | 0:40:12 | 0:40:14 | |
-Thank you. -APPLAUSE | 0:40:14 | 0:40:17 | |
For Michelle and Adam, it's time for our Pointless final. | 0:40:19 | 0:40:22 | |
APPLAUSE | 0:40:22 | 0:40:25 | |
Congratulations, Michelle and Adam. You've seen off all the competition | 0:40:25 | 0:40:29 | |
and you have won our coveted Pointless trophy. | 0:40:29 | 0:40:32 | |
You now have a chance to win our Pointless jackpot for your charities | 0:40:37 | 0:40:41 | |
and at the end of today's show, the jackpot is standing at £2,500. | 0:40:41 | 0:40:45 | |
APPLAUSE | 0:40:45 | 0:40:48 | |
Well, Michelle, you've done it. | 0:40:48 | 0:40:50 | |
You've gone one better than last time. | 0:40:50 | 0:40:52 | |
Phew! I was under pressure. | 0:40:52 | 0:40:54 | |
You weren't confident, going into the head-to-head. | 0:40:54 | 0:40:56 | |
No, I wasn't very confident, only because I felt I let Adam down | 0:40:56 | 0:40:59 | |
-because he said, "Crisp apple strudel". -No. | 0:40:59 | 0:41:02 | |
But I played safe and I said to him that we have to trust ourselves now. | 0:41:02 | 0:41:05 | |
But then I thought it was "warm winter mittens", | 0:41:05 | 0:41:07 | |
-so I'd have got it wrong anyway. -There you are. You've ended up here. | 0:41:07 | 0:41:10 | |
As you know, you get to choose your category | 0:41:10 | 0:41:12 | |
from the selection I put up on the board behind me. | 0:41:12 | 0:41:15 | |
Let's hope there's something you like the look of today. | 0:41:15 | 0:41:17 | |
Today's selection is this. | 0:41:17 | 0:41:19 | |
What about The Year 2001? | 0:41:26 | 0:41:28 | |
I think that or Prize Winners cos 2001 could be the film, | 0:41:28 | 0:41:31 | |
it could be the actual year itself, | 0:41:31 | 0:41:32 | |
it could be about the millennium, so there's loads of random things. | 0:41:32 | 0:41:35 | |
-OK, you want to go for Prize Winners? -OK. -I listen to the boss. | 0:41:35 | 0:41:39 | |
-Um, what do you reckon? -I think you're right. | 0:41:39 | 0:41:42 | |
-Let's go for Prize Winners. -OK, Prize Winners it is. Richard. | 0:41:42 | 0:41:46 | |
OK, best of luck. Three questions from different areas here, | 0:41:46 | 0:41:49 | |
so hopefully, one of them will suit you. We're looking for... | 0:41:49 | 0:41:52 | |
So, Mercury Prize-winning albums, Best Picture Oscars | 0:42:02 | 0:42:05 | |
and Booker Prize-winning novels with a single word. Very best of luck. | 0:42:05 | 0:42:09 | |
Thank you very much indeed. | 0:42:09 | 0:42:10 | |
As always, you've got up to one minute to come up with three answers. | 0:42:10 | 0:42:14 | |
All you need to win that jackpot for your charities | 0:42:14 | 0:42:16 | |
-is for just one answer to be pointless. Are you ready? -Yes. -Yes. | 0:42:16 | 0:42:19 | |
Let's put 60 seconds up on the clock. Your time starts now. | 0:42:19 | 0:42:23 | |
-Right, Oscar, I only know Crash. -Yeah, but wasn't Amistad as well? | 0:42:23 | 0:42:27 | |
-Amistad I don't think won Best Picture. -I'm sure it did. | 0:42:27 | 0:42:30 | |
-OK, no, I'm probably wrong. -I don't think it did. | 0:42:30 | 0:42:33 | |
-Novels, I'm not going to be able to help. -I don't know the Booker Prize. | 0:42:33 | 0:42:36 | |
Mercury Prize-winning. I keep thinking of Roni Size. | 0:42:36 | 0:42:40 | |
-Oh, no, it was Brown Paper Bag. -ADAM LAUGHS | 0:42:40 | 0:42:44 | |
Er, One - did that win it for U2 or is the Mercury Prize that old? | 0:42:44 | 0:42:47 | |
-I don't think so. -Oh, what's the Coldplay album? | 0:42:47 | 0:42:50 | |
-Think of some more pictures. -Films, OK. -Films. I only know Crash. | 0:42:50 | 0:42:55 | |
-Gone With The Wind, no. Um... -Shakespeare In Love... | 0:42:55 | 0:42:58 | |
-Oh, Chaplin! -Chaplin won. -Chaplin won. | 0:42:58 | 0:43:01 | |
-And Amadeus. Did Amadeus not win? -Yes. | 0:43:01 | 0:43:04 | |
I think Amadeus, Crash and Chaplin. | 0:43:04 | 0:43:07 | |
-Yeah. -OK. -Are you happy? -Yeah. -We're going to try. | 0:43:07 | 0:43:11 | |
-You're going to stick with Amadeus, Crash and Chaplin? -Yes. -Yes. | 0:43:11 | 0:43:14 | |
OK, there we are. We can stop the clock. | 0:43:14 | 0:43:16 | |
Of those three, which is your best shot at a pointless answer? | 0:43:16 | 0:43:20 | |
Let's go Amadeus first cos we're not sure if it won or not. | 0:43:20 | 0:43:22 | |
-I think it'll be Amadeus. -Which is your most likely to be pointless? | 0:43:22 | 0:43:25 | |
-I think Chaplin. No, Crash, I think. -Do you think Crash? -I think Crash. | 0:43:25 | 0:43:28 | |
-OK, Crash goes last. -Yes. -Least likely to be pointless, Amadeus? | 0:43:28 | 0:43:31 | |
-Yeah. -OK, let's put those answers up on the board in that order | 0:43:31 | 0:43:35 | |
and here they are. | 0:43:35 | 0:43:36 | |
We've got Amadeus, Chaplin and Crash. Very, very best of luck. | 0:43:36 | 0:43:40 | |
Three good answers up on the board. Let's hope they're all correct. | 0:43:40 | 0:43:43 | |
Let's hope at least one of them is pointless | 0:43:43 | 0:43:45 | |
and you can win that jackpot for your charities. | 0:43:45 | 0:43:48 | |
What charities are you playing for? | 0:43:48 | 0:43:49 | |
-Ectopic Pregnancy Trust, of which I am a patron. -Very good. Adam? | 0:43:49 | 0:43:53 | |
I'm playing for PDSA which supplies free veterinary care | 0:43:53 | 0:43:56 | |
-to the most vulnerable pet owners in the country. -Very good indeed. | 0:43:56 | 0:44:00 | |
APPLAUSE | 0:44:00 | 0:44:02 | |
Two excellent charities there. | 0:44:03 | 0:44:05 | |
Let's hope at least one of these answers is pointless | 0:44:05 | 0:44:08 | |
so you can take that jackpot back with you to distribute among them. | 0:44:08 | 0:44:11 | |
Your first answer was Amadeus. In this case - in fact, all three cases, | 0:44:11 | 0:44:15 | |
-we were looking for one-word Oscar-winning films. -Yes. | 0:44:15 | 0:44:18 | |
If it is pointless, it will win you £2,500 for your charities. | 0:44:18 | 0:44:22 | |
Let's see how many people said Amadeus. | 0:44:22 | 0:44:24 | |
-Ooh! -It's right. -It's right. -You see, it's right. | 0:44:27 | 0:44:30 | |
If Amadeus goes all the way down to zero, you leave with that jackpot. | 0:44:30 | 0:44:33 | |
It's taking us down through the teens, into single figures. | 0:44:33 | 0:44:36 | |
It's still going down. Still going down. | 0:44:36 | 0:44:39 | |
-1! -No! -APPLAUSE | 0:44:39 | 0:44:43 | |
Oh! I am so angry! | 0:44:45 | 0:44:48 | |
One person said Amadeus. | 0:44:48 | 0:44:50 | |
-Whoever that one person is, I dislike you thoroughly. -Who ARE you? | 0:44:50 | 0:44:54 | |
-Unfortunately not a pointless answer there. -Oh! | 0:44:54 | 0:44:57 | |
So, only two more shots at today's jackpot. | 0:44:57 | 0:45:00 | |
We're looking for one-word Oscar-winning films. | 0:45:00 | 0:45:03 | |
Your second answer was Chaplin. | 0:45:03 | 0:45:04 | |
Let's see if it's right and if it's pointless. | 0:45:04 | 0:45:06 | |
If it's both of those things, you leave here with £2,500. | 0:45:06 | 0:45:10 | |
-Oh! -Oh! -Not Chaplin. | 0:45:12 | 0:45:16 | |
-Sorry. -That's all right. -It didn't win an Oscar. | 0:45:16 | 0:45:18 | |
So, you only have one more chance to win today's jackpot. | 0:45:18 | 0:45:21 | |
Everything is riding on your third and final answer which was Crash. | 0:45:21 | 0:45:24 | |
This was your most confident shot at pointless. | 0:45:24 | 0:45:27 | |
-Your least confident scored 1. -I know. -I thought Chaplin won. | 0:45:27 | 0:45:30 | |
You've got to think this is looking good, surely. | 0:45:30 | 0:45:33 | |
To win that jackpot, though, it has to be pointless. | 0:45:33 | 0:45:35 | |
For £2,500, let's see how many people said Crash. | 0:45:35 | 0:45:38 | |
Well, it's right. | 0:45:41 | 0:45:43 | |
Your first answer, Amadeus, took us all the way down to 1. | 0:45:43 | 0:45:46 | |
Your second answer, Chaplin, was incorrect. | 0:45:46 | 0:45:48 | |
Crash now taking us down into single figures. | 0:45:48 | 0:45:51 | |
Down it goes. Still going down... | 0:45:51 | 0:45:53 | |
-Oh, no! -It's the same person! I can guarantee it! | 0:45:53 | 0:45:57 | |
APPLAUSE | 0:45:57 | 0:46:01 | |
-Argh! -Oh, I'm so sorry. -I am so angry. | 0:46:01 | 0:46:05 | |
You've rung up some complete film geek, haven't you? | 0:46:05 | 0:46:08 | |
LAUGHTER | 0:46:08 | 0:46:10 | |
-I'm afraid... That is so unfair. -That is so mean! That is mean! -Two 1s! | 0:46:10 | 0:46:15 | |
Two 1s! But you played amazingly well. | 0:46:15 | 0:46:18 | |
Unfortunately, you didn't manage to find | 0:46:18 | 0:46:20 | |
-that all-important pointless answer, though. -No. | 0:46:20 | 0:46:22 | |
So, I'm afraid you don't win today's jackpot of £2,500. | 0:46:22 | 0:46:24 | |
However, as it is a celebrity special, | 0:46:24 | 0:46:26 | |
we're going to donate £500 to each celebrity | 0:46:26 | 0:46:28 | |
-to split between their charities. -Fantastic. | 0:46:28 | 0:46:30 | |
APPLAUSE | 0:46:30 | 0:46:32 | |
It's been brilliant having you on the show. You played so well. | 0:46:32 | 0:46:35 | |
Very impressive, all the way through. | 0:46:35 | 0:46:37 | |
Needle match in the head-to-head and a very exciting finale there. | 0:46:37 | 0:46:40 | |
And you get to take home a Pointless trophy to show for your troubles, | 0:46:40 | 0:46:43 | |
-so very well done. -Thank you. | 0:46:43 | 0:46:45 | |
APPLAUSE | 0:46:45 | 0:46:48 | |
That is very unlucky, I have to say. | 0:46:50 | 0:46:52 | |
I think Crash is a more obscure answer | 0:46:52 | 0:46:54 | |
than a couple of the pointless answers I'm going to read you out. | 0:46:54 | 0:46:57 | |
It's a different one person in 100 who got Amadeus and got Crash. | 0:46:57 | 0:47:01 | |
-Really? -So, you've got two people to blame, I'm afraid. | 0:47:01 | 0:47:04 | |
Let's take a look at the pointless answers. | 0:47:04 | 0:47:06 | |
Dead was by Young Fathers. | 0:47:09 | 0:47:10 | |
OK is Talvin Singh and Overgrown - that was James Blake. | 0:47:12 | 0:47:15 | |
-Now, some of these films. Braveheart is a pointless answer. -Whoa! -What?! | 0:47:16 | 0:47:21 | |
-Chicago was a pointless answer. -You would never... -I know. | 0:47:21 | 0:47:24 | |
Crash and Amadeus both better answers, I would say, than that. | 0:47:24 | 0:47:27 | |
Rebecca and Unforgiven. | 0:47:27 | 0:47:30 | |
You also could have had Cavalcade, Cimarron, Gigi, | 0:47:30 | 0:47:33 | |
Patton, Hamlet and Marty. All of those were pointless answers. | 0:47:33 | 0:47:37 | |
Well done if you got any of those at home. | 0:47:37 | 0:47:39 | |
Now let's look at Booker Prize-winning novels. | 0:47:39 | 0:47:42 | |
G by John Berger, Holiday by Stanley Middleton, | 0:47:44 | 0:47:48 | |
Offshore by Penelope Fitzgerald | 0:47:48 | 0:47:50 | |
and you could have had Saville by David Storey. | 0:47:50 | 0:47:53 | |
Very well done if you said any of those at home | 0:47:53 | 0:47:56 | |
and unlucky in the studio. Two 1s and another good answer in Chaplin. | 0:47:56 | 0:47:59 | |
Terrific work. You've been brilliant all the way through. | 0:47:59 | 0:48:02 | |
-Thank you so much. -Thank you. -Thanks, Rich. | 0:48:02 | 0:48:04 | |
Unfortunately we have to say goodbye to you, | 0:48:04 | 0:48:06 | |
but it's been wonderful having you on the show. | 0:48:06 | 0:48:08 | |
-Thank you so much for playing. -Thank you. -Thank you for having me. | 0:48:08 | 0:48:11 | |
APPLAUSE | 0:48:11 | 0:48:14 | |
Join us next time | 0:48:15 | 0:48:16 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:48:16 | 0:48:19 | |
-It's goodbye from Richard. -Goodbye. -And it's goodbye from me. Goodbye. | 0:48:19 | 0:48:23 | |
APPLAUSE | 0:48:23 | 0:48:26 |