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Previously on The Celebrity Apprentice, | 0:00:02 | 0:00:03 | |
the teams had to perform adult improv puppet shows | 0:00:03 | 0:00:06 | |
for a live audience. | 0:00:06 | 0:00:07 | |
Standing next to me is Brian Henson, | 0:00:07 | 0:00:10 | |
the son of a real legend, Jim Henson. | 0:00:10 | 0:00:13 | |
You have to build two original puppet characters | 0:00:13 | 0:00:16 | |
working with our builders at the Jim Henson's Creature Shop. | 0:00:16 | 0:00:20 | |
Mr Trump sent Clay Aiken to join Team Forte. | 0:00:20 | 0:00:23 | |
Clay, go. | 0:00:23 | 0:00:25 | |
On Team Forte, Dayana Mendoza felt marginalised | 0:00:27 | 0:00:31 | |
by project manager Lisa Lampanelli. | 0:00:31 | 0:00:33 | |
So far, I don't have any specific tasks and I like to be involved. | 0:00:33 | 0:00:36 | |
Participating isn't always about being on stage. | 0:00:36 | 0:00:39 | |
'Lisa's not giving me anything so she can say,' | 0:00:39 | 0:00:41 | |
"Oh, she's useless. She has no ideas. Ehhh." | 0:00:41 | 0:00:45 | |
And Lisa reached her boiling point. | 0:00:45 | 0:00:47 | |
-How about this? Do whatever you -BLEEP -want. | 0:00:47 | 0:00:51 | |
-You're a -BLEEP -pain in the ass. | 0:00:52 | 0:00:53 | |
All I do with Lisa is treat her better than she treats other people, | 0:00:53 | 0:00:57 | |
and she still has no respect. | 0:00:57 | 0:01:00 | |
On Team Unanimous, Aubrey O'Day made efforts to be a team player. | 0:01:00 | 0:01:04 | |
Well, listen, Arsenio, we need a sharp, comedic mind | 0:01:04 | 0:01:07 | |
-that can really get the jokes going. -OK. | 0:01:07 | 0:01:10 | |
Today, I wish I could make a trophy and give it to Aubrey. | 0:01:10 | 0:01:12 | |
She's come so far. | 0:01:12 | 0:01:14 | |
-Come show time... -Pump it up! -AUDIENCE: -Pump it up! -Let's go! | 0:01:15 | 0:01:18 | |
..both teams hit their marks. | 0:01:18 | 0:01:20 | |
PUPPET GRUNTS | 0:01:20 | 0:01:22 | |
PUPPET BURPS | 0:01:22 | 0:01:24 | |
Get out of my face. Get away from me! | 0:01:24 | 0:01:26 | |
In the boardroom, Lisa showed remorse for her treatment of Dayana. | 0:01:27 | 0:01:31 | |
I did not get into this business to make girls cry. | 0:01:31 | 0:01:35 | |
And Lisa's win was bittersweet. | 0:01:35 | 0:01:37 | |
You won 20,000 for your charity, Lisa. | 0:01:37 | 0:01:41 | |
Thank you. | 0:01:41 | 0:01:43 | |
Left to fight it out, | 0:01:43 | 0:01:44 | |
Teresa Giudice put the blame on project manager Paul Teutul. | 0:01:44 | 0:01:48 | |
-The whole day was, -"BLEEP -this, -BLEEP -that, | 0:01:48 | 0:01:50 | |
-"BLEEP -this, -BLEEP -that." | 0:01:50 | 0:01:52 | |
And Mr Trump questioned Paul's leadership. | 0:01:52 | 0:01:56 | |
Paul, as project manager, it was really your responsibility | 0:01:56 | 0:01:59 | |
and you lost. | 0:01:59 | 0:02:01 | |
Paul, you're fired. | 0:02:01 | 0:02:02 | |
-OK, who do you think is going? -Paul. -Paul? | 0:02:10 | 0:02:13 | |
-With the bad back, you think, still? -I hope he doesn't go home. | 0:02:13 | 0:02:16 | |
'I doubt that this win will restore any good' | 0:02:16 | 0:02:19 | |
feelings on the team with me and Dayana, | 0:02:19 | 0:02:21 | |
'but I'm like, "Wait a minute, we've got to win." | 0:02:21 | 0:02:23 | |
'So, going into the next task, I'm not going to boss Dayana around. | 0:02:23 | 0:02:27 | |
'I'm not going to let her push my buttons.' | 0:02:27 | 0:02:29 | |
I'm just going to be nice. | 0:02:29 | 0:02:31 | |
I don't know who's going to walk through that door. | 0:02:31 | 0:02:34 | |
If you put Teresa and Paul together | 0:02:34 | 0:02:37 | |
and I've just got to take one of them, | 0:02:37 | 0:02:39 | |
I'm going to take this guy who's an engineer. | 0:02:39 | 0:02:41 | |
I like Teresa, she's a nice lady, | 0:02:41 | 0:02:42 | |
but she's famous for what she's famous for. | 0:02:42 | 0:02:44 | |
She's a housewife on television. | 0:02:44 | 0:02:46 | |
-Oh, my God. -Oh. -Oh, my God. | 0:02:48 | 0:02:51 | |
He's fine. He's OK with it. He took it like a man. | 0:02:51 | 0:02:54 | |
-He's a class act. -He is. -Absolutely. | 0:02:54 | 0:02:56 | |
'It's really hard to lose Paul Senior because right now,' | 0:02:56 | 0:03:00 | |
my team is Teresa and Aubrey. | 0:03:00 | 0:03:02 | |
'They know each other. They've been together from day one.' | 0:03:02 | 0:03:06 | |
But here's the bigger problem - | 0:03:06 | 0:03:07 | |
'I've got two women. | 0:03:07 | 0:03:08 | |
'One's damn near genius, the other's damn near not.' | 0:03:08 | 0:03:11 | |
-I'll miss Pretty Pauly. -Mm-hm. He was so sweet. | 0:03:11 | 0:03:14 | |
'All this, "Oh, we love each other' | 0:03:16 | 0:03:17 | |
"and we get along fine," no, that is not the case. | 0:03:17 | 0:03:20 | |
'The fact is, Arsenio is shifty. Teresa's not strong. | 0:03:20 | 0:03:23 | |
'At the end of the day, I'm here for myself, | 0:03:23 | 0:03:26 | |
'I'm here for my charity' | 0:03:26 | 0:03:28 | |
and I don't have anyone's back. | 0:03:28 | 0:03:29 | |
# Money, money, money, money | 0:03:34 | 0:03:37 | |
# Money! | 0:03:37 | 0:03:39 | |
# Money, money, money, money | 0:03:39 | 0:03:42 | |
# Money! | 0:03:42 | 0:03:43 | |
# Some people got to have it | 0:03:43 | 0:03:47 | |
# Ye-eah | 0:03:47 | 0:03:49 | |
# Some people really need it | 0:03:49 | 0:03:51 | |
# Hey, listen to me, y'all | 0:03:51 | 0:03:53 | |
# Do things, do things, do things | 0:03:53 | 0:03:56 | |
# Bad things with it | 0:03:56 | 0:03:58 | |
# Dollar bills, y'all Come on | 0:04:01 | 0:04:03 | |
-# That mean -Oh, mean | 0:04:03 | 0:04:07 | |
# Mean green | 0:04:07 | 0:04:10 | |
# Almighty dollar | 0:04:10 | 0:04:12 | |
# You know that money... | 0:04:12 | 0:04:16 | |
# Give me a nickel, brother Can you spare a dime? | 0:04:16 | 0:04:20 | |
# Money can drive some people out of their minds | 0:04:20 | 0:04:26 | |
# For the love of money | 0:04:26 | 0:04:28 | |
-# No good, no good -Money! | 0:04:28 | 0:04:30 | |
# Money, money, money, money | 0:04:30 | 0:04:34 | |
# Money! # | 0:04:34 | 0:04:35 | |
How you doing? Good to see you. Hello, darling! | 0:04:43 | 0:04:47 | |
'I have been volunteering with the Gay Men's Health Crisis | 0:04:47 | 0:04:49 | |
'in New York City for a while now. | 0:04:49 | 0:04:51 | |
'They really help people affected' | 0:04:51 | 0:04:54 | |
by AIDS or HIV. They provide meals, | 0:04:54 | 0:04:56 | |
'counselling, housing...' | 0:04:56 | 0:04:58 | |
So, we try to create a family atmosphere | 0:04:58 | 0:05:00 | |
because this is a family. | 0:05:00 | 0:05:02 | |
This is home. I know that I can leave and come right here | 0:05:02 | 0:05:05 | |
and everything is fine. | 0:05:05 | 0:05:07 | |
But I have a little surprise. | 0:05:07 | 0:05:09 | |
Guess where I've been the last few weeks. | 0:05:09 | 0:05:11 | |
-Celebrity Apprentice. -Wow! -Yes. | 0:05:11 | 0:05:15 | |
And I won, for my charity, this cheque. My God! | 0:05:15 | 0:05:19 | |
-Oh, my God! -Cos we won. -How wonderful! | 0:05:19 | 0:05:23 | |
Wow! | 0:05:23 | 0:05:24 | |
'I'm just thrilled' | 0:05:24 | 0:05:26 | |
to have this 20,000 cheque. | 0:05:26 | 0:05:28 | |
'This will provide HIV testing and counselling, legal services. | 0:05:28 | 0:05:33 | |
'It is wonderful to have someone as passionate' | 0:05:33 | 0:05:36 | |
and dedicated as Lisa Lampanelli fighting for GMHC. | 0:05:36 | 0:05:41 | |
That's what's important about coming to lunches. | 0:05:41 | 0:05:43 | |
You know, socialising and meeting other people. | 0:05:43 | 0:05:46 | |
You know what I found here? It's, like, a very warm place. | 0:05:46 | 0:05:49 | |
Like, everybody just seems to be, like, very open and cool. | 0:05:49 | 0:05:52 | |
'I love sitting there and talking to people | 0:05:52 | 0:05:54 | |
'who have lived through hell' | 0:05:54 | 0:05:56 | |
and have come around because of places like GMHC. | 0:05:56 | 0:05:59 | |
'And there's this warm feeling when you come out of this place. | 0:05:59 | 0:06:03 | |
'What happens is you feel like you're not isolated, alone. | 0:06:03 | 0:06:06 | |
'You're not the only one with the same problem.' | 0:06:06 | 0:06:08 | |
-You guys root for me cos I want to win 250 grand for you guys. -Wow. | 0:06:08 | 0:06:12 | |
And after I take my 10%, | 0:06:12 | 0:06:14 | |
that's going to be really a lot of money. | 0:06:14 | 0:06:16 | |
THEY LAUGH | 0:06:16 | 0:06:18 | |
-Good morning. ALL: -Morning. | 0:06:32 | 0:06:34 | |
You're standing in my very humble apartment in Trump Tower. | 0:06:34 | 0:06:39 | |
Now, I rarely show it to anybody, but you folks, seven of you, | 0:06:39 | 0:06:44 | |
have done so well, I thought, | 0:06:44 | 0:06:46 | |
"Let's give a task out in my apartment." | 0:06:46 | 0:06:48 | |
'Trump's home just feels like wealth.' | 0:06:48 | 0:06:52 | |
There's gold everywhere. | 0:06:52 | 0:06:53 | |
It's like Charlie And The Chocolate Factory | 0:06:53 | 0:06:55 | |
but it's all gold instead of chocolate. | 0:06:55 | 0:06:57 | |
OK. Over the years, I've had an incredible relationship with Macy's. | 0:06:57 | 0:07:01 | |
Fantastic department store chain. | 0:07:01 | 0:07:04 | |
In fact, my tie is the number one selling tie | 0:07:04 | 0:07:07 | |
anywhere in the world, so it's really been a success. | 0:07:07 | 0:07:11 | |
I'm going to be starting something new. | 0:07:11 | 0:07:14 | |
We're launching a fragrance. | 0:07:14 | 0:07:16 | |
It's called Success by Trump. | 0:07:16 | 0:07:19 | |
Now, with me, Martine Reardon. | 0:07:19 | 0:07:23 | |
She's the executive vice president | 0:07:23 | 0:07:25 | |
of marketing and advertising for Macy's. | 0:07:25 | 0:07:28 | |
Also with me, Cathy Glosser, | 0:07:28 | 0:07:30 | |
my executive vice president of global licensing. | 0:07:30 | 0:07:34 | |
Cathy, tell them about the task. | 0:07:34 | 0:07:36 | |
For your task this week, you will be creating an in-store display | 0:07:36 | 0:07:40 | |
and slogan for Success by Trump, exclusively launching at Macy's. | 0:07:40 | 0:07:45 | |
We will judge it from the creativity of the brand slogan, | 0:07:45 | 0:07:49 | |
the brand messaging and your in-store display presentation. | 0:07:49 | 0:07:54 | |
OK. My advisors will be Eric Trump and the great George Ross. | 0:07:54 | 0:07:59 | |
George has been with me for many years | 0:07:59 | 0:08:01 | |
and he's been doing Apprentice | 0:08:01 | 0:08:03 | |
and Celebrity Apprentice since it started. | 0:08:03 | 0:08:05 | |
Now, pick your project manager. | 0:08:05 | 0:08:08 | |
-WHISPERS: -Either of you could go, but I guess, in rotation, | 0:08:08 | 0:08:11 | |
-we're back to you, maybe? -Yeah. | 0:08:11 | 0:08:12 | |
-I have no idea about this. I would prefer you on this. -OK. | 0:08:14 | 0:08:17 | |
'I was not excited about the task. | 0:08:17 | 0:08:19 | |
'It doesn't really play to my strengths, so Clay took it on.' | 0:08:19 | 0:08:23 | |
To be the next Celebrity Apprentice, | 0:08:23 | 0:08:25 | |
'I'm going to bow out of this one.' | 0:08:25 | 0:08:28 | |
-Clay, who is your project manager? -I am, Mr Trump. -Oh, you are, Clay? | 0:08:28 | 0:08:31 | |
-Yes, sir. -Whoa. And why? | 0:08:31 | 0:08:33 | |
Penn and I are the ones who seem to be at bat, | 0:08:33 | 0:08:35 | |
-and I smell better than him. -THEY LAUGH | 0:08:35 | 0:08:38 | |
-Who's your project manager? -I am, Mr Trump. -OK, good. Aubrey. | 0:08:38 | 0:08:41 | |
'This is my second' | 0:08:41 | 0:08:42 | |
time at bat against Clay | 0:08:42 | 0:08:44 | |
and he won the first time, | 0:08:44 | 0:08:46 | |
so I really don't want to lose to Clay Aiken again. | 0:08:46 | 0:08:49 | |
OK. Now, the project manager of the winning team will get 20,000. | 0:08:49 | 0:08:55 | |
But if you do something I love, | 0:08:55 | 0:08:58 | |
I'm going to increase it to 100,000 for the winning project manager. | 0:08:58 | 0:09:02 | |
'So far, I've been able to win 50,000' | 0:09:02 | 0:09:04 | |
for the National Inclusion Project. | 0:09:04 | 0:09:06 | |
100,000 would go so far. | 0:09:06 | 0:09:08 | |
'My foundation is extremely important to me. | 0:09:08 | 0:09:10 | |
'It's really the only reason I came to do this.' | 0:09:10 | 0:09:13 | |
OK? So, you've got a lot at stake. Have fun. | 0:09:13 | 0:09:15 | |
This is very important to me. Good luck. Thank you. | 0:09:15 | 0:09:18 | |
-ALL: -Thank you. -Thank you. | 0:09:18 | 0:09:20 | |
Since it's for men, you know, we've got to figure out | 0:09:26 | 0:09:30 | |
-what will attract men. -Women. | 0:09:30 | 0:09:32 | |
-And that's kind of where I'm headed. -He's very popular for his ties. | 0:09:32 | 0:09:35 | |
-For his what? -For the ties. | 0:09:35 | 0:09:37 | |
So, we can do a woman and nude body, | 0:09:37 | 0:09:39 | |
but you don't have to really see her body. | 0:09:39 | 0:09:41 | |
I was thinking of her against the tie. | 0:09:41 | 0:09:42 | |
If you had a tie here and a white shirt. I can show you. | 0:09:42 | 0:09:45 | |
I was thinking of me wearing a tie and her - boom, boom, boom - | 0:09:45 | 0:09:50 | |
with the tie here or a tie... Excuse me. | 0:09:50 | 0:09:52 | |
-Forgive me, may I just move you around? -Manipulate her. | 0:09:52 | 0:09:55 | |
Erm, I was thinking...that. | 0:09:55 | 0:09:58 | |
-Now, would we see your face? -No. -Not see your face. | 0:09:58 | 0:10:01 | |
'As with most tasks, Penn had an idea' | 0:10:01 | 0:10:04 | |
that he was totally in love with. | 0:10:04 | 0:10:06 | |
-So, this is what I'm thinking. Do you see it? -Yeah, I see it. | 0:10:06 | 0:10:08 | |
'It also made me wonder why I was project manager and not him. | 0:10:08 | 0:10:11 | |
'Why didn't he step up? There was no reason he couldn't have done this.' | 0:10:11 | 0:10:14 | |
He seemed to have pretty good ideas. | 0:10:14 | 0:10:16 | |
I would love to be the face of the girl. | 0:10:16 | 0:10:17 | |
I don't think it's a bad idea to have you be the face of the girl. | 0:10:17 | 0:10:20 | |
-And you, physically... -We could... Well, we could call somebody in. | 0:10:20 | 0:10:23 | |
Either one of us could do it. It's just... | 0:10:23 | 0:10:25 | |
You don't need rippling muscles or anything. | 0:10:25 | 0:10:27 | |
But you need to have a manly figure and I don't. | 0:10:27 | 0:10:30 | |
-HE LAUGHS -I would suggest not to have | 0:10:30 | 0:10:32 | |
the woman wearing much clothing. | 0:10:32 | 0:10:34 | |
And he would love it. | 0:10:34 | 0:10:35 | |
-I don't think that shows success. -I don't think so. | 0:10:35 | 0:10:38 | |
I just want everybody naked, that's what I'm saying. | 0:10:38 | 0:10:40 | |
We will find a way to get you naked at some point, | 0:10:40 | 0:10:42 | |
but I don't think it'll be on this task. | 0:10:42 | 0:10:44 | |
'Dayana's ideas for the photo and for the concept were a little bit' | 0:10:44 | 0:10:48 | |
more sexual than I thought was necessarily appropriate. | 0:10:48 | 0:10:51 | |
'I'm sure there are some men who might think that's appealing. | 0:10:51 | 0:10:54 | |
'Not me, obviously.' | 0:10:54 | 0:10:56 | |
This is not a porno cover. This is an ad for a cologne. | 0:10:56 | 0:10:58 | |
This could be pretty much what we could do. | 0:10:58 | 0:11:00 | |
Flashes and photographs all around him, | 0:11:00 | 0:11:03 | |
and he's walking like a star. | 0:11:03 | 0:11:05 | |
-He's a star. -Say that whole sentence again but slower. | 0:11:05 | 0:11:08 | |
-The what? -Say that whole sentence again but slower. | 0:11:08 | 0:11:11 | |
-The whole thing again? -What did you just say? -I don't know. | 0:11:11 | 0:11:14 | |
HE LAUGHS Well, there we go. | 0:11:14 | 0:11:16 | |
We're all on the same page. HE LAUGHS | 0:11:16 | 0:11:19 | |
-Success by Trump! -Let's smell it. | 0:11:20 | 0:11:24 | |
-Smells good. Smells like success. -Yes, it does. | 0:11:24 | 0:11:27 | |
I really like it. I would love it if my man smelled like this. | 0:11:27 | 0:11:31 | |
It really is my time to step up to bat | 0:11:31 | 0:11:33 | |
'and win some money for my charity, | 0:11:33 | 0:11:35 | |
'which is the Gay, Lesbian and Straight Education Network. | 0:11:35 | 0:11:38 | |
'And I'm so focused on being the next Celebrity Apprentice, | 0:11:38 | 0:11:41 | |
'I have to win this task.' | 0:11:41 | 0:11:43 | |
OK, so, this is what I need. | 0:11:43 | 0:11:45 | |
Arsenio, can you bust out a computer | 0:11:45 | 0:11:46 | |
and look up what success means? | 0:11:46 | 0:11:48 | |
You would think I'd know that definition | 0:11:48 | 0:11:50 | |
right off the top of my head. | 0:11:50 | 0:11:52 | |
-Teresa, can you look up in-store cologne displays? -Yeah, I did. | 0:11:52 | 0:11:56 | |
Macy's in-store... | 0:11:56 | 0:11:58 | |
..men's cologne displays. | 0:11:59 | 0:12:01 | |
What's the actual definition of success? | 0:12:01 | 0:12:03 | |
"The attainment of wealth, position, honours or the like." | 0:12:03 | 0:12:07 | |
Here's an interesting term. | 0:12:08 | 0:12:10 | |
"The fragrance of success? Liquid money." | 0:12:10 | 0:12:13 | |
I don't want to say money cos, like, to me, success is not money at all. | 0:12:13 | 0:12:17 | |
That's almost like the antithesis. | 0:12:17 | 0:12:20 | |
What's success to you? | 0:12:20 | 0:12:21 | |
I mean, it's going to be completely different to a man. Happiness. | 0:12:21 | 0:12:25 | |
It's not measured by money or power at the end of the day. | 0:12:26 | 0:12:29 | |
It's measured by how much you improve | 0:12:29 | 0:12:31 | |
someone's life by giving of yourself. | 0:12:31 | 0:12:33 | |
-That's really what success is. -By whose definition? | 0:12:33 | 0:12:36 | |
-In our commercial society, I think it's more about material -BLEEP. | 0:12:38 | 0:12:43 | |
It's the Bentley, it's...paper. | 0:12:43 | 0:12:47 | |
'Arsenio wanted to approach the product | 0:12:47 | 0:12:50 | |
'from more of a very simple, obvious state - money, sex, power.' | 0:12:50 | 0:12:55 | |
Those are all obvious forms of success, | 0:12:55 | 0:12:58 | |
but Trump has never been one to be simple. | 0:12:58 | 0:13:00 | |
'So, if this is truly his product and this is truly something | 0:13:00 | 0:13:04 | |
'that he wants to put his name behind and represent,' | 0:13:04 | 0:13:07 | |
he certainly won't be inspired by something obvious. | 0:13:07 | 0:13:09 | |
I mean, here's the thing - | 0:13:09 | 0:13:11 | |
if they want to do something new and fresh, | 0:13:11 | 0:13:14 | |
it's not bling-bling. | 0:13:14 | 0:13:16 | |
It's just not. | 0:13:16 | 0:13:17 | |
'Sometimes, Aubrey forgets that we're a team. | 0:13:17 | 0:13:21 | |
'And part of' | 0:13:21 | 0:13:22 | |
being a leader is knowing when to step back | 0:13:22 | 0:13:26 | |
and listen to others. | 0:13:26 | 0:13:27 | |
'I don't know if I'm going to be able to work with Aubrey.' | 0:13:27 | 0:13:30 | |
-Hello, how are you? -Good, thanks. How are you? | 0:13:39 | 0:13:41 | |
-I'm Clay. Nice to meet you. -Cathy. -Hi, Clay. I'm Martine. -How are you? | 0:13:41 | 0:13:45 | |
'Our task this week is to create' | 0:13:45 | 0:13:47 | |
an in-store display for a new fragrance by Mr Trump. | 0:13:47 | 0:13:50 | |
-I'll get you some chairs here. -Thank you. | 0:13:50 | 0:13:53 | |
'The executives from Macy's and The Trump Organization came in | 0:13:53 | 0:13:56 | |
'and we had an opportunity to talk to them about | 0:13:56 | 0:13:58 | |
'what they believed they wanted in a display for the fragrance' | 0:13:58 | 0:14:01 | |
and really who they were targeting. | 0:14:01 | 0:14:03 | |
For your in-store displays, have you found great success | 0:14:03 | 0:14:06 | |
in the simpler, the better? | 0:14:06 | 0:14:08 | |
Just make sure that you really think about the product | 0:14:08 | 0:14:12 | |
as you're thinking about how to present it | 0:14:12 | 0:14:15 | |
and how to come up with the slogan | 0:14:15 | 0:14:17 | |
that's going to get people to take notice of it. | 0:14:17 | 0:14:20 | |
Is it marketed more to businessmen | 0:14:20 | 0:14:23 | |
or those who want to smell like businessmen? | 0:14:23 | 0:14:26 | |
In general, more women buy fragrance. | 0:14:26 | 0:14:30 | |
But there is a very defined Macy's male consumer | 0:14:30 | 0:14:35 | |
who's very comfortable buying his own wardrobe and his fragrance. | 0:14:35 | 0:14:40 | |
We're talking about a male who's 18 to 35 or 40... | 0:14:40 | 0:14:45 | |
..who really is looking for a piece of the Trump lifestyle. | 0:14:47 | 0:14:50 | |
In my opinion, I think men look for whatever the women want. | 0:14:50 | 0:14:53 | |
Every man in my life has always said, | 0:14:53 | 0:14:55 | |
"What do I get? What smells best?" | 0:14:55 | 0:14:57 | |
Basically, we need to really feel what this is saying to us | 0:14:59 | 0:15:03 | |
and it's the perspective of the product | 0:15:03 | 0:15:05 | |
and it's the perspective of the man that's created the product | 0:15:05 | 0:15:08 | |
that can be symbolic of any man out there. | 0:15:08 | 0:15:10 | |
'It just seems like Aubrey's running game | 0:15:11 | 0:15:14 | |
'in front of the executives' | 0:15:14 | 0:15:16 | |
to try to make people look less than creative | 0:15:16 | 0:15:19 | |
and definitely pale by comparison to her genius. | 0:15:19 | 0:15:21 | |
'But when you've talked to the executives from the company | 0:15:21 | 0:15:25 | |
'that you're about to work for, there's often something' | 0:15:25 | 0:15:27 | |
to be heard, so you've got to pay attention. | 0:15:27 | 0:15:30 | |
Your task is really to stay true to the brand of Trump. | 0:15:30 | 0:15:34 | |
-Especially if we want that extra 100,000. -Yeah. | 0:15:34 | 0:15:37 | |
-That was nice. -That was really a nice surprise. | 0:15:37 | 0:15:41 | |
And I haven't won at all, so... SHE GIGGLES | 0:15:41 | 0:15:44 | |
-Well, this is your chance. -Right. | 0:15:44 | 0:15:46 | |
-Thank you all very much. -You're welcome. Good luck. -Oh, gosh. | 0:15:47 | 0:15:50 | |
-Have fun. -Nice to see you. -Nice to meet you too. | 0:15:50 | 0:15:53 | |
CLAY: Obviously, a slogan is going to be important. | 0:15:53 | 0:15:55 | |
If you wore this fragrance, if you owned it, if you were Trump, | 0:15:55 | 0:15:58 | |
and I asked you, "How do you define success?" | 0:15:58 | 0:16:00 | |
Live your life your way. | 0:16:00 | 0:16:02 | |
Rooting success with live fragrance. | 0:16:02 | 0:16:05 | |
Rooting? | 0:16:05 | 0:16:08 | |
How about, "Clay, you're not as wimpy as we thought"? | 0:16:08 | 0:16:10 | |
-Success. -Yes! HE LAUGHS | 0:16:10 | 0:16:12 | |
-Clay, more than just a -BLEEP. | 0:16:12 | 0:16:15 | |
Success! | 0:16:15 | 0:16:17 | |
Oh, God. | 0:16:17 | 0:16:19 | |
-You earned it? -I like that too. -That's pretty good. | 0:16:19 | 0:16:22 | |
-I'm liking "you earned it" more when I write it down. -I like it, yeah. | 0:16:22 | 0:16:25 | |
OK, just devil's advocate - what does it say about the fragrance? | 0:16:25 | 0:16:28 | |
What does it tell me about that? | 0:16:28 | 0:16:30 | |
-That this is a luxurious thing. -That you deserve. | 0:16:30 | 0:16:33 | |
That you deserve to have this. Treat yourself. | 0:16:33 | 0:16:35 | |
And the one thing that everyone who's successful believes | 0:16:35 | 0:16:38 | |
is that they earned it. | 0:16:38 | 0:16:40 | |
-What I'm trying to think of is... -The cologne. | 0:16:40 | 0:16:42 | |
You've earned the cologne when you're in the picture. | 0:16:42 | 0:16:44 | |
Once you say, you know, you earned it with this... | 0:16:44 | 0:16:48 | |
..it starts to make sense. | 0:16:49 | 0:16:50 | |
'I'm always hesitant to take the first idea' | 0:16:52 | 0:16:54 | |
that comes to the table and go with it only. | 0:16:54 | 0:16:57 | |
'But when you have an idea that the entire group really likes, | 0:16:57 | 0:17:00 | |
'it's hard to' | 0:17:00 | 0:17:01 | |
not manage by consensus a little bit. | 0:17:01 | 0:17:04 | |
You earned it. Now, we've just got to figure out, visually, | 0:17:05 | 0:17:08 | |
what we want to do with six foot of space. | 0:17:08 | 0:17:11 | |
I just think tall building. | 0:17:11 | 0:17:13 | |
If you did a powerful architecture building | 0:17:13 | 0:17:17 | |
with our picture as though it were a billboard on the cityscape. | 0:17:17 | 0:17:21 | |
When Penn pitches an idea... | 0:17:21 | 0:17:23 | |
..he pitches it once. | 0:17:24 | 0:17:25 | |
I like framing it with the skyline in some way, with a businessy... | 0:17:25 | 0:17:29 | |
Yeah, but I think a very close-up detail of that. | 0:17:29 | 0:17:31 | |
There's only one building on either side. | 0:17:31 | 0:17:33 | |
'And then, just as people start talking, | 0:17:33 | 0:17:36 | |
'Penn jumps back up and pitches his idea again' | 0:17:36 | 0:17:39 | |
to sort of drill it down as if this is the best thing we've got. | 0:17:39 | 0:17:43 | |
I don't know where the slogan goes on the picture, | 0:17:43 | 0:17:46 | |
but I'd like it to be on the picture, I think. | 0:17:46 | 0:17:49 | |
Success by Trump. | 0:17:49 | 0:17:51 | |
Building, building, her face here, tie here, "you've earned it" here. | 0:17:51 | 0:17:56 | |
'You sort of get the sense at that point...' | 0:17:56 | 0:17:58 | |
..is it worth brainstorming | 0:17:59 | 0:18:01 | |
or are we just going to come back to this? | 0:18:01 | 0:18:03 | |
And then putting shelves in there that are like apartment floors | 0:18:03 | 0:18:07 | |
with this as almost your apartment windows, you know? | 0:18:07 | 0:18:09 | |
Maybe lit from the back. | 0:18:09 | 0:18:11 | |
'I'm smart and I do things right.' | 0:18:11 | 0:18:13 | |
Brainstorming is more fun when you have good ideas, | 0:18:13 | 0:18:15 | |
and I thought I did. | 0:18:15 | 0:18:16 | |
Well, let me give you kind of like the things that I wrote down. | 0:18:19 | 0:18:22 | |
"See your vision. Success." | 0:18:22 | 0:18:25 | |
"See your future. Success." | 0:18:25 | 0:18:28 | |
"A step closer to happiness is success." | 0:18:28 | 0:18:32 | |
Those are all the ones I came up with off the top of my head. | 0:18:33 | 0:18:36 | |
I wrote some stuff too. Do like any of this? | 0:18:36 | 0:18:39 | |
"Confidence speaks to you. Confidence says who you are. | 0:18:39 | 0:18:42 | |
"Confidence defines you." | 0:18:42 | 0:18:44 | |
I think all those things are ideas behind the main slogan. | 0:18:44 | 0:18:49 | |
'Aubrey is kind of a one-woman show cos she's giving out ideas' | 0:18:49 | 0:18:54 | |
and then when we give out the ideas, | 0:18:54 | 0:18:55 | |
sometimes she's like, "OK, whatever." | 0:18:55 | 0:18:57 | |
'She pretty much wants to stick to what she thinks,' | 0:18:57 | 0:19:00 | |
which sometimes is good, but then sometimes is not good. | 0:19:00 | 0:19:03 | |
How about "trust your instincts"? That's what he does. | 0:19:03 | 0:19:07 | |
That's how he's successful. | 0:19:07 | 0:19:09 | |
"Trust your instincts." | 0:19:09 | 0:19:10 | |
Can I just show you something that has no volume really quick? | 0:19:10 | 0:19:13 | |
-Yes, boo. -Just read what comes up here. | 0:19:13 | 0:19:18 | |
-Mm. -DT. | 0:19:18 | 0:19:20 | |
Right. Yep. That's what it is. | 0:19:20 | 0:19:23 | |
OK. We're going to trust our instinct | 0:19:23 | 0:19:25 | |
in "trust our instinct". SHE LAUGHS | 0:19:25 | 0:19:27 | |
'I found something on the internet and I showed it to Aubrey. | 0:19:27 | 0:19:30 | |
'It's where Mr Trump' | 0:19:30 | 0:19:31 | |
talked about trusting your instincts, | 0:19:31 | 0:19:34 | |
trusting your gut. | 0:19:34 | 0:19:35 | |
And from that, we decided, "What's better than his own words?" | 0:19:35 | 0:19:40 | |
'Trust your instincts. | 0:19:40 | 0:19:42 | |
'And, of course, Aubrey tries to take credit for everything, | 0:19:42 | 0:19:46 | |
'but it was really an exact' | 0:19:46 | 0:19:48 | |
Donald Trump quote. | 0:19:48 | 0:19:50 | |
Now, as far as the actual display... | 0:19:50 | 0:19:54 | |
-Mm-hm. -..maybe the buildings are this. | 0:19:54 | 0:19:56 | |
-Yeah. -Look at how this looks like a skyline, by the way. -Mm-hm. | 0:19:56 | 0:20:01 | |
Different sizes, the smaller, the larger. | 0:20:01 | 0:20:03 | |
-That looks like a skyline. -Yeah. | 0:20:03 | 0:20:05 | |
-Could we get Eric? Cos he looks like Donald. -Yeah. | 0:20:05 | 0:20:09 | |
But it's young Donald, before he trusted his instincts. | 0:20:09 | 0:20:13 | |
'I thought it would be a great idea to photograph Eric' | 0:20:13 | 0:20:17 | |
and use him as the young Trump. | 0:20:17 | 0:20:19 | |
So, it's like the young man looking at the success that he's created. | 0:20:19 | 0:20:24 | |
-Mm-hm. -He's seeing the city skyline. -Mm-hm. -It's kind of fierce. | 0:20:24 | 0:20:28 | |
If we lose this task, there's a huge target on my back. | 0:20:28 | 0:20:31 | |
'I've been responsible for every element of this task, | 0:20:31 | 0:20:34 | |
'so all of the fingers' | 0:20:34 | 0:20:36 | |
will point to me. | 0:20:36 | 0:20:37 | |
I want to see the skyline. | 0:20:37 | 0:20:39 | |
And I want the skyline to be in these colours. | 0:20:39 | 0:20:42 | |
OK, I have an idea. What if we rent | 0:20:48 | 0:20:51 | |
lights to go behind the display that shoot up and backlight it? | 0:20:51 | 0:20:56 | |
-Fierce, right? -You want me to get the light person? -Yes. | 0:20:56 | 0:20:59 | |
Can you get a light person for me? | 0:20:59 | 0:21:01 | |
'The task is to create a display | 0:21:01 | 0:21:04 | |
'and a slogan for Trump's new men's cologne Success. | 0:21:04 | 0:21:07 | |
'And we're building a skyline as part of our display,' | 0:21:07 | 0:21:11 | |
so I wanted to get in the van, I wanted to get us over | 0:21:11 | 0:21:14 | |
'to John Creech studios so we could start production | 0:21:14 | 0:21:16 | |
'because Trump is a real estate man' | 0:21:16 | 0:21:18 | |
and you don't want to create a skyline | 0:21:18 | 0:21:20 | |
that looks like it belongs in a kindergarten science fair. | 0:21:20 | 0:21:23 | |
Our biggest concern here is going to be getting Eric Trump | 0:21:23 | 0:21:26 | |
and getting this photo. | 0:21:26 | 0:21:28 | |
Teresa, get Eric's number for me. | 0:21:28 | 0:21:30 | |
And then, you know what I want you to do, Arsenio? | 0:21:30 | 0:21:33 | |
Skylines. | 0:21:33 | 0:21:34 | |
Oh, Arsenio, this is perfect. | 0:21:34 | 0:21:37 | |
'I'm looking out on the city and I see this amazing skyline | 0:21:37 | 0:21:40 | |
'and I think, "What better way to start off this display' | 0:21:40 | 0:21:45 | |
"than to have actual photos of a skyline?" | 0:21:45 | 0:21:48 | |
-Wait, stand here. I'm just going to get on your back like this. -OK. | 0:21:52 | 0:21:55 | |
-Can you hold me? You swear? -Yeah, yeah. | 0:21:55 | 0:21:57 | |
Oh, my God! | 0:21:57 | 0:21:58 | |
-Hey! Whoa! I've got to...! -Oh. | 0:21:58 | 0:22:00 | |
-Let me sit up. -OK. -OK, go. | 0:22:00 | 0:22:02 | |
Oh, my God. How funny. | 0:22:04 | 0:22:06 | |
You're all right. | 0:22:07 | 0:22:09 | |
Take your time. We're good. | 0:22:09 | 0:22:11 | |
'Aubrey had a great idea. She said,' | 0:22:11 | 0:22:14 | |
"Let me put my vagina on the back of your neck." | 0:22:14 | 0:22:17 | |
You cold? | 0:22:19 | 0:22:20 | |
My neck is the warmest it's ever been. | 0:22:23 | 0:22:26 | |
-OK, I got it. -OK. | 0:22:26 | 0:22:28 | |
'When I had Aubrey on my shoulders, | 0:22:28 | 0:22:29 | |
'the one thing that kept going through my mind was,' | 0:22:29 | 0:22:32 | |
"Don't drop her cos they will swear you did it on purpose." | 0:22:32 | 0:22:34 | |
'There was a moment where I thought about' | 0:22:34 | 0:22:36 | |
'something she said to me once' | 0:22:36 | 0:22:37 | |
and I was like, "I could just..." | 0:22:37 | 0:22:39 | |
But no, no, no. "I got you, baby. I got you." | 0:22:39 | 0:22:42 | |
I loved that assignment. | 0:22:42 | 0:22:44 | |
'We arrive at Creech, the fabricators,' | 0:22:55 | 0:22:57 | |
and I put on my lesbian hard hat, | 0:22:57 | 0:22:59 | |
figuratively speaking, | 0:22:59 | 0:23:01 | |
'and start figuring out the concept.' | 0:23:01 | 0:23:03 | |
Explain to him, Penn, the sides being like buildings, | 0:23:03 | 0:23:08 | |
like staggered, three-dimensional buildings coming out. | 0:23:08 | 0:23:11 | |
With the cologne bottles symbolising lit windows. | 0:23:11 | 0:23:15 | |
-You can do a light box? -Yeah, we can do a light box. | 0:23:15 | 0:23:17 | |
'I came up with the ideas.' | 0:23:17 | 0:23:19 | |
I suggested "you earned it" | 0:23:19 | 0:23:22 | |
'as the slogan, | 0:23:22 | 0:23:23 | |
'I suggested the layout of the picture,' | 0:23:23 | 0:23:26 | |
and I also suggested this kind of cityscape around it. | 0:23:26 | 0:23:30 | |
'But most important is for Clay to execute it.' | 0:23:30 | 0:23:35 | |
You want to do silver with the same type...? | 0:23:35 | 0:23:37 | |
I'm not worried about the colour. | 0:23:37 | 0:23:39 | |
I'm not worried about the colour right now. | 0:23:39 | 0:23:41 | |
I'm just worried about trying to figure out a way | 0:23:41 | 0:23:43 | |
to shape it dimensionally. | 0:23:43 | 0:23:45 | |
'This is not exactly my element. When it comes to music,' | 0:23:45 | 0:23:49 | |
if I see or hear one line of melody, | 0:23:49 | 0:23:51 | |
I have an ability to actually hear what it would sound like | 0:23:51 | 0:23:54 | |
'as a final product. When it comes to building, | 0:23:54 | 0:23:57 | |
'I have a hard time seeing what the display' | 0:23:57 | 0:24:00 | |
will look like based only on some pencil sketches | 0:24:00 | 0:24:03 | |
and some descriptions. | 0:24:03 | 0:24:04 | |
Success by Trump. | 0:24:04 | 0:24:08 | |
-Square picture. -Or you could have the picture going to the floor. | 0:24:08 | 0:24:12 | |
-That's where my brain is right now. -Me too. | 0:24:12 | 0:24:14 | |
My brain is having the picture go all the way to the floor. | 0:24:14 | 0:24:17 | |
And then two counters coming out... | 0:24:17 | 0:24:19 | |
-That's exactly what I was thinking. -Come over here. | 0:24:19 | 0:24:21 | |
We could almost see the picture. | 0:24:21 | 0:24:24 | |
Yeah, that's funny. | 0:24:25 | 0:24:26 | |
'Penn was absolutely in heaven with Dayana snuggled up against him,' | 0:24:27 | 0:24:32 | |
and it started looking like the cover | 0:24:32 | 0:24:34 | |
'of a romance novel. And I'm thinking, "What the hell' | 0:24:34 | 0:24:36 | |
"have I gotten myself into?" | 0:24:36 | 0:24:38 | |
AUBREY: We're doing a fragrance for Mr Trump. | 0:24:39 | 0:24:42 | |
It's called Success by Trump. We need to create a slogan for it, | 0:24:42 | 0:24:45 | |
-and we're doing a display that will go into Macy's. -OK. | 0:24:45 | 0:24:48 | |
Now, what I'm...what we're thinking is to do the back of Eric Junior, | 0:24:48 | 0:24:53 | |
-is what we're wanting. -Um, OK. | 0:24:53 | 0:24:55 | |
Eric, Aubrey wants to ask you something. | 0:24:55 | 0:24:57 | |
OK, perfect. | 0:24:59 | 0:25:01 | |
Hey, can we...? This is Aubrey. | 0:25:01 | 0:25:02 | |
Can we take a photo of you when you come down here? | 0:25:02 | 0:25:05 | |
Because we need a young replica of Donald Trump. | 0:25:05 | 0:25:10 | |
It's just to give it a more personal touch. | 0:25:10 | 0:25:13 | |
OK, cool. Thank you so much, babe. | 0:25:14 | 0:25:17 | |
OK, bye. | 0:25:18 | 0:25:20 | |
Good job, Teresa! | 0:25:20 | 0:25:22 | |
All right, so, we have a skyline. | 0:25:23 | 0:25:27 | |
Now, I would like this skyline to be three-dimensional. | 0:25:27 | 0:25:30 | |
-OK, so, maybe layered? -Layered. -Or... -Yes. -OK. | 0:25:30 | 0:25:34 | |
We want to stay in this colour realm. | 0:25:34 | 0:25:36 | |
-I know we have to buy the paint. -OK. OK. | 0:25:36 | 0:25:39 | |
This is...this is not paint. | 0:25:39 | 0:25:42 | |
We'll find materials | 0:25:42 | 0:25:44 | |
-that already have this clean finish... -OK. -..that we want. | 0:25:44 | 0:25:47 | |
I would think it's a vinyl - an adhesive vinyl, a tinted vinyl. | 0:25:47 | 0:25:52 | |
So, Terese, we need to pick out fabrics that he'll use | 0:25:52 | 0:25:55 | |
with the actual background, but we're not going to paint. | 0:25:55 | 0:25:57 | |
-Look up vinyl, vinyl shop. -OK. | 0:25:57 | 0:26:01 | |
We want to get adhesive vinyl, | 0:26:01 | 0:26:03 | |
so we need to call a shop that would have it | 0:26:03 | 0:26:05 | |
and then have you guys run and grab it. | 0:26:05 | 0:26:06 | |
'I don't have time to babysit' | 0:26:06 | 0:26:08 | |
so I sent Arsenio and Teresa together to go | 0:26:08 | 0:26:10 | |
'get materials because I know that, together, | 0:26:10 | 0:26:14 | |
'there will be less mistakes, | 0:26:14 | 0:26:15 | |
'and I also know that neither of them will be very helpful' | 0:26:15 | 0:26:18 | |
to me staying in the studio | 0:26:18 | 0:26:19 | |
because they haven't helped with creative this far. | 0:26:19 | 0:26:22 | |
-Do you know what you guys need to get? -Yeah. | 0:26:22 | 0:26:25 | |
You got all the measurements? | 0:26:25 | 0:26:26 | |
'It's ridiculous. It's ridiculous. | 0:26:26 | 0:26:28 | |
'Instead of just sending Teresa, she wanted to send' | 0:26:28 | 0:26:30 | |
two of us. | 0:26:30 | 0:26:31 | |
'Nobody has been as patient as myself' | 0:26:31 | 0:26:35 | |
in dealing with Aubrey. | 0:26:35 | 0:26:37 | |
'Aubrey separates herself from the group | 0:26:37 | 0:26:39 | |
'so she can flip the script on her team-mates, | 0:26:39 | 0:26:43 | |
'but I don't think it'll work.' | 0:26:43 | 0:26:45 | |
-Bye, guys. Thank you. -Thank you. -See you guys in a little bit. | 0:26:45 | 0:26:48 | |
I want to get them out of here. | 0:26:49 | 0:26:51 | |
CLAY: Let me ask you one more thing and make you mad at me. | 0:26:55 | 0:26:58 | |
-Can we do these in acrylic? -Yeah. Why...? | 0:26:58 | 0:27:01 | |
-Well, we just want it to be as sleek as possible. -Right. | 0:27:01 | 0:27:06 | |
The short answer is we're running out of time to do this, | 0:27:06 | 0:27:09 | |
which isn't even a complicated shape. | 0:27:09 | 0:27:11 | |
I don't think we have enough acrylic in house to do them all, for one, | 0:27:11 | 0:27:14 | |
and also gluing acrylic is really time-consuming. | 0:27:14 | 0:27:18 | |
That's fine. | 0:27:18 | 0:27:19 | |
'So, we're just thinking and thinking' | 0:27:19 | 0:27:21 | |
what to do with the display, and we're taking time. | 0:27:21 | 0:27:25 | |
'Clay, decide something. Don't think so much.' | 0:27:25 | 0:27:28 | |
-The longer I'm not building anything, the less I can build. -OK. | 0:27:28 | 0:27:31 | |
We've got to take pictures and make some decisions over here quick. | 0:27:49 | 0:27:52 | |
You're right. | 0:27:52 | 0:27:53 | |
The focus of this whole display is going to be this picture of Dayana | 0:27:53 | 0:27:57 | |
sort of snuggled up against the torso of a male model | 0:27:57 | 0:28:00 | |
wearing the Trump shirt and tie, so we need to get this taken. | 0:28:00 | 0:28:04 | |
Now, all of a sudden, I'm the wardrobe department. | 0:28:04 | 0:28:06 | |
You look handsome. Come on in. | 0:28:06 | 0:28:08 | |
'Once the model showed up, we put him in a shirt and tie...' | 0:28:10 | 0:28:13 | |
That's beautiful. | 0:28:13 | 0:28:15 | |
..and tried to do him... | 0:28:15 | 0:28:16 | |
"Tried to do him." Ooh, mercy! That was a Freudian slip. | 0:28:16 | 0:28:19 | |
Just wanted to touch you. Sorry. LISA LAUGHS | 0:28:21 | 0:28:23 | |
'I wish we'd had that guy' | 0:28:23 | 0:28:24 | |
take his shirt off. Anyway... | 0:28:24 | 0:28:26 | |
Beautiful. | 0:28:26 | 0:28:27 | |
That's almost nice. That's quite nice. Keep it there. | 0:28:29 | 0:28:32 | |
Honey, you should be a model. | 0:28:32 | 0:28:34 | |
This is Miss Universe, by the way, so congratulations. | 0:28:35 | 0:28:39 | |
Lisa has been very nice and helpful... | 0:28:39 | 0:28:41 | |
OK. Oh, that's so cute. | 0:28:41 | 0:28:43 | |
-That's a great look. -That's cute. | 0:28:43 | 0:28:45 | |
'..which is very surprising. I actually think that she's not as' | 0:28:45 | 0:28:49 | |
volatile any more, | 0:28:49 | 0:28:52 | |
'but then again, I hope she's not trying' | 0:28:52 | 0:28:54 | |
to bust my peanuts. | 0:28:54 | 0:28:56 | |
-That's pretty nice. -That's really beautiful. | 0:28:56 | 0:28:58 | |
-It's going to be tough to pick them now. -Good. -All right? | 0:28:58 | 0:29:01 | |
'Dayana has a history of being called back to the boardroom,' | 0:29:01 | 0:29:04 | |
but in this task, she played a very integral role. | 0:29:04 | 0:29:08 | |
'If we win, I think Dayana should get a good deal of the credit, | 0:29:08 | 0:29:11 | |
'but if we lose, Dayana is front and centre' | 0:29:11 | 0:29:13 | |
on the product that was not good enough for the executives. | 0:29:13 | 0:29:16 | |
'That will be a consideration in the boardroom.' | 0:29:16 | 0:29:18 | |
This is the one I picked, and the other one next to it. | 0:29:18 | 0:29:21 | |
Take all of those, | 0:29:21 | 0:29:22 | |
crop those into the squares that you would see them in. | 0:29:22 | 0:29:25 | |
I'm going to let you sit with Dayana for a second. | 0:29:25 | 0:29:28 | |
How you doing? | 0:29:28 | 0:29:29 | |
We'll be at that point very soon where we're covering all of this. | 0:29:32 | 0:29:35 | |
PHONE RINGS | 0:29:35 | 0:29:38 | |
-Hello? OVER PHONE: -'Hi, hon.' | 0:29:39 | 0:29:41 | |
'Aubrey, three yards? Ask him three yards or eight yards?' | 0:29:41 | 0:29:46 | |
-Two yards. -Two yards, babe. | 0:29:46 | 0:29:49 | |
-'Oh, two?' -Two yards. | 0:29:49 | 0:29:51 | |
'All right. | 0:29:51 | 0:29:53 | |
'Two yards. Oh, two yards is six feet, | 0:29:53 | 0:29:55 | |
-'so that's perfect, right?' -Right. | 0:29:55 | 0:29:58 | |
'Arsenio and Teresa are just not that helpful with this task. | 0:29:58 | 0:30:02 | |
'Teresa keeps calling me from the store.' | 0:30:02 | 0:30:04 | |
She doesn't know how much to get. | 0:30:04 | 0:30:06 | |
We gave her simple instructions and | 0:30:06 | 0:30:08 | |
'for some reason, it's a very difficult task | 0:30:08 | 0:30:11 | |
'for these two to handle, | 0:30:11 | 0:30:13 | |
'and I don't understand why because I gave them' | 0:30:13 | 0:30:15 | |
the most simple thing on the list to do. | 0:30:15 | 0:30:18 | |
-It's like a little box, like that. -OK, LED lights are like that? | 0:30:18 | 0:30:21 | |
-Yeah. Yeah, we had those earlier. -It'll give enough light. | 0:30:21 | 0:30:24 | |
It won't feel, like, tacky, but it'll give, like, enough. | 0:30:24 | 0:30:27 | |
-Hi! -Let's get this picture. | 0:30:27 | 0:30:30 | |
You have exactly three minutes and I will get out of your way. | 0:30:30 | 0:30:33 | |
OK, come against this wall. | 0:30:33 | 0:30:35 | |
'I was very surprised when I got a call from Aubrey | 0:30:35 | 0:30:37 | |
'to be cast as their model.' | 0:30:37 | 0:30:39 | |
It's the first time I've ever done a modelling gig. | 0:30:39 | 0:30:42 | |
You're not so hard on the eyes, young Eric. | 0:30:42 | 0:30:44 | |
Thank you. | 0:30:44 | 0:30:46 | |
What if I was just some crazy stalker | 0:30:46 | 0:30:48 | |
and I wanted to get a lot of photos of you? | 0:30:48 | 0:30:50 | |
I think you might be. | 0:30:50 | 0:30:51 | |
'Certainly an interesting approach. | 0:30:51 | 0:30:53 | |
'I wonder if it's to get potential brownie points.' | 0:30:53 | 0:30:55 | |
I think I'm going to scrutinise her that much more | 0:30:55 | 0:30:58 | |
if this doesn't come out terrific. | 0:30:58 | 0:30:59 | |
-How's this going? -Um, well, OK, so, basically, the theme, | 0:30:59 | 0:31:03 | |
I thought of a million things. | 0:31:03 | 0:31:04 | |
I was the only one, by the way. But then I thought... | 0:31:04 | 0:31:07 | |
-So, Arsenio wasn't creative and Teresa wasn't creative? -No. No. | 0:31:07 | 0:31:10 | |
-I thought of... -Does that surprise you, by the way? -No. | 0:31:10 | 0:31:12 | |
'It was interesting that she said that Arsenio' | 0:31:12 | 0:31:15 | |
really wasn't a creative guy, that Teresa really wasn't creative, | 0:31:15 | 0:31:18 | |
because in their own way, they certainly are. | 0:31:18 | 0:31:20 | |
'Aubrey's an interesting personality. | 0:31:20 | 0:31:22 | |
'It's about her. It's about her ideas, her concepts.' | 0:31:22 | 0:31:25 | |
Obviously, my team members were not the most creative | 0:31:25 | 0:31:28 | |
and have limitations in certain areas. | 0:31:28 | 0:31:30 | |
Who's worse, Arsenio or Teresa? | 0:31:30 | 0:31:33 | |
It's hard because neither of them can make a strong concept. | 0:31:33 | 0:31:36 | |
Teresa actually helps more and she gives more of a direction, | 0:31:36 | 0:31:39 | |
whereas Arsenio's just like, | 0:31:39 | 0:31:41 | |
"I don't know. Whatever you want. What do you think?" | 0:31:41 | 0:31:43 | |
He's never, in the history of me working with him, | 0:31:43 | 0:31:45 | |
-had an opinion about anything. It drives me -BLEEP -bananas. | 0:31:45 | 0:31:48 | |
'If she does well, she's going to take credit. | 0:31:48 | 0:31:50 | |
'If she doesn't, she'll blame everybody else | 0:31:50 | 0:31:53 | |
'because they weren't supporting her,' | 0:31:53 | 0:31:54 | |
so it actually puts Arsenio and Teresa in a very tricky situation. | 0:31:54 | 0:31:58 | |
You would much rather have the other team in this task? | 0:31:58 | 0:32:01 | |
Absolutely. | 0:32:01 | 0:32:02 | |
-I'm a one-man team. Yes, I said it. -Are you? -Yeah. | 0:32:02 | 0:32:05 | |
CLAY: We have "Success by Trump". We could put it there instead. | 0:32:16 | 0:32:19 | |
That's not a bad idea at all. | 0:32:19 | 0:32:21 | |
Do you guys want to print a little flyer to give with our picture? | 0:32:21 | 0:32:25 | |
You know, that'd be nice. | 0:32:25 | 0:32:27 | |
We've got to do a lot of work, | 0:32:27 | 0:32:28 | |
and so I don't want to waste anybody's time | 0:32:28 | 0:32:31 | |
when we should be doing sanding and painting. | 0:32:31 | 0:32:34 | |
So, I had the idea of handing something to the clients. | 0:32:35 | 0:32:38 | |
Clay said no, and he's the project manager, | 0:32:38 | 0:32:41 | |
but I feel like it is important for them not to just see it, | 0:32:41 | 0:32:45 | |
but for them to go home with it. | 0:32:45 | 0:32:47 | |
So, then I want to do smell tabs, | 0:32:55 | 0:32:58 | |
-which are going to be four inches by a half inch. -OK. | 0:32:58 | 0:33:01 | |
And I want them to be in black. | 0:33:01 | 0:33:03 | |
'The graphic designer came in and I was so excited | 0:33:03 | 0:33:05 | |
'because I really want to get all of' | 0:33:05 | 0:33:08 | |
the branding and the product messaging out of the way, | 0:33:08 | 0:33:11 | |
so we started off with the smell tabs. | 0:33:11 | 0:33:13 | |
The smell tabs could be... | 0:33:13 | 0:33:15 | |
You could do them straight or we could have them... | 0:33:15 | 0:33:17 | |
-A half inch is like this. -Oh, can they be shaped like a T? | 0:33:17 | 0:33:21 | |
Uh... | 0:33:24 | 0:33:25 | |
'Aubrey, you know, when she makes her mind up, that's it.' | 0:33:25 | 0:33:29 | |
She did come up with the slogan and the concept, | 0:33:29 | 0:33:32 | |
so if, God forbid, we don't win, | 0:33:32 | 0:33:34 | |
it's going to be pretty much all on her. | 0:33:34 | 0:33:36 | |
-I actually kind of am starting to like the way it looks. -Just normal? | 0:33:37 | 0:33:41 | |
The pamphlet, I really want you to jazz up. | 0:33:41 | 0:33:44 | |
OK, good. Yeah, I like that. | 0:33:44 | 0:33:46 | |
I would like it if the print-outs could be the shape of this bottle. | 0:33:46 | 0:33:49 | |
-Is that difficult for them? -I don't think so. | 0:33:49 | 0:33:52 | |
I'd like it to be the shape of the bottle, | 0:33:52 | 0:33:54 | |
and on the back, I want it to have information on the product, | 0:33:54 | 0:33:57 | |
-or, like, a little something about the product. -OK. | 0:33:57 | 0:34:00 | |
'I designed the pamphlets to look like the bottles. | 0:34:00 | 0:34:02 | |
'I feel like we can fit enough of a message on there | 0:34:02 | 0:34:05 | |
'and enough of an essence of the product on there' | 0:34:05 | 0:34:07 | |
for people to walk away and truly understand what we're selling. | 0:34:07 | 0:34:10 | |
I need to paint all of this now. | 0:34:11 | 0:34:13 | |
-Want me to do it? -Sure. It's over here. It's over this way. | 0:34:13 | 0:34:18 | |
Oh, that's all right. | 0:34:20 | 0:34:21 | |
'I'm not afraid to get my hands dirty. | 0:34:21 | 0:34:23 | |
'I had a skirt and heels on and' | 0:34:23 | 0:34:26 | |
that wouldn't stop me from painting. | 0:34:26 | 0:34:27 | |
Why are you running? | 0:34:37 | 0:34:39 | |
-In heels. -Yeah. -HE LAUGHS | 0:34:39 | 0:34:41 | |
-Those are jogging shoes. -Did you need to get back that quick? | 0:34:41 | 0:34:44 | |
'Teresa was hustling and she wasn't even dressed for it.' | 0:34:44 | 0:34:47 | |
'Teresa can run' | 0:34:47 | 0:34:49 | |
the 100m dash in pumps. | 0:34:49 | 0:34:51 | |
-Teresa! -Have you heard them talking | 0:34:51 | 0:34:54 | |
the whole time through the wall? | 0:34:54 | 0:34:56 | |
I've heard them but haven't listened to what they're saying. Have you? | 0:34:56 | 0:35:00 | |
'I'm super concerned about the other team' | 0:35:00 | 0:35:02 | |
because Aubrey's in charge, | 0:35:02 | 0:35:03 | |
'so as long as I can hear her over the partition, | 0:35:03 | 0:35:07 | |
'I'm like, "Oh, my God. That's the competition."' | 0:35:07 | 0:35:09 | |
And I don't want them to lose, cos I love her, | 0:35:09 | 0:35:12 | |
but I don't want to lose. | 0:35:12 | 0:35:14 | |
'I figure, instead of sweating it, let me just tiptoe over there' | 0:35:16 | 0:35:21 | |
and sneak a look at what they're doing. | 0:35:21 | 0:35:23 | |
'I'm like, "OK. All right.' | 0:35:33 | 0:35:34 | |
-"Great. They have the exact same -BLEEP -idea we had." | 0:35:34 | 0:35:37 | |
What? | 0:35:39 | 0:35:40 | |
What did you see? | 0:35:42 | 0:35:43 | |
-So, it's... -I mean... | 0:35:46 | 0:35:48 | |
'Lisa tells us' | 0:35:54 | 0:35:55 | |
that Unanimous has gone with sort of a similar theme to us, | 0:35:55 | 0:35:59 | |
'and I got a little bit nervous because by doing something similar, | 0:35:59 | 0:36:03 | |
'we wouldn't have the leg-up in the creativity department.' | 0:36:03 | 0:36:06 | |
Guys, we have 15 minutes. | 0:36:06 | 0:36:07 | |
It's not dry enough, this one, either. | 0:36:10 | 0:36:12 | |
'Clay has not been really taking charge of being a project manager.' | 0:36:12 | 0:36:16 | |
I don't care about what the other team's doing. | 0:36:16 | 0:36:18 | |
We actually need to get this done now. | 0:36:18 | 0:36:20 | |
And actually, before you start, let's switch sides | 0:36:20 | 0:36:23 | |
so I know where everything is supposed to be. | 0:36:23 | 0:36:25 | |
If you'll bring that over here. | 0:36:25 | 0:36:26 | |
-I don't know what you mean, but I'll do it. -That... | 0:36:26 | 0:36:29 | |
'It's scary to be project manager | 0:36:30 | 0:36:33 | |
'because there is so much pressure put on you.' | 0:36:33 | 0:36:35 | |
Every single thing lays on my shoulders. | 0:36:35 | 0:36:37 | |
Even if it is Penn's idea, | 0:36:37 | 0:36:39 | |
'if something goes wrong, it's my fault. | 0:36:39 | 0:36:41 | |
'If we lose this task, one way or the other, | 0:36:41 | 0:36:44 | |
'I'm going to have to point the finger at someone.' | 0:36:44 | 0:36:47 | |
When you're done sanding, I'm going to give you... | 0:36:47 | 0:36:50 | |
-What? -HE LAUGHS | 0:36:50 | 0:36:53 | |
We are always so awkward walking out of this van. | 0:37:04 | 0:37:07 | |
'So, we arrive at Macy's where we're going to do the presentation.' | 0:37:07 | 0:37:10 | |
We get to put our display up | 0:37:10 | 0:37:12 | |
'and take care of all those last-minute things | 0:37:12 | 0:37:15 | |
'that needed to be done before we present.' | 0:37:15 | 0:37:19 | |
-Ooh! -Hey, good morning, you guys. -Hi. | 0:37:19 | 0:37:21 | |
-I love it. -How's it going? | 0:37:21 | 0:37:23 | |
-It looks great. -Thank you. | 0:37:23 | 0:37:26 | |
-It looks good. -We're just getting the finishing touches. | 0:37:26 | 0:37:29 | |
We just cleaned it up. Now we're doing the little details on the sign | 0:37:29 | 0:37:32 | |
-and getting ready to put that up. -'When I walked in the door' | 0:37:32 | 0:37:35 | |
I saw our finished product | 0:37:35 | 0:37:37 | |
'and it looks gorgeous. | 0:37:37 | 0:37:39 | |
'And I was really proud of myself | 0:37:39 | 0:37:41 | |
'because I'm basically the one that came up with everything.' | 0:37:41 | 0:37:44 | |
I've really been a mini Trump. | 0:37:44 | 0:37:47 | |
OK, do you see it different than the right right there, Aubrey, | 0:37:47 | 0:37:50 | |
with the light? | 0:37:50 | 0:37:51 | |
Are they pointing toward the actual buildings? | 0:37:51 | 0:37:54 | |
Yes. | 0:37:54 | 0:37:55 | |
And then I think the middle one can shoot up into the sky | 0:37:55 | 0:37:58 | |
-right behind the "Success". -Right. Got it. | 0:37:58 | 0:38:00 | |
I think the Latin translation of Aubrey actually means bossy. | 0:38:00 | 0:38:04 | |
So, we should be fair. She's just living up to her name. | 0:38:04 | 0:38:08 | |
She's bossy. | 0:38:08 | 0:38:09 | |
Can I see them on the side? | 0:38:09 | 0:38:11 | |
-Although I don't know that visible is the right approach either. -Right. | 0:38:11 | 0:38:14 | |
How about...? | 0:38:14 | 0:38:16 | |
I want to feel them less in the air and more on the product. | 0:38:16 | 0:38:19 | |
'Aubrey loves to be in charge, but I would rather' | 0:38:19 | 0:38:24 | |
give a little to her and have her smile | 0:38:24 | 0:38:28 | |
and have my team win than to have my ego flourishing. | 0:38:28 | 0:38:34 | |
-I love these freaking brochures. -Yeah, me too. | 0:38:35 | 0:38:40 | |
They're my favourite thing, so far, that we've made. | 0:38:40 | 0:38:43 | |
I feel the win. | 0:38:43 | 0:38:45 | |
-It's freezing, right? -No, the win. | 0:38:45 | 0:38:48 | |
-Oh, yeah. -Victory. -Victory! | 0:38:48 | 0:38:51 | |
-Oh, -BLEEP! | 0:38:53 | 0:38:54 | |
All right, let's stick her on. How do you do it? | 0:38:59 | 0:39:01 | |
I think it'll go over there. | 0:39:01 | 0:39:03 | |
Oh, my God. | 0:39:03 | 0:39:05 | |
-Yay! -That looks really good. -Get ready for 100 Gs, bitch. | 0:39:05 | 0:39:09 | |
-I mean, come on! -How do we...? | 0:39:09 | 0:39:12 | |
-It's not even playing fair. -HE LAUGHS | 0:39:12 | 0:39:14 | |
-No, seriously. -He couldn't clean this up? Are you kidding me? | 0:39:14 | 0:39:18 | |
You noticed that. Nobody else did. | 0:39:18 | 0:39:19 | |
-Dude, you look so awesome. -You look incredible. | 0:39:19 | 0:39:22 | |
'I get very nervous to get way too cocky' | 0:39:22 | 0:39:24 | |
because, you know, I feel like that's tempting fate, | 0:39:24 | 0:39:27 | |
but looking at this display, | 0:39:27 | 0:39:28 | |
I really don't see how we could lose. | 0:39:28 | 0:39:31 | |
Not only do I think we're going to win, | 0:39:31 | 0:39:33 | |
I think they're going to move it straight upstairs. | 0:39:33 | 0:39:36 | |
It's going to get started. | 0:39:36 | 0:39:37 | |
Honestly, wouldn't you, if you saw this? | 0:39:37 | 0:39:39 | |
This is the one side of the building that we didn't have time to paint. | 0:39:39 | 0:39:43 | |
-Oh. -It doesn't look too...? | 0:39:43 | 0:39:46 | |
I mean, I guess you can... You have to stare at it, right? | 0:39:46 | 0:39:50 | |
I was noticing the holes on the display. | 0:39:50 | 0:39:52 | |
'I noticed the building that wasn't painted, | 0:39:52 | 0:39:54 | |
'and if I was noticing all these things, | 0:39:54 | 0:39:56 | |
'I now will think that work is not complete.' | 0:39:56 | 0:39:58 | |
And if you know that it's not complete, | 0:39:58 | 0:40:00 | |
the client is going to know it too. | 0:40:00 | 0:40:02 | |
Look, Aubrey, you want this one straight up like this? | 0:40:03 | 0:40:06 | |
-Mm-hm. -Higher? Lower? -Bigger. When it's bigger like that. | 0:40:06 | 0:40:09 | |
But can we make it more purply? | 0:40:09 | 0:40:11 | |
-Hello. -Good morning. -Hello, sir. -Good morning. | 0:40:13 | 0:40:16 | |
-How are you? -I am good. How are you doing, Aubrey? | 0:40:16 | 0:40:18 | |
-You think you've got the winner? -Yes. -Yeah? | 0:40:18 | 0:40:21 | |
-We know. -You know? You never know. | 0:40:21 | 0:40:23 | |
Believe me, I've been doing this a long time. You never know. | 0:40:23 | 0:40:25 | |
We learned that early on. | 0:40:27 | 0:40:29 | |
-I learned it earlier. -HE CHUCKLES | 0:40:29 | 0:40:32 | |
So, what we did is... | 0:40:32 | 0:40:33 | |
Well, first of all, our slogan is "always trust your instincts". | 0:40:33 | 0:40:37 | |
It's an actual quote of Donald's. | 0:40:37 | 0:40:39 | |
-And... -Rolls-Royce grills, I see. Yeah. | 0:40:39 | 0:40:42 | |
We gave it the Trump touch, | 0:40:44 | 0:40:46 | |
but it still feels like something that every man can put his hands on. | 0:40:46 | 0:40:49 | |
Mm-hm. | 0:40:49 | 0:40:51 | |
We actually decided to make our picture a silhouette. | 0:40:51 | 0:40:55 | |
-That's actually Eric. -Yeah, it doesn't look like Donald. | 0:40:55 | 0:40:58 | |
'Aubrey, I think, was pushing' | 0:41:01 | 0:41:03 | |
what kind of a great job they did, | 0:41:03 | 0:41:06 | |
'and I think that they think they're going to be successful. | 0:41:06 | 0:41:09 | |
'However, one of the things I thought just didn't work out well | 0:41:09 | 0:41:12 | |
'is with the silhouette.' | 0:41:12 | 0:41:14 | |
To a certain extent, I think that missed the boat. | 0:41:14 | 0:41:16 | |
-Great. Good luck. -Thank you. Thank you for coming and seeing us. | 0:41:16 | 0:41:20 | |
See you later on, that's for sure. | 0:41:20 | 0:41:22 | |
-Thank you. -Thank you. -OK. -Thank you. -Take care. | 0:41:22 | 0:41:24 | |
'George was like business's Grim Reaper for me this morning. | 0:41:24 | 0:41:28 | |
'I mean, everything he said scared me.' | 0:41:28 | 0:41:31 | |
You show George a building, he says, "Hey, that's a Rolls-Royce, right?" | 0:41:31 | 0:41:34 | |
You know, you show him a young Donald Trump silhouette, | 0:41:34 | 0:41:37 | |
"Ah, looks like Eric to me." | 0:41:37 | 0:41:39 | |
It's like, you know, I was just waiting for him to say, | 0:41:39 | 0:41:41 | |
"Is this San Francisco?" | 0:41:41 | 0:41:43 | |
-There wasn't -BLEEP -he could say. -Huh? | 0:41:43 | 0:41:46 | |
I don't know what that means, but there wasn't... | 0:41:46 | 0:41:48 | |
He didn't say anything bad. | 0:41:48 | 0:41:50 | |
Only thing that scared me was when he said, "Oh, Rolls-Royce grill." | 0:41:50 | 0:41:54 | |
Well, Donald drives a Rolls-Royce. | 0:41:55 | 0:41:57 | |
-That's why he said that. -Great. -Yeah. | 0:41:57 | 0:41:59 | |
'I don't want it to look like a Rolls-Royce grill' | 0:41:59 | 0:42:01 | |
cos it's not a Rolls-Royce grill. | 0:42:01 | 0:42:04 | |
'And here's the crazy thing - | 0:42:04 | 0:42:05 | |
'Aubrey's so narcissistic and self-centred, | 0:42:05 | 0:42:09 | |
'we were in trouble and she had no idea.' | 0:42:09 | 0:42:12 | |
-So, are you guys happy? -Very happy. | 0:42:12 | 0:42:14 | |
Should I say, "Hello, guys" or, "Hello, executives"? | 0:42:21 | 0:42:24 | |
-Executives. -Hello, executives. | 0:42:24 | 0:42:26 | |
-Welcome and thank you for being here. -Yes. | 0:42:26 | 0:42:28 | |
SHE SCREAMS | 0:42:28 | 0:42:30 | |
'I'm super nervous with this task because I'm responsible' | 0:42:30 | 0:42:33 | |
for the creative behind a lot of people's wins, | 0:42:33 | 0:42:37 | |
yet I haven't won myself, | 0:42:37 | 0:42:38 | |
'so I feel like I really deserve it. And I want' | 0:42:38 | 0:42:42 | |
to prove this to my charity. I want to be a winner for them. | 0:42:42 | 0:42:45 | |
-Hello, executives. -Good morning. -Good morning. | 0:42:48 | 0:42:51 | |
Welcome, and thank you for being here. | 0:42:51 | 0:42:54 | |
Today, we're going to ask you to come face to face with success, | 0:42:54 | 0:42:59 | |
and all you need to do is always trust your instincts. | 0:42:59 | 0:43:04 | |
Now, that is an actual statement that was made by Mr Trump himself, | 0:43:04 | 0:43:08 | |
and that is also the man who has created success in a bottle - | 0:43:08 | 0:43:12 | |
Success by Trump. | 0:43:12 | 0:43:13 | |
Our display today that you're looking at | 0:43:13 | 0:43:16 | |
has a man that's looking up at the success he's created. | 0:43:16 | 0:43:20 | |
Now, as a personal touch, that happens to be Eric, | 0:43:20 | 0:43:23 | |
which is Mr Trump's son, | 0:43:23 | 0:43:25 | |
but we didn't want to give him a face | 0:43:25 | 0:43:28 | |
because there is no face of your consumer. | 0:43:28 | 0:43:30 | |
We didn't want to tell people what success is, | 0:43:32 | 0:43:34 | |
because as you guys know, | 0:43:34 | 0:43:36 | |
every single man has their own version | 0:43:36 | 0:43:39 | |
of what success means to them. | 0:43:39 | 0:43:41 | |
Arsenio, why don't you tell us what success means to you? | 0:43:41 | 0:43:44 | |
Because you are a man, last time I checked. | 0:43:44 | 0:43:47 | |
-Yeah, yeah. -THEY LAUGH | 0:43:47 | 0:43:49 | |
'You've got to be careful' | 0:43:49 | 0:43:50 | |
when you do jokes to any executive. | 0:43:50 | 0:43:53 | |
'It sounded like she had done some kind of penis investigation | 0:43:53 | 0:43:58 | |
'the night before or something, but it didn't happen.' | 0:43:58 | 0:44:01 | |
Success? I mean, everything that I've earned in my life, | 0:44:01 | 0:44:04 | |
everything that I've done in my life, | 0:44:04 | 0:44:06 | |
I channel it into being a good dad. | 0:44:06 | 0:44:07 | |
-That's success to me. -Right. | 0:44:07 | 0:44:10 | |
As you notice, our display is self-contained | 0:44:10 | 0:44:13 | |
and fully-functioning. | 0:44:13 | 0:44:15 | |
We have pamphlets here. I'd like to give you one to take with you. | 0:44:15 | 0:44:18 | |
-BOTH: -Thank you. -And since I know you're making notes, | 0:44:18 | 0:44:20 | |
let me read it for you. | 0:44:20 | 0:44:22 | |
"Gentlemen, invite success by always trusting your instincts, | 0:44:22 | 0:44:26 | |
"and smell like success by wearing it." | 0:44:26 | 0:44:29 | |
Now, it has two sizes. | 0:44:29 | 0:44:31 | |
The small size is 45. | 0:44:31 | 0:44:33 | |
The larger one is 55. | 0:44:33 | 0:44:36 | |
-That's it? -That's it, baby. | 0:44:36 | 0:44:38 | |
-Oh, my God. That's so affordable. -Mm-hm. | 0:44:38 | 0:44:41 | |
I'm going to get my husband a whole case. | 0:44:41 | 0:44:43 | |
What I love about this display | 0:44:43 | 0:44:45 | |
is that it has these success smell sticks. | 0:44:45 | 0:44:48 | |
-Mmm! That smells good. -Oh, can I have one? -Yes. Thank you. | 0:44:48 | 0:44:51 | |
That smells good. And we have already sprayed... | 0:44:51 | 0:44:53 | |
-Thank you. -We've sprayed Success on it. -Thank you. | 0:44:53 | 0:44:56 | |
I put mine in my hand and it turned into money. | 0:44:56 | 0:44:59 | |
-Would you like one? -Yes, I would. It's a great keepsake. | 0:44:59 | 0:45:02 | |
So, here we have Success by Trump. Thank you. | 0:45:02 | 0:45:05 | |
-Thank you very much. -Enjoy your smell strips. | 0:45:05 | 0:45:08 | |
-Thanks for helping us get through this. -Bye. | 0:45:08 | 0:45:10 | |
-THEY LAUGH -Ah! | 0:45:12 | 0:45:15 | |
-Did we really make it through this last hour? -Oh, I'm so... Oh, God. | 0:45:15 | 0:45:20 | |
On the count of three, Unanimous. | 0:45:20 | 0:45:22 | |
-ALL: -Unanimous! -THEY CHEER | 0:45:22 | 0:45:25 | |
-Hello. How are you? -Good morning. | 0:45:33 | 0:45:35 | |
-Hello. How are you? -Nice to see you. | 0:45:35 | 0:45:38 | |
-Welcome. -Thank you. | 0:45:38 | 0:45:40 | |
We had a great time doing this. We really did have a lot of fun. | 0:45:40 | 0:45:43 | |
And we think we did a great job with this. | 0:45:43 | 0:45:45 | |
We have sort of emulated the city where Mr Trump | 0:45:45 | 0:45:48 | |
really made most of his career | 0:45:48 | 0:45:50 | |
with the cityscape over here on both sides. | 0:45:50 | 0:45:53 | |
And Mr Trump has had so much success in his career, | 0:45:53 | 0:45:56 | |
and so we tried to capitalise on that a little bit | 0:45:56 | 0:46:00 | |
with our slogan "you earned it". | 0:46:00 | 0:46:03 | |
You know, the smell of success is sweet now, | 0:46:03 | 0:46:06 | |
and the idea here is that success is attainable. | 0:46:06 | 0:46:09 | |
You can reach out and grab it. You earned it. | 0:46:09 | 0:46:11 | |
If you have any questions, we'd love to answer them. | 0:46:14 | 0:46:16 | |
We have a lot of ownership in this. | 0:46:16 | 0:46:18 | |
No. Keep going. | 0:46:20 | 0:46:21 | |
'I didn't know that I was supposed to do a song and dance, | 0:46:26 | 0:46:29 | |
'so it was a little bit of a surprise when they said,' | 0:46:29 | 0:46:31 | |
"Keep going." | 0:46:31 | 0:46:32 | |
OK. | 0:46:36 | 0:46:37 | |
I really didn't have anything else to say, | 0:46:37 | 0:46:39 | |
but I wasn't going to tell them that. | 0:46:39 | 0:46:42 | |
Um, you know, the... We have... | 0:46:42 | 0:46:44 | |
Just to give you an idea of what the display itself is again, | 0:46:44 | 0:46:47 | |
the cityscape's over here. | 0:46:47 | 0:46:49 | |
The bottles, we've used sort of as a window idea. | 0:46:49 | 0:46:52 | |
But we wanted to really put the focus on the brand | 0:46:52 | 0:46:55 | |
as many places as possible. | 0:46:55 | 0:46:56 | |
"Success by Trump" at the top, | 0:46:56 | 0:46:58 | |
and on the bottom here along with our slogan. | 0:46:58 | 0:47:01 | |
Anybody else have anything to add? That's pretty much... | 0:47:03 | 0:47:06 | |
-Terrific. Well, thank you very much. -Thank you very much. | 0:47:07 | 0:47:10 | |
-Thanks a lot. -Thank you. -Bye. -Thank you. | 0:47:11 | 0:47:14 | |
"Keep going." I'm like, "Oh, my God." | 0:47:20 | 0:47:23 | |
'I don't know what to think. | 0:47:23 | 0:47:24 | |
'I'm like, "Did we fall short on this presentation?"' | 0:47:24 | 0:47:27 | |
In my heart, I feel like we won this task | 0:47:27 | 0:47:29 | |
only because I cannot see Mr Trump going, | 0:47:29 | 0:47:32 | |
"Oh, it's a picture of Dayana with a guy with a tie. You lose." | 0:47:32 | 0:47:37 | |
But I was feeling like this was going to be a shoo-in. | 0:47:37 | 0:47:40 | |
It's now in jeopardy. | 0:47:40 | 0:47:41 | |
-So, do you want to start by talking about Team Unanimous? -Sure. | 0:47:47 | 0:47:51 | |
First of all, I thought Aubrey did a fabulous job, | 0:47:51 | 0:47:53 | |
and the slogan they came up with, | 0:47:53 | 0:47:56 | |
"Always trust your instincts", I thought was right-on. | 0:47:56 | 0:47:59 | |
I thought they did a great job having the scent strip right there | 0:47:59 | 0:48:03 | |
so that the customer would be able to really test the fragrance, | 0:48:03 | 0:48:06 | |
but I think that they were lacking some creativity | 0:48:06 | 0:48:11 | |
in the actual display itself. | 0:48:11 | 0:48:14 | |
The silhouette of Eric Trump, I didn't really understand | 0:48:14 | 0:48:19 | |
that connection quite so much. | 0:48:19 | 0:48:21 | |
Oh, agree. | 0:48:21 | 0:48:23 | |
In terms of Forte, first of all, while walking into the room, | 0:48:23 | 0:48:26 | |
I was really struck by the beautiful picture of Dayana. | 0:48:26 | 0:48:31 | |
Really exquisite and well representative of the brand. | 0:48:31 | 0:48:36 | |
I agree with you, but regarding the slogan "you earned it", | 0:48:36 | 0:48:40 | |
I felt that it was a little bit pompous, | 0:48:40 | 0:48:43 | |
and I also felt there was a disconnect | 0:48:43 | 0:48:45 | |
with where that slogan was on the in-store display. | 0:48:45 | 0:48:48 | |
I actually had to scan the whole display | 0:48:48 | 0:48:50 | |
looking for the slogan. | 0:48:50 | 0:48:51 | |
Interestingly enough, | 0:48:51 | 0:48:53 | |
if you could take elements of Team Unanimous's display | 0:48:53 | 0:48:56 | |
and elements of Team Forte's display, | 0:48:56 | 0:49:00 | |
we could have one incredible campaign. | 0:49:00 | 0:49:02 | |
This is going to be tough. Lots of pros and cons on both sides. | 0:49:02 | 0:49:06 | |
It is going to be a tough decision, so let's go talk to Mr Trump. | 0:49:06 | 0:49:10 | |
So, what do you think, Clay? | 0:49:33 | 0:49:35 | |
I am very happy to be sitting on this side of the table tonight. | 0:49:35 | 0:49:38 | |
-Why? -Because this team really pulled together, | 0:49:38 | 0:49:41 | |
-everyone worked together and... -Who was your star? | 0:49:41 | 0:49:44 | |
That's a tough one. Um... | 0:49:45 | 0:49:47 | |
-How did Lisa do? -Incredibly. | 0:49:47 | 0:49:49 | |
-Really? How about Penn? -Incredibly. | 0:49:49 | 0:49:51 | |
-And Dayana? -Incredibly. -Wow. | 0:49:51 | 0:49:55 | |
So, if you lost, it's going to be pretty tough, huh? | 0:49:55 | 0:49:58 | |
-It will be, yeah. -We'll see what happens. | 0:49:58 | 0:50:00 | |
-Lisa, what did you think of Clay? -I'll be honest with you. | 0:50:00 | 0:50:04 | |
Top two project managers I've ever worked with. | 0:50:04 | 0:50:07 | |
And who was that one? | 0:50:07 | 0:50:09 | |
-No, he and Aubrey are the top two I ever worked with. -Oh, I see. OK. | 0:50:09 | 0:50:12 | |
-He killed it. -OK. | 0:50:12 | 0:50:14 | |
-She likes you a lot, Aubrey. You know that. -I love her. | 0:50:14 | 0:50:17 | |
-She's real capable. -Mm-hm. -Incredibly. | 0:50:17 | 0:50:20 | |
I'm not surprised to hear that. I'm not surprised. | 0:50:20 | 0:50:23 | |
So, Lisa, what did you think of Dayana this week? | 0:50:24 | 0:50:27 | |
-I have to say, I think she killed it this time. -Oh, really? -Killed it. | 0:50:27 | 0:50:31 | |
-Listen to you. -Yeah. -So, you think you did pretty well? | 0:50:31 | 0:50:34 | |
I really... I mean... | 0:50:34 | 0:50:35 | |
-Fact is, you both did well. -Yeah. -Both teams did well. | 0:50:35 | 0:50:37 | |
And I have to tell you, | 0:50:37 | 0:50:39 | |
you both had elements that were phenomenal...and better. | 0:50:39 | 0:50:44 | |
In other words, you had one that was better, | 0:50:44 | 0:50:46 | |
they had one that was better, so it's a very, very tough one, OK? | 0:50:46 | 0:50:51 | |
I wish it were easier. | 0:50:51 | 0:50:53 | |
Oh, I like those easy ones, you know? | 0:50:53 | 0:50:55 | |
All right. | 0:50:57 | 0:50:58 | |
Aubrey, what did you think of your team? | 0:50:58 | 0:51:00 | |
My team was incredibly supportive | 0:51:00 | 0:51:02 | |
and just...we're like family over here. | 0:51:02 | 0:51:04 | |
But were you the one that did the work or did they help? | 0:51:04 | 0:51:08 | |
-We all did the work. -Arsenio, what did you think of your team? | 0:51:08 | 0:51:12 | |
My team was great. I actually saw Teresa run in pumps. | 0:51:12 | 0:51:16 | |
-Oh, really? -That's how we hustle. | 0:51:16 | 0:51:18 | |
-And Teresa's a hustler, isn't she? -Yes. -She works hard, doesn't she? | 0:51:18 | 0:51:22 | |
-Yes, she does. -I think she's being a bit underrated. | 0:51:22 | 0:51:25 | |
I actually think she's very smart, very tough, | 0:51:25 | 0:51:27 | |
and I notice, with Teresa, she's competitive. | 0:51:27 | 0:51:29 | |
She gets tough and angry when somebody attacks her. | 0:51:29 | 0:51:32 | |
She's very nice. | 0:51:32 | 0:51:34 | |
And you have that on your own show, I understand. | 0:51:34 | 0:51:36 | |
When somebody attacks. You know who told me that? | 0:51:36 | 0:51:38 | |
-Who? -My wife. | 0:51:38 | 0:51:39 | |
She said, "Teresa's great, but when she gets attacked..." | 0:51:39 | 0:51:42 | |
There's somebody on your show that attacked you, | 0:51:42 | 0:51:44 | |
-and that was the end of that person, right? -Yes. | 0:51:44 | 0:51:47 | |
-So, she gets, like, competitive and crazy. -I'm glad you know now. | 0:51:47 | 0:51:50 | |
-No, no. I know all about you. -Thanks, Melania. | 0:51:50 | 0:51:53 | |
A lot of people know about you. | 0:51:53 | 0:51:55 | |
All right. | 0:51:56 | 0:51:57 | |
-I'd like to show the teams each other's work. -Please. | 0:51:57 | 0:52:00 | |
So, let's switch it up, George. Eric, go ahead. | 0:52:00 | 0:52:03 | |
Thank you. | 0:52:05 | 0:52:06 | |
Wait, let me do that. | 0:52:06 | 0:52:08 | |
-I'm younger than George. -That's for sure. | 0:52:08 | 0:52:11 | |
What about the other pieces? Isn't there another piece? | 0:52:18 | 0:52:21 | |
Well, you have this. You have the display card. | 0:52:21 | 0:52:23 | |
-George, give that with it. -Here. | 0:52:23 | 0:52:26 | |
-Look at George. -There you go. -This guy doesn't stop. | 0:52:26 | 0:52:29 | |
-Doesn't stop. -Oh, wow. Love it. | 0:52:29 | 0:52:32 | |
What do you think of that, Lisa? | 0:52:32 | 0:52:34 | |
-Beautiful. -Oh, you do like it? Look at you. -I love this. | 0:52:34 | 0:52:38 | |
-Wow. -Envious. | 0:52:38 | 0:52:40 | |
I love this. | 0:52:40 | 0:52:42 | |
-Right. -Valiant job, definitely. -OK. Good. | 0:52:42 | 0:52:46 | |
-What about their display? -It's good. It's really nicely done. -OK. | 0:52:46 | 0:52:50 | |
What do you think of that, Arsenio? | 0:52:50 | 0:52:52 | |
I think Clay did a great job, and Dayana's beautiful. | 0:52:53 | 0:52:58 | |
-Dayana is beautiful. -She is. -I think that's true. | 0:52:58 | 0:53:01 | |
Mr Trump, we had a model in ours. | 0:53:03 | 0:53:05 | |
He's silhouetted in that, but actually, | 0:53:05 | 0:53:07 | |
Eric was our young Trump, so we actually... | 0:53:07 | 0:53:09 | |
-Ah, that's very good. -We actually used a very sexy model ourselves. | 0:53:09 | 0:53:13 | |
He's a great model. He'd be a great model. | 0:53:13 | 0:53:14 | |
I appreciate that. I like that. Nice compliment. | 0:53:14 | 0:53:17 | |
So, Aubrey, let me ask you a very important question. | 0:53:17 | 0:53:20 | |
-Yes. -It may be the most important question of the night. | 0:53:20 | 0:53:24 | |
Do you think that Eric Trump has a better hairline than Donald Trump? | 0:53:24 | 0:53:28 | |
Well, I do have to say, we altered his hairline in the front | 0:53:28 | 0:53:31 | |
cos we prefer yours. | 0:53:31 | 0:53:32 | |
-Oh, you do? You like mine better? -Brownie points. | 0:53:32 | 0:53:35 | |
I'm not going to enter into this discussion at all. | 0:53:35 | 0:53:37 | |
OK. Eric, you were going to say something. Go ahead. | 0:53:41 | 0:53:44 | |
Aubrey, speak a bit about your team, | 0:53:44 | 0:53:46 | |
because it didn't seem, when I spoke to you, that you were happy. | 0:53:46 | 0:53:49 | |
I know you felt like you were a one-man ship. | 0:53:49 | 0:53:51 | |
You were, you know... | 0:53:51 | 0:53:52 | |
When you had come in, it was right in the beginning | 0:53:52 | 0:53:54 | |
when we had established what we were doing | 0:53:54 | 0:53:58 | |
and I felt like a lot of the brunt of... | 0:53:58 | 0:54:00 | |
Basically all of the product was on my shoulders. | 0:54:02 | 0:54:04 | |
My team did not NOT help at all. That's not what I'm saying. | 0:54:04 | 0:54:08 | |
But everything that I came up with for this display, I owned it. | 0:54:08 | 0:54:13 | |
What do you think about that, Arsenio? | 0:54:13 | 0:54:15 | |
I'm not exactly sure what it means. | 0:54:16 | 0:54:19 | |
-Yeah. It could be insulting. -Yeah. -I don't mean it insulting. | 0:54:19 | 0:54:22 | |
-It's just what I experienced. -You're really saying you did it all. | 0:54:22 | 0:54:25 | |
You're sort of saying it was your baby. | 0:54:25 | 0:54:28 | |
It was my baby. They can agree with that. | 0:54:28 | 0:54:30 | |
-They said it to me themselves. -Do you agree with that, Teresa? | 0:54:30 | 0:54:32 | |
Um, yeah. I mean, Aubrey's pretty... | 0:54:32 | 0:54:35 | |
When she comes up with an idea, it's hard to change her mind. | 0:54:35 | 0:54:38 | |
-It's, like... -That's what a good project leader is. -Yeah, so... | 0:54:38 | 0:54:42 | |
-What do you think? -She owned it. -You don't like it. | 0:54:42 | 0:54:45 | |
-Well... -You don't like being criticised. | 0:54:45 | 0:54:48 | |
-Not... -And I agree with you. -I don't like being minimised. | 0:54:48 | 0:54:51 | |
That's very smart, Arsenio. You know, you're a smart guy. | 0:54:51 | 0:54:54 | |
Go ahead. Explain. | 0:54:54 | 0:54:57 | |
I'm sure everyone wants to feel appreciated | 0:54:57 | 0:55:02 | |
for what they contribute in their performance, | 0:55:02 | 0:55:04 | |
and I thought I did something that was really important | 0:55:04 | 0:55:08 | |
and that's found a quote from you where, | 0:55:08 | 0:55:12 | |
in your own words, it was saying that... | 0:55:12 | 0:55:16 | |
Something that we used. | 0:55:17 | 0:55:19 | |
-Which is? -Well... | 0:55:19 | 0:55:22 | |
You talked about trusting your gut and not dealing with... | 0:55:23 | 0:55:26 | |
Go with your instincts. | 0:55:26 | 0:55:28 | |
Yeah, go with your instincts, even if something's on paper... | 0:55:28 | 0:55:31 | |
I want to just clarify this. We're just going to disagree. | 0:55:31 | 0:55:33 | |
I don't want to get into an ugly boardroom again, | 0:55:33 | 0:55:35 | |
but as far as the "trust your instincts", | 0:55:35 | 0:55:38 | |
I came up with that before even knowing that you said it. | 0:55:38 | 0:55:40 | |
I said it to the entire group. | 0:55:40 | 0:55:42 | |
Then Arsenio also found a video where you were saying it, | 0:55:42 | 0:55:44 | |
but I had thought of that prior to knowing that you felt that. | 0:55:44 | 0:55:47 | |
Then knowing that your words said it kind of set the green light | 0:55:47 | 0:55:51 | |
for the tone of our entire concept. | 0:55:51 | 0:55:54 | |
-So, did you come up with it? -Yes. -You? -Yes. -Not Arsenio? | 0:55:54 | 0:55:58 | |
No. | 0:55:59 | 0:56:01 | |
I'm not saying I came up with it. I found it on the internet. | 0:56:02 | 0:56:05 | |
So, you came up with the concept and then she changed it around a little? | 0:56:05 | 0:56:08 | |
I just showed it to her | 0:56:08 | 0:56:09 | |
cos there was another one I liked too about your gut. | 0:56:09 | 0:56:12 | |
But the word instinct sort of is nice. | 0:56:12 | 0:56:14 | |
One of the first things I wrote down | 0:56:14 | 0:56:15 | |
before we opened a computer was "trust your instincts". | 0:56:15 | 0:56:18 | |
It was on my pad of paper with my 15 other ideas | 0:56:18 | 0:56:20 | |
and it was before I ever opened a computer. | 0:56:20 | 0:56:22 | |
So, you found that out about me on the internet? | 0:56:22 | 0:56:24 | |
I thought about you as a successful businessman | 0:56:24 | 0:56:27 | |
and how you've achieved that | 0:56:27 | 0:56:28 | |
because that's the brand you're selling to everyone. | 0:56:28 | 0:56:30 | |
There are a lot of rock stars, entertainers that have colognes, | 0:56:30 | 0:56:34 | |
and they all have a picture of a hot girl ogling over a guy in a suit. | 0:56:34 | 0:56:37 | |
It's smart they did it that way, | 0:56:37 | 0:56:39 | |
but it's not forward-thinking, innovative thought, | 0:56:39 | 0:56:41 | |
and that is what you are as a man. | 0:56:41 | 0:56:43 | |
Thank you. That's very nice. It's very good for my ego. | 0:56:43 | 0:56:46 | |
-Penn, I like this. -Yeah. | 0:56:46 | 0:56:47 | |
OK. | 0:56:49 | 0:56:50 | |
So, I want to find out who do you think should be fired | 0:56:51 | 0:56:54 | |
from your team if you lose, OK? | 0:56:54 | 0:56:56 | |
I want to find out who you think | 0:56:56 | 0:56:58 | |
should be fired from your team if you lose. | 0:56:58 | 0:57:00 | |
But first, Eric, what did the executives think? | 0:57:00 | 0:57:04 | |
Give them the good and the bad. | 0:57:04 | 0:57:07 | |
Clay, they thought your photo was really beautifully done. | 0:57:07 | 0:57:10 | |
It was elegant. | 0:57:10 | 0:57:11 | |
It incorporated a lot of different Trump products, mainly the tie. | 0:57:11 | 0:57:14 | |
They thought the use of Dayana was really great. | 0:57:14 | 0:57:17 | |
They thought the photo was good and representative of Trump. | 0:57:17 | 0:57:20 | |
They also thought the display was really well-constructed. | 0:57:20 | 0:57:22 | |
They liked the perfume bottles as windows. | 0:57:22 | 0:57:24 | |
They thought that was really well done. | 0:57:24 | 0:57:27 | |
The negatives. They hated the slogan "you earned it". | 0:57:27 | 0:57:31 | |
They thought it was too pompous for their buyer base. | 0:57:31 | 0:57:33 | |
They thought it was too pompous for us, as Trump. | 0:57:33 | 0:57:37 | |
They just didn't think that was very representative | 0:57:37 | 0:57:39 | |
of who we are, who he is. | 0:57:39 | 0:57:41 | |
They also thought the photo was really overpowering. It's too big. | 0:57:41 | 0:57:44 | |
At the end of the day, they have to sell merchandise, | 0:57:44 | 0:57:47 | |
and the photo took up the majority of the display. | 0:57:47 | 0:57:50 | |
Lastly, they thought the fragrance and the slogan | 0:57:50 | 0:57:53 | |
were just a little disjointed. They were too far apart. | 0:57:53 | 0:57:55 | |
They thought the slogan was really too small. | 0:57:55 | 0:57:58 | |
-They just didn't think it worked well together. -OK. | 0:57:58 | 0:58:02 | |
What did they like best, Eric? | 0:58:02 | 0:58:05 | |
They probably liked the picture the best. | 0:58:05 | 0:58:07 | |
So, Dayana gets credit for that. | 0:58:07 | 0:58:09 | |
-Dayana. -And Penn, who took the photo. | 0:58:09 | 0:58:10 | |
They loved the picture of Dayana. | 0:58:10 | 0:58:12 | |
So, Clay, Eric gave you the pros and the cons. What do you think? | 0:58:14 | 0:58:18 | |
I think that the con about the picture being too large | 0:58:18 | 0:58:21 | |
does not necessarily compute with me because we really thought that | 0:58:21 | 0:58:25 | |
if they're saying that the picture is the best part, | 0:58:25 | 0:58:28 | |
making it an essential part of the display, | 0:58:28 | 0:58:30 | |
I think, was important, | 0:58:30 | 0:58:31 | |
and making it the most visible, making it be as standout. | 0:58:31 | 0:58:35 | |
When you have someone as beautiful as Dayana, | 0:58:35 | 0:58:37 | |
we all agreed immediately that we would be silly not to use her | 0:58:37 | 0:58:40 | |
in the display as much as possible. | 0:58:40 | 0:58:42 | |
Did you ever consider using Lisa? SHE LAUGHS | 0:58:42 | 0:58:45 | |
I wanted to see Lisa. | 0:58:45 | 0:58:47 | |
-Dayana had... -I have an audience of one. | 0:58:47 | 0:58:49 | |
Dayana had an idea about having some ladies undressed completely | 0:58:49 | 0:58:53 | |
wearing a tie, and I thought Lisa would be perfect for that. | 0:58:53 | 0:58:55 | |
-I would. -No, and you know what? | 0:58:55 | 0:58:59 | |
-We didn't consider using Penn or myself as the man either. -Yes. | 0:58:59 | 0:59:02 | |
Dayana's the most beautiful person on this team, | 0:59:02 | 0:59:04 | |
heads and shoulders above the rest of us. | 0:59:04 | 0:59:06 | |
Aubrey said that using women | 0:59:06 | 0:59:09 | |
in pictures on the fragrance is boring. | 0:59:09 | 0:59:12 | |
-Sorry, Clay. -Do you agree? -Just an opinion. | 0:59:12 | 0:59:14 | |
-I'm not upset. No, I don't agree. -Aubrey, there's plenty using... | 0:59:14 | 0:59:18 | |
-Wherever you see fragrance... -Which is why you shouldn't. | 0:59:18 | 0:59:20 | |
-Yeah, maybe that's true. -Well, firstly, | 0:59:20 | 0:59:22 | |
I don't think any picture with Dayana in it is boring, and I'm gay, | 0:59:22 | 0:59:25 | |
so if I'm excited by it, then I think that's saying something. | 0:59:25 | 0:59:28 | |
Dayana, do you find that beautiful women are a sign of success for men? | 0:59:28 | 0:59:32 | |
Um, definitely a successful man, whichever part of the world he is, | 0:59:33 | 0:59:38 | |
is going to have a good, loving, smart, beautiful woman next to him. | 0:59:38 | 0:59:41 | |
-Yeah, and frankly, loving is more important than beautiful. -Right. | 0:59:41 | 0:59:44 | |
Well, that's why our photo, it's just more of... | 0:59:44 | 0:59:47 | |
It has that feeling. | 0:59:47 | 0:59:48 | |
-It's not a... -It's more subdued. | 0:59:48 | 0:59:50 | |
-It has nothing morbid about it. It has a loving feeling. -OK. | 0:59:50 | 0:59:54 | |
-Penn, the expression "you earned it"... -Mm-hm. | 0:59:56 | 0:59:58 | |
..they didn't like it. | 0:59:58 | 0:59:59 | |
-Who came up with it? -I believe that was me. | 0:59:59 | 1:00:01 | |
Ooh. Could be trouble if you lose. | 1:00:01 | 1:00:04 | |
Whoa. That was you? | 1:00:04 | 1:00:06 | |
Yep. And I thought I had everybody sign off on it. | 1:00:06 | 1:00:09 | |
They didn't like it. I'm not saying I liked it or not. | 1:00:09 | 1:00:11 | |
Don't forget, it's not me. It's them, OK? | 1:00:11 | 1:00:14 | |
And Martine didn't like it and Cathy didn't like it, | 1:00:14 | 1:00:18 | |
and they made the decision, so why did you come up with it? | 1:00:18 | 1:00:21 | |
-How did you come up with it? -We came up with a lot of things, | 1:00:21 | 1:00:24 | |
and that was one of them | 1:00:24 | 1:00:26 | |
and it was one that I think we all agreed was the best. | 1:00:26 | 1:00:28 | |
I think an important part of success is feeling that you earned it. | 1:00:28 | 1:00:33 | |
-Do you see how that comes off as pompous, though? -Yes. | 1:00:33 | 1:00:35 | |
Once you said it that way, | 1:00:35 | 1:00:37 | |
-although I don't feel it that way at all. -OK. | 1:00:37 | 1:00:41 | |
-George... -Yes. -..Martine from Macy's and Cathy, | 1:00:41 | 1:00:44 | |
what did they think of Aubrey's team? | 1:00:44 | 1:00:46 | |
As far as the positives were concerned by the executives, | 1:00:46 | 1:00:50 | |
they loved the slogan, | 1:00:50 | 1:00:52 | |
and they also said that it was consistent | 1:00:52 | 1:00:56 | |
with the essence of the brand. | 1:00:56 | 1:00:57 | |
Basically, to trust your instincts that if you like working, | 1:00:57 | 1:01:01 | |
or being successful like Trump, you would use the cologne. | 1:01:01 | 1:01:05 | |
They thought the brand messaging was just great. | 1:01:06 | 1:01:08 | |
The tester strips with the logo | 1:01:08 | 1:01:10 | |
and the take away showed attention to detail, told a story. | 1:01:10 | 1:01:13 | |
And the fact that it had the price, | 1:01:13 | 1:01:15 | |
they thought that that was very creative | 1:01:15 | 1:01:17 | |
and certainly something which would be appropriate for marketing. | 1:01:17 | 1:01:21 | |
On the negatives, they thought the display was just OK | 1:01:21 | 1:01:24 | |
and that it lacked creativity. | 1:01:24 | 1:01:25 | |
It didn't exactly jump out at you. | 1:01:25 | 1:01:28 | |
It didn't capture the image of what the fragrance was about, | 1:01:28 | 1:01:30 | |
and they thought the silhouette was unappealing. | 1:01:30 | 1:01:34 | |
I thought so too. | 1:01:34 | 1:01:35 | |
I didn't know who it was until you told me it was Eric, | 1:01:35 | 1:01:37 | |
but I couldn't associate it with Trump. | 1:01:37 | 1:01:39 | |
And they didn't understand basically how the silhouette was connected | 1:01:39 | 1:01:43 | |
to the whole concept of New York City | 1:01:43 | 1:01:45 | |
or the theme or the buildings, | 1:01:45 | 1:01:46 | |
so you can see this was a tough one for them too. | 1:01:46 | 1:01:48 | |
There were a lot of pluses and minuses on both sides. | 1:01:48 | 1:01:51 | |
Teresa, the executives did not like the silhouette. | 1:01:53 | 1:01:56 | |
Who came up with that idea? | 1:01:56 | 1:01:58 | |
-Aubrey. -Oh, Aubrey, trouble. -But she... | 1:01:58 | 1:02:01 | |
-Trouble, Aubrey. Trouble. -The silhouette is... | 1:02:01 | 1:02:03 | |
I also came up with the branding they loved, | 1:02:03 | 1:02:05 | |
-the slogan they loved... -So, go ahead. | 1:02:05 | 1:02:07 | |
-..the tester strips they loved. -The silhouette is you. | 1:02:07 | 1:02:10 | |
Well, be honest. Do you think someone looking at the silhouette | 1:02:10 | 1:02:13 | |
would immediately associate it with Donald Trump? | 1:02:13 | 1:02:16 | |
We were trying to say that it could be anyone, not... | 1:02:16 | 1:02:19 | |
Well, if it's going to be anyone, why tie it into a Trump brand? | 1:02:19 | 1:02:22 | |
Because success, to any man... | 1:02:22 | 1:02:26 | |
I mean, we were telling the executives that we used Eric, | 1:02:26 | 1:02:29 | |
-but Aubrey... -So... | 1:02:29 | 1:02:31 | |
..here's the story. | 1:02:33 | 1:02:34 | |
We've got a dilemma | 1:02:34 | 1:02:36 | |
because I said that I was going to make it an even 100,000 | 1:02:36 | 1:02:40 | |
to the winning team's project manager, right? | 1:02:40 | 1:02:44 | |
The problem is you were better in some ways, | 1:02:44 | 1:02:47 | |
you were better in some ways. | 1:02:47 | 1:02:49 | |
I wish - I wish - we had a real winner. | 1:02:49 | 1:02:54 | |
We have somebody that's going to win, | 1:02:54 | 1:02:56 | |
but, Clay, honestly, your team was better in some respects, | 1:02:56 | 1:03:00 | |
and, Aubrey, your team was better in some respects. | 1:03:00 | 1:03:03 | |
OK? | 1:03:03 | 1:03:04 | |
At the same time, it's charity, | 1:03:04 | 1:03:07 | |
and I said that I'd only give it if I loved it. | 1:03:07 | 1:03:09 | |
-Is that a correct statement? -Yes. -And I don't love anything. | 1:03:09 | 1:03:12 | |
So, what I'm going to do, because I don't love it, | 1:03:14 | 1:03:17 | |
is a little bit different. | 1:03:17 | 1:03:19 | |
I am going to give not 20, | 1:03:19 | 1:03:22 | |
but 40,000 to the winning team's project manager, | 1:03:22 | 1:03:27 | |
and then I'm going to give 10,000 each to each one of you, | 1:03:27 | 1:03:31 | |
everybody sitting at this table, for your charity. | 1:03:31 | 1:03:33 | |
-Thank you so much. -Oh, my God. -Thank you. | 1:03:33 | 1:03:35 | |
-Because you really all did a good job. -Thank you. | 1:03:35 | 1:03:38 | |
With that being said, would you like to know who won? | 1:03:38 | 1:03:41 | |
-Yes. -Yes, sir. -Huh? | 1:03:41 | 1:03:43 | |
-Would you like to know, Clay? -Yes, sir. | 1:03:43 | 1:03:45 | |
Well, you're going to be very unhappy, Clay, | 1:03:45 | 1:03:48 | |
because, Aubrey, you won. | 1:03:48 | 1:03:49 | |
-SHE SCREAMS -OK? | 1:03:49 | 1:03:51 | |
Finally, I won! | 1:03:53 | 1:03:54 | |
Well, congratulations. What's your charity? | 1:03:54 | 1:03:56 | |
My charity is GLSEN, | 1:03:56 | 1:03:58 | |
which stands for the Gay, Lesbian, Straight Education Network. | 1:03:58 | 1:04:01 | |
My specific platform is for all the kids out there | 1:04:01 | 1:04:03 | |
-that are getting bullied in schools. -OK, that's great. | 1:04:03 | 1:04:06 | |
And everyone else is getting 10,000, | 1:04:06 | 1:04:08 | |
-so nobody goes home a loser. -I finally beat you. -That's fine. | 1:04:08 | 1:04:10 | |
-OK? -It's for charity. | 1:04:10 | 1:04:12 | |
All right, why don't you go out? Congratulations, Arsenio. | 1:04:12 | 1:04:15 | |
-Very good, Teresa. -Thank you for the extra. -Good job. | 1:04:15 | 1:04:18 | |
-Thank you for the 10,000. -Magic appreciates it. -Absolutely. | 1:04:18 | 1:04:21 | |
Great job. | 1:04:21 | 1:04:22 | |
I got money for my charity! | 1:04:24 | 1:04:27 | |
That was so nice. | 1:04:27 | 1:04:29 | |
Clay, you and your team stay here. Somebody will be fired. | 1:04:29 | 1:04:33 | |
I'm going to cry. | 1:04:39 | 1:04:40 | |
Boy, he threw money at us. | 1:04:40 | 1:04:43 | |
He is amazing. Oh, my God. | 1:04:43 | 1:04:45 | |
-I am so... -I love Celebrity Apprentice. | 1:04:45 | 1:04:47 | |
-Yes. -I love the Trumps. | 1:04:47 | 1:04:49 | |
-Let's toast to Mr Trump and his generosity. -Oh, my God! | 1:04:49 | 1:04:53 | |
'I'm really excited about this win, but my goal was to be' | 1:04:53 | 1:04:57 | |
the standout winner, | 1:04:57 | 1:04:58 | |
the winner that Donald Trump had to give that 100K to. | 1:04:58 | 1:05:01 | |
'Had I had the brains | 1:05:01 | 1:05:02 | |
'of the other team instead of the ones' | 1:05:02 | 1:05:04 | |
on my team, maybe it would've been better. | 1:05:04 | 1:05:06 | |
Let's turn on the TV and watch. | 1:05:06 | 1:05:08 | |
-So, Clay, you're surprised you lost, aren't you? -I am surprised we lost. | 1:05:11 | 1:05:14 | |
I mean, I have to say, we really believe that this, | 1:05:14 | 1:05:17 | |
and still believe, that this is a display | 1:05:17 | 1:05:19 | |
that could go downstairs in Macy's today. | 1:05:19 | 1:05:22 | |
OK. So, why did you lose? | 1:05:22 | 1:05:24 | |
-I'm in a difficult position here because... -I will say this. | 1:05:24 | 1:05:27 | |
-They hated Penn's slogan. -I understand that. | 1:05:27 | 1:05:30 | |
They were very specific about that. | 1:05:30 | 1:05:31 | |
You could say Penn came up with the slogan, | 1:05:31 | 1:05:33 | |
-but you were the project manager. You had to approve it. -True. | 1:05:33 | 1:05:36 | |
-And, you know, it was very much... -Did you approve it? Yes. | 1:05:36 | 1:05:40 | |
I did. We all did. | 1:05:40 | 1:05:41 | |
And I tried my best, this particular task, | 1:05:41 | 1:05:44 | |
to lead by consensus as much as possible. | 1:05:44 | 1:05:46 | |
You know, this is only my second task with Forte, | 1:05:46 | 1:05:48 | |
and having come from a team that has done a lot of winning | 1:05:48 | 1:05:52 | |
-in the past, I realised... -You're surprised to have lost. | 1:05:52 | 1:05:54 | |
This is my first task in seven that I've lost. | 1:05:54 | 1:05:58 | |
And you thought... | 1:05:58 | 1:05:59 | |
Yeah, but this is important because you're the project manager. | 1:05:59 | 1:06:02 | |
-History has proven that the project manager is at a big... -I understand. | 1:06:02 | 1:06:05 | |
-..disadvantage. -I do believe that, you know, | 1:06:05 | 1:06:08 | |
what one of the biggest strengths on the other team was | 1:06:08 | 1:06:11 | |
was the fact that we worked together as a team, | 1:06:11 | 1:06:13 | |
so I tried my best to lead by consensus. | 1:06:13 | 1:06:15 | |
Yeah, but do you think he should lead by consensus, Lisa? | 1:06:15 | 1:06:17 | |
Do you think General George Patton led by consensus? | 1:06:17 | 1:06:20 | |
-You know... -Do you think he took the troops and said, | 1:06:20 | 1:06:22 | |
"Fellas, what do we do?" | 1:06:22 | 1:06:24 | |
Mr Trump, I just think it worked for us. | 1:06:24 | 1:06:27 | |
I think it works for Clay. I think it was really, really... | 1:06:27 | 1:06:29 | |
It was the most pleasant task I've been on. | 1:06:29 | 1:06:31 | |
But do you think you should lead by consensus? | 1:06:31 | 1:06:33 | |
Let's put it this way - I don't, and I only won one out of two, | 1:06:33 | 1:06:37 | |
so I think either way is fine, as long as it works and gets results. | 1:06:37 | 1:06:39 | |
-I can tell you he certainly doesn't. -THEY LAUGH | 1:06:39 | 1:06:42 | |
No, I think, when he says that, he's probably right. | 1:06:42 | 1:06:45 | |
-I listen to everybody and then I make a decision. -Oh, he does too. | 1:06:45 | 1:06:49 | |
But I don't say, "Let's go, fellas. What do we do?" | 1:06:49 | 1:06:51 | |
It sounds to me like you lead a little bit too much by consensus, | 1:06:51 | 1:06:54 | |
and I'm surprised cos I think you're a tough guy, in retrospect. | 1:06:54 | 1:06:57 | |
I did make the ultimate decision and I do listen to everyone, | 1:06:57 | 1:07:00 | |
and Penn's pitch for "you earned it" was strong. | 1:07:00 | 1:07:04 | |
Strong enough that Lisa agreed with it | 1:07:04 | 1:07:06 | |
and that Dayana agreed with it and that I agreed with it too. | 1:07:06 | 1:07:09 | |
But I will say, Penn is a very strong pitcher, | 1:07:09 | 1:07:11 | |
and I joke with him sometimes that Penn will pitch an idea, | 1:07:11 | 1:07:14 | |
and then if people don't like it, he'll stand up and pitch it again. | 1:07:14 | 1:07:18 | |
So, you know, Penn's a strong pitcher. | 1:07:18 | 1:07:20 | |
I will say this. They loved Dayana in terms of the picture. | 1:07:20 | 1:07:25 | |
But they thought it was too overbearing, too big. | 1:07:25 | 1:07:28 | |
What they meant is it didn't give enough display. | 1:07:28 | 1:07:31 | |
-The intention was to sell product. -Correct. | 1:07:31 | 1:07:33 | |
And the photo was very large and the product was very small, | 1:07:33 | 1:07:36 | |
which doesn't make sense in the context of a... | 1:07:36 | 1:07:39 | |
So, whose idea was that? | 1:07:39 | 1:07:40 | |
The size of the photo, I believe, | 1:07:40 | 1:07:43 | |
was probably a combination of several people. | 1:07:43 | 1:07:46 | |
We sat in the room together and we looked at how much product | 1:07:46 | 1:07:50 | |
we had available to us to display and we did use all of it. | 1:07:50 | 1:07:53 | |
I don't believe that Unanimous used all of it. | 1:07:53 | 1:07:56 | |
We used all of it and asked for more. | 1:07:56 | 1:07:58 | |
Lisa, whose idea was that? | 1:07:58 | 1:08:00 | |
It was definitely a consensus because we used... | 1:08:00 | 1:08:02 | |
Consensus! Give me a break. | 1:08:02 | 1:08:05 | |
Dayana, whose idea was that? | 1:08:05 | 1:08:07 | |
Everybody is right, and I think Aubrey's job was fine, | 1:08:09 | 1:08:13 | |
but she just spread them all around. | 1:08:13 | 1:08:15 | |
There's not one focus. We had one focus. We had the main... | 1:08:15 | 1:08:18 | |
Why did Lisa think you were so great on this task | 1:08:18 | 1:08:20 | |
and in the past, you haven't got along? | 1:08:20 | 1:08:22 | |
What did you do differently on this task? | 1:08:22 | 1:08:24 | |
I've been working as hard as I've always been working. | 1:08:24 | 1:08:26 | |
That's why I'm here sitting next to her. | 1:08:26 | 1:08:28 | |
Why do you like her in this task? | 1:08:28 | 1:08:31 | |
Just stepped in and was a champ and, you know, | 1:08:31 | 1:08:34 | |
the picture, clearly, was beautiful. | 1:08:34 | 1:08:36 | |
Um, I don't know. | 1:08:36 | 1:08:37 | |
Maybe it was the chemistry with the project manager that, you know, | 1:08:37 | 1:08:40 | |
-he loves hearing ideas more and getting through them. -I understand. | 1:08:40 | 1:08:44 | |
'I can't even imagine who's going home.' | 1:08:44 | 1:08:46 | |
-Yeah. -Cos this is... -I know. I agree. | 1:08:46 | 1:08:49 | |
And it's a week when Dayana did well. | 1:08:49 | 1:08:51 | |
So, Dayana, did anyone want to do a take away? | 1:08:51 | 1:08:53 | |
-I mean, did anybody have an idea of doing a take away? -I did. | 1:08:53 | 1:08:56 | |
Why wasn't it done? | 1:08:56 | 1:08:58 | |
-Why wasn't it done? -I suggested the idea to Clay. | 1:09:00 | 1:09:02 | |
Is it true that Dayana wanted a take away? | 1:09:02 | 1:09:05 | |
A lot of times, Dayana... This is going to sound horrible. | 1:09:05 | 1:09:08 | |
A lot of times, Dayana makes suggestions | 1:09:08 | 1:09:10 | |
-and I don't understand her. -Really? OK. | 1:09:10 | 1:09:12 | |
Did you tell that to Clay? | 1:09:12 | 1:09:15 | |
Yeah, Lisa was sitting next to me and I said... | 1:09:15 | 1:09:17 | |
-She did say that, Lisa? -Yeah, but... -Well, that's a big statement. | 1:09:17 | 1:09:20 | |
..I just want to say, was it...? | 1:09:20 | 1:09:22 | |
This is nothing against her cos we got along great this task. | 1:09:22 | 1:09:25 | |
It was very late in the day and unfortunately... | 1:09:25 | 1:09:27 | |
But whether it's late or not, | 1:09:27 | 1:09:28 | |
they hated that you didn't have a take away, that Aubrey did. | 1:09:28 | 1:09:31 | |
-I understand that. -And Dayana wanted a take away. -Mm-hm. | 1:09:31 | 1:09:35 | |
So, Clay, you're going to bring two people back | 1:09:35 | 1:09:39 | |
and you're going to let somebody escape. | 1:09:39 | 1:09:41 | |
Who is the person that is going to escape? | 1:09:41 | 1:09:43 | |
Somebody's going to be very, very happy to get out of this room. | 1:09:44 | 1:09:47 | |
Who is it going to be? | 1:09:47 | 1:09:49 | |
Based on the recommendations of the executives, obviously, | 1:09:51 | 1:09:54 | |
and you've underlined it and reminded me, | 1:09:54 | 1:09:56 | |
that, you know, the slogan was Penn's idea, | 1:09:56 | 1:09:59 | |
so I would say, based on this task... | 1:09:59 | 1:10:02 | |
And Penn worked his butt off during this. | 1:10:02 | 1:10:04 | |
It makes sense, what you're saying. Penn, it makes sense. | 1:10:04 | 1:10:07 | |
Yes, it does, but I also was a strong part | 1:10:07 | 1:10:10 | |
of what the executives liked as well. | 1:10:10 | 1:10:12 | |
Don't forget, you came up with the slogan but he approved. | 1:10:12 | 1:10:15 | |
-He's the project manager. -Yeah, he certainly did approve it. | 1:10:15 | 1:10:17 | |
But I understand what you're saying about Penn. And who else? | 1:10:17 | 1:10:21 | |
I've got to go back in history, I believe, which is a shame, | 1:10:21 | 1:10:24 | |
because when I sat on that side of the table, | 1:10:24 | 1:10:26 | |
I heard a lot of people down Dayana, and I felt, | 1:10:26 | 1:10:30 | |
"I don't know anything about it. It's not appropriate." | 1:10:30 | 1:10:33 | |
When I joined the team last week, | 1:10:33 | 1:10:35 | |
it became a little more evident to me why people have said that. | 1:10:35 | 1:10:39 | |
She has been aloof in the past, in the past two tasks, | 1:10:39 | 1:10:44 | |
and there are times, even in... | 1:10:44 | 1:10:45 | |
Dayana, does that come with great beauty? | 1:10:45 | 1:10:47 | |
Over the years, I've known many beautiful women. | 1:10:47 | 1:10:50 | |
-Before we carry on, I'd love to understand what that means. -Aloof? | 1:10:50 | 1:10:53 | |
Somewhat standoffish and sometimes not present. | 1:10:53 | 1:10:56 | |
And I think that... | 1:10:56 | 1:10:58 | |
Not necessarily not present physically, | 1:10:58 | 1:11:01 | |
but sometimes, she's not really present | 1:11:01 | 1:11:02 | |
in what the group is thinking about | 1:11:02 | 1:11:04 | |
and other times, she's so present and focuses in on one thing so much | 1:11:04 | 1:11:09 | |
that it's really difficult to look at the bigger picture. | 1:11:09 | 1:11:11 | |
-And yet the executives liked her. -You're right. | 1:11:11 | 1:11:14 | |
-That's why I'm in a bad spot. -So, it's a very hard decision. | 1:11:14 | 1:11:16 | |
But the executives did like her. | 1:11:16 | 1:11:19 | |
-I think what's great for Dayana was... -A lot. | 1:11:19 | 1:11:22 | |
..for this task, Dayana was absolutely right in her wheelhouse. | 1:11:22 | 1:11:26 | |
And Lisa said she was great. | 1:11:26 | 1:11:28 | |
I said she was great. I think she was great. | 1:11:28 | 1:11:30 | |
-But Lisa said she was great also. -Which is, like... | 1:11:30 | 1:11:32 | |
-Who never says I bring anything. -You want to know something? | 1:11:32 | 1:11:35 | |
To be honest, I thought Lisa made a mistake when she said she was great | 1:11:35 | 1:11:38 | |
because if you lose, it's hard for you to retract that statement. | 1:11:38 | 1:11:41 | |
I've always said I'll tell the truth in here. You deserve that. | 1:11:41 | 1:11:44 | |
I don't disagree with her on this task. | 1:11:44 | 1:11:46 | |
The truth is very nice, isn't it? | 1:11:46 | 1:11:47 | |
I think if you ask Lisa, going forward, | 1:11:47 | 1:11:50 | |
who would make this team stronger, | 1:11:50 | 1:11:52 | |
more than likely, I believe she'd say Penn, myself and her. | 1:11:52 | 1:11:55 | |
Well, that could be true. | 1:11:55 | 1:11:56 | |
And that is why I believe that I'd have to bring Dayana back. | 1:11:56 | 1:12:01 | |
OK. So, you're going to bring Dayana and Penn back. | 1:12:02 | 1:12:05 | |
-Yes, sir. -That means Lisa's going to escape. -Yes. | 1:12:05 | 1:12:07 | |
-Congratulations. -Thank you, sir. -OK, all of you go out. | 1:12:07 | 1:12:11 | |
Clay, you'll be coming back with Penn and Dayana. Thank you. | 1:12:11 | 1:12:14 | |
Aubrey, turn off your television. You've seen enough. Thank you. | 1:12:19 | 1:12:22 | |
-Ah. -Oh, boy. -Thank God we're not in there. | 1:12:22 | 1:12:26 | |
-Hi. -Hello. -Hi. | 1:12:26 | 1:12:28 | |
Safe. | 1:12:28 | 1:12:29 | |
Congratulations, you guys. | 1:12:29 | 1:12:31 | |
-It was really beautiful. -Come sit here. -OK. | 1:12:31 | 1:12:33 | |
Yeah, I'm afraid Penn's going, and he's got a good heart. | 1:12:33 | 1:12:37 | |
I feel like Dayana's been called back into every boardroom... | 1:12:37 | 1:12:40 | |
-She has. -..there's ever been. -Every single one. | 1:12:40 | 1:12:42 | |
-Part of it is she doesn't do enough overtly horrible -BLEEP | 1:12:42 | 1:12:47 | |
to get fired, and then she... | 1:12:47 | 1:12:48 | |
Well, then why do you keep saying she's great? | 1:12:48 | 1:12:50 | |
-Stop standing up for her. -She was good at it. | 1:12:50 | 1:12:52 | |
But that good is not great. | 1:12:52 | 1:12:54 | |
You have to let go of the fact that this happened to be something | 1:12:54 | 1:12:57 | |
-that was good and in her... -Wheelhouse. -..wheelhouse | 1:12:57 | 1:13:00 | |
because your endorsement meant a lot to Trump, | 1:13:00 | 1:13:03 | |
which could end up saving her over Penn, | 1:13:03 | 1:13:05 | |
and that's not the way it should go. | 1:13:05 | 1:13:08 | |
-George, what do you think? -Well, Penn came up with the slogan | 1:13:26 | 1:13:29 | |
that they really didn't like at all, | 1:13:29 | 1:13:31 | |
so it certainly is a negative as far as he's concerned. | 1:13:31 | 1:13:35 | |
Eric? | 1:13:35 | 1:13:36 | |
Clay also approved the slogan, so it's very tough. | 1:13:36 | 1:13:39 | |
I agree with you. | 1:13:39 | 1:13:41 | |
Amanda, let them in. | 1:13:41 | 1:13:43 | |
Yes, Mr Trump. | 1:13:43 | 1:13:44 | |
-You can all head back into the boardroom now. -Thank you. | 1:13:44 | 1:13:47 | |
Sit down, please. | 1:13:57 | 1:13:58 | |
Clay, why did you bring Dayana back | 1:14:02 | 1:14:04 | |
when they actually thought Dayana did a good job? | 1:14:04 | 1:14:06 | |
They loved her picture, they loved her energy, | 1:14:06 | 1:14:08 | |
they really like what she did, | 1:14:08 | 1:14:10 | |
and she was the one that said you should do the take away. | 1:14:10 | 1:14:13 | |
I brought Dayana back not because of this task, | 1:14:13 | 1:14:16 | |
but because I have to pick two people, | 1:14:16 | 1:14:19 | |
and I could only pick one person | 1:14:19 | 1:14:21 | |
based on what information I was given for the task, | 1:14:21 | 1:14:23 | |
and I had to pick the other person | 1:14:23 | 1:14:25 | |
based on both the history of the work that I've seen | 1:14:25 | 1:14:27 | |
and the preparedness, I think, going forward in this competition | 1:14:27 | 1:14:32 | |
to be most equipped to be Celebrity Apprentice. | 1:14:32 | 1:14:35 | |
But Dayana did want something that they really wanted and said, | 1:14:35 | 1:14:38 | |
"Why wasn't it there?" | 1:14:38 | 1:14:39 | |
Five minutes before, you know, we have to get the printing done, | 1:14:39 | 1:14:42 | |
an idea comes up to do a take away. | 1:14:42 | 1:14:44 | |
I believe our time is better spent getting this display put together. | 1:14:44 | 1:14:48 | |
Why didn't you think of a take away earlier? | 1:14:48 | 1:14:50 | |
That's an element of any display... | 1:14:50 | 1:14:52 | |
-At least it was thought of. -Yeah. | 1:14:52 | 1:14:54 | |
..so the customer can look at it, | 1:14:54 | 1:14:55 | |
take something and look at it at their leisure. | 1:14:55 | 1:14:57 | |
Our goal was to make a display so great | 1:14:57 | 1:14:59 | |
-that people would not forget it. -Once they walk away, they forget it. | 1:14:59 | 1:15:03 | |
They don't have something they took away with them | 1:15:03 | 1:15:05 | |
-at that point to remind them. -That's true. | 1:15:05 | 1:15:07 | |
Now, Dayana, I will say this. | 1:15:08 | 1:15:10 | |
This is your sixth time in the boardroom. | 1:15:10 | 1:15:12 | |
-I've broke the record, yes. -So, why shouldn't I fire you? | 1:15:12 | 1:15:14 | |
-Six times. -I understand. | 1:15:14 | 1:15:16 | |
This is something that I've been explaining. | 1:15:16 | 1:15:18 | |
With the females, this team has been impossible for me | 1:15:18 | 1:15:20 | |
-to work at all. -Why? | 1:15:20 | 1:15:22 | |
I would love them to answer that question. | 1:15:22 | 1:15:25 | |
Do you think they're jealous? | 1:15:25 | 1:15:26 | |
I don't care if they're jealous or not, that's their problem, | 1:15:26 | 1:15:29 | |
but every time I had a suggestion, which I always had, | 1:15:29 | 1:15:32 | |
it was always pushed to the side. | 1:15:32 | 1:15:33 | |
"You're better off going shopping. We don't want to have you around." | 1:15:33 | 1:15:36 | |
And if that's their technique for them to say, | 1:15:36 | 1:15:39 | |
"We don't have to use her, we don't need her," then there you go. | 1:15:39 | 1:15:42 | |
-I've been sitting here all the time. -Here's the thing. | 1:15:42 | 1:15:44 | |
I understand why you brought Penn back. | 1:15:44 | 1:15:46 | |
And I think Penn is fantastic. I think he's a brilliant guy. | 1:15:46 | 1:15:49 | |
But he came up with a slogan that they didn't like. | 1:15:49 | 1:15:53 | |
I thought it was OK, but I'm not the judge. | 1:15:53 | 1:15:55 | |
I do like the other slogan better, | 1:15:55 | 1:15:57 | |
but he came up with a slogan they didn't like. | 1:15:57 | 1:15:59 | |
You could also say you're responsible | 1:15:59 | 1:16:01 | |
because, ultimately, you approved the slogan. | 1:16:01 | 1:16:04 | |
Just out of curiosity, who do you think I should fire? | 1:16:04 | 1:16:06 | |
If you're basing it only on this... | 1:16:10 | 1:16:12 | |
Look, I'm basing it on the task, yeah. | 1:16:12 | 1:16:14 | |
If you're basing it on the task, I would say that it would be Penn. | 1:16:14 | 1:16:18 | |
I mean, Penn's strength is that he can be very creative. | 1:16:18 | 1:16:21 | |
-Not can be. He is VERY creative. -Absolutely. Penn's a brilliant mind. | 1:16:21 | 1:16:26 | |
And Penn and I have butted heads in the past, | 1:16:26 | 1:16:30 | |
but I still respect him immensely. | 1:16:30 | 1:16:32 | |
But he does have a habit of pitching an idea and selling it so much | 1:16:32 | 1:16:36 | |
that eventually it wears people down into just going along... | 1:16:36 | 1:16:39 | |
That's a competitive drive and I understand that. | 1:16:39 | 1:16:41 | |
That's why he's so successful. | 1:16:41 | 1:16:43 | |
Penn, what do you think of that? He says you should be fired. | 1:16:43 | 1:16:45 | |
-How do you respond? -Um... | 1:16:45 | 1:16:47 | |
Can I clarify - if you're basing it on this task, I feel like... | 1:16:49 | 1:16:52 | |
Why am I going to be...? | 1:16:52 | 1:16:53 | |
-..the team would be at a loss without Penn. -I agree. | 1:16:53 | 1:16:56 | |
I think he's great, but the way I look at it is this. | 1:16:56 | 1:17:00 | |
It's about this task. | 1:17:00 | 1:17:01 | |
It's not about tasks from three weeks ago, obviously. | 1:17:01 | 1:17:04 | |
And the only time you can really diverge from that | 1:17:04 | 1:17:08 | |
is if it's so close and there's just no way you can make a decision, | 1:17:08 | 1:17:11 | |
then you start thinking about who would you rather go forward with, | 1:17:11 | 1:17:15 | |
who did the worst job going back, so that's a different thing. | 1:17:15 | 1:17:18 | |
-OK. I'll speak to that, then. -So, go ahead. | 1:17:18 | 1:17:21 | |
I did come up with the idea for the slogan that they disliked. | 1:17:21 | 1:17:26 | |
I also had a lot of the ideas that the executives also liked, | 1:17:26 | 1:17:30 | |
and I think you have to be careful not to punish the person with ideas. | 1:17:30 | 1:17:35 | |
Who do you think I should fire? | 1:17:35 | 1:17:38 | |
On just this task, I think it has to be Clay for OK-ing it. | 1:17:38 | 1:17:44 | |
-But it's said with great sadness, of course. -Sure. I understand. | 1:17:44 | 1:17:48 | |
I think Clay is one of the strongest players we have. | 1:17:48 | 1:17:51 | |
And I took this project on, in large part, | 1:17:51 | 1:17:53 | |
because Penn said, right in your apartment, | 1:17:53 | 1:17:55 | |
that he wanted me to take it on, he didn't feel comfortable doing it. | 1:17:55 | 1:17:59 | |
We both knew that one of the two of us was up to bat, | 1:17:59 | 1:18:02 | |
and I was the one who... | 1:18:02 | 1:18:03 | |
It's surprising to think that I'm the one who has the bigger balls | 1:18:03 | 1:18:06 | |
of the two of us. | 1:18:06 | 1:18:07 | |
Whoa. It's awfully tough, right? | 1:18:07 | 1:18:10 | |
Awfully tough. | 1:18:10 | 1:18:11 | |
Not easy. | 1:18:16 | 1:18:17 | |
Dayana, if you were me, who would you fire? | 1:18:20 | 1:18:22 | |
I'd fire the project manager. | 1:18:23 | 1:18:25 | |
Because the project manager, ultimately, | 1:18:26 | 1:18:28 | |
even though we have to say Penn made a mistake, | 1:18:28 | 1:18:32 | |
the project manager approved that mistake. | 1:18:32 | 1:18:34 | |
Penn made a mistake, | 1:18:34 | 1:18:35 | |
but he also executed most of the design | 1:18:35 | 1:18:39 | |
and the picture, together with me. | 1:18:39 | 1:18:42 | |
So, they did like the photo. | 1:18:42 | 1:18:44 | |
Maybe did not like the slogan, | 1:18:44 | 1:18:46 | |
but the full design was, most of it, made by Penn, | 1:18:46 | 1:18:50 | |
as well as the shot. | 1:18:50 | 1:18:52 | |
The shot was taken by everyone. Everyone took the shot. | 1:18:52 | 1:18:55 | |
No, I'm talking about the idea of it. | 1:18:55 | 1:18:57 | |
I brought the idea of using the tie, | 1:18:57 | 1:18:59 | |
but he brought the idea of keep the tie with the man | 1:18:59 | 1:19:02 | |
in a certain type of shot. | 1:19:02 | 1:19:03 | |
That said, you did bring the idea | 1:19:03 | 1:19:05 | |
of using the tie in between naked breasts of a woman, which... | 1:19:05 | 1:19:09 | |
I was thinking of this shot. I tried to specify this shot. | 1:19:09 | 1:19:12 | |
And I think that's sort of indicative | 1:19:12 | 1:19:14 | |
of the type of ideas that Dayana comes up with sometimes | 1:19:14 | 1:19:17 | |
that were not accepted by the women, | 1:19:17 | 1:19:19 | |
and now that I'm on this team, I sort of understand why. | 1:19:19 | 1:19:23 | |
I definitely think that Dayana has very good strengths. | 1:19:23 | 1:19:25 | |
I'd love to fire Dayana. You know why? | 1:19:25 | 1:19:28 | |
She's been here six times. | 1:19:28 | 1:19:30 | |
But I'm not so sure she should be here. | 1:19:30 | 1:19:33 | |
And frankly, you're the project manager, Clay. | 1:19:33 | 1:19:36 | |
If you are looking...if you are basing it on this task, | 1:19:36 | 1:19:40 | |
Dayana did a great job. | 1:19:40 | 1:19:41 | |
But going forward, you want someone who's going to be successful. | 1:19:41 | 1:19:44 | |
I appreciate you saying she did a great job, | 1:19:44 | 1:19:47 | |
and going forward, I think you're going to say Penn is better, right? | 1:19:47 | 1:19:50 | |
-Absolutely. -But we're not going forward | 1:19:50 | 1:19:52 | |
cos this has nothing to do with going forward. | 1:19:52 | 1:19:54 | |
This has to do with the task that we just completed | 1:19:54 | 1:19:56 | |
and that you lost and you're the project manager. | 1:19:56 | 1:19:59 | |
I understand that, but this is a competition | 1:19:59 | 1:20:02 | |
that will eventually crown a Celebrity Apprentice who can do... | 1:20:02 | 1:20:06 | |
It crowns a Celebrity Apprentice, and everybody's done well. | 1:20:06 | 1:20:09 | |
You have done fantastically well. Dayana, you've done well. | 1:20:09 | 1:20:13 | |
I wouldn't use the word fantastic, but you certainly have done well | 1:20:13 | 1:20:16 | |
and you've escaped and you've been cunning and smart. | 1:20:16 | 1:20:19 | |
And I think Penn is a brilliant guy. I think he's fantastic. | 1:20:19 | 1:20:22 | |
But I will say this. | 1:20:22 | 1:20:25 | |
The executives, Penn, hated - HATED - the slogan. | 1:20:25 | 1:20:29 | |
Yes. I understand that. | 1:20:29 | 1:20:31 | |
And who came up with the slogan? | 1:20:31 | 1:20:32 | |
I did, and it was OK-ed by Clay. | 1:20:32 | 1:20:36 | |
So... | 1:20:36 | 1:20:37 | |
..I want to fire Dayana, but I can't. | 1:20:38 | 1:20:42 | |
I want to fire you because you're the project manager, | 1:20:43 | 1:20:46 | |
but I won't. | 1:20:46 | 1:20:48 | |
I'm going to fire Penn. | 1:20:48 | 1:20:50 | |
Penn, you're fired because you came up with the slogan. | 1:20:50 | 1:20:53 | |
-Get out of here. -Thank you so much. -Thank you. | 1:20:55 | 1:20:57 | |
Thanks for having me on the show. | 1:20:57 | 1:20:59 | |
-Great job, Penn. -Thank you, sir. -Really great. -Thank you. | 1:21:03 | 1:21:06 | |
Thank you. Thanks for all you said. | 1:21:11 | 1:21:13 | |
Thank you, Clay, for all your honesty and your kindness. | 1:21:13 | 1:21:16 | |
How you doing? | 1:21:21 | 1:21:22 | |
Penn has got a big career going and it'll continue to only get bigger. | 1:21:28 | 1:21:32 | |
-Penn's a great guy. -He's a real talent. | 1:21:32 | 1:21:34 | |
I loved this whole experience, including tonight, | 1:22:08 | 1:22:12 | |
including the getting fired thing. | 1:22:12 | 1:22:14 | |
You know, I can tell you the rules of chess, | 1:22:14 | 1:22:17 | |
but I can't tell you the rules of Celebrity Apprentice. | 1:22:17 | 1:22:19 | |
That's what's beautiful about it - | 1:22:19 | 1:22:21 | |
the fact that Donald Trump is a loose cannon, | 1:22:21 | 1:22:25 | |
and he also does what he wants and doesn't back down. | 1:22:25 | 1:22:28 | |
And I came up with a slogan and the executives didn't love it | 1:22:28 | 1:22:32 | |
and firing me for that is as valid a reason as anything. | 1:22:32 | 1:22:35 |