Jingle All the Way The Apprentice USA

Previously, on The Celebrity Apprentice,

the teams created in-store displays

for the new Donald Trump fragrance...

It's called Success by Trump.

..and it was a showdown between returning project managers

Clay Aiken and Aubrey O'Day.

I really don't want to lose to Clay Aiken again.

On Team Forte, Clay silenced Dayana.

I would suggest not to have the women wearing much clothing.

We will find a way to get you naked at some point, Dayana,

but I don't think it'll be on this task.

This is not a porno cover. This is an ad for a cologne.

And Penn Jillette's slogan was the frontrunner.

-How about "You earned it"?

-I like that too.

-That's pretty good.

On Team Unanimous, Aubrey betrayed her team.

I'm a one-man team. Yes, I said it.

Come presentation time, Team Forte felt confident.

-Yay!

-That looks incredible.

-Awesome.

-It's not even playing fair.

-HE LAUGHS

No, seriously.

-But that quickly changed.

-Keep going.

Does anybody else have anything to add? That's pretty much...

What I was feeling was going to be a shoo-in is now in jeopardy.

And Team Unanimous's presentation was right on the nose.

-So, here we have Success by Trump. Thank you.

-Thank you very much.

In the boardroom, Clay voiced his opinion on Dayana's performance.

She has been aloof in the past,

and sometimes, she's not really present

in what the group is thinking about.

And Arsenio and Aubrey both tried to take credit for their slogan.

I thought I did something that was really important -

found a quote from you on YouTube.

I came up with that before even knowing that you said it.

-You?

-Yes.

-Not Arsenio?

-No.

But Mr Trump's announcement put an end to their quarrel.

You're going to be very unhappy, Clay. Because, Aubrey, you won.

-SHE SCREAMS

-OK?

Finally, I won!

Mr Trump held Penn responsible for the loss.

The executives, Penn, hated the slogans.

Penn, you're fired.

-Cheers. Congratulations.

-Thank you, Teresa.

-I'm so happy.

Congratulations, you guys.

'I'm the winning project manager for this week.'

Yay! I win, I win, I win!

'How amazing is it that I'm the last one

'out of these people standing to win a big cheque,

'and I'm the reason why most of the people here have won a big cheque?

'I'm stronger and fiercer than both the people on my team.'

Whether you like me or hate me,

I'm the reason why we ever have had a creative on this team.

Period. Point-blank.

So, what do you think is going to happen?

-Penn's going to go.

-I think so too.

-Dayana should go home, but she performed well in this task.

-Mm-hm.

But that's kind of crazy to be called in every week.

I can't imagine a world where Penn gets sent home over Dayana.

Yeah, this is going to be a tough one.

Clay! Dayana!

-What happened, Clay?

-I don't like this.

-What the hell happened? Tell us.

-It was the slogan.

At the end of the day, it was the slogan,

but he was very much focused on this task today.

I'm sorry it was hard for you.

'Walking back into the war room with Dayana

'kind of gave me some mixed emotions. From the standpoint'

of who I think is a stronger player,

I absolutely wish Penn had not been fired.

But from the standpoint of who I think is a stronger player,

I'm sort of glad Penn got fired because I absolutely want to win.

Well, there are only six of us left. The final six.

And it's somewhat ironic, if you ask me,

that the men were kicking ass and now we're down to two of us.

We know how to take kids out. THEY LAUGH

When you put a man on your team, you start getting strong.

That's true. That's true.

'Celebrity Apprentice is a tough game,

'and going to the next task with Clay and Lisa,

'obviously, they are not happy with me still being here,'

so I'm going to have to watch my back double.

# Money, money, money, money

# Money!

# Money, money, money, money

# Money!

# Some people got to have it

# Ye-eah

# Some people really need it

# Hey, listen to me, y'all

# Do things, do things, do things

# Bad things with it

# Dollar bills, y'all Come on

-# That mean

-Oh, mean

# Mean green

# Almighty dollar

# You know that money...

# Give me a nickel, brother Can you spare a dime?

# Money can drive some people out of their minds

# For the love of money

-# No good, no good

-Money!

# Money, money, money, money

# Money! #

-Hi, guys.

-Hi.

-Hello. Hi.

'My charity is called GLSEN and it stands for

'Gay, Lesbian and Straight Education Network.

'GLSEN focuses a lot on the anti-bullying campaigns

'that are happening right now due to'

the recent increase in youth suicides

among the LGBT community.

-Can I help?

-Yeah. Cool.

'My charity seeks to develop school climates'

where all students feel like difference is accepted and embraced.

So, have you guys personally been affected

-by bullying in schools?

-Yes.

But I got kids talking and it's become a lot better.

I was also bullied in school a lot,

but I didn't really have anyone at the time.

I didn't even have teachers that I could go to.

I felt like it was very important to represent this charity

because I was constantly bullied

and I was constantly someone that was different than everyone else,

and it's just such a horrible feeling.

-Hi.

-Hey, guys. How are you, Aubrey?

-Hey. How are you?

-Eliza Byard.

-Nice to meet you.

-It is wonderful to meet you.

Thanks so, so much.

I want to tell you guys that I'm fighting

like you wouldn't believe to get your cause out there.

And today, I have a little surprise for you guys.

-I won money, so here's 50,000.

-Oh, my goodness.

So, I hope that this helps you guys.

'I hope to remember, every day, what I'm fighting for.

'Even in my room, I've posted, all around my bed,'

pictures of all the kids that have committed suicide

from feeling bullied or abused.

And I'm going to be thinking about them during every task

because that's who matters, that's why I'm here.

Thank you so, so much.

-Good morning. ALL:

-Good morning.

-You're down to the final six.

It's been a long, gruelling time. Is that right?

-You were healthy when you started. Now you're being wiped out.

-Yes.

But you have all done an amazing job.

You've beaten some really talented people,

some really smart people, so congratulations.

Now, I love making a good deal,

but I also love giving and working for charity.

-We all like that. Is that right? Teresa, do you like that?

-Love it.

Well, a company that really exemplifies that is Good Sam.

Good Sam is the largest organisation of RV owners anywhere.

They offer many products, including roadside assistance.

Now, with me today is Marcus Lemonis,

who is the president and CEO of Good Sam.

Marcus, tell us about the task.

For this week's task, you will write and produce

a 90-second jingle for Good Sam's roadside assistance product.

You will then perform your jingle in front of a live audience.

Ivanka, how will they be judged?

Marcus will be judging your 90-second jingle

and live performance based on the following criteria -

the actual jingle, brand messaging and the performance itself.

I don't know who has the advantage in these two groups.

I mean, you have Clay Aiken, who's one of the greatest singers.

I don't know. Does Clay have...?

Yeah, that's right. Aubrey. We think of you as a Playboy cover.

It's actually singing, isn't it? THEY LAUGH

You know, it's terrible to be typecast sometimes, isn't it?

OK, who will be your project managers?

-OK.

-Yeah?

Yeah.

-Aubrey, who's your project manager?

-Arsenio.

Oh, Arsenio. Very good. Why Arsenio?

-Cos he wanted to take it.

-OK. You just want it, right?

-Yes, sir.

'I stepped up because'

I love music, and it'll be fun trying to write something.

'I'm sure Aubrey would've liked to be in charge of it,

'but she'll just have to constantly'

spend the day stealing my thunder

and trying to be in charge, even though she's not.

OK, who is your project manager?

-Dayana.

-Dayana. Good. I thought it was going to be Clay. What happened?

Clay was last time. We're trying to...

-All right. That's OK.

-..share.

You'll probably use his voice if I have any...

I think Lisa's going to sing.

-I'm singing.

-HE LAUGHS

You guys haven't heard me sing.

'I decided to step up as project manager

'because it will definitely help me be more involved on the project.

'I'm going to keep working as hard as I have,'

and I'm still here because I'm doing something right,

but I'm just going to have to be more aggressive.

I have already raised money for my charity,

and my plan is to keep doing it.

The project manager of the winning team will receive 20,000.

Wait a second. In addition to that, the over 1 million Good Sam members

will contribute 25,000.

And in addition to that, 100% of the proceeds

of the Good Sam mascot will also be contributed.

-Which could be hundreds of thousands of dollars.

-Wow.

This could be a very good task for the project managers.

OK, so, somebody is going to be very happy.

And you know what? Somebody is going to be fired.

So, we'll see what happens. Good luck. Do well.

-Thank you.

-Thank you.

-Good luck, Dayana.

A good jingle needs to have a lot of repetition in it.

You're such a Frankie Valli type singer, meaning...

We could definitely go '50ish, crooner-ish.

I don't necessarily have to sing, but I feel like I've got to sing.

-Oh, you better.

-You have to sing.

-That's our talent base right there.

Aren't jingles too much, like, of a Christmas feeling all the time?

I think you hear jingle, you think Jingle All The Way or something.

But no, jingle's just a word for any time of the year.

'Dayana doesn't understand'

the difference between jingle and Jingle All The Way.

'At that point, I'm like,

' "I am loving and patient and serenity now," '

and I laughed inside, where it counts.

Let's see what they think of that.

Can we think of anything that will rhyme with wheels and oil and...?

'This task is really hard'

cos I've never wrote a song.

'Clay is the one that sings. I don't sing. So, let's see'

how much more involved I can be on it.

We should all start writing something that will...

something that will help...

Just rhymes. Anything that just comes out.

-Typically, the melody comes first.

-That's for sure.

'This particular task'

is sort of frustrating. You know, I was project manager last week,

yet this task is something that I'm probably more suited for

than anyone else on the team,

and definitely more suited for than Dayana.

Can we just call Debbie Gibson?

SIREN WAILS

Here's my idea, and I think it could be amazing.

I think we could do some type of cheerleading thing.

-It sounds cheesy at first, but listen to it.

-Um...

Cheerleaders do songs all the time.

# Hey, when you want that way up Go, Sam! #

And it's, like, cheerleaders.

We'll be in little cheerleader outfits.

There's something about cheerleading

that always feels like an activity for young women,

and I don't want us to play ourselves

with moms being cheerleaders, and it doesn't...

I don't know. There's something, you know...

OK, that was my first idea.

Second idea is that I teach you guys a very simple tap dance.

-It's not hard. You can pick it up.

-I'll do whatever you want me to do.

I'll do tap dancing, I'll do cheerleading,

-I'll stand on my head.

-Well, I think tap dancing

has a different implication in society for me,

so I'm not tap dancing, but...

What implication does it have in society?

-As a black man, I'm not tap dancing.

-Gregory Hines, one of the most

-amazing tap dancers in the world.

-I love Gregory, but that's one man.

-I'm not

-BLEEP

-no tap dancing. I'm not tap dancing on TV.

Do you know what a huge insult it is to say that,

"I can have you tap dancing in the morning"?

I don't know how to explain that to her,

but I'm not tap dancing.

I think there's another way for me to get this message across

besides the soft shoe.

'I was trying to get a concept going that we could really execute

'and make big and impressive for the executives,

'and all Arsenio seems to be doing'

is saying no, no, no to everything before even considering it.

'Arsenio's the biggest girl on this show,'

so I don't know why he doesn't like tap dancing

or wearing cheerleading outfits.

We all know he does it at home.

I was just thinking of what would be most effective

for you to win as project manager

so that we could have the best performance possible.

-You know that already, huh?

-I think definitely...

That your idea is the winning idea and...

No, I mean, you're our project manager,

-so we should do what you want to do.

-I want...

Oh, I want to win this, guys.

'That car ride got a little awkward. It was like...'

Awkward! You know? It was just really silent and quiet.

'You never know what's going to happen between the two of them.

'One minute, they get along. One minute, they hate each other.

'I don't want to have to babysit them.'

And I hope not accepting the idea in totality won't shut you down.

'Aubrey's one of those kind of people that,'

when she hears a no, or when you don't cooperate with her fully

and kiss her ass, she shuts down.

'So, it's early,

'and I'm thinking this is going to be a real difficult task.'

Oh, wow! I like this recording studio.

We have no idea what we're doing.

We should have already figured out what we're doing

and who's doing what, frankly. This is going to be a long day.

'Our task this week is to create and perform'

a 90-second jingle for Good Sam.

'So, we're in the recording studio

'and Aubrey and Arsenio'

are just not mixing.

They're just not getting along.

'And I feel like the middleman

'cos I knew I was probably going to be breaking up fights between them.'

Can we start with,

"Good Sam is always there, Good Sam is always with you"?

I just want to lock in on a through line.

-That's cute.

-"Your friend who's there..."

We should have an idea of what our performance is going to be.

I could write you a song in two seconds easily,

but we have to have, like, a concept that we're, like, moving toward

in order to really have a song that isn't all over the place.

"Your good friend who cares. In seconds, he's there."

Arsenio doesn't seem to understand

how important creative is before actually creating.

He just wants to write down some sentences and he thinks he's got it.

I mean, rhyming words together in a song is, you know, not...

We could do that easily.

-Hey, guys.

-Hi.

-Good to see you again.

-You too.

-How are you?

-Good to see you.

-Hi.

-Arsenio.

-Good to see you.

-A pleasure to meet you, buddy.

-So, this is your new friend.

-Yeah, we have...

-Oh, Good Sam.

-..twins.

-I have a question.

-Yeah.

With most jingles, they tend to be boring,

something that doesn't really catch me.

They'll usually have a really catchy hook.

-Right.

-Can we get more creative with it,

or do you want to stay in the realm of what people do?

You can be as creative as you want to.

Just know that your mother, your grandmother

and your child would all watch it.

Be really thinking about who your audience is.

It's kind of everybody.

I think one of the strong considerations

is how do you incorporate the mascot?

And especially since the sale of the mascot

is going to go to charity,

we want to make sure that people see the personality,

they fall in love with him.

-There is a guy inside here, and...

-There's a nonspeaking personality.

I would say that, when you meet Good Sam today,

he'll feel very lovable, very warm,

and you'll feel very safe and protected by him.

But what you do with him is up to you.

Just keep in mind that the brand is the most important thing to me.

So, Good Sam is basically...

This man right here is basically the cheerleader for your entire project?

He is not only the cheerleader, but he represents the integrity,

the affordability, the peace of mind.

'I usually have a stronger idea of what'

the executives want over my entire team.

But when my team doesn't believe me,

I usually try to stress it to the executive

so that my team will jump on board with my concept.

-All right, guys, thank you so much.

-Thank you. Great seeing you.

-Take care.

-Thank you.

-Thanks. We'll see you soon.

-Appreciate it.

He screams to me...

Some type of band, cheerleading, whatever that is, feels universal.

Everybody knows it.

I mean, it could look, like, really badass.

'The executive said that Good Sam was our mascot,'

so mascot and cheerleading kind of go together.

OK, so, let's agree on that. That's our setting.

That's our wardrobe. I like that direction.

I think that's what made Arsenio change his mind

about the cheerleading.

And if we learn to do stunts and he's our mascot,

he can hold one of the girls at the end.

Do we want to do this Teen Angel type thing?

'50s, '60s type music?

I think the tone of the '50s

is the tone of that guy.

It'll be easy to throw down a track of some kind.

I'll give you a melody. We can sit down and we can work on layers.

'Clay and Lisa are thinking about the '60s feeling for the music,'

and I'm like, "What? What? What are we doing?

"Oh, we're doing that? Oh, really?"

It's not like, "Oh, Dayana, I have this idea."

It's, "Oh, Lisa, this is what I'm thinking about."

'It is frustrating working with people

'that are not willing to work with you.'

-Hello.

-Hey. I'm Clay. How are you? Nice to meet you.

-Nice to meet you.

-How are you?

-I'm Lisa.

-Nice to meet you.

-I'm Dayana.

-Hi, Dayana. Nice to meet you.

-We love your mascot.

-Yes.

-That's your gift.

-Yay!

-Have a seat, by all means.

-All right.

The product today is roadside assistance.

The purpose of Good Sam is to provide protection,

comfort, security.

But for me, I think having fun is important.

On a scale of one to ten, that level of silliness,

that level of fun, where would you...?

I would go out there. I wouldn't stay safe.

-That would be my advice to you.

-'The executive mentioned'

not wanting us to play it safe when it came to creating this jingle.

'To me, the '60s concept isn't really safe'

because it's definitely got an entire genre wrapped around it,

'and I think it will appeal to all ages.'

The branding of Good Sam is the most important thing,

so I would say use your creative juices.

It's always good to come up with something

that people can hang their hat on.

-We're all size fours, right?

-Hello.

-Oh, hi.

-Hi, guys.

'While we were brainstorming,

'our musicians and our engineer arrived at the studio,'

and we immediately got to work.

Here's where we're at so far.

Musically, right now,

we have, "You're protected and safe when you see his face."

Yeah, yeah. Go on. Go on.

We want to do a Hollaback Girl, Gwen Stefani type vibe,

so we want to keep the jingle new, fresh.

We want it to feel Black Eyed Peas, Gwen Stefani, more new age than old.

We're going to be cheerleaders, and Sam is our mascot of, like...

We're all this gang of marching band,

like, hot girl, cheerleader type things.

'Aubrey's my team member, and she's a singer,'

and so she plays into the wheelhouse of this task very well.

Who do you want singing the hook?

Cos there's different keys men and women sing in.

Yeah, yeah, yeah. I think we play to where it's comfortable for you,

cos you're going to be the predominant voice in it, right?

-Is that what you want?

-Yeah.

-OK.

-Yeah.

-This is what you do. I'd be a fool to not use it.

-OK.

'I'm a singer, I have two platinum albums,

'I've written a lot of songs,'

I can write something with literally no effort,

so I think that I'm definitely best at taking over

and writing the verses and the hook, which I'm excited to be doing.

So, maybe we tell a story between a guy and a girl...

..who just broke down, and then Good Sam saves the day.

You want to...?

-# Good Sam! #

-SHE HUMS

And then do you want to rap on it?

HE WHISTLES

I'll try something.

So, Good Sam, efficient and reliable.

Good Sam, always trusted and affordable.

'Aubrey took the thing and ran with it,

'and so far, I've been keeping her'

happy and at peace.

We come in on the third.

'Hey, I don't have to get sophisticated about it.'

I'm trying to kiss her ass in every way that I can

'to keep her happy. Not to mention, she's a pretty good singer.

'But you know how she is.'

You got to be careful.

If you give her an inch, she'll take a mile.

# Good Sam! #

Perfect. Perfect.

Before we get onto lyrics, can we try

to start honing in onto a style,

so that when the musicians get here...?

OK, let's work on beats, then.

-How...how...?

-SHE CLICKS

I've never heard anybody write a song like that.

-HE LAUGHS

-Well, you are the one that knows.

But that comes after we figure out what style we want to do.

What about Duran Duran?

There's nothing about that guy that looks like Duran Duran.

Lisa and I both realised

we couldn't really say, "Get out of our way, Dayana. Let us do this."

'But we had to somehow, as a team, keep Dayana from being destructive.'

-Abe.

-Abe. Nice to meet you.

-Pleasure.

-You're the drummer?

-Yes.

After Dayana and Lisa and I had really discussed genre types

until we were blue in the face,

we finally had an opportunity to work with our musicians.

They're going to just do some basic sound styles,

so we can pick which one we think is best.

BAND PLAYS FUNK TUNE

Let's do some sort of doo-woppy thing for now.

BAND PLAYS DOO-WOP TUNE

'I'm really concerned that a lot of time's'

being wasted on this task

'because we have to now educate Dayana on music styles.

'This is, like, really going to take a long time.

'It's, like, no ideas can get formed'

and no writing can happen till we decide on a style.

-Kind of a Frankie Valli type, Four Seasons, mid-'60s.

-One, two!

BAND PLAYS '60S STYLE TUNE

I like it.

How would you define this one? '60s? What you said?

Pretty much, yeah.

-Yeah, I like it. You guys are right.

-It's great.

'I like the idea of having the '60s thing.'

And any other thing that I suggest is going to bring up a fight,

'so for us to carry on with the project,

'we don't have time for me to say,

' "Guys, I'm the project manager. You're not being fair with me." '

There's no time for even that. There's no time for a nice talk.

'So, we'll just get things done and try to do it the best way.'

Can we try to play that one with a little bit of, um...

..pink into it? Yellow?

-Clay's like, "I don't know."

-Something more...

Like, a little bit more... Not as...not as flat.

'I understand why Dayana wants to be involved in everything.

'She is the project manager.'

But at the same time, when you've got someone on the team

who understands music a little bit, I think it's sort of silly

to pretend that you know more about that.

'I sort of see it as Dayana'

not knowing her ass from a hole in the ground

and not knowing any better.

Add some green too, if you get a minute.

LISA LAUGHS

Can it be all red instead of yellow?

SIREN WAILS

We're going to do some hand-outs.

We've got the Good Sam thing on one side.

Hey, Teresa, the thing you're writing up,

-I'd like to see the size of it.

-OK. Right now.

'Our graphic designer arrived and I put Teresa with her immediately'

to start working on our hand-outs, our posters, our stickers.

'I wanted signage all over the place with Good Sam on everything.'

-Aubrey, can you cut her length in the way that you would?

-OK.

'I asked Aubrey to help Teresa.'

Two heads are better than one.

'And there's something else I needed to be doing.'

'I'm no drummer by any means,

'but our drummer had put the drum line drumming

'in the beginning,'

and that's how the track was going to start -

with me drumming live.

You know what I noticed, Arsenio?

-When you move your body a little bit...

-Get into it?

..it actually relaxes the beat right back into the pocket.

OK, how about if I get the background singers in there?

-Do it.

-Is that good? OK.

Hello, vocalist. Come on in.

Oh, and "RVs" or "your RV"?

-Huh?

-Hello, love.

-Hello, darling.

-It's the Aubrey Bops.

I thought you were doing just background vocals.

There's another plug, can we get some more earphones?

Yeah, I wasn't sure if you were going to sing, Aubrey.

'I ask her to help Teresa, and as soon as'

I turn my back,

I look and she's in the booth with the background singers.

I don't think those guys need directing by her.

'You can say to Aubrey, "Help Teresa write this,"

'but what Aubrey wants,'

the world has to swallow.

-ALL:

-# Good Sam! #

# Good Sam

# Something here, blah, blah

# Good Sam

# Something else right here

# Good Sam

# Something else right here

# Good Sam! #

Good Sam gets you back on the track.

# Good Sam He gets you back in the track. #

-It would be better if it rhymed with Sam.

-With Sam? Track.

-That doesn't rhyme.

-Sam, track, no?

'Dayana jumped right into coming up with catchy phrases,'

and then trying to think of words that rhymed.

'She didn't seem to have any idea'

what sort of direction we should take

when it came to writing a song.

# We all need comfort, safety and security

# Good Sam's the guy who gives us the most of these

# He makes dah, dah, dah, dah, dah, dah... #

Do you mind sitting here so we can both work on that?

I don't know how to work on those things together.

I'm trying to win you this challenge.

'I start writing the lyrics, and Dayana says,'

"Sit next to me and do it together." And I'm like, "Oh, my God."

'This is not rehab. We don't have to do everything together.'

Here, I'm going to write it, and then I'll read it to you, OK?

Cos I can't do it with you over my shoulder.

It's hard enough to write under pressure without that. OK?

-So, can I just, like, do this?

-Yeah, sure.

-Is that OK?

'Lisa is doing everything the way she wants.'

Where is the respect for the project manager?

'I don't know what else to do. This is also my task.'

I want to make sure that we have the info in the song.

Do you understand what I'm saying?

# We all need comfort, safety and security

# Good Sam's the guy provides us with the best of these

# We call him and he runs to us wherever we are

# He covers all our vehicles RV, truck or car! #

Yay!

'So, we have the song written and Clay starts singing it,'

and the song is, like, taking on a life of its own.

It's like, "Oh, my God. This is actually a song."

Like, this is something that could possibly, in my consciousness,

replace the Pomtini Crystal Light song

by our good friend Debbie Gibson.

# Good Sam, he helps me out in a jam

# Good Sam, he always says "I can"

# Good Sam, he's my favourite man... #

Clay, can I interrupt you for one second? I have a question.

What if we, um, for "my favourite man"...?

Do you feel comfortable with it?

I'm not worrying about that right this second.

I'll sing it and we can take it out.

Thank you.

Got it. I've got it.

'Don't come over to me and tell me how to sing in a booth.

'I heard you singing.'

You suck. Don't come and tell me how to sing.

Late one night, my car just plain stopped.

But did I panic? No!

With Good Sam's affordable roadside assistance,

I'm part of the Good Sam family, and he put me back on track.

Good Sam, he's the man!

Lisa, can you sound a little cuter? Like, not so scary?

'Dayana tries to lead a group STRONGLY'

when she has no idea where she's going.

And it's not like the blind leading the blind.

It was the blind leading the seeing.

Yeah, thank you. Sounds great.

# Oh, oh

# Always trusted and affordable... #

'Our task this week is to create'

and perform a 90-second jingle about Good Sam

and their roadside assistance programme.

-I think I'm done with everything, right?

-What's up, dude?

-There he is. What's going on? Where you going?

-'Once I got'

Aubrey finished with her specific vocals,

'here comes Donald Trump Junior

'to visit us and find out how things are going.'

Do you want to hear it? We can get the singers in here.

-You can hear it.

-Would you like that?

-Sure. Why not?

-OK. OK.

-# Good Sam!

-Efficient and reliable

-# Good Sam!

-Always trusted and affordable

RAPS: # Sam's taking over the rescue thing

# Trusted, affordable

# Good Sam! #

-Not bad.

-Fine. Fine.

'I think, all in all, Unanimous is doing pretty well.

'They have a good concept. They're putting it together well.'

Execution is where they'll make or break it.

-So...?

-What do you want to know?

-That bad?

-Yeah.

-Why?

-Arsenio's not creative.

I'm the only one that's creative and I'm the one that had the creative

on every single task since being in Unanimous.

That's a fact, not an opinion. It's a fact.

It's impossible for him to make a decision and stand by it.

He always has an excuse. He tiptoes around everything.

He isn't capable of just saying what it is, doing it,

and standing by it. It's three very simple things

that you have to be able to do in business.

'I'm very surprised with Aubrey.'

In all the seasons, I've never seen anything like that in the war room.

'That's a pretty big statement to make about your project manager

'before you've won or lost.

'Obviously, still there's a bit of tension between Aubrey and Arsenio.

'It's a problem.'

I don't know that they'll be able to have an effective work product.

It's really more now about the visual,

and how you want to portray this on stage.

So, there's an option of just going with

just a basic '60s type outfit,

or we can go over-the-top with it.

You know what? It doesn't bother me, having one dressed like a hippy.

It's not hippies.

'Dayana is the most frustrating person

'I have ever met in my life.

'I spent years teaching'

kids with disabilities,

and never have I had to draw

on that type of patience,

'since I've been in a classroom, more than I did this task.'

If you want to go with that, that's fine, but it's a bad idea.

-It's a bad idea to have one person dressed as a hippy...

-Yes.

..that comes on and says...

-# He finds me wherever I am. #

-Yes.

'It was totally two against one. They team up,'

and they're just, like, evil, evil people.

Wah! Wah! Wah! Wah! Wah!

I mean, I get what you're saying, but I just...I'm afraid of...

I think I see your logic. I don't know that it's good logic.

'I don't know if having the '60s also on stage

'will give us such a broad image,'

so I'm just trying to watch our back.

-Hello, sir.

-What's happening?

-How are you?

Not bad. Hey. How's it going?

-Good. It's fun.

-Very beautifully.

-You having fun?

We're very lucky to have Clay in our team.

Seriously, Don, he knows what he's doing.

His suggestions are all on time and in the right place.

Actually, I would counter that with Clay and Lisa's suggestions

are all right because it was our idea,

and I wouldn't give Clay all the credit.

So, working with two very strong team-mates,

have your ideas been fully heard, Dayana,

-or have they been lost a little bit in the noise?

-Not really.

I've been trying to steal...

It's tough, you know.

He knows what he's doing, and she's as loud as possible.

Dayana, that's not even true.

-This whole day, I've been really, really quiet.

-But again...

You're being passive-aggressive. That's not cool.

-Lisa, please. I'm talking to Don.

-Clay.

The bulk of the writing has been done by Lisa.

I'm not putting her down, and I'm not putting her on the side.

This is not me trying to put any credit on anybody

because everybody's here working,

and I'm also trying to do something on writing.

So, Lisa cannot say, "I just should do everything."

-I can't even take your bull

-BLEEP.

-CRYING:

-I am shocked at this.

'This is completely unprofessional,'

and I'm very surprised how

'she doesn't even know herself, she doesn't respect herself,

'and she has so many insecurities'

that she has to deal with,

and that then people has to deal with her.

I have said nothing, Don.

I have been quiet. Ask any of these people.

And you have to tell him I'm loud?

-So, if you want loud, honey, you

-BLEEP

-got it.

-Lisa, you...

-You know what? Clay, back me up.

This isn't necessarily in Dayana's wheelhouse,

so a major bulk of the work has fallen on myself and Lisa.

-I am sick of this

-BLEEP.

-And you know what?

-To have you bring that in, you're a little

-BLEEP

-bitch.

I don't like being lied about.

I'm in that boardroom and I give credit when it's due.

'I tell Mr Trump the truth every time.

'Even if I hate her guts, I say,

' "Oh, she was good as a project manager." '

The fact that she lied in my ear...

You're too stupid to even do it behind my back?

..that proves dead from here up.

'So, guess what? You're going down, Miss Universe.'

-I can't take this. Do this

-BLEEP

-thing yourself

cos you are out of line, as usual, again.

Do you think maybe we can have him

actually standing here and then with something like this on the side?

'Lisa comes back into the room, and I'm just in my working mood.'

I don't care about her crying.

I don't care about whatever else she was...

Whatever drama she was putting.

'I'm really just here to work.

'I'm not here to make friends with her.'

OK, can we do that with this, like this?

-Like, if it's the same thing?

-Mm-hm.

And then, on the back,

we're going to have the two roadside assistance programmes.

'To me,'

the reason Dayana took on the role of doing the signage

and the brand messaging was mainly because Dayana had no clue

how to do anything else,

and brand messaging was the safest place for her to be.

-You copied and pasted it off the website, right?

-Yes, that's right.

I'm quite concerned about our rehearsal time

being eaten into by...signs.

We're already here, Clay.

I know, but if we weren't here, then we'd be there.

How much time do we have?

-We have to be in the van in eight minutes, so...

-Lisa.

Lisa. Lisa.

Unless your first word's "I'm sorry",

-don't say a

-BLEEP

-word to me.

I am sorry if you heard it that way.

-No, Dayana.

-That was not what I meant.

-An apology is, "I'm sorry I was a

-BLEEP,"

which you were.

-Well, I didn't mean to be a

-BLEEP.

-You can either

-BLEEP

-say I'm sorry, or you can not talk to me.

I used the wrong word by saying that you are a strong player.

'Lisa just has one tool to express her feelings,

'which is insulting and disrespecting.

'Mr Trump's going to be judging,

'and being creative is not enough to win The Celebrity Apprentice.'

You have to have class and dignity, and obviously,

Lisa has shown that she does not have it.

All you need to say is I'm sorry, but instead of being nice,

you are being a little bitch. So, you know what?

You can be a little bitch the rest of this time you're here.

-You've got to stop with the insults.

-No, I don't have to stop anything.

The fact that you've survived leaves me up at night cracking up.

I don't have to deal with your disrespect.

-Enough of that.

-Dayana.

Enough with the disrespect.

Dayana, don't speak to me again today.

Oh, my God, both of you, just a second.

Don't speak to me again today without an apology. Case closed.

-I already apologised to you.

-No, you didn't.

'I'll never get an apology out of her.

'I'm going to move forward, work hard,'

and I'm going to bury her sorry effing ass in the boardroom.

It is on. It is on.

'She better hope we don't lose.'

-RAPS:

-# Sam's taking over the rescue game

# Your trusty friend Competition can't hang

# You'll be protected You'll be safe

# Heaven on earth when you see Sam's face. #

Come in here and we'll mix them up or something.

Arsenio, do you want Teresa and I to go start doing the dance

while you're putting down the rap?

Since I'm not dancing, that'd be great.

'I stayed at the recording studio, and I sent Teresa and Aubrey'

to the rehearsal hall with the dancers and the choreographer.

'I also sent two background singers and I kept one singer with me'

cos I hadn't finished his vocals yet.

I mean, Arsenio didn't even really, like...

-Do you want to call him?

-..give any direction.

-I know.

Yeah, I think you should call him and ask him what he wants us to do.

-I mean...

-You ask him.

-'Hello.'

-Hey. It's Aubrey and Teresa.

-Hey, hey, hey.

-'Hey.

'We're just wondering, like, as far as structure goes, like,'

how you want us to tell the, like, mascot and all of that,

like, what the structure is you're seeing for this.

OK, we're going with, um...

'I think we go back to'

you and Teresa

'stranded, lost...'

..and stranded and...

So, do you want it to be Teresa

'and one of the dancers,'

-since I'm part of the song?

-OK.

'Arsenio Hall, I don't know if he's just senile'

and suffering from the age that he has become,

'and he just doesn't realise, but homeboy is shifty.

'Like, honestly, grow some balls, bro.'

Your, "Whoo! Whoo! Whoo! Whoo!" What happened to that guy?

So, we're going to be coming out when the music

'starts up, and Teresa's going to be stranded'

with a dancer?

-And then what after that?

-'When you push'

the mobile app on the phone,

'the whole rescue happens.'

Everybody appears - him and his entire musical posse -

'and a performance breaks out.'

'I can't believe how Aubrey has changed for the better

'and become a team player.'

I'm really shocked, but I'm glad it's happening,

cos we are stronger together

than we are individually.

I think that's kind of going to be the end of it with a closing

-'remark as we leave.'

-OK.

-'OK.'

-Goodbye.

-Hi!

-Hey.

Um, so, our project manager Arsenio's not here,

so I can kind of just give you a run down of what he's wanting.

There's going to be some dialogue,

but who knows what it is cos Arsenio hasn't given us a script.

Maybe you and Arsenio start off getting stuck

cos what is he going to do?

Stand with us while we're singing? He's not even in it.

So, he could be on stage, lost with you.

'Arsenio told us what he wanted, and Aubrey,'

you know, listened to what he said a little bit,

but she pretty much took over

'and did, really, what she wanted.'

So, this would be the marching.

You see Good Sam is marching in, and we're walking.

And we need to be up to the mic at this point.

And Arsenio's going to freestyle on the drums at the very end.

It's just a little add-in,

so we're making sense of why we're all cheerleaders.

'There was no-one to be in the scene with Teresa

'because we needed to utilise all of our dancers'

in the show. And Arsenio's not a singer or a dancer,

'so he fit perfectly with Teresa,

'and therefore couldn't start out the drumming in the beginning.'

It has to go at the end because that's what make sense to the story.

'So, I'm saving this thing for him,

'so "thank you" is the only thing

that needs to come out of his mouth.'

# Good Sam... #

-Hi, Good Sam.

-# Good Sam! #

Oh, at last.

'The Good Sam mascot entered,'

and we immediately worked him into our routine.

Oh, you know what? How about someone jumps in his arms?

-Is that comfortable for you, Sam?

-Can you do that, Sam?

Let's try it, Sam.

Stop trying to let your belly get in the way of our romance.

-Ready?

-One, two, three.

Then everybody do this.

-ALL:

-Ah!

And then you give us a little thumbs up. Good Sam!

All right, thank you, Sam.

Bye, Sam! You're an angel.

-Hey!

-Hey, hey.

We already practised with Sam, so we're going to show you.

It's really easy. You're not doing anything crazy. It's all good.

You and Teresa are going to be together now. We worked it out.

Just bear with us. We already worked it out.

You do your acting - you guys are breaking down together.

You're going to have some lines like,

"I told you not to take this road." Whatever.

'When we arrived at the rehearsal space,'

it was totally different.

'You know you can't send Aubrey someplace

'and tell her what you want.

'What you want becomes what she wants.'

We're going to do something here.

And then put on your drum and go boom, ba-rum-pum-pa-pum.

You're just freestyling with your drum.

Then everybody says, "Go, Sam! Hey! Say go!"

OK. You know how the track sounds, right? I mean, that's...

-We were supposed to...

-Drum during the track?

Well, no, but just to begin it.

Drum line's freestyle.

They don't necessarily always go to music.

-Yeah.

-Right?

-Yeah.

It was like, "Eff the track. I don't care where the drums are.

"He's going to do what I tell him to do when he get here."

After that, we bring out the signs cos Arsenio's going to drum.

I'm not going to drum.

-Why?

-Um, the original idea was a certain thing.

This is a different thing. Let's do what you're doing.

Arsenio, it goes with this idea.

OK, well, let's see, but I think if we change it...

We're not changing it. It's always been in there.

We always had you drumming right after this. It's OK.

'When Arsenio came in,

'I had choreographed his entire show, and because'

his drumming now is going to be after instead of before,

he literally threw a tantrum

like a five-year-old little boy and went in the corner and said,

-"I'm not going to drum any more."

-Do you want me to do the drums?

I could do it, and then they could pick up the signs. I could try it.

'Arsenio and Aubrey have been fighting all day.

'I'm nervous about the presentation.'

Who knows if they're even going to be able

to put a show on together.

Turn up, drop back,

five, six, and pop and back.

Again.

Are you guys ready? Five, six, seven, eight, go!

-We are.

-Yes!

'We walked into our rehearsal space and got a chance'

to meet the dancers and the choreographer

who we'd be working with

for our presentation tomorrow.

We sort of need whatever you do to be sort of praising him.

-There's a person that'll be dressed as him?

-He'll be here later.

We can probably tell him to do something basic

-that will go with that rhythm.

-OK.

OK, with their big hit, Good Sam!

-# Good Sam

-He goes wherever I am... #

'In the presentation tomorrow,

'I am going to be acting like the radio hostess,'

and just sort of set up that this is a radio broadcast

from the '50s or '60s.

'Clay is, of course, going to be singing lead

'with his three backup girls.

'And there's the three dancers,

'the mascot, and Dayana will be doing what she does best.'

Can you guys do the same, like, type of little step the whole time?

-Always right foot first?

-Yeah.

-Tell you what - do whatever I do.

-We'll do whatever you do.

Cos if I'm on left and you're right...

We're going to be on left.

Can you just be in here so you're not so left in a corner?

-So, you just... Right like that?

-I can be, if that's what you want.

-We'll scoot around.

-No, it's not what I want, Clay,

it's what will look better. So, just...

-You know more about staging than I do...

-Yes.

..so you tell me what to do.

I asked you something, I was waiting for an answer, and then...

You told me to stand over here, so now I'm standing over here.

Then, I would tell you, "OK, I agree with you"

-or, "I think differently."

-Dayana, I'm a grown-ass man.

-Give me...give me...

-Look. Look at me. Stop.

-I'm project manager.

-Stop talking.

-I want to know what's going on.

-No, you want to tell me what to do.

-No.

You seem so interested in telling me what to do. Tell me what to do.

I'm interested in our task and I'm interested...

You haven't been interested in the task all day.

-You've been doing the signs, Dayana.

-Yeah.

Who cares about the damn signs?

Lisa, I swear to God, we're about to go at her together.

'Once again, while I was doing'

something that I do for a living, Dayana decided

'she wanted to come in and tell me how to do it.'

It was the straw that broke the camel's back,

and I thought, "You know what? That's it.

"Either take over and tell me what to do,

"or shut up and let me do what I know how to do."

-Tell me what you want me to do.

-Clay, I can't deal with attitudes.

You're the one that knows, really. Then do your thing.

I'll just sit here and just...

When you're done, I'll clap.

'It's obvious that there is no respect towards me.

'I try to just keep respecting them back,'

maybe hoping that they will be adults about it.

'They don't have to like me, I get it,

'but we're still working here.

'All the personal issues,'

they don't really matter. I just want to win for my charity.

That's all I care about.

And I just hope the executives like this.

# Good Sam! #

There's six wigs and five girls, so whatever you can do.

'Our task this week'

was to write a 90-second jingle for Good Sam

and perform it in front of an audience.

'And today is the day of our performance.

'We're being judged'

on the jingle itself,

brand messaging and our live performance.

As long as she can stand a lot of teasing.

Like, really high.

# Oh-oh-oh

# Always trusted and affordable

# When it comes to coverage, he's got 48 states

# Good Sam!

-# Efficient and reliable... #

-Dayana. Dayana!

You can hear Aubrey singing the other team's song.

That's their jingle.

SHE HUMS

Oh, well. I feel pretty confident right now.

Oh, no, no. (I think ours is better then theirs is.)

'I overheard what the other team was doing,'

and theirs was a little more contemporary, jazz-like,

'and ours is far more unique and creative.

'Hopefully, the executives will like it.'

-Are we ready?

-You guys ready?

-Shall we?

-Shall we?

-One, two, three... ALL:

-Forte!

-SHE WHISPERS:

-Go, go, go.

'Heading into the presentation, I feel sad that the day before'

had to go how it went,

'that they're not adults enough

'to understand that this is for charity,

'and I just want the 45,000'

for the Latino Commission on AIDS.

'This is what I'm here for.'

Good morning, ladies and gentlemen!

You're listening to Radio S-A-M,

the best of today's music for the road.

-I'm your hostess, Amanda Hugnkiss.

-LAUGHTER

In our studio for the very first time

singing what is sure to be a huge hit for a long time to come

is Sam and the Samettes.

Aren't all you out there in radio land jealous?

So, without further ado, here they are,

Sam and the Samettes.

APPLAUSE

-# Good Sam

-He goes wherever I am

-# Good Sam

-He helps me out in a jam

-# Good Sam

-He's my favourite man

# We all need comfort, safety and security

# Good Sam's the guy provides the very best of these

# We call him and he comes to us wherever we are

# He covers all our vehicles RV, truck or car

-# Good Sam

-He helps us out in a jam

# Good Sam... #

'I was backstage when everybody was performing.

'I don't mind not being in the performance. Some people think that'

I'm just here to be on stage the whole time.

'I'm just too sorry that Clay and Lisa'

were not...

..respectful enough to include me on this project.

# Good Sam

# Service in a whole different plan... #

Late one night, my car stopped. Did I panic? No!

With Good Sam's affordable roadside assistance,

I'm part of the Good Sam family, and he put me back on track.

Thank goodness I signed up.

My kids can even find Good Sam app on their smartphone. He's the man!

'During the performance, Lisa did a brilliant job.'

I think I did quite well.

You know, singing's what I do.

Performing's what I do, performing's what Lisa does.

# Goo-ood Sam. #

CHEERING AND APPLAUSE

-Thank you.

-APPLAUSE

'We finish our performance and Dayana comes out,

'sans microphone'

-and says...

-SHE MUMBLES INCOHERENTLY

'I was like, "Oh, we're done now.'

"That was the big wow scene. Thanks."

'After the presentation, I feel like we did a good job.'

(Good job. Good job. Good job.)

Aside from all the other situations

and personal issues from other people,

'I just hope and pray to God that we can win this one.'

Thank you very much.

What are your thoughts, Marcus?

-I thought the performance had a lot of energy.

-OK.

And I was very pleased to see how Clay used his skills,

singing skills. Did a nice job.

And Lisa obviously used her writing skills,

and came out there and did a nice job of presenting.

-OK.

-I think they put their best foot forward.

Now, in terms of catering to the demographic?

I think it was maybe a little more conservative for me.

-They just played it safe.

-OK.

And Dayana did not come out in any sort of Good Sam colours.

Tells us how our company feels about the brand

and the signage and the logos.

But I think, all in all, they did a good job,

-so let's see the next one.

-Bring them out.

Shall we make the dancers hand them out real quick?

I would love that cos they look so cool in their outfits.

Can you grab a stack and hand them out to the crowd?

Totally. Yeah, sure.

OK, guys, if we're all sprayed and glossed up,

I'll put on my eyelashes and we'll rock'n'roll.

'Our task was'

to produce a 90-second jingle for Good Sam,

'and today is the day we're going to present it.'

Um, somebody left pom-poms.

'And, by the way,'

we're down to the final six,

'the dirty half-dozen, feels great!"

Bam!

'But I can't stop and smell the roses.

'I've got to keep surging forward,'

and I'm nervous.

Check, check.

Hi. Thank you.

Oh, no.

-Arsenio, this is not working.

-Don't worry about it.

-Are we going on stage now?

-Yeah, yeah, yeah, yeah.

-Oh, my God!

-Now we only have one flashlight.

-(Don't let it show.)

-Oh, my God! It's so dark out here!

-Oh, thank you, Miss Obvious.

We're stranded in the middle of nowhere.

Let's just walk this way and see if we can find a gas station.

-And anyway, getting gas is not my job.

-OK, OK.

Let's not fight out in the wilderness, OK? My bad.

'The show is going well

'and the audience is receiving it well,

'and Teresa killed.

'She did a very cute job'

of starting the piece off with me,

lost out on a desolate road.

-Let's find a gas station.

-What is that?!

-LAUGHTER

-God!

-Let's go this way.

'Teresa and Arsenio did their little scene.

'It was horrible. It's difficult.'

It's difficult when people aren't as good

at things like this than you are.

-Arsenio.

-LAUGHTER

I put the Good Sam app on your phone.

Whoa.

Oh, yeah, yeah, yeah, yeah, yeah.

OK, um, what do I do? Just push it?

-Yeah, just like this.

-Oh!

-You're my hero.

-Good Sam!

-# Good Sam

-Efficient and reliable

-# Good Sam

-Always trusted and affordable

# Stuck in any place in an emergency

# Just call on Good Sam He'll protect you hassle-free

-# Good Sam

-Efficient and reliable

-# Good Sam

-Always helpful and responsible

# When it comes to coverage, he's got 48 states

-# Wow!

-Told me 24 hours

# You cannot beat his rate

-# Good Sam

-Always trusted and responsible

-HE RAPS:

-# Sam's taking over the rescue game

# Your trusty friend Competition can't hang

# Happened, folks, real, real quick

# Since way back in '66

# Your guardian angel day and night

# Sam's mobile app will be out of sight

# You'll be protected You'll feel safe

# Heaven on earth when you see that face

-# Good Sam

-Sam... #

'I felt great doing the performance.

'I felt like the song was strong and we really delivered.'

I think it was very entertaining.

-# Good Sam

-Always trusted and responsible

# Good Sam! #

-APPLAUSE

-Yeah, yeah, yeah, Good Sam.

-CHEERING

-Fast or faster than 911,

get you and your friends back out there having fun.

Sam, would you take me and Teresa home, please?

Everyone! Say, "Good Sam!"

-ALL:

-Good Sam! Good Sam!

Good Sam! Good Sam! Good Sam! Good Sam!

APPLAUSE

-HE GROANS

-That was awesome.

Well, you were great. You were great.

'So, it's all over now, and the jingle's catchy.

'It's funky. I like it. I'm just hoping'

I win some more money for my charity, and that Aubrey

'hasn't gotten in the way of that.'

Thanks for helping us.

I mean, you really, really turned it out for us.

Even the passing out of the pamphlets. Everything.

You gave them to the right people.

-What did you think?

-I thought it was great.

You know, the piece that, for me, was outstanding

-was the energy in the performance...

-Mm-hm.

..and the enthusiasm behind it.

They hit the brand messaging.

I can't get the jingle out of my head.

I've been singing it myself.

It looked very well rehearsed, they had it in sync,

-and I liked the use of the mascot.

-Good.

Which was important cos that's the guy that'll come save you.

-Were there any negatives?

-I didn't love the cheerleader outfit.

Aubrey asked me yesterday how edgy they could get,

and I reminded her that the audience is her grandmother

-and her niece or nephew.

-Yeah.

-It was a little more revealing than I would have liked.

-OK. Good.

But we have a tough decision to make,

and I'd like to go talk to Donald and tell him what I think.

-Let's go do that.

-Great.

Look at that smile on your face, Arsenio.

-What does that mean?

-I'm just glad to see you.

-Are you confident?

-Yes.

-You think you won?

-Yes.

-Why?

Because it was hip and popping and diverse,

and even though I'm no Jay Z, my team-mates carried me through.

But they have Clay on their team.

Wouldn't you think that was an advantage?

As good as Aubrey is, wouldn't you think that would be an advantage?

I'll put her up against Clay today.

-THEY GASP

-Oh, that's nice. Thank you.

Well, well, Clay. How do you feel about that, Clay?

-I'll take it. I'll take it on.