Blown Away The Apprentice USA

Previously, on the Celebrity Apprentice,

the remaining six celebrities were tasked

with writing and producing a jingle for Good Sam.

Good luck. Do well.

On team Unanimous, Aubrey O'Day once again tried to take control

from project manager Arsenio Hall.

I was just thinking of what would be most effective for you to win.

You know that already, that your idea is the winning idea?

If you give her an inch, she'll take a mile.

On team Forte,

project manager Dayana Mendoza tried to assert herself.

It doesn't bother me having one dressed like a hippy.

It's not hippies.

-Is it a bad idea to have one person dressed as a hippy?

-Yes.

They're just evil, evil people. Ra, ra, ra, ra.

And Lisa Lampanelli's emotions got the best of her.

It's stuff, you know.

He knows what he's doing and she's as loud as possible.

-I can't even take your

-BLEEP.

She has so many insecurities that she has to deal with.

-You're just

-BLEEP

-yourself, cos you are out of line, as usual, again!

On the day of the presentation, both teams sang their hearts out.

# He covers all our vehicles RV, truck or car... #

# Told me, 24 hours

# You cannot beat his rate Good Sam... #

That night, in the boardroom, Arsenio's team took the win.

Dayana, you lost.

Left to fight it out, Lisa held nothing back...

With all due respect, there was nothing going on up here.

She is the female Lou Ferrigno and I object to that.

..leaving Mr Trump with little choice.

Being Miss Universe is a lot easier. This is not an easy thing.

Dayana, you're fired.

This season, the final five have battled hard to make it to the end.

-Are you kidding me?

-No, no, no.

-Are you kidding me?

You're being condescending.

And they'll have to keep fighting, if they want to win...

You come in here and you tell a lie.

Her whole personality is about Aubrey.

-BLEEP

-that whore.

-BLEEP

-that whore.

-Yelling bitch and whore about a

-BLEEP

-woman is

-BLEEP

-wrong.

-Don't be a

-BLEEP.

-When you

-BLEEP

-with me and disrespect me, it's on!

..because at the end of the night, two more will be fired.

-That was some crazy

-BLEEP.

-So, who do you think's going to go home?

-Hello? Dayana.

-You don't think there's going to be any surprise twist?

-No.

-BLEEP,

-hey.

-What happened?

-Both?

-What?

-Did both...?

-Wait, what?

-What?

-I know. It was so

-BLEEP

-up. So, I guess one of you are on MY team now.

-They're both gone?

-Dude, he was out of control.

'Lisa says that Mr Trump went crazy and my boy is gone.'

They're both on the elevator, heading downstairs.

-Mr Trump was out of control. It was

-BLEEP

-insane.

-ALL:

-Hey!

-They're so stupid!

-THEY LAUGH

Her face!

Oh, my man.

Oh, my God. It was the quickest boardroom in history.

Listen to what he said. You'll die.

OK, so we go in, right, and then he starts going on to Dayana,

"I think you're great, I think you're great."

And then he just did a... "You're fired."

'Dayana's gone. See ya, see ya,'

wouldn't want to be ya. How mature we are today.

-And then there were five.

-# Dn, dn, dn. #

-Teresa, you don't say

-BLEEP

-in the boardroom.

This is Teresa in the boardroom. Ask me who was the weak person.

-Teresa, who was the weakest person on your team?

-AS TERESA:

-I...I...

I... They're all good.

THEY LAUGH

See, I'm the type, like, I'm good, I'm good,

but then don't attack me because I attack back.

'Now that Dayana's gone and Lisa's making impressions of me,

'it seemed pretty obvious that I'm her next target'

and it's like, "Oh, Lisa, you need somebody new to pick on?"

Really? Bring it on.

# Money, money, money, money

# Money!

# Money, money, money, money

# Money!

# Some people got to have it

# Ye-eah

# Some people really need it

# Hey, listen to me, y'all

# Do things, do things, do things Bad things with it

# Dollar bills, y'all, come on

# That mean, oh, mean

# Mean green

# Almighty dollar

# You know that money

# Give me a nickel, brother Can you spare a dime?

# Money can drive some people out of their minds

# No good, no good, money!

# Money, money, money, money

# Money! #

-Good morning.

-ALL:

-Good morning.

-Lisa, how do you feel about losing Dayana?

-Um, I feel fine.

I feel like we have a really strong team.

Our team is less beautiful but just as smart.

-Excuse me!

-Oh, I'm sorry, girl!

THEY LAUGH

OK. We're standing in Hearst Tower.

It's the home of the Hearst Corporation,

one of the really powerful media companies of the world.

It's also the owner of a fabulous magazine, Elle.

On my right is a very special woman.

Robbie Myers is editor-in-chief of Elle magazine.

Now, over the years,

I've had a great relationship with Farouk Systems.

Next to me is Farouk Shami, who is the founder of Farouk,

and John McCall, who is the vice chairman.

Farouk, what's the task?

Farouk Systems changed the hair care industry

by introducing Biosilk and CHI products.

We are introducing the CHI touch screen hairdryer.

Your task will be to create a four-page print ad campaign

to promote the CHI touch screen hairdryer.

Tomorrow, you will deliver your print ad campaign,

which may appear in Elle, to Farouk, John and me.

Your print ad campaign will be judged on the following -

brand messaging, print ad campaign and overall pitch.

-OK, who's your project manager? Lisa!

-Yes.

I am so glad we have two

to their three members

because they have to carry Teresa along

and we don't have to carry anyone,

so I think we're stronger, the two of us.

-Who's your project manager?

-I am.

-Very good.

'This is the last task before the final four,'

so I really want to make a big impression to Mr Trump

'and I feel I definitely belong in the final four.'

OK, the project manager of the winning team will get 50,000.

Let's match it and make it 100,000. What do you say?

-That's great, John.

-Oh, my God.

-That's fantastic.

Farouk, Aubrey has gotten more and more beautiful

-as the weeks have gone by.

-Nice red hair.

-Thank you.

-Beautiful.

-Is that your cheat colour?

-It's all real.

-Oh, right...

OK, 100,000 to the project manager of the winning team.

Have fun, do a great job.

Elle magazine is terrific, Farouk is terrific.

-Do a good job for both of them.

-Thank you.

-Good luck.

-Thank you.

Do you like that? "More time, more shine.

"CHI - the world's best blow dryer."

-Hi.

-Hello.

-Hi.

-Hello.

-Hi. Teresa.

-Robbie. Nice to meet you.

-Hi, Farouk. Teresa.

-Pleasure.

-Nice to meet you. I like your boots!

-The CHI boots.

-I love them!

-We both like red.

-We do.

ARSENIO: I don't know Mr Farouk, but he had on a custom pair

of red boots to match his branding for the company.

Is Farouk pimping or what? Corporate pimping!

He's a bad little dude!

FAROUK: This is the CHI Touch.

It's touch screen, very light. It dries the hair almost half the time.

We developed this with lots of NASA technology.

HAIRDRYER BLOWS

-Oh, it's quiet, yeah.

-See how quiet it is?

-Mmm-hmm.

What we want to do is marry Elle's girl, as we call her,

with what she is trying to do.

Importantly, there's sexy and then there's vulgar

and we're never vulgar.

-Lisa?

-We're out of here!

THEY LAUGH

I have a question for you about the actual print ads

you feature in your magazines where they tend to go on,

regards to hair, because most of the time it's more beauty based.

Well, it's so important to look at the visuals and take them

-as seriously as you're trying to take what the copy would be.

-Right.

-You have gorgeous eyes.

-Thank you.

-It makes me weak but that's OK.

ARSENIO: I'm looking at Farouk's left hand and I'm thinking

if he has a wedding ring on, he's making a play for Aubrey's hair.

If he doesn't have a wedding ring on, he's making a play for Aubrey.

Men take to Aubrey. If she wasn't such a bitch, I'D be into Aubrey.

But we have a different relationship.

-Thank you so much for coming by.

-Thank you so much.

-It's a pleasure to meet you.

-Thank you.

-Thank you, Farouk.

Thanks a million. Oh, my God! Where do you live?

-LA.

-Oh, I'm moving! AUBREY LAUGHS

-I live in Houston.

-Let's do it.

We want to nail down a concept, Teresa,

-so we know where we're going with this.

-OK.

"Chi" is like a phrase used in Zen meditation.

That's what the product is all about.

I think, as far as the hair goes, we do a futuristic look

because this is the future of products,

given that it's a touch screen. We do some type of futuristic look

with the girls doing meditating poses, so we pull in the chi

and it can be something like, "Be at peace with your hair".

And there should be no words

and we should be able to get what the company is saying.

'As usual, I had a million ideas. It was my idea to create'

a yoga meditative vibe with our models,

mixed with futuristic hair and futuristic lighting

'and being able to step into the future of hair care innovation.'

I like that, yeah, cos it is the touch screen,

-we're in 2012, the future.

-Right.

-So, I can definitely see it going that way.

-Right.

On the surface, I thought it was just going to be,

"We threw on a touch screen" and that's all that it has to offer.

But it's lightweight and it's really quiet, dude.

'We're down to the final five and friendship does not run thicker'

than, "Hey, do your job".

'So, if Clay makes a huge mistake, I'm going to attack him.'

So, something about below the surface, beauty on the inside.

How do we portray that in a picture?

Maybe taking women who are a lot more than what you saw.

'I'm like, what about the idea that this hairdryer is a lot more

'than what you see on the outside?

'Who else is judged like that? Women.'

Maybe we ought to combat the stereotype that women

who look a certain way don't always have nothing else going on inside.

Now, that concept is busy and I like it

but we've got to make sure that it works for Elle.

It's difficult to get across a concept that's abstract.

'My fear is we might be making it too difficult'

for the reader to grasp what it is we're trying to talk about.

I think it's more appealing if they all have different personalities.

And then the copy could play directly the opposite.

Like the tomboy chick, she'd be like,

"You don't know I cry at homework commercials", or whatever.

'We decided we're going to show types of women who are the Elle girl

'and through ad copy,

'tell the stories behind who these women are,

'that's diametrically opposed to the actual photos,'

so more than just a pretty new face.

-"Because under the surface, it IS different".

-That's cute.

I need to negotiate for models.

Who we should fight for first is her,

because the first thing that guy said was how he loved my hair.

-Mmm-hmm.

-'One person from each team had to negotiate for models.

'The first person I wanted was definitely the redhead'

cos Farouk loved Aubrey and she had red hair, so hello!

So, should we even use a guy then?

I think we should because they want to market it to both people.

-So, these are the two that you have to make sure we get.

-OK.

-Whatever you do, don't allow them to get what we want.

-No, I know.

-How many are we supposed to pick? Four.

-Does it matter who we get?

-To be honest, I don't really care because they're all fierce.

-Yeah.

'We had to negotiate with team Unanimous for which models

'we wanted to use, but Lisa and I really didn't have any models,'

particularly, that we really, really had to have,

so it wasn't going to be a very tough negotiation.

-Hey, tough negotiator.

-Hi.

-How you doing?

-Good.

-This is going to be easy.

-OK.

-OK, who do you want?

I want the redhead, I want him and...these two.

OK, so we want three of the same ones.

-I definitely want the redhead.

-Clay was like, "Get that redhead".

'Clay and I were not hardcore married to any models'

but this broad wants that redhead so bad,

that I have to pretend I want her equally bad

and manipulate Teresa.

So, um, if I give you her, you have to give me these two.

That's not fair!

Yeah, it is. If you want her THAT bad...

TERESA SIGHS

-Hold on. I'll come right back.

-OK, cool, no problem.

-Right, quick. We wanted three of them the same.

-Right.

So she said she'll give me this one but she wants these two.

No, tell her we'll take the guy and the redhead

-and she can kiss our ass.

-You got that?

-OK. Let's see.

It seemed like Lisa was running a mad game

and there was nothing I could do.

It was the most helpless feeling in the world.

OK, got it, honey, sorry.

Don't worry about it. Are we starting from scratch?

-Yeah, let's start from scratch.

-Oh, Jesus.

-So, I'll take the redhead.

What makes you think you can go first?

Can I have the redhead? You said I could have the redhead.

-No, we started over, bitch.

-I definitely want the redhead.

I'm going to get slammed by Clay

when I go back in there without a redhead.

I will give you her... if you take him.

If I take him? I don't want him.

-You're

-BLEEP

-me by taking the only redhead.

-That's not fair.

-Of course it's fair.

-I already have a guy!

-So?

I thought going in to see what models we want

was going to be a piece of cake.

I didn't think she was going to be dirty like her mouth.

Lisa's taking it to the hoop. Come listen.

If you want her that bad and I'm going to,

out of the goodness of my heart,

cos I'm a Christian God-fearing woman, give you HER,

you're going to have to take him and that's on the table right now.

-I don't want him!

-It doesn't matter.

-AUBREY:

-Yes, it DOES matter, Teresa!

This is a negotiation.

-This isn't a Teresa says what I'm going to get

-BLEEP.

You have 30 seconds to decide or else Alice gets ripped up

-and torn on the floor and nobody gets her.

-But this is not cool.

Tick tock. Tick F-ing tock.

'Right there, I saw who Lisa Lampanelli really is.

'She is a shady, shifty,'

two-faced blank. You can fill in the blank.

-I'm not doing this any more.

-You have...

-Figure it out.

You have 30 seconds to decide or else Alice gets ripped up

and nobody gets her.

There are three models we're not using. Why can't I use one of these?

Because this is how a negotiation works.

'Teresa goes, "I want the redhead." You never make yourself'

-sounds that desperate cos then somebody can

-BLEEP

-with you

and I'm, like, "You can have the redhead

"and then you have to have a second guy."

The fricking guy had a crew cut.

But that's messed up cos you're sticking me with...

There's no indication I'm giving in. We just throw her away?

Take the guy and you've got the redhead. Do it.

'When I need to be stubborn, I could be,

'and I could have stayed there all day but the time was ticking by'

and I had to make a move.

All right, whatever. They wanted the redhead.

'Lisa probably thinks that she won round one

'but she definitely messed with the wrong woman'

and it gives me more reason to beat her as a project manager.

So, this is team Forte here and this is team Unanimous.

All right, let's go.

It's a pleasure doing business with you.

LISA LAUGHS

-Did you hear all that?

-I heard everything.

-It was awesome, right?

So she took two guys?

I go, "In 30 seconds, I'm ripping her picture up

-"and nobody's getting her."

-We don't even care who we

-BLEEP

-get.

But they're F-ed cos now they're saddled with two guys.

I'm an evil genius.

-Tell me something good.

-She's, like, "You can have the redhead,"

-and then I had to have him.

-Why did we get HIM?

-Why didn't we take one of those girls?

-Because she's telling ME.

-She's trying to stick it to me, get it?

-No. We can't have two guys.

-Well, she wouldn't budge.

-Then YOU don't budge.

-We were going to have one man, but we definitely can't have two.

-No.

'We got duped, man. She got one man with almost as little hair as me.'

It's a hairdryer. We need hair.

-She said Clay really wanted her.

-I guarantee that they don't want her.

-That's Lisa's manipulation.

-It's over, guys, it's over. It's over.

-How are you, sir?

-How are you?

-Good to see you today.

-You look comfortable.

-Not really. It's the illusion of comfort.

-What happened?

-Well...

Her and Lisa went and had a dispute about the models

-and we've got some people that we don't want.

-So, it's...

This is NOT OK. It's definitely not OK for a hair campaign.

-I wanted this redhead.

-Mmm-hmm.

And she said, "You can have the redhead if I stick you with him."

Why is she driving that choice? It's a negotiation, right?

No, I know that, but she...

'We're down to the final five. You can't make a mistake.

'The fact that Teresa lost the negotiation,'

I think, if they ultimately lose,

she could really be the one on the chopping block.

What's the concept?

Our concept is, we're doing peace with your hair in the future.

-Was it your idea, Aubrey?

-Yeah.

-Chi means, you know...

-Energy.

-Chi is energy.

-Chi is Zen,

it's relaxation, meditation, so we want our girl... Go ahead.

So, we're doing yoga, like a girl sitting in a yoga position.

How is the hairdryer going to be in the ad or is it not?

The hairdryer's going to be the thing she's holding

that gives her the relaxation during the yoga pose. He said...

-Can I talk? I don't want to overshadow you.

-Yeah, of course.

We're in the juxtaposition of peace and future.

"Be at peace with your hair. Head into the future with hair care."

-We want to be able to show these two concepts in one photo.

-Mmm-hmm.

'If there's one thing about Aubrey she's consistent.

'She always has a loud voice, she's very type A,

'but at the end of the day, Teresa's the project manager.'

Teresa's going to be the one accountable if they ultimately lose.

I think we're completely hitting the mark.

I think that the models are a problem right now and we'll fix it.

-They just played hardball with us.

-She was a

-BLEEP.

-Just relax.

-We'll get through this.

-You know how she is, you know.

-Hello, how are you?

-How you doing? You're too cute.

I'm Clay. Nice to meet you.

'The concept for our ad campaign is "More than just a pretty new face".

'We're going to show types of women'

who are Elle readers, and show that

just cos they look a certain way

doesn't mean they don't have more going on on the inside.

You're sort of the librarian, studious woman.

We have you as the tomboy. You're going to be the modern hippy.

Lisa Bonet. You, we have as fierce glamour.

So, that's perfect casting right there.

'Initially, I wasn't 100% sold on the idea

'but, once we paired our models'

with the personalities that we wanted them to convey,

I was cautiously optimistic.

-We've got to go shopping.

-I'll go to Lord & Taylor for the clothes.

Do you want to take one of them with you

-cos they're girls and they have style?

-That would be cool.

Ladies, shall we?

This is really cute.

Clay says he's the only gay guy in the world

who doesn't know anything about fashion.

I don't know nothing about fashion either but I had a model with me.

This is definitely bohemian.

What about something like this, with the belt around the waist?

You're a genius! Oh, my God!

'Shopping for size zero - it was the best thing in the world.

'You could buy hundreds of items'

and they don't weigh anything. The bags weren't even heavy.

I'm like, "Bitch, ten of those is like one size 16."

-Get both.

-Get both?

-Yeah.

-OK.

I guess I'm just trying to cover my ass

and get enough so I don't get yelled at by Clay.

Hello?

-Perfect, thank you.

-And they have beautiful hair?

-They have good hair?

Great.

'With all of the dysfunction of Teresa's non-ability to negotiate,'

I am trying to get wardrobe and models brought in

or we will never get this done.

-OK, I love.

-I love you, I love you!

-Thanks.

OK, let me call another hook-up that I have.

'What I'm feeling in my heart is,

'how dare you not have handled business in the right way?'

Now you're relying on your team and when I say "team", I mean me,

to fix the entire problem.

Lisa, you can stick it. Lisa can go scratch, how about that?

'Teresa's no fool. She knows that she's been duped and it was,'

"Lisa, Lisa, Lisa. Oh, that bitch.

"Lisa, that bitch. Scratch, scratch, scratch."

She's probably, like, "Ha, I got over on Teresa." Yeah, OK, bitch.

Lisa has no idea she has a far-reaching effect

that has still got a grip on Teresa.

Lisa Lampanelli, you messed with the wrong person.

-Hey, how are you? I'm Clay.

-Jason.

-Nice to meet you, Jason.

'I brought the models to the studio'

to try to start getting them ready, get their hair and make-up done.

Are we thinking clean background or...?

These backgrounds, are they linen backdrops or painted canvasses?

'But when I walked in, I was so overwhelmed

'by how many people started running towards me.

'Everybody wanted information and there was only one of me.'

Let's put it right here on the floor.

So, I had to pretend I knew what I was doing and stay calm with it all.

When Lisa gets here, she'll be able to give more.

When Lisa gets back, she'll have her headshot.

We can't make a decision till Lisa gets here.

'I really needed Lisa.

'I was concerned about the lack of organisation'

and the lack of direction that we had.

-You wanted black.

-Yeah.

-This has cream in it.

'But I did as best as I could.'

-She's starting to look like a librarian now.

-Great.

So, basically, we're combining peace and future

-but we want the look to be futuristic.

-OK.

I want to shoot the product first. It feels like that's easiest.

-Absolutely. And Arsenio will do all that with you.

-OK. Excellent.

'The task this week is create'

a four-page layout for Elle

that trumpets this wonderful new product

called the CHI digital hairdryer that's quieter, lighter and safer.

So, you can give me straight, slightly tilted

-and then you can give me nervous-breakdown tilted.

-Yeah.

'I had an advantage cos I'm a photographer,

'so I got to place myself in my wheelhouse with the photographer.'

I'm getting my Annie Leibovitz on. Looks great to me.

-So, we're done with this?

-Moving on.

-We're facing this way.

-Turn it around!

-Got it, boss!

-I think your three looks can be this, this and this.

-I love that.

Cos you have medium curl, mostly curl...

But what about the other redhead with the bangs? I love that.

-Do you want me to do it?

-What?

-Be the redhead.

-Whatever you want, babe.

-I think I could do good.

OK, why don't you start getting done up?

'Even though we fought for the redheaded model,'

I decided to be the model.

Farouk loved her so much.

You know, we have a redhead and we're going to use her.

'Do I want to be in the ad? Hell, yeah!'

I'm not scared to take risks and that is what separates me

from the other people here.

-Aubrey, I want you to meet Alice.

-Hi, Alice.

-Nice to meet you.

-Nice to meet you too.

-OK.

I know it's not your fault but we started with the redhead already.

-Of, course.

-So we're going to go with her.

-Thank you.

-Thank you.

-Thank you for coming. Thank you.

What?

What am I supposed to do? "Tell me before."

-Her hair's not as red as we thought it was.

-She had blonde hair.

-Yes, she had blonde hair. I want red. This is red.

-Yeah.

-Yes.

No. No.

No.

When you're in charge, people are supposed to know.

Right now, Teresa thinks that she's the project manager

and, in title, she is.

But Teresa doesn't realise Aubrey and I are controlling this.

Should she try these on cos they're still setting up

and we'll see which one we like better?

I think the base tone is better than the see-through, for sure.

We can do a hairdryer shot now.

Do you have a ladder? I'll climb up there.

I had two models who were almost ready in hair and make-up,

so I really needed Lisa to show up with the wardrobe

but we were running out of time,

so I decided to start moving.

Let's just do a few of them straight down.

-Here she comes. Hello.

-We got beautiful stuff.

-Good.

Let me help you out.

'Lisa finally arrives with the clothes from Lord & Taylor'

and we quickly as possible dress one of our models

and put her in front of the camera.

-We got to roll cos we're running out of time to do this.

-OK.

All right, you work it.

Let's pop in there and see what we got.

-That's smart. It's cute.

-OK.

'I've been in front of the camera a little bit,

'simply because of the job I do, but I've not been behind the camera,'

so it was a neat experience for me.

Let's hit her with the fan just lightly.

I was making sure we had the shots that we needed.

Lisa, however, did nothing to help.

-Can we get that light on her hair too?

-Absolutely.

Anyone who walked into the room and watched us for five minutes

would have had no idea who the project manager was.

-Hey!

-How are you?

-You look great, all casual.

I usually go casual, actually. I only put a tie on for the boardroom.

Do you want to sit down?

-I can't even tell you how pleasant this is.

-Talk to me about it.

What I thought about this hairdryer, when he comes in,

I'm like, "Oh, wow, it's no big deal",

and then he showed us there's so much beneath the surface,

so we decided to go with different types of women

and show what's beneath the surface of THEM,

just like there is beneath the surface of this dryer.

So, I think it's a great parallel.

'I think their concept's pretty interesting

'but, at the same time, it's deep,

'so I don't know how you get that to translate well into a print ad.

'If you miss the message, if you miss the point,'

it's going to be a really bad situation.

-We are so winning this, it's unbelievable, right, Clay?

-Hello?

I'm picking out the pictures of women!

What could possibly go wrong there?!

THEY LAUGH

Didn't you get a black bodysuit or no?

She has to wear something underneath it.

-We might be able to do something. Come here. Might

-BLEEP

-her outfit.

OK. What if we...? What if we do this? Look.

'Aubrey was sitting there with her boobs hanging out.

'Like, literally, they were out.'

-Tuck in the arms.

-Yeah, I will. OK, come on.

Do you have any morals? What are you doing?

You look good! I would hold it like this. Yeah.

Our slogan is "Be at peace with the future of your hair",

so we wanted our models to be in yoga positions

to really get our theme across.

Perfect. Just like that. Beautiful. Oh!

With her mouth a little open like that, it'll look good.

I have to say I'm a big fan of photography

and I love taking photos of my daughters so, of course,

when I look at a photo, I see what looks good and what doesn't.

Right, there, right there. You got it! Awesome! Beautiful!

I was critiquing what was appealing to my eye and what wasn't.

Whoa! That was good. Oh, that was a good one!

Keep going, cos there's a few more.

-I could totally see my ad in Elle magazine.

-You know what, guys?

We should try to get as tight a shot as we can

cos he told me I have pretty eyes.

'I've been in Elle before,'

I do have to say that,

but I was always on the worst-dressed list, so...

I'm definitely getting my revenge today

by being their redheaded bombshell. Take that, Elle magazine!

-You look really good.

-I'll just give you a bunch of different things.

I think you should cover that open part of her boobs.

-So, go down a little lower on the dryer.

-Yeah.

-Good. There you go.

-That's sexy. Nice.

-I like that.

-That looks good.

Keep going. She's into it.

'I just look so good as a hair model.'

My hair looks so fierce. It's just undeniable. Hello!

Come here, you want to look at them?

-See, that looks good.

-I like that. You marked it?

'Aubrey looks amazing. Her hair looked incredible

'and I really worked hard on this.

'But there's only five people left in the competition'

and you have to be contributing every week

and Arsenio's not doing that.

-I like that.

-That looks better, even. I like that.

-Morning.

-Good morning.

Hello.

I'm very confident

Aubrey and I will be able to nail this but I'm worried.

Usually we can put Teresa in a place where she'll feel safe,

but she's the project manager. She has to be the captain.

Hi, how are you?

Ladies and gentlemen, we'd like to introduce the latest addition

to the CHI family of innovation hair care technologies, the CHI Touch.

The CHI Touch slices in half... the traditional drying period,

leaving you with more time and more shine.

It's lightweight helps reduce the risk...

It's lightweight and helps reduce the risk of carpal tunnel syndrome,

thus cementing the CHI Touch place

as a hallmark for respon... responsible beauty.

The CHI Touch reminds you, be at p...

be at peace with the future of your hair.

Thank you so much for joining us today.

I just wanted to start off by saying, Farouk,

-thank you for this product.

-Thank you.

A lot of the words you used yesterday

were combined around peace and future,

so we wanted to embody both of those messages within our slogan -

"Be at peace with the future of your hair".

-Farouk, you like that one? That one's me.

-Looks lovely.

We also, on every single ad, have our slogan, the product title

and we've put the side products in the ads.

This is our final stand-alone ad.

We wanted the model to embody serenity

but we also wanted to show the future

of the beautiful hair that you can create. Thank you.

-Beautiful.

-Thank you.

-How many of you have experienced

being around somebody drying their hair?

Here's what you hear. Zzhh, zzhh.

This is what my girlfriend hears during that.

-HE MOUTHS

-We do that on purpose, Arsenio.

I can imagine! But this dryer is so much quieter.

When I turned it on, I was shocked at how quiet it is.

Be at peace with the future of your hair. The CHI Touch.

And that's our presentation.

Arsenio and I did a great job with the presentation.

Thank you. 'But I saved the day.

'I brought in all the wardrobe, all the models,

'I came up with the concept and I also wrote the presentation.'

So, if we lose, Teresa should go home.

'I'm really not nervous at this presentation.

'We had prepared enough'

and we're confident in this ad.

-Hello.

-Hello.

-Thank you so much for having us here today.

We are so thrilled to present our ad campaign for the CHI Touch.

Initially, our thoughts were,

"Wow, it's going to be beautiful, sleek on the outside."

But then we realised there is way more to this hairdryer

than meets the eye and who does that happen most to is women,

your potential customer and the Elle reader.

So, we came up with an ad campaign to marry both of these ideas

and call it "More than just a new pretty face".

And what we're really excited about is we see this ad campaign

as having potential to go on and focus on different types of women,

so if you look on the back of your pamphlet, you'll see our tomboy.

"I know I look like a tomboy, but when no-one's around,

"I put on my high heels and dance to my favourite pop star.

"Trust me, my hips don't lie either."

It says in the copy, "I'm also the world's first touch screen dryer".

We wanted to focus on that because that's a huge selling point.

We believe that we've married the two missions together

and we hope you agree. Thank you very much.

Thank you again for having us. Thank you.

'I totally think we won. If Teresa won over me,'

blow my fricking brains out cos it's time to hang it up.

So, let's talk about Teresa's team.

The blow dryer is there, but there's not enough information.

That's true.

The print doesn't give features and benefits of the blow dryer.

As you know, this is a visual medium.

We're trying to communicate something

-and I think these are definitely the stronger images.

-What do you think?

I kind of got blown away with the presentation. That was great.

-I like Arsenio, you know.

-He's a natural.

-He is funny.

-Yeah, for a guy with no hair, he did a great job.

-Right.

I felt that Teresa was a little nervous but that's understandable.

-You're the client.

-I felt she lacked the passion about it.

OK, now let's talk about Lisa's team.

I think they did good. Very good presentation.

Not as passionate, but they understood the message

and they specified the features of the hairdryer - quiet, less time.

They did features and benefits. John?

This is something that would be done in the '70s or '80s.

The pictures are a little dated.

That said, I do appreciate that they're trying to pay attention

to MY audience and I love that they defined

-these four different fashion girls.

-So, it's close.

-It's close.

-We have a hard decision to make.

-It is a hard decision.

Let's go and talk about it a little bit more

-and present our opinion to Mr Trump.

-OK.

-Teresa.

-Yes.

-Did Lisa play you for a fool?

-LISA LAUGHS

-Ooh.

-Not at all.

So, what happened, Teresa?

A person from each team had to go out and negotiate the models.

-Did she outsmart you?

-She THINKS she outsmarted me.

-What do you think, Lisa?

-There was one red-haired girl

and I was, like, we're going to fight for it.

There's nothing dirty about negotiating.

If you've ever negotiated a house,

-you don't put your cards on the table.

-And you won the fight?

If she wanted the model, she had to pay a price,

which was to take a potentially bad model also.

I'm no stupid idiot. I'm not going to fricking give away the house!

How do you feel about that, Teresa?

I feel really confident because, if anything,

she just made me work even harder and I feel great about our models.

Teresa, what do you think of Lisa?

I really liked her but she played dirty

and she played dirty like the dirty mouth that she has.

You can get ahead by being honest and being respectful

and I know that's what I am and I know that's what she's not.

What do you think about that, Lisa?

The "honest" and "respectful", in quotes, that Teresa displays

and has through the past 13 weeks is questionable,

just like everyone else here. We all have our tactics,

we all have our ways of doing business.

We wanted that lady and it was hilarious...

And I ended up getting her, right?

And you ended up stuck with a guy with a crew cut

-for a hair blowing ad.

-We didn't use him.

-Of course you didn't use him!

I knew Aubrey, by the way,

-would come up with resources to call models.

-Oh, Lisa.

Put it this way, it was a fun little moment. To me, it was an amusement.

Come on, it was easy! Someone goes, "I want this chick that bad",

I'm, like, "Well, so do I."

-Do you think Teresa should be in the final two?

-No!

-You don't think so?

-No!

-Why?

I just think there are four other people here that deserve it more.

Aubrey, what did you think of Lisa's tactics?

This is difficult cos I love both of these women,

but Lisa is sharp, smart and has the ability to get what she wants.

-I do too.

-I know. I'm not done. Relax.

And I think that...

..when you're negotiating... Teresa had folded too early.

Because I was project manager

You never fold until you get what you want.

But for going to the finals - you're talking about a big deal,

millions of people watching - for going to the finals...

For going to the finals, you get what you want.

You're not going to be Celebrity Apprentice unless you want it.

Who do you think would be better in the finals - Teresa or Lisa?

Hmm...

I said, from the very beginning,

that I have a respect for Lisa's brain

and I've had it from the very beginning.

But yet, Teresa's your project manager.

I know and Teresa knows I love her

and I've always been honest about her strengths and she has many.

I love them both for different reasons.

-Arsenio. How are you, Arsenio?

-I was trying to become invisible, sir.

I know. So, what did you think of your project manager?

This is about hair and I saw a picture of a guy

and under it, another picture of a guy, and I know it's a hair thing,

so I'm, like, "Uh-oh", but at the same time, I thinking

-I've got two gorgeous women, one who Farouk had complimented...

-Right.

..early in the day, another who equally, follicly speaking,

-is blessed.

-Yeah.

-So, I'm like, "We're going to be fine.

"I can always put my angels in it."

-But you still weren't happy.

-No, I wouldn't lie to you, sir.

I was unhappy because we didn't get what we wanted

and this show is about manoeuvring your way to your goal.

And Aubrey might have been the only one more upset.

I just wanted to fix the problem.

You walked in right as Teresa had walked in,

so there was a problem at hand.

I don't care about being upset about problems, I care about fixing them.

There is no time for emotion in business.

-I got on the phone, fixed it, moving on.

-Were you a model?

-Yes.

-And you did very well as a model, I understand.

-Thank you.

Clay, who was your model?

We used four models that Lisa was able to negotiate for us.

I'd like to see... Do me a favour, Don, Eric.

Let me have those ads and we'll send them across the table.

OK, here you go.

Thank you. Study that up, let me know what you think.

Arsenio, take a look at it.

What do you think, Arsenio?

-They're drastically different.

-Very different.

I like ours. That seems like a self-contained pamphlet.

That seems like a four-page layout for Elle.

-Lisa, what do you think?

-I think they're great.

I think Aubrey looks better than that redhead they got.

She should be a model. Are you kidding me? That's beautiful.

They're beautiful. There's nothing to say.

Clay, which ad do you like better?

I don't know that it's an ad for a hairdryer

because I don't see anything saying that. I see them holding it.

I'm not sure what they're advertising.

-Do you think he's right?

-No, not at all.

Eric, what did Farouk and Robbie from Elle magazine

think of Teresa's team?

Teresa, they thought your team had a lot of passion

and they thought it was convincing and well done overall.

Arsenio, they thought you were great, funny.

They loved how a guy with no hair

knows all the details of a hairdryer, all the technicalities.

The negatives - and there was a very big one -

they didn't think your ad spoke to the features of the hairdryer.

It's so revolutionary, there are so many different features.

That was just missed.

They also didn't think the photos or the ads or the models

or the way they were dressed were really Elle.

Lastly, Teresa, they just thought you were awkward

-during the presentation, that you didn't look relaxed.

-Uh-oh.

-I don't speak in...

-Trouble... Trouble in paradise.

It didn't really work and it was a very big negative for them.

-Why is that?

-I feel like I was great doing everything else,

but speaking-wise, I get a little nervous.

Don, what did the executives think of Lisa's team?

They thought the ad pitch had a lot of information,

so that was a positive. They liked that you had

a bit more towards the advertorial side of things.

The presentation and the print ads were all explained well.

Featuring the dryer was highlighted a bit better than the other team's.

You did a great job of paying attention

to both the Elle and the CHI audience,

which was critical for them, and they really liked the back cover,

especially the tomboy look cos it was a bit different.

The negatives were that the clothing was a bit dated,

not really styled to their typical standard

and that the presentation lacked a bit of passion.

-Who chose the clothing?

-It was myself and a model.

You know you could be fired for that, Lisa?

When I saw you yesterday, you and Clay were working really as a team.

There wasn't a distinct project manager,

yet you chose to be project manager. Who's going home if your team loses?

I guess we both have to come in here and extol our own virtues

and then see who Mr Trump feels is better suited to stay.

What do you think the answer is?

Well, I'd be an idiot if I didn't say myself.

Clay, if your team lost, who do you think should be fired?

I don't disagree with what Lisa said.

Obviously, she would say she should stay and I would say I should stay

and if we were in the situation,

we'd both have to extol our virtues, as she said,

-or we could arm wrestle.

-Oh, I'll win!

Who was in charge of creative, you or Lisa?

We both took on different creative roles.

The photography, I was in charge of.

She was in charge of the concept, in large part.

She did pick the clothes. We really did work together as a team.

Interesting, cos picking the clothes was one of the big negatives.

Teresa, if your team loses, you're project manager. Who would you fire?

Um, I feel like Aubrey and I brought a lot to the table.

I feel like Arsenio - and I love him -

I feel like he didn't bring as much as we did, so Arsenio.

OK, I understand that. Do you want to hear who won?

-Yes, sir.

-Would you like to hear?

-Yes, sir.

Well, the executives thought both teams did a very nice job.

But they did feel strongly...

..that Lisa's team won.

So, Lisa, congratulations.

50,000 plus another 50,000 from Farouk -

that's 100,000 for your charity. Not bad!

-Congratulations, Lisa.

-Thank you.

-What is the charity?

-Gay Men's Health Crisis, here in the city.

-That's fantastic.

-Thank you so much.

-Congratulations. Go back to your suite.

You can watch, if you'd like. It's going to be rather brutal.

-Good luck, you guys.

-Congratulations.

-Thank you, Lisa.

You three just sit here. Somebody will be fired.

Where's the candy and the chocolate? What the F?

'This is so unbelievable.'

100 grand for my charity,

the Gay Men's Health Crisis. Do you know how much money that will be,

after I take my cut? It is so great!

-Clay, great job.

-You too. Let's watch this.

-OK.

-Teresa, what happened?

-I don't know.

I mean... We did everything that the executives said.

-Are you disappointed?

-Yes!

-Are you shocked?

-Shocked! Beyond.

Because, like Aubrey said, when I look through magazines,

especially Elle, I look at Elle for fashion.

I want to see fashion.

When I looked at their brochure - to me, it looked like a brochure -

I didn't see fashion at all.

-Like, I mean... Very disappointed.

-Arsenio, why did you lose?

Are you looking for a name or the elements?

-What's the reason for a loss? A loss is a loss.

-Er...

I'm surprised we lost, though.

Aubrey, why did you lose?

We took a risk.

We did something that was, to us, perceivably Elle magazine.

Now, everyone perceives magazines differently.

You could read a business magazine and think one thing,

someone else can read it and think it's total crap. You never know.

Teresa, why didn't you give more information about the blow dryer?

That was one of the problems.

Well, we did it in our presentation

and the reason we didn't do it on the ad,

because, looking at Elle, they don't do that.

-You know.

-So, are you disappointed?

-Very.

Aubrey, did Lisa play Teresa?

If we had won the negotiation, we would have had the people we wanted.

What does that mean?

If we would have won the negotiation,

we would have ended up with the people we wanted.

But you didn't get them, so you didn't have the people you wanted.

I don't like the word "play", cos I didn't hear it

and I did not understand any of what happened out there

because I was inside of our war room working, but I will say,

if we had won, we would have had the people that we wanted to have.

-Do you agree with that?

-No.

-Did you get the one you wanted or not?

-Yes, we did.

Lisa thinks she outsmarted me. She didn't.

-Your own team seems to feel the same way.

-No, they don't.

-It's not what I'm getting from Arsenio or Aubrey.

-No, we...

They fixed the problem, but you didn't win the negotiation.

-I would have fixed the problem too.

-Am I wrong here, Arsenio?

We didn't get what we wanted

and if the mission was getting what we wanted,

-we had to regroup cos we failed at that.

-We didn't fail though.

The momentary negotiation that went on did not work out

in our favour but we're resourceful and we regrouped.

You can't fight someone who's unarmed.

That's what the Real Housewives have seen all along.

You just sit there, you give her rope, she hangs herself.

-It's like, you're so dumb.

-Teresa, who should be fired in your team?

-Arsenio didn't being too much to the table.

-Who should be fired?

I would say, working-wise, Aubrey and I pretty much...

So, Arsenio should be fired?

-Yes, because I feel like he played it safe.

-Did you play it safe?

No, I didn't. As a matter of fact, sir,

I did some things that my project manager cannot do

so, without me, certain things don't even get done and I'm offended...

-Like what?

-Do you realise that I shot some of the pictures?

-He shot the products.

-Are you listening to me?

-The products.

OK, I eliminated lighting problems. I'm a photographer.

I did things you're not capable of doing,

-so how could you render me...?

-The photographers...

They had a photographer.

Do you know that Arsenio actually shot some of the photos?

-No, she doesn't.

-Yes.

-No, you don't.

-He shot...

But you just said he didn't do anything.

I just said, he shot the product.

I was there with him while he was shooting the product.

-No, you weren't.

-The product was simple.

Arsenio, why were offended by Teresa?

You said you were offended. That's a strong word to use.

It's a strong word

because I don't think Teresa is even qualified to evaluate my work.

Excuse me, I was the project manager.

That's a title that WE gave you.

You can't use that title to shred me.

-I'm just saying you played it safe on this task.

-What would safe be?

-Aubrey, don't you think he played it safe?

-Don't ask Aubrey. Talk to me.

-What would safe be?

-You didn't bring anything to the table.

Honey, tell me, what did you bring?

You don't mind being called "Honey", right?

If you called HER honey, you'd be sued for sexual harassment.

I'll call my lawyers as soon as I leave the room.

-You might have to call your lawyer.

-So, Arsenio...

-Teresa...

-Tell me what you brought to the table.

-Teresa...

-Tell me.

Can I tell you what "safe" is?

"Safe" is us opting to put information in the presentation

-and you...

-So, why did you tell us to put the information in?

-The whole sentence would help you.

-OK.

She gave you things that you should say that,

-because you were uncomfortable with the presentation...

-Right.

..you didn't read them.

-It could have been done without you.

-I...

Don't throw me under the bus,

cos I'll back it up and I'll hit you with it.

-I think Aubrey and I...

-You did nothing, Teresa.

-To walk around, a lot of motion has...

-No.

-A lot of motion.

Aubrey and I pretty much ran the task. That's how I felt yesterday.

You're trying to hitch your wagon to Aubrey

-cos you don't have one of your own.

-I do have my...

We know hair, fashion...

Stop saying Aubrey. Tall me what you did.

Tell me one thing that was an original idea.

-I know hair, I overlooked the whole thing.

-You know what?

I know hair, I know fashion, I love... I'm into photography.

What's an f-stop?

You're not into photography. You're lying to Mr Trump.

-I love photography, like photos.

-You like pictures?

You like to look at pictures? Is that your defence?

I like to take pictures of my family. I love to take...

I can look at a picture and see if it looks good or not.

-That's what I'm talking about.

-You looked at the photos.

-I looked...

What did you contribute to the team?

-I was part of the creative process from A to Z.

-Really? No!

-Yes.

You didn't come up with the slogan. What did you come up with?

-She came up with the slogan.

-Right, correct.

-My idea was to make it...

-You didn't put the presentation together.

-Tell me what you did.

-I put MY part of MY presentation together

and MY part of MY presentation was successful.

-I made it my own because I know who I am.

-That's fine.

You made it your own. I wanted to give them the facts

and I also gave a pitch...a little bit about myself.

Aubrey, did Arsenio play it safe, as Teresa's been saying?

I'm not sure exactly what everybody did

cos I was being utilised in so many different areas,

that I didn't have time to overlook what everyone else was doing

and it wasn't my job, so you'd have to ask them

what each of them did and I think each of them should say

what they did cos I can say what I did. Now... Go ahead.

Go ahead.

"Safe"...creates an atmosphere

where, when someone walks in the room,

they don't know who the task manager is.

Can I tell you how many people walked in, pizza delivery men

and people entering the environment for the first time,

-who either went to me or her or both?

-Pizza?

What does pizza have to do with anything?

Anyone observing the room...

-..didn't understand...

-Everyone knew I was project manager.

Did anyone come to you and ask if you were project manager?

-They did, yeah.

-Did anyone come to you?

-Twice.

-I doubt it.

-So, I'm a liar and I'm safe.

-Everyone I met...

Am I a liar and safe?

Yeah, I'm calling you a liar and safe, yes, because when I went up...

Teresa, you're not going to be able to run from this

-by hitching your wagon to hers.

-I'm not!

When we met everyone, I introduced them.

"Hi, I'm the project manager, I'm Teresa",

so everyone knew who I was, so...

Is there a difference between introducing yourself

as a project manager and actually commanding that presence?

-I did both. I mean...

-There were people in the room who didn't know

-you were the project manager.

-That's your opinion.

-It's not an opinion.

-I'm telling you...

-No, that IS your opinion.

-There are people who walked up to me and then went to her.

-Who?

Teresa, you're the sweetest lady in the world but at this point,

you may over your head, as the numbers dwindle.

-You think you are over your head, Teresa?

-Not at all.

Because I didn't know anything about an ad campaign but now I do.

Aubrey, what's your feeling on that?

What I can say positively about Teresa

is she wants everything so bad and she will do anything...

-She does want it badly. So you want it badly, Aubrey?

-D'uh!

-Huh?

-Yes.

-LAUGHTER

-That's evident.

-Arsenio, you want it badly, don't you?

I want it more than I've ever wanted anything in my life.

You know, as a project manager, you are at a liability.

-You do understand that.

-Yeah, I know that, but I also, you know...

There was three of us. But really two of us cos, like I said,

Arsenio didn't bring anything to the table.

Teresa, in all fairness, you were the project manager,

you weren't great, with respect to the presentation at all,

you know that. The executives didn't like it

and they loved Arsenio and they loved Aubrey.

Teresa, you're fired.

-Thank you.

-Thank you very much. Good, go.

Bye. 'I don't think Mr Trump fired the right person,'

but I'm really proud of myself that I made it this far.

-Sorry, no offence.

-I'm sorry it had to end like this.

-That's all right.

-Good luck, guys.

-I'm sorry.

-Good luck.

-Bye.

It was an amazing experience and I wanted to prove to people

that I'm just not a housewife, that there's more to me than that.

-Bye-bye, Teresa.

-Bye.

-Bye, Tere.

-Bye.

I hate the boardroom.

OK.

Oh, my Lord, please let Arsenio and Aubrey walk in so it's a fair fight.

-Do you really think there's a chance they're not?

-Please, baby Jesus.

It was stupid! It was stupid!

You're such a liar. We didn't fall... You bitch!

-We did it once before, you little bitch!

-Ah!

We already did it to you! Come on, man!

-You can't joke on us!

-You can't joke on us, like we didn't expect this!

Please! Was it horrible? Was it horrible?

Yeah, it was real hard because, you know what?

She's a nice lady, she's a nice lady.

-You got to watch that

-BLEEP

-show of hers.

-OK, OK.

'The Teresa I know is a really sweet lady

'and I hope she understands it's a competition, we all want to win.

'There's this battle going on'

that we had to go through. I had to fight for my life

and I know she was fighting for hers. I hope she gets it.

I think final four ain't bad for people who started with 18 people.

-Hands in.

-BLEEP.

-Everybody,

-BLEEP.

-On the count of three. Final four!

-One, two, three. ALL:

-Final four!

-THEY CHEER

-That's pretty good though, come on.

-PHONE RINGS

Oh, God, I'll get it.

-Hello?

-Mr Trump would like you all back in the boardroom now.

OK, thank you.

OK, folks, Mr Trump wants us back in the boardroom immediately.

Are you kidding me?

'This place blows.

'God forbid we get one day'

to just revel in this nice little moment.

Please take a seat.

Congratulations. You're the best of the best.

You've made it to the final four. It really is something to be proud of.

We've never had 18 celebrities - and really smart ones at that -

-ever, on Celebrity Apprentice.

-Yes.

Now, you're about to do the most important interview of your lives.

You're going to meet with last year's winner, John Rich,

and runner-up, Marlee Matlin, an unbelievable woman.

At the end of the interview, they're going to consult with me,

they're going to give me their recommendations

and two people will be fired.

-Good luck with the interview, do well.

-Thank you, sir.

Marlee and John Rich are going to be responsible

for advising Mr Trump on who should go home today

and I'm, like, "Keep it together, man",

because this interview will break two of us.

Ooh.

'I want to win the Celebrity Apprentice gangsta bad.'

My charity needs that money. I'm sure theirs does too, but too bad.

Guess who we're focussing on right now? LL.

The organisation that I'm working for

is an organisation that I started

and have worked with for almost a decade now,

so it makes it even more important to me to win this

because this organisation is MY charity.

-Aubrey and Lisa, you can go back for your interviews now.

-Thank you.

-Good luck, guys, enjoy it.

-Bye. Have fun.

-AUBREY:

-'For me, the final four,'

it's such an accomplishment. At the same time,

I just want to keep moving on into the finals.

Time to get that game face on.

Hello, everybody.

-Pleasure to see you, sir.

-Nice to see you both.

-INTERPRETER:

-Good to see you.

-Nice to see you, too, Jack.

-Same here.

So, what impact has being on Celebrity Apprentice

and doing so well, what has that had on your life?

I always had an issue, thinking that people thought less of me

because I was a "country" guy.

But now, because of winning Celebrity Apprentice,

I can walk through Manhattan and every block,

somebody's recognising me and I think what's important to me

has now become important to a lot of people because of your show.

-INTERPRETER:

-I have to say it's been a great experience.

The best news, so far, was the fact that, as a result,

-Starkey was able to raise 7.2 million in one night.

-Wow.

And John was so nice and he sang and I'll be forever grateful for that.

Where's my 25%?

-I want 25% immediately.

-We'll talk about that later.

So, tell me, how did you like our contestants?

Well, I liked them and they're all very different.

Do you see the kind of talent that I had last year?

You two were fantastic.

They didn't raise as much money as we did.

I'm proud of that, that we've raised so much money between the two of us,

over 2 million. Thank you for that opportunity.

We don't get to see you enough to tell you that

-but thank you very much.

-Fantastic.

-It's unparalleled.

OK, let's talk about Aubrey. What do you think?

-INTERPRETER:

-Aubrey is stunningly beautiful,

she's very intelligent and yet she's so young

and I like young people who really are passionate about life.

But I thought she was very nervous.

When I shook her hand, it was shaking.

Hi. Nice to meet you. Aubrey. Nice to meet you.

-INTERPRETER:

-Who should be Celebrity Apprentice?

-Me.

-You?

-Yes.

I'll tell you why. I'm only 27 but I consider myself an old soul.

I have a lot of energy, I have a lot of creativity

and I don't like hearing "no".

-So, a lot of people have come on the show just for the TV time.

-Right.

The charity is sort of an afterthought.

Tell me what your plans are after this,

if you are the Celebrity Apprentice.

I'm involved with a lot of charities.

I have worked with battered women's shelters, refugee camps,

children with AIDS in Africa,

I've worked with Nelson Mandela,

-with the Dalai Lama, with Fidel Castro...

-And this charity -

what is YOUR connection with this particular charity?

I wanted to choose a charity that wasn't as big.

GLSEN is trying to end bullying in schools.

I would like to travel around and talk to kids

about MY personal experiences with bullying...

-It's a big job. Are you prepared for that job?

-Absolutely.

It sounds to me... Are you truly sincere?

-Is that message really a sincere one?

-Absolutely.

-This is a pretty big deal.

-It is.

-Going to the final two.

-I WILL be in the final two.

-How much money did you raise this season?

-For my charity?

-Yes.

-I raised 50,000.

And how much did Sean Combs give to that?

-Zero. But he was asked.

-Well, I have a problem with that.

I have to wonder, someone like yourself,

who has that kind of Rolodex, why can't you do better than that?

-Cos to me, it's ALL about the money.

-In regards to Diddy,

I don't know if you know or ever watched Making The Band,

-but I was fired from that show.

-I watched it.