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£250,000, it's an acorn which we want grown into a great oak tree. | 0:00:02 | 0:00:08 | |
Lord Sugar is on the hunt for a brand-new business partner. | 0:00:08 | 0:00:13 | |
If you think this process is tough, it's just got a whole lot tougher. | 0:00:13 | 0:00:17 | |
Over the next 12 weeks, you are out of your comfort zone. | 0:00:17 | 0:00:21 | |
Ready to fight for his funding, 18 aspiring entrepreneurs. | 0:00:21 | 0:00:27 | |
Supply and demand, that's what this is about. | 0:00:27 | 0:00:30 | |
I'm demanding the answers, you had better bloody well supply them. | 0:00:30 | 0:00:34 | |
On the table, a quarter million pound investment | 0:00:34 | 0:00:38 | |
and a 50-50 partnership with Britain's toughest backer. | 0:00:38 | 0:00:44 | |
You haven't used any of your skills, any of your knowledge, | 0:00:44 | 0:00:47 | |
mistake on that, mistake on this, straight in the bin. | 0:00:47 | 0:00:51 | |
-Rich, come on! -Let's go, mate. | 0:00:51 | 0:00:53 | |
It's a deal worth battling for. | 0:00:53 | 0:00:55 | |
I sold the most yesterday. | 0:00:55 | 0:00:56 | |
-You did yesterday, but this morning you didn't. -Whatever. | 0:00:56 | 0:00:59 | |
18 candidates. | 0:00:59 | 0:01:00 | |
-Hang on. -Common sense prevails. | 0:01:00 | 0:01:03 | |
We're going to be explosive. | 0:01:03 | 0:01:05 | |
12 testing weeks. | 0:01:05 | 0:01:06 | |
-I really don't know what to do. -I messed up a bit, didn't I? -Get in! | 0:01:06 | 0:01:10 | |
One life changing opportunity. | 0:01:10 | 0:01:12 | |
You're fired. You're fired. | 0:01:12 | 0:01:14 | |
This is a bad call on strategy. | 0:01:14 | 0:01:17 | |
You're fired. | 0:01:17 | 0:01:18 | |
Previously on The Apprentice... | 0:01:27 | 0:01:29 | |
You need to throw a party to remember. | 0:01:29 | 0:01:32 | |
Two birthdays. | 0:01:32 | 0:01:34 | |
Go! | 0:01:34 | 0:01:35 | |
20 tough customers. | 0:01:35 | 0:01:37 | |
Keep going. | 0:01:37 | 0:01:38 | |
-In, out, in, out, shake it all about. Do you know this song? -That's old. | 0:01:38 | 0:01:42 | |
Gary's mixed messages... | 0:01:42 | 0:01:43 | |
-Is there any no-nos? -I've got a nut allergy. | 0:01:43 | 0:01:46 | |
-So there's no nuts in there? -It may contain nuts. | 0:01:46 | 0:01:48 | |
..were hard to swallow. | 0:01:48 | 0:01:50 | |
That type of thing would be a big risk for Julie. | 0:01:50 | 0:01:53 | |
And David's poor printing... | 0:01:53 | 0:01:55 | |
It's back to front. | 0:01:55 | 0:01:57 | |
Cut the top off so there's no happy birthday. | 0:01:57 | 0:01:59 | |
..cost them dear. | 0:01:59 | 0:02:01 | |
It's not the quality we were looking for, I think it's a no. | 0:02:01 | 0:02:05 | |
On Selina's team... | 0:02:05 | 0:02:06 | |
I don't have children, I don't like them. | 0:02:06 | 0:02:08 | |
But that's not to say I'm not brilliant at putting on a children's event. | 0:02:08 | 0:02:11 | |
..Richard riled teammate Vana. | 0:02:11 | 0:02:14 | |
I got everything sorted with the cake. | 0:02:14 | 0:02:16 | |
Don't come back to me with the cake. | 0:02:16 | 0:02:17 | |
He got really mad at me, it was really awkward. | 0:02:17 | 0:02:19 | |
But in the boardroom... | 0:02:19 | 0:02:21 | |
Connexus, you won it. | 0:02:21 | 0:02:23 | |
..a celebration. | 0:02:23 | 0:02:24 | |
They loved it, I don't know why, but they loved that. | 0:02:24 | 0:02:27 | |
Charleine... | 0:02:27 | 0:02:28 | |
-Goodbye, boys. -Where are you going? | 0:02:28 | 0:02:30 | |
..was going nowhere fast. | 0:02:30 | 0:02:32 | |
You, young lady, jumped up thinking you were scot-free, but I'm sorry. | 0:02:32 | 0:02:36 | |
Gary got a roasting. | 0:02:36 | 0:02:38 | |
First rule of party planning is don't poison the client. | 0:02:38 | 0:02:41 | |
But for David, the party was over. | 0:02:41 | 0:02:44 | |
£175 wasted on these T-shirts. | 0:02:44 | 0:02:48 | |
You're fired. | 0:02:48 | 0:02:49 | |
Thank you very much, Lord Sugar. | 0:02:49 | 0:02:51 | |
He became the tenth casualty of the boardroom. | 0:02:51 | 0:02:54 | |
Now, eight remain to fight for the chance to become | 0:02:55 | 0:02:59 | |
Lord Sugar's business partner. | 0:02:59 | 0:03:01 | |
6am. | 0:03:10 | 0:03:12 | |
Good morning. | 0:03:12 | 0:03:14 | |
For the candidates, a special delivery. | 0:03:14 | 0:03:18 | |
Guys, you need to get up. | 0:03:21 | 0:03:23 | |
Lord Sugar wants us to meet him at the South Bank Tower. | 0:03:23 | 0:03:26 | |
-What did you say? -South Bank Tower. | 0:03:27 | 0:03:30 | |
South Bank Tower? What's that? | 0:03:30 | 0:03:32 | |
-The tower on the South Bank. -Whay! | 0:03:32 | 0:03:35 | |
I've got a hard hat. I've just done my hair. | 0:03:35 | 0:03:38 | |
Bloody hell, do you think that's how you wear a helmet, mate? | 0:03:40 | 0:03:43 | |
-Yes, mate, yeah. -That's the back. | 0:03:43 | 0:03:45 | |
LAUGHTER | 0:03:45 | 0:03:46 | |
I really hope the teams don't change. | 0:03:54 | 0:03:56 | |
My dream scenario would be we all stay as we are. | 0:03:56 | 0:03:59 | |
I can't see Charleine going, "I'd really like Richard to come back." | 0:03:59 | 0:04:04 | |
I can't see us saying, "I'd really like Selina to come back." | 0:04:04 | 0:04:07 | |
-Don't fancy Selina coming over then? -That would be good, Gary. | 0:04:07 | 0:04:11 | |
Whoever they take, I just hope it's not going to be too much of a catastrophe for the team. | 0:04:11 | 0:04:15 | |
-South Bank Tower. -"South Bank Tower. Living high." | 0:04:18 | 0:04:21 | |
Wow. | 0:04:30 | 0:04:32 | |
We're very high. | 0:04:36 | 0:04:37 | |
-Good morning. -ALL: -Good morning, Lord Sugar. | 0:05:01 | 0:05:04 | |
This building was originally built in the '70s, and is now undergoing | 0:05:04 | 0:05:10 | |
major construction, adding 11 new floors of luxury apartments. | 0:05:10 | 0:05:16 | |
There's many things I've asked candidates to do. | 0:05:16 | 0:05:19 | |
We've sold coffee, we've sold flowers, but for this task, | 0:05:19 | 0:05:23 | |
you're going to sell the priciest product of them all. | 0:05:23 | 0:05:27 | |
Property. | 0:05:27 | 0:05:28 | |
I've found two developers who are about to | 0:05:28 | 0:05:32 | |
launch their range of luxury apartments. | 0:05:32 | 0:05:36 | |
You have to pitch to represent them | 0:05:36 | 0:05:38 | |
and become sales executives on their behalf, | 0:05:38 | 0:05:42 | |
with the opportunity to sell property worth millions of pounds. | 0:05:42 | 0:05:47 | |
You'll also be selling mid-range properties. | 0:05:47 | 0:05:50 | |
The team that makes the most amount of money, | 0:05:50 | 0:05:53 | |
as far as commissions are concerned, will win. | 0:05:53 | 0:05:55 | |
And in the losing team, at least one of you will be fired. | 0:05:55 | 0:06:01 | |
Now, I think it's time to even up the teams. | 0:06:01 | 0:06:04 | |
Selina, go over to Versatile. | 0:06:04 | 0:06:08 | |
-So, everything clear? -ALL: -Yes, Lord Sugar. | 0:06:12 | 0:06:14 | |
All right, off you go. | 0:06:14 | 0:06:15 | |
Working in new developments, | 0:06:18 | 0:06:20 | |
teams have two days to sell apartments off-plan. | 0:06:20 | 0:06:23 | |
-Welcome to the team, Selina. -Happy to be here again. | 0:06:24 | 0:06:27 | |
-First time to work with you. -Yeah. -Throughout the whole process. | 0:06:27 | 0:06:30 | |
First, the rookie realtors need leaders. | 0:06:30 | 0:06:33 | |
I want to put myself forward straightaway. I love to sell. | 0:06:33 | 0:06:36 | |
I've got a business that does property rentals. | 0:06:36 | 0:06:38 | |
Never sold a property before, but I can sell pretty much anything else. | 0:06:38 | 0:06:42 | |
-OK. Lead the way. -Thank you very much, guys. | 0:06:42 | 0:06:45 | |
On the other team... | 0:06:46 | 0:06:47 | |
I want to do it. | 0:06:47 | 0:06:48 | |
When I was at university, I was an estate agent to fund my studies. | 0:06:48 | 0:06:51 | |
..project manager sorted. | 0:06:51 | 0:06:53 | |
All in favour? Let's do it. All right. | 0:06:53 | 0:06:56 | |
Next, decide who sells high-priced apartments. | 0:06:56 | 0:07:00 | |
-I think the product manager needs to go there. -I'm going high-end. | 0:07:00 | 0:07:03 | |
And who take on more affordable flats. | 0:07:03 | 0:07:06 | |
Who wants to go into that mid-range team today? | 0:07:06 | 0:07:08 | |
I would like to look at the high-end for myself. | 0:07:08 | 0:07:11 | |
To go in and do the sales and stuff for them. | 0:07:11 | 0:07:15 | |
Has anybody else got any thoughts on that? | 0:07:15 | 0:07:17 | |
My parents are architects, | 0:07:17 | 0:07:19 | |
so I grew up going to a lot of building sites and seeing | 0:07:19 | 0:07:22 | |
a lot of different apartments that they were working on. | 0:07:22 | 0:07:25 | |
I've been exposed to the world and how it works | 0:07:25 | 0:07:28 | |
and how the new builds are actually sold. | 0:07:28 | 0:07:30 | |
Look, I mean, Scott, you may not be happy with this, but would you...? | 0:07:30 | 0:07:35 | |
At the end of the day, you're the project manager, make your decision. | 0:07:35 | 0:07:39 | |
That decision's made then. | 0:07:41 | 0:07:42 | |
-So, sorry, buddy. -Don't say sorry, it's fine. | 0:07:42 | 0:07:45 | |
So, my initial thoughts on splitting the teams are myself and Selina | 0:07:47 | 0:07:51 | |
to go to the high-end and Charleine and Gary to go to the mid-range. | 0:07:51 | 0:07:55 | |
Having that mix so we can appeal to both sides. | 0:07:55 | 0:07:58 | |
-I'd have liked to go to the high-end with you. -Yeah. -Yeah. | 0:07:58 | 0:08:02 | |
I really want to go to the high-end. | 0:08:02 | 0:08:03 | |
Well, I'm going to stick with that anyway. That's how it's going to go. | 0:08:03 | 0:08:07 | |
'I know that Selina and Charleine have knocked heads.' | 0:08:07 | 0:08:11 | |
I don't like to get involved in silly little arguments, | 0:08:11 | 0:08:14 | |
but if I'd put them together today, | 0:08:14 | 0:08:16 | |
it would have been an absolute nightmare. | 0:08:16 | 0:08:19 | |
No negativity, everybody get on. Everybody work very well together. | 0:08:19 | 0:08:23 | |
-Yeah. -Stay positive throughout. Fantastic. -Good luck. | 0:08:23 | 0:08:26 | |
11am. | 0:08:30 | 0:08:31 | |
I want to own my own tower block. The Valente Towers. | 0:08:31 | 0:08:35 | |
I might even call it Valentino Towers just for Lord Sugar. | 0:08:35 | 0:08:38 | |
Oh, you would, wouldn't you? | 0:08:38 | 0:08:40 | |
Half of each team set off to start selling mid-range flats. | 0:08:42 | 0:08:47 | |
Richard has a tendency to almost take over. | 0:08:47 | 0:08:49 | |
What I want to see is Vana really stand up for herself. | 0:08:49 | 0:08:53 | |
The rest will pitch to represent high-end developments. | 0:08:53 | 0:08:57 | |
In the pitches, I will do an intro. | 0:08:57 | 0:09:00 | |
If you can make sure you get comprehensive notes | 0:09:00 | 0:09:03 | |
on all the features of the rooms. | 0:09:03 | 0:09:06 | |
Newly spruced-up Stratford. | 0:09:08 | 0:09:10 | |
Destined to be the area's tallest residential tower, | 0:09:10 | 0:09:14 | |
Manhattan Loft Gardens. | 0:09:14 | 0:09:16 | |
So, this is our show flat. | 0:09:16 | 0:09:19 | |
Wow, it's beautiful! | 0:09:19 | 0:09:21 | |
A chance to charm CEO Harry Handelsman. | 0:09:21 | 0:09:25 | |
Double fridge, and this is your freezer. | 0:09:25 | 0:09:27 | |
Oh, my gosh, this is my dream. | 0:09:27 | 0:09:29 | |
-First impressions is amazing. -Thank you very much. | 0:09:29 | 0:09:32 | |
My parents are architects in New York, so I'm... | 0:09:32 | 0:09:34 | |
-Then it's an easy conversation. -Yeah. | 0:09:34 | 0:09:36 | |
I care about architecture, I care about concept. | 0:09:36 | 0:09:39 | |
I care about how people can interact. | 0:09:39 | 0:09:41 | |
-KARREN: -I think they did really well. | 0:09:41 | 0:09:43 | |
Vana understood that the man was very passionate about his building | 0:09:43 | 0:09:46 | |
and talked architecture with him. I think the guy was very impressed. | 0:09:46 | 0:09:49 | |
I have to say that we love this experience. | 0:09:49 | 0:09:52 | |
We felt it from the moment we saw your office. | 0:09:52 | 0:09:54 | |
And seeing the building, it's really incredible. | 0:09:54 | 0:09:57 | |
We're really good salespeople | 0:09:57 | 0:09:58 | |
and we think that we would be able to sell your properties. | 0:09:58 | 0:10:01 | |
-Nice meeting you. -I think it went great. | 0:10:01 | 0:10:03 | |
I think he really bought into us as well. | 0:10:03 | 0:10:05 | |
I think that we are actually quite a strong proposition for it. | 0:10:05 | 0:10:10 | |
Next to check out luxury living... | 0:10:10 | 0:10:12 | |
-Morning. -..Joseph and Selina. | 0:10:12 | 0:10:15 | |
What we need from you is as much information about the project | 0:10:15 | 0:10:18 | |
as possible so we can maximise our selling potential. | 0:10:18 | 0:10:21 | |
What does it mean, as much as possible? | 0:10:21 | 0:10:23 | |
Let's just start, let me guide you. | 0:10:23 | 0:10:25 | |
We have floor-to-ceiling windows | 0:10:27 | 0:10:28 | |
and it's going to give you an incredible vista. It's vast. | 0:10:28 | 0:10:31 | |
Yes, it is expensive, | 0:10:32 | 0:10:34 | |
but I believe the growth in the area is going to be stupendous. | 0:10:34 | 0:10:37 | |
Selina and Joseph walked into the showroom and instead of going "Wow!" | 0:10:39 | 0:10:43 | |
they showed no reaction whatsoever. | 0:10:43 | 0:10:45 | |
I think the developer was really disappointed. | 0:10:45 | 0:10:48 | |
He's so passionate about his project. | 0:10:48 | 0:10:50 | |
What is important is that the sales person really understands, | 0:10:50 | 0:10:54 | |
feels, gets what it is all about. | 0:10:54 | 0:10:57 | |
Any questions? | 0:10:57 | 0:10:58 | |
Pricing, I suppose. How much are the flats going to be? | 0:10:58 | 0:11:01 | |
Because we need to maximise our commission rates | 0:11:01 | 0:11:03 | |
to get as much money as possible. | 0:11:03 | 0:11:05 | |
Look, what is important is not the price. | 0:11:06 | 0:11:09 | |
What is really important is your understanding of the product. | 0:11:09 | 0:11:12 | |
Joseph wants to earn a big, big commission. | 0:11:12 | 0:11:14 | |
He wants to sell the most expensive apartments. | 0:11:14 | 0:11:17 | |
He went steaming in far too bullish | 0:11:17 | 0:11:19 | |
and I think that was a poor business decision. | 0:11:19 | 0:11:21 | |
South London... | 0:11:27 | 0:11:29 | |
Without sounding too up our own arses, | 0:11:29 | 0:11:31 | |
there's two of the best sellers | 0:11:31 | 0:11:32 | |
-within the process in this car. -Yeah. | 0:11:32 | 0:11:34 | |
I would definitely agree with that. | 0:11:34 | 0:11:36 | |
..laid on by Lord Sugar... | 0:11:36 | 0:11:38 | |
Hi. Ben, the manager. | 0:11:38 | 0:11:40 | |
..for Brett and Scott, a converted printworks near Clapham. | 0:11:40 | 0:11:44 | |
-This is the mock-up show flat. It is only a studio apartment. -OK. | 0:11:44 | 0:11:48 | |
Er, the space here is going to be a cupboard | 0:11:48 | 0:11:50 | |
which will have your washer-drier in. | 0:11:50 | 0:11:52 | |
Flats start at £320,000. | 0:11:52 | 0:11:56 | |
Completion will be around February 2016. | 0:11:56 | 0:11:59 | |
Use all your tools and you'll get some sales! | 0:11:59 | 0:12:01 | |
-And this is the biggest one we've got! So... -SCOTT LAUGHS NERVOUSLY | 0:12:01 | 0:12:05 | |
In Lewisham, a former office block for Gary and Charleine. | 0:12:05 | 0:12:09 | |
This is a studio suite. | 0:12:10 | 0:12:12 | |
Cheapest flats - £350,000. | 0:12:12 | 0:12:16 | |
And over to the bedroom area. | 0:12:16 | 0:12:17 | |
This gives you an idea of fixtures and fittings. | 0:12:17 | 0:12:20 | |
I think I could adapt to this. Nice shower, nice throne. | 0:12:20 | 0:12:23 | |
I think he needs to stay in here. | 0:12:23 | 0:12:25 | |
Yeah, I could do with a moment, but I don't want to put the clients off. | 0:12:25 | 0:12:30 | |
-Shall we get going? -Let me show you to your desks. -Thank you! | 0:12:30 | 0:12:33 | |
Back in Clapham... | 0:12:36 | 0:12:37 | |
Bear with me two secs. | 0:12:37 | 0:12:38 | |
I'm just coming outside to see if I can find you. | 0:12:38 | 0:12:40 | |
..for sales executive Scott... | 0:12:40 | 0:12:43 | |
-Hello! -Ah! | 0:12:43 | 0:12:45 | |
..a chance to seal an early deal. | 0:12:45 | 0:12:48 | |
-Come on in. -This is a studio? -It is, yeah. | 0:12:48 | 0:12:51 | |
These are obviously the walls. | 0:12:51 | 0:12:53 | |
So this area here would be for your washing machine and... | 0:12:54 | 0:12:59 | |
It would be for your fridge. | 0:12:59 | 0:13:01 | |
-So, which one? -What this would be - sorry to interject - | 0:13:02 | 0:13:05 | |
this is actually your wardrobe space, | 0:13:05 | 0:13:07 | |
so you'll have a sliding door here. | 0:13:07 | 0:13:09 | |
Secondary to that is where your washing machine and that would be. | 0:13:09 | 0:13:12 | |
So we've also got lovely surfaces, erm... | 0:13:12 | 0:13:15 | |
Yeah. | 0:13:17 | 0:13:18 | |
And when is the completion date? | 0:13:18 | 0:13:20 | |
Completion is in 20... I've got it written down here. | 0:13:20 | 0:13:26 | |
It's 2017. February. | 0:13:26 | 0:13:29 | |
Scott's making a terrible mess of things. | 0:13:29 | 0:13:31 | |
If you come through here, I'll take you to the bathroom. | 0:13:31 | 0:13:33 | |
He doesn't know what the development is completed, | 0:13:33 | 0:13:36 | |
he doesn't know where the washing machine goes | 0:13:36 | 0:13:38 | |
compared to where the fridge freezer goes. | 0:13:38 | 0:13:40 | |
In fact, I'm not sure what he does know. | 0:13:40 | 0:13:42 | |
This would be walking into the dining room, | 0:13:42 | 0:13:44 | |
but there's a lot of space here. | 0:13:44 | 0:13:46 | |
-BRETT: -Scott? -Yeah. -It's the lounge | 0:13:46 | 0:13:48 | |
-and the dining room would be though there. -Sorry, the lounge. | 0:13:48 | 0:13:50 | |
The pitch was OK. I mean, it wasn't great. | 0:13:54 | 0:13:57 | |
-Fantastic. -Thank you. -Have a nice evening. Take care. | 0:13:57 | 0:13:59 | |
I was stood there thinking, "What are you doing?!" | 0:13:59 | 0:14:03 | |
Yeah, it was just a train crash. | 0:14:03 | 0:14:06 | |
Next high-end pitch, property hotspot Canary Wharf, | 0:14:09 | 0:14:14 | |
site of future landmark, Maine Tower. | 0:14:14 | 0:14:17 | |
Your big selling point is the fact that | 0:14:17 | 0:14:19 | |
you're on the doorstep of Canary Wharf. | 0:14:19 | 0:14:21 | |
Selling the dream, company executive David Galman. | 0:14:21 | 0:14:25 | |
Both for employers, for your social life, | 0:14:25 | 0:14:27 | |
for absolutely everything, it's all there. | 0:14:27 | 0:14:29 | |
With results decided on commission earned... | 0:14:29 | 0:14:31 | |
I think me and Selina are the best. | 0:14:31 | 0:14:33 | |
..Joseph takes a punt. | 0:14:33 | 0:14:35 | |
But I don't think we come cheap. | 0:14:35 | 0:14:38 | |
And we were thinking to work on maybe a 4% commission rate | 0:14:38 | 0:14:41 | |
with a bonus. | 0:14:41 | 0:14:42 | |
4%? | 0:14:42 | 0:14:44 | |
No, miles away. 1.5% and I won't move. I promise you. | 0:14:44 | 0:14:50 | |
Don't try. | 0:14:50 | 0:14:51 | |
Fair enough. | 0:14:51 | 0:14:53 | |
-CLAUDE: -Joseph has done it again. | 0:14:53 | 0:14:54 | |
He's being very pushy, but really, Selina should have stepped in. | 0:14:54 | 0:14:57 | |
Great, thank you! | 0:14:57 | 0:14:58 | |
How can they expect to win over potential buyers | 0:14:58 | 0:15:00 | |
when they can't even win over David? | 0:15:00 | 0:15:03 | |
-I think that went well. -Mm-hm. | 0:15:03 | 0:15:05 | |
Are we walking through that water? | 0:15:06 | 0:15:08 | |
Next to visit Canary Wharf... | 0:15:08 | 0:15:10 | |
-O-M-G! -..Richard and Vana... | 0:15:10 | 0:15:12 | |
..touring the only available show flat. | 0:15:15 | 0:15:17 | |
This is to show you a typical finish. | 0:15:17 | 0:15:20 | |
Specification has been advanced for the site over the road, | 0:15:20 | 0:15:23 | |
but the reality is, this is a small one-bedroom flat. | 0:15:23 | 0:15:27 | |
We're looking to do a lot in a day | 0:15:27 | 0:15:29 | |
and we're going to really smash it hard. | 0:15:29 | 0:15:31 | |
-He actually worked in property. -I marketed in the area, yeah. | 0:15:31 | 0:15:33 | |
Yeah, and I've worked actually in Canary Wharf | 0:15:33 | 0:15:35 | |
and I hope that you consider us strongly | 0:15:35 | 0:15:38 | |
because we like Canary Wharf | 0:15:38 | 0:15:40 | |
-and we really enjoyed meeting with you today. -Pleasure. | 0:15:40 | 0:15:43 | |
Richard and I play off each other well in the sales pitches. | 0:15:44 | 0:15:48 | |
I think he took comments on board from the last task | 0:15:48 | 0:15:51 | |
because he's not as bossy and he's actually giving me an input. | 0:15:51 | 0:15:57 | |
So I hope that the developer chooses us to represent his property. | 0:15:57 | 0:16:01 | |
Decision time... | 0:16:03 | 0:16:05 | |
Stratford, unproven property track record but glossy showroom... | 0:16:05 | 0:16:10 | |
Stratford was a sexier option and I'm concerned Canary Wharf's | 0:16:10 | 0:16:13 | |
showroom space is going to be so ugly for us to show. | 0:16:13 | 0:16:16 | |
..or Canary Wharf. | 0:16:16 | 0:16:18 | |
No floor plans, show flat under construction, but a property hotspot. | 0:16:18 | 0:16:24 | |
I don't think a property in Canary Wharf requires any negotiation. | 0:16:24 | 0:16:28 | |
-It's very hot. Going to go with Canary Wharf? -OK. | 0:16:28 | 0:16:31 | |
Canary Wharf is a brand in itself. | 0:16:31 | 0:16:33 | |
Canary Wharf is more of a brand name, | 0:16:33 | 0:16:35 | |
-so I think we should go with that. -Decision made. | 0:16:35 | 0:16:37 | |
With both teams choosing the same location... | 0:16:37 | 0:16:40 | |
David? How are you doing? It's Richard Woods here from Connexus. | 0:16:40 | 0:16:43 | |
..the developer will decide. | 0:16:43 | 0:16:46 | |
We would love it if you would be kind enough to let us | 0:16:46 | 0:16:48 | |
sell some properties for you tomorrow. | 0:16:48 | 0:16:51 | |
'I thought you were very professional. | 0:16:51 | 0:16:53 | |
-'So that's a yes from us.' -Amazing! -That's fabulous. | 0:16:53 | 0:16:56 | |
-Thank you so much! -Whoo! | 0:16:56 | 0:16:59 | |
-LINE RINGING -Hi, David. It's Joseph. | 0:16:59 | 0:17:01 | |
'Erm, unfortunately for you, I've chosen Richard and Vana. | 0:17:01 | 0:17:06 | |
'I think they were a bit more polished. | 0:17:06 | 0:17:08 | |
'I wouldn't feel comfortable putting yourself | 0:17:08 | 0:17:10 | |
'in front of clients of mine. | 0:17:10 | 0:17:13 | |
'It doesn't sit that well with me.' | 0:17:13 | 0:17:15 | |
Right. Thank you very much anyway. | 0:17:16 | 0:17:18 | |
Well... | 0:17:19 | 0:17:20 | |
that's a shame. | 0:17:20 | 0:17:22 | |
He didn't feel you were suited to his company. | 0:17:22 | 0:17:25 | |
That sounds like a personal thing. | 0:17:25 | 0:17:27 | |
I don't know if he was talking about me specifically, was he? | 0:17:27 | 0:17:30 | |
-Or both of us in general. -Don't know. | 0:17:30 | 0:17:31 | |
-He said the other guys were more polished. -Yeah. | 0:17:31 | 0:17:34 | |
I feel slightly offended. | 0:17:34 | 0:17:35 | |
I don't know why he thinks that Richard or Vana | 0:17:35 | 0:17:37 | |
could represent his properties better than us. | 0:17:37 | 0:17:40 | |
The client's feedback was that we weren't polished enough, erm, | 0:17:40 | 0:17:44 | |
and I don't feel that it was specifically aimed at me. | 0:17:44 | 0:17:47 | |
Having lost out on Canary Wharf... | 0:17:50 | 0:17:52 | |
-Good to see you again. -Lovely to see you again, sir. | 0:17:52 | 0:17:55 | |
..for Joseph and Selina, it's Stratford. | 0:17:55 | 0:17:57 | |
One piece of advice - skip suspenders. | 0:17:57 | 0:18:00 | |
You don't need pink shirts. Just really relaxed | 0:18:00 | 0:18:03 | |
-and lots of luck. I'm sure you'll do really, really well. -OK. | 0:18:03 | 0:18:06 | |
7pm. | 0:18:06 | 0:18:08 | |
Hi, Anthony! Sorry, hi, is that Anthony? | 0:18:08 | 0:18:11 | |
..two hours... | 0:18:11 | 0:18:12 | |
Where are you from, by the way? Are you Italian? | 0:18:12 | 0:18:14 | |
From Brazil! | 0:18:14 | 0:18:15 | |
..to book in buyers for tomorrow. | 0:18:15 | 0:18:17 | |
Back-to-back from nine till two o'clock. | 0:18:17 | 0:18:19 | |
'If I'm getting in rental against what I'm paying out, | 0:18:19 | 0:18:22 | |
'what's my return roughly?' | 0:18:22 | 0:18:23 | |
I'll work it out as a return for you and then give you a call back. | 0:18:23 | 0:18:26 | |
'Brilliant.' | 0:18:26 | 0:18:27 | |
So what was the question? | 0:18:27 | 0:18:29 | |
He wanted to know what his return would be back. | 0:18:29 | 0:18:31 | |
-Return? -Yeah. | 0:18:31 | 0:18:32 | |
Pfft. | 0:18:34 | 0:18:35 | |
I look forward to seeing you tomorrow at 12pm. | 0:18:35 | 0:18:37 | |
Do you know what you're looking to spend? | 0:18:37 | 0:18:39 | |
'Around the one million mark.' | 0:18:39 | 0:18:41 | |
In Lewisham... | 0:18:41 | 0:18:42 | |
Built-in sink. Built-in toilet. Very modern. Very smart, isn't it? | 0:18:42 | 0:18:47 | |
-..Charleine... -It's south-facing. -..pitching a £350,000 flat. | 0:18:47 | 0:18:53 | |
-So do you want to snap this one up tonight before it goes? -Yep. | 0:18:53 | 0:18:56 | |
Yep? Perfect. | 0:18:56 | 0:18:57 | |
I am ecstatic! | 0:18:57 | 0:18:59 | |
Congratulations. It was a pleasure doing business with you. | 0:18:59 | 0:19:02 | |
Deposit taken, deal done. | 0:19:02 | 0:19:05 | |
£350,000! | 0:19:05 | 0:19:08 | |
Yeah! | 0:19:08 | 0:19:09 | |
You could buy a street in Wales for that money! | 0:19:09 | 0:19:12 | |
Wow! | 0:19:12 | 0:19:14 | |
Appointments fixed, | 0:19:14 | 0:19:16 | |
tomorrow, all developments open for business. | 0:19:16 | 0:19:19 | |
I might not have the most eloquent of accents, but I can really sell. | 0:19:21 | 0:19:27 | |
Joseph did make a big mistake not taking me on the high-end. | 0:19:27 | 0:19:31 | |
-Well done. -Yeah. | 0:19:31 | 0:19:33 | |
6am. | 0:19:40 | 0:19:42 | |
He didn't think I looked cool enough in my braces yesterday. | 0:19:42 | 0:19:45 | |
-He said I looked too corporate. -Really? -No pink shirts. | 0:19:45 | 0:19:48 | |
So I've tried to mimic his outfit this morning, | 0:19:48 | 0:19:50 | |
-so hopefully he's going to be impressed. -Yeah. | 0:19:50 | 0:19:53 | |
For both project managers... | 0:19:53 | 0:19:55 | |
Morning, guys. | 0:19:55 | 0:19:56 | |
..a chance to rally sale squads. | 0:19:56 | 0:19:58 | |
We had our first meeting yesterday. There was a couple of mistakes made. | 0:19:58 | 0:20:01 | |
I don't want you to miss deals because you have one bad experience. | 0:20:01 | 0:20:05 | |
-Push for two each. -HE SIGHS | 0:20:05 | 0:20:06 | |
-This is not that difficult. -Thank you very much. We appreciate that. | 0:20:06 | 0:20:09 | |
Wicked. | 0:20:09 | 0:20:10 | |
Congratulations, Charleine. | 0:20:10 | 0:20:12 | |
Great sale last night. | 0:20:12 | 0:20:13 | |
So, guys, strategy for the day - | 0:20:13 | 0:20:15 | |
me and Selina are going to the same place... | 0:20:15 | 0:20:18 | |
-You want to keep it the same? -Yeah. | 0:20:18 | 0:20:20 | |
I had massive passion for being on the high-end team. | 0:20:20 | 0:20:24 | |
The thing that came up yesterday was that we weren't polished enough, | 0:20:24 | 0:20:27 | |
compared to, like, say Richard and Vana and that's what... | 0:20:27 | 0:20:30 | |
But I wouldn't say you were more polished than me, Selina. | 0:20:30 | 0:20:32 | |
That's not what I'm saying. It's more about client base. | 0:20:32 | 0:20:35 | |
I've dealt with lots of international clients | 0:20:35 | 0:20:37 | |
-and members of the royal family... -Have you ever bought a house? | 0:20:37 | 0:20:39 | |
-Ever sold one? -No, but it's not just about the product is it? -Yeah. | 0:20:39 | 0:20:42 | |
-Well, let's not get into an argument. -No, no, I'm not! | 0:20:42 | 0:20:45 | |
Just for the team, it's too awkward to change now. | 0:20:45 | 0:20:48 | |
Selina is cheeky. | 0:20:48 | 0:20:49 | |
She just said that I'm not polished enough to sell at the high-end. | 0:20:49 | 0:20:54 | |
I find her a very judgmental, insulting person. | 0:20:54 | 0:20:56 | |
I think that is very unpolished for a businessperson. | 0:20:56 | 0:21:01 | |
-It is what it is. -Yep. -Yep. -So... It's staying the same. | 0:21:01 | 0:21:05 | |
-All right, guys. -Good luck then, guys. Let's make a move. | 0:21:05 | 0:21:08 | |
Teams have ten hours to sell as many properties as possible. | 0:21:11 | 0:21:16 | |
How about these? I think these look nice. | 0:21:16 | 0:21:17 | |
Jam tarts. | 0:21:17 | 0:21:19 | |
Every client they sweet-talk... | 0:21:19 | 0:21:22 | |
Ladies like chocolates. | 0:21:22 | 0:21:23 | |
-Milk Tray? -Yeah, absolutely! | 0:21:23 | 0:21:26 | |
..will net them a 1.5% commission. | 0:21:26 | 0:21:30 | |
Better put your arms down, mate. | 0:21:30 | 0:21:32 | |
-Sweating? -Yeah. | 0:21:32 | 0:21:33 | |
-Hi, Elizabeth? -Scott? | 0:21:33 | 0:21:35 | |
Scott, lovely to meet you. | 0:21:35 | 0:21:36 | |
-I'm Charleine. -Hello, I'm Sehrish. | 0:21:36 | 0:21:38 | |
-JOSEPH: -By the time this is built, | 0:21:38 | 0:21:40 | |
Stratford's regeneration is going to be outstanding. | 0:21:40 | 0:21:43 | |
So do you have much knowledge in Clapham at all? | 0:21:45 | 0:21:48 | |
Scott praising the virtues of South London living. | 0:21:48 | 0:21:51 | |
So we're just here and it's very highly populated by everybody. | 0:21:51 | 0:21:56 | |
You know, everybody's enjoying the Clapham. | 0:21:56 | 0:21:59 | |
And also you've got absolutely everything. | 0:21:59 | 0:22:01 | |
Dry cleaners, off-licences... | 0:22:01 | 0:22:03 | |
Fish and chips. | 0:22:03 | 0:22:05 | |
We've got everything here. | 0:22:05 | 0:22:07 | |
I'm just going to take you over to the showroom. | 0:22:07 | 0:22:09 | |
Welcome to the studio. | 0:22:09 | 0:22:13 | |
OK. | 0:22:13 | 0:22:15 | |
So, erm, it's a nice open space for the windows to have the sun | 0:22:15 | 0:22:18 | |
come in throughout the day and the night. | 0:22:18 | 0:22:20 | |
-Are you going to give any discount? -What would you...like? | 0:22:23 | 0:22:28 | |
-CHUCKLING: -I don't know. | 0:22:28 | 0:22:29 | |
It has to come from your mouth. | 0:22:29 | 0:22:32 | |
I would be happy to offer just you guys - don't tell anyone else, | 0:22:32 | 0:22:35 | |
obviously - a 1% discount on the overall cost. | 0:22:35 | 0:22:39 | |
-How does that sound? -We'll have to think about it. -OK. | 0:22:39 | 0:22:42 | |
It's a tough old game. I mean, you do the best you can. | 0:22:44 | 0:22:46 | |
Take care. Thank you. | 0:22:46 | 0:22:48 | |
It's down to your clients, it's down to preference, it's down to people, | 0:22:48 | 0:22:51 | |
how they feel, what they want, it's really hard. | 0:22:51 | 0:22:54 | |
In Canary Wharf... | 0:22:58 | 0:23:00 | |
Thank you so much for coming down to see us today. Really appreciate it. | 0:23:00 | 0:23:03 | |
..with properties priced up to £1.4 million, | 0:23:03 | 0:23:07 | |
Richard and Vana deliver sugar-coated sales patter. | 0:23:07 | 0:23:11 | |
Canary Wharf has a brand name to it | 0:23:11 | 0:23:13 | |
that just makes it really attractive. | 0:23:13 | 0:23:16 | |
The road's nice, it's sort of tree-lined, | 0:23:16 | 0:23:18 | |
it's got a great, nice feel to it. | 0:23:18 | 0:23:20 | |
Their charm offensive is really quite relentless. | 0:23:20 | 0:23:23 | |
You've been chosen as one of the exclusive customers | 0:23:23 | 0:23:25 | |
that we've called today. | 0:23:25 | 0:23:26 | |
But then again, there isn't really much else they can offer. | 0:23:26 | 0:23:30 | |
So do you have a layout of, you know, what the floor plan...? | 0:23:30 | 0:23:34 | |
We don't have the actual layouts for them. | 0:23:34 | 0:23:37 | |
It's just buying something without even having it on paper. | 0:23:37 | 0:23:40 | |
When there isn't even a floor plan, developers use show flats | 0:23:41 | 0:23:45 | |
to give people an idea of what their flat could look like. | 0:23:45 | 0:23:48 | |
You can trust that these apartments are going to be well-designed. | 0:23:48 | 0:23:53 | |
Richard and Vana have decided to ignore the show flat | 0:23:53 | 0:23:55 | |
and I really think that could be a big mistake for them. | 0:23:55 | 0:23:59 | |
I'm afraid, you know, I can't. Just without even having a viewing. | 0:23:59 | 0:24:03 | |
No show flat, no floor plans... With just a plate of biscuits. | 0:24:03 | 0:24:07 | |
-Thank you so much. -Thank you! | 0:24:07 | 0:24:11 | |
-RICHARD: -Have you worked with "Gilly-ad" before? -No. | 0:24:11 | 0:24:14 | |
I just want to point out to you, it's not "Gilly-ad" Homes, | 0:24:14 | 0:24:17 | |
-it's Galliard Homes. -Galli-ally-ard. | 0:24:17 | 0:24:19 | |
I'm just not going to say it, I think. Be easier. | 0:24:19 | 0:24:22 | |
-On the other team... -Hello! | 0:24:24 | 0:24:26 | |
-Hello. -Hi. Are you Anoushka? | 0:24:26 | 0:24:28 | |
..with apartments costing up to £1.5 million, | 0:24:28 | 0:24:31 | |
Selina sells Stratford's high life. | 0:24:31 | 0:24:34 | |
As you can see, it's a very stunning design. | 0:24:34 | 0:24:36 | |
-And what does this look on to? -Erm... | 0:24:36 | 0:24:38 | |
I'd like a good aspect. | 0:24:38 | 0:24:40 | |
Do you mind if I show you that after | 0:24:40 | 0:24:42 | |
because I need to look at the positioning of the building | 0:24:42 | 0:24:44 | |
to show you which ways the apartments face. | 0:24:44 | 0:24:46 | |
It's about £1,400 per square foot. | 0:24:46 | 0:24:48 | |
And what's the average square foot value in Stratford? | 0:24:48 | 0:24:51 | |
I think it's about 30% less, | 0:24:51 | 0:24:54 | |
so this property is more expensive... | 0:24:54 | 0:24:55 | |
I think it's £455 a square foot. | 0:24:55 | 0:24:58 | |
-Really? You could be right. -OK. | 0:24:58 | 0:25:00 | |
-CLAUDE: -Selina's not one for detail. | 0:25:02 | 0:25:03 | |
Can I see a floor plan? | 0:25:03 | 0:25:06 | |
Erm... | 0:25:06 | 0:25:07 | |
When they met with the developer yesterday, | 0:25:07 | 0:25:09 | |
all the information was available to them. | 0:25:09 | 0:25:12 | |
They didn't ask the questions and hence today, | 0:25:12 | 0:25:14 | |
they haven't got the answers. | 0:25:14 | 0:25:16 | |
I think I'd be more comfortable going off and doing some research | 0:25:16 | 0:25:19 | |
and if I want to come back and purchase, I'll come back in. | 0:25:19 | 0:25:22 | |
-JOSEPH: -Selina's performance is not great. | 0:25:22 | 0:25:24 | |
I'll walk you out, Anoushka. | 0:25:24 | 0:25:26 | |
When it comes to closing a sale, that's where she falls down. | 0:25:26 | 0:25:29 | |
Obviously I am responsible for myself as a seller, | 0:25:30 | 0:25:32 | |
but I do think it's a shame that Joseph, | 0:25:32 | 0:25:34 | |
as someone who clearly talked about owning a property company, | 0:25:34 | 0:25:37 | |
didn't know the right questions to ask | 0:25:37 | 0:25:38 | |
and didn't know what I should include in my sales patter. | 0:25:38 | 0:25:41 | |
Clearly I have gone wrong a little bit earlier in the day | 0:25:41 | 0:25:44 | |
and he hasn't corrected me or offered me any support at all. | 0:25:44 | 0:25:46 | |
Come with us. | 0:25:48 | 0:25:50 | |
Lewisham, 11am. | 0:25:50 | 0:25:53 | |
Have a look. Take your time. | 0:25:53 | 0:25:54 | |
On Joseph's sub-team, Gary highlights the sights. | 0:25:54 | 0:25:58 | |
Some people love the greenery. Some people like looking at the city, | 0:25:58 | 0:26:02 | |
some people like looking into Lewisham. | 0:26:02 | 0:26:04 | |
Hmm. | 0:26:04 | 0:26:06 | |
We were actually quite positive we'd buy it, | 0:26:06 | 0:26:08 | |
but now that we've been up here, | 0:26:08 | 0:26:09 | |
I'm not sure that we really like the trains coming from that side | 0:26:09 | 0:26:13 | |
and looking over the shopping mall that side. | 0:26:13 | 0:26:16 | |
Gary's sale - derailed. | 0:26:18 | 0:26:21 | |
So which one is it that you're mostly interested in? | 0:26:21 | 0:26:24 | |
Charleine's - on track. | 0:26:24 | 0:26:26 | |
I think we'll go for the fifth floor. | 0:26:26 | 0:26:28 | |
Do you want me to secure that one for you now? | 0:26:28 | 0:26:30 | |
-Yeah, I think we'll go for it. -Yes, please. -Excellent! | 0:26:30 | 0:26:32 | |
Congratulations. | 0:26:32 | 0:26:34 | |
I managed to secure another deal. | 0:26:34 | 0:26:36 | |
But I bet Selina will say, | 0:26:37 | 0:26:39 | |
"It's because you had easier properties to sell." | 0:26:39 | 0:26:41 | |
At the end of the day, she could have come over. She didn't want to. | 0:26:41 | 0:26:44 | |
And I could have gone to the high-end. | 0:26:44 | 0:26:46 | |
Your signature in that box and could I have your signature in that box? | 0:26:46 | 0:26:50 | |
Clapham. | 0:26:54 | 0:26:56 | |
It's just this way. | 0:26:56 | 0:26:57 | |
A £340,000 deal at stake. | 0:26:57 | 0:26:59 | |
-It's more what it's overlooking as well, you see. -Yeah. | 0:26:59 | 0:27:02 | |
Brett and his clients take in the view. | 0:27:02 | 0:27:04 | |
So this is where you would be at. | 0:27:04 | 0:27:07 | |
You're literally... How many window bays in? | 0:27:07 | 0:27:09 | |
One, two, three, four. | 0:27:09 | 0:27:11 | |
Yeah, so you've literally got all of this to look out at. | 0:27:11 | 0:27:14 | |
I think you're showing them the wrong spot. | 0:27:15 | 0:27:18 | |
-No, no... -It's four windows along. This is two. -I just said that. | 0:27:19 | 0:27:22 | |
-So it's four windows along. -Yeah, I did say four windows. | 0:27:22 | 0:27:25 | |
That was just for visually. | 0:27:25 | 0:27:26 | |
I was just giving you what you were looking at, | 0:27:26 | 0:27:28 | |
but if you go down here, this is exactly where the plot would be. | 0:27:28 | 0:27:31 | |
This is four. But visually, it's pretty much exactly the same. | 0:27:31 | 0:27:35 | |
No. | 0:27:35 | 0:27:37 | |
-I don't want this one. -No? -No. I don't want to look at the wall. | 0:27:37 | 0:27:40 | |
HE SIGHS | 0:27:43 | 0:27:46 | |
PLANE OVERHEAD | 0:27:46 | 0:27:48 | |
With commission key... | 0:27:48 | 0:27:49 | |
..both teams push for sales. | 0:27:51 | 0:27:53 | |
-Is this something that you would possibly purchase? -Probably, yeah. | 0:27:53 | 0:27:57 | |
OK. Brilliant. | 0:27:57 | 0:27:58 | |
I will also give you a free bottle of Prosecco | 0:27:59 | 0:28:02 | |
-just to congratulate you. -Oh, wow! Yes, thank you. | 0:28:02 | 0:28:05 | |
380. Thanks ever so much for that and congratulations. | 0:28:08 | 0:28:10 | |
-Thank you very much. -Thanks ever so much. | 0:28:10 | 0:28:13 | |
So if I do go through with it today, can you do anything on the price? | 0:28:13 | 0:28:17 | |
-I can't deviate from that price at all. -Yeah? | 0:28:17 | 0:28:19 | |
Well, at least I can say I tried. | 0:28:19 | 0:28:20 | |
Would you like to go through with that today? | 0:28:20 | 0:28:22 | |
-Yeah, I would actually. -Fantastic. | 0:28:22 | 0:28:24 | |
Cool! | 0:28:24 | 0:28:25 | |
What would it take for you to shake my hand? | 0:28:26 | 0:28:29 | |
I would shake your hand if we agreed on a 1% discount | 0:28:30 | 0:28:33 | |
-and I can buy it today. -You can buy it today. | 0:28:33 | 0:28:36 | |
-I think we're able to do that for you today. -OK. | 0:28:36 | 0:28:39 | |
Thank you very much. | 0:28:39 | 0:28:41 | |
-Price... -Just a signature and the date, please, if you don't mind. | 0:28:41 | 0:28:44 | |
..just over three quarters of a million. | 0:28:44 | 0:28:47 | |
I feel absolutely amazing. | 0:28:47 | 0:28:49 | |
I can't wipe the smile off my face. | 0:28:49 | 0:28:50 | |
I'll just see you out. Thank you. | 0:28:50 | 0:28:52 | |
I think the thing that clenched it today was obviously the discount, | 0:28:52 | 0:28:55 | |
but also my outstanding sales techniques. | 0:28:55 | 0:28:57 | |
-So we've got 1.5% on 750. -It's not bad. -Crazy. | 0:28:57 | 0:29:01 | |
With regards to the sale he made, | 0:29:02 | 0:29:03 | |
that customer clearly came in here looking to buy. | 0:29:03 | 0:29:06 | |
It wasn't a difficult sale and he was very easy to get him | 0:29:06 | 0:29:09 | |
to sign the contract. | 0:29:09 | 0:29:10 | |
Hello, guys. | 0:29:10 | 0:29:12 | |
Give us some good news, buddy! | 0:29:12 | 0:29:13 | |
-Literally just sold a house for £765,000. -Well done! | 0:29:13 | 0:29:17 | |
That's amazing. | 0:29:17 | 0:29:19 | |
-'Who sold that one?' -That was me. -'Well done, Joseph.' | 0:29:19 | 0:29:22 | |
I'm on the board. I sold one at 380 grand. | 0:29:22 | 0:29:25 | |
Smashed it. Well done. | 0:29:25 | 0:29:26 | |
-Charleine's managed to sell another one. -Well done, guys. | 0:29:26 | 0:29:29 | |
-Keep doing your best. -Bye! | 0:29:29 | 0:29:31 | |
-Well done, Charleine. -Mm-hm... | 0:29:31 | 0:29:32 | |
No disrespect to Charleine, like, | 0:29:32 | 0:29:34 | |
-I know she's a really good seller, but this is not an easy sell. -No. | 0:29:34 | 0:29:37 | |
I mean, she's very good and pushy on certain sales, but I don't feel | 0:29:37 | 0:29:40 | |
that she's necessarily got better skills than you or I have. | 0:29:40 | 0:29:43 | |
-JOSEPH: -Selina is quite a negative person. | 0:29:43 | 0:29:46 | |
She has a very manipulative way about her to try | 0:29:46 | 0:29:50 | |
and make people think that something's not her fault. | 0:29:50 | 0:29:54 | |
Canary Wharf... | 0:29:58 | 0:30:00 | |
-It's not a decision I could make right this second. -OK. | 0:30:00 | 0:30:03 | |
-Being honest with you. -Thank you. | 0:30:03 | 0:30:05 | |
One high-end client walks away... | 0:30:05 | 0:30:08 | |
TRUMPET FANFARE | 0:30:08 | 0:30:10 | |
..as another rolls in. | 0:30:10 | 0:30:12 | |
-Hello, I'm Vana, nice to meet you. -Hi, nice to meet you. | 0:30:12 | 0:30:15 | |
-Zahir. -Hi, I'm Richard. -Nice to meet you, Zahir. | 0:30:15 | 0:30:18 | |
Potential purchase, a luxury three-bed. | 0:30:18 | 0:30:21 | |
Price? Almost 1.4 million. | 0:30:21 | 0:30:25 | |
Could we see the...the floor plans? | 0:30:25 | 0:30:28 | |
This is all we have to work with today, which is frustrating. | 0:30:28 | 0:30:31 | |
My parents have a three-bedroom in New York and they're architects, | 0:30:31 | 0:30:35 | |
so I know what the flow will be like. | 0:30:35 | 0:30:37 | |
The kitchen will be here and it'll be open with the dining room. | 0:30:37 | 0:30:41 | |
If you can help us with the price, | 0:30:41 | 0:30:43 | |
we can give you an answer today. | 0:30:43 | 0:30:45 | |
He's feeling the heat! | 0:30:46 | 0:30:48 | |
It's going to be difficult for us to do anything on that price. | 0:30:48 | 0:30:50 | |
-Is it impossible? -There's really no shift on the price. | 0:30:50 | 0:30:54 | |
-If you can throw in the parking space... -Let's go ask the question. | 0:30:54 | 0:30:57 | |
I'm going to try my best for you guys. | 0:30:57 | 0:31:00 | |
I'll be back soon. | 0:31:00 | 0:31:01 | |
I'll leave you on your own for a couple of minutes to discuss. | 0:31:01 | 0:31:04 | |
1.5 is a shit discount, unless you equate it to the fact | 0:31:04 | 0:31:08 | |
it's a parking space and then suddenly, actually, | 0:31:08 | 0:31:11 | |
it's like, OK. | 0:31:11 | 0:31:13 | |
-Just sell it. -OK, I'll do my best. | 0:31:13 | 0:31:15 | |
-Do you mind if we come back in? -You're already in! | 0:31:15 | 0:31:18 | |
LAUGHTER | 0:31:18 | 0:31:19 | |
OK, we're literally doing everything we possibly can to make this work | 0:31:20 | 0:31:26 | |
for you and to make it worthwhile, so we can give you £20,000, | 0:31:26 | 0:31:30 | |
which would be approximately the cost of parking the car round here. | 0:31:30 | 0:31:33 | |
That's the most we could possibly do for you. | 0:31:34 | 0:31:37 | |
-Let's go for it. -Fantastic, guys. | 0:31:41 | 0:31:44 | |
-Thanks a lot. -Thank you. -Thank you. Take care, bye. | 0:31:44 | 0:31:48 | |
I'm SO proud of us! | 0:31:58 | 0:32:00 | |
PHONE RINGS 5:30. | 0:32:03 | 0:32:05 | |
'Please leave a message after the tone.' | 0:32:05 | 0:32:08 | |
90 minutes' trading left. | 0:32:08 | 0:32:10 | |
-I'd just like to speak to you about something, many thanks. -Voicemail. | 0:32:10 | 0:32:15 | |
Voicemail. | 0:32:15 | 0:32:16 | |
I've gone through my whole list, rang four times, rang three times, | 0:32:16 | 0:32:19 | |
-left two messages. -Are we missing a trick? | 0:32:19 | 0:32:22 | |
You can't just go out on the street for stuff like this, because you need a lot of bloody money! | 0:32:22 | 0:32:26 | |
How're you doing, are you OK? | 0:32:26 | 0:32:28 | |
-Would you be looking at purchasing soon? -No. | 0:32:28 | 0:32:31 | |
-Is there anyone you know that may be interested? -Potentially. | 0:32:31 | 0:32:34 | |
If we could take his contact number, that would be fantastic. | 0:32:34 | 0:32:37 | |
In terms of the finish, really top end. | 0:32:37 | 0:32:39 | |
My husband's going to kill me! | 0:32:39 | 0:32:42 | |
-Fantastic. -Thank you very much. | 0:32:42 | 0:32:43 | |
You've bought yourself a great property. | 0:32:43 | 0:32:45 | |
We're wondering if it's something you're of interest of? | 0:32:45 | 0:32:49 | |
Thank you, bye. | 0:32:51 | 0:32:53 | |
Oh, my God. | 0:32:53 | 0:32:54 | |
At the Stratford showroom... | 0:32:59 | 0:33:01 | |
So, Annabel - welcome to Manhattan. | 0:33:01 | 0:33:03 | |
Joseph's last client. | 0:33:03 | 0:33:05 | |
We've got some computerised aspects | 0:33:05 | 0:33:07 | |
of where the roof garden's going to be. | 0:33:07 | 0:33:09 | |
Are they open to the public, or is that just for people who...? | 0:33:09 | 0:33:12 | |
-The gardens... -Only the communal garden on this level that we're seeing. | 0:33:12 | 0:33:16 | |
The sky gardens are available for the residents only. | 0:33:16 | 0:33:18 | |
Does that mean it's an extortionate service charge? | 0:33:18 | 0:33:21 | |
-No, the service charge is about £6.03 per square foot. -Yeah. | 0:33:21 | 0:33:24 | |
My appointment was the last one. | 0:33:26 | 0:33:28 | |
So this is the stunning one-bedroom plus den. | 0:33:28 | 0:33:32 | |
Selina tried to pounce on my customer. | 0:33:32 | 0:33:34 | |
BOTH: You want to see some of the storage space? | 0:33:34 | 0:33:36 | |
I felt that it was embarrassing. I didn't want to keep dogfighting | 0:33:36 | 0:33:40 | |
for the customer's attention. | 0:33:40 | 0:33:41 | |
So, how do you feel about reserving one of these fantastic | 0:33:41 | 0:33:45 | |
properties, Annabel? | 0:33:45 | 0:33:46 | |
-I think probably it's not going to be today. -Mm-hm. | 0:33:46 | 0:33:49 | |
I think it's a real shame that I didn't confirm any business today. | 0:33:49 | 0:33:53 | |
But I think Joseph underestimated the complexity of the task, | 0:33:53 | 0:33:57 | |
he's not used to selling products that are worth this amount of money. | 0:33:57 | 0:34:00 | |
So I do think it's down to Joseph. | 0:34:00 | 0:34:02 | |
Minutes remain. | 0:34:05 | 0:34:06 | |
What...else...is there to do? | 0:34:09 | 0:34:12 | |
Hello, my name's Charleine. | 0:34:15 | 0:34:16 | |
After their dash around Lewisham... | 0:34:16 | 0:34:19 | |
It's real oak wood flooring, mirror set back, nice and classy. | 0:34:19 | 0:34:23 | |
For Charleine and Gary, one last lead. | 0:34:23 | 0:34:26 | |
We literally have a minute left to close the deal! | 0:34:26 | 0:34:29 | |
-Would be a very expensive minute! -It would be! | 0:34:29 | 0:34:32 | |
Tempted, aren't you?! | 0:34:32 | 0:34:34 | |
The pen's there, it's very close! | 0:34:34 | 0:34:37 | |
That's officially the end of trading. | 0:34:37 | 0:34:39 | |
7pm. | 0:34:42 | 0:34:44 | |
Selling ceases. | 0:34:44 | 0:34:46 | |
Tomorrow, in the boardroom, completion. | 0:34:46 | 0:34:50 | |
-I think myself and Charleine had a great day. -Well done, Gary! | 0:34:50 | 0:34:54 | |
Just hope the high-end sales or the lack of high-end sales really | 0:34:54 | 0:34:57 | |
doesn't cost us. | 0:34:57 | 0:34:58 | |
It's hard not to look unhappy when you feel a little bit deflated. | 0:34:58 | 0:35:02 | |
I've got no problems in saying I've done everything I could have done. | 0:35:02 | 0:35:05 | |
But I've always been someone that says never underestimate | 0:35:05 | 0:35:08 | |
your opponent and never count your chickens. | 0:35:08 | 0:35:11 | |
You can go through to the boardroom now. | 0:35:33 | 0:35:35 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:35:50 | 0:35:52 | |
Well, I created just what the world needs, | 0:35:52 | 0:35:55 | |
another bunch of real estate agents. | 0:35:55 | 0:35:58 | |
They're not my favourite people, actually, | 0:35:58 | 0:36:01 | |
but nevertheless, they're a necessary evil. | 0:36:01 | 0:36:04 | |
This is a very, very serious task. | 0:36:04 | 0:36:07 | |
I mean, we've done a bit of selling, items for a pound each | 0:36:07 | 0:36:09 | |
and all that stuff. HERE, | 0:36:09 | 0:36:11 | |
we're talking about items of 300, 400,000, one million. | 0:36:11 | 0:36:15 | |
So it's really serious stuff. | 0:36:15 | 0:36:17 | |
Now, Richard, talk me through the high-end, then, | 0:36:17 | 0:36:20 | |
cos there were two developers I gave you, there. | 0:36:20 | 0:36:22 | |
We went to Canary Wharf. | 0:36:22 | 0:36:24 | |
We really engaged well with him, | 0:36:24 | 0:36:25 | |
Vana did a great job as well engaging with the client. | 0:36:25 | 0:36:28 | |
-This was David, was it? -David, yes. -And where's David from? | 0:36:28 | 0:36:31 | |
So... Where's...? Oh! He's from Galliards. | 0:36:31 | 0:36:35 | |
I got the name of the development wrong in a pitch. | 0:36:35 | 0:36:38 | |
-You got the name wrong? -Day two, I did. | 0:36:38 | 0:36:40 | |
We don't go around calling you Dick, do we? | 0:36:40 | 0:36:42 | |
Not to your face, anyway, let's put it that way. | 0:36:42 | 0:36:45 | |
So, even with all that, you impressed them. | 0:36:47 | 0:36:48 | |
We engaged well with him and he responded well back to us. | 0:36:48 | 0:36:51 | |
-So you wanted Canary Wharf. -Correct. | 0:36:51 | 0:36:54 | |
And they would have had, Alan, a choice of whoever they wanted. | 0:36:54 | 0:36:57 | |
-Both of the clients wanted them. -Good. | 0:36:57 | 0:37:00 | |
Right, now, we're down in Clapham, mid-range development, | 0:37:00 | 0:37:04 | |
-with Scott and Brett. -OK. | 0:37:04 | 0:37:06 | |
There were studio apartments and also one bed and study. | 0:37:06 | 0:37:10 | |
-You sound like you know what you're talking about now. -Yeah. | 0:37:10 | 0:37:13 | |
Because according to the feedback I got from Karren, when push | 0:37:13 | 0:37:17 | |
came to shove, you didn't know the answer to a lot of questions. | 0:37:17 | 0:37:21 | |
I didn't know everything straightaway. | 0:37:21 | 0:37:23 | |
You didn't know ANYTHING, actually, Scott. | 0:37:23 | 0:37:25 | |
"This is the washing machine", it was the wardrobes. | 0:37:25 | 0:37:27 | |
"This is the fridge freezer", it was the washing machine. | 0:37:27 | 0:37:30 | |
You called the bidet a hot tub. | 0:37:30 | 0:37:32 | |
I haven't touched this kind of industry before, but I did | 0:37:32 | 0:37:35 | |
the best I could do and I got better, improved throughout the next day. | 0:37:35 | 0:37:39 | |
The first client that we had on day one was a bit of a train wreck, | 0:37:39 | 0:37:42 | |
to be honest. | 0:37:42 | 0:37:43 | |
We walked into day two | 0:37:43 | 0:37:44 | |
and just tried to stay as focused as we possibly could. | 0:37:44 | 0:37:46 | |
Do you think when Scott tried to sell one of the flats | 0:37:46 | 0:37:50 | |
saying it was near a chippy, what is that...? | 0:37:50 | 0:37:52 | |
I mean, to sell a flat because it's near a fish and chip shop, | 0:37:52 | 0:37:55 | |
is not exactly encouraging, is it? | 0:37:55 | 0:37:58 | |
I was just trying to show what the area had and that they had | 0:37:59 | 0:38:01 | |
different shops and restaurants and a fish and chip shop was one of those. | 0:38:01 | 0:38:05 | |
I don't have an education in this particular area, | 0:38:05 | 0:38:07 | |
so if I don't know something... I go and learn it. | 0:38:07 | 0:38:09 | |
-I can't just make stuff up. -I accept that, Scott. | 0:38:09 | 0:38:12 | |
If you don't know something, | 0:38:12 | 0:38:13 | |
don't blurt out rubbish is the point I'm making. | 0:38:13 | 0:38:16 | |
Richard, as the project manager, | 0:38:17 | 0:38:19 | |
do you not feel that you may have kept yourself | 0:38:19 | 0:38:22 | |
concentrated on your high-ends, left these two lost at sea, really? | 0:38:22 | 0:38:26 | |
I did put the time and effort into giving as much | 0:38:26 | 0:38:28 | |
knowledge as I could do at the start of that day. | 0:38:28 | 0:38:30 | |
Sounds to me that you didn't. | 0:38:30 | 0:38:32 | |
All right, let's move on now to Versatile. Your high-end. | 0:38:33 | 0:38:37 | |
Joseph, similarly, you go and talk to Harry and David. | 0:38:37 | 0:38:41 | |
First of all we went to see Harry over at Manhattan Lofts. Great place. | 0:38:41 | 0:38:44 | |
In Stratford. | 0:38:44 | 0:38:45 | |
Yes, he was very passionate, had a great vision, | 0:38:45 | 0:38:48 | |
he did like to talk quite a lot. | 0:38:48 | 0:38:50 | |
When somebody's very passionate about their product, | 0:38:50 | 0:38:53 | |
what you need to do is sit and listen. | 0:38:53 | 0:38:55 | |
Even if you're not bleeding interested, | 0:38:55 | 0:38:57 | |
you make out you're interested. | 0:38:57 | 0:38:59 | |
From what I can understand from Claude, it was, "Yeah, | 0:38:59 | 0:39:01 | |
"all right, Harry, thanks for that. | 0:39:01 | 0:39:03 | |
"Right, anyway, what's the price, Harry?" | 0:39:03 | 0:39:05 | |
-Very, very blunt and to-the-point. -It's absolutely right. | 0:39:05 | 0:39:07 | |
Unfortunately, you didn't share his dream. You didn't go with him. | 0:39:07 | 0:39:11 | |
Selina, particularly, | 0:39:11 | 0:39:12 | |
I would have expected you to kind of really buy into all that. | 0:39:12 | 0:39:16 | |
I did buy into it, Claude, | 0:39:16 | 0:39:17 | |
but Joseph had made it clear that he wanted to lead the pitch. | 0:39:17 | 0:39:20 | |
It wasn't a matter of talking, it was a matter of showing. | 0:39:20 | 0:39:23 | |
Showing enthusiasm and I think the pair of you lack that. | 0:39:23 | 0:39:26 | |
No disrespect, | 0:39:26 | 0:39:27 | |
but Harry commented on your attire at the time, didn't he? | 0:39:27 | 0:39:31 | |
Yes, Harry said to me that he didn't like the braces. | 0:39:31 | 0:39:33 | |
Did you smarten yourself up a little bit? | 0:39:33 | 0:39:35 | |
Or did you still look like a plumber with a moustache like Super Mario? | 0:39:35 | 0:39:38 | |
Yes, I did take his feedback on board, | 0:39:38 | 0:39:40 | |
but I thought I looked smart the first day. | 0:39:40 | 0:39:43 | |
I think that was a little bit unfair to comment on my braces | 0:39:43 | 0:39:45 | |
underneath my suit jacket. | 0:39:45 | 0:39:47 | |
-I had a very nice suit on with a purple shirt. -Hm. | 0:39:47 | 0:39:50 | |
Now, Gary and Charleine, | 0:39:50 | 0:39:52 | |
tell me about the mid-range development, in Lewisham. | 0:39:52 | 0:39:55 | |
Yes, so we went into the developer and we just literally asked | 0:39:55 | 0:39:58 | |
as many questions as we could, as if we was going to buy a property. | 0:39:58 | 0:40:01 | |
-OK, you're ready for people firing questions at you? -Yes. | 0:40:01 | 0:40:04 | |
Sounds good to me. | 0:40:04 | 0:40:05 | |
-And then you had your first sale that evening, is that right? -Yes. | 0:40:05 | 0:40:08 | |
That's right, Charleine did a great job, yes. | 0:40:08 | 0:40:10 | |
Right at the end on day two, | 0:40:10 | 0:40:13 | |
I think it was getting up to 6 o'clock, | 0:40:13 | 0:40:15 | |
you'd ran out of leads, you went out in the street, didn't you? | 0:40:15 | 0:40:18 | |
Till we exhausted all our leads. | 0:40:18 | 0:40:19 | |
Now, the chance of getting someone on the street and asking them to come over in half an hour | 0:40:19 | 0:40:24 | |
and invest 400,000 was extremely slim. | 0:40:24 | 0:40:26 | |
We had 15 minutes to try and give him as much as what we could | 0:40:26 | 0:40:30 | |
and to try to seal the deal. | 0:40:30 | 0:40:31 | |
-I thought the idea was completely bonkers. -Hm. | 0:40:31 | 0:40:33 | |
-Nearly got a deal. -Yep. -Very close. | 0:40:34 | 0:40:37 | |
All right, look... | 0:40:37 | 0:40:39 | |
Um... Let's get some numbers. | 0:40:39 | 0:40:42 | |
Claude, tell me about the mid-range sales. | 0:40:42 | 0:40:45 | |
Commission on the mid-range for Lewisham was 18,200. | 0:40:45 | 0:40:50 | |
Right, and while with you, on the high-end development? | 0:40:50 | 0:40:53 | |
At Stratford for Versatile, | 0:40:53 | 0:40:55 | |
they had £11,360.25, | 0:40:55 | 0:40:59 | |
making a total commission | 0:40:59 | 0:41:01 | |
of £29,560.25. | 0:41:01 | 0:41:05 | |
-Right. -Karren? The commission on sales at Clapham was £12,725. | 0:41:07 | 0:41:13 | |
Right. | 0:41:13 | 0:41:15 | |
Commission on sales at Canary Wharf | 0:41:15 | 0:41:19 | |
was £63,901, giving them | 0:41:19 | 0:41:22 | |
a total commission of £76,626.78. | 0:41:22 | 0:41:26 | |
Very good. | 0:41:26 | 0:41:28 | |
Very, very, very good. Excellent. | 0:41:28 | 0:41:31 | |
You sold over £4 million worth of property in those days. Very good. | 0:41:31 | 0:41:37 | |
I think the contrast between the two teams was staggering. | 0:41:37 | 0:41:40 | |
You two were impressive, you two, not so much. | 0:41:40 | 0:41:43 | |
You heard me say many times that if you're in the winning team, | 0:41:43 | 0:41:47 | |
you stay in the process. Sometimes, it backfires. | 0:41:47 | 0:41:51 | |
Scott, I've got to tell you, from what I'm hearing from Karren | 0:41:51 | 0:41:54 | |
you are a very, very lucky man to still be here at the moment. | 0:41:54 | 0:42:00 | |
Anyway, for your treat, I've arranged a high-octane | 0:42:00 | 0:42:04 | |
speedboat experience where you'll be | 0:42:04 | 0:42:07 | |
whizzing along the Thames at 30 knots. | 0:42:07 | 0:42:10 | |
Hold on tight, enjoy the ride and I'll see you on the next task, OK? | 0:42:10 | 0:42:14 | |
Very well done, you two. Very well done indeed. | 0:42:14 | 0:42:17 | |
It's all right, I would just like to quickly say... | 0:42:25 | 0:42:28 | |
Thank you for the opportunity. | 0:42:28 | 0:42:29 | |
But I would like to exit the process at this point. | 0:42:32 | 0:42:34 | |
(My God!) | 0:42:34 | 0:42:35 | |
Well, that's your choice if you want to. | 0:42:38 | 0:42:40 | |
Oh, my God. | 0:42:44 | 0:42:46 | |
You're doing my job for me. | 0:42:46 | 0:42:48 | |
What's he doing? | 0:42:49 | 0:42:51 | |
But I'm an honourable man and I stick to the rules. | 0:42:53 | 0:42:56 | |
So all I can do is thank you very much indeed for putting | 0:42:56 | 0:42:59 | |
yourself forward, because you've actually made life a little bit easier for me, OK? | 0:42:59 | 0:43:03 | |
Thank you very much. | 0:43:03 | 0:43:05 | |
(My God.) | 0:43:05 | 0:43:06 | |
Scott, what you doing? | 0:43:11 | 0:43:13 | |
I'm off. | 0:43:13 | 0:43:14 | |
This process is all about people that perform. | 0:43:21 | 0:43:24 | |
At least another one of you will be leaving the process today, OK? | 0:43:24 | 0:43:28 | |
So...off you go. | 0:43:28 | 0:43:30 | |
He clearly knows he's out of his depth. | 0:43:35 | 0:43:37 | |
He didn't deserve to stay in this process. He really didn't. | 0:43:37 | 0:43:40 | |
-Listening to you... -He's gone. -He's been floundering for weeks, really. | 0:43:40 | 0:43:44 | |
I left because Lord Sugar made a success of his business himself, | 0:43:53 | 0:43:57 | |
so why do I need to go to him to go and get an investment? | 0:43:57 | 0:44:01 | |
I truly stand by my decision and he'll kick himself that he | 0:44:01 | 0:44:05 | |
didn't look at me in a different light. | 0:44:05 | 0:44:07 | |
Can you believe Scott has gone? | 0:44:12 | 0:44:13 | |
To go when you've won... | 0:44:13 | 0:44:15 | |
-..is unbelievable. You think, why? -I don't get it. I don't GET it. | 0:44:17 | 0:44:21 | |
It was like this massive bombshell - | 0:44:21 | 0:44:23 | |
we'd all worked so hard to win | 0:44:23 | 0:44:25 | |
and I still don't understand it, why you'd want to throw the towel in. | 0:44:25 | 0:44:29 | |
Scott has had a couple of bad runs. He was out of his depth on it. | 0:44:29 | 0:44:33 | |
He tried his best, but he just couldn't cut it. | 0:44:33 | 0:44:35 | |
It's getting very dog-eat-dog, now. | 0:44:35 | 0:44:38 | |
If that means that that's one less candidate that | 0:44:38 | 0:44:40 | |
I have to worry about, all the better for me. | 0:44:40 | 0:44:42 | |
ALL: Whoooo! | 0:44:42 | 0:44:45 | |
-Let me speak! -No, no. I am SICK of this negativity thing. -Let me speak! | 0:44:54 | 0:44:57 | |
-You really need to find... -Selina, DO NOT TALK OVER ME! | 0:44:57 | 0:45:00 | |
I am talking, OK? Do NOT talk over me, right? | 0:45:00 | 0:45:03 | |
Give me a chance to speak. | 0:45:03 | 0:45:05 | |
You need to calm down and stop shouting over people. | 0:45:05 | 0:45:07 | |
Having to work with someone like Charleine, | 0:45:07 | 0:45:10 | |
who is the most irrational, | 0:45:10 | 0:45:12 | |
unprofessional person ever. | 0:45:12 | 0:45:14 | |
I mean, she shouldn't be in this process | 0:45:14 | 0:45:16 | |
and I'm amazed that she has any business at all. | 0:45:16 | 0:45:18 | |
I'll talk to these about why I feel the failure of the task. | 0:45:18 | 0:45:21 | |
Selina brings negativity to the team. | 0:45:21 | 0:45:24 | |
She turned around and said to Gary and myself, the reason why myself | 0:45:24 | 0:45:27 | |
and Joseph didn't get a pitch is because we're not polished enough. | 0:45:27 | 0:45:31 | |
-If we're not polished enough, well... -I didn't say that. | 0:45:31 | 0:45:33 | |
You DID say that yesterday. | 0:45:33 | 0:45:35 | |
Selina always gets under my skin. | 0:45:35 | 0:45:38 | |
She sits in that boardroom, | 0:45:38 | 0:45:39 | |
makes it sound like the sun shines out of her bum. | 0:45:39 | 0:45:42 | |
She talks like she's this perfect package, but she's not. | 0:45:42 | 0:45:47 | |
You've twisted this... | 0:45:47 | 0:45:48 | |
The key point is we didn't build enough rapport with the client. | 0:45:48 | 0:45:50 | |
Selina, I took you there to build a rapport with the clients, you said you deal with high-end clients... | 0:45:50 | 0:45:55 | |
You told me that you wanted to lead and asked me to write the notes... | 0:45:55 | 0:45:57 | |
-No, I asked you to write some questions.... -When it went wrong, Joseph, I snatched the phone off... | 0:45:57 | 0:46:02 | |
Oh, my God, you are SUCH a manipulator! | 0:46:02 | 0:46:04 | |
I've never met ANYBODY like you. | 0:46:04 | 0:46:06 | |
Without a doubt, Selina should be fired. | 0:46:06 | 0:46:08 | |
She didn't sell, she didn't build a rapport, | 0:46:08 | 0:46:10 | |
she was with me the whole day, she could have stepped in at any point. | 0:46:10 | 0:46:13 | |
I don't think she's Lord Sugar's suitable business partner. | 0:46:13 | 0:46:16 | |
You're very clever, but I can see straight through you. | 0:46:16 | 0:46:19 | |
Straight through you. You're very, very clever. | 0:46:19 | 0:46:22 | |
PHONE RINGS | 0:46:29 | 0:46:31 | |
Yes, Lord Sugar. | 0:46:31 | 0:46:32 | |
Can you send the candidates in, please. | 0:46:32 | 0:46:34 | |
Yes, Lord Sugar. | 0:46:34 | 0:46:36 | |
You can go through to the boardroom now. | 0:46:36 | 0:46:38 | |
Well, Joseph, it seems to me | 0:46:48 | 0:46:50 | |
-that you bit off more than you can chew here. -I disagree with that. | 0:46:50 | 0:46:54 | |
I went there cos I could sell. | 0:46:54 | 0:46:56 | |
I specifically took Selina | 0:46:56 | 0:46:58 | |
because she said she deals with high-end clients all of the time. | 0:46:58 | 0:47:01 | |
That was to build the rapport. I took myself there because... | 0:47:01 | 0:47:04 | |
-You didn't build any rapport, did you? -No, we didn't, I know. | 0:47:04 | 0:47:06 | |
You were like a bull in a china shop. | 0:47:06 | 0:47:09 | |
-In what sense? -In the sense... | 0:47:09 | 0:47:10 | |
-In the sense that I went straight to negotiation, or...? -The point is, | 0:47:10 | 0:47:13 | |
you still don't understand what I'm talking about, do you? | 0:47:13 | 0:47:16 | |
I'm asking you whether you felt that you was a fish out of water | 0:47:16 | 0:47:19 | |
amongst these people. | 0:47:19 | 0:47:20 | |
You're saying, "No, I'm a good salesman", but clearly there was | 0:47:20 | 0:47:23 | |
no sophistication in what you were doing. | 0:47:23 | 0:47:25 | |
I definitely misread the situation. | 0:47:25 | 0:47:27 | |
That's all I'm asking you. | 0:47:27 | 0:47:29 | |
I was out of my depth, but I tried to change my style of selling. | 0:47:29 | 0:47:34 | |
It was obviously clear that we wasn't good enough that evening. | 0:47:34 | 0:47:38 | |
-I got that from... -Who's we? -Me and Selina. -Yeah. | 0:47:38 | 0:47:41 | |
I mean, Selina, you've put on kind of events and things like that, | 0:47:41 | 0:47:45 | |
which... I know it's not the same, but it's very similar, isn't it? | 0:47:45 | 0:47:48 | |
Generally project managers take the lead on pitches and | 0:47:48 | 0:47:50 | |
because Joseph has a property company and property isn't something | 0:47:50 | 0:47:53 | |
I know about, he did say he wanted to lead, which I was happy with. | 0:47:53 | 0:47:56 | |
It is difficult when you're slightly sidelined to take a leading role... | 0:47:56 | 0:47:59 | |
-You being sidelined? -Selina, come on... | 0:47:59 | 0:48:02 | |
These are the facts of the matter. The fact is, when we lost that pitch, David phoned back | 0:48:02 | 0:48:05 | |
and said, "I'm not happy, you weren't as polished as Richard and Vana and | 0:48:05 | 0:48:08 | |
"I don't like the way you talk and you wouldn't be suitable in my company." | 0:48:08 | 0:48:11 | |
With respect, I don't feel that was necessarily aimed at me. | 0:48:11 | 0:48:14 | |
It's the first time in nine weeks I've worked with you, Selina, | 0:48:14 | 0:48:16 | |
and I would not want to work with you again | 0:48:16 | 0:48:18 | |
or work with you in a professional environment. | 0:48:18 | 0:48:21 | |
Well, I don't want to work with somebody who talks himself | 0:48:21 | 0:48:24 | |
into a job and you alienated major clients... | 0:48:24 | 0:48:26 | |
Selina, the truth is, you could have helped him out. | 0:48:26 | 0:48:29 | |
-You could have taken the lead. -After that, I did take the lead. | 0:48:29 | 0:48:32 | |
I took the lead on the first client in the morning... | 0:48:32 | 0:48:34 | |
Because it was booked. You took the lead? | 0:48:34 | 0:48:36 | |
-I'm still talking. -You didn't! | 0:48:36 | 0:48:37 | |
-It was booked in on your first client. -I had to take the lead | 0:48:37 | 0:48:39 | |
because Joseph's nerve was knocked, he got personal, negative feedback from both Harry and David... | 0:48:39 | 0:48:44 | |
Selina, I believe that one of your traits is that | 0:48:44 | 0:48:47 | |
when things are not going great, you kind of tune out. | 0:48:47 | 0:48:50 | |
I get negative feedback from people because I'm too pushy, | 0:48:50 | 0:48:52 | |
because I like leading. | 0:48:52 | 0:48:54 | |
So for me, it's a fine balance between being pushy and taking a step back. | 0:48:54 | 0:48:57 | |
And when you don't talk, you have a negative aura about you, | 0:48:57 | 0:49:00 | |
where you pull a face and sit back... | 0:49:00 | 0:49:02 | |
-You cannot say... -You make it very negative. | 0:49:02 | 0:49:04 | |
That's ridiculous, guys. | 0:49:04 | 0:49:05 | |
You can't keep bringing up this negative thing. | 0:49:05 | 0:49:07 | |
Yes, I can, because it's specific. | 0:49:07 | 0:49:09 | |
I've just had to deal with Charleine screaming at me | 0:49:09 | 0:49:11 | |
-for 5 minutes in a cafe... -Because you don't let me speak, Selina. | 0:49:11 | 0:49:14 | |
-Oh, my God. -Both of them making personal insults... | 0:49:14 | 0:49:17 | |
I work in an industry where it's to do with performing and happiness - | 0:49:17 | 0:49:21 | |
how do you think I'm the negative one in this group? | 0:49:21 | 0:49:24 | |
Is there any one time, Joseph, | 0:49:24 | 0:49:26 | |
that you thought yourself that you had the wrong person with you? | 0:49:26 | 0:49:29 | |
I think Charleine's a very good seller, | 0:49:29 | 0:49:31 | |
but she's quite like me in the sense that we do the hard sell. | 0:49:31 | 0:49:34 | |
-What about Gary? -Ummm... | 0:49:34 | 0:49:37 | |
Let's be honest, it was the decision | 0:49:37 | 0:49:39 | |
that he didn't want to put Charleine and Selina together. | 0:49:39 | 0:49:42 | |
I definitely didn't want to put Charleine and Selina together. | 0:49:42 | 0:49:45 | |
They've knocked heads throughout. | 0:49:45 | 0:49:46 | |
Why can't you get on with her or why can't she get on with you? | 0:49:46 | 0:49:50 | |
I don't get it. | 0:49:50 | 0:49:52 | |
I feel everyone does have a limit and when someone does push you | 0:49:52 | 0:49:55 | |
and push you and push you, it is hard not to react. | 0:49:55 | 0:49:58 | |
I don't clash heads with any single person in the house, | 0:49:58 | 0:50:00 | |
I never have volatile arguments with anybody. | 0:50:00 | 0:50:02 | |
What do you think, Gary, then, on this? | 0:50:02 | 0:50:04 | |
If I'm being honest, when we had a meeting in the morning, there was | 0:50:04 | 0:50:07 | |
a comment about not being polished and it rubbed people up | 0:50:07 | 0:50:10 | |
-the wrong way. -I'm sorry, I was talking about how the client said Richard and Vana | 0:50:10 | 0:50:13 | |
-were more polished than me and Joseph. -I'm not saying... | 0:50:13 | 0:50:16 | |
I'm talking about the way it was perceived amongst Joseph... | 0:50:16 | 0:50:19 | |
And myself, as well. | 0:50:19 | 0:50:20 | |
Gary, I'd never bring up something as personal as that. | 0:50:20 | 0:50:23 | |
I'm not saying we've had a problem, but there's no smoke without fire. | 0:50:23 | 0:50:27 | |
Why is it clearly that people have got this opinion of you? | 0:50:27 | 0:50:31 | |
I think quite honestly the main issue is Charleine | 0:50:31 | 0:50:34 | |
and I feel like she's quite manipulative | 0:50:34 | 0:50:36 | |
-and she does try to manipulate other people in the house. -Joseph... | 0:50:36 | 0:50:39 | |
Can I finish speaking? Lord Sugar has asked me a question. | 0:50:39 | 0:50:42 | |
I'm not someone that's trying to win a personality contest here. | 0:50:42 | 0:50:46 | |
Trust me, no-one is winning any personality contest here. | 0:50:46 | 0:50:49 | |
I pride myself on being able to get on with people | 0:50:49 | 0:50:51 | |
and it is a mark of my character that I don't... | 0:50:51 | 0:50:53 | |
Well, something's gone wrong, cos you're rubbing people up the wrong way here, that's for sure. | 0:50:53 | 0:50:58 | |
-Only Charleine! -No, it's the whole house. Everybody in the process. | 0:50:58 | 0:51:00 | |
It's not the whole house! | 0:51:00 | 0:51:02 | |
-Joseph, you know what happens next, don't you? -Yes. | 0:51:02 | 0:51:05 | |
You've got to bring two other people back into this boardroom. | 0:51:05 | 0:51:08 | |
I'm not going to get a prize for working out one of them | 0:51:08 | 0:51:10 | |
is Selina, who's the other one? | 0:51:10 | 0:51:12 | |
The other one is going to be Gary, just based on sales figures. | 0:51:18 | 0:51:20 | |
Right. So Charleine, you can go back to the house. | 0:51:22 | 0:51:27 | |
And I'll see you other three back in here shortly. | 0:51:27 | 0:51:30 | |
Thank you, Lord Sugar. Thank you, Karren, thank you, Claude. | 0:51:30 | 0:51:33 | |
In the case of Joseph, really, | 0:51:36 | 0:51:38 | |
he should never have dived in and taken responsibility for this. | 0:51:38 | 0:51:42 | |
He's very ambitious and he just took a step too far. | 0:51:42 | 0:51:45 | |
Selina is not a team player. | 0:51:45 | 0:51:47 | |
She clearly rubs people up the wrong way. | 0:51:47 | 0:51:49 | |
I think the problem for Selina is her mood gets the better of her. | 0:51:49 | 0:51:53 | |
-Gary is like Steady Eddie, really. He only sold one, didn't he? -Yes. | 0:51:53 | 0:51:57 | |
There's a real question mark for me with him. | 0:51:57 | 0:52:00 | |
PHONE RINGS | 0:52:02 | 0:52:03 | |
-Yes, Lord Sugar. -Can you send the three of them in, please. | 0:52:03 | 0:52:06 | |
Yes, Lord Sugar. Lord Sugar will see you now. | 0:52:06 | 0:52:08 | |
Well, Selina. It says here, "I kind of go into Wonder Woman mode". | 0:52:19 | 0:52:23 | |
These are your words. On this task, you're more like Invisible Woman. | 0:52:23 | 0:52:27 | |
It seems you couldn't even flog a property playing Monopoly. | 0:52:27 | 0:52:31 | |
It's true, I didn't sell anything on this task, | 0:52:31 | 0:52:33 | |
but I have sold on other tasks. But Joseph didn't get it together | 0:52:33 | 0:52:36 | |
and I didn't get much management or feedback from him as PM. | 0:52:36 | 0:52:39 | |
You're talking nonsense. Once again, you're trying to get your way out... | 0:52:39 | 0:52:43 | |
-No... -You didn't sell. I sold, you can't close your deal. | 0:52:43 | 0:52:45 | |
-Stop shouting, why do you have to shout? -I've just got a loud voice. | 0:52:45 | 0:52:49 | |
All you do is talk, talk, talk... | 0:52:49 | 0:52:50 | |
You weren't prepared for your pitches. | 0:52:50 | 0:52:52 | |
-You've got to close the deal. -Yeah, OK. | 0:52:52 | 0:52:55 | |
Gary, you're eight years older than the project manager here. | 0:52:55 | 0:52:58 | |
I'm not trying to make you an old man, | 0:52:58 | 0:53:00 | |
but what I'm trying to say is you could have called him up | 0:53:00 | 0:53:03 | |
and said to him, "Look, can I help you out here at all?" | 0:53:03 | 0:53:05 | |
Yes, Lord Sugar. | 0:53:05 | 0:53:07 | |
Based on Joseph's great background in this process of selling, | 0:53:07 | 0:53:10 | |
I totally backed him to sell it. | 0:53:10 | 0:53:11 | |
Joseph, you're, "the definition of success, | 0:53:11 | 0:53:13 | |
"I'm the godfather of business". These are your words. | 0:53:13 | 0:53:16 | |
Where did you get that from at 26 years old? | 0:53:16 | 0:53:19 | |
I just believe I've come such a long way from where I started that | 0:53:19 | 0:53:22 | |
I am quite successful. I came with nothing, I taught myself everything. | 0:53:22 | 0:53:25 | |
You're not the godfather of business, are you? | 0:53:25 | 0:53:27 | |
-No, that's a stupid comment to make. -Yeah. | 0:53:27 | 0:53:30 | |
I think when you're put into a certain... | 0:53:30 | 0:53:32 | |
area, you know, a lot of people grow up and become that person, | 0:53:32 | 0:53:36 | |
but I think it takes a very strong person to break out of that | 0:53:36 | 0:53:38 | |
and become who they can be and I think that's what I'm going to do. | 0:53:38 | 0:53:41 | |
At the end of the day, I've proved myself throughout the process, | 0:53:41 | 0:53:45 | |
throughout the nine weeks and all I've got to do now is take the feedback on board. | 0:53:45 | 0:53:48 | |
This process is a little bit about learning, it's not a big educational process. | 0:53:48 | 0:53:52 | |
I'm looking for a business partner in the end. | 0:53:52 | 0:53:54 | |
Why do you think I should let you remain in this process? | 0:53:54 | 0:53:57 | |
Lord Sugar, I'm 26 years old, I've got two established businesses, | 0:53:57 | 0:54:00 | |
I do everything by myself. | 0:54:00 | 0:54:01 | |
I know what 20 hours a day looks like, | 0:54:01 | 0:54:03 | |
I did it seven days a week for the last three years. | 0:54:03 | 0:54:06 | |
I want to come in and show you that I can be part of something bigger. | 0:54:06 | 0:54:11 | |
I'm going to break my back for you, Lord Sugar, | 0:54:11 | 0:54:13 | |
there's no doubt about it. | 0:54:13 | 0:54:15 | |
Let's see if we get that far, shall we? Selina... | 0:54:15 | 0:54:17 | |
I think throughout this process, | 0:54:17 | 0:54:19 | |
it has been quite difficult for me to work under other people. | 0:54:19 | 0:54:22 | |
Ultimately, you are looking for a business partner, | 0:54:22 | 0:54:25 | |
you're not looking for an employee. | 0:54:25 | 0:54:27 | |
I am a leader, I am a boss, I have a successful business. | 0:54:27 | 0:54:29 | |
I didn't sell a property because my skills are in design | 0:54:29 | 0:54:32 | |
and dealing with big business | 0:54:32 | 0:54:33 | |
because I want my company to be a global costumes distributor. | 0:54:33 | 0:54:36 | |
I've proven that I'm capable of working with high-end, | 0:54:36 | 0:54:39 | |
wealthy people and not alienating them. | 0:54:39 | 0:54:41 | |
And Gary, you have been a big corporate man. | 0:54:41 | 0:54:44 | |
I know you've left now. | 0:54:44 | 0:54:45 | |
I actually chose to leave that corporation to go out on my own | 0:54:45 | 0:54:48 | |
because I've got great belief in this process and my business. | 0:54:48 | 0:54:50 | |
I've probably made one of the biggest decisions of my life. | 0:54:50 | 0:54:53 | |
I've got family, commitments. | 0:54:53 | 0:54:55 | |
On this task, I do not believe I can be absolutely accountable. | 0:54:55 | 0:54:58 | |
I do feel that you could have smelt that something wasn't going right. | 0:54:58 | 0:55:02 | |
I'm not here to let people sink. | 0:55:02 | 0:55:04 | |
The easiest way to get through this process is winning the task and if I'd have saved the day, | 0:55:04 | 0:55:08 | |
it would've looked even better for me, so absolutely. | 0:55:08 | 0:55:10 | |
OK. Look, I don't want to hear any more from you, now. | 0:55:10 | 0:55:12 | |
Gary, I'm wondering | 0:55:16 | 0:55:17 | |
whether you can ever shrug off that big corporate image. | 0:55:17 | 0:55:21 | |
Selina... | 0:55:23 | 0:55:24 | |
You've certainly managed to alienate a couple of people | 0:55:25 | 0:55:28 | |
here in this process, more than a couple from what | 0:55:28 | 0:55:31 | |
I can understand, and I'm just wondering | 0:55:31 | 0:55:33 | |
whether a person with such a volatile nature is | 0:55:33 | 0:55:36 | |
the type of person I would want as a business partner. | 0:55:36 | 0:55:39 | |
Joseph, I don't like failure, right? | 0:55:41 | 0:55:44 | |
I don't also want to have to be changing nappies all the time. | 0:55:44 | 0:55:48 | |
-Not at all. -I'm not for asking any comment. | 0:55:48 | 0:55:51 | |
So on that basis, Joseph, you may be here a little bit too early. | 0:55:51 | 0:55:57 | |
I've made my decision. | 0:56:02 | 0:56:03 | |
My instincts tell me that... | 0:56:04 | 0:56:06 | |
..we're not going to make it, Selina. | 0:56:07 | 0:56:09 | |
You're fired. | 0:56:09 | 0:56:11 | |
OK. | 0:56:11 | 0:56:12 | |
Thank you. | 0:56:13 | 0:56:14 | |
You two fellows go back to the house. | 0:56:21 | 0:56:23 | |
I'll see you on the next task, OK? | 0:56:23 | 0:56:25 | |
BOTH: Thank you, Lord Sugar. | 0:56:25 | 0:56:26 | |
-Good luck. -Good luck. | 0:56:30 | 0:56:31 | |
Take care, bye. | 0:56:36 | 0:56:38 | |
The wrong person has been fired. | 0:56:48 | 0:56:50 | |
I would be a great business partner for Lord Sugar, | 0:56:50 | 0:56:53 | |
but obviously if it means having to go through working with | 0:56:53 | 0:56:55 | |
people as unpleasant as Charleine and Joseph, I'm actually quite | 0:56:55 | 0:56:58 | |
happy to find another business partner to work with. | 0:56:58 | 0:57:01 | |
Who do you reckon is coming back? | 0:57:04 | 0:57:05 | |
I'm hoping Gary and Joseph. | 0:57:05 | 0:57:06 | |
But in front of the boardroom, | 0:57:06 | 0:57:08 | |
Selina talks a very good talk. | 0:57:08 | 0:57:11 | |
-CHEERING -Get in! | 0:57:12 | 0:57:14 | |
Welcome back, mate. Well done. | 0:57:18 | 0:57:19 | |
So, Selina has gone - how do you feel, Charleine? | 0:57:19 | 0:57:22 | |
I'm not going to lie, I'm absolutely relieved. | 0:57:22 | 0:57:25 | |
It feels good to be the last two girls! | 0:57:25 | 0:57:27 | |
One of us is going to have a £250,000 investment with Lord Sugar! | 0:57:27 | 0:57:31 | |
-One of us! -One of us is getting in the Rolls-Royce! | 0:57:31 | 0:57:33 | |
Does someone actually go in the Rolls-Royce? Really? | 0:57:33 | 0:57:36 | |
Yeah, you don't need to worry about that, though(!) | 0:57:36 | 0:57:39 | |
Now, six candidates remain. | 0:57:39 | 0:57:42 | |
Lord Sugar's search for his next business partner continues. | 0:57:42 | 0:57:47 | |
-Next time... -I'd like you to create your own healthy snacks. | 0:57:49 | 0:57:53 | |
-Super foods... -Made with nutritional yeast. | 0:57:53 | 0:57:56 | |
I can't sell a red onion and nutritional yeast. | 0:57:56 | 0:57:58 | |
Coconut, vanilla, pomegranate... | 0:57:58 | 0:58:01 | |
-Got it? -Eurgh. | 0:58:01 | 0:58:03 | |
Crazy claims... | 0:58:03 | 0:58:04 | |
It is known as Britain's Viagra. | 0:58:04 | 0:58:06 | |
I need some water. | 0:58:06 | 0:58:08 | |
-It has a slightly greasy feel to it. -And in the boardroom... | 0:58:08 | 0:58:11 | |
There's more oil in there than I had in my old moped! | 0:58:11 | 0:58:13 | |
..a sickener. | 0:58:13 | 0:58:15 | |
My God, man, are you as thick as him? | 0:58:15 | 0:58:17 | |
You're fired. | 0:58:17 | 0:58:18 |