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This is not a holiday camp. | 0:00:02 | 0:00:03 | |
This is a business proposition from heaven. | 0:00:03 | 0:00:08 | |
Lord Sugar is searching for a brand-new business partner. | 0:00:08 | 0:00:12 | |
We've got Brexit. But in this process, | 0:00:12 | 0:00:15 | |
I'm the one who decides who is going to remain and who is going to leave. | 0:00:15 | 0:00:19 | |
Competing for his cash... | 0:00:20 | 0:00:22 | |
..millionaire moguls in the making. | 0:00:24 | 0:00:27 | |
This is a bloody shambles. | 0:00:27 | 0:00:29 | |
It was boring, boring, boring. | 0:00:29 | 0:00:31 | |
There was no bloody strategy. | 0:00:31 | 0:00:32 | |
Get out of the way! Get out of the way! | 0:00:32 | 0:00:34 | |
It's a prize worth fighting for. | 0:00:34 | 0:00:36 | |
No, I would like to finish my point, because you are interrupting. | 0:00:36 | 0:00:39 | |
I'm the one doing all the work. You're both standing there. | 0:00:39 | 0:00:42 | |
Stop it! | 0:00:42 | 0:00:43 | |
18 candidates. | 0:00:43 | 0:00:45 | |
Your behaviour is ridiculous. | 0:00:45 | 0:00:47 | |
I'm not having an argument with you. | 0:00:47 | 0:00:48 | |
-I feel like you are, let's move on. -I'm not being argumentative. | 0:00:48 | 0:00:51 | |
12 tough tasks. | 0:00:52 | 0:00:55 | |
To infinity and beyond! | 0:00:55 | 0:00:57 | |
One life-changing investment. | 0:00:57 | 0:01:00 | |
You're fired. You're fired. | 0:01:00 | 0:01:01 | |
You didn't follow the money. | 0:01:01 | 0:01:03 | |
You're fired. | 0:01:03 | 0:01:04 | |
Previously... | 0:01:12 | 0:01:13 | |
You have to invent your own recipe kit. | 0:01:13 | 0:01:16 | |
..Sarah led her team into battle. | 0:01:16 | 0:01:19 | |
Gourmet Crusaders. I like that. It's like a bit of a call to action. | 0:01:19 | 0:01:21 | |
As Elizabeth bossed the kitchen... | 0:01:21 | 0:01:23 | |
Why don't I chop the celery? | 0:01:23 | 0:01:24 | |
..James became the side dish. | 0:01:24 | 0:01:26 | |
-Do you want me to turn it up? -No, no, no. | 0:01:26 | 0:01:28 | |
In their pitch... | 0:01:28 | 0:01:30 | |
Unfortunately Donald Trump called him over. | 0:01:30 | 0:01:33 | |
..thanks to bad jokes and burnt food... | 0:01:33 | 0:01:35 | |
It's not quite there yet. | 0:01:35 | 0:01:36 | |
..it went up in flames. | 0:01:36 | 0:01:37 | |
Leave it. Leave it. Put it down. | 0:01:37 | 0:01:39 | |
On the other team... | 0:01:39 | 0:01:40 | |
I've never made one from scratch. | 0:01:40 | 0:01:42 | |
..Harrison's curry... | 0:01:42 | 0:01:44 | |
-Two tablespoons. -I know... | 0:01:44 | 0:01:45 | |
..left them hot under the collar. | 0:01:45 | 0:01:48 | |
-Sorry, sorry. I've missed something out. -OK, wait. | 0:01:48 | 0:01:50 | |
Joanna and Jade... | 0:01:50 | 0:01:52 | |
-He doesn't like that idea. -I know! -So get away from that idea. | 0:01:52 | 0:01:54 | |
..reached boiling point. | 0:01:54 | 0:01:56 | |
This is just ridiculous. | 0:01:56 | 0:01:58 | |
But their pitch went down a treat. | 0:01:58 | 0:02:01 | |
-It's really good. -Is it? | 0:02:01 | 0:02:03 | |
In the boardroom... | 0:02:03 | 0:02:05 | |
-Have we won? -What? The whole thing. | 0:02:05 | 0:02:06 | |
..Harrison tasted victory. | 0:02:06 | 0:02:08 | |
You're shocked, aren't you? | 0:02:08 | 0:02:10 | |
On the losing team... | 0:02:10 | 0:02:11 | |
Your pitch was terrible and the food tasted bad. | 0:02:11 | 0:02:14 | |
..Elizabeth got a roasting. | 0:02:14 | 0:02:16 | |
Pushed him out of the way again. | 0:02:16 | 0:02:18 | |
You are impossible to control. | 0:02:18 | 0:02:20 | |
But Bushra was toast. | 0:02:20 | 0:02:22 | |
I don't think you've done much in this last nine weeks. | 0:02:22 | 0:02:26 | |
You're fired. | 0:02:26 | 0:02:28 | |
Now, seven remain to fight for the chance to become | 0:02:28 | 0:02:32 | |
Lord Sugar's business partner. | 0:02:32 | 0:02:35 | |
5am. | 0:02:42 | 0:02:44 | |
PHONE RINGS | 0:02:44 | 0:02:45 | |
-Hello. -Good morning. | 0:02:49 | 0:02:52 | |
Lord Sugar would like to meet you at Somerset House. | 0:02:52 | 0:02:54 | |
The cars will be outside in 20 minutes. | 0:02:54 | 0:02:56 | |
Somerset House. | 0:02:56 | 0:02:58 | |
Guys, wake up. | 0:03:00 | 0:03:03 | |
Somerset House. | 0:03:03 | 0:03:05 | |
Somerset House. I have heard of it. | 0:03:05 | 0:03:08 | |
-Honestly, do you think it's in Somerset? -No. | 0:03:08 | 0:03:11 | |
Oh, I do know Somerset House, yeah. | 0:03:13 | 0:03:14 | |
-It's beautiful. -What is it? | 0:03:14 | 0:03:16 | |
It's like a venue and arts and... do they have an auction house? | 0:03:16 | 0:03:20 | |
Looking ahead... | 0:03:31 | 0:03:32 | |
Sarah said that she thinks there might be an auction house | 0:03:32 | 0:03:35 | |
-where we are going. -Oh, right. | 0:03:35 | 0:03:37 | |
..Jade and Joanna. | 0:03:37 | 0:03:38 | |
So it could potentially be antiques. | 0:03:38 | 0:03:40 | |
I hope it's not antiques because I bet that is another module | 0:03:40 | 0:03:43 | |
that Elizabeth studied somewhere. | 0:03:43 | 0:03:46 | |
Why, cos she is an antique? | 0:03:46 | 0:03:48 | |
I think Joanna has to watch her back. Her cards are marked. | 0:03:51 | 0:03:54 | |
And I do feel I have been carrying her since week one. | 0:03:54 | 0:03:57 | |
If Joanna doesn't win, then she is fired, regardless. | 0:03:57 | 0:04:01 | |
Standing on the banks of the Thames... | 0:04:04 | 0:04:06 | |
..Somerset House. | 0:04:07 | 0:04:09 | |
Historic home of Tudor royalty. | 0:04:09 | 0:04:12 | |
Today, a hub for contemporary arts and culture. | 0:04:12 | 0:04:16 | |
Good morning. | 0:04:22 | 0:04:24 | |
-ALL: -Good morning, Lord Sugar. | 0:04:24 | 0:04:25 | |
Welcome to this wonderful place, Somerset House. | 0:04:25 | 0:04:29 | |
Now, this place has hosted a lot of fashion shows. | 0:04:29 | 0:04:33 | |
The fashion industry is worth an amazing £23 billion per year. | 0:04:33 | 0:04:39 | |
And your task, this week, is acting as fashion agents. | 0:04:39 | 0:04:44 | |
You will need to choose a designer to represent | 0:04:44 | 0:04:47 | |
and convince a leading fashion magazine to support your designer | 0:04:47 | 0:04:52 | |
and then sell the collection to retailers | 0:04:52 | 0:04:55 | |
at your very own catwalk shows. | 0:04:55 | 0:04:58 | |
The team that generates the most money from commission on sales will | 0:04:58 | 0:05:02 | |
win and in the losing team at least one of you will be fired. | 0:05:02 | 0:05:06 | |
Now, I'm going to mix the teams up a little bit. | 0:05:06 | 0:05:10 | |
Joanna and Michaela, go and move over here to Graphene. | 0:05:10 | 0:05:14 | |
And Sarah, you move over to Vitality. | 0:05:15 | 0:05:18 | |
And I'm going to give you, Vitality, women's fashion. | 0:05:21 | 0:05:24 | |
And Graphene, you're going to have men's fashion. | 0:05:24 | 0:05:28 | |
Off you go and I'll see you back in the boardroom in a few days' time. | 0:05:28 | 0:05:32 | |
Teams must select a designer to represent, | 0:05:33 | 0:05:36 | |
create a magazine cover to help market their collection... | 0:05:36 | 0:05:40 | |
..and sell to retailers at their very own fashion show. | 0:05:42 | 0:05:46 | |
My business plan is about a fashion brand, | 0:05:46 | 0:05:49 | |
so I kind of know what looks good. | 0:05:49 | 0:05:50 | |
First for the teams - try on a leader. | 0:05:50 | 0:05:53 | |
I would love to be project manager. | 0:05:53 | 0:05:55 | |
-I thought so. -Is that OK with everyone? -Yeah, yeah, 100%. | 0:05:55 | 0:05:58 | |
My business plan is actually about clothing and the fashion industry. | 0:05:58 | 0:06:01 | |
I literally think I can smash this task, so that Lord Sugar will see | 0:06:01 | 0:06:05 | |
that I am a credible business partner for him | 0:06:05 | 0:06:07 | |
and I can hold my own in this industry. | 0:06:07 | 0:06:08 | |
Two of us will meet the designers, I'll place myself with that team. | 0:06:08 | 0:06:12 | |
James, you come with me, because you are the male of the group | 0:06:12 | 0:06:15 | |
and also you've got great style. | 0:06:15 | 0:06:16 | |
Michaela, you'll be doing the fashion show and coordinating it, | 0:06:16 | 0:06:19 | |
so you happy being sub team leader? | 0:06:19 | 0:06:21 | |
-Yeah. -I would like Elizabeth to join you on that as well. | 0:06:21 | 0:06:24 | |
Brill. | 0:06:24 | 0:06:25 | |
Still to pick their leader... | 0:06:25 | 0:06:27 | |
I won't put myself forward for project manager, | 0:06:27 | 0:06:30 | |
as you two have more experience of women's fashion. | 0:06:30 | 0:06:32 | |
..the other team. | 0:06:32 | 0:06:33 | |
No fashion experience at all. | 0:06:33 | 0:06:34 | |
I think you're probably best placed, so I'm happy with you. | 0:06:34 | 0:06:37 | |
I like my fashion, I wouldn't say I'm particularly knowledgeable | 0:06:37 | 0:06:41 | |
about the retail side of it, but obviously happy to PM. | 0:06:41 | 0:06:45 | |
We have to figure out who'll be meeting with the fashion designer. | 0:06:45 | 0:06:49 | |
My initial thought would be you, only because I think | 0:06:49 | 0:06:51 | |
-you can talk more passionately about women's fashion than I could. -OK. | 0:06:51 | 0:06:54 | |
Again, that side of things, I think you're probably best placed. | 0:06:54 | 0:06:58 | |
My main concern with that is I am unsure of how much would be a reasonable commission. | 0:06:58 | 0:07:02 | |
But if you don't know the exact commission amounts, | 0:07:02 | 0:07:05 | |
it's about talking to them, how do they normally work with people and pushing that to the maximum, | 0:07:05 | 0:07:09 | |
-cos this is all about the commission we make. -Yeah. OK. | 0:07:09 | 0:07:12 | |
Jade is not confident about negotiating the commission | 0:07:13 | 0:07:16 | |
and Sarah's day-to-day job is negotiating with suppliers, | 0:07:16 | 0:07:19 | |
but she's not meeting the designers and I think that's a mistake | 0:07:19 | 0:07:23 | |
because that is what is going to be key to winning this task. | 0:07:23 | 0:07:26 | |
10am. | 0:07:27 | 0:07:28 | |
-Let's go. -Brilliant. | 0:07:28 | 0:07:30 | |
Half of each team head off to plan tomorrow's event. | 0:07:30 | 0:07:33 | |
Our main job is interviewing male models. | 0:07:33 | 0:07:36 | |
Going to get hot today! | 0:07:36 | 0:07:39 | |
For the rest... | 0:07:39 | 0:07:40 | |
Interesting. | 0:07:40 | 0:07:42 | |
..select a designer to represent. | 0:07:42 | 0:07:44 | |
What kind of price range are we looking at? | 0:07:44 | 0:07:46 | |
Focusing on figures... | 0:07:46 | 0:07:48 | |
Some of them around 1,150. | 0:07:48 | 0:07:51 | |
..Joanna and James. | 0:07:51 | 0:07:53 | |
Altogether, it's around 8,500. | 0:07:53 | 0:07:56 | |
For the whole 12-piece collection. | 0:07:56 | 0:07:58 | |
-Shall I try one on? -Yeah. | 0:07:58 | 0:08:00 | |
Have a little try on. | 0:08:00 | 0:08:02 | |
Cool. What do we think? | 0:08:02 | 0:08:03 | |
All right. | 0:08:03 | 0:08:05 | |
I am here. Hello. | 0:08:05 | 0:08:06 | |
Collections range from affordable fashion... | 0:08:09 | 0:08:12 | |
How much would these go for? | 0:08:12 | 0:08:14 | |
£60 to £130. | 0:08:14 | 0:08:16 | |
..to the high-end attire. | 0:08:16 | 0:08:17 | |
The dress the model is wearing is called the Queen of Africa. | 0:08:17 | 0:08:20 | |
With price tags to match. | 0:08:20 | 0:08:21 | |
How much would a piece like this cost? | 0:08:21 | 0:08:23 | |
Wholesale, this piece is 850. | 0:08:23 | 0:08:25 | |
For Jade... | 0:08:25 | 0:08:26 | |
This looks so good. | 0:08:26 | 0:08:27 | |
..a collection of cutting-edge womenswear. | 0:08:27 | 0:08:30 | |
I'm Helen from Hellavagirl. | 0:08:30 | 0:08:32 | |
Where do you get your inspiration from? | 0:08:32 | 0:08:33 | |
This was inspired by post-apocalyptic, regal rock and roll. | 0:08:33 | 0:08:37 | |
Regal rock and roll, yeah, I like that. | 0:08:37 | 0:08:40 | |
I won Britain's top designer last year. | 0:08:40 | 0:08:43 | |
Wholesale price, what do you...? | 0:08:43 | 0:08:45 | |
For the whole collection, 8,500. | 0:08:45 | 0:08:47 | |
8,500. If we were to take some commission, | 0:08:47 | 0:08:50 | |
what percentage would you be able to go for? | 0:08:50 | 0:08:52 | |
-15%? -No, I couldn't do 15. | 0:08:52 | 0:08:55 | |
We could shake on 10. | 0:08:55 | 0:08:56 | |
-Honestly, I think we could do a really good job with these. -Great. | 0:08:56 | 0:08:59 | |
I really like her pieces and if I was going to wear one of the dresses | 0:08:59 | 0:09:02 | |
from today, it would be from her collection. | 0:09:02 | 0:09:05 | |
They are also a higher price, | 0:09:05 | 0:09:07 | |
so we'll be able to really push on the commission. | 0:09:07 | 0:09:09 | |
1pm. | 0:09:11 | 0:09:12 | |
Have you got lots of catwalk experience? | 0:09:12 | 0:09:14 | |
While Sarah and Harrison cast models for their womenswear fashion show... | 0:09:14 | 0:09:18 | |
I'm a dancer. | 0:09:18 | 0:09:20 | |
There we go. | 0:09:21 | 0:09:22 | |
That made Harrison's day! | 0:09:22 | 0:09:24 | |
..across town... | 0:09:25 | 0:09:26 | |
-I'm excited. -Do you know what? | 0:09:26 | 0:09:28 | |
I'm going to need my glasses on for this. | 0:09:28 | 0:09:30 | |
..casting male models for their catwalk... | 0:09:30 | 0:09:32 | |
-Hey, boys. -..Elizabeth and Michaela. | 0:09:32 | 0:09:35 | |
We're going to have each one of you get up, walk up, turn, | 0:09:35 | 0:09:38 | |
walk back and sit back down. | 0:09:38 | 0:09:40 | |
Give me your best turn, walk, best turn and walk. | 0:09:40 | 0:09:43 | |
OK, work it. Work it. | 0:09:43 | 0:09:45 | |
-Work every bit of it. -Do you have a six-pack? | 0:09:45 | 0:09:48 | |
It was really important we got as much information about the models as possible. | 0:09:51 | 0:09:54 | |
He's got a 30-inch inside leg. | 0:09:54 | 0:09:56 | |
Yes, Elizabeth! | 0:09:58 | 0:10:00 | |
All business, no pleasure at all. | 0:10:00 | 0:10:02 | |
Thank you. | 0:10:03 | 0:10:04 | |
2pm. | 0:10:06 | 0:10:07 | |
PHONE RINGS | 0:10:07 | 0:10:09 | |
-Hi, Jade. -Hi, how are you doing? | 0:10:09 | 0:10:11 | |
For Jade, collections considered... | 0:10:11 | 0:10:14 | |
I've had some great meetings this morning. | 0:10:14 | 0:10:16 | |
..time to decide on a designer. | 0:10:16 | 0:10:19 | |
The designer of the highest item is £130. | 0:10:19 | 0:10:23 | |
I don't think we are going to be making much money out of her. | 0:10:23 | 0:10:25 | |
Which one are you most drawn to and which one do you think | 0:10:25 | 0:10:27 | |
-you could get most passionate about? -Helen Woollams. | 0:10:27 | 0:10:30 | |
Think Henry VIII Tudors meets darkness, rock and roll. | 0:10:30 | 0:10:34 | |
It's not like really, really, really death Gothic really, is it? | 0:10:34 | 0:10:38 | |
No. It's Gothic with a sequinned chic. | 0:10:38 | 0:10:42 | |
She was 2016 Britain's top fashion designer. | 0:10:42 | 0:10:46 | |
Her highest price point of the gowns is £1,045. | 0:10:46 | 0:10:52 | |
However, that's a 10% commission. | 0:10:52 | 0:10:54 | |
10%, did you really squeeze her? | 0:10:54 | 0:10:56 | |
That is... I've pushed them to the very highest amount they'd go to. | 0:10:56 | 0:11:00 | |
-Bye. -Bye. -Bye. | 0:11:00 | 0:11:03 | |
Well, it looks like we're going for | 0:11:03 | 0:11:05 | |
quite a deathly, Gothic sort of theme. | 0:11:05 | 0:11:08 | |
Which is... | 0:11:08 | 0:11:09 | |
Which is nice. | 0:11:09 | 0:11:12 | |
It is a bit concerning that we're going in | 0:11:12 | 0:11:14 | |
selling extremely expensive dresses. | 0:11:14 | 0:11:16 | |
We may have picked a designer who does not sell that much, | 0:11:16 | 0:11:20 | |
it is a gamble, but if you pull it off, we will have some big rewards. | 0:11:20 | 0:11:23 | |
We need to think about the models being Gothic in their look. | 0:11:23 | 0:11:26 | |
Well, funny enough, I quite liked Ella, Jess and the ginger one. | 0:11:26 | 0:11:29 | |
Hello there. How are you? | 0:11:33 | 0:11:34 | |
Last through the doors for James and Joanna... | 0:11:34 | 0:11:37 | |
I sell ethical contemporary menswear. | 0:11:37 | 0:11:40 | |
..a more affordable range. | 0:11:40 | 0:11:42 | |
It's organic fabric. This one is bamboo. These are coconut shells, | 0:11:42 | 0:11:45 | |
made for the fashion conscious with a conscience. | 0:11:45 | 0:11:47 | |
If we were to go into partnership, | 0:11:47 | 0:11:49 | |
we were thinking of a 50% commission. | 0:11:49 | 0:11:51 | |
I think the most I would go to would be 15%. | 0:11:51 | 0:11:54 | |
What we can offer may really increase your sales | 0:11:54 | 0:11:57 | |
and do a lot for your brand in terms of publicity. | 0:11:57 | 0:11:59 | |
The maximum I would go to would be 17%. | 0:11:59 | 0:12:02 | |
-OK, brilliant. -We're going to have some big retailers and boutiques, | 0:12:02 | 0:12:05 | |
what kind of discount could I potentially offer? | 0:12:05 | 0:12:08 | |
If they buy the whole range, then 10%. | 0:12:08 | 0:12:11 | |
-Brilliant. -Lovely to meet you. -Thank you. -Thank you. | 0:12:11 | 0:12:14 | |
They are getting a great discount, that could be very, very telling | 0:12:14 | 0:12:17 | |
when they come to sell, but because it's a lower-priced ticket item, | 0:12:17 | 0:12:20 | |
they'll have to sell an awful lot of product to make profit. | 0:12:20 | 0:12:23 | |
West London. | 0:12:23 | 0:12:24 | |
Try and look as gaunt as you possibly can, | 0:12:24 | 0:12:27 | |
as moody and angry. | 0:12:27 | 0:12:29 | |
Directing the photo shoot for her magazine cover, Jade. | 0:12:29 | 0:12:33 | |
That's great, I love that. | 0:12:33 | 0:12:34 | |
Tomorrow, teams will pitch their cover to a style magazine. | 0:12:34 | 0:12:38 | |
Give us a grrrr! | 0:12:38 | 0:12:39 | |
Endorsement from the fashion press could help boost sales. | 0:12:39 | 0:12:43 | |
My vision going into this photo shoot is dark and sinister. | 0:12:43 | 0:12:47 | |
I want to try this on you as well, just to see what it looks like. | 0:12:47 | 0:12:50 | |
But also rocky, regal, still a little bit Tudor-esque, | 0:12:50 | 0:12:54 | |
really bold and statement. | 0:12:54 | 0:12:57 | |
So, maybe do something like... | 0:12:57 | 0:12:59 | |
I don't know. A bit like... | 0:13:00 | 0:13:02 | |
As in she could be like this. | 0:13:03 | 0:13:05 | |
Yes. Yes! | 0:13:07 | 0:13:08 | |
I love it! Yes. | 0:13:08 | 0:13:10 | |
Oh, we're getting better and better. | 0:13:10 | 0:13:12 | |
Sorting out the finer details for Jade's catwalk show... | 0:13:12 | 0:13:15 | |
It's big and bold, rock and roll, but still elegant. | 0:13:15 | 0:13:18 | |
Apocalyptic meets Henry VIII, she said. | 0:13:18 | 0:13:20 | |
..Sarah and Harrison. | 0:13:20 | 0:13:22 | |
The only thing would be balloons, having them everywhere... Not everywhere. | 0:13:22 | 0:13:25 | |
Even if we were to use the silver ones to spell her name. | 0:13:25 | 0:13:27 | |
I think the name is a great idea at the back, that's brilliant, | 0:13:27 | 0:13:30 | |
she'll love that as well, the designer. | 0:13:30 | 0:13:32 | |
So, Helen Woollams, in the alphabet letter balloons. | 0:13:32 | 0:13:35 | |
Harrison and Sarah are promoting Helen Woollams, | 0:13:35 | 0:13:38 | |
but her brand is Hellavagirl. | 0:13:38 | 0:13:40 | |
She doesn't use her actual name, | 0:13:40 | 0:13:42 | |
she uses her brand name. | 0:13:42 | 0:13:43 | |
Jade hasn't said that to the sub team and now they've got it wrong. | 0:13:43 | 0:13:47 | |
On the other team... | 0:13:48 | 0:13:49 | |
Hiya, you all right, love? | 0:13:50 | 0:13:52 | |
..fashion feedback from Joanna. | 0:13:52 | 0:13:53 | |
The one that we're going for is cheaper than the other designers. | 0:13:53 | 0:13:56 | |
It's Zaramia Ava. It's basically like ethical contemporary. | 0:13:56 | 0:14:01 | |
It's urban trend, yeah? | 0:14:01 | 0:14:03 | |
Highest price point of any of her range was £160 | 0:14:03 | 0:14:07 | |
and that was for the blazer. | 0:14:07 | 0:14:08 | |
In terms of colours, it's all blacks, whites, greys. | 0:14:08 | 0:14:12 | |
The strap line is, "the fashion conscious with a conscience". | 0:14:12 | 0:14:16 | |
-For the fashion conscience. -No, listen... -Could you just spell | 0:14:16 | 0:14:19 | |
conscious and conscience, so we don't get this wrong. | 0:14:19 | 0:14:22 | |
Honestly, guys, I shouldn't have to spell | 0:14:22 | 0:14:24 | |
conscious and conscience for you. | 0:14:24 | 0:14:26 | |
How many of the images do you want us to put on the cover? | 0:14:26 | 0:14:28 | |
Do you just want one picture on there? | 0:14:28 | 0:14:30 | |
The front of the page will be one photo, yeah? | 0:14:30 | 0:14:32 | |
And what sort of edit will you want? | 0:14:32 | 0:14:35 | |
Michaela, you're going to have to decide, sorry, | 0:14:35 | 0:14:37 | |
we're going to have to go, we've only got two minutes left. | 0:14:37 | 0:14:40 | |
It's ridiculous, we've got two minutes, and you prattle on about useless information. | 0:14:40 | 0:14:43 | |
Honestly, we have to go, we're literally into our photo shoot, | 0:14:43 | 0:14:46 | |
-so we won't have anything. Speak to you later. -Bye. | 0:14:46 | 0:14:51 | |
-Right. Stressful! -I feel like they were asking us... | 0:14:51 | 0:14:54 | |
-They want us to do their job. -We gave them the biggest overview | 0:14:54 | 0:14:56 | |
and they want me to make every single decision. | 0:14:56 | 0:14:58 | |
Michaela was rude, abrupt, brash. | 0:14:58 | 0:15:01 | |
She runs a magazine company and asking questions like, | 0:15:01 | 0:15:04 | |
how many images do you want on it? | 0:15:04 | 0:15:06 | |
Well, one. It is the front cover. | 0:15:06 | 0:15:08 | |
How many magazines do you know that have six images on the front? | 0:15:08 | 0:15:11 | |
It's like... Just... | 0:15:11 | 0:15:14 | |
Frustrating. | 0:15:14 | 0:15:15 | |
On the way to shoot their menswear... | 0:15:16 | 0:15:19 | |
I'm actually really excited for this photo shoot, | 0:15:19 | 0:15:21 | |
I really want to take the lead in terms of direction and everything. | 0:15:21 | 0:15:25 | |
..Joanna manages manpower. | 0:15:25 | 0:15:27 | |
I would like, possibly, two models, | 0:15:27 | 0:15:29 | |
I don't really want to be limited to one particular outfit. | 0:15:29 | 0:15:32 | |
I can go into the photo shoot in terms of actually maybe even wearing | 0:15:32 | 0:15:35 | |
some of the stuff. I personally have never done anything like that. | 0:15:35 | 0:15:38 | |
I could absolutely do it and I am the target market. | 0:15:38 | 0:15:41 | |
So would you be happy jumping into the photoshoot? | 0:15:41 | 0:15:43 | |
100%. 100%. I think it will be fun, | 0:15:43 | 0:15:45 | |
I think the photoshoot will come out great and also, | 0:15:45 | 0:15:48 | |
the magazine will love it. | 0:15:48 | 0:15:51 | |
Hello. | 0:15:53 | 0:15:54 | |
Next, time for Joanna to bring her vision into focus. | 0:15:54 | 0:15:58 | |
James is actually going to be in the photo as well. | 0:15:58 | 0:16:01 | |
What I'd like to do and I've actually seen a lot of people with the centre parting, | 0:16:01 | 0:16:05 | |
so I would actually like you to have a bit of curtains, | 0:16:05 | 0:16:08 | |
but a centre parting, I think that would look really quirky. | 0:16:08 | 0:16:11 | |
The tag line is for the fashion conscious with a conscience. | 0:16:12 | 0:16:16 | |
James is the one who's really dressed up in the suit, | 0:16:16 | 0:16:19 | |
really trendy, so he's fashion conscious. | 0:16:19 | 0:16:21 | |
Show me a little bit more skin as well, please. | 0:16:21 | 0:16:24 | |
That's it. Wicked. | 0:16:24 | 0:16:27 | |
We also have somebody in the background who is basically, | 0:16:27 | 0:16:30 | |
like, playing James's conscience. | 0:16:30 | 0:16:32 | |
Amazing. | 0:16:32 | 0:16:33 | |
It kind of shows that little person that's on your shoulder | 0:16:33 | 0:16:36 | |
that's kind of saying, maybe you should go and shop | 0:16:36 | 0:16:39 | |
at an eco-friendly brand. | 0:16:39 | 0:16:40 | |
James, you could even be as if, like, drop your neck back, | 0:16:40 | 0:16:44 | |
show a bit of Adam's apple, that's it. | 0:16:44 | 0:16:47 | |
Yes. Amazing. | 0:16:48 | 0:16:49 | |
6.30pm. | 0:16:49 | 0:16:52 | |
We've got one image for you to show. | 0:16:52 | 0:16:54 | |
Charged with turning Jade's photo into a front cover... | 0:16:54 | 0:16:58 | |
OK, it's...yeah. | 0:16:58 | 0:17:00 | |
..Harrison and Sarah. | 0:17:00 | 0:17:01 | |
It's not saying regal rock and roll to me. | 0:17:01 | 0:17:04 | |
That's saying more spacey, Galactic, | 0:17:04 | 0:17:06 | |
we need to think about our wording around the cover. | 0:17:06 | 0:17:08 | |
I think we get in the fact that she was 2016's top fashion, | 0:17:08 | 0:17:13 | |
get her name in there and then on the strap line. | 0:17:13 | 0:17:16 | |
That's a fantastic selling point. | 0:17:16 | 0:17:17 | |
Across London... | 0:17:17 | 0:17:19 | |
Your pictures are almost ready. | 0:17:19 | 0:17:21 | |
..in charge of the menswear mock-up... | 0:17:21 | 0:17:23 | |
-So, James is modelling! -OK. | 0:17:23 | 0:17:26 | |
..Elizabeth and magazine owner Michaela. | 0:17:26 | 0:17:29 | |
Something in the first picture. | 0:17:29 | 0:17:31 | |
James is kind of almost in a prayer position. | 0:17:31 | 0:17:33 | |
I think he's all in line with the theme of the ethics | 0:17:33 | 0:17:36 | |
-and all the rest of it. -Yes. | 0:17:36 | 0:17:37 | |
The strap line we have is for | 0:17:37 | 0:17:39 | |
the fashion conscious with the conscience. | 0:17:39 | 0:17:42 | |
Five minutes till covers must be sent to print. | 0:17:43 | 0:17:47 | |
It's a lot to take in, isn't it? | 0:17:47 | 0:17:48 | |
-Try purple. -That does stand out to me more. | 0:17:48 | 0:17:51 | |
What about writing "Light years ahead"? | 0:17:51 | 0:17:53 | |
Yeah. That's better. | 0:17:53 | 0:17:55 | |
I don't really know about high-end fashion womenswear, | 0:17:55 | 0:17:57 | |
but Sarah put in a lot of ideas for the magazine cover, | 0:17:57 | 0:18:00 | |
I can imagine seeing it on a shelf, so I'm pleased with that. | 0:18:00 | 0:18:03 | |
We have got literally one minute left to do this. | 0:18:03 | 0:18:05 | |
-Do you want a background image in here? -That one. | 0:18:05 | 0:18:07 | |
It looks like bamboo now, doesn't it? | 0:18:07 | 0:18:09 | |
The colour scheme is black, white, sort of light charcoal, | 0:18:09 | 0:18:11 | |
grey colour as well. We've got what it is. | 0:18:11 | 0:18:13 | |
Keeping it simple cos that's her theme, anyway. | 0:18:13 | 0:18:16 | |
OK, that's it, we need to stop now. | 0:18:16 | 0:18:18 | |
-Perfect? -Yes. -Yeah. | 0:18:18 | 0:18:20 | |
Yes! | 0:18:20 | 0:18:21 | |
Designers decided... | 0:18:21 | 0:18:23 | |
..covers complete. | 0:18:23 | 0:18:24 | |
Tomorrow, showtime. | 0:18:25 | 0:18:28 | |
7am. | 0:18:32 | 0:18:33 | |
So, we need to decide on who is doing what. | 0:18:33 | 0:18:37 | |
Today, teams will put on a fashion show... | 0:18:37 | 0:18:39 | |
There's a fashion show director, a host and a dresser. | 0:18:39 | 0:18:42 | |
..earning commission on any clothes ordered. | 0:18:42 | 0:18:45 | |
I am going to go as a host. | 0:18:45 | 0:18:46 | |
-So, I'll dress. And then it's Harrison to be the director. -Yeah. | 0:18:46 | 0:18:50 | |
The main part of this is obviously sales, so it's talking about | 0:18:50 | 0:18:53 | |
the pieces and making people buy into them, basically. | 0:18:53 | 0:18:56 | |
It will be really nice if we could offer a discount to the buyer here. | 0:18:56 | 0:18:59 | |
We can't offer any discounts because we haven't negotiated, | 0:18:59 | 0:19:02 | |
well, I haven't negotiated that. | 0:19:02 | 0:19:03 | |
I don't think it's going to be a problem, | 0:19:03 | 0:19:05 | |
people will go in there and buy these pieces anyway, | 0:19:05 | 0:19:08 | |
they're more than willing to spend a bit of money on it. | 0:19:08 | 0:19:10 | |
Not having the ability to give the customers any sort of discount | 0:19:10 | 0:19:13 | |
will make our job harder after the catwalk. | 0:19:13 | 0:19:16 | |
Unfortunately, Jade failed yesterday, so that is a frustration. | 0:19:16 | 0:19:19 | |
So, what we have negotiated with Zara is 17% commission for us. | 0:19:19 | 0:19:24 | |
Outlining her affordable men's range... | 0:19:24 | 0:19:26 | |
And 10% discount if somebody was to buy the full collection. | 0:19:26 | 0:19:30 | |
..Joanna zeros in on the figures. | 0:19:30 | 0:19:32 | |
I don't want everybody to start offering a 10%, | 0:19:32 | 0:19:35 | |
but the whole point is that we have at least got an incentive | 0:19:35 | 0:19:37 | |
for somebody to buy the full collection. | 0:19:37 | 0:19:39 | |
-Oh! -Still to do... -Hang on a minute. | 0:19:41 | 0:19:43 | |
..pitch their mocked-up covers to leading magazines. | 0:19:43 | 0:19:48 | |
-Oh! -Do you like it? | 0:19:48 | 0:19:50 | |
Oh, it looks so good. | 0:19:50 | 0:19:52 | |
We think light years ahead really plays into the theme she gave us. | 0:19:52 | 0:19:55 | |
-So, you're really happy? -I'm going to go and pitch the hell | 0:19:55 | 0:19:57 | |
-out of this. -Brilliant, Jade. -There you go. | 0:19:57 | 0:19:59 | |
-What do we think? -I absolutely love it. | 0:20:01 | 0:20:03 | |
-That's cool, isn't it? -I love that you've got the bamboo. | 0:20:03 | 0:20:05 | |
Do you know what? The only thing I actually came up with | 0:20:05 | 0:20:08 | |
was the bamboo, the rest is Michaela. | 0:20:08 | 0:20:09 | |
I think this will be really useful in the magazine pitch. | 0:20:09 | 0:20:12 | |
I think it will really work well for us. | 0:20:12 | 0:20:13 | |
Today, what's going to happen after this meeting is that | 0:20:13 | 0:20:16 | |
me and James are going to go into the pitch and see the magazine. | 0:20:16 | 0:20:18 | |
You two will go to the venue and set it up. | 0:20:18 | 0:20:22 | |
I am concerned that if Vitality have picked anything slightly higher | 0:20:28 | 0:20:32 | |
than ours, so say they've got something that'll cost two grand, | 0:20:32 | 0:20:36 | |
we've got to sell double what they've got to sell. | 0:20:36 | 0:20:38 | |
We just can't mess up in any way, shape or form or else someone is... | 0:20:38 | 0:20:42 | |
9am. | 0:20:43 | 0:20:45 | |
Kent House, Knightsbridge. | 0:20:46 | 0:20:48 | |
-Wow! -Yeah, Elizabeth, | 0:20:48 | 0:20:50 | |
just try that outfit and we can see what it looks like in real life. | 0:20:50 | 0:20:53 | |
Dressing the venue ahead of their catwalk show... | 0:20:53 | 0:20:56 | |
Yeah, I think that's better than what you'd come in. | 0:20:56 | 0:20:59 | |
..Elizabeth and Michaela. | 0:20:59 | 0:21:00 | |
London's iconic Oxo Tower. | 0:21:03 | 0:21:05 | |
Oh, wow. | 0:21:06 | 0:21:08 | |
Location for the high-end womenswear presentation. | 0:21:08 | 0:21:11 | |
Perfect for our designer, isn't it? | 0:21:11 | 0:21:13 | |
Sarah and Harrison... | 0:21:13 | 0:21:14 | |
What on Lord's green earth is it? | 0:21:14 | 0:21:16 | |
..take a first look at the collections. | 0:21:16 | 0:21:19 | |
It's like a gold ghost. | 0:21:19 | 0:21:20 | |
The clothes are definitely very interesting. | 0:21:21 | 0:21:24 | |
I've never seen anything quite like that. | 0:21:24 | 0:21:26 | |
It reminds you of one of those things paramedics put over you. | 0:21:26 | 0:21:29 | |
One is a cape, one looks like a space raider, | 0:21:29 | 0:21:32 | |
another one looks like something from Dawn Of The Dead. | 0:21:32 | 0:21:35 | |
I have got quite an uphill struggle maybe | 0:21:35 | 0:21:38 | |
in selling these items of clothing. Dunno. | 0:21:38 | 0:21:41 | |
Do I look catwalk? I feel catwalk. | 0:21:41 | 0:21:45 | |
You look like an alien. | 0:21:45 | 0:21:47 | |
West London. | 0:21:47 | 0:21:49 | |
Stylist magazine. | 0:21:50 | 0:21:52 | |
-Hi. -Winning the editor's support... | 0:21:52 | 0:21:55 | |
I present to you Helen Woollams. | 0:21:55 | 0:21:57 | |
..could help clinch deals at the show with trend conscious retailers. | 0:21:57 | 0:22:02 | |
Helen is phenomenal. | 0:22:02 | 0:22:03 | |
She encapsulates everything about being light years ahead. | 0:22:03 | 0:22:08 | |
Is her brand Helen Woollams? | 0:22:08 | 0:22:10 | |
Her brand is Helen Woollams. | 0:22:10 | 0:22:11 | |
-That is right. -OK. -Proudly, | 0:22:11 | 0:22:13 | |
she is Britain's top fashion designer of 2016 as well. | 0:22:13 | 0:22:16 | |
Why have you chosen that information for a 2017 magazine cover? | 0:22:16 | 0:22:21 | |
Er, it's only last year. She's still at the forefront. | 0:22:21 | 0:22:24 | |
She's going to be a household name, there's no doubt about it. | 0:22:24 | 0:22:27 | |
May I just stop you there? Is it Helen Woollams? | 0:22:27 | 0:22:30 | |
Is it Hellavagirl? | 0:22:30 | 0:22:32 | |
-Pardon? -Is this Hellavagirl, is that who you are talking about? | 0:22:32 | 0:22:34 | |
Erm, well, we've gone for Helen Woollams. | 0:22:34 | 0:22:36 | |
That's the brand that we've decided to push out there. | 0:22:36 | 0:22:39 | |
Is that her actual brand? Is that what she is wishing to purport? | 0:22:39 | 0:22:42 | |
Well, when we spoke to her, she wanted to put Helen Woollams. | 0:22:42 | 0:22:45 | |
-OK, fine. -Can you tell me a little bit about the persons you think | 0:22:45 | 0:22:48 | |
-will wear these clothes? -Age range, 25 to mid-30s, I would say. | 0:22:48 | 0:22:52 | |
-OK. -After they've finished work, | 0:22:52 | 0:22:54 | |
they can go to a do and put these pieces on and feel incredible. | 0:22:54 | 0:22:59 | |
I love the way the image fills the page. | 0:22:59 | 0:23:01 | |
Have you got any more questions? | 0:23:01 | 0:23:02 | |
-None more from me. -Thank you so much. | 0:23:02 | 0:23:05 | |
Casting an expert eye over Joanna's cover... | 0:23:06 | 0:23:09 | |
..men's magazine ShortList. | 0:23:10 | 0:23:12 | |
Do you recognise anybody in the photo? | 0:23:12 | 0:23:15 | |
No, no, please tell me all about them. | 0:23:15 | 0:23:17 | |
That is my colleague, James. | 0:23:17 | 0:23:18 | |
Slightly different hairstyle but, yeah, that's definitely me! | 0:23:18 | 0:23:22 | |
-It's a look. Yeah. -It is a look. | 0:23:22 | 0:23:23 | |
So, this brand is all ethically sourced and handmade. | 0:23:23 | 0:23:27 | |
So there's a bit of an ethical style in there | 0:23:27 | 0:23:30 | |
but also quite urban and futuristic. | 0:23:30 | 0:23:32 | |
When I look at this, the clothes weren't the things that jumped out | 0:23:32 | 0:23:35 | |
at me. What jumped out at me was your pose. | 0:23:35 | 0:23:37 | |
What that represents to me is sort of a amateur magician. | 0:23:37 | 0:23:40 | |
-More than model. -Yeah, that's a weird thing to do in a photograph. | 0:23:40 | 0:23:44 | |
I kind of see it as James contemplating, you know, | 0:23:44 | 0:23:46 | |
should I go for this other brand that maybe isn't ethically sourced | 0:23:46 | 0:23:50 | |
and doesn't represent what my actual conscience is saying? | 0:23:50 | 0:23:52 | |
The fact that it took that much explaining is probably | 0:23:52 | 0:23:56 | |
not the best sign. | 0:23:56 | 0:23:57 | |
To me, that just all looks grey. I'd want a coloured background | 0:23:57 | 0:24:00 | |
or I'd want something that sort of jumps out at you. | 0:24:00 | 0:24:03 | |
This is what happens when you have two people on one page as well. | 0:24:03 | 0:24:06 | |
It doesn't really sort of, like, pop. | 0:24:06 | 0:24:08 | |
What we're trying to portray is, this is a front cover | 0:24:08 | 0:24:10 | |
of the magazine and you need people to basically pick this magazine up. | 0:24:10 | 0:24:14 | |
That's not a magazine cover. | 0:24:14 | 0:24:15 | |
It looks like something from a catalogue. | 0:24:15 | 0:24:18 | |
Me and James worked very hard yesterday to produce a creative image. | 0:24:18 | 0:24:22 | |
The only job the sub team had to do | 0:24:22 | 0:24:23 | |
was to make this look like a front cover. | 0:24:23 | 0:24:25 | |
But the experts said it looked nothing like that. | 0:24:25 | 0:24:27 | |
So I really wonder if they utilised their time properly yesterday | 0:24:27 | 0:24:30 | |
and put their all into it. | 0:24:30 | 0:24:32 | |
-12.30. -Hello? | 0:24:32 | 0:24:34 | |
Time to find out if pitches paid off. | 0:24:34 | 0:24:37 | |
We really liked the cover overall. | 0:24:37 | 0:24:39 | |
We felt you really nailed our demographic. | 0:24:39 | 0:24:41 | |
You knew exactly the style. | 0:24:41 | 0:24:44 | |
It was a really nice cover, we were very impressed by it | 0:24:44 | 0:24:47 | |
and we'd like to offer you our support. | 0:24:47 | 0:24:49 | |
Thank you so much! | 0:24:49 | 0:24:50 | |
I really appreciate that. | 0:24:50 | 0:24:52 | |
-Thank you, bye-bye. -All right, see you later, bye. | 0:24:52 | 0:24:54 | |
Magazine backing sewn up for Jade. | 0:24:56 | 0:24:59 | |
Hello, Joanna speaking? | 0:25:00 | 0:25:02 | |
Also aiming to use magazine endorsement in their sales pitches... | 0:25:02 | 0:25:05 | |
Hi, Joanna, Joe from ShortList here. | 0:25:05 | 0:25:07 | |
..Joanna and James. | 0:25:07 | 0:25:09 | |
Our magazine covers have got to be bright, vibrant | 0:25:09 | 0:25:11 | |
and it's because of that, I'm afraid, | 0:25:11 | 0:25:14 | |
that we can't offer support to you guys. | 0:25:14 | 0:25:17 | |
Sorry, it was not meant to be. | 0:25:17 | 0:25:18 | |
Thank you, bye. | 0:25:18 | 0:25:20 | |
Well, that's obviously disappointing. | 0:25:20 | 0:25:22 | |
-Erm, yeah. -At the end the day, we've still got a good brand, | 0:25:22 | 0:25:25 | |
-so we've just got to sell it. -Yeah, definitely. | 0:25:25 | 0:25:28 | |
Back at the Oxo Tower... | 0:25:28 | 0:25:29 | |
-Oops! -I'll get it... | 0:25:32 | 0:25:34 | |
..Harrison and Sarah. | 0:25:34 | 0:25:35 | |
I think the key thing is the name. | 0:25:35 | 0:25:37 | |
It's just getting her name out there. | 0:25:37 | 0:25:39 | |
And that's what we've tried to do. | 0:25:39 | 0:25:41 | |
-Hiya. -How did the pitch go? | 0:25:41 | 0:25:44 | |
So... | 0:25:44 | 0:25:45 | |
I obviously tried my best. | 0:25:45 | 0:25:48 | |
And they said yes! | 0:25:48 | 0:25:49 | |
-Well done! -Well done! Excellent. | 0:25:49 | 0:25:51 | |
-Brilliant, Jade. -With sales, that's going to be a massive selling aid. | 0:25:51 | 0:25:55 | |
Yeah, there's a few things that they picked up on. | 0:25:55 | 0:25:57 | |
So, they pulled up the fact that she goes by another name, sort of thing. | 0:25:57 | 0:26:01 | |
-What do you mean another name? -She's already got a brand. | 0:26:01 | 0:26:04 | |
I kind of went round that just by saying | 0:26:04 | 0:26:07 | |
that we're moving forward with her as a designer. | 0:26:07 | 0:26:11 | |
What do you think of having the name? Is it something we should do? | 0:26:11 | 0:26:14 | |
It's either nothing or this. | 0:26:14 | 0:26:16 | |
The fact that we're pushing her as a designer, | 0:26:16 | 0:26:18 | |
I don't think it's going to be bad just having this along here. | 0:26:18 | 0:26:20 | |
-Yeah. I mean, it's what we've got to work with. -Yeah. | 0:26:20 | 0:26:23 | |
-Hi, guys. -Hello. -Hello. | 0:26:26 | 0:26:29 | |
Did you win the magazine cover? | 0:26:29 | 0:26:30 | |
They decided not to go with us. | 0:26:30 | 0:26:32 | |
-Jesus! -Our backdrop needed to kind of stand out more. | 0:26:32 | 0:26:35 | |
But because our bamboo was, like, grey, | 0:26:35 | 0:26:37 | |
they didn't think it looked like the front page. | 0:26:37 | 0:26:40 | |
Basically, they were saying it all kind of blends together too much. | 0:26:40 | 0:26:44 | |
Incredibly disappointed that Joanna and James... | 0:26:44 | 0:26:46 | |
I know they were trying to shift the blame onto the background image, | 0:26:46 | 0:26:49 | |
I mean, it's a bit of bamboo in the background. | 0:26:49 | 0:26:52 | |
We know how important it was to get the magazine's support. | 0:26:52 | 0:26:54 | |
The responsibility for that is the two people that went there - | 0:26:54 | 0:26:57 | |
the project manager, Joanna, and James. | 0:26:57 | 0:26:58 | |
In terms of roles today, I'll be the host. | 0:26:58 | 0:27:01 | |
I'd actually like Michaela to be dressing the models, | 0:27:01 | 0:27:03 | |
Elizabeth directing it and I'd like James to be the fourth model. | 0:27:03 | 0:27:07 | |
It does seem like I'm the face of this. | 0:27:10 | 0:27:12 | |
I think it's a smart move that I go on the catwalk. | 0:27:12 | 0:27:13 | |
I know what I'm doing. Just got to follow the other guys, the models. | 0:27:13 | 0:27:16 | |
Just keep myself in the zone. | 0:27:16 | 0:27:18 | |
4.30pm. | 0:27:18 | 0:27:19 | |
Guys, we need to get this run-through. | 0:27:19 | 0:27:22 | |
OK, and let's... | 0:27:22 | 0:27:23 | |
Wait, wait, wait. No, because I need to read this out | 0:27:23 | 0:27:26 | |
while they're coming out, so I need to practise. | 0:27:26 | 0:27:28 | |
Half an hour till the fashion show. | 0:27:28 | 0:27:30 | |
Let's just slow down a minute. | 0:27:30 | 0:27:31 | |
-Right, is everybody ready? Everyone... -No, just let me, | 0:27:31 | 0:27:34 | |
just give me a minute. You want me to direct it, let me direct it. | 0:27:34 | 0:27:36 | |
Listen, we need to just start running through it, Elizabeth. | 0:27:36 | 0:27:39 | |
Right, you want me to direct it or do you want me to make a mess of it? | 0:27:39 | 0:27:42 | |
Elizabeth is 100% a control freak. Like, people have said it before. | 0:27:42 | 0:27:45 | |
But she's still trying to overcomplicate stuff that should have just been simple. | 0:27:45 | 0:27:49 | |
Literally, we're going to end up arguing. We just need to start. | 0:27:49 | 0:27:52 | |
-Let's just do it. -OK? First model, please. | 0:27:52 | 0:27:54 | |
Who is directing this? Joanna or me? | 0:27:54 | 0:27:56 | |
Because at this point it's going into a free for all. | 0:27:56 | 0:27:59 | |
On the other team... | 0:28:00 | 0:28:01 | |
Hello, testing, one, two, three. | 0:28:01 | 0:28:03 | |
Cue music. | 0:28:03 | 0:28:04 | |
In... | 0:28:04 | 0:28:05 | |
..a run-through for director Harrison. | 0:28:05 | 0:28:08 | |
Stopwatch is on. | 0:28:08 | 0:28:09 | |
I'm not really here to try and shine. | 0:28:11 | 0:28:13 | |
My role involves directing the catwalk. | 0:28:13 | 0:28:15 | |
I mean, never done anything like that. I'm not putting forward | 0:28:15 | 0:28:18 | |
a business plan that involves anything to do with catwalking. | 0:28:18 | 0:28:20 | |
Yeah, whatever. | 0:28:20 | 0:28:22 | |
Before the show kicks off... | 0:28:23 | 0:28:25 | |
Hi! | 0:28:25 | 0:28:26 | |
..a visit from the designer. | 0:28:26 | 0:28:27 | |
Really looking forward to pushing you out there | 0:28:27 | 0:28:30 | |
and just getting you showcased. | 0:28:30 | 0:28:32 | |
My only issue is it's Helen Woollams, | 0:28:32 | 0:28:34 | |
as opposed to Hellavagirl. | 0:28:34 | 0:28:36 | |
People don't really know me personally but they know the brand. | 0:28:38 | 0:28:40 | |
-Would you prefer if we were to get rid of the... -Yeah, | 0:28:40 | 0:28:43 | |
just because I just don't think people will get it. | 0:28:43 | 0:28:46 | |
-Yeah, that's no problem at all. -Fine. | 0:28:46 | 0:28:47 | |
-OK. -Yeah, no worries. -We'll get rid of them then and just make it | 0:28:47 | 0:28:50 | |
spectacular with all the clothes anyway. | 0:28:50 | 0:28:52 | |
Jade communicated the brand name as Helen Woollams. | 0:28:52 | 0:28:55 | |
It was really mortifying. | 0:28:55 | 0:28:56 | |
Obviously, Harrison and I had no idea about Hellavagirl, | 0:28:56 | 0:28:59 | |
so that is a frustrating oversight on Jade's part. | 0:28:59 | 0:29:01 | |
OK. | 0:29:05 | 0:29:07 | |
5pm... | 0:29:07 | 0:29:09 | |
It's getting very full. Have a look. | 0:29:11 | 0:29:13 | |
Arriving, buyers from some of the | 0:29:13 | 0:29:15 | |
country's leading independent boutiques. | 0:29:15 | 0:29:18 | |
Interesting choice of hairstyle! | 0:29:18 | 0:29:20 | |
Yeah, Joanna loved it, you see. | 0:29:21 | 0:29:23 | |
Earlier today, they lost the magazine endorsement because it | 0:29:23 | 0:29:26 | |
wasn't professional enough. And now we have James, | 0:29:26 | 0:29:29 | |
who has just one day's modelling | 0:29:29 | 0:29:30 | |
experience, taking part in the catwalk. | 0:29:30 | 0:29:32 | |
They really don't appear to have learnt from their mistake. | 0:29:32 | 0:29:35 | |
-Good luck. -Good luck, Joanna. | 0:29:35 | 0:29:37 | |
Introducing their affordable men's clothing range... | 0:29:38 | 0:29:42 | |
Good evening, everybody. | 0:29:42 | 0:29:43 | |
..Joanna. | 0:29:43 | 0:29:45 | |
This collection has really, erm, | 0:29:45 | 0:29:47 | |
been produced with the mass market in mind. | 0:29:47 | 0:29:50 | |
Sit back, relax, feel the love and the eco-friendly | 0:29:50 | 0:29:54 | |
contemporary fashion which we are about to display to you today. | 0:29:54 | 0:29:57 | |
So, the first model that we have is in the Hiroto harem trousers | 0:29:59 | 0:30:03 | |
and these are £70. | 0:30:03 | 0:30:05 | |
OK, when he comes off, go. | 0:30:06 | 0:30:07 | |
Here, we have the Elji panel harem shorts. | 0:30:09 | 0:30:13 | |
This is an absolutely fabulous casual look. | 0:30:13 | 0:30:16 | |
Go, thank you. | 0:30:16 | 0:30:17 | |
Checking him out? | 0:30:18 | 0:30:20 | |
I was looking at Joanna but I'll check him out. | 0:30:20 | 0:30:23 | |
Again, very spring/summer. And these are at £65. | 0:30:23 | 0:30:27 | |
If you want to come and stand here and when I send you, go, yeah? | 0:30:27 | 0:30:30 | |
As you can see, the model is now | 0:30:30 | 0:30:32 | |
pairing the harem shorts with the Nishi oversized vest. | 0:30:32 | 0:30:37 | |
OK, go. | 0:30:37 | 0:30:38 | |
Here we have one of the more smarter looks of the collection. | 0:30:41 | 0:30:44 | |
And this material is actually made out of the bamboo material. | 0:30:44 | 0:30:48 | |
This is paired with the Aiko long-sleeved top on the inside. | 0:30:52 | 0:30:57 | |
He is doing all right. | 0:30:57 | 0:30:59 | |
Yeah, he is, doing good. | 0:30:59 | 0:31:00 | |
I don't think you'd know he was a model virgin. | 0:31:00 | 0:31:02 | |
And the shirt is at £155. | 0:31:04 | 0:31:07 | |
So, we hope that you've, erm, | 0:31:08 | 0:31:10 | |
enjoyed the show and we hope that this would be a collection that you | 0:31:10 | 0:31:13 | |
would like to stock. | 0:31:13 | 0:31:14 | |
Across London... | 0:31:19 | 0:31:20 | |
Proud to showcase you Britain's top fashion designer... | 0:31:22 | 0:31:25 | |
..aiming to win over the buyers with her exciting high-end collection... | 0:31:25 | 0:31:29 | |
This is an exciting opportunity to get on board... | 0:31:29 | 0:31:31 | |
..Jade. | 0:31:31 | 0:31:32 | |
APPLAUSE | 0:31:32 | 0:31:33 | |
Thank you so much for coming today. | 0:31:37 | 0:31:39 | |
And, erm, so, TheLastDawn... | 0:31:39 | 0:31:44 | |
TheLastDawnonMars collection was inspired, | 0:31:44 | 0:31:47 | |
really, just by thinking outside the box. | 0:31:47 | 0:31:50 | |
There's nothing more that you can do than represent a UK-based woman that | 0:31:50 | 0:31:55 | |
makes people feel fierce. | 0:31:55 | 0:31:57 | |
And I hope you enjoy the shows, ladies and gentlemen. | 0:31:59 | 0:32:02 | |
So, first up, we have the coat. | 0:32:05 | 0:32:08 | |
This piece is really inspired by the fact that the clouds in the sky | 0:32:08 | 0:32:12 | |
really help you to drift off and just imagine where you could be. | 0:32:12 | 0:32:17 | |
It's dramatic, it's statement, | 0:32:17 | 0:32:19 | |
it really just shows who you can become if you were to get out there. | 0:32:19 | 0:32:23 | |
There's no limits with this design. | 0:32:23 | 0:32:25 | |
And... And Hellavagirl will really... inspire you. | 0:32:25 | 0:32:31 | |
These are professional buyers, | 0:32:31 | 0:32:32 | |
potentially able to spend thousands of pounds on clothing. | 0:32:32 | 0:32:36 | |
Looking around this room, everyone looks very lost. | 0:32:36 | 0:32:39 | |
You're not going to be able to get | 0:32:39 | 0:32:41 | |
this anywhere else and have that really | 0:32:41 | 0:32:44 | |
quality-based ingredients. | 0:32:44 | 0:32:46 | |
I have no idea what Jade is talking about. | 0:32:47 | 0:32:50 | |
And I don't think they do, either. | 0:32:50 | 0:32:51 | |
Shit, this piece is really hard to do. | 0:32:51 | 0:32:53 | |
Helen wanted to really incorporate the fact that when you put this on, | 0:32:55 | 0:32:59 | |
you become the Queen of Mars and you can put | 0:32:59 | 0:33:02 | |
your first foot forward and we've | 0:33:02 | 0:33:03 | |
been privileged enough to announce that | 0:33:03 | 0:33:05 | |
we, erm, accompany the support of Stylist magazine. | 0:33:05 | 0:33:10 | |
And this is the one that we can see here on the cover. | 0:33:10 | 0:33:13 | |
So, thank you very much. | 0:33:13 | 0:33:15 | |
APPLAUSE | 0:33:15 | 0:33:16 | |
You did really well, honestly. | 0:33:22 | 0:33:23 | |
Presentations over, one hour to secure orders. | 0:33:24 | 0:33:29 | |
Because Stylist is behind it, you wouldn't regret it. | 0:33:29 | 0:33:32 | |
For Jade's luxury ladieswear... | 0:33:32 | 0:33:34 | |
Is there any flexibility with the price? | 0:33:34 | 0:33:36 | |
Erm, we haven't got any movement room on the price. | 0:33:36 | 0:33:39 | |
..total cost of the collection, £8,500. | 0:33:39 | 0:33:43 | |
OK, so we've got two of the organza dress, | 0:33:43 | 0:33:45 | |
two of the brocade and feathers cape at 475, | 0:33:45 | 0:33:48 | |
and two of the full moon dress. | 0:33:48 | 0:33:50 | |
So, Harrison, do you want to tally that up while I finish off? | 0:33:50 | 0:33:52 | |
I worry for Harrison because there's nothing he's done on this task that | 0:33:52 | 0:33:55 | |
has made any difference. | 0:33:55 | 0:33:56 | |
He's had no influence on any of the commissions, | 0:33:56 | 0:34:00 | |
he's really just an assistant. | 0:34:00 | 0:34:02 | |
He's just brought back the dress for you. | 0:34:02 | 0:34:04 | |
-On the other team... -If you do, like, take a set, | 0:34:04 | 0:34:07 | |
we can look at giving you some discount. | 0:34:07 | 0:34:09 | |
..with their affordable men's range... | 0:34:09 | 0:34:10 | |
It's super good for the environment, there's zero material waste. | 0:34:10 | 0:34:13 | |
..from Michaela, the hard sell. | 0:34:13 | 0:34:16 | |
It's all sustainable, | 0:34:16 | 0:34:17 | |
so this is a real thing that the mass market is missing out on at the | 0:34:17 | 0:34:20 | |
-minute. -The high-street retailers are now, | 0:34:20 | 0:34:22 | |
-they have a conscious range in. So, H&M do. -Like, H&M do. | 0:34:22 | 0:34:26 | |
You wouldn't be wanting to buy the clothes people would put in H&M, | 0:34:26 | 0:34:28 | |
would you? It shouldn't be what you're looking for, | 0:34:28 | 0:34:31 | |
surely you want something different to what H&M stock. | 0:34:31 | 0:34:33 | |
-I want something that's going to sell. -If you don't take them in stores, | 0:34:33 | 0:34:36 | |
there is other people that will do that and you don't want to say, | 0:34:36 | 0:34:38 | |
"Yeah, I waited till Bob down the street got it." | 0:34:38 | 0:34:40 | |
He made a killing and I jumped off the back of it. | 0:34:40 | 0:34:42 | |
I mean, I don't have a shop, but that is how it works, no? | 0:34:42 | 0:34:46 | |
Michaela's a good salesperson. We've seen that on a number of tasks. | 0:34:46 | 0:34:49 | |
But this is a very particular type of selling and I do believe that her | 0:34:49 | 0:34:52 | |
aggressive stance might have put off some people. | 0:34:52 | 0:34:54 | |
-There's not enough in this collection for me. -Sorry, girls. -OK. | 0:34:54 | 0:34:58 | |
Thank you anyway for your time. | 0:34:58 | 0:35:00 | |
You might get it in your store next year after | 0:35:00 | 0:35:02 | |
everybody else has bought it! | 0:35:02 | 0:35:03 | |
Half an hour for orders to be completed. | 0:35:03 | 0:35:07 | |
You might as well just take the whole one and I'll give you 10% off. | 0:35:07 | 0:35:09 | |
-Go for it. -Yeah? -Yeah, well done. | 0:35:09 | 0:35:12 | |
Yeah, the Koji shirts, charged at £60, what would you like? | 0:35:12 | 0:35:15 | |
-Ten. -Ten? Brilliant. Thank you. -Thank you very much. -Fantastic. | 0:35:15 | 0:35:17 | |
Would you be interested in stocking any of the products in your shop? | 0:35:19 | 0:35:23 | |
The price point for me is just far too high. | 0:35:23 | 0:35:24 | |
It's something that I would wear, | 0:35:24 | 0:35:26 | |
I imagine it's something that you would wear as well. | 0:35:26 | 0:35:28 | |
We will do two jumpsuits and two of the silver jacket. | 0:35:28 | 0:35:31 | |
-Yeah, OK. -Last orders. | 0:35:31 | 0:35:34 | |
Can we persuade you to try the full moon jacket with a view to maybe | 0:35:34 | 0:35:36 | |
stocking some of our other items? | 0:35:36 | 0:35:38 | |
If we put you down for 80 of the trousers and 20 of the shirt. | 0:35:38 | 0:35:42 | |
So, those five items, happy with that? | 0:35:42 | 0:35:45 | |
-Bye. -Sales over. | 0:35:45 | 0:35:47 | |
I do feel like we've got a good chance going into the boardroom. | 0:35:47 | 0:35:50 | |
-Yeah? -Let's go. | 0:35:50 | 0:35:51 | |
I think we've done, honestly, I think we've done so well. | 0:35:52 | 0:35:55 | |
I think we've taken a risk but hopefully it'll pay off. | 0:35:55 | 0:35:58 | |
Yeah, good job, guys, good job. | 0:35:58 | 0:36:00 | |
In fashion, you have to take risks and in this task, | 0:36:03 | 0:36:06 | |
that's exactly what I did. | 0:36:06 | 0:36:07 | |
I'm feeling exhausted but I just really hope that it's paid off. | 0:36:07 | 0:36:11 | |
The only thing I'm worried about right now is, | 0:36:12 | 0:36:15 | |
have we actually done enough in terms of sales? | 0:36:15 | 0:36:17 | |
I don't know what the other team have done, | 0:36:17 | 0:36:19 | |
so when we go into the boardroom, it's all down to the numbers. | 0:36:19 | 0:36:22 | |
Tonight, orders will be counted. | 0:36:22 | 0:36:25 | |
Tomorrow, in the boardroom, a dressing down. | 0:36:25 | 0:36:29 | |
You can go to the boardroom now. | 0:36:37 | 0:36:38 | |
Well, your task was to represent a designer, deriving your income, | 0:36:56 | 0:37:01 | |
as an agent, from commission. | 0:37:01 | 0:37:03 | |
Based on last week, | 0:37:03 | 0:37:05 | |
now Jade and Joanna are separated, I think this is what fashion designers | 0:37:05 | 0:37:10 | |
might call a needle match. | 0:37:10 | 0:37:13 | |
I'll start with Karren's team, Vitality. | 0:37:13 | 0:37:15 | |
Jade, sitting here, is the project manager. | 0:37:15 | 0:37:17 | |
I'm into my fashion. I'm not claiming to be a | 0:37:17 | 0:37:20 | |
fashionista but out of the | 0:37:20 | 0:37:22 | |
three of us, I'm happy that I put | 0:37:22 | 0:37:23 | |
myself forward and Sarah was sub team leader. | 0:37:23 | 0:37:26 | |
Sarah, OK. So, the fashion team was you. | 0:37:26 | 0:37:29 | |
-Yeah. -And you interviewed three designers, yeah? | 0:37:29 | 0:37:32 | |
Yeah, so, all three ranges had something good about them. | 0:37:32 | 0:37:35 | |
However, I decided to go for the high-end one purely because we could | 0:37:35 | 0:37:39 | |
-make more profit there. -These were very expensive, | 0:37:39 | 0:37:41 | |
up to £1,000 at wholesale price. | 0:37:41 | 0:37:44 | |
-Yes. -I saw some pictures. | 0:37:44 | 0:37:45 | |
My initial reaction was, is BacoFoil the new black? | 0:37:45 | 0:37:48 | |
Yes, there where a few outfits there that were a bit more out there | 0:37:48 | 0:37:51 | |
but I believe that they really dressed up the show and thought it | 0:37:51 | 0:37:54 | |
was someone I could get behind and show that I was passionate. | 0:37:54 | 0:37:56 | |
So then, this sub team, you were | 0:37:56 | 0:37:58 | |
responsible for setting up the catwalk. | 0:37:58 | 0:38:00 | |
That's right, yeah, we started the day off casting the models. | 0:38:00 | 0:38:03 | |
You enjoyed yourself, didn't you, casting those models, Harrison? | 0:38:03 | 0:38:06 | |
Yeah, I thought I'd take one for the team and they were perfect for the | 0:38:06 | 0:38:09 | |
catwalk, so we did well there. | 0:38:09 | 0:38:10 | |
Also, you did the front page for the magazine, right? | 0:38:10 | 0:38:13 | |
We had to design the cover and put a strapline. | 0:38:13 | 0:38:16 | |
She's posing as a teapot. | 0:38:16 | 0:38:19 | |
Tell me about this "Britain's Top Designer 2016". | 0:38:19 | 0:38:23 | |
This is a 2017 magazine. | 0:38:23 | 0:38:26 | |
Yeah, well, it's quite a big award to win. | 0:38:26 | 0:38:28 | |
-All right. -Stylist didn't like it. | 0:38:28 | 0:38:30 | |
-No. -They got the support of the magazine because of the photograph, | 0:38:30 | 0:38:34 | |
not because of the front cover. | 0:38:34 | 0:38:35 | |
We tried to just use the information we had from the phone call and put | 0:38:35 | 0:38:38 | |
something about Helen, as we thought at the time, | 0:38:38 | 0:38:41 | |
Helen Woollams and her collection. | 0:38:41 | 0:38:43 | |
-Mm-hm. -Erm, Helen's Hellavagirl, that was her designer name, | 0:38:43 | 0:38:47 | |
which came to light later on. | 0:38:47 | 0:38:49 | |
But I still believe that I managed to push her out as a person. | 0:38:49 | 0:38:51 | |
But she didn't want to be pushed out as a person. | 0:38:51 | 0:38:53 | |
She asked you to sell her brand, a range of clothing. | 0:38:53 | 0:38:56 | |
It's like promoting an Elton John concert and saying, | 0:38:56 | 0:38:59 | |
"Come along and see Reg Dwight," which is his real name. | 0:38:59 | 0:39:02 | |
We had some balloons out there with her name on, initially, so, | 0:39:02 | 0:39:05 | |
when we spoke to her, she asked if we would remove them, | 0:39:05 | 0:39:07 | |
so we went forward and still did that. | 0:39:07 | 0:39:09 | |
She wasn't happy, though, was she? | 0:39:09 | 0:39:11 | |
I think Helen, when she got there, told you to pull them down. | 0:39:11 | 0:39:13 | |
-She did. -Hmm. -But it still worked well. | 0:39:13 | 0:39:15 | |
And I negotiated with her and got 10% commission. | 0:39:15 | 0:39:18 | |
You were disappointed, Sarah, about the commission. | 0:39:18 | 0:39:20 | |
I was frustrated because your brief was really strongly about the | 0:39:20 | 0:39:24 | |
commission element. | 0:39:24 | 0:39:25 | |
She was pretty dead set on the fact that it was 10%... | 0:39:25 | 0:39:27 | |
Mm-hm. 10% of high ticket value items, | 0:39:27 | 0:39:31 | |
could turn out to be a lot of commission. | 0:39:31 | 0:39:33 | |
So, do you think the team worked well together, all three of you? | 0:39:33 | 0:39:36 | |
Yeah, I believe we worked really well together. | 0:39:36 | 0:39:38 | |
Yes, we did our best. | 0:39:38 | 0:39:40 | |
So, let's move on to Graphene. | 0:39:40 | 0:39:42 | |
Joanna, you jumped in there because you like fashion. | 0:39:42 | 0:39:44 | |
Yeah, I was definitely in my happy place. | 0:39:44 | 0:39:46 | |
Grumpy cat to a Cheshire cat, I think you went from. | 0:39:46 | 0:39:50 | |
Yes. I thought, as project manager, | 0:39:50 | 0:39:52 | |
it would be best for me to have an input in what collection we ended up | 0:39:52 | 0:39:55 | |
choosing and I think the lowest price range designer was a bit more | 0:39:55 | 0:39:59 | |
kind of mainstream and commercial. | 0:39:59 | 0:40:01 | |
Did it occur to you you may have to sell ten times the amount? | 0:40:01 | 0:40:04 | |
Yeah, but I thought that that particular collection, | 0:40:04 | 0:40:07 | |
more people would buy it. | 0:40:07 | 0:40:08 | |
Was it all eco-friendly and all that type of stuff, was it? | 0:40:08 | 0:40:11 | |
All locally sourced, sustainable. | 0:40:11 | 0:40:13 | |
We managed to negotiate 17% commission. | 0:40:13 | 0:40:16 | |
And we'd get 10% discount if they buy the collection. | 0:40:16 | 0:40:19 | |
So, then, you two think about how the thing is going to run. | 0:40:19 | 0:40:22 | |
Michaela will dress and I will do the directing. | 0:40:22 | 0:40:24 | |
Think Elizabeth's quite keen on directing. | 0:40:24 | 0:40:26 | |
I guess your favourite designer could be Hugo Bossy. | 0:40:26 | 0:40:30 | |
Me and James went to pitch to the magazine. | 0:40:30 | 0:40:33 | |
I asked James if he would participate in the photo shoot. | 0:40:33 | 0:40:35 | |
That's you, there, with the... | 0:40:35 | 0:40:38 | |
-That's James. -You look like you're constipated. | 0:40:38 | 0:40:41 | |
They said it was urban trend. | 0:40:41 | 0:40:44 | |
Still don't really know what that means. | 0:40:44 | 0:40:46 | |
The feedback from the magazine was that the background, | 0:40:46 | 0:40:49 | |
which was supposed to be bamboo, was dark and boring. | 0:40:49 | 0:40:52 | |
Michaela, you're in magazines, | 0:40:52 | 0:40:54 | |
you should know that the front cover is the thing that attracts people. | 0:40:54 | 0:40:58 | |
I also don't run a men's fashion magazine, it's construction ones, | 0:40:58 | 0:41:00 | |
so very different. | 0:41:00 | 0:41:02 | |
A magazine is a magazine. The principle is the same, really. | 0:41:02 | 0:41:04 | |
So, you started selling. | 0:41:04 | 0:41:06 | |
-Yep. -And I think, Michaela, when you're selling to these kind of very | 0:41:06 | 0:41:10 | |
creative, fashionable people and I believe, Claude, | 0:41:10 | 0:41:14 | |
you got a little complaint, didn't you? | 0:41:14 | 0:41:15 | |
They felt offended by your sales technique. | 0:41:15 | 0:41:17 | |
I was just trying to turn the sale around. | 0:41:17 | 0:41:19 | |
She said no and I thought of a different angle and I don't think | 0:41:19 | 0:41:22 | |
-she liked that. -A bit aggressive. | 0:41:22 | 0:41:24 | |
-A bit aggressive. -I think I was pointing out... | 0:41:24 | 0:41:26 | |
She didn't like it. And, Elizabeth, was you there trying to sell? | 0:41:26 | 0:41:29 | |
Yes, Lord Sugar. I was. Michaela and I were working in a team together | 0:41:29 | 0:41:32 | |
and we took it in teams... In turns to speak to people. | 0:41:32 | 0:41:35 | |
Oh, you let someone else in, did you? | 0:41:35 | 0:41:36 | |
Yes, Lord Sugar. I've taken your advice on board. | 0:41:36 | 0:41:38 | |
Trying to get the last word out of you is trying to explain to | 0:41:38 | 0:41:41 | |
Naomi Campbell she's going to fly economy. | 0:41:41 | 0:41:43 | |
How was the general team? | 0:41:43 | 0:41:45 | |
-I think really good. -Yeah, we worked very well. | 0:41:45 | 0:41:47 | |
And the project manager? | 0:41:47 | 0:41:49 | |
-Yeah. -Yeah, good. -Good. | 0:41:49 | 0:41:50 | |
All right. Well, I think it's time | 0:41:50 | 0:41:52 | |
to work out how much commission we got. | 0:41:52 | 0:41:54 | |
Karren, what orders did your team secure? | 0:41:55 | 0:41:59 | |
Well, Vitality had a commission of 10% and the order value was £11,015 | 0:41:59 | 0:42:04 | |
which gave them a commission of £1,101.50. | 0:42:04 | 0:42:08 | |
Claude, what about your team, then? | 0:42:10 | 0:42:12 | |
Well, Alan, as you heard, they did negotiate an excellent commission of | 0:42:12 | 0:42:15 | |
-17%. -Uh-huh. | 0:42:15 | 0:42:17 | |
The orders were £25,663.50, | 0:42:17 | 0:42:22 | |
giving a total commission of £4,362.80. | 0:42:22 | 0:42:28 | |
Very good. Well, there you go, Graphene. | 0:42:28 | 0:42:31 | |
So, getting so far in this process now, you must be flying high, so, | 0:42:31 | 0:42:37 | |
to celebrate, I've arranged for you to go indoor skydiving. | 0:42:37 | 0:42:42 | |
You will experience an incredible freefall sensation without having to | 0:42:43 | 0:42:48 | |
throw yourself out of a plane. | 0:42:48 | 0:42:50 | |
Have fun. I'll see you in a few days' time. OK? | 0:42:50 | 0:42:52 | |
-Thank you very much, Lord Sugar. -Thank you, Lord Sugar. | 0:42:52 | 0:42:55 | |
-Well done. -Thank you, Claude. Thank you, Karren. | 0:42:55 | 0:42:57 | |
Well done. | 0:43:05 | 0:43:06 | |
Well done. | 0:43:06 | 0:43:07 | |
Well, Jade, seems the risk with the high-ticket item didn't come off. | 0:43:09 | 0:43:14 | |
You go off and have a chat amongst yourselves and when you come back in | 0:43:14 | 0:43:18 | |
here, I'm going to decide who is going to remain in the process. | 0:43:18 | 0:43:22 | |
OK? Off you go. | 0:43:22 | 0:43:24 | |
Go on! | 0:43:37 | 0:43:40 | |
I'm feeling incredibly proud. | 0:43:40 | 0:43:41 | |
I think people still continue to underestimate me. | 0:43:41 | 0:43:44 | |
I'm on cloud nine. 100% think I can win. | 0:43:44 | 0:43:47 | |
Oh, my God! | 0:43:47 | 0:43:49 | |
Yeah, baby! | 0:43:49 | 0:43:52 | |
My God, what a roller-coaster. | 0:43:52 | 0:43:54 | |
I think I've had the full experience in this process. | 0:43:54 | 0:43:57 | |
Top to bottom and back again. | 0:43:57 | 0:43:58 | |
I couldn't have gone through more ringers than I've been through and I | 0:44:02 | 0:44:05 | |
want to show Lord Sugar that I can achieve something special with his | 0:44:05 | 0:44:08 | |
advice and guidance and that's what I'm here to do. | 0:44:08 | 0:44:11 | |
Epic! | 0:44:12 | 0:44:13 | |
I'm gutted that we've lost this task. | 0:44:17 | 0:44:19 | |
-We shouldn't have. -We put on a great show, it's just, ultimately, | 0:44:19 | 0:44:22 | |
it was about the sales we generated. | 0:44:22 | 0:44:24 | |
I don't think it's just about the sales, though. | 0:44:24 | 0:44:26 | |
There were a lot of factors that I did translate over to you guys that | 0:44:26 | 0:44:29 | |
-didn't happen. -Jade's responsible for picking the designer we were to | 0:44:29 | 0:44:32 | |
represent. We had no chance, really, | 0:44:32 | 0:44:34 | |
of selling a large quantity of extremely out-there clothing | 0:44:34 | 0:44:37 | |
at really high prices. | 0:44:37 | 0:44:38 | |
I still believe I chose the right designer. | 0:44:38 | 0:44:41 | |
Yes, it was a higher price point, | 0:44:41 | 0:44:42 | |
but we all decided that we were going to take that risk. | 0:44:42 | 0:44:45 | |
I've made the best decisions that I possibly could. | 0:44:45 | 0:44:47 | |
When I've run them past Sarah, the sub team, | 0:44:47 | 0:44:50 | |
I've not had that much and if you're going to be Lord Sugar's business | 0:44:50 | 0:44:53 | |
partner, he doesn't want anybody who's just being carried. | 0:44:53 | 0:44:56 | |
I have done a hell of a lot in this task. | 0:44:56 | 0:44:59 | |
I think it's just the negotiation bit was so key. | 0:44:59 | 0:45:01 | |
You wouldn't have been able to do any more than I have done, | 0:45:01 | 0:45:04 | |
-I'm telling you that now for free. -I think, as project manager, | 0:45:04 | 0:45:06 | |
Jade took on a lot of the responsibility and she wasn't strong | 0:45:06 | 0:45:11 | |
enough to see it through. | 0:45:11 | 0:45:12 | |
PHONE RINGS | 0:45:19 | 0:45:20 | |
-Yes, Lord Sugar? -Can you send the three of them in, please? | 0:45:20 | 0:45:23 | |
Well, I've expressed my disappointment on all | 0:45:35 | 0:45:38 | |
elements of this task here. | 0:45:38 | 0:45:40 | |
I've got to decide who is remaining in this process. | 0:45:40 | 0:45:44 | |
Jade, I believe it was you that | 0:45:44 | 0:45:46 | |
decided to go for the high-price one. | 0:45:46 | 0:45:49 | |
Yes, I believe that the quality was | 0:45:49 | 0:45:51 | |
there and we did all agree that it was | 0:45:51 | 0:45:54 | |
the higher-end one that we were going to go for. | 0:45:54 | 0:45:56 | |
On this task what went wrong is | 0:45:56 | 0:45:57 | |
having the high-end fashion designer, | 0:45:57 | 0:46:00 | |
people aren't going to buy large volumes. | 0:46:00 | 0:46:02 | |
That's right, and the problem is because they're expensive pieces, | 0:46:02 | 0:46:05 | |
Harrison and I had an uphill battle trying to sell it. | 0:46:05 | 0:46:07 | |
-And... -I did ask you guys, though, I did speak to you on the phone, | 0:46:07 | 0:46:10 | |
you're more than happy now to speak up now and say that was the wrong | 0:46:10 | 0:46:13 | |
decision, but at the time you knew the price point... | 0:46:13 | 0:46:15 | |
Yeah, but, Jade, we didn't have the information. | 0:46:15 | 0:46:17 | |
You knew the price and you were happy to go with the higher-end one. | 0:46:17 | 0:46:20 | |
No, no, it wasn't about that. You thought you could get passionate about the high-end items. | 0:46:20 | 0:46:24 | |
I was worried, the first thoughts that crossed my mind is we're going | 0:46:24 | 0:46:27 | |
-to have to talk about these. -Selling that you really do have to | 0:46:27 | 0:46:30 | |
know about the fabric, the design, none of you had that ability. | 0:46:30 | 0:46:33 | |
You know, the Gothic and theatrical | 0:46:33 | 0:46:35 | |
thing, it turned into the Frocky Horror Show, | 0:46:35 | 0:46:37 | |
never mind the Rocky Horror Show. | 0:46:37 | 0:46:40 | |
Yeah, when we opened the box it was quite a shock. | 0:46:40 | 0:46:43 | |
I didn't really know if they go on your head, around your waist, | 0:46:43 | 0:46:46 | |
I wasn't really sure. | 0:46:46 | 0:46:47 | |
Harrison, what, what were you doing in this task? | 0:46:47 | 0:46:50 | |
I definitely contributed to this task. | 0:46:50 | 0:46:52 | |
That's all I hear from you is, "I contributed." | 0:46:52 | 0:46:55 | |
-I did. -What use were you? | 0:46:55 | 0:46:57 | |
I mean they had enough mannequins so they obviously didn't use you for | 0:46:57 | 0:47:00 | |
-that. -My task as the fashion director, so, yeah, I was... | 0:47:00 | 0:47:04 | |
I kept things calm at the back when there is a lot of nerves flying | 0:47:04 | 0:47:07 | |
around in a stressful situation. | 0:47:07 | 0:47:09 | |
And I did exactly what was needed of a fashion director. | 0:47:09 | 0:47:12 | |
Didn't sale anything, did you? | 0:47:12 | 0:47:14 | |
Well, the idea of that was to let Sarah lead the pitches. | 0:47:14 | 0:47:16 | |
She can talk about woman's fashion a lot better than I can. | 0:47:16 | 0:47:19 | |
You sound as useful as a fur coat in a sauna to me. | 0:47:19 | 0:47:22 | |
I'll have to disagree. | 0:47:22 | 0:47:23 | |
You can disagree all you like but you seem to forget I was there. | 0:47:23 | 0:47:26 | |
I saw everything you did or everything you didn't do. | 0:47:26 | 0:47:28 | |
Sarah, you run a business where you negotiate with retailers. | 0:47:30 | 0:47:34 | |
-I do, yes. -They ask about margins. | 0:47:34 | 0:47:36 | |
-Yes. -And Jade in her own admission said, | 0:47:36 | 0:47:39 | |
"I don't know anything about negotiating commission." | 0:47:39 | 0:47:44 | |
Yes, that's correct. | 0:47:44 | 0:47:45 | |
Which means you allowed her to go off, choose the designer, | 0:47:45 | 0:47:50 | |
negotiate the commissions, | 0:47:50 | 0:47:52 | |
and she hasn't got a clue how to do it. | 0:47:52 | 0:47:54 | |
I thought it was fairly straightforward in terms of the negotiation. | 0:47:54 | 0:47:57 | |
I didn't feel there was any depth to it. I feel like week ten we're all | 0:47:57 | 0:48:00 | |
quite capable of doing a simple negotiation like that. | 0:48:00 | 0:48:02 | |
I can negotiate, | 0:48:02 | 0:48:04 | |
and I did get the highest percentage, I believe, | 0:48:04 | 0:48:06 | |
out of Helen that I could've got on that day. | 0:48:06 | 0:48:09 | |
In return for 10%, you put on a fashion show, you recruited models. | 0:48:09 | 0:48:14 | |
The other thing is that you never even negotiated at all | 0:48:14 | 0:48:18 | |
for volume discount. | 0:48:18 | 0:48:19 | |
That was an oversight on my behalf. | 0:48:19 | 0:48:21 | |
Oversight? What about if I sell six or ten? | 0:48:21 | 0:48:24 | |
It was an oversight but I believe the 10% at that point in time was | 0:48:24 | 0:48:29 | |
the best amount that she was going to give me. | 0:48:29 | 0:48:31 | |
It's frustrating because part of me did feel that I should've gone on | 0:48:31 | 0:48:35 | |
the fashion designer meet. | 0:48:35 | 0:48:36 | |
I felt there was a lot to do in terms of planning. | 0:48:36 | 0:48:38 | |
It's just unfortunate, I think, that Jade was on her own on that side. | 0:48:38 | 0:48:41 | |
The observation of both Claude and | 0:48:41 | 0:48:43 | |
Karren is that you kind of just go along with it. | 0:48:43 | 0:48:47 | |
You don't step in early enough and say, | 0:48:47 | 0:48:50 | |
"Whoa, whoa, hold on, you shouldn't be doing that." | 0:48:50 | 0:48:53 | |
I take that on board and I'm very happy to be more vocal | 0:48:53 | 0:48:55 | |
-if I need to be. -So who's responsible for the failure, then, here? | 0:48:55 | 0:48:58 | |
Jade, I think didn't negotiate a | 0:48:58 | 0:48:59 | |
good enough deal and cost us the task. | 0:48:59 | 0:49:01 | |
And Harrison, why should I consider you to remain in this process? | 0:49:02 | 0:49:06 | |
You're not going to find anyone with the drive or determination that I've | 0:49:06 | 0:49:09 | |
got. To even get to task ten | 0:49:09 | 0:49:11 | |
shows the determination and passion I've got is second to none. | 0:49:11 | 0:49:15 | |
All right, well, look. | 0:49:17 | 0:49:19 | |
I'm going to have a chat with Claude | 0:49:19 | 0:49:22 | |
and Karren because it's a big decision | 0:49:22 | 0:49:24 | |
now as to who's going to remain, OK? | 0:49:24 | 0:49:27 | |
You three go and step outside at the moment. | 0:49:27 | 0:49:29 | |
Sarah, we've had had three losses on the trot. | 0:49:36 | 0:49:38 | |
Sometimes in business you just can't avoid confrontation. | 0:49:38 | 0:49:42 | |
I do worry about her ability to be able to confront difficult people. | 0:49:42 | 0:49:46 | |
Jade, I mean, she has admitted that she made the mistake on this, | 0:49:47 | 0:49:50 | |
made the mistake on that. | 0:49:50 | 0:49:52 | |
I think she's got her skills but I think she's not the full package. | 0:49:52 | 0:49:56 | |
I mean, Harrison, from what I can see he's enthusiastic. | 0:49:56 | 0:49:59 | |
He's his own one-man fan club. | 0:49:59 | 0:50:01 | |
He thinks he's done wonderfully, I haven't seen anything. | 0:50:01 | 0:50:06 | |
PHONE RINGS | 0:50:06 | 0:50:07 | |
Yes, Lord Sugar. | 0:50:07 | 0:50:08 | |
Can you send the three of them in, please? | 0:50:08 | 0:50:10 | |
You can go to the boardroom now. | 0:50:10 | 0:50:12 | |
Ladies and gentlemen, this is such an important event, | 0:50:24 | 0:50:27 | |
this tenth week, because, you know, possibly one of you here might come | 0:50:27 | 0:50:32 | |
on to be my business partner. | 0:50:32 | 0:50:34 | |
OK? | 0:50:34 | 0:50:36 | |
So, Sarah you lost three in a row and I'm wondering | 0:50:36 | 0:50:40 | |
whether you are sliding | 0:50:40 | 0:50:42 | |
off the edge of a cliff here because on this particular task you didn't | 0:50:42 | 0:50:45 | |
sell that much. | 0:50:45 | 0:50:47 | |
I was selling £1,000 dresses with materials, | 0:50:47 | 0:50:49 | |
fabrics, things I had absolutely no knowledge or understanding of. | 0:50:49 | 0:50:52 | |
And we had picked the high-end range which meant we couldn't zoom around, | 0:50:52 | 0:50:55 | |
we had to kind of spend a bit time with people looking at the pieces. | 0:50:55 | 0:50:58 | |
I still managed to speak to eight people within that time frame, | 0:50:58 | 0:51:00 | |
though, and sold over £3,000 worth. | 0:51:00 | 0:51:02 | |
But Jade had had all the information, we were selling blind. | 0:51:02 | 0:51:05 | |
You'd seen... No, you'd heard the pitch that I'd given... | 0:51:05 | 0:51:08 | |
No, I was dressing 12 models, making sure the event went well. | 0:51:08 | 0:51:11 | |
No, because Harrison and I are not high-end fashion gurus so it was | 0:51:11 | 0:51:14 | |
-difficult trying to talk to women. -I'm not a high-end fashion guru. | 0:51:14 | 0:51:16 | |
You certainly don't know much about fashion. | 0:51:16 | 0:51:19 | |
I think the fashion police would want to breathalyse you, actually. | 0:51:19 | 0:51:22 | |
Jade, bearing in mind that you have | 0:51:22 | 0:51:23 | |
admitted certain mistakes to me here today, you know, | 0:51:23 | 0:51:28 | |
on picking the wrong product, not negotiating for bulk quantity, | 0:51:28 | 0:51:32 | |
can you tell me who you think, then, is responsible for the failure of | 0:51:32 | 0:51:36 | |
the task out of the three of you? | 0:51:36 | 0:51:37 | |
I'd have to say that Harrison didn't contribute anywhere near as much as | 0:51:37 | 0:51:40 | |
anybody else to this task. I have put myself out there... | 0:51:40 | 0:51:43 | |
-In what bit? -Well, exactly, in what bit, what have you done? | 0:51:43 | 0:51:46 | |
What part didn't I contribute? | 0:51:46 | 0:51:48 | |
What have you done? I'm no negotiating or fashion expert but | 0:51:48 | 0:51:51 | |
I put myself out there to make sure that I prove to you that I'm | 0:51:51 | 0:51:55 | |
adaptable and I can do anything that you set me to do. | 0:51:55 | 0:51:57 | |
Yeah, that's great. I did definitely adapt to the task. | 0:51:57 | 0:52:00 | |
I set up the room, I was there to do that. | 0:52:00 | 0:52:02 | |
By the sounds of things, | 0:52:02 | 0:52:03 | |
it sounds like he's put out some chairs over the whole task. | 0:52:03 | 0:52:06 | |
You've literally just said that one second ago, so... | 0:52:06 | 0:52:08 | |
That is exactly how it feels, though. | 0:52:08 | 0:52:10 | |
Well, you felt that for two seconds. | 0:52:10 | 0:52:12 | |
-What have you done? -Every single thing on the task that | 0:52:12 | 0:52:14 | |
we had to do, were done. So that's exactly what we did. | 0:52:14 | 0:52:16 | |
-What? -I can't do your job for you. -So, so what element... Did you sell? No. Did you negotiate? | 0:52:16 | 0:52:20 | |
No. Right, so what have you done? | 0:52:20 | 0:52:22 | |
Now you're going down this road, | 0:52:22 | 0:52:23 | |
the failure of this task is you picked the wrong fashion line. | 0:52:23 | 0:52:26 | |
I wasn't going to put myself in picking women's fashion because if | 0:52:26 | 0:52:28 | |
we got it wrong you'd say, "Harrison, why did you..." | 0:52:28 | 0:52:31 | |
But that's a cop out, there's so many elements of this that I don't | 0:52:31 | 0:52:34 | |
feel comfortable with but I still go ahead and put myself forward to do it. | 0:52:34 | 0:52:37 | |
Harrison, why didn't you do any selling? | 0:52:37 | 0:52:39 | |
So, on women's sales I wanted Sarah to take the lead. | 0:52:39 | 0:52:41 | |
She's going to be able to talk about women's fashion a lot better than me. | 0:52:41 | 0:52:45 | |
I don't expect you to be a fashion expert, | 0:52:45 | 0:52:47 | |
I want to see how quick you can adapt. | 0:52:47 | 0:52:49 | |
Pick things up. And so you should've been capable to do a bit of selling | 0:52:49 | 0:52:54 | |
instead of stepping back. | 0:52:54 | 0:52:56 | |
I wouldn't say I stepped back, I haven't step back from any task, | 0:52:56 | 0:52:59 | |
-you'll see that... -Well, I haven't seen it. | 0:52:59 | 0:53:01 | |
You didn't even bother to put | 0:53:01 | 0:53:02 | |
yourself forward for that negotiation. | 0:53:02 | 0:53:04 | |
I have just as much experience doing that as you do yet there I am putting myself forward for it | 0:53:04 | 0:53:08 | |
-and you haven't. -I think you've worn more women's dresses than I have. | 0:53:08 | 0:53:11 | |
Harrison, you say that your best ability is "to adapt to his surroundings". | 0:53:11 | 0:53:15 | |
100%, I think I've proved that. | 0:53:15 | 0:53:17 | |
Well, I threw you in this fashion business thing, you didn't adapt to | 0:53:17 | 0:53:20 | |
-it, did you? -I definitely adapted to the fashion surrounding. | 0:53:20 | 0:53:24 | |
I was literally backstage of a catwalk directing the catwalk. | 0:53:24 | 0:53:27 | |
But you put yourself in a position | 0:53:27 | 0:53:29 | |
where you're not going to get penalised | 0:53:29 | 0:53:30 | |
for doing anything cos you didn't do anything. | 0:53:30 | 0:53:32 | |
What, what are you talking about... | 0:53:32 | 0:53:34 | |
There was only one position to go in and I got it right, | 0:53:34 | 0:53:36 | |
-so what are you talking about? -None of the decisions were difficult so I | 0:53:36 | 0:53:39 | |
think Jade, unfortunately, on day one, | 0:53:39 | 0:53:41 | |
those decisions we were working with them on day two, | 0:53:41 | 0:53:43 | |
they were irreversible. We didn't have a brand. | 0:53:43 | 0:53:45 | |
-We didn't have a strategy... -You didn't have anything to do really on | 0:53:45 | 0:53:48 | |
-the day. -We did Jade, we... -I had to take on a lot of responsibility just | 0:53:48 | 0:53:51 | |
-with this and negotiating. -Yeah, but Jade this is | 0:53:51 | 0:53:53 | |
week ten, you're going into business with Lord Sugar, | 0:53:53 | 0:53:56 | |
you have to be capable, you have to be competent. | 0:53:56 | 0:53:58 | |
You have to be confident with your decisions and you | 0:53:58 | 0:54:00 | |
have to communicate with your team, it's basic business knowledge. | 0:54:00 | 0:54:03 | |
You should've done that negotiation... | 0:54:03 | 0:54:04 | |
I should've. Next time I will because I've been | 0:54:04 | 0:54:07 | |
given feedback that I need to be more vocal and passionate and | 0:54:07 | 0:54:09 | |
perhaps that is something I need to take on board. | 0:54:09 | 0:54:11 | |
Sarah, in your own admission here, | 0:54:11 | 0:54:13 | |
Sarah confesses she's not tough enough. | 0:54:13 | 0:54:16 | |
This is what we've actually been talking about here today, isn't it? | 0:54:16 | 0:54:18 | |
Lord Sugar, I'm definitely tough, | 0:54:18 | 0:54:20 | |
I have no problem doing hard negotiations, I have no problem | 0:54:20 | 0:54:23 | |
sacking, disciplining, doing whatever I need to do in my business. | 0:54:23 | 0:54:26 | |
I have absolutely no problem doing that. | 0:54:26 | 0:54:28 | |
Who's responsible for the failure of this task? | 0:54:28 | 0:54:30 | |
Jade's responsible. It was poor | 0:54:30 | 0:54:32 | |
decision-making on day one and I think at | 0:54:32 | 0:54:34 | |
this stage in the process there's no excuses, | 0:54:34 | 0:54:36 | |
you have to be able to do basic things like negotiate. | 0:54:36 | 0:54:38 | |
You made decisions but then you didn't follow through, | 0:54:38 | 0:54:40 | |
you didn't communicate even the brand name. | 0:54:40 | 0:54:42 | |
We had the lady's name up there and it wasn't her brand name, | 0:54:42 | 0:54:44 | |
-it's a simple thing. -You were capable of speaking to me about it. | 0:54:44 | 0:54:47 | |
At 2pm in the afternoon, we were trying to dress 12 models, which we also did. | 0:54:47 | 0:54:50 | |
-So, it was too late, decisions were too late. -Dressing the 12 models in | 0:54:50 | 0:54:53 | |
comparison to the fact that I did negotiate, I did pick out the line, | 0:54:53 | 0:54:56 | |
I've done all of that, | 0:54:56 | 0:54:57 | |
it's better than Harrison being able to put out some chairs. | 0:54:57 | 0:55:00 | |
Well, look, I think I've heard enough. | 0:55:00 | 0:55:03 | |
So I'm going to try and summarise. | 0:55:05 | 0:55:07 | |
Sarah, this last three weeks you seem to have slipped back a bit and | 0:55:07 | 0:55:13 | |
that worries me as to whether you got the staying power | 0:55:13 | 0:55:16 | |
in business at all. | 0:55:16 | 0:55:18 | |
And Jade, you admitted all of the errors and | 0:55:18 | 0:55:22 | |
mistakes that were made in this task. | 0:55:22 | 0:55:25 | |
But, Harrison, I don't know what you did on this task. | 0:55:25 | 0:55:28 | |
In fact, I've had a bit of a problem understanding what you did on other | 0:55:28 | 0:55:32 | |
tasks. It is with regret, Harrison, you're fired. | 0:55:32 | 0:55:36 | |
Cheers. Thanks for the opportunity. | 0:55:38 | 0:55:41 | |
Ladies, this is an important stage. | 0:55:48 | 0:55:52 | |
I've got to make some important decisions here today. | 0:55:52 | 0:55:55 | |
Jade, this was a big mess up. | 0:55:55 | 0:55:57 | |
I've definitely been able to prove myself in the other tasks though and | 0:55:57 | 0:56:00 | |
-the business plan that I've got... -Yeah, yeah, Jade, Jade, | 0:56:00 | 0:56:03 | |
I don't want to hear any more, I'm sorry. You're fired. | 0:56:03 | 0:56:06 | |
Thank you for the opportunity, it's been unbelievable, thank you. | 0:56:06 | 0:56:09 | |
Sarah, I'm going to let you remain. | 0:56:16 | 0:56:19 | |
Go back to the house, take on board all that has been said. | 0:56:19 | 0:56:22 | |
I will, thank you so much. | 0:56:22 | 0:56:23 | |
I took a risk with this task, | 0:56:35 | 0:56:37 | |
it didn't pay off but overall I really did deserve | 0:56:37 | 0:56:41 | |
to be in that final five. | 0:56:41 | 0:56:43 | |
Feeling gutted to go out on the last task. | 0:56:43 | 0:56:45 | |
Still make a success of the business, will become a household | 0:56:45 | 0:56:48 | |
name, I was so close. | 0:56:48 | 0:56:49 | |
-Who's coming back? -Harrison. | 0:56:51 | 0:56:53 | |
-I think Sarah. -My heart says Jade, my head says Sarah. | 0:56:53 | 0:56:58 | |
But I want Harrison here too. | 0:56:58 | 0:56:59 | |
-Room for one more? -Yeah! | 0:56:59 | 0:57:02 | |
13 people have gone and we're left and we've got to now show what we're | 0:57:05 | 0:57:09 | |
-about. -The next bit is easy, it's all about your own business. | 0:57:09 | 0:57:12 | |
All they're going to do is pull up everything from your past. | 0:57:12 | 0:57:15 | |
-Your whole history. -Your whole history, there'll be things that you don't even remember! | 0:57:15 | 0:57:19 | |
-I'm clean as a whistle. -Don't you dare! | 0:57:19 | 0:57:22 | |
Now, the final five remain. | 0:57:25 | 0:57:28 | |
The search for Lord Sugar's next business partner continues. | 0:57:29 | 0:57:36 | |
-Next time... -Oh, my God. | 0:57:36 | 0:57:38 | |
-..business plans... -Don't be sick. | 0:57:38 | 0:57:41 | |
..under the microscope. | 0:57:41 | 0:57:43 | |
Three million, six million, nine million is not achievable. | 0:57:43 | 0:57:46 | |
-It's not going to happen. -Do I look simple to you? | 0:57:46 | 0:57:48 | |
I mean this with all respect. | 0:57:48 | 0:57:50 | |
I don't think you're being very respectful. | 0:57:50 | 0:57:52 | |
I think you should take your tone down. | 0:57:52 | 0:57:54 | |
And in the boardroom... | 0:57:54 | 0:57:56 | |
You have no experience. | 0:57:56 | 0:57:57 | |
..a dissection. | 0:57:57 | 0:57:59 | |
I can't see this scaling up and so whether I'm right or wrong, | 0:57:59 | 0:58:04 | |
you're fired. | 0:58:04 | 0:58:05 |