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|---|---|---|---|
This is an unbelievable opportunity. | 0:00:02 | 0:00:04 | |
Lord Sugar's in the market for a brand-new business partner. | 0:00:04 | 0:00:09 | |
This process is not about a job. It's about me ploughing £250,000 into a business. | 0:00:10 | 0:00:16 | |
Trust me. There are people in this room that are hungry for this deal. | 0:00:16 | 0:00:20 | |
Here to do battle for his backing, 16 ambitious entrepreneurs. | 0:00:21 | 0:00:27 | |
They told me you can do things, you lot. You can't. You're all a bloody waste of space! | 0:00:27 | 0:00:33 | |
At stake, a quarter-million-pound investment | 0:00:33 | 0:00:39 | |
and a 50/50 partnership with a business icon. | 0:00:39 | 0:00:43 | |
I believe actions speak louder than words. | 0:00:43 | 0:00:47 | |
This is rubbish. This idea is rubbish. | 0:00:47 | 0:00:50 | |
-It's a deal worth fighting for. -You're talking nonsense! | 0:00:50 | 0:00:55 | |
16 potential business partners. | 0:00:57 | 0:01:00 | |
- Hold me tight. - Why are you undermining me? | 0:01:00 | 0:01:03 | |
Will you be quiet, you silly shit?! | 0:01:03 | 0:01:06 | |
12 tough weeks. | 0:01:06 | 0:01:08 | |
We've got to buy something! | 0:01:08 | 0:01:10 | |
- Big smiles! - I'm worried. | 0:01:10 | 0:01:12 | |
One life-changing opportunity. | 0:01:12 | 0:01:15 | |
You're fired. You're fired. I don't want to see your face any more. You're fired. | 0:01:15 | 0:01:21 | |
-Previously on The Apprentice: -I'm sending you to the Motorhome and Caravan Show. | 0:01:29 | 0:01:36 | |
You've got to sell. | 0:01:36 | 0:01:38 | |
Caravan, caravan! | 0:01:38 | 0:01:40 | |
-Matching products to punters proved tricky for Kurt's team. -We've lost the two items we wanted. | 0:01:40 | 0:01:46 | |
-We've done badly there. -And sales of their retro camper... -I really want to sell you one. | 0:01:46 | 0:01:52 | |
-..stayed static. -I don't think so. | 0:01:52 | 0:01:55 | |
-On the other team... -I love your style. -..Jason struck gold with silver spenders. | 0:01:55 | 0:02:00 | |
-Thank you very much. -In the boardroom, project manager Neil packed away a big win. | 0:02:00 | 0:02:06 | |
-£33,615. -Very good. | 0:02:06 | 0:02:09 | |
-A pat on the back for Jason... -I forgot to say well done. -..left the other team trailing. | 0:02:09 | 0:02:15 | |
£1,500 is a bloody disgrace! | 0:02:15 | 0:02:18 | |
-Kurt ran out of road. -I picked the wrong item. | 0:02:18 | 0:02:23 | |
He became the seventh casualty of the boardroom. | 0:02:23 | 0:02:26 | |
-Kurt, you're fired. -It was a dead end for Natalie, too. | 0:02:26 | 0:02:30 | |
You've had a hell of a lot of chances. Natalie, you're fired. | 0:02:30 | 0:02:35 | |
Now eight remain to fight for the chance to become Lord Sugar's business partner. | 0:02:35 | 0:02:41 | |
TELEPHONE RINGS | 0:02:51 | 0:02:53 | |
6am. | 0:02:53 | 0:02:55 | |
-Hello? -Good morning. This is Lord Sugar's office. | 0:02:58 | 0:03:02 | |
Lord Sugar would like you to meet him at the Old Marylebone Town Hall. | 0:03:02 | 0:03:06 | |
-The cars will be with you in half an hour. -OK. | 0:03:06 | 0:03:10 | |
Guys! Wake up! | 0:03:10 | 0:03:13 | |
We have to be at the Old Marylebone Town Hall in half an hour. | 0:03:13 | 0:03:18 | |
-Marylebone? What goes on there? -Weddings. | 0:03:18 | 0:03:22 | |
-Are you going to man up and be project manager? -Will you put yourself forward? | 0:03:25 | 0:03:31 | |
MAKES CLUCKING SOUNDS | 0:03:31 | 0:03:33 | |
Oh, dear. | 0:03:33 | 0:03:35 | |
What do you think Lord Sugar will do with the teams? There's only three on their team. | 0:03:49 | 0:03:55 | |
There's five on ours. | 0:03:55 | 0:03:58 | |
-This is a bit scary. Our entire team is sat on this back seat. -I know! -How did that happen? | 0:04:02 | 0:04:08 | |
We need to win. I hated losing. | 0:04:08 | 0:04:10 | |
Whatever the task is, I'll put myself forward and make sure we win. | 0:04:10 | 0:04:15 | |
Marylebone Town Hall, | 0:04:18 | 0:04:21 | |
each year home to hundreds of weddings. | 0:04:21 | 0:04:24 | |
Good morning. ALL REPLY | 0:04:54 | 0:04:56 | |
Welcome to the Old Marylebone Town Hall. | 0:04:56 | 0:05:00 | |
This is, by far, the busiest registry office in London. | 0:05:00 | 0:05:05 | |
Your task today is based upon the theme of getting people together. | 0:05:05 | 0:05:10 | |
In the last ten years, the online dating industry has exploded. | 0:05:10 | 0:05:17 | |
Over £1.5 billion worldwide is spent on these websites. | 0:05:17 | 0:05:22 | |
What I want you to do is to come up with an online dating concept | 0:05:22 | 0:05:27 | |
and create an advertising campaign. In a few days' time, you are going to present your website, | 0:05:27 | 0:05:33 | |
your television advertising campaign, to a bunch of experts I've laid on. | 0:05:33 | 0:05:38 | |
But I will decide which overall campaign is the best. | 0:05:38 | 0:05:42 | |
And in the losing team one of you will be fired. | 0:05:42 | 0:05:47 | |
There's a need for us to balance the teams up here a little bit, | 0:05:47 | 0:05:51 | |
so Jordan move over to Endeavour. | 0:05:51 | 0:05:54 | |
So I'll see you back in the boardroom in a few days' time. Good luck. Off you go. | 0:05:57 | 0:06:05 | |
Two days to create an online dating concept with an original ad campaign. | 0:06:06 | 0:06:11 | |
-The first time I ever saw a picture of my wife was online. -Yeah? -But it wasn't on a dating site. | 0:06:15 | 0:06:21 | |
-I've never done online dating. I just couldn't...I don't think... -You think it's for losers! | 0:06:25 | 0:06:31 | |
-Why? Have you done it? -Yeah! | 0:06:34 | 0:06:37 | |
Some people are gay, some people are lesbian, some people are heterosexual. | 0:06:37 | 0:06:43 | |
There are so many variants of people's sexuality, | 0:06:43 | 0:06:48 | |
we need to make sure that we get all these people in. | 0:06:48 | 0:06:51 | |
-Within reason. -Oh, yeah. | 0:06:51 | 0:06:54 | |
Don't worry. I don't think we'll have any 50 Shades of Grey nonsense! But I'm Christian Grey of the Valleys. | 0:06:54 | 0:07:00 | |
9.30am. | 0:07:03 | 0:07:05 | |
Farringdon. | 0:07:05 | 0:07:07 | |
Base for both teams, advertising agency Karmarama. | 0:07:11 | 0:07:16 | |
First job, pick project managers. | 0:07:16 | 0:07:20 | |
What Lord Sugar didn't mention is that I've headed a dating website before. | 0:07:20 | 0:07:26 | |
Flirting with the role of leader, Jason. | 0:07:26 | 0:07:29 | |
-I was Cupid. -You were Mr Cupid? -That was my "nickname" on the website. -I'm shocked! | 0:07:29 | 0:07:35 | |
-It was a student website. -For dating? That you ran? -That I ran. | 0:07:35 | 0:07:39 | |
-You're keen to be project manager? -Definitely. -You believe you can do this? -Of course. We're all doing it. | 0:07:39 | 0:07:46 | |
If you believe you're the right person, then you should do it. | 0:07:46 | 0:07:51 | |
-Yet to run a team... -I'm really happy to put myself forward on this. -..Alex. | 0:07:52 | 0:07:58 | |
-I've got experience in graphic design, websites and using dating websites. -I'll put myself forward. | 0:07:58 | 0:08:05 | |
I don't have quite as much experience in creating the websites themselves, | 0:08:05 | 0:08:10 | |
but I'd get everyone working to their strengths... | 0:08:10 | 0:08:14 | |
-I think we need a business strategy. So I'll put myself forward. -That's all right. | 0:08:14 | 0:08:20 | |
Em, I think you'll be really strong on graphic design, but overall you have a more broad sense of it. | 0:08:20 | 0:08:27 | |
I feel like that, too. | 0:08:27 | 0:08:30 | |
-You happy with that? -Well, not really. Let's just get on with it. -Cool. | 0:08:30 | 0:08:35 | |
I think we need to discuss the target market. | 0:08:35 | 0:08:39 | |
-Does anyone want to kick off? -I definitely think young professionals. -I second that. | 0:08:39 | 0:08:44 | |
I'm with you on that. 'My gameplan is to coax the best out of other people' | 0:08:44 | 0:08:50 | |
and make sure from a 50,000-foot view there's a clear theme throughout the entire campaign. | 0:08:50 | 0:08:56 | |
All integrated with a clear theme. | 0:08:56 | 0:08:59 | |
I think Alex is really strong on the web and text side. You two go nicely working on market research. | 0:08:59 | 0:09:06 | |
-- Perfect. -Well done. -- Good luck, guys. | 0:09:06 | 0:09:09 | |
-Our job is to come up with the name, logo and strapline. -Simple. | 0:09:11 | 0:09:16 | |
50 Shades of Work. | 0:09:16 | 0:09:18 | |
-Also deciding who to woo... -It's critical. -..Jason's team. | 0:09:18 | 0:09:23 | |
-I like the idea of the over 50s. -I'm swaying towards over 50s. | 0:09:23 | 0:09:27 | |
I'll put a spanner in the works. I'd steer away from mature because WE are our target market. | 0:09:27 | 0:09:34 | |
-It's something where we can differentiate ourselves. -I'm concerned we wouldn't get it. | 0:09:34 | 0:09:40 | |
My personal experience and knowledge is young professionals. | 0:09:40 | 0:09:44 | |
None of us sitting here can relate to a mature over 50. | 0:09:44 | 0:09:48 | |
It's not an old age club. Get that idea out of your head. | 0:09:48 | 0:09:53 | |
The key is to bring passion, vigour, excitement into mature over 50s. | 0:09:53 | 0:09:58 | |
-That's essentially what we want to do. -It's such a risk. | 0:09:58 | 0:10:03 | |
The City. | 0:10:06 | 0:10:08 | |
-Chatting up young professionals... -Do you have any online dating experience? -..Leah. | 0:10:08 | 0:10:15 | |
I went on two scary dates and it put me off. | 0:10:15 | 0:10:19 | |
-And snapping perfect partners for the website... -Excuse me, sir. -..marketing man Myles. | 0:10:19 | 0:10:23 | |
We have to do a quick pitch to an advertising agency and include photos of couples. | 0:10:23 | 0:10:29 | |
-I'm thinking you and her would look great. -Sure. -Perfect. | 0:10:29 | 0:10:33 | |
-It'll be fine. You look at me. -Right, right, right. | 0:10:34 | 0:10:39 | |
A bit of hand contact, too. | 0:10:39 | 0:10:42 | |
-Maybe if you could put your arms on his shoulders as if you're going to kiss him. -Bloody hell! | 0:10:42 | 0:10:48 | |
-Could you look a bit more wooden? -What?! | 0:10:49 | 0:10:52 | |
You want to stick with the over 50s? | 0:10:52 | 0:10:54 | |
-On the other team... -We have to relate to this. -..working on ways to seduce silver-haired singles, | 0:10:54 | 0:11:00 | |
-Luisa and project manager Jason. -Do we want the website to be timeless, elegant, classic? | 0:11:00 | 0:11:08 | |
-Em... -Or cheeky, fun and a little bit on the line? | 0:11:08 | 0:11:14 | |
-We want it very young, very vibrant. -OK. -How about something like Love Ignition? -That's so cringe. | 0:11:14 | 0:11:20 | |
PHONE RINGS | 0:11:20 | 0:11:21 | |
-Hi, guys. -Hiya! You OK? | 0:11:21 | 0:11:25 | |
-Have you had any feedback yet? -We're just about to go in now. | 0:11:25 | 0:11:30 | |
We need to identify do they like something traditional or something a bit cheeky and contemporary. | 0:11:30 | 0:11:36 | |
-OK. -OK, go. | 0:11:36 | 0:11:38 | |
Taking the pulse of the over 50s, Neil and Francesca. | 0:11:38 | 0:11:43 | |
You don't want to make it too cheeky, like a younger website. | 0:11:43 | 0:11:48 | |
Stress the romance and that it's a safe site. | 0:11:48 | 0:11:52 | |
So less tongue in cheek, a bit more class? | 0:11:52 | 0:11:55 | |
Friendship and flowers? That kind of feeling? | 0:11:55 | 0:11:59 | |
-Friendship and flowers... -Friendship goes on to flowers. -Exactly. -OK. | 0:11:59 | 0:12:04 | |
That's brilliant. | 0:12:06 | 0:12:08 | |
Back at the agency, the other team brainstorming ideas... | 0:12:08 | 0:12:13 | |
-I like a site empowering the woman. -Right. -..project manager Jordan and Alex. | 0:12:13 | 0:12:20 | |
'This whole idea of being a woman in power who sits on a throne and picks off men | 0:12:20 | 0:12:26 | |
-'is just the wrong idea.' -I'm a woman who works really long hours in the City. | 0:12:26 | 0:12:32 | |
I don't want to go out to a bar and sit and wait for men. | 0:12:32 | 0:12:36 | |
I want to go onto a website and choose people because I am a strong, sexually-liberated | 0:12:36 | 0:12:42 | |
-and high-powered woman. -When men do it, it's buying a wife from Russia! | 0:12:42 | 0:12:46 | |
Em...we need to think now, OK? | 0:12:46 | 0:12:49 | |
Like some girls love to have a man in a suit. | 0:12:51 | 0:12:55 | |
OK, so business and date. | 0:12:55 | 0:12:58 | |
-Cufflinks. -There's a good word! Now I'm liking you, Alex. -'Cufflinks, cufflinks.' | 0:12:58 | 0:13:04 | |
You need two, just like a relationship. | 0:13:04 | 0:13:06 | |
Put a big red box behind there. 'It's about relationship and business links.' | 0:13:06 | 0:13:12 | |
That is the whole market. | 0:13:12 | 0:13:14 | |
-I'm happy. It looks strong, clear. -We've got a brand there, a niche. We just need to stick to it. | 0:13:14 | 0:13:20 | |
-Yeah. -Happy with that. | 0:13:20 | 0:13:22 | |
OK, job done. | 0:13:22 | 0:13:24 | |
Lunchtime. | 0:13:26 | 0:13:28 | |
-Still trying to figure out the over 50s... -Hello? | 0:13:30 | 0:13:34 | |
-You all right? -..Jason's team. | 0:13:34 | 0:13:38 | |
The main thing we've got from it is they don't want anything cheeky. | 0:13:38 | 0:13:42 | |
They want the name like Friendship and Flowers. If you can go with Friendship and Flowers, | 0:13:42 | 0:13:48 | |
it describes what we're trying to do. You can start as friends, | 0:13:48 | 0:13:52 | |
then it can build into romance where the man buys flowers. | 0:13:52 | 0:13:57 | |
-Thank you. -Bye! | 0:13:57 | 0:13:59 | |
I hate it, but the focus group suggested it and I think we'd be silly not to go with something | 0:13:59 | 0:14:05 | |
that a focus group has suggested. They are the age, they are the target market. | 0:14:05 | 0:14:11 | |
'We were going with this idea of energy, vigour, excitement and we've been thrown a curveball.' | 0:14:11 | 0:14:17 | |
Luisa and I have to adapt and change the whole idea, really, | 0:14:17 | 0:14:23 | |
to something which is much more drab than we intended. | 0:14:23 | 0:14:28 | |
Are you happy to go with Friendship and Flowers, Budding Friendships and Romance for the Over 50s? | 0:14:28 | 0:14:34 | |
If that's what they want, that's what they want. | 0:14:35 | 0:14:39 | |
2.30pm. | 0:14:41 | 0:14:43 | |
We're going to be going into the web design agency very soon. | 0:14:43 | 0:14:47 | |
-Where are you at with the name? -We went with Cufflinks. -Well... So you have Cufflinks? | 0:14:47 | 0:14:55 | |
-Do women wear cufflinks? I don't. -It's quite masculine. -Very masculine. | 0:14:55 | 0:15:00 | |
-The logo looks very professional. -It looks really good, guys. | 0:15:00 | 0:15:04 | |
OK, bye-bye. | 0:15:04 | 0:15:05 | |
-As a name, Cufflinks says to me "male fashion outlet", as opposed to a dating website. -I totally agree. | 0:15:05 | 0:15:12 | |
At the agency... | 0:15:17 | 0:15:19 | |
What do you think, Luisa? | 0:15:19 | 0:15:21 | |
Behind on Friendship and Flowers, Jason with Luisa. | 0:15:21 | 0:15:26 | |
Why are you hesitating? We have to make a decision and go or we'll get absolutely nothing done. | 0:15:26 | 0:15:33 | |
-What about the lightest purple? -Jason, we really have to make a decision. Make a decision. | 0:15:33 | 0:15:39 | |
-Don't you think that's brighter? -We're an hour over our deadline. We've got a website to create. | 0:15:39 | 0:15:45 | |
-Make a decision, stick with it. -Give me a couple of oranges and yellows for flowers. | 0:15:45 | 0:15:50 | |
-You just have to make a decision and go with it. -I don't like that, so I want a little bit more time. | 0:15:50 | 0:15:57 | |
-OK. -And what about...can we have the flowers in really bright yellow? | 0:15:57 | 0:16:02 | |
-You've just made it look worse. -Can we try black and white so it's got a border of black... | 0:16:03 | 0:16:09 | |
-This is absolutely ridiculous. -It looks like a funeral parlour. -I've got a headache because of you. | 0:16:09 | 0:16:17 | |
Unless we have it... Friendship and Flowers in green? | 0:16:17 | 0:16:20 | |
OK, we're going. We're going because we have to go. | 0:16:21 | 0:16:25 | |
I find it really frustrating working with you when you cannot decide. | 0:16:26 | 0:16:31 | |
-You can't spend 45 minutes deciding colours and you've come up with some bloody grandma thing! -I have?! | 0:16:31 | 0:16:39 | |
-As if you're a bystander in this. -I was against this from the start. I hate the over 50s. | 0:16:39 | 0:16:45 | |
-I stick to a decision once I think it's a good decision. -But you can't take three hours. | 0:16:45 | 0:16:50 | |
-My point is that you can't take three hours. -Maybe on a design task I shouldn't have been PM. | 0:16:50 | 0:16:57 | |
Maybe that's a good point. | 0:16:57 | 0:16:59 | |
6pm. | 0:17:17 | 0:17:19 | |
A website design agency. | 0:17:19 | 0:17:22 | |
-I'd like that... -Inventing lonely lovers for Cufflinks, Jordan and Alex. | 0:17:22 | 0:17:28 | |
-Can we change the occupation from international spy? -I want to be an international spy. | 0:17:28 | 0:17:34 | |
It's for serious business people. What is your job? Marketing? Media? | 0:17:34 | 0:17:38 | |
-Business development manager. -Occupation: business development manager. -It's more fun being a spy. | 0:17:38 | 0:17:44 | |
I know, but come on, man. | 0:17:44 | 0:17:47 | |
They picked young professionals between 20 and 30. Young people | 0:17:47 | 0:17:52 | |
who want dating to be fun. | 0:17:52 | 0:17:54 | |
Yet their website is incredibly corporate, very sterile. It doesn't say, "Come here for a load of fun." | 0:17:54 | 0:18:02 | |
-# -Cufflinks for lovers in suits! -# | 0:18:03 | 0:18:06 | |
-Two hours late for their web designer... -I'm Lucy. Nice to meet you. | 0:18:06 | 0:18:11 | |
..Jason and Luisa. | 0:18:11 | 0:18:14 | |
-We've got an hour and a half. -What do you want me to do? -What do you want ME to do? | 0:18:14 | 0:18:21 | |
The thing is, you are such a very decisive person and maybe we need you to make these... | 0:18:21 | 0:18:27 | |
to push forward and I'll oversee it. | 0:18:27 | 0:18:30 | |
-OK, I'll lead this with Lucy. -Lead this with Lucy and...and... and...sort it. | 0:18:30 | 0:18:36 | |
Jason has no idea. He's so out of his depth. | 0:18:36 | 0:18:40 | |
-'We've only got a little bit of time and we won't finish the website.' -Bring it together and then two... | 0:18:40 | 0:18:48 | |
'I may seem quite aggressive and pushy with him, but he has to step up.' | 0:18:49 | 0:18:55 | |
I feel like I am PM on this task, but I'm not PM. I'm going to ask him, "Do you want me to take over?" | 0:18:55 | 0:19:01 | |
9pm. | 0:19:05 | 0:19:07 | |
-Let's talk about ideas for the advert. -You could have a disaster date from start to finish. | 0:19:08 | 0:19:14 | |
The girl's reading out the profile of who she's going to meet and then whoever turns up | 0:19:14 | 0:19:20 | |
-is a total Herbert. -Do you want an ugly person actor? | 0:19:20 | 0:19:24 | |
-We've actually had some ideas. -Right, there's three options. | 0:19:24 | 0:19:28 | |
I'm the old bloke who pretends he's way younger, you're the 6 foot 6 strapping guy | 0:19:28 | 0:19:34 | |
and you're just the classic James Bond good looks. | 0:19:34 | 0:19:38 | |
What happened? How come you didn't get it done? | 0:19:56 | 0:20:00 | |
-There was just a hell of a lot to do. -Think the others got theirs done? -Yeah. | 0:20:00 | 0:20:06 | |
-That's what I can't understand. How have we not got it done? -There was a lot of...time wasted. | 0:20:08 | 0:20:15 | |
I was just trying to get the colours right, to get the branding right. | 0:20:15 | 0:20:19 | |
-This logo is going to go on everything. -But we've no website. I don't understand what's gone on. | 0:20:19 | 0:20:26 | |
There was a point, Jason, where you just said, "You do it." | 0:20:26 | 0:20:30 | |
-But, guys, we're just spending so much time... -It's worth it if, come tomorrow, we get more things wrong. | 0:20:30 | 0:20:38 | |
I'm in a nest of vipers. | 0:20:39 | 0:20:41 | |
Everybody here has... blood on their lips. | 0:20:41 | 0:20:46 | |
I think that Jason needs to make a decision whether he continues to be project manager. | 0:20:47 | 0:20:54 | |
-I've never heard anything like this in my life. -Or whether we all pull together as a team | 0:20:54 | 0:20:59 | |
and you make clearer decisions. | 0:20:59 | 0:21:01 | |
-You can't change project manager. -Yes, you can. -Am I hearing this?! | 0:21:01 | 0:21:06 | |
The team and the victory is the first and most important thing. | 0:21:06 | 0:21:10 | |
Luisa does have that commanding voice. | 0:21:10 | 0:21:14 | |
I've had enough. Is Jason staying as project manager or not? Francesca? | 0:21:14 | 0:21:20 | |
-If Jason's not 100% into it... -Right. -..let her do it. I'm sorry. | 0:21:20 | 0:21:24 | |
-I would like to be project manager. -Jason... | 0:21:25 | 0:21:29 | |
I think you've lost it. | 0:21:29 | 0:21:31 | |
Job done. Luisa, you're project manager from here on in. | 0:21:33 | 0:21:37 | |
'Sometimes the best leadership' | 0:21:37 | 0:21:40 | |
is about stepping down. Sometimes it involves very hard decisions, | 0:21:40 | 0:21:44 | |
decisions where you do... lose face. | 0:21:44 | 0:21:48 | |
For the benefit of the team. | 0:21:48 | 0:21:50 | |
9am. | 0:21:58 | 0:22:00 | |
Today both teams must produce TV adverts and poster campaigns. | 0:22:00 | 0:22:05 | |
-Can we just agree that we're not going to go round in circles? -No, you're PM. I get to shut up now. | 0:22:06 | 0:22:12 | |
Laying down the law, Jason's new project manager, Luisa. | 0:22:12 | 0:22:17 | |
-We are going to design a bust-up advert. -OK. | 0:22:17 | 0:22:20 | |
-This is our website. -Right. -Start off with that green background | 0:22:20 | 0:22:24 | |
and then we can put our logo in. | 0:22:24 | 0:22:28 | |
I really, really hope that after that extremely bold move of mine | 0:22:28 | 0:22:33 | |
to pass on the mantle to Lu, I just hope we come together and Lu brings unity where I evidently failed. | 0:22:33 | 0:22:41 | |
-I just want to say "Log on now to meet new people" and "One month free trial". -OK. | 0:22:41 | 0:22:48 | |
On the other team, | 0:22:52 | 0:22:54 | |
polling young professionals... | 0:22:54 | 0:22:57 | |
We've created a concept to pitch to advertisers and want feedback. | 0:22:57 | 0:23:01 | |
-..Jordan, Myles... -It's about linking people together. -..and Cufflinks. | 0:23:01 | 0:23:07 | |
-Be honest. Do you like it? -Em... To be honest, I think it's a bit boring. | 0:23:07 | 0:23:13 | |
It doesn't stand out. It's like a corporate website. | 0:23:13 | 0:23:16 | |
In terms of imagery, it's corporate. | 0:23:16 | 0:23:20 | |
I think the website doesn't come across as having any passion, fun. | 0:23:20 | 0:23:24 | |
-What are your thoughts on the colouring, branding? -Er... | 0:23:24 | 0:23:28 | |
It's any old corporate website. I think the challenge for today is to make sure the TV advert | 0:23:28 | 0:23:34 | |
injects something engaging into it. | 0:23:34 | 0:23:36 | |
-You must be our camera crew? -On location and ready to roll, Leah and Alex. | 0:23:36 | 0:23:42 | |
I did a little photography and video editing, so I have some ideas. I'll be doing some acting as well. | 0:23:42 | 0:23:49 | |
I'm quite a visionary person, so as far as directing and editing, | 0:23:49 | 0:23:54 | |
my previous skills will really come to light today. | 0:23:54 | 0:23:58 | |
-What's the storyline? -OK, Rebecca is a young, busy professional running late for her online date. | 0:23:58 | 0:24:04 | |
I'm playing a bad date before she meets Prince Charming. | 0:24:04 | 0:24:08 | |
Oh, yeah. Looking good. | 0:24:11 | 0:24:14 | |
Hi. I'm Herbert. | 0:24:15 | 0:24:18 | |
Hello, mademoiselle. Come on. Focus on the eyes. | 0:24:18 | 0:24:22 | |
-One, two, three, action! -I have really high hopes for this one. | 0:24:23 | 0:24:28 | |
No, no, it totally went wrong. This is wrong. | 0:24:28 | 0:24:32 | |
On the other team, | 0:24:34 | 0:24:36 | |
-and working as one, Neil... -I'm following your lead. -..and Francesca. | 0:24:36 | 0:24:42 | |
-Big smile. -Remember, he's picked you from hundreds of beautiful women on the website. | 0:24:42 | 0:24:48 | |
-Am I not allowed to say, "Action"? -Yeah, definitely. | 0:24:48 | 0:24:51 | |
Yesterday, I watched the disintegration of Evolve. | 0:24:51 | 0:24:54 | |
-Quiet, please. Three, two, one. -Action. | 0:24:54 | 0:24:57 | |
-Hi, Simon. -You look just like your profile. | 0:24:57 | 0:25:01 | |
'After Jason abdicated, things have settled down.' | 0:25:01 | 0:25:06 | |
-Just a little bit more animated. -'Francesca's happy, Neil's happy.' | 0:25:06 | 0:25:10 | |
-Lovely. Here we go. This time. Three, two, one... -'Now they finish each other's sentences!' | 0:25:10 | 0:25:16 | |
-Action. -Three, two, one... -Action. | 0:25:16 | 0:25:21 | |
-Three, two, one... -Action. -Lovely. Thank you. -Guys, well done, everyone. | 0:25:21 | 0:25:27 | |
Back on the Cufflinks shoot... | 0:25:27 | 0:25:29 | |
-If you can swivel the camera, I was thinking of that. -Can you put it back? | 0:25:29 | 0:25:35 | |
-..relationships are falling apart. -Right, as you were. | 0:25:35 | 0:25:39 | |
-We don't need them meeting. -I think we do. -We don't. -Can we try one more? | 0:25:39 | 0:25:45 | |
There's two directors here. We've probably shot a usable five seconds of an advert. | 0:25:45 | 0:25:51 | |
We need to do this in five minutes. | 0:25:51 | 0:25:54 | |
- It's mayhem. - Try to keep your head still. Sometimes your hair is in the way. | 0:25:54 | 0:25:59 | |
I don't mind your hair. It's fine. | 0:25:59 | 0:26:01 | |
Action. | 0:26:01 | 0:26:03 | |
'Simon and Pam?' | 0:26:04 | 0:26:07 | |
-Shooting their final scene... -I'd love one that's just a little bit of a wink. | 0:26:07 | 0:26:14 | |
-..for Neil and Francesca, a happy ending. -Three, two, one. -Action! | 0:26:14 | 0:26:21 | |
'Market research said not cheeky, classy, professional.' | 0:26:21 | 0:26:25 | |
They've come up with a mumsy... cosy...huggy sort of thing. | 0:26:25 | 0:26:30 | |
This is my age group. | 0:26:30 | 0:26:33 | |
Smile. | 0:26:33 | 0:26:35 | |
I'd run a mile! | 0:26:35 | 0:26:37 | |
-Well done, everyone! -Yeah, thank you! | 0:26:37 | 0:26:41 | |
At the agency, for Jordan and Myles... | 0:26:45 | 0:26:49 | |
-So what's the thinking behind this? -..Alex as Herbert. | 0:26:49 | 0:26:55 | |
Just delete that one. He looks an idiot. | 0:26:55 | 0:26:58 | |
I think that's already devalued the character. | 0:26:58 | 0:27:02 | |
It's gone panto. | 0:27:02 | 0:27:05 | |
The risk with Alex is always that he puts his own spin on it and ends up a distance from the brief. | 0:27:05 | 0:27:11 | |
That would give you nightmares. | 0:27:11 | 0:27:14 | |
I'm worried. I don't know where we'll end up. | 0:27:14 | 0:27:19 | |
8.30pm. | 0:27:22 | 0:27:24 | |
One half of each team put finishing touches to their ads... | 0:27:24 | 0:27:29 | |
We can cut the vocal there. | 0:27:29 | 0:27:32 | |
OK, if we look at the shots now of me playing Herbert... | 0:27:32 | 0:27:36 | |
The next thing is revenue model. | 0:27:37 | 0:27:40 | |
-..while the rest put passion into their pitches. -Let's see if we can bash out the USP stuff. | 0:27:40 | 0:27:47 | |
I'm delighted that Jordan decided to let me run the pitch. | 0:27:47 | 0:27:50 | |
Slightly surprised. He's ended up not leading either the video or this side of things. Not really sure why. | 0:27:50 | 0:27:56 | |
We can stand up with an element of credibility. I hope the video supports that. | 0:27:56 | 0:28:02 | |
I think we'll be pleasantly surprised. | 0:28:02 | 0:28:06 | |
I found friendship and romance. Join today for one month's free trial. | 0:28:08 | 0:28:13 | |
-I'm really happy. -I'm proud of it. | 0:28:15 | 0:28:17 | |
Brilliant job. Really good. Well done. | 0:28:17 | 0:28:21 | |
-I was really concerned it would be boring. -The wink will be memorable. They'll love that...or hate it. | 0:28:21 | 0:28:28 | |
And it's tongue in cheek, it's fun, it's memorable. | 0:28:28 | 0:28:31 | |
I'd almost say it's flawless. | 0:28:31 | 0:28:34 | |
-What do we do about this pitch? -You guys made me PM for a reason. | 0:28:34 | 0:28:38 | |
I can identify whose skills are best. | 0:28:38 | 0:28:41 | |
Neil, pitching-wise, I'm very strong and have had some great feedback. | 0:28:41 | 0:28:45 | |
I don't want to get into an argument about it. You have the final say, | 0:28:45 | 0:28:50 | |
but in terms of what I can do best on this task, it's that pitch. | 0:28:50 | 0:28:56 | |
'You know, for once,' | 0:28:56 | 0:28:58 | |
Neil is not going to get his way. | 0:28:58 | 0:29:01 | |
All I ask is you sleep on it, you wake up fresh and make the final call. | 0:29:01 | 0:29:06 | |
I'll tell him I'm doing the pitch and he will be fully on board and support me. | 0:29:06 | 0:29:11 | |
-Let's go. -Cool. Well done, guys. | 0:29:11 | 0:29:15 | |
'I'm running so late for my online date. The office was so busy. | 0:29:15 | 0:29:20 | |
'I have high hopes for this one.' | 0:29:20 | 0:29:23 | |
-Hi, I'm Herbert. -Are you a young professional? | 0:29:23 | 0:29:27 | |
Fed up with dating life's Herberts? | 0:29:27 | 0:29:30 | |
Join Cufflinks, for people who don't have time for bad dates. | 0:29:30 | 0:29:34 | |
What do you think overall? Does it work with what you've done today? | 0:29:36 | 0:29:41 | |
In all honesty, I'm not blown away with it. | 0:29:41 | 0:29:45 | |
It's verging slightly on silly. I've got to pitch this to some pretty serious people. I've got concerns. | 0:29:45 | 0:29:51 | |
8am. | 0:30:08 | 0:30:09 | |
Today both teams must pitch their online dating concepts to a panel of experts. | 0:30:11 | 0:30:17 | |
Waiting at the agency, advertising execs, | 0:30:24 | 0:30:29 | |
plus industry experts from market leaders eHarmony and Global Personals web design. | 0:30:29 | 0:30:36 | |
-Hi. -First in, for the over 50s, Luisa. | 0:30:38 | 0:30:42 | |
Hello, everybody. | 0:30:42 | 0:30:44 | |
I'm really, really excited to be here and present to you Friendship and Flowers. | 0:30:44 | 0:30:50 | |
Budding friendships and romance for the over 50s. | 0:30:50 | 0:30:54 | |
If we now look at the website we've designed, obviously this is a work in progress developing site. | 0:30:54 | 0:31:01 | |
It's not yet finished. | 0:31:01 | 0:31:03 | |
I'd love to show you now our TV advert that we've created. | 0:31:04 | 0:31:10 | |
Friendship and Flowers. The perfect way to meet new people and share interests with budding friends. | 0:31:10 | 0:31:17 | |
Whether you're looking for friendship or romance, our easy-to-use website for the over 50s | 0:31:17 | 0:31:23 | |
is the perfect way to let friendship grow roots and romance blossom. | 0:31:23 | 0:31:28 | |
-Who would have thought friendship... -And flowers. -..could have brought us together. | 0:31:28 | 0:31:33 | |
I found friendship AND romance. Join today for one month's free trial. | 0:31:35 | 0:31:42 | |
The problem I think I've got with this is you've been too safe. | 0:31:43 | 0:31:48 | |
If I'm honest, you've been a bit patronising. 50 is the new 30. | 0:31:48 | 0:31:52 | |
It's not that far away for us. You've positioned it at 80-plus. It could be a funeral parlour. | 0:31:52 | 0:31:59 | |
-And the wink made me cringe. -These guys went to the market research and we were quite shocked | 0:31:59 | 0:32:07 | |
-at what came back. -Sometimes when you do what they want you to do, you end up with what they gave you. | 0:32:07 | 0:32:14 | |
It becomes a little bit too bland and too safe. | 0:32:14 | 0:32:18 | |
My only concern is the poor website you've created. | 0:32:18 | 0:32:23 | |
We... We didn't get to fully show you that. | 0:32:23 | 0:32:26 | |
That was...obviously unfinished and still being developed. | 0:32:26 | 0:32:31 | |
I was concerned we listened to the focus groups too much. | 0:32:34 | 0:32:38 | |
It's not a market we know. We had to listen to someone. | 0:32:38 | 0:32:42 | |
Next, Myles and Cufflinks. | 0:32:44 | 0:32:47 | |
We've come up with Cufflinks - for people who don't have time for bad dates. | 0:32:53 | 0:32:59 | |
Here's our homepage. We wanted it to be functional, easy to use. | 0:32:59 | 0:33:03 | |
We've created a character. He epitomises your bad date. Herbert. | 0:33:03 | 0:33:08 | |
He's very bold, he's very identifiable and he's really the face of what we're trying to achieve. | 0:33:08 | 0:33:14 | |
So I'll let you have a quick look at the video. | 0:33:14 | 0:33:18 | |
I'm running so late for my online date. That office was so busy. | 0:33:18 | 0:33:24 | |
I have really high hopes for this one. He sounds like my ideal date. | 0:33:24 | 0:33:29 | |
Hi. I'm Herbert. | 0:33:29 | 0:33:32 | |
Are you a young professional? Fed up of dating life's Herberts? | 0:33:32 | 0:33:36 | |
Join Cufflinks, the online dating website. | 0:33:36 | 0:33:41 | |
We offer video calls, we limit spam and we match couples through ideal dates. | 0:33:41 | 0:33:48 | |
Cufflinks - for people who don't have time for bad dates. | 0:33:48 | 0:33:53 | |
I'm interested in your understanding of young professionals and the name. There's a lot of them here | 0:33:57 | 0:34:04 | |
-and none are wearing cufflinks. -You think suit, you think business. | 0:34:04 | 0:34:08 | |
We understand that not everyone wears them, but you still get the idea of the kind of people on there. | 0:34:08 | 0:34:15 | |
Do you not think it's very masculine? | 0:34:15 | 0:34:18 | |
-The one question I do have is the advert. There's an absolute disconnect... -The TV advert? -Yeah. | 0:34:18 | 0:34:24 | |
..between the very serious, functional website and the advert. | 0:34:24 | 0:34:29 | |
-Well done. I thought it was really good. -Well done. -Well played, dude. | 0:34:33 | 0:34:38 | |
Pitches over. | 0:34:40 | 0:34:42 | |
Next date, the boardroom. | 0:34:43 | 0:34:46 | |
But first... feedback from the experts. | 0:34:48 | 0:34:53 | |
Hi, Lord Sugar. | 0:34:53 | 0:34:56 | |
I was really impressed with how they understood the psychology of online dating. | 0:34:56 | 0:35:01 | |
Good target market, but they missed the mark on the advertising. | 0:35:01 | 0:35:06 | |
OK. | 0:35:06 | 0:35:07 | |
There was absolutely no link whatsoever between the website and the advertising they created. | 0:35:08 | 0:35:15 | |
It seems kind of torn, so I suppose I've got a bit of a task myself to sort out. | 0:35:15 | 0:35:21 | |
You can go through to the boardroom now. | 0:35:28 | 0:35:32 | |
- Good afternoon. - Good afternoon, Lord Sugar. | 0:35:41 | 0:35:45 | |
Advertising. One of my favourite subjects. Although you pitched your adverts to the professionals, | 0:35:45 | 0:35:52 | |
ultimately, having taken on board what they've got to say, I'll decide which campaign is better. | 0:35:52 | 0:35:58 | |
Jordan, tell me how you got on. | 0:35:58 | 0:36:00 | |
Very well. I was straight in to put myself forward as project manager. | 0:36:00 | 0:36:05 | |
Alex also put himself forward. | 0:36:05 | 0:36:08 | |
It was interesting. Alex has used dating websites, had experience, but nobody would vote for you. | 0:36:08 | 0:36:15 | |
How come people don't have confidence in you? Do you know why? | 0:36:15 | 0:36:19 | |
- I don't, to be honest. - How did we get to Cufflinks? | 0:36:19 | 0:36:23 | |
We wanted something for young professionals. We wanted to play on our own experiences. | 0:36:23 | 0:36:29 | |
Cufflinks spoke to our target market. The word "links" referred to linking people together. | 0:36:29 | 0:36:36 | |
Right. Let's run the advert, shall we? | 0:36:36 | 0:36:40 | |
I'm running so late for my online date. The office was so busy. I have high hopes for this one. | 0:36:40 | 0:36:46 | |
Hi, I'm Herbert. | 0:36:46 | 0:36:49 | |
Are you a young professional? Fed up with dating life's Herberts? | 0:36:49 | 0:36:55 | |
Join Cufflinks - for people who don't have time for bad dates. | 0:36:55 | 0:36:59 | |
Hmm. Right. | 0:37:00 | 0:37:02 | |
You went down the humour route. | 0:37:02 | 0:37:05 | |
There's a lot to be said for it. There's a lot of humorous adverts. They must have been successful. | 0:37:05 | 0:37:11 | |
- You do remember the advert... - They certainly remember you in that advert, that's for sure. | 0:37:11 | 0:37:18 | |
-Can I have a look at the web page? This is the web page? -Yeah. | 0:37:18 | 0:37:23 | |
Before you did this website, had you got a clear idea in mind of what you were peddling? | 0:37:23 | 0:37:29 | |
-What is your story? -This gentleman, portrayed by Alex, characterises the bad date and what you avoid | 0:37:29 | 0:37:37 | |
-with typical online dating. -It sounds quite sensible, | 0:37:37 | 0:37:41 | |
but this looks quite serious, quite professional, and it hasn't got him there. | 0:37:41 | 0:37:48 | |
It's not co-ordinated. You need to carry the theme through. | 0:37:48 | 0:37:52 | |
-The website could be integrated better with the TV advertising. -With Herbert on it. | 0:37:52 | 0:37:58 | |
-But I think that's all it needs. -Hmm. | 0:37:58 | 0:38:01 | |
Jordan - good project manager? | 0:38:01 | 0:38:04 | |
-ALL: Yeah. -I'd say good delegator. | 0:38:04 | 0:38:07 | |
-Myles did the pitch, Alex the advert, Leah directed. -I got the best out of my team. | 0:38:07 | 0:38:14 | |
I've had some feedback that you tend to be the great statesman, but don't like to dirty your hands. | 0:38:14 | 0:38:20 | |
If and when you do choose me to be the winner of this process, I'd have to manage a team of people... | 0:38:20 | 0:38:26 | |
Before that occasion, I need to satisfy myself that you're not somebody | 0:38:26 | 0:38:31 | |
who cleverly stands back and lets someone else do the work. | 0:38:31 | 0:38:36 | |
Moving on to Team Evolve... Luisa, I see you sitting there in the project manager's position. | 0:38:36 | 0:38:44 | |
-I'm intrigued. Jason, you started out as the project manager? -I started out as the project manager. | 0:38:44 | 0:38:51 | |
-I was elected to be that. -Jason had run a dating website. | 0:38:51 | 0:38:55 | |
-At Oxford? -In Oxford. -The one where you were known as Mr Cupid? -Yes, I was. | 0:38:55 | 0:39:01 | |
-- So the obvious project manager. - Exactly. -So I put myself forward. | 0:39:01 | 0:39:06 | |
And...by the end of that day, confidence had fallen so low that I decided it would be better | 0:39:06 | 0:39:13 | |
-that Luisa take over. -That wasn't how it happened. | 0:39:13 | 0:39:16 | |
You buckled under the pressure, gave up, were not up for the job. | 0:39:16 | 0:39:20 | |
I'll tell you what happened cos I was there. Luisa nipped at his heels like a little terrier, | 0:39:20 | 0:39:27 | |
nipping the heels of a bewildered sheep, and drove him into a corner. | 0:39:27 | 0:39:32 | |
It was the most disgraceful display of bad manners I've seen in many a long day. | 0:39:32 | 0:39:37 | |
Jason took 45 minutes to decide colours on a logo that then ate into our website time. | 0:39:37 | 0:39:42 | |
-Were you not responsible as well? You can't blame him. -I'd already chosen the colours. | 0:39:42 | 0:39:48 | |
-He took 45 minutes. -Jason has a lot of responsibility... | 0:39:48 | 0:39:52 | |
Congratulations, because this is the first time we've had an abdication | 0:39:52 | 0:39:58 | |
in all the years that I've been in this boardroom. | 0:39:58 | 0:40:02 | |
It sounds like a bloody mess. | 0:40:02 | 0:40:04 | |
- Who worked on this website? - Jason and I went to the website. | 0:40:04 | 0:40:09 | |
-A ten-year-old could have made this. -It's a first draft. -This is not even finished. | 0:40:09 | 0:40:16 | |
-Where did you get this name? -From the market research. -At a funeral parlour?! | 0:40:16 | 0:40:21 | |
The problem with the over 50s was we didn't know the market and had to be led by our focus group. | 0:40:21 | 0:40:27 | |
-Some wanted friendship, some wanted romance. We wanted to meet everybody's needs. -Run the advert. | 0:40:27 | 0:40:34 | |
Friendship and Flowers. | 0:40:36 | 0:40:38 | |
The perfect way to meet new people and share your interest with friends. | 0:40:38 | 0:40:42 | |
Our easy-to-use website, dedicated to the over 50s, lets friendships grow roots and romance blossom. | 0:40:42 | 0:40:49 | |
-Who would have thought friendship... -And flowers. -..could have brought us together? | 0:40:49 | 0:40:56 | |
-Who directed the TV advert? -Francesca, with my support. | 0:41:00 | 0:41:04 | |
We worked really hard to get something that was fast-moving and showed the different elements... | 0:41:04 | 0:41:10 | |
That makes Last of the Summer Wine look like an action movie! | 0:41:10 | 0:41:15 | |
I normally ask, "Good project manager?" but I don't know who I'm asking about here. | 0:41:15 | 0:41:21 | |
I listened to the advisers and, to be honest with you, they are at sea a little bit. | 0:41:21 | 0:41:28 | |
They're torn about your concept. You've got some nutter in there being funny. | 0:41:28 | 0:41:35 | |
And funny adverts do pay off. | 0:41:36 | 0:41:40 | |
But where you failed miserably is the co-ordinating. It's a very good website, | 0:41:40 | 0:41:46 | |
but I'm looking at the overall thing and it's disjointed. | 0:41:46 | 0:41:51 | |
And on your campaign you picked the right market, | 0:41:52 | 0:41:56 | |
but your deployment of it... | 0:41:56 | 0:42:00 | |
They said this is boring, the wink is, like, cringeworthy, it's patronising. | 0:42:00 | 0:42:07 | |
The only thing I can say is it was a cohesive campaign. | 0:42:07 | 0:42:11 | |
I'm going to make a decision. | 0:42:13 | 0:42:16 | |
Because you were on the right track, I'm going to give you the benefit of the doubt. | 0:42:16 | 0:42:22 | |
Anyway, your treat, I'm going to send you to Mayfair. You're going to be sampling caviar. | 0:42:25 | 0:42:32 | |
-Off you go. Have a good time. And I'll see you on the next task. -Thank you, Lord Sugar. | 0:42:32 | 0:42:38 | |
What a mess. | 0:42:47 | 0:42:49 | |
An absolute, complete and utter mess. | 0:42:49 | 0:42:52 | |
Off you go. Come and see me later on and we'll discuss this further. | 0:42:52 | 0:42:58 | |
Hello. | 0:43:08 | 0:43:09 | |
-On the table now is £35,000-worth of caviar. -Wow! -So it's very expensive. | 0:43:09 | 0:43:15 | |
It's almost like...fishy pate. | 0:43:16 | 0:43:19 | |
Oh, yeah. | 0:43:19 | 0:43:21 | |
I thought Lord Sugar was a bit unfair. I was heavily involved in every part of this task, | 0:43:21 | 0:43:26 | |
but I was responsible for the total thing. | 0:43:26 | 0:43:29 | |
-So now you've tasted it, would you buy it? -I could get into this! | 0:43:29 | 0:43:33 | |
Here's to winning a great task. | 0:43:33 | 0:43:36 | |
'I think the easiest way to describe the performance is a joke. | 0:43:43 | 0:43:48 | |
'Jason wasted the first day, was a weak project manager, but Luisa was 50% responsible.' | 0:43:48 | 0:43:54 | |
Her neck is on the chopping board. | 0:43:54 | 0:43:56 | |
-I'm embarrassed to be a part of it. -But you ARE a part of it, Neil. -That's what I'm saying. | 0:43:56 | 0:44:02 | |
-Luisa, did I say... -Typical Neil. You shirk all responsibility. | 0:44:02 | 0:44:07 | |
I feel like I did the right thing for the greater good. I really do. | 0:44:07 | 0:44:12 | |
But maybe I should have sat back and let it fly. Would it have made a difference? No. | 0:44:12 | 0:44:18 | |
Perhaps we should have let you carry on? It's not your fault that we failed. | 0:44:18 | 0:44:23 | |
I'm sorry if you ever felt I intimidated you or bullied you. | 0:44:23 | 0:44:27 | |
'I do have guts and the decision I took to step down is gutsy in many ways.' | 0:44:27 | 0:44:32 | |
But we all have better to answer. | 0:44:32 | 0:44:35 | |
TELEPHONE RINGS 'Can you send them in, please? | 0:44:47 | 0:44:51 | |
You can go through to the boardroom now. | 0:44:51 | 0:44:55 | |
Who am I talking to here as project manager? | 0:45:05 | 0:45:09 | |
I suppose it's me AND Luisa. | 0:45:09 | 0:45:11 | |
Once you've chosen the over 50s, you wanted your advert to come across as cool over 50s. | 0:45:14 | 0:45:20 | |
-Yeah. -My words precisely were that the over 50s could be the same as the young professionals. | 0:45:20 | 0:45:26 | |
Why don't we take that fervour of young professionals and inject it into over 50s? | 0:45:26 | 0:45:32 | |
- Where did that go wrong? - The market research hated it. | 0:45:32 | 0:45:36 | |
So you followed the market research? | 0:45:36 | 0:45:39 | |
We had to. We don't know that market. | 0:45:39 | 0:45:41 | |
But you're entrepreneurs. You're putting yourself forward as my potential business partner. | 0:45:41 | 0:45:47 | |
You should be saying, "Thank you, market research people, but I don't agree with you." | 0:45:47 | 0:45:54 | |
- We should have gone with our gut. - Over 50s is a buzzing market. Lots of money there. | 0:45:54 | 0:46:00 | |
You just didn't do it properly. It was as if it was the over 70s! | 0:46:00 | 0:46:05 | |
-Yeah, yeah. -You're nodding, but you agreed it. -No, indeed. But I did that on misdirection. | 0:46:05 | 0:46:12 | |
Francesca and Neil should have said, "It's not right," and we would have gone with our original idea. | 0:46:12 | 0:46:19 | |
-So the failure was based on bad market research? -Bad market research. | 0:46:19 | 0:46:25 | |
The feedback we got was exactly what we gave across. | 0:46:25 | 0:46:29 | |
-Jason then thought, "These are things I wanted anyway..." -What? No! Not at all. | 0:46:29 | 0:46:34 | |
Our job was to get the market research. We're all responsible for what we came up with. | 0:46:34 | 0:46:42 | |
Let's talk about the TV advert that lost the attention of the advertising agency, | 0:46:42 | 0:46:48 | |
of the website experts and lost my attention. | 0:46:48 | 0:46:52 | |
That was pretty boring stuff. These over 50s, you portrayed them as sitting in God's waiting room. | 0:46:52 | 0:46:59 | |
It was very clear they wanted to keep it on brand and in keeping. | 0:46:59 | 0:47:03 | |
It's boring. That is boring. | 0:47:03 | 0:47:06 | |
Shall we move on? Why did you decide to give up the project manager's decision? | 0:47:06 | 0:47:12 | |
We had arrived at the website designers late, we hadn't had time to fully develop the website | 0:47:12 | 0:47:18 | |
and I put my hands up. That was my fault for not meeting that deadline. | 0:47:18 | 0:47:23 | |
Luisa, I think, was trying to be as helpful as she could be, but it wasn't helping me. | 0:47:23 | 0:47:30 | |
I felt that you were pushing me and trying to get me to hurry up, not in a constructive way. | 0:47:30 | 0:47:35 | |
-Just picture a scenario here and you're in charge... -Yeah. -..on the sinking Titanic ship. | 0:47:35 | 0:47:42 | |
- You can't give up, can you? No matter how much browbeating. - It felt like a sinking ship. | 0:47:42 | 0:47:49 | |
If I were in charge of the sinking ship, the women and children... | 0:47:49 | 0:47:54 | |
-All right, OK. -It's whoever can save the most souls best at that point in time. That was my rationale. | 0:47:54 | 0:48:00 | |
I'm trying to understand whether you were browbeaten by Luisa, browbeaten by Neil, | 0:48:00 | 0:48:07 | |
-two very powerful people. -It wasn't intimidation. | 0:48:07 | 0:48:11 | |
I felt if I were still project manager, we would still be arguing and it would be directed at me | 0:48:11 | 0:48:17 | |
and that would result in much more time wasted. We wouldn't have a chance to produce anything at all. | 0:48:17 | 0:48:23 | |
This is all personality stuff, this is all bad... | 0:48:23 | 0:48:27 | |
bad team management. I've got a bit of a dilemma now. | 0:48:27 | 0:48:31 | |
I've got two project managers here. So they've got to decide which one of you two is coming back, right? | 0:48:31 | 0:48:39 | |
Yeah, they can decide. Absolutely. | 0:48:39 | 0:48:41 | |
Jason, what is your feeling? | 0:48:43 | 0:48:46 | |
-In the same... -Don't let her browbeat you again. | 0:48:46 | 0:48:50 | |
Francesca was in charge of the video... | 0:48:50 | 0:48:54 | |
- I would disagree and go with Neil. - You can't even agree now! | 0:48:54 | 0:48:59 | |
I don't know who the project manager is... | 0:48:59 | 0:49:02 | |
-Hold on. You did a website. You didn't even finish it. -That's why I'm here. | 0:49:02 | 0:49:08 | |
I got the advert done, edited, music, voiceover done professionally, scripted by myself... | 0:49:08 | 0:49:15 | |
-And that was the problem, I suppose. -My input was a problem? You know what? Bring me back in. | 0:49:15 | 0:49:21 | |
Right, Neil, off you go. | 0:49:21 | 0:49:24 | |
I'm going to ask you to step outside. I need to talk to Nick and Karren. | 0:49:29 | 0:49:35 | |
This is a first. One project manager, two project managers. | 0:49:42 | 0:49:46 | |
Someone's abdicated. It's ridiculous. | 0:49:46 | 0:49:50 | |
-Luisa's very powerful. -In her defence, Jason tries to come across as a deep thinker. | 0:49:50 | 0:49:57 | |
-He's a ditherer. -I'm surprised Jason's brought Francesca back. | 0:49:57 | 0:50:02 | |
She was calm, collected. Maybe they're frightened of Neil. | 0:50:02 | 0:50:07 | |
-The question mark with Francesca is did she ask the right questions in the market research? -Mmm. | 0:50:07 | 0:50:13 | |
TELEPHONE RINGS Can you send the three of them in, please? | 0:50:15 | 0:50:20 | |
Lord Sugar will see you now. | 0:50:20 | 0:50:23 | |
Very unusual circumstances here. | 0:50:33 | 0:50:35 | |
I've got one and a half project managers and even then you can't agree who's coming back in. | 0:50:35 | 0:50:42 | |
You wanted Neil to come back in, you wanted Francesca. | 0:50:42 | 0:50:46 | |
Tell me then, Jason, what Francesca is doing here. | 0:50:46 | 0:50:51 | |
Francesca was creative director for the video, which you didn't like and also part of the focus group. | 0:50:51 | 0:50:58 | |
I feel perhaps Francesca should have interpreted that information... | 0:50:58 | 0:51:03 | |
-I delivered and finished a video for you. -The video, I think we have heard, didn't work. | 0:51:03 | 0:51:09 | |
The video was professionally done. It wasn't creative and fun because it was for over 50s, | 0:51:09 | 0:51:16 | |
-which you wanted. -Friendship and Flowers... -I'm in here... -..was your name, was it not? | 0:51:16 | 0:51:24 | |
I'm in here because you thought I'm less aggressive than Neil. | 0:51:24 | 0:51:29 | |
Like it or not, the market research changed his mind. | 0:51:29 | 0:51:32 | |
That's when it started to go pear-shaped and she is Friendship and Flowers. | 0:51:32 | 0:51:38 | |
Francesca and I don't always see eye to eye and I think we set off from the start on the wrong foot | 0:51:38 | 0:51:44 | |
with Friendship and Flowers that came from Francesca and Neil, but with regards to delivering | 0:51:44 | 0:51:50 | |
I think Francesca delivered... | 0:51:50 | 0:51:54 | |
-You don't think she should be fired? -I would have brought Neil back. | 0:51:54 | 0:51:59 | |
You're putting up a good story for Francesca, so who should be fired out of the two of you, then? | 0:51:59 | 0:52:05 | |
I believe I'm a stronger candidate than Jason and he should be fired. | 0:52:05 | 0:52:10 | |
On this task, I felt like I was in a sinking ship all day. | 0:52:10 | 0:52:14 | |
"You've got to lead our team! Stand up! Be a leader!" | 0:52:14 | 0:52:18 | |
-Are you a ditherer, Jason? -I'm a thinker, Lord Sugar. | 0:52:18 | 0:52:22 | |
-A thinker? -I do take longer to think about creative tasks. -So is it impatient people like Luisa | 0:52:22 | 0:52:30 | |
-and you need a bit more time? -She's like, "Go for it now." Instantly. | 0:52:30 | 0:52:34 | |
-In life, you have to make decisions! -Bad decisions quickly. -You'll never get anywhere. | 0:52:34 | 0:52:39 | |
I am impatient. I will put my hand up and say I'm an impatient person, but I do make decisions. | 0:52:39 | 0:52:46 | |
-Jason struggles to decide. -But he was the project manager. | 0:52:46 | 0:52:50 | |
-If left to his own devices... -It might have saved it. | 0:52:50 | 0:52:54 | |
-We'd have got nothing done. -How do you know? | 0:52:54 | 0:52:57 | |
He took 45 minutes to decide on the colours. I kept saying, "Unless we leave..." | 0:52:57 | 0:53:03 | |
-That's your opinion, that's you intimidating him. -So just let it ride? | 0:53:03 | 0:53:08 | |
We've all had difficult decisions. We've lost tasks, won tasks. | 0:53:08 | 0:53:12 | |
When you faced a hard time and a quick decision, you just went, "I can't do it." | 0:53:12 | 0:53:19 | |
I'll make a new set of rules here. OK? You shut up and you shut up. | 0:53:19 | 0:53:24 | |
-And you talk. -I think many people are actually seeking the limelight, | 0:53:24 | 0:53:31 | |
they want to put themselves in charge simply for the sake of impressing you | 0:53:31 | 0:53:37 | |
and they do not work for the benefit of the team. Essentially, if the team pulls together and wins, | 0:53:37 | 0:53:43 | |
-the team does not get fired. That is the fundamental rule of business, that teams work together... -Oh... | 0:53:43 | 0:53:49 | |
- What don't you understand about "shut up"? - Sorry. | 0:53:49 | 0:53:54 | |
-Francesca, you are now very clearly... -Annoyed! -..out for blood. | 0:53:54 | 0:53:58 | |
-There is... -You brought me in here for... Sorry. | 0:53:58 | 0:54:02 | |
Tell me then, Jason, why did you give up the project manager's position? | 0:54:02 | 0:54:07 | |
I stepped down voluntarily. I could have, when the other three said, "We have no confidence in you," | 0:54:07 | 0:54:13 | |
said, "Shut up! I'm PM. Nobody's ever stepped down and I'm going to run the roost | 0:54:13 | 0:54:20 | |
-"and who cares what happens?" -Why didn't you, then? | 0:54:20 | 0:54:23 | |
-I took the courageous decision... -That's courageous? -Courage comes in many forms. | 0:54:23 | 0:54:29 | |
Stepping down for the unity of the team is courageous. | 0:54:29 | 0:54:35 | |
I felt that the team needed to be rebalanced, so I agreed to Luisa, to balance the team, unify it, | 0:54:35 | 0:54:42 | |
-so that we could work forward. -Which we did. -In the wrong direction. -The direction set by you. | 0:54:42 | 0:54:49 | |
OK, listen, listen... | 0:54:49 | 0:54:51 | |
I don't want to hear any more. I'm done. I'm done. You listen to me now. | 0:54:51 | 0:54:57 | |
Francesca, I understand from Nick and from Karren | 0:54:57 | 0:55:02 | |
that you've been quite good up until now, but your advert, what a total mess. | 0:55:02 | 0:55:09 | |
Jason, last week I thought, "There you are, look at that. Jason's sold a caravan." | 0:55:12 | 0:55:19 | |
I thought you were coming through in this process | 0:55:19 | 0:55:23 | |
and I have to take a decision really and the decision here is that... | 0:55:23 | 0:55:28 | |
Luisa, I'm very, very concerned that we are going to have more problems with you. | 0:55:32 | 0:55:38 | |
-Can I... -No. -OK. | 0:55:38 | 0:55:41 | |
I feel that you browbeat this fellow here, that you wore him down. | 0:55:43 | 0:55:48 | |
That's what worries me about you. Are you somebody who doesn't get their own way immediately | 0:55:48 | 0:55:55 | |
so it's no good? | 0:55:55 | 0:55:58 | |
I can see how you wore him down. OK? You won't wear me down, I promise you. | 0:55:58 | 0:56:03 | |
Jason, | 0:56:04 | 0:56:05 | |
you're an academic, you've come here to chance your arm, | 0:56:05 | 0:56:10 | |
but I'm afraid to say that it's the end of the road, really. | 0:56:10 | 0:56:14 | |
-I do wish you very, very well because you're a very nice fellow. -Thank you very much, Lord Sugar. | 0:56:14 | 0:56:20 | |
And it is with regret that... you're fired. | 0:56:20 | 0:56:24 | |
Thank you very much. | 0:56:24 | 0:56:26 | |
-Just go back to the house, the pair of you. I don't want to see you here again. -You won't. | 0:56:38 | 0:56:43 | |
-- Go on, go back. - Thank you. -Thank you. | 0:56:43 | 0:56:47 | |
He's a nice fellow, Jason, but he got beaten up by Luisa. | 0:56:53 | 0:56:58 | |
Next week, I'd like to follow Luisa. I need to be clear in my own mind whether she's a strong businesswoman | 0:56:58 | 0:57:05 | |
or actually she'd just be too hard for you to handle. | 0:57:05 | 0:57:08 | |
We were reaching that stage where I'd have to go for blood. | 0:57:18 | 0:57:23 | |
Everybody is of a very high calibre and I just don't have that killer instinct. | 0:57:23 | 0:57:30 | |
Who was to blame for the mutiny? | 0:57:37 | 0:57:40 | |
Myself and Luisa got pulled up for being overpowering. | 0:57:40 | 0:57:45 | |
He's a nice guy, but he's got to go! | 0:57:45 | 0:57:48 | |
-Hello! -Here, darling. | 0:57:48 | 0:57:51 | |
-So what happened? -Jason absolutely deserved to go. | 0:57:52 | 0:57:56 | |
He took me in, but I was absolutely furious with him. | 0:57:56 | 0:58:02 | |
If he hasn't got the self-confidence and can't manage me and Luisa, then he's in the right place - at home. | 0:58:02 | 0:58:08 | |
-The Magnificent Seven! -Yeah. | 0:58:08 | 0:58:10 | |
Now seven remain. | 0:58:12 | 0:58:15 | |
Lord Sugar's search for his next business partner continues. | 0:58:15 | 0:58:20 | |
Next time: | 0:58:22 | 0:58:24 | |
Your task is to come up with your own ready meal. | 0:58:24 | 0:58:27 | |
I've been royally stitched up by my team members. | 0:58:27 | 0:58:31 | |
Would you get your mum and dad to buy that? | 0:58:31 | 0:58:35 | |
-Heated discussions. -There's no pow. | 0:58:35 | 0:58:39 | |
Luisa, keep stabbing me. | 0:58:39 | 0:58:42 | |
-And questions of taste. -You put me off with the packaging. | 0:58:42 | 0:58:46 | |
-In the boardroom: -Sometimes it's best to keep your mouth shut. You're fired. | 0:58:46 | 0:58:51 | |
Subtitles by Red Bee Media Ltd | 0:59:05 | 0:59:07 |