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Previously on The Celebrity Apprentice, Mr Trump decided to switch up the teams. | 0:00:02 | 0:00:06 | |
Brian's away at a concert, | 0:00:06 | 0:00:07 | |
and I'll make a determination next week where Brian's going. | 0:00:07 | 0:00:10 | |
The celebrities were tasked with creating | 0:00:10 | 0:00:12 | |
and shooting a viral video for All Small and Mighty detergent. | 0:00:12 | 0:00:16 | |
On Athena, project manager Melissa Rivers pushed the envelope. | 0:00:16 | 0:00:20 | |
I still like Jesse being scrubbed | 0:00:20 | 0:00:22 | |
by a bunch of little people in wetsuits. | 0:00:22 | 0:00:25 | |
-Scrub! -Action. | 0:00:25 | 0:00:27 | |
But over on KOTU, | 0:00:27 | 0:00:29 | |
project manager Clint Black took a different approach. | 0:00:29 | 0:00:33 | |
We can still do the dirty lingerie if you want to? | 0:00:33 | 0:00:36 | |
We're producing a fantasy of Clint's. | 0:00:36 | 0:00:38 | |
-And then ha, ha, ha, the guy -BEEP -off. It's just stupid. | 0:00:38 | 0:00:41 | |
During the editing process, Joan and Clint battled over the video. | 0:00:41 | 0:00:44 | |
If you'll stop talking, I'll tell you what the team does. | 0:00:44 | 0:00:47 | |
I hope we never see each other again when this is over. | 0:00:47 | 0:00:51 | |
In the boardroom, Mr Trump had a shocking verdict to deliver. | 0:00:51 | 0:00:55 | |
The executives all hated both videos. | 0:00:55 | 0:01:00 | |
Clint, Melissa, pick two people to come back into the boardroom. | 0:01:00 | 0:01:03 | |
I'm going to fire two people. Melissa, who are you going to pick? | 0:01:03 | 0:01:07 | |
We had discussed this earlier, and Tionne said, "I will stand by you." | 0:01:07 | 0:01:11 | |
-Which proved to be a mistake. -Tionne, you volunteered to come back. | 0:01:11 | 0:01:15 | |
You're fired. | 0:01:15 | 0:01:18 | |
-Never volunteer for execution. -Then it was KOTU's turn. | 0:01:18 | 0:01:22 | |
-Clint, who are you going to bring back in? -Khloe and Natalie. | 0:01:22 | 0:01:25 | |
Mr Trump had a question for Khloe. | 0:01:25 | 0:01:27 | |
I noticed last week you missed a task. Tell me where you were? | 0:01:27 | 0:01:32 | |
I have a DUI, and I have to take classes, | 0:01:32 | 0:01:34 | |
so he made me go to the coroner's office. | 0:01:34 | 0:01:36 | |
I hate people that drive under the influence, | 0:01:36 | 0:01:39 | |
and after seeing what happened to Dennis, | 0:01:39 | 0:01:42 | |
I can't sit here and do nothing. | 0:01:42 | 0:01:44 | |
Khloe, you're fired. | 0:01:44 | 0:01:45 | |
There was only one person who had anything to do with their video, | 0:01:52 | 0:01:56 | |
because he was king of the universe. | 0:01:56 | 0:01:58 | |
Ours, there was no question who was going to be fired. | 0:01:58 | 0:02:00 | |
What are you going to do if he doesn't fire Clint, Joan? | 0:02:00 | 0:02:03 | |
I will not work with him again. | 0:02:03 | 0:02:05 | |
-Wow! -Oh, my God. | 0:02:11 | 0:02:15 | |
Khloe. Khloe's gone? | 0:02:15 | 0:02:20 | |
I was really upset, because Clint is a jackass. | 0:02:20 | 0:02:24 | |
I don't want to spend two more days with Clint Black, | 0:02:24 | 0:02:27 | |
because I had stomach aches the whole time. | 0:02:27 | 0:02:31 | |
And I don't find this fun. | 0:02:31 | 0:02:33 | |
-And I really mean it, I don't give a flying -BEEP. | 0:02:33 | 0:02:38 | |
-He fired Khloe because she went to the morgue last week. -What? | 0:02:38 | 0:02:43 | |
He said he lost respect for her when she got a DUI. | 0:02:43 | 0:02:45 | |
So he gave her 20,000 to her charity and told her she was fired. | 0:02:45 | 0:02:49 | |
It's my fault, I thought they were safe, it's why I took them in. | 0:02:49 | 0:02:52 | |
-You and I both made the same call. -And I'm shocked. | 0:02:52 | 0:02:54 | |
I'm going to miss Khloe terribly. | 0:02:54 | 0:02:57 | |
I am vehemently opposed to drunk driving, | 0:02:57 | 0:03:00 | |
but this was not a girl who was taking what she did lightly. | 0:03:00 | 0:03:05 | |
You don't punish someone for trying to change. | 0:03:05 | 0:03:09 | |
That is so shocking. | 0:03:09 | 0:03:11 | |
When he did that to T, | 0:03:11 | 0:03:13 | |
it was the kind of shock where you have to laugh, | 0:03:13 | 0:03:16 | |
because you can't believe it, | 0:03:16 | 0:03:18 | |
-but I wasn't laughing when he did it to Khloe. -That's why she went to the morgue, | 0:03:18 | 0:03:22 | |
because she's doing what's right to try and make it right. | 0:03:22 | 0:03:26 | |
She's fired because she drove drunk one night a year ago. What is that? | 0:03:26 | 0:03:29 | |
I thought they were safe. And he threw us a curveball. | 0:03:29 | 0:03:34 | |
-Your video did suck, Clint, by the way. -Thanks, thanks. | 0:03:36 | 0:03:41 | |
# Money, money, money, money | 0:03:45 | 0:03:48 | |
# Money | 0:03:49 | 0:03:50 | |
# Money, money, money, money | 0:03:50 | 0:03:53 | |
# Money | 0:03:53 | 0:03:56 | |
# Some people got to have it | 0:03:56 | 0:03:58 | |
# Hey, Hey, Hey | 0:03:58 | 0:04:00 | |
# Some people really need it | 0:04:00 | 0:04:03 | |
# Hey, listen to me, y'all | 0:04:03 | 0:04:04 | |
# Do thangs, do thangs, do thangs | 0:04:04 | 0:04:07 | |
# Bad thangs with it | 0:04:07 | 0:04:11 | |
# Dollar bills y'all | 0:04:11 | 0:04:14 | |
# Come on, that mean, mean green | 0:04:14 | 0:04:20 | |
# Almighty dollar | 0:04:20 | 0:04:23 | |
# Don't you know that | 0:04:23 | 0:04:25 | |
# Money | 0:04:25 | 0:04:27 | |
# Give me a nickel Brother, can you spare a dime? | 0:04:27 | 0:04:31 | |
# Money can drive some people out of their minds | 0:04:31 | 0:04:36 | |
# No good, no good | 0:04:38 | 0:04:42 | |
# Money, money, money, money | 0:04:42 | 0:04:45 | |
# Money. # | 0:04:45 | 0:04:47 | |
-Good morning. -Good morning. | 0:05:19 | 0:05:22 | |
Brian, I want you on Athena, and by the way, | 0:05:22 | 0:05:24 | |
you missed SOME boardroom last week. | 0:05:24 | 0:05:27 | |
-That's what I heard. -Does anyone have any problems with the boardroom? | 0:05:27 | 0:05:31 | |
Joan. | 0:05:34 | 0:05:35 | |
I just was a little disheartened, because I thought | 0:05:35 | 0:05:39 | |
that if a team captain is supposed to be the leader, | 0:05:39 | 0:05:42 | |
and you fail, it should be their fault... | 0:05:42 | 0:05:44 | |
I know, but Khloe wasn't here the previous week, | 0:05:44 | 0:05:48 | |
I hated what she did, and she's got to suffer the consequences. | 0:05:48 | 0:05:52 | |
For me, drunk driving, the worst thing you can do. | 0:05:52 | 0:05:55 | |
But she's getting over it now, and she's becoming such an example. | 0:05:55 | 0:05:58 | |
I hope you're right. Now, maybe, she will really get over it, | 0:05:58 | 0:06:01 | |
cos now she understands its importance. Maybe she sets a good example. | 0:06:01 | 0:06:05 | |
Now, identity theft is one of the fastest-growing crimes in America. | 0:06:07 | 0:06:11 | |
Over 1 billion a year is lost. | 0:06:11 | 0:06:14 | |
With me are Todd and Andrew from LifeLock, | 0:06:14 | 0:06:18 | |
a wonderful company that helps end the problem of identity theft. | 0:06:18 | 0:06:21 | |
You're going to be working with the executives to come up with | 0:06:21 | 0:06:26 | |
a really wonderful campaign. What would you like them to do, Todd? | 0:06:26 | 0:06:29 | |
Your task today is to create | 0:06:29 | 0:06:31 | |
a package and retail store display for LifeLock. | 0:06:31 | 0:06:35 | |
The trick is, LifeLock's a service, | 0:06:35 | 0:06:38 | |
so you must turn the intangible into tangible, | 0:06:38 | 0:06:42 | |
and packaging and presentation are essential. | 0:06:42 | 0:06:44 | |
You'll be judged on brand messaging, originality and overall design. | 0:06:44 | 0:06:50 | |
-Pick your project managers right now. -What do you think? -You want to take it? | 0:06:50 | 0:06:53 | |
-I could take it, or you could take it? -If you want to, you can take it. | 0:06:53 | 0:06:57 | |
-Any experience? Anyone had any problems with theft before? -No. -OK. Then I'd love to do it. | 0:06:57 | 0:07:02 | |
-Do you want to do it? -Sure, why not? I'll do it. -All right. | 0:07:02 | 0:07:06 | |
I think I'm the only person besides Jesse who hasn't been PM. | 0:07:06 | 0:07:09 | |
That's completely on purpose. | 0:07:09 | 0:07:10 | |
When you do any of these advertising challenges, | 0:07:10 | 0:07:13 | |
it's very subjective, and it kind of depends on what the client wants. | 0:07:13 | 0:07:18 | |
I didn't want to project manage something that I had little control over. | 0:07:18 | 0:07:21 | |
-Joan, who is your team leader? -Natalie. -Natalie, good luck. | 0:07:21 | 0:07:24 | |
It's definitely nerve-wracking being project manager, | 0:07:24 | 0:07:27 | |
especially after I knew there was a lot of conflict | 0:07:27 | 0:07:30 | |
between Clint and Joan. So, we'll see what happens. | 0:07:30 | 0:07:34 | |
-Melissa, who is your team leader? -Brian. | 0:07:34 | 0:07:37 | |
-Brian, good luck. -Thank you. | 0:07:37 | 0:07:38 | |
Last week, I was gone, I had a concert to do. | 0:07:38 | 0:07:40 | |
It took a second to get back into this whole | 0:07:40 | 0:07:42 | |
Celebrity Apprentice phase, after being home for two days. | 0:07:42 | 0:07:45 | |
It took a little coaxing to get out of bed to get ready to go back to work. | 0:07:45 | 0:07:48 | |
George Ross and Ivanka will be my eyes and ears. | 0:07:48 | 0:07:52 | |
The leader of the team that wins will get 20,000 for his or her charity. | 0:07:52 | 0:07:57 | |
OK? Go out, do a great job for LifeLock. | 0:07:57 | 0:08:01 | |
This is us right here, great. | 0:08:07 | 0:08:09 | |
After Trump assigned the task, | 0:08:09 | 0:08:13 | |
we started talking about the concept. | 0:08:13 | 0:08:16 | |
Of course, you want to be a little light on concept | 0:08:16 | 0:08:19 | |
until you've actually talked to the executives. | 0:08:19 | 0:08:21 | |
-Hi there. -Hello. -How are you? -I'm Melissa. Nice to meet you. -Nice to meet you. | 0:08:21 | 0:08:26 | |
Brian, nice to meet you. I hope and pray that everybody just does their job. | 0:08:26 | 0:08:29 | |
I'm really not the finger-pointing, "you're fired," kind of person. | 0:08:29 | 0:08:33 | |
I do not like that kind of confrontation. | 0:08:33 | 0:08:36 | |
If you had to come up with three key words that you feel | 0:08:36 | 0:08:39 | |
best describes the service that you offer, what would they be? | 0:08:39 | 0:08:42 | |
-Certainly protection. -Confidence, and security. | 0:08:42 | 0:08:45 | |
-So, what you're looking at is that people will come in and purchase it on-site? -Absolutely. | 0:08:45 | 0:08:51 | |
Team Athena had certainly put a lot of thought into | 0:08:51 | 0:08:53 | |
a broad spectrum of questions. | 0:08:53 | 0:08:55 | |
Are you more interested in emphasising the positive aspects of this service, | 0:08:55 | 0:08:59 | |
in terms of the protection and the peace of mind, | 0:08:59 | 0:09:02 | |
or, obviously, you can do a campaign that's very fear-based? | 0:09:02 | 0:09:05 | |
I will say Annie seemed be the one that was | 0:09:05 | 0:09:07 | |
driving the questions, and really take the lead. | 0:09:07 | 0:09:09 | |
Brian seemed to sit back and let everybody else engage. | 0:09:09 | 0:09:12 | |
We're looking to you to be innovative, and come back to us | 0:09:12 | 0:09:15 | |
and say, "Todd Davis has been the central part of our campaign. | 0:09:15 | 0:09:19 | |
"Should he be the central part of what you communicate?" We really look to you to tell us. | 0:09:19 | 0:09:23 | |
Thanks, guys, good luck. Very nice to meet you. | 0:09:23 | 0:09:26 | |
As a consumer, you're all part of our target demographic. | 0:09:26 | 0:09:30 | |
In fact, if you look at who's been victims of identity theft, | 0:09:30 | 0:09:34 | |
you would find that some of the most famous people in the world have had incidents. | 0:09:34 | 0:09:38 | |
I'm the only person in the world that doesn't have to | 0:09:38 | 0:09:41 | |
worry about a thing, because nobody would want to be me! | 0:09:41 | 0:09:43 | |
But would you want that kind of humour, | 0:09:43 | 0:09:46 | |
because I think it's a great way to get people to come over. | 0:09:46 | 0:09:49 | |
-You ought to walk away feeling good. -And fun. -So, if you can use humour to convey that, | 0:09:49 | 0:09:54 | |
and that you can walk away feeling safe and secure, then we've accomplished it. | 0:09:54 | 0:09:58 | |
-So, I have one last question, do we all get free memberships? -Of course. | 0:09:58 | 0:10:03 | |
-JOAN: -Clint is stubborn, and he's self-centred. | 0:10:03 | 0:10:07 | |
And if it ain't about Clint, it ain't about nothing. | 0:10:07 | 0:10:11 | |
So, it's going to be a frustrating day for me, as usual, but I'm used to that by now. | 0:10:11 | 0:10:15 | |
-I think it has to be... -What's going to be our theme? | 0:10:21 | 0:10:24 | |
I think it should start out with something funny to get a hook. | 0:10:24 | 0:10:29 | |
Our task was to take LifeLock, which is an identity protection firm, | 0:10:29 | 0:10:32 | |
and create an in-store point-of-sale display for them. | 0:10:32 | 0:10:37 | |
-The graphic that keeps popping into my mind is the safe. -Right. | 0:10:37 | 0:10:42 | |
Hi, how are you doing? | 0:10:42 | 0:10:45 | |
Good. Hi, I know you're just getting started. | 0:10:45 | 0:10:48 | |
So, I'll just hang out for a little bit. | 0:10:48 | 0:10:51 | |
What if we get, like, a major bodyguard, and we could say, | 0:10:51 | 0:10:55 | |
"you can't afford him 24 hours a day, but you can afford LifeLock." | 0:10:55 | 0:11:00 | |
I really love a safe for your identity. | 0:11:00 | 0:11:03 | |
Does everybody agree that our display needs to have a safe? | 0:11:03 | 0:11:07 | |
-Right. -I like the safe. | 0:11:07 | 0:11:09 | |
Natalie's greatest challenge is to keep the peace. | 0:11:09 | 0:11:12 | |
She has to balance finally stepping up in this competition with | 0:11:12 | 0:11:16 | |
keeping a harmonious dialogue amongst team members, | 0:11:16 | 0:11:19 | |
who have historically not gotten along in the past. | 0:11:19 | 0:11:23 | |
What if we give them away a little safe? | 0:11:23 | 0:11:25 | |
And that's what the store shopper leaves with, and that has everything | 0:11:25 | 0:11:29 | |
they need to become a member. | 0:11:29 | 0:11:31 | |
So we're going to try and decide on a tagline. | 0:11:31 | 0:11:34 | |
-Whoa, it's a vault, "are you safe?" -"Are you safe?" Let's do that. | 0:11:34 | 0:11:40 | |
"Protect yourself, your family, and everything you're worth." | 0:11:40 | 0:11:44 | |
I thought it was very dreary. A big stupid safe, all grey. Who cares? | 0:11:44 | 0:11:48 | |
I wanted right away to make it funny, | 0:11:48 | 0:11:50 | |
but I did not want to push that | 0:11:50 | 0:11:53 | |
because I was trying to be a good team player. | 0:11:53 | 0:11:56 | |
I'm going to break you guys up into teams. Joan is going to be in charge of the packages, | 0:11:56 | 0:12:00 | |
and you guys are going to be in charge of the display. | 0:12:00 | 0:12:03 | |
So, you see the display as being the guy. | 0:12:05 | 0:12:09 | |
The display is easy, he's already out there. I know who he was. | 0:12:09 | 0:12:12 | |
I was totally cool with using Todd Davis, the CEO of LifeLock. | 0:12:12 | 0:12:16 | |
Todd has been the face of this advertising from the beginning, | 0:12:16 | 0:12:19 | |
and I assigned the display design to Jesse, | 0:12:19 | 0:12:22 | |
because he does this in his own personal life. | 0:12:22 | 0:12:24 | |
You know, this is just doodling, but a little lock-shaped hang. | 0:12:24 | 0:12:29 | |
Your CD is in here, so when you open it up, | 0:12:29 | 0:12:32 | |
that has all your information. | 0:12:32 | 0:12:34 | |
-That's brilliant. -And verbiage, and all that stuff. | 0:12:34 | 0:12:37 | |
-I may look like a -BEEP, -but I do a lot of business at mass retail. | 0:12:37 | 0:12:41 | |
I know how this stuff works. | 0:12:41 | 0:12:42 | |
To keep it sustainable, as minimal of packaging item as we can. | 0:12:42 | 0:12:48 | |
As far as the packaging goes, | 0:12:48 | 0:12:50 | |
I think we finally got a concept | 0:12:50 | 0:12:51 | |
just as our graphic designers showed up. | 0:12:51 | 0:12:54 | |
Has anyone looked at the disc to see what kind of images they're letting us use? | 0:12:54 | 0:12:58 | |
Just out of curiosity. | 0:12:58 | 0:13:00 | |
Today, I decided to sit back | 0:13:00 | 0:13:01 | |
and let the more aggressive people say and do what they want to do. | 0:13:01 | 0:13:06 | |
See, for me, I thought we'd have him there. | 0:13:06 | 0:13:08 | |
Well, we've got a picture of him on the disc. | 0:13:08 | 0:13:11 | |
You need the picture of the lock before, so let's get the lock. | 0:13:11 | 0:13:14 | |
I'm just playing it smart by listening. | 0:13:14 | 0:13:16 | |
Hey, you guys got anything with a padlock on it, | 0:13:16 | 0:13:18 | |
one of your gang boxes, or something? | 0:13:18 | 0:13:21 | |
-As long as I do exactly what I'm told, and I do it well. -Brande? | 0:13:21 | 0:13:25 | |
-Yeah? -Hold this like this. -Then I'm going to be fine. | 0:13:25 | 0:13:29 | |
What about "peace of mind, period." "Guaranteed, period." | 0:13:29 | 0:13:33 | |
-It's simple. -Or just "easy, period?" | 0:13:33 | 0:13:36 | |
I like punctuation in slogans, period. | 0:13:36 | 0:13:39 | |
Where's the beef? Question mark. | 0:13:39 | 0:13:42 | |
I think we're doing really well for time. Jesse and Brande have gone to do errands. | 0:13:42 | 0:13:46 | |
I'm actually already working on the verbiage for inside the pamphlet, | 0:13:46 | 0:13:50 | |
and I don't have to have that done until eight o'clock. | 0:13:50 | 0:13:53 | |
We're sitting in there relaxed, the time management is fantastic. We are well ahead of schedule. | 0:13:53 | 0:13:58 | |
The tagline is now, | 0:13:58 | 0:13:59 | |
"identity secured, peace of mind guaranteed, period." | 0:13:59 | 0:14:03 | |
"Identity secured, period. Peace of mind guaranteed, period." | 0:14:03 | 0:14:07 | |
The wording that we want to put is, "are you safe?" Up here. | 0:14:09 | 0:14:13 | |
And then underneath, "work to protect your good name and everything you're worth." | 0:14:13 | 0:14:18 | |
Herschel and I were heading to Brooklyn to get the display built, | 0:14:18 | 0:14:21 | |
but before we could do that we had to come up | 0:14:21 | 0:14:24 | |
with the graphics that were going to be laid onto the display. | 0:14:24 | 0:14:27 | |
-It looks great. Print it, save it. -We'll see you guys later. | 0:14:27 | 0:14:31 | |
-We'll be here. -See you. | 0:14:31 | 0:14:35 | |
The guy at the construction, Clint, | 0:14:35 | 0:14:37 | |
he said he don't have to do anything but make the safe itself. | 0:14:37 | 0:14:40 | |
He's going to make the structure that our graphics will go on. | 0:14:40 | 0:14:44 | |
-Chad, hey. -Let's go back here. | 0:14:53 | 0:14:54 | |
We make a wall, and then this layer will come out some, | 0:14:54 | 0:14:58 | |
but then we'll have the graphics people make this graphic, | 0:14:58 | 0:15:01 | |
this graphic, and this graphic. | 0:15:01 | 0:15:02 | |
-OK. -And then we put these letters on tomorrow morning. | 0:15:02 | 0:15:06 | |
-And that's your display. -That will be good. -Why don't we do that? | 0:15:06 | 0:15:09 | |
I'm with team Athena. We are the display construction team. | 0:15:27 | 0:15:33 | |
We've been here since noon, it is now 3.30pm, | 0:15:33 | 0:15:36 | |
and we still don't know what we are building. | 0:15:36 | 0:15:39 | |
Hopefully somebody's on their way, and we can find out | 0:15:39 | 0:15:42 | |
what we have to do between now and when we're supposed to be finished. | 0:15:42 | 0:15:46 | |
Brian, has anybody called the art constructor | 0:15:51 | 0:15:55 | |
to see about timelines or what he's capable of? | 0:15:55 | 0:15:59 | |
-No-one has. -Would you like me to do that? -Yes. | 0:15:59 | 0:16:02 | |
-OK. -Annie is basically trying to absolve herself | 0:16:06 | 0:16:08 | |
of any responsibility. | 0:16:08 | 0:16:09 | |
She just started, you know, laying the ground work | 0:16:09 | 0:16:12 | |
in case it doesn't go over well tomorrow. | 0:16:12 | 0:16:14 | |
-'Derek.' -Hi, Derek, this is Annie Duke with Athena Corp. | 0:16:14 | 0:16:18 | |
I just wanted to get an idea | 0:16:18 | 0:16:20 | |
what's the latest we can get someone to you | 0:16:20 | 0:16:22 | |
and not feel like we're in a big time crunch? | 0:16:22 | 0:16:24 | |
'I'd say about four o'clock.' | 0:16:24 | 0:16:26 | |
Nobody seems to think this is important. | 0:16:26 | 0:16:29 | |
I'm concerned about time. So, I need to call Jesse, is what I need to do. | 0:16:29 | 0:16:34 | |
PHONE RINGS | 0:16:34 | 0:16:37 | |
-'Uh-huh.' -We need someone to get over | 0:16:37 | 0:16:39 | |
to the place to start the art constructor working, | 0:16:39 | 0:16:42 | |
-or else we're not going to get the thing built in time. -OK. | 0:16:42 | 0:16:46 | |
Did I say that we need someone over there by 4pm, | 0:16:46 | 0:16:48 | |
and it's all the way over in Brooklyn. | 0:16:48 | 0:16:50 | |
-'Then we'll just head out.' -Thank you. | 0:16:50 | 0:16:52 | |
How do you end up with a display if you're not even calling | 0:16:52 | 0:16:55 | |
to find out the timelines and what can be realistically built? | 0:16:55 | 0:16:58 | |
-Can I panic yet? -No. -OK. | 0:16:58 | 0:17:00 | |
If Brian isn't telling people what they have to do then | 0:17:00 | 0:17:03 | |
we won't have half of the requirements. | 0:17:03 | 0:17:06 | |
-Boy, we have a lot of -BEEP -to do. I'm telling you, | 0:17:06 | 0:17:09 | |
I'm a little panicky now. | 0:17:09 | 0:17:11 | |
-Don't be panicky. -Don't panic, we'll be fine. | 0:17:11 | 0:17:14 | |
It kind of seems that you're being relied upon a lot, | 0:17:20 | 0:17:24 | |
for a lot of stuff. | 0:17:24 | 0:17:26 | |
It's good. It makes the day go by fast. | 0:17:26 | 0:17:29 | |
The task for this week was to create packaging | 0:17:31 | 0:17:34 | |
and display for LifeLock. | 0:17:34 | 0:17:37 | |
I started getting a really bad headache, | 0:17:41 | 0:17:44 | |
and I feel like I've got a fever now, | 0:17:44 | 0:17:46 | |
it just got progressively worse, | 0:17:46 | 0:17:49 | |
until I got super nauseous, like I was going to vomit. | 0:17:49 | 0:17:52 | |
HE VOMITS | 0:17:57 | 0:18:01 | |
-Oh, -BEEP! | 0:18:04 | 0:18:06 | |
Nice to meet you. Aaron, nice to meet you. | 0:18:08 | 0:18:10 | |
I'm Derek, nice to meet you. | 0:18:10 | 0:18:13 | |
-So, we're thinking about doing a stand-up. -We can do whatever. | 0:18:13 | 0:18:16 | |
We're running out of time, but we can do whatever. | 0:18:16 | 0:18:18 | |
-I feel like -BEEP, -but I can tough it out. | 0:18:18 | 0:18:22 | |
I get kind of pissed when people who work for me are sick, | 0:18:22 | 0:18:25 | |
just because, I guess, I'm selfish and self-centred! | 0:18:25 | 0:18:28 | |
So, there's no excuse for me, unless I'm dying. | 0:18:30 | 0:18:33 | |
-Oh, whoops! This is just alcohol? -It's denatured alcohol. | 0:18:35 | 0:18:40 | |
I don't think it's really hurting our team today that he's sick, | 0:18:40 | 0:18:43 | |
because there's really not much to do today. | 0:18:43 | 0:18:45 | |
-What does that mean? -The nature is taken out. | 0:18:45 | 0:18:49 | |
What, nature? Alcohol has nature? | 0:18:49 | 0:18:51 | |
I'm having a lot of fun with them | 0:18:51 | 0:18:53 | |
because I'm asking and learning a lot | 0:18:53 | 0:18:57 | |
and teasing them. We're having a lot of fun. | 0:18:57 | 0:18:59 | |
Where's your plug? | 0:18:59 | 0:19:01 | |
He said three-way! | 0:19:04 | 0:19:06 | |
This brings me back to high school, when I was in wood-shop. | 0:19:06 | 0:19:09 | |
I always had fun in wood-shop. | 0:19:09 | 0:19:11 | |
I'm just one of the guys, with bigger boobs and higher heels. | 0:19:11 | 0:19:15 | |
Other than that, I'm just like one of the guys. | 0:19:15 | 0:19:17 | |
I'm really good at screwing nails in. Very good. | 0:19:17 | 0:19:22 | |
Not that I don't love using my brain, of course. | 0:19:22 | 0:19:25 | |
Tell me when we're ready to go. | 0:19:32 | 0:19:34 | |
As soon as I get him started on this pamphlet. | 0:19:34 | 0:19:38 | |
Herschel and Clint had gone to Brooklyn to finish off the display, | 0:19:38 | 0:19:42 | |
and Joan and I, we needed to run and get a couple more supplies. | 0:19:42 | 0:19:46 | |
It's boring. I don't think it's catching a woman's eye. | 0:19:48 | 0:19:52 | |
No. So, we need something just a little bit different. | 0:19:52 | 0:19:57 | |
-I think we should use Herschel. -Should we use him in our display? -Yeah. | 0:19:57 | 0:20:01 | |
Natalie is very naive. I mean, half the time I was saying, | 0:20:01 | 0:20:05 | |
"What rock did you come out from under?" | 0:20:05 | 0:20:07 | |
But she was smart enough to step back | 0:20:07 | 0:20:09 | |
and let people that knew more take over. | 0:20:09 | 0:20:12 | |
Clint never would have done that in a million years. | 0:20:12 | 0:20:15 | |
I would add celebrities and add humour. | 0:20:15 | 0:20:17 | |
We can always throw Herschel in there. | 0:20:17 | 0:20:19 | |
I think they're going to say, | 0:20:19 | 0:20:20 | |
"How are you going to use your celebrity?" | 0:20:20 | 0:20:22 | |
You've got four celebrities here. | 0:20:22 | 0:20:24 | |
We thought, "Shall we use our celebrity?" | 0:20:24 | 0:20:26 | |
So then we get all fired up, and decided we want to change it. | 0:20:26 | 0:20:29 | |
PHONE RINGS | 0:20:29 | 0:20:31 | |
-This is Clint. -'Natalie and I came up with an idea.' -OK. | 0:20:31 | 0:20:35 | |
Everything stays as it is, but my face, Natalie's face, | 0:20:35 | 0:20:41 | |
your face, Herschel's face, | 0:20:41 | 0:20:42 | |
looks like we're peeping around from behind it, | 0:20:42 | 0:20:46 | |
but you guys have to agree to it, | 0:20:46 | 0:20:47 | |
because when you come back we have to take your pictures. | 0:20:47 | 0:20:50 | |
My concern is that these guys over here, | 0:20:50 | 0:20:52 | |
who are building this out of wood, this is already a time crunch as is. | 0:20:52 | 0:20:58 | |
Clint, they say we can do them here, all they have to do is attach them. | 0:20:58 | 0:21:03 | |
The other concern is then... | 0:21:03 | 0:21:06 | |
Oh, I'm sorry, we've got a spy in our midst. | 0:21:06 | 0:21:09 | |
-Hang on, let's go in the other room, here. -Get that spy out of there. | 0:21:09 | 0:21:14 | |
-Clint, you don't want me to talk? -I do. Will you come with me? | 0:21:14 | 0:21:19 | |
I'm trying to ask a question. They need to know. | 0:21:19 | 0:21:21 | |
I don't want to talk in front of the other team. | 0:21:21 | 0:21:24 | |
I didn't want to talk in front of the other team. | 0:21:24 | 0:21:26 | |
-I'm trying. -Herschel's breaking down. Go ahead, it's all yours. | 0:21:26 | 0:21:34 | |
Clint just exited, as he always does. | 0:21:34 | 0:21:36 | |
You just want the safe to stay the same as we got it right now. | 0:21:36 | 0:21:39 | |
OK, so that's what I need to tell them. | 0:21:39 | 0:21:42 | |
Clint is always talking on the phone, | 0:21:42 | 0:21:43 | |
he takes it away, so you almost have to follow him. | 0:21:43 | 0:21:46 | |
And when Clint gets upset, he runs off like a little girl. | 0:21:46 | 0:21:49 | |
Clint, you know that's not the way you act. | 0:21:49 | 0:21:51 | |
We're trying to work it out, they want to change, | 0:21:51 | 0:21:54 | |
but we need to listen and put our heads together. | 0:21:54 | 0:21:56 | |
Don't walk away whenever someone is talking. | 0:21:56 | 0:21:58 | |
I see you think, that means you getting upset. That don't bother me. | 0:21:58 | 0:22:02 | |
-No, I'm not. I'm waiting until I can speak. -Go ahead, speak, Clint. | 0:22:02 | 0:22:05 | |
OK, if we do this new idea, we have to reduce this thing, | 0:22:05 | 0:22:09 | |
by how much they increase it with our heads. | 0:22:09 | 0:22:12 | |
So, we can't leave it as-is. | 0:22:12 | 0:22:15 | |
What I'll do is, I'll make this, I'm going to shrink down this LifeLock, | 0:22:16 | 0:22:20 | |
and squeeze in this "are you safe?" | 0:22:20 | 0:22:22 | |
And you're going to get Victor, the graphic designer? | 0:22:22 | 0:22:25 | |
We're going to talk to them. Yeah. | 0:22:25 | 0:22:28 | |
Some things had to be moved around, and I started to become | 0:22:28 | 0:22:31 | |
concerned that all of the elements were going to pull together in time. | 0:22:31 | 0:22:35 | |
And so, there was some anxiety on my part. | 0:22:35 | 0:22:37 | |
We're at 5.30pm. | 0:22:37 | 0:22:40 | |
It's going to get crazy. | 0:22:40 | 0:22:41 | |
This is registering as blank. | 0:22:45 | 0:22:47 | |
Can we e-mail it to me? Just so we have it? | 0:22:47 | 0:22:49 | |
We gave the guy the CD which would have all the graphics on it, | 0:22:49 | 0:22:53 | |
and he tries to open it, and it's blank. | 0:22:53 | 0:22:55 | |
We have to have these graphics, | 0:22:55 | 0:22:57 | |
because these graphics are the whole display case. | 0:22:57 | 0:23:00 | |
-Brande. -'Hey, Brian.' | 0:23:00 | 0:23:02 | |
We need to give you an e-mail address to have them | 0:23:02 | 0:23:06 | |
send the logos, because the logos are coming up blank on this CD. | 0:23:06 | 0:23:10 | |
-So, he e-mails the graphics. -We don't have -BEEP. | 0:23:11 | 0:23:15 | |
And it doesn't have Todd's image on it, the CEO of the company. | 0:23:15 | 0:23:18 | |
We've got the logo, the graphic for the logo, | 0:23:18 | 0:23:21 | |
we just didn't get the guy graphic. | 0:23:21 | 0:23:22 | |
-So, we just need the guy. -You're talking about Todd, the CEO? | 0:23:22 | 0:23:25 | |
-Correct. -Come in. | 0:23:25 | 0:23:28 | |
You think? | 0:23:33 | 0:23:34 | |
Inhalate, exhalate. | 0:23:34 | 0:23:36 | |
The printer closes at eight. We have to get the files to them by then. | 0:23:36 | 0:23:40 | |
I kept saying, "we're running out of time," | 0:23:40 | 0:23:42 | |
and what I am getting is, "stop panicking." | 0:23:42 | 0:23:44 | |
But I'm not the project manager. | 0:23:44 | 0:23:46 | |
-We're coming up on six o'clock, we have two -BEEP -hours for this. | 0:23:46 | 0:23:50 | |
Just pointing that out. | 0:23:50 | 0:23:52 | |
Annie, of course, has really taken over the room. | 0:23:52 | 0:23:54 | |
so I'm just trying to pull fact after fact, | 0:23:54 | 0:23:57 | |
so we are just over-prepared with everything. | 0:23:57 | 0:24:00 | |
Well, that's a really good fact. | 0:24:00 | 0:24:02 | |
-Hey. -Everybody's so intense here. Nobody even sees you walk in. | 0:24:03 | 0:24:07 | |
-We're just about finished. -Where's your cover of the CD design? | 0:24:07 | 0:24:11 | |
These are going to go, and they're going to stick on the CD. | 0:24:11 | 0:24:15 | |
This, as you can see, I've got all the verbiage done, | 0:24:15 | 0:24:17 | |
I'm just about done editing it. | 0:24:17 | 0:24:19 | |
I'm looking up all sorts of interesting things about | 0:24:19 | 0:24:22 | |
-what makes a point-of-purchase design successful. -OK. | 0:24:22 | 0:24:25 | |
When I walked into Athena's room I didn't see that much in the way of real creativity. | 0:24:25 | 0:24:29 | |
And this, basically, talks inside about the fact | 0:24:29 | 0:24:32 | |
that 9 million people a year have their identity stolen. | 0:24:32 | 0:24:34 | |
There were a lot of facts and figures, and that's boring. | 0:24:34 | 0:24:38 | |
Identity theft by itself is not. | 0:24:38 | 0:24:40 | |
For a team, you look very relaxed. | 0:24:40 | 0:24:42 | |
You just missed the crisis moment. You came on the downhill slope. | 0:24:42 | 0:24:46 | |
I want everybody to know that I'm panicking. I'm trying to be calm for you. | 0:24:46 | 0:24:49 | |
If we were all panicking, we wouldn't get anything done. | 0:24:49 | 0:24:53 | |
Boys! The boys are back! | 0:24:58 | 0:25:03 | |
Joan, how do you want the brochure to open? | 0:25:03 | 0:25:05 | |
-Do you want it to just fold? -Is it just the whole picture? | 0:25:05 | 0:25:07 | |
-Then it should open. -Or it can open up this way. -What do you think? | 0:25:07 | 0:25:14 | |
I kept saying, "That's really, really, really up to you now." | 0:25:15 | 0:25:19 | |
We can have it like this, or we can have it open like this, | 0:25:19 | 0:25:24 | |
or we can have it open like this. | 0:25:24 | 0:25:26 | |
I don't think she is a really great leader, I think she's very average. | 0:25:26 | 0:25:32 | |
-Smile. -Smile, Herschel! | 0:25:32 | 0:25:37 | |
Each one has a bubble. | 0:25:37 | 0:25:38 | |
-Little quote? -Yeah. | 0:25:38 | 0:25:40 | |
"I may lose my voice on tour, but I'll never lose my identity." | 0:25:40 | 0:25:43 | |
Perfect. | 0:25:43 | 0:25:44 | |
Herschel Walker. "As a running back, LifeLock is one front line of defence | 0:25:44 | 0:25:48 | |
"I would never want to go up against." | 0:25:48 | 0:25:51 | |
"The best numbers in my golf life have been..." | 0:25:51 | 0:25:54 | |
-63, 65. -"And hole in one." | 0:25:54 | 0:25:56 | |
-Make it really cutesy. -Last week I hated Clint. | 0:25:57 | 0:26:02 | |
This week, the both of us knew we had to work together. | 0:26:02 | 0:26:05 | |
"People may steal my jokes, but they'll never steal my identity." | 0:26:05 | 0:26:09 | |
Done! | 0:26:09 | 0:26:10 | |
He's very funny, but he is SO stubborn. | 0:26:10 | 0:26:14 | |
He's not going to change, so just move around him. | 0:26:14 | 0:26:18 | |
-Looks great. -Cool. | 0:26:18 | 0:26:20 | |
-That's it. -That's brilliant. | 0:26:20 | 0:26:23 | |
-We''ll send it out. -Yeah, do it. | 0:26:23 | 0:26:25 | |
-Well, what are we going to do in our last minute? -I don't know. | 0:26:25 | 0:26:28 | |
Time was up, handing things in to our printer. | 0:26:28 | 0:26:32 | |
We still had until 10 o'clock to go back to Brooklyn | 0:26:32 | 0:26:35 | |
and work on our safe. | 0:26:35 | 0:26:36 | |
Hey, guys, let's go. Call it a night. | 0:26:36 | 0:26:39 | |
Natalie thought time was up for us to quit. | 0:26:39 | 0:26:42 | |
-She didn't think there was much we could do. -Small team, small but mighty. | 0:26:42 | 0:26:46 | |
I'm going to send this to them. | 0:26:48 | 0:26:50 | |
Yeah, I'll tell them we are going to actually build the lock in 3D. | 0:26:50 | 0:26:54 | |
PHONE RINGS | 0:26:54 | 0:26:56 | |
So, all you have to do is generate the sticker of the dude. | 0:26:56 | 0:26:59 | |
All the lock, and everything, we're going to do here. | 0:26:59 | 0:27:01 | |
I'd love to put some text on that. | 0:27:01 | 0:27:03 | |
If we're going to lay any text over it, | 0:27:03 | 0:27:05 | |
and print it, you guys have to do it there. | 0:27:05 | 0:27:07 | |
-We don't have the technology to do it here. -I need that. | 0:27:07 | 0:27:10 | |
I want to put some text in there. | 0:27:10 | 0:27:13 | |
-Just something that pops off, so people see that. -Sending it to the Athena e-mail. | 0:27:13 | 0:27:16 | |
-That man has not sent me -BEEP. -The e-mails aren't coming through, | 0:27:23 | 0:27:26 | |
we're not able to get things to the printer. | 0:27:26 | 0:27:28 | |
And eight o'clock was our cut-off for getting graphics to the printer to be generated. | 0:27:28 | 0:27:34 | |
Brande, we're not getting those e-mails. | 0:27:34 | 0:27:36 | |
-Oh, did you send them to that e-mail? -I did. -Yes, she said he sent them. | 0:27:36 | 0:27:40 | |
Is there a way to log out of that and log back in? | 0:27:40 | 0:27:43 | |
I did, and it's not there. | 0:27:43 | 0:27:44 | |
-Just for -BEEP -have them send it again. | 0:27:44 | 0:27:46 | |
They were trying to send an image to us, | 0:27:46 | 0:27:49 | |
except it was a very large file, and our e-mail wasn't taking it. | 0:27:49 | 0:27:53 | |
-You're sending what you have over to Be Squared? -No. -They need to. | 0:27:53 | 0:27:56 | |
If it's not there by eight o'clock, we won't have anything on there. | 0:27:56 | 0:27:59 | |
-So, if we have a choice between whatever the -BEEP -they have and nothing, | 0:27:59 | 0:28:04 | |
we should do whatever they have. We don't have time. | 0:28:04 | 0:28:07 | |
We told the Jesse to e-mail it straight to the printer, | 0:28:07 | 0:28:10 | |
so that we were sure that we had something. | 0:28:10 | 0:28:12 | |
Because, at the end, if we just had a white board, that was going to be really bad. | 0:28:12 | 0:28:16 | |
Jesse, we need to get the sticker. | 0:28:16 | 0:28:18 | |
-Can you just send that over to Steve? -'We'll send it to Steve.' | 0:28:18 | 0:28:22 | |
-OK, send it now. -'All right, bye.' | 0:28:22 | 0:28:24 | |
Brian should have been more aware of the deadlines, | 0:28:24 | 0:28:27 | |
and I think that he should have been more on point with the other side of the team. | 0:28:27 | 0:28:31 | |
I think he was too laid back. He didn't start trying to send it to us until 40 minutes to go, | 0:28:31 | 0:28:36 | |
and I doubt that if we had had it we still would have been able to do it. | 0:28:36 | 0:28:39 | |
-Least we can try. -I understand. I understand that. | 0:28:39 | 0:28:42 | |
I just don't understand why it was so hard | 0:28:42 | 0:28:45 | |
to get him to understand that we had a deadline of eight o'clock. | 0:28:45 | 0:28:49 | |
Long story short, we ran out of time. We hadn't gotten this e-mail. | 0:28:55 | 0:28:59 | |
We just barely finished the packaging, so that could actually go to print. | 0:28:59 | 0:29:03 | |
We decided we were going to go to Brooklyn to just check up | 0:29:03 | 0:29:07 | |
to see what Brande and Jesse were doing. | 0:29:07 | 0:29:10 | |
Hello. Jesse. | 0:29:10 | 0:29:13 | |
This whole logo, these are all going to be freestanding, die cut, and up above. | 0:29:13 | 0:29:17 | |
-So, you already sent all of this stuff off? -I'm making it right now. | 0:29:17 | 0:29:20 | |
Jesse seems to think it's OK, it doesn't look far along to me. | 0:29:20 | 0:29:23 | |
-I got so sick. -Like, you did? -Right here. I held it until I got here. | 0:29:23 | 0:29:29 | |
And then, it was just like... | 0:29:29 | 0:29:31 | |
You get there, you find out the man is ill, | 0:29:31 | 0:29:33 | |
running a 100-plus fever, apparently he threw up about eight times. | 0:29:33 | 0:29:38 | |
Well, life or death, all we need is that sticker of Todd Davis and we're cool. | 0:29:38 | 0:29:42 | |
I can give Jesse a pass, because he's sick, I mean, sick, | 0:29:42 | 0:29:46 | |
but there was somebody else there who knew what the deadlines were. | 0:29:46 | 0:29:50 | |
And to have Brande, who is literally just wood floating down the stream, | 0:29:50 | 0:29:55 | |
is a hindrance more than a help. | 0:29:55 | 0:29:57 | |
What's this? | 0:29:57 | 0:29:59 | |
We only heard from Brande when we called her. | 0:30:00 | 0:30:05 | |
There was no proactive problem-solving. | 0:30:05 | 0:30:09 | |
Brande's a great worker, but she doesn't initiate. | 0:30:09 | 0:30:13 | |
-Hey, Annie Duke? -What? | 0:30:13 | 0:30:16 | |
If we have to go to, like, Staples or Kinko's or whatever | 0:30:16 | 0:30:19 | |
and just print it out on some paper and glue stick it on | 0:30:19 | 0:30:22 | |
just to get the message on there, then we do that. | 0:30:22 | 0:30:26 | |
This is such a disaster. | 0:30:26 | 0:30:29 | |
This is such a mess, I don't know if we'll pull it off by the morning. | 0:30:29 | 0:30:32 | |
I don't know what to do about the fact we've nothing written on it. | 0:30:32 | 0:30:36 | |
We just have to fake it. | 0:30:36 | 0:30:37 | |
Oh, there it is! This is amazing! | 0:30:50 | 0:30:54 | |
That just looks awesome. | 0:30:54 | 0:30:56 | |
Oh. | 0:30:56 | 0:30:58 | |
It's tiny. Really tiny. | 0:31:00 | 0:31:01 | |
-I think it looks like -BLEEP. | 0:31:03 | 0:31:05 | |
There are so many little details that just aren't right. | 0:31:05 | 0:31:10 | |
It's very hard to look at something that you don't feel is your best work. | 0:31:10 | 0:31:15 | |
This doesn't fit. No, that's way too small, isn't it? | 0:31:15 | 0:31:19 | |
Oh, my God. | 0:31:19 | 0:31:20 | |
There's no remedy for that? | 0:31:20 | 0:31:22 | |
There's no way they can run one larger right now | 0:31:22 | 0:31:24 | |
and get it over here in time, is there? | 0:31:24 | 0:31:26 | |
'Last night we left early. | 0:31:26 | 0:31:28 | |
'If we had went back to Brooklyn we may have caught that little mistake' | 0:31:28 | 0:31:32 | |
that was caught the next morning. | 0:31:32 | 0:31:34 | |
Hey, Natalie, how are you? | 0:31:34 | 0:31:36 | |
Good. We have a little bit of an issue. | 0:31:36 | 0:31:38 | |
-The part where it's our faces, we need that to be bigger. -The header. | 0:31:38 | 0:31:42 | |
Is it possible to print one that's bigger and we can pick it up? | 0:31:42 | 0:31:45 | |
Head over here, I'll get it right on the printer. | 0:31:45 | 0:31:48 | |
That's fantastic, thank you so much. | 0:31:48 | 0:31:50 | |
-OK, we'll be in touch, guys. -What time is our presentation? | 0:31:50 | 0:31:54 | |
Let's get right down to it, shall we? | 0:31:54 | 0:31:56 | |
What makes a successful point-of-purchase display? | 0:31:56 | 0:31:59 | |
How much pressure is on Brian, is a lot. If you're going to be very laid-back about the deadlines | 0:31:59 | 0:32:04 | |
then you'd better do your part of it really well. | 0:32:04 | 0:32:06 | |
He has to do an amazing presentation. | 0:32:06 | 0:32:09 | |
Oh, Brian, we're counting on you. | 0:32:09 | 0:32:11 | |
-Just completely sell this -BLEEP. | 0:32:11 | 0:32:13 | |
We have questions, we have answers, we have guarantees. | 0:32:13 | 0:32:16 | |
Unfortunately, there have been several mistakes, | 0:32:16 | 0:32:19 | |
Herschel and Natalie now are out, running like crazy people, | 0:32:19 | 0:32:23 | |
getting a larger top to our display. | 0:32:23 | 0:32:26 | |
-Hello, Herschel? -Hello, there. -How close are you? -We're right here. | 0:32:28 | 0:32:32 | |
We're about to come through the elevator in about three seconds. | 0:32:32 | 0:32:35 | |
-Hey! -Hello, we're back! | 0:32:38 | 0:32:41 | |
Fantastic! Look how much better that looks, bigger. | 0:32:41 | 0:32:44 | |
Of course. We've got one minute left. | 0:32:44 | 0:32:46 | |
Everything looked exactly, if not better, than I could have expected. | 0:32:46 | 0:32:50 | |
I'll even out this top piece here. | 0:32:50 | 0:32:52 | |
I loved our idea, I loved our concept, so once it came together, | 0:32:52 | 0:32:56 | |
the talking part was going to be easy. | 0:32:56 | 0:32:59 | |
Hi, I'm Joan Rivers. | 0:33:10 | 0:33:13 | |
No, I'm Joan Rivers. | 0:33:13 | 0:33:16 | |
No, I'm Joan Rivers. | 0:33:16 | 0:33:17 | |
No, I'm Joan Rivers, | 0:33:17 | 0:33:20 | |
and because of LifeLock, I am going to be the only Joan Rivers. | 0:33:20 | 0:33:24 | |
What we wanted to do is educate America about identity theft | 0:33:24 | 0:33:29 | |
as quickly and simply as we could at a retail level. | 0:33:29 | 0:33:32 | |
We thought we'd have celebrities saying something funny. | 0:33:32 | 0:33:36 | |
People will stop and read funny. | 0:33:36 | 0:33:39 | |
We did a little research and found out that ladies will look as they're walking | 0:33:39 | 0:33:43 | |
for one seventh of a second. Eye contact! | 0:33:43 | 0:33:47 | |
So we did this with very bright colours, yellow and orange. | 0:33:47 | 0:33:52 | |
We then wanted to give them a takeaway brochure. They'll have to take the brochure. | 0:33:52 | 0:33:57 | |
They will then be given their welcome pack, | 0:33:57 | 0:33:59 | |
which I think we have in front of all of you. | 0:33:59 | 0:34:03 | |
It was just OK, the presentation, because I did not do jokes | 0:34:03 | 0:34:06 | |
and I had three people staring at me | 0:34:06 | 0:34:09 | |
making sure I would get in all the points we wanted to get across. | 0:34:09 | 0:34:15 | |
In the nine minutes I have been speaking to you, gentlemen, | 0:34:15 | 0:34:18 | |
there have been over 180 identity thefts. | 0:34:18 | 0:34:21 | |
We need LifeLock. | 0:34:21 | 0:34:23 | |
Nice presentation, thank you very much for the hard work. | 0:34:23 | 0:34:27 | |
We appreciate this. | 0:34:27 | 0:34:28 | |
And I'm still the real Joan Rivers. | 0:34:28 | 0:34:32 | |
But he's trying like hell. | 0:34:32 | 0:34:34 | |
-Let's go take a look at the other team. -Great. -OK. | 0:34:37 | 0:34:40 | |
-Hello. -Hi. -Good to see you. -Please have a seat. | 0:34:49 | 0:34:54 | |
-Let's get started, shall we? -Please. | 0:34:56 | 0:35:00 | |
What makes a successful point-of-purchase display? | 0:35:00 | 0:35:03 | |
There are three messages on our display to draw the consumer in. | 0:35:03 | 0:35:06 | |
Now, message number one has to do with intrigue. | 0:35:06 | 0:35:08 | |
Now, here's my man, Todd Davis, CEO of LifeLock, | 0:35:08 | 0:35:11 | |
with his Social Security card and his number on display | 0:35:11 | 0:35:15 | |
for the entire world to see, which no-one would do. | 0:35:15 | 0:35:19 | |
Now, message two identifies the problem that every three seconds | 0:35:19 | 0:35:23 | |
someone's identity is stolen, but do we stop there? No! | 0:35:23 | 0:35:27 | |
We take it a step further. | 0:35:27 | 0:35:29 | |
'It was not so much about selling these guys their own product.' | 0:35:29 | 0:35:32 | |
They know what that does, | 0:35:32 | 0:35:33 | |
-and I thought that I could wade my way through all the bull -BLEEP | 0:35:33 | 0:35:38 | |
and get them to believe that our display was the best display. | 0:35:38 | 0:35:41 | |
LifeLock is a service, | 0:35:41 | 0:35:43 | |
and a service is not tangible for the consumer, | 0:35:43 | 0:35:46 | |
so it allows the LifeLock service to actually be in their hands. | 0:35:46 | 0:35:50 | |
So as you can see, there is no better way of making the intangible | 0:35:50 | 0:35:54 | |
concept of fraud and identity theft tangible to the consumer | 0:35:54 | 0:35:57 | |
than offering them actual items to concretise the concept. | 0:35:57 | 0:36:01 | |
Any questions? | 0:36:01 | 0:36:02 | |
Nice work, a lot of hard work clearly went into it, | 0:36:02 | 0:36:05 | |
-thank you very much. -You're welcome. | 0:36:05 | 0:36:07 | |
'Brian did a great job.' | 0:36:07 | 0:36:09 | |
Just seeing the executives' faces | 0:36:09 | 0:36:11 | |
and how they were in awe of everything, | 0:36:11 | 0:36:13 | |
that made me feel confident about the product. | 0:36:13 | 0:36:17 | |
I'm really excited to see who won. | 0:36:17 | 0:36:20 | |
So, Natalie, you think you won? | 0:36:41 | 0:36:43 | |
I don't know, I think it's going to be close. | 0:36:43 | 0:36:46 | |
-You don't like the job they did? -No, my team was incredible. | 0:36:46 | 0:36:49 | |
-Who was incredible? -Everybody. We had some issues in the last challenge. | 0:36:49 | 0:36:53 | |
Why aren't you sure you won if your team is so good? | 0:36:53 | 0:36:57 | |
Cos I don't want to jinx us. I can say that I'm really proud of my team, | 0:36:57 | 0:37:00 | |
because I worried about Joan and Clint, how they would get along. | 0:37:00 | 0:37:04 | |
-And? -They worked so well together. They were very respectful. | 0:37:04 | 0:37:07 | |
I didn't have to do anything or say anything. | 0:37:07 | 0:37:11 | |
Joan, you and Clint weren't getting along and yet your team seems to have done well. | 0:37:11 | 0:37:15 | |
Let's see what happens, but what do you think? | 0:37:15 | 0:37:17 | |
I think Clint is terrific. I think he's stubborn as hell. | 0:37:17 | 0:37:22 | |
Would you now go and see him in concert as opposed to | 0:37:22 | 0:37:24 | |
what you said last week? | 0:37:24 | 0:37:26 | |
If he gave me the tickets. | 0:37:26 | 0:37:28 | |
THEY LAUGH | 0:37:28 | 0:37:30 | |
She's pretty tough. How did you get along with Joan, Clint? | 0:37:30 | 0:37:33 | |
-Just great. -Good. | 0:37:33 | 0:37:35 | |
Just fantastic. | 0:37:35 | 0:37:36 | |
What did you think of Natalie as a project manager? | 0:37:36 | 0:37:40 | |
Natalie was a great project manager. She involved the team in the brainstorming process, | 0:37:40 | 0:37:45 | |
made us all feel empowered to create. | 0:37:45 | 0:37:48 | |
Joan, how does Natalie stack up relative to other leaders you've had? | 0:37:48 | 0:37:52 | |
On a scale of one to ten, I'd certainly put her a high seven, eight. | 0:37:52 | 0:37:56 | |
-Are you happy with that, Natalie? -Yeah, this is great. | 0:37:56 | 0:37:59 | |
-High seven or eight is OK? -I didn't know they felt this positive. | 0:37:59 | 0:38:02 | |
A seven or eight isn't the best. | 0:38:02 | 0:38:04 | |
It's good company. | 0:38:04 | 0:38:06 | |
So, Brian, tell me about your team. | 0:38:06 | 0:38:09 | |
My team did a great job. | 0:38:09 | 0:38:10 | |
Everyone did exactly what they were supposed to do. | 0:38:10 | 0:38:13 | |
-What do you think about that, Brande? -I think that's true. | 0:38:13 | 0:38:17 | |
Everybody did a great job. | 0:38:17 | 0:38:19 | |
-But Jesse and I were off on our own doing our own thing. -Why? | 0:38:19 | 0:38:22 | |
Because we had to split up. | 0:38:22 | 0:38:24 | |
Somebody had to go and work on the display case and run errands | 0:38:24 | 0:38:27 | |
and things like that. | 0:38:27 | 0:38:29 | |
Melissa, who was weak in your team? | 0:38:29 | 0:38:31 | |
Then we were divided into two groups. | 0:38:31 | 0:38:33 | |
We really didn't have a clear picture of what was happening with the other group. | 0:38:33 | 0:38:37 | |
All we know is that Jesse threw up seven or eight times. | 0:38:37 | 0:38:40 | |
Seven or eight times? | 0:38:40 | 0:38:42 | |
He was laid out on the floor this morning, before the presentation it was like man down. | 0:38:42 | 0:38:46 | |
And he was still there? | 0:38:46 | 0:38:48 | |
-He was still there doing what he could to make it happen. -Not like Dennis, taking off? | 0:38:48 | 0:38:53 | |
No, he was there throwing up. | 0:38:53 | 0:38:55 | |
-What was the problem, Jesse, did you have flu or something? -I got a virus from my daughter. | 0:38:55 | 0:39:00 | |
Feeling better, Jesse? | 0:39:00 | 0:39:01 | |
-I'm good. -Good. | 0:39:01 | 0:39:03 | |
Ivanka, let me see, what did KOTU do? | 0:39:03 | 0:39:07 | |
KOTU, in terms of comments from the executives, | 0:39:07 | 0:39:09 | |
the positives were that it was a great and original idea, | 0:39:09 | 0:39:15 | |
a great use of celebrities for humour, etc. | 0:39:15 | 0:39:18 | |
Some of the negatives were that | 0:39:18 | 0:39:20 | |
the display units didn't house the packaging, | 0:39:20 | 0:39:24 | |
so if somebody wanted to purchase the product | 0:39:24 | 0:39:27 | |
they would actually have to call a number, go to a different location. | 0:39:27 | 0:39:31 | |
That's a big negative, Natalie? | 0:39:31 | 0:39:32 | |
It's like Natalie Golf Balls, you've got pictures of the nice, wonderful golf balls, whatever you're using, | 0:39:32 | 0:39:38 | |
and you have to go to a totally different part of the store. It's not great. | 0:39:38 | 0:39:42 | |
-Could I see their product? -Absolutely. | 0:39:42 | 0:39:44 | |
It's incredibly well fabricated, as you can tell. | 0:39:44 | 0:39:48 | |
It's a safe that when you open it up | 0:39:48 | 0:39:52 | |
you have a leaflet that has the celebrity endorsements on it. | 0:39:52 | 0:39:57 | |
-So they really incorporated... -Looks beautiful. | 0:39:57 | 0:40:00 | |
-What do you think, Brian? What do you think? -Very nice. | 0:40:00 | 0:40:03 | |
-Brande? -It's really nice. -Pretty good, right? | 0:40:03 | 0:40:05 | |
-Yeah. -George, could I ask you what did the executives think of Athena? | 0:40:05 | 0:40:09 | |
You came up with a lot of good things, for sure, | 0:40:09 | 0:40:12 | |
the presentation was spectacular, | 0:40:12 | 0:40:14 | |
and they thought your display hit all the brand messaging, | 0:40:14 | 0:40:18 | |
and that was very good. | 0:40:18 | 0:40:19 | |
However, having said that, they felt that what you did was pretty much | 0:40:19 | 0:40:24 | |
a spin on what they had already done, and I'm looking at this. | 0:40:24 | 0:40:28 | |
It wasn't as dynamic as the executives wanted. | 0:40:28 | 0:40:32 | |
There wasn't that much creativity involved in what it was that you | 0:40:32 | 0:40:36 | |
ultimately put together. | 0:40:36 | 0:40:37 | |
At the same time I have to say they loved the fact that your product | 0:40:37 | 0:40:41 | |
was for sale on the display. As opposed to your team, Natalie. | 0:40:41 | 0:40:45 | |
You ready? | 0:40:48 | 0:40:49 | |
Who do you think won, Brian? | 0:40:53 | 0:40:54 | |
I don't know. | 0:40:54 | 0:40:57 | |
Well, it wasn't you. | 0:40:58 | 0:41:00 | |
It was KOTU. | 0:41:00 | 0:41:02 | |
So I just want to congratulate you, great job. | 0:41:02 | 0:41:05 | |
They loved your use of celebrity. They loved your imagination. | 0:41:05 | 0:41:09 | |
They thought your team really was superior. | 0:41:09 | 0:41:12 | |
Congratulations, Natalie, as the winning project manager, | 0:41:12 | 0:41:15 | |
20,000 to your favourite charity. What is that? | 0:41:15 | 0:41:18 | |
The Boys & Girls Club of America. | 0:41:18 | 0:41:20 | |
-That's great, have a good time. -Thank you. -Go ahead. | 0:41:20 | 0:41:23 | |
Athena, as you know, somebody will be fired. | 0:41:27 | 0:41:31 | |
-All right. -We've got to watch, we've got to watch. -OK. Pop the champagne. | 0:41:40 | 0:41:46 | |
-Congratulations. -Thank you. To us, guys. Good job, everybody. | 0:41:46 | 0:41:49 | |
-This was a team effort. -KOTU. | 0:41:49 | 0:41:51 | |
Melissa's in the boardroom right now, but you know what, | 0:41:51 | 0:41:55 | |
I know she's not going home. | 0:41:55 | 0:41:56 | |
I had dinner with Annie the night before. | 0:41:56 | 0:41:59 | |
Annie said "Brande's got to go, she's stupid, | 0:41:59 | 0:42:01 | |
"Brande is not helping the team, we've got to get rid of Brande," | 0:42:01 | 0:42:04 | |
"we've got to eliminate her." | 0:42:04 | 0:42:06 | |
-Brande's going. -Think so? -Yeah. | 0:42:06 | 0:42:10 | |
-DONALD TRUMP: -So, Brian, what happened? | 0:42:10 | 0:42:13 | |
We thought that trying to do something completely different | 0:42:13 | 0:42:16 | |
than what they had already done may not have been the best way to go. | 0:42:16 | 0:42:20 | |
After meeting with Todd, I kind of felt like he loved being the guy, | 0:42:20 | 0:42:24 | |
and we talked about using celebrity, we talked about different things. | 0:42:24 | 0:42:27 | |
But we ultimately went with our gut feeling, which was to pretty much | 0:42:27 | 0:42:31 | |
do what they'd been doing. | 0:42:31 | 0:42:33 | |
Did you think they had a celebrity advantage with Joan and with Clint? | 0:42:33 | 0:42:37 | |
Not necessarily. | 0:42:37 | 0:42:39 | |
Jesse, what do you think? | 0:42:39 | 0:42:40 | |
I don't think it was an advantage. Their packaging was better executed. | 0:42:40 | 0:42:44 | |
Better packaging. They loved the celebrity use. | 0:42:44 | 0:42:47 | |
But I would say the packaging was quite a bit better. | 0:42:47 | 0:42:51 | |
George, who would you say was the reason for their defeat? You followed the team. | 0:42:51 | 0:42:55 | |
That's a hard call, I don't want to pin anyone down, | 0:42:55 | 0:42:59 | |
but I did say that they were going to have a problem time-wise. | 0:42:59 | 0:43:02 | |
When I looked at it, and I know how much time is involved in putting | 0:43:02 | 0:43:05 | |
one of these things together, and if you don't leave enough time to do it, | 0:43:05 | 0:43:09 | |
it's going to come back and bite you. | 0:43:09 | 0:43:11 | |
So, Annie, would you blame the project manager for that? | 0:43:11 | 0:43:14 | |
I was so concerned about the deadlines, | 0:43:16 | 0:43:20 | |
and every time I brought it up the response I got was, "It's OK." | 0:43:20 | 0:43:23 | |
-From who? From who? -Mainly from Brian. | 0:43:23 | 0:43:25 | |
It was, "It's OK, we're fine," and "It's not going to be a problem." | 0:43:25 | 0:43:29 | |
-Brian, is that so? -It is. There were some unfortunate things that happened | 0:43:29 | 0:43:33 | |
and I guess I could have panicked and really tried to push these guys. | 0:43:33 | 0:43:36 | |
George, what do you think of Brian as the project manager? | 0:43:36 | 0:43:40 | |
The project manager was laid-back, that was one thing that concerned me. | 0:43:40 | 0:43:43 | |
He's a cool guy. That's Brian, he's a cool guy, he's a laid-back guy. | 0:43:43 | 0:43:47 | |
I thought he did a great job except for the time management. | 0:43:47 | 0:43:50 | |
Except for the time. Who was the weak member of your team? | 0:43:50 | 0:43:53 | |
-JOAN RIVERS: -Let's watch this one. Brande's going. | 0:43:53 | 0:43:56 | |
'Brian. His time management skills were poor.' | 0:44:00 | 0:44:03 | |
Annie is a troublemaker. | 0:44:03 | 0:44:05 | |
Annie is a troublemaker? | 0:44:05 | 0:44:07 | |
She said to me, "I'm taking Brande out." She hasn't mentioned Brande. She's a snake. | 0:44:07 | 0:44:12 | |
So, Melissa, whose fault is it that you lost? | 0:44:12 | 0:44:16 | |
I honestly feel that it falls upon a number of different shoulders. | 0:44:16 | 0:44:23 | |
Anything to do with your shoulders? | 0:44:23 | 0:44:25 | |
I don't think so, because I worked primarily on backing up Annie, | 0:44:25 | 0:44:29 | |
really putting together strong information and working with Brian for the presentation. | 0:44:29 | 0:44:34 | |
No, no, you lost focus. | 0:44:34 | 0:44:35 | |
If you spent a lot of time on presentation, you were not being judged on the presentation. | 0:44:35 | 0:44:41 | |
You were being judged on the messaging and originality. | 0:44:41 | 0:44:44 | |
And so if you spent more time on messaging and originality | 0:44:44 | 0:44:47 | |
you might have ended up with a superior product than you did. | 0:44:47 | 0:44:50 | |
Can I defend myself, completely respectfully? | 0:44:50 | 0:44:53 | |
I could not do anything to help Annie and start editing | 0:44:53 | 0:44:59 | |
until she gave me something finished, so instead of doing nothing, | 0:44:59 | 0:45:02 | |
I went ahead and got into research. | 0:45:02 | 0:45:04 | |
Except that the focus was not on research, the focus... | 0:45:04 | 0:45:07 | |
-No, the focus WAS on research. -No, it was turning out product. -I was told to research. | 0:45:07 | 0:45:11 | |
-I understand. JOAN: -Oh, stop it, George. | 0:45:11 | 0:45:13 | |
So I feel maybe there was a miscommunication, | 0:45:13 | 0:45:16 | |
-but I feel that criticism was a little unjustified. -What do you think, Joan? | 0:45:16 | 0:45:20 | |
I think they're out to get Melissa, and Annie is saying nothing | 0:45:20 | 0:45:24 | |
cos she's out... I'm not coming in tomorrow. | 0:45:24 | 0:45:27 | |
-I'm -BLEEP -out of here too. This is so unfair. | 0:45:27 | 0:45:30 | |
Brande, if you were me, who would you fire? | 0:45:30 | 0:45:34 | |
Well, as far as I saw, everybody did the job they were supposed to do, | 0:45:35 | 0:45:39 | |
so then it falls on the project manager's hands. | 0:45:39 | 0:45:42 | |
Jesse, if you were me, who would you fire? | 0:45:44 | 0:45:47 | |
Probably Brian. | 0:45:47 | 0:45:49 | |
-Melissa, who would you fire? -This is really hard for me to say. -I know it is, I know. | 0:45:51 | 0:45:56 | |
-We all like Brian, we all like everybody. -No, I'll actually say Brande. | 0:45:56 | 0:45:59 | |
-You would say... Why, didn't do anything? -I think that Brande, | 0:45:59 | 0:46:03 | |
when given a task, gives 100%, | 0:46:03 | 0:46:06 | |
but with the numbers dwindling, I think everybody has to work with more forethought, | 0:46:06 | 0:46:10 | |
and I feel like there's not that extra step, thinking ahead. | 0:46:10 | 0:46:15 | |
Brande, how would you respond? | 0:46:15 | 0:46:17 | |
I give 190%, and when I'm told to do something, I do it... | 0:46:17 | 0:46:23 | |
-And I agree. -..and do it with zest, | 0:46:23 | 0:46:24 | |
and my job was to go and work on the display case, | 0:46:24 | 0:46:28 | |
and that is the one thing that they said that they liked. | 0:46:28 | 0:46:31 | |
Annie, how do you feel about Brande? | 0:46:33 | 0:46:35 | |
I would say Brande's an incredibly hard worker and I love her, | 0:46:35 | 0:46:38 | |
but she doesn't stick her neck out, and I think that... | 0:46:38 | 0:46:42 | |
In poker, it's interesting. | 0:46:42 | 0:46:43 | |
You have people who play to last and people who play to win. | 0:46:43 | 0:46:46 | |
Those who play to last, while they might get farther in a tournament, don't make money in the long run. | 0:46:46 | 0:46:51 | |
The people who play to win will have some colossal failures. | 0:46:51 | 0:46:55 | |
But along with that come colossal successes. | 0:46:55 | 0:46:59 | |
Would you not say that you are playing to last? | 0:46:59 | 0:47:02 | |
Not to win, by not stepping up as project manager? | 0:47:02 | 0:47:04 | |
It bothers me, because you are THE dominant personality every time you are on a team, | 0:47:04 | 0:47:09 | |
you're very authoritative. | 0:47:09 | 0:47:11 | |
-Absolutely. -You're very assertive, except when it counts, putting your neck on the line. | 0:47:11 | 0:47:15 | |
I completely agree with you that it is, 100%, time for me to step up and be project manager. | 0:47:15 | 0:47:20 | |
Brian, your ass is on the line, | 0:47:20 | 0:47:22 | |
and yet you're really laid back. Why? | 0:47:22 | 0:47:24 | |
Well, I think we lost because we didn't have as good an idea. | 0:47:25 | 0:47:29 | |
Now, whose fault that is, I don't know. | 0:47:29 | 0:47:31 | |
We took a different approach. If it's my fault | 0:47:31 | 0:47:35 | |
because I didn't crack the whip on people, then maybe it is my fault. | 0:47:35 | 0:47:39 | |
You know what, Brian? We're going to find out whose fault it is. | 0:47:39 | 0:47:43 | |
I'd like you to pick two people to come back into the boardroom with you. Who are they going to be? | 0:47:43 | 0:47:48 | |
I'll choose Brande and Melissa. | 0:47:48 | 0:47:52 | |
See, they're going after Melissa. | 0:47:52 | 0:47:54 | |
We've heard from all of them Brande is the weak one, | 0:47:54 | 0:47:56 | |
and they're going to take it out on Melissa. | 0:47:56 | 0:48:00 | |
That's how I feel. | 0:48:00 | 0:48:02 | |
Don't make her the scapegoat! | 0:48:02 | 0:48:05 | |
This girl is such a conniver. | 0:48:05 | 0:48:07 | |
We didn't know that Annie had been talking to Joan about | 0:48:07 | 0:48:11 | |
what was going on with their team. | 0:48:11 | 0:48:13 | |
I'm just so angry, I'm out of here. Truly out of here. | 0:48:13 | 0:48:17 | |
We know now that mother hen is going to protect her chick. | 0:48:17 | 0:48:20 | |
I'll sit outside. They're going to come in here, yes? | 0:48:20 | 0:48:23 | |
All right, go outside. | 0:48:23 | 0:48:25 | |
The other two, go, have a good time at Trump Tower. | 0:48:25 | 0:48:28 | |
Brian, you and your group come back in a few minutes, thank you. | 0:48:28 | 0:48:33 | |
-I'm not going anywhere, but... -I understand. | 0:48:48 | 0:48:52 | |
-After I have been told she despises Brande... -Understood. | 0:48:52 | 0:48:55 | |
..and you don't stand up and say it! | 0:48:55 | 0:48:58 | |
My reaction was shock and FURY. | 0:48:58 | 0:49:02 | |
Fury at myself, because I had totally disliked Annie the minute I met her. | 0:49:02 | 0:49:07 | |
I love you, I love you, I love you. | 0:49:07 | 0:49:09 | |
This is disgusting. | 0:49:09 | 0:49:11 | |
This is a snake. | 0:49:11 | 0:49:13 | |
I'll be sitting right outside. | 0:49:13 | 0:49:16 | |
-You OK? -I just feel... -I understand. -No, you don't understand. | 0:49:24 | 0:49:30 | |
You should have spoken up, I am sorry. You should have spoken up. | 0:49:30 | 0:49:34 | |
When you tell me privately how bad Brande is, and then you don't... | 0:49:34 | 0:49:37 | |
-I said it! -Oh, Annie, you didn't! | 0:49:37 | 0:49:40 | |
I said exactly what I said I was going to do. | 0:49:40 | 0:49:42 | |
It was very wishy-washy, it's not right. | 0:49:42 | 0:49:45 | |
You can't be so strong in private, and... | 0:49:45 | 0:49:48 | |
Joan, I completely threw her under the bus. | 0:49:48 | 0:49:51 | |
Joan is so protective of her daughter, | 0:49:51 | 0:49:53 | |
and, honestly, I think overly so. | 0:49:53 | 0:49:55 | |
She felt I didn't defend Melissa or lay into Brande enough. | 0:49:55 | 0:49:58 | |
-Well, I apologise. I... -I don't want to hear apologies! | 0:49:58 | 0:50:02 | |
Why didn't you say what you said to me to them?! | 0:50:02 | 0:50:05 | |
I think it's a miscommunication in terms of what the poker analogy is. | 0:50:05 | 0:50:10 | |
That's a strong statement for someone who plays my game. | 0:50:10 | 0:50:12 | |
-Melissa's the one who's not going to come out. -I don't think so. -He loves Brande. | 0:50:12 | 0:50:16 | |
I think Melissa is totally safe. | 0:50:16 | 0:50:18 | |
I'm just telling you, if Melissa goes and Brande stays, I go with her. | 0:50:18 | 0:50:23 | |
I don't care what it blows and how it blows. | 0:50:23 | 0:50:26 | |
-'Amanda, let them in.' -Yes, sir. | 0:50:27 | 0:50:30 | |
Sit down, please. Brian, right here. | 0:50:40 | 0:50:42 | |
So, Brian, you're not that surprised that you lost, are you? | 0:50:45 | 0:50:49 | |
No, I thought with the time constrictions that we had, | 0:50:49 | 0:50:53 | |
we didn't have the product we wanted. | 0:50:53 | 0:50:55 | |
It wasn't really any fault of ours, | 0:50:55 | 0:50:57 | |
-but, again... -Well, the concept was your fault. | 0:50:57 | 0:51:00 | |
The concept was our fault. | 0:51:00 | 0:51:01 | |
Melissa, the reason you lost? | 0:51:03 | 0:51:05 | |
Erm, I think we had a lot of problems from the get-go. | 0:51:05 | 0:51:08 | |
I think Annie, as usual, attempted to take over the room and dominate with her ideas. | 0:51:08 | 0:51:12 | |
Are you surprised that Brian brought you back into the boardroom? | 0:51:12 | 0:51:15 | |
-Me, personally? -Yes. -Yes. | 0:51:15 | 0:51:17 | |
Brian, why did you bring Melissa back? | 0:51:17 | 0:51:19 | |
Well, you told me I had to bring two. | 0:51:19 | 0:51:21 | |
Wasn't necessarily cos I thought Melissa did a bad job. | 0:51:21 | 0:51:24 | |
Of these two, who should be fired? | 0:51:24 | 0:51:26 | |
I can't fire anybody, I'm not like you. | 0:51:27 | 0:51:31 | |
You're nicer than me. I think you're a great guy. | 0:51:31 | 0:51:36 | |
I think you're a nice guy and you don't like the idea of firing people, and that's OK. | 0:51:36 | 0:51:40 | |
-Brande? -Yes. -What do you have to say? | 0:51:40 | 0:51:43 | |
Erm...well, honestly, I don't think Brian wants to be here any more. | 0:51:43 | 0:51:49 | |
Is that true, Brian? | 0:51:49 | 0:51:51 | |
Well, this is tough to do. | 0:51:51 | 0:51:53 | |
-It's tough for everybody. -You're right. | 0:51:53 | 0:51:56 | |
You're not the only one. For everybody here it's tough. It's tough for Joan. | 0:51:56 | 0:52:00 | |
Joan's a little bit older than you and me and everybody. | 0:52:00 | 0:52:04 | |
-Not me. -Not George! | 0:52:04 | 0:52:07 | |
Come to think of it, probably not George. | 0:52:07 | 0:52:09 | |
But you went away for a concert and you came back and seem to have lost your energy | 0:52:09 | 0:52:13 | |
or your desire to win at this point. | 0:52:13 | 0:52:17 | |
It wasn't necessarily to win, | 0:52:17 | 0:52:18 | |
it's just there's SO many other things that are going on with me right now. | 0:52:18 | 0:52:22 | |
Brian, have you had enough? | 0:52:22 | 0:52:24 | |
In some ways. | 0:52:24 | 0:52:26 | |
It's hard for you to go through with this now, right? | 0:52:26 | 0:52:29 | |
It can be difficult. It's just you're dealing with a lot of different things. | 0:52:29 | 0:52:33 | |
-You get beat up a bit, it's called life. -You start wading through the bull -BLEEP. | 0:52:33 | 0:52:37 | |
In any event, it's very interesting, Brian, | 0:52:37 | 0:52:39 | |
cos as project manager and as somebody that I have a lot of respect for, | 0:52:39 | 0:52:43 | |
and I love your voice, I think it's fantastic | 0:52:43 | 0:52:45 | |
and you're going to do very well, but you did lose that certain drive | 0:52:45 | 0:52:51 | |
-that you had strongly at the beginning. -I know. | 0:52:51 | 0:52:54 | |
All right, Brian, you're fired, go. | 0:52:56 | 0:52:58 | |
Thank you...very much. Thank you. | 0:52:58 | 0:53:01 | |
Thank you. | 0:53:01 | 0:53:04 | |
Love you, George. | 0:53:06 | 0:53:08 | |
Bye now. | 0:53:08 | 0:53:09 | |
I didn't love the boardroom too much, nobody does, | 0:53:18 | 0:53:21 | |
it's kind of like being a six-year-old in the principal's office. | 0:53:21 | 0:53:24 | |
'Every time you go in you don't know what's going to happen, | 0:53:24 | 0:53:27 | |
'but I think that if you look at who's responsible for the loss,' | 0:53:27 | 0:53:32 | |
I think that he fired the right person because I was the leader. | 0:53:32 | 0:53:35 | |
-Hello. -What did I tell you? | 0:53:42 | 0:53:44 | |
I thought it was...see! | 0:53:44 | 0:53:46 | |
So it was Brian? | 0:53:46 | 0:53:47 | |
-So that's it, Brian's gone? -That's it, Brian's gone. -I told you, Joan! | 0:53:47 | 0:53:50 | |
I was very relieved to see Melissa walk back in, | 0:53:52 | 0:53:55 | |
cos Annie just left Melissa out to dry. | 0:53:55 | 0:53:58 | |
Annie is totally two-faced. | 0:53:58 | 0:54:01 | |
Annie is a manipulator, | 0:54:01 | 0:54:04 | |
and you suddenly realise this is such a snake in your midst. | 0:54:04 | 0:54:09 | |
-Amanda, bring 'em back in. -Yes, sir. | 0:54:10 | 0:54:13 | |
-PHONE RINGS Herschel, Herschel, get the phone. -Quick! | 0:54:18 | 0:54:23 | |
Hello? | 0:54:23 | 0:54:24 | |
Hi, Mr Trump would like to see you all back in the boardroom now. | 0:54:24 | 0:54:27 | |
Thank you. He wants to see us back in the boardroom. | 0:54:27 | 0:54:31 | |
Uh-oh, we're all getting fired! | 0:54:31 | 0:54:33 | |
Into the boardroom. | 0:54:33 | 0:54:35 | |
We thought, "Uh-oh, something really is up here." | 0:54:35 | 0:54:38 | |
'And I couldn't wait to get back in to find out what.' | 0:54:38 | 0:54:42 | |
Sit down, please. | 0:54:48 | 0:54:50 | |
I want to congratulate all of you for making it to the final eight. | 0:55:00 | 0:55:05 | |
You've been through a lot. | 0:55:05 | 0:55:08 | |
You've worked hard. | 0:55:08 | 0:55:10 | |
It's a lot of work, it really is, it's gruelling, | 0:55:10 | 0:55:14 | |
and you're all strong and you're all smart and you're all tough. | 0:55:14 | 0:55:18 | |
I called you back in because your next task starts right now. | 0:55:18 | 0:55:22 | |
'What? We were all packed to go.' | 0:55:23 | 0:55:26 | |
And we were tired and we thought, | 0:55:26 | 0:55:27 | |
"What is happening here?" | 0:55:27 | 0:55:30 | |
'I have never worked so hard in my life. This is just crazy.' | 0:55:30 | 0:55:34 | |
There's nothing more challenging than raising money in this dreadful economy. | 0:55:34 | 0:55:38 | |
But that's what you have to do. | 0:55:38 | 0:55:40 | |
Your next task is to go out and hold a fashion show | 0:55:40 | 0:55:45 | |
and jewellery auction. | 0:55:45 | 0:55:47 | |
My daughter Ivanka's a very special person, | 0:55:47 | 0:55:50 | |
and she's designed a jewellery line which is doing very, very well, | 0:55:50 | 0:55:54 | |
and you will be selecting the jewellery for your auctions from her collection. | 0:55:54 | 0:55:59 | |
You'll be holding your auction at the Fashion Institute Of Technology which is a real winner of a place. | 0:55:59 | 0:56:06 | |
Now, you're going to choose models, | 0:56:06 | 0:56:08 | |
you're going to choose what the models are going to be wearing, | 0:56:08 | 0:56:12 | |
and you'll be choosing the jewellery. You're choosing everything. | 0:56:12 | 0:56:15 | |
You'll need to call all of your rich friends to come down and bid on the jewellery, | 0:56:15 | 0:56:19 | |
and I'll have some people there as well. | 0:56:19 | 0:56:21 | |
One member of each team will be the auctioneer. | 0:56:21 | 0:56:24 | |
Now, who is going to be your project manager? | 0:56:24 | 0:56:26 | |
-Annie, are you going to be project manager? -Happily so. | 0:56:26 | 0:56:30 | |
'It was starting to look like I was avoiding being project manager, but I specifically wanted' | 0:56:30 | 0:56:35 | |
to make sure I was project managing a fundraising task, | 0:56:35 | 0:56:38 | |
which was very important to me strategically. | 0:56:38 | 0:56:40 | |
OK. KOTU. | 0:56:40 | 0:56:42 | |
We were talking and we were saying Herschel at this point. | 0:56:42 | 0:56:45 | |
Well, I'd like to recommend somebody. | 0:56:45 | 0:56:47 | |
Who would you like to recommend? | 0:56:47 | 0:56:49 | |
I think I'd recommend Joan! | 0:56:49 | 0:56:51 | |
Of course, Joan, the risk is that you lose and maybe you get fired | 0:56:52 | 0:56:56 | |
because you have a better chance as a project manager, | 0:56:56 | 0:56:59 | |
but the beauty is the winning project manager in this case | 0:56:59 | 0:57:02 | |
could win a tremendous amount of money for your charity. So are you OK being project manager? | 0:57:02 | 0:57:07 | |
-Absolutely. -I'm going to crush you, Joan. | 0:57:07 | 0:57:10 | |
'I will kill to win, cos Annie is totally two-faced. | 0:57:10 | 0:57:15 | |
'She bluffs, she lies.' | 0:57:15 | 0:57:16 | |
That's all what you do in poker. She's not an honourable person. | 0:57:16 | 0:57:21 | |
So, my beautiful Joan, and Annie, let's see what happens. | 0:57:21 | 0:57:26 | |
OK, make it a really great show. | 0:57:26 | 0:57:28 | |
I'll be in the audience to see what you've come up with, go. Thank you. | 0:57:28 | 0:57:32 | |
Guys, everybody sit down. OK, here's what I'd like. | 0:57:45 | 0:57:47 | |
Jesse, I need cool brochures for our pieces. | 0:57:47 | 0:57:51 | |
-Why don't we make a preview brochure? -Yeah, that's what I'm saying. -OK. -That's number one. | 0:57:51 | 0:57:55 | |
So we went to the war room and the first thing I did, | 0:57:55 | 0:57:57 | |
I assigned tasks, which is something that people haven't been | 0:57:57 | 0:58:00 | |
smart about, and as a leader that's what I'm supposed to do. | 0:58:00 | 0:58:03 | |
Now, in terms of picking the pieces of jewellery, | 0:58:03 | 0:58:07 | |
so Melissa's going to pick jewellery. | 0:58:07 | 0:58:09 | |
I love dealing with jewellery. | 0:58:09 | 0:58:12 | |
My mum runs a very, very successful jewellery company. | 0:58:12 | 0:58:16 | |
I, in the last few years, have been brought into the company, | 0:58:16 | 0:58:19 | |
so I thought, "OK, this is right up my alley." | 0:58:19 | 0:58:21 | |
-Melissa's going to pick jewellery. -And I can handle picking clothes to go with jewellery too. -Well, erm... | 0:58:21 | 0:58:26 | |
-Cos that should be all the same. -Brande's going to be the head of that. | 0:58:26 | 0:58:30 | |
-OK. -Cos I think you know the most about beautiful women. -OK. | 0:58:30 | 0:58:34 | |
'This is kinda like my forte, I know how TO DO this.' | 0:58:34 | 0:58:40 | |
And Annie said, "Brande's going to really be in charge of the clothes." OK...cool. | 0:58:40 | 0:58:44 | |
It's my business, but you run with that, ladies. | 0:58:44 | 0:58:47 | |
-Who's going to call the modelling agency? -I'll call. | 0:58:47 | 0:58:50 | |
-Why don't you just let me do that, you're going to have a lot to do. -OK. We are so winning this thing. | 0:58:50 | 0:58:55 | |
You think? | 0:58:55 | 0:58:56 | |
'When I heard what the task was going to be I was SO excited.' | 0:58:56 | 0:59:00 | |
This is right up my alley. | 0:59:00 | 0:59:02 | |
Yeah, if you want to e-mail right now. Perfect. | 0:59:02 | 0:59:05 | |
Thanks, you too. Bye. | 0:59:05 | 0:59:07 | |
There's only ten models, he's sending them all to us right now | 0:59:07 | 0:59:10 | |
so we can look at them and choose, and then we get first pick. | 0:59:10 | 0:59:13 | |
Oh, you are just rocking out. Check you out. | 0:59:13 | 0:59:16 | |
Thank you. This is my alley right here. | 0:59:16 | 0:59:19 | |
For me, I know how to do things with fashion and jewellery, | 0:59:19 | 0:59:24 | |
'that's my thing.' | 0:59:24 | 0:59:26 | |
Go ahead and pool all your most fabulous size two and four evening gowns. | 0:59:26 | 0:59:32 | |
We'll be there at noon. Thanks. | 0:59:32 | 0:59:34 | |
I'm going to look at the models. | 0:59:34 | 0:59:36 | |
OK, Annie, so I just called and asked Sylvia to pool all of her evening gowns. | 0:59:36 | 0:59:40 | |
How did you do that? | 0:59:40 | 0:59:42 | |
That's amazing! | 0:59:42 | 0:59:43 | |
That's my specialty, connections! | 0:59:43 | 0:59:45 | |
That is good. | 0:59:45 | 0:59:47 | |
Thank you! | 0:59:47 | 0:59:48 | |
On the last task, Annie was frustrated with Brande. | 0:59:48 | 0:59:51 | |
-You are kicking ass today. -You're right. -You're just stepping up to the plate. | 0:59:51 | 0:59:55 | |
She's not said one nice thing about her. | 0:59:55 | 0:59:57 | |
"She's not strong enough. | 0:59:57 | 0:59:59 | |
"She doesn't work enough. She's annoying..." | 0:59:59 | 1:00:02 | |
And next thing I know those two are like... | 1:00:02 | 1:00:05 | |
SHE MAKES KISSING SOUND | 1:00:05 | 1:00:07 | |
What you're doing - calling people ahead, getting stuff set aside and everything is so smart, | 1:00:07 | 1:00:11 | |
-and I just want to thank you for it. -Of course, baby! You really were there for me. | 1:00:11 | 1:00:15 | |
I'm really shocked at this change of events with Annie, | 1:00:15 | 1:00:19 | |
cos I thought Annie and I worked really well together. | 1:00:19 | 1:00:22 | |
I feel so stabbed in the back, it's unbelievable. Unbelievable! | 1:00:22 | 1:00:28 | |
-Brande, by the way, has been kicking ass. -This is going to be fun. | 1:00:28 | 1:00:32 | |
-I'm going to buy this -BLEEP -victory for us, dude. | 1:00:32 | 1:00:35 | |
So let's just talk about what our chores are going to be | 1:00:35 | 1:00:38 | |
and then we'll all get busy calling. | 1:00:38 | 1:00:40 | |
Natalie, you can go alone to pick the jewellery. | 1:00:40 | 1:00:44 | |
And I want to get the nicest, cheapest stuff. That's our goal? | 1:00:44 | 1:00:48 | |
Yeah. | 1:00:48 | 1:00:50 | |
I picked Natalie to go and choose the jewellery | 1:00:50 | 1:00:53 | |
cos I wanted Natalie to feel like she's part of it | 1:00:53 | 1:00:55 | |
and that's she's not just an athlete, she's still very feminine, | 1:00:55 | 1:00:58 | |
which she is, and she's straight - | 1:00:58 | 1:01:01 | |
which for a golfer is very unusual. | 1:01:01 | 1:01:04 | |
So let her go. | 1:01:04 | 1:01:05 | |
Clint, you're auctioneer, is that correct? | 1:01:05 | 1:01:07 | |
Yeah. I've done auctions, I can bleed people. | 1:01:07 | 1:01:11 | |
OK. This is a fundraiser. | 1:01:11 | 1:01:14 | |
Annie, who is opposite me as project manager. | 1:01:14 | 1:01:17 | |
-She claims she has 40... -She can bring in 40? I don't believe that. | 1:01:17 | 1:01:20 | |
Annie is a manipulator. | 1:01:20 | 1:01:23 | |
Annie would spit on the ground and drown her mother in it | 1:01:23 | 1:01:26 | |
if it gave her one step forward in her life. | 1:01:26 | 1:01:29 | |
She is...she's not a nice person. | 1:01:29 | 1:01:32 | |
What do you think you could do, Natalie? | 1:01:32 | 1:01:34 | |
20-25 grand. | 1:01:34 | 1:01:36 | |
-What do you think, Clint? -I may be able to get up to 25 or 30. -And you think... | 1:01:36 | 1:01:40 | |
I know I got 40 right now. | 1:01:40 | 1:01:42 | |
That's 105,000 right there. | 1:01:42 | 1:01:45 | |
I thought it was really important that we had a goal number, cos this was a fundraiser | 1:01:45 | 1:01:49 | |
and we were going up against what | 1:01:49 | 1:01:51 | |
I feel is the strongest fundraiser in this competition. | 1:01:51 | 1:01:54 | |
And it at least would give Annie some good competition. | 1:01:54 | 1:01:57 | |
And if we can get one rich guy. | 1:01:57 | 1:01:59 | |
See, I got some people who are very wealthy here in New York | 1:01:59 | 1:02:03 | |
that I'm not even counting if they can come by. | 1:02:03 | 1:02:05 | |
Annie, she's been telling us all along she has unlimited funds. | 1:02:05 | 1:02:09 | |
I knew we were going to have a rough time of it, | 1:02:09 | 1:02:12 | |
so I put my guys to work on it immediately. | 1:02:12 | 1:02:15 | |
Hey, it's Clint for John. | 1:02:15 | 1:02:16 | |
Hey, Rick, it's Herschel. | 1:02:16 | 1:02:18 | |
-You guys need to call your people and get the biggest bidders that you can. -OK. | 1:02:20 | 1:02:23 | |
-We're going to put on a show for these people. -OK. | 1:02:23 | 1:02:26 | |
I feel like my job as project manager is two things. | 1:02:26 | 1:02:29 | |
Make sure we run a smooth event | 1:02:29 | 1:02:31 | |
and if I'm bringing in the most money on the team, by far, | 1:02:31 | 1:02:35 | |
I think it will be very hard to fire me. | 1:02:35 | 1:02:37 | |
-'Hello.' -Hey, Scott, here's the deal, | 1:02:37 | 1:02:40 | |
we're auctioning off beautiful jewellery. | 1:02:40 | 1:02:42 | |
-'Right, right.' -So, you know this is for charity, right? | 1:02:42 | 1:02:47 | |
'Yeah, yeah, of course.' | 1:02:47 | 1:02:48 | |
OK, so can you book the first flight out tomorrow morning | 1:02:48 | 1:02:51 | |
to New York to come buy a piece of Ivanka Trump jewellery for 25,000? | 1:02:51 | 1:02:55 | |
'Er, yeah, 25,000 is OK.' | 1:02:55 | 1:02:57 | |
And, like, if I needed you to go more you could do that, right? | 1:02:57 | 1:03:00 | |
Like, if I panicked at the end that I didn't have enough money you'd be cool, right? | 1:03:00 | 1:03:04 | |
-'Wow, erm...' -Right? | 1:03:04 | 1:03:07 | |
Annie's very aggressive about raising money. | 1:03:07 | 1:03:11 | |
She almost bullies people. | 1:03:11 | 1:03:13 | |
Hey, Perry, I know you already bought the wedding dress for Robyn. | 1:03:13 | 1:03:16 | |
You should have jewellery to go with it. | 1:03:16 | 1:03:18 | |
I think that she wields enough power in the poker industry | 1:03:18 | 1:03:22 | |
that people are actually scared of her. | 1:03:22 | 1:03:25 | |
So Perry's in for a minimum of 20, and he's like, "Whatever it takes to win." | 1:03:25 | 1:03:29 | |
So just assume 25, then. | 1:03:29 | 1:03:31 | |
No, he'll do 40 if I need him to, he doesn't care. | 1:03:31 | 1:03:34 | |
If you look at past performance, I've out-raised everyone on KOTU. | 1:03:34 | 1:03:38 | |
But the thing that worries me is that | 1:03:38 | 1:03:40 | |
when you look at somebody like Herschel Walker, | 1:03:40 | 1:03:43 | |
clearly he knows some very wealthy people. | 1:03:43 | 1:03:45 | |
We obviously can't control | 1:03:45 | 1:03:47 | |
if the other team's been saving up some crazy, huge fundraiser, right? | 1:03:47 | 1:03:52 | |
So I just want to let you guys know that if we lose the task | 1:03:52 | 1:03:55 | |
I'll have to bring people into the boardroom according to the amount of money that they raised. | 1:03:55 | 1:04:00 | |
And I just think that that's the fairest thing to do. | 1:04:00 | 1:04:02 | |
What? No! We're going to win! | 1:04:03 | 1:04:06 | |
All right, I'm just making sure. | 1:04:06 | 1:04:08 | |
'Annie came in and told us whoever raises the least amount of money | 1:04:08 | 1:04:11 | |
'on this task is going to be taken in to be fired.' | 1:04:11 | 1:04:13 | |
You don't want to sand-bag, but you also don't want | 1:04:13 | 1:04:17 | |
to waste your bullets by bringing big money. | 1:04:17 | 1:04:21 | |
I kinda want it to go to my charity or be more when it counts. | 1:04:21 | 1:04:26 | |
All right, let's go win this. | 1:04:26 | 1:04:28 | |
We're totally going to rock this challenge. | 1:04:28 | 1:04:31 | |
When Natalie went to select the five items | 1:04:36 | 1:04:39 | |
from the Ivanka Trump jewellery collection, | 1:04:39 | 1:04:41 | |
Joan, Clint and myself went to our war room. | 1:04:41 | 1:04:44 | |
So how much do you think Annie will bring in? | 1:04:44 | 1:04:46 | |
Annie could call two poker players and get 140,000. | 1:04:46 | 1:04:50 | |
Let's hope that her friends just lost a bunch of money | 1:04:50 | 1:04:53 | |
and they don't have any cash. | 1:04:53 | 1:04:55 | |
Annie's got them all in her pocket. | 1:04:55 | 1:04:57 | |
We knew Annie was going to bring in a lot of heavy hitters. | 1:04:57 | 1:05:00 | |
And we had to come up with a strategy to beat that. | 1:05:00 | 1:05:04 | |
So I'm certain I have 20,000 in cash coming, say he has 60. | 1:05:04 | 1:05:08 | |
So the trick is going to be, we take the cheapest piece we have | 1:05:08 | 1:05:12 | |
and we buy that with, say, mine and Herschel's combined. | 1:05:12 | 1:05:16 | |
What we came up with was we were going to pool all our money together | 1:05:16 | 1:05:21 | |
and go after one inexpensive piece, | 1:05:21 | 1:05:24 | |
and try to make a large amount of profit on that one inexpensive piece. | 1:05:24 | 1:05:28 | |
If we don't sell a piece, then we don't have to pay the wholesale. | 1:05:28 | 1:05:32 | |
Right. All we want is to sell our cheapest piece for a lot of money. | 1:05:32 | 1:05:37 | |
We're going to win it and knock Annie out. | 1:05:37 | 1:05:40 | |
-Good morning. -Nice to meet you. | 1:05:44 | 1:05:47 | |
Do want to just step right here and I'll go and get the first slide of jewellery. | 1:05:47 | 1:05:52 | |
This is the first slide of jewellery that you have to select from. | 1:05:52 | 1:05:56 | |
The ring. | 1:05:56 | 1:05:57 | |
I wanted to pick out really simple pieces that were classy and would | 1:05:57 | 1:06:02 | |
appeal to a lot of different people. | 1:06:02 | 1:06:04 | |
-I'm going to go with the earrings. -OK. | 1:06:04 | 1:06:07 | |
This is the second lot of jewellery. | 1:06:07 | 1:06:10 | |
I want to get things that look like they have a lot of value to them. | 1:06:10 | 1:06:13 | |
I would like to be able to hit all different types of jewellery, | 1:06:13 | 1:06:16 | |
and things that are going to look good from the stage. | 1:06:16 | 1:06:19 | |
-Mmmm! -And the third lot. -It's my choice now, right? -Mm-hm. | 1:06:19 | 1:06:24 | |
It's kind of hard when you're picking out stuff for yourself | 1:06:24 | 1:06:27 | |
and also you're picking out things somebody else might like. | 1:06:27 | 1:06:30 | |
The ring. | 1:06:30 | 1:06:31 | |
OK. | 1:06:31 | 1:06:32 | |
-Could you try this on for me? -Yeah. | 1:06:32 | 1:06:35 | |
-I'm going to go with the necklace. -OK. | 1:06:35 | 1:06:38 | |
Melissa's selections were different than I expected. | 1:06:38 | 1:06:41 | |
She picked very chunky, trendy pieces, | 1:06:41 | 1:06:44 | |
and I tried to pick more kind of classic, traditional pieces. | 1:06:44 | 1:06:48 | |
This is our last lot, it's lot five. | 1:06:50 | 1:06:52 | |
-The earrings. -OK, good choice. | 1:06:53 | 1:06:55 | |
Natalie picked beautiful jewellery. I mean, she picked things that I too would pick for myself, | 1:06:55 | 1:07:00 | |
but from an auction standpoint they didn't have any pop. | 1:07:00 | 1:07:03 | |
-Thank you very much. -Good luck! -Thank you. | 1:07:03 | 1:07:05 | |
OK, take care. | 1:07:05 | 1:07:07 | |
I am heading off to FIT to join the rest of my team. | 1:07:07 | 1:07:09 | |
At this point I don't know how my team is going to react to anything. | 1:07:09 | 1:07:13 | |
Things have been going on that | 1:07:13 | 1:07:15 | |
have made me question a lot of people on my team. | 1:07:15 | 1:07:17 | |
We definitely outsmarted them on the picks. | 1:07:19 | 1:07:22 | |
Natalie thought about what she would like rather than what it's going to look like, a lot of value. | 1:07:22 | 1:07:27 | |
So would anyone like to see? Starting are these earrings. | 1:07:27 | 1:07:30 | |
I was excited to show the jewellery, | 1:07:30 | 1:07:32 | |
but they didn't even bother patting me on the back. | 1:07:32 | 1:07:35 | |
They took it, looked through the pictures, bam. Didn't really care. | 1:07:35 | 1:07:39 | |
-Hi, guys! -Hi. | 1:07:42 | 1:07:44 | |
So we got what? | 1:07:44 | 1:07:46 | |
Diamond earrings... | 1:07:46 | 1:07:48 | |
Which are the cheapest? | 1:07:48 | 1:07:49 | |
Here, I'll show you the order of cheap to... | 1:07:49 | 1:07:52 | |
After I picked out the jewellery, | 1:07:52 | 1:07:53 | |
I got some pictures and some information, | 1:07:53 | 1:07:55 | |
and I was excited to go back to my team to show them. | 1:07:55 | 1:07:58 | |
Small signature oval diamond drop earrings. | 1:07:58 | 1:08:01 | |
'I'm not happy with the jewellery that was picked out. | 1:08:01 | 1:08:04 | |
'It's beautiful, it's classic.' | 1:08:04 | 1:08:06 | |
But some of them were smaller than we thought they were going to be. | 1:08:06 | 1:08:09 | |
And they will not present themselves as well on a runway. | 1:08:09 | 1:08:12 | |
So your daughter, by the way, picked very flashy, chunky things, like this. | 1:08:12 | 1:08:18 | |
She's right. | 1:08:18 | 1:08:19 | |
Very, very chunky. | 1:08:19 | 1:08:21 | |
We didn't have a wow. | 1:08:21 | 1:08:23 | |
We didn't have a piece that when a girl walked out, you went, "Huh!" | 1:08:23 | 1:08:27 | |
I tried to get pieces that anybody could wear. | 1:08:27 | 1:08:31 | |
Yeah. | 1:08:31 | 1:08:32 | |
I'm not particularly happy with the donor situation. | 1:08:43 | 1:08:46 | |
I mean, let's be real, we only have four people left, | 1:08:46 | 1:08:49 | |
and I know that half my team aren't particularly good fundraisers. | 1:08:49 | 1:08:52 | |
It's Melissa. | 1:08:52 | 1:08:54 | |
Do you think she'd be into buying a major piece of jewellery? | 1:08:54 | 1:08:57 | |
Could you call her and tell her that I'll be calling her? | 1:08:57 | 1:09:02 | |
'I've watched other people fundraise. They get on the phone and they go like this,' | 1:09:02 | 1:09:06 | |
"Hi, we're doing a thing, do you think you could give me anything?" | 1:09:06 | 1:09:10 | |
They're not giving parameters, they're not asking for an amount. | 1:09:10 | 1:09:13 | |
Is it Stewey? I will come over and I'll tell Stewey he better pay up. | 1:09:15 | 1:09:19 | |
Annie and I were definitely spearheading the phone calls | 1:09:19 | 1:09:22 | |
to try to get the donors, cos we're going to need to pick up | 1:09:22 | 1:09:25 | |
the slack of Melissa and Jesse, | 1:09:25 | 1:09:27 | |
so we had to really, really pull out all the stops and call everybody. | 1:09:27 | 1:09:31 | |
-Stewey, it's Annie, do you remember me? -'Yeah.' | 1:09:31 | 1:09:34 | |
So how much do you think you'd be willing to buy a piece of jewellery from? | 1:09:34 | 1:09:38 | |
'I'm an impulse kind of guy, honey, | 1:09:38 | 1:09:41 | |
'it could be zero right up to a billion, | 1:09:41 | 1:09:43 | |
'it's what I feel like doing...' | 1:09:43 | 1:09:45 | |
Well, if you give us a billion, we'll win! | 1:09:45 | 1:09:48 | |
One of my donors said he will raise as much money that needs | 1:09:48 | 1:09:51 | |
to be raised up to a billion dollars. | 1:09:51 | 1:09:54 | |
I'm sure he was exaggerating, but it got the point across. | 1:09:54 | 1:09:58 | |
'Don't worry, I probably will not let you guys down.' | 1:09:58 | 1:10:01 | |
We appreciate it. OK, have a good day. Bye. | 1:10:01 | 1:10:05 | |
-You know, I have this idea that I'd like to win this -BLEEP -task. | 1:10:05 | 1:10:08 | |
-Well, we're going to. -THEY LAUGH | 1:10:08 | 1:10:10 | |
Annie, who could not STAND Brande, | 1:10:10 | 1:10:14 | |
I mean, these two are now thick as thieves. | 1:10:14 | 1:10:18 | |
I know, I know, I'm going to try... | 1:10:18 | 1:10:20 | |
And now they're like bestie, bestie, besties. It's freaking Lord Of The Flies. | 1:10:20 | 1:10:24 | |
I have no idea why this turn of events. | 1:10:27 | 1:10:29 | |
-It's a lot of bull -BLEEP -if you ask me. | 1:10:29 | 1:10:32 | |
Let's talk about our money. | 1:10:41 | 1:10:43 | |
I'm at 20, I'm waiting to hear if I'm going to 30. | 1:10:43 | 1:10:47 | |
OK, and what are you at, Herschel? | 1:10:47 | 1:10:49 | |
Erm, about 45. | 1:10:49 | 1:10:51 | |
I think Herschel and Clint did a great job with fundraising, | 1:10:51 | 1:10:55 | |
raised a ton of money, but it's not easy to do. | 1:10:55 | 1:10:57 | |
It makes me very uncomfortable to ask my friends for money. | 1:10:57 | 1:11:00 | |
Some people love it, I don't like it at all. | 1:11:00 | 1:11:02 | |
This sucks, it's going to be really hard going. | 1:11:02 | 1:11:05 | |
I've got calls in to everybody I know, I'm not sitting here going, "I can't raise." | 1:11:05 | 1:11:09 | |
I've been on the phone all morning calling people. | 1:11:09 | 1:11:13 | |
-We've just got to do the best we can possibly do. -OK. | 1:11:13 | 1:11:17 | |
I had already exhausted my rolodex of fundraisers, so I was | 1:11:17 | 1:11:20 | |
trying to think of somebody else that would want to give me money. | 1:11:20 | 1:11:23 | |
You know what? | 1:11:23 | 1:11:24 | |
Is there any poker players that would like to beat Annie? | 1:11:24 | 1:11:27 | |
That's a good question. | 1:11:27 | 1:11:29 | |
SHE LAUGHS | 1:11:29 | 1:11:31 | |
I wonder who would know that world. | 1:11:34 | 1:11:36 | |
The best strategy that I could think of was to use | 1:11:36 | 1:11:39 | |
a couple of people that were in the poker world. | 1:11:39 | 1:11:41 | |
It's Natalie, can you hear me? | 1:11:41 | 1:11:43 | |
You've got to get me the number of whoever would ever go against Annie. | 1:11:43 | 1:11:47 | |
So I called to see if there was like an arch rival or somebody | 1:11:47 | 1:11:50 | |
that would be wanting to help me out to go up against Annie. | 1:11:50 | 1:11:53 | |
So I'm finding out exactly who Annie's rivals are, | 1:11:53 | 1:11:56 | |
so I can call all of them and get their money. | 1:11:56 | 1:11:59 | |
-Right, excellent. -We'll see. | 1:11:59 | 1:12:01 | |
-You two can go ahead and go, Clint and I... -I'd like to get there at 12 o'clock. | 1:12:09 | 1:12:13 | |
I'm ready to go cos I have to make a stop. | 1:12:13 | 1:12:15 | |
Natalie and Joan decided to go to a department store and start looking at the different outfits, | 1:12:15 | 1:12:20 | |
so Clint and I stayed back to select the models. | 1:12:20 | 1:12:23 | |
Spread 'em all out. | 1:12:23 | 1:12:25 | |
Are the models ready? | 1:12:25 | 1:12:27 | |
Hi, come on in. | 1:12:28 | 1:12:29 | |
Can everyone identify who they are by their pictures, cos we're a little tired and confused. | 1:12:29 | 1:12:35 | |
So we have all the jewellery, | 1:12:35 | 1:12:36 | |
now we have to figure out how we want to show it | 1:12:36 | 1:12:39 | |
and find the models that we thought would best represent | 1:12:39 | 1:12:42 | |
each particular piece. | 1:12:42 | 1:12:43 | |
-Do you have pierced ears? -Yes, I do. -OK, great. | 1:12:43 | 1:12:46 | |
So could you start down there, | 1:12:46 | 1:12:47 | |
walk, stop at the chair as if that were the auctioneer and work a bracelet for me? | 1:12:47 | 1:12:52 | |
THEY LAUGH | 1:12:55 | 1:12:57 | |
We definitely wanted models with personality who could help us work the room, | 1:12:57 | 1:13:02 | |
who could be able to sort of vamp, | 1:13:02 | 1:13:04 | |
and play with the audience and keep the excitement going. | 1:13:04 | 1:13:07 | |
-Could you give us the walk and an imaginary bracelet? -Sure. | 1:13:07 | 1:13:10 | |
Can you work the bracelet for me? | 1:13:10 | 1:13:12 | |
I'd buy from her. | 1:13:12 | 1:13:15 | |
-Great, OK, we love you. -Thank you! | 1:13:15 | 1:13:17 | |
No, cos we're going to pull hair back. | 1:13:24 | 1:13:26 | |
Brande, Melissa and Annie were pretty smart about checking out | 1:13:26 | 1:13:30 | |
the girls and making sure they had fresh manicures to show off their | 1:13:30 | 1:13:34 | |
hands with rings and bracelets and making sure their ears were pierced. | 1:13:34 | 1:13:38 | |
You know, which is pretty important! | 1:13:38 | 1:13:40 | |
-I think Clint and Herschel, those guys probably just picked the ones with the biggest -BLEEP. | 1:13:40 | 1:13:45 | |
-How you doing? Herschel. -Hey, I'm Clint. | 1:13:45 | 1:13:47 | |
-Hi. -Nice to meet you. -How you doing? | 1:13:47 | 1:13:50 | |
THEY GIGGLE | 1:13:51 | 1:13:54 | |
Er... | 1:13:54 | 1:13:55 | |
Why don't you just walk, just... | 1:14:00 | 1:14:03 | |
You've walked before... | 1:14:03 | 1:14:05 | |
-Thank you very much. -Thank you, my dear. | 1:14:05 | 1:14:07 | |
You know, there's a lot of beautiful models out there, | 1:14:07 | 1:14:11 | |
and I think it's good to sit them down and to talk to them, | 1:14:11 | 1:14:16 | |
let them get to know you, you get to know them. | 1:14:16 | 1:14:18 | |
Hello there, how you doing? Where'd you get that blonde hair from? | 1:14:18 | 1:14:21 | |
Erm, I don't know, my parents! | 1:14:21 | 1:14:23 | |
-I'm probably a little bit older. -Oh, no, age is good thing. | 1:14:23 | 1:14:26 | |
-Where are you from? -I am from Arkansas. | 1:14:29 | 1:14:31 | |
-You don't know anything about chickens? -Ooh! Fried chicken's my favourite. | 1:14:31 | 1:14:35 | |
I'm a lucky man. | 1:14:35 | 1:14:37 | |
I'm a lucky man I'm on this show. | 1:14:37 | 1:14:38 | |
I want to look at them and prioritise them. | 1:14:38 | 1:14:41 | |
Where's Heidi Klum? | 1:14:41 | 1:14:43 | |
And Naomi Campbell, what? | 1:14:43 | 1:14:44 | |
We need another blonde. we've got dark, dark hair, red hair, blonde. | 1:14:44 | 1:14:47 | |
-We need a blonde. -I know where we can get a model. | 1:14:47 | 1:14:50 | |
Brande could wear the necklace for when Hugie is bidding. | 1:14:51 | 1:14:55 | |
-Who's Hugie? -Stewey. -Oh. | 1:14:55 | 1:14:57 | |
-I can be like, "Look at this beautiful girl, "how can you not buy this thing up there?" -Ohhh! | 1:14:57 | 1:15:01 | |
We decided that Brande would be one of our models, | 1:15:01 | 1:15:04 | |
and we specifically decided she would wear the piece | 1:15:04 | 1:15:07 | |
that her donor was interested in. Then she can work the donor, | 1:15:07 | 1:15:10 | |
cos she has a personal relationship with the donor. | 1:15:10 | 1:15:13 | |
Well, I could always be on stage going, "Come on, that's not enough!" | 1:15:13 | 1:15:16 | |
Yes, yes, yes! See, I think that might be cute. | 1:15:16 | 1:15:18 | |
Brande's the obvious choice to use. She's the bombshell, | 1:15:18 | 1:15:22 | |
she's the ex-playmate, | 1:15:22 | 1:15:24 | |
blah, blah, blah, blah. | 1:15:24 | 1:15:25 | |
I don't think Brande's ego could take it if we didn't choose her. | 1:15:25 | 1:15:30 | |
That's perfect. | 1:15:30 | 1:15:32 | |
I love this. Hello, what size is this? | 1:15:43 | 1:15:45 | |
This is great. Can we take this right off so they don't see it? | 1:15:45 | 1:15:48 | |
'I am very competitive, as we've all found out. | 1:15:48 | 1:15:50 | |
'As project manager I knew we had to get great clothes. | 1:15:50 | 1:15:53 | |
'I saw this red dress and we took it' | 1:15:53 | 1:15:55 | |
and they had two, and I begged them to get the other off the mannequin, | 1:15:55 | 1:15:59 | |
cos I don't want the other team to see it. | 1:15:59 | 1:16:01 | |
This is my friend, Marie Antoinette. | 1:16:01 | 1:16:03 | |
We've got red, we've got black. What other colour have you got? | 1:16:03 | 1:16:07 | |
-Going with the pearl here? -I don't know. | 1:16:07 | 1:16:09 | |
I would... | 1:16:09 | 1:16:11 | |
The pieces that Natalie picked, would I have picked them? | 1:16:11 | 1:16:13 | |
I don't know, I don't know. So I worked with what was brought to me. | 1:16:13 | 1:16:17 | |
-That's the ring for that. Good, good. -That's two. | 1:16:17 | 1:16:20 | |
OK, three is our... | 1:16:20 | 1:16:22 | |
Three, I would like to do a daytime. | 1:16:22 | 1:16:24 | |
Shopping was easy, Joan took control, | 1:16:24 | 1:16:27 | |
she had a good understanding of what she wanted to do. | 1:16:27 | 1:16:30 | |
She was very excited to put all the clothing on the girls | 1:16:30 | 1:16:32 | |
and to really match the jewellery with clothing, and did a great job. | 1:16:32 | 1:16:35 | |
All right, here we go, we got red here, guys. | 1:16:35 | 1:16:38 | |
-It comes with a full bottom? -That's what you call a full bottom(?) -HE LAUGHS | 1:16:38 | 1:16:42 | |
-Yeah, that's...oh. -My! | 1:16:42 | 1:16:43 | |
She has the only good hands so she's the ring. | 1:16:43 | 1:16:46 | |
OK. | 1:16:46 | 1:16:48 | |
So let's look at these girls and see who we think each outfit should be. | 1:16:48 | 1:16:52 | |
Annie had a very specific plan. | 1:16:52 | 1:16:54 | |
All right, girls, let's go. | 1:16:54 | 1:16:56 | |
Put Brande in charge of picking out the clothes. | 1:16:56 | 1:16:59 | |
Oh, that's cool. | 1:16:59 | 1:17:02 | |
I think that I need to wear these. | 1:17:02 | 1:17:04 | |
Oh. This'll be cool. | 1:17:04 | 1:17:06 | |
We had one hour to dress four models and Brande, | 1:17:06 | 1:17:10 | |
and suddenly it became about "What is Brande going to wear?" | 1:17:10 | 1:17:14 | |
OK! | 1:17:14 | 1:17:16 | |
So basically I took over the other four girls. | 1:17:18 | 1:17:20 | |
You might think bracelet. | 1:17:20 | 1:17:22 | |
I love the idea of the earrings on you. | 1:17:22 | 1:17:24 | |
Let's all spread out for a few minutes and pool some stuff. | 1:17:24 | 1:17:27 | |
Oh, oh-oh, for the necklace. I think that's kind of sweet. | 1:17:27 | 1:17:30 | |
Are you a four, could you fit into a four? | 1:17:30 | 1:17:33 | |
You can try it on. | 1:17:33 | 1:17:34 | |
-OK, this is our blue section, we do everything by colour. -OK. | 1:17:34 | 1:17:39 | |
This would look great on you. | 1:17:39 | 1:17:40 | |
Actually, I want to wear all of them. | 1:17:40 | 1:17:43 | |
I really like that with that necklace. | 1:17:43 | 1:17:47 | |
Come on, wide, wide, wide! Thank you. | 1:17:47 | 1:17:50 | |
Oh, that's darling on you. Come with me. | 1:17:50 | 1:17:52 | |
I saved that shopping expedition from turning into an absolute debacle. | 1:17:52 | 1:17:55 | |
Because while we were shopping, the only thing Brande really | 1:17:55 | 1:17:59 | |
worried about was what was Brande going to wear? | 1:17:59 | 1:18:02 | |
PHONE RINGS | 1:18:02 | 1:18:03 | |
'Hi, Brande.' | 1:18:03 | 1:18:05 | |
Hello, Annie. | 1:18:05 | 1:18:07 | |
So, how'd it go? | 1:18:07 | 1:18:09 | |
Awesome. We got some amazing dresses. | 1:18:09 | 1:18:12 | |
Of course, as soon as we got in the car, Brande's phone rings, | 1:18:12 | 1:18:17 | |
and it's Annie to go over what we picked cos they're besties now. | 1:18:17 | 1:18:20 | |
Brande, are you going to look particularly hot? | 1:18:20 | 1:18:23 | |
I am going to be sophisticated and elegant, darling. | 1:18:23 | 1:18:26 | |
It really became, Annie, "Hi, honey! What'd you guys get?!" | 1:18:26 | 1:18:31 | |
Eugh! | 1:18:33 | 1:18:34 | |
Perfect, that's perfect... | 1:18:34 | 1:18:36 | |
I'm really, really pissed at Annie's two-facedness. | 1:18:36 | 1:18:43 | |
So we need to do an auction preview sheet. | 1:18:48 | 1:18:51 | |
We're selling some jewellery, I know you've probably seen them before, | 1:18:51 | 1:18:55 | |
it's a small picture with just a description. | 1:18:55 | 1:18:57 | |
OK, perfect. | 1:18:57 | 1:19:00 | |
Jesse and I went to the printer to make the auction preview catalogue. | 1:19:00 | 1:19:04 | |
-Let's keep it nice and simple. -Yeah, that's it. This is all. -Black, grey and red are good colours. | 1:19:04 | 1:19:08 | |
You know, I grew up in the auction business | 1:19:08 | 1:19:11 | |
so I knew I could add something to the game. | 1:19:11 | 1:19:13 | |
As far as like getting on the phone | 1:19:13 | 1:19:16 | |
and calling all my friends with like a million dollars, you know... | 1:19:16 | 1:19:20 | |
I do have some that would probably donate stuff, | 1:19:20 | 1:19:22 | |
but I don't want to use them all to try to save my own neck, | 1:19:22 | 1:19:26 | |
I'd rather just try to use hard work. | 1:19:26 | 1:19:28 | |
That's what I'm talking about. | 1:19:28 | 1:19:30 | |
I'm pretty driven to win this thing. | 1:19:30 | 1:19:31 | |
-You like it? -Yeah. That's all we need. -OK, that's that. | 1:19:31 | 1:19:35 | |
Hey, it's Natalie. What you got? OK. | 1:19:39 | 1:19:43 | |
I was trying to get a hold of Phil Hellmuth, | 1:19:43 | 1:19:45 | |
who is the leading all-time career money leader | 1:19:45 | 1:19:48 | |
for the world series of poker. | 1:19:48 | 1:19:50 | |
Really? But they not only have to jump on the plane, they have to kick out some money. | 1:19:50 | 1:19:54 | |
I was hoping that Phil would be able to come and help us out or to be on the phone, | 1:19:54 | 1:19:57 | |
and I was also secretly wanting to see Annie's reaction | 1:19:57 | 1:20:00 | |
to having arguably one of the greatest poker players of all time | 1:20:00 | 1:20:04 | |
that was going to be fundraising for me and not for her. | 1:20:04 | 1:20:07 | |
If they're willing to put out 25, 30 grand, I think it'd be great. | 1:20:07 | 1:20:13 | |
Amanda, send him in. | 1:20:19 | 1:20:21 | |
Thank you very much for coming. | 1:20:24 | 1:20:27 | |
I want you to keep an eye on things for me. | 1:20:27 | 1:20:29 | |
It's getting a little bit complicated and I tell you what, it's really rough. | 1:20:29 | 1:20:33 | |
Now, they're doing a charity auction of my daughter's beautiful jewellery line, | 1:20:33 | 1:20:38 | |
and it really is something special. | 1:20:38 | 1:20:40 | |
Annie and Joan, they're project managers, they hate each other. | 1:20:40 | 1:20:44 | |
I want you to watch out for them, report back to me. | 1:20:44 | 1:20:47 | |
Also, very importantly, Melissa, a little bit bratty, | 1:20:47 | 1:20:51 | |
a lot of people aren't liking her. | 1:20:51 | 1:20:52 | |
Jesse James hasn't raised any money. | 1:20:52 | 1:20:55 | |
You watch for them also. | 1:20:55 | 1:20:56 | |
And I do appreciate you being here. | 1:20:56 | 1:20:58 | |
Mr Trump, it's going to be my absolute pleasure. | 1:20:58 | 1:21:03 | |
There's only one celebrity apprentice, | 1:21:03 | 1:21:05 | |
and that's me. | 1:21:05 | 1:21:06 | |
I'm back. | 1:21:06 | 1:21:08 | |
Subtitles by Red Bee Media Ltd | 1:21:24 | 1:21:27 |