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'Previously on the Celebrity Apprentice: tensions flared...' | 0:00:02 | 0:00:06 | |
You told me privately how bad Brande is. Oh, Annie, you didn't... | 0:00:06 | 0:00:12 | |
'Annie is totally two-faced and you suddenly realise' | 0:00:12 | 0:00:16 | |
this is such a snake. | 0:00:16 | 0:00:19 | |
'Back in the boardroom, the teams were tasked with producing a fashion show and auction.' | 0:00:19 | 0:00:25 | |
My daughter Ivanka has designed a jewellery line which is doing well. | 0:00:25 | 0:00:30 | |
-'And arch-rivals Annie and Joan went head-to-head as project managers.' -I'm going to crush you, Joan. | 0:00:30 | 0:00:36 | |
'Melissa Rivers and Natalie Gulbis selected jewellery for their teams.' | 0:00:36 | 0:00:40 | |
I'll go with the necklace. | 0:00:40 | 0:00:42 | |
The earrings. | 0:00:42 | 0:00:44 | |
-'But project manager Joan was unhappy with Natalie's choices.' -Some were smaller than we thought. | 0:00:44 | 0:00:50 | |
They will not present as well. | 0:00:50 | 0:00:53 | |
'On Team Athena, a clique emerged leaving Melissa feeling alienated.' | 0:00:53 | 0:00:58 | |
Brande, what you're doing is so smart. | 0:00:58 | 0:01:02 | |
Those two are... | 0:01:02 | 0:01:04 | |
-'While Kotu devised a plan.' -We knew Annie would have heavy hitters. We needed a strategy to beat that. | 0:01:04 | 0:01:10 | |
So take the cheapest piece we have and buy that with, say, mine and Herschel's combined. | 0:01:10 | 0:01:16 | |
We're going to pool all our money and go for one inexpensive piece to make a large amount of profit. | 0:01:16 | 0:01:24 | |
'Struggling to raise money, Natalie upped the ante.' | 0:01:24 | 0:01:28 | |
There are poker players that would like to beat Annie. | 0:01:28 | 0:01:32 | |
I wanted to see Annie's reaction to having one of the greatest poker player of all time | 0:01:32 | 0:01:38 | |
-fundraising for me. -'To shake things up, Donald Trump called in last year's winner, | 0:01:38 | 0:01:44 | |
'Piers Morgan.' | 0:01:44 | 0:01:46 | |
-I appreciate you being here. -Mr Trump, it will be my absolute pleasure. | 0:01:46 | 0:01:52 | |
There's only one Celebrity Apprentice and that's me. | 0:01:52 | 0:01:55 | |
'Tonight, as the auction draws near, last year's winner stirs the pot.' | 0:01:55 | 0:02:00 | |
Who gets thrown under the bus? | 0:02:00 | 0:02:02 | |
'And before the night is done, two celebrities will be fired.' | 0:02:02 | 0:02:07 | |
# Money, money, money, money | 0:02:12 | 0:02:15 | |
# Money | 0:02:15 | 0:02:17 | |
# Money, money, money, money Money | 0:02:17 | 0:02:22 | |
# Some people got to have it | 0:02:22 | 0:02:25 | |
# Yeah, yeah | 0:02:25 | 0:02:27 | |
# Some people really need it Listen to me y'all | 0:02:27 | 0:02:31 | |
# Do things, do things, do things Bad things with it | 0:02:31 | 0:02:36 | |
# Dollar bills y'all, come on | 0:02:39 | 0:02:41 | |
# That mean, oh mean Mean green | 0:02:41 | 0:02:47 | |
# Almighty dollar | 0:02:47 | 0:02:50 | |
# I know that money | 0:02:50 | 0:02:53 | |
# Give me a nickel, brother Can you spare a dime? | 0:02:53 | 0:02:58 | |
# Money can drive some people Out of their minds | 0:02:58 | 0:03:04 | |
# No good, no good, money | 0:03:06 | 0:03:09 | |
# Money, money, money, money | 0:03:09 | 0:03:12 | |
# Money! # | 0:03:12 | 0:03:13 | |
The auction starts at 8.15. | 0:03:21 | 0:03:25 | |
-You want that before the show? -No, probably after the show. | 0:03:29 | 0:03:33 | |
-- Absolutely. - Hi, how's it going, guys? -Hello! | 0:03:33 | 0:03:38 | |
-Piers, hi. -This is Piers Morgan. You may remember him from last year. | 0:03:38 | 0:03:43 | |
Nice to see other people suffering. | 0:03:43 | 0:03:45 | |
-Piers. -I'm Piers. Good to see you. | 0:03:45 | 0:03:49 | |
'I walked into the Kotu war room expecting to see' | 0:03:49 | 0:03:53 | |
an absolute hive of activity. People at the top of their game going now for the top prize. | 0:03:53 | 0:04:00 | |
I'm looking to see a bit of ruthless steel beneath the smiles. | 0:04:00 | 0:04:04 | |
'Instead, I saw these two clowns sitting there chatting up models.' | 0:04:04 | 0:04:09 | |
This is like a load of Stephen Baldwins - they look good, but absolutely pointless. | 0:04:09 | 0:04:15 | |
-What's your strategy? -To call as many friends on our Rolodex as we can | 0:04:15 | 0:04:20 | |
-and try to make as much profit as we can. -Hello, hello, hello! | 0:04:20 | 0:04:26 | |
Joan, you're doing well from what they tell me. | 0:04:26 | 0:04:30 | |
You could win the whole competition. How is that going to work with your own daughter in the show? | 0:04:30 | 0:04:36 | |
As long as she loses because she should lose, that's fine. | 0:04:36 | 0:04:40 | |
To be thrown under the bus, as almost happened, is not fine. | 0:04:40 | 0:04:45 | |
-What will you do if she is? -I will walk. | 0:04:45 | 0:04:49 | |
If I was thrown under the bus, my father would be disappointed in me for getting in the way of it. | 0:04:49 | 0:04:55 | |
- Hi! How's it going? - Good! | 0:04:59 | 0:05:03 | |
-This is Piers Morgan. -Nice to meet you. | 0:05:03 | 0:05:07 | |
'Melissa and I were working and in walks Piers and Ivanka. I was especially excited' | 0:05:07 | 0:05:13 | |
because I was a huge fan of Piers. | 0:05:13 | 0:05:16 | |
- So Piers kicked everyone's ass. - You were my favourite last year. I was rooting for you. | 0:05:16 | 0:05:23 | |
'Brande was right there,' | 0:05:23 | 0:05:25 | |
boobies in Piers's face. Whoo whoo! | 0:05:25 | 0:05:28 | |
We asked your mum and she said if you got unfairly thrown under a bus, she'd walk. What's your view? | 0:05:28 | 0:05:35 | |
I think my mother would expect me to not take the fall. | 0:05:35 | 0:05:40 | |
-So I'd just keep going. -If you lose, who gets thrown under the bus? | 0:05:40 | 0:05:44 | |
Annie said whoever raises the least amount of money goes in the boardroom. | 0:05:44 | 0:05:50 | |
- And who is that at this point? - Me and Jesse. | 0:05:50 | 0:05:53 | |
-I'm trying to work out if you two know how to win. -It's all about money. | 0:05:53 | 0:05:59 | |
-Well, good luck. -Thank you. -May the best team win. | 0:05:59 | 0:06:03 | |
'Piers came in and was suggesting this was all about money.' | 0:06:03 | 0:06:07 | |
I must say, once he left... | 0:06:07 | 0:06:10 | |
Hi, Michael Carlin, please. | 0:06:10 | 0:06:12 | |
-..Melissa was scrambling. -'He's not in his office.' | 0:06:12 | 0:06:18 | |
Why weren't you doing that before? | 0:06:18 | 0:06:20 | |
Why did it take someone at 4 o'clock when our show was in two hours, for you to actually get on the phone | 0:06:20 | 0:06:28 | |
and feel nervous about it? That was kind of fascinating. | 0:06:28 | 0:06:32 | |
-PHONE RINGS -Hey, what's up? | 0:06:41 | 0:06:45 | |
'Natalie called and she wants to talk to me in the next few hours. | 0:06:45 | 0:06:50 | |
-'She called me for help.' -Against me. -'I've never met Natalie and I'm a fan, but you're my girl!' | 0:06:50 | 0:06:56 | |
Right. I just want to be clear. Natalie called you to try to get you to be a donor for her? | 0:06:56 | 0:07:02 | |
'Yes, yes.' | 0:07:02 | 0:07:04 | |
When I heard my friend facilitated someone getting in touch with people to try to fundraise against me, | 0:07:04 | 0:07:10 | |
I was not happy about this. | 0:07:10 | 0:07:12 | |
-I suggest you turn the -BLEEP -volume on your phone down cos I'm going to be yelling. | 0:07:17 | 0:07:24 | |
-'So hold on...' -No, no, no. What did I ever do to you that you're helping Natalie Gulbis | 0:07:24 | 0:07:31 | |
-when she's not on my -BLEEP -team? | 0:07:31 | 0:07:33 | |
It's not great if I get voted off the show because she just stabbed me in the back so bad! | 0:07:33 | 0:07:40 | |
-And I'm angry about it. Why the -BLEEP -would you do it? | 0:07:40 | 0:07:44 | |
'Let me tell you what I know, OK? I get a call this morning. She tells me | 0:07:44 | 0:07:50 | |
-'you're playing poker against each other.' -That's not what's happening. | 0:07:50 | 0:07:55 | |
-She wants money from my rivals. -'She needed a coach. She's going to play against you.' | 0:07:55 | 0:08:01 | |
-She wants to talk to my rivals to get money from them in a donation task. You were -BLEEP -played. | 0:08:01 | 0:08:08 | |
-I suggest you call her and say don't ever -BLEEP -lie to me again. | 0:08:08 | 0:08:13 | |
-JOAN: -And you thought I was bad! | 0:08:13 | 0:08:16 | |
-You know what that's about? -I don't care. | 0:08:16 | 0:08:20 | |
We heard through the wall Annie screaming. | 0:08:20 | 0:08:26 | |
-We're doing a charity auction! -'I mean, the venom that came out.' | 0:08:26 | 0:08:31 | |
-This is a bad, bad, bad person. -Now I'm pissed off. | 0:08:32 | 0:08:37 | |
I understand that you were lied to... | 0:08:37 | 0:08:41 | |
Annie went BERSERK! Berserk! | 0:08:41 | 0:08:46 | |
-No, you were just lied to. -'She felt the tactic Natalie used was dishonest,' | 0:08:46 | 0:08:53 | |
which is funny coming from Annie. | 0:08:53 | 0:08:55 | |
-Tell me it was only Phil that you sent it to. -'Yeah, nobody else.' | 0:08:55 | 0:08:59 | |
If I find you sent it to any other poker players, I'll be pissed off. | 0:08:59 | 0:09:05 | |
'I thought Natalie did something very clever.' | 0:09:05 | 0:09:08 | |
If Annie had thought of it, it would have been brilliant, | 0:09:08 | 0:09:13 | |
but because someone got her, it sent her round the bend. | 0:09:13 | 0:09:18 | |
Where's Natalie? Is Natalie up here? | 0:09:18 | 0:09:21 | |
Where's Natalie? I got such an interesting phone call today from Phil Hellmuth. | 0:09:21 | 0:09:27 | |
He said, "Natalie Gulbis is trying to get money from me. Should I donate to her?" | 0:09:27 | 0:09:33 | |
I was like, "If you do, I will personally kill you." | 0:09:33 | 0:09:37 | |
'Annie was very, very pissed.' | 0:09:37 | 0:09:40 | |
that I was trying to get Phil to come over and help out our team. | 0:09:40 | 0:09:44 | |
-But it was a nice try. -I got the reaction, but not the money. | 0:09:44 | 0:09:49 | |
-You guys going to have a cage match? -We're mud wrestling over Phil! | 0:09:52 | 0:09:56 | |
I definitely feel I let my team down. I hoped to contribute. | 0:09:56 | 0:10:01 | |
-My manager will be in the audience. -Can't you get him to spend 30K? -Possibly. | 0:10:01 | 0:10:08 | |
I'll ask. Can't hurt. 'I was relying so heavily on that extra amount of money.' | 0:10:08 | 0:10:15 | |
I hope it isn't the difference. | 0:10:15 | 0:10:18 | |
-MELISSA: -OK, where are my models? At 6.45 I need everybody, | 0:10:18 | 0:10:23 | |
boobies up, lipstick on. And we'll get the jewellery. | 0:10:23 | 0:10:26 | |
Today I just feel like Annie has | 0:10:26 | 0:10:29 | |
completely turned on me. | 0:10:29 | 0:10:32 | |
And that's fine. I can't raise the money that she and Brande can, but I can outwork both of them. | 0:10:32 | 0:10:38 | |
How fantastic is this? Isn't that a great ring? | 0:10:38 | 0:10:42 | |
How awesome is that? | 0:10:42 | 0:10:44 | |
I think I picked really great stuff. I tried for a great cross-section. | 0:10:44 | 0:10:49 | |
-It would be nice if they said, "Great job!" They didn't bother. I'm so sick of this -BLEEP. | 0:10:49 | 0:10:57 | |
-Did I not pick well? -It's all beautiful. -Good. | 0:10:57 | 0:11:01 | |
'Melissa doesn't get it.' | 0:11:01 | 0:11:03 | |
Let's be real. It's not only about the jewellery, which is beautiful. | 0:11:03 | 0:11:09 | |
It's about the money, which is also beautiful. | 0:11:09 | 0:11:13 | |
All right, so here's our war chest. Stuart's going to do the bidding. | 0:11:16 | 0:11:22 | |
'So our strategy was' | 0:11:22 | 0:11:24 | |
to take all of our monies together | 0:11:24 | 0:11:27 | |
'and have our bidder bid on the least expensive piece of jewellery,' | 0:11:27 | 0:11:31 | |
to get the highest profit margin. | 0:11:31 | 0:11:33 | |
We just want this one piece here. | 0:11:33 | 0:11:36 | |
The other four pieces will go to the highest bidder at the event | 0:11:36 | 0:11:40 | |
and that'll be our gravy. | 0:11:40 | 0:11:43 | |
The auction's about to start. With people flying in for this, | 0:11:58 | 0:12:03 | |
you worry that they won't show up. Then I saw Scott Ian, a good friend of mine, | 0:12:03 | 0:12:08 | |
And Andy Black and Perry Friedman, who bought the wedding dress. | 0:12:08 | 0:12:12 | |
And Stewie Rah Rah told Brande, "I'll bid from zero to a billion." That's an important guy to have. | 0:12:12 | 0:12:19 | |
Smiles, everyone. Smiles. | 0:12:29 | 0:12:31 | |
Are we ready to raise a lot of money for charity? | 0:12:33 | 0:12:37 | |
Let's see what we can do. We'll bring out lot number one. | 0:12:37 | 0:12:42 | |
This is the open framework diamond and rock crystal earrings. | 0:12:42 | 0:12:46 | |
I'd like to start the bidding at 15,000. | 0:12:46 | 0:12:49 | |
Do I have 15,000? | 0:12:49 | 0:12:52 | |
Right, 15,000? | 0:12:52 | 0:12:54 | |
There's 15,000. 191. | 0:12:56 | 0:12:59 | |
Can I get 20,000? | 0:12:59 | 0:13:01 | |
Do I hear 20? There we go. 151. That's my friend Scott Ian, lead guitarist for Anthrax. | 0:13:01 | 0:13:09 | |
My friends are so reliable. | 0:13:09 | 0:13:11 | |
'But I was a little nervous about how deep the boys would go.' | 0:13:11 | 0:13:16 | |
Do I hear 25? Andy? This is Andy Black, one of the best poker players in the world. | 0:13:16 | 0:13:21 | |
-No, he is... 25, OK. Good. -She's doing a good job. | 0:13:21 | 0:13:26 | |
We got 25,000. Do I hear 30? Can I get 30 out of anybody? Scott? | 0:13:26 | 0:13:31 | |
No? All right. 25. Going once, going twice... | 0:13:31 | 0:13:36 | |
Sold to Andy Black. Congratulations. | 0:13:36 | 0:13:39 | |
-She has a nice way. -Yes, go. | 0:13:40 | 0:13:43 | |
This is Heather. I'm hoping someone is going to buy this one for me. | 0:13:46 | 0:13:51 | |
I think this is the most beautiful necklace. It's so my style. | 0:13:51 | 0:13:55 | |
I am going to start the bidding at 30,000. Do we have 30,000? OK, 30,000. | 0:13:55 | 0:14:00 | |
Yeah! All right, 30,000. Do I have 35? | 0:14:00 | 0:14:04 | |
-35! -35. There we go, Stewie. | 0:14:04 | 0:14:07 | |
40,000! | 0:14:09 | 0:14:11 | |
Once Annie knew where the money was, she went right after it. | 0:14:11 | 0:14:15 | |
She worked all the right people. Bear after salmon. | 0:14:15 | 0:14:19 | |
Can I get 50 from you? Come on. | 0:14:19 | 0:14:22 | |
I'm on my knees, begging you. 50,000! | 0:14:22 | 0:14:26 | |
50! | 0:14:28 | 0:14:29 | |
-Now, Scott, what happened to your game after I gave you poker lessons? -It went like this. | 0:14:29 | 0:14:35 | |
-Can you give me 52? It's a good cause. -52. -Ay! | 0:14:35 | 0:14:40 | |
That's what I wanted! 52,000 going once. Going twice. | 0:14:40 | 0:14:46 | |
Sold to Scott Ian! | 0:14:46 | 0:14:49 | |
I am ready for Brande. | 0:14:53 | 0:14:56 | |
'Brande comes out with a triple strand. This was her donor.' | 0:14:56 | 0:15:00 | |
And Stewie said to Brande, "I'll do whatever it takes for you to win, from zero to a billion dollars." | 0:15:00 | 0:15:06 | |
-Stewie... -Wait, come on. There's a recession on. -You don't know what that means! | 0:15:06 | 0:15:12 | |
-25,000. -26. | 0:15:12 | 0:15:14 | |
26,000! | 0:15:14 | 0:15:16 | |
Then they bid against each other. They were at 35 and I was not able to get them beyond 35. | 0:15:16 | 0:15:23 | |
-Stewie, how about 40? -No. -Go down and talk to him. | 0:15:23 | 0:15:27 | |
But I'm cut-throat! I'm not letting a guy who said a billion stop at 35,000! | 0:15:27 | 0:15:33 | |
That was when I got down on my knees, purposely putting the microphone like this. | 0:15:33 | 0:15:40 | |
OK, 50,000. That's my last offer! | 0:15:40 | 0:15:44 | |
Going once! Twice! | 0:15:44 | 0:15:46 | |
And sold to the gentleman right over here. | 0:15:46 | 0:15:50 | |
'Annie was a great auctioneer.' | 0:15:50 | 0:15:53 | |
She really blew my mind. | 0:15:53 | 0:15:55 | |
Going once. Twice. She's got it! | 0:15:55 | 0:15:58 | |
She really know how to take money from people. That's what she does for a living. She's so good at it. | 0:15:58 | 0:16:04 | |
Sold to Perry Friedman. Let's bring the items back out. | 0:16:04 | 0:16:09 | |
This evening could not have gone any better. | 0:16:09 | 0:16:12 | |
We had such an exciting time and raised so much money. | 0:16:12 | 0:16:16 | |
Thank you very much. | 0:16:16 | 0:16:19 | |
You don't have to start with a minimum bid at 3,500. You could start with...10,000. | 0:16:20 | 0:16:27 | |
We're going to start the bidding at 10,000 on this piece. It's a steal at half the price... | 0:16:27 | 0:16:34 | |
If an item was 6,000, we're not gonna start at 6,000. | 0:16:34 | 0:16:38 | |
It's best to start at 10,000 or 14,000, | 0:16:38 | 0:16:42 | |
and you already got a profit margin. | 0:16:42 | 0:16:45 | |
I'm Clint Black and I'll be your auctioneer for Team Kotu. | 0:16:47 | 0:16:52 | |
Please help me welcome out Jennifer, modelling a set of matching mixed cut diamond band rings. | 0:16:52 | 0:16:58 | |
You get two! I'm going to start the bidding on these at 20,000. | 0:16:58 | 0:17:02 | |
Have I got 20,000 on these rings? | 0:17:02 | 0:17:06 | |
20,000. Can I get 20,000 for these rings? | 0:17:14 | 0:17:17 | |
Clint was not a good auctioneer. | 0:17:23 | 0:17:25 | |
He didn't know what to say or how to get them going. | 0:17:25 | 0:17:29 | |
Isn't everybody as excited as I am? | 0:17:29 | 0:17:32 | |
20,000? | 0:17:35 | 0:17:37 | |
20,000? | 0:17:39 | 0:17:41 | |
'I was backstage going,' | 0:17:43 | 0:17:45 | |
"I'm just gonna die! I'm just gonna kill myself." | 0:17:45 | 0:17:49 | |
Everybody get enough to drink tonight? It doesn't look like it. | 0:17:49 | 0:17:53 | |
Can we get 20,000 for these rings? | 0:17:56 | 0:17:59 | |
'The atmosphere in the room' | 0:17:59 | 0:18:01 | |
had plummeted to Siberian temperatures. It was embarrassing, | 0:18:01 | 0:18:07 | |
an insult to Mr Trump and Ivanka. | 0:18:07 | 0:18:10 | |
I think we'll move on cos I'm not coming down off that 20,000. | 0:18:10 | 0:18:14 | |
So please help me welcome out Cheryl wearing diamond earrings with South Sea pearl pagoda charms. | 0:18:16 | 0:18:24 | |
We're going to start the bidding at 12,000. I want to see some paddles up. Do I have 12,000? | 0:18:27 | 0:18:34 | |
-It's your call. -I don't want to take his thunder away. | 0:18:38 | 0:18:43 | |
Come on, ladies and gentlemen. | 0:18:43 | 0:18:46 | |
We have 12,000. Thank you, sir. | 0:18:46 | 0:18:49 | |
Can I see 15,000? | 0:18:49 | 0:18:52 | |
I think we have a bid over here with Mr Trump on these. No? | 0:18:56 | 0:19:00 | |
No? | 0:19:00 | 0:19:02 | |
I think he already owns a pair. I saw you wearing some yesterday. | 0:19:02 | 0:19:07 | |
I was pretty sure... No, it might not have been. | 0:19:07 | 0:19:11 | |
Dare I say it? | 0:19:13 | 0:19:16 | |
12,000 going once. 12,000 going twice. | 0:19:16 | 0:19:20 | |
12,000. Sold to the gentleman down here. | 0:19:20 | 0:19:25 | |
'The auction was really slow. Our strategy was' | 0:19:25 | 0:19:28 | |
to put all our money into the least expensive piece. | 0:19:28 | 0:19:33 | |
It didn't make the auction appealing and I'm sure that was hard for Ivanka to watch. | 0:19:33 | 0:19:39 | |
-Joan, we might want to send out our go to item to fire them up. -Yeah. | 0:19:39 | 0:19:44 | |
Our piece was the fifth piece, but I ran to Joan and said, "We need to put it out | 0:19:44 | 0:19:50 | |
"to at least get these people ready to put up a little money." | 0:19:50 | 0:19:54 | |
-We're going to bring Valerie out... -Valerie isn't ready. Hold on. | 0:19:54 | 0:19:59 | |
We're not bringing Valerie out just yet. And instead we're bringing Alex out. | 0:19:59 | 0:20:06 | |
Alex is wearing oval black onyx earrings, encircled with diamonds. | 0:20:06 | 0:20:12 | |
I don't even want to tell you what I'm starting at. 40,000. You'll never find earrings for that. | 0:20:12 | 0:20:18 | |
-40,000 for these wonderful earrings. -It's a black, beautiful onyx ring. | 0:20:21 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:30 | |
It's a beautiful black onyx and diamond ring that women would drool over. Start walking. | 0:20:30 | 0:20:37 | |
LAUGHTER AND APPLAUSE | 0:20:37 | 0:20:40 | |
Please, walk on down. | 0:20:40 | 0:20:42 | |
-That's actually a cardboard cut-out of Joan Rivers. -Show it off! Show your hand, move your hand. | 0:20:45 | 0:20:51 | |
Up, down! Come on, bitch. Go for it. Sell it! | 0:20:51 | 0:20:56 | |
We have 40,000? 40,000. | 0:20:57 | 0:21:00 | |
Can we see 45,000? | 0:21:00 | 0:21:02 | |
45,000. We have 45,000, folks. | 0:21:03 | 0:21:07 | |
Then everybody perked up. Finally! | 0:21:07 | 0:21:11 | |
50,000. 60,000. | 0:21:11 | 0:21:13 | |
Can we see 70,000? Somebody... 70,000. | 0:21:13 | 0:21:17 | |
Can we see more? Can we see 75,000? | 0:21:17 | 0:21:21 | |
75,000. Mr 184. Can we see 80,000? | 0:21:21 | 0:21:26 | |
-83,500. -83,500! -That's great. | 0:21:26 | 0:21:30 | |
We've got 83,500 going once. 83,500 going twice. | 0:21:30 | 0:21:33 | |
-83,500. It's yours, Mr 185. -Great! | 0:21:33 | 0:21:38 | |
'I watched Donald and Ivanka' | 0:21:38 | 0:21:41 | |
and they were thinking, "This team is rallying! They're raising money," and everybody started to perk up. | 0:21:41 | 0:21:49 | |
Out comes Valerie. Valerie is modelling pave diamond long crossover earrings | 0:21:49 | 0:21:55 | |
with black spindle drops. We're going to start the bid on these earrings at 20,000. | 0:21:55 | 0:22:01 | |
-Can I hear 20,000? -Valerie is bulimic. Just to cheer the women up. | 0:22:01 | 0:22:06 | |
All the women, you can like Valerie because she's bulimic. She's been throwing up all afternoon. | 0:22:06 | 0:22:13 | |
We don't have to be jealous of Valerie. We can bring her into our circle and say, "Poor Valerie." | 0:22:13 | 0:22:20 | |
Joan, people love her and she's quick on her feet. | 0:22:20 | 0:22:24 | |
What she says, what she does. She was absolutely great. | 0:22:24 | 0:22:29 | |
-Going once. -Going twice. Sold! | 0:22:29 | 0:22:32 | |
She livened it up. Everyone got excited. | 0:22:32 | 0:22:36 | |
-Going once. -Going twice. -Sold. Congratulations. | 0:22:36 | 0:22:40 | |
I think pooling the money together on one piece was very smart. | 0:22:40 | 0:22:45 | |
We got the most out of where our money went. | 0:22:45 | 0:22:48 | |
The long run, and the short run, is how much did you make? | 0:22:48 | 0:22:52 | |
Thank you all very much. | 0:22:52 | 0:22:55 | |
I have to say, Annie, you and Joan did a really great job. | 0:23:15 | 0:23:21 | |
-That was really a great job. -Thank you. | 0:23:21 | 0:23:25 | |
-Who picked your jewellery? -Melissa did. She did a fantastic job. | 0:23:25 | 0:23:30 | |
It showed beautifully from the stage. The donors loved it. I want to get that pendant. | 0:23:30 | 0:23:38 | |
-Were you involved in it? -No. -Was Brande? -No, she went over alone. | 0:23:38 | 0:23:43 | |
-I think she did a fantastic job. -I thought what is each person good at. -She's got good genes for this. | 0:23:43 | 0:23:50 | |
-You picked large pieces that were visible from anywhere in the audience. -Was that on purpose? | 0:23:50 | 0:23:57 | |
Yes. I wanted a higher perceived value and picked things that I felt would read that way. | 0:23:57 | 0:24:05 | |
Joan, you trained her well. | 0:24:05 | 0:24:08 | |
-Annie, who was the weak player on your team? -Nobody. | 0:24:10 | 0:24:15 | |
-If you have to choose somebody. Every team has a weak player. -Then I'd choose on money raising. | 0:24:15 | 0:24:21 | |
-Jesse and Melissa brought in the least money, but... -Jesse, you're a nice guy. I won last season | 0:24:21 | 0:24:29 | |
-despite my many inadequacies. -Flaws. -Yeah. Psychological flaws. | 0:24:29 | 0:24:33 | |
But you're all aware that I won because primarily I raised the most. I was shameless about it. | 0:24:33 | 0:24:40 | |
This was all for great charities. | 0:24:40 | 0:24:43 | |
But you are not playing that game. You're married to one of the biggest stars in the world. | 0:24:43 | 0:24:49 | |
-Yes. -Is there not a way through her circle of Hollywood pals that you couldn't get a load of money? | 0:24:49 | 0:24:56 | |
-I was trying. -Your wife says no? | 0:24:56 | 0:25:00 | |
-I didn't ask my wife. -Why's that? | 0:25:02 | 0:25:06 | |
-Er, I don't mix business and pleasure. -But you must know los of movie stars. | 0:25:06 | 0:25:12 | |
I don't. A couple. | 0:25:12 | 0:25:14 | |
-Have you asked them? -No. -I'm curious. It just seems obvious. | 0:25:14 | 0:25:19 | |
In the end, it's all for charity, you know? | 0:25:19 | 0:25:23 | |
OK. | 0:25:27 | 0:25:28 | |
-Joan, what did you think of your team? -I'm crazy about my team. | 0:25:28 | 0:25:33 | |
Didn't you think was a little bit on the long...? I was going to say, "Clint, enough already." | 0:25:33 | 0:25:40 | |
-When you got involved, it seemed to speed up a little bit. -Well, you know me, Donald. | 0:25:40 | 0:25:47 | |
Why weren't you out there from the get go? You're incredibly knowledgeable about jewellery. | 0:25:47 | 0:25:53 | |
-Why weren't you out there? -Because I did the fashion part of it | 0:25:53 | 0:25:58 | |
and Clint said "I would like to do the auctioneering." And I like my team to all participate. | 0:25:58 | 0:26:05 | |
Ivanka wasn't happy with the pieces your team picked. | 0:26:05 | 0:26:09 | |
It was hard for bidders to see from the back seats and it made me look a little bad. | 0:26:09 | 0:26:15 | |
-When nobody was bidding. -I tried for the opposite effect. | 0:26:15 | 0:26:19 | |
-Yeah. -Sorry. | 0:26:19 | 0:26:21 | |
-Who picked the jewellery? Who actually picked it? -I did. | 0:26:21 | 0:26:26 | |
So that's a little bit of a mistake, based on what Ivanka is saying. | 0:26:26 | 0:26:30 | |
It wasn't anything wrong with the jewellery. You didn't have momentum. | 0:26:30 | 0:26:35 | |
We took all our donations and put them into one package, which we were allowed to do. | 0:26:35 | 0:26:41 | |
-But you ended up not selling one. -That wasn't the task. | 0:26:41 | 0:26:45 | |
Our task was to get the most money and do that as well as we could. | 0:26:45 | 0:26:50 | |
-We were not told we had to sell all five. -So, Joan, do you think it's OK in this scenario, | 0:26:50 | 0:26:57 | |
where I contributed jewellery, that you know only one piece will be bid on out of five? | 0:26:57 | 0:27:04 | |
And the other was a free for all? You think that's right to me? | 0:27:04 | 0:27:09 | |
Absolutely. I'm a jewellery designer. The task was to make the most money. | 0:27:09 | 0:27:14 | |
It wasn't to embarrass you. | 0:27:14 | 0:27:18 | |
But you turned the auction into a complete farce. Clint was left doing his one-man show | 0:27:18 | 0:27:25 | |
for what seemed like days, weeks, months. I could feel the will to live seeping out of me. | 0:27:25 | 0:27:32 | |
You're representing the Trump family in a show run by Donald Trump, | 0:27:32 | 0:27:37 | |
-so the least you should do is show some basic respect to Ivanka and her work. -Absolutely. | 0:27:37 | 0:27:43 | |
This is a critical point. We didn't have such a great war chest | 0:27:44 | 0:27:51 | |
that we could spread it out over five and maintain the profit margin. | 0:27:51 | 0:27:55 | |
-Why didn't you have a bigger war chest? -Because you didn't give us your Rolodex. | 0:27:55 | 0:28:02 | |
-I don't know Richard Branson. -Come on, Joan. You've been in showbusiness... | 0:28:02 | 0:28:08 | |
-My darling... -A long time. You know everybody. -Yes, I do. | 0:28:08 | 0:28:12 | |
-Joan, you know the same people I know. -Shall I give you a list? -You know who we're talking about. | 0:28:12 | 0:28:19 | |
You're damn right I know. | 0:28:19 | 0:28:21 | |
-I thought you might have called some of them. -I called a lot of them. -Annie did. | 0:28:21 | 0:28:26 | |
-May I jump in there? -No, don't... -It's a private conversation about the people you both know | 0:28:26 | 0:28:34 | |
who have turned us down. I think you would be very surprised. | 0:28:34 | 0:28:38 | |
-Why are you defending the opposition? -It's my mother. -So what? -You were very disrespectful. -Who? | 0:28:38 | 0:28:45 | |
-You. Your tone was getting a wee bit aggressive. -Not at all. -Going on about who she knows. | 0:28:45 | 0:28:52 | |
-It's hard not to have a hair trigger on certain topics. -Annie, what's your take on this? | 0:28:52 | 0:28:59 | |
-I'm not interested in Annie's take. -But I am. -OK. -Unbelievably, Joan, that's all that matters. | 0:28:59 | 0:29:06 | |
I think it was very disrespectful to Ivanka to not sell every piece. | 0:29:06 | 0:29:12 | |
You can take the job literally about raising money. So why not hand the jewellery to my donors | 0:29:12 | 0:29:19 | |
and have them give me the money? It's not just about that. You've to be respectful to what you do, | 0:29:19 | 0:29:24 | |
respectful to the charities, the task, to Ivanka... | 0:29:24 | 0:29:29 | |
You are a despicable human being! A perfect poker player. | 0:29:29 | 0:29:33 | |
This woman would spit and drown her mother in it to get another step. | 0:29:33 | 0:29:38 | |
-- -Wow! -- -Oh, now it's the "wow" Annie. | 0:29:38 | 0:29:42 | |
This is 16 different personalities. This is a girl who told us for two weeks how she despised Brande... | 0:29:42 | 0:29:50 | |
I never said despise. Have we talked about this? | 0:29:50 | 0:29:54 | |
-Yes. -How Brande should go off the team and now Brande's her best friend. | 0:29:54 | 0:29:59 | |
-Did you say those things about Brande? -We've talked about it... | 0:29:59 | 0:30:05 | |
-Forget that. -I never said I despised her. I said I felt, as I said to you, she had become a weak player. | 0:30:05 | 0:30:12 | |
-- -I told her to her face. -- -You couldn't wait 'til she went. | 0:30:12 | 0:30:17 | |
She was dragging us down, Joan. I then talked to Brande and she was the superstar on my team. | 0:30:17 | 0:30:23 | |
And the other day in the boardroom when I expressed to you | 0:30:23 | 0:30:28 | |
-what I felt Brande's downfall was... -I believe I expressed it. | 0:30:28 | 0:30:34 | |
-- -But then I expressed it. -- -It's always her. | 0:30:34 | 0:30:38 | |
Thank God Einstein's dead or she'd take the Theory of Relativity! "I did this, I did that. | 0:30:38 | 0:30:44 | |
"The gay boys love me. I did this, I did that." | 0:30:44 | 0:30:49 | |
You're a smart woman, but not that smart. Your ego is so beyond you. | 0:30:49 | 0:30:54 | |
-Is ego a big factor in being a championship poker player? -You need a lot of confidence. -Ego? | 0:30:54 | 0:31:02 | |
-- -Ego gets in the way. -- -Then you'll fail. -- -Terribly(!) | 0:31:02 | 0:31:07 | |
-I just want to finish one thing. -Go ahead. -Business is business. | 0:31:07 | 0:31:11 | |
-- -And we're in a competition. -- -Anything goes. | 0:31:11 | 0:31:16 | |
-The personal attacks interest me. -Isn't it amazing...? | 0:31:16 | 0:31:21 | |
You've attacked all of us, but you leave them at the door here and you're so nice. | 0:31:21 | 0:31:27 | |
-She does seem nice to me. She does seem nice. -So was Hitler at Buchenwald. | 0:31:27 | 0:31:34 | |
-So was Hitler?! -Have you ever been compared to Hitler before? -No. | 0:31:34 | 0:31:40 | |
Can I just ask Melissa, in light of your mother's comments, which make me look like a tea party, | 0:31:40 | 0:31:46 | |
-do you still think I was being disrespectful to her? -Thank you. | 0:31:46 | 0:31:50 | |
-On a scale of disrespect... -Piers, I completely withdraw | 0:31:50 | 0:31:55 | |
-and hope you have children who love you. -I have three lovely children. -I think that's great, Melissa. | 0:31:55 | 0:32:02 | |
I just want to say that whatever anybody here on my right might think about me, | 0:32:02 | 0:32:08 | |
-when I call somebody and ask them to get on a plane at six in the morning, they do. -They all came. | 0:32:08 | 0:32:14 | |
Joan, that's an interesting point. Herschel, wait. | 0:32:14 | 0:32:18 | |
-It is true. She was the one. She had a room full of people. -Wait, wait. | 0:32:18 | 0:32:23 | |
She said everybody she called gave her money. I brought in about 55,000. | 0:32:23 | 0:32:29 | |
-I'm only talking about the person to my immediate right. -You did a great job. | 0:32:29 | 0:32:34 | |
But she actually had people get on planes. | 0:32:34 | 0:32:38 | |
-That's because, I guess, they like her. -It's wonderful. We also heard a conversation yesterday | 0:32:38 | 0:32:45 | |
about someone you called that Annie knew. Tell us what it was. | 0:32:45 | 0:32:50 | |
I was having some issues with my friends, so I was trying to put feelers out | 0:32:50 | 0:32:56 | |
to find out if any poker competitors might want to go up against Annie. I found one individual, | 0:32:56 | 0:33:03 | |
-the best poker player in the world, named Phil... -Phil Hellmuth. | 0:33:03 | 0:33:08 | |
-Is he the best? -No one's even close. -Go ahead. | 0:33:08 | 0:33:12 | |
I reached out to Phil and asked him if he was willing to bid for charity and Annie was on the opposing team. | 0:33:12 | 0:33:18 | |
Originally, he had said yes. I don't know how Annie found out... | 0:33:18 | 0:33:23 | |
-He called me immediately. -She was not very excited. -But why should she be excited? | 0:33:23 | 0:33:29 | |
Why are you telling this story? They tried to screw you... | 0:33:29 | 0:33:34 | |
-And I found out. -And stopped it. Annie wins. Why are you telling a story that is so self-defeating? | 0:33:34 | 0:33:41 | |
-There was a phone call made, Annie was screaming... -She doesn't look like a screamer. -Oh, my God. | 0:33:41 | 0:33:49 | |
-But Annie was effective. Even if she had to yell... -Hold it. | 0:33:49 | 0:33:53 | |
-Melissa, hold it. You are on her team. -I know. | 0:33:53 | 0:33:58 | |
So you're torn. You're on Annie's team, but you're saying, "My God, she's a screamer!" | 0:33:58 | 0:34:04 | |
-Wait, wait, you're on her team. -Yes. -But you're protecting your mother. | 0:34:04 | 0:34:10 | |
I'm not saying Annie was wrong to be upset, but it was a very angry phone call. | 0:34:10 | 0:34:15 | |
-I'm just playing the Fact Police. -Why are you saying this? I find this dynamic fascinating. | 0:34:15 | 0:34:21 | |
-You would speak up and knife your leader... -She didn't knife her. -..to suck up to your mum. -No. | 0:34:21 | 0:34:28 | |
-That's the way it looks to me. -I don't need to suck up to my mother and I resent that. -Why do it? | 0:34:28 | 0:34:34 | |
-Cos I love her! -What's that got to do with it? It's business. | 0:34:34 | 0:34:38 | |
-Fine. -You know... -Mom, stop. | 0:34:38 | 0:34:41 | |
-You're in the opposing team. -The truth needed to come out. | 0:34:41 | 0:34:45 | |
-What is the truth? -Annie had a very yelling, angry conversation. | 0:34:45 | 0:34:50 | |
That is the fact. Let's not bicker over it. | 0:34:50 | 0:34:54 | |
-Is Annie a bad person? -I think Annie plays the game brilliantly. | 0:34:54 | 0:34:59 | |
No, no. Is Annie a bad person? | 0:34:59 | 0:35:02 | |
-No. -Thank you. -Is Annie different from the person I'm looking at | 0:35:04 | 0:35:10 | |
-who seems so sweet and nice? -Yes. And I understand Annie and accept who she is. | 0:35:10 | 0:35:15 | |
Is she different than in the boardroom? Towards me? I believe so. Does that make her a bad person? | 0:35:15 | 0:35:21 | |
No. Is she a brilliant game player? Yes. | 0:35:21 | 0:35:24 | |
-OK. -Jesse, do you think it's a liability to have Melissa on a team not paired with her mother? | 0:35:24 | 0:35:32 | |
I feel like we just re-enacted the last family reunion I went to. | 0:35:32 | 0:35:37 | |
-I love Jesse James. -Melissa's been very loyal to her mother and I respect that. | 0:35:37 | 0:35:43 | |
OK, let's get the results. Ivanka, how did Kotu do? | 0:35:43 | 0:35:48 | |
Kotu raised an impressive 92,000, most of which was raised through one piece. | 0:35:48 | 0:35:55 | |
-That's profit. -That's a lot of money. And don't forget that's in the form of profit. | 0:35:55 | 0:36:01 | |
That's profit. Piers, how did Athena do? | 0:36:01 | 0:36:06 | |
Athena raised a total profit of... | 0:36:06 | 0:36:10 | |
£153,000...er, dollars. Not pounds, obviously. | 0:36:11 | 0:36:15 | |
-Pounds would be more. -Not at the moment! | 0:36:15 | 0:36:19 | |
-This is America. -I know where it is. | 0:36:19 | 0:36:23 | |
-That's a little shot, Jesse. -I'm just kidding. -He's allowed to dish it back. I like that. | 0:36:23 | 0:36:29 | |
I will say this. | 0:36:29 | 0:36:32 | |
245,000 is a record on Apprentice. | 0:36:32 | 0:36:37 | |
That's for just a period of one week. And it's going to go to your charity, Annie. | 0:36:37 | 0:36:43 | |
I have to say you are more than double what last year was at this time. | 0:36:43 | 0:36:48 | |
You're into the 600,000, 700,000. Almost 700,000 has been raised for charity so far. Pretty good. | 0:36:48 | 0:36:56 | |
-What's the name of your charity? -Refugees International. | 0:36:56 | 0:37:00 | |
They provide aid and protection to refugees in Sudan and Congo. | 0:37:00 | 0:37:04 | |
-Congratulations. Great job. 245,000 is a lot of money. Go. -Thank you. -Thank you. | 0:37:04 | 0:37:10 | |
Thank you. | 0:37:10 | 0:37:12 | |
-It was very uncalled for. Tell your mother not to get so personal! -I did! I couldn't let it turn | 0:37:18 | 0:37:25 | |
-into a bloodbath with my own parent! -She started it! -I know! And I tried to end it! | 0:37:25 | 0:37:32 | |
-She started it. -Annie, I tried to end it. | 0:37:32 | 0:37:36 | |
'To come out with what Joan said:' | 0:37:36 | 0:37:38 | |
I'm nasty and I'm Hitler. She was demonstrating the very qualities she accused me of. | 0:37:38 | 0:37:45 | |
She's 76. I do not control her. | 0:37:45 | 0:37:48 | |
-I can truthfully say I hope she gets -BLEEP -fired. -Well, I can understand. | 0:37:48 | 0:37:53 | |
-If someone called me despicable... -Hitler! 'She may never speak to me again as far as I'm concerned.' | 0:37:53 | 0:38:01 | |
-That woman is completely -BLEEP -dead to me. 100%. | 0:38:01 | 0:38:05 | |
Clint, who was the weak player on your team? | 0:38:10 | 0:38:15 | |
You know, the interesting thing that we have here now is there is no weak player. | 0:38:15 | 0:38:21 | |
As we began this game, you could point to the obvious... | 0:38:21 | 0:38:25 | |
You could say whoever picked the jewellery. It wasn't as big, as flashy, as showy. | 0:38:25 | 0:38:32 | |
Beautiful close up, but it doesn't show as well from the stage. | 0:38:32 | 0:38:36 | |
Why didn't Joan pick the jewellery? She's the best at it in the world. | 0:38:36 | 0:38:41 | |
-Why didn't Joan pick the jewellery? -I think that Natalie has great style. -She does have great style. | 0:38:41 | 0:38:48 | |
She's worn beautiful jewellery all these weeks. | 0:38:48 | 0:38:51 | |
She has a young point of view. Ivanka's young. | 0:38:51 | 0:38:55 | |
-Joan, your daughter picked large, visible jewellery. -I didn't realise that when I sent her up there. | 0:38:55 | 0:39:02 | |
I knew that she would pick very pretty things. | 0:39:02 | 0:39:06 | |
I did not give her instructions. I thought she would find wonderful young pieces of jewellery. | 0:39:06 | 0:39:12 | |
-And they're beautiful things, but they were very hard to see. -Yes, they were. | 0:39:12 | 0:39:19 | |
And so different from Melissa's. | 0:39:19 | 0:39:21 | |
-Were you happy with what Natalie picked? -I would rather she'd come back with huge, big things. | 0:39:21 | 0:39:28 | |
-So you weren't happy. -You liked the other team's jewellery better. | 0:39:28 | 0:39:34 | |
When I saw the other team's, perhaps I'd have picked other things. | 0:39:34 | 0:39:39 | |
Joan, if you were me, who would you fire? | 0:39:41 | 0:39:44 | |
We are such a good team together | 0:39:53 | 0:39:57 | |
-and everybody wants... -I've never seen you cry before. -I like these people so much. | 0:39:57 | 0:40:02 | |
-You have a big heart. -It just kills me. -Because you'll lose somebody? Somebody has to go. | 0:40:02 | 0:40:08 | |
-Or me. -Would you ever believe you'd be crying over losing Clint? | 0:40:08 | 0:40:13 | |
That's why she's crying! | 0:40:13 | 0:40:17 | |
No, but he's such a good guy. You know, he's an honest guy. | 0:40:17 | 0:40:21 | |
-Have you gotten close to Herschel and Natalie also? -Herschel, I wish you would marry Melissa. | 0:40:21 | 0:40:27 | |
-He might do it. -I'm begging him. | 0:40:27 | 0:40:30 | |
-I keep saying. -It's an off-screen romance. -Natalie is so sweet. | 0:40:30 | 0:40:36 | |
-What you see is what you get. -So you're upset that somebody has to go. -It's killing me. | 0:40:36 | 0:40:42 | |
I'm so fond of all of them. | 0:40:42 | 0:40:45 | |
I am fond of all of you. I know all of you and I'm fond of you. It's hard. | 0:40:45 | 0:40:51 | |
But you failed as a team and somebody has to be fired. | 0:40:51 | 0:40:54 | |
Although Herschel raised the most money. Herschel, you raised 55,000. You did the best job. | 0:40:54 | 0:41:00 | |
-It's hard to say, "I have to fire Herschel." -We didn't win. -You're close. | 0:41:00 | 0:41:05 | |
I must be honest with you, Joan. | 0:41:05 | 0:41:08 | |
You were...terrific. | 0:41:08 | 0:41:11 | |
As far as Clint, in terms of the auctioneer, | 0:41:11 | 0:41:14 | |
he was really not good at what he did. | 0:41:14 | 0:41:18 | |
You could see that and you came into the picture. | 0:41:18 | 0:41:22 | |
But Clint really isn't the reason that you lost | 0:41:22 | 0:41:25 | |
because whether he was good or not, nobody could see the pieces he was selling. | 0:41:25 | 0:41:30 | |
Natalie, with all of the rich golfers you play with and want to play with you so badly, | 0:41:32 | 0:41:38 | |
weren't you able to raise any money? | 0:41:38 | 0:41:40 | |
I'd asked some individuals and I really thought I'd be able to draw a lot more money. | 0:41:40 | 0:41:45 | |
-And what happened? -And they all said "no". | 0:41:45 | 0:41:49 | |
OK, look, I have to go with something. Natalie, you weren't an effective fund-raiser. | 0:41:52 | 0:41:57 | |
And ultimately, you picked the wrong jewellery. | 0:41:57 | 0:42:02 | |
So, Natalie, you're fired. | 0:42:05 | 0:42:08 | |
-OK. -Sorry. Thank you. | 0:42:08 | 0:42:10 | |
-Just drop it, Annie! -When your mother calls me "Hitler", you might want to jump in. | 0:42:12 | 0:42:17 | |
-Melissa, I love you and I enjoy being on your team. -He just fired Natalie. -He fired Natalie? -What? | 0:42:17 | 0:42:23 | |
Good luck, everybody. Thank you. Go. | 0:42:23 | 0:42:26 | |
-You did a good job, Joan. -Thank you. -A great job. -Thank you. Thank you. | 0:42:29 | 0:42:34 | |
JOAN SNIFFS | 0:42:36 | 0:42:38 | |
She's got a big heart. | 0:42:38 | 0:42:40 | |
Thank you. | 0:42:43 | 0:42:45 | |
Natalie... | 0:42:45 | 0:42:47 | |
Hey, fellas. | 0:42:49 | 0:42:51 | |
-Oh, my darling! -See ya. | 0:42:51 | 0:42:53 | |
Thank you. | 0:42:53 | 0:42:55 | |
-Good luck. -I love you. -Thank you. | 0:42:55 | 0:42:57 | |
'I was really proud of our KOTU team. We raised 100,000 in one night at the charity auction. | 0:42:57 | 0:43:03 | |
'Working for Donald Trump was great.' | 0:43:04 | 0:43:06 | |
He was the first boss I've ever had and the first firing I've ever had. | 0:43:06 | 0:43:10 | |
-Why Natalie? -She made bad choices on the jewellery and didn't come through with the money. -Oh, my God! | 0:43:10 | 0:43:16 | |
I'm shocked right now. | 0:43:16 | 0:43:19 | |
Do not throw fuel on the flames. I've just been yelled at and I'm yelling back. | 0:43:19 | 0:43:24 | |
Please walk in and do not throw flames on a very volatile situation. | 0:43:24 | 0:43:28 | |
-I won't do anything. -I'm this far from quitting. | 0:43:28 | 0:43:31 | |
I don't want to have a heart attack over Annie. | 0:43:31 | 0:43:34 | |
It's just stupid. It's such a waste of time. | 0:43:34 | 0:43:37 | |
But I am going to jump in there full force because we've just got to win this one. | 0:43:37 | 0:43:43 | |
It's so unfair. | 0:43:43 | 0:43:45 | |
We worked like a terrific team and it's just very sad. | 0:43:45 | 0:43:50 | |
As it gets smaller and smaller, it gets sadder and sadder because we had a very happy team. | 0:43:50 | 0:43:55 | |
'I'm extremely upset about the personal comments. | 0:43:55 | 0:43:59 | |
'She can't say the things she said about me and expect me to walk away from that. | 0:43:59 | 0:44:05 | |
'She called me "Hitler". She might want to look to herself because she's a crazy bitch.' | 0:44:05 | 0:44:11 | |
That woman had better not speak to me again! | 0:44:11 | 0:44:14 | |
Congratulations. That's a lot of money. | 0:44:16 | 0:44:19 | |
We're playing for charity and your money is going to a fantastic cause. | 0:44:19 | 0:44:24 | |
- So there is always an upside... - I'm giving it to the Hitler Fund. | 0:44:24 | 0:44:28 | |
-Oh, Annie, calm down. -Joan, don't speak to me. Seriously. | 0:44:28 | 0:44:32 | |
-"Don't speak to me"? -She can never speak to me again. -You've made my day. | 0:44:32 | 0:44:37 | |
-Hi. Ken Bacon. -Hi. Annie Duke. Nice to meet you. -Come on in. | 0:44:48 | 0:44:52 | |
My charity is Refugees International and Ken Bacon from the charity | 0:44:53 | 0:44:57 | |
is so committed to that charity and has done amazing work. | 0:44:57 | 0:45:02 | |
Refugees are really a sign of instability. | 0:45:02 | 0:45:05 | |
A world with fewer refugees is a more stable world, a safer world, so we all benefit. | 0:45:05 | 0:45:10 | |
I'm extremely committed to this. I'm very proud to represent you. | 0:45:10 | 0:45:14 | |
-We held an event the other night where we sold some beautiful jewellery, so that's for you. -Wow! | 0:45:14 | 0:45:20 | |
Holy mackerel! This is great! | 0:45:21 | 0:45:24 | |
This is amazing - 245,000 dollars! | 0:45:24 | 0:45:27 | |
I've never had a cheque this big. | 0:45:27 | 0:45:29 | |
'This was a great surprise' | 0:45:29 | 0:45:33 | |
and a huge boost for our work. | 0:45:33 | 0:45:35 | |
-This is really great. I'll think of you out on the poker tables earning money for refugees. -Exactly. | 0:45:35 | 0:45:42 | |
Beautiful. | 0:45:48 | 0:45:50 | |
-Good morning. -ALL: Good morning. | 0:45:56 | 0:45:59 | |
We're standing in my dining room at Trump Tower. | 0:45:59 | 0:46:03 | |
Now, I love food and what's happening, especially with the economy not doing so well, | 0:46:03 | 0:46:10 | |
people are going to frozen foods. | 0:46:10 | 0:46:14 | |
It's nutritious, it's fast, it's good. | 0:46:14 | 0:46:17 | |
One of the great makers of frozen foods is Schwan's | 0:46:17 | 0:46:21 | |
and with me is a great executive, Scott McNair of Schwan's. | 0:46:21 | 0:46:25 | |
Scott, what would you like them to do? | 0:46:25 | 0:46:27 | |
For over 50 years, Schwan's has delivered restaurant-quality food to our customers' doors. | 0:46:27 | 0:46:35 | |
Your task is to create a new signature meal for Schwan's LiveSmart brand. | 0:46:35 | 0:46:39 | |
LiveSmart is our health and wellness platform. We look for healthy solutions for the family. | 0:46:39 | 0:46:45 | |
Additionally, you will create a new marketing campaign for Schwan's LiveSmart brand. | 0:46:45 | 0:46:51 | |
-You'll be judged on taste, originality and then lastly, your marketing campaign. -Thank you, Scott. | 0:46:51 | 0:46:58 | |
Now, Ivanka will be with me | 0:46:58 | 0:47:00 | |
and Joe Kernen from CNBC's Squawk Box. | 0:47:00 | 0:47:05 | |
He's probably the most important financial reporter there is, | 0:47:05 | 0:47:09 | |
so it's really nice to have Joe and Ivanka. They'll be working with us. | 0:47:09 | 0:47:13 | |
We're going to Fresco By Scotto, one of my favourite restaurants. | 0:47:13 | 0:47:17 | |
Scott and his executives are going to eat your food and if he likes it, great. | 0:47:17 | 0:47:22 | |
If he doesn't like it, you lose. | 0:47:22 | 0:47:25 | |
Who are your project managers? | 0:47:25 | 0:47:28 | |
Jesse, finally, you're project manager. Good luck. | 0:47:28 | 0:47:31 | |
'The time was right for me to be project manager.' | 0:47:31 | 0:47:35 | |
My job will be to keep the in-fighting to a minimum, | 0:47:35 | 0:47:38 | |
so we can focus on doing a good job. | 0:47:38 | 0:47:41 | |
KOTU? Herschel, you'll do it again. Great job. | 0:47:41 | 0:47:44 | |
'Joan wanted me as she's not comfortable with Clint.' | 0:47:44 | 0:47:47 | |
Clint's not comfortable with Joan. | 0:47:47 | 0:47:50 | |
'But there's only three of us, so we've either got to get along or this is not going to work.' | 0:47:50 | 0:47:55 | |
The project manager of the winning team will get 20,000 for their charity. | 0:47:55 | 0:48:01 | |
The losing team will go to the boardroom. Somebody will be fired. OK? Thank you. Have a good time. | 0:48:01 | 0:48:08 | |
Hey, how are you? | 0:48:26 | 0:48:28 | |
-How are you doing? -Hey, Herschel. Bob. | 0:48:28 | 0:48:31 | |
'The judges were the executives from Schwan's and they were judging us on taste, originality' | 0:48:31 | 0:48:38 | |
and how we'd present it in a marketing situation. | 0:48:38 | 0:48:41 | |
Primarily, what we do is deliver frozen food to customers at their door at their homes. | 0:48:41 | 0:48:47 | |
We have people called CSMs which are Customer Service Managers. | 0:48:47 | 0:48:50 | |
They ultimately sell the product. | 0:48:50 | 0:48:53 | |
-CSMs are very important? -Hugely important. They're the face of our company. | 0:48:53 | 0:48:58 | |
We're looking for something unique, not something we do that's better. | 0:48:58 | 0:49:02 | |
-It's got to taste great. -Yeah. You can have the best marketing campaign. If it don't taste good, who wants it? | 0:49:02 | 0:49:09 | |
Right. | 0:49:09 | 0:49:10 | |
LiveSmart is all about eating well and living well. | 0:49:10 | 0:49:13 | |
And it has to do with calories, fat and sodium. | 0:49:13 | 0:49:17 | |
Keep in mind that all the consumers are looking for convenience, | 0:49:17 | 0:49:21 | |
so you make up this new whatever and then how do we message that out to our consumer? | 0:49:21 | 0:49:27 | |
'These guys were pretty forthcoming on what they wanted, but they have a particular way of doing things. | 0:49:27 | 0:49:33 | |
'I don't want to re-design their whole company,' | 0:49:33 | 0:49:37 | |
just create a new meal for their line. | 0:49:37 | 0:49:39 | |
-Good luck. I look forward to seeing you tomorrow. -Thank you very much. -Nice meeting you. Thanks. | 0:49:39 | 0:49:45 | |
-Let's pin down what we're going to make. -Here are their top sellers. | 0:49:46 | 0:49:50 | |
The Italian-style meatballs is their number two best-seller. | 0:49:50 | 0:49:55 | |
'We started researching the Schwan's brand. On their regular menu,' | 0:49:55 | 0:49:59 | |
Italian-style meatballs are one of their best-sellers. | 0:49:59 | 0:50:03 | |
'It's not on their low-fat menu.' | 0:50:03 | 0:50:06 | |
-I'd do turkey meatballs. -It doesn't sound like, "Wow, got to eat that!" | 0:50:06 | 0:50:10 | |
Turkey meatballs are almost always dry. I make moist turkey meatballs. | 0:50:10 | 0:50:15 | |
What's that new item that no-one's hitting on? | 0:50:15 | 0:50:18 | |
We can do penne pasta with mini turkey meatballs. | 0:50:18 | 0:50:21 | |
'Annie was obsessed with turkey meatballs.' | 0:50:21 | 0:50:25 | |
Annie mode is she is going to get her way, come hell or high water, | 0:50:25 | 0:50:29 | |
and to get her to give up on an idea is impossible. | 0:50:29 | 0:50:33 | |
What do you want to eat if you get home at nine o'clock at night? | 0:50:33 | 0:50:37 | |
Spaghetti and meatballs. | 0:50:37 | 0:50:40 | |
What's the next best alternative? Healthy, though. | 0:50:41 | 0:50:45 | |
-I like a chilli or a soup. -Meatloaf and mashed potatoes. | 0:50:45 | 0:50:48 | |
Also with the turkey meatballs, you make it with gluten-free pasta. | 0:50:48 | 0:50:53 | |
That adds a new aspect to their LiveSmart line. People are really interested in gluten-free. | 0:50:53 | 0:50:59 | |
Annie's dead set on making what she's going to make, | 0:50:59 | 0:51:02 | |
but I'm trying to be a leader and keep the drama to an absolute minimum. | 0:51:02 | 0:51:07 | |
We've got a bunch of good ideas. We'll make three and pick the tastiest one that we all agree on. | 0:51:07 | 0:51:13 | |
We're doing the turkey meatballs with pasta, the chilli and meatloaf with sweet potatoes. | 0:51:13 | 0:51:19 | |
-So if you guys want to cook, you two... -You and I can do marketing. -I'll handle marketing stuff. | 0:51:19 | 0:51:25 | |
'Given the tension, I chose to keep Melissa with me | 0:51:25 | 0:51:29 | |
'and send Brande with Annie to cook.' | 0:51:29 | 0:51:32 | |
If there are two strong-willed girls clashing in the kitchen, guess what will suffer - our food. | 0:51:32 | 0:51:38 | |
I don't want to have too many cooks in the kitchen. | 0:51:38 | 0:51:43 | |
Badda-badda-boom! | 0:51:43 | 0:51:45 | |
Does anyone want to cook? | 0:51:55 | 0:51:57 | |
Don't even look at me. | 0:51:57 | 0:52:00 | |
I do a couple of things really well, but not a lot of things. | 0:52:00 | 0:52:03 | |
So I'm going to be the chef. | 0:52:03 | 0:52:05 | |
-I'll either do sweet potatoes or mashed potatoes. Which one? -You're our chef. What do you think? | 0:52:05 | 0:52:11 | |
This is like the task from hell for me. | 0:52:11 | 0:52:15 | |
'My cooking is so bad,' | 0:52:15 | 0:52:17 | |
Melissa's first words were, "Room service." | 0:52:17 | 0:52:21 | |
Miss Rivers, look at this. It tells you what is good. | 0:52:21 | 0:52:24 | |
"99% of customers would recommend this product to a friend." | 0:52:24 | 0:52:28 | |
-It's a skinless chicken breast. And look at the rating on it. -That's a great rating. | 0:52:28 | 0:52:33 | |
So we know now it's going to have to be a skinless chicken breast. | 0:52:33 | 0:52:38 | |
Even though it's a popular item, my concern is that this isn't going to be original enough. | 0:52:38 | 0:52:44 | |
I'm staying with the chicken breast because their consumers prefer chicken breast over anything else. | 0:52:46 | 0:52:52 | |
'I wasn't convinced chicken really was the way to go, | 0:52:52 | 0:52:56 | |
'but people think all Clint wants to do is argue, | 0:52:56 | 0:53:00 | |
'so I've reduced my debating to nil.' | 0:53:00 | 0:53:03 | |
I suggested a dish I have at home all the time - ginger soy chicken. | 0:53:03 | 0:53:08 | |
If you pan-fry that chicken, slow-cook, pan-fry that chicken | 0:53:08 | 0:53:13 | |
in a ginger soy sauce, it'll be delicious. | 0:53:13 | 0:53:16 | |
'I wanted to stay with skinless chicken breast, but I'm not a meat eater, so I needed a recipe. | 0:53:16 | 0:53:22 | |
'Clint came up with his wife's recipe.' | 0:53:22 | 0:53:25 | |
It was very simple and I thought it was a great idea. | 0:53:25 | 0:53:28 | |
-How's it going? -Good. How are you? -Good. Good to see you. | 0:53:28 | 0:53:32 | |
So explain to me what you are doing. | 0:53:32 | 0:53:35 | |
-We're... -Herschel decided to go with a recipe that we make at home. | 0:53:35 | 0:53:39 | |
-OK. -A soy ginger sauce and slow-cook the chicken breast, so it'll absorb as much of that sauce as possible. | 0:53:39 | 0:53:46 | |
-You must know a little bit about nutrition. -I do. | 0:53:46 | 0:53:49 | |
-Is that why you're project manager? -No, I'm project manager because we've been losing. | 0:53:49 | 0:53:55 | |
'KOTU's track record at this point sucks and I think Herschel is pretty intent on changing it.' | 0:53:55 | 0:54:01 | |
Do people like soy ginger chicken? My father would never eat it, but I would, so we'll see what happens. | 0:54:01 | 0:54:07 | |
-Bye, guys. Have fun. -See you. -Good luck. -Thank you. | 0:54:07 | 0:54:11 | |
OK, we got sweet potato, chicken, green beans. We got three items right here. | 0:54:12 | 0:54:17 | |
-You need a dessert. -The dessert I'm thinking we'll do is almost like a parfait. -Right. | 0:54:17 | 0:54:23 | |
All you need is frozen yogurt, some berries and all of that stuff. | 0:54:23 | 0:54:28 | |
That'll be pretty easy. | 0:54:28 | 0:54:31 | |
Oh, I hope our stuff tastes good. | 0:54:34 | 0:54:36 | |
'I worked with Jesse on all the marketing' | 0:54:36 | 0:54:40 | |
while Annie and Brande hit the kitchen. | 0:54:40 | 0:54:42 | |
So we could divvy up, two and two. | 0:54:42 | 0:54:45 | |
So what do we want to do for the marketing? | 0:54:45 | 0:54:48 | |
You know, a little handout, a little trifle, you know what I mean? | 0:54:53 | 0:54:57 | |
Do we want to design something for the website | 0:54:58 | 0:55:02 | |
or any of that kind of stuff? | 0:55:02 | 0:55:05 | |
Oh, I think we should touch on... | 0:55:05 | 0:55:08 | |
'I kept saying to him, "Jesse, tell me what you want me to do."' | 0:55:13 | 0:55:18 | |
I felt it wasn't clear what the campaign was. | 0:55:18 | 0:55:21 | |
-Hi. -Hi. How are you? | 0:55:21 | 0:55:24 | |
-What did you come up with? What are you thinking? -Three items and we'll pick the best of the three. | 0:55:24 | 0:55:29 | |
-What are the three? -We have turkey meatballs, we're doing a chilli with a cornbread and a meatloaf. | 0:55:29 | 0:55:36 | |
-Now we've just got to figure out someone who can cook all three of these. -We have that. | 0:55:36 | 0:55:42 | |
- Hello. - Gosh, we have all the groceries. | 0:55:42 | 0:55:45 | |
- You're cooking all these things up? - She's helping me. | 0:55:45 | 0:55:49 | |
Do you think there's a premium put on something innovative or new? | 0:55:49 | 0:55:53 | |
- We have gluten-free pasta. - Who would eat gluten-free? | 0:55:53 | 0:55:57 | |
The people who need gluten-free have wheat allergies or coeliac disease. | 0:55:57 | 0:56:01 | |
I think it's good that they have a real cook, | 0:56:01 | 0:56:04 | |
but if the meal tastes like crap, | 0:56:04 | 0:56:06 | |
I'd say that Annie was talking a good game, | 0:56:06 | 0:56:10 | |
but couldn't deliver where she needed to. | 0:56:10 | 0:56:14 | |
I'm doing the olive oil. I'm going to soften the onions up. | 0:56:18 | 0:56:22 | |
'For this task, we were given a Schwan's food specialist.' | 0:56:22 | 0:56:26 | |
They would make sure that the recipes were within the guidelines. | 0:56:26 | 0:56:30 | |
-Were you surprised when I asked if I can toast it? -You know how to prepare your spices. -I'm fast with a knife. | 0:56:30 | 0:56:37 | |
'I had to do three different savoury dishes. | 0:56:37 | 0:56:40 | |
'You have to have someone who's a fast cook and I'm a fast cook because I've got to cook for four kids.' | 0:56:40 | 0:56:46 | |
I can knock out relatively complex dishes really quickly. | 0:56:46 | 0:56:50 | |
Brande, see how fast I am? The chefs are impressed with my knife work. | 0:56:50 | 0:56:54 | |
Annie has a lot of energy, likes to talk, talk, talk. | 0:56:57 | 0:57:00 | |
I can knock three dishes out in the time that they can knock one out. | 0:57:00 | 0:57:04 | |
Look! That took me two minutes. | 0:57:04 | 0:57:06 | |
BRANDE: 'I've been irritated by her. Not many people could spend a day with Annie.' | 0:57:06 | 0:57:12 | |
-I'm the total woman. I can cook, I raise my children, I work hard. And I give a good... -BLEEP -..job. | 0:57:12 | 0:57:19 | |
We just buy plain yogurt, | 0:57:22 | 0:57:25 | |
then I think the executives say, "This we can't freeze and then thaw." | 0:57:25 | 0:57:30 | |
'I wanted the frozen yogurt dessert, but it had to be made from scratch,' | 0:57:30 | 0:57:34 | |
so why not use just plain yogurt? | 0:57:34 | 0:57:36 | |
That's what I'm saying. You use frozen yogurt, | 0:57:36 | 0:57:40 | |
but we're making a dessert which is our own, using yogurt, | 0:57:40 | 0:57:44 | |
but it's going to be frozen yogurt because that's what you use anyway. | 0:57:44 | 0:57:48 | |
-But it's like saying... -That's what I'm saying. | 0:57:52 | 0:57:55 | |
-It's like saying we're going to serve chicken, but we'll use beef for this presentation. -No, it's not. | 0:57:55 | 0:58:01 | |
It's two different things. You argue a lot about everything, Clint. | 0:58:01 | 0:58:05 | |
'Clint is arguing with me about the dessert. Everything he knows is better than what you do.' | 0:58:05 | 0:58:11 | |
But I have to take responsibility for the meal. | 0:58:11 | 0:58:14 | |
-I'm in the food business. -If you want to use yogurt... -You argue about everything. | 0:58:14 | 0:58:19 | |
-I'll back you up if you want to use it. -I bet my food company makes more than your record company. | 0:58:19 | 0:58:25 | |
'My argument about the yogurt... I wanted to protect my project manager.' | 0:58:25 | 0:58:30 | |
If the executives say, "This is ridiculous, | 0:58:30 | 0:58:33 | |
"this dessert can't be frozen and thawed successfully," | 0:58:33 | 0:58:36 | |
maybe what I'm supposed to learn from this is that this is a game - let him hang himself. | 0:58:36 | 0:58:42 | |
He's putting all this special love into the sauce too. | 0:58:56 | 0:59:00 | |
It will make the chicken unique. | 0:59:00 | 0:59:02 | |
'Even though I may have delegated what I wanted everyone to do, Clint decided he wanted to cook too.' | 0:59:02 | 0:59:08 | |
That's tasting right. | 0:59:08 | 0:59:10 | |
He wanted to do the whole test. We should've made him project manager. | 0:59:10 | 0:59:14 | |
'Originally, Clint said his wife had a lovely chicken recipe. | 0:59:16 | 0:59:21 | |
'But it was real salty.' | 0:59:21 | 0:59:23 | |
It was not a great sauce. | 0:59:23 | 0:59:26 | |
'My greatest concern is since I don't eat chicken, | 0:59:28 | 0:59:32 | |
'I had to rely on Joan to say what was good and bad and she was honest.' | 0:59:32 | 0:59:36 | |
-That's very salty. -Yeah. | 0:59:36 | 0:59:39 | |
'It was so horrible. Think of drinking a glass of soy sauce' | 0:59:39 | 0:59:44 | |
and then licking a piece of chicken. | 0:59:44 | 0:59:46 | |
It was soy sauce garnished with chicken. | 0:59:46 | 0:59:49 | |
It was the reverse of what we wanted. It was just terrible. | 0:59:49 | 0:59:53 | |
-We want a kiss of soy. We don't want... -That's not the recipe, though. -It doesn't matter. | 0:59:53 | 0:59:58 | |
If you change the recipe, it's no longer soy. | 0:59:58 | 1:00:02 | |
Oh, you can call it "soy" as long as it smells like soy. | 1:00:02 | 1:00:06 | |
-Can we add like an orange flavour to it? -That's good. | 1:00:06 | 1:00:09 | |
-Well, we have oranges. Let's make our own juice. -Yeah. | 1:00:09 | 1:00:13 | |
Clint's terrible soy sauce recipe didn't work, | 1:00:13 | 1:00:16 | |
so we've got to fix this. | 1:00:16 | 1:00:18 | |
So we came up with putting orange juice in it. | 1:00:18 | 1:00:22 | |
-Pretty good. -Yeah, I think it'll help. -I think it has. -Yeah. | 1:00:24 | 1:00:29 | |
So by adding orange juice to the soy sauce, it made a delicious new kind of chicken. | 1:00:29 | 1:00:35 | |
-Asian orange chicken. -I like it. | 1:00:35 | 1:00:38 | |
-Something smells good. -This had better be good or it's your ass! | 1:00:46 | 1:00:50 | |
'Once the cooking was done, Annie and Brande wanted me' | 1:00:50 | 1:00:54 | |
to make the final decision | 1:00:54 | 1:00:56 | |
on which item we'll go with for our new meal. | 1:00:56 | 1:00:59 | |
I want you to taste the meatloaf. I think it's sublime. | 1:00:59 | 1:01:02 | |
It's good. | 1:01:05 | 1:01:07 | |
The meatloaf was good, really clean-tasting, but I didn't like it. | 1:01:07 | 1:01:11 | |
OK, so here is the chilli. | 1:01:11 | 1:01:13 | |
-It's good. -That's good. -Wow! -It smells good. | 1:01:15 | 1:01:19 | |
Jesse James likes my chilli. | 1:01:19 | 1:01:22 | |
As soon as I tried the chilli, I was like, "Chilli, chilli, chilli, chilli!" | 1:01:22 | 1:01:27 | |
-HE FARTS -Oh, yeah! | 1:01:27 | 1:01:29 | |
It's good chilli, man. What can I say? | 1:01:31 | 1:01:33 | |
OK, I need you to try this spaghetti and meatballs. | 1:01:33 | 1:01:38 | |
-It's good. It's not as good as the chilli, though. -No. | 1:01:38 | 1:01:42 | |
But there can only be one that I like the best. It's the chilli. | 1:01:42 | 1:01:47 | |
I think the spaghetti and meatballs is better and I made all of them. | 1:01:47 | 1:01:51 | |
-Which one do you like, Brande? -I like them both, but the chilli is easy to just take out of a can, | 1:01:51 | 1:01:57 | |
-but this kind of stuff is so original and different. -I like the meatballs. | 1:01:57 | 1:02:01 | |
-It's your decision, ultimately. -Three meatballs? -You get three meatballs. | 1:02:01 | 1:02:06 | |
-Let's go with that. -OK. | 1:02:06 | 1:02:08 | |
'I think I succumbed to peer pressure, but keeping the girls together as a team' | 1:02:08 | 1:02:13 | |
and have everybody focused on one project and one idea, | 1:02:13 | 1:02:17 | |
I think it was the wise decision. | 1:02:17 | 1:02:20 | |
OK, we're not doing chilli. | 1:02:20 | 1:02:22 | |
Get through that stuff, then I'm going to go finish... | 1:02:22 | 1:02:26 | |
-So, marketing, are you going to work with me on that, Joan? -Yeah. | 1:02:31 | 1:02:36 | |
What kind of a marketing campaign are you thinking of, Herschel? | 1:02:36 | 1:02:40 | |
Remember how the CSM is very important to them? | 1:02:40 | 1:02:43 | |
So how about an ad where one of their CSMs shows up at my bus? | 1:02:43 | 1:02:48 | |
'Clint loves to be in front of the camera.' | 1:02:52 | 1:02:55 | |
He'd leave Joan and I out in the cold.' | 1:02:55 | 1:02:58 | |
We can talk about, "Look, if you go with our campaign, | 1:02:58 | 1:03:02 | |
"you show up and you bring food to Clint Black on tour. | 1:03:02 | 1:03:05 | |
"He opens the door to his bus and it's his meals." | 1:03:05 | 1:03:09 | |
'Herschel was supposed to be making the decisions,' | 1:03:09 | 1:03:12 | |
but Clint decided it was going to be about celebrity endorsement. | 1:03:12 | 1:03:16 | |
'Clint is going to do what Clint wants to do.' | 1:03:16 | 1:03:19 | |
That's a good spot. | 1:03:19 | 1:03:21 | |
We just need a name. | 1:03:29 | 1:03:32 | |
Two-Timing Turkey Meatballs. | 1:03:33 | 1:03:35 | |
-No. -Full House Turkey. | 1:03:35 | 1:03:37 | |
Jesse James "Who You Callin' Turkey" Turkey Meatballs. | 1:03:37 | 1:03:41 | |
-What else do you need me to do? -Touchdown Turkey Meatballs. Talking Turkey. | 1:03:41 | 1:03:45 | |
I Ain't A Swan, I'm A Turkey Meatball. | 1:03:45 | 1:03:48 | |
-You guys have seriously been sitting down here too long. Clearly! -What gives you that idea? | 1:03:48 | 1:03:54 | |
There's three meatballs in each serving, so you can do Three Of A Kind if you want. | 1:03:54 | 1:03:59 | |
-Triple Play Turkey Meatballs. -There you go. -Good. | 1:03:59 | 1:04:02 | |
-Jesse, is there anything you want us to do right now? -No, we're good. | 1:04:02 | 1:04:07 | |
-Who's doing the presentation? -I'll do it. | 1:04:07 | 1:04:10 | |
Did you guys figure everything out? Is there anything...? | 1:04:10 | 1:04:14 | |
-I got it. We're good. -You got it? | 1:04:14 | 1:04:16 | |
'I was concerned about the presentation as well as the marketing part.' | 1:04:17 | 1:04:23 | |
Jesse wouldn't tell us what it is. | 1:04:23 | 1:04:25 | |
-You can go. I'll finish this. -You don't need help with presentation? -No, I'm good. -Thank you, Jesse. | 1:04:25 | 1:04:32 | |
'I feel like Jesse's had a bit of a wall between him and his team. | 1:04:32 | 1:04:36 | |
'He has some idea of what that marketing campaign will look like,' | 1:04:36 | 1:04:41 | |
but he isn't being open to suggestions. | 1:04:41 | 1:04:43 | |
I felt a little bit locked out. | 1:04:43 | 1:04:45 | |
-Good night. -Good night. | 1:04:45 | 1:04:48 | |
- Good afternoon. - Hello. | 1:04:55 | 1:04:57 | |
This has been a great adventure for all of us, especially me cos I am not a cook. | 1:04:57 | 1:05:03 | |
Now, please welcome Orange Asian Soy Chicken. | 1:05:05 | 1:05:09 | |
Why this is a new concept is because there is so much "East meets West" these days. | 1:05:09 | 1:05:15 | |
I mean, it's one world now. | 1:05:15 | 1:05:17 | |
There is orange juice from the West, soy from the East, | 1:05:17 | 1:05:21 | |
French green beans, also sweet potatoes. | 1:05:21 | 1:05:25 | |
A delicious, healthy meal that consists of 480 calories. | 1:05:25 | 1:05:30 | |
So while you're eating, I'll just do all the talking. | 1:05:31 | 1:05:35 | |
We've created an outline of a marketing campaign. | 1:05:35 | 1:05:39 | |
This can be done most effectively through television by showing your CSM ringing the bell on a tour bus. | 1:05:39 | 1:05:46 | |
Clint Black opens the door, accepts these great meals and delivers to the camera, | 1:05:46 | 1:05:51 | |
"Home-cooked meals won't follow me around on a concert tour, but LiveSmart will. | 1:05:51 | 1:05:57 | |
-"No matter what your family loves to eat, Schwan's LiveSmart delivers every time." -OK. | 1:05:57 | 1:06:02 | |
- You must try the dessert. - Is it part of your meal? | 1:06:02 | 1:06:06 | |
Yes, it would come separately packaged, but with the meal. | 1:06:06 | 1:06:09 | |
- That's good. Really interesting. - Thank you so much. | 1:06:09 | 1:06:13 | |
Thank you. | 1:06:13 | 1:06:14 | |
'I think it went much better than I thought it was going to go.' | 1:06:14 | 1:06:19 | |
The food was edible. We have a good chance of winning. | 1:06:19 | 1:06:22 | |
-I like the chicken. I thought it had great flavour. -The flavours are all good on this. -Yeah, absolutely. | 1:06:22 | 1:06:29 | |
-How do you think their dessert comes out? -I'm not sure how you can freeze a yogurt in that way. | 1:06:29 | 1:06:37 | |
This I get in one of our packages. | 1:06:37 | 1:06:39 | |
That is like two packages, maybe three. | 1:06:39 | 1:06:42 | |
You'll have a granola packet, a berry packet and a yogurt packet. | 1:06:42 | 1:06:46 | |
-That adds a lot. -That adds a lot. That's exactly right. | 1:06:46 | 1:06:50 | |
-Hi. -Hi. | 1:06:52 | 1:06:54 | |
-How are you? -Good. How are you? | 1:06:54 | 1:06:57 | |
-This is our version of spaghetti and meatballs. -Yeah, yeah. | 1:06:57 | 1:07:01 | |
-My name is Jesse James. I'll give you some facts about the new meal you're going to eat. -Great. | 1:07:01 | 1:07:07 | |
The Triple Play Turkey Meatballs, gluten-free pasta and delicious apple berry crisp for dessert. | 1:07:07 | 1:07:13 | |
You're thinking, "It's just a fancy version of spaghetti and meatballs." | 1:07:13 | 1:07:17 | |
But we've taken an old favourite and adapted it into a meal you can feel good about eating | 1:07:17 | 1:07:22 | |
and still get the full satisfaction of having that hearty-made-healthy comfort food. | 1:07:22 | 1:07:29 | |
The meatballs come with gluten-free pasta and a tomato basil sauce. | 1:07:29 | 1:07:33 | |
The gluten-free market is one of the fastest-growing segments in the food industry, | 1:07:33 | 1:07:39 | |
as people develop wheat allergies or coeliac disease. | 1:07:39 | 1:07:42 | |
And instead of using breadcrumbs for filler, | 1:07:42 | 1:07:45 | |
we used a mix of vegetables such as sweet red onion, garlic, mushrooms and spinach. | 1:07:45 | 1:07:51 | |
The added bonus is you get your kids to eat spinach now without them even knowing it's in there. | 1:07:51 | 1:07:56 | |
'I was really worried about the presentation because Jesse wouldn't tell us what would be said.' | 1:07:56 | 1:08:02 | |
But in the end, he pulled it off. He looked adorable and cute. | 1:08:02 | 1:08:06 | |
-'He did a great job.' -It's hearty-made-healthy because Schwan's take the hassle out of healthy. | 1:08:06 | 1:08:12 | |
-Thank you very much. -Thank you very much. Thank you. | 1:08:12 | 1:08:16 | |
The only thing I'm worried about is the marketing part of the campaign. That's the only thing it was lacking. | 1:08:16 | 1:08:22 | |
I like the innovation of it. Gluten is hot. There's no doubt about that. They did their homework. | 1:08:22 | 1:08:29 | |
The vegetables inside the meatballs is a good idea. | 1:08:29 | 1:08:32 | |
-Where was the marketing? -I missed the marketing. -Was it that sign? | 1:08:32 | 1:08:37 | |
-There wasn't any. -Yeah. -No marketing campaign. | 1:08:37 | 1:08:40 | |
It'll be a tough decision. Each one of those teams had some good points | 1:08:40 | 1:08:44 | |
-and some things they missed. -Yeah, for sure. | 1:08:44 | 1:08:48 | |
-Hello, Herschel. -Hello there. -How do you think your team did? | 1:09:12 | 1:09:16 | |
-I think we did well. It was tough. -How did Joan do? -She did very well. | 1:09:16 | 1:09:21 | |
I've watched Joan for many years and she always makes people laugh about her non-cooking ability. | 1:09:21 | 1:09:28 | |
Well, we decided early on she was not going to be the cook, so that was easy. | 1:09:28 | 1:09:34 | |
-How did Clint do? -Clint is Clint. -What does that mean? | 1:09:34 | 1:09:37 | |
Clint don't like to listen too well, but he works. | 1:09:37 | 1:09:41 | |
Who did the better job between Clint and Joan? | 1:09:41 | 1:09:44 | |
-Oh, you're putting me on the spot. -Early. -I think Joan did. | 1:09:46 | 1:09:50 | |
-Why? -Joan knew what she had to do. I gave out what everyone was supposed to do. | 1:09:50 | 1:09:55 | |
I would be the cook, Joan would work on the presentation, Clint would do the marketing. | 1:09:55 | 1:10:00 | |
Then it ended up that Clint wanted to be the cook. | 1:10:00 | 1:10:04 | |
-Clint, why is that? -Herschel chose to go with a chicken recipe that we make in my home. | 1:10:04 | 1:10:10 | |
-Did you agree with it? -I was resistant. | 1:10:10 | 1:10:14 | |
Why? | 1:10:14 | 1:10:16 | |
The executives, I thought, made it clear that they wanted something very different than what they had. | 1:10:16 | 1:10:23 | |
-Do you think this is something they had? -I think they had a lot of chicken dinners, | 1:10:23 | 1:10:28 | |
so I voiced my opinion, but I was supportive of his decision. | 1:10:28 | 1:10:32 | |
-I didn't hear you voice your opinion. -I'm perfectly confident that I remember this right. | 1:10:32 | 1:10:38 | |
Herschel wanted to go with chicken. I said I had a great chicken recipe. | 1:10:38 | 1:10:42 | |
It was my decision, but I didn't hear him voice his opinion. | 1:10:42 | 1:10:46 | |
What did you think of Herschel as a project manager? | 1:10:46 | 1:10:49 | |
Well, I think Herschel is a strong leader. | 1:10:49 | 1:10:52 | |
I do have to take exception with the "Clint doesn't listen" part. | 1:10:52 | 1:10:57 | |
There was one issue that I was concerned about | 1:10:57 | 1:11:01 | |
and, really, I was trying to have Herschel's back. | 1:11:01 | 1:11:05 | |
With him being the project manager, | 1:11:05 | 1:11:07 | |
if he chose plain yogurt for the menu that wouldn't freeze and thaw well, we shouldn't use it, | 1:11:07 | 1:11:14 | |
-and he argued that... -No, I didn't argue. -Let me finish. -No, no. | 1:11:14 | 1:11:18 | |
-I'm trying to defend myself. -You're not telling the truth. | 1:11:18 | 1:11:22 | |
-Herschel, let him go, then you go. -He talks me down until I have to be quiet finally. | 1:11:22 | 1:11:27 | |
Go ahead. Go ahead, Clint. | 1:11:27 | 1:11:29 | |
Possibly I should have just let him... | 1:11:29 | 1:11:33 | |
I was right and he was wrong. Being the project manager, I made the decision, but he argued with me. | 1:11:33 | 1:11:39 | |
And Clint's problem is Clint sees nobody but Clint. | 1:11:39 | 1:11:43 | |
When I first met Clint, I thought he was an only child. | 1:11:43 | 1:11:46 | |
-Jesse, how did you feel about being project manager? -I felt good. -You were a good leader? | 1:11:46 | 1:11:51 | |
-I think so. -A strong leader? | 1:11:51 | 1:11:54 | |
-Yes. -OK, no more of that laid-back crap I think you do intentionally. | 1:11:54 | 1:11:58 | |
Annie, how was he as a leader? | 1:11:58 | 1:12:01 | |
Jesse did really well in certain aspects and not so well in others. | 1:12:01 | 1:12:05 | |
-Where was he bad? -There were certain cases where he was relatively impervious to suggestion. | 1:12:05 | 1:12:11 | |
He decided this was where we were going to go and he didn't take suggestions. | 1:12:11 | 1:12:16 | |
Melissa, how did Annie and Jesse get along? | 1:12:16 | 1:12:19 | |
-You have two very strong, stubborn personalities. -That's true. | 1:12:19 | 1:12:23 | |
So there was a lot of polite, yet tense discussion. | 1:12:23 | 1:12:27 | |
-I think we got along really well. -I didn't say you didn't get along. | 1:12:27 | 1:12:32 | |
Melissa, you're saying the truth and it's going to be negated, so just don't defend people. | 1:12:32 | 1:12:37 | |
-We just decided to make all the dishes. -Is Jesse an intense person? I can't figure him out. | 1:12:37 | 1:12:42 | |
Joe, he marries one of the most sought after women in the world. People like us say, "That's cool." | 1:12:42 | 1:12:48 | |
Yet he's so low-key. If you're with him, you say he's a stiff. | 1:12:48 | 1:12:52 | |
How the hell did he marry Sandra Bullock? What did she see? | 1:12:52 | 1:12:57 | |
She's totally in love with this guy. I can't believe it. | 1:12:57 | 1:13:01 | |
-He's got to be great in bed. -Got to be great in bed. | 1:13:01 | 1:13:05 | |
You've got to have something. Something's going on. | 1:13:05 | 1:13:09 | |
OK, Joe, tell me what the executives liked about Athena. | 1:13:09 | 1:13:15 | |
They liked about Athena that it was innovative and that you were using some gluten-free ingredients. | 1:13:15 | 1:13:23 | |
The bad thing was the total lack of a marketing campaign. | 1:13:23 | 1:13:26 | |
Thank you, Joe. Ivanka, what did the executives like about KOTU? | 1:13:28 | 1:13:34 | |
The executives said they liked the fact that it was easy to create, | 1:13:34 | 1:13:38 | |
that it tasted good. | 1:13:38 | 1:13:41 | |
They also liked the fact that it was healthy. | 1:13:41 | 1:13:44 | |
What they didn't like was the dessert. It was hard to put together. It has to be simple. | 1:13:44 | 1:13:50 | |
They thought the dessert was overly complicated. | 1:13:50 | 1:13:54 | |
Ready? Are you guys ready? | 1:13:55 | 1:13:57 | |
The Schwan's executives really liked both a lot. That's the good news. | 1:13:59 | 1:14:05 | |
But the really good news is for Athena, Jesse's team, because they liked yours more. | 1:14:05 | 1:14:11 | |
I congratulate you. That's wonderful. Good job. | 1:14:11 | 1:14:15 | |
Jesse, you're going to be getting 20,000 for your favourite charity, which is...? | 1:14:15 | 1:14:20 | |
-It's the Long Beach Education Foundation. -What is that exactly? | 1:14:20 | 1:14:24 | |
-It rebuilds industrial art programmes for kids in the inner city. -Good. Use the money well. | 1:14:24 | 1:14:30 | |
-Jesse, congratulations. -I told you the gluten-free would work. | 1:14:30 | 1:14:34 | |
Get out of here. Joan is seething. Every time you open your mouth, she gets angry. Get out of here. | 1:14:34 | 1:14:40 | |
KOTU, as usual, somebody will be fired. | 1:14:46 | 1:14:49 | |
Interesting position. You did pretty well as a team. | 1:14:55 | 1:14:58 | |
Who would you fire, Clint? | 1:14:58 | 1:15:01 | |
-Did you think you won? -I thought we won. | 1:15:03 | 1:15:07 | |
-You weren't really happy with the product? -I was concerned we were giving them something they had. | 1:15:07 | 1:15:13 | |
What would you have done differently, Clint? | 1:15:13 | 1:15:16 | |
-I wouldn't have done the chicken. -What would you have done? | 1:15:16 | 1:15:20 | |
That's really hard to say. We didn't really explore options for the entree. | 1:15:20 | 1:15:25 | |
He was certain that chicken would be the right choice, based on customer satisfaction. | 1:15:25 | 1:15:31 | |
-There are a lot of chicken dishes. You were to be innovative. -Right. -That was your main contention? -Yes. | 1:15:31 | 1:15:38 | |
So you're on record then. Maybe you should have stood your ground. | 1:15:38 | 1:15:42 | |
He never expressed that. He was the one who came up with the recipe. | 1:15:42 | 1:15:47 | |
Because I don't eat chicken, I don't eat meat. | 1:15:47 | 1:15:50 | |
And I asked, "What can we prepare?" | 1:15:50 | 1:15:53 | |
If you don't eat meat, why were you the project manager, Herschel? | 1:15:53 | 1:15:57 | |
I said Herschel should be project manager because Clint, when he gets a hold of something, | 1:15:57 | 1:16:04 | |
he moves ahead and we wouldn't have had any input. I adore Clint. | 1:16:04 | 1:16:08 | |
I think he's very stubborn. | 1:16:08 | 1:16:11 | |
-You didn't adore him a number of weeks ago. -No. -You hated him. Not as much as you hated Annie. | 1:16:11 | 1:16:16 | |
No, but Clint again, what he says, he means and that's it. There was no second side... | 1:16:16 | 1:16:22 | |
Do you dislike Annie because she's on the other team? | 1:16:22 | 1:16:25 | |
No, because she's always got a second agenda. She's a poker player. | 1:16:25 | 1:16:30 | |
Oh, my Lord! She's so lost her mind. I can say the sky is blue and she's like, "She's a bitch!" | 1:16:30 | 1:16:35 | |
-I like all this personal stuff, but can we get back to the marketing campaign? -Good. He's all business. | 1:16:37 | 1:16:43 | |
-Did you assign Clint marketing, Herschel? -Yes, sir. | 1:16:43 | 1:16:47 | |
I'll give you an example on Clint. If you notice, in the marketing campaign, Clint mentioned himself. | 1:16:47 | 1:16:53 | |
He said, "Clint Black's bus," because he wants to be out there all the time. | 1:16:53 | 1:16:58 | |
-I think he's become spoiled. -But Clint is a star. He's the biggest country music guy. | 1:16:58 | 1:17:04 | |
Stars maybe do have a little bit of a different something in life. | 1:17:04 | 1:17:07 | |
But at this task, he's not a star. | 1:17:07 | 1:17:09 | |
He's working, doing the marketing. | 1:17:09 | 1:17:12 | |
-Good point, Joseph. -Nobody's a star here. We're working. | 1:17:12 | 1:17:16 | |
Herschel, you don't like Clint very much. | 1:17:16 | 1:17:19 | |
-No, I do like him. -You do? -I can put up with Clint. | 1:17:19 | 1:17:22 | |
-OK, but do you like Clint? -Yes, I like him. | 1:17:22 | 1:17:26 | |
-Do you like Herschel? -I like him fine, but there were a few occasions | 1:17:26 | 1:17:30 | |
where Herschel is confused about what I'm trying to say or he decides that discussing is arguing... | 1:17:30 | 1:17:36 | |
Clint, the arguments on a weekly basis have been consistent | 1:17:36 | 1:17:39 | |
against you that you don't listen to your team or the project manager. | 1:17:39 | 1:17:44 | |
Is that a fault of yours? | 1:17:44 | 1:17:46 | |
My idea of supporting your leader is discussing it calmly, putting forth your view | 1:17:46 | 1:17:51 | |
until they make a decision and... | 1:17:51 | 1:17:54 | |
Clint, you don't listen too much. Let's face it. | 1:17:54 | 1:17:57 | |
Over the course of the last number of weeks, they have had a hard time. Joan's had the hardest time of all. | 1:17:57 | 1:18:03 | |
What do you think of this, Joan? Was Clint controlled like he should be by a project manager? | 1:18:03 | 1:18:09 | |
I think that Herschel... came up to bat. | 1:18:09 | 1:18:14 | |
I'd like to take this unique opportunity to let everybody know | 1:18:14 | 1:18:18 | |
I was the first one to suggest that Clint should be fired. | 1:18:18 | 1:18:22 | |
Joan, who should I fire? | 1:18:22 | 1:18:26 | |
Oh... | 1:18:26 | 1:18:27 | |
-You hate this. -You make me cry. Here I go again. -I know. | 1:18:33 | 1:18:37 | |
I have to say... Oh! | 1:18:37 | 1:18:39 | |
OK. It's hard for you, Joan. How do you think I feel? Every week, I have to fire somebody. | 1:18:39 | 1:18:44 | |
If I cried every time, it would be sad. They'd say, "He's pathetic! Trump cries when he fires somebody!" | 1:18:44 | 1:18:51 | |
I never thought of it. Maybe I should do that. | 1:18:51 | 1:18:55 | |
Anyway, this is a tough choice | 1:18:55 | 1:18:58 | |
and I could have used some help, Joan. | 1:18:58 | 1:19:00 | |
I think the hard part is that, in this particular case, | 1:19:04 | 1:19:09 | |
Herschel, the project manager is at a huge disadvantage | 1:19:09 | 1:19:12 | |
and being the project manager, not having total control over Clint... He's not easy. | 1:19:12 | 1:19:17 | |
-May I say one thing? -Yes, go ahead. | 1:19:17 | 1:19:21 | |
If I had come down on Clint, I would have lost Clint, then it would have just been the two of us. | 1:19:21 | 1:19:27 | |
-Clint didn't want your product and you lost because of it. -It was his product. -No. | 1:19:27 | 1:19:32 | |
Clint suggested the recipe, but it was your decision to go with the chicken. | 1:19:32 | 1:19:37 | |
-It was also your dessert. -Yes. | 1:19:37 | 1:19:40 | |
And the executives did say that the three components that you used were too complicated for the consumer. | 1:19:40 | 1:19:46 | |
That's one of the reasons you lost. | 1:19:46 | 1:19:48 | |
-Look, you've lost before, Herschel. -Yes. | 1:19:48 | 1:19:52 | |
-You were the project manager. You know how much I like you. -Yes. -I love you. | 1:19:52 | 1:19:58 | |
I am not a gay man and I love you, Herschel. Herschel, you're fired. | 1:19:58 | 1:20:02 | |
-Thank you. -Good luck. Thank you. | 1:20:02 | 1:20:04 | |
That's a tough one. | 1:20:06 | 1:20:09 | |
-Thank you, Joan. -Thank you, thank you, thank you. | 1:20:09 | 1:20:12 | |
This is devastating. | 1:20:12 | 1:20:15 | |
Oh, sweetheart! | 1:20:24 | 1:20:26 | |
I love you so much. | 1:20:26 | 1:20:28 | |
I want to send your mother a letter because I want to tell her what she raised... | 1:20:28 | 1:20:33 | |
She raised such a great man. | 1:20:33 | 1:20:36 | |
Doing that was very hard. | 1:20:50 | 1:20:53 | |
I think Mr Trump made the wrong decision. | 1:21:21 | 1:21:24 | |
I felt Clint should have been the one to leave, | 1:21:24 | 1:21:27 | |
but this is the way he felt and so I go with it. | 1:21:27 | 1:21:30 | |
I had a great time on The Celebrity Apprentice. I met a lot of great people. | 1:21:30 | 1:21:35 | |
That is worth more than anything. | 1:21:35 | 1:21:37 | |
Subtitles by Subtext for Red Bee Media Ltd 2012 | 1:22:11 | 1:22:16 |