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Previously... Last season's winner, | 0:00:02 | 0:00:03 | |
Pierce Morgan, forced Joan Rivers to reveal her loyalties. | 0:00:03 | 0:00:07 | |
How is that going to work with your own daughter in the show? | 0:00:07 | 0:00:11 | |
As long as she loses because she should lose. | 0:00:11 | 0:00:13 | |
-So, what will you do if she gets thrown under the bus? -I will walk. | 0:00:13 | 0:00:16 | |
And on Athena, no matter how hard Melissa Rivers tried, | 0:00:16 | 0:00:19 | |
she remained on the outside. | 0:00:19 | 0:00:21 | |
Brande, what you're doing is so smart. | 0:00:21 | 0:00:23 | |
Of course, baby, you really were there for me. | 0:00:23 | 0:00:27 | |
The next thing I know, those two are like... | 0:00:27 | 0:00:30 | |
In the boardroom, Pierce felt Joan | 0:00:30 | 0:00:32 | |
and Melissa's relationship was causing a problem for the game. | 0:00:32 | 0:00:36 | |
Wait. You're on her team, but you're protecting your mother. | 0:00:36 | 0:00:39 | |
You would speak up and knife your leader to suck up to your mum. | 0:00:39 | 0:00:43 | |
I don't have to suck up to my mother. I resent that statement. | 0:00:43 | 0:00:46 | |
-Jones personal attacks on Annie continued. -She does seem nice. | 0:00:46 | 0:00:50 | |
So was Hitler and Buchenwald. | 0:00:50 | 0:00:52 | |
So was Hitler? | 0:00:53 | 0:00:55 | |
But then it was time for one more celebrity to go home. | 0:00:55 | 0:00:59 | |
Natalie, you're fired. | 0:00:59 | 0:01:00 | |
With Natalie gone, the teams were given a second task to create | 0:01:01 | 0:01:05 | |
a meal for Schwann's Live Smart line. | 0:01:05 | 0:01:08 | |
Project manager Herschel Walker lost control of KOTU. | 0:01:08 | 0:01:12 | |
-I'm in the food business. -You're project manager. | 0:01:12 | 0:01:14 | |
If you want use yogurt, I'll back you up if you want use it. | 0:01:14 | 0:01:17 | |
You argue a lot about everything, Clint. | 0:01:17 | 0:01:20 | |
On Athena, first-time project manager Jesse James eased | 0:01:20 | 0:01:24 | |
the friction on his team. | 0:01:24 | 0:01:25 | |
-If you guys want to cook, you two. -You and I can do marketing. | 0:01:25 | 0:01:28 | |
I'll handle marketing. | 0:01:28 | 0:01:30 | |
I chose to keep Melissa with me and send Brande with Annie to cook. | 0:01:30 | 0:01:34 | |
My job will be to keep the peace. | 0:01:34 | 0:01:36 | |
In the boardroom, Athena won a convincing victory over KOTU. | 0:01:36 | 0:01:40 | |
So, I congratulate you. That's wonderful. Good job. | 0:01:40 | 0:01:44 | |
On KOTU, Herschel Walker went on the offensive | 0:01:44 | 0:01:48 | |
and blamed Clint Black for the team's failures. | 0:01:48 | 0:01:50 | |
Clint don't like to listen too well | 0:01:50 | 0:01:52 | |
and that's why I say Clint only sees himself as everything. | 0:01:52 | 0:01:56 | |
But after two losses as project manager, Herschel was in jeopardy. | 0:01:56 | 0:02:01 | |
-Look, you've lost before, Herschel. -Yes. -You were the project manager. | 0:02:01 | 0:02:04 | |
You know how much I like you. | 0:02:04 | 0:02:06 | |
Ultimately, you lost because of your product. | 0:02:06 | 0:02:08 | |
Herschel, you're fired. | 0:02:08 | 0:02:10 | |
-He's such a nice guy, too. -Herschel! -How does Clint keep sliding through? | 0:02:17 | 0:02:22 | |
Herschel is my favourite! | 0:02:22 | 0:02:24 | |
-No offence, Jesse, I love you too, but he was just... -Mine, too. | 0:02:24 | 0:02:28 | |
Look at this! He's not even going and hugging him and saying goodbye! | 0:02:35 | 0:02:39 | |
Did you see that? He just dissed him. | 0:02:40 | 0:02:43 | |
-That's the way he is. -Oh, my God! | 0:02:43 | 0:02:45 | |
Let's go home. | 0:02:47 | 0:02:49 | |
I think Clint is playing a game. | 0:02:50 | 0:02:53 | |
-He just decided he wants to be a -BLEEP -to everyone. | 0:02:53 | 0:02:57 | |
If Clint would have played ball and worked with Herschel, | 0:02:57 | 0:03:01 | |
their team would've won. | 0:03:01 | 0:03:02 | |
-How are you doing, Clint? -I'm doing all right. | 0:03:02 | 0:03:06 | |
Clint is only going to do what Clint wants to do. | 0:03:06 | 0:03:10 | |
It's self preservation instinct. It makes you do funny things. | 0:03:10 | 0:03:12 | |
Well, it's going to be very interesting. | 0:03:12 | 0:03:15 | |
We are all going to be divided up again in different ways. | 0:03:15 | 0:03:18 | |
With four people on Athena and two on KOTU, the natural assumption | 0:03:18 | 0:03:23 | |
is that the deck will be shuffled and we'll get another team member. | 0:03:23 | 0:03:27 | |
But I've learned that assumptions, you know, can't be relied upon. | 0:03:27 | 0:03:33 | |
# Money, money, money, money | 0:03:41 | 0:03:44 | |
# Money! | 0:03:44 | 0:03:46 | |
# Money, money, money, money | 0:03:46 | 0:03:48 | |
# Money! | 0:03:48 | 0:03:50 | |
# Some people got to have it | 0:03:50 | 0:03:54 | |
# Ye-eah | 0:03:54 | 0:03:56 | |
# Some people really need it | 0:03:56 | 0:03:59 | |
# Hey, listen to me, y'all | 0:03:59 | 0:04:00 | |
# Do things, do things, do things Bad things with it | 0:04:00 | 0:04:05 | |
# Dollar bills, y'all Come on | 0:04:08 | 0:04:09 | |
# That mean, oh, mean | 0:04:09 | 0:04:14 | |
# Mean green | 0:04:14 | 0:04:16 | |
# Almighty dollar | 0:04:16 | 0:04:19 | |
# You know that money... | 0:04:19 | 0:04:22 | |
# Give me a nickel, brother Can you spare a dime? | 0:04:22 | 0:04:27 | |
# Money can drive some people out of their minds | 0:04:27 | 0:04:34 | |
# No good, no good | 0:04:34 | 0:04:37 | |
# Money! | 0:04:37 | 0:04:38 | |
# Money, money, money, money... # | 0:04:38 | 0:04:40 | |
# Money! | 0:04:40 | 0:04:43 | |
Now, when you're working on pistons, | 0:04:52 | 0:04:54 | |
you always want to be top dead centre. | 0:04:54 | 0:04:57 | |
-Hey. -What's up? | 0:04:57 | 0:05:00 | |
My charity is the Long Beach Education Foundation. | 0:05:00 | 0:05:04 | |
How are you doing, Kev? How are you doing, man? | 0:05:04 | 0:05:06 | |
Long Beach Education Foundation is to help rebuild the industrial arts | 0:05:06 | 0:05:10 | |
programmes for inner-city kids. | 0:05:10 | 0:05:13 | |
-What are you guys trying...? -We're trying to get the muffler off. | 0:05:13 | 0:05:16 | |
It's a big surprise. It's a very big surprise. | 0:05:16 | 0:05:18 | |
Jesse James came in. | 0:05:18 | 0:05:20 | |
Just by him coming and sharing and spending part of his day | 0:05:20 | 0:05:24 | |
means a whole lot to the students. | 0:05:24 | 0:05:25 | |
-There we go. -Thanks a lot. | 0:05:25 | 0:05:28 | |
There's definitely a personal connection for me in supporting this | 0:05:28 | 0:05:31 | |
fund because when chips were down, at any particular point in my life, | 0:05:31 | 0:05:35 | |
this is what has got me out of a bad situation. | 0:05:35 | 0:05:39 | |
Just keeping my head down and working hard. | 0:05:39 | 0:05:41 | |
Here, I've got something that will probably help you guys out. | 0:05:41 | 0:05:44 | |
OK. OK. Oh, thank you! Oh, very much! | 0:05:44 | 0:05:47 | |
Very much! Very much! | 0:05:47 | 0:05:49 | |
-OK, thank you! -This is the school that I went to for a short time. | 0:05:50 | 0:05:55 | |
This is, like, directly in my backyard. | 0:05:55 | 0:05:58 | |
You can't fix the world's problems | 0:05:58 | 0:05:59 | |
unless you fix the stuff that's on your doorstep first. | 0:05:59 | 0:06:03 | |
-Good morning. -ALL: Good morning. | 0:06:37 | 0:06:39 | |
First of all, Joan and Clint, your team is being decimated. | 0:06:39 | 0:06:42 | |
But I'm going to give you a great new player. | 0:06:42 | 0:06:45 | |
Jesse, get over there. | 0:06:45 | 0:06:47 | |
-Oh, this is good! -Oh, my God! | 0:06:50 | 0:06:52 | |
Oh, my gosh! | 0:06:55 | 0:06:57 | |
Mr Trump sent Jesse to join my mother and Clint. | 0:06:57 | 0:07:02 | |
I wasn't thrilled because I didn't want to be stuck in a room | 0:07:02 | 0:07:06 | |
with, you know, the two mean girls from high school. | 0:07:06 | 0:07:09 | |
That really pisses me off. | 0:07:09 | 0:07:11 | |
Would you rather be with your other three components? | 0:07:11 | 0:07:15 | |
-We were winning over there. -You were doing a lot of winning. | 0:07:15 | 0:07:18 | |
KOTU not so much. | 0:07:18 | 0:07:21 | |
So, Jesse, how do you feel about being with Joan and Clint? | 0:07:21 | 0:07:24 | |
-I love Joan. -What about Clint? | 0:07:24 | 0:07:27 | |
That's not sounding so hot already, is it? | 0:07:27 | 0:07:30 | |
Clint and I have had our differences. | 0:07:30 | 0:07:32 | |
He is the foremost authority on everything | 0:07:32 | 0:07:37 | |
and not willing to listen to input. | 0:07:37 | 0:07:39 | |
I just don't think that he's a team player. | 0:07:39 | 0:07:43 | |
OK, we're standing in the NBA store on Fifth Avenue, | 0:07:45 | 0:07:48 | |
a great place that celebrates great athletes. | 0:07:48 | 0:07:51 | |
Now, I hate people that smell. | 0:07:51 | 0:07:55 | |
-Jesse, do you use deodorant? -No. | 0:07:55 | 0:07:57 | |
I had a feeling you might not. | 0:07:57 | 0:07:59 | |
Today, you are going to be doing a task for Right Guard deodorant, | 0:07:59 | 0:08:04 | |
and I happen to use it. Of course, I don't really need it, Joan, | 0:08:04 | 0:08:07 | |
but I use it anyways just in case. | 0:08:07 | 0:08:09 | |
-OK? -You are a flower. | 0:08:09 | 0:08:11 | |
We have Brad and Doug, two executives with Right Guard. | 0:08:11 | 0:08:13 | |
Brad, Doug, tell them what they're doing. | 0:08:13 | 0:08:16 | |
Your task will be to create a four-page print ad | 0:08:16 | 0:08:20 | |
featuring our newest product, Right Guard Fast Break. | 0:08:20 | 0:08:25 | |
The winning ad that Doug and I will judge should include | 0:08:25 | 0:08:29 | |
David Lee, a power forward for the New York Knicks, that is | 0:08:29 | 0:08:33 | |
going to be featured in Sports Illustrated, the magazine, | 0:08:33 | 0:08:37 | |
and SI.com. | 0:08:37 | 0:08:38 | |
OK, with me to be my eyes and ears is a man I have a lot of respect | 0:08:38 | 0:08:43 | |
for, a real financial genius. | 0:08:43 | 0:08:45 | |
Of course, in this market, who the hell is a genius, right, Jim? | 0:08:45 | 0:08:48 | |
Jim Cramer. | 0:08:48 | 0:08:50 | |
And, of course, my daughter, | 0:08:50 | 0:08:51 | |
who I also a lot of respect for, but I also love her, Ivanka. | 0:08:51 | 0:08:55 | |
Now, pick your team leader, pick your project manager right now. | 0:08:55 | 0:08:58 | |
I'll do it, because it's been a long time since I've done one | 0:09:00 | 0:09:03 | |
if you guys want me to. | 0:09:03 | 0:09:04 | |
I've done very well in the past. | 0:09:04 | 0:09:07 | |
-Joan, who is your project integer? -Clint. | 0:09:07 | 0:09:09 | |
This is my second time to be project manager. | 0:09:09 | 0:09:11 | |
I'm perfectly willing to manage a project as long as the team | 0:09:11 | 0:09:16 | |
is willing to take the responsibility for my decisions. | 0:09:16 | 0:09:20 | |
-Brande, who is your project manager? -I am. | 0:09:20 | 0:09:23 | |
I actually stepped up to be project manager | 0:09:23 | 0:09:25 | |
because I have the advantage. | 0:09:25 | 0:09:27 | |
I've done photo shoots and I've also been in photo shoots. | 0:09:27 | 0:09:31 | |
Get ready to rumble. | 0:09:31 | 0:09:34 | |
The winning project manager gets 20,000 for his or her charity | 0:09:34 | 0:09:40 | |
and the loser, you come to the boardroom, somebody will be fired. | 0:09:40 | 0:09:44 | |
Are you ready? Do a great job. Good luck. | 0:09:44 | 0:09:46 | |
Thank you. Thank you very much. | 0:09:46 | 0:09:48 | |
-Ah! Did you guys see this? -It's really cute. -Oh, my God! | 0:10:03 | 0:10:08 | |
-Oh, that's cool. -Oh, my God! That is so cool! | 0:10:08 | 0:10:12 | |
What if we used Annie playing poker with them, | 0:10:12 | 0:10:18 | |
you flirting, making them sweat, | 0:10:18 | 0:10:20 | |
And I could be critiquing his outfit? | 0:10:20 | 0:10:23 | |
Right. | 0:10:25 | 0:10:28 | |
There's something there, I don't know what it is. | 0:10:30 | 0:10:33 | |
Mmm... | 0:10:33 | 0:10:35 | |
I have a lot to add and nobody wants to listen. | 0:10:36 | 0:10:40 | |
I had some cute, funny ideas, I wanted to get them out there, | 0:10:40 | 0:10:43 | |
but apparently I'm living in this weird cone of silence. | 0:10:43 | 0:10:46 | |
What are extreme situations in a day that make you extremely sweaty? | 0:10:46 | 0:10:50 | |
Going to the dentist. | 0:10:50 | 0:10:52 | |
Job interview. Blind date. Posing naked for a photo. | 0:10:52 | 0:10:56 | |
Meeting your in-laws for the first time. | 0:10:57 | 0:11:00 | |
That could be the funny last one. | 0:11:00 | 0:11:01 | |
You know what I'm saying? | 0:11:01 | 0:11:04 | |
-Uh-huh, OK. -We can't do that, it's too much. | 0:11:05 | 0:11:09 | |
Melissa came up with some cockamamie idea. | 0:11:09 | 0:11:12 | |
I'm like, "What are you talking about?" | 0:11:12 | 0:11:14 | |
This isn't for Redbook, this isn't for some woman's magazine, | 0:11:14 | 0:11:16 | |
this is for men who read SI. We're talking about real men. | 0:11:16 | 0:11:19 | |
So, if that's her main idea that she's going to offer up, | 0:11:19 | 0:11:22 | |
then she's going to be cut out of the process of the ideas, frankly. | 0:11:22 | 0:11:25 | |
You have David Lee and he's standing naked with a basketball held | 0:11:25 | 0:11:29 | |
in front of his privates and it's, "All I need to wear is Right Guard." | 0:11:29 | 0:11:33 | |
We just got to get David Lee on board. | 0:11:33 | 0:11:35 | |
And we just explain to him, "That's it, you just have to | 0:11:35 | 0:11:37 | |
"have your shirt off." | 0:11:37 | 0:11:38 | |
-You can see almost your whole body in the shirts anyways. -Right. | 0:11:38 | 0:11:41 | |
Annie thought of having him | 0:11:41 | 0:11:43 | |
bare-legged and holding a basketball in front of his... | 0:11:43 | 0:11:45 | |
area. | 0:11:45 | 0:11:47 | |
It was just a little bit too risque, so we changed it up. | 0:11:47 | 0:11:50 | |
It's just going to be from the waist up and he's just going to be | 0:11:50 | 0:11:53 | |
holding a basketball in front of his chest. | 0:11:53 | 0:11:54 | |
-Hi. -How are you? | 0:11:54 | 0:11:55 | |
-We're going to be meeting over here. -Hi, Brande, I'm Brad. | 0:11:55 | 0:11:59 | |
-Brad, very nice to meet you. -Hi, I'm Melissa. Nice to meet you. | 0:11:59 | 0:12:01 | |
When the executives came in, | 0:12:01 | 0:12:03 | |
we were kind of in the middle getting everything organised. | 0:12:03 | 0:12:06 | |
The executive meeting is extremely important. | 0:12:06 | 0:12:09 | |
You cannot make a product campaign unless you have their input. | 0:12:09 | 0:12:13 | |
We have an idea in terms of the end of the photo essay about Right | 0:12:13 | 0:12:17 | |
Guard being the only thing you really need to wear, | 0:12:17 | 0:12:19 | |
which would involve a little bit of nudity, but not really. | 0:12:19 | 0:12:24 | |
The one thing we really wanted to find out is | 0:12:24 | 0:12:26 | |
if our idea would be to risque for Right Guard. | 0:12:26 | 0:12:30 | |
As long as you integrate it back to the product, | 0:12:30 | 0:12:32 | |
I don't think it is too risque, if that's the direction. | 0:12:32 | 0:12:37 | |
How much do your consumers like seeing their basketball | 0:12:37 | 0:12:40 | |
or their athletic heroes in real life situations? | 0:12:40 | 0:12:43 | |
We actually have a direct question about that if it's possible. | 0:12:43 | 0:12:46 | |
The way Annie talks and the rudeness and the sense of entitlement and | 0:12:46 | 0:12:50 | |
thinking that she is so much better than everybody else, that annoys me. | 0:12:50 | 0:12:56 | |
Are there any certain restrictions or things that you always have | 0:12:56 | 0:12:59 | |
to have in the picture with the product? | 0:12:59 | 0:13:01 | |
-Not that I know of. -We have digital images of the product, as well. | 0:13:01 | 0:13:05 | |
-I know, I'm saying sometimes they need certain... -Right. | 0:13:05 | 0:13:09 | |
Annie is beyond arrogant. She is beyond arrogant. Like, she's a bully. | 0:13:09 | 0:13:12 | |
There is a meanness to her. | 0:13:12 | 0:13:14 | |
-Thank you. -We appreciate your time. | 0:13:14 | 0:13:18 | |
Hopefully, we'll be able to deliver something to you. | 0:13:18 | 0:13:21 | |
-Morning. -Good morning. -How are you guys doing? | 0:13:31 | 0:13:34 | |
-Doug? -Yeah. -Hey, Clint Black. | 0:13:34 | 0:13:36 | |
-Nice to meet you. -Brad, how are you? Clint. | 0:13:36 | 0:13:38 | |
What are you most excited about that makes this different? | 0:13:38 | 0:13:41 | |
-OK. The first thing you'd see is... -Stripe. -Stripe versus no stripe. | 0:13:41 | 0:13:46 | |
Right Guard is the only brand that has the PowerStripe. | 0:13:46 | 0:13:49 | |
The PowerStripe is a patented technology. | 0:13:49 | 0:13:51 | |
What we got out of the meeting is we learned what the PowerStripe, | 0:13:51 | 0:13:56 | |
which is a buzzword for the product, is. | 0:13:56 | 0:13:59 | |
And we had a good number of, I think, pretty good questions. | 0:13:59 | 0:14:03 | |
What about sex in advertising? | 0:14:03 | 0:14:04 | |
Not, you know, activity, | 0:14:04 | 0:14:08 | |
but do feel that the presence of beautiful women | 0:14:08 | 0:14:11 | |
in advertising to men is an advantage? | 0:14:11 | 0:14:14 | |
Umm... | 0:14:14 | 0:14:17 | |
'I have a magazine, and Clint,' | 0:14:17 | 0:14:20 | |
he just doesn't know what he's doing. | 0:14:20 | 0:14:22 | |
'But he's trying to fake like he does, just because | 0:14:22 | 0:14:24 | |
'he has the power to make the decision. It just blows, you know.' | 0:14:24 | 0:14:30 | |
It's back to Team KOTU. | 0:14:30 | 0:14:33 | |
We wish you much luck. | 0:14:33 | 0:14:35 | |
-We look forward to seeing your creativity tomorrow. -Thanks. | 0:14:35 | 0:14:39 | |
Pleasure to meet you, Jesse. Clint, pleasure to meet you. | 0:14:39 | 0:14:42 | |
Brandy, can you tell us what each of us is doing today? | 0:14:49 | 0:14:53 | |
I'd like you to work on brand messaging of it, | 0:14:53 | 0:14:57 | |
and tomorrow because you're great | 0:14:57 | 0:14:59 | |
at presenting, would you do the presentation? | 0:14:59 | 0:15:02 | |
I will do the presentation. | 0:15:02 | 0:15:04 | |
And I'd like me and Melissa to work on the actual photoshoot part of it. | 0:15:04 | 0:15:07 | |
'Annie is presenting. Annie's writing copy and brand messaging. | 0:15:07 | 0:15:11 | |
'I'd have been happy to do it,' | 0:15:11 | 0:15:14 | |
but I wasn't given anything to do. | 0:15:14 | 0:15:15 | |
'So, it's just total, like,' | 0:15:15 | 0:15:18 | |
completely being frozen out. | 0:15:18 | 0:15:21 | |
OK, here's... | 0:15:21 | 0:15:23 | |
It's extreme dry and it's 24-hour protection. | 0:15:23 | 0:15:26 | |
So if it's 24-hour protection, let's do the 24 hours of his day. | 0:15:26 | 0:15:30 | |
He's in a club... | 0:15:30 | 0:15:31 | |
SHE MIMICS SPRAY | 0:15:31 | 0:15:33 | |
..he's sweaty. | 0:15:33 | 0:15:34 | |
Armpit totally dry, right? Confidence. | 0:15:34 | 0:15:37 | |
-Do you see what I'm saying? -Yeah. | 0:15:37 | 0:15:39 | |
We can do that even in the basketball situation, too, like... | 0:15:39 | 0:15:42 | |
ANNIE MIMICS SPRAY | 0:15:42 | 0:15:43 | |
Annie Duke, you're the queen of this stuff. | 0:15:43 | 0:15:47 | |
So if the first one, obviously, is going to be him | 0:15:47 | 0:15:49 | |
playing the game, the second one at the bar, dancing... | 0:15:49 | 0:15:54 | |
The story that we wanted to tell was what it's like in David Lee's life. | 0:15:54 | 0:15:58 | |
Whether he's playing basketball | 0:15:58 | 0:16:01 | |
or hard at work signing autographs, | 0:16:01 | 0:16:04 | |
or out having a great time dancing. | 0:16:04 | 0:16:06 | |
The common denominator is that he's always wearing Right Guard. | 0:16:06 | 0:16:10 | |
We got uniform, we've got club clothes. | 0:16:10 | 0:16:13 | |
Naked can be the third one and then we have the brand message on the fourth page. | 0:16:13 | 0:16:17 | |
Annie came up with the order for this four-page spread, | 0:16:17 | 0:16:21 | |
so we went with it. | 0:16:21 | 0:16:23 | |
And in the end, you have to be happy with that. | 0:16:23 | 0:16:25 | |
I will do absolutely whatever you want. | 0:16:25 | 0:16:28 | |
Exactly how you want it. | 0:16:28 | 0:16:29 | |
I want to make sure this is your vision, not mine, cos you're the Project Manager. | 0:16:29 | 0:16:34 | |
Yes. Now it makes sense. | 0:16:34 | 0:16:36 | |
I don't want to step on anyone's toes. | 0:16:36 | 0:16:38 | |
'Brande thinks she's in charge of the task, but it's clearly Annie. | 0:16:38 | 0:16:43 | |
'So Annie's spending time reassuring Brande | 0:16:43 | 0:16:45 | |
'that she's in charge and the truth is Annie is totally manipulating Brande.' | 0:16:45 | 0:16:49 | |
It all had to be her idea, it had to be her thing, and now | 0:16:49 | 0:16:52 | |
she's saying, "But Brande, if you don't like it it's your final decision." | 0:16:52 | 0:16:55 | |
'It's kind of, a fascinating thing to watch.' | 0:16:55 | 0:16:59 | |
It's fast break technology. It's definitely a guy thing. | 0:17:12 | 0:17:16 | |
The task this week is to do a four-page spread showing how | 0:17:16 | 0:17:20 | |
wonderful Right Guard is with an amazing athlete, David Lee. | 0:17:20 | 0:17:25 | |
And for me it's a very difficult task because I'm not athletic. | 0:17:25 | 0:17:28 | |
So what do we want to say, guys? | 0:17:28 | 0:17:30 | |
It has to be at least some kind of a chronology of a guy who was | 0:17:30 | 0:17:35 | |
sweating - in the end doesn't stink. | 0:17:35 | 0:17:38 | |
Right. | 0:17:38 | 0:17:39 | |
Our project manager this week is, and God help us, Clint Black, | 0:17:39 | 0:17:44 | |
and let's hope he knows what he's doing because there'll be no discussions. | 0:17:44 | 0:17:49 | |
We know he's the big fancy basketball player. | 0:17:49 | 0:17:51 | |
He went to a prep school and he's from Missouri. | 0:17:51 | 0:17:56 | |
I was doing research | 0:17:56 | 0:17:58 | |
and put together a list of facts | 0:17:58 | 0:18:00 | |
on David Lee, who's from St Louis, Missouri and he's | 0:18:00 | 0:18:03 | |
a pro basketball player for the New York Knickerbockers. | 0:18:03 | 0:18:07 | |
What does this guy represent? | 0:18:07 | 0:18:08 | |
Is he the new white boy in the league and everybody's looking at him? | 0:18:08 | 0:18:12 | |
What if you had all giant black guys? | 0:18:12 | 0:18:16 | |
That's the pressure. | 0:18:16 | 0:18:18 | |
That you're the one white guy in a league that's predominantly black. | 0:18:18 | 0:18:22 | |
That's pressure! | 0:18:22 | 0:18:24 | |
I think that's hilarious. Or have him naked. | 0:18:26 | 0:18:28 | |
It's just him. He's a white guy. That's white. | 0:18:28 | 0:18:32 | |
And we just paint the orange stripe right down him. | 0:18:32 | 0:18:36 | |
That certainly tells you what your product is about. | 0:18:36 | 0:18:40 | |
But listen, though, I'm just asking. | 0:18:43 | 0:18:46 | |
You go your own way. Be Joan! | 0:18:46 | 0:18:48 | |
'I know nothing about sports.' | 0:18:48 | 0:18:51 | |
I elected to be catcher on a javelin team in high school. | 0:18:51 | 0:18:54 | |
I mean, I know nothing about sports. | 0:18:54 | 0:18:56 | |
So it was really between Clint | 0:18:56 | 0:18:58 | |
and Jesse to figure out the story. | 0:18:58 | 0:19:02 | |
Here's a small kid from Missouri | 0:19:02 | 0:19:04 | |
coming to this big old city to perform, so David Lee doesn't break a sweat. | 0:19:04 | 0:19:09 | |
I know the advertising game | 0:19:09 | 0:19:11 | |
'and I know what's current in that form of media.' | 0:19:11 | 0:19:14 | |
Then you open it up and it's this great awesome image | 0:19:14 | 0:19:18 | |
of him standing somewhere with this big ominous skyline behind him. | 0:19:18 | 0:19:23 | |
You use the edge of the pages and strip them in orange | 0:19:23 | 0:19:26 | |
and that way the power stripe is there. | 0:19:26 | 0:19:29 | |
I drew out a winning four-page insert telling the story | 0:19:29 | 0:19:33 | |
of a kid from Missouri coming to the big city and he's got all | 0:19:33 | 0:19:36 | |
'that pressure on him and it's not heavy on text but great images.' | 0:19:36 | 0:19:42 | |
Have a big beautiful image. | 0:19:42 | 0:19:45 | |
I like the core of the idea | 0:19:45 | 0:19:47 | |
but I don't think we're meeting the criteria yet. | 0:19:47 | 0:19:50 | |
I don't want to make the mistake of is not making Right Guard central. | 0:19:50 | 0:19:55 | |
"Give a guy a break. Fast Break from Right Guard presents David Lee, | 0:19:59 | 0:20:03 | |
"a cool guy even under pressure." | 0:20:03 | 0:20:05 | |
Clint was totally not taking the hint, you know. | 0:20:07 | 0:20:11 | |
This is a magazine thing that I fully know about. | 0:20:11 | 0:20:15 | |
He wants to go too wordy as far | 0:20:15 | 0:20:17 | |
as these random brand messages everywhere. | 0:20:17 | 0:20:20 | |
Going on the buzzwords, you know, "Don't get caught off guard." | 0:20:20 | 0:20:23 | |
What could you see doing on the back? | 0:20:23 | 0:20:27 | |
I don't know. I like to keep stuff simple, me personally. | 0:20:30 | 0:20:34 | |
So, any other idea? | 0:20:34 | 0:20:37 | |
"No matter how cool you are, | 0:20:37 | 0:20:41 | |
"the world's eyes on you make you sweat. I love cool against sweat." | 0:20:41 | 0:20:45 | |
That's a great idea. | 0:20:45 | 0:20:47 | |
Jesse? | 0:20:47 | 0:20:50 | |
Uh... whatever you think, Clint. | 0:20:50 | 0:20:54 | |
Do your thing. | 0:20:54 | 0:20:56 | |
Clint tries to come in and show everybody, | 0:20:56 | 0:20:58 | |
I know what I'm doing, but the bottom line is he doesn't know what he's doing. | 0:20:58 | 0:21:02 | |
-How you guys doing? -Good. | 0:21:19 | 0:21:21 | |
-I'm Bob Scott. -Nice to meet you. | 0:21:21 | 0:21:25 | |
THEY TALK OVER ONE ANOTHER | 0:21:25 | 0:21:30 | |
I'm going with our photographer, Bob Scott. | 0:21:30 | 0:21:34 | |
-I actually know David. -All right. Well... -funnily enough, he's a friend of mine. -All right. | 0:21:34 | 0:21:39 | |
We're shooting a basketball court and then a nightclub. | 0:21:39 | 0:21:43 | |
It's actually the nightclub where I met David Lee. | 0:21:43 | 0:21:45 | |
Which is why I thought of it! | 0:21:45 | 0:21:47 | |
Luckily, we have David first, so it turns out this is | 0:21:47 | 0:21:50 | |
going to work for us, because if we're piecing things together | 0:21:50 | 0:21:53 | |
-we want more time digitally and with the graphic designer. -Absolutely. | 0:21:53 | 0:21:57 | |
So this works out for us? I'm actually going to let Brande know. | 0:21:57 | 0:22:02 | |
-Hello? -'So here's the deal. What Bob says is that' | 0:22:02 | 0:22:04 | |
it turns out we're very lucky | 0:22:04 | 0:22:06 | |
'we have David first. We have so many pieces' | 0:22:06 | 0:22:09 | |
to lay together that we want | 0:22:09 | 0:22:11 | |
to shoot David early and have more time with the graphic designer | 0:22:11 | 0:22:14 | |
-'to piece it all together.' -Yes, so we definitely have the upper hand. | 0:22:14 | 0:22:19 | |
As soon as Annie left apparently they couldn't be separated | 0:22:21 | 0:22:25 | |
so Annie had to call Brande immediately to tell her a secret! | 0:22:25 | 0:22:29 | |
It's just, you know, high school. It's high school. I'm not a moron. | 0:22:29 | 0:22:33 | |
It's really clear what's happening. | 0:22:33 | 0:22:35 | |
OK, we'll see what happens. Call and let me know if the lighting's good or you need me. | 0:22:35 | 0:22:39 | |
-Bye-bye. -Bye. | 0:22:39 | 0:22:41 | |
It'd be nice if you shared with me, too, | 0:22:44 | 0:22:46 | |
since it's clear you two are conspiring | 0:22:46 | 0:22:49 | |
to get rid of me and completely ignoring me from every conversation. | 0:22:49 | 0:22:52 | |
Melissa, excuse me, I walked in and she called on the phone. | 0:22:52 | 0:22:57 | |
I understand it's clear you two are teaming to get rid of me. | 0:22:57 | 0:23:01 | |
Every opinion and everything have been cut out. | 0:23:01 | 0:23:03 | |
I'm not even acknowledged in conversations. If you don't want me to be here, fine. | 0:23:03 | 0:23:08 | |
I'm going to keep my mouth shut, do my job, and not going to voice any opinions, | 0:23:08 | 0:23:12 | |
because it's really clear it doesn't matter what I say. | 0:23:12 | 0:23:14 | |
OK, stop. I'm not conspiring against you at all. | 0:23:14 | 0:23:17 | |
I've never said anything bad about you to her, | 0:23:17 | 0:23:20 | |
and every... nothing like that has ever happened. | 0:23:20 | 0:23:23 | |
That's how it feels and that's how it appears. | 0:23:23 | 0:23:26 | |
And it's very, very horrible. | 0:23:26 | 0:23:29 | |
If my team loses those two will gang up on me so fast, | 0:23:29 | 0:23:32 | |
it's going to make everybody's head spin. | 0:23:32 | 0:23:35 | |
And it's ridiculous, and it's wrong. | 0:23:35 | 0:23:37 | |
Am I upset? I'm over it. | 0:23:37 | 0:23:40 | |
I just want to let you know there is no conspiring. | 0:23:40 | 0:23:43 | |
I'm just saying now it's only three of us it's very apparent, | 0:23:43 | 0:23:47 | |
and I just want to say, | 0:23:47 | 0:23:49 | |
don't think you're fooling me, because you're not. | 0:23:49 | 0:23:51 | |
Well, I mean... | 0:23:51 | 0:23:53 | |
I know in the boardroom it's going to be you guys throwing me under the bus. | 0:23:53 | 0:23:57 | |
I see it coming. When someone's taken to the boardroom | 0:23:57 | 0:24:00 | |
or someone gets taken to the boardroom, trust me, you'll fall her side. | 0:24:00 | 0:24:03 | |
Well, if she does the best job, of course. | 0:24:03 | 0:24:05 | |
Well, you won't let me do a job, so there you go. | 0:24:05 | 0:24:07 | |
Hopefully once the photo-shoot starts I'll be more useful. | 0:24:07 | 0:24:10 | |
But I'm just saying let's call a spade a spade. | 0:24:10 | 0:24:13 | |
Makes an easier place to work. | 0:24:13 | 0:24:16 | |
Trust me, I'm not a fool. | 0:24:16 | 0:24:18 | |
'She's so sensitive. It's, like, ridiculous.' | 0:24:18 | 0:24:21 | |
I'm not in cahoots against anyone, | 0:24:21 | 0:24:23 | |
'so get over it, don't whine about it. | 0:24:23 | 0:24:25 | |
'It's like, come on, don't take anything personally.' | 0:24:25 | 0:24:28 | |
I don't have anything against Melissa | 0:24:28 | 0:24:31 | |
except now I'm kind of a little irritated by her! | 0:24:31 | 0:24:34 | |
-Hello. -This is you. -I'm Alex, hi. | 0:24:46 | 0:24:49 | |
Hey, Alex. Clint Black. Good to meet you. | 0:24:49 | 0:24:51 | |
-Joan Rivers. -Pleasure, OK... | 0:24:51 | 0:24:54 | |
Photographer showed up and started getting his stuff set for the photo-shoot. | 0:24:54 | 0:24:58 | |
-I'm looking at locations. Do you still want the picture of New York somewhere? -Yeah. | 0:24:58 | 0:25:02 | |
-I mean, really, honestly, I can go choose the cityscape. -Yeah. | 0:25:02 | 0:25:07 | |
I think you should go shoot that. | 0:25:07 | 0:25:09 | |
'Jesse had the idea of the New York skyline being' | 0:25:09 | 0:25:13 | |
the imposing element in the background | 0:25:13 | 0:25:15 | |
that would then be the pressure that our NBA star, David Lee feels. | 0:25:15 | 0:25:20 | |
-All right, I'll see you later. -OK. Good luck. | 0:25:20 | 0:25:24 | |
Jesse had a camera, he said he could go shoot it so that's what we did. | 0:25:24 | 0:25:28 | |
All I'm trying to do is to convey that we have the cityscape | 0:25:28 | 0:25:32 | |
and then there's an action of him, "Don't get caught off-guard". | 0:25:32 | 0:25:36 | |
-And then hero gets the girl. -Yes! -OK. | 0:25:36 | 0:25:38 | |
-Hi. -How are you? -Hi, Clint Black. -Nice to meet you. -Nice to meet you. | 0:25:40 | 0:25:44 | |
'Our model showed up and she was going to be posing | 0:25:44 | 0:25:47 | |
'with David on the last page of our advertorial.' | 0:25:47 | 0:25:51 | |
Because in the end, he's going to be relaxing with his girlfriend, | 0:25:51 | 0:25:55 | |
confident that he has no body odour. | 0:25:55 | 0:25:57 | |
-So we're going to be shooting... We have our star basketball player from 7pm to 8.30. -OK. | 0:25:57 | 0:26:04 | |
So he's going to be so much taller. You can just sort of lay into him, | 0:26:04 | 0:26:08 | |
your head's going to be sort of down. Yeah. | 0:26:08 | 0:26:10 | |
'David Lee was supposed to arrive later on that night.' | 0:26:10 | 0:26:14 | |
In the meantime, we were making some determinations about exactly | 0:26:14 | 0:26:17 | |
what needed to be shot, how it would be shot. | 0:26:17 | 0:26:19 | |
Don't get caught off-guard now! | 0:26:19 | 0:26:22 | |
MODEL LAUGHS | 0:26:22 | 0:26:24 | |
-Good? -Yeah. Let's have a look. | 0:26:24 | 0:26:27 | |
'With the digital photography,' | 0:26:27 | 0:26:29 | |
we're able to lay out what we were looking at with a stand-in | 0:26:29 | 0:26:33 | |
'so we could see the whole piece | 0:26:33 | 0:26:36 | |
'before we had David in the photo studio.' | 0:26:36 | 0:26:39 | |
-So we're going to be shooting him in the foreground of a cityscape. -Gotcha. | 0:26:39 | 0:26:43 | |
You just have to find a way to see if you can squeeze all that in there. | 0:26:43 | 0:26:47 | |
'I took what I thought were the best parts of Jesse's cityscape idea | 0:26:47 | 0:26:51 | |
'and incorporated the Right Guard Power Break more' | 0:26:51 | 0:26:55 | |
and I felt like we had a very solid concept. | 0:26:55 | 0:26:58 | |
Man! That's just looking really good. | 0:26:58 | 0:27:01 | |
-Hi. -Hi. -How are you? | 0:27:01 | 0:27:02 | |
Wow! You've got some skills with that basketball. I'm impressed. | 0:27:02 | 0:27:06 | |
-So how's it going? -I think it's going well. Jesse's been out shooting some cityscapes. | 0:27:06 | 0:27:11 | |
Oh, OK... | 0:27:11 | 0:27:12 | |
-Is Joan here, by the way. -She is. | 0:27:12 | 0:27:14 | |
-How's it going, Joan? -We're fine. | 0:27:14 | 0:27:17 | |
So are you guys working well together? | 0:27:17 | 0:27:20 | |
I know with him, you say... What I do now, I say, | 0:27:20 | 0:27:23 | |
"Here are a million ideas, take what you want." | 0:27:23 | 0:27:25 | |
-You can't argue with him cos it won't work. -You listening, more, Joan? | 0:27:25 | 0:27:29 | |
Slightly. | 0:27:30 | 0:27:31 | |
Our first encounter, you've come certainly 12 to 18%. | 0:27:31 | 0:27:38 | |
It's amazing! I'm very proud of you! | 0:27:38 | 0:27:40 | |
I feel like I've gotten this criticism that I don't listen | 0:27:40 | 0:27:44 | |
but Joan and Jesse have both had some great ideas | 0:27:44 | 0:27:47 | |
'and I've been doing my best to make decisions based on a combination of all our instincts,' | 0:27:47 | 0:27:53 | |
so, maybe we'll finally get past this "Clint doesn't listen" phase | 0:27:53 | 0:27:58 | |
that everyone is going through. | 0:27:58 | 0:28:00 | |
Is it good having Jesse here, though? | 0:28:00 | 0:28:02 | |
-Jesse is very non-argumentative, you know. He picks his battles. -Mm-hm. | 0:28:02 | 0:28:07 | |
'And then I have to constantly remind myself that this is a game | 0:28:07 | 0:28:12 | |
'and when someone's the Project Manager,' | 0:28:12 | 0:28:14 | |
one next strategy is, let them hang themselves. | 0:28:14 | 0:28:17 | |
If you see them going down the wrong path, don't say anything, | 0:28:17 | 0:28:20 | |
-just let them go. -But do you think Jesse would do that? -I think he might, yeah. | 0:28:20 | 0:28:24 | |
I think Jesse can do a lot of good work. | 0:28:24 | 0:28:27 | |
But there were a few times when I wanted to get some feedback | 0:28:27 | 0:28:31 | |
and then he'd look up and... | 0:28:31 | 0:28:34 | |
..he'd just give a shrug or give very little feedback. | 0:28:34 | 0:28:37 | |
'I have to also consider that he's going conveniently, | 0:28:37 | 0:28:41 | |
'maybe in his mind, into the boardroom | 0:28:41 | 0:28:43 | |
with a project manager who he's going to throw under the bus. | 0:28:43 | 0:28:47 | |
You don't know where people's real personalities end | 0:28:47 | 0:28:51 | |
and their game of personality begins. | 0:28:51 | 0:28:54 | |
We're going to lose. | 0:29:02 | 0:29:05 | |
I just have that feeling of doom. | 0:29:05 | 0:29:08 | |
I'm running around trying to find a good spot to shoot the city | 0:29:08 | 0:29:11 | |
as a backdrop. | 0:29:11 | 0:29:14 | |
'But Clint's stinking up the trail on this one. | 0:29:14 | 0:29:18 | |
'I'll get the shot that works with my idea | 0:29:18 | 0:29:22 | |
'and I'll tell them, this is it, we can do this "heavy on the text" dumbness | 0:29:22 | 0:29:28 | |
'or we can do a beautiful thing that will be so nice and so bitching | 0:29:28 | 0:29:31 | |
'that kids will, like, want to put it on their wall.' | 0:29:31 | 0:29:35 | |
And guess what'll also be on their wall? Right Guard. | 0:29:35 | 0:29:38 | |
'Now it's come to a point in the competition where it's about talent' | 0:29:38 | 0:29:43 | |
and what you really know, and if you don't really know these things it's going to be blatantly obvious. | 0:29:43 | 0:29:48 | |
'You're just going to hold the rest of us back.' | 0:29:48 | 0:29:51 | |
And, action. Nice. | 0:30:05 | 0:30:08 | |
Cos this is all about the sexiness of... | 0:30:08 | 0:30:11 | |
-Smelling bad for girls. -Exactly. | 0:30:11 | 0:30:13 | |
Now we're at a nightclub and we're shooting the backdrop for David Lee | 0:30:13 | 0:30:17 | |
dancing with girls who are kind of up on his pits. | 0:30:17 | 0:30:21 | |
And you can see the confidence in knowing that you'll always stay dry, | 0:30:21 | 0:30:25 | |
-even though it's hot in the club. -He's going to be like, "Woo-hoo!" and the girls are, "Yeah, baby!" | 0:30:25 | 0:30:31 | |
But I need hand not here, hand can come to here. | 0:30:31 | 0:30:36 | |
It's about his armpit, not yours. | 0:30:36 | 0:30:39 | |
-Are we ready? Just say action. -And action! -Woo! -Yeah! Nice! | 0:30:39 | 0:30:43 | |
-Do you think we need one with the back to the camera a little bit? -Yeah. | 0:30:43 | 0:30:47 | |
I guess my role in this task is to keep my head down and work hard | 0:30:47 | 0:30:50 | |
cos they're trying to set me up. | 0:30:50 | 0:30:53 | |
So when it comes down to it, I'm working as hard, if not harder, then everybody else. | 0:30:53 | 0:30:57 | |
-Yes! -Woo! | 0:30:57 | 0:30:58 | |
-God, this song is so great! -God, I love this song! -A little tighter. | 0:30:58 | 0:31:04 | |
Little tighter, OK. And, action! | 0:31:04 | 0:31:06 | |
-Oh, my God, baby got back! -Nice! | 0:31:06 | 0:31:09 | |
Woo! | 0:31:09 | 0:31:10 | |
-Nice. -That's the winner. Brande, are you happy with that? -Yes. | 0:31:10 | 0:31:14 | |
-I was trying to watch the composition as much as I could. -No, that's perfect. -OK. | 0:31:14 | 0:31:18 | |
I feel like I have contributed a tremendous amount. | 0:31:18 | 0:31:21 | |
And I don't think anyone can throw me under the bus. I've done 110% | 0:31:21 | 0:31:24 | |
and done it right and done it well and done it fast. | 0:31:24 | 0:31:27 | |
-Everybody starting to load into our van. -So you're happy? -Yeah. | 0:31:27 | 0:31:32 | |
Is there anything I can do? | 0:31:32 | 0:31:34 | |
SHE SIGHS | 0:31:34 | 0:31:36 | |
Uh-oh... | 0:31:37 | 0:31:38 | |
That was a face. | 0:31:38 | 0:31:40 | |
I said, That's not the case. I swear to God, we're not." | 0:31:47 | 0:31:50 | |
-What?! She thought we were conspiring against her? -Yes. -That's ridiculous. | 0:31:50 | 0:31:55 | |
'I think Melissa knows she is sort of the odd man out, but frankly...' | 0:31:55 | 0:32:00 | |
I don't need to conspire against Melissa. | 0:32:00 | 0:32:02 | |
I think Melissa's doing a good job of conspiring against herself | 0:32:02 | 0:32:06 | |
and I don't really need to step in there...to be honest. | 0:32:06 | 0:32:09 | |
Throw your stuff back in the van. | 0:32:09 | 0:32:11 | |
-Well, I don't want to talk. -I know. | 0:32:11 | 0:32:14 | |
'Melissa is the weak link' | 0:32:14 | 0:32:16 | |
because of her sensitive and erratic behaviour, OK. | 0:32:16 | 0:32:20 | |
'And as a crazy person, you're not going to win,' | 0:32:20 | 0:32:24 | |
so I definitely would rather it be me and Annie in the next task | 0:32:24 | 0:32:28 | |
because I feel that Annie and I are very, very strong team. | 0:32:28 | 0:32:33 | |
In business and in life, | 0:32:42 | 0:32:44 | |
you don't always deal with people that you like. | 0:32:44 | 0:32:48 | |
Often times, there'll be people you just can't stand. | 0:32:48 | 0:32:51 | |
You don't want to deal with them, you don't like them. | 0:32:51 | 0:32:54 | |
Now, my celebrities are very spoiled. Guess what! | 0:32:54 | 0:32:59 | |
In order to get to the end, they're going to have to find a solution to this problem. | 0:32:59 | 0:33:04 | |
-There he is! -Speaking of! Where are they? Can we look at them? | 0:33:12 | 0:33:17 | |
Yes. | 0:33:17 | 0:33:18 | |
-It should be vertical and horizontal with it blown out a bit... -That's nice. | 0:33:18 | 0:33:22 | |
-Oh, yeah! -Very good. -Wow. | 0:33:22 | 0:33:24 | |
'Jesse's pictures were good.' | 0:33:24 | 0:33:27 | |
I really liked the shot we chose | 0:33:27 | 0:33:29 | |
so I started developing it into the entire layout, | 0:33:29 | 0:33:33 | |
trying to use all the buzz words and slogans and brand messaging | 0:33:33 | 0:33:37 | |
that I could. | 0:33:37 | 0:33:38 | |
The way you had it there was just really burning lava look, you know. | 0:33:38 | 0:33:42 | |
-Right. -This is good. This little fireball thing's going to be a great piece of the ad. | 0:33:42 | 0:33:48 | |
We can have him here and have room for all their messaging, which we've got to put in there. | 0:33:48 | 0:33:54 | |
Right away, Clint is going in some other direction. | 0:33:54 | 0:33:57 | |
'If you do all this branding everywhere,' | 0:33:57 | 0:33:59 | |
then add the orange... It's just like graffiti on a wall. | 0:33:59 | 0:34:02 | |
You just start gluing all this stuff to it | 0:34:02 | 0:34:05 | |
and it makes no sense at all, you know. | 0:34:05 | 0:34:07 | |
-What do you think about this? -I love stuff on black. | 0:34:07 | 0:34:11 | |
As long as you don't get too crazy with the text all over it. | 0:34:11 | 0:34:14 | |
You didn't like that great black shot? | 0:34:14 | 0:34:16 | |
I think the black is so much better on that first one. | 0:34:16 | 0:34:19 | |
The reason I like that is because of kind of the heat factor, | 0:34:19 | 0:34:23 | |
and he's cool despite the heat, and it's also colour branding. | 0:34:23 | 0:34:28 | |
-How many projects have you worked with me? -Too many. -Three. | 0:34:28 | 0:34:31 | |
And what do I do? I say what I think. | 0:34:33 | 0:34:36 | |
-And I give it to our Project Manager to -BLEEP -it up. -I'll do it. -OK. | 0:34:36 | 0:34:41 | |
-I don't like the all-black look. -Too minimalist? -Yeah. | 0:34:43 | 0:34:47 | |
Clint sucks. | 0:34:47 | 0:34:49 | |
'Joan doesn't want any friction and she doesn't want to be part of it | 0:34:49 | 0:34:53 | |
'so I'll do all the ganging up on Clint. | 0:34:53 | 0:34:56 | |
'I'm used to working with professionals and people that really know what they're doing' | 0:34:56 | 0:35:00 | |
and he doesn't know what he's doing. | 0:35:00 | 0:35:02 | |
He has no business doing it, you know. | 0:35:02 | 0:35:04 | |
Awesome! The Right Guard deodorants are where the World Trade Centres used to be. | 0:35:04 | 0:35:08 | |
That'll be good. | 0:35:08 | 0:35:10 | |
'The ad's cheesy, the layout's cheesy, | 0:35:11 | 0:35:13 | |
'the graphics are cheesy, the photos are dumb. It's a bummer. | 0:35:13 | 0:35:17 | |
'Cos we could've really did well.' | 0:35:17 | 0:35:19 | |
Instead, we do crap, you know... | 0:35:19 | 0:35:22 | |
I hate it. | 0:35:22 | 0:35:23 | |
I just want to make sure there's nothing we're leaving out of this... | 0:35:23 | 0:35:27 | |
..in the brand messaging. | 0:35:27 | 0:35:29 | |
You know what I'm talking about? | 0:35:29 | 0:35:31 | |
-Jesse? -I didn't hear you, Clint. I'm sorry, I was writing. | 0:35:32 | 0:35:36 | |
Should we say PowerGel and PowerStrike? | 0:35:38 | 0:35:41 | |
-Jess... Eyes up, listen. -Mm... It's Clint's call. | 0:35:44 | 0:35:49 | |
'Jesse, I guess he didn't like some of the directions we were going | 0:35:54 | 0:35:59 | |
'and just detached himself.' | 0:35:59 | 0:36:01 | |
I've used some of Joan's ideas, I've used some of Jesse's ideas. | 0:36:01 | 0:36:06 | |
'Some of them were really great but they weren't 100% great. | 0:36:06 | 0:36:10 | |
'But if somebody on my team expects me to take 100% of their ideas' | 0:36:10 | 0:36:15 | |
100% of the time, then, you know, who's the baby? | 0:36:15 | 0:36:19 | |
Who's really got the problem? | 0:36:19 | 0:36:21 | |
So what point should I start arguing with Clint...? | 0:36:21 | 0:36:24 | |
-Well, you better do it fast... -..cos his idea totally blows. | 0:36:24 | 0:36:27 | |
-Are you going to say something? -I tried to but I don't think he... | 0:36:27 | 0:36:31 | |
I don't think it registers. | 0:36:31 | 0:36:33 | |
If this is Jesse's tactic to get rid of Clint, | 0:36:33 | 0:36:36 | |
it's wrong. Once you're on a team, you've got to work for that team. | 0:36:36 | 0:36:41 | |
'Clint is a one-man band. He would give himself a hicky! | 0:36:41 | 0:36:44 | |
'I mean, no question about it, but again, if Jesse is trying to sink Clint...' | 0:36:44 | 0:36:49 | |
Nah, it's not right. | 0:36:49 | 0:36:51 | |
-Over 24-hour protection... -Hi, I'm Melissa. | 0:37:00 | 0:37:03 | |
-Hi, I'm David. How you doing? -Nice to meet you. Brande? | 0:37:03 | 0:37:06 | |
-Brande, how you doing? -How are you? Nice to meet you. -You know this lady. | 0:37:06 | 0:37:09 | |
-My darling! -How are you? | 0:37:09 | 0:37:11 | |
'David Lee walks in the door' | 0:37:11 | 0:37:14 | |
and I was surprised. I didn't realise how cute he was going to be! | 0:37:14 | 0:37:17 | |
'Like he was really, really cute!' | 0:37:17 | 0:37:19 | |
Woo! Yeah! | 0:37:19 | 0:37:20 | |
-You're having fun cos you're dry! -Because I'm dry?! | 0:37:20 | 0:37:24 | |
-If I were dry, I would not be having fun. -OK, woo! Girls, dance! | 0:37:24 | 0:37:28 | |
'What we're showing in each picture is that when you wear Right Guard, | 0:37:28 | 0:37:31 | |
'you are confident.' | 0:37:31 | 0:37:34 | |
You are hard-working and still staying dry. | 0:37:34 | 0:37:37 | |
There you go. "I'm a sexy man." Come on, be sexy! | 0:37:37 | 0:37:39 | |
-Be sexy! -When we say "sexy" we mean big smiles. This is a man's magazine. We don't need you to be sexy. | 0:37:39 | 0:37:45 | |
-No, I got them. -You did? -Yeah... | 0:37:45 | 0:37:47 | |
'I was supposed to be in charge of the photo-shoot.' | 0:37:47 | 0:37:50 | |
Brande took over halfway through because I feel | 0:37:50 | 0:37:52 | |
'she felt she had nothing to do.' | 0:37:52 | 0:37:54 | |
-Happy to see David Lee! -Yeah! -And David Lee's happy to see his fans! | 0:37:54 | 0:37:59 | |
"I'm so happy cos I don't sweat!" | 0:37:59 | 0:38:01 | |
And smile, you're happy, everyone's happy! | 0:38:01 | 0:38:03 | |
I'm being frozen out. | 0:38:03 | 0:38:05 | |
Nobody cares what I have to say, what I do. | 0:38:05 | 0:38:07 | |
There's simply not enough work to go around as apparently they're capable of doing everything without me. | 0:38:07 | 0:38:13 | |
With Right Guard Extreme Dry I never get caught off-guard. David Lee, forward, New York Nicks. | 0:38:13 | 0:38:18 | |
-We got five with this outfit, five with the other. -Ready? | 0:38:21 | 0:38:24 | |
She's, "OK, we'll go with your concept, you explain it, you do the layout, | 0:38:24 | 0:38:28 | |
"you write the copy and you do the presentation." And I'm like, "OK." | 0:38:28 | 0:38:32 | |
-I'm going to say yes to my boss. -Of course. Well, I mean, I feel like I'm being shoved out. | 0:38:32 | 0:38:38 | |
Brande told me Melissa | 0:38:38 | 0:38:40 | |
was having a paranoid fantasy about us conspiring against her | 0:38:40 | 0:38:43 | |
so I actually tried to make sure I was pulling her in privately to me. | 0:38:43 | 0:38:47 | |
It absolutely just made it seem like I wasn't on Brande's side. | 0:38:47 | 0:38:50 | |
You know what I mean? That I was trying to be more of a neutral party. | 0:38:50 | 0:38:53 | |
-I don't want to be thrown off the bus. -"She was the weakest link." I was trying to do my job, the edit. | 0:38:53 | 0:38:58 | |
-You know what I mean? -I totally understand. | 0:38:58 | 0:39:00 | |
I mean, I think we both have opposite problems. | 0:39:00 | 0:39:02 | |
-Yeah. -Right. | 0:39:03 | 0:39:05 | |
'Playing cards is all about game theory, managing your opponents, | 0:39:05 | 0:39:08 | |
'working out logical strategies to counteract. | 0:39:08 | 0:39:11 | |
'This is exactly what I do. | 0:39:11 | 0:39:12 | |
'There's ways you can manipulate your competitors | 0:39:12 | 0:39:15 | |
'that can work to your advantage, which I did well with Melissa.' | 0:39:15 | 0:39:18 | |
I'm trying to make sure I get into the final four. Right now that's what my goal is. | 0:39:18 | 0:39:22 | |
Hey. | 0:39:33 | 0:39:34 | |
-No mistaking it. It's you! Clint Black. -Hey. David Lee. -Hey, David. | 0:39:34 | 0:39:39 | |
-This is Jesse James. -Hi, David, nice to me. | 0:39:39 | 0:39:42 | |
David Lee arrived and he was great. | 0:39:42 | 0:39:46 | |
It's so great to just be at a photo-shoot and it's someone else being photographed! | 0:39:46 | 0:39:51 | |
Eyes really strong right here. | 0:39:51 | 0:39:55 | |
Bring in your elbows a little tighter and tuck in your face down in there a little bit more. | 0:39:57 | 0:40:02 | |
'I took control of the shoot.' | 0:40:02 | 0:40:04 | |
I've done about 1,600 of them and really had the plan in my mind | 0:40:04 | 0:40:10 | |
'and I felt like I could do a good job of guiding the photographer.' | 0:40:10 | 0:40:14 | |
I just can't imagine it having gone any better. | 0:40:14 | 0:40:18 | |
All right, we'll switch uniforms if that's OK with you. | 0:40:18 | 0:40:21 | |
We've got a Right Guard one. | 0:40:21 | 0:40:23 | |
Can we take that for you? | 0:40:23 | 0:40:25 | |
During the photo-shoot, we reshot all of the blue | 0:40:25 | 0:40:29 | |
'Nicks uniform shots of David with this orange uniform' | 0:40:29 | 0:40:33 | |
with Right Guard on the front of it. | 0:40:33 | 0:40:35 | |
I think it just worked better in branding. | 0:40:35 | 0:40:38 | |
Not even breaking a sweat. No odour. Mr "no odour" Lee. | 0:40:38 | 0:40:43 | |
Oh, yeah. We're losing. | 0:40:43 | 0:40:45 | |
Clint was in charge of the photo shoot. | 0:40:45 | 0:40:48 | |
The overall setup is wrong. | 0:40:48 | 0:40:50 | |
You can nuzzle up right... Close without looking like you're smelling his armpit. | 0:40:50 | 0:40:56 | |
I'm just trying to make sense of them sitting on the couch, you know. | 0:40:56 | 0:41:00 | |
What are they doing? | 0:41:00 | 0:41:02 | |
Well, what I was going for was making them less significant. | 0:41:02 | 0:41:06 | |
Small them down in the photo. It's about the product. You know what I mean? | 0:41:06 | 0:41:11 | |
I've been around Clint for how many tasks? I know there's no arguing. | 0:41:11 | 0:41:16 | |
Let him fall on his own sword. If he wants to go in that direction let him do it. | 0:41:16 | 0:41:20 | |
But, still, I hate losing. | 0:41:20 | 0:41:22 | |
-You guys are great. -That's a wrap! | 0:41:23 | 0:41:27 | |
Never seen anyone snuggle quite like that. | 0:41:27 | 0:41:29 | |
All right. Just let me know when you're ready for me to start looking over your shoulder. | 0:41:40 | 0:41:45 | |
When the photo shoot was over, I was real happy with it. | 0:41:45 | 0:41:48 | |
We already had the basic layout for our graphic designer to be able to take the elements | 0:41:48 | 0:41:53 | |
that we already created and focus on the graphic layout. | 0:41:53 | 0:41:58 | |
-Hi. -Hello! -Hi. | 0:41:59 | 0:42:01 | |
-We're just seeing how things are going? -It's going great. | 0:42:02 | 0:42:06 | |
-Oh, good! Did you like David? -He's great. | 0:42:06 | 0:42:09 | |
Annie was trying to see what we were doing, to see what the mood was in our room. | 0:42:09 | 0:42:14 | |
"Hi, how you doing?" | 0:42:14 | 0:42:17 | |
"Oh, they don't look so happy. Good!" | 0:42:17 | 0:42:20 | |
-You can come visit us any time. -We just want to say hi. | 0:42:20 | 0:42:24 | |
-Liars. -Bye. | 0:42:24 | 0:42:27 | |
I bet she wears a size six. And I bet she wears three garments. | 0:42:30 | 0:42:35 | |
Six, six, six. | 0:42:36 | 0:42:39 | |
I thought she was Hitler. | 0:42:39 | 0:42:41 | |
I don't want to insult Hitler. | 0:42:41 | 0:42:42 | |
Annie plays people brilliantly. | 0:42:42 | 0:42:45 | |
Oh, she's just so despicable. She is so duplicitous. | 0:42:45 | 0:42:50 | |
I can't wait for her to get her first facelift because she's going to need two doctors. | 0:42:50 | 0:42:56 | |
See if you can get the Right Guard in there on his shirt. Yeah. There you go! | 0:42:56 | 0:43:02 | |
-Hey! -What? | 0:43:02 | 0:43:03 | |
-What do you think? -I think it looks like BLEEP. | 0:43:03 | 0:43:07 | |
Really? What's bad about it? | 0:43:08 | 0:43:10 | |
You know, it's not like an advertorial-style ad. | 0:43:10 | 0:43:14 | |
I just don't want to go forward with you thinking it sucks. | 0:43:14 | 0:43:17 | |
Well, it doesn't matter. You're the project manager. | 0:43:17 | 0:43:20 | |
We'll go with this and we'll make it as good as we possibly can make this. | 0:43:20 | 0:43:24 | |
-That looks magaziney. -That looks so BLEEP terrible. | 0:43:24 | 0:43:29 | |
It's just laughable. I don't know how to comment on it. | 0:43:29 | 0:43:32 | |
Jesse, what would you change because you have fresher eyes? | 0:43:32 | 0:43:36 | |
I'd hit the delete button. | 0:43:36 | 0:43:38 | |
Start all over. Do it like I said. | 0:43:39 | 0:43:42 | |
Yeah, but it's not clear enough to me what you're saying should be different. | 0:43:42 | 0:43:46 | |
That's probably because you've no business doing something like that. | 0:43:46 | 0:43:49 | |
You have no training in it and you have absolutely no skills of laying out any kind of magazine. | 0:43:49 | 0:43:54 | |
Why don't you be the Project manager then? | 0:43:54 | 0:43:57 | |
What more can I do besides draw pictures? | 0:43:57 | 0:43:59 | |
We would have won an award for that ad for the first one because it was so great. | 0:43:59 | 0:44:04 | |
But you don't listen. | 0:44:04 | 0:44:05 | |
The same problem that everyone else has had with you. | 0:44:05 | 0:44:10 | |
All right. All right. OK. | 0:44:10 | 0:44:11 | |
You didn't let it... | 0:44:11 | 0:44:13 | |
It will serve you well in the boardroom but we've got a problem now. | 0:44:13 | 0:44:17 | |
The stuff with Jesse. The only thing that I can figure is it's gameplaying. | 0:44:17 | 0:44:21 | |
And that he has to be able to go into the boardroom and try | 0:44:21 | 0:44:25 | |
and secure his position but, for crying out loud, | 0:44:25 | 0:44:28 | |
the guy has spent 70 percent of the day looking at his computer, | 0:44:28 | 0:44:32 | |
not involving himself in the activities of the task. | 0:44:32 | 0:44:36 | |
He really believes that there was absolutely nothing wrong with a single element of his idea. | 0:44:36 | 0:44:42 | |
You completely went in your own direction so you want to go in your own direction, own it like a man. | 0:44:42 | 0:44:49 | |
I'll own it like a man. But, you know what? | 0:44:49 | 0:44:52 | |
Don't be a BLEEP. | 0:44:52 | 0:44:54 | |
Own it and go for it and do your thing. Don't BLEEP cry about it. I don't want to hear it. | 0:44:54 | 0:44:59 | |
-Is that really how you're going to describe how I'm dealing with it? -Yeah. You're being a BLEEP. | 0:44:59 | 0:45:03 | |
-Own it. -OK. I can do that. | 0:45:03 | 0:45:06 | |
I laid out one idea that was 100 percent original, but you're too BLEEP stupid to realise it. | 0:45:06 | 0:45:11 | |
-Well, thanks. -It's not my fault. | 0:45:11 | 0:45:14 | |
When you get lit up in the boardroom for not doing an editorial-style layout, you'll know why. | 0:45:14 | 0:45:20 | |
So, you lay out an idea and if I don't use all of it | 0:45:20 | 0:45:24 | |
then you're not going to help with the other part of the idea that I did use? | 0:45:24 | 0:45:28 | |
-Good. Now that we got that straight maybe we can get somewhere. -All right then. | 0:45:28 | 0:45:32 | |
No-one understands the therapy that Clint has gone through in three sessions with me. | 0:45:32 | 0:45:38 | |
He's trying so hard. He now takes at least 15 minutes before he rejects an idea. | 0:45:38 | 0:45:42 | |
That's a big step forward for Clint. Now, Jesse just went bananas. | 0:45:42 | 0:45:48 | |
I never saw Jesse so angry. This was ugly. | 0:45:48 | 0:45:53 | |
-You need to just pack your BLEEP and go home. -That's what I'm going to do. -You're out of town. | 0:45:53 | 0:45:58 | |
I want to be around people that are helpful. If we want to salvage this thing, it's not helpful. | 0:45:58 | 0:46:03 | |
Do like I said. Hit "delete" and save yourself some embarrassment. | 0:46:03 | 0:46:06 | |
We already know how you feel and if you don't want to be helpful. | 0:46:06 | 0:46:10 | |
I've been more than helpful, you just too stupid to realise it. | 0:46:10 | 0:46:13 | |
-Well, sit over there and admire me as the stupid guy that you love so much. -We're going to lose. Bottom line. | 0:46:13 | 0:46:20 | |
I was the first person to recommend that Clint goes home. | 0:46:20 | 0:46:24 | |
Everyone was like, "What did he say?!" | 0:46:24 | 0:46:27 | |
Get that BLEEP BLEEP out of here. | 0:46:27 | 0:46:29 | |
He's going to go in and tell Donald Trump, "Oh, I tried so hard. | 0:46:29 | 0:46:32 | |
"I was listening to everybody and taking input." | 0:46:32 | 0:46:35 | |
BLOWS A RASPBERRY | 0:46:35 | 0:46:37 | |
This sounds like my first marriage. | 0:46:41 | 0:46:44 | |
We flash to page three where the concept becomes clear in this stand-up-and-take-notice image | 0:47:05 | 0:47:09 | |
that we hope will become iconic. | 0:47:09 | 0:47:11 | |
-Right Guard. Click. -Yeah. Up. | 0:47:11 | 0:47:14 | |
-Good morning. -Any progress? | 0:47:15 | 0:47:17 | |
We were going over the presentation and Jim Cramer walks in. We got to show him the whole layout. | 0:47:17 | 0:47:23 | |
Are you happy with where we are? Do you feel like you're going to win? | 0:47:23 | 0:47:26 | |
-ALL: Absolutely. -Not even an issue? I like that confidence. | 0:47:26 | 0:47:29 | |
-Obviously, this is just the cover page. -I came up with the general concept of the bare shot of him, | 0:47:29 | 0:47:34 | |
"The only thing I ever need to wear" pretty early in the morning" | 0:47:34 | 0:47:37 | |
-That's your tagline? -Yes. -OK. | 0:47:37 | 0:47:40 | |
I came up with that. I also went to two locations to get the photo shoots which I did. | 0:47:40 | 0:47:47 | |
Annie was doing everything but dancing on the table with her top down trying to impress Jim Cramer. | 0:47:47 | 0:47:52 | |
I came up with this concept almost right away. | 0:47:52 | 0:47:54 | |
Then, I essentially did the layout with him and I'm writing a kick-ass presentation. | 0:47:54 | 0:48:00 | |
Honestly, I would say that I was tasked with quite a lot | 0:48:00 | 0:48:02 | |
and I think that given how much I was tasked with I actually did everything really well. | 0:48:02 | 0:48:07 | |
It's my concept. I have to stand behind it but everybody was on board with it so, I'm good with that. | 0:48:07 | 0:48:12 | |
I think Annie set it up so if they lose, Annie doesn't take the bullet. | 0:48:12 | 0:48:16 | |
Rather remarkable positioning to both be able to take credit for the good | 0:48:16 | 0:48:21 | |
but certainly not be hit if they don't win. | 0:48:21 | 0:48:24 | |
Very clever work. | 0:48:24 | 0:48:25 | |
-If each one of you had one wish for me to say for each of you. What would it be? -Good leader for me. | 0:48:25 | 0:48:32 | |
-OK. Good leader. -Worked my ass off and did some amazing branding. -OK. | 0:48:32 | 0:48:38 | |
-That I visually told a story. -OK. | 0:48:38 | 0:48:41 | |
But do you know what word I would really like to hear? | 0:48:41 | 0:48:45 | |
Hopefully everyone agrees with this, is that it was equal. | 0:48:45 | 0:48:50 | |
I swear I almost punched her in the face. | 0:48:50 | 0:48:53 | |
I'd better be getting credit | 0:48:53 | 0:48:55 | |
for having been tasked with this much stuff, have this much stuff but on my shoulders. | 0:48:55 | 0:48:59 | |
-I don't want someone standing up saying, "equal". -Everyone did their part. | 0:48:59 | 0:49:03 | |
If we had to get out one message about our team yesterday, it was, "equal". | 0:49:03 | 0:49:08 | |
All right. Good luck tonight. | 0:49:11 | 0:49:14 | |
We didn't put in equal work. There was one person in this group who did a lot more than everybody else | 0:49:14 | 0:49:19 | |
and then she's saying to Jim Cramer, "equal". | 0:49:19 | 0:49:22 | |
-Good luck. -Thank you. Melissa didn't come up with good ideas, she didn't do that much. | 0:49:22 | 0:49:28 | |
So, if we lose, I think that Melissa should be fired. | 0:49:28 | 0:49:31 | |
I think "equal" is the right message to send as a group. | 0:49:31 | 0:49:35 | |
You know? It really is truly the sum of its parts. | 0:49:35 | 0:49:37 | |
They did what they were supposed to do to make it all come together. | 0:49:37 | 0:49:42 | |
When you're talking about succeeding in business or in life, the word "passion" really comes into play. | 0:49:47 | 0:49:53 | |
I'm not saying it's more important than talent or brains, but I'll tell you what. It's right up there. | 0:49:53 | 0:50:00 | |
Over the years, I've seen a lot of people in business. | 0:50:00 | 0:50:02 | |
I've seen some really smart ones and, frankly, if they don't have passion, | 0:50:02 | 0:50:07 | |
no matter how smart they are, they don't make it. | 0:50:07 | 0:50:10 | |
So, now, we're coming to the end. | 0:50:10 | 0:50:13 | |
Do our people have that passion? | 0:50:13 | 0:50:15 | |
Do they have that drive to continue on to the end and win | 0:50:15 | 0:50:19 | |
and ultimately become the Celebrity Apprentice? | 0:50:19 | 0:50:23 | |
-Good afternoon, gentlemen. -Good afternoon. | 0:50:43 | 0:50:46 | |
We've created for you a layout that will show Fast Break and David Lee holding up under immense pressure. | 0:50:46 | 0:50:53 | |
We start off with David, immersed in fire, representing the pressure on an NBA star and his deodorant. | 0:50:53 | 0:51:00 | |
You'll notice a power stripe down the sides of the pages. | 0:51:00 | 0:51:03 | |
This is designed not only to deliver the brand messaging to the avid reader | 0:51:03 | 0:51:08 | |
but also to the casual reader who merely flips through the pages. | 0:51:08 | 0:51:11 | |
In the two-page spread, we brand Fast Break further by making the sticks larger than life, | 0:51:11 | 0:51:17 | |
one even towering over the six foot nine Nicks power forward. | 0:51:17 | 0:51:21 | |
The presentation, as far as I'm concerned, was kind of irrelevant. | 0:51:21 | 0:51:25 | |
I don't think we did the best we possibly could as a team. | 0:51:25 | 0:51:30 | |
Clint should just go home. It's time. | 0:51:30 | 0:51:33 | |
Finally, on the fourth page, | 0:51:33 | 0:51:35 | |
the brand messaging is driven home as David relaxes with his date. | 0:51:35 | 0:51:39 | |
Very cool. Obviously not worried at all about embarrassing body odour. Why? | 0:51:39 | 0:51:45 | |
Fast Break - 24-hour antiperspirant and deodorant. | 0:51:45 | 0:51:48 | |
Nothing responds to odour faster. | 0:51:48 | 0:51:51 | |
Never get caught off guard with Right Guard Fast Break technology. | 0:51:51 | 0:51:55 | |
-Thank you very much. -Thank you. Good day. | 0:51:55 | 0:51:57 | |
-Hi. -Hi. My team, Athena, just want to tell you we're so excited to be presenting you | 0:52:10 | 0:52:15 | |
our four-page advertorial for Right Guard in conjunction with NBA and David Lee. | 0:52:15 | 0:52:20 | |
So, let's look at the first two pages of our advertorial. | 0:52:20 | 0:52:23 | |
This first picture on page one depicts David on the court. | 0:52:23 | 0:52:28 | |
The brand is prominently placed on the page | 0:52:28 | 0:52:31 | |
leaving no doubt for the reader what product is being advertised. | 0:52:31 | 0:52:34 | |
Page two. Even after he is done with the game, David is not done working. | 0:52:34 | 0:52:39 | |
If we look at the bottom of page two, we see him with lifted arm, | 0:52:39 | 0:52:43 | |
confident that he is dry and odour free even when playing as hard as he works on the basketball court. | 0:52:43 | 0:52:50 | |
High-performance. Hard-working. Confidence. | 0:52:50 | 0:52:54 | |
Can you think of a better way of describing Right Guard? We can't. | 0:52:54 | 0:52:57 | |
Annie is not good presenting. | 0:52:57 | 0:53:00 | |
I think she's not conversational enough. | 0:53:00 | 0:53:02 | |
I think is very much presentation, reading off a script. | 0:53:02 | 0:53:06 | |
It sort of makes it stiff. | 0:53:06 | 0:53:08 | |
If your presentation sucks, you're going to lose. | 0:53:08 | 0:53:10 | |
What do all these outfits have in common? | 0:53:10 | 0:53:13 | |
Underneath each of them he's wearing the most important thing, his Right Guard Extreme Dry. | 0:53:13 | 0:53:20 | |
So we go to page three where this concept becomes clear in a stand-up-and-take-notice image, | 0:53:20 | 0:53:26 | |
Right Guard. The only thing I ever need to wear. | 0:53:26 | 0:53:31 | |
And then page four, the beauty shot. And the brand message. | 0:53:31 | 0:53:37 | |
Right Guard Extreme Dry invisible solid and gel, | 0:53:37 | 0:53:41 | |
alongside a branded basketball | 0:53:41 | 0:53:43 | |
clearly in a locker room paired with sport as it should be. | 0:53:43 | 0:53:46 | |
Right Guard. The only thing you ever need to wear. | 0:53:46 | 0:53:50 | |
I know it's the only thing I ever need to wear. | 0:53:50 | 0:53:53 | |
-Thank you. -Very nice. -Thank you. Thank you. | 0:53:53 | 0:53:56 | |
Hello, fellas. | 0:54:10 | 0:54:11 | |
How did the teams do? | 0:54:14 | 0:54:15 | |
I think they both did really well. We liked both of their work. | 0:54:15 | 0:54:19 | |
Both would work well in a sports illustrated environment. | 0:54:19 | 0:54:22 | |
-How did KOTU do? -KOTU did very well. | 0:54:22 | 0:54:24 | |
They had great branding. | 0:54:24 | 0:54:26 | |
They used our orange colour, which is really a key trademark of this new product, very well. | 0:54:26 | 0:54:32 | |
Integrated the NBA star, David Lee, quite nicely. | 0:54:32 | 0:54:35 | |
Then they picked up our power stripe idea and ran it around the border. | 0:54:35 | 0:54:40 | |
What KOTU do badly? | 0:54:40 | 0:54:41 | |
Since David Lee is a rising NBA star - his recognisability - | 0:54:41 | 0:54:45 | |
he's a little bit lower than some other players right now. | 0:54:45 | 0:54:48 | |
They probably could have done a nicer job of linking him to the Nicks currently. | 0:54:48 | 0:54:52 | |
Maybe use a Nicks Jersey. His actual Jersey is another option. | 0:54:52 | 0:54:55 | |
OK. Athena did very well also. What did they do best? | 0:54:55 | 0:54:58 | |
We liked the stopping power of this visual right here, | 0:54:58 | 0:55:02 | |
that shows David Lee, kind of, bare-chested from the waist up. | 0:55:02 | 0:55:05 | |
They finished, I think, in a nice way to finish, with the ball, | 0:55:05 | 0:55:08 | |
the locker room, the Branding. I think they did a solid job there | 0:55:08 | 0:55:11 | |
and they did a very nice job of linking to the NBA in the end. | 0:55:11 | 0:55:14 | |
-And what did they do badly then? -They missed the order. | 0:55:14 | 0:55:17 | |
If you had started with the strong visual starting power - | 0:55:17 | 0:55:20 | |
of David, the ball. | 0:55:20 | 0:55:21 | |
The issue is that it's, kind of, buried on the third of the four-page spread. | 0:55:21 | 0:55:25 | |
So, which team was better? | 0:55:25 | 0:55:26 | |
Both teams were very good but the winner is... | 0:55:26 | 0:55:29 | |
So, Brande, these are two tough women, how did you do? | 0:55:58 | 0:56:03 | |
I really feel strongly about what we did | 0:56:03 | 0:56:06 | |
and I can't imagine the executives not choosing it. | 0:56:06 | 0:56:10 | |
-Could she handle, could she handle you, Melissa? -Absolutely. | 0:56:10 | 0:56:13 | |
-Could she handle you, Annie? -Brande handles me great. | 0:56:13 | 0:56:16 | |
I think we make a great team. | 0:56:16 | 0:56:18 | |
-Clint, how did your team do? -If we won, we did brilliantly! | 0:56:20 | 0:56:24 | |
-Tell me if you won. -I think that...we did the best we could. | 0:56:24 | 0:56:29 | |
What do you think, Jesse, what did you think of your team? | 0:56:29 | 0:56:32 | |
I didn't think it was much the team. | 0:56:32 | 0:56:34 | |
-Why? -Because, er, Clint didn't utilise Joan and myself 100%. | 0:56:34 | 0:56:40 | |
But if you won, he probably did a very good job, right? | 0:56:40 | 0:56:43 | |
I don't agree. | 0:56:43 | 0:56:45 | |
What's Clint's problem in your opinion, Jesse? | 0:56:45 | 0:56:47 | |
Cos people don't like Clint very much and I'm surprised cos I think he's great. | 0:56:47 | 0:56:51 | |
-I think he's a very tough guy. -This is a tough crowd to...to operate in. | 0:56:51 | 0:56:54 | |
Especially what's left is a tough crowd, that's why they all left, I guess. | 0:56:54 | 0:56:59 | |
What's Clint's problem in your eyes, Jesse? | 0:56:59 | 0:57:01 | |
I think Clint is too caught up with being "the guy". | 0:57:01 | 0:57:05 | |
He wants to be the guy with the good idea | 0:57:05 | 0:57:07 | |
and the hardest thing about being a great leader | 0:57:07 | 0:57:09 | |
is to realise what you CAN'T do. | 0:57:09 | 0:57:11 | |
It's like me, if the task was, like, singing country music | 0:57:11 | 0:57:15 | |
or playing country guitar, | 0:57:15 | 0:57:17 | |
that's the guy I'm going to want on my team | 0:57:17 | 0:57:19 | |
because I'm going to use 100% of his ability. | 0:57:19 | 0:57:22 | |
I own a magazine and it's a beautiful magazine | 0:57:22 | 0:57:25 | |
and I, you know, tried every possible way to communicate to Clint, you know, | 0:57:25 | 0:57:30 | |
"Hey, this is how this new type of advertorial is done, let's do it." | 0:57:30 | 0:57:34 | |
But is he hard to get along with? | 0:57:34 | 0:57:35 | |
-Er... -Or does he just not want to listen to anybody? | 0:57:35 | 0:57:39 | |
I'm confused by it. It's like it doesn't register. | 0:57:39 | 0:57:42 | |
Clint, what do you think? | 0:57:42 | 0:57:44 | |
Well, I'm surprised to hear how little I listened | 0:57:44 | 0:57:48 | |
when a lot of the best parts of the layout were their ideas. | 0:57:48 | 0:57:53 | |
Jesse's initial layout appealed to me so much, | 0:57:53 | 0:57:56 | |
I became SO enthusiastic we went with it and what I found out, | 0:57:56 | 0:57:59 | |
at the end of the evening, was that he thought 100% of this idea or that idea should've been used. | 0:57:59 | 0:58:07 | |
He told me that he gave me two ideas that were each 100% perfect | 0:58:07 | 0:58:10 | |
and that if I didn't want to use those then I'm an idiot | 0:58:10 | 0:58:14 | |
or I was "stupid", I think is what he said. | 0:58:14 | 0:58:18 | |
But I found that as project manager I had to make these decisions | 0:58:18 | 0:58:21 | |
based on my own gut reaction to the ideas | 0:58:21 | 0:58:24 | |
and as they are throwing out these ideas I just had to, | 0:58:24 | 0:58:27 | |
I had to make these decisions and it's ironic that... | 0:58:27 | 0:58:30 | |
OK, that's enough cos I don't even know what the hell you're saying. | 0:58:30 | 0:58:34 | |
Let me ask you this, Clint, you think Jesse is a team player? | 0:58:34 | 0:58:38 | |
He was not a team player this time. | 0:58:38 | 0:58:40 | |
For a moment he was but when he said it was crap at the 11th hour, | 0:58:40 | 0:58:44 | |
when we had one hour to go, and I asked Jesse, you know, | 0:58:44 | 0:58:47 | |
"I know you had problems with this, what can we do to make it better?", | 0:58:47 | 0:58:51 | |
and his solution was, "Hit the delete button and start all over." | 0:58:51 | 0:58:54 | |
-Joan, you are going to say something? -No, I was just... No. | 0:58:54 | 0:58:58 | |
Is there truth, though, in what Clint's saying? | 0:58:58 | 0:59:00 | |
Is Jesse team player? | 0:59:00 | 0:59:02 | |
Er, last night I think it was very hard to be a team player, | 0:59:02 | 0:59:05 | |
they were really at odds with each other. It was... I felt like a kindergarten teacher. | 0:59:05 | 0:59:09 | |
Jesse, had you find Joan as a team player? | 0:59:09 | 0:59:12 | |
-She is an ass -BLEEP! | 0:59:13 | 0:59:15 | |
THEY LAUGH | 0:59:15 | 0:59:17 | |
-I'm just kidding! -No, I can see. That was with love, Joan. | 0:59:17 | 0:59:21 | |
-I know, I know. -I could see it. | 0:59:21 | 0:59:23 | |
I think Joan's been amazing so far | 0:59:23 | 0:59:25 | |
and, honestly, she's strong, she's tough | 0:59:25 | 0:59:27 | |
but she's got a way about her that's really been amazing. | 0:59:27 | 0:59:30 | |
I knew right when I met her, the first day that we started this competition, | 0:59:30 | 0:59:33 | |
that I was going to be friends with her. I could just tell. | 0:59:33 | 0:59:36 | |
-And there's this, like, crazy sexual electricity between us. -Yes. -THEY LAUGH | 0:59:36 | 0:59:41 | |
-You'd better be careful about him, you know the way... -HE'D better be careful! | 0:59:41 | 0:59:44 | |
So, I'm going to ask you, Joan, what did you think of Clint as a project manager? | 0:59:44 | 0:59:48 | |
I didn't agree with his ideas | 0:59:48 | 0:59:51 | |
but the minute he said, "These are the ideas," | 0:59:51 | 0:59:54 | |
I wanted to make these the BEST of his ideas. | 0:59:54 | 0:59:57 | |
-She was very helpful. -I don't know what else you do. | 0:59:57 | 0:59:59 | |
Are you getting along with Clint better now? | 0:59:59 | 1:00:01 | |
-It sounds like, maybe, you're back to where you started. -I understand Clint and I love Clint, | 1:00:01 | 1:00:06 | |
I think he's a terrific man. I think he's very dogmatic, | 1:00:06 | 1:00:10 | |
I think he's come a long way from where we started, the two of us. | 1:00:10 | 1:00:15 | |
-Tough to change, Clint, isn't it? -I like being me. | 1:00:15 | 1:00:19 | |
Joan, has he changed or are you just accepting the fact that Clint has a certain way | 1:00:19 | 1:00:22 | |
and you're going to try and work around it? | 1:00:22 | 1:00:25 | |
I think he's changed as much as he could possibly change | 1:00:25 | 1:00:30 | |
without deep therapy. | 1:00:30 | 1:00:32 | |
THEY LAUGH | 1:00:32 | 1:00:33 | |
-Oh, my. -I don't think anybody changes, actually. | 1:00:33 | 1:00:37 | |
They come out a certain way, for the most part that's what you get. | 1:00:37 | 1:00:41 | |
Clint, do you ever take your hat off? | 1:00:41 | 1:00:43 | |
Not much, no. | 1:00:43 | 1:00:45 | |
I should wear a hat. | 1:00:45 | 1:00:46 | |
Although I like my hair. It's real but... | 1:00:46 | 1:00:48 | |
-You have great hair. -You know? -It's iconic. | 1:00:48 | 1:00:51 | |
It's a little bit... What about you and I wearing hats, Jim, right? | 1:00:52 | 1:00:56 | |
Nobody would recognise you. | 1:00:56 | 1:00:58 | |
Black hat makes your head look thinner, that's why I wear it. | 1:00:58 | 1:01:01 | |
That could be good in my case. So, Brande, what you think? Do you think you won? | 1:01:01 | 1:01:04 | |
I really think we won. I really do. | 1:01:04 | 1:01:06 | |
And if they came up with something better than they deserve it. | 1:01:06 | 1:01:09 | |
What was your primary theme? | 1:01:09 | 1:01:11 | |
Our theme was hard-working, high-performance confidence. | 1:01:11 | 1:01:15 | |
It's what David Lee does throughout the day | 1:01:16 | 1:01:19 | |
and what he wears underneath all of his clothes throughout the day | 1:01:19 | 1:01:23 | |
-is Right Guard. -And what did you think of David Lee? | 1:01:23 | 1:01:26 | |
I mean, you've never seen anybody that big... | 1:01:26 | 1:01:28 | |
I was shocked cos he's so personable and so cute and...he doesn't really SEEM that big. | 1:01:28 | 1:01:32 | |
-What is he, like 6' 11" or something? -6' 8". -6' 9". | 1:01:32 | 1:01:36 | |
-Oh, really? -6' 9", 240. | 1:01:36 | 1:01:37 | |
-He's a big person. -He's a big boy. -And a nice guy? | 1:01:37 | 1:01:39 | |
-Fabulous to work with. -You liked...? -He's a friend so... | 1:01:39 | 1:01:41 | |
Was he nice with your team also? | 1:01:41 | 1:01:43 | |
-He was great. Great to work with. -Was he? | 1:01:43 | 1:01:45 | |
Now, Annie, you made a statement and Joan's eyes go up at me. You don't like... | 1:01:45 | 1:01:49 | |
Now, that one you don't like, Joan? | 1:01:49 | 1:01:50 | |
Everybody, you know? Everybody loves Annie, every, Annie knows everybody. | 1:01:50 | 1:01:54 | |
-I actually know David. -It's great! It's... Annie, it's fabulous! | 1:01:54 | 1:01:58 | |
You must have SOME Christmas card list! | 1:01:58 | 1:02:01 | |
-David's a friend of mine... -That's fine. Just, she knows everybody! | 1:02:02 | 1:02:05 | |
-I was saying something innocuous, but... -Mom! | 1:02:05 | 1:02:07 | |
I'm quiet, Melissa. Mr Trump asked me a question, I answered it. | 1:02:07 | 1:02:11 | |
Annie, how did your team work as a unit? | 1:02:21 | 1:02:24 | |
-I think we worked great is the unit. -And what happens if you lost? | 1:02:24 | 1:02:28 | |
-I still think we worked great as a unit. -And you should be fired if you lost? | 1:02:28 | 1:02:32 | |
-Not me. -Why do you say that? | 1:02:32 | 1:02:35 | |
Er, because I think a lot of that spread was put on, on me | 1:02:35 | 1:02:39 | |
-and the presentation was put on me and I think that I did... -Is that true, Melissa? | 1:02:39 | 1:02:42 | |
Was it put on Annie? I mean, you have a team leader. | 1:02:42 | 1:02:46 | |
-Brande made all those decisions. -I know, but is it true that, | 1:02:46 | 1:02:49 | |
-Annie is saying that she did most of the work. -No, I'm saying a lot of the stuff was tasked to me. | 1:02:49 | 1:02:54 | |
-By who? -By Brande. | 1:02:54 | 1:02:56 | |
-Is that true, Brande? -Yeah. | 1:02:56 | 1:02:58 | |
I gave Annie the job of brand messaging | 1:02:58 | 1:03:02 | |
because she is the queen of brand messaging. | 1:03:02 | 1:03:04 | |
I gave the task of doing the presentation | 1:03:04 | 1:03:06 | |
because I feel she is the queen of doing presentations and I want to win | 1:03:06 | 1:03:10 | |
so I'm going to give her those two jobs. | 1:03:10 | 1:03:12 | |
Melissa and I are good at photo shoots and models and putting... | 1:03:12 | 1:03:15 | |
You think Annie's the smartest person on your team? | 1:03:15 | 1:03:18 | |
Cos that's sort of what your saying. | 1:03:18 | 1:03:21 | |
Well, I don't think that Annie could've done a photo shoot | 1:03:21 | 1:03:24 | |
and could of, like, put that together... | 1:03:24 | 1:03:26 | |
Brande, knowing how to delegate is very important | 1:03:26 | 1:03:28 | |
but you are almost undermining yourself with this whole conversation. | 1:03:28 | 1:03:32 | |
All of the essential components of the task you delegated away from yourself | 1:03:32 | 1:03:38 | |
and these are the things that most project managers | 1:03:38 | 1:03:41 | |
wouldn't forego the opportunity to be part of. | 1:03:41 | 1:03:44 | |
Well, I don't think that I for... | 1:03:46 | 1:03:47 | |
for-goo the, the opportunity to do that. | 1:03:47 | 1:03:50 | |
I think that Annie was the one | 1:03:50 | 1:03:52 | |
-that went and did a lot of the brand integration... -Did Annie take over the team? | 1:03:52 | 1:03:55 | |
-Absolutely not. -Melissa, did Annie take over the team? | 1:03:55 | 1:03:58 | |
Brande allowed Annie to be the loudest voice. | 1:03:58 | 1:04:04 | |
-And did that bother you? -I felt that I was being boxed out in a gameplay. | 1:04:04 | 1:04:09 | |
By who? | 1:04:09 | 1:04:10 | |
By Annie and Brande. It felt very much like high school | 1:04:10 | 1:04:14 | |
and Annie is very smart like that. | 1:04:14 | 1:04:16 | |
It's what she does, she's a poker player! | 1:04:16 | 1:04:18 | |
So, you don't like any very much either? | 1:04:18 | 1:04:20 | |
-She plays us like a deck of cards! -I would like to defend myself. | 1:04:20 | 1:04:23 | |
-Are you playing everybody like a deck of cards? -I-I-I have not lied. | 1:04:23 | 1:04:28 | |
And the thing that I would like to say | 1:04:28 | 1:04:30 | |
is that in the 10 boardrooms that we have been here, | 1:04:30 | 1:04:33 | |
I have never once made a personal attack on anybody in this room, | 1:04:33 | 1:04:37 | |
-which is very different than the two people attacking me. -No, the difference is | 1:04:37 | 1:04:40 | |
we are saying it to your face! | 1:04:40 | 1:04:42 | |
You're such a troublemaker, you are such a conniver, | 1:04:42 | 1:04:46 | |
you are such a two-faced person. | 1:04:46 | 1:04:48 | |
The three of us are sitting there and she'll walk up to Brande and whisper in her ear | 1:04:48 | 1:04:51 | |
and then they walk away. Like, "Hi! Am I here?" | 1:04:51 | 1:04:53 | |
Wait, Joan, you think Brande's a follower? | 1:04:53 | 1:04:55 | |
You don't think she's a leader? | 1:04:55 | 1:04:57 | |
She's not a leader. | 1:04:57 | 1:04:59 | |
-Jim, what did you observe? -I heard this queen analogy, | 1:04:59 | 1:05:04 | |
it's disturbing me because you're the queen. | 1:05:04 | 1:05:07 | |
I mean, I'm trying to figure out, if she's the queen, what does that make you? | 1:05:07 | 1:05:10 | |
You just took away from what I thought was a great position when I was observing you, | 1:05:10 | 1:05:15 | |
which is this tremendous three queens. | 1:05:15 | 1:05:18 | |
We've got one queen and we've got a couple of pawns. | 1:05:18 | 1:05:20 | |
That's very much the feeling that I got | 1:05:20 | 1:05:22 | |
and one of the things I did say the Brande was, | 1:05:22 | 1:05:24 | |
"Look, if Annie's feeling overwhelmed, | 1:05:24 | 1:05:26 | |
"I've done a lot of presentations, | 1:05:26 | 1:05:28 | |
"I'm more than happy to stand up and do it," | 1:05:28 | 1:05:30 | |
and, basically, I was told, "No, she's got it!" | 1:05:30 | 1:05:32 | |
And I even called you out on it yesterday | 1:05:32 | 1:05:34 | |
and said, "You guys are trying to shut me out | 1:05:34 | 1:05:36 | |
"and I know if we go to the boardroom you...", | 1:05:36 | 1:05:38 | |
and let me tell you why Annie's trying to shut me out | 1:05:38 | 1:05:40 | |
because I think Annie thinks she can beat YOU more easily than she can beat me. | 1:05:40 | 1:05:43 | |
I think I can beat you more easily than I think I can beat Brande | 1:05:43 | 1:05:46 | |
-and that's 100% the honest truth. -OK. | 1:05:46 | 1:05:48 | |
-Why do you say that? -I think that Brande's a extremely effective fundraiser | 1:05:48 | 1:05:52 | |
and if I have to go against somebody in the final I would prefer to be against someone | 1:05:52 | 1:05:55 | |
who I don't think can be as effective in fundraising as I can. | 1:05:55 | 1:05:58 | |
OK. Jim and Ivanka, could you just show each team the other team's ad? | 1:06:00 | 1:06:06 | |
This is KOTU. | 1:06:06 | 1:06:07 | |
-Jim, would you show them, please? -Certainly. | 1:06:13 | 1:06:16 | |
And here's one. | 1:06:19 | 1:06:20 | |
So, Brande, what do you think? | 1:06:21 | 1:06:23 | |
-It's a lot better than I thought it was going to be. -Do you think it's better that what you did? -No. | 1:06:23 | 1:06:28 | |
-Annie? -I think it's close. Given the way that they were talking, | 1:06:28 | 1:06:32 | |
I thought I was going to see something terrible! I think it's pretty good. | 1:06:32 | 1:06:35 | |
Clint, how do you feel? | 1:06:35 | 1:06:36 | |
I feel we branded the product better. | 1:06:36 | 1:06:40 | |
Joan? | 1:06:40 | 1:06:42 | |
I think ours is prettier. | 1:06:42 | 1:06:44 | |
Jesse, what do you think? You're a very visual guy. What do you think? | 1:06:44 | 1:06:48 | |
-Ours is better. -You think yours is better? -Yes. | 1:06:48 | 1:06:52 | |
How do you feel about the fact that you like it now | 1:06:52 | 1:06:55 | |
but you didn't like what you were doing before and you didn't like the job that Clint was doing? | 1:06:55 | 1:06:59 | |
-I still don't like ours. -But you think is better than what they did? | 1:06:59 | 1:07:03 | |
-I think it might just be that much enough to win. -OK. | 1:07:03 | 1:07:07 | |
I will tell you right now, the executives liked both very much. | 1:07:07 | 1:07:10 | |
So, this is, again, not a slaughter. It's always tougher for me. | 1:07:10 | 1:07:14 | |
Are you ready? | 1:07:14 | 1:07:16 | |
Well, Jesse... | 1:07:18 | 1:07:20 | |
and Joan... | 1:07:20 | 1:07:22 | |
..and Clint, | 1:07:23 | 1:07:25 | |
you'll be very happy to know that the executives liked yours better. | 1:07:25 | 1:07:30 | |
It was all Clint. | 1:07:30 | 1:07:32 | |
Well, now we have to give Clint some credit. | 1:07:32 | 1:07:35 | |
-That much! -Winning covers... | 1:07:35 | 1:07:37 | |
Not that much, you won, Jesse, take it easy, Jesse. | 1:07:37 | 1:07:39 | |
When you win you win, you got to give somebody credit, and, Jesse, | 1:07:39 | 1:07:42 | |
-you should be more gracious. Honestly. -I'll tell him good job. | 1:07:42 | 1:07:46 | |
-Good job. -That's nice to see. -A lot of great ideas from you both. | 1:07:46 | 1:07:49 | |
Congratulations, Clint. | 1:07:49 | 1:07:51 | |
Not only did you win but your ad will be featured in Sports Illustrated and SI.com | 1:07:51 | 1:07:56 | |
and your charity will be getting, as you know, 20,000. | 1:07:56 | 1:07:59 | |
-What is the charity? -International Rett Syndrome Foundation. | 1:07:59 | 1:08:03 | |
-That's a good charity, congratulations. -Thank you. | 1:08:03 | 1:08:05 | |
Go ahead. | 1:08:05 | 1:08:07 | |
-Brande, Danny, Melissa. -Yes. | 1:08:08 | 1:08:12 | |
Please go outside for a few minutes, thank you. | 1:08:12 | 1:08:14 | |
Just for the record, I have not been conspiring against you. | 1:08:22 | 1:08:25 | |
I analysed it, it felt like that way, and I said, we talked about it. | 1:08:25 | 1:08:28 | |
It's really just Brande and I, you know, | 1:08:28 | 1:08:30 | |
-I didn't like her for a while, I love her now... -Just understand, we're down to three people. | 1:08:30 | 1:08:34 | |
-I hated high school and it feels like high school. -I understand. | 1:08:34 | 1:08:37 | |
I'll properly get fired. No, I'm serious. | 1:08:37 | 1:08:41 | |
It's not even... | 1:08:41 | 1:08:42 | |
-I'm the easiest target. -No, I'm the project manager. | 1:08:44 | 1:08:49 | |
Clint, you deserve this. You deserve it, you deserve it. | 1:08:54 | 1:08:58 | |
We'll have to have some champagne on that. | 1:08:59 | 1:09:03 | |
And you should, truly no one worked like you did. | 1:09:03 | 1:09:07 | |
-I appreciate that, thank you. -I'll give you that, you did work hard. | 1:09:07 | 1:09:10 | |
It feels pretty good to win, I was beaten up | 1:09:10 | 1:09:13 | |
over what our layout looked like and it was all riding on my shoulders. | 1:09:13 | 1:09:16 | |
Then, to win, I don't know if I have felt this high in this game, yet. | 1:09:16 | 1:09:22 | |
It's a sweet victory. Here's to this lady right here | 1:09:22 | 1:09:25 | |
-for keeping us from killing each other. Yeah, wouldn't happen. -Yes. | 1:09:25 | 1:09:29 | |
So, Jim, what do you think? | 1:09:33 | 1:09:35 | |
Look, I think Brande's a fine girl, she's got to go. | 1:09:35 | 1:09:37 | |
She delegated it, why shouldn't she be the one who gets tossed? | 1:09:37 | 1:09:41 | |
-OK. Ivanka? -I think Brande may seem like the more obvious decision | 1:09:41 | 1:09:47 | |
given that she was project manager, | 1:09:47 | 1:09:49 | |
and yet, Annie and Melissa could hang themselves. | 1:09:49 | 1:09:53 | |
'Amanda, bring them back in.' | 1:09:53 | 1:09:55 | |
Yes, sir. He's all ready for you, head back in. | 1:09:55 | 1:09:58 | |
Sit down, please. | 1:10:08 | 1:10:10 | |
So, Brande, you're the project manager, | 1:10:13 | 1:10:16 | |
why should you stay? | 1:10:16 | 1:10:18 | |
I should stay because from the very beginning I have shown my skills. | 1:10:18 | 1:10:22 | |
From the very beginning I have been called a star, | 1:10:22 | 1:10:26 | |
I have been called a hard worker, | 1:10:26 | 1:10:28 | |
I have raised the second most money out of everybody here, | 1:10:28 | 1:10:32 | |
and I have stepped up on the very... | 1:10:32 | 1:10:35 | |
-Second most to who? -To Annie. | 1:10:35 | 1:10:36 | |
Yesterday, I actually stepped up | 1:10:36 | 1:10:38 | |
and said, "I want to be project manager, again." | 1:10:38 | 1:10:42 | |
All of us have been project manager and I just automatically said, | 1:10:42 | 1:10:45 | |
"I want to do it." | 1:10:45 | 1:10:47 | |
And I didn't hear any arguments. | 1:10:47 | 1:10:49 | |
In the end, your project lost. | 1:10:49 | 1:10:53 | |
You said that you chose the task, | 1:10:53 | 1:10:57 | |
we heard from Melissa that she did not play much of a role, | 1:10:57 | 1:11:02 | |
so I'm stuck here thinking, why shouldn't you be the fall woman? | 1:11:02 | 1:11:05 | |
I said that Melissa and I were in charge of the photo shoot and the editing. | 1:11:05 | 1:11:10 | |
Because she's dumb! | 1:11:10 | 1:11:12 | |
She's a lovely woman, but she's not bright. | 1:11:12 | 1:11:15 | |
-Let me ask you a much more interesting question, Brande. -Yes. | 1:11:15 | 1:11:20 | |
Growing up always being very beautiful and all of that stuff, | 1:11:20 | 1:11:23 | |
do you think it is a disadvantage in terms of brain power? | 1:11:23 | 1:11:26 | |
In other words, you don't have to use your brain the same way as other women | 1:11:26 | 1:11:30 | |
that are maybe less attractive? | 1:11:30 | 1:11:32 | |
It's absolutely the opposite. | 1:11:32 | 1:11:34 | |
-Because of that, I have always had to work harder and prove myself. -Both breasts can count to 10! | 1:11:34 | 1:11:40 | |
LAUGHTER | 1:11:40 | 1:11:41 | |
So you think your beauty has actually made you smarter? | 1:11:41 | 1:11:45 | |
Absolutely, and I think Ivanka can probably relate to that, because she's gorgeous and very smart. | 1:11:45 | 1:11:51 | |
She's probably had to fight her looks, as well. | 1:11:51 | 1:11:53 | |
OK, Brande should stay(!) | 1:11:53 | 1:11:56 | |
LAUGHTER | 1:11:56 | 1:11:58 | |
All right. Annie, what do you have to say? | 1:11:58 | 1:12:01 | |
It's a tough situation when you are down this far. | 1:12:01 | 1:12:05 | |
I doubt there's anybody in this game who wants to win more than I do. | 1:12:05 | 1:12:10 | |
-Your damn -BLEEP -right, you'll -BLEEP -kill, bury your mother for it. | 1:12:10 | 1:12:13 | |
Who would you fire? | 1:12:13 | 1:12:15 | |
Melissa, she's competition. | 1:12:15 | 1:12:16 | |
Given this particular task, I think there are arguments both ways, | 1:12:16 | 1:12:21 | |
given the overall performance in the game, | 1:12:21 | 1:12:24 | |
Brande has probably been a stronger player overall. | 1:12:24 | 1:12:27 | |
There were definitely mistakes made in terms of how things were managed this task, also... | 1:12:27 | 1:12:32 | |
Why shouldn't I fight you? You took control of the project. | 1:12:32 | 1:12:36 | |
I did not take control, sir. | 1:12:36 | 1:12:38 | |
I literally said, "What do you want me to do?" | 1:12:38 | 1:12:40 | |
I was told what to do and at every point I would show her. | 1:12:40 | 1:12:44 | |
-Is that true, Brande? -Absolutely. | 1:12:44 | 1:12:47 | |
OK, so you are really saying she should not be fired. | 1:12:47 | 1:12:50 | |
I can't think of any reason why she should be, | 1:12:50 | 1:12:53 | |
unless they just hated the brand, which obviously they didn't. | 1:12:53 | 1:12:57 | |
So, who would you fire? | 1:12:57 | 1:12:58 | |
I think they're both wonderful people, both hard workers, | 1:13:00 | 1:13:04 | |
but Melissa has gotten too personal in the game. | 1:13:04 | 1:13:09 | |
Because of that, it becomes, like, "you said this and hurt my feelings." | 1:13:09 | 1:13:12 | |
Then you've to deal with all that, and it's like, let's just get down to the task. | 1:13:12 | 1:13:16 | |
Brande, how do you think these two would be as a team if you got fired? | 1:13:16 | 1:13:19 | |
Not as good a team as if it was Annie and I. | 1:13:23 | 1:13:26 | |
I can understand that. | 1:13:28 | 1:13:30 | |
Jim, any comments? | 1:13:30 | 1:13:31 | |
Well, I think that this was the time to step up. | 1:13:31 | 1:13:34 | |
I'm a big believer that when you are at this end in the competition, | 1:13:34 | 1:13:38 | |
this is the best competition in the world. You're at the top. | 1:13:38 | 1:13:41 | |
This is when you had to say, drop the Mother Teresa stuff, | 1:13:41 | 1:13:44 | |
just tell us why we should vote against the other people | 1:13:44 | 1:13:48 | |
I would have liked to have heard, "This woman is a definite negative, and you'll lose with her." | 1:13:48 | 1:13:54 | |
"She didn't deliver, her ideas were bad, even though our idea didn't win, hers was terrible." Substance. | 1:13:54 | 1:13:59 | |
He just asked me why I should win, I told him. Then he asked me who should be fired, and I told him. | 1:13:59 | 1:14:04 | |
-I'll speak up. -You took the I-95 down to I-80 to the TransCanada Highway. | 1:14:04 | 1:14:08 | |
I answered the question! | 1:14:08 | 1:14:10 | |
I think Jim's saying that you lacked passion, in your defence. | 1:14:10 | 1:14:13 | |
And being a project manager, | 1:14:13 | 1:14:15 | |
more is expected of you here in the boardroom. | 1:14:15 | 1:14:18 | |
You have to defend yourself. | 1:14:18 | 1:14:20 | |
I feel that I defended myself perfectly. | 1:14:20 | 1:14:22 | |
I said exactly why I should be here. | 1:14:22 | 1:14:24 | |
-But you didn't say why Melissa should be fired. -Yes, I did. | 1:14:24 | 1:14:28 | |
-I exactly said. -It was a backhanded way to try to get rid of her. | 1:14:28 | 1:14:31 | |
-Well, I think that Melissa should be fired. -I think... | 1:14:31 | 1:14:35 | |
I believe I am a better player, | 1:14:35 | 1:14:37 | |
I will go to the end and will bring more money into this game than anybody else here. | 1:14:37 | 1:14:42 | |
OK? How about that? | 1:14:42 | 1:14:43 | |
-Melissa. -What part of this would your like me to address? -I don't care, whatever you want to address. | 1:14:45 | 1:14:49 | |
I have worked my ass off, I have been in the middle of the pack, fundraising. | 1:14:49 | 1:14:55 | |
I will say that, but I have outworked everybody. | 1:14:55 | 1:14:58 | |
I am always the one to step up and do whatever, whenever. | 1:14:58 | 1:15:02 | |
-And, no, Brande... -Let's talk about through the whole show, OK? | 1:15:02 | 1:15:05 | |
When there were times I was running around working my butt off... | 1:15:05 | 1:15:09 | |
I didn't say you didn't work hard, but, Brande, I worked just as hard! | 1:15:09 | 1:15:12 | |
-You said you worked harder than everybody in the game. -OK, we've all worked hard. | 1:15:12 | 1:15:17 | |
-Melissa, let me ask you... -Can I finish? | 1:15:17 | 1:15:19 | |
There's a very big point to this, I put out ideas, | 1:15:19 | 1:15:22 | |
I did everything, we didn't go with my ideas, fine. | 1:15:22 | 1:15:25 | |
I do not hold responsibility for any of the creative. | 1:15:25 | 1:15:28 | |
And let's discuss the fact that I am walking around with two ripped tendons and I have not said a word | 1:15:28 | 1:15:33 | |
and not missed a day. | 1:15:33 | 1:15:35 | |
That's not my problem. | 1:15:35 | 1:15:36 | |
It's amazing to me that we're sitting here and Annie is | 1:15:36 | 1:15:40 | |
so comfortably getting to lay back | 1:15:40 | 1:15:43 | |
and not effectively being put in the hot seat despite the fact | 1:15:43 | 1:15:47 | |
that not only did you do the presentation but you were really responsible for the concept. | 1:15:47 | 1:15:51 | |
You guys lost. | 1:15:51 | 1:15:53 | |
It's amazing that you are fighting with Melissa, and Annie is sitting there not saying anything. | 1:15:53 | 1:15:58 | |
-What do you think? -Annie would take full credit for it if we won. | 1:15:58 | 1:16:03 | |
That's why she's good at this. | 1:16:03 | 1:16:04 | |
A lot of that is the execution of the photographic and the stuff | 1:16:04 | 1:16:09 | |
which was not in my wheelhouse. I came up with the concept. | 1:16:09 | 1:16:11 | |
-I did the branding. -And I followed my instructions, as given to me. | 1:16:11 | 1:16:15 | |
The truth is that Melissa was unable to raise a lot of money so far, | 1:16:15 | 1:16:18 | |
and frankly you two raised a lot of money. | 1:16:18 | 1:16:21 | |
Jim, I'd like to ask your opinion. Who would you fire if you were me? | 1:16:21 | 1:16:25 | |
It's been a disturbing part of the boardroom. | 1:16:25 | 1:16:29 | |
Because, I think, when you stepped up, I felt great about you. | 1:16:29 | 1:16:32 | |
You got the free pass which is amazing, just amazing. | 1:16:32 | 1:16:35 | |
But maybe you deserved it because you raised a lot of money. Melissa. | 1:16:35 | 1:16:40 | |
You'd fire Melissa? | 1:16:40 | 1:16:42 | |
Her mother doesn't know, does she? | 1:16:42 | 1:16:44 | |
I don't really... Do not worry about my mother's participation. | 1:16:44 | 1:16:47 | |
Then, yeah, I'd fire her. | 1:16:47 | 1:16:49 | |
-Can I ask a question as to why? -Sure. | 1:16:52 | 1:16:54 | |
When I followed and did everything asked and expected of me. | 1:16:54 | 1:16:58 | |
I gave up my own ideas, and still worked 100 percent. | 1:16:58 | 1:17:02 | |
I'll tell you why, and I think why Jim is saying this. | 1:17:02 | 1:17:06 | |
As we go down into the final weeks, | 1:17:06 | 1:17:08 | |
it is raising a lot of money that will count. | 1:17:08 | 1:17:10 | |
And I feel confident that I have re-rallied my troops. | 1:17:10 | 1:17:13 | |
Which troops? The ones who didn't put up money in the first place? | 1:17:13 | 1:17:17 | |
I got £50,000, which is the fourth highest in the show. | 1:17:17 | 1:17:21 | |
I've got one and two here. What's four? | 1:17:21 | 1:17:24 | |
It's not even in the play-offs. | 1:17:24 | 1:17:26 | |
I expected this and accept this, I am not happy, I came to win. | 1:17:26 | 1:17:31 | |
I feel that I have been maligned by two people | 1:17:31 | 1:17:36 | |
who have set up a cabal to set me up for tonight. | 1:17:36 | 1:17:39 | |
I don't think so, I think you've done a lot of good. You've been an amazing player. | 1:17:39 | 1:17:43 | |
-Not amazing enough. -Well, you've done really an amazing job. | 1:17:43 | 1:17:48 | |
But, Melissa, you're fired. | 1:17:48 | 1:17:49 | |
-Thank you very much. -Thank you. | 1:17:49 | 1:17:52 | |
Go ahead, please. | 1:17:52 | 1:17:53 | |
Nu-uh, bye-bye. | 1:17:59 | 1:18:02 | |
-That was brutal. -That was just awful. | 1:18:02 | 1:18:04 | |
It's going to be a tough team, these two. | 1:18:04 | 1:18:07 | |
Brande, once she realised everything was on the line, boom! | 1:18:07 | 1:18:10 | |
-She really fought back. -They're the two strongest. -You bet, wow! | 1:18:10 | 1:18:13 | |
-Anything can happen in the boardroom. -Joan is not going to be happy. | 1:18:13 | 1:18:17 | |
You have now got a Nazi and a follower, | 1:18:17 | 1:18:21 | |
and I wish the two of you a lot of luck. | 1:18:21 | 1:18:24 | |
I'm not coming in tomorrow. | 1:18:24 | 1:18:26 | |
Joan doesn't want to be here without Melissa. | 1:18:26 | 1:18:29 | |
Melissa is her support system. | 1:18:29 | 1:18:31 | |
Those two have been, kind of, teamed up, | 1:18:31 | 1:18:33 | |
even though they've been on separate teams. | 1:18:33 | 1:18:36 | |
They're mother and daughter, you can't break that bond. | 1:18:36 | 1:18:39 | |
43 year career. I don't work with scum. | 1:18:39 | 1:18:41 | |
-They both -BLEEP -like two little -BLEEP -pit vipers. -No kidding. | 1:18:41 | 1:18:47 | |
-BLEEP -whore pit vipers! | 1:18:47 | 1:18:49 | |
Did you see that? | 1:18:59 | 1:19:00 | |
-Bye guys! -We went to say goodbye. -BLEEP -goodbye to you both. Goodbye. | 1:19:03 | 1:19:06 | |
-I want my -BLEEP -and I want it now. | 1:19:09 | 1:19:11 | |
I am not getting in without it. And I am not coming back for an interview. | 1:19:12 | 1:19:17 | |
-You are a piece of -BLEEP -and you are a stupid blonde. That simple. | 1:19:20 | 1:19:24 | |
You have been so manipulated. You have been so manipulated. | 1:19:24 | 1:19:28 | |
She is going to knock you off. Do you think you are going to win? | 1:19:28 | 1:19:31 | |
You're not going to win. I don't want to hear it. | 1:19:31 | 1:19:34 | |
Joan, I'm still here and Melissa's not, | 1:19:34 | 1:19:36 | |
so how am I the one who has been manipulated? How about that? | 1:19:36 | 1:19:39 | |
-Figure it out. -Yeah, I'm still here. -Good. -How about that? | 1:19:39 | 1:19:42 | |
Does this mean that much to you? | 1:19:42 | 1:19:44 | |
Yes, it does, I want to give 250,000 to my charity! | 1:19:44 | 1:19:47 | |
-It's not all about money. -Yes, it is! -Suddenly it's about money. | 1:19:47 | 1:19:50 | |
This woman has things twisted. That's why we're here. | 1:19:50 | 1:19:53 | |
We're here to raise money for our charity. OK? | 1:19:53 | 1:19:56 | |
I don't want to hear this charity nonsense. | 1:19:56 | 1:19:59 | |
Charity is a very wonderful thing. | 1:19:59 | 1:20:01 | |
This is a side of Joan I haven't seen and I definitely didn't think | 1:20:01 | 1:20:05 | |
I was going to see it coming towards me. | 1:20:05 | 1:20:07 | |
And your people, you give money with blood on it. | 1:20:07 | 1:20:11 | |
I've met your people, in Vegas, for 40 years. | 1:20:11 | 1:20:14 | |
None of them have last names. None of them. They have cash full of drugs. | 1:20:14 | 1:20:20 | |
You're a poker player? A poker player?! | 1:20:20 | 1:20:23 | |
That's beyond white trash. | 1:20:23 | 1:20:24 | |
Poker players are the most awesome people in the world. | 1:20:24 | 1:20:28 | |
Poker players are trash, darling. Trash. | 1:20:28 | 1:20:31 | |
-I want my -BLEEP -now. I want my purse, I want everything. | 1:20:33 | 1:20:38 | |
And, David, you're not getting an interview. | 1:20:38 | 1:20:41 | |
-BLEEP BLEEP -lying -BLEEP. | 1:20:43 | 1:20:48 | |
Uh-oh, guys, guys. | 1:20:48 | 1:20:50 | |
Melissa is in the green wing. | 1:20:50 | 1:20:52 | |
-'Get the -BLEEP -elevator! I'm -BLEEP -done!' | 1:20:52 | 1:20:56 | |
I'm not coming back. Yeah, I have been really ineffective(!) | 1:20:56 | 1:21:00 | |
-BLEEP -everyone. I'm not coming back up, mum. | 1:21:01 | 1:21:04 | |
BLEEP. | 1:21:07 | 1:21:08 | |
-Lying -BLEEP -whores. | 1:21:11 | 1:21:15 | |
Subtitles by Red Bee Media Ltd | 1:21:59 | 1:22:02 |