Browse content similar to 01/02/1974. Check below for episodes and series from the same categories and more!
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APPLAUSE | 0:00:03 | 0:00:05 | |
FANFARE | 0:00:05 | 0:00:06 | |
CHEERING | 0:00:06 | 0:00:08 | |
APPLAUSE | 0:00:08 | 0:00:09 | |
Once again... CHEERING | 0:00:17 | 0:00:20 | |
..good evening, ladies and gentlemen! | 0:00:22 | 0:00:28 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:29 | |
Incontrovertibly... ALL: Ohh! | 0:00:31 | 0:00:35 | |
..evocative... ALL: Ohh! | 0:00:35 | 0:00:38 | |
..of preternaturally... ALL: Ohh! | 0:00:38 | 0:00:43 | |
..inveterate... LAUGHTER | 0:00:43 | 0:00:45 | |
..volubility and verbosity... | 0:00:45 | 0:00:49 | |
ALL: Ohh! ..evaluating variety's virtuosi... | 0:00:49 | 0:00:52 | |
MAN: Wahey! ..inaugurally for your edification... | 0:00:52 | 0:00:56 | |
LAUGHTER | 0:00:56 | 0:00:58 | |
..inestimably impeccable... | 0:00:58 | 0:01:01 | |
the Players' Theatre! | 0:01:01 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:07 | |
# Oh, listen to the band | 0:01:08 | 0:01:12 | |
# How merrily they play! | 0:01:12 | 0:01:15 | |
# Oh, don't you think it's grand? | 0:01:15 | 0:01:19 | |
# Hear everybody say | 0:01:19 | 0:01:23 | |
# Oh, listen to the band | 0:01:23 | 0:01:26 | |
# Who doesn't love to hark | 0:01:26 | 0:01:29 | |
# To the shout of, "Here they come" | 0:01:29 | 0:01:31 | |
# And the banging of the drum? | 0:01:31 | 0:01:33 | |
# Oh, listen to the soldiers in the park | 0:01:33 | 0:01:37 | |
# Georgie took me walking in the park | 0:01:37 | 0:01:40 | |
# In the park | 0:01:40 | 0:01:44 | |
# A lovely summer breeze was blowing through the trees | 0:01:44 | 0:01:48 | |
# As we carved our initials on the bark | 0:01:48 | 0:01:51 | |
# Georgie bade me sit upon his knees | 0:01:52 | 0:01:56 | |
# For a squeeze 'neath the trees | 0:01:56 | 0:01:59 | |
# But my mother told me never to sit down | 0:01:59 | 0:02:03 | |
# But to keep on walking in the park | 0:02:03 | 0:02:07 | |
# Why do the boys love all the girls? | 0:02:07 | 0:02:11 | |
# And why do the girls love boys? | 0:02:11 | 0:02:15 | |
# Why do they stroll down green, shady lanes | 0:02:15 | 0:02:18 | |
# While sharing each other's joys? | 0:02:18 | 0:02:22 | |
# Ever since Eve made poor old Adam grieve | 0:02:22 | 0:02:25 | |
# Together they're always found | 0:02:25 | 0:02:29 | |
# No matter the weather | 0:02:29 | 0:02:30 | |
# You'll find them together | 0:02:30 | 0:02:32 | |
# Just as long as the world goes round | 0:02:32 | 0:02:36 | |
# Why do the boys run after the girls? | 0:02:36 | 0:02:39 | |
# And why do the girls love boys? | 0:02:39 | 0:02:43 | |
# Why do they stroll down green, shady lanes | 0:02:43 | 0:02:47 | |
# While sharing each other's joys? | 0:02:47 | 0:02:50 | |
# Ever since Eve made poor old Adam grieve | 0:02:50 | 0:02:54 | |
# Together they're always found | 0:02:54 | 0:02:57 | |
# No matter the weather | 0:02:57 | 0:02:59 | |
# You'll find them together | 0:02:59 | 0:03:01 | |
# Just as long as world goes round | 0:03:01 | 0:03:04 | |
# No matter the weather | 0:03:04 | 0:03:06 | |
# You'll find them together | 0:03:06 | 0:03:08 | |
# Just as long as world goes round. # | 0:03:08 | 0:03:12 | |
CHEERING AND APPLAUSE | 0:03:12 | 0:03:13 | |
CHEERING | 0:03:23 | 0:03:25 | |
Why do the girls love the boys?! LAUGHTER | 0:03:26 | 0:03:30 | |
What a question at this time of night! | 0:03:30 | 0:03:33 | |
From South America... | 0:03:33 | 0:03:36 | |
an Argentinian exaltation. | 0:03:36 | 0:03:40 | |
ALL: Ohh! | 0:03:40 | 0:03:42 | |
Penetrative, percussive pyrotechnics | 0:03:42 | 0:03:46 | |
tantamount to a tornadic... | 0:03:46 | 0:03:48 | |
CHEERING | 0:03:48 | 0:03:50 | |
..to a tornadic tattoo! | 0:03:50 | 0:03:53 | |
Arriba! Arriba! Arriba! | 0:03:53 | 0:03:55 | |
CHEERING | 0:03:55 | 0:03:56 | |
Dantos! | 0:03:56 | 0:03:58 | |
APPLAUSE | 0:03:58 | 0:04:00 | |
BOTH: Oh! | 0:04:09 | 0:04:11 | |
BOTH HOLLER | 0:04:21 | 0:04:22 | |
So! | 0:04:42 | 0:04:44 | |
Yah! | 0:04:53 | 0:04:54 | |
BOTH HOLLER | 0:05:06 | 0:05:07 | |
CHEERING AND APPLAUSE | 0:05:07 | 0:05:09 | |
BOTH HOLLER | 0:05:11 | 0:05:13 | |
MAN SHOUTS OUT IN SPANISH | 0:05:13 | 0:05:15 | |
Oh! | 0:05:17 | 0:05:18 | |
Yah! | 0:05:24 | 0:05:26 | |
Yah! | 0:05:29 | 0:05:30 | |
Oh! MAN SHOUTS IN SPANISH | 0:05:30 | 0:05:33 | |
Oh! | 0:05:43 | 0:05:44 | |
CHEERING | 0:05:44 | 0:05:45 | |
APPLAUSE | 0:05:45 | 0:05:47 | |
HE HOLLERS | 0:05:50 | 0:05:51 | |
Yah! | 0:05:51 | 0:05:52 | |
CHEERING AND APPLAUSE | 0:05:52 | 0:05:54 | |
Yah! | 0:05:56 | 0:05:59 | |
BOTH: Yah! Yah! | 0:05:59 | 0:06:01 | |
WOMAN OUT SHOUTS IN SPANISH | 0:06:04 | 0:06:06 | |
HE SHOUTS OUT IN SPANISH | 0:06:18 | 0:06:20 | |
WOMAN SHOUTS OUT IN SPANISH | 0:06:30 | 0:06:31 | |
Yah! | 0:06:40 | 0:06:41 | |
Yah! | 0:06:44 | 0:06:45 | |
APPLAUSE | 0:06:47 | 0:06:48 | |
Yah! | 0:06:55 | 0:06:56 | |
Yah! Yah! | 0:07:01 | 0:07:03 | |
Yah! | 0:07:03 | 0:07:04 | |
CHEERING AND APPLAUSE | 0:07:04 | 0:07:06 | |
BOTH: Yah! | 0:07:34 | 0:07:36 | |
Yah! | 0:07:36 | 0:07:37 | |
BOTH: Yah! | 0:07:41 | 0:07:42 | |
APPLAUSE | 0:07:42 | 0:07:44 | |
BOTH: Yah! | 0:07:45 | 0:07:46 | |
APPLAUSE BOTH: Yah! | 0:07:46 | 0:07:49 | |
ORCHESTRA STRIKES UP | 0:07:52 | 0:07:54 | |
CHEERING AND APPLAUSE | 0:07:58 | 0:08:00 | |
Quite, quite right, madam. | 0:08:03 | 0:08:05 | |
A lady over there whispering to her daughter, | 0:08:05 | 0:08:08 | |
"If ever you meet an Argentinian..." | 0:08:08 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:12 | |
"..you keep well clear of his boleadoras." | 0:08:12 | 0:08:16 | |
LAUGHTER | 0:08:16 | 0:08:17 | |
And now, ladies and gentlemen... LAUGHTER | 0:08:17 | 0:08:20 | |
Very dangerous! LAUGHTER | 0:08:22 | 0:08:25 | |
And now, ladies and gentlemen, rhapsodic reciprocity... | 0:08:25 | 0:08:29 | |
ALL: Ohh! | 0:08:29 | 0:08:31 | |
..blancherously purveyed by none other | 0:08:31 | 0:08:35 | |
than Miss Georgia Brown! | 0:08:35 | 0:08:38 | |
CHEERING AND APPLAUSE | 0:08:38 | 0:08:39 | |
# I'm a young girl | 0:08:51 | 0:08:54 | |
# And I just came over | 0:08:54 | 0:08:57 | |
# Over from the country where they do things big | 0:08:57 | 0:09:02 | |
# And amongst the boys | 0:09:02 | 0:09:05 | |
# I've got me a lover | 0:09:05 | 0:09:08 | |
# And now I've got a lover | 0:09:08 | 0:09:10 | |
# Why, I don't give a fig | 0:09:10 | 0:09:14 | |
# The boy I love | 0:09:16 | 0:09:19 | |
# Is up in the gallery | 0:09:19 | 0:09:22 | |
# The boy I love | 0:09:22 | 0:09:25 | |
# Is looking down at me | 0:09:25 | 0:09:28 | |
# There he is | 0:09:28 | 0:09:30 | |
# Can't you see? | 0:09:30 | 0:09:32 | |
# Waving of his handkerchief | 0:09:32 | 0:09:37 | |
# As merry as a robin | 0:09:37 | 0:09:40 | |
# What sits on a tree | 0:09:40 | 0:09:44 | |
# The boy I love | 0:09:44 | 0:09:47 | |
# They calls him a cobbler | 0:09:47 | 0:09:49 | |
# But he's not a cobbler, allow me to state | 0:09:49 | 0:09:55 | |
# Cos Johnny, he's a tradesman | 0:09:55 | 0:09:58 | |
# And he works in the borough | 0:09:58 | 0:10:00 | |
# Where they soles and heels them whilst you wait | 0:10:00 | 0:10:07 | |
# The boy I love | 0:10:09 | 0:10:12 | |
ALL: # Is up in the gallery | 0:10:12 | 0:10:16 | |
# The boy I love | 0:10:16 | 0:10:18 | |
# Is looking down at me | 0:10:18 | 0:10:22 | |
# Why, there he is | 0:10:22 | 0:10:25 | |
# Can't you see? | 0:10:25 | 0:10:26 | |
# Waving of his handkerchief | 0:10:26 | 0:10:31 | |
# As merry as a robin | 0:10:31 | 0:10:34 | |
# That sits on a tree | 0:10:34 | 0:10:38 | |
# Now, if I were a Duchess | 0:10:38 | 0:10:42 | |
# And I had a lot of money | 0:10:42 | 0:10:44 | |
# I'd give it to the boy who's going to marry me | 0:10:44 | 0:10:50 | |
# But I haven't got a penny | 0:10:50 | 0:10:53 | |
# So we'll live on love and kisses | 0:10:53 | 0:10:57 | |
# And we'll be just as happy | 0:10:57 | 0:11:00 | |
# As the birds on the trees | 0:11:00 | 0:11:04 | |
ALL: # The boy I love | 0:11:06 | 0:11:09 | |
# Is up in the gallery | 0:11:09 | 0:11:12 | |
# The boy I love | 0:11:12 | 0:11:14 | |
# Is looking down at me | 0:11:14 | 0:11:18 | |
# Why, there he is | 0:11:18 | 0:11:20 | |
# Can't you see? | 0:11:20 | 0:11:22 | |
# Waving of his handkerchief | 0:11:22 | 0:11:27 | |
# As merry as a robin | 0:11:27 | 0:11:32 | |
# What sits on a tree | 0:11:32 | 0:11:36 | |
# As merry as a robin | 0:11:36 | 0:11:42 | |
ALL: # What sits on a tree. # | 0:11:42 | 0:11:48 | |
CHEERING AND APPLAUSE | 0:11:48 | 0:11:51 | |
MAN: More! More! CHEERING AND APPLAUSE | 0:11:53 | 0:11:56 | |
Well, followers of Miss Lloyd | 0:12:04 | 0:12:07 | |
might call that song a "memento Marie", | 0:12:07 | 0:12:11 | |
if you'll pardon the paronym. | 0:12:11 | 0:12:13 | |
Descendants, diminutive, | 0:12:13 | 0:12:16 | |
from Debrett... | 0:12:16 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:20 | |
..that thrice - that book you all read every night - | 0:12:20 | 0:12:23 | |
that thrice-belted earl, Lord Charles, | 0:12:23 | 0:12:28 | |
imperceptibly motivated by Mr Ray Alan! | 0:12:28 | 0:12:34 | |
CHEERING AND APPLAUSE | 0:12:34 | 0:12:36 | |
SLURRING: Thank you so much. | 0:12:41 | 0:12:43 | |
Good evening, ladies and gentlemen. LAUGHTER | 0:12:43 | 0:12:47 | |
By Jove, even Leonard, dear boy... | 0:12:47 | 0:12:50 | |
CHARLES MUMBLES INCOHERENTLY | 0:12:50 | 0:12:53 | |
LAUGHTER | 0:12:53 | 0:12:55 | |
Ladies and gentlemen, I apologise, I've had a couple... | 0:12:55 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:00 | |
..but, unfortunately, I haven't got the damn thing with me this evening. | 0:13:00 | 0:13:05 | |
It's most unfortunate, but there we are. You haven't got what with you? | 0:13:05 | 0:13:09 | |
The... CHARLES MUMBLES | 0:13:09 | 0:13:12 | |
LAUGHTER | 0:13:12 | 0:13:13 | |
Pardon? | 0:13:13 | 0:13:14 | |
You haven't got what with you? Got what? | 0:13:14 | 0:13:18 | |
No, no, no. What haven't you got? Where? | 0:13:18 | 0:13:22 | |
LAUGHTER | 0:13:22 | 0:13:23 | |
Here? | 0:13:25 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:29 | |
What the hell's he on about? | 0:13:31 | 0:13:32 | |
LAUGHTER | 0:13:32 | 0:13:34 | |
You, you haven't got it with you. | 0:13:35 | 0:13:38 | |
LAUGHTER | 0:13:38 | 0:13:39 | |
H-H-Haven't I? | 0:13:42 | 0:13:44 | |
Well, apparently not. By Jove, that's damn distressing. | 0:13:44 | 0:13:47 | |
LAUGHTER | 0:13:47 | 0:13:49 | |
I can't do me turn as I haven't got the dolly here. | 0:13:50 | 0:13:53 | |
The dolly? I'm sorry, I'm not with you, what do you want a dolly for? | 0:13:53 | 0:13:57 | |
My dear fellow, | 0:13:57 | 0:13:59 | |
I happen to be one of the world's | 0:13:59 | 0:14:02 | |
foremost amateur ventril... CHARLES TRAILS OFF | 0:14:02 | 0:14:06 | |
LAUGHTER | 0:14:06 | 0:14:08 | |
You're a what? | 0:14:08 | 0:14:10 | |
I said, quite dis...distinctly, | 0:14:10 | 0:14:14 | |
I'm a ventril... CHARLES TRAILS OFF | 0:14:14 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:19 | |
Ventriloquist. | 0:14:19 | 0:14:20 | |
Oh, I see. You're one of those. No, I'm not! | 0:14:20 | 0:14:23 | |
LAUGHTER | 0:14:23 | 0:14:25 | |
I'm telling you, you great fair-haired fool... | 0:14:27 | 0:14:30 | |
LAUGHTER | 0:14:30 | 0:14:32 | |
..I'm a ventrilo... Yes. | 0:14:32 | 0:14:34 | |
I haven't got the dolly, that's a shame. | 0:14:34 | 0:14:37 | |
If I had the dolly here, | 0:14:37 | 0:14:38 | |
I'd have these charming ladies and gentlemen in convulsions with her. | 0:14:38 | 0:14:43 | |
Really? Yes. | 0:14:43 | 0:14:44 | |
I'm damned good at it. Are you? Yes, indeed I am. | 0:14:44 | 0:14:47 | |
Well, as you haven't got it, is it not possible to show us | 0:14:47 | 0:14:50 | |
how you do it without it? LAUGHTER | 0:14:50 | 0:14:52 | |
Ventriloquism without a dolly? Well, why not? | 0:14:56 | 0:15:00 | |
Why not, indeed! By Jove, it's a topping idea. Will you do it? | 0:15:00 | 0:15:04 | |
I'll have a shot it. Good. | 0:15:04 | 0:15:06 | |
Ladies and gentlemen, | 0:15:06 | 0:15:08 | |
a demonstration in the art of ventril-ismicom... | 0:15:08 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:14 | |
..without a dolly. | 0:15:14 | 0:15:16 | |
I shall do for you | 0:15:16 | 0:15:17 | |
the very difficult, almost impossible alphabet. | 0:15:17 | 0:15:21 | |
That's what I shall do. | 0:15:21 | 0:15:22 | |
Excuse me, the alphabet, that's been done before. | 0:15:22 | 0:15:25 | |
Excuse me, but it's going to be done again. | 0:15:25 | 0:15:29 | |
LAUGHTER | 0:15:29 | 0:15:31 | |
A, B, C, D, E, F, G. | 0:15:32 | 0:15:35 | |
H, I, J, K, L, M, N, O, P. | 0:15:35 | 0:15:39 | |
Q, R, S, T. | 0:15:39 | 0:15:40 | |
U, V. | 0:15:40 | 0:15:42 | |
This next thing's a swine, you know? | 0:15:42 | 0:15:45 | |
LAUGHTER | 0:15:45 | 0:15:46 | |
RAY LAUGHS | 0:15:48 | 0:15:49 | |
W, X, Y, Z. | 0:15:49 | 0:15:53 | |
How's that, by Jove? CHEERING AND APPLAUSE | 0:15:53 | 0:15:55 | |
Well, ladies and gentlemen, | 0:16:01 | 0:16:03 | |
you're awfully kind cos I have had rather too much this evening. | 0:16:03 | 0:16:06 | |
I must take my leave of you. | 0:16:06 | 0:16:08 | |
Before I go, may I just ask you, | 0:16:08 | 0:16:11 | |
if you can, go through tomorrow with a great big grin on your face? | 0:16:11 | 0:16:17 | |
It may not do you any good, | 0:16:17 | 0:16:19 | |
but it could remind some poor soul to post a letter. Goodnight. | 0:16:19 | 0:16:23 | |
RAY LAUGHS | 0:16:23 | 0:16:24 | |
APPLAUSE | 0:16:24 | 0:16:26 | |
APPLAUSE | 0:16:33 | 0:16:34 | |
Thank you very much, ladies and gentlemen. | 0:16:37 | 0:16:39 | |
I've had several requests | 0:16:39 | 0:16:41 | |
and...I'm ignoring all of them. | 0:16:41 | 0:16:44 | |
LAUGHTER | 0:16:44 | 0:16:46 | |
I... | 0:16:46 | 0:16:47 | |
Because a lot of you have asked to see this character again. | 0:16:47 | 0:16:52 | |
And for those of you who haven't seen before, I hope you like him. | 0:16:52 | 0:16:56 | |
Are you all right? | 0:16:58 | 0:17:00 | |
Huh? | 0:17:00 | 0:17:01 | |
LAUGHTER | 0:17:01 | 0:17:02 | |
I said, are you all right? Yeah, yeah, yeah, yeah, yeah. | 0:17:03 | 0:17:06 | |
LAUGHTER | 0:17:06 | 0:17:08 | |
What's the matter? They're staring at me. | 0:17:11 | 0:17:14 | |
LAUGHTER | 0:17:14 | 0:17:16 | |
Stare back at them. Yeah? Yes. | 0:17:16 | 0:17:18 | |
OK. | 0:17:18 | 0:17:20 | |
LAUGHTER | 0:17:20 | 0:17:21 | |
RAY LAUGHS | 0:17:21 | 0:17:22 | |
Feel better? Yeah. Good. Now, do you know we going to do? No. | 0:17:23 | 0:17:26 | |
We're going to sing. A song? | 0:17:26 | 0:17:29 | |
Yes, it happens to be a song, yes. | 0:17:30 | 0:17:32 | |
It's a sort of a duet, because I'm going to start it, | 0:17:32 | 0:17:35 | |
I give you a cue, and then you come in. Oh, good. Good, good. | 0:17:35 | 0:17:39 | |
A duet? Yes. Yeah. | 0:17:39 | 0:17:41 | |
Me and him's going to do a duet. Yeah. | 0:17:41 | 0:17:44 | |
Oh, good. GLOVE CLEARS ITS THROAT | 0:17:44 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:48 | |
OK. You ready? Yeah. Right, listen for the music. | 0:17:48 | 0:17:51 | |
PIANO PLAYS | 0:17:51 | 0:17:53 | |
LAUGHTER | 0:17:57 | 0:17:59 | |
What the hell?! What's that?! | 0:17:59 | 0:18:01 | |
LAUGHTER | 0:18:01 | 0:18:03 | |
It's the introduction on the piano. | 0:18:06 | 0:18:08 | |
Just a lousy little piano? | 0:18:08 | 0:18:11 | |
What do you mean? I want the whole orchestra or I do not sing. | 0:18:11 | 0:18:17 | |
I didn't arrange for the whole orchestra, the piano's sufficient. | 0:18:17 | 0:18:20 | |
The whole orchestra... | 0:18:20 | 0:18:23 | |
or I do...not...sing. | 0:18:23 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:31 | |
GLOVE SIGHS | 0:18:31 | 0:18:33 | |
If you want the orchestra, you'll have to ask Mr Bernard Herrmann. | 0:18:33 | 0:18:36 | |
Who? Bernard Herrmann. | 0:18:36 | 0:18:39 | |
Is that him? That's him. | 0:18:42 | 0:18:44 | |
LAUGHTER | 0:18:44 | 0:18:45 | |
GLOVE LAUGHS | 0:18:45 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:49 | |
GLOVE MAKES VOMITING NOISE LAUGHTER | 0:18:49 | 0:18:51 | |
I'm sorry, Bernard. Look... | 0:18:51 | 0:18:54 | |
could you get the boys in and let's have the whole orchestra, OK? | 0:18:54 | 0:18:56 | |
I'll start. ORCHESTRA STRIKES UP | 0:18:56 | 0:18:59 | |
# Smile though your heart is aching | 0:19:04 | 0:19:07 | |
# Smile even though it's breaking | 0:19:07 | 0:19:10 | |
# When there are clouds in the sky | 0:19:10 | 0:19:15 | |
# You'll get by | 0:19:15 | 0:19:16 | |
TUNELESSLY: # If you smile | 0:19:16 | 0:19:19 | |
# Through your fears and sorrow | 0:19:19 | 0:19:24 | |
# Maybe... # | 0:19:25 | 0:19:26 | |
Somebody's out of tune. I know that. LAUGHTER | 0:19:26 | 0:19:30 | |
# Light up your face with gladness... # | 0:19:32 | 0:19:36 | |
MAN: Oh! Ah, shut up! | 0:19:36 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:40 | |
# Although a tear... # | 0:19:40 | 0:19:42 | |
What a lousy orchestra. Will you do the song? | 0:19:42 | 0:19:46 | |
# It's the time | 0:19:46 | 0:19:48 | |
# You've got to keep trying cos... # | 0:19:48 | 0:19:51 | |
What a lousy song! | 0:19:51 | 0:19:53 | |
Euww! LAUGHTER | 0:19:53 | 0:19:56 | |
# Still worthwhile... # | 0:19:56 | 0:19:58 | |
GLOVE HOLDS NOTE | 0:19:58 | 0:20:00 | |
LAUGHTER | 0:20:02 | 0:20:04 | |
# While... # | 0:20:04 | 0:20:06 | |
Hey? Yes? This is a duet? That's right. | 0:20:06 | 0:20:09 | |
Where the hell are you? I'm sorry. LAUGHTER | 0:20:09 | 0:20:12 | |
# If you just smile. # | 0:20:12 | 0:20:15 | |
APPLAUSE | 0:20:15 | 0:20:17 | |
CHEERING AND APPLAUSE | 0:20:30 | 0:20:31 | |
From France... | 0:20:36 | 0:20:38 | |
ALL: Ohh! | 0:20:38 | 0:20:41 | |
No, it's for the ladies this time. LAUGHTER | 0:20:41 | 0:20:44 | |
Gorgeously galvanic, | 0:20:44 | 0:20:47 | |
in ingratiatingly glamorous Gallicism, | 0:20:47 | 0:20:53 | |
for your gregarious gratification. | 0:20:53 | 0:20:57 | |
Monsieur Michel Gallois! | 0:20:57 | 0:21:00 | |
APPLAUSE | 0:21:00 | 0:21:02 | |
# Un fiacre allait, trottinant | 0:21:12 | 0:21:14 | |
# Cahin, caha | 0:21:14 | 0:21:16 | |
# Hu, dia, hop la! | 0:21:16 | 0:21:18 | |
HE HUMS MELODY | 0:21:18 | 0:21:20 | |
ORCHESTRA PLAYS "La Vie En Rose" | 0:21:28 | 0:21:30 | |
# Quand elle me prend dans ses bras | 0:21:33 | 0:21:36 | |
# Elle me parle tout bas | 0:21:38 | 0:21:41 | |
# Je vois la vie en rose | 0:21:41 | 0:21:44 | |
# Elle me dit des mots d'amour | 0:21:46 | 0:21:49 | |
# De mots de tous les jours | 0:21:49 | 0:21:52 | |
# Et ca me fait quelque chose | 0:21:52 | 0:21:55 | |
# Elle est entre dans mon coeur | 0:21:57 | 0:22:00 | |
# Une part de bonheur | 0:22:00 | 0:22:04 | |
# Dont je connais la cause | 0:22:04 | 0:22:07 | |
# C'est elle pour moi | 0:22:07 | 0:22:09 | |
# Moi pour elle dans la vie | 0:22:09 | 0:22:11 | |
# Elle me l'a dit | 0:22:11 | 0:22:13 | |
# L'a jure pour la vie | 0:22:13 | 0:22:20 | |
# Et des que je l'apercois | 0:22:23 | 0:22:25 | |
# Alors, je sens en moi | 0:22:25 | 0:22:28 | |
# Mon coeur qui bat | 0:22:28 | 0:22:35 | |
# Take me to your heart again | 0:22:35 | 0:22:39 | |
# Let's make a start again | 0:22:39 | 0:22:43 | |
# Forgiving and forgetting | 0:22:43 | 0:22:46 | |
# Take me to your heart again | 0:22:46 | 0:22:50 | |
# And leave behind from then | 0:22:50 | 0:22:53 | |
# A life of long regretting | 0:22:53 | 0:22:56 | |
# Darling, let's turn back the years | 0:22:58 | 0:23:01 | |
# Let smiles come through the tears | 0:23:01 | 0:23:04 | |
# Like sunshine after rain | 0:23:04 | 0:23:08 | |
# I'm yearning for you by night and by day | 0:23:08 | 0:23:12 | |
# Praying I'll soon hear you saying | 0:23:12 | 0:23:16 | |
# "I love you" | 0:23:16 | 0:23:22 | |
# Then...we'll never part again | 0:23:22 | 0:23:27 | |
# If you will take me to your heart again. # | 0:23:27 | 0:23:35 | |
APPLAUSE | 0:23:45 | 0:23:47 | |
Thank you. | 0:23:58 | 0:23:59 | |
Thank you very much for your very kind welcome. | 0:24:01 | 0:24:05 | |
Many I sing for you now | 0:24:05 | 0:24:07 | |
another beautiful song from my beloved city of Paris? | 0:24:07 | 0:24:13 | |
Parlez Moi D'amour. | 0:24:13 | 0:24:16 | |
ORCHESTRA STRIKES UP | 0:24:16 | 0:24:17 | |
# Parlez moi d'amour | 0:24:25 | 0:24:30 | |
# Redites-moi des choses tenders | 0:24:30 | 0:24:34 | |
# Votre beau discours | 0:24:34 | 0:24:39 | |
# Mon coeur n'est pas las de l'entendre | 0:24:39 | 0:24:45 | |
# Pourvu que toujours | 0:24:45 | 0:24:49 | |
# Vous repetiez ces mots supremes | 0:24:49 | 0:24:55 | |
# Je vous aime | 0:24:57 | 0:25:02 | |
# Vous savez bien | 0:25:04 | 0:25:05 | |
# Que dans le fond je n'en crois rien | 0:25:05 | 0:25:07 | |
# Mais cependant je veux encore | 0:25:07 | 0:25:09 | |
# Ecouter ces mots que j'adore | 0:25:09 | 0:25:12 | |
# Votre voix aux sons caressants | 0:25:12 | 0:25:15 | |
# Qui les murmure en fremissant | 0:25:15 | 0:25:18 | |
# Me berce de sa belle histoire | 0:25:18 | 0:25:21 | |
# Et malgre moi je veux y croire | 0:25:21 | 0:25:29 | |
# Parlez moi d'amour | 0:25:29 | 0:25:35 | |
# Redites-moi des choses tenders | 0:25:35 | 0:25:40 | |
# Votre beau discours | 0:25:40 | 0:25:45 | |
# Mon coeur n'est pas las de l'entendre | 0:25:45 | 0:25:51 | |
# Pourvu que toujours | 0:25:51 | 0:25:56 | |
# Vous repetiez ces mots supremes | 0:25:56 | 0:26:03 | |
# Je vous aime. # | 0:26:05 | 0:26:13 | |
CHEERING AND APPLAUSE | 0:26:16 | 0:26:17 | |
# La mer | 0:26:34 | 0:26:36 | |
# Qu'on voit danser...# APPLAUSE | 0:26:36 | 0:26:39 | |
# Le long des golfes clairs | 0:26:39 | 0:26:43 | |
# A des reflets d'argent | 0:26:43 | 0:26:47 | |
# La mer | 0:26:47 | 0:26:49 | |
# Des reflets changeants | 0:26:49 | 0:26:52 | |
# Sous la pluie | 0:26:52 | 0:26:57 | |
# La mer | 0:26:57 | 0:26:59 | |
# Au ciel d'ete confond | 0:26:59 | 0:27:03 | |
# Ses blancs moutons | 0:27:03 | 0:27:06 | |
# Avec les anges si purs | 0:27:06 | 0:27:09 | |
# La mer | 0:27:09 | 0:27:12 | |
# Bergere d'azur | 0:27:12 | 0:27:15 | |
# Infinie | 0:27:15 | 0:27:19 | |
# Voyez | 0:27:19 | 0:27:21 | |
# Pres des etangs | 0:27:21 | 0:27:24 | |
# Ces grands roseaux mouilles | 0:27:24 | 0:27:27 | |
# Voyez | 0:27:29 | 0:27:32 | |
# Ces oiseaux blancs | 0:27:32 | 0:27:34 | |
# Et ces maisons rouillees | 0:27:34 | 0:27:38 | |
# La mer | 0:27:38 | 0:27:41 | |
# Les a berces | 0:27:41 | 0:27:44 | |
# Le long des golfes clairs | 0:27:44 | 0:27:49 | |
# Et d'une chanson d'amour | 0:27:49 | 0:27:52 | |
# La mer | 0:27:52 | 0:27:55 | |
# A berce mon coeur pour la vie! # | 0:27:55 | 0:28:03 | |
CHEERING AND APPLAUSE | 0:28:05 | 0:28:07 | |
Juxtaposing... AUDIENCE GROANS | 0:28:25 | 0:28:28 | |
..jaunty juvenilia... | 0:28:28 | 0:28:31 | |
with frenetic fatuities... LAUGHTER | 0:28:31 | 0:28:34 | |
..that facetious filibuster - | 0:28:34 | 0:28:38 | |
Mr Terry Scott! | 0:28:38 | 0:28:41 | |
CHEERING AND APPLAUSE | 0:28:41 | 0:28:42 | |
Ha-ha! CHEERING AND APPLAUSE | 0:28:44 | 0:28:46 | |
LAUGHTER | 0:28:48 | 0:28:50 | |
Here, I bet...I bet you are surprised. | 0:28:52 | 0:28:54 | |
LAUGHTER | 0:28:54 | 0:28:55 | |
I bet you're surprised cos I come on the stage. | 0:28:55 | 0:28:57 | |
LAUGHTER | 0:28:57 | 0:28:58 | |
Because...because you just can't walk on a stage, | 0:28:58 | 0:29:00 | |
because before you come on a stage | 0:29:00 | 0:29:02 | |
you have to do something. Yeah. LAUGHTER | 0:29:02 | 0:29:04 | |
Yeah, and I just done something. LAUGHTER | 0:29:04 | 0:29:06 | |
I showed...I showed the man who runs the place, | 0:29:06 | 0:29:09 | |
I said... Ah, shut up! You don't know what I've showed him. | 0:29:09 | 0:29:12 | |
I've showed him my riddles. | 0:29:12 | 0:29:14 | |
Cos I riddle, yeah. I tell you, riddles will surprise you. | 0:29:14 | 0:29:17 | |
Ha-ha! Right, the first one. | 0:29:17 | 0:29:19 | |
Why...? Why...? Oh, get out of it! | 0:29:19 | 0:29:22 | |
LAUGHTER Why... | 0:29:22 | 0:29:24 | |
Why did the cow jump over the moon? Ha-ha! You don't know, do you? | 0:29:24 | 0:29:27 | |
Ha-ha! Cos the man who milked her had got cold hands. | 0:29:27 | 0:29:30 | |
LAUGHTER | 0:29:30 | 0:29:32 | |
And I've got another one. My brother... | 0:29:32 | 0:29:34 | |
I was supposed to bring my brother. I was supposed to bring him. | 0:29:34 | 0:29:36 | |
Yeah! Cos I've got a brother, you know. He's only five and he's daft. | 0:29:36 | 0:29:40 | |
But I didn't want to bring him because I have to hold his hand. | 0:29:40 | 0:29:43 | |
And I don't like holding his hand | 0:29:43 | 0:29:44 | |
because you never know what he's had in it. | 0:29:44 | 0:29:47 | |
Cos he's... LAUGHTER | 0:29:47 | 0:29:48 | |
It goes everywhere with him, his hand does. And - whoa! | 0:29:48 | 0:29:51 | |
Yeah. LAUGHTER | 0:29:51 | 0:29:54 | |
But I was going to bring him, I was, | 0:29:54 | 0:29:56 | |
because...because we had a bath especially. | 0:29:56 | 0:29:58 | |
And, yeah, a change of water for both of us. And... | 0:29:58 | 0:30:01 | |
He was going to come, | 0:30:01 | 0:30:03 | |
but he couldn't because my mum, | 0:30:03 | 0:30:06 | |
she made us have a sleep before we come here. | 0:30:06 | 0:30:10 | |
Made us have a sleep, but we didn't wake up | 0:30:10 | 0:30:12 | |
because she put the alarm on for seven, you see, | 0:30:12 | 0:30:14 | |
and there are eight of us, I couldn't... | 0:30:14 | 0:30:17 | |
That was a surprise, wasn't it? | 0:30:19 | 0:30:21 | |
I have to leave him at home sometimes | 0:30:21 | 0:30:25 | |
because I have to look after him, and I don't like looking after him. | 0:30:25 | 0:30:29 | |
But my mum says, "We're all here to help others." | 0:30:29 | 0:30:32 | |
She's always saying we're all here to help others, | 0:30:32 | 0:30:35 | |
but she never says what the others are here for. | 0:30:35 | 0:30:37 | |
My mum says soon I'm going to grow up with girls and everything, yeah. | 0:30:38 | 0:30:44 | |
Well, you know, because I don't mind them. | 0:30:44 | 0:30:49 | |
Oh, I saw a girl at the part the other day. I didn't like her. | 0:30:49 | 0:30:53 | |
And it was a fancy dress party and she was dressed up as a sunflower. | 0:30:53 | 0:30:57 | |
So I watered her. | 0:30:57 | 0:30:58 | |
She didn't like it. | 0:31:00 | 0:31:02 | |
I tell you something, I'll tell you something. | 0:31:03 | 0:31:07 | |
I'm going to tell you something very private because... | 0:31:09 | 0:31:12 | |
HE STAMMERS | 0:31:12 | 0:31:15 | |
We went away on holiday in the summer, yeah. | 0:31:15 | 0:31:17 | |
And we went to a very, very old place. | 0:31:17 | 0:31:20 | |
What has, you know, old house and it has a big garden | 0:31:20 | 0:31:24 | |
and it has, you know... | 0:31:24 | 0:31:27 | |
It's so old that you have to get your water | 0:31:27 | 0:31:30 | |
from the middle of the street from a tap. | 0:31:30 | 0:31:32 | |
And went you want to go, you know... Well, when you... | 0:31:32 | 0:31:36 | |
Well, when you have to... | 0:31:36 | 0:31:39 | |
You know what I mean, when you have to go... | 0:31:39 | 0:31:42 | |
Ah, I can't say it. | 0:31:42 | 0:31:44 | |
When you have to go somewhere you don't go in the house. | 0:31:44 | 0:31:47 | |
No, you go to the bottom of the garden. | 0:31:47 | 0:31:50 | |
Yeah. And it's in a shed right on the edge of the river. | 0:31:50 | 0:31:55 | |
And we didn't half have some fun down there. | 0:31:55 | 0:31:58 | |
One day on the holiday my dad came in and said, | 0:32:03 | 0:32:05 | |
"Here, Knocker" Cos that's me. | 0:32:05 | 0:32:07 | |
He said, "Knocker, did you push the lav into the river?" | 0:32:07 | 0:32:13 | |
And I said, "No, Dad, of course I didn't." | 0:32:13 | 0:32:16 | |
He said, "Here, I'm not asking you again." | 0:32:16 | 0:32:18 | |
He said, "Did you push the lav | 0:32:18 | 0:32:20 | |
"that's at the bottom of the garden into the river?" | 0:32:20 | 0:32:22 | |
I said, "I didn't. Honest." | 0:32:22 | 0:32:24 | |
So he said, "Now, listen, before we go any further, I tell you a story." | 0:32:24 | 0:32:27 | |
He said, "This is very important. | 0:32:27 | 0:32:29 | |
"There was a man called George Washington. | 0:32:29 | 0:32:32 | |
"And one day, one day, one day | 0:32:32 | 0:32:34 | |
"George Washington's father, he said to the little boy, he said, | 0:32:34 | 0:32:37 | |
" 'George, did you cut down my favourite cherry tree?' | 0:32:37 | 0:32:39 | |
"And the little boy said, 'I cannot tell a lie. | 0:32:39 | 0:32:41 | |
" 'I did cut down your favourite cherry tree.' | 0:32:41 | 0:32:44 | |
"And George Washington, cos he told the truth, | 0:32:44 | 0:32:46 | |
"he gave him a lot of sweets and everything. | 0:32:46 | 0:32:49 | |
"So, knocker," he said, "did you push... | 0:32:49 | 0:32:52 | |
"Did you push the lav into the river?" | 0:32:55 | 0:32:58 | |
And I said, "Well, father, I cannot tell a lie. | 0:32:58 | 0:33:02 | |
"I did push the lav into the river." | 0:33:02 | 0:33:04 | |
And he belted me. | 0:33:04 | 0:33:07 | |
And I said, "Well, that's not very nice. | 0:33:07 | 0:33:09 | |
"You told me that when George Washington told the truth | 0:33:09 | 0:33:11 | |
"and said that he cut down his daddy's cherry tree, | 0:33:11 | 0:33:14 | |
"his daddy didn't smack him." | 0:33:14 | 0:33:15 | |
He said, "No, but George Washington's daddy | 0:33:15 | 0:33:18 | |
"wasn't sitting in the flipping tree!" | 0:33:18 | 0:33:20 | |
I'm going to do something very dangerous for everybody. | 0:33:29 | 0:33:32 | |
I'm going to sing a song. | 0:33:32 | 0:33:34 | |
It's a bit rotten and it goes like this. | 0:33:34 | 0:33:37 | |
OK, off we go. | 0:33:37 | 0:33:38 | |
# Last summertime I went away to Dover by the sea | 0:33:41 | 0:33:44 | |
# And thought I'd like to bring a bunch of seaweed home with me | 0:33:44 | 0:33:48 | |
# It tells you if it's going to rain or if it's going to snow | 0:33:48 | 0:33:52 | |
# And with it anyone can tell just what he wants to know | 0:33:52 | 0:33:55 | |
# With me seaweed in me hand I got into the tree | 0:33:55 | 0:33:59 | |
# All the shops were shut when I got out again | 0:33:59 | 0:34:02 | |
# I couldn't get a drink with thirst I thought I'd die | 0:34:02 | 0:34:06 | |
# And as soon as I touched me seaweed | 0:34:06 | 0:34:08 | |
# I knew I was going to be fine | 0:34:08 | 0:34:10 | |
# Yes, as soon as I touched me seaweed | 0:34:10 | 0:34:12 | |
# I knew I was going to be fine... # | 0:34:12 | 0:34:14 | |
Second verse. | 0:34:14 | 0:34:16 | |
# Two lovers... # HE FUMBLES | 0:34:18 | 0:34:20 | |
No, no... LAUGHTER | 0:34:20 | 0:34:22 | |
Oh, shut up! | 0:34:22 | 0:34:24 | |
Get out of it! | 0:34:24 | 0:34:26 | |
I can sing it! | 0:34:26 | 0:34:28 | |
We're going to do that one again because it's very good. | 0:34:28 | 0:34:30 | |
I come in with you. | 0:34:30 | 0:34:33 | |
# Two lovers walk one evening down a quiet country lane | 0:34:34 | 0:34:38 | |
# The chap was honest William and the girl was Mary Jane | 0:34:38 | 0:34:41 | |
# They talked and walked and walked and talked. | 0:34:41 | 0:34:43 | |
# About their future life | 0:34:43 | 0:34:45 | |
# I heard him say, "I shall be glad when you're my future wife" | 0:34:45 | 0:34:48 | |
# He kissed her ruby lips and looked at her with pride | 0:34:48 | 0:34:52 | |
# Said, "I shall be glad when you're my darling bride | 0:34:52 | 0:34:55 | |
# "Tomorrow we'll be wed and then you will be mine" | 0:34:55 | 0:34:59 | |
# And as soon as I touched me seaweed | 0:34:59 | 0:35:01 | |
# I knew it was going to be fine | 0:35:01 | 0:35:02 | |
# Yes, as soon as I touched me seaweed | 0:35:02 | 0:35:04 | |
# I knew it was going to be fine. # | 0:35:04 | 0:35:07 | |
All right. | 0:35:07 | 0:35:09 | |
CHEERING AND APPLAUSE | 0:35:09 | 0:35:13 | |
And now celebrating Kate Carney's melodies. | 0:35:21 | 0:35:27 | |
Resplendent in reincarnation... ALL: Ohh! | 0:35:27 | 0:35:32 | |
once again, the one and only Georgia Brown. | 0:35:32 | 0:35:36 | |
APPLAUSE AND CHEERING | 0:35:36 | 0:35:40 | |
# East End, West End | 0:35:40 | 0:35:44 | |
# All around the town | 0:35:44 | 0:35:47 | |
# The kids, they ring a roses | 0:35:47 | 0:35:51 | |
# But the bridge is falling down | 0:35:51 | 0:35:55 | |
# Boys and girls together | 0:35:55 | 0:35:59 | |
# Me and Johnny Brown | 0:35:59 | 0:36:02 | |
# Tripped in light fantastic | 0:36:02 | 0:36:06 | |
# On the streets of London Town | 0:36:06 | 0:36:09 | |
# Strolling along down the Mile End Road | 0:36:10 | 0:36:15 | |
# Every Monday night | 0:36:15 | 0:36:19 | |
# Singing a song with a chorus long | 0:36:19 | 0:36:23 | |
# That is my delight | 0:36:23 | 0:36:27 | |
# Arm in arm with my young man | 0:36:27 | 0:36:32 | |
# He's handsome Billy Morgan | 0:36:32 | 0:36:36 | |
# He's a champion, dynamite | 0:36:36 | 0:36:41 | |
# Playing his tanner mouthorgan | 0:36:41 | 0:36:45 | |
# He's a champion, dynamite | 0:36:45 | 0:36:49 | |
# Playing his tanner mouthorgan | 0:36:49 | 0:36:53 | |
# At the bottom of Adversity Hill | 0:36:59 | 0:37:02 | |
# There's a place called Poverty Street | 0:37:02 | 0:37:06 | |
# And if you should live there well, life's very hard | 0:37:06 | 0:37:10 | |
# And a friend you will rarely meet | 0:37:10 | 0:37:13 | |
# The sun of prosperity never shines | 0:37:15 | 0:37:19 | |
# And it's always dark down there | 0:37:19 | 0:37:22 | |
# No-one seems to have a friend at all | 0:37:24 | 0:37:28 | |
# Cos friendship, it's so rare | 0:37:28 | 0:37:33 | |
# But when you're living down in Poverty Street | 0:37:34 | 0:37:40 | |
# Nobody knocks at your door... # | 0:37:40 | 0:37:43 | |
Do they, darling? No. | 0:37:43 | 0:37:45 | |
# When you're living down in Poverty Street | 0:37:45 | 0:37:50 | |
# Well, folks all knows you're poor | 0:37:50 | 0:37:54 | |
# But when your bit of silver turns into gold | 0:37:54 | 0:38:00 | |
# It drives away all care | 0:38:00 | 0:38:04 | |
# Course, then you knows that everyone is knocking on your door | 0:38:04 | 0:38:09 | |
# When you're living in Golden Square! # | 0:38:09 | 0:38:15 | |
# Three weeks ago, no longer | 0:38:22 | 0:38:28 | |
# I was as gay as a bird on the wing | 0:38:28 | 0:38:34 | |
# But now, me and Bill we've been parted, you know | 0:38:35 | 0:38:41 | |
# And life, it's a blank | 0:38:41 | 0:38:45 | |
# And it's changed everything | 0:38:45 | 0:38:47 | |
# I saw him out with another that night | 0:38:49 | 0:38:54 | |
# No-one can tell how I felt at the sight | 0:38:54 | 0:38:58 | |
# And with tears in me eyes | 0:39:00 | 0:39:03 | |
# That I tried to hold back | 0:39:03 | 0:39:06 | |
# I crept to his side and said | 0:39:08 | 0:39:13 | |
# Are we to part like this, Bill? | 0:39:16 | 0:39:22 | |
AUDIENCE SINGS ALONG: # Are we to part this way? | 0:39:23 | 0:39:27 | |
# Who's it to be, 'er or me? | 0:39:30 | 0:39:34 | |
# Don't be afraid to say | 0:39:36 | 0:39:40 | |
# If everything's over between us | 0:39:42 | 0:39:47 | |
# Don't ever pass me by | 0:39:49 | 0:39:53 | |
# Cos you and me still friends can be | 0:39:55 | 0:40:03 | |
# For the sake of those days gone by. # | 0:40:03 | 0:40:10 | |
All together now. | 0:40:10 | 0:40:12 | |
ALL: # Are we to part like this, Bill? # | 0:40:14 | 0:40:19 | |
Are we to part? | 0:40:19 | 0:40:21 | |
# Are we to part this way? # | 0:40:21 | 0:40:24 | |
Who's it to be? | 0:40:24 | 0:40:26 | |
# Who's it to be? # 'Er or me? | 0:40:26 | 0:40:29 | |
# 'Er or me? | 0:40:29 | 0:40:32 | |
# Don't be afraid to say. # | 0:40:32 | 0:40:37 | |
If everything's over! | 0:40:37 | 0:40:38 | |
# If everything's over between us... # | 0:40:38 | 0:40:44 | |
Don't ever pass me by! # Don't ever pass me by... # | 0:40:44 | 0:40:49 | |
Cos you and me. | 0:40:49 | 0:40:50 | |
# Cos you and me still friends can be | 0:40:50 | 0:40:58 | |
# For the sake of the days gone by. # | 0:40:58 | 0:41:08 | |
'Ere, come here, Leonard, I've got something... 'Ere, hold on a minute, | 0:41:17 | 0:41:21 | |
I want to tell him a story. I want to tell Leonard something. | 0:41:21 | 0:41:24 | |
# Mr William Henry Blue | 0:41:24 | 0:41:26 | |
# Came staggering home in such a stew | 0:41:26 | 0:41:29 | |
# When everyone was sleeping in the square | 0:41:29 | 0:41:33 | |
# What with the wintry winds that blew | 0:41:34 | 0:41:37 | |
# And the gin he'd drunk and his nose, ooh! | 0:41:37 | 0:41:40 | |
# I left him on the knocker hanging there | 0:41:40 | 0:41:43 | |
# Now, he shouted, Anna! I want to come up to bed! | 0:41:45 | 0:41:49 | |
# So I puts me head through the bedroom window | 0:41:49 | 0:41:53 | |
# with me nightcap on and said | 0:41:53 | 0:41:56 | |
# It's no use you calling nana | 0:41:56 | 0:42:01 | |
# I'm not coming in tonight | 0:42:01 | 0:42:05 | |
# You can smoke, smoke, smoke on your Havana | 0:42:05 | 0:42:09 | |
# You can puff till the broad daylight | 0:42:09 | 0:42:13 | |
# I can tell you've been drinking by your manner | 0:42:13 | 0:42:17 | |
# It's no good you putting on airs | 0:42:17 | 0:42:21 | |
# If I open the door I feel quite sure | 0:42:21 | 0:42:25 | |
# You'll never get up no, you'll never get up, oh | 0:42:25 | 0:42:28 | |
# You'll never get up the stairs. # | 0:42:28 | 0:42:31 | |
Altogether! | 0:42:31 | 0:42:33 | |
ALL: # It's no use you calling nana | 0:42:33 | 0:42:36 | |
# You're not coming in tonight | 0:42:36 | 0:42:40 | |
# You can smoke, smoke, smoke on your Havana | 0:42:40 | 0:42:44 | |
# You can puff till the broad daylight | 0:42:44 | 0:42:47 | |
# I can tell you've been drinking by your manner | 0:42:47 | 0:42:52 | |
# It's no good you putting on airs | 0:42:52 | 0:42:55 | |
# If I open the door I feel quite sure | 0:42:55 | 0:43:00 | |
# You'll never, no, never | 0:43:00 | 0:43:03 | |
# Oh, never get up those stairs! # | 0:43:03 | 0:43:08 | |
CHEERING AND APPLAUSE | 0:43:08 | 0:43:11 | |
And now, there's just time to ask Miss Georgia Brown | 0:43:23 | 0:43:26 | |
to lead the company and yourselves | 0:43:26 | 0:43:28 | |
in the last chorus for tonight, Down in the Old Bull and Bush. | 0:43:28 | 0:43:31 | |
Ladies and gentlemen, Miss Georgia Brown, the entire company, | 0:43:31 | 0:43:34 | |
Mr Bernard Herrmann and the entire and indefatigable orchestra... | 0:43:34 | 0:43:38 | |
CHEERING AND APPLAUSE | 0:43:38 | 0:43:40 | |
And this time, chiefly... | 0:43:40 | 0:43:42 | |
AUDIENCE: Yourselves! | 0:43:42 | 0:43:45 | |
# Come, come, come and make eyes at me | 0:43:48 | 0:43:52 | |
# Down at the old Bull and Bush | 0:43:52 | 0:43:54 | |
# Na-na-na-na-na | 0:43:54 | 0:43:56 | |
# Come, come, drink some port wine with me | 0:43:56 | 0:43:59 | |
# Down at the old Bull and Bush | 0:43:59 | 0:44:02 | |
# Hey, hey! | 0:44:02 | 0:44:03 | |
# Hear the little German band | 0:44:03 | 0:44:05 | |
# Na na-na-na-na-na-na | 0:44:05 | 0:44:06 | |
# Just let me hold your hand, dear | 0:44:06 | 0:44:10 | |
# Come, come, come and have a drink or two | 0:44:10 | 0:44:14 | |
# Down at the old Bull and Bush | 0:44:14 | 0:44:17 | |
# Bush-Bush! # | 0:44:17 | 0:44:19 | |
CHEERING AND APPLAUSE | 0:44:19 | 0:44:21 | |
AUDIENCE CLAPS ALONG WITH BAND | 0:44:32 | 0:44:36 | |
Our service providers work truly all hours | 0:44:52 | 0:44:54 | |
to bring patients exceptional care. | 0:44:54 | 0:44:56 | |
When you're old and frail, it's great to know | 0:44:56 | 0:44:59 | |
that someone from Buccaneer is always watching over you. | 0:44:59 | 0:45:03 |