Browse content similar to 24/01/1975. Check below for episodes and series from the same categories and more!
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# I love you dearly, dearly | 0:00:01 | 0:00:04 | |
# And I want you to love me | 0:00:04 | 0:00:08 | |
# You are my honey, honeysuckle | 0:00:08 | 0:00:13 | |
# I am the bee. # | 0:00:13 | 0:00:18 | |
FANFARE | 0:00:23 | 0:00:26 | |
CHEERING | 0:00:28 | 0:00:31 | |
CHEERING | 0:00:38 | 0:00:40 | |
Once again! | 0:00:41 | 0:00:43 | |
Good evening, ladies and... | 0:00:45 | 0:00:48 | |
-ALL: -Gentlemen! | 0:00:48 | 0:00:51 | |
Celebrants... | 0:00:51 | 0:00:53 | |
-ALL: -Ooh... | 0:00:53 | 0:00:54 | |
..of the stimulant celeritousness... | 0:00:54 | 0:00:58 | |
LAUGHTER | 0:00:59 | 0:01:00 | |
...speed of the horseless carriage, | 0:01:00 | 0:01:04 | |
we give you the omni-participant, | 0:01:04 | 0:01:07 | |
unparalleled | 0:01:07 | 0:01:10 | |
Players' Theatre! | 0:01:10 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:16 | |
# Shout hurrah with a motorcar | 0:01:18 | 0:01:20 | |
# All on the road to Brighton | 0:01:20 | 0:01:22 | |
# We stop for none In our race we run | 0:01:22 | 0:01:24 | |
# Our speed we nearly heighten | 0:01:24 | 0:01:25 | |
# Stopping and starting and rounding and parking | 0:01:25 | 0:01:28 | |
# The horses we all frighten | 0:01:28 | 0:01:29 | |
# We jolt and jar in a motorcar | 0:01:29 | 0:01:32 | |
# All on the road to Brighton | 0:01:32 | 0:01:34 | |
# Get out of the way! Get out of the way! | 0:01:34 | 0:01:36 | |
# Hi, hi, hi! | 0:01:36 | 0:01:37 | |
# There's a lovely girl named Florrie | 0:01:39 | 0:01:43 | |
# But for short we call her Flo | 0:01:43 | 0:01:47 | |
# And she really feels quite sorry | 0:01:47 | 0:01:51 | |
# The boys all love her so | 0:01:51 | 0:01:55 | |
# She's a neat little, sweet little icicle | 0:01:55 | 0:01:59 | |
# Her heart must be made of snow | 0:01:59 | 0:02:03 | |
# She once used to ride on a bicycle | 0:02:03 | 0:02:08 | |
# But now she prefers to go | 0:02:08 | 0:02:11 | |
# On a motorcar | 0:02:11 | 0:02:16 | |
# Oh, Flo, why do you go | 0:02:16 | 0:02:20 | |
# Riding along on your motorcar | 0:02:20 | 0:02:24 | |
# People'll say you're peculiar | 0:02:24 | 0:02:28 | |
# Singular | 0:02:28 | 0:02:30 | |
# So you are | 0:02:30 | 0:02:31 | |
# Oh, Flo, do let me go | 0:02:31 | 0:02:35 | |
# I'll be your guiding star | 0:02:35 | 0:02:39 | |
# There's room for two | 0:02:39 | 0:02:41 | |
# Me and you | 0:02:41 | 0:02:42 | |
# On your elegant motorcar | 0:02:42 | 0:02:46 | |
# There's room for two | 0:02:46 | 0:02:49 | |
# Me and you | 0:02:49 | 0:02:50 | |
# On your elegant motor! | 0:02:50 | 0:02:53 | |
# Johnny O'Connor bought an automobile | 0:02:59 | 0:03:02 | |
# He took his sweetheart for a ride one Sunday | 0:03:02 | 0:03:05 | |
# Johnny was dressed up in his best Sunday clothes | 0:03:05 | 0:03:08 | |
# She nestled close to his side | 0:03:08 | 0:03:12 | |
# Things went just dandy till they got down the road | 0:03:12 | 0:03:15 | |
# Then something happened to the old machinery | 0:03:15 | 0:03:18 | |
# That engine got his goat | 0:03:18 | 0:03:19 | |
# Off went his hat and coat | 0:03:19 | 0:03:21 | |
# Everything needed repair | 0:03:21 | 0:03:24 | |
# He'd have to get under | 0:03:24 | 0:03:25 | |
# Get out and get under | 0:03:25 | 0:03:27 | |
# To fix his little machine | 0:03:27 | 0:03:30 | |
# He was just dying to cuddle his queen | 0:03:30 | 0:03:33 | |
# But every minute | 0:03:33 | 0:03:35 | |
# When he'd begin it | 0:03:35 | 0:03:36 | |
# He'd have to get under | 0:03:36 | 0:03:38 | |
# Get out and get under | 0:03:38 | 0:03:40 | |
# Then he'd get back at the wheel | 0:03:40 | 0:03:42 | |
# A dozen times they'd start to hug and kiss | 0:03:42 | 0:03:45 | |
# And then the darned old engine it would miss | 0:03:45 | 0:03:48 | |
# And then he'd have to get under | 0:03:48 | 0:03:50 | |
# Get out and get under | 0:03:50 | 0:03:52 | |
# And fix up his automobile | 0:03:52 | 0:03:55 | |
# He'd have to get under | 0:04:01 | 0:04:03 | |
# Get out and get under | 0:04:03 | 0:04:04 | |
# To fix up his automobile. # | 0:04:04 | 0:04:10 | |
Of course you're quite right, sir - I heard you say it - | 0:04:21 | 0:04:24 | |
the really dangerous job is for that man who has to go in front | 0:04:24 | 0:04:27 | |
with the red flag, isn't it? | 0:04:27 | 0:04:29 | |
Now, from France... | 0:04:29 | 0:04:30 | |
..we give you | 0:04:32 | 0:04:33 | |
pulchritudinously, cyclonic... | 0:04:33 | 0:04:36 | |
..Mademoiselle Marie-Ange! | 0:04:37 | 0:04:41 | |
BAND PLAYS | 0:04:44 | 0:04:47 | |
APPLAUSE | 0:05:11 | 0:05:13 | |
APPLAUSE | 0:05:35 | 0:05:37 | |
APPLAUSE | 0:06:08 | 0:06:10 | |
Vive l'entente cordiale! | 0:06:54 | 0:06:57 | |
CHEERING | 0:06:57 | 0:06:59 | |
And our own debonair King Edward VII, | 0:06:59 | 0:07:02 | |
may he lose a little weight. | 0:07:02 | 0:07:04 | |
And now, ladies and gentlemen, | 0:07:04 | 0:07:06 | |
over La Manche to mercurial maritime mountebankery! | 0:07:06 | 0:07:12 | |
-ALL: -Ooh! | 0:07:12 | 0:07:14 | |
Seaside hijinks. | 0:07:14 | 0:07:16 | |
On the esplanade... | 0:07:16 | 0:07:18 | |
Mr John Inman | 0:07:18 | 0:07:20 | |
and Mr Barry Howard! | 0:07:20 | 0:07:23 | |
CHEERING AND APPLAUSE | 0:07:23 | 0:07:25 | |
# Jeremiah Jones | 0:07:30 | 0:07:32 | |
# A ladies' man was he | 0:07:32 | 0:07:33 | |
# With every pretty girl he loved to spoon | 0:07:33 | 0:07:36 | |
# Till he found a wife | 0:07:37 | 0:07:39 | |
# And down beside the sea | 0:07:39 | 0:07:41 | |
# They went to Margate for their honeymoon | 0:07:41 | 0:07:43 | |
# And as they strolled along the promenade | 0:07:43 | 0:07:47 | |
# With his little wife just newly wed | 0:07:47 | 0:07:51 | |
# He got an awful scare | 0:07:51 | 0:07:53 | |
# When someone walking there | 0:07:53 | 0:07:55 | |
# Came up to him and winked and said | 0:07:55 | 0:07:59 | |
# Hello, hello | 0:07:59 | 0:08:01 | |
# Who's your lady friend | 0:08:01 | 0:08:02 | |
# Who's the little girlie by your side | 0:08:02 | 0:08:06 | |
# I've seen you with a girl or two | 0:08:06 | 0:08:10 | |
# Oh, oh, oh, I am surprised at you | 0:08:10 | 0:08:13 | |
# Hello, hello | 0:08:13 | 0:08:15 | |
# What's your little game | 0:08:15 | 0:08:17 | |
# Don't you think your ways you ought to mend | 0:08:17 | 0:08:21 | |
# It wasn't the girl I saw you with at Brighton | 0:08:21 | 0:08:24 | |
# So who, who, who's your lady friend? | 0:08:24 | 0:08:27 | |
# Jeremiah now has settled down in life | 0:08:35 | 0:08:39 | |
# Said goodbye to frills and furbelows | 0:08:39 | 0:08:42 | |
# Never thinks of girls except his darling wife | 0:08:42 | 0:08:46 | |
# Always takes her everywhere he goes, by Jove | 0:08:46 | 0:08:49 | |
# Now there he is the naughty boy | 0:08:49 | 0:08:53 | |
# With a lady too you're rather free | 0:08:53 | 0:08:57 | |
# I'll bet you'll stake your life | 0:08:57 | 0:08:59 | |
# That lady is your wife | 0:08:59 | 0:09:01 | |
# So tell us on the strict Q... | 0:09:01 | 0:09:05 | |
# Tee-hee-he-he-he-heee... # | 0:09:05 | 0:09:09 | |
Hello! Hello! Hello! | 0:09:11 | 0:09:13 | |
# Who's your lady friend | 0:09:13 | 0:09:15 | |
# Who's the little girlie by your side | 0:09:15 | 0:09:19 | |
# I've seen you | 0:09:19 | 0:09:20 | |
# With a girl or two | 0:09:20 | 0:09:22 | |
# Oh, oh, oh, I am surprised at you | 0:09:22 | 0:09:26 | |
# Hello, hello | 0:09:26 | 0:09:28 | |
# What's your little game | 0:09:28 | 0:09:30 | |
# Don't you think your ways you ought to mend | 0:09:30 | 0:09:33 | |
# It wasn't the girl I saw you with at Brighton | 0:09:33 | 0:09:37 | |
# Who, who, who's your lady friend | 0:09:37 | 0:09:40 | |
# Who, who, who's your lady friend? # | 0:09:40 | 0:09:43 | |
Welcome back! | 0:09:57 | 0:09:58 | |
Thrice welcome... | 0:09:58 | 0:10:00 | |
to the sultry, sulphurescent... | 0:10:00 | 0:10:04 | |
-AUDIENCE: -Ooh! | 0:10:04 | 0:10:06 | |
..phosphorescence of your own, my own... | 0:10:06 | 0:10:10 | |
everybody's own... | 0:10:10 | 0:10:12 | |
Miss Georgia Brown! | 0:10:12 | 0:10:16 | |
# There's a little city flower | 0:10:27 | 0:10:31 | |
# Every year unfailing | 0:10:31 | 0:10:33 | |
# Growing through the crevices | 0:10:34 | 0:10:38 | |
# By some London railing | 0:10:38 | 0:10:41 | |
# Though it has a Latin name | 0:10:41 | 0:10:45 | |
# In town and countryside | 0:10:45 | 0:10:49 | |
# We in England call it | 0:10:50 | 0:10:53 | |
# London's Pride | 0:10:54 | 0:10:57 | |
# London Pride has been handed down to us | 0:11:00 | 0:11:06 | |
# London Pride is a flower that's free | 0:11:06 | 0:11:11 | |
# London Pride is our own dear town to us | 0:11:11 | 0:11:16 | |
# And our pride it forever will be | 0:11:17 | 0:11:21 | |
# Whoa, Liza | 0:11:22 | 0:11:25 | |
# See the coster barrows | 0:11:25 | 0:11:27 | |
# Vegetable marrows | 0:11:27 | 0:11:29 | |
# With the fruit piled high | 0:11:29 | 0:11:32 | |
# Whoa, Liza - look! | 0:11:32 | 0:11:35 | |
# Little Cockney sparrows | 0:11:35 | 0:11:37 | |
# Covent Garden Market | 0:11:38 | 0:11:40 | |
# Where the costers cry | 0:11:40 | 0:11:45 | |
# Cockney feet | 0:11:45 | 0:11:47 | |
# Mark the beat of history | 0:11:47 | 0:11:50 | |
# Every street | 0:11:51 | 0:11:53 | |
# Pins a memory down | 0:11:53 | 0:11:57 | |
# Nothing ever will quite replace | 0:11:57 | 0:12:02 | |
# The grace of London Town | 0:12:02 | 0:12:09 | |
# London Pride has been handed down to us | 0:12:11 | 0:12:15 | |
# London Pride is a flower that's free | 0:12:15 | 0:12:19 | |
# London Pride is our own dear town to us | 0:12:21 | 0:12:25 | |
# And our pride it forever will be | 0:12:25 | 0:12:29 | |
# Grey city | 0:12:30 | 0:12:33 | |
# Stubbornly enchanted | 0:12:33 | 0:12:35 | |
# Taken so for granted | 0:12:35 | 0:12:37 | |
# For a thousand years | 0:12:37 | 0:12:39 | |
# Stay city | 0:12:40 | 0:12:42 | |
# Smokily enchanted | 0:12:42 | 0:12:45 | |
# Cradle of our memories | 0:12:45 | 0:12:48 | |
# Of our hopes | 0:12:48 | 0:12:50 | |
# Our fears | 0:12:50 | 0:12:51 | |
# Every Blitz our resistance toughening | 0:12:53 | 0:12:58 | |
# From the Ritz to the Anchor And Crown | 0:12:58 | 0:13:03 | |
# Nothing ever can quite replace | 0:13:03 | 0:13:09 | |
# The grace of | 0:13:09 | 0:13:12 | |
# London town. # | 0:13:12 | 0:13:18 | |
More! More! More! | 0:13:30 | 0:13:33 | |
I promise you, you will have Miss Georgia back, | 0:13:36 | 0:13:39 | |
once again, later on in the programme, | 0:13:39 | 0:13:40 | |
but, next time, without that tiny marabou tippet. | 0:13:40 | 0:13:44 | |
And now, ladies and gentlemen, | 0:13:44 | 0:13:46 | |
born in Leeds... | 0:13:46 | 0:13:49 | |
CHEERING | 0:13:49 | 0:13:52 | |
..now a lustrous London luminary... | 0:13:52 | 0:13:54 | |
AUDIENCE BOOS | 0:13:55 | 0:13:57 | |
..inimitable, | 0:13:57 | 0:13:58 | |
incomparable, | 0:13:58 | 0:14:01 | |
audaciously... | 0:14:01 | 0:14:02 | |
..irrepressible, | 0:14:03 | 0:14:05 | |
Mr Barry Cryer! | 0:14:05 | 0:14:08 | |
# La-la-la, la-la-la | 0:14:14 | 0:14:16 | |
# La, la, la-la-la, la | 0:14:16 | 0:14:20 | |
# Two young fellas were talking about their | 0:14:20 | 0:14:24 | |
# Girls, girls, girls | 0:14:24 | 0:14:26 | |
# Sweethearts for whom they pined | 0:14:28 | 0:14:30 | |
# Sweethearts they'd left behind | 0:14:31 | 0:14:34 | |
# One said my little shy little lass | 0:14:35 | 0:14:38 | |
# Has a waist so trim and small | 0:14:38 | 0:14:41 | |
# Grey are her eyes so bright | 0:14:42 | 0:14:46 | |
# But best, best of all | 0:14:46 | 0:14:49 | |
# My girl's a Yorkshire girl | 0:14:50 | 0:14:54 | |
# Yorkshire through and through | 0:14:54 | 0:14:56 | |
# My girl's a Yorkshire girl | 0:14:58 | 0:15:01 | |
# Ee! By gum, she's a champion | 0:15:01 | 0:15:05 | |
# Though she's a factory lass | 0:15:05 | 0:15:08 | |
# And wears no fancy clothes | 0:15:08 | 0:15:13 | |
# I've a sort of a Yorkshire relish | 0:15:13 | 0:15:16 | |
# For my little Yorkshire Rose. # | 0:15:16 | 0:15:20 | |
I never knew I could sing like that. | 0:15:20 | 0:15:21 | |
I never knew anybody could sing like that! | 0:15:23 | 0:15:26 | |
How are you? | 0:15:26 | 0:15:27 | |
-ALL: -How are you? | 0:15:27 | 0:15:28 | |
-Are you enjoying yourselves? -Yes! | 0:15:28 | 0:15:30 | |
Why? What are you doing? | 0:15:30 | 0:15:33 | |
Had a marvellous day, marvellous day here. | 0:15:33 | 0:15:35 | |
Mr Colehan, the producer... | 0:15:35 | 0:15:37 | |
Mr Colehan, the producer... | 0:15:37 | 0:15:40 | |
took me on one side - he had a word with me. | 0:15:40 | 0:15:42 | |
Well, actually he had two words with me... | 0:15:42 | 0:15:45 | |
but I'm still here. | 0:15:45 | 0:15:46 | |
Let's, let's get back to the plot. | 0:15:49 | 0:15:51 | |
Let's go back to Rose. | 0:15:51 | 0:15:53 | |
I met her on a 42 bus, you know? | 0:15:53 | 0:15:55 | |
I used to see her on the bus, regularly, every morning. | 0:15:55 | 0:15:57 | |
Every weekday, she was an early morning workman's, | 0:15:57 | 0:16:00 | |
and she was a shilling all day Sunday, and I... | 0:16:00 | 0:16:03 | |
Very reasonable! Very reasonable! | 0:16:05 | 0:16:08 | |
So I plucked up courage, one morning - | 0:16:09 | 0:16:11 | |
we were on the bus together, you know? | 0:16:11 | 0:16:12 | |
I plucked up courage to speak to her and she had a word with me... | 0:16:12 | 0:16:16 | |
She actually had two words with me... | 0:16:16 | 0:16:20 | |
"Still here" - that's right, love! | 0:16:20 | 0:16:22 | |
God bless you, love. Move about a bit. | 0:16:24 | 0:16:26 | |
Anyway, I plucked up courage. I said, "Do you like dancing?" | 0:16:29 | 0:16:32 | |
And she said, "Yes, | 0:16:32 | 0:16:33 | |
"do you want to get off, or shall we do it here?" | 0:16:33 | 0:16:36 | |
Funny woman. Funny woman. | 0:16:37 | 0:16:40 | |
So we had a, you know, a quick Veleta... | 0:16:40 | 0:16:42 | |
Nothing ambitious - just as far as the stairs and back, you know? | 0:16:44 | 0:16:48 | |
Then I kissed her under the "no spitting" sign. | 0:16:48 | 0:16:50 | |
It was wonderful. Wonderful. | 0:16:50 | 0:16:53 | |
Golden moment. Golden moment. | 0:16:53 | 0:16:55 | |
Then we started going out together. It was very romantic, you know? | 0:16:56 | 0:16:59 | |
Little restaurant, locally - candlelight, a bottle of wine... | 0:16:59 | 0:17:03 | |
She went Tuesdays, I went Fridays. | 0:17:03 | 0:17:05 | |
But I determined I was going to get me feet under the table. | 0:17:07 | 0:17:09 | |
You know what I mean? | 0:17:09 | 0:17:11 | |
Go home and meet the parents - that's the thing, isn't it? | 0:17:11 | 0:17:13 | |
So she took me home to meet her mum and dad, you see? | 0:17:13 | 0:17:16 | |
And I walked in - a lovely couple... | 0:17:16 | 0:17:18 | |
Mother was in the corner, plucking the cat. | 0:17:18 | 0:17:22 | |
Seeing this family scene, you know, it really did something to me. | 0:17:22 | 0:17:27 | |
So I said, "Where is it?" And her father... | 0:17:27 | 0:17:29 | |
I don't know why I'm shouting - I've got the job. But her father... | 0:17:35 | 0:17:40 | |
Her father said "the bottom of the garden", you see? | 0:17:40 | 0:17:42 | |
So I popped down to the bottom of the garden. I came back... | 0:17:42 | 0:17:46 | |
He said, "Have you pulled t'string?" I said, "Yes." | 0:17:46 | 0:17:49 | |
He said, "Bloody hell - he's let all me pigeons out!" | 0:17:49 | 0:17:52 | |
Anyway... | 0:18:01 | 0:18:02 | |
Good evening. Anyway, I thought... | 0:18:03 | 0:18:05 | |
You're a neglected minority, up there, aren't you? | 0:18:05 | 0:18:08 | |
Anyway, I thought I'd better get to terms with him, so I suggested a drink. | 0:18:08 | 0:18:11 | |
He said yes - he usually got up about opening time. | 0:18:11 | 0:18:14 | |
And so we're in the snug, you see? | 0:18:14 | 0:18:16 | |
We're in the snug and he said, "Are your intentions honourable or not?" | 0:18:16 | 0:18:20 | |
And I said I didn't know I had the choice! | 0:18:20 | 0:18:23 | |
I thought I'd get to the point quickly. | 0:18:23 | 0:18:24 | |
I said, "I want your daughter for my wife." | 0:18:24 | 0:18:26 | |
And he said, "What the hell's your wife going to do with my daughter?" | 0:18:26 | 0:18:31 | |
Anyway, at that moment... | 0:18:31 | 0:18:33 | |
You'll not believe this, cos it's not true... | 0:18:33 | 0:18:35 | |
At that moment... | 0:18:35 | 0:18:37 | |
The door opened... | 0:18:37 | 0:18:38 | |
Picture the scene. | 0:18:38 | 0:18:39 | |
The door opened - in walked a pig. | 0:18:39 | 0:18:42 | |
In walked a pig, into this pub. Straight up to the bar, | 0:18:42 | 0:18:45 | |
put his little trotters on the bar, | 0:18:45 | 0:18:48 | |
and Big Ethel - you know Big Ethel? The barmaid, there. | 0:18:48 | 0:18:51 | |
She was drying her nails, and... | 0:18:57 | 0:18:59 | |
..this little pig ordered a pint of bitter, you see? | 0:19:01 | 0:19:03 | |
And he ordered and drank 12 pints of bitter in 10 minutes. | 0:19:03 | 0:19:06 | |
Now Ethel, being a compassionate soul, as we all know... | 0:19:06 | 0:19:09 | |
said, "You're only a little pig - you shouldn't drink that much." | 0:19:09 | 0:19:12 | |
And he said, "No, it's all right - I'm the little pig that goes | 0:19:12 | 0:19:15 | |
"wee, wee, wee..." | 0:19:15 | 0:19:16 | |
Wasn't true. I made that bit up, actually. | 0:19:26 | 0:19:29 | |
It was a donkey. | 0:19:29 | 0:19:30 | |
And it all started from there. We've been together ever since. | 0:19:32 | 0:19:35 | |
Seven very happy years. | 0:19:35 | 0:19:36 | |
7 out of 28 isn't bad. | 0:19:36 | 0:19:38 | |
She said, "Do you regret it?" | 0:19:39 | 0:19:41 | |
I said, "Not a minute. Not a minute of all those years." | 0:19:41 | 0:19:45 | |
And she said, "Why?" | 0:19:45 | 0:19:46 | |
I said, "Why? | 0:19:46 | 0:19:47 | |
"Because..." | 0:19:47 | 0:19:51 | |
# My girl's a Yorkshire girl | 0:19:51 | 0:19:54 | |
# Yorkshire through and through | 0:19:54 | 0:19:58 | |
# My girl's a Yorkshire girl | 0:19:58 | 0:20:02 | |
# Ee! By gum, she's a champion | 0:20:02 | 0:20:06 | |
# Though she's a factory lass | 0:20:06 | 0:20:09 | |
# And wears no fancy clothes | 0:20:09 | 0:20:13 | |
# I've a sort of a Yorkshire relish | 0:20:13 | 0:20:16 | |
# For my little Yorkshire Rose. # | 0:20:16 | 0:20:21 | |
From Buda... | 0:20:38 | 0:20:40 | |
..or "Butha" and "Pest"... | 0:20:42 | 0:20:45 | |
..coruscatingly iridescent... | 0:20:46 | 0:20:48 | |
..in Csardas... | 0:20:49 | 0:20:51 | |
illimitably, | 0:20:51 | 0:20:53 | |
lilting in Lehar. | 0:20:53 | 0:20:55 | |
Will you give your warmest welcome | 0:20:55 | 0:20:57 | |
to the newcomer, to the stranger in our midst... | 0:20:57 | 0:21:00 | |
..Miss Katinka Seiner! | 0:21:02 | 0:21:06 | |
SHE SINGS IN OWN LANGUAGE | 0:21:15 | 0:21:20 | |
SONG: Set The Gypsy Music Playing from Countess Maritza | 0:22:37 | 0:22:40 | |
INDISTINCT | 0:22:40 | 0:22:43 | |
Now, ladies and gentlemen, | 0:26:34 | 0:26:36 | |
hotfoot in Herculean haste... | 0:26:36 | 0:26:39 | |
..from Augustus Daly's latest pantomime | 0:26:40 | 0:26:44 | |
munificent in... | 0:26:44 | 0:26:48 | |
Boo! | 0:26:48 | 0:26:49 | |
No goose here. | 0:26:51 | 0:26:53 | |
Munificent in muscular | 0:26:53 | 0:26:56 | |
masculinity, | 0:26:56 | 0:26:59 | |
and vertiginous versatility | 0:26:59 | 0:27:04 | |
and virility, | 0:27:04 | 0:27:06 | |
Mr John Inman | 0:27:06 | 0:27:07 | |
and Mr Barry Howard! | 0:27:07 | 0:27:10 | |
# They tried to tell us pantomime had ended | 0:27:46 | 0:27:49 | |
# They said come put away that old glass shoe | 0:27:49 | 0:27:53 | |
# They said our charms were waning | 0:27:53 | 0:27:55 | |
# But we've got to go on reigning | 0:27:55 | 0:27:58 | |
# What's a couple of regal boys to do | 0:27:58 | 0:28:01 | |
# We can't go back to being just plain misses | 0:28:01 | 0:28:05 | |
# When we've been called | 0:28:05 | 0:28:07 | |
# Your Majesty | 0:28:07 | 0:28:08 | |
# And sire | 0:28:08 | 0:28:09 | |
# Life would lose its flavour... # | 0:28:11 | 0:28:13 | |
Outside, you! | 0:28:14 | 0:28:15 | |
# Without our grace and favour | 0:28:19 | 0:28:22 | |
# And mincing as we do around the shire. # | 0:28:22 | 0:28:25 | |
Two, three, four. | 0:28:25 | 0:28:27 | |
Hup! | 0:28:27 | 0:28:28 | |
# We used to love the royal entertaining | 0:28:41 | 0:28:45 | |
# Our waltz and our gavotte were all the gear | 0:28:45 | 0:28:49 | |
# It does seem such a shame | 0:28:49 | 0:28:51 | |
# Cos they met with much acclaim | 0:28:51 | 0:28:54 | |
# And our dances got bigger every year | 0:28:54 | 0:28:58 | |
# We can't go back to being in the chorus | 0:28:59 | 0:29:03 | |
# When we've woken Sleeping Beauty with a kiss | 0:29:03 | 0:29:07 | |
# I've been a Whittington named Dick | 0:29:07 | 0:29:10 | |
# I've even trimmed Aladdin's wick | 0:29:13 | 0:29:15 | |
# And you should see us up a beanstalk dressed like this | 0:29:17 | 0:29:20 | |
# I used to love the blackouts with Man Friday. # | 0:29:28 | 0:29:31 | |
Oh, she did! She did! | 0:29:31 | 0:29:33 | |
# When the lights went up I went a shade of puce. # | 0:29:33 | 0:29:36 | |
Tell 'em, girl. | 0:29:36 | 0:29:38 | |
# I shall miss my name in lights | 0:29:38 | 0:29:40 | |
# And I'll miss my legs in tights. # | 0:29:40 | 0:29:42 | |
Ooh, that does hurt! | 0:29:43 | 0:29:45 | |
# But most we'll miss the goose from Mother Goose | 0:29:45 | 0:29:50 | |
# What shall we do when we're thrown on the scrapheap | 0:29:50 | 0:29:54 | |
# It seems our lives have been but just a farce. # | 0:29:54 | 0:29:58 | |
Who said that? | 0:30:02 | 0:30:03 | |
W... | 0:30:08 | 0:30:09 | |
# Why we've recently been seen | 0:30:11 | 0:30:13 | |
# By Her Majesty the Queen | 0:30:13 | 0:30:16 | |
# Oh, please! Oh, please! Don't put us out to grass | 0:30:16 | 0:30:19 | |
# We're not for grazing | 0:30:19 | 0:30:20 | |
# Oh, must there be an end to pantomime | 0:30:20 | 0:30:23 | |
# Without our trousers | 0:30:23 | 0:30:24 | |
# Oh, must there be an end | 0:30:24 | 0:30:27 | |
# To pantomime? # | 0:30:27 | 0:30:30 | |
# Put me amongst the girls | 0:30:41 | 0:30:45 | |
# Put me amongst the girls | 0:30:45 | 0:30:48 | |
# Do me a favour, do | 0:30:48 | 0:30:52 | |
# You know I'd do the same for you | 0:30:52 | 0:30:55 | |
# Put me amongst the girls | 0:30:55 | 0:30:59 | |
# Those with the curly curls | 0:30:59 | 0:31:03 | |
# They'll enjoy themselves and so shall I | 0:31:03 | 0:31:05 | |
# If you put me amongst the girls. # | 0:31:06 | 0:31:09 | |
Now, perhaps you can guess what I meant by "versatility". | 0:31:24 | 0:31:28 | |
From Denmark... | 0:31:29 | 0:31:31 | |
..tornadic in tripartite, | 0:31:33 | 0:31:36 | |
revolutionary... | 0:31:36 | 0:31:38 | |
..intrepidity. | 0:31:40 | 0:31:41 | |
Three people on skates. | 0:31:43 | 0:31:45 | |
Ladies and gentlemen, | 0:31:45 | 0:31:46 | |
the Hurricanes! | 0:31:46 | 0:31:49 | |
BAND PLAYS | 0:31:49 | 0:31:50 | |
APPLAUSE | 0:32:01 | 0:32:03 | |
APPLAUSE | 0:32:08 | 0:32:09 | |
APPLAUSE | 0:32:54 | 0:32:55 | |
APPLAUSE | 0:33:04 | 0:33:05 | |
HE SPEAKS OWN LANGUAGE | 0:33:46 | 0:33:47 | |
APPLAUSE | 0:34:03 | 0:34:04 | |
APPLAUSE | 0:34:24 | 0:34:25 | |
And now, ladies and gentlemen, | 0:34:41 | 0:34:43 | |
Jack there is going to risk | 0:34:43 | 0:34:46 | |
mutilation | 0:34:46 | 0:34:48 | |
for your titillation. | 0:34:48 | 0:34:50 | |
He's going to put that on his feet. | 0:34:50 | 0:34:53 | |
Ursula and John are going to go into their high-speed skating, | 0:34:53 | 0:34:58 | |
and Ursula, with that very sharp knife, | 0:34:58 | 0:35:01 | |
is going to cut that from between his feet | 0:35:01 | 0:35:04 | |
very carefully. | 0:35:04 | 0:35:05 | |
The Hurricanes! | 0:35:05 | 0:35:08 | |
APPLAUSE | 0:35:08 | 0:35:10 | |
DRUMROLL | 0:35:12 | 0:35:15 | |
APPLAUSE | 0:35:27 | 0:35:29 | |
Now, ladies and gentlemen, as promised, | 0:36:12 | 0:36:16 | |
once again, | 0:36:16 | 0:36:17 | |
this time in a Cockaigne... | 0:36:17 | 0:36:20 | |
..cantata, | 0:36:22 | 0:36:23 | |
The Players' Theatre | 0:36:23 | 0:36:25 | |
and your own, | 0:36:25 | 0:36:26 | |
your very, very own | 0:36:26 | 0:36:28 | |
Georgia Brown! | 0:36:28 | 0:36:31 | |
# Wotcha all the neighbours cried | 0:36:37 | 0:36:40 | |
# Who you going to meet, Bill? | 0:36:40 | 0:36:41 | |
# Have you bought the street, Bill? | 0:36:41 | 0:36:43 | |
# Laugh? I thought I should 'ave died | 0:36:43 | 0:36:45 | |
# Knocked 'em in the Old Kent Road | 0:36:45 | 0:36:48 | |
# Last night Down our alley comes a toff | 0:36:48 | 0:36:51 | |
# Nice old geezer with a nasty cough | 0:36:51 | 0:36:54 | |
# Sees me and he takes his topper off | 0:36:54 | 0:36:57 | |
# In a very gentlemanly way | 0:36:57 | 0:36:58 | |
# Man says Here I've got some news to tell | 0:37:00 | 0:37:02 | |
# Your old Uncle Tom from Camberwell | 0:37:03 | 0:37:06 | |
# Popped off recent which is sad to tell | 0:37:06 | 0:37:08 | |
# Leaving you his little donkey Shay. Oh! | 0:37:08 | 0:37:11 | |
# Wotcha all the neighbours cried | 0:37:11 | 0:37:14 | |
# Who you going to meet, Bill? | 0:37:14 | 0:37:16 | |
# Have you bought the street, Bill? | 0:37:16 | 0:37:17 | |
# Laugh? I thought I should 'ave died | 0:37:17 | 0:37:20 | |
# Knocked 'em in the Old Kent Road | 0:37:20 | 0:37:22 | |
# I'm a | 0:37:25 | 0:37:29 | |
# Chickerleary cove | 0:37:29 | 0:37:31 | |
# With me one two three | 0:37:31 | 0:37:33 | |
# Whitechapel is the village I was born in | 0:37:33 | 0:37:37 | |
# And | 0:37:37 | 0:37:39 | |
# To catch me on the 'op | 0:37:39 | 0:37:40 | |
# And my little game to stop | 0:37:40 | 0:37:42 | |
# You'll 'ave to get up very early in the mornin' | 0:37:42 | 0:37:47 | |
# I'm a | 0:37:47 | 0:37:49 | |
# Chickerleary bloke with me one two three | 0:37:49 | 0:37:52 | |
# Whitechapel is the village I was born in | 0:37:52 | 0:37:55 | |
# And to catch me on the 'op | 0:37:55 | 0:37:57 | |
# And my little game to stop | 0:37:57 | 0:37:58 | |
# You'll 'ave to get up very early in the mornin' | 0:37:58 | 0:38:01 | |
# You'll 'ave to get up | 0:38:01 | 0:38:02 | |
# Very early in the mornin' | 0:38:02 | 0:38:08 | |
# Underneath the gaslights' glitter | 0:38:17 | 0:38:23 | |
# Sits a little fragile girl | 0:38:25 | 0:38:28 | |
# Heedless of the night winds bitter | 0:38:31 | 0:38:36 | |
# That around about her whirl | 0:38:37 | 0:38:41 | |
# Though the hundreds pass unheeding | 0:38:43 | 0:38:48 | |
# In the evening's waning hours | 0:38:49 | 0:38:54 | |
# Still she cries | 0:38:56 | 0:38:58 | |
# With tearful pleading | 0:38:59 | 0:39:00 | |
# Won't you buy | 0:39:03 | 0:39:05 | |
# My pretty flowers? | 0:39:06 | 0:39:07 | |
# There are thousands | 0:39:11 | 0:39:14 | |
# Tired and weary | 0:39:15 | 0:39:16 | |
# In this precious land of ours | 0:39:18 | 0:39:23 | |
# Crying every night | 0:39:25 | 0:39:29 | |
# So dreary | 0:39:31 | 0:39:32 | |
# Won't you buy | 0:39:35 | 0:39:36 | |
# My pretty flowers? | 0:39:38 | 0:39:39 | |
# Won't you buy | 0:39:43 | 0:39:44 | |
# My pretty flowers? # | 0:39:46 | 0:39:47 | |
-I know you'll buy them, Leonard. -Yes. | 0:39:50 | 0:39:51 | |
You're such a kind and good gentleman, aren't you, sir? | 0:39:51 | 0:39:54 | |
God bless you, guv'nor. | 0:39:54 | 0:39:56 | |
# I... | 0:39:57 | 0:39:59 | |
# Never was a one to go and stint meself | 0:39:59 | 0:40:01 | |
# If I likes a thing, I likes it - that's enough. # | 0:40:03 | 0:40:06 | |
And I likes you, mister. 'Ave me flowers. | 0:40:06 | 0:40:10 | |
# Now there's lots of people say that if you likes a thing a lot | 0:40:10 | 0:40:13 | |
# It'll grow on you and all that sort of stuff | 0:40:13 | 0:40:18 | |
# Now I likes me drop of beer as well as anyone | 0:40:18 | 0:40:22 | |
# But a drop of beer's supposed to make you fat | 0:40:22 | 0:40:26 | |
# And there's many a la-di-da-di woman | 0:40:26 | 0:40:29 | |
# Doesn't dare to touch it | 0:40:29 | 0:40:31 | |
# Cos she mustn't spoil her figure | 0:40:31 | 0:40:34 | |
# Silly cat | 0:40:34 | 0:40:35 | |
# I... | 0:40:37 | 0:40:39 | |
# Always 'old with 'aving it if you fancy it | 0:40:39 | 0:40:42 | |
# If you fancy it | 0:40:42 | 0:40:44 | |
# That's understood | 0:40:44 | 0:40:46 | |
# Now suppose it makes you fat | 0:40:46 | 0:40:48 | |
# I... | 0:40:48 | 0:40:50 | |
# Don't worry over that | 0:40:50 | 0:40:52 | |
# Cos a little of what you fancy does you good. # | 0:40:52 | 0:40:55 | |
All together! | 0:40:55 | 0:40:56 | |
# I always 'old with 'aving it if you fancy it. # | 0:40:56 | 0:40:59 | |
Oh! # If you fancy it... # | 0:40:59 | 0:41:01 | |
Oh! # That's understood | 0:41:01 | 0:41:03 | |
# Now suppose it makes you fat | 0:41:03 | 0:41:05 | |
# I don't worry over that | 0:41:05 | 0:41:07 | |
# Cos a little of what you fancy does you good. # | 0:41:07 | 0:41:09 | |
I've got a lovely story to tell you. | 0:41:09 | 0:41:11 | |
It's very sad. | 0:41:11 | 0:41:14 | |
-AUDIENCE: -Aw... | 0:41:14 | 0:41:15 | |
I thought you'd feel like that. | 0:41:15 | 0:41:18 | |
# Mr William Henry Blue | 0:41:18 | 0:41:20 | |
# Came hurryin' home in such a stew | 0:41:20 | 0:41:23 | |
# When everyone was sleeping in the square | 0:41:25 | 0:41:27 | |
# What with the wintry winds that blew | 0:41:29 | 0:41:32 | |
# And the wine he'd drunk | 0:41:32 | 0:41:34 | |
# And his nose - ooh... | 0:41:34 | 0:41:35 | |
# I left 'im on the knocker hangin' there | 0:41:37 | 0:41:41 | |
# Now he shouted | 0:41:41 | 0:41:42 | |
# Anna | 0:41:42 | 0:41:43 | |
# I want to come up to bed | 0:41:43 | 0:41:46 | |
# So I puts me 'ead through the bedroom window | 0:41:46 | 0:41:49 | |
# With me nightcap on and says | 0:41:49 | 0:41:54 | |
# It's... | 0:41:54 | 0:41:57 | |
# No good your calling Anna | 0:41:57 | 0:42:00 | |
# I'm not comin' home tonight | 0:42:00 | 0:42:04 | |
# You can smoke, smoke, smoke on your Havana | 0:42:04 | 0:42:07 | |
# You can puff till the broad daylight | 0:42:07 | 0:42:10 | |
# I can tell you've been drinkin' by your manner | 0:42:10 | 0:42:15 | |
# It's no good your putting on airs | 0:42:15 | 0:42:18 | |
# If I open the door I feel quite sure | 0:42:18 | 0:42:22 | |
# You'll never get up those | 0:42:22 | 0:42:24 | |
# Never get up those | 0:42:24 | 0:42:26 | |
# Never get up those... # | 0:42:26 | 0:42:27 | |
All together! | 0:42:27 | 0:42:29 | |
# No good your calling Anna | 0:42:29 | 0:42:33 | |
# I'm not comin' home tonight | 0:42:33 | 0:42:36 | |
# You can smoke, smoke, smoke on your Havana | 0:42:36 | 0:42:40 | |
# You can puff till the broad daylight | 0:42:40 | 0:42:43 | |
# Oh I can tell you've been drinkin' by your manner | 0:42:43 | 0:42:47 | |
# It's no good your putting on airs | 0:42:47 | 0:42:50 | |
# If I open the door I feel quite sure | 0:42:50 | 0:42:54 | |
# You'll never get up those | 0:42:54 | 0:42:56 | |
# Never get up those | 0:42:56 | 0:42:58 | |
# Never get up those stairs! # | 0:42:58 | 0:43:01 | |
And now, ladies and gentlemen, there really is just time, just time | 0:43:20 | 0:43:24 | |
for the last chorus of all - Down At The Old Bull And Bush. | 0:43:24 | 0:43:27 | |
Ladies and gentlemen, | 0:43:27 | 0:43:28 | |
Miss Georgia Brown, the entire company, Mr Billy Ternent | 0:43:28 | 0:43:32 | |
and the entire... | 0:43:32 | 0:43:33 | |
..indefatigable orchestra... | 0:43:34 | 0:43:36 | |
CHEERING | 0:43:36 | 0:43:37 | |
..but, this time, chiefly... | 0:43:37 | 0:43:39 | |
Ourselves! | 0:43:39 | 0:43:41 | |
# Come, come, come and make eyes at me | 0:43:46 | 0:43:49 | |
# Down at the old Bull and Bush | 0:43:49 | 0:43:52 | |
# Da da da da da | 0:43:52 | 0:43:53 | |
# Come, come, drink some port wine with me | 0:43:53 | 0:43:57 | |
# Down at the old Bull and Bush | 0:43:57 | 0:43:59 | |
# Hear the little German band | 0:44:01 | 0:44:03 | |
# Ba da-da-da, da da da | 0:44:03 | 0:44:05 | |
# Just let me hold your hand dear | 0:44:05 | 0:44:08 | |
# Do, do, come and have a drink or two | 0:44:08 | 0:44:12 | |
# Down at the old Bull and Bush. | 0:44:12 | 0:44:16 | |
# Bush bush! # | 0:44:16 | 0:44:17 | |
CHEERING AND APPLAUSE | 0:44:17 | 0:44:20 |