Browse content similar to 22/01/1976. Check below for episodes and series from the same categories and more!
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AUDIENCE SINGING | 0:00:10 | 0:00:12 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:53 | |
Once again, good evening, ladies and gentlemen! | 0:01:02 | 0:01:10 | |
How about polysyllabic... | 0:01:13 | 0:01:16 | |
in plethoric prolixity... | 0:01:16 | 0:01:20 | |
extolling inaugurally. | 0:01:20 | 0:01:23 | |
The exquisite Miss Jacquie Tuoys, | 0:01:23 | 0:01:26 | |
plus the exemplary expertise of the Players Theatre. | 0:01:26 | 0:01:33 | |
# Where the boys and girls are found | 0:01:41 | 0:01:43 | |
# A hop and a skip and round and round. | 0:01:43 | 0:01:44 | |
# When they started dancing, they never know when to stop. | 0:01:44 | 0:01:48 | |
# It's aye, aye, up in the legs And, ah, hippety-hop | 0:01:48 | 0:01:51 | |
# Where the boys and girls are found | 0:01:55 | 0:01:57 | |
# A hop and a skip and you're round and round | 0:01:57 | 0:01:59 | |
# When they started dancing, they never know when to stop | 0:01:59 | 0:02:02 | |
# It's aye, aye, up with the legs and, ah, hippety-hop | 0:02:02 | 0:02:06 | |
# Aye, aye, up with the legs, up with the legs, up with the legs | 0:02:06 | 0:02:10 | |
# Casey would waltz with a strawberry blonde | 0:02:13 | 0:02:16 | |
# And the band played on | 0:02:16 | 0:02:21 | |
# He'd glide 'cross the floor with the girl he adored | 0:02:21 | 0:02:24 | |
# And the band played on | 0:02:24 | 0:02:28 | |
# His brain was so loaded it nearly exploded | 0:02:28 | 0:02:33 | |
# The poor girl would shake with alarm | 0:02:33 | 0:02:36 | |
# He'd ne'er leave the girl with the strawberry curl | 0:02:36 | 0:02:40 | |
# And the band played on | 0:02:40 | 0:02:45 | |
# Folks in Georgia's 'bout to go insane | 0:02:45 | 0:02:49 | |
# Since that new dance down in Georgia came | 0:02:49 | 0:02:53 | |
# I'm the only person who's to blame | 0:02:53 | 0:02:57 | |
# I'm the party introduced it there | 0:02:57 | 0:03:00 | |
# So give me credit to know a thing or two | 0:03:00 | 0:03:05 | |
# Give me credit for springing something new | 0:03:05 | 0:03:08 | |
# I will show this little dance to you | 0:03:08 | 0:03:12 | |
# When I do you'll say that it's a bear! | 0:03:12 | 0:03:16 | |
# First you put your two knees close up tight | 0:03:16 | 0:03:20 | |
# Then you sway 'em to the left, and you sway 'em to the right | 0:03:20 | 0:03:24 | |
# Step around the floor kind of nice and light | 0:03:24 | 0:03:27 | |
# Then you twist around | 0:03:27 | 0:03:29 | |
# And twist around with all of your might | 0:03:29 | 0:03:32 | |
# Spread your lovin' arms way out in space | 0:03:32 | 0:03:35 | |
# Then you do the Eagle Rock with style and grace | 0:03:35 | 0:03:39 | |
# Swing your foot way 'round then bring it back | 0:03:39 | 0:03:43 | |
# And that's what I call Ballin' the Jack | 0:03:43 | 0:03:47 | |
# And that's what I call the Ballin' the Jack | 0:04:33 | 0:04:37 | |
# And that's what we call the Wibbley Wobbley walk | 0:04:37 | 0:04:41 | |
# And we all walk the Wibbley Wobbley walk | 0:04:41 | 0:04:45 | |
# All talk the Wibbley Wobbley talk | 0:04:45 | 0:04:48 | |
# All wear Wibbley Wobbley ties | 0:04:48 | 0:04:52 | |
# And wink at the pretty girls with Wibbley Wobbley thighs | 0:04:52 | 0:04:55 | |
# And we all smile the Wibbley Wobbley smile | 0:04:55 | 0:04:58 | |
# When the day is dawning | 0:04:59 | 0:05:03 | |
# And all through the Wibbley Wobbley walk | 0:05:03 | 0:05:06 | |
# We get a Wibbley Wobbley feeling in the morning | 0:05:06 | 0:05:10 | |
# And we all walk the Wibbley Wobbley walk | 0:05:10 | 0:05:14 | |
# All talk the Wibbley Wobbley talk | 0:05:14 | 0:05:17 | |
# All wear Wibbley Wobbley ties | 0:05:17 | 0:05:21 | |
# And wink at the pretty girls with Wibbley Wobbley thighs | 0:05:21 | 0:05:24 | |
# And we all smile the Wibbley Wobbley smile | 0:05:24 | 0:05:28 | |
# When the day is dawning | 0:05:28 | 0:05:31 | |
# And all through the Wibbley Wobbley walk | 0:05:31 | 0:05:34 | |
# We get a Wibbley Wobbley feeling | 0:05:34 | 0:05:37 | |
# A Wibbley Wobbley feeling | 0:05:38 | 0:05:41 | |
# And that's what we call the Wibbley Wobbley walk! # | 0:05:42 | 0:05:45 | |
Whoo! | 0:05:45 | 0:05:46 | |
APPLAUSE | 0:05:46 | 0:05:48 | |
We leave... | 0:06:02 | 0:06:03 | |
We leave, as you know, no stone unturned | 0:06:05 | 0:06:09 | |
for your entertainment, | 0:06:09 | 0:06:11 | |
and tonight, we have unearthed | 0:06:11 | 0:06:15 | |
two gentleman | 0:06:15 | 0:06:18 | |
overrehearsed to the perilous peak | 0:06:18 | 0:06:23 | |
of unpredictability. | 0:06:23 | 0:06:26 | |
Ladies and gentlemen, aiming for perfection for your delight, | 0:06:26 | 0:06:32 | |
Mr Harry Towb and Mr Joe Melia. | 0:06:32 | 0:06:36 | |
Ladies and gentlemen, a recitation... | 0:06:42 | 0:06:44 | |
a recitation entitled Don't Go Down The Mine, Daddy, | 0:06:44 | 0:06:47 | |
Somebody's Nicked All The Coal. | 0:06:47 | 0:06:48 | |
A bunch of the boys were whooping it up in the Malamute saloon; | 0:06:49 | 0:06:52 | |
The kid that handles the music-box was hitting a rag-time tune; | 0:06:52 | 0:06:55 | |
Back of the bar, in a solo game, sat Dangerous Dan McGrew, | 0:06:55 | 0:06:59 | |
And watching his luck was his light-o'-love, the lad that's known as Lou. | 0:06:59 | 0:07:03 | |
-You've got it wrong. -I beg your pardon? | 0:07:03 | 0:07:06 | |
You've got it wrong. | 0:07:08 | 0:07:09 | |
It's lady. | 0:07:09 | 0:07:11 | |
That's no lady, that's Mr Herman. | 0:07:11 | 0:07:12 | |
-Lou. -Who? -Lou. | 0:07:15 | 0:07:16 | |
You should have gone before you came on. | 0:07:16 | 0:07:18 | |
The lady that's known as Lou. | 0:07:20 | 0:07:22 | |
No, you have to go to the other one, unless my eyes deceive me. | 0:07:22 | 0:07:25 | |
Please forgive this crass ignoramus. | 0:07:25 | 0:07:28 | |
You're very kind. | 0:07:28 | 0:07:29 | |
Ladies and gentleman... | 0:07:33 | 0:07:34 | |
Dear old Joe, he was one of the best, | 0:07:34 | 0:07:36 | |
and everyone's pal without doubt. | 0:07:36 | 0:07:38 | |
The sort of chap that would give you his boots and swear he's want better. | 0:07:38 | 0:07:41 | |
Get out. | 0:07:41 | 0:07:42 | |
I beg your pardon? | 0:07:43 | 0:07:45 | |
How dare you come on in the middle of my act. | 0:07:45 | 0:07:46 | |
-Can't you see what I'm trying to do? -No. | 0:07:46 | 0:07:49 | |
I thought maybe you'd forgotten your lines. | 0:07:51 | 0:07:54 | |
Me? Me forgotten my lines? | 0:07:54 | 0:07:57 | |
I've been in this business eight months. | 0:07:57 | 0:07:59 | |
I never forget my lines, never. | 0:08:01 | 0:08:02 | |
Ladies and gentlemen, a little recitation entitled... | 0:08:02 | 0:08:06 | |
Um...called... | 0:08:06 | 0:08:08 | |
A little recitation called... | 0:08:08 | 0:08:09 | |
Shall we do the song now? | 0:08:09 | 0:08:11 | |
Shall we do the song now? | 0:08:11 | 0:08:12 | |
It's not. It's a little recitation called... Should we do the song now? | 0:08:12 | 0:08:16 | |
If you please, Mrs Herman. | 0:08:16 | 0:08:18 | |
# I'd give the world to start all over | 0:08:26 | 0:08:30 | |
# Back in the old routine | 0:08:30 | 0:08:34 | |
# To live my life with hills of clover back in the old routine... # | 0:08:34 | 0:08:40 | |
I say, I say, I say, I say | 0:08:40 | 0:08:43 | |
My wife's gone to the West Indies. | 0:08:43 | 0:08:44 | |
Your wife's gone to the West Indies? | 0:08:44 | 0:08:46 | |
That's absolutely correct, my wife's gone to the West Indies. | 0:08:46 | 0:08:49 | |
-The Bahamas? -No, she went of her own accord. | 0:08:49 | 0:08:51 | |
-AUDIENCE: -Oooh! | 0:08:51 | 0:08:52 | |
I know a man who only eats Chinese food. | 0:09:09 | 0:09:11 | |
You know a man who only eats Chinese food? | 0:09:11 | 0:09:12 | |
That's absolutely correct, I know a man who only eats Chinese food. | 0:09:12 | 0:09:15 | |
-A Chinaman, is he? -No, he's a Chinaman. | 0:09:15 | 0:09:17 | |
# Give me my old straw hat and a-double-truckin' | 0:09:22 | 0:09:27 | |
# Down the avenue we'll go | 0:09:27 | 0:09:29 | |
# Folks passing by us will stop to eye us | 0:09:31 | 0:09:34 | |
# And soon there'll be more all callin' "Encore!" | 0:09:34 | 0:09:36 | |
# We'll walk in a wonderful glow... # | 0:09:36 | 0:09:38 | |
I say, I say, I say, I say... | 0:09:38 | 0:09:40 | |
My washing didn't come back from the laundry this week. | 0:09:40 | 0:09:42 | |
Your washing didn't come back from the laundry this week? | 0:09:42 | 0:09:44 | |
That's absolutely correct, my washing didn't come back from the laundry this week. | 0:09:44 | 0:09:48 | |
-Why, didn't you send any? -No, I didn't send any... | 0:09:48 | 0:09:50 | |
My wife, once again, has gone to the West Indies. | 0:10:03 | 0:10:06 | |
Your wife, once again, has gone to the West Indies? | 0:10:06 | 0:10:08 | |
That's right, my wife, once again, has gone to the West Indies. | 0:10:08 | 0:10:11 | |
Did she go of her own accord? | 0:10:11 | 0:10:12 | |
No, Jamaica! | 0:10:12 | 0:10:14 | |
# Oh, gee, the joy to be there flogging | 0:10:24 | 0:10:28 | |
# Back in the old routine | 0:10:28 | 0:10:30 | |
# You're up, you're down, you're in there slugging | 0:10:32 | 0:10:37 | |
# Back in the old routine... # | 0:10:37 | 0:10:39 | |
I say, I say, I say, I say... | 0:10:39 | 0:10:41 | |
My brother's very clever, he works in Fleet Street. | 0:10:41 | 0:10:43 | |
Your brother works in Fleet Street? | 0:10:43 | 0:10:45 | |
That's absolutely correct, he's very clever and he works in Fleet Street. | 0:10:45 | 0:10:47 | |
-What does he do there? -He goes around hitting people on the head. | 0:10:47 | 0:10:50 | |
-Why, is he an editor? -No, he's an ed... | 0:10:50 | 0:10:52 | |
# Oh, give me the jazz, the razzamatazz | 0:11:04 | 0:11:08 | |
# And we'll tread on Heaven's scene | 0:11:08 | 0:11:11 | |
# Back in the old routine... # | 0:11:13 | 0:11:16 | |
I say, I say, I say, I say... | 0:11:16 | 0:11:18 | |
My wife... | 0:11:19 | 0:11:21 | |
..has gone to the West Indies. | 0:11:23 | 0:11:26 | |
Your wife has gone to the West Indies? | 0:11:26 | 0:11:29 | |
That's right. My wife has gone to the West Indies. | 0:11:29 | 0:11:36 | |
Jamaica? | 0:11:36 | 0:11:37 | |
APPLAUSE | 0:11:37 | 0:11:40 | |
BOTH: No, she went of her own accord! | 0:11:43 | 0:11:46 | |
# Oh, gee, the joy to be there flogging | 0:11:48 | 0:11:53 | |
# Back in the old routine | 0:11:53 | 0:11:56 | |
# You're up, you're down, you're in there slugging | 0:11:56 | 0:11:59 | |
# Back in the old routine | 0:11:59 | 0:12:01 | |
# Give me the jazz, the razzamatazz | 0:12:02 | 0:12:05 | |
# And we'll tread on Heaven's scene | 0:12:05 | 0:12:09 | |
# Back in the old routine | 0:12:09 | 0:12:14 | |
# That's where the corn is green | 0:12:14 | 0:12:19 | |
# Back in the old routine. # | 0:12:19 | 0:12:24 | |
Mellifluous... | 0:12:40 | 0:12:42 | |
..masculinity... | 0:12:44 | 0:12:46 | |
..rhapsodically resplendant in Stuart regalia. | 0:12:47 | 0:12:51 | |
Yes, ladies, | 0:12:53 | 0:12:55 | |
ravishing in a kilt, | 0:12:56 | 0:13:00 | |
Mr Stuart Gillies. | 0:13:01 | 0:13:04 | |
# Step we gaily on we go | 0:13:08 | 0:13:11 | |
# Heel for heel and toe for toe | 0:13:11 | 0:13:13 | |
# Arm and arm and row and row | 0:13:13 | 0:13:16 | |
# All for Marie's wedding | 0:13:16 | 0:13:18 | |
# Bright her cheeks as Rowan's are Bright her eye as any star | 0:13:18 | 0:13:23 | |
# Fairest of them all by far is our darling Marie | 0:13:23 | 0:13:27 | |
# Step we gaily on we go | 0:13:27 | 0:13:29 | |
# Heel for heel and toe for toe | 0:13:29 | 0:13:32 | |
# Arm and arm and row and row | 0:13:32 | 0:13:34 | |
# All for Marie's wedding | 0:13:34 | 0:13:43 | |
# I sing of a river I'm happy beside | 0:13:47 | 0:13:49 | |
# The song that I sing is the song of the Clyde | 0:13:49 | 0:13:55 | |
# Of all Scottish rivers it's dearest tae me | 0:13:55 | 0:13:59 | |
# It flows from Leadhills all the way to the sea | 0:13:59 | 0:14:02 | |
# It borders the orchards of Lanark so fair | 0:14:02 | 0:14:07 | |
# Meanders through meadows with sheep grazing there | 0:14:07 | 0:14:11 | |
# But from Glasgow to Greenock - that's towns on each side - | 0:14:11 | 0:14:15 | |
# The hammers ding-dong It's the song of the Clyde | 0:14:15 | 0:14:19 | |
# Oh the river Clyde the wonderful Clyde | 0:14:19 | 0:14:23 | |
# The name of it thrills me and fills me with pride | 0:14:23 | 0:14:27 | |
# And I'm satisfied whate'er may betide | 0:14:27 | 0:14:31 | |
# The sweetest of songs is the song of the Clyde | 0:14:31 | 0:14:36 | |
# The sweetest of songs | 0:14:36 | 0:14:40 | |
# Is the song of the Clyde. # | 0:14:40 | 0:14:50 | |
Ladies and gentlemen, it's just great for me to be here singing for you | 0:14:58 | 0:15:02 | |
for the first time at the City Varieties, here in Leeds. | 0:15:02 | 0:15:05 | |
That last song, as you know, was called The Song of the Clyde, | 0:15:05 | 0:15:07 | |
and of course who better to sing it than me, | 0:15:07 | 0:15:09 | |
coming from Clydebank in Scotland? | 0:15:09 | 0:15:11 | |
Anyway, another little song for you now, one of my favourites. | 0:15:11 | 0:15:14 | |
I hope you like it, it's called The Heather On The Hill. | 0:15:14 | 0:15:18 | |
# Can't we two go walking together | 0:15:28 | 0:15:34 | |
# Out beyond the valley of trees? | 0:15:34 | 0:15:39 | |
# Out where there's a hillside of heather | 0:15:39 | 0:15:45 | |
# Gently swaying in the breeze | 0:15:45 | 0:15:52 | |
# That's what I'd like to do | 0:15:52 | 0:15:57 | |
# See the heather but with you | 0:15:57 | 0:16:03 | |
# The mist of May is in the gloaming | 0:16:06 | 0:16:13 | |
# And all the clouds are holding still | 0:16:13 | 0:16:18 | |
# If you're not there I won't go roaming | 0:16:18 | 0:16:23 | |
# Through the heather on the hill | 0:16:23 | 0:16:29 | |
# The morning dew is blinking yonder | 0:16:29 | 0:16:35 | |
# There's lazy music in the rill | 0:16:35 | 0:16:41 | |
# Yet all I want to do is wander | 0:16:41 | 0:16:46 | |
# Through the heather on the hill | 0:16:46 | 0:16:51 | |
# There may be other days as rich and rare | 0:16:51 | 0:16:57 | |
# There may be other springs as full and fair | 0:16:57 | 0:17:01 | |
# But they won't be the same | 0:17:01 | 0:17:04 | |
# They'll come and go | 0:17:04 | 0:17:07 | |
# For this I know | 0:17:07 | 0:17:13 | |
# That when the mist is in the gloaming | 0:17:14 | 0:17:19 | |
# And all the clouds are holding still | 0:17:20 | 0:17:25 | |
# If you're not there I won't go roaming | 0:17:25 | 0:17:29 | |
# Through the heather on the hill | 0:17:30 | 0:17:36 | |
# The heather on the hill | 0:17:36 | 0:17:51 | |
Thank you. | 0:17:55 | 0:17:58 | |
Are you ready? | 0:18:01 | 0:18:02 | |
# Well, I love a lassie, a bonnie, bonnie lassie, | 0:18:02 | 0:18:07 | |
# She's as pure as the lily in the dell | 0:18:07 | 0:18:11 | |
# She's as sweet the heather, the bonnie blooming heather | 0:18:11 | 0:18:14 | |
# Mary, my Scots bluebell... # | 0:18:14 | 0:18:18 | |
Come on, let me hear you this time. | 0:18:18 | 0:18:20 | |
# I love a lassie A bonnie, bonnie lassie | 0:18:20 | 0:18:25 | |
# She's as pure as the lily in the dell, | 0:18:25 | 0:18:28 | |
# She's as sweet the heather | 0:18:28 | 0:18:30 | |
# The bonnie blooming heather | 0:18:30 | 0:18:33 | |
# Mary, my Scots bluebell | 0:18:33 | 0:18:36 | |
# By yon bonnie banks And by yon bonnie braes | 0:18:38 | 0:18:46 | |
# Where the sun shines bright on Loch Lomond | 0:18:46 | 0:18:52 | |
# Where me and my true love will never want again | 0:18:52 | 0:18:59 | |
# On the bonnie, bonnie banks of Loch Lomond | 0:18:59 | 0:19:07 | |
# Oh, ye'll tak' the high road and I'll tak' the low road | 0:19:07 | 0:19:13 | |
# And I'll be in Scotland afore ye | 0:19:13 | 0:19:18 | |
# But me and my true love will never meet again | 0:19:18 | 0:19:24 | |
# On the bonnie, bonnie banks of Loch Lomond | 0:19:24 | 0:19:30 | |
# Oh, ye'll tak' the high road and I'll tak' the low road | 0:19:30 | 0:19:35 | |
# And I'll be in Scotland afore ye | 0:19:35 | 0:19:40 | |
# But me and my true love will never meet again | 0:19:40 | 0:19:46 | |
# On the bonnie, bonnie banks of Loch Lomond. # | 0:19:46 | 0:19:56 | |
CHEERING AND APPLAUSE | 0:19:56 | 0:20:01 | |
Now you know, my dears in the front rows... | 0:20:15 | 0:20:18 | |
..why your seats are so much more expensive. | 0:20:20 | 0:20:23 | |
Egregiously, ingratiating... | 0:20:25 | 0:20:29 | |
..gratuitously engaging in facetious fatuities... | 0:20:30 | 0:20:36 | |
a friendly funnyman, | 0:20:36 | 0:20:39 | |
Mr Ken Goodwin. | 0:20:39 | 0:20:42 | |
Hello, hello. | 0:20:53 | 0:20:56 | |
How are you doing? | 0:20:56 | 0:20:59 | |
Thank you very much, ha! | 0:21:02 | 0:21:05 | |
I bet you thought I was going to dance then, didn't you? | 0:21:12 | 0:21:14 | |
Well, it's nice to see you. | 0:21:16 | 0:21:18 | |
-How are you, all right? -Yes. -That's it. How about that, all right? | 0:21:18 | 0:21:23 | |
Have you come on your own? | 0:21:26 | 0:21:29 | |
I don't want you to shout too loud up there cos the plaster's crumbling! | 0:21:30 | 0:21:34 | |
Hey, I've got super digs. | 0:21:36 | 0:21:38 | |
I don't know where I'm stopping but it's someplace up at | 0:21:38 | 0:21:41 | |
the Park Road in Leeds, and I knocked on the door | 0:21:41 | 0:21:45 | |
and I walked in and... | 0:21:45 | 0:21:49 | |
I said, "I've come to stop with you." | 0:21:52 | 0:21:54 | |
She said, "You'll have to make your own bed." | 0:21:56 | 0:21:59 | |
I said, "That's all right." She said, "Here's a hammer and nails." | 0:21:59 | 0:22:01 | |
Do you get it? | 0:22:03 | 0:22:05 | |
I just come right out with that one, didn't I? | 0:22:10 | 0:22:14 | |
I went upstairs and... | 0:22:15 | 0:22:17 | |
I went upstairs and as I was going upstairs she came with me, | 0:22:17 | 0:22:22 | |
and... Ha-ha! | 0:22:22 | 0:22:24 | |
..and she said, "Have you got a good memory for faces?" | 0:22:24 | 0:22:27 | |
I said, "Yes." She said, "There's no mirror in the bathroom." | 0:22:27 | 0:22:31 | |
I said, "I say, I can't stand all those mice." | 0:22:39 | 0:22:42 | |
She said, "Well, sort out the ones | 0:22:42 | 0:22:44 | |
"you don't like and we'll get rid of them, then!" | 0:22:44 | 0:22:46 | |
This is the first time I've wore one of these, you know. | 0:22:53 | 0:22:56 | |
I don't know. | 0:22:56 | 0:22:58 | |
And I've had trouble with it because I went to the doctors and I said, | 0:22:58 | 0:23:01 | |
I keep hearing music. | 0:23:01 | 0:23:03 | |
So he said, give us your hat, so I gave it him. | 0:23:05 | 0:23:08 | |
He said, now try it on. | 0:23:08 | 0:23:10 | |
I said, that's smashing, it's stopped. | 0:23:12 | 0:23:15 | |
He said, I've took the band out. | 0:23:15 | 0:23:17 | |
Took the band out! | 0:23:17 | 0:23:19 | |
Got them all written down on here. | 0:23:29 | 0:23:31 | |
Bailiffs went to this house on this estate and pushed the summons under | 0:23:38 | 0:23:41 | |
the door and this fellow was stood at the other side with a pair of | 0:23:41 | 0:23:44 | |
bellows blowing it back. | 0:23:44 | 0:23:46 | |
When they went back to court the judge said, | 0:23:51 | 0:23:52 | |
"Did they pay their summons?" | 0:23:52 | 0:23:54 | |
He said "No, and I wouldn't in a draughty house like that!" | 0:23:54 | 0:23:57 | |
I don't think I'll stick it out here in these digs, because I stopped there last time I came. | 0:24:05 | 0:24:10 | |
We had fish Monday, fish Tuesday and fish Wednesday, | 0:24:10 | 0:24:12 | |
and Thursday she was setting the table and she dropped a knife. | 0:24:12 | 0:24:16 | |
And she said "A stranger's coming to tea." | 0:24:16 | 0:24:18 | |
I said, "I hope it's the butcher." | 0:24:20 | 0:24:22 | |
Anyway, I'm not stopping any longer, cos I get fed up after a bit. | 0:24:32 | 0:24:36 | |
No, I don't, really, cos I think you're rotten smashing, I do. | 0:24:38 | 0:24:41 | |
And I'm going to sing a song now and I don't know why because you haven't | 0:24:42 | 0:24:46 | |
done anything to upset me. | 0:24:46 | 0:24:47 | |
And this is a request from someone that's just gone out. | 0:24:53 | 0:24:57 | |
There's a woman down there, she just went like... | 0:25:02 | 0:25:05 | |
HE TUTS | 0:25:05 | 0:25:07 | |
I'm not scared of her. | 0:25:15 | 0:25:17 | |
I tell you what, lads, give us something they can clap their hands to, eh? Here we go. | 0:25:22 | 0:25:26 | |
# Begorrah me heart is all of a dither | 0:25:36 | 0:25:38 | |
# Whenever she passes by | 0:25:38 | 0:25:39 | |
# Begorrah there's always somebody with her | 0:25:39 | 0:25:42 | |
# But let 'em all go to the devil says I | 0:25:42 | 0:25:44 | |
# Skipping along as light as a feather | 0:25:44 | 0:25:45 | |
# And leading the boys a dance | 0:25:45 | 0:25:47 | |
# And all of the while I'm wondering whether | 0:25:47 | 0:25:49 | |
# I'm gonna be given the ghost of a chance | 0:25:49 | 0:25:51 | |
# Night to day I wouldn't be letting her | 0:25:51 | 0:25:53 | |
# Far away from out of me sight | 0:25:53 | 0:25:54 | |
# All the other follows are getting | 0:25:54 | 0:25:56 | |
# As mad as a hatter but what does it matter? | 0:25:56 | 0:25:58 | |
# Begorrah at last I've managed to get her | 0:25:58 | 0:26:00 | |
# The sun has begun to shine | 0:26:00 | 0:26:01 | |
# She's made up her mind there's nobody better | 0:26:01 | 0:26:03 | |
# Begorrah tomorrow she's gonna be mine | 0:26:03 | 0:26:05 | |
# Heigh ho, tomorrow is me wedding day | 0:26:05 | 0:26:09 | |
# So tonight I'm proud to say I'm having a party | 0:26:09 | 0:26:13 | |
# Heigh ho, you'll find me just across the way | 0:26:13 | 0:26:16 | |
# Singing and making a heck of a noise | 0:26:16 | 0:26:18 | |
# Drowning me sorrows with all of the boys | 0:26:18 | 0:26:21 | |
# Heigh ho, we're off to paint the town tonight | 0:26:21 | 0:26:24 | |
# Turn it upside down tonight | 0:26:24 | 0:26:26 | |
# Oh, boy, what a party | 0:26:26 | 0:26:27 | |
# Heigh ho, get everybody around tonight | 0:26:27 | 0:26:31 | |
# Beat the drum, and get all the people to come | 0:26:31 | 0:26:34 | |
# Begorrah at last I've managed to get her | 0:26:34 | 0:26:36 | |
# The sun has begun to shine | 0:26:36 | 0:26:38 | |
# She's made up her mind there's nobody better | 0:26:38 | 0:26:40 | |
# Begorrah tomorrow she's gonna be mine... # | 0:26:40 | 0:26:42 | |
Last time. | 0:26:42 | 0:26:44 | |
# Oh, tomorrow she's gonna be mine. # | 0:26:46 | 0:26:53 | |
CHEERING | 0:26:53 | 0:26:57 | |
That, of course, was Ken Goodwin. | 0:27:10 | 0:27:13 | |
And now... | 0:27:14 | 0:27:16 | |
ineluctably entrancing, | 0:27:16 | 0:27:19 | |
in crystalline translucencies... | 0:27:19 | 0:27:22 | |
..singing like a lark. | 0:27:24 | 0:27:26 | |
The one and only Ms Moira Anderson. | 0:27:27 | 0:27:31 | |
# For, tonight | 0:27:38 | 0:27:40 | |
# For, tonight | 0:27:40 | 0:27:41 | |
# Let me dream of my dream of delight | 0:27:41 | 0:27:44 | |
# Tra-la-la-la-la-la | 0:27:44 | 0:27:46 | |
# La-la-la-la-la | 0:27:46 | 0:27:48 | |
# And purchase of sorrow a moment's respite | 0:27:48 | 0:27:54 | |
# I am dazed | 0:27:54 | 0:27:58 | |
# Like a lark that has gazed On the sun, in his flight | 0:27:58 | 0:28:04 | |
# Let me sing! | 0:28:04 | 0:28:08 | |
# Let me sing! | 0:28:08 | 0:28:10 | |
# For I waver and swing Between madness and gladness tonight | 0:28:10 | 0:28:16 | |
# Let me sing! | 0:28:16 | 0:28:18 | |
# For I swing between madness and gladness tonight | 0:28:18 | 0:28:26 | |
# My eyes are gazing at days | 0:28:26 | 0:28:31 | |
# With a strange delight | 0:28:31 | 0:28:36 | |
# I am dazed | 0:28:36 | 0:28:41 | |
# Like a lark that has gazed on the sun, in his flight. # | 0:28:41 | 0:28:47 | |
SHE VOCALISES | 0:28:47 | 0:28:50 | |
# For tonight, for tonight | 0:29:12 | 0:29:16 | |
# Let me dream of my dream of delight | 0:29:16 | 0:29:19 | |
# Tra-la-la-la-la-la-la | 0:29:19 | 0:29:21 | |
# La-la-la-la-la | 0:29:21 | 0:29:24 | |
# And purchase of sorrow a moment's respite | 0:29:24 | 0:29:30 | |
# I am dazed | 0:29:30 | 0:29:34 | |
# Like a lark that has gazed on the sun, in his flight | 0:29:34 | 0:29:40 | |
# I waver and swing between madness and gladness tonight | 0:29:44 | 0:29:49 | |
# Let me sing! # | 0:29:49 | 0:29:51 | |
SHE VOCALISES | 0:29:51 | 0:29:54 | |
# 'Twixt madness and gladness tonight | 0:29:59 | 0:30:02 | |
SHE VOCALISES | 0:30:02 | 0:30:05 | |
CHEERING | 0:30:21 | 0:30:23 | |
# One day when we were young | 0:30:45 | 0:30:51 | |
# One wonderful morning in May | 0:30:51 | 0:30:57 | |
# You told me you loved me | 0:30:57 | 0:31:04 | |
# When we were young one day | 0:31:04 | 0:31:12 | |
# Sweet songs of spring were sung | 0:31:12 | 0:31:18 | |
# And music was never so gay | 0:31:18 | 0:31:24 | |
# You told me you loved me | 0:31:24 | 0:31:31 | |
# When we were young one day | 0:31:31 | 0:31:38 | |
# You told me you loved me | 0:31:38 | 0:31:43 | |
# And held me close to your heart | 0:31:43 | 0:31:50 | |
# We laughed then, we cried then | 0:31:50 | 0:31:56 | |
# Then came the time to part | 0:31:56 | 0:32:04 | |
# When songs of spring are sung | 0:32:08 | 0:32:12 | |
# Remember that morning in May | 0:32:12 | 0:32:18 | |
# Remember you loved me | 0:32:18 | 0:32:25 | |
# When we were young one day | 0:32:25 | 0:32:33 | |
# You told me you loved me | 0:32:44 | 0:32:51 | |
# When we were young one day | 0:32:51 | 0:32:58 | |
# You told me you loved me | 0:32:58 | 0:33:04 | |
# And held me close to your heart | 0:33:04 | 0:33:11 | |
# We laughed then, we cried then | 0:33:11 | 0:33:18 | |
# Then came the time to part | 0:33:18 | 0:33:26 | |
# When songs of spring were sung | 0:33:27 | 0:33:33 | |
# Remember that morning in May | 0:33:33 | 0:33:40 | |
# Remember you loved me | 0:33:40 | 0:33:49 | |
# When we were young one day. # | 0:33:49 | 0:34:01 | |
CHEERING AND APPLAUSE | 0:34:01 | 0:34:04 | |
Amplitudinous... | 0:34:26 | 0:34:29 | |
plenipotentiary of pachydermatous, | 0:34:29 | 0:34:32 | |
percussiveness... | 0:34:32 | 0:34:34 | |
Who but your own - your very, very own - Miss Tessie O'Shea. | 0:34:34 | 0:34:40 | |
# Come on and say hello to my old banjo | 0:34:47 | 0:34:51 | |
# Say howdy-do to my pal | 0:34:51 | 0:34:54 | |
# We've been together since Lord knows when | 0:34:54 | 0:34:58 | |
# All the way to Sydney Bay and all the way right back again | 0:34:58 | 0:35:02 | |
# Get ready, get set There the band go | 0:35:02 | 0:35:05 | |
# Get on the downbeat and then | 0:35:05 | 0:35:08 | |
# Come on and say hello to my old banjo | 0:35:08 | 0:35:12 | |
# Say howdy-do to my pal | 0:35:12 | 0:35:15 | |
# Now, when first your little Tessie came to roam the world around | 0:35:15 | 0:35:20 | |
# To give me consolation, sure, a darling friend I found | 0:35:20 | 0:35:24 | |
# And though its only recipe is wood and skin and strings | 0:35:24 | 0:35:28 | |
# If you tickle him a little bit | 0:35:28 | 0:35:32 | |
# Oh, boy, this baby swings | 0:35:32 | 0:35:36 | |
SHE VOCALISES | 0:35:36 | 0:35:39 | |
# Come on and say hello to my old banjo | 0:35:39 | 0:35:43 | |
# Say howdy-do to my pal | 0:35:43 | 0:35:46 | |
# We've been together since Lord knows when | 0:35:47 | 0:35:51 | |
# All the way to Sydney Bay and all the way right back again | 0:35:51 | 0:35:55 | |
# Get ready, get set There the band go | 0:35:55 | 0:35:58 | |
# Get on the downbeat and then | 0:35:58 | 0:36:01 | |
# Come on and say hello to my old banjo | 0:36:01 | 0:36:05 | |
# Say howdy-do to my pal | 0:36:05 | 0:36:15 | |
# Howdy-do to my pal! # | 0:36:15 | 0:36:17 | |
CHEERING AND APPLAUSE | 0:36:17 | 0:36:19 | |
# By the light of the silvery moon | 0:36:24 | 0:36:29 | |
# I want to spoon | 0:36:31 | 0:36:35 | |
# With my honey I'll croon love's tune | 0:36:35 | 0:36:41 | |
# Honeymoon | 0:36:41 | 0:36:43 | |
# Keep a-shining in June | 0:36:43 | 0:36:48 | |
# Your silvery beams will bring love dreams | 0:36:48 | 0:36:52 | |
# We'll be hurrying soon | 0:36:52 | 0:36:56 | |
# By the silvery moon | 0:36:56 | 0:37:00 | |
# Yes, when you're strolling along in the sunshine | 0:37:01 | 0:37:05 | |
# By the side of the silvery sea | 0:37:05 | 0:37:08 | |
# That's where a girl and boy | 0:37:08 | 0:37:11 | |
# With a heart of joy | 0:37:11 | 0:37:13 | |
# Are holding hands on the golden sands | 0:37:13 | 0:37:16 | |
# And that's where romance blossoms and life is sweet | 0:37:16 | 0:37:20 | |
# It's like a melody | 0:37:20 | 0:37:23 | |
# When the sun goes down | 0:37:23 | 0:37:26 | |
# The moon comes up | 0:37:26 | 0:37:28 | |
# Get a bit of loving with a bit of luck | 0:37:28 | 0:37:31 | |
# Strolling along in the sunshine | 0:37:31 | 0:37:34 | |
# By the side of the silvery sea | 0:37:34 | 0:37:38 | |
# Now, you can take your wife | 0:37:38 | 0:37:41 | |
# But if that's too tame | 0:37:41 | 0:37:43 | |
# Take somebody else's cos it's all the same | 0:37:43 | 0:37:46 | |
# When you're strolling along in the sunshine | 0:37:46 | 0:37:50 | |
# By the side of the silvery sea | 0:37:50 | 0:37:53 | |
# Oh, a little mouse in a... | 0:37:53 | 0:37:55 | |
SHE SINGS NONSENSE | 0:37:55 | 0:37:58 | |
# A little mouse in a... | 0:37:58 | 0:38:00 | |
SHE SINGS NONSENSE | 0:38:00 | 0:38:03 | |
# Oh, won't you come home, Bill Bailey? Won't you come home? | 0:38:13 | 0:38:17 | |
# Because the whole day long | 0:38:17 | 0:38:21 | |
# I'll do the cookin', honey I'll pay the rent | 0:38:21 | 0:38:24 | |
# You know you got me wrong | 0:38:24 | 0:38:28 | |
# Remember, the rainy evening | 0:38:28 | 0:38:31 | |
# With nothing but a fine-tooth comb | 0:38:31 | 0:38:35 | |
# I'm to blame Ain't it a shame? | 0:38:35 | 0:38:39 | |
# Bill Bailey, won't you please come on... # | 0:38:39 | 0:38:42 | |
Everybody now! | 0:38:42 | 0:38:44 | |
# Won't you come home, Bill Bailey? Won't you come home? | 0:38:44 | 0:38:48 | |
# Because the whole day long | 0:38:48 | 0:38:50 | |
# I'll do the cookin', honey I'll pay the rent | 0:38:50 | 0:38:55 | |
# You know you got me wrong | 0:38:55 | 0:38:58 | |
# Back on that rainy evening I flung you out | 0:38:59 | 0:39:02 | |
# With nothing but a fine-tooth comb | 0:39:02 | 0:39:05 | |
# I'm to blame Ain't it a shame? | 0:39:05 | 0:39:10 | |
# Bill Bailey, won't you please come home? | 0:39:10 | 0:39:15 | |
CHEERING AND APPLAUSE | 0:39:18 | 0:39:21 | |
Love you, boys. | 0:39:23 | 0:39:26 | |
Love you. Oh. | 0:39:26 | 0:39:29 | |
Is that beautiful? | 0:39:29 | 0:39:32 | |
I've had my eye on him. | 0:39:32 | 0:39:34 | |
Is he with you, love? | 0:39:36 | 0:39:38 | |
Yes, he is. | 0:39:38 | 0:39:40 | |
Can I have him just for a minute, like? | 0:39:40 | 0:39:43 | |
All right. Don't worry, love. I've got enough for the lot of you. | 0:39:43 | 0:39:46 | |
You're all right. | 0:39:46 | 0:39:49 | |
If you give me a little lead in there, baby. | 0:39:49 | 0:39:51 | |
I'll tell them all about it. | 0:39:51 | 0:39:53 | |
# Cuddle closer | 0:39:55 | 0:39:57 | |
# Just like lovers do, dear | 0:39:57 | 0:40:01 | |
# Do, dear | 0:40:01 | 0:40:04 | |
# There's nobody half as sweet as you, dear | 0:40:04 | 0:40:10 | |
# You, dear | 0:40:10 | 0:40:12 | |
# When I gaze into your eyes | 0:40:12 | 0:40:17 | |
# They look at me with such surprise | 0:40:17 | 0:40:21 | |
# Because they know I idolise just you | 0:40:21 | 0:40:26 | |
-# Do-do-do-do -That's true | 0:40:26 | 0:40:29 | |
# And as around the ballroom | 0:40:29 | 0:40:33 | |
# We go gently | 0:40:33 | 0:40:36 | |
# Glidin', slidin' | 0:40:36 | 0:40:39 | |
# I'm in paradise just made for two | 0:40:39 | 0:40:45 | |
# Me and you and in my arms | 0:40:45 | 0:40:49 | |
# I need to hold you | 0:40:49 | 0:40:52 | |
# Tell our secrets | 0:40:52 | 0:40:54 | |
# I have told you that I love you | 0:40:54 | 0:40:59 | |
# I love you the way I do. # | 0:40:59 | 0:41:04 | |
Ahhh, pretty! Is that a pretty one? | 0:41:06 | 0:41:11 | |
Ahh! | 0:41:12 | 0:41:15 | |
# Because I'm ready, I'm willing... # | 0:41:18 | 0:41:22 | |
Anybody looking for a wife? | 0:41:22 | 0:41:24 | |
# I'm ready, I'm willing to cherish him for life | 0:41:24 | 0:41:27 | |
# I'm not too bad to look at Got plenty on me | 0:41:27 | 0:41:30 | |
# Very nice thing on a winter's night to warm your cold feet on | 0:41:30 | 0:41:34 | |
# I'm ready, I'm willing Have been months and months | 0:41:34 | 0:41:37 | |
# Don't all shout at once! | 0:41:39 | 0:41:41 | |
# Come on and say hello to my old banjo | 0:41:44 | 0:41:48 | |
# Say howdy-do to my pal | 0:41:48 | 0:41:51 | |
# We've been together since Lord knows when | 0:41:51 | 0:41:55 | |
# All the way to Sydney Bay All the way right back again | 0:41:55 | 0:41:58 | |
# Get ready, get set Let the band go | 0:41:58 | 0:42:02 | |
# Get on the downbeat and then | 0:42:02 | 0:42:05 | |
# Come on and say hello to my old banjo | 0:42:05 | 0:42:09 | |
# Say howdy-do to my pal | 0:42:09 | 0:42:18 | |
# Howdy-do to my pal - hoy! # | 0:42:18 | 0:42:22 | |
Love you. Bye, my baby. | 0:42:22 | 0:42:24 | |
Bye, loves. | 0:42:40 | 0:42:42 | |
And now, ladies and gentlemen, | 0:42:42 | 0:42:44 | |
there is just time to ask Miss Tessie O'Shea | 0:42:44 | 0:42:45 | |
to lead the company and yourselves in the last chorus for tonight, | 0:42:45 | 0:42:48 | |
Down At The Old Bull And Bush. | 0:42:48 | 0:42:50 | |
Ladies and gentlemen, Miss Tessie O'Shea and the entire company, | 0:42:50 | 0:42:53 | |
the indispensable Mr Bernard Herrmann | 0:42:53 | 0:42:56 | |
and his incomparable orchestra. | 0:42:56 | 0:42:59 | |
But this time, chiefly, yourself. | 0:43:01 | 0:43:06 | |
# Come, come, come and make eyes at me down at the Old Bull and Bush | 0:43:10 | 0:43:15 | |
# Da, da, da, da, da | 0:43:15 | 0:43:18 | |
# Come, come, drink some port wine with me | 0:43:18 | 0:43:21 | |
# Down at the Old Bull and Bush | 0:43:21 | 0:43:25 | |
# Hear the little German Band Da, da, da, da, da, | 0:43:25 | 0:43:28 | |
# Just let me hold your hand dear | 0:43:28 | 0:43:32 | |
# Do, do come and have a drink or two | 0:43:32 | 0:43:36 | |
# Down at the Old Bull and Bush Bush-bush! # | 0:43:36 | 0:43:42 | |
CHEERING AND APPLAUSE | 0:43:42 | 0:43:44 |