Browse content similar to 24/12/1983. Check below for episodes and series from the same categories and more!
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# Let nothing you dismay | 0:00:02 | 0:00:04 | |
# Remember Christ our Saviour was born on Christmas Day | 0:00:04 | 0:00:09 | |
# To save us all from Satan's power When we were gone astray | 0:00:09 | 0:00:13 | |
# O tidings of comfort and joy Comfort and joy | 0:00:13 | 0:00:18 | |
# O tidings of comfort and joy. # | 0:00:18 | 0:00:22 | |
CHEERING AND APPLAUSE | 0:00:22 | 0:00:25 | |
# Goodbye, summer So long, fall | 0:00:32 | 0:00:36 | |
# Hello, wintertime | 0:00:36 | 0:00:39 | |
# Let's take a moonlight sleigh ride Come along | 0:00:39 | 0:00:44 | |
# Hear the sleigh bells jingle and chime | 0:00:44 | 0:00:47 | |
# Every Joe and Jessie is comfy and cosy | 0:00:47 | 0:00:51 | |
# Their hearts are melting | 0:00:51 | 0:00:55 | |
# And so it's goodbye, summer So long, fall | 0:00:55 | 0:00:59 | |
# Hello wintertime | 0:00:59 | 0:01:03 | |
# Winter, winter | 0:01:03 | 0:01:06 | |
# When the snow is softly falling | 0:01:06 | 0:01:10 | |
# That's the time to squeeze When it starts to freeze | 0:01:10 | 0:01:14 | |
# In October and November And December, just remember | 0:01:14 | 0:01:18 | |
# Winter, winter | 0:01:18 | 0:01:22 | |
# When your sweetheart comes a calling | 0:01:22 | 0:01:25 | |
# By the fireside so bright You'll sit and tease her | 0:01:25 | 0:01:30 | |
# That's the time to squeeze her When it's winter... # | 0:01:30 | 0:01:34 | |
# ..So give me a little cosy corner | 0:01:38 | 0:01:42 | |
# And an armchair for two | 0:01:42 | 0:01:46 | |
# Somewhere with somebody there | 0:01:46 | 0:01:50 | |
# Anywhere will do | 0:01:50 | 0:01:54 | |
# Give me an evening in the twilight | 0:01:54 | 0:01:59 | |
# With the pale moon above | 0:01:59 | 0:02:02 | |
# And I'll find a cosy little corner | 0:02:02 | 0:02:07 | |
# In the heart of the one I love | 0:02:07 | 0:02:11 | |
# Just give me a little cosy corner | 0:02:11 | 0:02:16 | |
# And an armchair for two | 0:02:16 | 0:02:19 | |
# Somewhere with somebody there | 0:02:19 | 0:02:24 | |
# Anywhere will do | 0:02:24 | 0:02:27 | |
# Give me an evening in the twilight | 0:02:27 | 0:02:32 | |
# With the pale moon above | 0:02:32 | 0:02:35 | |
# And I'll find a cosy little corner | 0:02:35 | 0:02:40 | |
# In the heart of the one I love | 0:02:40 | 0:02:44 | |
# Oh, I must go home tonight I must go home tonight | 0:02:46 | 0:02:49 | |
# I don't care if it's snowing Blowing, I'm going | 0:02:49 | 0:02:53 | |
# I only got married this morning And it fills me with delight | 0:02:53 | 0:02:57 | |
# I'll stay out as long as you like | 0:02:57 | 0:03:00 | |
# But I must go home tonight | 0:03:00 | 0:03:02 | |
# Yes, I must go home tonight. # | 0:03:02 | 0:03:07 | |
CHEERING AND APPLAUSE | 0:03:16 | 0:03:22 | |
CHEERING | 0:03:26 | 0:03:28 | |
Once again, | 0:03:32 | 0:03:34 | |
good evening, ladies and gentlemen! | 0:03:34 | 0:03:40 | |
-ALL: -Good evening! | 0:03:40 | 0:03:42 | |
The phantasmagorically... | 0:03:42 | 0:03:46 | |
-ALL: -Ooh! | 0:03:46 | 0:03:48 | |
..the androgynous apogee, the apotheosis of the epicene, | 0:03:48 | 0:03:55 | |
emulating Miss Marie Lloyd, we give you Mr Danny La Rue! | 0:03:55 | 0:04:02 | |
CHEERING AND APPLAUSE | 0:04:02 | 0:04:04 | |
# Since Mother Eve in the garden long ago | 0:04:17 | 0:04:22 | |
# Started a fashion | 0:04:22 | 0:04:23 | |
# Fashion's been a passion | 0:04:23 | 0:04:26 | |
# She wore a fig leaf You might describe as brief | 0:04:26 | 0:04:30 | |
# Now every season brings a change of leaf... # | 0:04:30 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:37 | |
# ..She'd smile if she would come to town | 0:04:37 | 0:04:41 | |
# What would Mother Eve think of my new Parisian gown? | 0:04:41 | 0:04:46 | |
# When I take my morning promenade | 0:04:46 | 0:04:52 | |
# Quite a fashion card on the promenade | 0:04:52 | 0:04:57 | |
# Oh, I don't mind my nice boys staring hard | 0:04:57 | 0:05:01 | |
# If it satisfies their desire | 0:05:01 | 0:05:05 | |
# Oh, do you like my...mm! Just a little bit? | 0:05:05 | 0:05:09 | |
# Just a little bit Not too much of it | 0:05:09 | 0:05:13 | |
# And when I show my legs just a little bit | 0:05:13 | 0:05:17 | |
# That's the little bit the boys admire | 0:05:17 | 0:05:21 | |
# I show my legs just a little bit... # | 0:05:21 | 0:05:25 | |
All together! # ..That's the little bit | 0:05:25 | 0:05:27 | |
# The boys admire. # | 0:05:27 | 0:05:33 | |
CHEERING AND APPLAUSE | 0:05:33 | 0:05:35 | |
There we are! | 0:05:50 | 0:05:53 | |
How are we all, all right? | 0:05:53 | 0:05:56 | |
-ALL: -Yes. | 0:05:56 | 0:05:57 | |
Now, it wouldn't be Marie Lloyd without the favourite song of all, | 0:05:57 | 0:06:01 | |
Don't Dilly Dally On The Way, and big breasts. Big BREATHS! | 0:06:01 | 0:06:05 | |
-LAUGHTER -Thank you, Maestro. | 0:06:05 | 0:06:08 | |
# My old man said foller the van | 0:06:15 | 0:06:19 | |
# And don't dilly dally on the way | 0:06:19 | 0:06:23 | |
# Off went the van wiv me 'ome packed in it | 0:06:23 | 0:06:27 | |
# I followed on wiv me old cock linnet | 0:06:27 | 0:06:30 | |
# And I dillied and dallied Dallied and I dillied | 0:06:30 | 0:06:34 | |
# Lost me way and I don't know where to roam | 0:06:34 | 0:06:38 | |
# Oh, you can't trust a special like the old-time coppers | 0:06:38 | 0:06:42 | |
# When you can't find your way home... # | 0:06:42 | 0:06:45 | |
All together now! | 0:06:45 | 0:06:46 | |
# My old man said foller the van | 0:06:46 | 0:06:50 | |
# And don't dilly-dally on the way | 0:06:50 | 0:06:54 | |
# Off went the van with me 'ome packed in it | 0:06:54 | 0:06:58 | |
# I followed on with me old cock linnet | 0:06:58 | 0:07:02 | |
# I dillied, I dallied Dallied and I dillied | 0:07:02 | 0:07:06 | |
# Lost me way and don't know where to roam | 0:07:06 | 0:07:09 | |
# Oh, you can't trust a special like the old-time coppers | 0:07:09 | 0:07:13 | |
# When you can't find your way home. # | 0:07:13 | 0:07:20 | |
-Your way home! There! -CHEERING AND APPLAUSE | 0:07:20 | 0:07:23 | |
And now a seasonal serenade | 0:07:36 | 0:07:40 | |
from that rapscallion rhapsodist | 0:07:40 | 0:07:45 | |
Mr Bernard Cribbins! | 0:07:45 | 0:07:48 | |
CHEERING AND APPLAUSE | 0:07:48 | 0:07:50 | |
-Good evening. -AUDIENCE: -Good evening! | 0:08:00 | 0:08:03 | |
Good evening, good evening. Good heavens! | 0:08:03 | 0:08:05 | |
What a lovely lot, Mr Chairman. | 0:08:05 | 0:08:07 | |
If I may take a leaf out of your book, Mr Chairman, and say that | 0:08:07 | 0:08:10 | |
never have I seen such a fine, fabulous, | 0:08:10 | 0:08:13 | |
-fantastic farrago of fashion. -AUDIENCE: -Ooh! | 0:08:13 | 0:08:16 | |
Such fine feathers, farthingales and furbelows. | 0:08:16 | 0:08:20 | |
Verily, VERILY, | 0:08:20 | 0:08:22 | |
verily... | 0:08:22 | 0:08:24 | |
the ultimate in fine flighty, | 0:08:24 | 0:08:27 | |
flipperty-flopperty, fun-filled festive frolickers! | 0:08:27 | 0:08:31 | |
CHEERING | 0:08:31 | 0:08:34 | |
Yes, thank you. | 0:08:34 | 0:08:36 | |
-Is it all right if I say that? -No. -Oh, there you are, then. | 0:08:36 | 0:08:39 | |
-I should give them a little ditty, Mr Chairman. -Good. | 0:08:39 | 0:08:42 | |
That's full of pith and moment. Yes, it's about Christmas, you see. | 0:08:42 | 0:08:46 | |
LAUGHTER | 0:08:46 | 0:08:49 | |
-Yes, you can get out for a start. -LAUGHTER | 0:08:49 | 0:08:52 | |
Thank you, Mr Herrmann, thank you. | 0:08:52 | 0:08:56 | |
# Now young Jimmy Greene was a shy young man | 0:08:56 | 0:08:59 | |
# He was as shy as could be | 0:08:59 | 0:09:03 | |
# He wanted to marry his sweetheart May | 0:09:03 | 0:09:06 | |
# He just couldn't think of the right words to say | 0:09:06 | 0:09:09 | |
# Till one night while owning her near | 0:09:09 | 0:09:13 | |
# He whispered these words in her ear | 0:09:13 | 0:09:18 | |
# Who's stuffing your turkey this Christmas? | 0:09:18 | 0:09:22 | |
# Oh, darling, I like to know now | 0:09:22 | 0:09:25 | |
# Who's going to give you a Christmas kiss | 0:09:25 | 0:09:28 | |
# Under the mistletoe bough? | 0:09:28 | 0:09:31 | |
# And who will be getting a present | 0:09:31 | 0:09:34 | |
# From under your very own tree? | 0:09:34 | 0:09:37 | |
# Who's stuffing your turkey this Christmas? | 0:09:37 | 0:09:41 | |
# Darling, please let it be me... # | 0:09:41 | 0:09:44 | |
# Now, if you're a bit on the lonely side, | 0:09:47 | 0:09:51 | |
# Whether a man or a miss | 0:09:51 | 0:09:53 | |
# And you take quite a fancy to someone who | 0:09:53 | 0:09:57 | |
# Appears unattached and as lonely as you | 0:09:57 | 0:10:01 | |
# Go up to the one of your choice | 0:10:01 | 0:10:04 | |
# And say in a nice quiet voice... # Altogether now, come on. | 0:10:04 | 0:10:09 | |
# ..Who's stuffing your turkey this Christmas? | 0:10:09 | 0:10:13 | |
# Darling, I'd like to know now | 0:10:13 | 0:10:16 | |
# Who's going to give you a Christmas kiss | 0:10:16 | 0:10:20 | |
# Under your mistletoe bough? # | 0:10:20 | 0:10:22 | |
Who'll be getting the present... # Who will be getting the present | 0:10:22 | 0:10:26 | |
# From under your very own tree? | 0:10:26 | 0:10:29 | |
# Who's stuffing your turkey this Christmas? | 0:10:29 | 0:10:34 | |
# Darling, please let it be me. # | 0:10:34 | 0:10:36 | |
Right, I'll tell you what, | 0:10:36 | 0:10:38 | |
since it's the festive season, the season of peace | 0:10:38 | 0:10:41 | |
on Earth and good to all women, | 0:10:41 | 0:10:44 | |
what I'd like, everybody stand up. Just stand up, come on. | 0:10:44 | 0:10:46 | |
Everybody up. Come on, on your feet. On your feet. | 0:10:46 | 0:10:50 | |
Now turn to the person next to you, hold their hands | 0:10:50 | 0:10:53 | |
and sing into their faces the final chorus. | 0:10:53 | 0:10:55 | |
Right, thank you. | 0:10:55 | 0:10:58 | |
# Who's stuffing your turkey this Christmas? # Come on! | 0:10:58 | 0:11:01 | |
# Darling, I'd like to know now | 0:11:01 | 0:11:04 | |
# Who's going to give you a Christmas kiss | 0:11:04 | 0:11:08 | |
# Under the mistletoe bough? # Who'll be getting the present. | 0:11:08 | 0:11:12 | |
# Who will be getting the present | 0:11:12 | 0:11:15 | |
# From under your very own tree? # All together! | 0:11:15 | 0:11:18 | |
# Who's stuffing your turkey this Christmas? | 0:11:18 | 0:11:22 | |
# Darling, please let it be me. # | 0:11:22 | 0:11:26 | |
Thank you! | 0:11:26 | 0:11:28 | |
-Thank you very much. -CHEERING AND APPLAUSE | 0:11:33 | 0:11:37 | |
I wish you could've seen... LAUGHTER | 0:11:44 | 0:11:51 | |
-Pedal pyrotechnics... AUDIENCE: -Ooh! | 0:11:51 | 0:11:56 | |
..dancing - | 0:11:56 | 0:11:58 | |
in frenetic terpsichorean... | 0:11:58 | 0:12:00 | |
..fusillade of simultaneities... | 0:12:04 | 0:12:08 | |
-AUDIENCE: -Ooh! | 0:12:08 | 0:12:10 | |
..from the Clark Brothers! CHEERING AND APPLAUSE | 0:12:10 | 0:12:14 | |
Also from the United States of America, | 0:15:49 | 0:15:53 | |
miraculously mellifluous in magisterial minstrelsy, | 0:15:53 | 0:16:00 | |
-AUDIENCE: -Ooh! | 0:16:00 | 0:16:01 | |
Mr Robert White! | 0:16:01 | 0:16:04 | |
APPLAUSE | 0:16:04 | 0:16:07 | |
# I wander today to the hill, Maggie | 0:16:12 | 0:16:18 | |
# To watch the scene below | 0:16:18 | 0:16:24 | |
# The creek and the creaking old mill, Maggie | 0:16:24 | 0:16:30 | |
# As we used to, long ago | 0:16:30 | 0:16:37 | |
# The green growth is gone from the hill, Maggie | 0:16:37 | 0:16:43 | |
# Where first the daisies sprung | 0:16:43 | 0:16:52 | |
# That creaking old mill is still, Maggie | 0:16:52 | 0:16:58 | |
# Since you and I were young | 0:16:58 | 0:17:05 | |
# They say that I am feeble with age, Maggie | 0:17:11 | 0:17:18 | |
# My steps are less sprightly than then | 0:17:18 | 0:17:23 | |
# My face is a well-written page, Maggie | 0:17:23 | 0:17:29 | |
# But time all along was the pen | 0:17:29 | 0:17:36 | |
# They say we are aged and grey, Maggie | 0:17:36 | 0:17:42 | |
# As spray by the white breakers flung | 0:17:42 | 0:17:50 | |
# But to me, you're as fair as you were, Maggie | 0:17:50 | 0:17:58 | |
# When you and I were young | 0:17:58 | 0:18:05 | |
# And now we are aged and grey, Maggie | 0:18:05 | 0:18:12 | |
# The trials of life, nearly done | 0:18:12 | 0:18:21 | |
# Let us sing of the days that are gone, Maggie | 0:18:21 | 0:18:31 | |
# When you and I were young. # | 0:18:31 | 0:18:43 | |
# Lonely I wander through scenes of my childhood | 0:19:00 | 0:19:09 | |
# They call back to memory those happy days of yore | 0:19:09 | 0:19:19 | |
# Gone are the old folk, the house stands deserted | 0:19:19 | 0:19:28 | |
# No light in the window, no welcome at the door | 0:19:28 | 0:19:40 | |
# Here's where the children played games on the heather | 0:19:48 | 0:19:55 | |
# Here's where they sailed their wee boats on the burn | 0:19:55 | 0:20:03 | |
# Where are they now? | 0:20:03 | 0:20:06 | |
# Some are dead, some have wandered | 0:20:06 | 0:20:13 | |
# No more to their homes shall those children return | 0:20:13 | 0:20:23 | |
# Lonely is the house now, and lonely the moorland | 0:20:30 | 0:20:39 | |
# The children are scattered, the old folk are gone | 0:20:39 | 0:20:48 | |
# Why stand I here, like a ghost and a shadow? | 0:20:48 | 0:20:57 | |
# 'Tis time I were moving, 'tis time I passed on. # | 0:20:57 | 0:21:10 | |
Orchidaceous audacity! | 0:21:34 | 0:21:37 | |
CHEERING | 0:21:37 | 0:21:39 | |
Transvestite tit... | 0:21:39 | 0:21:41 | |
CATCALLS | 0:21:41 | 0:21:43 | |
Titillation! | 0:21:46 | 0:21:48 | |
CHEERING | 0:21:48 | 0:21:50 | |
Every other inch, a woman! | 0:21:50 | 0:21:53 | |
Mr Danny La Rue! | 0:21:53 | 0:21:56 | |
CHEERING | 0:21:56 | 0:21:58 | |
Now, girls... | 0:22:05 | 0:22:06 | |
..seeing that it's a festive occasion, drink is available. | 0:22:08 | 0:22:14 | |
Watch him, dear, he's got a nasty look in his eye. | 0:22:14 | 0:22:17 | |
So, I'm going to tell you a very sad story. Have the kerchiefs ready. | 0:22:17 | 0:22:22 | |
It'll bring a tear to all your eyes. The horrors of drink. | 0:22:22 | 0:22:25 | |
-Are you ready, Maestro? Thank you. -PIANO FLOURISH | 0:22:25 | 0:22:28 | |
# Here is a picture, a man and a girl | 0:22:28 | 0:22:32 | |
# Strolling along in the shade | 0:22:32 | 0:22:35 | |
# He is a marquess, the son of an earl | 0:22:35 | 0:22:38 | |
# And she, but a pure village maid | 0:22:38 | 0:22:42 | |
# He tells her he loves her again and again | 0:22:42 | 0:22:45 | |
# She thinks he is loyal and true | 0:22:45 | 0:22:49 | |
# And then comes the night when he gave her champagne | 0:22:49 | 0:22:54 | |
# And does what he ought not to do | 0:22:54 | 0:22:58 | |
# Only a glass of champagne | 0:23:00 | 0:23:05 | |
# But it led that poor girl into sin | 0:23:05 | 0:23:10 | |
# Only a glass of champagne | 0:23:10 | 0:23:14 | |
# 'Twas the door where the Devil crept in | 0:23:14 | 0:23:19 | |
# It's just an old story | 0:23:19 | 0:23:21 | |
# It's always the same | 0:23:21 | 0:23:24 | |
# Just like a poor moth | 0:23:24 | 0:23:26 | |
# She flew too near the flame | 0:23:26 | 0:23:28 | |
# She opened her...wings | 0:23:28 | 0:23:31 | |
# And lost her good name | 0:23:31 | 0:23:35 | |
# All for a glass of champagne... # | 0:23:35 | 0:23:38 | |
LAUGHTER | 0:23:38 | 0:23:42 | |
# Think of her future | 0:23:42 | 0:23:43 | |
# The sorrow, the shame | 0:23:43 | 0:23:45 | |
# Neither a maid nor a wife | 0:23:45 | 0:23:48 | |
# Think of those parents who gave her the name | 0:23:48 | 0:23:52 | |
# She has dishonoured for life | 0:23:52 | 0:23:55 | |
# What's to become of her, spurned and reviled | 0:23:55 | 0:23:59 | |
# Into oblivion hurled? | 0:23:59 | 0:24:03 | |
# And what can she offer her fatherless child? # | 0:24:03 | 0:24:08 | |
Poor little... | 0:24:08 | 0:24:10 | |
# She has brought into the world? # | 0:24:10 | 0:24:14 | |
-LOW-PITCHED: -Altogether now. | 0:24:14 | 0:24:17 | |
# Only a glass of champagne | 0:24:17 | 0:24:21 | |
# But it led a poor girl into sin | 0:24:21 | 0:24:25 | |
# Only a glass of champagne | 0:24:25 | 0:24:29 | |
# 'Twas the door where the Devil crept in | 0:24:29 | 0:24:34 | |
# She lost her honour with heartache and pain | 0:24:34 | 0:24:38 | |
# To her false lover, she pleaded in vain | 0:24:38 | 0:24:43 | |
# But by the next morning, she'd lost it again! # | 0:24:43 | 0:24:47 | |
LAUGHTER | 0:24:47 | 0:24:49 | |
# All for a glass of champagne | 0:24:49 | 0:24:53 | |
# So, all you young maidens take warning from her | 0:24:53 | 0:24:57 | |
# If you're taken out by a lord or a sir | 0:24:57 | 0:25:01 | |
# Be careful you don't do the same thing as her | 0:25:02 | 0:25:08 | |
# Well, not for a glass of champagne! # | 0:25:08 | 0:25:14 | |
CHEERING AND APPLAUSE | 0:25:14 | 0:25:17 | |
ORCHESTRA PLAYS INTRO | 0:25:22 | 0:25:26 | |
AUDIENCE WHOOPS | 0:25:26 | 0:25:28 | |
ALL: Woo! | 0:25:31 | 0:25:33 | |
AUDIENCE CLAPS IN TIME TO MUSIC | 0:25:33 | 0:25:36 | |
CLAPPING REDUCES | 0:25:38 | 0:25:40 | |
# Down the road there lives a man I'd like you all to know | 0:25:40 | 0:25:44 | |
# He grew a great big marrow for the local flower show | 0:25:44 | 0:25:47 | |
# When the news got round of it, they came from far and wide | 0:25:47 | 0:25:50 | |
# But when then saw the size of it | 0:25:50 | 0:25:54 | |
# Everybody cried | 0:25:56 | 0:26:01 | |
# Oooh, what a beauty | 0:26:01 | 0:26:05 | |
# I've never seen one as big as that before | 0:26:05 | 0:26:08 | |
# Oh, what a beauty | 0:26:09 | 0:26:12 | |
# It must be two foot long or maybe more | 0:26:12 | 0:26:15 | |
# It's such a lovely colour | 0:26:15 | 0:26:17 | |
# Nice and round and fat | 0:26:17 | 0:26:20 | |
# I've never seen a marrow quite as big as that | 0:26:20 | 0:26:23 | |
# Oh, what a beauty, | 0:26:23 | 0:26:27 | |
# I've never seen one as big as that before | 0:26:27 | 0:26:31 | |
# Now, he was leaning on his garden gate the other day | 0:26:31 | 0:26:34 | |
# And beckoned to a lady who lived across the way | 0:26:34 | 0:26:38 | |
# He took her down the garden path and showed it to her with pride | 0:26:38 | 0:26:42 | |
# When she saw the size of it... # | 0:26:43 | 0:26:46 | |
LAUGHTER | 0:26:46 | 0:26:48 | |
# Everybody cried | 0:26:52 | 0:26:57 | |
# Oooh, what a beauty | 0:26:57 | 0:27:00 | |
# I've never seen one as big as that before | 0:27:00 | 0:27:04 | |
# Oh, what a beauty | 0:27:04 | 0:27:08 | |
# It must be two foot long or maybe more | 0:27:08 | 0:27:11 | |
# And it's such a lovely colour | 0:27:11 | 0:27:13 | |
# Nice and round and fat | 0:27:13 | 0:27:15 | |
# Never seen a marrow quite as big as that | 0:27:15 | 0:27:19 | |
# Oh, what a beauty | 0:27:19 | 0:27:22 | |
# I've never seen one as big as that before | 0:27:22 | 0:27:25 | |
# Oh, what a marrow! | 0:27:25 | 0:27:26 | |
# I've never seen one as big as that before. # | 0:27:26 | 0:27:33 | |
CHEERING AND APPLAUSE | 0:27:33 | 0:27:36 | |
SONG REPRISE | 0:27:36 | 0:27:39 | |
MUSIC CRESCENDOS | 0:27:45 | 0:27:48 | |
From Paris... | 0:27:50 | 0:27:52 | |
WHOOPING | 0:27:52 | 0:27:54 | |
No. | 0:27:54 | 0:27:56 | |
LAUGHTER | 0:27:56 | 0:27:57 | |
-We've had enough of that. ALL: -Aww. | 0:27:57 | 0:27:59 | |
Enthrallingly... | 0:27:59 | 0:28:01 | |
..thaumaturgic | 0:28:02 | 0:28:04 | |
for your AMAZEMENT - | 0:28:04 | 0:28:06 | |
Mr Gaetan Bloom! | 0:28:06 | 0:28:10 | |
CHEERING | 0:28:10 | 0:28:12 | |
HIGH-PITCHED: Hello! | 0:28:20 | 0:28:22 | |
Lovely! Ohh... | 0:28:22 | 0:28:24 | |
-It's for me? ALL: -Yes. | 0:28:24 | 0:28:26 | |
Thank you so much. | 0:28:26 | 0:28:28 | |
I love that. | 0:28:28 | 0:28:30 | |
Except I can't put this on the table now. | 0:28:30 | 0:28:33 | |
HE MURMURS | 0:28:33 | 0:28:35 | |
Oh, "From Barney to Gaetan". Thank you, Barney. | 0:28:35 | 0:28:39 | |
It's lovely. | 0:28:39 | 0:28:40 | |
HE SNIFFS | 0:28:40 | 0:28:41 | |
Achoo! | 0:28:42 | 0:28:43 | |
LAUGHTER | 0:28:43 | 0:28:45 | |
APPLAUSE | 0:28:45 | 0:28:47 | |
And now, ladies and gentlemen, | 0:28:53 | 0:28:56 | |
the quickest trick in the world, | 0:28:56 | 0:28:59 | |
The Vanishing Shoe! | 0:28:59 | 0:29:02 | |
HE GRUNTS | 0:29:03 | 0:29:04 | |
Three! | 0:29:06 | 0:29:07 | |
ORCHESTRA STRIKES UP | 0:29:10 | 0:29:11 | |
APPLAUSE | 0:29:11 | 0:29:14 | |
Well, for the next trick, | 0:29:25 | 0:29:27 | |
I need the assistance from someone from the audience. | 0:29:27 | 0:29:31 | |
So, if there is... | 0:29:31 | 0:29:32 | |
Oh, I see just in the front row, a wonderful young lady. | 0:29:32 | 0:29:36 | |
Can you assist me, please? | 0:29:36 | 0:29:38 | |
Yes! Yes, you! | 0:29:38 | 0:29:40 | |
Yeah, you give her... Nice and... APPLAUSE | 0:29:40 | 0:29:43 | |
CHEERING | 0:29:43 | 0:29:47 | |
-Hi there, have you ever done magic before? -Never! | 0:29:51 | 0:29:54 | |
-First experience? -Yes. -Wonderful! I like that! | 0:29:54 | 0:29:58 | |
Stay there. | 0:29:58 | 0:30:00 | |
Now, I need some paraphernalia. | 0:30:00 | 0:30:02 | |
Here is the paraphernalia. | 0:30:04 | 0:30:05 | |
Wow! Doing-doing! | 0:30:07 | 0:30:09 | |
First, you have an eggcup. | 0:30:09 | 0:30:11 | |
You can examine, have a look. | 0:30:11 | 0:30:14 | |
Yes. | 0:30:14 | 0:30:15 | |
-Good. -Eggcup. -Eggcup, yes. | 0:30:15 | 0:30:17 | |
Here you have a few balls in a glass. You can examine. | 0:30:17 | 0:30:20 | |
I don't mind. | 0:30:20 | 0:30:22 | |
-You can shuffle them. -Yes. | 0:30:22 | 0:30:24 | |
Good, now... OK. | 0:30:24 | 0:30:27 | |
Now, you choose one colour. | 0:30:27 | 0:30:29 | |
Any one. | 0:30:29 | 0:30:30 | |
Which one? | 0:30:30 | 0:30:32 | |
-Can I tell you? -Yes! -Pink. | 0:30:32 | 0:30:34 | |
You are...? Oh, the ball! OK, OK. | 0:30:34 | 0:30:37 | |
You take it off. | 0:30:37 | 0:30:39 | |
And now here you have a tray. | 0:30:39 | 0:30:41 | |
You can examine. Not too much, OK, like that. | 0:30:41 | 0:30:43 | |
LAUGHTER | 0:30:43 | 0:30:45 | |
OK, OK, no. I, er... | 0:30:45 | 0:30:46 | |
You have not taken the ball away from the glass! | 0:30:46 | 0:30:49 | |
You have to take them away. | 0:30:49 | 0:30:50 | |
Yeah, all of them. | 0:30:50 | 0:30:52 | |
Take them all. All of them...! | 0:30:52 | 0:30:54 | |
There's still one. | 0:30:56 | 0:30:58 | |
HE BURBLES | 0:30:58 | 0:30:59 | |
OK. | 0:30:59 | 0:31:00 | |
Now, watch carefully. I cover the eggcup, there. | 0:31:00 | 0:31:05 | |
You put your balls there also. | 0:31:05 | 0:31:07 | |
OK. | 0:31:07 | 0:31:09 | |
And now it's a big mystery. | 0:31:09 | 0:31:12 | |
LAUGHTER | 0:31:12 | 0:31:16 | |
I cover everything, and please, you repeat after me. | 0:31:16 | 0:31:20 | |
Because it's a Chinese trick. | 0:31:20 | 0:31:22 | |
Are you ready? Here we go. | 0:31:22 | 0:31:25 | |
Hon-dai-hup! | 0:31:25 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:29 | |
Hon-dai-hup! | 0:31:29 | 0:31:30 | |
CHEERING | 0:31:30 | 0:31:33 | |
Wonderful! | 0:31:33 | 0:31:35 | |
Lift the first one. Not the tray, just the hanky. | 0:31:37 | 0:31:41 | |
And watch! Inside the glass, | 0:31:43 | 0:31:46 | |
only one ball, the pink one! Ya! | 0:31:46 | 0:31:49 | |
CHEERING | 0:31:49 | 0:31:50 | |
Very good! Very good! | 0:31:50 | 0:31:52 | |
APPLAUSE | 0:31:52 | 0:31:54 | |
-You want me to do it again? -Indeed! -Indeed! | 0:32:01 | 0:32:04 | |
It gets more difficult. | 0:32:05 | 0:32:07 | |
Without the hanky. | 0:32:07 | 0:32:09 | |
You can change the colour of the ball if you want. | 0:32:09 | 0:32:12 | |
First, the ball. No. | 0:32:12 | 0:32:14 | |
It's very difficult. | 0:32:14 | 0:32:17 | |
Ready? | 0:32:18 | 0:32:19 | |
Here we go! | 0:32:19 | 0:32:20 | |
Hon-dai-hup! | 0:32:22 | 0:32:24 | |
Hon-dai-hup! | 0:32:24 | 0:32:27 | |
Wa-ni-da-pra-te-gi-hup! | 0:32:27 | 0:32:28 | |
Wa-ni-ga-ja-da-hi-hup! | 0:32:28 | 0:32:30 | |
LAUGHTER AND APPLAUSE | 0:32:30 | 0:32:33 | |
HE SPEAKS GIBBERISH | 0:32:35 | 0:32:39 | |
SHE LAUGHS | 0:32:39 | 0:32:40 | |
HE SPEAKS GIBBERISH | 0:32:40 | 0:32:43 | |
DRUM ROLL | 0:32:43 | 0:32:46 | |
Oh-h! | 0:32:48 | 0:32:51 | |
MUSIC CRESCENDOS | 0:32:51 | 0:32:53 | |
APPLAUSE | 0:32:53 | 0:32:56 | |
And now... | 0:33:03 | 0:33:05 | |
I want to finish with some French card...manipulation. | 0:33:05 | 0:33:11 | |
PIANO PLAYS LOUNGE MUSIC | 0:33:12 | 0:33:15 | |
APPLAUSE | 0:33:23 | 0:33:25 | |
APPLAUSE | 0:33:39 | 0:33:43 | |
MUSIC CRESCENDOS | 0:33:45 | 0:33:48 | |
MUSIC HALL REPRISE | 0:33:48 | 0:33:51 | |
CHEERING AND APPLAUSE | 0:33:56 | 0:33:59 | |
Ineluctable... | 0:34:04 | 0:34:06 | |
..in lucent deliquescence. | 0:34:08 | 0:34:11 | |
A lark ascending, | 0:34:11 | 0:34:13 | |
ever-adorable - | 0:34:13 | 0:34:15 | |
Miss Valerie Masterson! | 0:34:15 | 0:34:18 | |
CHEERING | 0:34:18 | 0:34:21 | |
# My heart's debonair | 0:34:26 | 0:34:28 | |
# There's love in the air | 0:34:28 | 0:34:30 | |
# Life is carefree | 0:34:30 | 0:34:33 | |
# Our waltz will invite | 0:34:33 | 0:34:35 | |
# Bright midsummer night | 0:34:35 | 0:34:37 | |
# Dreams of romance | 0:34:37 | 0:34:39 | |
# So, on with the dance | 0:34:39 | 0:34:41 | |
# Night brings gay dreams | 0:34:49 | 0:34:52 | |
# Gone are daydreams | 0:34:52 | 0:34:56 | |
# As we dance | 0:34:56 | 0:34:59 | |
# All the world becomes | 0:34:59 | 0:35:01 | |
# A garden of romance and moonlight | 0:35:01 | 0:35:08 | |
# On this June night | 0:35:08 | 0:35:12 | |
# Love sends an invitation to the dance | 0:35:12 | 0:35:20 | |
# Music playing | 0:35:20 | 0:35:23 | |
# Ah-ah-ah, ah-ah-ah-ahh | 0:35:23 | 0:35:27 | |
# While we're swaying | 0:35:27 | 0:35:31 | |
# Ah-ah-ah, ah-ah-ah-ahh | 0:35:31 | 0:35:34 | |
# Youth has a gay time | 0:35:34 | 0:35:38 | |
# When life is playtime | 0:35:38 | 0:35:42 | |
# Then comes a day | 0:35:42 | 0:35:45 | |
# When it fades away... # | 0:35:45 | 0:35:53 | |
SHE VOCALISES | 0:35:55 | 0:35:59 | |
# Now's a chance for sweet romance | 0:36:16 | 0:36:23 | |
# At last! # | 0:36:23 | 0:36:30 | |
APPLAUSE | 0:36:30 | 0:36:33 | |
ORCHESTRA PLAYS INTRO | 0:36:46 | 0:36:52 | |
# Oh, Danny boy | 0:36:54 | 0:36:58 | |
# The pipes, the pipes are calling | 0:36:58 | 0:37:04 | |
# From glen to glen | 0:37:04 | 0:37:07 | |
# And down the mountainside | 0:37:07 | 0:37:13 | |
# The summer's gone | 0:37:13 | 0:37:17 | |
# And all the roses dying | 0:37:17 | 0:37:23 | |
# 'Tis you, 'tis you | 0:37:23 | 0:37:27 | |
# Must go and I must bide | 0:37:27 | 0:37:33 | |
# But come ye back | 0:37:34 | 0:37:39 | |
# When summer's in the meadow | 0:37:39 | 0:37:44 | |
# Or when the valley's hushed | 0:37:45 | 0:37:50 | |
# And white with snow | 0:37:50 | 0:37:55 | |
# For I'll be here | 0:37:55 | 0:38:01 | |
# In sunshine or in shadow | 0:38:01 | 0:38:07 | |
# Oh, Danny boy | 0:38:09 | 0:38:12 | |
# Oh, Danny boy, I love you so | 0:38:12 | 0:38:23 | |
# But when ye come | 0:38:33 | 0:38:37 | |
# And all the roses dying | 0:38:37 | 0:38:42 | |
# If I am dead | 0:38:44 | 0:38:47 | |
# As dead I well may be | 0:38:47 | 0:38:53 | |
# Then you will find | 0:38:55 | 0:38:59 | |
# The place where I am lying | 0:38:59 | 0:39:05 | |
# And kneel and say an ave there for me | 0:39:06 | 0:39:17 | |
# For I shall hear | 0:39:18 | 0:39:23 | |
# How soft ye tread above me | 0:39:23 | 0:39:31 | |
# And all my grave | 0:39:31 | 0:39:35 | |
# Will warmer, sweeter be | 0:39:35 | 0:39:42 | |
# For you will bend | 0:39:44 | 0:39:50 | |
# And tell me that you love me | 0:39:50 | 0:39:57 | |
# And I shall sleep in peace | 0:40:00 | 0:40:07 | |
# Until you come to me. # | 0:40:07 | 0:40:24 | |
APPLAUSE | 0:40:24 | 0:40:28 | |
MUSIC HALL REPRISE | 0:40:31 | 0:40:36 | |
APPLAUSE | 0:40:36 | 0:40:40 | |
Paroxismal... | 0:40:47 | 0:40:49 | |
AUDIENCE OOHS | 0:40:49 | 0:40:50 | |
..purveyers of pyromanic | 0:40:50 | 0:40:54 | |
pandemonium. | 0:40:54 | 0:40:56 | |
LAUGHTER | 0:40:56 | 0:40:58 | |
Fire-eaters! | 0:40:58 | 0:40:59 | |
Les Flambeaux! | 0:41:00 | 0:41:03 | |
MUSIC: Sabre Dance by Khachaturian | 0:41:03 | 0:41:07 | |
AUDIENCE WHOOPS AND CHEERS | 0:41:13 | 0:41:16 | |
LAUGHTER | 0:41:19 | 0:41:20 | |
You laughing? | 0:41:24 | 0:41:26 | |
Go on, go on, go on, light them! | 0:41:26 | 0:41:28 | |
How can I light them? These matches, they're all dead. | 0:41:28 | 0:41:31 | |
They won't be alone if you don't get on with it! | 0:41:31 | 0:41:34 | |
It's not my fault, Barry, I got these from the digs. | 0:41:34 | 0:41:37 | |
You see, it's Mrs Buckroyd, | 0:41:37 | 0:41:38 | |
she puts them back in the box when she's struck 'em! | 0:41:38 | 0:41:41 | |
May I remind you, we are a fire-eating act? | 0:41:41 | 0:41:43 | |
I know that! I'm in it! | 0:41:43 | 0:41:45 | |
You're RIGHT in it! | 0:41:45 | 0:41:48 | |
Can't have a fire-eating act without fire, | 0:41:48 | 0:41:50 | |
it's like having a singer who can't sing. | 0:41:50 | 0:41:52 | |
-There's a few of them about, Barry. -AUDIENCE OOHS | 0:41:52 | 0:41:56 | |
I'm sorry, ladies and gentlemen, I must apologise. | 0:41:56 | 0:41:58 | |
I'm saddled with an incompetent. | 0:41:58 | 0:42:00 | |
-Hey, my Uncle Arthur, he was like that. -So, instead... | 0:42:00 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:05 | |
-Like what? -Well, my Uncle Arthur, he was like what you said. -Incompetent. | 0:42:05 | 0:42:10 | |
-Oh, incompetent. Yes. -Incompetent. | 0:42:11 | 0:42:13 | |
LAUGHTER | 0:42:13 | 0:42:15 | |
Well, it's this earring. I can hear too well on this side, you see! | 0:42:19 | 0:42:22 | |
I'm fed up with the flaming thing. Get it off. | 0:42:22 | 0:42:25 | |
So, we have got no act. | 0:42:27 | 0:42:29 | |
Well, we never did really have an act at all. | 0:42:29 | 0:42:32 | |
He knows that. Mr Sachs knows that. You know that, don't you, Leonard? | 0:42:32 | 0:42:36 | |
He's introduced us a few times, haven't you? | 0:42:36 | 0:42:38 | |
I don't know why, because we know each other! | 0:42:38 | 0:42:41 | |
-It's silly, really, isn't it? -Mr Sachs, may I apologise? | 0:42:41 | 0:42:44 | |
-You do a splendid job. -Think nothing of it! | 0:42:44 | 0:42:46 | |
Well, we don't think anything of it other than it's all right. | 0:42:46 | 0:42:49 | |
I think you're terrific. All them long words! | 0:42:49 | 0:42:51 | |
I love the long words like marmalade and suppository. | 0:42:51 | 0:42:54 | |
It's a good act. | 0:42:54 | 0:42:55 | |
Terrific that, Leonard. Playing a blinder, Leonard. | 0:42:55 | 0:42:59 | |
-I can do that Welsh name, the long one. -You can't! | 0:42:59 | 0:43:02 | |
-Want to bet? -Never. -Right, here we go. | 0:43:02 | 0:43:04 | |
Rhyl. | 0:43:06 | 0:43:07 | |
LAUGHTER | 0:43:07 | 0:43:10 | |
I thought you were going to say | 0:43:10 | 0:43:11 | |
Llanfairpwllgwyngyllgog- erychwyrndrobwll-llantysiliogogogoch. | 0:43:11 | 0:43:15 | |
CHEERING AND APPLAUSE | 0:43:15 | 0:43:18 | |
-I know a Welsh joke, you know, Barry. -Do you really? | 0:43:19 | 0:43:21 | |
Don't underestimate Welsh jokes, | 0:43:21 | 0:43:23 | |
they could go on to become Party leaders. | 0:43:23 | 0:43:26 | |
LAUGHTER AND GROANS | 0:43:26 | 0:43:29 | |
-You mean, Lloyd George? -On this show, yes. | 0:43:29 | 0:43:32 | |
LAUGHTER AND APPLAUSE | 0:43:32 | 0:43:35 | |
-Oh, dear me! -I suppose Lloyd George knew your father. | 0:43:39 | 0:43:44 | |
Lloyd George WAS my father! | 0:43:44 | 0:43:45 | |
LAUGHTER | 0:43:45 | 0:43:47 | |
-I don't want to know about that. -That's what me mother said. | 0:43:47 | 0:43:51 | |
-Just a little bit of Welsh. -Yeah, that's what he said. | 0:43:51 | 0:43:54 | |
-No, no! -Anyway, the Welsh joke... -Get on with it! -Yes, I will. | 0:43:54 | 0:43:57 | |
Right, now, please... | 0:43:57 | 0:43:58 | |
Now, there was this fella, you see, and he was going down to Llanelli. | 0:43:58 | 0:44:01 | |
-"Chlanechli." -Bless you. | 0:44:01 | 0:44:03 | |
-You all right? -"Chlanechli." -What? | 0:44:03 | 0:44:05 | |
Double-L in Welsh is...ch - "Chlanechli". | 0:44:05 | 0:44:07 | |
Don't do that, Barry, you're splashing me when you do that. | 0:44:07 | 0:44:10 | |
-"Chlanechli." -What is? Like that? "Chlan..." -"Chlan..." -All right. | 0:44:10 | 0:44:14 | |
Well, this fell...this fechla... | 0:44:14 | 0:44:16 | |
LAUGHTER | 0:44:16 | 0:44:19 | |
-..was going down to Llanelli. -Jolly good. -Oh, you mean "jochly good". | 0:44:19 | 0:44:23 | |
-Get on with it! -Anyway, this fella was going down to Llanelli | 0:44:23 | 0:44:27 | |
and he found his watch had stopped. | 0:44:27 | 0:44:28 | |
So, he goes in this field | 0:44:28 | 0:44:30 | |
and he sees a farmer who's in the field with a buchlock. | 0:44:30 | 0:44:34 | |
-A what? -A buchlock. | 0:44:34 | 0:44:37 | |
LAUGHTER | 0:44:37 | 0:44:39 | |
-A buchlock. -"Book lock"? -Buchlock. | 0:44:39 | 0:44:42 | |
-It's a bullock, you see, a bullock! -Oh, yes! -It's a bullock. | 0:44:43 | 0:44:47 | |
And he goes up to this farmer who's with this buchlock, | 0:44:47 | 0:44:49 | |
and he says, "Can you techl me the time?" | 0:44:49 | 0:44:53 | |
And the farmer, he shifts the buchlock's tail | 0:44:53 | 0:44:56 | |
and he says, "It's half past echleven." | 0:44:56 | 0:44:59 | |
-Don't overdo it! -All right, 9.30. | 0:44:59 | 0:45:02 | |
Anyway, he said, "How can you tell the time | 0:45:02 | 0:45:04 | |
"by shifting that buchlock's tail like that?" He said, | 0:45:04 | 0:45:06 | |
"Every time I move the buchlock's tail, I can see the town clock." | 0:45:06 | 0:45:09 | |
LAUGHTER | 0:45:09 | 0:45:10 | |
-Listen, shall we do a song? -I was going to sing | 0:45:10 | 0:45:13 | |
My Old Man Said Follow The Van but Dan's done that, hasn't he? | 0:45:13 | 0:45:16 | |
-Hey, listen, we could do it in Welsh. -We could do it in Welsh! | 0:45:16 | 0:45:18 | |
Listen, can you rewrite the song sheet, please? Do it in Welsh? | 0:45:18 | 0:45:21 | |
Look at that, his quill pen's got sparks coming off it! | 0:45:21 | 0:45:24 | |
Yes, are you ready? | 0:45:24 | 0:45:25 | |
Yes, drop it in, then, come on! Let's have it! | 0:45:25 | 0:45:27 | |
There we are! This is the song in Welsh. | 0:45:27 | 0:45:30 | |
This is in Welsh, can you see it? | 0:45:30 | 0:45:32 | |
LAUGHTER | 0:45:32 | 0:45:34 | |
Have you got it? | 0:45:34 | 0:45:36 | |
All right, now, quiet please. | 0:45:38 | 0:45:41 | |
-Let's do it, then. -Let's do it. -One, two... -Yaki da. | 0:45:41 | 0:45:44 | |
# My old man said fochlow the van | 0:45:46 | 0:45:51 | |
# And don't dichly-dachly on the way | 0:45:51 | 0:45:56 | |
# Off went the van with the home packed in it | 0:45:56 | 0:46:01 | |
# I fochlowed on with my old cock linnet | 0:46:01 | 0:46:04 | |
# And I dichlied and dachlied | 0:46:04 | 0:46:07 | |
# Dachlied and dachlied | 0:46:07 | 0:46:09 | |
# Lost my way and don't know where to roam | 0:46:09 | 0:46:13 | |
# Oh, you can't trust the specials like the old-time coppers. | 0:46:13 | 0:46:18 | |
# When you come home again | 0:46:18 | 0:46:23 | |
# To Wales! # | 0:46:23 | 0:46:30 | |
SONG REPRISE | 0:46:33 | 0:46:34 | |
CHEERING AND APPLAUSE | 0:46:37 | 0:46:41 | |
And now Ave Atque Vale from the... | 0:46:46 | 0:46:50 | |
IMPRESSED MURMURS | 0:46:50 | 0:46:52 | |
..exemplary and omnipresent Players Theatre, | 0:46:52 | 0:46:55 | |
from the entire company, | 0:46:55 | 0:46:58 | |
from Mr Bernard Herrmann and his entire and indefatigable orchestra! | 0:46:58 | 0:47:03 | |
CHEERING | 0:47:03 | 0:47:07 | |
-But this time, chiefly... ALL: -Yourselves! | 0:47:07 | 0:47:12 | |
ORCHESTRA PLAYS INTRO | 0:47:12 | 0:47:15 | |
# Beer, beer, glorious beer | 0:47:19 | 0:47:22 | |
# Fill yourselves right up to here | 0:47:22 | 0:47:26 | |
# Drink a good deal of it | 0:47:26 | 0:47:28 | |
# Make a good meal of it | 0:47:28 | 0:47:30 | |
# Stick to your old-fashioned beer | 0:47:30 | 0:47:33 | |
# Don't be afraid of it, drink till you're made of it | 0:47:33 | 0:47:37 | |
-# Now, all together, a cheer! -Hooray! | 0:47:37 | 0:47:41 | |
# Up with the sale of it, down with a pail of it | 0:47:41 | 0:47:45 | |
# Glorious, glorious beer. # | 0:47:45 | 0:47:48 | |
# Bella is a barmaid! Ah-ha-ha! | 0:47:49 | 0:47:52 | |
# Bella s a barmaid at The Rising Star | 0:47:52 | 0:47:56 | |
# Before I pull another pint, you gentlemen haven't paid! | 0:47:56 | 0:48:00 | |
# Bella is a bar-bar-bar-barmaid. # | 0:48:00 | 0:48:04 | |
Oh, you cheeky...! Come on! | 0:48:04 | 0:48:06 | |
Oh, crikey! Look who's here! It's Matilda Buggins! | 0:48:06 | 0:48:10 | |
Oh, my Gawd... | 0:48:10 | 0:48:12 | |
MUTTERING | 0:48:12 | 0:48:14 | |
You tell me now, tell me all about it. | 0:48:14 | 0:48:17 | |
Yeah. | 0:48:17 | 0:48:19 | |
# Matilda Buggins was the name of a girl I did admire | 0:48:19 | 0:48:23 | |
# When first I set my eyes on her, she set my heart on fire | 0:48:23 | 0:48:27 | |
# I used to go and see her, every evening, for a spoon | 0:48:27 | 0:48:31 | |
# And spend me wages on her on a Saturday afternoon | 0:48:31 | 0:48:35 | |
# But, oh, alas, alack-a-day | 0:48:35 | 0:48:38 | |
# It was an evil hour | 0:48:38 | 0:48:40 | |
# He took her into the music hall to get away from the shower | 0:48:40 | 0:48:44 | |
# She never looked at the stage at all, to him, it seemed so rum | 0:48:44 | 0:48:48 | |
# She never took her eyes away from the fella who played the drum... | 0:48:48 | 0:48:54 | |
# She wouldn't go into the balcony or into the circle stalls | 0:48:54 | 0:49:00 | |
# She wouldn't go into the gallery for fear that she would fall | 0:49:00 | 0:49:04 | |
# She wouldn't go into the boxes, it made her feel so glum | 0:49:04 | 0:49:08 | |
# She wanted to sit in the front of the pit | 0:49:08 | 0:49:10 | |
# Where the fella was playing the drum | 0:49:10 | 0:49:12 | |
# And then she heard the dreadful news that he had got a wife | 0:49:12 | 0:49:16 | |
# It nearly knocked the stuffing out of poor Matilda's life | 0:49:16 | 0:49:20 | |
# She tried her tricks on me again, no sympathy I had | 0:49:21 | 0:49:25 | |
# And the latest news concerning her | 0:49:25 | 0:49:28 | |
# Is that she is going mad! Oh! # | 0:49:28 | 0:49:31 | |
-Oh! -Oh, cripes! -COMMOTION | 0:49:31 | 0:49:33 | |
-Sit her down, quick! -MATILDA YELLS | 0:49:33 | 0:49:37 | |
# For the Army of Salvation she has joined to ease her mind | 0:49:37 | 0:49:41 | |
# And playing cymbals in the band, Matilda, you can find | 0:49:41 | 0:49:46 | |
# She shouts out | 0:49:46 | 0:49:48 | |
# Alleluia! There's a glorious time to come! | 0:49:48 | 0:49:52 | |
# So, join the throng and come with me | 0:49:52 | 0:49:54 | |
# And my fella who plays the drum... # | 0:49:54 | 0:49:58 | |
# I wouldn't go into the balcony or into the circle stalls | 0:50:02 | 0:50:06 | |
# I wouldn't go into the gallery for fear that I should fall | 0:50:06 | 0:50:10 | |
# I wouldn't go into the boxes, it made me feel so glum | 0:50:10 | 0:50:13 | |
# I wanted to sit in the front of the pit | 0:50:13 | 0:50:16 | |
# With the fella who played the drum | 0:50:16 | 0:50:17 | |
# She wouldn't go into the balcony or into the circle stalls | 0:50:17 | 0:50:21 | |
# She wouldn't go into the gallery for fear that she would fall | 0:50:21 | 0:50:25 | |
# She wouldn't go into the boxes, it made me feel so glum | 0:50:25 | 0:50:29 | |
# She wanted to sit in the front of the pit | 0:50:29 | 0:50:31 | |
# With the fella who played the drum | 0:50:31 | 0:50:33 | |
-# She wanted to sit! -BOOM-BOOM-BOOM-BOOM | 0:50:33 | 0:50:35 | |
-# In the front of the pit! -BOOM-BOOM-BOOM-BOOM | 0:50:35 | 0:50:37 | |
# With the fella who played the drum. # | 0:50:37 | 0:50:43 | |
CHEERING AND APPLAUSE | 0:50:43 | 0:50:47 | |
SONG REPRISE | 0:50:47 | 0:50:49 | |
EXCITED CHATTERING | 0:50:49 | 0:50:52 | |
Come over here, I've got a lovely table for you. | 0:50:52 | 0:50:55 | |
Would anyone like to offer? Just one coin would be enough. | 0:50:55 | 0:50:58 | |
Would you like to offer, sir? | 0:50:58 | 0:51:00 | |
Where did you get that lovely hat? | 0:51:00 | 0:51:02 | |
# I'm very glad you asked me that question. | 0:51:02 | 0:51:04 | |
# Now, how I came to get this hat is very strange and funny | 0:51:06 | 0:51:10 | |
# Grandfather died and left to me his property and money | 0:51:10 | 0:51:14 | |
# And when the will, it was read out | 0:51:14 | 0:51:16 | |
# They told me straight and flat | 0:51:16 | 0:51:18 | |
# If I would have his money | 0:51:18 | 0:51:20 | |
# I must always wear his hat | 0:51:20 | 0:51:22 | |
# And now everywhere I go | 0:51:22 | 0:51:25 | |
# People shout out | 0:51:25 | 0:51:27 | |
# Where did you get that hat? | 0:51:27 | 0:51:28 | |
# Where did you get that tile? | 0:51:28 | 0:51:30 | |
# Oh, isn't it a nobby one, in just the proper style? | 0:51:30 | 0:51:33 | |
# I should like to have one | 0:51:33 | 0:51:35 | |
# Just the same as that! | 0:51:35 | 0:51:37 | |
# Where'er I go, they shout | 0:51:37 | 0:51:39 | |
# Hello! Where did you get that hat? # | 0:51:39 | 0:51:41 | |
It's true, you know. Everywhere I go, people laugh at my hat. | 0:51:41 | 0:51:45 | |
I don't know why. It's a beautiful hat, that. | 0:51:45 | 0:51:47 | |
Beautiful piece of material. | 0:51:47 | 0:51:49 | |
You feel that, Mr White, feel it. | 0:51:49 | 0:51:51 | |
It's felt. | 0:51:51 | 0:51:53 | |
LAUGHTER AND GROANS | 0:51:53 | 0:51:56 | |
# Grandfather served with Nelson | 0:51:56 | 0:51:58 | |
# Upon the briny sea | 0:51:58 | 0:52:00 | |
# And braced upon the quarterdeck were none so brave as he | 0:52:00 | 0:52:04 | |
# When Nelson got his fatal wound and on the deck did swoon | 0:52:04 | 0:52:09 | |
# Instead of kissing Hardy | 0:52:09 | 0:52:10 | |
# He began to croon this tune | 0:52:10 | 0:52:13 | |
# Where did you get that hat? Where did you get that tile? | 0:52:13 | 0:52:16 | |
# Oh, isn't it a nobby one And just the proper style? | 0:52:16 | 0:52:20 | |
# I should like to have one Just the same as that! | 0:52:20 | 0:52:23 | |
# Where'er I go, they shout, Hello! Where did you get that hat? | 0:52:23 | 0:52:27 | |
# La-la-la-la | 0:52:27 | 0:52:29 | |
# La-la-la-la | 0:52:29 | 0:52:30 | |
-# La-la-la-la... -Oh... | 0:52:30 | 0:52:33 | |
# Now, following in Father's footsteps | 0:52:33 | 0:52:36 | |
# I got married just last week | 0:52:36 | 0:52:38 | |
# And, naturally, I wore this hat | 0:52:38 | 0:52:40 | |
# Tradition so to keep | 0:52:40 | 0:52:42 | |
# But halfway through the service when I came to say, I do | 0:52:42 | 0:52:46 | |
# The vicar said, but first there is one thing I'll ask of you | 0:52:46 | 0:52:50 | |
# Where did you get that hat? Where did you get that tile? | 0:52:50 | 0:52:54 | |
# Isn't it a nobby one And just the proper style? | 0:52:54 | 0:52:58 | |
# I should like to have one Just the same as that! | 0:52:58 | 0:53:02 | |
# Where'er I go, they shout, Hello! Where did you get that hat? | 0:53:02 | 0:53:05 | |
-# Oh! -Where did you get that hat? Where did you get that tile? | 0:53:05 | 0:53:09 | |
# Isn't it a nobby one And just the proper style? | 0:53:09 | 0:53:12 | |
# I should like to have one Just the same as that! | 0:53:12 | 0:53:16 | |
# Where'er I go, they shout | 0:53:16 | 0:53:18 | |
# Hello! Where did you get that hat? # | 0:53:18 | 0:53:23 | |
How's that?! | 0:53:23 | 0:53:24 | |
CHEERING AND APPLAUSE | 0:53:24 | 0:53:26 | |
Come on, let's have another drink! | 0:53:26 | 0:53:30 | |
Oh! | 0:53:30 | 0:53:32 | |
ORCHESTRA PLAYS INTRO | 0:53:32 | 0:53:35 | |
# When you come to the end of a perfect day | 0:53:40 | 0:53:47 | |
# And you sit alone with your thought | 0:53:47 | 0:53:54 | |
# As the chimes ring out with a carol gay | 0:53:54 | 0:54:01 | |
# For the joy that the day has brought | 0:54:01 | 0:54:07 | |
# Do you think what the end of a perfect day | 0:54:08 | 0:54:14 | |
# Can mean to a tired heart? | 0:54:14 | 0:54:21 | |
# When the sun goes down with a flaming ray | 0:54:21 | 0:54:30 | |
# And the dear friends have to part? | 0:54:30 | 0:54:38 | |
# Well, this is the end of a perfect day | 0:54:51 | 0:54:59 | |
# It's the end of a journey, too | 0:54:59 | 0:55:06 | |
# But it leaves a thought that is big and strong | 0:55:06 | 0:55:13 | |
# With a wish that is kind and true | 0:55:13 | 0:55:20 | |
# For memory has painted this perfect day | 0:55:20 | 0:55:28 | |
# With colours that never fade | 0:55:28 | 0:55:35 | |
# For we find at the end of a perfect day | 0:55:35 | 0:55:43 | |
# The soul of a friend we've made | 0:55:45 | 0:55:54 | |
# So we find at the end of a perfect day | 0:55:54 | 0:56:06 | |
# The soul | 0:56:06 | 0:56:10 | |
# Of a friend | 0:56:10 | 0:56:13 | |
# We've made. # | 0:56:13 | 0:56:22 | |
CHEERING AND APPLAUSE | 0:56:22 | 0:56:25 | |
ORCHESTRA PLAYS INTRO | 0:56:25 | 0:56:27 | |
EXCITED CHATTERING | 0:56:32 | 0:56:34 | |
CHEERING | 0:56:34 | 0:56:36 | |
# Champagne Charlie is his name Champagne Charlie is his name | 0:56:41 | 0:56:48 | |
# There's no better drink than fizz, fizz, fizz | 0:56:48 | 0:56:52 | |
# I'll drink every little drop there is | 0:56:52 | 0:56:55 | |
# Champagne Charlie is his name | 0:56:55 | 0:56:59 | |
# Champagne-drinking is his game | 0:56:59 | 0:57:02 | |
# I'm the idol of the barmaids | 0:57:03 | 0:57:06 | |
# Champagne Charlie is my name | 0:57:06 | 0:57:10 | |
# He's the idol of the barmaids | 0:57:10 | 0:57:14 | |
# Champagne Charlie is his name. # | 0:57:14 | 0:57:17 | |
APPLAUSE | 0:57:17 | 0:57:19 | |
Well, here we are, Christmas Eve, family, dear ones, | 0:57:25 | 0:57:28 | |
and some of our dear friends away from us, | 0:57:28 | 0:57:30 | |
but they're always close to us. | 0:57:30 | 0:57:32 | |
And, here tonight, we have 30 years of family, | 0:57:32 | 0:57:35 | |
it's a little sad, but also very happy. | 0:57:35 | 0:57:38 | |
And there's just one thing for me to say. Thank you. | 0:57:38 | 0:57:41 | |
BAND PLAYS INTRO | 0:57:41 | 0:57:45 | |
# We'll meet again | 0:57:47 | 0:57:49 | |
# Don't know where | 0:57:49 | 0:57:51 | |
# Don't know when | 0:57:51 | 0:57:53 | |
# But I know we'll meet again some sunny day | 0:57:53 | 0:58:01 | |
# Keep smiling through | 0:58:03 | 0:58:06 | |
# Just like you always do | 0:58:06 | 0:58:10 | |
# Till the blue skies drive those dark clouds right away | 0:58:10 | 0:58:17 | |
# And won't you please say hello | 0:58:17 | 0:58:20 | |
# To the folks that I know? | 0:58:20 | 0:58:23 | |
# Tell them I won't be long | 0:58:23 | 0:58:25 | |
# They'll be happy to know | 0:58:27 | 0:58:29 | |
# That as you saw me go | 0:58:29 | 0:58:31 | |
# I was singing this song | 0:58:31 | 0:58:34 | |
# We'll meet again | 0:58:36 | 0:58:38 | |
# Don't know where | 0:58:38 | 0:58:41 | |
# Don't know when | 0:58:41 | 0:58:43 | |
# But I know we'll meet again some sunny day | 0:58:43 | 0:58:49 | |
# We'll meet again | 0:58:52 | 0:58:55 | |
# Don't know where | 0:58:55 | 0:58:57 | |
# Don't know when | 0:58:57 | 0:58:59 | |
# But I know we'll meet again | 0:58:59 | 0:59:03 | |
# Some sunny day | 0:59:03 | 0:59:08 | |
# Keep smiling through | 0:59:08 | 0:59:11 | |
# Just like you always do | 0:59:11 | 0:59:16 | |
# Till the blue skies drive the dark clouds far away | 0:59:16 | 0:59:23 | |
# And won't you please say hello | 0:59:23 | 0:59:26 | |
# To the folks that I know? | 0:59:26 | 0:59:28 | |
# Tell them it won't be long | 0:59:28 | 0:59:30 | |
# They'll be happy to know | 0:59:32 | 0:59:34 | |
# That as you saw me go | 0:59:34 | 0:59:36 | |
# I was singin' this song | 0:59:36 | 0:59:40 | |
# We'll meet again | 0:59:41 | 0:59:43 | |
# Don't know where | 0:59:43 | 0:59:46 | |
# Don't know when | 0:59:46 | 0:59:48 | |
# But I know we'll meet again some sunny day. # | 0:59:48 | 0:59:55 |