Browse content similar to 25/03/1976. Check below for episodes and series from the same categories and more!
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# Has anybody here seen Kelly? | 0:00:10 | 0:00:13 | |
# K-E-double L-Y | 0:00:13 | 0:00:16 | |
# Has anybody here seen Kelly? | 0:00:16 | 0:00:18 | |
# Find him if you can! | 0:00:18 | 0:00:21 | |
# He's as bad as old Antonio | 0:00:21 | 0:00:24 | |
# Left me on my own-i-o, | 0:00:24 | 0:00:26 | |
# Has anybody here seen Kelly? | 0:00:26 | 0:00:29 | |
# Kelly from the Isle of Man! # | 0:00:29 | 0:00:36 | |
CHEERING AND APPLAUSE | 0:00:36 | 0:00:39 | |
ORCHESTRAL FANFARE | 0:00:39 | 0:00:42 | |
CHEERING | 0:00:43 | 0:00:45 | |
AUDIENCE: Ooh! | 0:00:53 | 0:00:55 | |
Once again, good evening, | 0:00:55 | 0:01:00 | |
ladies and gentlemen! | 0:01:00 | 0:01:03 | |
And now, would you like to say good evening | 0:01:06 | 0:01:08 | |
to the Lord and Lady Mayoress of Leeds? | 0:01:08 | 0:01:11 | |
AUDIENCE: Good evening! | 0:01:11 | 0:01:14 | |
-AUDIENCE MEMBER: -Lady Mayoress! | 0:01:14 | 0:01:16 | |
LAUGHTER | 0:01:16 | 0:01:18 | |
Heterogeneity... | 0:01:18 | 0:01:20 | |
..harmoniously homogenised... | 0:01:22 | 0:01:26 | |
..for your exhilaration, exhibits initially... | 0:01:27 | 0:01:33 | |
..the potentialities unparalleled... | 0:01:34 | 0:01:39 | |
..of the Players' Theatre, | 0:01:40 | 0:01:43 | |
plus Mr Peter Gale and Miss Sheila Matthews! | 0:01:43 | 0:01:50 | |
CHEERING AND APPLAUSE | 0:01:50 | 0:01:52 | |
# It's the Soldiers of the Queen, my lads | 0:01:52 | 0:01:55 | |
# Who've been my lads Who've seen my lads | 0:01:55 | 0:01:59 | |
# In the fight for England's glory, lads | 0:01:59 | 0:02:03 | |
# Of its worldwide glory let us sing | 0:02:03 | 0:02:06 | |
# And when we say we've always won | 0:02:06 | 0:02:10 | |
# And when they ask us how it's done | 0:02:10 | 0:02:13 | |
# We'll proudly point to ev'ry one | 0:02:13 | 0:02:16 | |
# Of England's soldiers of the Queen! # | 0:02:16 | 0:02:21 | |
# Tell me, pretty maiden, are there any more at home like you? | 0:02:21 | 0:02:26 | |
# There are a few, kind sir but simple girls, and proper too | 0:02:26 | 0:02:32 | |
# Then tell me, pretty maiden, what these very simple girlies do? | 0:02:32 | 0:02:38 | |
# Kind sir, their manners are perfection | 0:02:38 | 0:02:41 | |
# And the opposite of mine | 0:02:41 | 0:02:44 | |
# Then take a little walk with me and then you will see | 0:02:44 | 0:02:47 | |
# What a most particular girl should be | 0:02:47 | 0:02:50 | |
# I may love you too well to let you go | 0:02:50 | 0:02:53 | |
# And flirt with those at home, you know | 0:02:53 | 0:02:56 | |
# Well, don't mind, little girl | 0:02:56 | 0:02:59 | |
# You'll see I'll only want but you | 0:02:59 | 0:03:03 | |
# It's not quite fair to them if you told them that you were true | 0:03:03 | 0:03:09 | |
# I won't care a pin for your sisters if you love me | 0:03:09 | 0:03:12 | |
# What would you say if I said I liked you well? | 0:03:12 | 0:03:14 | |
# I'd vow to you | 0:03:14 | 0:03:18 | |
# On bended knee? | 0:03:18 | 0:03:20 | |
# On bended knee | 0:03:20 | 0:03:23 | |
# If I loved you | 0:03:23 | 0:03:27 | |
# Would you tell me what I ought to do | 0:03:27 | 0:03:29 | |
# To keep you all mine alone to always be true to me? | 0:03:29 | 0:03:37 | |
# If I loved you would it be a silly thing to do? | 0:03:37 | 0:03:41 | |
# For I must love someone | 0:03:41 | 0:03:45 | |
# Then why not me? | 0:03:45 | 0:03:48 | |
# Yes, I must love someone really | 0:03:48 | 0:03:51 | |
# And it might as well be you. # | 0:03:51 | 0:03:56 | |
# Far away on the ocean of sunshine and foam | 0:03:59 | 0:04:08 | |
# Sailed one day little Cupid in search of a home | 0:04:08 | 0:04:17 | |
# Paused to hark to the sound of the murmuring dove | 0:04:17 | 0:04:25 | |
# On his barque to that wonderful island of love. # | 0:04:25 | 0:04:34 | |
# I may be crazy | 0:04:34 | 0:04:39 | |
# But I love you | 0:04:39 | 0:04:41 | |
# I'll do and dare, oh | 0:04:41 | 0:04:43 | |
# I'm smart vaquero | 0:04:43 | 0:04:45 | |
# You may be shady, but I love you | 0:04:45 | 0:04:49 | |
# So won't you come right here and say goodbye | 0:04:49 | 0:04:54 | |
# Because you may not see me any more | 0:04:54 | 0:04:58 | |
# She's my lady love | 0:05:19 | 0:05:23 | |
# She is my dove, my baby love | 0:05:23 | 0:05:27 | |
# She's no girl for sittin' down to dream | 0:05:27 | 0:05:31 | |
# She's the only queen Laguna knows | 0:05:31 | 0:05:35 | |
# I know she likes me | 0:05:35 | 0:05:38 | |
# I know she likes me because she said so | 0:05:38 | 0:05:42 | |
# She is my lily of Laguna | 0:05:42 | 0:05:46 | |
# She is my lily and my rose | 0:05:46 | 0:05:51 | |
# She's my lady love | 0:05:51 | 0:05:54 | |
# She is my dove, my baby love | 0:05:54 | 0:05:59 | |
# She's no girl for sittin' down to dream | 0:05:59 | 0:06:03 | |
# She's the only queen Laguna knows | 0:06:03 | 0:06:07 | |
# I know she likes me | 0:06:07 | 0:06:10 | |
# I know she likes me because she said so | 0:06:10 | 0:06:14 | |
# She is my lily of Laguna | 0:06:14 | 0:06:19 | |
# She is my lily and my rose | 0:06:19 | 0:06:23 | |
# She is my lily of Laguna | 0:06:23 | 0:06:27 | |
# She is my lily | 0:06:27 | 0:06:29 | |
# And my rose. # | 0:06:29 | 0:06:35 | |
APPLAUSE | 0:06:35 | 0:06:38 | |
From that Leslie Stuart medley, | 0:06:50 | 0:06:54 | |
we modulate to the imponderable... | 0:06:54 | 0:06:58 | |
..improprieties | 0:07:00 | 0:07:03 | |
of a metropolitan nocturnal assignation. | 0:07:03 | 0:07:10 | |
Mr Ted Durante and Hilda! | 0:07:12 | 0:07:15 | |
APPLAUSE | 0:07:15 | 0:07:20 | |
SLURRING: # Everybody loves a baby | 0:07:28 | 0:07:30 | |
# But I'd sooner have a pint | 0:07:32 | 0:07:34 | |
# How's your father? | 0:07:37 | 0:07:39 | |
HE GRUMBLES | 0:07:40 | 0:07:42 | |
Me foot's gone dead. | 0:07:42 | 0:07:44 | |
Not working well. | 0:07:47 | 0:07:48 | |
Ah! Sweet mystery of life. | 0:07:50 | 0:07:53 | |
The greatest mistake... | 0:07:57 | 0:07:59 | |
Arrgghh! | 0:08:05 | 0:08:08 | |
I thought me tongue was hanging out. | 0:08:08 | 0:08:10 | |
HE MUTTERS | 0:08:13 | 0:08:15 | |
Bend, bend! Come on, bend. | 0:08:17 | 0:08:19 | |
Bend, you bugger, bend, bend, bend. | 0:08:19 | 0:08:21 | |
So, you won't bend, then. | 0:08:23 | 0:08:25 | |
Then n-necess-essity... | 0:08:25 | 0:08:27 | |
..is the mother... | 0:08:29 | 0:08:31 | |
LAUGHTER AND APPLAUSE | 0:08:34 | 0:08:37 | |
Stay there. | 0:08:56 | 0:08:57 | |
I'm going back, too, Mother. | 0:08:58 | 0:09:01 | |
Ahem... | 0:09:01 | 0:09:02 | |
HE COUGHS LOUDLY | 0:09:02 | 0:09:04 | |
# Have you got a light, boy? | 0:09:07 | 0:09:08 | |
Just...just a minute. I've got me finger stuck in this f... | 0:09:10 | 0:09:15 | |
Can you get a good grip? | 0:09:15 | 0:09:17 | |
That's it. | 0:09:27 | 0:09:28 | |
I opened it about half an hour, it's just so happens... | 0:09:28 | 0:09:31 | |
Hang on. | 0:09:31 | 0:09:33 | |
APPLAUSE | 0:09:42 | 0:09:44 | |
I can't see anybody. | 0:10:01 | 0:10:03 | |
There's not nobody there. | 0:10:06 | 0:10:08 | |
Wh-What do you mean? Why? | 0:10:08 | 0:10:11 | |
Oh, yes, yes, yes. | 0:10:11 | 0:10:14 | |
Yes. | 0:10:14 | 0:10:16 | |
Four. | 0:10:16 | 0:10:17 | |
No way, mate. Not four, not for that, no. | 0:10:23 | 0:10:28 | |
Two? Do you accept two? | 0:10:28 | 0:10:30 | |
Right. | 0:10:30 | 0:10:32 | |
Do you want to buy a ferret? | 0:10:34 | 0:10:36 | |
Hey! Down, down, down! | 0:10:40 | 0:10:42 | |
Stay! Ha! | 0:10:42 | 0:10:43 | |
I use it as a guard dog. | 0:10:43 | 0:10:45 | |
Thank you very much, that's one. | 0:10:47 | 0:10:48 | |
Hang on... | 0:10:48 | 0:10:50 | |
And another one makes two. Beautifully, thank you very much. | 0:10:51 | 0:10:56 | |
APPLAUSE | 0:11:02 | 0:11:05 | |
Now you've learnt something. | 0:11:22 | 0:11:25 | |
Scintillant in our glittering galaxy, | 0:11:25 | 0:11:29 | |
we give you that vertiginous vital spark of variety, | 0:11:29 | 0:11:36 | |
Miss Margaret Savage! | 0:11:36 | 0:11:39 | |
CHEERING AND APPLAUSE | 0:11:39 | 0:11:42 | |
# Erin's a spot famous for greenery | 0:11:48 | 0:11:52 | |
# But we do not match with our scenery | 0:11:52 | 0:11:55 | |
# We're not so green | 0:11:55 | 0:11:57 | |
# We can make hay with you | 0:11:57 | 0:11:59 | |
# Says the colleen "Ah, get away with you" | 0:11:59 | 0:12:06 | |
# Ah, now, stop your philandering | 0:12:06 | 0:12:10 | |
# You can't capture the rogue | 0:12:10 | 0:12:14 | |
# She's heard your blarney from Clare to Killarney | 0:12:14 | 0:12:18 | |
# The dear little girl with a bit of a brogue | 0:12:18 | 0:12:23 | |
# Ah, now, stop your philandering | 0:12:23 | 0:12:27 | |
# You can't capture the rogue | 0:12:27 | 0:12:31 | |
# She's heard your blarney from Clare to Killarney | 0:12:31 | 0:12:35 | |
# The dear little girl | 0:12:35 | 0:12:39 | |
# With a bit of a brogue. # | 0:12:39 | 0:12:45 | |
APPLAUSE | 0:12:45 | 0:12:47 | |
# You made me love you | 0:12:58 | 0:13:02 | |
# I didn't want to do it I didn't want to do it | 0:13:02 | 0:13:06 | |
# You made me love you | 0:13:06 | 0:13:11 | |
# And all the time you knew it I guess you always knew it | 0:13:11 | 0:13:16 | |
# You made me happy sometimes | 0:13:16 | 0:13:20 | |
# You made me glad... # | 0:13:20 | 0:13:23 | |
Do you know this one? | 0:13:23 | 0:13:24 | |
# And there were times, dear | 0:13:24 | 0:13:28 | |
# You made me feel so bad | 0:13:28 | 0:13:33 | |
# You made me sigh for | 0:13:33 | 0:13:37 | |
# I didn't wanna tell you I didn't wanna tell you | 0:13:37 | 0:13:41 | |
# I need some love, that's true | 0:13:41 | 0:13:46 | |
# Yes I do, indeed I do You know I do | 0:13:46 | 0:13:50 | |
# Give me, give me, give me, give me what I sigh for | 0:13:50 | 0:13:54 | |
# You know ya got the brand o' kisses that I'd die for | 0:13:54 | 0:13:59 | |
# You know you made me love you. # | 0:13:59 | 0:14:04 | |
# East Side, West Side | 0:14:07 | 0:14:11 | |
# All around the town | 0:14:11 | 0:14:15 | |
# The kids sang "ring-a-roses" | 0:14:15 | 0:14:19 | |
# "Brooklyn Bridge is falling down" | 0:14:19 | 0:14:23 | |
# Boys and girls together | 0:14:23 | 0:14:28 | |
# Me and Mickey O'Rourke | 0:14:28 | 0:14:31 | |
# Tripped the light fantastic | 0:14:31 | 0:14:35 | |
# On the sidewalks of New York | 0:14:35 | 0:14:39 | |
# Oh... # | 0:14:39 | 0:14:41 | |
# Rock-a-bye your baby with a Dixie melody | 0:14:41 | 0:14:48 | |
# When you croon, croon a tune | 0:14:50 | 0:14:54 | |
# From the heart of Dixie | 0:14:54 | 0:14:58 | |
# Just place my cradle, mammy mine | 0:14:58 | 0:15:03 | |
# Right on the Mason-Dixon line | 0:15:03 | 0:15:07 | |
# And swing it from Virginia | 0:15:07 | 0:15:11 | |
# To Tennessee with all the love that's in ya | 0:15:11 | 0:15:15 | |
# Weep no more, my lady | 0:15:15 | 0:15:18 | |
# Sing that song again for me | 0:15:18 | 0:15:23 | |
# Soft and low, just as though | 0:15:23 | 0:15:27 | |
# You had me on your knee | 0:15:27 | 0:15:32 | |
# A million baby kisses I'd deliver | 0:15:32 | 0:15:36 | |
# If you would only sing that Swanee River | 0:15:36 | 0:15:40 | |
# Rock-a-bye your rock-a-bye baby | 0:15:40 | 0:15:44 | |
# With a Dixie melody. # | 0:15:44 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:56 | |
In a melodic miscellany | 0:16:09 | 0:16:15 | |
commingling titillant terpsichorean corybantics... | 0:16:15 | 0:16:23 | |
..singing and dancing, | 0:16:27 | 0:16:30 | |
Mr Peter Gale! | 0:16:30 | 0:16:33 | |
# All men sing their best beside the old domestic hearth | 0:16:39 | 0:16:44 | |
# Along the garden path and in the morning bath | 0:16:44 | 0:16:50 | |
# Just rejoice and try the voice | 0:16:50 | 0:16:53 | |
# Let the note resound | 0:16:53 | 0:16:57 | |
# Don't forget it's melody | 0:16:57 | 0:17:00 | |
# That makes this world go round | 0:17:00 | 0:17:06 | |
# Never forget that one good tune deserves another | 0:17:06 | 0:17:09 | |
# This is a song we can sing | 0:17:09 | 0:17:13 | |
# Feeling like a nightingale upon the wing | 0:17:13 | 0:17:16 | |
# La-la-la-la-la-la | 0:17:16 | 0:17:21 | |
# I only know I never want to hear another | 0:17:21 | 0:17:24 | |
This is the one that will cling | 0:17:24 | 0:17:28 | |
# Like the story of the roses and the ring... # | 0:17:28 | 0:17:31 | |
All together. | 0:17:31 | 0:17:32 | |
# La-la-la-la-la-la... # | 0:17:32 | 0:17:34 | |
Very nice. | 0:17:34 | 0:17:36 | |
# It would a sheer delight on the phone | 0:17:36 | 0:17:39 | |
# Or trombone, xylophone | 0:17:39 | 0:17:43 | |
# I could dance to it all night on my own | 0:17:43 | 0:17:47 | |
# To a lone saxophone | 0:17:47 | 0:17:50 | |
# Never forget that one good tune deserves another | 0:17:50 | 0:17:54 | |
# This is a song we can sing | 0:17:54 | 0:17:58 | |
# Feeling like a nightingale upon the wing... # | 0:17:58 | 0:18:00 | |
All together. | 0:18:00 | 0:18:02 | |
# La-la-la-la-la-la. # | 0:18:02 | 0:18:04 | |
Very good. | 0:18:04 | 0:18:05 | |
# There's always tomorrow to bring us a smile | 0:18:08 | 0:18:13 | |
# Maybe we should borrow this thought for a while | 0:18:13 | 0:18:18 | |
# For then we'll both remember that life is but a game | 0:18:18 | 0:18:24 | |
# We'll fan the dying ember and coax it into flame | 0:18:24 | 0:18:29 | |
# Tomorrow we'll borrow this thought from a song | 0:18:29 | 0:18:35 | |
# To capture the rapture of days that are gone | 0:18:35 | 0:18:40 | |
# For when we're reunited | 0:18:40 | 0:18:44 | |
# We'll have but this to say | 0:18:44 | 0:18:49 | |
# Tomorrow was yesterday. # | 0:18:49 | 0:18:57 | |
# La-la-la-la-la-la-la-la-la-la | 0:19:03 | 0:19:07 | |
# Now is the time to say farewell | 0:19:07 | 0:19:11 | |
# Goodnight, Vienna | 0:19:11 | 0:19:18 | |
# You city of a million melodies | 0:19:18 | 0:19:22 | |
# Our hearts are thrilling to the strings that you play | 0:19:22 | 0:19:26 | |
# From dawn till the daylight dies | 0:19:26 | 0:19:31 | |
# Goodnight, Vienna | 0:19:31 | 0:19:35 | |
# Now lovers kiss beneath your linden trees | 0:19:35 | 0:19:39 | |
# The world is waiting on the edge of the day | 0:19:39 | 0:19:42 | |
# Just waiting to say | 0:19:42 | 0:19:46 | |
# Good night. # | 0:19:46 | 0:19:52 | |
APPLAUSE | 0:19:53 | 0:19:56 | |
# Who means my happiness? | 0:20:15 | 0:20:19 | |
# Who would I answer yes to? | 0:20:19 | 0:20:26 | |
# Well, you ought to guess who | 0:20:26 | 0:20:29 | |
# Who | 0:20:29 | 0:20:32 | |
# No-one but you. # | 0:20:32 | 0:20:39 | |
APPLAUSE | 0:20:39 | 0:20:41 | |
Incorrigibly gregarious | 0:20:53 | 0:20:57 | |
in inexhaustible garrulity, | 0:20:57 | 0:21:03 | |
uninhibited in Hibernicism... | 0:21:03 | 0:21:06 | |
Irishness. | 0:21:08 | 0:21:10 | |
Mr Frank Carson! | 0:21:10 | 0:21:13 | |
Hi, lads! My, what a fantastic... | 0:21:20 | 0:21:23 | |
Hi! | 0:21:23 | 0:21:24 | |
HE LAUGHS | 0:21:24 | 0:21:26 | |
LAUGHTER | 0:21:26 | 0:21:28 | |
Was it something I said? | 0:21:33 | 0:21:35 | |
Well, I must say, once again, I'd like to thank the staff | 0:21:37 | 0:21:40 | |
here at the city varieties for the lovely lodgings. | 0:21:40 | 0:21:43 | |
A beautiful 29-bedroom, semidetached slum. | 0:21:45 | 0:21:47 | |
I knew it was semidetached | 0:21:51 | 0:21:53 | |
because it was moving away from the rest of the street. | 0:21:53 | 0:21:55 | |
A knock the door and it was an old Irish lady who came to the door. | 0:21:58 | 0:22:01 | |
79 years old. | 0:22:01 | 0:22:03 | |
Big, long, green dress, beautiful white hair | 0:22:03 | 0:22:05 | |
and one of the softest Irish accidents I've ever heard. | 0:22:05 | 0:22:08 | |
She said... | 0:22:08 | 0:22:09 | |
"What the hell d'you want, what are you doing here?! | 0:22:09 | 0:22:12 | |
"What the hell d'you want?" | 0:22:12 | 0:22:13 | |
I said, "Do you think the lady next door would give me a glass of water?" | 0:22:19 | 0:22:23 | |
HE LAUGHS | 0:22:24 | 0:22:26 | |
You see me laughing - I've heard them before. | 0:22:26 | 0:22:29 | |
Good comedian, me. | 0:22:30 | 0:22:31 | |
She said, "Come in to the dining room. | 0:22:33 | 0:22:36 | |
"I've prepared a running buffet." | 0:22:36 | 0:22:38 | |
Epsom salt sandwiches. | 0:22:42 | 0:22:44 | |
I was going up to the bathroom. | 0:22:51 | 0:22:52 | |
She says, "Have you a good memory for faces?" | 0:22:57 | 0:23:00 | |
I said, "I have - why?" | 0:23:00 | 0:23:01 | |
She says, "There's no mirror up there." | 0:23:01 | 0:23:03 | |
The old gags are the best, aren't they? | 0:23:08 | 0:23:10 | |
It's the way I tell them. | 0:23:10 | 0:23:13 | |
Her husband was a nice fella. | 0:23:13 | 0:23:15 | |
He was lying in bed, looking for work. | 0:23:15 | 0:23:17 | |
He got a card from the dole to go about a job | 0:23:23 | 0:23:25 | |
and he brought it to the police. | 0:23:25 | 0:23:28 | |
He said somebody had sent him a threatening letter. | 0:23:28 | 0:23:31 | |
I said, "Can you not get a job?" | 0:23:32 | 0:23:36 | |
He said, "There's no work at my trade." | 0:23:36 | 0:23:38 | |
I said, "What's your trade?" | 0:23:40 | 0:23:42 | |
He said, "I'm a coronation-flag seller." | 0:23:42 | 0:23:44 | |
I called into the bedroom. | 0:23:50 | 0:23:52 | |
I said, "I couldn't sleep in that bed last night. | 0:23:52 | 0:23:54 | |
"There was a dead flea in the bed." | 0:23:54 | 0:23:57 | |
She says, "A dead flea will do you no harm." | 0:23:57 | 0:23:59 | |
I said, "I know that, but there was 40,000 came to the funeral." | 0:23:59 | 0:24:03 | |
LAUGHTER AND APPLAUSE | 0:24:03 | 0:24:06 | |
She said, "This is a five-star hotel." | 0:24:12 | 0:24:16 | |
I said, "I know, I counted them through the slates in the roof." | 0:24:16 | 0:24:20 | |
And I said, "I'd like to talk to you about the ceiling in my bedroom. | 0:24:20 | 0:24:24 | |
She says, "What about it?" | 0:24:24 | 0:24:26 | |
I says, "I'd like one." | 0:24:26 | 0:24:27 | |
She says, "You needn't worry, | 0:24:31 | 0:24:32 | |
"cos the people upstairs won't walk about much. | 0:24:32 | 0:24:37 | |
"But they'll drop in now and again." | 0:24:37 | 0:24:39 | |
They had a funny way of dividing the chicken. | 0:24:47 | 0:24:50 | |
She said to the fellow, "What football team do you support?" | 0:24:51 | 0:24:54 | |
He said, "Scunthorpe." She gave him a left leg. | 0:24:54 | 0:24:57 | |
She says to the fella, "What team do you support?" | 0:24:57 | 0:24:59 | |
He said, "Cleethorpes." She gave him a right leg. | 0:24:59 | 0:25:01 | |
She says to me, "What team do you support?" | 0:25:01 | 0:25:03 | |
I said, "Arsenal, but I'm not hungry." | 0:25:03 | 0:25:05 | |
ORCHESTRA PLAYS JIG | 0:25:10 | 0:25:14 | |
AUDIENCE CLAPS IN TIME | 0:25:15 | 0:25:18 | |
Ineluctably... | 0:25:25 | 0:25:27 | |
..luminous embodiment of lissom elegance, | 0:25:30 | 0:25:35 | |
none other than Miss Sheila Matthews! | 0:25:35 | 0:25:39 | |
# Every, every, every little while | 0:25:50 | 0:26:00 | |
# I miss you my darling when you are away | 0:26:01 | 0:26:06 | |
# I find myself dreaming of you night and day | 0:26:06 | 0:26:11 | |
# I'm losing my appetite, losing my mind | 0:26:11 | 0:26:16 | |
# I try to forget for a while | 0:26:16 | 0:26:21 | |
# Then I find | 0:26:21 | 0:26:26 | |
# Every little while I feel so lonely | 0:26:26 | 0:26:35 | |
# Every little while I feel so blue | 0:26:35 | 0:26:42 | |
# I'm always dreaming | 0:26:42 | 0:26:46 | |
# I'm always scheming | 0:26:46 | 0:26:51 | |
# Because I want you and only you | 0:26:51 | 0:27:01 | |
# Every little while, my heart is aching | 0:27:01 | 0:27:09 | |
# And every little while I miss your smile | 0:27:09 | 0:27:17 | |
# And all the time I seem to miss you | 0:27:17 | 0:27:22 | |
# I want to, want to kiss you | 0:27:22 | 0:27:27 | |
# Every, every, every little while | 0:27:27 | 0:27:35 | |
# Every little while I feel so lonely | 0:27:36 | 0:27:45 | |
# Every little while I feel so blue | 0:27:45 | 0:27:52 | |
# I'm always dreaming | 0:27:52 | 0:27:56 | |
# I'm always scheming | 0:27:56 | 0:28:00 | |
# Because I want you and only you | 0:28:00 | 0:28:11 | |
# Every little while, my heart is aching | 0:28:11 | 0:28:19 | |
# Every little while I miss your smile | 0:28:19 | 0:28:26 | |
# And all the time I seem to miss you | 0:28:26 | 0:28:31 | |
# I want to, want to kiss you | 0:28:31 | 0:28:36 | |
# Every, every, every little while | 0:28:36 | 0:28:44 | |
# And all the time I seem to miss you | 0:28:45 | 0:28:51 | |
# I want to, want to kiss you | 0:28:51 | 0:28:57 | |
# Every, every, every little... | 0:28:57 | 0:29:04 | |
# ..while. # | 0:29:04 | 0:29:09 | |
APPLAUSE | 0:29:09 | 0:29:12 | |
Definitive indubiety, | 0:29:25 | 0:29:29 | |
ambiguity incarnate, | 0:29:29 | 0:29:33 | |
that arch exponent, | 0:29:33 | 0:29:36 | |
the one and only Mr Larry Grayson! | 0:29:36 | 0:29:40 | |
# No doubt you've heard that well-known song | 0:29:55 | 0:29:58 | |
# They sang in bygone days | 0:29:58 | 0:30:01 | |
# My Fiddle Is My Sweetheart | 0:30:01 | 0:30:05 | |
# It used to be the craze | 0:30:05 | 0:30:08 | |
# But fiddling I have always thought | 0:30:08 | 0:30:12 | |
# Infra dig, you know | 0:30:12 | 0:30:15 | |
# My bicycle is my sweetheart | 0:30:15 | 0:30:18 | |
# My friends will tell you so | 0:30:18 | 0:30:22 | |
# My bicycle brings me such | 0:30:22 | 0:30:25 | |
# Brilliant pleasure | 0:30:25 | 0:30:27 | |
# I pedal up hill and down dale | 0:30:27 | 0:30:30 | |
# My wheels are ball bearing | 0:30:30 | 0:30:32 | |
# They are such a treasure | 0:30:32 | 0:30:34 | |
# I never have known them to fail | 0:30:34 | 0:30:37 | |
# My doctor said cycling is healthy and nice | 0:30:37 | 0:30:40 | |
# But for one's pleasure one must pay a price... # | 0:30:40 | 0:30:43 | |
LAUGHTER | 0:30:45 | 0:30:47 | |
# I think I've been lucky | 0:30:51 | 0:30:53 | |
# I've been punctured twice... # | 0:30:53 | 0:30:56 | |
LAUGHTER AND CRIES What a gay day. | 0:30:56 | 0:31:00 | |
# As I jump on my push-bike and pedal away. # | 0:31:00 | 0:31:04 | |
APPLAUSE | 0:31:04 | 0:31:07 | |
LAUGHTER | 0:31:21 | 0:31:23 | |
Well, I'm worn out before I start. | 0:31:23 | 0:31:26 | |
Do you know, I stand here like this, but I'm in a terrible agony. | 0:31:26 | 0:31:30 | |
-Aren't I? Speak. -Yes. | 0:31:30 | 0:31:32 | |
He's as common as dirt. Do you know... | 0:31:32 | 0:31:35 | |
LAUGHTER | 0:31:35 | 0:31:37 | |
I stand up with all this damp weather... | 0:31:37 | 0:31:40 | |
I'm riddled with arthritis. I'm riddled. | 0:31:40 | 0:31:42 | |
-AUDIENCE: -Aww... -Yes, I am! | 0:31:42 | 0:31:45 | |
What a common audience. | 0:31:45 | 0:31:47 | |
The other day I was at home and, of course, | 0:31:50 | 0:31:52 | |
I don't get up too early, you know. | 0:31:52 | 0:31:54 | |
I've never been an early riser. | 0:31:54 | 0:31:56 | |
LAUGHTER | 0:31:56 | 0:31:59 | |
Isn't it funny? You always get the common lot on this side. | 0:32:00 | 0:32:03 | |
There came this knock on my door. I think, "Who could it be?" I thought. | 0:32:06 | 0:32:09 | |
Is it the postman - Pop-It-In Pete? | 0:32:09 | 0:32:11 | |
LAUGHTER | 0:32:11 | 0:32:13 | |
"Come in," I cried. It was Apricot Lil. | 0:32:17 | 0:32:19 | |
She came rushing in. I said, "Sit down, Lil," I said. | 0:32:21 | 0:32:23 | |
I've just got to do me legs. | 0:32:23 | 0:32:26 | |
She said... Listen, she said... | 0:32:26 | 0:32:29 | |
"Have you heard about the vicar?" I said, "What's he been up to now?" | 0:32:29 | 0:32:32 | |
She said, "Oh, terrible," she said. | 0:32:32 | 0:32:34 | |
She said, "Well, he was coming down the hillock the other day | 0:32:34 | 0:32:37 | |
"and he caught his surplus in the spokes." | 0:32:37 | 0:32:40 | |
And he'd thrown himself off, you see, | 0:32:40 | 0:32:41 | |
and he was going to sell his bicycle. | 0:32:41 | 0:32:43 | |
She said, "Now, you get around there as quick as you can, go round | 0:32:43 | 0:32:46 | |
"as quick as you can," she said, "and make him an offer he can't refuse." | 0:32:46 | 0:32:49 | |
Well, I said... LAUGHTER | 0:32:49 | 0:32:51 | |
I said, "What would I want a bicycle for?" I said. | 0:32:56 | 0:32:59 | |
"Everard and I have got the tandem." | 0:32:59 | 0:33:03 | |
She said, "Be independent. Because Brenda Allcock..." | 0:33:03 | 0:33:07 | |
She said, "She's just started a cycling club called | 0:33:09 | 0:33:12 | |
"the Wobbly Wheelers." | 0:33:12 | 0:33:14 | |
He said, "If you buy the vicar's bicycle, you can join us." | 0:33:14 | 0:33:18 | |
I said, "I'd like to feel a bit of freedom and it does me | 0:33:18 | 0:33:21 | |
"good to get me legs working, you know. | 0:33:21 | 0:33:23 | |
"This last few months I haven't felt so limp as I usually do." | 0:33:23 | 0:33:26 | |
You know. | 0:33:26 | 0:33:28 | |
Anyway, so I got myself all ready, | 0:33:28 | 0:33:30 | |
we met outside at ten o'clock on the Sunday morning. Everybody came. | 0:33:30 | 0:33:34 | |
There was Slack Alice, Apricot Lil, Easy Edna... | 0:33:34 | 0:33:37 | |
Once-A-Week Nora. | 0:33:37 | 0:33:40 | |
They were all there and, of course, Slack, | 0:33:40 | 0:33:43 | |
though she slept in a hedge all night, | 0:33:43 | 0:33:45 | |
she brought a packed lunch - | 0:33:45 | 0:33:47 | |
bottle of vodka and a banana. | 0:33:47 | 0:33:49 | |
LAUGHTER | 0:33:49 | 0:33:51 | |
He's anybody's for a doughnut. | 0:33:56 | 0:33:58 | |
UPROARIOUS LAUGHTER | 0:33:58 | 0:34:00 | |
I got on, you see, I was all right, I was comfortable, | 0:34:06 | 0:34:09 | |
I'd talcced the saddle. | 0:34:09 | 0:34:10 | |
And then... | 0:34:10 | 0:34:12 | |
They said, "Here we go." | 0:34:13 | 0:34:14 | |
Well, down we went, down through the lanes, through the field | 0:34:14 | 0:34:17 | |
and I was peddling, I was freewheeling, backpedalling, | 0:34:17 | 0:34:20 | |
doing the lot and then going down this hillock... | 0:34:20 | 0:34:22 | |
Do you know, I go cold when I think about it. | 0:34:25 | 0:34:27 | |
..this vision passed me doing about 90mph. | 0:34:28 | 0:34:33 | |
It was Slack Alice. | 0:34:33 | 0:34:35 | |
Her mouth was open, she was trying to say something. | 0:34:36 | 0:34:40 | |
Like, "Help." | 0:34:40 | 0:34:42 | |
Well... | 0:34:46 | 0:34:47 | |
I could see her going down. | 0:34:55 | 0:34:57 | |
Is he with you? | 0:34:59 | 0:35:00 | |
I could see her... | 0:35:00 | 0:35:01 | |
And I could see her going down the hillock and she turned | 0:35:02 | 0:35:05 | |
and she went into a farmyard. | 0:35:05 | 0:35:07 | |
I have never seen so many feathers in my life. | 0:35:09 | 0:35:12 | |
It's the first time I've seen chickens go up in the air | 0:35:12 | 0:35:16 | |
and come down plucked. | 0:35:16 | 0:35:18 | |
It's the truth. | 0:35:24 | 0:35:26 | |
We couldn't find her for an hour. | 0:35:26 | 0:35:28 | |
And when we found her, she was on top of the haystack. | 0:35:28 | 0:35:31 | |
I thought it was a scarecrow. | 0:35:31 | 0:35:33 | |
She got all straw stuck in her ears, she thought she'd gone deaf. | 0:35:33 | 0:35:37 | |
Anyway, it's the last time she went on her bicycle, | 0:35:37 | 0:35:40 | |
so we had a whip around, all of us, we had a whip around | 0:35:40 | 0:35:42 | |
and we bought her a tricycle now, so she'll be safe on that. | 0:35:42 | 0:35:45 | |
So if you see her out on a Sunday morning, | 0:35:45 | 0:35:48 | |
give her a wave and shout, "What a gay day!" | 0:35:48 | 0:35:50 | |
She'll always come back with two words for you, but... | 0:35:52 | 0:35:55 | |
Mind you, I've been very fortunate because, you see... Me legs, | 0:35:57 | 0:36:00 | |
you know, I mean, I get it all down, terrible... | 0:36:00 | 0:36:03 | |
-AUDIENCE: -Aww. -Oh, I do. Do you get it? | 0:36:03 | 0:36:05 | |
I bet YOU get it, don't you? | 0:36:10 | 0:36:12 | |
You look a funny age to me. | 0:36:14 | 0:36:16 | |
APPLAUSE | 0:36:18 | 0:36:20 | |
You see... | 0:36:24 | 0:36:26 | |
# My bicycle brings me such innocent pleasure | 0:36:26 | 0:36:29 | |
# I pedal up hill and down dale | 0:36:29 | 0:36:33 | |
# My wheels are ball bearing | 0:36:33 | 0:36:34 | |
# They are such a treasure | 0:36:34 | 0:36:36 | |
# I never have known them to fail | 0:36:36 | 0:36:39 | |
# My doctor said cycling is healthy and nice | 0:36:39 | 0:36:42 | |
# But for one's pleasure you must pay a price | 0:36:42 | 0:36:46 | |
# I think I've been lucky | 0:36:46 | 0:36:49 | |
# I've been punctured twice | 0:36:49 | 0:36:52 | |
# Ha-ha-ha! # | 0:36:52 | 0:36:54 | |
Shut that door. | 0:36:54 | 0:36:56 | |
# As I jumped on my push-bike and pedalled away. # | 0:36:56 | 0:37:00 | |
APPLAUSE | 0:37:01 | 0:37:05 | |
-Illustriously immaculate lion comique. -AUDIENCE: -Ooh! | 0:37:18 | 0:37:24 | |
Your own, your very own Mr Edward Woodward. | 0:37:24 | 0:37:28 | |
APPLAUSE | 0:37:28 | 0:37:31 | |
# Champagne Charlie is his name | 0:37:36 | 0:37:39 | |
# Champagne drinking is his game | 0:37:39 | 0:37:42 | |
# He likes lots and lots of fizz, fizz, fizz | 0:37:42 | 0:37:46 | |
# He'll drink every drop there is, is, is... # | 0:37:46 | 0:37:49 | |
APPLAUSE # Champagne Charlie is my name | 0:37:49 | 0:37:53 | |
# Champagne drinking is my game | 0:37:53 | 0:37:56 | |
# I'm the idol of the barmaids | 0:37:56 | 0:38:00 | |
# Champagne Charlie is my name | 0:38:00 | 0:38:02 | |
# But I'm shy, Mary Ellen | 0:38:04 | 0:38:09 | |
# I'm shy | 0:38:09 | 0:38:12 | |
# It does seem so naughty Oh, my | 0:38:12 | 0:38:17 | |
# Kissing is nice so I've often heard say | 0:38:17 | 0:38:21 | |
# Still, how to do it I don't know the way | 0:38:21 | 0:38:26 | |
# So you put your arm round my waist | 0:38:26 | 0:38:31 | |
# I promise I won't scream or cry | 0:38:31 | 0:38:36 | |
# But you do the kissing | 0:38:36 | 0:38:38 | |
# And cuddling instead | 0:38:38 | 0:38:41 | |
# Cos I'm shy, Mary Ellen | 0:38:41 | 0:38:43 | |
# I'm shy | 0:38:43 | 0:38:45 | |
# I'm shy, Mary Ellen, I'm shy | 0:38:45 | 0:38:49 | |
# It does seem so naughty Oh, my | 0:38:49 | 0:38:54 | |
# Still, we got married and got home all right | 0:38:54 | 0:38:58 | |
# Kept up the fun with our friends until light | 0:38:58 | 0:39:02 | |
# They said, Mary Ellen, goodbye | 0:39:02 | 0:39:07 | |
# They started to go, so did I | 0:39:07 | 0:39:11 | |
# I said, you're not going and then said, I am | 0:39:11 | 0:39:15 | |
# Cos I'm shy, Mary Ellen, shy | 0:39:15 | 0:39:18 | |
# I'm shy, Mary Ellen | 0:39:19 | 0:39:22 | |
# Shy, Mary Ellen | 0:39:22 | 0:39:24 | |
# Shy, Mary Ellen, I'm shy | 0:39:24 | 0:39:28 | |
# So shy | 0:39:29 | 0:39:31 | |
# I'm shy | 0:39:31 | 0:39:33 | |
# So shy. # | 0:39:34 | 0:39:37 | |
APPLAUSE | 0:39:37 | 0:39:39 | |
# I'll take you home again, Kathleen | 0:39:53 | 0:39:59 | |
# Across the ocean wild and wide | 0:40:01 | 0:40:09 | |
# To where your heart has ever been | 0:40:10 | 0:40:18 | |
# Since first you were my bonnie bride | 0:40:18 | 0:40:26 | |
# The roses all have left your cheeks | 0:40:26 | 0:40:34 | |
# I've watched them fade away and die | 0:40:34 | 0:40:43 | |
# Your voice is sad whene'er you speak | 0:40:43 | 0:40:51 | |
# And tears bedim your loving eyes | 0:40:51 | 0:40:59 | |
# Oh, I will take you back, Kathleen | 0:41:01 | 0:41:09 | |
# To where your heart will feel no pain | 0:41:10 | 0:41:18 | |
# And when the fields are fresh and green | 0:41:18 | 0:41:27 | |
# I'll take you to your home again | 0:41:27 | 0:41:39 | |
# And when those fields are fresh and green | 0:41:40 | 0:41:50 | |
# Oh, I'll take you to your home again | 0:41:50 | 0:42:03 | |
# Kathleen. # | 0:42:04 | 0:42:11 | |
APPLAUSE | 0:42:11 | 0:42:14 | |
Thank you, thank you. | 0:42:16 | 0:42:17 | |
And now, ladies and gentlemen, | 0:42:22 | 0:42:25 | |
let's see what the Band Of Hope can do with this one. Sir. | 0:42:25 | 0:42:28 | |
# Who were you with last night | 0:42:31 | 0:42:35 | |
# Out in the pale moonlight? | 0:42:35 | 0:42:38 | |
# It wasn't your sister it wasn't your ma | 0:42:38 | 0:42:41 | |
# Ah, ah, ah, ah, ah-ah ah-ah | 0:42:41 | 0:42:44 | |
AUDIENCE JOINS IN # Who were you with last night | 0:42:44 | 0:42:48 | |
# Out in the pale moonlight? | 0:42:48 | 0:42:51 | |
# Are you going to tell your missus when you get home | 0:42:51 | 0:42:55 | |
# Who you were with last night? # | 0:42:55 | 0:42:57 | |
And now, ladies and gentlemen, the chorus, I beg your pardon, | 0:42:57 | 0:43:00 | |
choral, ladies and gentlemen, and yourselves, | 0:43:00 | 0:43:02 | |
join me in the next ve-e-rse. | 0:43:02 | 0:43:04 | |
-# Who where you with last night? -That's my business | 0:43:05 | 0:43:09 | |
-# Who were you with last night? -I'm not telling you | 0:43:09 | 0:43:12 | |
-# It wasn't your sister -No | 0:43:12 | 0:43:14 | |
-# It wasn't your ma -How dare you? | 0:43:14 | 0:43:16 | |
# Ah, ah, ah, ah, ah-ah ah-ah | 0:43:16 | 0:43:19 | |
# Who were you with last night | 0:43:19 | 0:43:22 | |
# Out in the pale moonlight? | 0:43:22 | 0:43:25 | |
# Are you going to tell your missus when you get home | 0:43:25 | 0:43:29 | |
# Who you were with last night? # | 0:43:29 | 0:43:31 | |
And now, ladies and gentlemen, the orchestra have your heads. | 0:43:31 | 0:43:35 | |
All those who can't swim, hang onto the banisters. | 0:43:35 | 0:43:39 | |
ORCHESTRA PLAY VIBRANTLY | 0:43:39 | 0:43:41 | |
Come on! | 0:43:43 | 0:43:44 | |
Play the trumpet, play the trumpet. | 0:43:44 | 0:43:46 | |
Point that stick up. Watch it, watch it. | 0:43:46 | 0:43:50 | |
# Ah, ah, ah, ah, ah-ah ah-ah | 0:43:50 | 0:43:53 | |
# Who were you with last night | 0:43:53 | 0:43:56 | |
# Out in the pale moonlight? | 0:43:56 | 0:43:59 | |
# Are you going to tell your missus when you get home | 0:43:59 | 0:44:03 | |
# Who you were with last | 0:44:03 | 0:44:05 | |
# Who you were with last | 0:44:05 | 0:44:07 | |
# Who you were with last night? | 0:44:07 | 0:44:12 | |
APPLAUSE | 0:44:12 | 0:44:15 | |
And now, ladies and gentlemen, | 0:44:23 | 0:44:25 | |
there's just time to ask Mr Edward Woodward | 0:44:25 | 0:44:28 | |
and Mr Larry Grayson to lead the company and yourselves | 0:44:28 | 0:44:30 | |
in the last chorus for tonight - Down At The Old Bull And Bush. | 0:44:30 | 0:44:33 | |
Ladies and gentlemen, Mr Edward Woodward, Mr Larry Grayson, | 0:44:33 | 0:44:36 | |
the entire company, Mr Bernard Herrmann, | 0:44:36 | 0:44:39 | |
the entire and indefatigable orchestra... | 0:44:39 | 0:44:41 | |
CHEERING | 0:44:41 | 0:44:44 | |
..and, this time, chiefly, yourselves. | 0:44:44 | 0:44:48 | |
# Come, come, come and make eyes at me | 0:44:51 | 0:44:55 | |
# Down at The Old Bull and Bush Ah-ah ah-ah-ah | 0:44:55 | 0:44:58 | |
# Come, come drink some port wine with me | 0:44:58 | 0:45:02 | |
# Down at The Old Bull and Bush | 0:45:02 | 0:45:04 | |
# Hear the little German band oompah-pah, oompah-pah | 0:45:05 | 0:45:09 | |
# Just let me hold your hand, dear | 0:45:09 | 0:45:12 | |
# Come, come, come and have a drink with me | 0:45:12 | 0:45:16 | |
# Down at The Old Bull and Bush Bush-Bush. # | 0:45:16 | 0:45:21 | |
APPLAUSE AND CHEERING | 0:45:21 | 0:45:26 | |
AUDIENCE CLAPS ALONG TO MUSIC | 0:45:26 | 0:45:29 |