25/03/1976 The Good Old Days


25/03/1976

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Transcript


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# Has anybody here seen Kelly?

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# K-E-double L-Y

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# Has anybody here seen Kelly?

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# Find him if you can!

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# He's as bad as old Antonio

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# Left me on my own-i-o,

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# Has anybody here seen Kelly?

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# Kelly from the Isle of Man! #

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CHEERING AND APPLAUSE

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ORCHESTRAL FANFARE

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CHEERING

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AUDIENCE: Ooh!

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Once again, good evening,

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ladies and gentlemen!

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And now, would you like to say good evening

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to the Lord and Lady Mayoress of Leeds?

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AUDIENCE: Good evening!

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-AUDIENCE MEMBER:

-Lady Mayoress!

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LAUGHTER

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Heterogeneity...

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..harmoniously homogenised...

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..for your exhilaration, exhibits initially...

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..the potentialities unparalleled...

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..of the Players' Theatre,

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plus Mr Peter Gale and Miss Sheila Matthews!

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CHEERING AND APPLAUSE

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# It's the Soldiers of the Queen, my lads

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# Who've been my lads Who've seen my lads

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# In the fight for England's glory, lads

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# Of its worldwide glory let us sing

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# And when we say we've always won

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# And when they ask us how it's done

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# We'll proudly point to ev'ry one

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# Of England's soldiers of the Queen! #

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# Tell me, pretty maiden, are there any more at home like you?

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# There are a few, kind sir but simple girls, and proper too

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# Then tell me, pretty maiden, what these very simple girlies do?

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# Kind sir, their manners are perfection

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# And the opposite of mine

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# Then take a little walk with me and then you will see

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# What a most particular girl should be

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# I may love you too well to let you go

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# And flirt with those at home, you know

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# Well, don't mind, little girl

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# You'll see I'll only want but you

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# It's not quite fair to them if you told them that you were true

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# I won't care a pin for your sisters if you love me

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# What would you say if I said I liked you well?

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# I'd vow to you

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# On bended knee?

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# On bended knee

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# If I loved you

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# Would you tell me what I ought to do

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# To keep you all mine alone to always be true to me?

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# If I loved you would it be a silly thing to do?

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# For I must love someone

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# Then why not me?

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# Yes, I must love someone really

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# And it might as well be you. #

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# Far away on the ocean of sunshine and foam

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# Sailed one day little Cupid in search of a home

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# Paused to hark to the sound of the murmuring dove

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# On his barque to that wonderful island of love. #

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# I may be crazy

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# But I love you

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# I'll do and dare, oh

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# I'm smart vaquero

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# You may be shady, but I love you

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# So won't you come right here and say goodbye

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# Because you may not see me any more

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# She's my lady love

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# She is my dove, my baby love

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# She's no girl for sittin' down to dream

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# She's the only queen Laguna knows

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# I know she likes me

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# I know she likes me because she said so

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# She is my lily of Laguna

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# She is my lily and my rose

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# She's my lady love

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# She is my dove, my baby love

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# She's no girl for sittin' down to dream

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# She's the only queen Laguna knows

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# I know she likes me

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# I know she likes me because she said so

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# She is my lily of Laguna

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# She is my lily and my rose

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# She is my lily of Laguna

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# She is my lily

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# And my rose. #

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APPLAUSE

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From that Leslie Stuart medley,

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we modulate to the imponderable...

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..improprieties

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of a metropolitan nocturnal assignation.

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Mr Ted Durante and Hilda!

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APPLAUSE

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SLURRING: # Everybody loves a baby

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# But I'd sooner have a pint

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# How's your father?

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HE GRUMBLES

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Me foot's gone dead.

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Not working well.

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Ah! Sweet mystery of life.

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The greatest mistake...

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Arrgghh!

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I thought me tongue was hanging out.

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HE MUTTERS

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Bend, bend! Come on, bend.

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Bend, you bugger, bend, bend, bend.

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So, you won't bend, then.

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Then n-necess-essity...

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..is the mother...

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LAUGHTER AND APPLAUSE

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Stay there.

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I'm going back, too, Mother.

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Ahem...

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HE COUGHS LOUDLY

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# Have you got a light, boy?

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Just...just a minute. I've got me finger stuck in this f...

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Can you get a good grip?

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That's it.

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I opened it about half an hour, it's just so happens...

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Hang on.

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APPLAUSE

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I can't see anybody.

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There's not nobody there.

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Wh-What do you mean? Why?

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Oh, yes, yes, yes.

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Yes.

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Four.

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No way, mate. Not four, not for that, no.

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Two? Do you accept two?

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Right.

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Do you want to buy a ferret?

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Hey! Down, down, down!

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Stay! Ha!

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I use it as a guard dog.

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Thank you very much, that's one.

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Hang on...

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And another one makes two. Beautifully, thank you very much.

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APPLAUSE

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Now you've learnt something.

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Scintillant in our glittering galaxy,

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we give you that vertiginous vital spark of variety,

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Miss Margaret Savage!

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CHEERING AND APPLAUSE

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# Erin's a spot famous for greenery

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# But we do not match with our scenery

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# We're not so green

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# We can make hay with you

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# Says the colleen "Ah, get away with you"

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# Ah, now, stop your philandering

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# You can't capture the rogue

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# She's heard your blarney from Clare to Killarney

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# The dear little girl with a bit of a brogue

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# Ah, now, stop your philandering

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# You can't capture the rogue

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# She's heard your blarney from Clare to Killarney

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# The dear little girl

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# With a bit of a brogue. #

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APPLAUSE

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# You made me love you

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# I didn't want to do it I didn't want to do it

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# You made me love you

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# And all the time you knew it I guess you always knew it

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# You made me happy sometimes

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# You made me glad... #

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Do you know this one?

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# And there were times, dear

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# You made me feel so bad

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# You made me sigh for

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# I didn't wanna tell you I didn't wanna tell you

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# I need some love, that's true

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# Yes I do, indeed I do You know I do

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# Give me, give me, give me, give me what I sigh for

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# You know ya got the brand o' kisses that I'd die for

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# You know you made me love you. #

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# East Side, West Side

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# All around the town

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# The kids sang "ring-a-roses"

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# "Brooklyn Bridge is falling down"

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# Boys and girls together

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# Me and Mickey O'Rourke

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# Tripped the light fantastic

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# On the sidewalks of New York

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# Oh... #

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# Rock-a-bye your baby with a Dixie melody

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# When you croon, croon a tune

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# From the heart of Dixie

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# Just place my cradle, mammy mine

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# Right on the Mason-Dixon line

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# And swing it from Virginia

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# To Tennessee with all the love that's in ya

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# Weep no more, my lady

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# Sing that song again for me

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# Soft and low, just as though

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# You had me on your knee

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# A million baby kisses I'd deliver

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# If you would only sing that Swanee River

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# Rock-a-bye your rock-a-bye baby

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# With a Dixie melody. #

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APPLAUSE

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In a melodic miscellany

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commingling titillant terpsichorean corybantics...

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..singing and dancing,

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Mr Peter Gale!

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# All men sing their best beside the old domestic hearth

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# Along the garden path and in the morning bath

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# Just rejoice and try the voice

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# Let the note resound

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# Don't forget it's melody

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# That makes this world go round

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# Never forget that one good tune deserves another

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# This is a song we can sing

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# Feeling like a nightingale upon the wing

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# La-la-la-la-la-la

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# I only know I never want to hear another

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This is the one that will cling

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# Like the story of the roses and the ring... #

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All together.

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# La-la-la-la-la-la... #

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Very nice.

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# It would a sheer delight on the phone

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# Or trombone, xylophone

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# I could dance to it all night on my own

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# To a lone saxophone

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# Never forget that one good tune deserves another

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# This is a song we can sing

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# Feeling like a nightingale upon the wing... #

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All together.

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# La-la-la-la-la-la. #

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Very good.

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# There's always tomorrow to bring us a smile

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# Maybe we should borrow this thought for a while

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# For then we'll both remember that life is but a game

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# We'll fan the dying ember and coax it into flame

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# Tomorrow we'll borrow this thought from a song

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# To capture the rapture of days that are gone

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# For when we're reunited

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# We'll have but this to say

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# Tomorrow was yesterday. #

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# La-la-la-la-la-la-la-la-la-la

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# Now is the time to say farewell

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# Goodnight, Vienna

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# You city of a million melodies

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# Our hearts are thrilling to the strings that you play

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# From dawn till the daylight dies

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# Goodnight, Vienna

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# Now lovers kiss beneath your linden trees

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# The world is waiting on the edge of the day

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# Just waiting to say

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# Good night. #

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APPLAUSE

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# Who means my happiness?

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# Who would I answer yes to?

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# Well, you ought to guess who

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# Who

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# No-one but you. #

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APPLAUSE

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Incorrigibly gregarious

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in inexhaustible garrulity,

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uninhibited in Hibernicism...

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Irishness.

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Mr Frank Carson!

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Hi, lads! My, what a fantastic...

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Hi!

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HE LAUGHS

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LAUGHTER

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Was it something I said?

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Well, I must say, once again, I'd like to thank the staff

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here at the city varieties for the lovely lodgings.

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A beautiful 29-bedroom, semidetached slum.

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I knew it was semidetached

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because it was moving away from the rest of the street.

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A knock the door and it was an old Irish lady who came to the door.

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79 years old.

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Big, long, green dress, beautiful white hair

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and one of the softest Irish accidents I've ever heard.

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She said...

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"What the hell d'you want, what are you doing here?!

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"What the hell d'you want?"

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I said, "Do you think the lady next door would give me a glass of water?"

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HE LAUGHS

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You see me laughing - I've heard them before.

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Good comedian, me.

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She said, "Come in to the dining room.

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"I've prepared a running buffet."

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Epsom salt sandwiches.

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I was going up to the bathroom.

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She says, "Have you a good memory for faces?"

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I said, "I have - why?"

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She says, "There's no mirror up there."

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The old gags are the best, aren't they?

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It's the way I tell them.

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Her husband was a nice fella.

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He was lying in bed, looking for work.

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He got a card from the dole to go about a job

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and he brought it to the police.

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He said somebody had sent him a threatening letter.

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I said, "Can you not get a job?"

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He said, "There's no work at my trade."

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I said, "What's your trade?"

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He said, "I'm a coronation-flag seller."

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I called into the bedroom.

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I said, "I couldn't sleep in that bed last night.

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"There was a dead flea in the bed."

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She says, "A dead flea will do you no harm."

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I said, "I know that, but there was 40,000 came to the funeral."

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LAUGHTER AND APPLAUSE

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She said, "This is a five-star hotel."

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I said, "I know, I counted them through the slates in the roof."

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And I said, "I'd like to talk to you about the ceiling in my bedroom.

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She says, "What about it?"

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I says, "I'd like one."

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She says, "You needn't worry,

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"cos the people upstairs won't walk about much.

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"But they'll drop in now and again."

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They had a funny way of dividing the chicken.

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She said to the fellow, "What football team do you support?"

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He said, "Scunthorpe." She gave him a left leg.

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She says to the fella, "What team do you support?"

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He said, "Cleethorpes." She gave him a right leg.

0:24:590:25:01

She says to me, "What team do you support?"

0:25:010:25:03

I said, "Arsenal, but I'm not hungry."

0:25:030:25:05

ORCHESTRA PLAYS JIG

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AUDIENCE CLAPS IN TIME

0:25:150:25:18

Ineluctably...

0:25:250:25:27

..luminous embodiment of lissom elegance,

0:25:300:25:35

none other than Miss Sheila Matthews!

0:25:350:25:39

# Every, every, every little while

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# I miss you my darling when you are away

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# I find myself dreaming of you night and day

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# I'm losing my appetite, losing my mind

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# I try to forget for a while

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# Then I find

0:26:210:26:26

# Every little while I feel so lonely

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# Every little while I feel so blue

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# I'm always dreaming

0:26:420:26:46

# I'm always scheming

0:26:460:26:51

# Because I want you and only you

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# Every little while, my heart is aching

0:27:010:27:09

# And every little while I miss your smile

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# And all the time I seem to miss you

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# I want to, want to kiss you

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# Every, every, every little while

0:27:270:27:35

# Every little while I feel so lonely

0:27:360:27:45

# Every little while I feel so blue

0:27:450:27:52

# I'm always dreaming

0:27:520:27:56

# I'm always scheming

0:27:560:28:00

# Because I want you and only you

0:28:000:28:11

# Every little while, my heart is aching

0:28:110:28:19

# Every little while I miss your smile

0:28:190:28:26

# And all the time I seem to miss you

0:28:260:28:31

# I want to, want to kiss you

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# Every, every, every little while

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# And all the time I seem to miss you

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# I want to, want to kiss you

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# Every, every, every little...

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# ..while. #

0:29:040:29:09

APPLAUSE

0:29:090:29:12

Definitive indubiety,

0:29:250:29:29

ambiguity incarnate,

0:29:290:29:33

that arch exponent,

0:29:330:29:36

the one and only Mr Larry Grayson!

0:29:360:29:40

# No doubt you've heard that well-known song

0:29:550:29:58

# They sang in bygone days

0:29:580:30:01

# My Fiddle Is My Sweetheart

0:30:010:30:05

# It used to be the craze

0:30:050:30:08

# But fiddling I have always thought

0:30:080:30:12

# Infra dig, you know

0:30:120:30:15

# My bicycle is my sweetheart

0:30:150:30:18

# My friends will tell you so

0:30:180:30:22

# My bicycle brings me such

0:30:220:30:25

# Brilliant pleasure

0:30:250:30:27

# I pedal up hill and down dale

0:30:270:30:30

# My wheels are ball bearing

0:30:300:30:32

# They are such a treasure

0:30:320:30:34

# I never have known them to fail

0:30:340:30:37

# My doctor said cycling is healthy and nice

0:30:370:30:40

# But for one's pleasure one must pay a price... #

0:30:400:30:43

LAUGHTER

0:30:450:30:47

# I think I've been lucky

0:30:510:30:53

# I've been punctured twice... #

0:30:530:30:56

LAUGHTER AND CRIES What a gay day.

0:30:560:31:00

# As I jump on my push-bike and pedal away. #

0:31:000:31:04

APPLAUSE

0:31:040:31:07

LAUGHTER

0:31:210:31:23

Well, I'm worn out before I start.

0:31:230:31:26

Do you know, I stand here like this, but I'm in a terrible agony.

0:31:260:31:30

-Aren't I? Speak.

-Yes.

0:31:300:31:32

He's as common as dirt. Do you know...

0:31:320:31:35

LAUGHTER

0:31:350:31:37

I stand up with all this damp weather...

0:31:370:31:40

I'm riddled with arthritis. I'm riddled.

0:31:400:31:42

-AUDIENCE:

-Aww...

-Yes, I am!

0:31:420:31:45

What a common audience.

0:31:450:31:47

The other day I was at home and, of course,

0:31:500:31:52

I don't get up too early, you know.

0:31:520:31:54

I've never been an early riser.

0:31:540:31:56

LAUGHTER

0:31:560:31:59

Isn't it funny? You always get the common lot on this side.

0:32:000:32:03

There came this knock on my door. I think, "Who could it be?" I thought.

0:32:060:32:09

Is it the postman - Pop-It-In Pete?

0:32:090:32:11

LAUGHTER

0:32:110:32:13

"Come in," I cried. It was Apricot Lil.

0:32:170:32:19

She came rushing in. I said, "Sit down, Lil," I said.

0:32:210:32:23

I've just got to do me legs.

0:32:230:32:26

She said... Listen, she said...

0:32:260:32:29

"Have you heard about the vicar?" I said, "What's he been up to now?"

0:32:290:32:32

She said, "Oh, terrible," she said.

0:32:320:32:34

She said, "Well, he was coming down the hillock the other day

0:32:340:32:37

"and he caught his surplus in the spokes."

0:32:370:32:40

And he'd thrown himself off, you see,

0:32:400:32:41

and he was going to sell his bicycle.

0:32:410:32:43

She said, "Now, you get around there as quick as you can, go round

0:32:430:32:46

"as quick as you can," she said, "and make him an offer he can't refuse."

0:32:460:32:49

Well, I said... LAUGHTER

0:32:490:32:51

I said, "What would I want a bicycle for?" I said.

0:32:560:32:59

"Everard and I have got the tandem."

0:32:590:33:03

She said, "Be independent. Because Brenda Allcock..."

0:33:030:33:07

She said, "She's just started a cycling club called

0:33:090:33:12

"the Wobbly Wheelers."

0:33:120:33:14

He said, "If you buy the vicar's bicycle, you can join us."

0:33:140:33:18

I said, "I'd like to feel a bit of freedom and it does me

0:33:180:33:21

"good to get me legs working, you know.

0:33:210:33:23

"This last few months I haven't felt so limp as I usually do."

0:33:230:33:26

You know.

0:33:260:33:28

Anyway, so I got myself all ready,

0:33:280:33:30

we met outside at ten o'clock on the Sunday morning. Everybody came.

0:33:300:33:34

There was Slack Alice, Apricot Lil, Easy Edna...

0:33:340:33:37

Once-A-Week Nora.

0:33:370:33:40

They were all there and, of course, Slack,

0:33:400:33:43

though she slept in a hedge all night,

0:33:430:33:45

she brought a packed lunch -

0:33:450:33:47

bottle of vodka and a banana.

0:33:470:33:49

LAUGHTER

0:33:490:33:51

He's anybody's for a doughnut.

0:33:560:33:58

UPROARIOUS LAUGHTER

0:33:580:34:00

I got on, you see, I was all right, I was comfortable,

0:34:060:34:09

I'd talcced the saddle.

0:34:090:34:10

And then...

0:34:100:34:12

They said, "Here we go."

0:34:130:34:14

Well, down we went, down through the lanes, through the field

0:34:140:34:17

and I was peddling, I was freewheeling, backpedalling,

0:34:170:34:20

doing the lot and then going down this hillock...

0:34:200:34:22

Do you know, I go cold when I think about it.

0:34:250:34:27

..this vision passed me doing about 90mph.

0:34:280:34:33

It was Slack Alice.

0:34:330:34:35

Her mouth was open, she was trying to say something.

0:34:360:34:40

Like, "Help."

0:34:400:34:42

Well...

0:34:460:34:47

I could see her going down.

0:34:550:34:57

Is he with you?

0:34:590:35:00

I could see her...

0:35:000:35:01

And I could see her going down the hillock and she turned

0:35:020:35:05

and she went into a farmyard.

0:35:050:35:07

I have never seen so many feathers in my life.

0:35:090:35:12

It's the first time I've seen chickens go up in the air

0:35:120:35:16

and come down plucked.

0:35:160:35:18

It's the truth.

0:35:240:35:26

We couldn't find her for an hour.

0:35:260:35:28

And when we found her, she was on top of the haystack.

0:35:280:35:31

I thought it was a scarecrow.

0:35:310:35:33

She got all straw stuck in her ears, she thought she'd gone deaf.

0:35:330:35:37

Anyway, it's the last time she went on her bicycle,

0:35:370:35:40

so we had a whip around, all of us, we had a whip around

0:35:400:35:42

and we bought her a tricycle now, so she'll be safe on that.

0:35:420:35:45

So if you see her out on a Sunday morning,

0:35:450:35:48

give her a wave and shout, "What a gay day!"

0:35:480:35:50

She'll always come back with two words for you, but...

0:35:520:35:55

Mind you, I've been very fortunate because, you see... Me legs,

0:35:570:36:00

you know, I mean, I get it all down, terrible...

0:36:000:36:03

-AUDIENCE:

-Aww.

-Oh, I do. Do you get it?

0:36:030:36:05

I bet YOU get it, don't you?

0:36:100:36:12

You look a funny age to me.

0:36:140:36:16

APPLAUSE

0:36:180:36:20

You see...

0:36:240:36:26

# My bicycle brings me such innocent pleasure

0:36:260:36:29

# I pedal up hill and down dale

0:36:290:36:33

# My wheels are ball bearing

0:36:330:36:34

# They are such a treasure

0:36:340:36:36

# I never have known them to fail

0:36:360:36:39

# My doctor said cycling is healthy and nice

0:36:390:36:42

# But for one's pleasure you must pay a price

0:36:420:36:46

# I think I've been lucky

0:36:460:36:49

# I've been punctured twice

0:36:490:36:52

# Ha-ha-ha! #

0:36:520:36:54

Shut that door.

0:36:540:36:56

# As I jumped on my push-bike and pedalled away. #

0:36:560:37:00

APPLAUSE

0:37:010:37:05

-Illustriously immaculate lion comique.

-AUDIENCE:

-Ooh!

0:37:180:37:24

Your own, your very own Mr Edward Woodward.

0:37:240:37:28

APPLAUSE

0:37:280:37:31

# Champagne Charlie is his name

0:37:360:37:39

# Champagne drinking is his game

0:37:390:37:42

# He likes lots and lots of fizz, fizz, fizz

0:37:420:37:46

# He'll drink every drop there is, is, is... #

0:37:460:37:49

APPLAUSE # Champagne Charlie is my name

0:37:490:37:53

# Champagne drinking is my game

0:37:530:37:56

# I'm the idol of the barmaids

0:37:560:38:00

# Champagne Charlie is my name

0:38:000:38:02

# But I'm shy, Mary Ellen

0:38:040:38:09

# I'm shy

0:38:090:38:12

# It does seem so naughty Oh, my

0:38:120:38:17

# Kissing is nice so I've often heard say

0:38:170:38:21

# Still, how to do it I don't know the way

0:38:210:38:26

# So you put your arm round my waist

0:38:260:38:31

# I promise I won't scream or cry

0:38:310:38:36

# But you do the kissing

0:38:360:38:38

# And cuddling instead

0:38:380:38:41

# Cos I'm shy, Mary Ellen

0:38:410:38:43

# I'm shy

0:38:430:38:45

# I'm shy, Mary Ellen, I'm shy

0:38:450:38:49

# It does seem so naughty Oh, my

0:38:490:38:54

# Still, we got married and got home all right

0:38:540:38:58

# Kept up the fun with our friends until light

0:38:580:39:02

# They said, Mary Ellen, goodbye

0:39:020:39:07

# They started to go, so did I

0:39:070:39:11

# I said, you're not going and then said, I am

0:39:110:39:15

# Cos I'm shy, Mary Ellen, shy

0:39:150:39:18

# I'm shy, Mary Ellen

0:39:190:39:22

# Shy, Mary Ellen

0:39:220:39:24

# Shy, Mary Ellen, I'm shy

0:39:240:39:28

# So shy

0:39:290:39:31

# I'm shy

0:39:310:39:33

# So shy. #

0:39:340:39:37

APPLAUSE

0:39:370:39:39

# I'll take you home again, Kathleen

0:39:530:39:59

# Across the ocean wild and wide

0:40:010:40:09

# To where your heart has ever been

0:40:100:40:18

# Since first you were my bonnie bride

0:40:180:40:26

# The roses all have left your cheeks

0:40:260:40:34

# I've watched them fade away and die

0:40:340:40:43

# Your voice is sad whene'er you speak

0:40:430:40:51

# And tears bedim your loving eyes

0:40:510:40:59

# Oh, I will take you back, Kathleen

0:41:010:41:09

# To where your heart will feel no pain

0:41:100:41:18

# And when the fields are fresh and green

0:41:180:41:27

# I'll take you to your home again

0:41:270:41:39

# And when those fields are fresh and green

0:41:400:41:50

# Oh, I'll take you to your home again

0:41:500:42:03

# Kathleen. #

0:42:040:42:11

APPLAUSE

0:42:110:42:14

Thank you, thank you.

0:42:160:42:17

And now, ladies and gentlemen,

0:42:220:42:25

let's see what the Band Of Hope can do with this one. Sir.

0:42:250:42:28

# Who were you with last night

0:42:310:42:35

# Out in the pale moonlight?

0:42:350:42:38

# It wasn't your sister it wasn't your ma

0:42:380:42:41

# Ah, ah, ah, ah, ah-ah ah-ah

0:42:410:42:44

AUDIENCE JOINS IN # Who were you with last night

0:42:440:42:48

# Out in the pale moonlight?

0:42:480:42:51

# Are you going to tell your missus when you get home

0:42:510:42:55

# Who you were with last night? #

0:42:550:42:57

And now, ladies and gentlemen, the chorus, I beg your pardon,

0:42:570:43:00

choral, ladies and gentlemen, and yourselves,

0:43:000:43:02

join me in the next ve-e-rse.

0:43:020:43:04

-# Who where you with last night?

-That's my business

0:43:050:43:09

-# Who were you with last night?

-I'm not telling you

0:43:090:43:12

-# It wasn't your sister

-No

0:43:120:43:14

-# It wasn't your ma

-How dare you?

0:43:140:43:16

# Ah, ah, ah, ah, ah-ah ah-ah

0:43:160:43:19

# Who were you with last night

0:43:190:43:22

# Out in the pale moonlight?

0:43:220:43:25

# Are you going to tell your missus when you get home

0:43:250:43:29

# Who you were with last night? #

0:43:290:43:31

And now, ladies and gentlemen, the orchestra have your heads.

0:43:310:43:35

All those who can't swim, hang onto the banisters.

0:43:350:43:39

ORCHESTRA PLAY VIBRANTLY

0:43:390:43:41

Come on!

0:43:430:43:44

Play the trumpet, play the trumpet.

0:43:440:43:46

Point that stick up. Watch it, watch it.

0:43:460:43:50

# Ah, ah, ah, ah, ah-ah ah-ah

0:43:500:43:53

# Who were you with last night

0:43:530:43:56

# Out in the pale moonlight?

0:43:560:43:59

# Are you going to tell your missus when you get home

0:43:590:44:03

# Who you were with last

0:44:030:44:05

# Who you were with last

0:44:050:44:07

# Who you were with last night?

0:44:070:44:12

APPLAUSE

0:44:120:44:15

And now, ladies and gentlemen,

0:44:230:44:25

there's just time to ask Mr Edward Woodward

0:44:250:44:28

and Mr Larry Grayson to lead the company and yourselves

0:44:280:44:30

in the last chorus for tonight - Down At The Old Bull And Bush.

0:44:300:44:33

Ladies and gentlemen, Mr Edward Woodward, Mr Larry Grayson,

0:44:330:44:36

the entire company, Mr Bernard Herrmann,

0:44:360:44:39

the entire and indefatigable orchestra...

0:44:390:44:41

CHEERING

0:44:410:44:44

..and, this time, chiefly, yourselves.

0:44:440:44:48

# Come, come, come and make eyes at me

0:44:510:44:55

# Down at The Old Bull and Bush Ah-ah ah-ah-ah

0:44:550:44:58

# Come, come drink some port wine with me

0:44:580:45:02

# Down at The Old Bull and Bush

0:45:020:45:04

# Hear the little German band oompah-pah, oompah-pah

0:45:050:45:09

# Just let me hold your hand, dear

0:45:090:45:12

# Come, come, come and have a drink with me

0:45:120:45:16

# Down at The Old Bull and Bush Bush-Bush. #

0:45:160:45:21

APPLAUSE AND CHEERING

0:45:210:45:26

AUDIENCE CLAPS ALONG TO MUSIC

0:45:260:45:29

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