Browse content similar to 28/12/1976. Check below for episodes and series from the same categories and more!
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HORSE CLIP-CLOPS | 0:00:02 | 0:00:05 | |
MUSIC PLAYS IN THE DISTANCE | 0:00:06 | 0:00:09 | |
# For tonight we'll merry, merry be | 0:00:14 | 0:00:16 | |
# For tonight we'll merry, merry be | 0:00:16 | 0:00:19 | |
# For tonight we'll merry, merry be | 0:00:19 | 0:00:21 | |
# Tomorrow we'll be sober... # | 0:00:21 | 0:00:23 | |
# God rest ye merry gentlemen let nothing you dismay | 0:00:23 | 0:00:28 | |
# For Jesus Christ, our Saviour was born on Christmas Day | 0:00:28 | 0:00:32 | |
# To save us all from Satan's powers when we were gone astray | 0:00:32 | 0:00:37 | |
# Oh, tidings of comfort and joy | 0:00:37 | 0:00:40 | |
# Comfort and joy | 0:00:40 | 0:00:41 | |
# Oh, tidings of comfort and joy... # | 0:00:41 | 0:00:45 | |
# Good King Wenceslas looked out | 0:00:47 | 0:00:49 | |
# On the feast of Stephen | 0:00:49 | 0:00:51 | |
# When the snow lay round about | 0:00:51 | 0:00:54 | |
# Deep and crisp and even | 0:00:54 | 0:00:56 | |
# Brightly shone the moon that night | 0:00:56 | 0:00:58 | |
# Though the frost was cruel | 0:00:58 | 0:01:01 | |
# When a poor man came in sight | 0:01:01 | 0:01:03 | |
# Gathering winter fuel. # | 0:01:03 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:14 | |
FANFARE PLAYS | 0:01:14 | 0:01:17 | |
CHEERING | 0:01:17 | 0:01:20 | |
Once again! | 0:01:29 | 0:01:32 | |
Good evening, ladies and gentlemen... | 0:01:32 | 0:01:37 | |
-AUDIENCE: -Good evening! | 0:01:37 | 0:01:40 | |
Plenitudinously... | 0:01:40 | 0:01:42 | |
-AUDIENCE: -Ohhhh! | 0:01:42 | 0:01:44 | |
..provocative... | 0:01:44 | 0:01:46 | |
-AUDIENCE: -Ohhhh! | 0:01:46 | 0:01:47 | |
..in epicene opulence... | 0:01:47 | 0:01:50 | |
-AUDIENCE: -Ohhhh! | 0:01:50 | 0:01:51 | |
..and orchidaceous androgynousness... | 0:01:51 | 0:01:57 | |
The lady is a chap, every other inch a woman. | 0:01:59 | 0:02:05 | |
Danny La Rue! | 0:02:05 | 0:02:09 | |
CHEERING AND APPLAUSE | 0:02:09 | 0:02:12 | |
# Oh, listen to the band | 0:02:15 | 0:02:19 | |
# How merrily they play! | 0:02:19 | 0:02:22 | |
# Oh, don't you think it's grand? | 0:02:22 | 0:02:26 | |
# Hear everybody say | 0:02:26 | 0:02:29 | |
# Oh, listen to the band! | 0:02:29 | 0:02:33 | |
# Who doesn't love to hark | 0:02:33 | 0:02:36 | |
# To the shout of here they come! | 0:02:36 | 0:02:38 | |
# And the banging of the drum? | 0:02:38 | 0:02:40 | |
# Oh, listen to the soldiers in the park! | 0:02:40 | 0:02:43 | |
# To the banging of the drum | 0:02:43 | 0:02:45 | |
# And the shout of here she comes... # | 0:02:45 | 0:02:48 | |
CHEERING | 0:02:56 | 0:03:00 | |
Wotcha, mates! | 0:03:05 | 0:03:06 | |
# Jolly good luck to the girl that loves a soldier | 0:03:09 | 0:03:13 | |
# Girls, have you been there? | 0:03:13 | 0:03:17 | |
# Why, you know these military men | 0:03:17 | 0:03:21 | |
# Always do their duty everywhere | 0:03:21 | 0:03:24 | |
# Jolly good luck to the girl that loves a soldier | 0:03:24 | 0:03:28 | |
# Real good boys are they | 0:03:28 | 0:03:32 | |
# So, girls, if you want to love a soldier | 0:03:32 | 0:03:35 | |
# You can all love me... # | 0:03:35 | 0:03:39 | |
# 'Twas on a summer evening | 0:03:49 | 0:03:51 | |
# That I met Georgie Brown | 0:03:51 | 0:03:53 | |
# Georgie Brown | 0:03:53 | 0:03:55 | |
# Georgie Brown | 0:03:55 | 0:03:57 | |
# I was strolling on me lonesome | 0:03:57 | 0:04:00 | |
# Just walking up and down | 0:04:00 | 0:04:01 | |
# Up and down, up and down | 0:04:01 | 0:04:06 | |
# Then George proposed that we should have a wander in the park | 0:04:06 | 0:04:10 | |
# But I brought up the question of the hour and the dark | 0:04:10 | 0:04:14 | |
# But George said, don't be silly | 0:04:14 | 0:04:16 | |
# Why, it's only for a lark | 0:04:16 | 0:04:18 | |
# For a lark? | 0:04:18 | 0:04:20 | |
# I'm the lark | 0:04:20 | 0:04:23 | |
# Georgie took me walking in the park | 0:04:24 | 0:04:28 | |
# In the park, after dark | 0:04:28 | 0:04:32 | |
# A lovely summer breeze was blowing through the trees | 0:04:32 | 0:04:36 | |
# As we carved our initials on the bark | 0:04:36 | 0:04:40 | |
# Then Georgie made me sit upon his knees | 0:04:40 | 0:04:44 | |
# For a squeeze 'neath the trees | 0:04:44 | 0:04:47 | |
# But me mother told me never do sit down | 0:04:47 | 0:04:52 | |
# But to keep on walking in the park | 0:04:52 | 0:04:56 | |
# When Georgie said he loved me | 0:04:56 | 0:04:58 | |
# I burst into tears, salty tears | 0:04:58 | 0:05:01 | |
# Oh, my God, salty tears | 0:05:01 | 0:05:04 | |
# But then he held me closer and whispered in my ears | 0:05:04 | 0:05:08 | |
# In my ears, in my ears | 0:05:08 | 0:05:13 | |
# The tale that first was whispered by the first man woman saw | 0:05:13 | 0:05:17 | |
# I often heard him tell it as he'd told it oft before | 0:05:17 | 0:05:22 | |
# But as he looked about me I said, Charlie, you're a bore | 0:05:22 | 0:05:26 | |
# What a bore | 0:05:26 | 0:05:29 | |
# What a bore | 0:05:29 | 0:05:30 | |
# Georgie took me walking in the park | 0:05:32 | 0:05:36 | |
# In the park, after dark | 0:05:36 | 0:05:40 | |
# A lovely summer breeze was blowing through the trees | 0:05:40 | 0:05:43 | |
# As we carved our initials on the bark | 0:05:43 | 0:05:48 | |
# Georgie told me sit upon his knees | 0:05:48 | 0:05:51 | |
# For a squeeze 'neath the trees | 0:05:51 | 0:05:55 | |
# But mother told me never to sit down | 0:05:55 | 0:05:59 | |
# But to keep on walking in the park. # | 0:05:59 | 0:06:03 | |
There. | 0:06:03 | 0:06:05 | |
APPLAUSE | 0:06:05 | 0:06:08 | |
-Hello, vicar. -How do you do? -Are we all happy? | 0:06:10 | 0:06:14 | |
-AUDIENCE: -Yes! | 0:06:14 | 0:06:15 | |
# Oh, there's something about a soldier | 0:06:18 | 0:06:19 | |
# There's something about a soldier | 0:06:19 | 0:06:21 | |
# There's something about a soldier that is fine, fine, fine | 0:06:21 | 0:06:25 | |
# He may be a great big general | 0:06:25 | 0:06:26 | |
# May be a sergeant major | 0:06:26 | 0:06:28 | |
# May be a simple private in the line, line, line | 0:06:28 | 0:06:31 | |
# But there's something about his bearing | 0:06:31 | 0:06:33 | |
# Something in what he's wearing | 0:06:33 | 0:06:35 | |
# Something about his buttons that all shine, shine, shine | 0:06:35 | 0:06:38 | |
# Oh, a military chest seems to suit the ladies best | 0:06:38 | 0:06:42 | |
# There's something about a soldier that is fine, fine, fine... # | 0:06:42 | 0:06:44 | |
Altogether! | 0:06:44 | 0:06:45 | |
# There's something about a soldier | 0:06:45 | 0:06:47 | |
# There's something about a soldier | 0:06:47 | 0:06:49 | |
# There's something about a soldier that is fine, fine, fine | 0:06:49 | 0:06:53 | |
# He may be a great big general | 0:06:53 | 0:06:54 | |
# He may be a sergeant major | 0:06:54 | 0:06:56 | |
# He may be a simple private on the line, line, line | 0:06:56 | 0:06:59 | |
# But there's something about his bearing | 0:06:59 | 0:07:01 | |
# Something in what he's wearing | 0:07:01 | 0:07:03 | |
# Something about his buttons that all shine, shine, shine | 0:07:03 | 0:07:06 | |
# Oh, a military chest seems to suit the ladies best | 0:07:06 | 0:07:10 | |
# There's something about a soldier that is fine, fine, fine | 0:07:10 | 0:07:13 | |
# There's something about a soldier that is fine, fine, fine. # | 0:07:13 | 0:07:20 | |
CHEERING AND APPLAUSE | 0:07:21 | 0:07:25 | |
Dashing in a diverting demonstration... | 0:07:38 | 0:07:43 | |
-AUDIENCE: -Ohhhh! | 0:07:43 | 0:07:45 | |
..of dazzling descant and dancing diablerie... | 0:07:45 | 0:07:51 | |
-AUDIENCE: -Ohhhhh! | 0:07:51 | 0:07:52 | |
..French. | 0:07:52 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:55 | |
That debonair dynamo, Mr David Ellen! | 0:07:55 | 0:07:59 | |
CHEERING AND APPLAUSE | 0:07:59 | 0:08:01 | |
# If you want to get on in a Broadway show | 0:08:05 | 0:08:09 | |
# You must have a song that is sure to go | 0:08:09 | 0:08:12 | |
# The kind of refrain that gives you a pain | 0:08:12 | 0:08:15 | |
# And drives you insane when you hear it again | 0:08:15 | 0:08:18 | |
# The orchestra's murder | 0:08:18 | 0:08:20 | |
# It's near and far | 0:08:20 | 0:08:22 | |
# It's usually sung by a big male star | 0:08:22 | 0:08:26 | |
# The publisher gives him a motor car | 0:08:26 | 0:08:30 | |
# And the chorus goes something like this... | 0:08:32 | 0:08:36 | |
# Adelaide, Adelaide | 0:08:37 | 0:08:39 | |
# Ever-loving Adelaide | 0:08:39 | 0:08:41 | |
# Has taken a chance on me | 0:08:41 | 0:08:45 | |
# Taking a chance I'll be respectable and nice | 0:08:45 | 0:08:49 | |
# Give up the cards and dice | 0:08:49 | 0:08:51 | |
# And go for shoes and rice | 0:08:51 | 0:08:53 | |
# Gentlemen, deal me out | 0:08:53 | 0:08:55 | |
# Do not try to feel me out | 0:08:55 | 0:08:57 | |
# I've got the evenings | 0:08:57 | 0:08:59 | |
# Free | 0:08:59 | 0:09:01 | |
# Cos Adelaide, Adelaide | 0:09:01 | 0:09:03 | |
# Ever-loving Adelaide | 0:09:03 | 0:09:05 | |
# Has taken a chance | 0:09:05 | 0:09:07 | |
# Talk about your long shots | 0:09:07 | 0:09:09 | |
# Taken a chance on me... # | 0:09:09 | 0:09:10 | |
But... | 0:09:12 | 0:09:14 | |
HE TAP-DANCES | 0:09:14 | 0:09:16 | |
Yeah. | 0:09:16 | 0:09:18 | |
# Cos Adelaide, Adelaide | 0:09:48 | 0:09:50 | |
# Ever-loving Adelaide | 0:09:50 | 0:09:52 | |
# Has taken a chance | 0:09:52 | 0:09:54 | |
# Talk about your long shots | 0:09:54 | 0:09:57 | |
# Taken a chance | 0:09:57 | 0:09:58 | |
# On me. # | 0:09:59 | 0:10:01 | |
CHEERING AND APPLAUSE | 0:10:04 | 0:10:07 | |
# Catch the train for Broadway | 0:10:15 | 0:10:18 | |
# That's the Yankee badge | 0:10:18 | 0:10:22 | |
# Just got time to say goodbye that's all | 0:10:22 | 0:10:25 | |
# So long, honey that's a train they're calling | 0:10:25 | 0:10:28 | |
# All aboard for Broadway | 0:10:28 | 0:10:31 | |
# I'll be back again | 0:10:31 | 0:10:34 | |
# Honey, dear, now don't you fret | 0:10:34 | 0:10:36 | |
# Cos think of all the fun I'll miss | 0:10:36 | 0:10:38 | |
# If I miss that Broadway train... # | 0:10:38 | 0:10:42 | |
HE TAP-DANCES | 0:10:42 | 0:10:45 | |
MUSIC GETS FASTER | 0:11:16 | 0:11:21 | |
HE TAP-DANCES FASTER | 0:11:21 | 0:11:23 | |
CHEERING AND APPLAUSE | 0:11:46 | 0:11:49 | |
Anthropomorphic... | 0:11:58 | 0:12:01 | |
-Audience: -Ooh! | 0:12:01 | 0:12:02 | |
..manipulative mimicry, | 0:12:02 | 0:12:05 | |
a volcanically cavorting canine chorus! | 0:12:05 | 0:12:10 | |
-AUDIENCE: -Ohhhh! | 0:12:10 | 0:12:11 | |
In fact, ladies and gentlemen, | 0:12:11 | 0:12:13 | |
The Hot Dogs! | 0:12:13 | 0:12:16 | |
CHEERING AND APPLAUSE | 0:12:16 | 0:12:18 | |
Woof, woof, woof, woof. | 0:12:21 | 0:12:23 | |
# Ar-ar, ar-ar, ar-ar, ar-ar ar-ar | 0:12:23 | 0:12:29 | |
# Doo-be, doo-be, dum, dum, dum | 0:12:29 | 0:12:32 | |
# Doo-be doo-be dum, dum, dum | 0:12:32 | 0:12:34 | |
# Doo-be, doo-be | 0:12:34 | 0:12:36 | |
# Ar-ar, ar-ar-ar-ar | 0:12:36 | 0:12:38 | |
# Ar-ar, ar, ar, ar-ar | 0:12:38 | 0:12:40 | |
# Ar-ar, ar, ar, ar-ar | 0:12:40 | 0:12:43 | |
# Doo-be-doo, dum, dum | 0:12:43 | 0:12:45 | |
# Ar-ar, ar, ar, ar-ar | 0:12:45 | 0:12:47 | |
# Ar-ar, ar, ar, ar-ar | 0:12:47 | 0:12:49 | |
# Ar-ar, ar, ar, ar-ar, ar | 0:12:49 | 0:12:53 | |
# Ar-ar, ar | 0:12:53 | 0:12:55 | |
# Ar-ar, ar | 0:12:55 | 0:12:58 | |
# Ar-ar, ar | 0:12:58 | 0:13:00 | |
# Ar-ar, ar-ar | 0:13:00 | 0:13:02 | |
# Pum, pum, pum | 0:13:02 | 0:13:04 | |
# Ar-ar, ar, ar, ar-ar | 0:13:04 | 0:13:06 | |
# Ar-ar, ar, ar, ar-ar | 0:13:06 | 0:13:08 | |
# Ar-ar, ar, ar, ar-ar, ar | 0:13:08 | 0:13:11 | |
# Doobely-doop, be, dede-up dedurley-oh | 0:13:12 | 0:13:15 | |
# Doobely-doop, pow, de-de-up buddy | 0:13:15 | 0:13:17 | |
# Woodle-de, da-da-lap dap-doodley bo | 0:13:17 | 0:13:19 | |
HE SLURPS | 0:13:19 | 0:13:21 | |
# Badely-be, wadidly-ba-de-do | 0:13:21 | 0:13:24 | |
# Woodley-de, wabap-dap-dibo | 0:13:24 | 0:13:26 | |
# Waddley-de, badap-dap-ziddo, do | 0:13:26 | 0:13:29 | |
HE SLURPS | 0:13:29 | 0:13:30 | |
# Wazazey | 0:13:30 | 0:13:32 | |
# Badiddley-de-do | 0:13:32 | 0:13:34 | |
# Woodla, woodlada-da-ditto | 0:13:34 | 0:13:37 | |
# Darab-bo | 0:13:37 | 0:13:39 | |
# Waddidley da de, da | 0:13:39 | 0:13:41 | |
# Bor-ro bap-bo | 0:13:41 | 0:13:42 | |
HE SLURPS | 0:13:42 | 0:13:44 | |
HE GARGLES THE SONG | 0:13:44 | 0:13:46 | |
# Ah-ah-ah-ah | 0:13:47 | 0:13:49 | |
HE CONTINUES GARGLING | 0:13:49 | 0:13:52 | |
# Ah-ah-ah-ah | 0:13:52 | 0:13:54 | |
HE GARGLES | 0:13:54 | 0:13:57 | |
-Shoop. -Boing. -Beh. Ah! | 0:14:03 | 0:14:04 | |
# Woodle-up de, da-da-da diddle | 0:14:04 | 0:14:07 | |
# Woo-de-de, wadlat diddle | 0:14:07 | 0:14:09 | |
# Woozabada, de | 0:14:09 | 0:14:11 | |
# Wadlat diddle-de | 0:14:11 | 0:14:13 | |
# Ar, ar, ar, ar, ar, ar, ar | 0:14:13 | 0:14:17 | |
# Ayyyyyy | 0:14:17 | 0:14:18 | |
# Baddidle bom, badiddle-iddle iddle, de. # | 0:14:18 | 0:14:21 | |
CHEERING | 0:14:21 | 0:14:24 | |
CYMBAL CRASH | 0:14:33 | 0:14:34 | |
# Arh-arh-arh, arh-arh-arh arh-arh-arh, arh-arh-arh | 0:14:34 | 0:14:38 | |
# Ah-ah-ah ah-ah-ah ah-ah-ah | 0:14:38 | 0:14:41 | |
-# Ruff! -In the shade of the old apple tree | 0:14:41 | 0:14:45 | |
# When the love in your eyes I could see | 0:14:45 | 0:14:49 | |
# When the voice that I heard Like the song of the bird | 0:14:49 | 0:14:53 | |
# Seemed to whisper sweet music to me | 0:14:53 | 0:14:56 | |
HE HOWLS # I could hear the dull buzz of the bee | 0:14:56 | 0:15:00 | |
# In the blossoms as you said to me | 0:15:00 | 0:15:04 | |
# "With a heart that is true I'll be waiting for you | 0:15:04 | 0:15:08 | |
# "In the shade of the old apple tree" | 0:15:08 | 0:15:12 | |
# In the shade of that old apple tree... # | 0:15:12 | 0:15:15 | |
Yes, sirree! | 0:15:15 | 0:15:16 | |
# When the love in your eyes I could see... # | 0:15:16 | 0:15:18 | |
You're tellin' me! | 0:15:18 | 0:15:20 | |
# When the voice that I heard Like the song of the bird | 0:15:20 | 0:15:23 | |
# Seemed to whisper sweet music to me... # | 0:15:23 | 0:15:26 | |
Yeah, that was me! | 0:15:26 | 0:15:27 | |
# I could hear that dull buzz of the bee... # | 0:15:27 | 0:15:30 | |
I don't remember no bee! | 0:15:30 | 0:15:31 | |
# Remember what you said to me... # | 0:15:31 | 0:15:34 | |
You're tellin' me! | 0:15:34 | 0:15:35 | |
# With a heart that is true Look what's waiting for you | 0:15:35 | 0:15:39 | |
# In the shade of the old apple tree... # | 0:15:39 | 0:15:42 | |
APPLAUSE | 0:15:42 | 0:15:44 | |
# In the shade of the old apple tree! | 0:15:44 | 0:15:46 | |
# Apple tree! # | 0:15:46 | 0:15:47 | |
CHEERING AND APPLAUSE | 0:15:47 | 0:15:49 | |
Well, thank you, everyone, and now, all aboard for the Robert E Lee! | 0:15:56 | 0:16:01 | |
# Boom-boom-boom-boom-boom-boom | 0:16:01 | 0:16:04 | |
# A-roo-ooh! | 0:16:04 | 0:16:07 | |
# A-roo-ooh! | 0:16:07 | 0:16:10 | |
# A-roo-ooh! | 0:16:10 | 0:16:13 | |
# A-roo-ooh! | 0:16:13 | 0:16:15 | |
# Boom-boom boom-boom boom-boom... # | 0:16:15 | 0:16:17 | |
THEY WOOF THE MELODY TO WAITING FOR THE ROBERT E LEE | 0:16:17 | 0:16:20 | |
AUDIENCE CLAP ALONG | 0:16:30 | 0:16:32 | |
HE SCATS | 0:16:42 | 0:16:45 | |
THEY ALL WOOF ALONG TO WHEN THE SAINTS GO MARCHING IN | 0:17:07 | 0:17:11 | |
KEY CHANGE | 0:17:20 | 0:17:22 | |
BIG FINISH | 0:17:36 | 0:17:39 | |
CHEERING AND APPLAUSE | 0:17:39 | 0:17:41 | |
Old English sheepdogs... | 0:17:57 | 0:18:00 | |
trained by Paul and Peta Page and Stephen Greenfield. | 0:18:00 | 0:18:04 | |
-Our contribution to culture... -AUDIENCE: -Ooh! | 0:18:04 | 0:18:09 | |
Thought you'd like that. | 0:18:09 | 0:18:10 | |
-..is Corybantic... -Ooh! | 0:18:10 | 0:18:12 | |
..encompassing arabesques and entrechats, Madame... | 0:18:12 | 0:18:16 | |
-Ooh! -..from... | 0:18:16 | 0:18:18 | |
MAN IN AUDIENCE WHISTLES | 0:18:18 | 0:18:19 | |
..David Ellen and that coruscating coryphee, | 0:18:19 | 0:18:24 | |
Miss Jennifer Layland! | 0:18:24 | 0:18:27 | |
CHEERING AND APPLAUSE | 0:18:27 | 0:18:29 | |
APPLAUSE | 0:19:13 | 0:19:16 | |
APPLAUSE | 0:19:34 | 0:19:36 | |
DRUMROLL | 0:19:58 | 0:20:00 | |
MUSIC RESUMES | 0:20:20 | 0:20:22 | |
Get off! Get off! | 0:20:35 | 0:20:37 | |
DRUMROLL | 0:20:47 | 0:20:49 | |
APPLAUSE | 0:21:23 | 0:21:26 | |
MUSIC PLAYS | 0:21:41 | 0:21:43 | |
AAAGH! | 0:21:50 | 0:21:51 | |
DRUMROLL | 0:22:04 | 0:22:07 | |
APPLAUSE | 0:22:16 | 0:22:18 | |
MUSIC PLAYS | 0:23:04 | 0:23:05 | |
APPLAUSE | 0:23:17 | 0:23:19 | |
That prima ballerina assoluta... | 0:23:29 | 0:23:33 | |
Ooh! | 0:23:33 | 0:23:34 | |
..was Danny La Rue. | 0:23:34 | 0:23:37 | |
CHEERING | 0:23:37 | 0:23:38 | |
Or didn't you notice? | 0:23:38 | 0:23:40 | |
Anticipatory of your adulatory appraisal... | 0:23:42 | 0:23:47 | |
Ooh! | 0:23:47 | 0:23:48 | |
..that entrancing, enthralling threnodist, | 0:23:48 | 0:23:53 | |
your own Miss Lyn Kennington! | 0:23:53 | 0:23:56 | |
CHEERING AND APPLAUSE | 0:23:56 | 0:23:59 | |
# Now, I've no ears for the music of spheres | 0:24:09 | 0:24:14 | |
# I'm bored with the study of stars | 0:24:14 | 0:24:16 | |
# Return to the mirth and the music of earth | 0:24:16 | 0:24:20 | |
# And we'll dance to the opening bars | 0:24:20 | 0:24:25 | |
# Your fancies carry you | 0:24:25 | 0:24:30 | |
# Far, yes, off too far | 0:24:30 | 0:24:33 | |
# To your stars | 0:24:33 | 0:24:36 | |
# But alas | 0:24:36 | 0:24:38 | |
# Fancies fade and pass | 0:24:38 | 0:24:43 | |
# Say not love is a dream | 0:24:50 | 0:24:55 | |
# Say not that hope is vain | 0:24:55 | 0:24:59 | |
# Say not that cruel fate will redeem | 0:24:59 | 0:25:05 | |
# Perfect joy with pain | 0:25:05 | 0:25:11 | |
# Look, look not beyond | 0:25:11 | 0:25:16 | |
# Joy so near | 0:25:16 | 0:25:22 | |
# Two hearts may not despond | 0:25:23 | 0:25:27 | |
# For love knows not a fear | 0:25:27 | 0:25:33 | |
# Love breaks every bond | 0:25:33 | 0:25:38 | |
# And love, true love, is here | 0:25:38 | 0:25:45 | |
# Look not | 0:25:45 | 0:25:48 | |
# Look not beyond | 0:25:48 | 0:25:51 | |
# Joy so near | 0:25:51 | 0:25:56 | |
# Two hearts may not despond | 0:25:56 | 0:26:02 | |
# For love knows not a fear | 0:26:02 | 0:26:08 | |
# Love breaks every bond | 0:26:08 | 0:26:14 | |
# And love... | 0:26:14 | 0:26:16 | |
# true love... | 0:26:16 | 0:26:19 | |
# is here. # | 0:26:19 | 0:26:26 | |
CHEERING | 0:26:28 | 0:26:31 | |
# Wintertime is freezing time | 0:26:41 | 0:26:44 | |
# Teasing time and squeezing time | 0:26:44 | 0:26:47 | |
# That's the time to love | 0:26:47 | 0:26:52 | |
# With your lady love you'll go | 0:26:52 | 0:26:54 | |
# Skimming o'er the ice and snow | 0:26:54 | 0:26:57 | |
# Silv'ry moon above | 0:26:57 | 0:27:02 | |
# Hear the sleigh bells ring | 0:27:02 | 0:27:06 | |
# Hear them ding-a-ling | 0:27:06 | 0:27:11 | |
# Winter, winter | 0:27:13 | 0:27:18 | |
# When the snow is softly falling | 0:27:18 | 0:27:24 | |
# That's the time to freeze | 0:27:24 | 0:27:27 | |
# That's the time to squeeze | 0:27:27 | 0:27:30 | |
# In October and November | 0:27:30 | 0:27:33 | |
# And December, just remember | 0:27:33 | 0:27:37 | |
# Winter, winter | 0:27:37 | 0:27:43 | |
# When your sweetheart comes a-calling | 0:27:43 | 0:27:48 | |
# By the fireside so bright | 0:27:48 | 0:27:51 | |
# You'll hug and squeeze her | 0:27:51 | 0:27:55 | |
# That's the time to squeeze her | 0:27:55 | 0:27:57 | |
# When it's wintertime | 0:27:57 | 0:28:00 | |
# Don't be bashful, it's no use | 0:28:01 | 0:28:04 | |
# Wintertime's a good excuse | 0:28:04 | 0:28:07 | |
# When you want to swoon | 0:28:07 | 0:28:12 | |
# Keep on loving every day | 0:28:12 | 0:28:14 | |
# Talk about the wedding day | 0:28:14 | 0:28:17 | |
# Talk of honeymoon | 0:28:17 | 0:28:22 | |
# Wedding bells will ring | 0:28:22 | 0:28:27 | |
# Sometime in the spring | 0:28:27 | 0:28:32 | |
# Winter, winter | 0:28:33 | 0:28:39 | |
# When the snow is softly falling | 0:28:39 | 0:28:45 | |
# That's the time to freeze | 0:28:45 | 0:28:48 | |
# That's the time to squeeze | 0:28:48 | 0:28:51 | |
# In October and November | 0:28:51 | 0:28:54 | |
# And December, just remember | 0:28:54 | 0:28:59 | |
# Winter, winter | 0:28:59 | 0:29:05 | |
# When your sweetheart comes a-calling | 0:29:05 | 0:29:10 | |
# By the fireside so bright | 0:29:10 | 0:29:13 | |
# You'll hug and squeeze her | 0:29:13 | 0:29:17 | |
# That's the time to squeeze her | 0:29:17 | 0:29:19 | |
# When it's wintertime | 0:29:19 | 0:29:22 | |
# By the fireside so bright | 0:29:22 | 0:29:25 | |
# You'll hug and squeeze her | 0:29:25 | 0:29:29 | |
# That's the time to squeeze her | 0:29:29 | 0:29:32 | |
# When it's wintertime. # | 0:29:32 | 0:29:40 | |
CHEERING AND APPLAUSE | 0:29:40 | 0:29:42 | |
An inundation of nugatory... | 0:29:54 | 0:29:58 | |
Ooh! | 0:29:58 | 0:30:01 | |
Trifling. | 0:30:01 | 0:30:04 | |
..inanities, from that veritable virtuoso of the vernacular... | 0:30:04 | 0:30:10 | |
Ooh! | 0:30:10 | 0:30:12 | |
..all the way from Yorkshire... | 0:30:12 | 0:30:15 | |
CHEERING | 0:30:15 | 0:30:17 | |
..Mr Duggie Brown! | 0:30:17 | 0:30:19 | |
CHEERING AND APPLAUSE | 0:30:19 | 0:30:21 | |
AUDIENCE CLAP ALONG TO MUSIC | 0:30:26 | 0:30:28 | |
MUSIC STOPS; SOME OF THE AUDIENCE STILL CLAPPING | 0:30:30 | 0:30:32 | |
LAUGHTER | 0:30:32 | 0:30:34 | |
HE LAUGHS | 0:30:34 | 0:30:35 | |
That was... What a marvellous intro. | 0:30:35 | 0:30:37 | |
I thought there was somebody else coming on then! | 0:30:37 | 0:30:39 | |
-What a marvellous time. Are you all enjoying yourselves? -Yes! | 0:30:40 | 0:30:43 | |
Yes. I'll soon put a stop to that. | 0:30:43 | 0:30:46 | |
No, it's nice to see people, especially at Christmas time, | 0:30:46 | 0:30:48 | |
because Christmas... | 0:30:48 | 0:30:49 | |
Actually, Christmas is the time when everybody gets everything they want. | 0:30:49 | 0:30:53 | |
Ooh! | 0:30:53 | 0:30:54 | |
I can tell by the smile on your face, madam. | 0:30:56 | 0:30:58 | |
Apart from a little old lady, a little old spinster. | 0:31:00 | 0:31:02 | |
She was sat in her attic all by herself on Christmas Eve. | 0:31:02 | 0:31:06 | |
Awww! | 0:31:06 | 0:31:07 | |
Not "Awww!" It's "Shame!" | 0:31:07 | 0:31:09 | |
Shame! | 0:31:09 | 0:31:10 | |
Thank you. Shame, it was, this poor little old lady. | 0:31:10 | 0:31:13 | |
She's sat there, just on her own, by herself, on herself, by her own. | 0:31:13 | 0:31:18 | |
And sat by the fire was a little cat with her, | 0:31:18 | 0:31:20 | |
and she was just touching the fire, got nothing to do, | 0:31:20 | 0:31:23 | |
and suddenly out of the fire jumped a spark, and it was a fairy. | 0:31:23 | 0:31:26 | |
It was a real, live fairy! | 0:31:27 | 0:31:29 | |
And she was surprised, this woman. | 0:31:29 | 0:31:31 | |
Well, she'd never seen a fairy before! | 0:31:33 | 0:31:37 | |
And... | 0:31:37 | 0:31:39 | |
So, this fairy said, "I am your fairy godmother. | 0:31:40 | 0:31:43 | |
"I have brought you three wishes." | 0:31:43 | 0:31:45 | |
And she said, "Oh! Erm... | 0:31:46 | 0:31:49 | |
"Ooh, you took me by surprise. I was just going to make a cup of tea." | 0:31:49 | 0:31:53 | |
She said, "You have got three wishes. What would you like?" | 0:31:53 | 0:31:55 | |
She said, "Oh, erm, well, er... | 0:31:55 | 0:31:59 | |
"I, er, I wish I was a young girl again." | 0:31:59 | 0:32:02 | |
And the fairy went, "Bing-g-g-g-g!" | 0:32:02 | 0:32:04 | |
And she was a beautiful-looking young girl, 22 years old. | 0:32:04 | 0:32:07 | |
She says, "You have still got two wishes left. What would you like?" | 0:32:07 | 0:32:09 | |
She said, "Well, erm..." | 0:32:09 | 0:32:11 | |
She said... She said, "I wish I had plenty of money." | 0:32:15 | 0:32:18 | |
And the fairy went, "Bing-g-g-g-g!" | 0:32:18 | 0:32:20 | |
And the place was full of money everywhere. Couldn't budge. | 0:32:20 | 0:32:23 | |
She says, "You've got one wish left. What would you like?" | 0:32:23 | 0:32:25 | |
She said, "Well, erm..." | 0:32:25 | 0:32:27 | |
She said, "My cat's been with me a long time. | 0:32:28 | 0:32:31 | |
"I wish he was a big, handsome, strapping prince." | 0:32:31 | 0:32:34 | |
And the fairy went, "Bing-g-g-g-g!" | 0:32:34 | 0:32:37 | |
And the cat was a big prince. And he got hold of this woman, | 0:32:37 | 0:32:39 | |
he put her in his arms and he cuddled her and he said, | 0:32:39 | 0:32:41 | |
"I bet you wish you'd never taken me to the vet." | 0:32:41 | 0:32:44 | |
How dare you! | 0:32:53 | 0:32:56 | |
No! Because... | 0:32:56 | 0:32:57 | |
-Shame! -Shame! | 0:32:58 | 0:33:01 | |
Shame! | 0:33:01 | 0:33:02 | |
Mind you, you see, Christmas... | 0:33:03 | 0:33:05 | |
Christmas is for the kids, because I think the kids are marvellous. | 0:33:07 | 0:33:09 | |
She was cooking the breakfast, this woman. | 0:33:09 | 0:33:11 | |
She said, "Willy, go and get Johnny up. | 0:33:11 | 0:33:13 | |
"He's going to be late for school." | 0:33:13 | 0:33:15 | |
And he went upstairs. He came down, said, "He won't get up for school." | 0:33:15 | 0:33:18 | |
She said, "I'll get him up." She went up, she said, | 0:33:18 | 0:33:20 | |
"Come on, Johnny, you're going to be late for school." | 0:33:20 | 0:33:23 | |
And he looked, and he said, | 0:33:23 | 0:33:25 | |
TEARFULLY: "I'm not... | 0:33:25 | 0:33:26 | |
"I'm not going to school today." | 0:33:28 | 0:33:30 | |
And she said, "Pardon?" | 0:33:31 | 0:33:32 | |
He said, "I'm not going to school today." | 0:33:32 | 0:33:36 | |
She said, "Why not?" | 0:33:36 | 0:33:37 | |
He said, "I'll tell you why not." | 0:33:37 | 0:33:39 | |
-Shame for him! -Shame! | 0:33:44 | 0:33:46 | |
He said, "I'll tell you why not - because the children don't like me, | 0:33:48 | 0:33:52 | |
"and I don't like them, and I'm-I'm just not going to school. | 0:33:52 | 0:33:55 | |
"That's it. Finished." And he stamped his foot, like that. | 0:33:55 | 0:33:59 | |
Which is very hard to do when you're in bed. | 0:33:59 | 0:34:03 | |
She said, "You've got to go to school today!" | 0:34:03 | 0:34:06 | |
He said, "Give me two good reasons why I've got to go to school." | 0:34:06 | 0:34:09 | |
She said, "Reason one - you're 39 years old. | 0:34:09 | 0:34:12 | |
"Reason two - you're the headmaster." | 0:34:13 | 0:34:16 | |
APPLAUSE | 0:34:16 | 0:34:17 | |
Mind you... | 0:34:19 | 0:34:20 | |
Will you laugh?! | 0:34:21 | 0:34:23 | |
Then we're on to Hogmanay. Hogmanay's a marvellous time. | 0:34:26 | 0:34:28 | |
-New Year's resolutions? Anybody thought about those? -No. | 0:34:28 | 0:34:32 | |
No? I've got one. I've made a Newyer... Whatever I said. | 0:34:32 | 0:34:36 | |
-Shame! I... -Shame! | 0:34:36 | 0:34:39 | |
I made a New Year's resolution. I've given up gambling, | 0:34:39 | 0:34:41 | |
I've given up smoking and I've given up going with women. | 0:34:41 | 0:34:44 | |
-Shame! -It's been the longest... | 0:34:44 | 0:34:46 | |
It's been the longest 20 minutes of my life. | 0:34:48 | 0:34:50 | |
No, because actually, Hogmanay belongs to the Scots people, | 0:34:52 | 0:34:55 | |
and I never say anything about... Any Scots people in tonight? | 0:34:55 | 0:34:58 | |
-ONE WOMAN: -Yes. -Who paid for your ticket, madam? | 0:34:58 | 0:35:01 | |
And the chap in front said, "I did." | 0:35:02 | 0:35:05 | |
Well, you know your own business best. | 0:35:05 | 0:35:08 | |
No, I never say anything about Scots people, | 0:35:08 | 0:35:10 | |
because my uncle was from Aberdeen, | 0:35:10 | 0:35:12 | |
or, as they say up there, | 0:35:12 | 0:35:14 | |
"Ay-burr-deen". | 0:35:14 | 0:35:15 | |
And he died, actually, four and a half years ago, in Aberdeen. | 0:35:15 | 0:35:19 | |
He died of a heart attack throwing a penny to the children. | 0:35:19 | 0:35:22 | |
And the string broke. | 0:35:25 | 0:35:27 | |
Shame! | 0:35:30 | 0:35:31 | |
He was a mean man. Do you know, he used to switch the gas off | 0:35:32 | 0:35:36 | |
while he turned the bacon over. | 0:35:36 | 0:35:37 | |
He insisted that copper wire | 0:35:43 | 0:35:45 | |
was invented by two Scotsmen fighting over a farthing. | 0:35:45 | 0:35:48 | |
This friend of his, who was a sporting fanatic, | 0:35:52 | 0:35:54 | |
because he was laid, actually, in the hospital bed. | 0:35:54 | 0:35:57 | |
He wasn't playing too much sport! | 0:35:57 | 0:35:59 | |
And he wasn't in a very good state. | 0:35:59 | 0:36:01 | |
He was in the hospital bed, laid there, like that, y'see. | 0:36:01 | 0:36:04 | |
And his friend came to see him. | 0:36:04 | 0:36:06 | |
I don't know if anybody's been in hospital and had friends, | 0:36:06 | 0:36:08 | |
but they don't... LAUGHTER | 0:36:08 | 0:36:11 | |
Well, friends who visit you in hospital aren't friends, | 0:36:11 | 0:36:14 | |
because they eat all the fruit. | 0:36:14 | 0:36:16 | |
He just looked at him and he went like this. He said, "Erm, Tommy? | 0:36:16 | 0:36:19 | |
"How are you feeling?" | 0:36:19 | 0:36:21 | |
And he went like this. He said, "I'm, er... | 0:36:23 | 0:36:25 | |
"I'm not feeling too well." | 0:36:28 | 0:36:30 | |
GENTLY: "Oh, aren't you, Tommy?" | 0:36:31 | 0:36:35 | |
Did you hear the concern in me voice? | 0:36:35 | 0:36:37 | |
I'll do it again, look. | 0:36:38 | 0:36:40 | |
"Oh, aren't you, Tommy? | 0:36:42 | 0:36:45 | |
"No. Erm, I, er, I don't think I'm going to make it." | 0:36:45 | 0:36:51 | |
Shame! | 0:36:51 | 0:36:54 | |
"Oh, Tommy, I am sorry. Erm... | 0:36:56 | 0:36:59 | |
"Is there anything I can do to help you, Tommy?" | 0:37:01 | 0:37:04 | |
"Yes." "What?" | 0:37:04 | 0:37:06 | |
"Well, you know I like to play golf?" | 0:37:07 | 0:37:09 | |
"Yes." "Well..." | 0:37:09 | 0:37:11 | |
Ooh, wrong way. "Well... | 0:37:11 | 0:37:13 | |
"Well, I wonder if they play golf up there." | 0:37:13 | 0:37:16 | |
"Where? On the hospital roof?" | 0:37:17 | 0:37:19 | |
"No! Right up there, where I'm going." | 0:37:23 | 0:37:27 | |
"Oh, Tommy! Well, er, I'll go and have a seance with a medium. | 0:37:27 | 0:37:33 | |
"Not a com-medium." | 0:37:34 | 0:37:36 | |
Oh, forget it, never mind. | 0:37:38 | 0:37:40 | |
"I'll have a seance with a medium and try and find out." | 0:37:40 | 0:37:43 | |
"Will you?" "Yes." | 0:37:43 | 0:37:45 | |
So he went away on the Monday. | 0:37:45 | 0:37:47 | |
He came back on the Wednesday, he said, "Tommy? | 0:37:47 | 0:37:50 | |
"I've got some good news and bad news for you." | 0:37:50 | 0:37:52 | |
"Have you?" "Yes. | 0:37:52 | 0:37:55 | |
"They do play golf up there. | 0:37:55 | 0:37:57 | |
"They've got the finest 18-hole golf course you've ever seen." | 0:37:57 | 0:38:01 | |
"Have they?" "Yes. | 0:38:01 | 0:38:04 | |
"The bad news is you're teeing off | 0:38:04 | 0:38:06 | |
"with St Peter at 7:15 on Saturday morning." | 0:38:06 | 0:38:09 | |
I love those silly ones. And especially the sporty ones. | 0:38:21 | 0:38:25 | |
You know this chap, he was a golf fanatic, y'see, | 0:38:25 | 0:38:27 | |
and also in his meantime he used to play cricket. | 0:38:27 | 0:38:29 | |
And he was a very good cricketer. | 0:38:29 | 0:38:31 | |
He used to play for Yorkshire, y'see. | 0:38:31 | 0:38:33 | |
He's walking down this country road... | 0:38:33 | 0:38:34 | |
-ONE MAN: -Shame! -Shame! | 0:38:34 | 0:38:38 | |
He's walking down this country road | 0:38:38 | 0:38:40 | |
on his own, by himself, talking to no-one. | 0:38:40 | 0:38:43 | |
And suddenly, he heard this voice say, "Ey up, Tommy!" | 0:38:43 | 0:38:47 | |
Like that! Never been introduced. "Ey up, Tommy!" | 0:38:47 | 0:38:50 | |
So he looked behind, and the only thing there was a horse, | 0:38:50 | 0:38:53 | |
a beautiful horse in a field. | 0:38:53 | 0:38:54 | |
He went to this horse, he said, "Was that you?" | 0:38:54 | 0:38:56 | |
And the horse said, "Yes, course it was. Me." | 0:38:56 | 0:38:59 | |
He said, "Er..." | 0:39:00 | 0:39:02 | |
He said, "Can you talk, then?" | 0:39:02 | 0:39:04 | |
He said, "Course I can. I play cricket better than you, as well." | 0:39:04 | 0:39:07 | |
He said, "You can't." He said, "Oh, yes, I can." | 0:39:08 | 0:39:12 | |
Oh, no, you can't! | 0:39:12 | 0:39:15 | |
Exactly! Have you heard it? | 0:39:15 | 0:39:16 | |
He said, "I'll tell you what, | 0:39:19 | 0:39:20 | |
"I could play cricket definitely better than you." | 0:39:20 | 0:39:22 | |
So Tommy took him down to the nets at Headingley, | 0:39:22 | 0:39:25 | |
and he put him in the nets, | 0:39:25 | 0:39:26 | |
and he thought he'd throw a few balls at him, like. | 0:39:26 | 0:39:29 | |
And the horse went, "Bang!" Four. "Bang!" Six. "Bang!" | 0:39:29 | 0:39:33 | |
Knocking the ball everywhere! | 0:39:33 | 0:39:35 | |
He thought, "Yes. We're playing Lancashire. Roses. Ooh..." | 0:39:35 | 0:39:39 | |
BOOING | 0:39:39 | 0:39:41 | |
He said, "I'll put him in the team." | 0:39:41 | 0:39:43 | |
So, the next day, they finish up at Chesterfield. | 0:39:43 | 0:39:47 | |
They're playing Lancashire at Chesterfield. | 0:39:47 | 0:39:49 | |
And the horse is in with Tommy. Opening batsmen. | 0:39:49 | 0:39:52 | |
Beautiful white horse. | 0:39:52 | 0:39:54 | |
He's got a white cap, he's got his white pants | 0:39:55 | 0:39:58 | |
and he's got a cricket bat like that. | 0:39:58 | 0:40:01 | |
Otherwise, he'd have looked daft. | 0:40:01 | 0:40:03 | |
So... | 0:40:06 | 0:40:07 | |
..the bowler came up and he bowled this ball, y'see, | 0:40:08 | 0:40:11 | |
and the horse went four, six, four, all the over. | 0:40:11 | 0:40:14 | |
Three sixes, three fours, like that. | 0:40:14 | 0:40:16 | |
So they changed ends and the bowler bowled to Tommy, | 0:40:16 | 0:40:18 | |
and Tommy went four, four and then he just nicked a quick single. | 0:40:18 | 0:40:22 | |
And as he nicked the single, he ran towards the other side | 0:40:22 | 0:40:24 | |
and the horse stood there like that. | 0:40:24 | 0:40:28 | |
Guess what the horse said. | 0:40:28 | 0:40:30 | |
"Neigh!" | 0:40:30 | 0:40:31 | |
So Tommy, poor old Tommy, was run out, y'see, | 0:40:34 | 0:40:37 | |
and he's walking back to the pavilion, and he said, | 0:40:37 | 0:40:39 | |
"You're a fine one, playing cricket. Why didn't you run?" | 0:40:39 | 0:40:42 | |
The horse said, "If I could run, | 0:40:42 | 0:40:43 | |
"I'd be at Ascot, I wouldn't be playing cricket with you." | 0:40:43 | 0:40:47 | |
APPLAUSE | 0:40:47 | 0:40:49 | |
Cos you could tell by my suave attire, | 0:40:56 | 0:40:59 | |
I'm a sporting gentleman, y'know. I'm a... I like to go to the races. | 0:40:59 | 0:41:02 | |
I love the races. I backed a horse at twenty to one. | 0:41:02 | 0:41:04 | |
He didn't come in till five past four. | 0:41:04 | 0:41:06 | |
And that's why I can feel for this friend of mine. | 0:41:08 | 0:41:10 | |
He was laid in bed, three o'clock one morning, and the phone rang. | 0:41:10 | 0:41:13 | |
And he answered the phone, he said, "Hello?" | 0:41:13 | 0:41:15 | |
And there's a drunken chap at the other end. | 0:41:15 | 0:41:17 | |
And he said to this friend of mine, he says, "Hello? | 0:41:17 | 0:41:20 | |
"Hello? | 0:41:20 | 0:41:22 | |
"Are you the head steward of the... | 0:41:22 | 0:41:27 | |
"Doncaster...Doncaster races-course?" | 0:41:27 | 0:41:31 | |
And the man said, "Yes, I am." | 0:41:31 | 0:41:33 | |
He says, "Well, could you... | 0:41:33 | 0:41:36 | |
"could you tell me when the next meeting of the Doncaster races is? | 0:41:36 | 0:41:42 | |
"Are." | 0:41:42 | 0:41:44 | |
The man said, "Yes, July the 17th." | 0:41:46 | 0:41:48 | |
He says, "Oh, thank you very much." | 0:41:48 | 0:41:51 | |
And he slammed the receiver down. | 0:41:51 | 0:41:53 | |
25 minutes later, the phone rang again. | 0:41:53 | 0:41:55 | |
He lifted it up, he said, "Hello?" | 0:41:55 | 0:41:56 | |
He says, "Hello? | 0:41:56 | 0:41:58 | |
"Are you... | 0:42:00 | 0:42:01 | |
"..are you the head steward of the Doncaster races-courses committee?" | 0:42:03 | 0:42:09 | |
He said, "Yes, I am." He said, | 0:42:10 | 0:42:12 | |
"And did you tell me when the next meeting of the Doncaster races are? | 0:42:12 | 0:42:17 | |
"Is. Am." | 0:42:17 | 0:42:18 | |
He said, "Yes, July." | 0:42:20 | 0:42:22 | |
He says, "Oh. Thank you." | 0:42:22 | 0:42:23 | |
45 minutes later, the phone rang. | 0:42:26 | 0:42:28 | |
"Hello? | 0:42:28 | 0:42:30 | |
"Are you the head thingummy... | 0:42:32 | 0:42:37 | |
"of the races at Doncaster, when they are...? | 0:42:37 | 0:42:42 | |
"Well, can you tell me when they are again?" | 0:42:45 | 0:42:48 | |
He said, "In July!" He said, "Why, are you going to go there?" | 0:42:50 | 0:42:53 | |
He says, "No. I was at your last meeting, and I'm locked in the bar." | 0:42:53 | 0:42:57 | |
-Shame! -Shame! | 0:43:04 | 0:43:05 | |
And so... | 0:43:10 | 0:43:11 | |
-So, the time's come for me to go now. -Shame! | 0:43:12 | 0:43:15 | |
Oh, thank you! And I've only one more thing to say. | 0:43:15 | 0:43:19 | |
As we slide down the banister of life, | 0:43:19 | 0:43:22 | |
may the splinters face the right way. | 0:43:22 | 0:43:24 | |
Goodnight, God bless you. Thank you! | 0:43:24 | 0:43:27 | |
CHEERING | 0:43:34 | 0:43:36 | |
Miss Lyn Kennington, the Players Theatre and the fella himself... | 0:43:39 | 0:43:44 | |
Ooh! | 0:43:44 | 0:43:46 | |
..one and indivisible, the one and only Mr Danny La Rue! | 0:43:46 | 0:43:51 | |
CHEERING | 0:43:51 | 0:43:53 | |
# Wine, women and song Wine, women and song | 0:43:56 | 0:44:00 | |
# It's writ on the pages Of life through the ages | 0:44:00 | 0:44:02 | |
# That love for them there is wrong | 0:44:02 | 0:44:05 | |
# Night's turning to day | 0:44:05 | 0:44:07 | |
# Winter's changing to May | 0:44:07 | 0:44:09 | |
# The world has been bright The heart is made light | 0:44:09 | 0:44:11 | |
# By wine, women and song | 0:44:11 | 0:44:13 | |
# The world has been bright The heart is made light | 0:44:13 | 0:44:15 | |
# By wine, women and song! # | 0:44:15 | 0:44:19 | |
CHEERING AND APPLAUSE | 0:44:28 | 0:44:31 | |
# You may study their ways if you can | 0:44:33 | 0:44:39 | |
# But a woman's too much for a man | 0:44:39 | 0:44:43 | |
# It is deeper than diving for pearls | 0:44:43 | 0:44:47 | |
# Courting girls, girls girls, girls, girls! | 0:44:47 | 0:44:50 | |
# With her fair, flaxen hair eyes of blue | 0:44:50 | 0:44:54 | |
# She's a long way too knowing for you | 0:44:54 | 0:44:58 | |
# She is dark, she is fair | 0:44:58 | 0:45:00 | |
# She may smile or may frown | 0:45:00 | 0:45:02 | |
# But she's always the best in town. # | 0:45:02 | 0:45:06 | |
# I'm going to Maxine's | 0:45:09 | 0:45:12 | |
# Where fun and frolic beams | 0:45:12 | 0:45:14 | |
# With all the girls I chatter | 0:45:14 | 0:45:17 | |
# I smile, I kiss, I flatter | 0:45:17 | 0:45:19 | |
# Dodo, Lolo, Joujou | 0:45:19 | 0:45:23 | |
# Clo-Clo, Margo, Frou-Frou | 0:45:23 | 0:45:26 | |
# But surnames do not matter | 0:45:26 | 0:45:30 | |
# I take the first to hand. # | 0:45:30 | 0:45:34 | |
# I hear the music play | 0:45:37 | 0:45:41 | |
# It follows me away | 0:45:41 | 0:45:45 | |
# All sorrows will have flown | 0:45:45 | 0:45:47 | |
# When you are mine | 0:45:47 | 0:45:49 | |
# And mine alone | 0:45:49 | 0:45:53 | |
# The music seems to sing | 0:45:53 | 0:45:56 | |
# I'm still not saying anything | 0:45:56 | 0:46:00 | |
# It's wanting you to know | 0:46:00 | 0:46:04 | |
# I love you so | 0:46:04 | 0:46:08 | |
# Though I say not | 0:46:10 | 0:46:14 | |
# What I may not | 0:46:14 | 0:46:16 | |
# Let you hear | 0:46:16 | 0:46:22 | |
# Still the swaying dance is saying | 0:46:22 | 0:46:28 | |
# "Love me, dear" | 0:46:28 | 0:46:33 | |
-BOTH: -# Every touch of fingers | 0:46:33 | 0:46:38 | |
# Tells me what I know | 0:46:38 | 0:46:44 | |
# Says for you it's true, it's true | 0:46:44 | 0:46:49 | |
# I love you so | 0:46:49 | 0:46:55 | |
HE HUMS THE MELODY | 0:46:58 | 0:47:01 | |
-# Still the... AUDIENCE: -..swaying dance is saying | 0:47:07 | 0:47:12 | |
# "Love me, dear" | 0:47:12 | 0:47:17 | |
-BOTH: -# Every touch of fingers | 0:47:17 | 0:47:22 | |
# Tells me what I know | 0:47:22 | 0:47:27 | |
# Says for you it's true, it's true | 0:47:28 | 0:47:36 | |
# I love you so! # | 0:47:36 | 0:47:48 | |
CHEERING AND APPLAUSE | 0:47:48 | 0:47:51 | |
And now there's just time to ask Mr Danny La Rue | 0:48:06 | 0:48:08 | |
to lead the company and yourselves in the last chorus for tonight. | 0:48:08 | 0:48:12 | |
Ladies and gentlemen, Mr Danny La Rue, the entire company, | 0:48:12 | 0:48:16 | |
Mr Bernard Herrmann and the entire and unflagging orchestra... | 0:48:16 | 0:48:20 | |
CHEERING AND APPLAUSE | 0:48:20 | 0:48:22 | |
..but this time, chiefly... | 0:48:22 | 0:48:25 | |
-ALL: -Yourselves! | 0:48:25 | 0:48:28 | |
ALL: # Come, come come and make eyes at me | 0:48:31 | 0:48:35 | |
# Down at the Old Bull and Bush | 0:48:35 | 0:48:37 | |
# Da-da da-da-da | 0:48:37 | 0:48:39 | |
# Come, come drink some port wine with me | 0:48:39 | 0:48:43 | |
# Down at the Old Bull and Bush | 0:48:43 | 0:48:47 | |
# Hear the little German band Da da-da da-da-da-da | 0:48:47 | 0:48:50 | |
# Just let me hold your hand, dear | 0:48:50 | 0:48:54 | |
# Do, do, come and have a drink or two | 0:48:54 | 0:48:58 | |
# Down at the Old Bull and Bush | 0:48:58 | 0:49:02 | |
# Bush, Bush! # | 0:49:02 | 0:49:03 | |
CHEERING AND APPLAUSE | 0:49:03 | 0:49:06 | |
AUDIENCE CLAPS ALONG | 0:49:10 | 0:49:14 |