21/02/1978 The Good Old Days


21/02/1978

Leonard Sachs presents the old-time entertainment show, with Ron Moody, Hinge & Bracket, Duggie Brown, Rita Morris, Alan Randall, Peter Gale, Les Missiles and Albert Aldred.


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Transcript


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# Oh, where did you get that hat?

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# Where did you get that tile?

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# Isn't it a nobby one and just the proper style?

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# I should like to have one just the same as that

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# Where'er I go they shout, "Hello! Where did you get that hat?"

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# Oh...

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-FASTER:

-# Where did you get that hat?

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# Where did you get that hat?

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# Isn't it a nobby one and just the proper style?

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# I should like to have one just the same as that

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# Where'er I go they shout, "Hello! Where did you get that hat?" #

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CHEERING

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APPLAUSE

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FANFARE

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CHEERING

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CHEERING

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Once again...

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good evening, ladies and gentlemen!

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-AUDIENCE:

-Good evening!

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Preambulatorily...

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-AUDIENCE:

-Oh!

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..periphrastic...

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-AUDIENCE:

-Oh!

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..propitiatory...

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..lustrous in locomotivation...

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CHEERING

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..the Players' Theatre!

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CHEERING

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# Oh, Mr Porter, what shall I do?

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# I wanted to go to Birmingham and they're taking me on to Crewe

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# Send me back to London as quickly as you can

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# Oh! Mr Porter, what a silly girl I am

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# Take me back to London as quickly as you can

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# Oh! Mr Porter, what a silly girl I am... #

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# Watching the trains come in

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# Watching the trains come in

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# We sit and stroke each other's hand

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# As only lovers understand

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# Watching the trains come in

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# Hearing the porter shout

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# When we have watched all the trains come in

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# We watch all the trains go out... #

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# Daddy's on the engine

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# Don't be afraid

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# Daddy knows what he is doing

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# Said the little maid

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# We'll soon be out of danger

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# Don't you ever fear

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# Everyone is safe

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# Because my daddy's the engineer

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# Everyone is safe

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# Because her daddy's the engineer... #

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# I arrived at Euston by the midnight train

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# But when I got to the wicket there

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# Someone wanted to punch my ticket

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# Guards and porters came round me by the score

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# And I told them all I'd never had my ticket punched before

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# They arrived at Euston by the midnight train

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# But when they got to the wicket there

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# Someone wanted to punch their ticket

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# Guards and porters came round us by the score

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# And we told them all we'd never had our ticket punched before... #

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WHISTLE BLOWS

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# When the midnight choo-choo leaves for Alabam'

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# I'll be right there

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# I've got my fare

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# When I see that rusty-haired conductor man

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# I'll grab him by the collar and I'll holler

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# Alabam'! Alabam'!

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# That's where you stop that train

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# That takes me back again

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# Down home where I'll remain

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# Where my honey-lamb am

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# I will be right there with bells

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# When that old conductor yells

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# All aboard! All aboard!

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# All aboard for Alabam'

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# All aboard! All aboard!

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# All aboard for Alabam'. #

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CHEERING

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Provocative purveyor...

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of piquantly percussive...

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improprieties.

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-AUDIENCE:

-Ooh!

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Saucy songs.

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Mr Alan Randall!

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CHEERING

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Thank you.

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Thank you very much.

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# Now, in our family we've got an heirloom

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# They handed it to me a year ago

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# It's been in our possession since Grandad was a lad

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# I'll tell you what it is and then you'll know

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# It's me grandad's flannelette nightshirt

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# In it I was christened one day

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# At the church they were in the well

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# No-one seemed to know if I were boy or girl

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# Now they'd had a drop to drink and they were in a mess

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# It's all right, said the preacher rather curt

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# I've been and had a quiz and I've found out what it is

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# By his grandad's flannelette shirt

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# Lordy, Lordy

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# Grandad's flannelette shirt... #

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Here we go.

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SOLO CONTINUES

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# Now, in 1810 me grandad joined the Navy

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# To fight Napoleon across the sea

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# You've heard about the battle they had at Waterloo

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# But what was it that gave us victory?

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# Why, me grandad's flannelette nightshirt

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# It saved old England that day

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# Bonaparte said he was all done

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# And even Josephine had got her gas mask on

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# They shot down our colours and they captured our flag

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# But we were not downhearted - it's a cert

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# Cos flying in the gale everyone could see the tail

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# Of me grandad's flannelette shirt

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# Lordy, Lordy

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# It's Grandad's flannelette shirt. #

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-That's it.

-CHEERING

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Thank you very much. Thank you.

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Oh!

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-Thank you.

-HE LAUGHS

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# Now, I go cleanin' windows to earn an honest bob

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# For a nosy parker it's an interestin' job

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# Now, it's a job that just suits me

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# A window cleaner you would be

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# If you can see what I can see

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# When I'm cleanin' windows

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# In my profession I work hard

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# But I'll never stop

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# I'll climb that blinkin' ladder

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# Till I get right to the top

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# The blushin' bride, she looks divine

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# The bridegroom, he is doin' fine

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# I'd rather have his job than mine

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# When I'm cleanin' windows... #

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All right, come on, you know this one.

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# I'm leaning on a lamppost at the corner of the street

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# In case a certain little lady comes by... #

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Let's hear you sing.

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-# Oh, me

-Oh, my

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-# Oh, my

-Oh, blimey!

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# I hope the little lady comes by

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# I don't know if she'll get away

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# She doesn't always get away

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# But anyhow I know she'll try

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-# Oh, me

-Oh, my

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-# Oh, my... #

-That's it.

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# I hope the little lady comes by

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# There's no other girl I would wait for

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# But this one I'd break any date for

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# I won't have to ask what she's late for... #

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Your turn.

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# She wouldn't leave me flat She's not a girl like that... #

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I bet she is!

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# Oh, she's absolutely wonderful

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# And marvellous and beautiful

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# Anyone can understand why

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# And I'll be leaning on a lamp-post

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# At the corner of the street

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# In case a certain little lady comes by... #

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It's turned out nice again.

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# But I hope the little lady comes by. #

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That's it.

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CHEERING

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Mischievous meanderings...

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-AUDIENCE:

-Oh!

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..in mercurial mountebankery...

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-AUDIENCE:

-Oh!

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..all the way from Yorkshire.

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CHEERING

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Mr Duggie Brown!

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CHEERING

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JAUNTY TUNE PLAYS

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Good evening, sir, how are you?

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Oh, lovely. Thank you very much.

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What a marvellous... I thought it was somebody else coming on, then.

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That was beautiful, that. Everyone enjoying themselves?

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-AUDIENCE:

-Yes!

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Good, we'll soon put a stop to that.

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You all seem a nice crowd. You meet funny people, don't you?

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-Not too many, otherwise...

-LAUGHTER

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Not too many, otherwise we'd be out of a job.

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There was these two Irish lads, they'd been to this dance.

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They tried to go home from Leeds to Harrogate.

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Anybody in from Leeds or Harrogate? Good.

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-SCATTERED CHEERING

-Oh! Shame.

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And they missed the last bus.

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What silly Irishmen they were.

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So they decided to walk home.

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One says, "Pat, I can't walk home."

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He said, "Why?" He said, "I've got me new shoes on, they hurt."

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And they went past the bus station.

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One says, "Pat, do you know what?

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"Those doors are open.

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"Why don't I nip inside and steal a bus?"

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He said, "You can do that, I'll keep watch."

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So he went inside, he heard the engine revving.

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HE IMITATES ENGINE

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-Bang, crash.

-HE IMITATES ENGINE

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24 minutes later, he came out. 24 minutes.

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He said, "Where have you been?"

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He said, "Well, they've gone and the bus for Harrogate right at the back of them all."

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APPLAUSE

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He said...

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AUDIENCE JEERS

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No!

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I haven't finished yet.

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He said, "Well, there's one for Knaresborough at the front -

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"we could have walked the other four miles."

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LAUGHTER

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Now you applaud!

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I like those silly ones.

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Chap walks in the chemist.

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He said, "'Scuse me, sir, I've lost me voice."

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He said, "Could you make me something up, please?"

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Chap said, "Of course I will.

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He said, "You know Frank Sinatra was in here today?" He said, "No."

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He said, "I just made it up."

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I tell you what I'll do - cos you've been very kind to me,

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I shall sing for you.

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AUDIENCE JEERS

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Aw, we'll have a bash anyway. Maestro?

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PIANO TINKLES

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# You say that you

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# Must leave me

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# That you and I must part

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# Why must you always grieve me?

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# Why must you break my heart?

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# Why did you make me care?

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# Why bring me dreams so rare?

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# You told me that sweethearts

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# Should never part

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# Why did you leave me

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# And break my heart?

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# Why can't we meet once more?

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# Why can't we love as before?

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# This world seemed so rosy

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# And life so fair

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# Why did you make me care...? #

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The middle bit is, "Why can't we meet once more?"

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# Why can't we meet once more...? #

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Why can't we love as before?

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# Why can't we love as before...? #

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This world seemed so rosy.

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# This world seemed so rosy

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# And life so fair

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# Why did you make

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# Me care? #

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Thank you.

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JAUNTY TUNE PLAYS

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The acme and the apogee

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of cultural gentility...

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-AUDIENCE:

-Oh!

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..contrapuntally commingling

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Dr Evadne Hinge

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and Dame Hilda Bracket.

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CHEERING

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Thank you.

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Thank you very much.

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-Thank you very much.

-Thank you.

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Thank you very much indeed. Very nice.

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HILDA CHUCKLES, AUDIENCE LAUGHS

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-Oh, splendid, isn't it?

-Yes, yes, yes.

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You tell them...

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Well, we're going to start off this evening, ladies and gentlemen,

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with a piece from one of the Gilbert and Sullivan operas, Patience.

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This, of course, as some of you may know,

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is one of the most popular and best-loved works

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in the entire Gilbert and Sullivan canon.

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Well, of course, it's one of my best-loved ones, too, you know.

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-Remember that.

-Yes, I know that, dear.

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Yes, well, I was telling you, in case you'd forgotten.

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I hadn't forgotten. No, no.

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SHE PLAYS Still Brooding On Their Mad Infatuation

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# Still brooding on their mad infatuation!

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# I thank thee, love

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# Thou comest not to me

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# Far happier I, free from thy ministrations

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# Than dukes or duchesses who love can be

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# 'Tis Patience

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# Happy girl!

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# Loved by a poet!

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# Your pardon, ladies

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# I intrude upon you!

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# Nay, pretty child, come hither

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# Is it true that you have never loved?

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# Most true indeed

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# Most marvellous!

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BOTH, LOW-PITCHED: # And most deplorable!

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# I cannot tell what this love may be

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# That cometh to all yet not to me

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# It cannot be wise as they'd imply

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# Then why do these ladies sigh?

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# It cannot be joy and rapture deep

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# Then why do these gentle maidens weep?

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# It cannot be blissful as 'tis said

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# Or why are their eyes so wondrous red?

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# For everywhere true love I see

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# A-coming to all, yet not to me

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# I cannot tell what this love may be

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# For I am blithe and I am gay

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# While they sit sighing night and day

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-# For she is blithe and she is gay

-Think of the gulf

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-# Twixt them and me

-She is blithe

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# Think of the gulf twixt them and me

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-# She is gay

-Fa-la-la-la-la-la-la-la-la

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# Giddily gay

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# Oh...!

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# Fa-la-la-la-la-la-la

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BOTH: # And Miserie! #

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APPLAUSE

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Thank you very much.

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Thank you, thank you.

0:18:070:18:08

No, thank you - thank you, dear.

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Yes...well, now...

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We would like to sing for you, as our little bowing-out piece,

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a lovely old song entitled Love's Old Sweet Song.

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And in this, we would like to, if we may,

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ask the gentlemen of the orchestra to join us.

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You can stay down there, but we'd like you to...

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Yes, if you would.

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Is that all right?

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Mr Bolt. Isn't he nice?

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Well, I'm sorry I should say Sir Adrian...

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Mr Herrmann, dear. Mr Herrmann - Herrmann.

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Oh, Sir Herrmann Bolt? Oh!

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Yes, sorry - Adrian's brother, right. Yes...

0:18:470:18:50

SHE PLAYS Love's Old Sweet Song by James Molloy

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# Even today

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# We hear love's song of yore

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# Close in our hearts

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# It stays for evermore

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# Footsteps may falter

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# Weary grow the way

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# Still we can hear it

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# At the close of day

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# And at the end

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# When life's grim shadows fall

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# Still will be heard

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# The sweetest song of all

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# Just a song at twilight

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# When the lights are low

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# And the flick'ring shadows

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# Softly come and go

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# Though your heart be weary

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# Sad the day and long

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# Still to us at twilight

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# Comes love's old song

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# Comes love's old sweet song

0:20:250:20:32

-AUDIENCE:

-# Just a song a twilight

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# When the lights are low

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# And the flick'ring shadows

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# Softly come and go

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# Though your heart be weary

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# Sad the day and long

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# Still to us at twilight

0:21:000:21:06

# Comes love's old song

0:21:060:21:10

# Comes love's old sweet

0:21:100:21:18

# Song! #

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CHEERING AND APPLAUSE

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I have to tell you that those two gracious ladies

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were Mr Patrick Fyffe and Mr George Logan.

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Nipponese nimbleness

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encapsulating terpsichorean corporeal pliability.

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Adagio acrobats, all the way from Japan,

0:22:130:22:18

the Missiles!

0:22:180:22:21

CHEERING AND APPLAUSE

0:22:210:22:24

APPLAUSE

0:25:100:25:13

Amatory impetus implements mellifluousness...

0:25:300:25:36

-AUDIENCE:

-Ooh!

0:25:360:25:38

..from the deliquescently delicious Miss Rita Morris!

0:25:380:25:45

CHEERING AND APPLAUSE

0:25:450:25:48

MUSIC: Kiss In The Dark by Victor Herbert and Buddy de Sylva

0:25:480:25:51

# Oh, that kiss in the dark

0:25:550:26:02

# But it kindled the spark

0:26:020:26:10

# My awakening of love's young dream

0:26:100:26:22

# I recall the mad delight

0:26:220:26:27

# Of a lovely dance

0:26:270:26:31

# Then strolling through the night

0:26:310:26:36

# Trembling with romance

0:26:360:26:41

# There he told me of my charms

0:26:410:26:49

# How could I resist?

0:26:490:26:57

# Suddenly within his arms

0:26:590:27:05

# I was held and kissed

0:27:050:27:12

# Oh, that kiss in the dark

0:27:140:27:23

# Was, to him, but a lark

0:27:230:27:31

# But to me, 'twas a thrill supreme

0:27:310:27:44

# Just a kiss in the dark

0:27:460:27:54

# But it kindled a spark

0:27:540:28:03

# My awakening of love's young...

0:28:050:28:16

# Dream. #

0:28:160:28:24

APPLAUSE

0:28:250:28:28

MUSIC: Bill by Oscar Hammerstein II and PG Wodehouse

0:28:370:28:40

# I used to dream that I would discover

0:28:430:28:47

# The perfect lover one day

0:28:470:28:51

# I knew I'd recognise him

0:28:510:28:54

# If ever he came round my way

0:28:540:29:00

# I always used to fancy then

0:29:010:29:05

# He'd be one of the god-like kind of men

0:29:050:29:10

# With a giant brain and a noble head... #

0:29:100:29:16

-AUDIENCE:

-Ooh!

0:29:160:29:19

# Like the heroes bold

0:29:190:29:24

# In those books we've read

0:29:240:29:30

# But along came Bill

0:29:300:29:35

# Who's not the type at all

0:29:350:29:38

# You'll meet him on the street and never notice him

0:29:380:29:45

# His form and face

0:29:450:29:48

# His manly grace

0:29:480:29:52

# They're not the kind you would find in a statue

0:29:520:29:59

# And I can't explain

0:29:590:30:03

# It's surely not his brain

0:30:030:30:07

# That makes me thrill

0:30:070:30:13

# I love him because he's wonderful

0:30:130:30:21

# Because he's just my Bill. #

0:30:210:30:33

APPLAUSE

0:30:400:30:43

MUSIC: When I Grow Too Old To Dream by Oscar Hammerstein II

0:30:480:30:51

# When I grow too old to dream

0:30:540:31:00

# I'll have you to remember

0:31:000:31:07

# When I grow too old to dream

0:31:070:31:14

# Your love will live in my heart

0:31:140:31:21

# So, kiss me, my sweet

0:31:210:31:28

# And so let us part

0:31:280:31:35

# And when I grow too old to dream

0:31:350:31:43

# That kiss will live in my heart

0:31:430:31:51

# When I grow too old to dream

0:31:510:31:57

# I'll have you to remember

0:31:570:32:04

# When I grow too old to dream

0:32:040:32:10

# Your love will live in my heart

0:32:100:32:17

# So kiss me, my sweet

0:32:170:32:24

# And so let us part

0:32:240:32:31

# And when I grow too old to dream

0:32:310:32:39

# That kiss will live in my...

0:32:390:32:46

# Heart. #

0:32:460:32:51

APPLAUSE

0:32:510:32:53

Multi-potent munificence

0:33:170:33:22

of apocalyptic...

0:33:220:33:25

It's from the Bible.

0:33:250:33:27

LAUGHTER

0:33:270:33:28

..thespian metamorphoses.

0:33:280:33:31

The one and only Mr Ron Moody!

0:33:310:33:37

CHEERING AND APPLAUSE

0:33:370:33:40

Roll up, roll up, roll up, ladies and gentlemen,

0:33:460:33:50

for the 200th edition of The Good Old Days.

0:33:500:33:53

I have made theatrical history from Waikiki to Wigan.

0:33:550:34:00

I have seen them come and I have seen them go.

0:34:000:34:04

And I'll tell you something else - you ain't seen nothin' yet.

0:34:040:34:08

Cos...

0:34:080:34:09

# I'm the showman

0:34:090:34:13

# The man who takes the risks

0:34:130:34:14

# Yes, I'm the showman

0:34:140:34:16

# The man who lightly whisks the grand souffle of entertaining you

0:34:160:34:21

# There's no delay when I'm explaining who

0:34:210:34:24

# Will top the bill this week

0:34:240:34:26

# Will reach the popular peak

0:34:260:34:28

# Will make the audiences clamour

0:34:280:34:31

# I've got the magic touch and it's amazing how much

0:34:310:34:35

# I give this grim old business glamour... #

0:34:350:34:39

Showmanship - how did it all begin?

0:34:390:34:42

The great god Pan played on his pipes

0:34:420:34:44

And the first man looked and laughed

0:34:440:34:46

Then Thespis spoke a word or two

0:34:460:34:48

And the actor learned his craft

0:34:480:34:50

Next, Sophocles and Euripides

0:34:500:34:52

Were all the rage in Greece

0:34:520:34:54

Then Nero struck a blow for Rome

0:34:540:34:55

And fiddled a caprice

0:34:550:34:57

Was he a master?

0:34:570:34:58

He was disaster!

0:34:580:35:01

VIOLIN SCREECHES AND SCRAPES

0:35:080:35:11

GROANING AND LAUGHTER

0:35:110:35:14

GROANING CONTINUES

0:35:170:35:20

-COD ITALIAN ACCENT:

-Stop-a the music! Stop-a the music.

0:35:250:35:27

The band's a-playing in the wrong key.

0:35:270:35:31

Where's everybody going? Avanti subito.

0:35:310:35:34

I'm the Emperor Nero Rome.

0:35:340:35:35

Why can't I hold an audience

0:35:350:35:38

if Samson, he can bring the house down?

0:35:380:35:40

Samson, he was a big man, Samson. A big man.

0:35:400:35:44

He walk down under the house, he push the column.

0:35:440:35:47

-COLUMN RATTLES AUDIENCE:

-Ooh!

0:35:470:35:50

You insured?

0:35:500:35:51

Came Passion plays and mysteries and pageants by the score

0:36:000:36:04

And the Commedia dell'Arte set the audience a-roar

0:36:040:36:07

But the greatest of them all is me

0:36:070:36:10

I'm a talent that is rare

0:36:100:36:12

For behind this veil of mystery

0:36:120:36:14

I'm the one that always dared to go one better

0:36:140:36:17

I'm a go-getter

0:36:170:36:19

Ladies and gentlemen, Richard Burbidge presents,

0:36:280:36:32

for the first time at The Globe Theatre,

0:36:320:36:35

a promising young playwright, William Shakespeare.

0:36:350:36:37

His real name is Bacon, but he had to change it,

0:36:370:36:40

cos he couldn't get a Jewish audience.

0:36:400:36:42

So here he is, ladies and gentlemen,

0:36:440:36:46

Mr Burbidge himself in the part of the man you love to hate - Shylock.

0:36:460:36:52

HISSING

0:36:540:36:57

BOOING

0:36:580:37:00

Where is Signor Antonio?

0:37:000:37:04

I'm looking for Sign...

0:37:040:37:06

I'll have another one, if you don't mind.

0:37:060:37:08

Signor Antonio? Where are you, Signor Antonio?

0:37:080:37:11

I know you're here, see. Ah...

0:37:110:37:13

-AUDIENCE:

-Aw...!

0:37:150:37:17

Signor Antonio!

0:37:170:37:19

HE LAUGHS DRAMATICALLY

0:37:190:37:21

Many a time and oft in the Rialto

0:37:240:37:26

You have rated me above my monies and my usances

0:37:260:37:29

You call me misbeliever, cut-throat dog and spit...

0:37:290:37:32

LAUGHTER

0:37:320:37:35

You call me misbeliever, cut-throat dog

0:37:370:37:39

And spit upon my Jewish gabardine

0:37:390:37:42

And all for use of that which is mine own.

0:37:420:37:43

Well, then, it now appears

0:37:430:37:45

You come to me and you say, "Shylock, we would have moneys."

0:37:450:37:47

You say so! You, that did void your rheum upon my beard

0:37:470:37:50

And foot me as you spurn a stranger cur over your threshold!

0:37:500:37:52

Moneys is your suit. What should I say to you?

0:37:520:37:54

Should I not say, "Hath a dog money?

0:37:540:37:56

"Is it possible a cur can lend three thousand ducats?"

0:37:560:37:58

Or shall I bend low and in a bondman's key

0:37:580:38:00

With bated breath and whispering humbleness say this...

0:38:000:38:03

LAUGHTER

0:38:030:38:05

Get me another Signor Antonio.

0:38:140:38:16

# For I'm the showman

0:38:180:38:21

# The man who has the flair

0:38:210:38:23

# The master showman

0:38:230:38:25

# Who'll conjure from the air

0:38:250:38:26

# A world of charming and alarming things

0:38:260:38:30

# No need to worry what tomorrow brings

0:38:300:38:33

# I'll give them all to you

0:38:330:38:34

# Make your wishes come true

0:38:340:38:36

# And I will guarantee that no man

0:38:360:38:39

# Will take one jar away

0:38:390:38:41

# The only price that you pay

0:38:410:38:43

# Is your allegiance to the showman

0:38:430:38:46

# Come on, do not refuse

0:38:460:38:48

# Roll up and pay your dues

0:38:480:38:50

# To this amazing devil - that's me!

0:38:500:38:53

# That's me, that's me That's me, my friend

0:38:530:38:57

# The showman. #

0:38:570:39:02

APPLAUSE

0:39:020:39:04

Impeccability immaculate in tribute to Mr Jack Buchanan

0:39:150:39:21

from the Players' Theatre and Mr Peter Gale!

0:39:210:39:26

CHEERING AND APPLAUSE

0:39:260:39:29

# Who stole my heart away?

0:39:440:39:47

# Who makes me dream all day?

0:39:470:39:51

# Dreams I know can never be true

0:39:510:39:54

# Seems as though I'll ever be blue

0:39:540:39:58

# Who means my happiness?

0:39:580:40:02

# Who would I answer yes to?

0:40:020:40:07

# Well, you oughta guess

0:40:070:40:09

# Who? Who?

0:40:090:40:11

# No-one but you!

0:40:110:40:13

# Who? Who?

0:40:130:40:15

# No-one but... #

0:40:150:40:17

# You fall in love with a modern Galahad

0:40:170:40:21

# Deep in his heart he'll install you

0:40:210:40:25

# But I am only a simple sort of lad

0:40:250:40:29

# I had no pet names to call you

0:40:290:40:34

# But I've now I've bought a thesaurus

0:40:340:40:36

# And there I've found a few

0:40:360:40:38

# I'll sing a little chorus

0:40:380:40:41

# Of pet names meant for you

0:40:410:40:45

# You darling, you ducky

0:40:450:40:50

# You sweet so-and-so!

0:40:500:40:53

# You sweet thing, you neat thing

0:40:530:40:56

# You set me aglow!

0:40:560:40:59

# My fond one, my blonde one

0:40:590:41:03

# Take care what you're at

0:41:030:41:06

# You're making my heart pitter-pat

0:41:060:41:13

# I've lots of other names for your attention

0:41:130:41:19

# Plus one or two I dare not even mention

0:41:190:41:26

# My Venus, my goddess

0:41:260:41:29

# Let me be your beau

0:41:290:41:32

# And you'll be my sweet so-and-so

0:41:320:41:38

# I've lots of other names for your attention

0:42:040:42:10

# Plus one or two I dare not even mention

0:42:100:42:17

# Tallulah, alleluia

0:42:170:42:20

# Let me be your beau

0:42:200:42:23

# And you'll be my sweet so-and-so. #

0:42:230:42:30

APPLAUSE

0:42:300:42:32

# My car will meet her

0:42:380:42:44

# And her mother comes too

0:42:440:42:48

# It's a two-seater

0:42:480:42:52

# Still her mother comes too

0:42:520:42:57

# And when she's visiting me

0:42:570:43:03

# At dinner, supper or tea

0:43:030:43:07

# She loves to sit on my knee

0:43:070:43:12

# And her mother does too

0:43:120:43:16

# We buy her trousseau

0:43:160:43:21

# And her mother comes too

0:43:210:43:25

# Asked not to do so

0:43:250:43:30

# Still her mother comes too

0:43:300:43:34

# She simply can't take a snub

0:43:340:43:38

# I go and sulk at the club

0:43:380:43:43

# Then have a bath and a rub

0:43:430:43:47

# And her brother comes too! #

0:43:470:43:52

# Stand up and sing

0:43:590:44:01

# Da-da, da-da, da-da, da-da-da

0:44:010:44:03

# Just stand up and sing

0:44:030:44:07

# When things are bad

0:44:070:44:09

# Da-da, da-da, da-da, da-da-da

0:44:090:44:12

# Sing this and grow glad

0:44:120:44:15

# If you would see your troubles burst in bubbles

0:44:150:44:20

# Try to learn this song

0:44:200:44:24

# For while you stand up and sing

0:44:240:44:27

# Da-da, da-da, da-da, da-da-da

0:44:270:44:29

# You'll never go wrong

0:44:290:44:33

# For if you stand up and sing

0:44:580:45:00

# Da-da, da-da, da-da, da-da-da

0:45:000:45:02

# You'll never go...

0:45:020:45:05

# You'll never go

0:45:050:45:06

# You'll never go wrong

0:45:060:45:10

# For if you see your troubles burst in bubbles

0:45:100:45:14

# Try to learn this song

0:45:140:45:17

# This song

0:45:170:45:20

# For if you stand up and sing

0:45:200:45:22

# Da-da, da-da, da-da, da-da-da

0:45:220:45:24

# You'll never go You'll never go

0:45:240:45:28

# You'll never go wrong

0:45:300:45:33

# Go wrong

0:45:330:45:34

# Go wrong. #

0:45:340:45:42

APPLAUSE

0:45:430:45:46

# Goodnight, Vienna

0:45:540:46:00

# You city of a million melodies

0:46:000:46:04

# Our hearts are thrilling to the strains that you play

0:46:040:46:08

# From dawn till the daylight dies

0:46:080:46:13

# Goodnight, Vienna

0:46:130:46:17

# Now lovers kiss beneath your linden trees

0:46:170:46:21

# The world is waiting on the edge of the day

0:46:210:46:25

# Just waiting to say

0:46:250:46:28

# Goodnight. #

0:46:280:46:36

APPLAUSE

0:46:360:46:39

And now, there's just time to ask

0:46:460:46:48

Mr Ron Moody to lead the company and yourselves

0:46:480:46:50

in the last chorus for tonight, Down At The Old Bull And Bush.

0:46:500:46:53

Ladies and gentlemen, Mr Ron Moody, the entire company,

0:46:530:46:56

Mr Bernard Herrmann and the entire and never-defeated orchestra.

0:46:560:47:02

CHEERING AND APPLAUSE It is time to play yourselves.

0:47:020:47:08

# Come, come Come and make eyes at me

0:47:110:47:15

# Down at the Old Bull and Bush La-la-la-la-la

0:47:150:47:19

# Come, come Drink some port wine with me

0:47:190:47:23

# Down at the Old Bull and Bush

0:47:230:47:27

# Hear the little German band La-la-la-la-la-la-la

0:47:270:47:31

# Just let me hold your hand, dear

0:47:310:47:34

# Do, do come and have a drink or two

0:47:340:47:38

# Down at the Old Bull and Bush

0:47:380:47:42

# Bush-Bush. #

0:47:420:47:43

CHEERING AND APPLAUSE

0:47:430:47:46

Leonard Sachs presents the old-time entertainment show, first broadcast on 21 February 1978. Features Ron Moody, Hinge & Bracket, Duggie Brown, Rita Morris, Alan Randall, Peter Gale, Les Missiles, Albert Aldred and Bernard Hermann.


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