Browse content similar to 07/03/1978. Check below for episodes and series from the same categories and more!
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BAND TUNES UP | 0:00:02 | 0:00:04 | |
CONDUCTOR TAPS BATON | 0:00:09 | 0:00:11 | |
BAND PLAYS FANFARE | 0:00:11 | 0:00:13 | |
CHEERING AND APPLAUSE | 0:00:16 | 0:00:18 | |
CHEERING | 0:00:24 | 0:00:26 | |
Once again... | 0:00:28 | 0:00:31 | |
good evening, ladies and gentlemen! | 0:00:31 | 0:00:35 | |
-ALL: -Good evening! | 0:00:35 | 0:00:37 | |
Inaugurally promulgating... | 0:00:37 | 0:00:39 | |
Ooh! | 0:00:39 | 0:00:41 | |
..plenitudinous impotentialities... | 0:00:41 | 0:00:44 | |
Ooh! | 0:00:44 | 0:00:46 | |
..the Players Theatre! | 0:00:46 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:51 | |
# Goodbye, summer, so long, fall | 0:00:59 | 0:01:03 | |
# Hello, wintertime | 0:01:03 | 0:01:06 | |
# Let's take a good old sleigh ride | 0:01:06 | 0:01:08 | |
# Come on, all | 0:01:08 | 0:01:10 | |
# Hear those old bells jingle and chime | 0:01:10 | 0:01:13 | |
# Every Joe and Josie is comfy cosy | 0:01:13 | 0:01:17 | |
# Their hearts and lips, they decry | 0:01:17 | 0:01:20 | |
# And so it's goodbye, summer, so long, fall | 0:01:20 | 0:01:25 | |
# Hello, wintertime. # | 0:01:25 | 0:01:29 | |
# Winter, winter | 0:01:29 | 0:01:32 | |
# When the snow is softly falling | 0:01:32 | 0:01:36 | |
# That's the time to squeeze When you start to freeze | 0:01:36 | 0:01:40 | |
# In October and November And December, just remember | 0:01:40 | 0:01:43 | |
# Winter, winter | 0:01:43 | 0:01:47 | |
# When your sweetheart comes a-calling | 0:01:47 | 0:01:50 | |
# By the fireside so bright You'll sit and squeeze her | 0:01:50 | 0:01:54 | |
# That's the time to squeeze her When it's winter. # | 0:01:54 | 0:01:58 | |
# So give me a little cosy corner | 0:02:01 | 0:02:05 | |
# And an armchair for two | 0:02:05 | 0:02:09 | |
# Somewhere with somebody there | 0:02:09 | 0:02:14 | |
# Anywhere will do | 0:02:14 | 0:02:17 | |
# Give me an evening in the twilight | 0:02:17 | 0:02:22 | |
# With the pale moon above | 0:02:22 | 0:02:26 | |
# And I'll find a cosy little corner | 0:02:26 | 0:02:30 | |
# In the heart of the one I love | 0:02:30 | 0:02:34 | |
# Give me a little cosy corner | 0:02:34 | 0:02:38 | |
# And an armchair for two | 0:02:38 | 0:02:41 | |
# Somewhere with somebody there | 0:02:41 | 0:02:46 | |
# Anywhere will do | 0:02:46 | 0:02:50 | |
# Give me an evening in the twilight | 0:02:50 | 0:02:54 | |
# With the pale moon above | 0:02:54 | 0:02:58 | |
# And I'll find a cosy little corner | 0:02:58 | 0:03:02 | |
# In the heart of the one I love. # | 0:03:02 | 0:03:05 | |
# Oh, I must go home tonight I must go home tonight | 0:03:08 | 0:03:11 | |
# I don't care if it's snowing, blowing, I'm going | 0:03:11 | 0:03:14 | |
# I only got married this morning | 0:03:15 | 0:03:17 | |
# It fills me with delight | 0:03:17 | 0:03:19 | |
# I'll stay out as long as you like next week | 0:03:19 | 0:03:21 | |
# But I must go home tonight | 0:03:21 | 0:03:22 | |
# Yes, I must go home tonight! # | 0:03:22 | 0:03:29 | |
Resplendent circus celebrants, for your spectacular... | 0:03:40 | 0:03:46 | |
-Ooh! -..astonishment, | 0:03:46 | 0:03:48 | |
Ted Durante and Hilda! | 0:03:48 | 0:03:51 | |
CHEERING AND APPLAUSE | 0:03:51 | 0:03:54 | |
BAND PLAYS CIRCUS MUSIC | 0:03:54 | 0:03:56 | |
HE SPEAKS FAKE GERMAN | 0:04:02 | 0:04:05 | |
BAND CONTINUES | 0:04:09 | 0:04:10 | |
HE SHOUTS OUT | 0:04:12 | 0:04:13 | |
BAND STOPS | 0:04:13 | 0:04:15 | |
HE CONTINUES TO SPEAK FAKE GERMAN | 0:04:15 | 0:04:18 | |
HE SIGHS | 0:04:18 | 0:04:19 | |
BAND PLAYS A WALTZ | 0:04:22 | 0:04:24 | |
Beautiful! | 0:04:24 | 0:04:25 | |
Kraut! | 0:04:31 | 0:04:33 | |
Up! Up! Up! | 0:04:48 | 0:04:50 | |
Ja! APPLAUSE | 0:04:50 | 0:04:52 | |
Kraut! | 0:05:38 | 0:05:39 | |
Kraut! Up! Und komm! | 0:06:08 | 0:06:12 | |
Kraut on der Kopf. | 0:06:13 | 0:06:15 | |
Und da-da-da-da-da. On der Kopf mit der Kraut. | 0:06:15 | 0:06:19 | |
Up! Hey! | 0:06:23 | 0:06:25 | |
Und... | 0:06:28 | 0:06:29 | |
HE CRIES OUT | 0:06:45 | 0:06:48 | |
APPLAUSE | 0:06:51 | 0:06:53 | |
Kraut up on der Kopf. Ja! | 0:07:05 | 0:07:08 | |
HE SPEAKS ANGRILY | 0:07:08 | 0:07:12 | |
What? Is a ferret? | 0:07:12 | 0:07:14 | |
Catch a ferret, und thpft! | 0:07:16 | 0:07:18 | |
Kraut, ja! Kopf. The nut! | 0:07:22 | 0:07:25 | |
Up on ze nut! | 0:07:27 | 0:07:29 | |
Right up on ze nut. | 0:07:31 | 0:07:34 | |
Hop! | 0:07:34 | 0:07:36 | |
Gut! | 0:07:38 | 0:07:39 | |
Gut... | 0:07:41 | 0:07:43 | |
CHEERING AND APPLAUSE | 0:07:46 | 0:07:48 | |
Allez oop! | 0:07:53 | 0:07:54 | |
Allez oop! | 0:07:56 | 0:07:58 | |
Get off me bloody 'ead! | 0:08:07 | 0:08:09 | |
APPLAUSE | 0:08:13 | 0:08:15 | |
HE LAUGHS UNCONVINCINGLY | 0:08:25 | 0:08:27 | |
My neck! | 0:08:29 | 0:08:31 | |
I've lost my neck. Don't stand there, look for it! | 0:08:32 | 0:08:35 | |
It's about that big. It's got a wart on the back. | 0:08:35 | 0:08:38 | |
Was ist das? What? | 0:08:39 | 0:08:41 | |
Yeah, that's gut! APPLAUSE | 0:08:46 | 0:08:48 | |
All right! | 0:08:52 | 0:08:54 | |
BAND PLAYS CIRCUS MUSIC | 0:08:54 | 0:08:56 | |
CHEERING | 0:08:58 | 0:09:00 | |
Contributory from current Covent Garden ovations... | 0:09:08 | 0:09:13 | |
-AUDIENCE: -Ooh! -..resonant in reverberancies, | 0:09:13 | 0:09:17 | |
Mr Robert Tear! | 0:09:17 | 0:09:20 | |
CHEERING AND APPLAUSE | 0:09:20 | 0:09:23 | |
SOLO PIANO PLAYS | 0:09:30 | 0:09:32 | |
# It was many and many a year ago | 0:09:39 | 0:09:45 | |
# In a kingdom by the sea | 0:09:45 | 0:09:49 | |
# That a maiden there lived whom you may know | 0:09:49 | 0:09:54 | |
# By the name of Annabel Lee | 0:09:54 | 0:09:59 | |
# And this maiden, she lived with no other thought | 0:09:59 | 0:10:04 | |
# Than to love and be loved by me | 0:10:04 | 0:10:10 | |
# I was a child and she was a child | 0:10:20 | 0:10:24 | |
# In this kingdom by the sea | 0:10:24 | 0:10:29 | |
# But we loved with a love that was more than love | 0:10:29 | 0:10:34 | |
# I and my Annabel Lee | 0:10:34 | 0:10:40 | |
# With a love that the winged seraphs of Heaven | 0:10:40 | 0:10:46 | |
# Coveted, her and me | 0:10:46 | 0:10:53 | |
# And this was the reason that long ago | 0:11:00 | 0:11:05 | |
# In this kingdom by the sea | 0:11:05 | 0:11:09 | |
# A wind blew out of a cloud, chilling | 0:11:09 | 0:11:14 | |
# My beautiful Annabel Lee | 0:11:14 | 0:11:18 | |
# So that her high-born kinsmen came | 0:11:18 | 0:11:22 | |
# And bore her away from me | 0:11:22 | 0:11:27 | |
# To shut her up in a sepulchre | 0:11:27 | 0:11:31 | |
# In this kingdom by the sea | 0:11:31 | 0:11:36 | |
# My beautiful Annabel Lee | 0:11:36 | 0:11:42 | |
# My beautiful Annabel Lee | 0:11:43 | 0:11:51 | |
# But the moon never beams without bringing me dreams | 0:11:59 | 0:12:07 | |
# Of a beautiful Annabel Lee | 0:12:07 | 0:12:12 | |
# And the stars never rise but I see the bright eyes | 0:12:12 | 0:12:17 | |
# Of a beautiful Annabel Lee | 0:12:17 | 0:12:22 | |
# And so all the night-tide I lay down by the side | 0:12:22 | 0:12:27 | |
# Of my darling, my darling, my life and my bride | 0:12:27 | 0:12:33 | |
# In her sepulchre there by the sea | 0:12:33 | 0:12:38 | |
# In her tomb by the sounding sea | 0:12:38 | 0:12:44 | |
# My beautiful Annabel Lee | 0:12:47 | 0:12:55 | |
# My beautiful... | 0:12:57 | 0:13:03 | |
# Annabel Lee. # | 0:13:03 | 0:13:13 | |
-Gregarious... -Ooh! | 0:13:27 | 0:13:31 | |
..in galorously diverting drolleries... | 0:13:31 | 0:13:36 | |
Ooh! | 0:13:36 | 0:13:38 | |
..from Yorkshire... | 0:13:38 | 0:13:39 | |
LOUD CHEERING | 0:13:39 | 0:13:42 | |
..Mr Tom Mennard! | 0:13:42 | 0:13:44 | |
CHEERING AND APPLAUSE | 0:13:44 | 0:13:46 | |
Oh! | 0:13:48 | 0:13:49 | |
Thank you. | 0:13:52 | 0:13:53 | |
TOM CHUCKLES | 0:13:53 | 0:13:55 | |
I had never set eyes on the bloke before in my life. | 0:14:01 | 0:14:06 | |
Never. | 0:14:07 | 0:14:09 | |
There we are in the doctor's waiting room. He turns to me, | 0:14:09 | 0:14:12 | |
a perfect stranger, he says, "What have you come to see him for?" | 0:14:12 | 0:14:17 | |
I said, "Something private." | 0:14:18 | 0:14:21 | |
I am not one who goes round showing me operations, y'know? | 0:14:21 | 0:14:26 | |
So the doctor comes over. He's got one of these hydraulic syringes. | 0:14:26 | 0:14:30 | |
And he sticks the needle in me arm and took something out, | 0:14:30 | 0:14:35 | |
squirted it in a test tube, held it up to the light. | 0:14:35 | 0:14:38 | |
He gave it to the nurse. He says, "Take that to the brewery. | 0:14:38 | 0:14:40 | |
"Maybe they can tell us what it is." | 0:14:40 | 0:14:43 | |
He says, "There's a drop of blood in your alcohol stream. | 0:14:43 | 0:14:47 | |
"Otherwise, you're not bad." | 0:14:47 | 0:14:48 | |
So, I put me clothes on, I came out. | 0:14:49 | 0:14:51 | |
I thought, "I shan't stay with him long." | 0:14:51 | 0:14:54 | |
And in the evening - that was the Friday - I met my particular | 0:14:54 | 0:14:59 | |
friends, Harry Armitage, Charlie Hollindale. | 0:14:59 | 0:15:02 | |
We went round the Goat and Compasses. | 0:15:02 | 0:15:04 | |
It was funny, because they opened, as always, at six, | 0:15:04 | 0:15:07 | |
and when we got there it was nearly five past, y'know? | 0:15:07 | 0:15:09 | |
And the landlord had sent one of the lads round the hospital | 0:15:09 | 0:15:12 | |
to see if there'd been an accident. | 0:15:12 | 0:15:14 | |
And we get in there. I mean, we just take it steady. | 0:15:14 | 0:15:17 | |
We're not alcoholics. | 0:15:17 | 0:15:19 | |
Y'know, I mean, I can make a pint last five minutes if I drag it out. | 0:15:19 | 0:15:23 | |
Y'know, for a bet. And, erm... | 0:15:23 | 0:15:24 | |
We're drinking there, steady. About nine o'clock, | 0:15:27 | 0:15:30 | |
Harry upset the landlord, which is quite easy. | 0:15:30 | 0:15:33 | |
I thought, "I'll get these three out of here." | 0:15:33 | 0:15:36 | |
So I says to the barman, I said, | 0:15:36 | 0:15:37 | |
"Where's this new games room they've opened? | 0:15:37 | 0:15:39 | |
"It said on the third floor." | 0:15:39 | 0:15:41 | |
He said, "In the state that Charlie's in, | 0:15:41 | 0:15:43 | |
"you want to send him up in the lift." | 0:15:43 | 0:15:45 | |
So we get Charlie in this lift, me, Harry and Fred. | 0:15:45 | 0:15:48 | |
He gets out on the third floor, | 0:15:48 | 0:15:49 | |
saw this waiter walking past, called him over. | 0:15:49 | 0:15:51 | |
He says, "Waiter! | 0:15:51 | 0:15:53 | |
"Very cramped in that lift you've got over there. | 0:15:53 | 0:15:56 | |
The waiter said, "Yes, sir. | 0:15:56 | 0:15:58 | |
"Well, normally that one only holds two plates of soup and a teapot." | 0:15:58 | 0:16:01 | |
So I said to the lads, | 0:16:04 | 0:16:06 | |
"We won't bother with the lift, we'll go by the stairs. | 0:16:06 | 0:16:09 | |
"It won't take long" - which it didn't, | 0:16:09 | 0:16:12 | |
we missed every one of 'em. | 0:16:12 | 0:16:14 | |
We was all right till we got in the street, and then it started, | 0:16:16 | 0:16:19 | |
because - every gentleman here tonight will vouch for this - | 0:16:19 | 0:16:23 | |
it is not the stuff you drink that does the damage. | 0:16:23 | 0:16:27 | |
It's the fresh air. | 0:16:27 | 0:16:28 | |
And believe me, that street was full of it. | 0:16:30 | 0:16:33 | |
I felt like writing to the Yorkshire Post. | 0:16:36 | 0:16:39 | |
Within a minute, Harry's lying flat on his stomach on the pavement, | 0:16:39 | 0:16:42 | |
his fingers gripped tightly over the edge of the kerb. | 0:16:42 | 0:16:45 | |
He looked up at me, he says, "Get a ladder, quick. | 0:16:45 | 0:16:47 | |
"I can't hang on much longer." | 0:16:47 | 0:16:49 | |
Do you mind not laughing while I'm talking? I'm trying to get... | 0:16:58 | 0:17:01 | |
I helped him stand up, looked round. | 0:17:02 | 0:17:05 | |
There's Charlie, hanging round the lamppost, knocking on it like mad. | 0:17:05 | 0:17:09 | |
I says, "What are you knocking on there for?" | 0:17:09 | 0:17:11 | |
He says, "I know there's somebody in. There's a light on upstairs." | 0:17:11 | 0:17:14 | |
We get to Harry's house. | 0:17:17 | 0:17:19 | |
He was looking for the key, and I was looking for the door. | 0:17:19 | 0:17:22 | |
And the...door opened. Harry's missus stood there, | 0:17:22 | 0:17:28 | |
looking daggers at me, Fred and Charlie, cos for some reason | 0:17:28 | 0:17:31 | |
what we have never discovered, she doesn't seem keen on any of us. | 0:17:31 | 0:17:35 | |
I thought, "She doesn't look very happy." | 0:17:36 | 0:17:39 | |
And I'm very good at flattery. | 0:17:39 | 0:17:40 | |
And let's face it, the ladies like it, don't they? Y'know? | 0:17:40 | 0:17:43 | |
And she's standing there, she's got a long black dress on, | 0:17:43 | 0:17:45 | |
a big hat full of flowers. I thought, "I'll do it." | 0:17:45 | 0:17:47 | |
So I said, "Hello, Mrs Armitage!" She says, "Hello..." | 0:17:47 | 0:17:51 | |
I said, "Your dress might be tatty, but the hat's very nice." | 0:17:51 | 0:17:55 | |
She says, "Thank you. It should be. I've just paid nearly 27/6 for this. | 0:17:55 | 0:18:00 | |
"It's a new hat. You're supposed to wish on it." | 0:18:00 | 0:18:04 | |
I says, "You what?!" | 0:18:04 | 0:18:05 | |
She says, "You're supposed to wish on it." Well... | 0:18:10 | 0:18:13 | |
Charlie's just that little bit hard of hearing, y'know? | 0:18:13 | 0:18:16 | |
And... Yeah! | 0:18:23 | 0:18:24 | |
And I think he must have misunderstood her. | 0:18:26 | 0:18:29 | |
Anyhow, he had to buy her a new hat. | 0:18:30 | 0:18:33 | |
I'm off for a new pint. Ta-ra for now. So long. Bye. He-hey! | 0:18:34 | 0:18:38 | |
-Superlatively... -Ooh! | 0:18:51 | 0:18:54 | |
..sonorous in a distillation of supplicatory... | 0:18:54 | 0:18:59 | |
-Ooh! -..invocation... | 0:18:59 | 0:19:01 | |
-A song of pleading. -Awww! | 0:19:01 | 0:19:04 | |
..Mr Benjamin Luxon! | 0:19:04 | 0:19:08 | |
CHEERING AND APPLAUSE | 0:19:08 | 0:19:10 | |
# Into a railway station crept a little child one night | 0:19:24 | 0:19:29 | |
# The last train was just leaving and the bustle at its height | 0:19:29 | 0:19:34 | |
# The stationmaster, standing there, looked down with wond'ring eyes | 0:19:34 | 0:19:40 | |
# Upon this little maid, so frail in form, so small in size | 0:19:40 | 0:19:48 | |
# "Where is your father, little one? Are you alone?" he cried | 0:19:48 | 0:19:54 | |
# With tearful eyes she looked up in his face and thus replied | 0:19:54 | 0:20:03 | |
# Give me a ticket to heaven | 0:20:04 | 0:20:10 | |
# That's where Dad's gone, they say | 0:20:10 | 0:20:15 | |
# He'll be so lonely without me | 0:20:15 | 0:20:21 | |
# Travelling all that way | 0:20:21 | 0:20:27 | |
# Mother died when I was born, sir | 0:20:27 | 0:20:32 | |
# And left Dad and me all alone | 0:20:32 | 0:20:37 | |
# So give me a ticket to heaven, please | 0:20:37 | 0:20:43 | |
# Before the last train is gone | 0:20:43 | 0:20:47 | |
# My daddy worked upon the line, and when I went tonight | 0:20:49 | 0:20:54 | |
# To take his tea he lay there on a shutter, oh, so white | 0:20:54 | 0:21:00 | |
# Then to a great big building his mates carried him away | 0:21:00 | 0:21:05 | |
# "He's booked for heaven, poor old Dick," I heard one of them say | 0:21:05 | 0:21:13 | |
# A station this must be, I thought to catch the train I'd wait | 0:21:14 | 0:21:19 | |
# But, finding none, I ran on here, I hope I'm not too late | 0:21:19 | 0:21:26 | |
AUDIENCE JOINS IN: # Give me a ticket to heaven | 0:21:28 | 0:21:33 | |
# That's where Dad's gone, they say | 0:21:33 | 0:21:39 | |
# He'll be so lonely without me | 0:21:39 | 0:21:44 | |
# Travelling all that way | 0:21:44 | 0:21:49 | |
# Mother died when I was born, sir | 0:21:50 | 0:21:55 | |
# And left Dad and me all alone | 0:21:55 | 0:22:01 | |
# So give me a ticket to heaven, please | 0:22:01 | 0:22:07 | |
# Before the last train is gone | 0:22:07 | 0:22:11 | |
# The stationmaster said, "Come, little one, I'll see you right | 0:22:12 | 0:22:18 | |
# "A ticket to your father you shall have this very night" | 0:22:18 | 0:22:24 | |
# He took her to the hospital, they let her see her dad | 0:22:24 | 0:22:29 | |
# Though injured, he had not been killed | 0:22:29 | 0:22:33 | |
# And, oh, her heart was glad | 0:22:33 | 0:22:39 | |
# Then, turning to that kind friend who had brought her all the way | 0:22:39 | 0:22:45 | |
# She said, "If I lose Dad again, I'll come to you and say..." | 0:22:45 | 0:22:57 | |
# Give me a ticket to heaven | 0:22:58 | 0:23:03 | |
# That's where Dad's gone, they say | 0:23:03 | 0:23:09 | |
# He'll be so lonely without me | 0:23:09 | 0:23:14 | |
# Travelling all that way | 0:23:14 | 0:23:19 | |
# Mother died when I was born, sir | 0:23:19 | 0:23:24 | |
# And left Dad and me all alone | 0:23:24 | 0:23:30 | |
# So give me a ticket to heaven, please | 0:23:30 | 0:23:37 | |
# Before the last train has gone. # | 0:23:37 | 0:23:46 | |
CHEERING | 0:23:54 | 0:23:56 | |
Beguiling gaminerie... | 0:24:02 | 0:24:05 | |
Ooh! | 0:24:05 | 0:24:06 | |
French. | 0:24:06 | 0:24:08 | |
-..in... -HE LAUGHS | 0:24:08 | 0:24:09 | |
..a Marie Lloyd medley, your own, your very own | 0:24:09 | 0:24:15 | |
Miss Barbara Windsor! | 0:24:15 | 0:24:18 | |
CHEERING AND APPLAUSE | 0:24:18 | 0:24:20 | |
CHEERING | 0:24:23 | 0:24:24 | |
# Up to the West End, right in the best end | 0:24:26 | 0:24:29 | |
# Straight from the country came Miss Maudie Brown | 0:24:29 | 0:24:33 | |
# Her father a curate but couldn't endure it | 0:24:33 | 0:24:37 | |
# And that's why the lady's residing in town | 0:24:37 | 0:24:41 | |
# 12 months ago, her modest self felt quite sublime | 0:24:41 | 0:24:45 | |
# To sit on a boy's knee who was covered in grime | 0:24:45 | 0:24:48 | |
# And if you should want a kiss | 0:24:48 | 0:24:51 | |
# She would droop her eyes like this | 0:24:51 | 0:24:53 | |
# But now she keeps them just one at a time | 0:24:53 | 0:24:57 | |
# And every little movement has a meaning of its own | 0:24:59 | 0:25:05 | |
# Every little movement tells a tale | 0:25:05 | 0:25:08 | |
# Oh, when she walks in dainty hobble | 0:25:08 | 0:25:13 | |
# In the background there there's a kind of wibble-wobble | 0:25:13 | 0:25:17 | |
# And she glides like this | 0:25:17 | 0:25:20 | |
# And the Johnnies follow in her trail | 0:25:20 | 0:25:24 | |
# But when she turns her head like so | 0:25:24 | 0:25:27 | |
# Something's stirring, don't you know? | 0:25:27 | 0:25:29 | |
# And every little movement tells a tale. # | 0:25:29 | 0:25:32 | |
APPLAUSE | 0:25:34 | 0:25:36 | |
# When I take my morning promenade | 0:25:41 | 0:25:45 | |
# Quite a fashion card on the promenade | 0:25:45 | 0:25:49 | |
# Now, I don't mind nice boys staring hard | 0:25:49 | 0:25:52 | |
# If it satisfies their desire | 0:25:52 | 0:25:56 | |
# Do you think my dress is a little bit | 0:25:56 | 0:26:00 | |
# Just a little bit, not too much of it? | 0:26:00 | 0:26:03 | |
# Though it shows my shape just a little bit | 0:26:03 | 0:26:07 | |
# That's the little bit the boys admire | 0:26:07 | 0:26:11 | |
AUDIENCE JOINS IN: # When I take my morning promenade | 0:26:11 | 0:26:15 | |
# Quite a fashion card on the promenade | 0:26:15 | 0:26:19 | |
# Now, I don't mind nice boys staring hard | 0:26:19 | 0:26:23 | |
# If it satisfies their desire | 0:26:23 | 0:26:27 | |
# Do you think my dress is a little bit | 0:26:27 | 0:26:30 | |
# Ooh! Just a little bit, but not too much of it? | 0:26:30 | 0:26:34 | |
# Though it shows my shape just a little bit | 0:26:34 | 0:26:38 | |
# That's the little bit the boys admire. # | 0:26:38 | 0:26:42 | |
Ooh! | 0:26:42 | 0:26:43 | |
APPLAUSE | 0:26:43 | 0:26:44 | |
# Now, we had to move away Cos the rent we couldn't pay | 0:26:45 | 0:26:49 | |
# The moving van came round just after dark | 0:26:49 | 0:26:52 | |
# There was me and my old man Shoving things inside the van | 0:26:52 | 0:26:56 | |
# Which we'd often done before, let me remark | 0:26:56 | 0:26:59 | |
# We packed all that we could pack On the van, and that's a fact | 0:26:59 | 0:27:03 | |
# And we got inside all we could get inside | 0:27:03 | 0:27:06 | |
# Then we packed all we could pack On the tailboard at the back | 0:27:06 | 0:27:10 | |
# Till there wasn't any room for me to ride | 0:27:10 | 0:27:14 | |
AUDIENCE JOINS IN: # And my old man said follow the van | 0:27:14 | 0:27:20 | |
# And don't dilly-dally on the way | 0:27:20 | 0:27:23 | |
# Oh, off went the van with me home packed in it | 0:27:23 | 0:27:28 | |
# And I followed on with me old cock linnet | 0:27:28 | 0:27:32 | |
# I dillied and dallied I dallied and dillied | 0:27:32 | 0:27:37 | |
# I lost me way and don't know where to roam | 0:27:37 | 0:27:40 | |
# But you can't trust a special like the old-time copper | 0:27:40 | 0:27:44 | |
# When you can't find your way home | 0:27:44 | 0:27:47 | |
# No, you can't trust a special like the old-time copper | 0:27:48 | 0:27:52 | |
# When you can't find your way home! # | 0:27:52 | 0:28:00 | |
CHEERING | 0:28:00 | 0:28:02 | |
# I'm a young girl who's just come over | 0:28:10 | 0:28:15 | |
# Over from the country where they do things big | 0:28:15 | 0:28:20 | |
# And amongst the boys I've got a lover | 0:28:20 | 0:28:26 | |
# And since I've got a lover, well, I don't give a fig | 0:28:26 | 0:28:32 | |
# For the boy that I love's up in the gallery | 0:28:33 | 0:28:40 | |
# The boy that I love's looking down at me | 0:28:42 | 0:28:47 | |
# There is he, can't you see? Waving his handkerchief | 0:28:47 | 0:28:54 | |
# As merry as the robin that sings on a tree | 0:28:54 | 0:29:02 | |
# The boy that I love's up in the gallery | 0:29:04 | 0:29:09 | |
# The boy that I love's looking down at me | 0:29:11 | 0:29:16 | |
# There he is, can't you see? Waving his handkerchief | 0:29:17 | 0:29:25 | |
# As merry as the robin... | 0:29:25 | 0:29:31 | |
# That sings on a tree. # | 0:29:31 | 0:29:37 | |
CHEERING | 0:29:55 | 0:29:58 | |
A dulcitoned duplicity in antiphonal... | 0:30:06 | 0:30:11 | |
-Ooh! -..threnody... | 0:30:11 | 0:30:14 | |
Ooh! | 0:30:14 | 0:30:15 | |
A duet. | 0:30:15 | 0:30:17 | |
..Mr Benjamin Luxon and Mr Robert Tear! | 0:30:17 | 0:30:22 | |
CHEERING AND APPLAUSE | 0:30:22 | 0:30:25 | |
# A dickie bird sat on an apple-tree bough | 0:30:33 | 0:30:37 | |
# And warbled by night and day | 0:30:37 | 0:30:40 | |
# His words you'll hear, should you list' to him now | 0:30:40 | 0:30:45 | |
# A-trilling his roundelay | 0:30:45 | 0:30:49 | |
# Few folks can boast a voice like mine | 0:30:49 | 0:30:53 | |
# Such beauty of tones a gift divine | 0:30:53 | 0:30:57 | |
# I'll sing my notes from A to G | 0:30:57 | 0:31:03 | |
# And an opera star... | 0:31:03 | 0:31:10 | |
# ..I will someday be | 0:31:10 | 0:31:13 | |
-# Tweedle-deedle-dee -Tweedle-deedle-dee | 0:31:13 | 0:31:15 | |
# Tweedle-deedle-dee, tweedle- deedle-deedle-deedle-deedle-dee | 0:31:15 | 0:31:19 | |
# Tweedle-deedle-dee, tweedle- deedle-dee, tweedle-deedle-dee, tweedle-deedle-dee... | 0:31:19 | 0:31:22 | |
-# Few folks can boast a voice like mine -Tweedle-deedle-dee | 0:31:22 | 0:31:27 | |
-# Such beauty of tone is a gift divine -Tweedle-deedle-dee | 0:31:27 | 0:31:31 | |
-# I'll sing my notes from A to G -Tweedle-deedle-dee | 0:31:31 | 0:31:35 | |
-# An opera star I will be -Tweedle-deedle-dee | 0:31:35 | 0:31:40 | |
-# Someday I will be -La-la-la la-la-la | 0:31:40 | 0:31:43 | |
# And an opera star I'll be | 0:31:43 | 0:31:52 | |
# A star I'll be | 0:31:52 | 0:31:55 | |
-# Tweedle-deedle-dee -I'll sing my notes from A to G | 0:31:55 | 0:32:00 | |
# An opera star... | 0:32:00 | 0:32:02 | |
-# ..I will someday be -He will someday be | 0:32:02 | 0:32:09 | |
# On high in that tree dwelt a bachelor owl | 0:32:14 | 0:32:18 | |
# A grim old customer, he | 0:32:18 | 0:32:21 | |
# That fellow, he cried with ferocious scowl | 0:32:21 | 0:32:26 | |
# Will soon be my death, I can see | 0:32:26 | 0:32:30 | |
# He sings by night, he sings by day | 0:32:30 | 0:32:34 | |
# Oh, would that his lease would expire next May | 0:32:34 | 0:32:39 | |
# For nothing on earth can be such a bore | 0:32:39 | 0:32:46 | |
# As musical folk hoo-hoo-hoo! | 0:32:46 | 0:32:50 | |
# In the hoo-hoo-hoo! hoo-hoo-house | 0:32:50 | 0:32:55 | |
# The house next door | 0:32:55 | 0:32:59 | |
# The house next... | 0:32:59 | 0:33:05 | |
-# ..hoo-hoo-hoo! door -Tweedle-deedle-dee | 0:33:05 | 0:33:07 | |
-# Tweedle-deedle-dee -Tweedle-deedle-dee | 0:33:07 | 0:33:09 | |
# Tweedle-deedle-deedle-deedle- deedle-dee | 0:33:09 | 0:33:12 | |
# Tweedle-deedle-dee Tweedle-deedle-dee | 0:33:12 | 0:33:15 | |
# Tweedle-deedle-dee Tweedle-deedle-dee... | 0:33:15 | 0:33:17 | |
-# He sings his notes from A to G -Tweedle-deedle-dee | 0:33:17 | 0:33:20 | |
-# Can no-one persuade him to stay away? -Tweedle-deedle-dee | 0:33:20 | 0:33:25 | |
-# He sings his notes from A to G -Tweedle-deedle-dee | 0:33:25 | 0:33:29 | |
# An opera star he will be someday be | 0:33:29 | 0:33:37 | |
# And an opera star he'll be | 0:33:37 | 0:33:45 | |
# A star he'll be | 0:33:45 | 0:33:49 | |
-# Tweedle-deedle-dee -I'll sing my notes from A to G | 0:33:49 | 0:33:53 | |
-# An opera star -Tweedle-deedle-dee | 0:33:53 | 0:33:56 | |
-# ..I will some... -He will some... | 0:33:56 | 0:34:06 | |
-# ..day be -..day be. # | 0:34:06 | 0:34:08 | |
CHEERING AND APPLAUSE | 0:34:08 | 0:34:11 | |
-Purveying a positive pantechnicon... -Ooh! | 0:34:26 | 0:34:31 | |
-..of talents tantamount to a tattoo... -Ooh! | 0:34:31 | 0:34:35 | |
..the one and only Mr Roy Castle! | 0:34:35 | 0:34:39 | |
CHEERING AND APPLAUSE | 0:34:39 | 0:34:41 | |
BAND PLAYS On Ilkley Moor Baht 'At | 0:34:41 | 0:34:45 | |
Thank you, thank you. | 0:34:49 | 0:34:51 | |
Thank you, sir. | 0:34:54 | 0:34:56 | |
Here in Leeds, they've discovered a new way of letting you know | 0:35:07 | 0:35:11 | |
when your time's up. | 0:35:11 | 0:35:13 | |
Whoever's by me when this goes off goes out with me for the evening. | 0:35:16 | 0:35:20 | |
Where to? Nobody knows. It'll be a glorified mystery trip. | 0:35:22 | 0:35:27 | |
Right, well, I've just about had enough now. I, er... | 0:35:27 | 0:35:30 | |
We'll pass it round, shall we? | 0:35:31 | 0:35:33 | |
Like a pass-the-parcel, isn't it? | 0:35:37 | 0:35:39 | |
If you'd like to play this for a bit now... | 0:35:41 | 0:35:43 | |
Don't push him away! Did you see? She said, "Get off it, get off it!" | 0:35:44 | 0:35:49 | |
HE CHUCKLES | 0:35:49 | 0:35:50 | |
He's not saying anything, look! | 0:35:50 | 0:35:52 | |
-You're alight. -Yeah. Oh! | 0:35:54 | 0:35:55 | |
He says, "Your trousers are on fire." | 0:35:55 | 0:35:58 | |
I'll be burnt down to the ground. | 0:36:00 | 0:36:03 | |
Do you want to have a go at this? Can you play these? That's it. | 0:36:03 | 0:36:06 | |
LOW NOTE Oh! | 0:36:06 | 0:36:09 | |
That was great! That was great! APPLAUSE | 0:36:09 | 0:36:12 | |
Fantastic! | 0:36:12 | 0:36:14 | |
I think we should try and stamp that out. It won't stop. Ah, yeah. There. | 0:36:15 | 0:36:19 | |
We'll play a duet, seeing as you can play so well. Go on, you stand up. | 0:36:19 | 0:36:22 | |
Have a blow at this. Come on, you'll be all right. Have a good blow. | 0:36:22 | 0:36:25 | |
No, don't pass it round. | 0:36:25 | 0:36:26 | |
LOW NOTES Beautiful. Beautiful. | 0:36:26 | 0:36:29 | |
Stand up a bit. Keep your handkerchief on you. That's it. | 0:36:29 | 0:36:32 | |
You play that, I'll play this. All right? | 0:36:32 | 0:36:35 | |
Cos it's going to be a marching job, this. | 0:36:35 | 0:36:37 | |
Right, off you go. | 0:36:37 | 0:36:39 | |
ONE NOTE Keep going. | 0:36:39 | 0:36:42 | |
Keep going. Keep going. | 0:36:42 | 0:36:44 | |
Aren't you glad you're not wearing a hat now? | 0:36:45 | 0:36:48 | |
QUICK, RHYTHMIC NOTES | 0:36:48 | 0:36:50 | |
That's it. Keep going. | 0:36:50 | 0:36:52 | |
Now stand up and march round. | 0:36:52 | 0:36:54 | |
I'll start you off. That's it. | 0:37:00 | 0:37:01 | |
ROY PLAYS The Yellow Rose Of Texas | 0:37:04 | 0:37:06 | |
Keep going. What's the matter with you? | 0:37:08 | 0:37:10 | |
ROY SPEEDS UP | 0:37:18 | 0:37:20 | |
APPLAUSE | 0:37:25 | 0:37:26 | |
ROY LAUGHS | 0:37:26 | 0:37:28 | |
It'll be all right. | 0:37:34 | 0:37:36 | |
Once it's all over, all your teeth go to the bottom, down there. | 0:37:36 | 0:37:39 | |
We'll just play that last phrase now. | 0:37:41 | 0:37:43 | |
Keep going. | 0:37:54 | 0:37:55 | |
Oi! ROY WHISTLES | 0:37:56 | 0:37:58 | |
We're playing down here, son. We're playing a duet down here. | 0:37:58 | 0:38:02 | |
Hold it, hold it. | 0:38:02 | 0:38:03 | |
OI! | 0:38:03 | 0:38:04 | |
Can I leave that with you? | 0:38:04 | 0:38:05 | |
We're playing a duet down here! | 0:38:05 | 0:38:07 | |
Oi! OI! | 0:38:09 | 0:38:12 | |
Oi! | 0:38:12 | 0:38:14 | |
-Come on. ALL: -Oi! | 0:38:14 | 0:38:16 | |
Yeah, come on, come on, a big one. | 0:38:18 | 0:38:19 | |
OI! | 0:38:19 | 0:38:21 | |
Right. Right... | 0:38:22 | 0:38:23 | |
APPLAUSE | 0:38:35 | 0:38:36 | |
OK, that'll do. APPLAUSE | 0:38:55 | 0:38:57 | |
Would you mind removing your hat, please? | 0:39:03 | 0:39:05 | |
ROY CHUCKLES | 0:39:05 | 0:39:06 | |
Right, here we go, lad. Give us a roll, then. | 0:39:06 | 0:39:09 | |
Give us a roll on your drum, lad. | 0:39:09 | 0:39:12 | |
It goes "Ma-ma Da-da". | 0:39:12 | 0:39:13 | |
Getting faster and faster | 0:39:16 | 0:39:18 | |
until it becomes a roll. | 0:39:18 | 0:39:20 | |
APPLAUSE | 0:39:43 | 0:39:44 | |
Nothing. | 0:39:52 | 0:39:53 | |
I think we've got him! | 0:40:09 | 0:40:10 | |
HE PLAYS SOFTLY | 0:40:10 | 0:40:11 | |
HE PLAYS MUCH LOUDER | 0:40:17 | 0:40:20 | |
TWO LOUD BANGS ON DRUM | 0:40:23 | 0:40:26 | |
15 all. | 0:40:28 | 0:40:29 | |
CHEERING AND APPLAUSE | 0:41:04 | 0:41:06 | |
ROY CHUCKLES | 0:41:16 | 0:41:18 | |
Cuckoo! | 0:41:24 | 0:41:26 | |
Cuckoo! | 0:41:31 | 0:41:32 | |
Cuckoo! | 0:41:34 | 0:41:35 | |
It's three o'clock. | 0:41:36 | 0:41:38 | |
APPLAUSE | 0:41:56 | 0:41:57 | |
HE SHOUTS LIKE A DRILL SERGEANT: Company, by the right... | 0:42:04 | 0:42:07 | |
quick... | 0:42:07 | 0:42:10 | |
march! | 0:42:10 | 0:42:12 | |
HE SHOUTS | 0:42:18 | 0:42:20 | |
By the right... | 0:42:21 | 0:42:23 | |
..quick... | 0:42:24 | 0:42:26 | |
MARCH! | 0:42:26 | 0:42:27 | |
Got you! Got you! | 0:42:32 | 0:42:34 | |
AUDIENCE CLAPS ALONG | 0:43:10 | 0:43:12 | |
CHEERING AND APPLAUSE | 0:43:22 | 0:43:24 | |
Look at this. Cuckoo! How about that, then, eh? | 0:43:32 | 0:43:36 | |
Look at that. Cuckoo! | 0:43:50 | 0:43:53 | |
Show him yours. Show him yours. | 0:43:53 | 0:43:56 | |
ROY LAUGHS | 0:44:02 | 0:44:03 | |
CHEERING | 0:44:32 | 0:44:35 | |
In an harmoniously homogenised | 0:44:49 | 0:44:54 | |
Harry Champion show... | 0:44:54 | 0:44:56 | |
..the Players Theatre with Mr John Rutland! | 0:44:57 | 0:45:02 | |
# Everybody knows him in his old brown hat | 0:45:08 | 0:45:11 | |
# That he's got upon his pim-pim-pimple | 0:45:11 | 0:45:15 | |
# It only cost him a tanner down the Cut | 0:45:15 | 0:45:18 | |
# But it looks all right on his little wooden nut | 0:45:18 | 0:45:22 | |
# Oh, I say, oh, I say, now | 0:45:22 | 0:45:25 | |
# What do you think of that? Think of that? | 0:45:25 | 0:45:27 | |
# If he can't get what he orders in a pot | 0:45:27 | 0:45:31 | |
# He'll have it in his old brown hat | 0:45:31 | 0:45:33 | |
# Well, why not? | 0:45:33 | 0:45:35 | |
# Where I live, my neighbours are a nice lot | 0:45:35 | 0:45:38 | |
# Specially when I'm out of doors | 0:45:38 | 0:45:39 | |
# They all treat me with great respect | 0:45:39 | 0:45:41 | |
# But they never say, "What's yours?" | 0:45:41 | 0:45:42 | |
# If I walk in a public house | 0:45:42 | 0:45:44 | |
# They say, "Look out, he's here" | 0:45:44 | 0:45:46 | |
# They grab their pots and glasses, shouting | 0:45:46 | 0:45:48 | |
# "Danger, mind your beer" Whoo! | 0:45:48 | 0:45:50 | |
# Everybody knows me in me old brown hat | 0:45:50 | 0:45:51 | |
# That I got upon me pim-pim-pimple | 0:45:51 | 0:45:53 | |
# It only cost me a tanner down the Cut | 0:45:53 | 0:45:54 | |
# But it looks all right on me little wooden nut | 0:45:54 | 0:45:56 | |
# Oh, I say, whaddya think of that? | 0:45:56 | 0:45:59 | |
# If I can't get what I order in a pot | 0:45:59 | 0:46:01 | |
# I'll have it in me old brown hat Well, why not? | 0:46:01 | 0:46:03 | |
# Have it in me old brown hat Well, why not? | 0:46:03 | 0:46:05 | |
# Have it in me old brown hat. # | 0:46:05 | 0:46:06 | |
# What a mouth, what a mouth! What a north and south | 0:46:06 | 0:46:08 | |
# Lumme, what a mouth he's got | 0:46:08 | 0:46:10 | |
# When he was a youngster, Oh, Gawd lovell | 0:46:10 | 0:46:12 | |
# His poor old mum used to feed him with shovel | 0:46:12 | 0:46:14 | |
# What a gap, poor chap, he's never been known to laugh | 0:46:14 | 0:46:17 | |
# Whoa, if he did, it's a penny to a quid | 0:46:17 | 0:46:19 | |
# His face would fall in half. # | 0:46:19 | 0:46:20 | |
# Don't walk about without a cady on | 0:46:20 | 0:46:23 | |
# Ginger, you're barmy | 0:46:23 | 0:46:24 | |
# Get your 'air cut, get your 'air cut | 0:46:24 | 0:46:26 | |
# Ginger, you're barmy! # | 0:46:26 | 0:46:27 | |
# Oh, I say, whaddya think of that? | 0:46:27 | 0:46:31 | |
# If I can't get what I order in a pot | 0:46:31 | 0:46:33 | |
# I'll have it in me old brown hat Well, why not? | 0:46:33 | 0:46:35 | |
# Have it in me old brown hat Well, why not? | 0:46:35 | 0:46:36 | |
# Have it in me old brown hat | 0:46:36 | 0:46:38 | |
# Daddle-daddle da da, daddle-daddle da da | 0:46:38 | 0:46:40 | |
# Da, da, brown hat! # | 0:46:40 | 0:46:43 | |
CHEERING | 0:46:43 | 0:46:45 | |
# There's one day a week when we feel a bit gay | 0:46:51 | 0:46:55 | |
# That's Saturday | 0:46:55 | 0:46:57 | |
# Saturday? | 0:46:57 | 0:46:58 | |
# When we get our wages, it's all hip-hooray | 0:46:58 | 0:47:02 | |
# On Saturday | 0:47:02 | 0:47:04 | |
# Saturday! | 0:47:04 | 0:47:05 | |
# You go all the week perhaps and can't get a sub | 0:47:05 | 0:47:09 | |
# But the day comes at last when your rufties you rub | 0:47:09 | 0:47:13 | |
# And directly you gets it, you're off to a pub! | 0:47:13 | 0:47:17 | |
# On Saturday | 0:47:17 | 0:47:19 | |
# Oh, Saturday, that's the day for me | 0:47:22 | 0:47:26 | |
# We have a fair old beano and we spend our L s d | 0:47:26 | 0:47:31 | |
# On Monday morning we are always B-R-O-K-E | 0:47:31 | 0:47:37 | |
# Oh, Saturday, that's the day for me | 0:47:37 | 0:47:41 | |
# Oh, Saturday, that's the day for me | 0:47:41 | 0:47:46 | |
# We have a fair old beano and we spend our L s d | 0:47:46 | 0:47:51 | |
# On Monday morning we are always B-R-O-K-E | 0:47:51 | 0:47:57 | |
# Oh, Saturday, lovely, lovely Saturday | 0:47:57 | 0:48:01 | |
# Saturday, the day for... # | 0:48:01 | 0:48:06 | |
# Boiled beef and carrots, Boiled beef and carrots | 0:48:06 | 0:48:10 | |
# That's the stuff for your Derby Kell | 0:48:10 | 0:48:12 | |
# Makes you fit and it keeps you well | 0:48:12 | 0:48:14 | |
# Don't live like vegetarians on food they give to parrots | 0:48:14 | 0:48:17 | |
# From morn till night, blow out your kite | 0:48:17 | 0:48:19 | |
# On boiled beef and carrots. # | 0:48:19 | 0:48:21 | |
# I like pickled onions, I like piccalilli | 0:48:21 | 0:48:25 | |
# Picked cabbage is all right | 0:48:25 | 0:48:26 | |
# On a bit of cold meat on Sunday night | 0:48:26 | 0:48:28 | |
# I can go tomatoes-es, but what I do prefer | 0:48:28 | 0:48:32 | |
# Is a little bit of cucum, cucum-cucum | 0:48:32 | 0:48:34 | |
# A little bit of cucumber. # | 0:48:34 | 0:48:35 | |
# Any old iron, any old iron Any-any-any old iron | 0:48:35 | 0:48:39 | |
# You look neat Talk about a treat | 0:48:39 | 0:48:41 | |
# You look dapper from your napper to your feet | 0:48:41 | 0:48:43 | |
# Dressed in style, brand-new tile Father's old green tie on | 0:48:43 | 0:48:46 | |
# I wouldn't give you tuppence for your old watch chain | 0:48:46 | 0:48:48 | |
# Old iron, old iron | 0:48:48 | 0:48:50 | |
# Any old iron, any old iron | 0:48:50 | 0:48:52 | |
# Boiled beef and carrots | 0:48:52 | 0:48:54 | |
# A little bit of cucum, cucum-cucum | 0:48:54 | 0:48:56 | |
# Any, any, any, what a mouth, any old iron, brown hat | 0:48:56 | 0:48:59 | |
# And his soul goes marching on | 0:48:59 | 0:49:03 | |
# Everybody knows me in me old brown hat! | 0:49:03 | 0:49:09 | |
-# Brown hat! -Brown hat! -# Brown hat! # | 0:49:12 | 0:49:14 | |
And now, there's just time to ask Mr Roy Castle and | 0:49:26 | 0:49:29 | |
Miss Barbara Windsor to lead the company and yourselves in the | 0:49:29 | 0:49:32 | |
last chorus for tonight, Down At The Old Bull And Bush. | 0:49:32 | 0:49:35 | |
Ladies and gentlemen, Mr Roy Castle, Miss Barbara Windsor, the entire | 0:49:35 | 0:49:39 | |
company, Mr Bernard Herrmann, | 0:49:39 | 0:49:41 | |
the entire and indefatigable orchestra... | 0:49:41 | 0:49:44 | |
CHEERING AND APPLAUSE | 0:49:44 | 0:49:47 | |
..but this time, chiefly... | 0:49:47 | 0:49:49 | |
-ALL: -..yourselves! | 0:49:49 | 0:49:52 | |
# Come, come, come and make eyes at me | 0:49:56 | 0:49:59 | |
# Down at the Old Bull and Bush | 0:49:59 | 0:50:02 | |
# Da-da da-da-da | 0:50:02 | 0:50:03 | |
# Come, come, drink some port wine with me | 0:50:03 | 0:50:07 | |
# Down at the Old Bull and Bush | 0:50:07 | 0:50:09 | |
# Hear the little German band Da da-da-da da-da-da | 0:50:10 | 0:50:14 | |
# Come let me hold your hand, dear | 0:50:14 | 0:50:18 | |
# Do, do, come and have a drink or two | 0:50:18 | 0:50:22 | |
# Down at the Old Bull and Bush | 0:50:22 | 0:50:25 | |
# Bush, Bush! # | 0:50:25 | 0:50:27 | |
CHEERING AND APPLAUSE | 0:50:27 | 0:50:30 | |
AUDIENCE CLAPS ALONG TO MUSIC | 0:50:32 | 0:50:35 |