Browse content similar to 14/03/1978. Check below for episodes and series from the same categories and more!
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BAND PLAYS WALTZ | 0:00:04 | 0:00:06 | |
ALL: # I'll be your sweetheart | 0:00:08 | 0:00:12 | |
# If you will be mine | 0:00:12 | 0:00:16 | |
# All my life | 0:00:16 | 0:00:20 | |
# I'll be your Valentine | 0:00:20 | 0:00:25 | |
# Bluebells I've gathered | 0:00:25 | 0:00:29 | |
# Take them and be true | 0:00:29 | 0:00:34 | |
# When I'm a man, my plan | 0:00:34 | 0:00:38 | |
# Will be to marry you | 0:00:38 | 0:00:42 | |
# When I'm a man, my plan | 0:00:42 | 0:00:46 | |
# Will be to marry you. # | 0:00:46 | 0:00:52 | |
BAND PLAYS FANFARE | 0:00:56 | 0:00:59 | |
CHEERING | 0:01:01 | 0:01:03 | |
CHEERING | 0:01:10 | 0:01:12 | |
Once again... | 0:01:12 | 0:01:15 | |
good evening, ladies and gentlemen! | 0:01:15 | 0:01:21 | |
-AUDIENCE: -Good evening! | 0:01:21 | 0:01:24 | |
-Ecstatic in exemplary... -Ooh! | 0:01:24 | 0:01:28 | |
..euphony, the Players Theatre plus - and it's a super plus - | 0:01:28 | 0:01:34 | |
Miss Jan Hunt! | 0:01:34 | 0:01:36 | |
APPLAUSE | 0:01:36 | 0:01:38 | |
-BOYS: -# Take a pretty partner at the ball | 0:01:48 | 0:01:50 | |
-GIRLS: -# Take your partner | 0:01:50 | 0:01:52 | |
# Take a pretty partner at the ball | 0:01:52 | 0:01:53 | |
# Take your partner | 0:01:53 | 0:01:55 | |
ALL: # She who dances best of all She whose charms will never pall | 0:01:55 | 0:01:59 | |
# As your own fair partner at the ball | 0:01:59 | 0:02:01 | |
# Take a pretty partner at the ball | 0:02:02 | 0:02:04 | |
# Take your partner | 0:02:04 | 0:02:06 | |
# Take a pretty partner at the ball | 0:02:06 | 0:02:08 | |
# Take your partner | 0:02:08 | 0:02:10 | |
# She who dances best of all She whose charms will never pall | 0:02:10 | 0:02:13 | |
# As your own fair partner at the ball. # | 0:02:13 | 0:02:16 | |
# Let's all go into the ballroom | 0:02:21 | 0:02:24 | |
# The ballroom beside the sea | 0:02:24 | 0:02:27 | |
# Where the MC calls to the dancers | 0:02:27 | 0:02:31 | |
# "Take your partners for the lancers" | 0:02:31 | 0:02:35 | |
# Let's all go into the ballroom | 0:02:35 | 0:02:39 | |
# And we'll have a rare old spree | 0:02:39 | 0:02:42 | |
# Where the girls are found | 0:02:42 | 0:02:44 | |
# Tripping it round and round | 0:02:44 | 0:02:46 | |
# In the ballroom beside the sea | 0:02:46 | 0:02:49 | |
# Let's all go into the ballroom | 0:03:04 | 0:03:07 | |
# And we'll have a rare old spree | 0:03:07 | 0:03:11 | |
# Where the girls are found | 0:03:11 | 0:03:13 | |
# Tripping it round and round | 0:03:13 | 0:03:15 | |
# In the ballroom In the ballroom | 0:03:15 | 0:03:18 | |
# In the ballroom beside the sea. # | 0:03:18 | 0:03:22 | |
# I am longing for someone to kiss me | 0:03:35 | 0:03:42 | |
# And every day my longing's growing stronger | 0:03:42 | 0:03:49 | |
HARSHLY: # If something doesn't happen soon | 0:03:49 | 0:03:53 | |
# I don't know what I'll do! | 0:03:53 | 0:03:56 | |
# Because I can't go on longing much longer. # | 0:03:56 | 0:04:05 | |
Oh, I really would love somebody new to love me. | 0:04:05 | 0:04:08 | |
But you know, I do have a beau. Oh, yes, he plays with the Philharmonic. | 0:04:08 | 0:04:12 | |
He deals the cards in the interval. | 0:04:12 | 0:04:15 | |
You see... | 0:04:15 | 0:04:17 | |
# He's my musician | 0:04:17 | 0:04:21 | |
# He only plays for me | 0:04:21 | 0:04:23 | |
# He's my musician | 0:04:23 | 0:04:26 | |
# I know he'll never be a star | 0:04:26 | 0:04:30 | |
# He doesn't play the guitar | 0:04:31 | 0:04:33 | |
# He's all fingers and thumbs When it comes | 0:04:33 | 0:04:37 | |
# To piccolos and fifes and drums | 0:04:37 | 0:04:39 | |
# The saxophone | 0:04:39 | 0:04:42 | |
# He doesn't own | 0:04:42 | 0:04:44 | |
# A xylophone | 0:04:44 | 0:04:47 | |
# Or a slide trombone | 0:04:47 | 0:04:50 | |
# He's got no feel For a glockenspiel | 0:04:50 | 0:04:53 | |
# My ding-a-ling love | 0:04:53 | 0:04:55 | |
# But he's wild when he does his thing | 0:04:55 | 0:05:00 | |
# He plays the spoons | 0:05:00 | 0:05:03 | |
# I said the spoons | 0:05:03 | 0:05:05 | |
# Hee! | 0:05:05 | 0:05:07 | |
# Polka and even ragtime tunes | 0:05:07 | 0:05:11 | |
# He plays like this | 0:05:11 | 0:05:12 | |
# And sometimes this | 0:05:13 | 0:05:15 | |
# And even... | 0:05:16 | 0:05:17 | |
# Whoo! | 0:05:20 | 0:05:21 | |
# I'm screaming spoons | 0:05:21 | 0:05:24 | |
# I play them, too | 0:05:24 | 0:05:27 | |
# He taught me how | 0:05:27 | 0:05:29 | |
# Now what do I do? | 0:05:29 | 0:05:32 | |
# I tell ya, other girls sit down and plan a sunny honeymoon | 0:05:32 | 0:05:37 | |
# I sit around with my man and play the spoons | 0:05:37 | 0:05:42 | |
# Oh! | 0:05:42 | 0:05:44 | |
# Wow! | 0:05:54 | 0:05:55 | |
# Oh! No harpsichord | 0:06:02 | 0:06:05 | |
# He can't afford | 0:06:05 | 0:06:08 | |
# Beneath his chin | 0:06:08 | 0:06:10 | |
# No violin | 0:06:10 | 0:06:13 | |
# Oh, he's no good with the woodwind | 0:06:13 | 0:06:16 | |
# And a trumpeter he's not | 0:06:16 | 0:06:19 | |
# But he's mine | 0:06:19 | 0:06:21 | |
# And he's all I've got! | 0:06:21 | 0:06:24 | |
# Whoo! | 0:06:24 | 0:06:26 | |
# No clarinet | 0:06:26 | 0:06:27 | |
# Not even chopsticks yet! | 0:06:33 | 0:06:35 | |
# Flutes, euphoniums and harps and oboes and bassoons | 0:06:35 | 0:06:39 | |
# So tell me why | 0:06:39 | 0:06:42 | |
# Oh, why do I | 0:06:42 | 0:06:45 | |
# Why do I get the guy who plays the spoons? | 0:06:45 | 0:06:48 | |
# Da-da li-da-da Oh, yeah! # | 0:06:48 | 0:06:50 | |
# How'd you like to spoon... # | 0:07:00 | 0:07:02 | |
Wow! | 0:07:02 | 0:07:04 | |
# How'd you like to spoon with me? | 0:07:04 | 0:07:07 | |
# Sit beneath an oak tree large and shady... # | 0:07:08 | 0:07:12 | |
You know we've got to stop meeting like this, don't you? | 0:07:12 | 0:07:15 | |
# Oh, how'd you like to hug and squeeze? | 0:07:15 | 0:07:20 | |
# Dangle me upon your knees? | 0:07:20 | 0:07:24 | |
# Oh, how'd you like to be my lovey-dovey? | 0:07:24 | 0:07:29 | |
# How'd you like to spoon with me? | 0:07:29 | 0:07:33 | |
# Oh, how'd you like to spoon with me? | 0:07:33 | 0:07:36 | |
# Whoo! | 0:07:36 | 0:07:37 | |
# How'd you like to spoon with me? | 0:07:37 | 0:07:41 | |
# Sit beneath an oak tree large and shady | 0:07:41 | 0:07:45 | |
# Calling me your tootsie-wootsie baby? | 0:07:45 | 0:07:49 | |
# How'd you like to hug and squeeze? | 0:07:49 | 0:07:53 | |
# Dangle me upon your knees? | 0:07:53 | 0:07:57 | |
# How'd you like to be my lovey-dovey? | 0:07:57 | 0:08:01 | |
# How'd you like to spoon with me? | 0:08:01 | 0:08:05 | |
# How'd you like to be my lovey-dovey? | 0:08:05 | 0:08:09 | |
# How'd you like to spoon | 0:08:09 | 0:08:12 | |
# Underneath the moon? | 0:08:12 | 0:08:13 | |
# How'd you like to spoon with me? # | 0:08:13 | 0:08:18 | |
Oh! | 0:08:18 | 0:08:19 | |
Whoo! | 0:08:24 | 0:08:26 | |
An Emerald Isle emissary... | 0:08:32 | 0:08:36 | |
eruptibly ebullient in hilariously | 0:08:36 | 0:08:41 | |
uninhibited Hibernicisms... | 0:08:41 | 0:08:45 | |
Ooh! | 0:08:45 | 0:08:47 | |
Irish jokes! | 0:08:47 | 0:08:49 | |
..Mr Pat Mooney! | 0:08:49 | 0:08:52 | |
CHEERING AND APPLAUSE | 0:08:52 | 0:08:54 | |
Hello, Leonard! Nice to see you. | 0:08:58 | 0:09:00 | |
Oh, begorrah! Oh! That's great. | 0:09:00 | 0:09:03 | |
Great to see yous. God, yous look lovely. | 0:09:03 | 0:09:06 | |
You know I'm Irish, don't you? | 0:09:07 | 0:09:09 | |
HE LAUGHS | 0:09:09 | 0:09:10 | |
This Irish fella was lying in bed, | 0:09:12 | 0:09:14 | |
and a plane crashed into his bedroom window. | 0:09:14 | 0:09:17 | |
And he sat up in bed. He says, | 0:09:17 | 0:09:18 | |
"Mother of God, I must've left the landing lights on." | 0:09:18 | 0:09:21 | |
A RIPPLE OF APPLAUSE | 0:09:24 | 0:09:26 | |
This Irish cruise ship was crossing the Atlantic, | 0:09:28 | 0:09:31 | |
and the captain comes on the Tannoy. | 0:09:31 | 0:09:33 | |
He says, "We've just crossed the Atlantic in four-and-a-half days." | 0:09:33 | 0:09:36 | |
And Murphy the bosun said, "Is that a record?" | 0:09:36 | 0:09:39 | |
The captain says, "No, it's me talking." | 0:09:39 | 0:09:41 | |
It's not fair, all these jokes | 0:09:47 | 0:09:49 | |
they tell about us poor Irish fellas, is it? | 0:09:49 | 0:09:52 | |
Oh, these fellas over here in England telling me jokes, | 0:09:52 | 0:09:54 | |
like "Did you hear about the Irish tug-of-war team? | 0:09:54 | 0:09:56 | |
"Got disqualified for pushing." It's not right, is it? No. | 0:09:56 | 0:09:59 | |
This Irish fella went to a building site for a job, and the | 0:10:01 | 0:10:03 | |
foreman said to him, "You're a big, strong, strapping Irish fella. | 0:10:03 | 0:10:06 | |
"You can start. You get paid a week on Friday." | 0:10:06 | 0:10:09 | |
Murphy says, "Right, I'll start a week on Thursday." | 0:10:09 | 0:10:12 | |
So he's... | 0:10:14 | 0:10:15 | |
So he's starting a hole, taking all day long, and he's coming | 0:10:16 | 0:10:19 | |
off the site and he sees this Scottish fella sitting on a tractor. | 0:10:19 | 0:10:22 | |
And he walks over to him, he says, "Excuse me, I've been down that hole | 0:10:22 | 0:10:25 | |
"digging all day, and there's you, fancy, | 0:10:25 | 0:10:27 | |
"sitting on that fancy tractor all day doing | 0:10:27 | 0:10:29 | |
"no work at all except driving | 0:10:29 | 0:10:31 | |
"up and down enjoying yourself. How do you get away with it?" | 0:10:31 | 0:10:33 | |
The Scottish fella says, "Well, we're very intelligent | 0:10:33 | 0:10:36 | |
"and you Irish fellas are a wee bit thick. | 0:10:36 | 0:10:37 | |
"And I'll try and explain it to you. | 0:10:37 | 0:10:39 | |
"See, you ask me any question you like, | 0:10:39 | 0:10:41 | |
"and if I can't answer it, I'll give you a fiver. | 0:10:41 | 0:10:43 | |
"And if you can't answer it, you give me a pound. How's that?" | 0:10:43 | 0:10:46 | |
Murphy says, "Right, I'll go first." | 0:10:46 | 0:10:48 | |
He says, "What's got five heads, three legs, four tails, | 0:10:48 | 0:10:52 | |
"swims underwater and sees in the dark?" | 0:10:52 | 0:10:54 | |
Scottish fella says, "You've got me. There's a fiver. What's the answer?" | 0:10:54 | 0:10:58 | |
Paddy says, "You've got me, as well. There's your pound." | 0:10:58 | 0:11:00 | |
APPLAUSE | 0:11:00 | 0:11:03 | |
HE LAUGHS | 0:11:09 | 0:11:12 | |
Pat and Mick were walking down a back entry, | 0:11:12 | 0:11:14 | |
and one of them took a lid off a dustbin and a cat jumped out. | 0:11:14 | 0:11:17 | |
Pat said to Mick, "Jaysus, | 0:11:17 | 0:11:19 | |
"fancy anyone throwing away a good cat like that." | 0:11:19 | 0:11:21 | |
HE LAUGHS | 0:11:23 | 0:11:24 | |
But you've been a great audience. I tell you what, if you let me know | 0:11:24 | 0:11:27 | |
where you're working tomorrow, I'll come and laugh at you. | 0:11:27 | 0:11:30 | |
I'd like to leave yous with a thought. And it's a nice thought. | 0:11:30 | 0:11:34 | |
Live every day as if it was your last. | 0:11:34 | 0:11:36 | |
And one day you'll be right. | 0:11:36 | 0:11:38 | |
Goodnight, God bless you. Thank you very much. | 0:11:38 | 0:11:40 | |
APPLAUSE | 0:11:40 | 0:11:42 | |
Goodnight! | 0:11:46 | 0:11:48 | |
Inveigled from operatic ovations... | 0:11:55 | 0:12:00 | |
-Ooh! -..velutinous in vocalisation... -Ooh! | 0:12:00 | 0:12:04 | |
..endearingly deliquescent, for your delight, | 0:12:04 | 0:12:08 | |
Soo-Bee Lee! | 0:12:08 | 0:12:11 | |
APPLAUSE | 0:12:11 | 0:12:13 | |
# The sun, whose rays are all ablaze | 0:12:21 | 0:12:25 | |
# With ever-living glory | 0:12:25 | 0:12:30 | |
# Does not deny His Majesty | 0:12:30 | 0:12:33 | |
# He scorns to tell a story | 0:12:33 | 0:12:39 | |
# He don't exclaim, "I blush for shame" | 0:12:39 | 0:12:42 | |
# So kindly be indulgent | 0:12:42 | 0:12:49 | |
# But fierce and bold in fiery gold | 0:12:49 | 0:12:52 | |
# He glories all effulgent | 0:12:52 | 0:12:58 | |
# I mean to rule the earth | 0:13:02 | 0:13:08 | |
# As he the sky | 0:13:08 | 0:13:10 | |
# We really know our worth | 0:13:10 | 0:13:16 | |
# The sun and I | 0:13:16 | 0:13:21 | |
# I want to rule the earth | 0:13:21 | 0:13:24 | |
# As he the sky | 0:13:24 | 0:13:28 | |
# We really know our worth | 0:13:28 | 0:13:33 | |
# The sun and I | 0:13:33 | 0:13:42 | |
# Observe this flame, that placid dame | 0:13:48 | 0:13:52 | |
# The moon's celestial highness | 0:13:52 | 0:13:57 | |
# There's not a trace upon her face | 0:13:57 | 0:14:01 | |
# Of diffidence or shyness | 0:14:01 | 0:14:06 | |
# She borrows light that through the night | 0:14:06 | 0:14:10 | |
# Mankind may all acclaim her | 0:14:10 | 0:14:16 | |
# And, truth to tell, she lights up well | 0:14:16 | 0:14:19 | |
# So I for one don't blame her | 0:14:19 | 0:14:26 | |
# Ah, pray, make no mistake | 0:14:29 | 0:14:34 | |
# We are not shy | 0:14:34 | 0:14:38 | |
# We're very wide awake | 0:14:38 | 0:14:44 | |
# The moon and I | 0:14:44 | 0:14:49 | |
# Ah, pray, make no mistake | 0:14:49 | 0:14:53 | |
# We are not shy | 0:14:53 | 0:14:56 | |
# We're very wide awake | 0:14:56 | 0:15:01 | |
# The moon and I. # | 0:15:01 | 0:15:12 | |
APPLAUSE | 0:15:20 | 0:15:22 | |
From the Netherlands, vertiginous in violinistic virtuosity... | 0:15:36 | 0:15:44 | |
Mr Francis van Dyck! | 0:15:44 | 0:15:48 | |
APPLAUSE | 0:15:48 | 0:15:50 | |
APPLAUSE | 0:17:19 | 0:17:21 | |
Whoo! | 0:17:23 | 0:17:25 | |
HIGH NOTES SOUND LIKE BIRDSONG | 0:17:39 | 0:17:41 | |
PLUCKED VIOLIN NOTE AND BAND FLOURISH | 0:18:39 | 0:18:41 | |
BAND FLOURISH ONLY | 0:18:41 | 0:18:43 | |
HIGH NOTES SOUND LIKE LAUGHTER | 0:19:04 | 0:19:06 | |
LIKE BIRDSONG | 0:19:07 | 0:19:09 | |
LIKE LAUGHTER | 0:19:32 | 0:19:34 | |
LIKE LOUDER LAUGHTER | 0:19:34 | 0:19:35 | |
BOW SCRATCHES AGAINST WOOD Ooh! | 0:19:52 | 0:19:54 | |
A-one, two, three, four. | 0:19:57 | 0:19:59 | |
CHEERING | 0:20:15 | 0:20:17 | |
-From Germany, an esoteric extravaganza... -Ooh! | 0:20:34 | 0:20:41 | |
-..of equilibristic... -Ooh! | 0:20:41 | 0:20:45 | |
-..equipoise... -Ooh! | 0:20:45 | 0:20:46 | |
Balancing. | 0:20:47 | 0:20:49 | |
..Bartschelly! | 0:20:50 | 0:20:52 | |
APPLAUSE | 0:20:52 | 0:20:54 | |
APPLAUSE | 0:23:47 | 0:23:49 | |
APPLAUSE | 0:24:40 | 0:24:42 | |
DRUM ROLL | 0:24:51 | 0:24:54 | |
APPLAUSE | 0:25:16 | 0:25:18 | |
DRUM ROLL CONTINUES | 0:25:31 | 0:25:33 | |
Our cosmopolitanism incorporates | 0:26:09 | 0:26:14 | |
-Caledonian canorousness... -Ooh! | 0:26:14 | 0:26:17 | |
Scottish singing. | 0:26:18 | 0:26:20 | |
-..for your participatory reciprocity... -Ooh! | 0:26:20 | 0:26:26 | |
..your own, your very own | 0:26:26 | 0:26:28 | |
Mr Kenneth McKellar! | 0:26:28 | 0:26:30 | |
CHEERING AND APPLAUSE | 0:26:30 | 0:26:32 | |
# My pretty Jane, my pretty Jane | 0:26:43 | 0:26:50 | |
# Ah, never, never look so shy | 0:26:50 | 0:26:56 | |
# But meet me, meet me in the evening | 0:26:56 | 0:27:03 | |
# While the bloom is on the rye | 0:27:03 | 0:27:10 | |
# The spring is waning fast, my love | 0:27:10 | 0:27:18 | |
# The corn is in the ear | 0:27:18 | 0:27:27 | |
# The summer nights are coming, love | 0:27:29 | 0:27:35 | |
# The moon shines bright and clear | 0:27:35 | 0:27:42 | |
# Then, pretty Jane, my dearest Jane | 0:27:42 | 0:27:49 | |
# Ah, never look so shy | 0:27:49 | 0:28:00 | |
# But meet me, meet me in the evening | 0:28:00 | 0:28:10 | |
# While the bloom... | 0:28:10 | 0:28:19 | |
# ..is on the rye. # | 0:28:19 | 0:28:29 | |
Thank you! Thank you very much. | 0:28:31 | 0:28:35 | |
# A far croonin' is pullin' me away | 0:28:40 | 0:28:45 | |
# As take I wi' my cromach to the road | 0:28:45 | 0:28:49 | |
# The far Cuillins are puttin' love on me | 0:28:49 | 0:28:53 | |
# As step I wi' the sunlight for my load | 0:28:53 | 0:28:57 | |
# Sure by Tummel and Loch Rannoch and Lochaber I will go | 0:28:57 | 0:29:03 | |
# By heather tracks wi' heaven in their wile | 0:29:03 | 0:29:07 | |
# If it's thinkin' in your inner heart the braggart's in my step | 0:29:07 | 0:29:11 | |
# You've never smelt the tangle o' the Isle | 0:29:11 | 0:29:15 | |
# The far Cuillins are puttin' love on me | 0:29:15 | 0:29:20 | |
# As step I wi' my cromach to the Isle. # | 0:29:20 | 0:29:26 | |
# Speed, bonnie boat, like a bird on the wing | 0:29:28 | 0:29:32 | |
# "Onward!" the sailors cry | 0:29:32 | 0:29:37 | |
# Carry the lad that's born to be King | 0:29:37 | 0:29:42 | |
# Over the sea to Skye | 0:29:42 | 0:29:46 | |
# Loud the winds howl, loud the waves roar | 0:29:46 | 0:29:51 | |
# Thunderclaps rend the air | 0:29:51 | 0:29:56 | |
# Baffled, our foes stand by the shore | 0:29:56 | 0:30:00 | |
# Follow they will not dare | 0:30:00 | 0:30:04 | |
# Speed, bonnie boat, like a bird on the wing | 0:30:05 | 0:30:10 | |
# "Onward!" the sailors cry | 0:30:10 | 0:30:13 | |
# Carry the lad that's born to be King | 0:30:15 | 0:30:19 | |
# Over the sea to Skye. # | 0:30:19 | 0:30:24 | |
# The northern lights of old Aberdeen | 0:30:26 | 0:30:31 | |
# Mean home, sweet home to me | 0:30:31 | 0:30:36 | |
# The northern lights of Aberdeen | 0:30:36 | 0:30:41 | |
# Are all I long to see | 0:30:41 | 0:30:46 | |
# I've been a wanderer all my life | 0:30:46 | 0:30:50 | |
# And many a sight I've seen | 0:30:50 | 0:30:56 | |
# Godspeed the day when I'm on my way | 0:30:56 | 0:31:00 | |
# To my home in Aberdeen | 0:31:00 | 0:31:05 | |
# Godpseed the day when I'm on my way | 0:31:05 | 0:31:11 | |
# To my home in Aberdeen! # | 0:31:11 | 0:31:19 | |
# For we're no' awa' tae bide awa' | 0:31:21 | 0:31:26 | |
# For we're no' awa' tae le'e ye | 0:31:26 | 0:31:31 | |
# We're no' awa' tae bide awa' | 0:31:31 | 0:31:36 | |
# We'll aye come back an' see ye | 0:31:36 | 0:31:41 | |
# For we're no' awa' tae bide awa' | 0:31:41 | 0:31:46 | |
# We're no' awa' tae le'e ye | 0:31:46 | 0:31:51 | |
# For we're no' awa' tae bide awa' | 0:31:51 | 0:31:57 | |
# We'll aye come back an' see ye! # | 0:31:57 | 0:32:05 | |
CHEERING | 0:32:07 | 0:32:09 | |
-A filibustering fanfarony... -Ooh! | 0:32:24 | 0:32:29 | |
-..of frenetically far-fetched facetii... -Ooh! | 0:32:29 | 0:32:35 | |
..the one and only... | 0:32:35 | 0:32:37 | |
Mr Ken Dodd! | 0:32:37 | 0:32:39 | |
CHEERING AND APPLAUSE | 0:32:39 | 0:32:42 | |
Yeah! | 0:32:42 | 0:32:44 | |
BAND INTRO DROWNS OUT SPEECH | 0:32:49 | 0:32:53 | |
I'll show you! Here we go! | 0:32:54 | 0:32:57 | |
By Jove! There's more! | 0:33:03 | 0:33:04 | |
Ladies and gentlemen, I'd like to say how tickled I am, how... | 0:33:04 | 0:33:07 | |
Oh, missus, how full of plumptiousness... Yes. | 0:33:07 | 0:33:10 | |
They can't touch you for it, love. | 0:33:10 | 0:33:13 | |
Don't even wash your hands or cut your nails. | 0:33:13 | 0:33:15 | |
Tonight... Where's Ablett? Ablett? | 0:33:15 | 0:33:17 | |
This is my butler, ladies and gentlemen. | 0:33:17 | 0:33:19 | |
There you are, Ablett, take it away. Take it to be soled and heeled. | 0:33:19 | 0:33:22 | |
Right... First of all, ladies and gentlemen, | 0:33:22 | 0:33:24 | |
I'd like to say how tickled I am, missus, how discomknockerated to... | 0:33:24 | 0:33:28 | |
..how... | 0:33:30 | 0:33:32 | |
how completely goolified I feel standing here tonight. I... | 0:33:32 | 0:33:35 | |
Well, no, you're allowed to say that, sir. Goolified. | 0:33:36 | 0:33:39 | |
Oh, yes. If you're from Goole, that is, of course. | 0:33:39 | 0:33:42 | |
Unfortunately, I'm not from Goole. | 0:33:43 | 0:33:46 | |
I'm from Knutsford. Still, it's... How... | 0:33:46 | 0:33:49 | |
And what an audience. By Jove, where else can you find | 0:33:51 | 0:33:53 | |
an audience like this, except at Madame Tussauds? | 0:33:53 | 0:33:56 | |
There's... Have a good look at yourselves. | 0:33:58 | 0:34:03 | |
Looks like a pop-up history book. | 0:34:03 | 0:34:04 | |
All of you dear ladies and gentlemen | 0:34:09 | 0:34:11 | |
who have been to the nearly-new shop. | 0:34:11 | 0:34:13 | |
Cos when you come to the theatre, folks, | 0:34:17 | 0:34:19 | |
you don't just watch the show, you're in it. This is show business. | 0:34:19 | 0:34:23 | |
Ah, what a thrill! This business of spangles and tights... | 0:34:23 | 0:34:26 | |
You sit in your dressing room with the door half-open, and going past | 0:34:27 | 0:34:30 | |
the corridor you see a flash of pink thigh with some ostrich feathers. | 0:34:30 | 0:34:34 | |
And that's only the firemen when they light the boiler. | 0:34:34 | 0:34:37 | |
No, missus, you can't beat the theatre, can you, ladies? | 0:34:39 | 0:34:42 | |
Ladies and gentlemen, you can't beat coming to live theatre, can you? | 0:34:42 | 0:34:45 | |
-No! -Of course. It's always better in the flesh, isn't it, ladies? -Yes! | 0:34:45 | 0:34:49 | |
Oh, every... Ooh, pleasures of the flesh! | 0:34:49 | 0:34:52 | |
Ooh, pleasures of the flesh! | 0:34:52 | 0:34:55 | |
-Let's hear you all say it. -Pleasures of the flesh! | 0:34:55 | 0:34:59 | |
I always... | 0:35:02 | 0:35:04 | |
Y'see, I always think I'm very fortunate with my looks, because... | 0:35:06 | 0:35:10 | |
..I'm behind 'em. | 0:35:11 | 0:35:13 | |
This... | 0:35:15 | 0:35:16 | |
I've discovered that my brain is different than anybody else's. | 0:35:18 | 0:35:23 | |
You see? I have a natural bent. And... | 0:35:23 | 0:35:27 | |
Yes. I'm also a one-off. I've... | 0:35:27 | 0:35:30 | |
I've seen the doctor, | 0:35:30 | 0:35:31 | |
and he said there's nothing he can do about it, so... | 0:35:31 | 0:35:33 | |
No, I am a mentalist. | 0:35:35 | 0:35:37 | |
I've discovered I'm a mentalist and I can read your thoughts. | 0:35:37 | 0:35:40 | |
And, yes, I am going off soon. | 0:35:40 | 0:35:42 | |
Telepathy. Telepathy. What is your name, madam? What's your name? | 0:35:45 | 0:35:48 | |
-Pardon? -Ivy. | 0:35:48 | 0:35:50 | |
Correct. Now, this is... | 0:35:50 | 0:35:52 | |
APPLAUSE | 0:35:52 | 0:35:54 | |
I have got this wonderful scientific instrument which Ablett is going to | 0:35:54 | 0:35:58 | |
show me here, ladies and gentlemen, and this evening I want to... | 0:35:58 | 0:36:01 | |
You've probably never seen one of these. This is a new invention. | 0:36:01 | 0:36:05 | |
This was invented by a man in America, | 0:36:07 | 0:36:10 | |
a little baldy-headed fella called Kodak. | 0:36:10 | 0:36:12 | |
And he has invented this... | 0:36:12 | 0:36:14 | |
..machine for taking likenesses, | 0:36:16 | 0:36:18 | |
for taking photographs, you see, ladies and gentlemen. | 0:36:18 | 0:36:21 | |
As you'll see here, I have a collapsible tripod. | 0:36:21 | 0:36:24 | |
It happens to... | 0:36:24 | 0:36:26 | |
It's a common complaint amongst men of my age. | 0:36:29 | 0:36:32 | |
This... This, you see... | 0:36:34 | 0:36:36 | |
Could I have the...? I want you to watch the birdie here. Now... Right. | 0:36:36 | 0:36:39 | |
Now...this... | 0:36:39 | 0:36:42 | |
"Get out of it!" | 0:36:49 | 0:36:51 | |
"Who's a pretty boy?" | 0:36:53 | 0:36:55 | |
I want to take this commemorative picture, | 0:36:56 | 0:36:58 | |
so if you just smile and show your teeth... | 0:36:58 | 0:37:01 | |
If the people at the back would like to pass them | 0:37:01 | 0:37:03 | |
down, I'll show them for you. | 0:37:03 | 0:37:05 | |
Right, what else have we got here? Oh, the... Wait a minute, hang on. | 0:37:06 | 0:37:10 | |
Right, give us the... | 0:37:10 | 0:37:12 | |
Now, I shall have to go into this cloth for about ten seconds | 0:37:12 | 0:37:14 | |
while I count ten. | 0:37:14 | 0:37:16 | |
I'd like to go under there longer, but I'm afraid of the dark. | 0:37:16 | 0:37:18 | |
Oh! Hang on a minute. | 0:37:18 | 0:37:20 | |
Now, I do have a little hand-operated flash. | 0:37:20 | 0:37:22 | |
What are you going to do with that? Oh, I see. Yes! | 0:37:31 | 0:37:34 | |
Now, if you would, dear, I'd like you... | 0:37:34 | 0:37:36 | |
Would you like to hold this for me, dear? | 0:37:36 | 0:37:38 | |
Would you like to stand up, missus? | 0:37:38 | 0:37:40 | |
Stand up and face the ladies and gentlemen and just hold that there. | 0:37:40 | 0:37:43 | |
I promise you there's nothing to be afraid of. | 0:37:43 | 0:37:45 | |
It's just like a small atomic bomb. | 0:37:45 | 0:37:47 | |
-Are you all right? -Yeah. -Have you ever done anything like this before? | 0:37:49 | 0:37:53 | |
Same here. Right. Now... | 0:37:53 | 0:37:56 | |
This... Right. HE CLEARS HIS THROAT | 0:37:56 | 0:37:58 | |
Yes. There we are. | 0:37:58 | 0:38:00 | |
Now, wait a minute, we'll take a picture of the... | 0:38:00 | 0:38:03 | |
Hold it right up there, because... Smile, ladies and gentlemen. | 0:38:03 | 0:38:05 | |
That's it. HE BLOWS | 0:38:05 | 0:38:07 | |
APPLAUSE | 0:38:13 | 0:38:16 | |
Right! | 0:38:18 | 0:38:20 | |
Was that it? | 0:38:20 | 0:38:21 | |
Give it here. HE LAUGHS | 0:38:22 | 0:38:25 | |
You're not used to giving a flash, are you? | 0:38:25 | 0:38:27 | |
Right, now, can you say cheese, madam? Can you say cheese? | 0:38:27 | 0:38:31 | |
Would you go to the pub next door and get me a sandwich, love? | 0:38:31 | 0:38:34 | |
No, this evening's audience, ladies and gentlemen, | 0:38:38 | 0:38:40 | |
I would like to say that tonight's audience, you... | 0:38:40 | 0:38:43 | |
..you are just like a beautiful garden, all these beautiful ladies. | 0:38:44 | 0:38:47 | |
-And tonight, after all, is romantic night. Isn't it, ladies? -Yes. | 0:38:47 | 0:38:50 | |
All over Britain tonight, romantic, frisky girls just like you | 0:38:50 | 0:38:53 | |
are sitting up in bed saying, "'Arry?" | 0:38:53 | 0:38:55 | |
HE SNORES | 0:38:55 | 0:38:57 | |
"'Arry!" HE SNORES | 0:38:57 | 0:38:59 | |
"Oh, all right, then. Charlie?" | 0:38:59 | 0:39:01 | |
Because... | 0:39:04 | 0:39:07 | |
Because we have a... | 0:39:07 | 0:39:09 | |
Because we have a floral audience | 0:39:09 | 0:39:11 | |
tonight, ladies and gentlemen, what about a light baritone song? | 0:39:11 | 0:39:14 | |
I am 11 stone two wringing wet. | 0:39:14 | 0:39:16 | |
Sir Bernard, could we have The Floral Dance? | 0:39:16 | 0:39:19 | |
LOUDLY: # Ohhh... # | 0:39:28 | 0:39:29 | |
Ooh! Sorry! | 0:39:29 | 0:39:31 | |
# As I walked home on a summer's night | 0:39:31 | 0:39:34 | |
# When the stars in heaven were shining bright | 0:39:35 | 0:39:38 | |
# Far away from the footlights' glare... # | 0:39:39 | 0:39:41 | |
I'm dribbling, as well. | 0:39:41 | 0:39:43 | |
# Into the sweet and scented air... # | 0:39:43 | 0:39:46 | |
That's funny. | 0:39:46 | 0:39:47 | |
# Of a quaint old Cornish town | 0:39:47 | 0:39:53 | |
# Borne from afar on the gentle breeze | 0:39:55 | 0:39:58 | |
# Soft as the murmur of summer seas | 0:39:58 | 0:40:00 | |
# Distant tones of an old-world dance | 0:40:00 | 0:40:03 | |
# Played by the gasworks band, perchance | 0:40:03 | 0:40:06 | |
# On the calm air came float... | 0:40:06 | 0:40:09 | |
# ..ing! | 0:40:09 | 0:40:10 | |
# Down | 0:40:10 | 0:40:13 | |
# I thought I could hear the spurious tone | 0:40:14 | 0:40:16 | |
# Of a cornet, clarinet and big trombone | 0:40:16 | 0:40:19 | |
# Fiddle, cello THREE CYMBAL CRASHES | 0:40:19 | 0:40:21 | |
# Flute, bassoon and euphonium | 0:40:21 | 0:40:23 | |
# Far away, as in a trance | 0:40:23 | 0:40:25 | |
# I heard the sound of the floral dance. # | 0:40:25 | 0:40:27 | |
# Tiddlywinks, old man Suck a lemon if you can | 0:40:29 | 0:40:31 | |
# If you can't suck a lemon Suck an old tin can. # | 0:40:31 | 0:40:34 | |
Come on now. Tha' knows. | 0:40:34 | 0:40:36 | |
# And soon I heard such a bustling and prancing | 0:40:36 | 0:40:39 | |
# And then I saw the whole village was dancing | 0:40:39 | 0:40:41 | |
# H'in and h'out of the houses they came | 0:40:41 | 0:40:43 | |
# Old folk, young folk, all the same | 0:40:43 | 0:40:46 | |
# In that quaint old Cornish town | 0:40:46 | 0:40:50 | |
# Every boy took a girl by the waist | 0:40:52 | 0:40:55 | |
# And hurried her h'off in tremendous haste | 0:40:55 | 0:40:57 | |
# Whether they knew one another I care not | 0:40:57 | 0:41:00 | |
# Whether they cared for one another I knew not | 0:41:00 | 0:41:02 | |
# But they kissed as they danced along | 0:41:02 | 0:41:08 | |
# They danced to the band with the spurious tone | 0:41:09 | 0:41:11 | |
# Of the cornet, clarinet and big trombone | 0:41:11 | 0:41:14 | |
# Fiddle, fiddle THREE CYMBAL CRASHES | 0:41:14 | 0:41:16 | |
# Flute, bassoon, euphonium | 0:41:16 | 0:41:18 | |
# Each one making the most of his chance | 0:41:18 | 0:41:20 | |
# All together in the floral dance. # | 0:41:20 | 0:41:22 | |
# Auntie Mary had a canary... # | 0:41:23 | 0:41:26 | |
Come on! | 0:41:27 | 0:41:29 | |
# I felt so lonely standing there | 0:41:29 | 0:41:31 | |
# And I could only stand and swear... # | 0:41:31 | 0:41:34 | |
"Stare"! Sorry, sir. | 0:41:34 | 0:41:35 | |
# For I had no friend with me | 0:41:35 | 0:41:38 | |
# Lonely I would have to be | 0:41:38 | 0:41:40 | |
# In that quaint old Cornish town | 0:41:40 | 0:41:47 | |
# When suddenly, hurrying down the lane | 0:41:47 | 0:41:49 | |
# A figure I knew I saw quite plain... # | 0:41:49 | 0:41:51 | |
Twas Fanny from the fish shop! | 0:41:51 | 0:41:53 | |
# With outstretched arms I rushed along | 0:41:53 | 0:41:56 | |
# And carried her in to that merry throng... # | 0:41:56 | 0:41:59 | |
Up and over, Fanny! Show 'em what you're made of! Hawey! | 0:41:59 | 0:42:03 | |
# And I fiddled HE LAUGHS | 0:42:03 | 0:42:05 | |
# When dancing along | 0:42:05 | 0:42:11 | |
# We danced to the band with the spurious tone | 0:42:11 | 0:42:13 | |
# Of the cornet, clarinet and big trombone | 0:42:13 | 0:42:15 | |
# Fiddle, cello THREE CYMBAL CRASHES | 0:42:15 | 0:42:17 | |
# Flute, bassoon, euphonium | 0:42:17 | 0:42:19 | |
# Each one making the most of his chance | 0:42:19 | 0:42:21 | |
# All together with the floral dance | 0:42:21 | 0:42:23 | |
# Dancing here, dancing there | 0:42:25 | 0:42:27 | |
# Jigging, jogging everywhere | 0:42:27 | 0:42:29 | |
# Up and down around the town | 0:42:29 | 0:42:32 | |
# All for the Cornish floral dance! # | 0:42:32 | 0:42:41 | |
CHEERING AND APPLAUSE | 0:42:41 | 0:42:42 | |
Our jubilee series concludes with, magnificent in monetary melodies... | 0:43:05 | 0:43:12 | |
Ooh! | 0:43:12 | 0:43:13 | |
..the Players Theatre! | 0:43:13 | 0:43:17 | |
CHEERING AND APPLAUSE | 0:43:17 | 0:43:19 | |
# We are the toast of merry Monaco | 0:43:24 | 0:43:27 | |
# Known to all the visitors who go | 0:43:27 | 0:43:31 | |
# To the old casino, a delight! | 0:43:31 | 0:43:34 | |
# We enjoy our Pinot day and night | 0:43:34 | 0:43:37 | |
# Gamblers from Chicago to Berlin | 0:43:37 | 0:43:41 | |
# Chance their fortunes, hoping for a win | 0:43:41 | 0:43:44 | |
# Hearts beat fast with every single bet | 0:43:44 | 0:43:48 | |
# At chemin or at dice or at roulette | 0:43:48 | 0:43:51 | |
# Jack, queen or king, the cards are so inviting | 0:43:51 | 0:43:55 | |
# Gambling's the thing, we find it so exciting | 0:43:55 | 0:43:59 | |
# Quaffing champagne, we put on such a show | 0:43:59 | 0:44:02 | |
# We'll break the bank or lose our last franc before we go. # | 0:44:02 | 0:44:06 | |
-BOYS: -# When a bad, bad boy like me | 0:44:17 | 0:44:20 | |
# Meets a good, good girl like you | 0:44:20 | 0:44:22 | |
-GIRLS: -# Well, the good little maid is a bit afraid | 0:44:22 | 0:44:25 | |
# And wonders what on earth to do | 0:44:25 | 0:44:29 | |
# If the bad, bad boy should speak | 0:44:29 | 0:44:31 | |
# Will the good, good girl reply? | 0:44:31 | 0:44:34 | |
# Well, it rather depends | 0:44:34 | 0:44:36 | |
# If the good girl's friends | 0:44:36 | 0:44:38 | |
# Are anywhere at all close by | 0:44:38 | 0:44:42 | |
# Such a bad, bad boy | 0:44:46 | 0:44:51 | |
# Such a good, good girl | 0:44:51 | 0:44:52 | |
ALL: # Oh, they do make a curious pair | 0:44:52 | 0:44:55 | |
# Though the good girl may Turn her head away | 0:44:55 | 0:44:58 | |
# Still she knows that the bad boy's there | 0:44:58 | 0:45:02 | |
# If the bad boy walks By her side and talks | 0:45:02 | 0:45:05 | |
# Will she snub him, as a maiden should? | 0:45:05 | 0:45:08 | |
# Well, I think he's a lad | 0:45:08 | 0:45:10 | |
# Who is not so very bad | 0:45:10 | 0:45:14 | |
# And I'm not a bit too good | 0:45:14 | 0:45:16 | |
# No, we're not a bit too good! # | 0:45:18 | 0:45:21 | |
# As I walk along the Bois de Boulogne | 0:45:21 | 0:45:25 | |
# With an independent air | 0:45:25 | 0:45:27 | |
# You can hear the girls declare | 0:45:27 | 0:45:29 | |
# He must be a millionaire! | 0:45:29 | 0:45:31 | |
# You can hear them sigh and wish to die | 0:45:31 | 0:45:33 | |
# You can see them wink the other eye | 0:45:33 | 0:45:35 | |
# At the man who broke the bank at Monte Carlo | 0:45:35 | 0:45:38 | |
# As I walk along the Bois de Boulogne | 0:45:38 | 0:45:41 | |
# With an independent air | 0:45:41 | 0:45:43 | |
# You can hear the girls declare | 0:45:43 | 0:45:44 | |
# He must be a millionaire! | 0:45:44 | 0:45:46 | |
# You can hear them sigh and wish to die | 0:45:46 | 0:45:48 | |
# You can see them wink the other eye | 0:45:48 | 0:45:50 | |
# At the man who broke the bank at Monte Carlo. # | 0:45:50 | 0:45:54 | |
Head for the table! | 0:45:54 | 0:45:55 | |
# Jack, queen or king, the cards are so inviting | 0:45:58 | 0:46:01 | |
# Gambling's the thing, we find it so exciting | 0:46:01 | 0:46:04 | |
# Quaffing champagne, we put on such a show | 0:46:04 | 0:46:08 | |
# We'll win the bank or lose our last franc before we go | 0:46:08 | 0:46:11 | |
# We'll break the bank or lose our last franc before we go! # | 0:46:11 | 0:46:18 | |
-Yeah! -CHEERING AND APPLAUSE | 0:46:18 | 0:46:21 | |
And now there's just time to ask Mr Ken Dodd to lead the company | 0:46:29 | 0:46:32 | |
and yourselves in the last chorus for tonight, | 0:46:32 | 0:46:35 | |
Down At The Old Bull And Bush. | 0:46:35 | 0:46:36 | |
Ladies and gentlemen, Mr Ken Dodd, the entire company, | 0:46:36 | 0:46:39 | |
Mr Bernard Herrmann, the entire and indefatigable orchestra... | 0:46:39 | 0:46:43 | |
CHEERING AND APPLAUSE | 0:46:43 | 0:46:45 | |
But this time, chiefly... | 0:46:45 | 0:46:48 | |
Yourselves! | 0:46:48 | 0:46:50 | |
# Come, come, come and make eyes at me | 0:46:54 | 0:46:58 | |
# Down at the Old Bull and Bush Da-da da-da-da | 0:46:58 | 0:47:02 | |
# Come, come, have some port wine with me | 0:47:02 | 0:47:05 | |
# Down at the Old Bull and Bush | 0:47:05 | 0:47:08 | |
# Hear the little German band Da da-da da-da-da-da | 0:47:09 | 0:47:13 | |
# Just let me hold your hand, dear | 0:47:13 | 0:47:17 | |
# Do, do come and have a drink or two | 0:47:17 | 0:47:21 | |
# Down at the Old Bull and Bush | 0:47:21 | 0:47:24 | |
# Bush, Bush! # | 0:47:24 | 0:47:25 | |
CHEERING AND APPLAUSE | 0:47:25 | 0:47:28 | |
AUDIENCE CLAPS ALONG WITH MUSIC | 0:47:32 | 0:47:35 |