Browse content similar to 11/01/1979. Check below for episodes and series from the same categories and more!
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ORCHESTRA TUNES ITS INSTRUMENTS | 0:00:02 | 0:00:05 | |
ORCHESTRA PLAYS INTRO TO LET'S ALL GO TO THE MUSIC HALL | 0:00:09 | 0:00:13 | |
# Let's all go to the music hall | 0:00:13 | 0:00:17 | |
# Where the songs are gay and bright | 0:00:17 | 0:00:20 | |
# Let's all go to the music hall | 0:00:20 | 0:00:24 | |
# Where the stars are twinkling half the night | 0:00:24 | 0:00:27 | |
# Whether you sit in the gallery, the circle or the pit | 0:00:27 | 0:00:31 | |
# Or whether you sit in the red plush stalls | 0:00:31 | 0:00:34 | |
# When the busy day is done and you want to have some fun | 0:00:34 | 0:00:38 | |
# Let's all go to the music hall. # | 0:00:38 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:45 | |
ORCHESTRA PLAYS INTRO TO DOWN AT THE FARMYARD GATE | 0:00:45 | 0:00:48 | |
# Johnny Green once used to wait for his girl | 0:00:54 | 0:00:56 | |
# Down at the farmyard gate | 0:00:56 | 0:00:58 | |
# With his whiskers trimmed and a nice little curl | 0:00:58 | 0:01:00 | |
# Down at the farmyard gate | 0:01:00 | 0:01:02 | |
# They would sit there for hours and they'd whisper low | 0:01:02 | 0:01:05 | |
# Then her dad would come out and he'd laugh, ho-ho | 0:01:05 | 0:01:07 | |
# Then Johnny had to sit on the old man's toe | 0:01:07 | 0:01:09 | |
# Down at the farmyard gate | 0:01:09 | 0:01:11 | |
# Oh, that farmyard gate | 0:01:11 | 0:01:13 | |
# Johnny was there, early and late | 0:01:13 | 0:01:15 | |
# Whistling and singing, "Are you coming out, Kate?" | 0:01:15 | 0:01:18 | |
# Down at the farmyard gate | 0:01:18 | 0:01:20 | |
# Oh, that farmyard gate | 0:01:20 | 0:01:22 | |
# Johnny was there, early and late | 0:01:22 | 0:01:24 | |
# Whistling and singing, "Are you coming out, Kate?" | 0:01:24 | 0:01:26 | |
# Down at the farmyard gate. # | 0:01:26 | 0:01:28 | |
# There's a poor old cock bird sitting on his perch | 0:01:28 | 0:01:30 | |
-# All alone -All alone -All alone -All alone | 0:01:30 | 0:01:33 | |
# Cos his old hen's gone and left him in the lurch | 0:01:33 | 0:01:35 | |
-# All alone -All alone -On his own -On his own | 0:01:35 | 0:01:37 | |
# There'll be no cack-cackle in the morning | 0:01:37 | 0:01:39 | |
# Nobody to tell his songs to | 0:01:39 | 0:01:41 | |
# Poor old cock, left him on his own | 0:01:41 | 0:01:43 | |
# And then there was a cock-a-doodle-doo | 0:01:43 | 0:01:45 | |
# Cock-a-doodle-doo Cock-a-doodle-doo | 0:01:45 | 0:01:48 | |
# Cock-a-doodle-doodle-doodle-doo. # | 0:01:48 | 0:01:50 | |
# You are my cowslip | 0:01:55 | 0:01:59 | |
# I am the cow | 0:01:59 | 0:02:02 | |
# Will you be mine for life? | 0:02:02 | 0:02:06 | |
# I love you better than my wife | 0:02:06 | 0:02:10 | |
# So, if you will have me | 0:02:10 | 0:02:14 | |
# Just tell me now | 0:02:14 | 0:02:18 | |
# You are my cowslip | 0:02:18 | 0:02:21 | |
# I am your cow. # | 0:02:21 | 0:02:24 | |
# In the shade of the old apple tree | 0:02:26 | 0:02:29 | |
# When the love in your eyes I could see | 0:02:29 | 0:02:33 | |
# When the voice that I heard | 0:02:33 | 0:02:36 | |
# Like a song of a bird | 0:02:36 | 0:02:38 | |
# Seemed to whisper sweet music to me | 0:02:38 | 0:02:42 | |
# I could hear the dull buzz of the bee | 0:02:42 | 0:02:47 | |
# In the blossoms, as you said to me | 0:02:47 | 0:02:51 | |
# With a heart that is true | 0:02:51 | 0:02:53 | |
# I'll be waiting for you | 0:02:53 | 0:02:57 | |
# In the shade of the old apple tree. # | 0:02:57 | 0:03:01 | |
# How ya gonna keep 'em down on the farm | 0:03:03 | 0:03:05 | |
# After they've seen Paris? | 0:03:05 | 0:03:09 | |
# How ya gonna keep 'em from Piccadilly? | 0:03:09 | 0:03:12 | |
# Jazzin' around, paintin' the town | 0:03:12 | 0:03:16 | |
# How ya gonna keep 'em away from harm? | 0:03:16 | 0:03:19 | |
# That's the mystery | 0:03:19 | 0:03:22 | |
# They'll never want to see a rake or plough | 0:03:22 | 0:03:26 | |
# And who the deuce can parlez-vous a cow? | 0:03:26 | 0:03:29 | |
# How ya gonna keep 'em down on the farm | 0:03:29 | 0:03:32 | |
# After they've seen Paris | 0:03:32 | 0:03:36 | |
# After they've seen Paris? # | 0:03:36 | 0:03:42 | |
APPLAUSE | 0:03:43 | 0:03:47 | |
ORCHESTRA PLAYS | 0:03:52 | 0:03:55 | |
CHEERING AND APPLAUSE | 0:03:58 | 0:04:02 | |
CHEERING | 0:04:06 | 0:04:09 | |
Once again, | 0:04:09 | 0:04:12 | |
good evening, ladies and gentlemen! | 0:04:12 | 0:04:17 | |
-AUDIENCE: -Good evening! | 0:04:17 | 0:04:19 | |
Lovely, | 0:04:19 | 0:04:21 | |
reiteratively... | 0:04:21 | 0:04:23 | |
-AUDIENCE: -Ooh! | 0:04:23 | 0:04:25 | |
-..eulogising inaugurally... -AUDIENCE: -Ooh! | 0:04:25 | 0:04:29 | |
..a nautical extravaganza | 0:04:29 | 0:04:31 | |
from Messrs Ray and Tudor Davies! | 0:04:31 | 0:04:36 | |
CHEERING AND APPLAUSE | 0:04:36 | 0:04:39 | |
ORCHESTRA PLAYS THE SAILOR'S HORNPIPE | 0:04:41 | 0:04:45 | |
# Listen to the breezes in the treeses | 0:04:58 | 0:05:00 | |
# Hearken to the grass upon the lawn | 0:05:00 | 0:05:02 | |
# Listen to the mices in the pantry | 0:05:02 | 0:05:05 | |
# Hearken to the breaking of the dawn | 0:05:05 | 0:05:07 | |
-# Ha-ha -Heaven's above | 0:05:07 | 0:05:09 | |
-# Ha-ha -I'm in love | 0:05:09 | 0:05:12 | |
# Hearken to the breaking of the dawn. # | 0:05:12 | 0:05:17 | |
# There's a lake in the park | 0:05:17 | 0:05:20 | |
# There's a house by the lake | 0:05:20 | 0:05:22 | |
# There's a girl in the house in the park by the lake | 0:05:22 | 0:05:24 | |
# And the girl in the house by the lake in the park | 0:05:24 | 0:05:27 | |
# Is the girl in the little green hat | 0:05:27 | 0:05:29 | |
# And tonight after eight That's when I've got a date | 0:05:29 | 0:05:32 | |
# When the moon's riding high and the stars light the sky | 0:05:32 | 0:05:35 | |
# With the girl in the house by the lake in the park | 0:05:35 | 0:05:37 | |
# The girl in the little green hat | 0:05:37 | 0:05:40 | |
# There's no water in the lake, nor a roof upon the house | 0:05:40 | 0:05:42 | |
# No trees in the park at all | 0:05:42 | 0:05:45 | |
# But she'll wait beside the lake I'll be welcome at the house | 0:05:45 | 0:05:47 | |
# I'll meet her by the garden wall | 0:05:47 | 0:05:50 | |
# There's a ship on the lake There's a sailor on the shore | 0:05:50 | 0:05:53 | |
# There's a girl in his arms She's the girl I adore | 0:05:53 | 0:05:55 | |
# So goodbye to the house by the lake in the park | 0:05:55 | 0:05:58 | |
# And the girl in the little green hat. # | 0:05:58 | 0:06:00 | |
ORCHESTRA PLAYS RULE BRITANNIA | 0:06:00 | 0:06:04 | |
# There's a storm on the lake There's a ship in the storm | 0:06:10 | 0:06:13 | |
# There's a girl on the ship in the storm on the lake | 0:06:13 | 0:06:15 | |
# And the girl on the lake on the ship in the storm | 0:06:15 | 0:06:18 | |
# Is the girl in the little green hat | 0:06:18 | 0:06:20 | |
# As the ship starts to dip She is losing her grip | 0:06:20 | 0:06:23 | |
# Every dip makes a tip Not the girl, but the ship | 0:06:23 | 0:06:25 | |
# But the girl on the ship has the pip from the trip | 0:06:25 | 0:06:28 | |
# The girl in the little green hat | 0:06:28 | 0:06:31 | |
# She's been sailing quite enough She's been clinging to the rails | 0:06:31 | 0:06:33 | |
# She's dying to be home once more | 0:06:33 | 0:06:36 | |
# But the lake is rather rough and the girl is rather pale | 0:06:36 | 0:06:38 | |
# She's glad to get her feet on the shore | 0:06:38 | 0:06:41 | |
# Oh, she gave up the ship and the captain and his men | 0:06:41 | 0:06:43 | |
# Bought a round-ticket trip to my arms once again | 0:06:43 | 0:06:46 | |
# Now I'm back in the house by the lake in the park | 0:06:46 | 0:06:48 | |
# And the girl in the little green hat | 0:06:48 | 0:06:51 | |
ORCHESTRA PLAYS THE SAILOR'S HORNPIPE | 0:06:51 | 0:06:54 | |
Whoa! Yeah! | 0:06:54 | 0:06:55 | |
Ho! Ha! | 0:07:09 | 0:07:11 | |
Ha! Ha! | 0:07:11 | 0:07:13 | |
Ha! | 0:07:13 | 0:07:14 | |
# Oh, she gave up the ship and the captain and his men | 0:07:14 | 0:07:16 | |
# Bought a round-ticket trip to my arms once again | 0:07:16 | 0:07:18 | |
# Now I'm back at the house by the lake in the park | 0:07:18 | 0:07:20 | |
# And the girl in the little green hat | 0:07:20 | 0:07:22 | |
# I say, old bean, have you ever seen the Queen? | 0:07:22 | 0:07:24 | |
# Have you ever seen a duck with his beak all green? | 0:07:24 | 0:07:27 | |
# If the gates of old Gibraltar took a flying leap at Malta | 0:07:27 | 0:07:29 | |
# Have you ever caught a tumble in a corned beef can? # | 0:07:29 | 0:07:31 | |
Whay-wa! | 0:07:32 | 0:07:34 | |
Hey! | 0:07:35 | 0:07:36 | |
# Girl in the little green Girl in the little green | 0:07:39 | 0:07:41 | |
# Girl in the little green | 0:07:41 | 0:07:44 | |
# Hat | 0:07:44 | 0:07:45 | |
# Whoo | 0:07:45 | 0:07:48 | |
# Hat | 0:07:48 | 0:07:49 | |
-# Girl in the little green hat -Hey! # | 0:07:49 | 0:07:52 | |
CHEERING AND APPLAUSE | 0:07:52 | 0:07:56 | |
ORCHESTRA PLAYS THE SAILOR'S HORNPIPE | 0:07:56 | 0:07:59 | |
Provocative, impalpable, | 0:08:08 | 0:08:11 | |
-pulchritudinously... -AUDIENCE: -Ooh! | 0:08:11 | 0:08:16 | |
.. for your ocular and oral gratification, | 0:08:16 | 0:08:20 | |
welcome to Miss Barbara Law! | 0:08:20 | 0:08:26 | |
CHEERING AND APPLAUSE | 0:08:26 | 0:08:29 | |
# I used to dream that I would discover | 0:08:38 | 0:08:42 | |
# The perfect lover some day | 0:08:42 | 0:08:46 | |
# I knew I'd recognize him | 0:08:46 | 0:08:50 | |
# Whenever he came round my way | 0:08:50 | 0:08:55 | |
# I always used to fancy then | 0:08:56 | 0:08:59 | |
# He'd be one of those god-like kind of men | 0:08:59 | 0:09:03 | |
# With a giant brain and a noble head | 0:09:04 | 0:09:10 | |
# Like the heroes bold | 0:09:10 | 0:09:14 | |
# In the books I've read | 0:09:14 | 0:09:19 | |
# But along came Bill | 0:09:19 | 0:09:25 | |
# Who's not the type at all | 0:09:25 | 0:09:28 | |
# You'd meet him on the street | 0:09:28 | 0:09:31 | |
# And never notice him | 0:09:31 | 0:09:34 | |
# His form and face | 0:09:34 | 0:09:38 | |
# And his manly grace | 0:09:38 | 0:09:41 | |
# Is not the kind | 0:09:41 | 0:09:45 | |
# That you would find in a statue | 0:09:45 | 0:09:49 | |
# And I can't explain | 0:09:50 | 0:09:56 | |
# It's surely not his brain | 0:09:56 | 0:09:59 | |
# That makes me thrill | 0:09:59 | 0:10:04 | |
# I love him | 0:10:06 | 0:10:08 | |
# Because he's wonderful | 0:10:08 | 0:10:13 | |
# Because he's just my Bill | 0:10:13 | 0:10:20 | |
# I can't explain | 0:10:20 | 0:10:24 | |
# It's surely not his brain | 0:10:24 | 0:10:28 | |
# Oh, that makes me thrill | 0:10:28 | 0:10:34 | |
# I love him | 0:10:34 | 0:10:37 | |
# Because he's | 0:10:37 | 0:10:41 | |
# I don't know | 0:10:41 | 0:10:44 | |
# Because he's just | 0:10:44 | 0:10:49 | |
# My | 0:10:49 | 0:10:53 | |
# Bill. # | 0:10:53 | 0:11:01 | |
APPLAUSE | 0:11:01 | 0:11:05 | |
Thank you! Hey! | 0:11:07 | 0:11:09 | |
# We were sailing along | 0:11:11 | 0:11:15 | |
-WITH AUDIENCE: -# On Moonlight Bay | 0:11:15 | 0:11:18 | |
# You could hear the voices singing | 0:11:18 | 0:11:22 | |
# They seemed to say | 0:11:22 | 0:11:25 | |
# "You have stolen her heart | 0:11:25 | 0:11:29 | |
# "So don't go away" | 0:11:29 | 0:11:33 | |
# Oh, as we sang love's old sweet song | 0:11:33 | 0:11:37 | |
# On Moonlight Bay. # | 0:11:37 | 0:11:41 | |
-WITH AUDIENCE: -# Oh, Daisy, Daisy | 0:11:42 | 0:11:46 | |
# Just give me your answer, do | 0:11:46 | 0:11:50 | |
# And I'm half crazy | 0:11:50 | 0:11:55 | |
# All for the love of you | 0:11:55 | 0:11:59 | |
# It won't be a stylish marriage | 0:11:59 | 0:12:03 | |
# And I can't afford a carriage | 0:12:03 | 0:12:07 | |
# But you'll look sweet | 0:12:07 | 0:12:09 | |
# Upon a seat | 0:12:09 | 0:12:12 | |
# Of a bicycle made for two. # | 0:12:12 | 0:12:16 | |
# Take me out to the ballgame | 0:12:16 | 0:12:20 | |
# Take me out to the park | 0:12:20 | 0:12:24 | |
# Oh, buy me some peanuts and crackerjacks | 0:12:24 | 0:12:29 | |
# And I don't care if I never get back | 0:12:29 | 0:12:32 | |
# And it's root, root, root for the home team | 0:12:32 | 0:12:36 | |
# If they don't win it's a shame | 0:12:36 | 0:12:40 | |
# And it's one, two | 0:12:40 | 0:12:43 | |
# Three strikes, they're out | 0:12:43 | 0:12:45 | |
# At the old ballgame. # | 0:12:45 | 0:12:49 | |
# When you wore a tulip | 0:12:49 | 0:12:51 | |
# A sweet, yellow tulip | 0:12:51 | 0:12:53 | |
# And I wore a big red rose | 0:12:53 | 0:12:58 | |
# When you caressed me | 0:12:58 | 0:13:00 | |
# Was then heaven blessed me | 0:13:00 | 0:13:02 | |
# What a blessing, no-one knows | 0:13:02 | 0:13:06 | |
# Oh, you made life cheery | 0:13:06 | 0:13:09 | |
# When you called me dearie | 0:13:09 | 0:13:11 | |
# Was down where the green grass grows | 0:13:11 | 0:13:14 | |
# Your lips were sweeter than julep | 0:13:14 | 0:13:17 | |
# When you wore a tulip | 0:13:17 | 0:13:19 | |
# And I wore a big red rose. # | 0:13:19 | 0:13:23 | |
# Put on your old grey bonnet | 0:13:23 | 0:13:26 | |
# With the blue ribbon on it | 0:13:26 | 0:13:28 | |
# And we'll hitch old Dobbin to the shay | 0:13:28 | 0:13:32 | |
# And through the fields of clover | 0:13:32 | 0:13:34 | |
# We'll ride up to Dover | 0:13:34 | 0:13:36 | |
-# On our golden wedding day -Oh, let's go! | 0:13:36 | 0:13:40 | |
# Put on your old grey bonnet | 0:13:40 | 0:13:43 | |
# With the blue ribbon on it | 0:13:43 | 0:13:45 | |
# And we'll hitch old Dobbin to the shay | 0:13:45 | 0:13:49 | |
# And through the fields of clover | 0:13:49 | 0:13:54 | |
# We'll ride up to Dover | 0:13:54 | 0:13:58 | |
# On our golden | 0:13:58 | 0:14:02 | |
# Wedding | 0:14:02 | 0:14:07 | |
# Day. # | 0:14:07 | 0:14:14 | |
APPLAUSE | 0:14:14 | 0:14:18 | |
ORCHESTRA PLAYS PUT ON YOUR OLD GREY BONNET | 0:14:18 | 0:14:23 | |
APPLAUSE | 0:14:31 | 0:14:33 | |
-Phenomenal effronteries... -AUDIENCE: -Ooh! | 0:14:36 | 0:14:40 | |
..of flamboyant funambulism! | 0:14:40 | 0:14:44 | |
-AUDIENCE: -Ooh! | 0:14:44 | 0:14:46 | |
-Wire-walking. -Oh! | 0:14:46 | 0:14:48 | |
From Germany, Les Thuranos! | 0:14:48 | 0:14:52 | |
APPLAUSE | 0:14:52 | 0:14:55 | |
ORCHESTRA PLAYS | 0:14:55 | 0:14:59 | |
ORCHESTRA PLAYS | 0:15:22 | 0:15:25 | |
APPLAUSE | 0:15:29 | 0:15:32 | |
APPLAUSE | 0:15:39 | 0:15:43 | |
ORCHESTRA PLAYS | 0:15:46 | 0:15:49 | |
HE TAPS CLOGS IN TIME TO MUSIC | 0:15:58 | 0:16:00 | |
HE WHISTLES | 0:16:25 | 0:16:26 | |
LAUGHTER | 0:16:36 | 0:16:38 | |
DRUMROLL | 0:16:48 | 0:16:51 | |
Hey! | 0:16:55 | 0:16:56 | |
DRUMROLL CONTINUES | 0:16:56 | 0:16:58 | |
ORCHESTRA STARTS PLAYING AGAIN | 0:16:58 | 0:17:01 | |
APPLAUSE | 0:17:01 | 0:17:04 | |
APPLAUSE | 0:17:12 | 0:17:15 | |
ORCHESTRA PLAYS | 0:17:15 | 0:17:18 | |
APPLAUSE | 0:17:30 | 0:17:33 | |
DRUMROLL | 0:17:33 | 0:17:37 | |
DRUMROLL CONTINUES | 0:17:45 | 0:17:48 | |
ORCHESTRA STARTS PLAYING AGAIN | 0:17:52 | 0:17:55 | |
APPLAUSE | 0:17:55 | 0:17:57 | |
APPLAUSE | 0:18:07 | 0:18:10 | |
ORCHESTRA PLAYS | 0:18:13 | 0:18:16 | |
LAUGHTER | 0:18:23 | 0:18:26 | |
I'm sorry. | 0:18:26 | 0:18:28 | |
-That's my fault. -I know, it's OK. | 0:18:28 | 0:18:31 | |
Come on. LAUGHTER | 0:18:31 | 0:18:34 | |
No, no, what are you doing? Don't go up there. | 0:18:35 | 0:18:38 | |
LAUGHTER | 0:18:38 | 0:18:41 | |
Are you ready? | 0:18:42 | 0:18:44 | |
Maestro, please. | 0:18:44 | 0:18:46 | |
ORCHESTRA PLAYS | 0:18:46 | 0:18:50 | |
APPLAUSE | 0:19:30 | 0:19:32 | |
APPLAUSE | 0:20:20 | 0:20:24 | |
-And now. -Argh! | 0:20:46 | 0:20:48 | |
APPLAUSE | 0:20:48 | 0:20:51 | |
Hey! | 0:20:59 | 0:21:01 | |
APPLAUSE | 0:21:06 | 0:21:09 | |
APPLAUSE | 0:21:14 | 0:21:17 | |
-Assiduously adumbrating... -AUDIENCE: -Ooh! | 0:21:34 | 0:21:39 | |
..a synchronised saltatorial... | 0:21:39 | 0:21:42 | |
-AUDIENCE: -Ooh! | 0:21:42 | 0:21:44 | |
..synthesis... | 0:21:44 | 0:21:46 | |
Yay! | 0:21:46 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:50 | |
Two dancing as one! | 0:21:50 | 0:21:54 | |
Messrs Ray and Tudor Davies! | 0:21:54 | 0:21:59 | |
CHEERING AND APPLAUSE | 0:21:59 | 0:22:02 | |
# Shades of night are falling and I'm lonely | 0:22:10 | 0:22:13 | |
# Standing on the corner feeling blue | 0:22:13 | 0:22:17 | |
# Sweethearts out for fun | 0:22:17 | 0:22:20 | |
# Pass me one by one | 0:22:20 | 0:22:22 | |
# Guess I'll wind up like I always do | 0:22:22 | 0:22:27 | |
# With only | 0:22:27 | 0:22:32 | |
-# Me -Me -And -And -My -My | 0:22:40 | 0:22:43 | |
# Shadow | 0:22:43 | 0:22:46 | |
# Strolling down the avenue | 0:22:47 | 0:22:51 | |
-# Me -Me -And -And -My -My | 0:22:54 | 0:22:58 | |
# Shadow | 0:22:58 | 0:23:01 | |
# Not a soul to tell our troubles to | 0:23:01 | 0:23:05 | |
# We stick together like glue | 0:23:05 | 0:23:07 | |
# And when it's 12 o'clock... # | 0:23:07 | 0:23:10 | |
Two, three, four, five, six, seven, eight | 0:23:10 | 0:23:13 | |
Nine, ten, eleven, twelve. | 0:23:13 | 0:23:15 | |
# We climb the stairs | 0:23:16 | 0:23:18 | |
# We never knock | 0:23:20 | 0:23:22 | |
# Cos, argh, nobody's there | 0:23:24 | 0:23:26 | |
# Me | 0:23:28 | 0:23:29 | |
# And my shadow | 0:23:29 | 0:23:34 | |
# All alone and feeling | 0:23:34 | 0:23:39 | |
# Me and my shadow | 0:24:26 | 0:24:33 | |
# All alone and feeling... | 0:24:33 | 0:24:36 | |
-I knew a woman once who had five legs. -Oh, really? | 0:24:36 | 0:24:39 | |
Her knickers fitted her like a glove. | 0:24:39 | 0:24:42 | |
LAUGHTER | 0:24:42 | 0:24:44 | |
# All alone and feeling... # | 0:24:44 | 0:24:47 | |
-I'm getting married in the morning. -Oh, really? | 0:24:47 | 0:24:50 | |
-No, O'Reilly. Her father was Irish. -Oh, blimey. | 0:24:50 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:54 | |
# All alone and feeling blue | 0:24:54 | 0:25:02 | |
# All alone and feeling | 0:25:02 | 0:25:07 | |
# Blue. # | 0:25:07 | 0:25:11 | |
APPLAUSE | 0:25:15 | 0:25:19 | |
APPLAUSE CONTINUES | 0:25:28 | 0:25:31 | |
Temperamentally intransigent, | 0:25:34 | 0:25:37 | |
entranced from the torrid zones, | 0:25:37 | 0:25:41 | |
for the very first time on this programme, | 0:25:41 | 0:25:44 | |
Mr Lennie Bennet and Mr Jerry Stevens. | 0:25:44 | 0:25:48 | |
APPLAUSE | 0:25:48 | 0:25:50 | |
ORCHESTRA PLAYS LA MARSEILLAISE | 0:25:50 | 0:25:54 | |
ORCHESTRA CONTINUES TO PLAY LA MARSEILLAISE | 0:26:04 | 0:26:08 | |
APPLAUSE | 0:26:25 | 0:26:28 | |
ORCHESTRA PLAYS LA MARSEILLAISE | 0:26:28 | 0:26:31 | |
Thank you, thank you, thank you and good evening, ladies and gentlemen. | 0:26:36 | 0:26:40 | |
And now, we should like to do a little recitation | 0:26:40 | 0:26:43 | |
entitled Almost A Legionnaire. Thank you. | 0:26:43 | 0:26:47 | |
It's a hell of a life in the Legion. | 0:26:48 | 0:26:50 | |
The sergeant was cruel, he was brutal. | 0:26:50 | 0:26:52 | |
He made us dig holes with a Turk and two Poles... | 0:26:52 | 0:26:55 | |
..who were banned from a dosshouse in Bootle. | 0:26:56 | 0:26:58 | |
LAUGHTER | 0:26:58 | 0:27:00 | |
Stationed way out in the desert, | 0:27:00 | 0:27:02 | |
was nothing but sorrow and fuss. | 0:27:02 | 0:27:04 | |
I'd spend half the night 'neath the pale moonlight | 0:27:04 | 0:27:06 | |
shaking the sand from my truss. | 0:27:06 | 0:27:08 | |
Thank you. Thank you. LAUGHTER | 0:27:08 | 0:27:11 | |
The blacksmith went crazy with sunstroke | 0:27:14 | 0:27:16 | |
and guess what he did for a wager. | 0:27:16 | 0:27:18 | |
With the aid of two bellows, him and two fellows | 0:27:18 | 0:27:21 | |
put the wind up the sergeant major. | 0:27:21 | 0:27:23 | |
-Thank you. -LAUGHTER | 0:27:23 | 0:27:26 | |
While marching, we once ate a camel. | 0:27:26 | 0:27:29 | |
And it made us all queer. | 0:27:29 | 0:27:31 | |
A trooper from Widnes nearly choked on the kidneys | 0:27:33 | 0:27:35 | |
and the sergeant brought up the rear. | 0:27:35 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:40 | |
Now, sheep's eyes were the great titbit. | 0:27:42 | 0:27:44 | |
They were wholesome and they were cheap. | 0:27:44 | 0:27:46 | |
But it did you no good, cos while eating your pud, | 0:27:46 | 0:27:48 | |
you were trampled by flocks of blind sheep. Thank you. | 0:27:48 | 0:27:51 | |
LAUGHTER | 0:27:51 | 0:27:53 | |
Our very first day, we were ambushed. | 0:27:55 | 0:27:58 | |
A terrible spot, we were trapped in. | 0:27:58 | 0:28:01 | |
The corporal, a toff, had two fingers shot off | 0:28:01 | 0:28:03 | |
while waving goodbye to the captain. | 0:28:03 | 0:28:05 | |
LAUGHTER | 0:28:05 | 0:28:07 | |
Now, lack of women was the main problem. | 0:28:07 | 0:28:09 | |
One bloke got in such a state, | 0:28:09 | 0:28:11 | |
he went down the oasis, pulled funny faces | 0:28:11 | 0:28:14 | |
and asked a palm tree for a date. | 0:28:14 | 0:28:16 | |
LAUGHTER | 0:28:16 | 0:28:18 | |
We had our own belly dancer - | 0:28:18 | 0:28:21 | |
a wild gypsy maiden called Carmen. | 0:28:21 | 0:28:24 | |
Her career disappeared when she grew a big beard. | 0:28:24 | 0:28:27 | |
Now she's working in Crewe as a barman. | 0:28:27 | 0:28:29 | |
LAUGHTER | 0:28:29 | 0:28:31 | |
Now, that town, it was full of loose women. | 0:28:31 | 0:28:34 | |
Sultry maidens, all perfumed and lacquered. | 0:28:35 | 0:28:38 | |
But we rode so far to reach... | 0:28:38 | 0:28:40 | |
LAUGHTER | 0:28:40 | 0:28:43 | |
LAUGHTER CONTINUES | 0:28:47 | 0:28:50 | |
..Sultry maidens all perfumed and lacquered. | 0:28:50 | 0:28:53 | |
LAUGHTER | 0:28:53 | 0:28:55 | |
But we rode so far to reach that bazaar... | 0:28:55 | 0:28:57 | |
We were no damn good, we were... | 0:28:57 | 0:28:59 | |
SHOUTING | 0:28:59 | 0:29:02 | |
Very tired, we were, very tired. | 0:29:02 | 0:29:05 | |
APPLAUSE | 0:29:05 | 0:29:07 | |
-You see, you see, mon brov... -Yes, mon brov. | 0:29:11 | 0:29:14 | |
These people don't understand. It was hell out there in the desert. | 0:29:14 | 0:29:18 | |
Well, of course it was. They couldn't have done it, could they? | 0:29:18 | 0:29:21 | |
-Look at them. -Look at them. -LAUGHTER | 0:29:21 | 0:29:23 | |
Civilians, all of them! Have a look round. Hello, up there. | 0:29:23 | 0:29:27 | |
LAUGHTER | 0:29:27 | 0:29:28 | |
Sorry, a mistake. There's a deserter up there. How are you? | 0:29:28 | 0:29:31 | |
Are you going in the morning? | 0:29:31 | 0:29:33 | |
Quite right. Look at this lot. Civilians. | 0:29:33 | 0:29:35 | |
Looks like an explosion in a second-hand clothes shop. | 0:29:35 | 0:29:37 | |
-Look at that! -Of course it does! LAUGHTER | 0:29:37 | 0:29:42 | |
They'd have been no good in the Legion at all | 0:29:42 | 0:29:44 | |
-and neither would that fellow over your left shoulder. -Leonard? | 0:29:44 | 0:29:47 | |
Leonard Sachs? Good gracious me! | 0:29:47 | 0:29:50 | |
Just imagine if Leonard Sachs had been our drill sergeant in Khartoum! | 0:29:50 | 0:29:53 | |
-Horrifying. -With all those long words he speaks, | 0:29:53 | 0:29:57 | |
if he'd told us to halt, by the time he'd got it out, | 0:29:57 | 0:29:59 | |
we'd have been in Rotherham! LAUGHTER | 0:29:59 | 0:30:02 | |
But we had our laughs. It wasn't all hard, yes? | 0:30:02 | 0:30:04 | |
Remember the time they posted that notice in the billet. | 0:30:04 | 0:30:07 | |
It said, "This morning, the colonel was shot in the bottom. | 0:30:07 | 0:30:10 | |
"There will be another bulletin later." | 0:30:10 | 0:30:12 | |
LAUGHTER AND APPLAUSE | 0:30:12 | 0:30:14 | |
Very painful! | 0:30:14 | 0:30:16 | |
What made you join the Legion? | 0:30:20 | 0:30:22 | |
Cowardice. Oh, yes. I was given the white feather. | 0:30:22 | 0:30:27 | |
-The white feather? -Oh, yes. -By whom? -A partridge plucker from Pudsey. | 0:30:27 | 0:30:30 | |
LAUGHTER | 0:30:30 | 0:30:34 | |
-I see. He'd run out of pheasants, had he? -That's the fellow, yes. | 0:30:34 | 0:30:38 | |
I mean, whatever impelled you to join the Legion of the Damned? | 0:30:38 | 0:30:44 | |
The Legion of the Damned, I joined like a lot of other fellows. | 0:30:44 | 0:30:47 | |
-I joined to forget. -What? | 0:30:47 | 0:30:48 | |
I can't remember. LAUGHTER | 0:30:48 | 0:30:51 | |
-Yes, I can. -It's all coming back. -It's all coming back to me now. | 0:30:51 | 0:30:54 | |
It's clear in front of me. I joined because I was thwarted and blighted | 0:30:54 | 0:30:58 | |
-and betrayed by a woman, sir. -Not you. | 0:30:58 | 0:31:02 | |
-Yes. -Ah. -AUDIENCE: -Ah. | 0:31:02 | 0:31:04 | |
Thwarted and blighted and betrayed? Well, what did you think? | 0:31:04 | 0:31:08 | |
I thought to myself, "My heart is broken, but what care I?" | 0:31:08 | 0:31:13 | |
LAUGHTER | 0:31:13 | 0:31:16 | |
-Is what you're saying, that such a pride inside you had woken? -Yes. | 0:31:16 | 0:31:20 | |
LAUGHTER | 0:31:20 | 0:31:22 | |
-But I thought, "I'll do my best not to cry." -When? -By and by. -Oh. | 0:31:22 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:27 | |
-Like when the last farewells have been spoken? -That's right. -Yes, yes. | 0:31:27 | 0:31:31 | |
So, you must have come to some kind of decision. | 0:31:31 | 0:31:33 | |
I did come to a decision. | 0:31:33 | 0:31:34 | |
-What did you think? -I thought to myself... | 0:31:34 | 0:31:36 | |
# I'll join the Legion | 0:31:36 | 0:31:38 | |
# That's what I'll do | 0:31:38 | 0:31:40 | |
# And in some far distant region | 0:31:40 | 0:31:44 | |
# Where human hearts are staunch and true | 0:31:44 | 0:31:47 | |
# I will live my life anew | 0:31:47 | 0:31:53 | |
# Goodbye, it's time I sought a foreign clime | 0:31:53 | 0:31:57 | |
# Where I may find | 0:31:57 | 0:31:59 | |
# There are hearts more kind than I leave behind | 0:31:59 | 0:32:04 | |
# And so I go to fight the savage foe | 0:32:04 | 0:32:07 | |
# Although | 0:32:07 | 0:32:09 | |
# I know I'll be sometimes missed by the girls I've kissed | 0:32:09 | 0:32:14 | |
# In some Abyssinian, French dominion I will do my bit | 0:32:14 | 0:32:18 | |
# And fall for the flag if I must | 0:32:18 | 0:32:21 | |
# Where the desert sand is nice and handy, I'll be full of grit | 0:32:21 | 0:32:25 | |
# But you won't see my heels for the dust | 0:32:25 | 0:32:28 | |
# Ah, I'll do or die | 0:32:28 | 0:32:31 | |
# You'll know the reason why when told | 0:32:31 | 0:32:34 | |
# Of bold Leopold's last stand | 0:32:34 | 0:32:36 | |
# For the fatherland | 0:32:36 | 0:32:39 | |
# Goodbye | 0:32:39 | 0:32:41 | |
# Goodbye | 0:32:41 | 0:32:43 | |
# I wish you all a last goodbye | 0:32:43 | 0:32:46 | |
# Goodbye | 0:32:46 | 0:32:48 | |
# Goodbye | 0:32:48 | 0:32:50 | |
# I wish you all a last | 0:32:50 | 0:32:53 | |
# Good... | 0:32:53 | 0:33:10 | |
# Bye. # | 0:33:11 | 0:33:17 | |
APPLAUSE | 0:33:17 | 0:33:20 | |
ORCHESTRA PLAYS LA MARSEILLAISE | 0:33:20 | 0:33:23 | |
-Apotheotic epitomisation... -AUDIENCE: -Ooh. | 0:33:32 | 0:33:37 | |
..of immaculate impeccability. | 0:33:37 | 0:33:42 | |
-AUDIENCE: -Ooh. | 0:33:42 | 0:33:43 | |
-A toff. -Ah. | 0:33:43 | 0:33:45 | |
The one and only Mr Frankie Vaughan! | 0:33:45 | 0:33:50 | |
CHEERING AND APPLAUSE | 0:33:50 | 0:33:53 | |
# Isn't this a lovely evening? | 0:33:57 | 0:34:03 | |
# Would you like to take a walk? | 0:34:05 | 0:34:09 | |
-AUDIENCE: -Ooh! | 0:34:10 | 0:34:12 | |
# Isn't this a lovely evening? | 0:34:13 | 0:34:18 | |
# Let's go where we can talk, oh | 0:34:21 | 0:34:26 | |
# Would you like it | 0:34:31 | 0:34:33 | |
# If I held you near | 0:34:36 | 0:34:38 | |
# Whispered the things | 0:34:40 | 0:34:43 | |
# You want to hear? | 0:34:45 | 0:34:48 | |
# Steal a kiss or two | 0:34:49 | 0:34:51 | |
# Does that appeal to you? | 0:34:53 | 0:34:57 | |
# Is that what you'd like me to do? | 0:34:57 | 0:35:02 | |
-AUDIENCE: -Yes! | 0:35:03 | 0:35:05 | |
# Isn't this a lovely evening? | 0:35:05 | 0:35:09 | |
# Meant for nothing but romance | 0:35:11 | 0:35:18 | |
# If I put my arms | 0:35:19 | 0:35:21 | |
# About you | 0:35:23 | 0:35:25 | |
# Would you care to take a chance? | 0:35:28 | 0:35:32 | |
# Well, if you're willing | 0:35:37 | 0:35:40 | |
# To try | 0:35:42 | 0:35:46 | |
# Then you'll find | 0:35:47 | 0:35:49 | |
# That I'm your guy | 0:35:49 | 0:35:52 | |
# To make this lovely evening | 0:35:52 | 0:35:58 | |
# Such a heavenly night. # | 0:36:00 | 0:36:07 | |
APPLAUSE | 0:36:09 | 0:36:12 | |
Thank you. | 0:36:17 | 0:36:18 | |
APPLAUSE | 0:36:18 | 0:36:22 | |
# Way down on the levee in old Alabamy | 0:36:28 | 0:36:31 | |
# There's Daddy and Mammy and Ephraim and Sammy | 0:36:31 | 0:36:34 | |
# On a moonlit night you will find them all | 0:36:34 | 0:36:37 | |
# While they are waiting, the banjos are syncopating | 0:36:37 | 0:36:40 | |
# What's that they're saying? What's that they're saying? | 0:36:40 | 0:36:43 | |
# A-humming and swaying A-humming and swaying | 0:36:43 | 0:36:46 | |
# It's the good ship Robert E Lee | 0:36:46 | 0:36:49 | |
# That's come to carry the cotton away | 0:36:49 | 0:36:52 | |
# See them shuffling along | 0:36:52 | 0:36:55 | |
# See them shuffling along | 0:36:55 | 0:36:57 | |
# Go take your best gal, your real pal | 0:36:57 | 0:37:01 | |
# Go down to the levee I said the levee | 0:37:01 | 0:37:04 | |
# Join that shuffling throng | 0:37:04 | 0:37:07 | |
# Hear that music and song | 0:37:07 | 0:37:09 | |
# It's simply great, mate, waiting on the levee | 0:37:09 | 0:37:13 | |
# Waiting for the Robert E Lee. # | 0:37:13 | 0:37:19 | |
-WITH AUDIENCE: -# Though April showers | 0:37:20 | 0:37:24 | |
# May come your way | 0:37:26 | 0:37:30 | |
# They bring the flowers | 0:37:30 | 0:37:35 | |
# That bloom in May | 0:37:35 | 0:37:39 | |
# So, if it's raining | 0:37:39 | 0:37:44 | |
# Have no regrets, no, no | 0:37:44 | 0:37:50 | |
# Because if it isn't raining | 0:37:50 | 0:37:54 | |
# Rain, you know | 0:37:54 | 0:37:56 | |
# It's raining violets | 0:37:56 | 0:38:00 | |
# And when you see clouds | 0:38:00 | 0:38:05 | |
# Upon the hills | 0:38:05 | 0:38:10 | |
# You soon will see crowds | 0:38:10 | 0:38:15 | |
# Of daffodils | 0:38:15 | 0:38:19 | |
# So, keep on looking | 0:38:19 | 0:38:23 | |
# For a bluebird | 0:38:23 | 0:38:25 | |
# And listening for a song | 0:38:25 | 0:38:31 | |
# Whenever | 0:38:31 | 0:38:33 | |
# April showers | 0:38:33 | 0:38:37 | |
# Come along. # | 0:38:37 | 0:38:42 | |
-WITH AUDIENCE: -# Rock-a-bye your baby | 0:38:45 | 0:38:49 | |
# With a Dixie melody | 0:38:49 | 0:38:55 | |
# When you croon | 0:38:55 | 0:38:57 | |
# Croon a tune | 0:38:57 | 0:39:00 | |
# From the heart of Dixie | 0:39:00 | 0:39:04 | |
# Just hang that cradle, Mammy mine | 0:39:05 | 0:39:10 | |
# Right on that Mason-Dixon Line | 0:39:10 | 0:39:15 | |
# And swing it from Virginia | 0:39:15 | 0:39:20 | |
# To Tennessee with all the love that's in ya | 0:39:20 | 0:39:24 | |
# "Weep No More My Lady" | 0:39:24 | 0:39:28 | |
# Sing that song again for me | 0:39:28 | 0:39:33 | |
# Songs I know, just as though | 0:39:33 | 0:39:38 | |
# You had me on your knee | 0:39:38 | 0:39:42 | |
# A million baby kisses I'll deliver | 0:39:44 | 0:39:49 | |
# The minute that you sing the "Swanee River" | 0:39:49 | 0:39:54 | |
# Rock-a-bye your rock-a-bye-baby | 0:39:54 | 0:39:58 | |
# With a Dixie melody. # | 0:39:58 | 0:40:06 | |
# I've been away from you a long time | 0:40:08 | 0:40:11 | |
# I never thought I'd miss you so | 0:40:11 | 0:40:13 | |
# Somehow I feel your love is real | 0:40:13 | 0:40:16 | |
# Near you I long to be | 0:40:16 | 0:40:19 | |
# The birds are singing and it's song time | 0:40:19 | 0:40:22 | |
# The banjo's strumming soft and low | 0:40:22 | 0:40:25 | |
# I know that you yearn for me too | 0:40:25 | 0:40:28 | |
# Swanee, I'm calling you | 0:40:28 | 0:40:31 | |
# Swanee, how I love you, how I love you | 0:40:31 | 0:40:34 | |
# My dear old Swanee | 0:40:34 | 0:40:36 | |
# I'd give the world to be | 0:40:36 | 0:40:39 | |
# Among the folks in D-I-X-I-E | 0:40:39 | 0:40:42 | |
# Even though my mammy's waiting for me, praying for me | 0:40:42 | 0:40:46 | |
# Down by the Swanee | 0:40:46 | 0:40:48 | |
# The folks up north will see me no more | 0:40:48 | 0:40:52 | |
# When I get to that Swanee shore. # | 0:40:52 | 0:40:58 | |
CHEERING AND APPLAUSE | 0:40:58 | 0:41:02 | |
# Toot-toot, Tootsie, goodbye | 0:41:15 | 0:41:17 | |
# Toot-toot, Tootsie, don't cry | 0:41:17 | 0:41:20 | |
# The choo-choo train that takes me | 0:41:20 | 0:41:23 | |
# Away from you, no words can tell how sad it makes me | 0:41:23 | 0:41:26 | |
# Kiss me, Tootsie, and then | 0:41:26 | 0:41:28 | |
# Do it over again | 0:41:28 | 0:41:31 | |
# Watch for the mail I'll never fail | 0:41:31 | 0:41:34 | |
# If you don't get a letter then you'll know I'm in jail | 0:41:34 | 0:41:38 | |
# Don't cry, Tootsie Don't cry, no, no | 0:41:38 | 0:41:40 | |
# Toot-toot, Tootsie, goodbye. # | 0:41:40 | 0:41:46 | |
APPLAUSE | 0:41:46 | 0:41:49 | |
# Yesterday I heard a lover sigh | 0:42:00 | 0:42:02 | |
# "Goodbye, oh, me, oh, my" | 0:42:02 | 0:42:05 | |
# Seven times he hopped aboard a train | 0:42:05 | 0:42:08 | |
# And seven times he hurried back | 0:42:08 | 0:42:10 | |
# To kiss his love again and tell her | 0:42:10 | 0:42:12 | |
# Toot-toot, Tootsie, goodbye | 0:42:12 | 0:42:14 | |
# Toot-toot, Tootsie, don't cry | 0:42:14 | 0:42:17 | |
# The choo-choo train that takes me | 0:42:17 | 0:42:20 | |
# Away from you, no words can tell how sad it makes me | 0:42:20 | 0:42:23 | |
# Kiss me, Tootsie, and then, mm | 0:42:23 | 0:42:26 | |
# Do it over again | 0:42:26 | 0:42:28 | |
# Watch for the mail I'll never fail | 0:42:28 | 0:42:31 | |
# If you don't get a letter then you'll know I'm in jail | 0:42:31 | 0:42:34 | |
# Don't cry, Tootsie Don't cry, no, no | 0:42:34 | 0:42:37 | |
# Toot-toot, Tootsie | 0:42:37 | 0:42:39 | |
# Goodbye. # | 0:42:39 | 0:42:43 | |
APPLAUSE | 0:42:43 | 0:42:46 | |
Tantalising | 0:43:08 | 0:43:10 | |
and transcendental... | 0:43:10 | 0:43:13 | |
-AUDIENCE: -Oh! | 0:43:13 | 0:43:14 | |
..transatlantic transports. | 0:43:14 | 0:43:18 | |
And you know what those are, sir. | 0:43:18 | 0:43:20 | |
Once again, the Players Theatre! | 0:43:20 | 0:43:25 | |
CHEERING AND APPLAUSE | 0:43:25 | 0:43:28 | |
-# How do you do? -How do you do? | 0:43:32 | 0:43:34 | |
-# Miss Ragtime -Yeah, yeah, for Ragtime | 0:43:34 | 0:43:37 | |
-# Hats off to you -Hats off | 0:43:37 | 0:43:39 | |
-# Miss Ragtime -A little bit of Ragtime | 0:43:39 | 0:43:41 | |
# When I see you coming out to get the rest | 0:43:41 | 0:43:44 | |
# You're the only one, the sweetest and the best | 0:43:44 | 0:43:46 | |
# I'm dead in love, heels and head in love | 0:43:46 | 0:43:49 | |
-# Always thinking of you -Ooh | 0:43:49 | 0:43:51 | |
-# Look who's here -Just looking at you | 0:43:51 | 0:43:54 | |
-# Ragtime dear -So glad we found you | 0:43:54 | 0:43:56 | |
-# When you're near -Ooh, ooh | 0:43:56 | 0:43:59 | |
-# I feel queer -Oh, oh, ooh | 0:43:59 | 0:44:01 | |
# And there's a funny feeling comes along with you | 0:44:01 | 0:44:03 | |
# And makes me happy, happy, happy Never blue | 0:44:03 | 0:44:06 | |
# How do you do, Miss Ragtime How do you do? | 0:44:06 | 0:44:09 | |
# How do you do, how do you do How do you do-do-do? # | 0:44:09 | 0:44:11 | |
# I want to hear, I want to hear | 0:44:11 | 0:44:13 | |
# Alexander's ragtime band | 0:44:13 | 0:44:15 | |
# Come on and hear, come on and hear | 0:44:15 | 0:44:18 | |
# It's the best band in the land | 0:44:18 | 0:44:20 | |
# They can play a bugle call like you never heard before | 0:44:20 | 0:44:23 | |
# So natural that you want to go to war | 0:44:23 | 0:44:26 | |
# It's just the bestest band that am | 0:44:26 | 0:44:28 | |
# Honey lamb, honey lamb | 0:44:28 | 0:44:30 | |
# Come on along, come on along | 0:44:30 | 0:44:33 | |
# Let me take you by the hand | 0:44:33 | 0:44:35 | |
# Up to the man, up to the man | 0:44:35 | 0:44:38 | |
# Who's the leader of the band | 0:44:38 | 0:44:40 | |
# And if you want to hear that Swanee River | 0:44:40 | 0:44:43 | |
# Played in a ragtime | 0:44:43 | 0:44:45 | |
# Come on and hear, come on and hear | 0:44:45 | 0:44:48 | |
# Alexander's ragtime band. # | 0:44:48 | 0:44:51 | |
# Listen to the band | 0:44:51 | 0:44:53 | |
# They're playing | 0:44:53 | 0:44:56 | |
# You made me love you | 0:44:56 | 0:45:00 | |
# I didn't want to do it | 0:45:00 | 0:45:02 | |
# I didn't want to do it | 0:45:02 | 0:45:05 | |
# You made me want you | 0:45:05 | 0:45:10 | |
# And all the time you knew it | 0:45:10 | 0:45:13 | |
# I guess you always knew it | 0:45:13 | 0:45:15 | |
# You made me happy sometimes | 0:45:15 | 0:45:20 | |
# You made me sad | 0:45:20 | 0:45:24 | |
# But there were times, dear | 0:45:26 | 0:45:30 | |
# You made me feel so bad | 0:45:30 | 0:45:35 | |
# You made me sigh for | 0:45:35 | 0:45:39 | |
# I didn't want to tell you | 0:45:39 | 0:45:42 | |
# I didn't want to tell you | 0:45:42 | 0:45:45 | |
# I need some love that's true | 0:45:45 | 0:45:50 | |
# Yes, I do, indeed I do You know I do | 0:45:50 | 0:45:55 | |
# Give me, give me what I sigh for | 0:45:55 | 0:45:59 | |
# You know you've got the brand of kisses that I'd die for | 0:45:59 | 0:46:04 | |
# You know you made me | 0:46:04 | 0:46:09 | |
# Love you. # | 0:46:09 | 0:46:12 | |
# When the midnight choo-choo leaves for Alabam' | 0:46:15 | 0:46:17 | |
# Alabam', Alabam' | 0:46:17 | 0:46:19 | |
# I'll be right there, right there | 0:46:19 | 0:46:21 | |
# Because I've got my money for the fare | 0:46:21 | 0:46:24 | |
# When I see that rusty-haired conductor man | 0:46:24 | 0:46:27 | |
# When I see that man | 0:46:27 | 0:46:29 | |
# I'll grab him by the collar And I'll holler | 0:46:29 | 0:46:31 | |
# "Alabam', Alabam'" | 0:46:31 | 0:46:33 | |
# That's where you'll stop that train | 0:46:33 | 0:46:36 | |
# That takes me back again | 0:46:36 | 0:46:38 | |
# Back home where I'll remain | 0:46:38 | 0:46:40 | |
# Where my honey lamb am Where my honey lamb | 0:46:40 | 0:46:44 | |
# I will be right there with bells | 0:46:44 | 0:46:46 | |
# When that old conductor yells | 0:46:46 | 0:46:49 | |
# "All aboard, all aboard | 0:46:49 | 0:46:51 | |
# "All aboard for Alabam', yes!" | 0:46:51 | 0:46:54 | |
# I will be right there with bells | 0:46:54 | 0:46:58 | |
# When that old conductor yells | 0:46:58 | 0:47:01 | |
# "All aboard, all aboard All aboard, all aboard | 0:47:01 | 0:47:05 | |
# "All aboard | 0:47:05 | 0:47:07 | |
# "For Alabam'" | 0:47:07 | 0:47:12 | |
# "All aboard for Alabam', yes!" # | 0:47:13 | 0:47:15 | |
CHEERING AND APPLAUSE | 0:47:15 | 0:47:17 | |
Now, there's just time to ask Mr Frankie Vaughan | 0:47:24 | 0:47:27 | |
to lead the company and yourselves | 0:47:27 | 0:47:28 | |
in the last chorus for tonight, Down At The Old Bull And Bush. | 0:47:28 | 0:47:31 | |
Ladies and gentlemen, Mr Frankie Vaughan, the entire company, | 0:47:31 | 0:47:35 | |
Mr Bernard Herrmann and the entire and inexhaustible orchestra. | 0:47:35 | 0:47:40 | |
CHEERING AND APPLAUSE | 0:47:40 | 0:47:42 | |
And this time, chiefly yourselves. | 0:47:42 | 0:47:47 | |
# Come, come Come and make eyes at me | 0:47:51 | 0:47:55 | |
# Down at the Old Bull and Bush | 0:47:55 | 0:47:57 | |
# Come, come, drink some port wine with me | 0:47:59 | 0:48:02 | |
# Down at the Old Bull and Bush | 0:48:02 | 0:48:05 | |
# Hear the little German band Da-da-da-da-da-da-da | 0:48:06 | 0:48:10 | |
# Just let me hold your hand, dear | 0:48:10 | 0:48:13 | |
# Do, do come and have a drink or two | 0:48:13 | 0:48:17 | |
# Down at the Old Bull and Bush | 0:48:17 | 0:48:21 | |
# And Bush. # | 0:48:21 | 0:48:22 | |
CHEERING AND APPLAUSE | 0:48:22 | 0:48:26 | |
ORCHESTRA PLAYS | 0:48:26 | 0:48:30 |