Browse content similar to 06/08/1980. Check below for episodes and series from the same categories and more!
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# Where did you get that hat? | 0:00:06 | 0:00:08 | |
# Where did you get that tile? | 0:00:08 | 0:00:10 | |
# Isn't it a nobby one | 0:00:10 | 0:00:12 | |
# And just the proper style? | 0:00:12 | 0:00:14 | |
# I should like to have one | 0:00:14 | 0:00:16 | |
# Just the same as that | 0:00:16 | 0:00:18 | |
# Wherever I go they'd shout, "Hello" | 0:00:18 | 0:00:21 | |
# "Where did you get that hat? # | 0:00:21 | 0:00:22 | |
# Goodbye, summer, so long, fall | 0:00:38 | 0:00:42 | |
# Hello, wintertime | 0:00:42 | 0:00:45 | |
# Let's take a moonlight sleigh ride after all | 0:00:45 | 0:00:49 | |
# Hear those sleigh bells jingle and chime | 0:00:49 | 0:00:52 | |
# Every Joe and Josie is rather cosy | 0:00:52 | 0:00:55 | |
# Their hearts and lips beating bright | 0:00:55 | 0:00:59 | |
# And so it's goodbye, summer, so long, fall | 0:00:59 | 0:01:02 | |
# Hello, wintertime. # | 0:01:02 | 0:01:06 | |
# Winter, winter, when the snow is softly falling | 0:01:06 | 0:01:13 | |
# That's the time to sneeze, when it starts to freeze | 0:01:13 | 0:01:17 | |
# In October and November and December just remember | 0:01:17 | 0:01:20 | |
# Winter, winter, when your sweetheart comes a-calling | 0:01:20 | 0:01:27 | |
# By the fireside so bright you'll sit and tease her | 0:01:27 | 0:01:31 | |
# That's the time to squeeze her, when it's winter. # | 0:01:31 | 0:01:35 | |
# So give me a little cosy corner and an armchair for two | 0:01:37 | 0:01:44 | |
# Somewhere with somebody there | 0:01:46 | 0:01:49 | |
# Anywhere will do | 0:01:49 | 0:01:53 | |
# Give me an evening in the twilight with the pale moon above | 0:01:53 | 0:02:01 | |
# And I'll find a cosy little corner | 0:02:01 | 0:02:05 | |
# In the heart of the one I love | 0:02:05 | 0:02:09 | |
# So give me a little cosy corner and an armchair for two | 0:02:09 | 0:02:16 | |
# Somewhere with somebody there | 0:02:16 | 0:02:20 | |
# Anywhere will do | 0:02:20 | 0:02:24 | |
# Give me an evening in the twilight with the pale moon above | 0:02:24 | 0:02:31 | |
# And I'll find a cosy little corner | 0:02:31 | 0:02:35 | |
# In the heart of the one I love. # | 0:02:35 | 0:02:39 | |
# Oh, I must go home tonight | 0:02:41 | 0:02:43 | |
# I must go home tonight | 0:02:43 | 0:02:45 | |
# I don't care if it's snowing, blowing | 0:02:45 | 0:02:47 | |
# I'm going | 0:02:47 | 0:02:49 | |
# I only got married this morning It fills me with delight | 0:02:49 | 0:02:52 | |
# I'll stay out as long as you like next week | 0:02:52 | 0:02:54 | |
# But I must go home tonight | 0:02:54 | 0:02:56 | |
# I must go home tonight I must go home tonight | 0:02:56 | 0:02:59 | |
# I don't care if it's snowing, blowing | 0:02:59 | 0:03:01 | |
# I'm going | 0:03:01 | 0:03:03 | |
# I only got married this morning It fills me with delight | 0:03:03 | 0:03:07 | |
# I'll stay out as long as you like next week | 0:03:07 | 0:03:09 | |
# But I must go home tonight | 0:03:09 | 0:03:10 | |
# Yes, I must go home tonight. # | 0:03:10 | 0:03:14 | |
APPLAUSE | 0:03:18 | 0:03:21 | |
FANFARE | 0:03:29 | 0:03:32 | |
CHEERING AND APPLAUSE | 0:03:32 | 0:03:38 | |
Once again, good evening, ladies and gentlemen. | 0:03:43 | 0:03:48 | |
-ALL: -Good evening. | 0:03:51 | 0:03:54 | |
Prognosticaterally! | 0:03:55 | 0:03:58 | |
Initially transcendental terpsichorean... | 0:03:59 | 0:04:04 | |
..simultaneity. | 0:04:06 | 0:04:09 | |
With Mr Bill Drysdale and Miss Christine Cartwright. | 0:04:09 | 0:04:14 | |
MUSIC PLAYS | 0:04:24 | 0:04:29 | |
CHEERING | 0:07:47 | 0:07:52 | |
Inenarrably ineluctable, nonpareil nenuphar of nubility. | 0:07:55 | 0:08:05 | |
That is marriage-ability. Your own ever adorable Miss Eira Heath. | 0:08:07 | 0:08:13 | |
# I walked one day along Broadway when I was in New York | 0:08:25 | 0:08:30 | |
# A friend of mine said, "My, you're fine, you've got to get work | 0:08:30 | 0:08:35 | |
# "You have the pose and Gibson nose | 0:08:37 | 0:08:39 | |
# "And quite the Gibson leer | 0:08:39 | 0:08:43 | |
# "You've surely heard of the Gibson style | 0:08:43 | 0:08:45 | |
# "It's been all the rage for quite a while" | 0:08:45 | 0:08:48 | |
# What he meant was not quite clear until I landed over here | 0:08:48 | 0:08:55 | |
# But why do they call me a Gibson girl, Gibson girl, Gibson girl? | 0:08:59 | 0:09:05 | |
# Have I a look that is rather haughty, slightly sporty | 0:09:05 | 0:09:10 | |
# Never too naughty? | 0:09:10 | 0:09:14 | |
# Wear a blank expression and a monumental curl | 0:09:14 | 0:09:19 | |
# And walk with a bend in your back and they call you a Gibson girl | 0:09:20 | 0:09:26 | |
# Just walk round town, look up and down, the girls affect a style | 0:09:29 | 0:09:35 | |
# As they pass by with downcast eye with a tired and languid smile | 0:09:35 | 0:09:42 | |
# In dreams they saw, it's such a bore to sip a cup of tea | 0:09:42 | 0:09:47 | |
# They do their best for they're trying to be | 0:09:48 | 0:09:50 | |
# The perfect Gibson type, you see | 0:09:50 | 0:09:54 | |
# But how surprising to be told that I quite fit the Gibson mould | 0:09:54 | 0:10:02 | |
# But why do they call me a Gibson girl, Gibson girl, Gibson girl? | 0:10:06 | 0:10:13 | |
# Have I a look that is rather haughty, slightly sporty | 0:10:13 | 0:10:18 | |
# Never too naughty? | 0:10:18 | 0:10:20 | |
# Wear a blank expression and a monumental curl | 0:10:20 | 0:10:27 | |
# And walk with a bend in your back and they call you a Gibson girl | 0:10:27 | 0:10:33 | |
# But why do they call me a Gibson girl, Gibson girl, Gibson girl? | 0:10:33 | 0:10:40 | |
# The fellows I meet say I'm quite disarming, rather charming | 0:10:40 | 0:10:45 | |
# Slightly alarming | 0:10:45 | 0:10:48 | |
# Wear a blank expression and their heads are in a whirl | 0:10:48 | 0:10:54 | |
# And walk with a bend in your back and they call you a Gibson girl | 0:10:54 | 0:11:00 | |
# With a bend in your back and a look in your eye | 0:11:00 | 0:11:04 | |
# They call you a Gibson girl. # | 0:11:04 | 0:11:05 | |
APPLAUSE AND CHEERING | 0:11:07 | 0:11:08 | |
# How'd you like to spoon with me? | 0:11:25 | 0:11:29 | |
# How'd you like to spoon with me? | 0:11:31 | 0:11:35 | |
# Sit beneath an oak tree large and shady | 0:11:36 | 0:11:41 | |
# Call me little tootsie-wootsie baby | 0:11:41 | 0:11:47 | |
# How'd you like to hug and squeeze? | 0:11:47 | 0:11:51 | |
# Dangle me upon your knees? | 0:11:51 | 0:11:57 | |
# How'd you like to be my lovey-dovey? | 0:11:57 | 0:12:01 | |
# How'd you like to spoon with me? | 0:12:01 | 0:12:06 | |
# I don't know why I am so very shy | 0:12:06 | 0:12:10 | |
# I've always been demure | 0:12:10 | 0:12:15 | |
# I never knew what silly lovers do | 0:12:15 | 0:12:19 | |
# No flirting I'd endure | 0:12:19 | 0:12:24 | |
# In all my life I've never kissed a man | 0:12:24 | 0:12:27 | |
# I've never winked my eye | 0:12:27 | 0:12:31 | |
# But now at last I'm going to break the ice | 0:12:31 | 0:12:35 | |
# So how'd you like to try? | 0:12:35 | 0:12:40 | |
Give me a chance. | 0:12:40 | 0:12:43 | |
-# How'd you like to spoon with me? -I'd like to. | 0:12:43 | 0:12:48 | |
-# How'd you like to spoon with me? -Well, rather. | 0:12:48 | 0:12:52 | |
# Sit beneath an oak tree large and shady | 0:12:52 | 0:12:57 | |
# Call me little tootsie-wootsie baby | 0:12:57 | 0:13:01 | |
-# How'd you like to hug and squeeze? -Indeed I would. | 0:13:01 | 0:13:06 | |
-# Dangle me upon your knees? -Oh, if I could. | 0:13:06 | 0:13:11 | |
# How'd you like to be my lovey-dovey? | 0:13:11 | 0:13:16 | |
# How'd you like to spoon with me? | 0:13:16 | 0:13:21 | |
# How'd you like to be my lovey-dovey? | 0:13:21 | 0:13:26 | |
# How'd you like to spoon with me? # | 0:13:26 | 0:13:32 | |
APPLAUSE AND CHEERING | 0:13:32 | 0:13:38 | |
Who could refuse? | 0:13:48 | 0:13:50 | |
Egregiously zealous in paroxysmal... Pardon! | 0:13:50 | 0:13:55 | |
..pursuit of asymmetrical asininity with his company, | 0:13:55 | 0:14:02 | |
Mr Denny Willis. | 0:14:02 | 0:14:04 | |
The fox... The fox... The... | 0:14:19 | 0:14:24 | |
# The fox, the fox has left his lair | 0:14:24 | 0:14:26 | |
# The red fox, the red fox | 0:14:26 | 0:14:28 | |
# With a yoicks, tally-ho, tally-ho! With a yoicks, tally-ho, tally-ho! | 0:14:28 | 0:14:32 | |
# The hunting huntsman blows his horn, a gold horn, a cream horn | 0:14:34 | 0:14:38 | |
# The fox, the fox has left his lair | 0:14:38 | 0:14:41 | |
# A red fox, a red fox | 0:14:41 | 0:14:42 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! | 0:14:42 | 0:14:45 | |
# Old grandpa with his wooden leg, limping, limping | 0:14:49 | 0:14:52 | |
# The hunting huntsman blows his horn, a gold horn, a cream horn | 0:14:52 | 0:14:56 | |
# The fox, the fox has left his lair | 0:14:56 | 0:14:58 | |
# A red fox, a red fox | 0:14:58 | 0:15:00 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! | 0:15:00 | 0:15:04 | |
# Ha-ha-ha-ha-ha-ha-ha-ha silly billy | 0:15:07 | 0:15:10 | |
# Old grandpa with his wooden leg, limping, limping | 0:15:10 | 0:15:13 | |
# The hunting huntsman blows his horn... | 0:15:13 | 0:15:16 | |
# The fox, the fox has left his lair | 0:15:16 | 0:15:18 | |
# A red fox, a red fox | 0:15:18 | 0:15:20 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! | 0:15:20 | 0:15:24 | |
# The children running home from school, he's barmy, he's barmy | 0:15:27 | 0:15:31 | |
# Ha-ha-ha-ha-ha-ha-ha-ha, silly billy | 0:15:31 | 0:15:34 | |
# Old grandpa with his wooden leg, limping, limping | 0:15:34 | 0:15:38 | |
# The hunting huntsman blows his horn... | 0:15:38 | 0:15:42 | |
# The fox, the fox has left his lair | 0:15:42 | 0:15:44 | |
# A red fox, a red fox | 0:15:44 | 0:15:45 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! | 0:15:45 | 0:15:48 | |
# Behold the bold Sir Geoffrey, dandy, bandy | 0:15:52 | 0:15:56 | |
# The children running home from school, he's barmy, he's barmy | 0:15:56 | 0:16:00 | |
# Ha-ha-ha-ha-ha-ha-ha-ha, silly billy | 0:16:00 | 0:16:03 | |
-# Old grandpa with his wooden leg... -It's all right for you lot! | 0:16:03 | 0:16:06 | |
# Limping, limping | 0:16:06 | 0:16:07 | |
# The hunting huntsman blows his horn, a gold horn, a cream horn | 0:16:07 | 0:16:10 | |
# The fox, the fox has left his lair | 0:16:10 | 0:16:12 | |
# A red fox, a red fox | 0:16:12 | 0:16:14 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! | 0:16:14 | 0:16:17 | |
# All for the Lady Gwendoline, she's charming, she's charming | 0:16:21 | 0:16:24 | |
# Behold the bold Sir Geoffrey, dandy, bandy | 0:16:24 | 0:16:28 | |
# The children running home from school, he's barmy, he's barmy | 0:16:28 | 0:16:31 | |
# Ha-ha-ha-ha-ha-ha-ha-ha, silly billy | 0:16:31 | 0:16:35 | |
# Old grandpa with his wooden leg, limping, limping | 0:16:35 | 0:16:39 | |
# The hunting huntsman blows his horn, a gold horn, a cream horn | 0:16:39 | 0:16:42 | |
# The fox, the fox has left his lair | 0:16:42 | 0:16:43 | |
# A red fox, a red fox | 0:16:43 | 0:16:46 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! | 0:16:46 | 0:16:49 | |
# Sir Geoffrey cried, "Egad, I will woo her, boo her" | 0:16:52 | 0:16:56 | |
# All for the Lady Gwendoline, she's charming, she's charming | 0:16:56 | 0:17:00 | |
# Behold the bold Sir Geoffrey, dandy, bandy | 0:17:00 | 0:17:03 | |
# The children running home from school, he's barmy, he's barmy | 0:17:03 | 0:17:07 | |
# Ha-ha-ha-ha-ha-ha-ha-ha, silly billy | 0:17:07 | 0:17:10 | |
# Old grandpa with his wooden leg, limping, limping | 0:17:10 | 0:17:14 | |
# The hunting huntsman blows his horn, a gold horn, a cream horn | 0:17:14 | 0:17:17 | |
# The fox, the fox has left his lair | 0:17:17 | 0:17:20 | |
# A red fox, a red fox | 0:17:20 | 0:17:21 | |
# With a yoicks, tally-ho, tally-ho With a yoicks, tally-ho, tally-ho! # | 0:17:21 | 0:17:27 | |
APPLAUSE AND CHEERING | 0:17:33 | 0:17:36 | |
Couldn't want him to do it again. | 0:17:38 | 0:17:41 | |
Assorted artefacts, ejaculatory, repetitious | 0:17:41 | 0:17:48 | |
in rhythmic, tangential trajectory. | 0:17:48 | 0:17:54 | |
Juggling. Mr James Reinhardt. | 0:17:56 | 0:17:59 | |
MUSIC PLAYS | 0:18:02 | 0:18:04 | |
All right, all right, all right. I got to continue. | 0:18:51 | 0:18:56 | |
I don't want to inflict this upon you, but... | 0:18:56 | 0:18:59 | |
MUSIC PLAYS | 0:18:59 | 0:19:03 | |
APPLAUSE | 0:20:09 | 0:20:13 | |
APPLAUSE | 0:21:52 | 0:21:55 | |
MUSIC PLAYS | 0:22:06 | 0:22:09 | |
Mirth, provocative meanderings, | 0:22:12 | 0:22:16 | |
a metropolitan miniature, Mr Deryk Parkin. | 0:22:16 | 0:22:20 | |
APPLAUSE | 0:22:20 | 0:22:23 | |
I am the gay lamp lighter | 0:22:35 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:40 | |
Perhaps you recognise my form | 0:22:40 | 0:22:43 | |
Racing through the shadows from the dusk until dawn | 0:22:44 | 0:22:48 | |
The job I do is exciting | 0:22:50 | 0:22:52 | |
Never mind the snow or rain | 0:22:52 | 0:22:55 | |
To each dull patch I bring some light... | 0:22:55 | 0:22:58 | |
# Then turn it out again | 0:22:58 | 0:23:02 | |
# I toddle along the busy prom to make the glasses bright | 0:23:03 | 0:23:09 | |
# I toddle along, whistle a song and light them up at night | 0:23:09 | 0:23:14 | |
# Down the alley, down the court, up the street and lane | 0:23:14 | 0:23:18 | |
# I toddle along, I dilly-dong and put them out again. # | 0:23:18 | 0:23:22 | |
LAUGHTER | 0:23:27 | 0:23:29 | |
I should've known. | 0:23:33 | 0:23:35 | |
Inside this box, I keep the props For which many an odd job calls | 0:23:35 | 0:23:43 | |
A mop, a rope, a bar of soap | 0:23:43 | 0:23:46 | |
And two enormous balls. You never know. | 0:23:48 | 0:23:54 | |
Some paint, a pale, a pint of ale | 0:23:56 | 0:24:02 | |
A horn in case of fog | 0:24:04 | 0:24:06 | |
HORN HONKS | 0:24:06 | 0:24:08 | |
And whenever danger threatens Well, I take along my dog. | 0:24:08 | 0:24:11 | |
I don't know if you can see from where you're sitting, | 0:24:15 | 0:24:17 | |
but my dog's got no nose. | 0:24:17 | 0:24:20 | |
No nose? How does he smell? Bloomin' awful. | 0:24:20 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:25 | |
Ready? | 0:24:25 | 0:24:28 | |
# I toddle along the busy prom to make the glasses bright | 0:24:28 | 0:24:33 | |
# I toddle along, whistle a song and light them up at night | 0:24:33 | 0:24:37 | |
# Down the alley, down the court, up the street and lane | 0:24:39 | 0:24:43 | |
# I toddle along at early dawn and put them out again. # | 0:24:45 | 0:24:50 | |
-Whoo! -You can shut up, for a start! | 0:24:50 | 0:24:52 | |
Oh, well, third time lucky. | 0:24:52 | 0:24:55 | |
HE CHUCKLES | 0:24:55 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:24:59 | |
# Be prepared, that is my motto I'm never taken unawares | 0:25:01 | 0:25:05 | |
# If that pole fails inside this box | 0:25:05 | 0:25:08 | |
# I always keep a spare | 0:25:08 | 0:25:11 | |
# A lofty light's no problem For this pole, it has no end | 0:25:11 | 0:25:15 | |
HE CHUCKLES | 0:25:15 | 0:25:17 | |
# Without ado or ladder, too Those distant lights I tend. # | 0:25:17 | 0:25:22 | |
And when I say distant, I mean distant. | 0:25:22 | 0:25:25 | |
I don't mean just these ones here, I mean those ones right over there. | 0:25:25 | 0:25:29 | |
HE LAUGHS | 0:25:29 | 0:25:31 | |
Wait a minute, there we go. | 0:25:31 | 0:25:33 | |
And now, as the golden gaslight permeates throughout the auditorium, | 0:25:34 | 0:25:40 | |
I'm going to sing for you one last time this cheerful little ditty. | 0:25:40 | 0:25:45 | |
And if I catch any of you lot up there nodding off, | 0:25:45 | 0:25:48 | |
I'll be in there amongst you with my red-hot tip. | 0:25:48 | 0:25:51 | |
Wahey! | 0:25:51 | 0:25:52 | |
After two! | 0:25:52 | 0:25:54 | |
# I toddle along the busy prom to make the glasses bright | 0:25:54 | 0:25:59 | |
# I toddle along, whistle a song and light them up at night | 0:25:59 | 0:26:04 | |
# Down the alley, down the court, up the street and lane | 0:26:04 | 0:26:07 | |
# I toddle along at early dawn and put them out again | 0:26:07 | 0:26:12 | |
# I toddle along at early dawn | 0:26:12 | 0:26:15 | |
# I toddle along at early dawn and put them out again. # | 0:26:17 | 0:26:25 | |
APPLAUSE | 0:26:25 | 0:26:26 | |
The epitomisation | 0:26:45 | 0:26:49 | |
of amatory efflorescence | 0:26:49 | 0:26:54 | |
in potent plangencies! | 0:26:54 | 0:26:57 | |
AUDIENCE GROAN | 0:26:57 | 0:26:58 | |
Welcome to an entirely new newcomer, Miss Grace Kennedy! | 0:26:58 | 0:27:03 | |
APPLAUSE AND CHEERING | 0:27:03 | 0:27:05 | |
ORCHESTRA STRIKES UP | 0:27:05 | 0:27:07 | |
# Some day he'll come along | 0:27:14 | 0:27:18 | |
# The man I love | 0:27:20 | 0:27:23 | |
# And he'll be big and strong | 0:27:26 | 0:27:29 | |
# The man I love | 0:27:32 | 0:27:35 | |
# And when he comes my way | 0:27:38 | 0:27:40 | |
# I'll do my best to make him stay | 0:27:42 | 0:27:51 | |
# He'll look at me and smile | 0:27:54 | 0:27:58 | |
# I'll understand | 0:27:58 | 0:28:01 | |
# And in a little while | 0:28:01 | 0:28:05 | |
# He'll take my hand | 0:28:05 | 0:28:08 | |
# And though it seems absurd | 0:28:08 | 0:28:12 | |
# I know we both won't say a word | 0:28:12 | 0:28:19 | |
# Maybe I shall meet him one day | 0:28:22 | 0:28:28 | |
# Maybe Monday, maybe not | 0:28:28 | 0:28:35 | |
# Still, I'm sure to meet him one day | 0:28:35 | 0:28:40 | |
# Maybe Tuesday | 0:28:40 | 0:28:44 | |
# Will be my good news day | 0:28:44 | 0:28:49 | |
# We'll build a little home | 0:28:49 | 0:28:53 | |
# Just meant for two | 0:28:53 | 0:28:56 | |
# From which I'll never roam | 0:28:56 | 0:29:00 | |
# Who would? Would you? | 0:29:00 | 0:29:03 | |
# And so all else above | 0:29:03 | 0:29:07 | |
# I'm waiting for the man I love. # | 0:29:07 | 0:29:15 | |
# Fish got to swim and birds got to fly | 0:29:21 | 0:29:28 | |
# I've got to love one man till I die | 0:29:28 | 0:29:35 | |
# Can't help loving that man of mine | 0:29:35 | 0:29:42 | |
# Tell me he's lazy Tell me he's slow | 0:29:48 | 0:29:54 | |
# Tell me I'm crazy, maybe I know | 0:29:54 | 0:30:01 | |
# Can't help loving that man of mine | 0:30:01 | 0:30:09 | |
# When he goes away | 0:30:14 | 0:30:21 | |
# That's a rainy day | 0:30:21 | 0:30:27 | |
# But when he comes back | 0:30:27 | 0:30:32 | |
# That day is fine | 0:30:32 | 0:30:39 | |
# The sun will shine | 0:30:39 | 0:30:42 | |
# The sun will shine | 0:30:43 | 0:30:48 | |
# He can come home as late as can be | 0:30:48 | 0:30:54 | |
# Home without him ain't no home to me | 0:30:54 | 0:31:00 | |
# Can't help | 0:31:00 | 0:31:03 | |
# Loving that man of mine. # | 0:31:03 | 0:31:14 | |
RAPTUROUS APPLAUSE AND CHEERING | 0:31:21 | 0:31:24 | |
The acme, the apogee, | 0:31:42 | 0:31:46 | |
the zenith of idiosyncratic egocentricity, | 0:31:46 | 0:31:52 | |
the one and only Mr Max Wall! | 0:31:52 | 0:31:58 | |
APPLAUSE AND CHEERING | 0:31:58 | 0:31:59 | |
ORCHESTRA STRIKES UP | 0:31:59 | 0:32:01 | |
JAUNTY INSTRUMENTAL | 0:32:11 | 0:32:13 | |
LAUGHTER | 0:32:17 | 0:32:19 | |
APPLAUSE | 0:32:19 | 0:32:22 | |
Huh! Hm! | 0:32:28 | 0:32:30 | |
-HE COUGHS -Excuse me. | 0:32:31 | 0:32:33 | |
# I've always been quite hasty, I blow up just like a bubble | 0:32:36 | 0:32:39 | |
# And I say things that I honestly don't mean | 0:32:39 | 0:32:42 | |
# Well, I'll have to cure this habit or I'll get myself in trouble | 0:32:44 | 0:32:47 | |
# And I'll finish up by making quite a scene | 0:32:47 | 0:32:49 | |
# For instance, only yesterday I tried to cross the road | 0:32:52 | 0:32:55 | |
# And I nearly got run over by a car | 0:32:55 | 0:32:58 | |
# I shouted to the fellow, "Learn to drive, you little toad | 0:32:59 | 0:33:03 | |
LAUGHTER | 0:33:06 | 0:33:08 | |
# "The ugly little midget that you are" | 0:33:09 | 0:33:12 | |
# He stopped and then got out and I could see | 0:33:15 | 0:33:18 | |
# That the chap was over six feet tall and looked just like a tree | 0:33:20 | 0:33:24 | |
# He said, "What was that that you said?" | 0:33:28 | 0:33:30 | |
# I said, "Who said?" He said, "You said!" | 0:33:30 | 0:33:32 | |
# I said, "Me?" He said, "Yes, you" I said, "Not me!" | 0:33:32 | 0:33:34 | |
# He said, "I've half a mind to thrash you" | 0:33:40 | 0:33:42 | |
# I said, "Thrash who?" He said, "Thrash you!" | 0:33:42 | 0:33:44 | |
# And I stood back there astounded at his flow of repartee | 0:33:44 | 0:33:47 | |
LAUGHTER | 0:33:47 | 0:33:49 | |
# He said, "I know just what you thought" | 0:33:53 | 0:33:55 | |
# I said, "Who thought?" He said, "You thought" | 0:33:55 | 0:33:57 | |
# I said, "Me?" He said, "Yes, you thought I was small | 0:33:57 | 0:34:00 | |
# "So in future, be more careful" | 0:34:06 | 0:34:08 | |
# I said, "Bet your life I will be" | 0:34:08 | 0:34:10 | |
# Then he got back in his car and that was all. # | 0:34:10 | 0:34:13 | |
LAUGHTER | 0:34:13 | 0:34:15 | |
LAUGHTER | 0:34:22 | 0:34:23 | |
# A week ago today, I went to supper with a girlfriend | 0:34:26 | 0:34:29 | |
# She's the girlfriend when her husband's not about | 0:34:30 | 0:34:33 | |
# Well, I knew that it was risky and that anything might happen | 0:34:33 | 0:34:37 | |
# If he suddenly came in and found us out | 0:34:37 | 0:34:39 | |
# Still, we sat and had some supper then we polished off the gin | 0:34:43 | 0:34:46 | |
# Then she said, "My husband is listening at the door" | 0:34:47 | 0:34:50 | |
LAUGHTER | 0:34:50 | 0:34:52 | |
# I said, "Let the blighter listen Come on, let's have one more kiss | 0:34:57 | 0:35:02 | |
# "If he comes in here I'll smash him on the jaw" # | 0:35:02 | 0:35:05 | |
# The door then opened widely with a crash | 0:35:09 | 0:35:13 | |
# And he stood there like a giant as he curled his huge moustache | 0:35:19 | 0:35:24 | |
# He said, "What was that that you said? | 0:35:29 | 0:35:31 | |
# I said, "Who said?" He said, "You said" | 0:35:31 | 0:35:34 | |
# "Me?" "Yes, you" | 0:35:34 | 0:35:37 | |
# He said, "I really ought to kill you." I said, "Kill who?" | 0:35:40 | 0:35:43 | |
# He said, "Kill you." I said, "Me?" He said, "Yes, you." | 0:35:43 | 0:35:46 | |
# I said, "But how?" He said, "You'll see!" | 0:35:46 | 0:35:48 | |
# I said, "But you'd be hung for murder" | 0:35:51 | 0:35:53 | |
# He said, "Who would?" I said, "You would" | 0:35:53 | 0:35:55 | |
# He said, "Me?" I said, "Yes, you" | 0:35:55 | 0:35:57 | |
# He said, "You're right | 0:35:57 | 0:35:59 | |
# "I shall have to think that over" I said, "What?" | 0:36:02 | 0:36:05 | |
# He said, "What you said | 0:36:05 | 0:36:06 | |
# I said, "Yes. I'll be going. Goodnight!" # | 0:36:06 | 0:36:08 | |
Now, tonight, ladies and gentlemen, | 0:36:21 | 0:36:23 | |
I have had one or two requests from thousands of people. | 0:36:23 | 0:36:27 | |
It appears they require me to resurrect, | 0:36:30 | 0:36:34 | |
if that is indeed the right word to use, | 0:36:34 | 0:36:39 | |
a very famous old jazz song entitled Birth Of The Blues. | 0:36:39 | 0:36:43 | |
As a matter of fact, all my friends here agree with this gentleman... | 0:36:43 | 0:36:47 | |
..and so with the aid of my friends tonight I'm going to render | 0:36:48 | 0:36:51 | |
this song for you. | 0:36:51 | 0:36:54 | |
Just like you render fat down in a frying pan. | 0:36:54 | 0:36:57 | |
# They took the breeze from the trees | 0:37:03 | 0:37:06 | |
# Whispering weird and very wonderful melodies | 0:37:08 | 0:37:11 | |
# Yes, folks | 0:37:11 | 0:37:13 | |
# And they made it the start of the blues... # | 0:37:15 | 0:37:17 | |
Here was me singing away with feeling in the bosom, | 0:37:23 | 0:37:26 | |
giving it everything I have, the orchestra were all loud, | 0:37:26 | 0:37:29 | |
too quick and everything went wrong! | 0:37:29 | 0:37:31 | |
Ha-ha ha-ha. | 0:37:33 | 0:37:37 | |
Yes. | 0:37:37 | 0:37:39 | |
What happened? | 0:37:41 | 0:37:43 | |
# And from a jail came the wail | 0:37:45 | 0:37:49 | |
# Of a poor little downhearted frail | 0:37:51 | 0:37:54 | |
# And they took... | 0:37:54 | 0:37:55 | |
# B-B-Blues! # | 0:37:57 | 0:37:59 | |
You couldn't care less, could you? | 0:38:01 | 0:38:03 | |
I'll tell you what I'll do here, this is extraordinary, | 0:38:06 | 0:38:09 | |
I will do two things at once. | 0:38:09 | 0:38:10 | |
I walk up and down and sing the middle part of this | 0:38:10 | 0:38:12 | |
chorus at the same time in strict rhythm. | 0:38:12 | 0:38:15 | |
Yes. They don't believe it. | 0:38:17 | 0:38:20 | |
AUDIENCE: No! | 0:38:20 | 0:38:21 | |
I'm going to do it because I tell you, we had to do this in the Army. | 0:38:21 | 0:38:25 | |
Two things at once in the Army. During the war, yes. | 0:38:25 | 0:38:29 | |
Two things at once on the word of command. | 0:38:29 | 0:38:32 | |
Of course, if the bombs were falling often we did three. | 0:38:34 | 0:38:37 | |
# From a whippoorwill out on the hill | 0:38:47 | 0:38:52 | |
# They took a new note | 0:38:52 | 0:38:56 | |
# Pushed it through a horn till it was worn | 0:38:56 | 0:39:00 | |
# Into a lovely new blue note | 0:39:02 | 0:39:05 | |
# An' then they nursed it | 0:39:05 | 0:39:08 | |
# They rehearsed it | 0:39:08 | 0:39:10 | |
# And then gave out the news | 0:39:10 | 0:39:14 | |
# That the "Southland" | 0:39:15 | 0:39:18 | |
# Gave birth to the blues! | 0:39:19 | 0:39:22 | |
# The "Southland" Gave birth to the blues. # | 0:39:23 | 0:39:28 | |
In tribute to the versatility of Miss Vesta Victoria, | 0:39:44 | 0:39:49 | |
once again, the Players Theatre plus Miss Doreen Hermitage! | 0:39:49 | 0:39:53 | |
# Oh, it's all right in the summertime | 0:39:56 | 0:40:00 | |
# In the summertime it's lovely | 0:40:00 | 0:40:04 | |
# While my old man's painting hard | 0:40:04 | 0:40:07 | |
# I'm posing in the old back yard | 0:40:07 | 0:40:11 | |
# But, oh, oh, in the wintertime | 0:40:11 | 0:40:14 | |
# It's another thing, you know | 0:40:14 | 0:40:17 | |
# With a little red nose and very little clothes | 0:40:17 | 0:40:21 | |
# And the stormy winds do blow, oh, oh, | 0:40:21 | 0:40:25 | |
# And the stormy winds do blow. # | 0:40:25 | 0:40:28 | |
# At our house not long ago a lodger came to stay | 0:40:30 | 0:40:34 | |
# At first I thought I'd like to drive him right away | 0:40:34 | 0:40:39 | |
# But soon he proved himself to be so very good and kind | 0:40:39 | 0:40:43 | |
# That like my dear mamma I quite made up my little mind | 0:40:43 | 0:40:48 | |
# Our lodger's such a nice young man | 0:40:48 | 0:40:52 | |
-# Such a nice young man is he -Such a nice man | 0:40:52 | 0:40:55 | |
# So good, so kind | 0:40:55 | 0:40:59 | |
-# To all our family -All the family | 0:40:59 | 0:41:03 | |
# And he's never going to leave us | 0:41:03 | 0:41:06 | |
# Oh, dear, oh, dear, no | 0:41:06 | 0:41:10 | |
# He's such a good, goody goody man | 0:41:10 | 0:41:14 | |
# Mamma told me so | 0:41:14 | 0:41:17 | |
# He used to come and court his little Mary-Ann | 0:41:17 | 0:41:21 | |
# I used to think that he was my young man | 0:41:21 | 0:41:25 | |
# But Mother caught his eye and they got married on the sly | 0:41:25 | 0:41:29 | |
-# Now I have call him... -Father! # | 0:41:29 | 0:41:33 | |
# And Daddy wouldn't buy me a bow-wow | 0:41:33 | 0:41:38 | |
# Daddy wouldn't buy me a bow-wow | 0:41:38 | 0:41:41 | |
# I've got a little cat I am very fond of that | 0:41:41 | 0:41:45 | |
# But I'd rather have a bow-wow-wow | 0:41:45 | 0:41:49 | |
# Yes, I'd rather have a bow-wow-wow! | 0:41:49 | 0:41:55 | |
# Wow-wow! # | 0:41:55 | 0:41:58 | |
# Let's all go to the music hall | 0:42:02 | 0:42:05 | |
# Where the show is gay and bright | 0:42:05 | 0:42:08 | |
# Let's all go to the music hall | 0:42:08 | 0:42:12 | |
# Where the stars are twinkling every night | 0:42:12 | 0:42:15 | |
# Whether you sit in the gallery, the circle or the pit | 0:42:15 | 0:42:18 | |
# Or whether you sit in a red plush stall | 0:42:18 | 0:42:23 | |
# When the busy day is done, if you want to have some fun | 0:42:23 | 0:42:27 | |
# Let's all go to the music hall | 0:42:27 | 0:42:30 | |
# Let's all go to the music hall | 0:42:30 | 0:42:33 | |
# Where the show is gay and bright | 0:42:33 | 0:42:37 | |
# Let's all go to the music hall | 0:42:37 | 0:42:40 | |
# Where the stars are twinkling every night | 0:42:40 | 0:42:43 | |
# Whether you sit in the gallery, the circle or the pit | 0:42:43 | 0:42:48 | |
# Or whether you sit in a red plush stall | 0:42:48 | 0:42:51 | |
# When the busy day is done, if you want to have some fun | 0:42:51 | 0:42:55 | |
# Let's all go to the music hall. # | 0:42:55 | 0:42:57 | |
# John took me round to see his mother | 0:43:11 | 0:43:15 | |
# His mother, his mother | 0:43:15 | 0:43:19 | |
# And while he introduced us to each other | 0:43:19 | 0:43:23 | |
# She weighed up everything I had on | 0:43:23 | 0:43:27 | |
# She put me through a cross-examination | 0:43:27 | 0:43:31 | |
# I fairly boiled with aggravation | 0:43:31 | 0:43:35 | |
# Then she shook her head, looked at me and said | 0:43:35 | 0:43:39 | |
# "Poor John, poor John." # | 0:43:39 | 0:43:43 | |
"Poor John" indeed! | 0:43:43 | 0:43:45 | |
# I'm in a nice bit of trouble, I confess | 0:43:45 | 0:43:48 | |
# Somebody with me has had a game | 0:43:48 | 0:43:52 | |
# I should by now be a proud and happy bride | 0:43:52 | 0:43:56 | |
# But I still have to keep my single name | 0:43:56 | 0:43:59 | |
# I was proposed to by Obadiah Binks | 0:43:59 | 0:44:03 | |
# In a very gentlemanly way | 0:44:03 | 0:44:07 | |
# Gave him all my money | 0:44:07 | 0:44:09 | |
# So that he could buy the home | 0:44:09 | 0:44:11 | |
# And punctually at twelve o'clock today | 0:44:11 | 0:44:15 | |
# There was I, waiting at the church | 0:44:17 | 0:44:21 | |
# Waiting at the church, waiting at the church | 0:44:21 | 0:44:25 | |
# When I found he'd left me in the lurch | 0:44:25 | 0:44:29 | |
# Oh, how it did upset me! | 0:44:29 | 0:44:32 | |
# All at once, he sent me round a note | 0:44:33 | 0:44:37 | |
# Here's the very note, this is what he wrote | 0:44:37 | 0:44:41 | |
# "Can't get away to marry you today | 0:44:41 | 0:44:46 | |
# "My wife won't let me!" | 0:44:46 | 0:44:49 | |
# There was I, waiting at the church | 0:44:49 | 0:44:53 | |
# Waiting at the church, waiting at the church | 0:44:53 | 0:44:57 | |
# When I found he'd left me in the lurch | 0:44:57 | 0:45:01 | |
# Lor, how it did upset me! | 0:45:01 | 0:45:05 | |
# All at once, he sent me round a note | 0:45:05 | 0:45:09 | |
# Here's the very note, this is what he wrote | 0:45:09 | 0:45:13 | |
# "Can't get away to marry you today | 0:45:13 | 0:45:16 | |
# "My wife won't let me!" # | 0:45:16 | 0:45:21 | |
# All in a day my heart grew sad | 0:45:28 | 0:45:32 | |
# Misfortune came my way | 0:45:32 | 0:45:36 | |
# I had to learn the old bitter truth | 0:45:36 | 0:45:40 | |
# All in a single day | 0:45:40 | 0:45:43 | |
# The man what I worshipped as I loved my life | 0:45:43 | 0:45:48 | |
# After him saying he'd make me his wife | 0:45:48 | 0:45:54 | |
# Courted another young girl on the sly | 0:45:54 | 0:45:59 | |
# So I go straight up to him | 0:45:59 | 0:46:03 | |
# "Look 'ere, Bill," says I | 0:46:03 | 0:46:08 | |
# Bid me goodbye forever | 0:46:12 | 0:46:15 | |
# Never come back no more | 0:46:18 | 0:46:21 | |
# Think of the heart you've gone and broke | 0:46:24 | 0:46:27 | |
# Of the donor you used to adore | 0:46:29 | 0:46:34 | |
# Marry the girl you fancy | 0:46:38 | 0:46:41 | |
# I wish you luck, I do | 0:46:43 | 0:46:47 | |
# But I mean to tarry | 0:46:48 | 0:46:52 | |
# Cos I'll never marry | 0:46:52 | 0:46:56 | |
# If I can't be tied up to you | 0:46:56 | 0:47:01 | |
# Never come back no more | 0:47:10 | 0:47:14 | |
# Sing to the heart you've gone and broke | 0:47:14 | 0:47:17 | |
# Think of the heart you've gone and broke | 0:47:17 | 0:47:21 | |
# Of the donor you used to adore | 0:47:21 | 0:47:25 | |
-# Marry the girl you fancy -Marry the girl you fancy | 0:47:28 | 0:47:33 | |
# I wish you luck | 0:47:33 | 0:47:36 | |
# I wish you luck, I do | 0:47:36 | 0:47:38 | |
# But I mean to tarry Cos I'll never marry | 0:47:41 | 0:47:48 | |
# If I can't be tied up to you | 0:47:48 | 0:47:55 | |
# Be tied up to you...! # | 0:47:55 | 0:48:01 | |
There is only just time for Mr Max Wall to lead the company | 0:48:19 | 0:48:23 | |
and yourselves in the last chorus for tonight, | 0:48:23 | 0:48:25 | |
Down At The Old Bull And Bush. | 0:48:25 | 0:48:26 | |
Ladies and gentlemen, Mr Max Wall, the entire company, | 0:48:26 | 0:48:29 | |
Mr Bernard Herrmann, the entire and indefatigable orchestra... | 0:48:29 | 0:48:35 | |
CHEERING | 0:48:35 | 0:48:36 | |
..but this time, chiefly | 0:48:36 | 0:48:39 | |
-ALL: -..yourselves! | 0:48:39 | 0:48:41 | |
# Come, come, come and make eyes at me | 0:48:45 | 0:48:49 | |
# Down at The Old Bull And Bush | 0:48:49 | 0:48:52 | |
# Come, come, drink some port wine with me | 0:48:52 | 0:48:56 | |
# Down at The Old Bull And Bush | 0:48:56 | 0:48:58 | |
# Hear the little German band | 0:49:00 | 0:49:03 | |
# Da-da-da-da-da-da-da | 0:49:03 | 0:49:04 | |
# Just let me hold your hand, dear | 0:49:04 | 0:49:08 | |
# Do, do, come and have a drink or two | 0:49:08 | 0:49:11 | |
# Down at The Old Bull And Bush | 0:49:11 | 0:49:15 | |
# Bush, Bush! # | 0:49:15 | 0:49:18 |