Browse content similar to 11/03/1976. Check below for episodes and series from the same categories and more!
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AUDIENCE: # I'll be your sweetheart | 0:00:05 | 0:00:09 | |
# If you will be mine | 0:00:09 | 0:00:13 | |
# All my life | 0:00:13 | 0:00:17 | |
# I'll be your valentine | 0:00:17 | 0:00:21 | |
# Bluebells I've gathered | 0:00:21 | 0:00:26 | |
# Keep them and be true | 0:00:26 | 0:00:30 | |
# When I'm a man | 0:00:30 | 0:00:33 | |
# My plan will be to marry you. # | 0:00:33 | 0:00:41 | |
APPLAUSE AND CHEERING | 0:00:41 | 0:00:44 | |
ORCHESTRA PLAYS FANFARE | 0:00:45 | 0:00:49 | |
CHEERING | 0:00:50 | 0:00:52 | |
CHEERING | 0:00:57 | 0:00:58 | |
Once again! | 0:00:59 | 0:01:02 | |
LAUGHTER | 0:01:02 | 0:01:03 | |
Good evening, ladies and gentlemen! | 0:01:03 | 0:01:07 | |
-AUDIENCE: -Good evening! | 0:01:07 | 0:01:09 | |
Obligatorily... | 0:01:09 | 0:01:10 | |
-AUDIENCE: -Ooh! | 0:01:10 | 0:01:12 | |
..encomiastic orotundities, | 0:01:12 | 0:01:16 | |
extolling inaugurally... | 0:01:16 | 0:01:19 | |
-AUDIENCE: -Ooh! | 0:01:19 | 0:01:20 | |
..a coruscating sextuplicity... | 0:01:20 | 0:01:23 | |
-AUDIENCE: -Ooh! | 0:01:23 | 0:01:24 | |
..from the inestimably inexhaustible Players' Theatre! | 0:01:24 | 0:01:30 | |
CHEERING | 0:01:30 | 0:01:31 | |
BIG BAND MUSIC PLAYS | 0:01:31 | 0:01:35 | |
-MEN: -# How do you do -WOMEN: -# How do you do | 0:01:35 | 0:01:37 | |
-# Miss Ragtime -# Make way for ragtime | 0:01:37 | 0:01:40 | |
-# Hats off to you -# Hats off | 0:01:40 | 0:01:42 | |
-# Miss Ragtime -# Make way for ragtime | 0:01:42 | 0:01:45 | |
# When I see you coming I forget the rest | 0:01:45 | 0:01:48 | |
# You're the only one The sweetest and the best | 0:01:48 | 0:01:50 | |
# I am dead in love Head and heels in love | 0:01:50 | 0:01:53 | |
# Always thinking of you | 0:01:53 | 0:01:55 | |
# Ooh! | 0:01:55 | 0:01:56 | |
-# Look who's here -# Just look around you | 0:01:56 | 0:01:58 | |
-# Ragtime dear -# So glad we found you | 0:01:58 | 0:02:00 | |
-# When you're near -# Ooh-ooh | 0:02:00 | 0:02:03 | |
-# I feel queer -# Ooh-ooh | 0:02:03 | 0:02:05 | |
# There's a funny feeling comes along with you | 0:02:05 | 0:02:08 | |
# Makes me happy, happy, happy, happy, too | 0:02:08 | 0:02:10 | |
# How do you do, Miss Ragtime How do you do? | 0:02:10 | 0:02:13 | |
# How d'you do, how d'you do, do, do | 0:02:13 | 0:02:15 | |
ALL: # Come on and hear Come on and hear | 0:02:15 | 0:02:18 | |
# Alexander's Ragtime Band | 0:02:18 | 0:02:20 | |
# Come on and hear Come on and hear | 0:02:20 | 0:02:23 | |
# It's the best band in the land | 0:02:23 | 0:02:25 | |
# They can play a bugle call like you never heard before | 0:02:25 | 0:02:28 | |
# So natural that you want to go to the war | 0:02:28 | 0:02:31 | |
# It's just the bestest band whatever | 0:02:31 | 0:02:34 | |
# Honey lamb # Honey lamb | 0:02:34 | 0:02:36 | |
# Come on along Come on along | 0:02:36 | 0:02:38 | |
# Let me take you by the hand | 0:02:38 | 0:02:41 | |
# Up to the man Up to the man | 0:02:41 | 0:02:44 | |
# Who's the leader of the band | 0:02:44 | 0:02:46 | |
# And if you want to hear that Swanee River played in ragtime | 0:02:46 | 0:02:51 | |
# Come on and hear Come on and hear | 0:02:51 | 0:02:54 | |
# Alexander's Ragtime Band | 0:02:54 | 0:02:57 | |
# Listen to the band They're playing | 0:02:57 | 0:03:03 | |
# You made me love you | 0:03:03 | 0:03:07 | |
# I didn't want to do it I didn't want to do it | 0:03:07 | 0:03:13 | |
# You made me want you | 0:03:13 | 0:03:17 | |
# And all the time you knew it I guess you always knew it | 0:03:17 | 0:03:22 | |
# You made me happy sometimes | 0:03:22 | 0:03:27 | |
# You made me glad | 0:03:27 | 0:03:32 | |
# But there were times, dear | 0:03:32 | 0:03:37 | |
# You made me feel so bad | 0:03:37 | 0:03:42 | |
# You made me sigh for | 0:03:42 | 0:03:46 | |
# I didn't want to tell you I didn't want to tell you | 0:03:46 | 0:03:52 | |
# I want some love, that's true | 0:03:52 | 0:03:57 | |
# Yes, I do, indeed I do You know I do | 0:03:57 | 0:04:01 | |
# Give me, give me, give me Give me what I sigh for | 0:04:01 | 0:04:06 | |
# You know you've got the brand of kisses that I'd die for | 0:04:06 | 0:04:11 | |
# You know you made me | 0:04:11 | 0:04:16 | |
# Love you | 0:04:16 | 0:04:18 | |
# When the midnight choo-choo leaves for Alabam' | 0:04:21 | 0:04:24 | |
# Alabam' Alabam' | 0:04:24 | 0:04:25 | |
# I'll be right there Right there | 0:04:25 | 0:04:27 | |
# Because I've got the right fare | 0:04:27 | 0:04:30 | |
# When I see that rusty-haired conductor-man | 0:04:30 | 0:04:33 | |
# When I see that man | 0:04:33 | 0:04:34 | |
# I'll grab him by the collar And I'll holler | 0:04:34 | 0:04:37 | |
# "Alabam'!" "Alabam'!" | 0:04:37 | 0:04:39 | |
# That's where you stop the train That takes me back again | 0:04:39 | 0:04:43 | |
# Back home where I'll remain | 0:04:43 | 0:04:46 | |
# Where my honey-lamb am Where my honey-lamb am | 0:04:46 | 0:04:49 | |
# I will be right there with bells When that old conductor yells | 0:04:49 | 0:04:54 | |
# "All aboard" "All aboard" | 0:04:54 | 0:04:56 | |
# "All aboard for Alabam'!" | 0:04:56 | 0:04:58 | |
# Yeah | 0:04:58 | 0:04:59 | |
# I will be right there with bells | 0:04:59 | 0:05:03 | |
# When that old conductor yells | 0:05:03 | 0:05:07 | |
# "All aboard" "All aboard" | 0:05:07 | 0:05:10 | |
# "All aboard" "All aboard" | 0:05:10 | 0:05:12 | |
# "All aboard for | 0:05:12 | 0:05:15 | |
# "Alabam'!" | 0:05:15 | 0:05:20 | |
# "All aboard for Alabam'!" # | 0:05:20 | 0:05:22 | |
CHEERING AND APPLAUSE | 0:05:22 | 0:05:24 | |
An unquenchable, equilibristic quaternity... | 0:05:33 | 0:05:39 | |
-AUDIENCE: -Ooh! | 0:05:39 | 0:05:40 | |
-..cavorting convulsively... AUDIENCE: -Ooh! | 0:05:40 | 0:05:43 | |
..in catapulting cataclysm! | 0:05:43 | 0:05:48 | |
Four acrobats. | 0:05:49 | 0:05:51 | |
Ladies and gentlemen, the Loonies! | 0:05:51 | 0:05:56 | |
CHEERING AND APPLAUSE | 0:05:56 | 0:05:58 | |
RAGTIME MUSIC PLAYS | 0:05:58 | 0:06:00 | |
LAUGHTER | 0:06:00 | 0:06:01 | |
CHEERING AND APPLAUSE | 0:06:25 | 0:06:27 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:06:43 | 0:06:45 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
APPLAUSE | 0:07:08 | 0:07:09 | |
APPLAUSE | 0:07:19 | 0:07:21 | |
LAUGHTER | 0:07:34 | 0:07:35 | |
APPLAUSE | 0:07:52 | 0:07:54 | |
GASPS AND APPLAUSE | 0:08:18 | 0:08:21 | |
APPLAUSE | 0:08:29 | 0:08:33 | |
AUDIENCE CLAPS ALONG TO MUSIC | 0:08:36 | 0:08:38 | |
CHEERING AND APPLAUSE | 0:09:19 | 0:09:22 | |
APPLAUSE | 0:09:34 | 0:09:37 | |
-Felicitously... AUDIENCE: -Ooh! | 0:09:52 | 0:09:54 | |
-..refreshing in the irrefutable fragility... -Ooh! | 0:09:55 | 0:10:01 | |
..of feminine fabulose. For your edification, Miss Rosemary Squire. | 0:10:01 | 0:10:07 | |
CHEERING | 0:10:07 | 0:10:09 | |
# I'm Rosie, the queen of the models | 0:10:15 | 0:10:18 | |
# I used to live up in the Bronx | 0:10:18 | 0:10:22 | |
# But I wandered from there down to Washington Square | 0:10:22 | 0:10:25 | |
# And Bohemian honky-tonks | 0:10:25 | 0:10:30 | |
# One day I met Harrison Fisher | 0:10:32 | 0:10:35 | |
# Said he, you're like roses - the stems | 0:10:35 | 0:10:40 | |
# I want you to pose for a picture | 0:10:40 | 0:10:44 | |
# On the cover of Jim Jam Gems | 0:10:44 | 0:10:49 | |
# And that's how I first got my start | 0:10:52 | 0:10:56 | |
# Now my life is devoted to art | 0:10:56 | 0:11:01 | |
# They call me | 0:11:01 | 0:11:04 | |
# Rosie | 0:11:04 | 0:11:07 | |
# Of Washington Square | 0:11:07 | 0:11:10 | |
# A flower so fair | 0:11:10 | 0:11:13 | |
# Should blossom where | 0:11:13 | 0:11:16 | |
# The sun shines | 0:11:16 | 0:11:19 | |
# Rose | 0:11:19 | 0:11:21 | |
# For nature did not mean | 0:11:21 | 0:11:24 | |
# That I should blush unseen | 0:11:24 | 0:11:27 | |
# But be the queen | 0:11:27 | 0:11:31 | |
# Of some fair garden | 0:11:31 | 0:11:32 | |
# Rose | 0:11:32 | 0:11:35 | |
# I'll never depart | 0:11:35 | 0:11:38 | |
# But I'll dwell in your heart | 0:11:38 | 0:11:41 | |
# Your love to share | 0:11:41 | 0:11:45 | |
# I'll bring the sunbeams from the heavens to you | 0:11:45 | 0:11:50 | |
# I'm going to give you kisses that sparkle with dew | 0:11:50 | 0:11:53 | |
# I'm Rose | 0:11:53 | 0:11:56 | |
# Of Washington Square | 0:11:56 | 0:11:59 | |
# Oh, yes, I'm Rose | 0:12:00 | 0:12:03 | |
# Of Washington Square | 0:12:03 | 0:12:06 | |
# I'm withering there | 0:12:06 | 0:12:10 | |
# In the basement air I'm fading | 0:12:10 | 0:12:15 | |
# Pose | 0:12:15 | 0:12:18 | |
# In my plain or fancy clothes? | 0:12:18 | 0:12:21 | |
# They say that my Roman nose | 0:12:21 | 0:12:25 | |
# Is sure to please | 0:12:25 | 0:12:27 | |
# Some of those artistic people | 0:12:27 | 0:12:30 | |
# Foes | 0:12:30 | 0:12:32 | |
# Well, I've plenty of those | 0:12:32 | 0:12:36 | |
# In their second-hand clothes | 0:12:36 | 0:12:39 | |
# And their nice long hair | 0:12:39 | 0:12:43 | |
# I've got those Broadway vampires | 0:12:43 | 0:12:47 | |
# Lashed to the mast | 0:12:47 | 0:12:50 | |
# I've got no future but, oh, what a past | 0:12:50 | 0:12:54 | |
# I'm Rose | 0:12:54 | 0:12:56 | |
# Of Washington Square | 0:12:56 | 0:13:00 | |
# And I'm all there | 0:13:00 | 0:13:02 | |
# They call me Rose, Rose, Rose | 0:13:02 | 0:13:08 | |
# Of Washington Square. # | 0:13:08 | 0:13:15 | |
APPLAUSE | 0:13:15 | 0:13:17 | |
# Moonlight makes me lonely each night | 0:13:29 | 0:13:35 | |
# Far from my rendezvous | 0:13:35 | 0:13:39 | |
# Wondering, darling, whether you might | 0:13:40 | 0:13:46 | |
# Be wishing that I were with you | 0:13:46 | 0:13:52 | |
# Down among the sheltering palms Oh, honey, wait for me | 0:13:52 | 0:13:59 | |
# Honey, wait for me | 0:13:59 | 0:14:02 | |
# Don't be forgetting we've got a date | 0:14:02 | 0:14:07 | |
# Out where the sun goes down about eight | 0:14:07 | 0:14:11 | |
# How my love is burning, burning, burning | 0:14:11 | 0:14:16 | |
# How my love is burning, burning, yearning | 0:14:16 | 0:14:20 | |
# To be down | 0:14:20 | 0:14:22 | |
# Among the sheltering palms | 0:14:22 | 0:14:24 | |
# Oh, honey, wait for me | 0:14:24 | 0:14:29 | |
# Oh, honey, wait for me. # | 0:14:29 | 0:14:34 | |
# By the sea, by the sea by the beautiful sea | 0:14:34 | 0:14:37 | |
# You and I, you and I Oh, how happy we'll be | 0:14:37 | 0:14:41 | |
# When each wave comes a-rolling in | 0:14:41 | 0:14:44 | |
# We will duck and swim | 0:14:44 | 0:14:46 | |
# And we'll float and fool around the water | 0:14:46 | 0:14:48 | |
# Over and under and then up for air | 0:14:48 | 0:14:51 | |
# Pa's rich, Ma's rich, so now what do we care? | 0:14:51 | 0:14:55 | |
# I like to be beside your side beside the sea, beside the seaside | 0:14:55 | 0:14:59 | |
# By the beautiful sea | 0:14:59 | 0:15:03 | |
# By the sea, by the sea by the beautiful sea | 0:15:03 | 0:15:07 | |
# You and I, you and I Oh, how happy will be | 0:15:07 | 0:15:10 | |
# When each wave comes a-rolling in | 0:15:10 | 0:15:13 | |
# We will duck and swim and we'll float and fool around the water | 0:15:13 | 0:15:18 | |
# Over and under and then up for air | 0:15:18 | 0:15:21 | |
# Pa's rich, Ma's rich, so now what do we care? | 0:15:21 | 0:15:25 | |
# I'd like to be beside your side beside the sea, beside the seaside | 0:15:25 | 0:15:31 | |
# Or on a quayside | 0:15:31 | 0:15:33 | |
# Close beside you | 0:15:35 | 0:15:37 | |
# By the beautiful sea. # | 0:15:37 | 0:15:45 | |
CHEERING | 0:15:45 | 0:15:47 | |
Archetypal acme... | 0:16:04 | 0:16:07 | |
-AUDIENCE: -Ooh! | 0:16:07 | 0:16:08 | |
Ack, me. | 0:16:08 | 0:16:10 | |
..of anarchically asymmetrical asininity. | 0:16:10 | 0:16:18 | |
-Ooh! -Welcome back to Mr Denny Willis. | 0:16:18 | 0:16:21 | |
CHEERING | 0:16:21 | 0:16:24 | |
LAUGHTER | 0:16:36 | 0:16:38 | |
Swee...swe... | 0:16:45 | 0:16:47 | |
# Sweet and low | 0:16:51 | 0:16:55 | |
# Sweet and low | 0:16:55 | 0:16:58 | |
# Wind of the Western sea | 0:16:58 | 0:17:04 | |
# Low... # | 0:17:06 | 0:17:07 | |
-Oh! -LAUGHTER | 0:17:07 | 0:17:09 | |
I'm so sorry. | 0:17:11 | 0:17:14 | |
All together. | 0:17:16 | 0:17:18 | |
-# Blow him again to me -Ooh-ooh | 0:17:20 | 0:17:27 | |
-# Sleep, my pretty one -HE YAWNS | 0:17:27 | 0:17:32 | |
# Sleep, my pretty one | 0:17:32 | 0:17:35 | |
# Sleep. # | 0:17:35 | 0:17:41 | |
APPLAUSE | 0:17:43 | 0:17:49 | |
And now, ladies and gentlemen, The Fox Has Left His Lair. | 0:17:49 | 0:17:52 | |
# The fox, the fox has left his lair | 0:17:58 | 0:18:00 | |
# A red fox, a red fox | 0:18:00 | 0:18:02 | |
# With a yoicks, tally-ho, yo ho With a yoicks tally-ho yo ho... # | 0:18:02 | 0:18:06 | |
Ho! | 0:18:06 | 0:18:07 | |
# The hunting huntsman blows his horn | 0:18:10 | 0:18:12 | |
# A cream horn, a cream horn | 0:18:12 | 0:18:14 | |
# The fox, the fox has left his lair | 0:18:14 | 0:18:15 | |
# A red fox, a red fox | 0:18:15 | 0:18:17 | |
# With a yoicks, tally-ho, yo ho With a yoicks tally-ho yo ho | 0:18:17 | 0:18:21 | |
# Old Grandpa with his | 0:18:25 | 0:18:26 | |
# Hunting horn | 0:18:26 | 0:18:27 | |
# Limping... # It's gone wrong! | 0:18:27 | 0:18:29 | |
# The hunting huntsman blows his horn | 0:18:29 | 0:18:31 | |
# A cream horn, a cream horn | 0:18:31 | 0:18:33 | |
# The fox, the fox has left his lair A red fox, a red fox | 0:18:33 | 0:18:36 | |
# With a yoicks, tally-ho, yo ho | 0:18:36 | 0:18:38 | |
-# Ho-ho -With a yoicks tally-ho yo ho... # | 0:18:38 | 0:18:40 | |
Ha! | 0:18:43 | 0:18:44 | |
# Ha-ha-ha-ha-ha-ha-ha | 0:18:44 | 0:18:46 | |
# Silly Billy | 0:18:46 | 0:18:48 | |
# Old Grandpa with his wooden leg | 0:18:48 | 0:18:50 | |
# Limping, limping | 0:18:50 | 0:18:52 | |
# The hunting huntsman blows his horn | 0:18:52 | 0:18:54 | |
# A cream horn, a cream horn | 0:18:54 | 0:18:56 | |
# The fox, the fox has left his lair | 0:18:56 | 0:18:57 | |
# A red fox, a red fox | 0:18:57 | 0:18:59 | |
# With a yoicks, tally-ho, yo ho With a yoicks tally-ho yo ho... # | 0:18:59 | 0:19:03 | |
Ha-ha ha-ha! | 0:19:07 | 0:19:09 | |
# Barmy, barmy | 0:19:09 | 0:19:11 | |
# Ah-ha-ha-ha-ha-ha | 0:19:11 | 0:19:12 | |
# S...illy Billy | 0:19:12 | 0:19:14 | |
# Old Grandpa with his wooden leg | 0:19:14 | 0:19:17 | |
# Limping, limping | 0:19:17 | 0:19:18 | |
# The hunting huntsman blows his horn | 0:19:18 | 0:19:20 | |
# A cream horn, a cream horn | 0:19:20 | 0:19:22 | |
# The fox, the fox has left his lair | 0:19:22 | 0:19:24 | |
# A red fox, a red fox | 0:19:24 | 0:19:26 | |
# With a yoicks tally-ho, yo ho... # | 0:19:26 | 0:19:27 | |
APPLAUSE | 0:19:27 | 0:19:30 | |
# Behold the bold Sir Geoffrey dandy, bandy | 0:19:33 | 0:19:37 | |
# The children running home from school | 0:19:37 | 0:19:39 | |
# Barmy, barmy | 0:19:39 | 0:19:41 | |
# Ah-ha-ha-ha-ha-ha-ha-ha... # | 0:19:41 | 0:19:43 | |
Ha-ha-ha-ha-ha! | 0:19:43 | 0:19:45 | |
# Old Grandpa with his wooden leg | 0:19:45 | 0:19:46 | |
# Limping, limping | 0:19:46 | 0:19:48 | |
# The hunting huntsman blows his horn | 0:19:48 | 0:19:50 | |
# A cream horn, a cream horn | 0:19:50 | 0:19:52 | |
# The fox, the fox has left his lair | 0:19:52 | 0:19:54 | |
# A red fox, a red fox | 0:19:54 | 0:19:56 | |
# With a yoicks, tally-ho, yo ho With a yoicks tally-ho yo ho | 0:19:56 | 0:19:59 | |
# All for the Lady Gwendolyn | 0:20:03 | 0:20:06 | |
# Bonny, bonny | 0:20:06 | 0:20:07 | |
# Behold the bold Sir Geoffrey... # | 0:20:07 | 0:20:09 | |
LAUGHTER | 0:20:09 | 0:20:11 | |
# The children coming home from school... # | 0:20:11 | 0:20:13 | |
They're doing something different. | 0:20:13 | 0:20:15 | |
# Ah-ha-ha-ha-ha-ha-ha-ha... # | 0:20:15 | 0:20:17 | |
Ha-ha! | 0:20:17 | 0:20:19 | |
# Old Grandpa with his wooden leg | 0:20:19 | 0:20:21 | |
# Limping, limping | 0:20:21 | 0:20:23 | |
# The hunting huntsman blows his horn | 0:20:23 | 0:20:24 | |
# A cream horn, a cream horn | 0:20:24 | 0:20:26 | |
# The fox, the fox has left his lair | 0:20:26 | 0:20:28 | |
# With a yoicks, tally-ho, yo ho With a yoicks tally-ho yo ho | 0:20:30 | 0:20:34 | |
# Sir Geoffrey said... # | 0:20:38 | 0:20:40 | |
HE YELLS | 0:20:40 | 0:20:41 | |
Oh, oh! | 0:20:41 | 0:20:43 | |
# Behold the bold Sir Geoffrey... # | 0:20:45 | 0:20:47 | |
Ha-ha! | 0:20:47 | 0:20:49 | |
# The children coming home from school | 0:20:49 | 0:20:51 | |
# Barmy, barmy | 0:20:51 | 0:20:53 | |
-# Ah-ha-ha-ha-ha-ha-ha-ha -Ha-ha-ha... # | 0:20:53 | 0:20:56 | |
WHOOPING AND APPLAUSE | 0:20:56 | 0:20:59 | |
# The hunting huntsman blows his horn | 0:21:00 | 0:21:02 | |
-# The fox, the fox... # -Ah! | 0:21:04 | 0:21:06 | |
# With a yoicks, tally-ho, yo ho With a yoicks tally-ho yo ho. # | 0:21:07 | 0:21:12 | |
MUSIC QUICKENS | 0:21:12 | 0:21:13 | |
APPLAUSE | 0:21:16 | 0:21:19 | |
A Caledonian convocation, | 0:21:31 | 0:21:36 | |
convivially evoking your participatory... | 0:21:36 | 0:21:42 | |
-AUDIENCE: -Ooh! | 0:21:42 | 0:21:44 | |
..reciprocity. | 0:21:44 | 0:21:46 | |
Ooh! | 0:21:46 | 0:21:47 | |
Joining in, your own Mr Kenneth McKellar. | 0:21:47 | 0:21:52 | |
APPLAUSE | 0:21:52 | 0:21:55 | |
# Oh, I'll never forget the day I went and joined the 93rd | 0:22:00 | 0:22:04 | |
# The chums I used to run with said they | 0:22:04 | 0:22:07 | |
# Thought I looked absurd | 0:22:07 | 0:22:09 | |
# They saluted me and gathered round me in a ring | 0:22:09 | 0:22:12 | |
# And as I wagged my tartan kilt they a' began to sing | 0:22:12 | 0:22:16 | |
# He's a braw, braw Hielan' laddie | 0:22:16 | 0:22:19 | |
# Private Jock McDade | 0:22:19 | 0:22:21 | |
# There's not another soldier like him | 0:22:21 | 0:22:23 | |
# In the Scots Brigade | 0:22:23 | 0:22:25 | |
# Reared among the heather, you can see he's Scottish-built | 0:22:25 | 0:22:28 | |
# By the wig, wig, wiggle wiggle, waggle o' the kilt | 0:22:28 | 0:22:32 | |
# By the wig, wig, wiggle wiggle, waggle o' the kilt. # | 0:22:32 | 0:22:36 | |
APPLAUSE | 0:22:36 | 0:22:39 | |
# I have heard the mavis singing | 0:22:50 | 0:22:56 | |
# His love song to the morn | 0:22:56 | 0:23:02 | |
# I have seen the dew drop clinging | 0:23:02 | 0:23:07 | |
# To the rose just newly born | 0:23:07 | 0:23:13 | |
# But a sweeter song hath cheered me | 0:23:13 | 0:23:19 | |
# At the evening's gentle close | 0:23:19 | 0:23:24 | |
# And I've seen an eye still brighter | 0:23:24 | 0:23:30 | |
# Than the dew drop on the rose | 0:23:30 | 0:23:38 | |
# 'Twas thy voice, my gentle Mary | 0:23:38 | 0:23:45 | |
# And thine artless, winning smile | 0:23:45 | 0:23:51 | |
# That made this world an Eden | 0:23:51 | 0:23:59 | |
# Bonnie Mary o' Argyle | 0:23:59 | 0:24:09 | |
# Though thy voice may lose its sweetness | 0:24:22 | 0:24:28 | |
# And thine eye its brightness too | 0:24:28 | 0:24:34 | |
# Though thy step may lack its fleetness | 0:24:34 | 0:24:40 | |
# And thy hair its sunny hue | 0:24:40 | 0:24:47 | |
# Still to me wilt thou be dearer | 0:24:47 | 0:24:53 | |
# Than all the world shall own | 0:24:53 | 0:24:58 | |
# I have loved thee for thy beauty | 0:24:58 | 0:25:04 | |
# But not for that alone | 0:25:04 | 0:25:13 | |
# I have watched thy heart, dear Mary | 0:25:13 | 0:25:20 | |
# And its goodness was the wile | 0:25:20 | 0:25:27 | |
# That made thee mine forever | 0:25:27 | 0:25:35 | |
# Bonnie Mary o' Argyle. # | 0:25:35 | 0:25:47 | |
APPLAUSE | 0:25:47 | 0:25:50 | |
# By yon bonnie banks and by yon bonnie braes | 0:25:53 | 0:26:00 | |
# Where the sun shines bright on Loch Lomond | 0:26:00 | 0:26:07 | |
# Where me and my true love were ever wont to gae | 0:26:07 | 0:26:14 | |
# On the bonnie, bonnie banks of Loch Lomond | 0:26:14 | 0:26:23 | |
# Oh, ye'll tak' the high road and I'll tak' the low road | 0:26:23 | 0:26:29 | |
# And I'll be in Scotland afore ye | 0:26:29 | 0:26:34 | |
# But me and my true love will never meet again | 0:26:34 | 0:26:41 | |
# On the bonnie, bonnie banks of Loch Lomond. # | 0:26:41 | 0:26:50 | |
# Hark, when the night is falling | 0:26:55 | 0:26:57 | |
# Hear, hear the pipes are calling | 0:26:57 | 0:27:00 | |
# Loudly and proudly calling down through the glen | 0:27:00 | 0:27:05 | |
# There where the hills are sleeping | 0:27:05 | 0:27:08 | |
# Now feel the blood a-leaping | 0:27:08 | 0:27:10 | |
# High as the spirits of the old Highland men | 0:27:10 | 0:27:15 | |
# Towering in gallant fame | 0:27:15 | 0:27:18 | |
# Scotland, my mountain hame | 0:27:18 | 0:27:20 | |
# High may your proud banner gloriously wave | 0:27:20 | 0:27:25 | |
# Land o' the high endeavour | 0:27:25 | 0:27:28 | |
# Land o' the shining river | 0:27:28 | 0:27:30 | |
# Land o' my heart forever | 0:27:30 | 0:27:33 | |
# Scotland the brave | 0:27:33 | 0:27:35 | |
# Land o' my heart forever | 0:27:35 | 0:27:42 | |
# Scotland | 0:27:42 | 0:27:47 | |
# The brave. # | 0:27:47 | 0:27:51 | |
APPLAUSE AND CHEERING | 0:27:51 | 0:27:55 | |
Engagingly gregarious... | 0:28:10 | 0:28:14 | |
AUDIENCE GASPS | 0:28:14 | 0:28:15 | |
..in egregious garrulity... | 0:28:15 | 0:28:18 | |
AUDIENCE GASPS | 0:28:18 | 0:28:19 | |
..the one and only Mr Ronnie Corbett! | 0:28:19 | 0:28:23 | |
CHEERING AND APPLAUSE | 0:28:23 | 0:28:26 | |
Good evening. Evening. | 0:28:30 | 0:28:32 | |
You all right? You all right? | 0:28:32 | 0:28:35 | |
Answer me. Are you all right? | 0:28:35 | 0:28:37 | |
AUDIENCE CHEERS | 0:28:37 | 0:28:39 | |
# Put me amongst the girls | 0:28:39 | 0:28:44 | |
# Put me amongst the girls | 0:28:44 | 0:28:47 | |
# Do me a favour, do | 0:28:47 | 0:28:51 | |
# You know I'd do the same for you | 0:28:51 | 0:28:54 | |
# If you would put me amongst the girls | 0:28:54 | 0:28:58 | |
# Those with the curly cur... # | 0:28:58 | 0:29:00 | |
Just a minute. Excuse me. | 0:29:00 | 0:29:02 | |
BAND STOPS PLAYING | 0:29:02 | 0:29:05 | |
Sorry about that. | 0:29:05 | 0:29:07 | |
Nobody hurt, I hope. | 0:29:07 | 0:29:09 | |
No, no... | 0:29:09 | 0:29:11 | |
Don't start now, please. I've just... | 0:29:11 | 0:29:14 | |
I've just remembered a story I must tell you before I forget. | 0:29:14 | 0:29:17 | |
LAUGHTER | 0:29:17 | 0:29:19 | |
No, don't you come up. I'll come down there. Wait a minute. | 0:29:19 | 0:29:22 | |
I like to walk about a bit, stretch my legs. | 0:29:22 | 0:29:26 | |
LAUGHTER | 0:29:26 | 0:29:29 | |
Left it a bit late, haven't I? | 0:29:29 | 0:29:31 | |
There's a message for you. | 0:29:31 | 0:29:33 | |
Oh, thank you. Thank you very much indeed. Thank you. | 0:29:33 | 0:29:36 | |
You're naughty down there, I can tell. Now... | 0:29:36 | 0:29:39 | |
No, Mr Sachs, the chairman, has just told me | 0:29:39 | 0:29:42 | |
that Lady Smith has fallen again. | 0:29:42 | 0:29:44 | |
LAUGHTER | 0:29:44 | 0:29:47 | |
And Lord Smith says he's going to have the operation. | 0:29:51 | 0:29:54 | |
LAUGHTER | 0:29:54 | 0:29:58 | |
Will you excuse my back? | 0:30:00 | 0:30:03 | |
You'll excuse my front, I know. | 0:30:03 | 0:30:05 | |
LAUGHTER | 0:30:05 | 0:30:08 | |
And the ladies down here, they're all very, you know... | 0:30:10 | 0:30:14 | |
If I slip off here I might have more fun than I've had in years! | 0:30:14 | 0:30:16 | |
LAUGHTER | 0:30:16 | 0:30:19 | |
You're making up your own stories down here. | 0:30:24 | 0:30:27 | |
And I got specially dressed for you. | 0:30:27 | 0:30:29 | |
See the nice new suit bought by my wife in the sale... | 0:30:29 | 0:30:34 | |
at Mothercare. | 0:30:34 | 0:30:36 | |
LAUGHTER | 0:30:36 | 0:30:39 | |
You can laugh. | 0:30:42 | 0:30:45 | |
When did you last buy a suit and get a free Womble? | 0:30:45 | 0:30:48 | |
LAUGHTER | 0:30:48 | 0:30:51 | |
APPLAUSE | 0:30:53 | 0:30:56 | |
And I brought my medals. See my wonderful medals? | 0:30:58 | 0:31:00 | |
I tell you what, this one is actually very, very... | 0:31:00 | 0:31:03 | |
Take these gloves off. | 0:31:03 | 0:31:04 | |
This medal was given by the American forces | 0:31:04 | 0:31:07 | |
for outstanding action in the field. | 0:31:07 | 0:31:09 | |
LAUGHTER | 0:31:09 | 0:31:12 | |
And it belongs to my sister. | 0:31:15 | 0:31:17 | |
LAUGHTER | 0:31:17 | 0:31:19 | |
Least said... | 0:31:22 | 0:31:24 | |
Least said about that the better. | 0:31:25 | 0:31:28 | |
This is actually the General Service medal and this is the Victory medal | 0:31:28 | 0:31:32 | |
and this medal at the end here | 0:31:32 | 0:31:33 | |
is awarded for the Best Whippet Bitch of 1848. | 0:31:33 | 0:31:36 | |
LAUGHTER | 0:31:36 | 0:31:39 | |
Interesting, isn't it? | 0:31:43 | 0:31:44 | |
And this medal I got actually for running at school. | 0:31:44 | 0:31:48 | |
And that one next to it for crawling at the BBC. | 0:31:48 | 0:31:51 | |
APPLAUSE | 0:31:51 | 0:31:54 | |
There's a uniform I recognise down there. Wonderful, sir. | 0:31:58 | 0:32:01 | |
Grand to see you. | 0:32:01 | 0:32:02 | |
Royal Army Medical Corps. | 0:32:02 | 0:32:04 | |
LAUGHTER | 0:32:04 | 0:32:06 | |
We lost my grandfather in the Royal Army Medical Corps. | 0:32:06 | 0:32:09 | |
Fell out of bed while examining a patient. | 0:32:09 | 0:32:12 | |
LAUGHTER | 0:32:12 | 0:32:14 | |
My dear old grandfather, oh, dear. | 0:32:14 | 0:32:17 | |
He fought in all the Zulu wars, you know. | 0:32:17 | 0:32:20 | |
Well, not all of them cos he got fed up of blacking up every morning. | 0:32:20 | 0:32:23 | |
LAUGHTER | 0:32:23 | 0:32:26 | |
Now, I... | 0:32:26 | 0:32:27 | |
APPLAUSE | 0:32:27 | 0:32:30 | |
I'm just going to sit down here | 0:32:31 | 0:32:33 | |
and have a little bit of this snuff | 0:32:33 | 0:32:36 | |
because...the doctor recommended it, you know, | 0:32:36 | 0:32:41 | |
for nasal catarrh. | 0:32:41 | 0:32:43 | |
It's very, very effective. | 0:32:43 | 0:32:44 | |
I've only been taking it two days and I've already got nasal catarrh. | 0:32:44 | 0:32:47 | |
LAUGHTER | 0:32:47 | 0:32:49 | |
He's a terrible doctor. I'll have to change him, actually. | 0:32:52 | 0:32:55 | |
Terrible handwriting. He gave me a prescription the other day. | 0:32:55 | 0:32:57 | |
I took it to the chemist. | 0:32:57 | 0:32:59 | |
Chemist read it and said, "All right, can you start Monday?" | 0:32:59 | 0:33:01 | |
LAUGHTER | 0:33:01 | 0:33:04 | |
Oh, we did have a laugh. | 0:33:04 | 0:33:06 | |
Wish he was here tonight. | 0:33:08 | 0:33:11 | |
So eventually he gave me a wooden leg and a pair of scales. | 0:33:11 | 0:33:14 | |
I mustn't sit and crease this, actually. | 0:33:14 | 0:33:17 | |
I've got to be careful of this, | 0:33:17 | 0:33:18 | |
cos I'm booked to stand on a wedding cake tomorrow. | 0:33:18 | 0:33:21 | |
LAUGHTER AND APPLAUSE | 0:33:21 | 0:33:24 | |
You've got my gloves, haven't you? | 0:33:33 | 0:33:35 | |
Yes, me and Hilda Baker will be standing there, I can tell you. | 0:33:35 | 0:33:38 | |
LAUGHTER | 0:33:38 | 0:33:40 | |
Now, listen, that reminded me actually of a story, | 0:33:40 | 0:33:42 | |
because talking about honeymoons and weddings, | 0:33:42 | 0:33:44 | |
a story about a honeymoon couple that arrived into the hotel. | 0:33:44 | 0:33:49 | |
They booked in. Husband went into the bar. | 0:33:49 | 0:33:52 | |
Wife went upstairs, got into bed. | 0:33:52 | 0:33:53 | |
She'd only been in bed three minutes when this train passed the hotel. | 0:33:53 | 0:33:56 | |
Nearly shook her out of bed, so she rang for the hotel manager... | 0:33:56 | 0:34:00 | |
You're at it again, I know that. | 0:34:00 | 0:34:02 | |
LAUGHTER | 0:34:02 | 0:34:03 | |
She rang for the hotel manager. Hotel manager came up to the room. | 0:34:03 | 0:34:06 | |
He knocked on the door. She said, "I've just been in bed. | 0:34:06 | 0:34:08 | |
"This train has passed and nearly shook me out." | 0:34:08 | 0:34:11 | |
The manager said, "Well, I can't understand that. | 0:34:11 | 0:34:13 | |
"We've never had any complaints before about train vibrations." | 0:34:13 | 0:34:16 | |
To which the bride... | 0:34:16 | 0:34:17 | |
LAUGHTER | 0:34:17 | 0:34:19 | |
And the bride said, "Well, that's all very well. | 0:34:19 | 0:34:21 | |
"I don't want any aggravation, four-eyes, | 0:34:21 | 0:34:23 | |
"but I'd just like to know when the next train passes this hotel." | 0:34:23 | 0:34:27 | |
The manager said, "It passes in about three minutes." | 0:34:27 | 0:34:30 | |
So the bride said, "Would you mind just laying on this bed here? | 0:34:30 | 0:34:32 | |
"I'll show you exactly what I mean when the train passes." | 0:34:32 | 0:34:35 | |
No sooner had he laid on the bed when in pops her husband. | 0:34:35 | 0:34:38 | |
Husband said, "I don't want to be inquisitive, | 0:34:38 | 0:34:40 | |
"but why are you lying there on the bed with my dear wife?" | 0:34:40 | 0:34:43 | |
The hotel manager said, "Now, you're not going to believe this..." | 0:34:43 | 0:34:46 | |
LAUGHTER | 0:34:46 | 0:34:49 | |
"..but I'm just waiting for the 10.28 to Macclesfield." | 0:34:50 | 0:34:53 | |
LAUGHTER | 0:34:53 | 0:34:56 | |
And the story I originally stopped the band to tell you has just come | 0:34:57 | 0:35:02 | |
to my mind because I once took a train journey to a place | 0:35:02 | 0:35:07 | |
not very far from here, Portsmouth, | 0:35:07 | 0:35:09 | |
and I was sitting in this carriage, you see, with three sailors | 0:35:09 | 0:35:12 | |
and a bishop. | 0:35:12 | 0:35:14 | |
We're all minding our own business. | 0:35:14 | 0:35:16 | |
Well, the sailors are having a bit of fun, you know, | 0:35:16 | 0:35:18 | |
trying on each other's hats. | 0:35:18 | 0:35:21 | |
LAUGHTER | 0:35:21 | 0:35:22 | |
This petty officer leans across the carriage | 0:35:22 | 0:35:26 | |
and he touches the bishop on the knee. | 0:35:26 | 0:35:29 | |
Well, it took us about ten hours | 0:35:29 | 0:35:31 | |
to get the bishop down off the luggage rack! | 0:35:31 | 0:35:33 | |
LAUGHTER | 0:35:33 | 0:35:34 | |
He said, "My Lord Bishop..." | 0:35:34 | 0:35:36 | |
He was very well-educated for a petty officer, actually. | 0:35:36 | 0:35:39 | |
"..I'd like you to tell me what is the gout?" | 0:35:39 | 0:35:41 | |
The bishop said, "I'm very glad you asked me that." | 0:35:41 | 0:35:44 | |
I don't know why I said that, but that's what he said. | 0:35:44 | 0:35:46 | |
He said, "Gout is what you get from drinking too much, | 0:35:46 | 0:35:49 | |
"smoking too much and going with Portsmouth ladies | 0:35:49 | 0:35:52 | |
"like Hospital Hattie and Lamppost Lil." | 0:35:52 | 0:35:55 | |
LAUGHTER | 0:35:55 | 0:35:57 | |
The bishop said, "Why do you ask?" The petty officer said, | 0:35:58 | 0:36:01 | |
"Well, it says in here that the Archbishop of Canterbury's got it." | 0:36:01 | 0:36:04 | |
LAUGHTER AND APPLAUSE | 0:36:04 | 0:36:08 | |
# When I sit and look at you | 0:36:12 | 0:36:17 | |
# I just can't believe it's true | 0:36:17 | 0:36:20 | |
# Can't believe you love me though | 0:36:22 | 0:36:25 | |
# You have often told me so | 0:36:25 | 0:36:28 | |
# So it seems a dream of bliss | 0:36:29 | 0:36:33 | |
# Never hoped for things like this | 0:36:34 | 0:36:37 | |
# Now I'm wondering all the day | 0:36:37 | 0:36:42 | |
# Why such luck should come my way | 0:36:42 | 0:36:49 | |
# Fancy you fancying me | 0:36:49 | 0:36:52 | |
# I can't tell what you can see | 0:36:52 | 0:36:56 | |
# For it seems like dreams are not reality | 0:36:56 | 0:37:01 | |
# That you should like my personality | 0:37:01 | 0:37:05 | |
# I can't quite figure it out | 0:37:05 | 0:37:09 | |
# I can't tell why it should be | 0:37:10 | 0:37:13 | |
# I can fancy anybody fancying you | 0:37:13 | 0:37:18 | |
# But fancy you fancying me? # | 0:37:18 | 0:37:21 | |
I'm going back up here. | 0:37:21 | 0:37:24 | |
# Don't know anybody who | 0:37:29 | 0:37:34 | |
# Ever could help liking you | 0:37:34 | 0:37:37 | |
# You're so different from the rest | 0:37:38 | 0:37:43 | |
# S'pose that's why I like you best | 0:37:43 | 0:37:46 | |
# Yes, the first day that we met | 0:37:47 | 0:37:51 | |
# I knew I'd had a heart to let | 0:37:51 | 0:37:55 | |
# Now I'm wondering all the day | 0:37:55 | 0:38:00 | |
# Why such luck should come my way? | 0:38:00 | 0:38:07 | |
# Fancy you fancying me | 0:38:07 | 0:38:11 | |
# I can't tell what you can see | 0:38:11 | 0:38:14 | |
# For it seems like dreams are not reality | 0:38:14 | 0:38:20 | |
# That you should like my personality | 0:38:20 | 0:38:23 | |
# I can't quite figure it out | 0:38:23 | 0:38:28 | |
# I can't tell why it should be | 0:38:28 | 0:38:32 | |
# I can fancy anybody fancying you | 0:38:32 | 0:38:36 | |
# But fancy you fancying, fancy you fancying | 0:38:36 | 0:38:41 | |
# Fancy you fancying me | 0:38:41 | 0:38:45 | |
# Fancy you fancying me. # | 0:38:45 | 0:38:48 | |
APPLAUSE | 0:38:50 | 0:38:53 | |
Hey! | 0:38:56 | 0:38:57 | |
In a patriotic potpourri once again, | 0:39:08 | 0:39:13 | |
inimitably indispensable, | 0:39:13 | 0:39:16 | |
the Players' Theatre! | 0:39:16 | 0:39:19 | |
# Hello, hello, here we are again | 0:39:22 | 0:39:26 | |
# Here we are, here we are, here we are again | 0:39:26 | 0:39:29 | |
# There's Pat and Mac and Tommy and Jack and Joe | 0:39:29 | 0:39:33 | |
# When there's trouble brewing, when there's something doing | 0:39:33 | 0:39:36 | |
# Are we down-hearted? | 0:39:36 | 0:39:38 | |
# No, let them all come | 0:39:38 | 0:39:40 | |
# Here we are, here we are, here we are again | 0:39:40 | 0:39:43 | |
# Fit and well and feeling as right as rain | 0:39:43 | 0:39:47 | |
# Never mind the weather, now then, all together | 0:39:47 | 0:39:51 | |
# Hello, hello, here we are again | 0:39:51 | 0:39:54 | |
# So pack up your troubles in your old kit-bag | 0:39:54 | 0:39:58 | |
# And smile, smile, smile | 0:39:58 | 0:40:02 | |
# While you've a lucifer to light your fag | 0:40:03 | 0:40:07 | |
# Smile, boys, that's the style | 0:40:07 | 0:40:11 | |
# What's the use of worrying? | 0:40:12 | 0:40:15 | |
# It never was worthwhile | 0:40:15 | 0:40:19 | |
# So pack up your troubles in your old kit-bag | 0:40:19 | 0:40:24 | |
# And smile, smile, smile | 0:40:24 | 0:40:28 | |
# If you were the only girl in the world | 0:40:28 | 0:40:35 | |
-WOMEN: -# And you were the only boy | 0:40:35 | 0:40:40 | |
# Nothing else would matter in the world today | 0:40:41 | 0:40:47 | |
# We would go on loving in the same old way | 0:40:47 | 0:40:53 | |
# A Garden of Eden just made for two | 0:40:53 | 0:40:59 | |
# With nothing to mar our joy | 0:40:59 | 0:41:04 | |
# I would say such wonderful things to you | 0:41:04 | 0:41:09 | |
# There would be such wonderful things to do | 0:41:11 | 0:41:16 | |
# If you were the only girl in the world | 0:41:16 | 0:41:23 | |
# And you were the only boy | 0:41:23 | 0:41:28 | |
-MEN: -# And I was the only boy | 0:41:29 | 0:41:34 | |
# Goodbye-ee | 0:41:40 | 0:41:42 | |
# Goodbye-ee | 0:41:42 | 0:41:47 | |
# Goodbye-ee | 0:41:47 | 0:41:49 | |
# Goodbye-ee | 0:41:49 | 0:41:53 | |
# Wipe the tear, baby dear | 0:41:54 | 0:41:58 | |
# From your eye-ee | 0:41:58 | 0:42:02 | |
# It's a long way to Tipperary | 0:42:04 | 0:42:10 | |
# It's a long way to go | 0:42:10 | 0:42:14 | |
# It's a long way to Tipperary | 0:42:15 | 0:42:20 | |
# To the sweetest girl I know | 0:42:20 | 0:42:25 | |
# Goodbye, Piccadilly | 0:42:27 | 0:42:31 | |
# Farewell, Leicester Square | 0:42:31 | 0:42:35 | |
# It's a long, long way to Tipperary | 0:42:35 | 0:42:40 | |
# But my heart's right there | 0:42:40 | 0:42:43 | |
# It's a long way to Tipperary | 0:42:43 | 0:42:47 | |
# It's a long way to go | 0:42:47 | 0:42:51 | |
# It's a long way to Tipperary | 0:42:52 | 0:42:55 | |
# To the sweetest girl I know | 0:42:55 | 0:42:58 | |
# Goodbye, Piccadilly | 0:43:00 | 0:43:03 | |
# Farewell, Leicester Square | 0:43:03 | 0:43:07 | |
# It's a long, long way to Tipperary | 0:43:07 | 0:43:11 | |
# But my heart's right there. # | 0:43:11 | 0:43:18 | |
CHEERING AND APPLAUSE | 0:43:20 | 0:43:23 | |
And now there's only just time to ask Mr Ronnie Corbett to lead | 0:43:34 | 0:43:38 | |
the company and yourselves in the last chorus for tonight, | 0:43:38 | 0:43:41 | |
Down At The Old Bull And Bush. | 0:43:41 | 0:43:42 | |
Ladies and gentlemen, Mr Ronnie Corbett, the entire company, | 0:43:42 | 0:43:45 | |
Mr Bernard Hammond and the entire and indefatigable orchestra... | 0:43:45 | 0:43:49 | |
CHEERING AND APPLAUSE | 0:43:49 | 0:43:52 | |
..but, this time, chiefly yourselves! | 0:43:52 | 0:43:58 | |
# Come, come, come and make eyes at me | 0:44:01 | 0:44:05 | |
# Down at the Old Bull and Bush | 0:44:05 | 0:44:07 | |
# Da, da, da, da, da | 0:44:07 | 0:44:09 | |
# Come, come, drink some port wine with me | 0:44:09 | 0:44:13 | |
# Down at the Old Bull and Bush | 0:44:13 | 0:44:16 | |
# Hear the little German band | 0:44:16 | 0:44:19 | |
# Da, da, da, da, da, da, da | 0:44:19 | 0:44:21 | |
# Just let me hold your hand, dear | 0:44:21 | 0:44:24 | |
# Come, come, come and have a drink or two | 0:44:25 | 0:44:28 | |
# Down at the Old Bull and Bush | 0:44:28 | 0:44:32 | |
# Bush Bush! # | 0:44:32 | 0:44:35 | |
CHEERING AND APPLAUSE | 0:44:35 | 0:44:38 |