Browse content similar to 01/03/1974. Check below for episodes and series from the same categories and more!
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# Oh, you beautiful doll You great, big, beautiful doll | 0:00:07 | 0:00:14 | |
# Let me put my arms about you | 0:00:14 | 0:00:18 | |
# I could never live without you | 0:00:18 | 0:00:22 | |
# Oh, you beautiful doll You great, big, beautiful doll | 0:00:22 | 0:00:29 | |
# If you ever leave me how my heart would ache | 0:00:29 | 0:00:33 | |
# I want to hug you but I fear you'd break | 0:00:33 | 0:00:36 | |
# Oh, Oh, Oh, Oh, | 0:00:36 | 0:00:40 | |
# Oh, you beautiful doll. # | 0:00:40 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:48 | |
FANFARE | 0:00:49 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:58 | |
Once again... | 0:01:03 | 0:01:07 | |
..good evening, ladies and gentlemen. | 0:01:09 | 0:01:13 | |
-AUDIENCE: -Good evening! | 0:01:13 | 0:01:16 | |
Our comprehensive carnivalia incorporates | 0:01:16 | 0:01:21 | |
coruscating Clarice... | 0:01:21 | 0:01:25 | |
LAUGHTER | 0:01:25 | 0:01:28 | |
..Clarice Mania from the Prodigal Players Theatre with none | 0:01:28 | 0:01:34 | |
other than that vertiginous vital spark, Miss Jan Hunt. | 0:01:34 | 0:01:40 | |
APPLAUSE | 0:01:40 | 0:01:44 | |
# Put on your ta-ta, little girlie | 0:01:47 | 0:01:51 | |
# Do do what I want you to | 0:01:51 | 0:01:53 | |
# Far from the busy hurly-burly | 0:01:53 | 0:01:57 | |
# I've got lots to say to you | 0:01:57 | 0:02:01 | |
# My head's completely twirly whirly | 0:02:01 | 0:02:04 | |
# My girl I want you to be | 0:02:04 | 0:02:08 | |
# So put on your ta-ta your pretty little ta-ta | 0:02:08 | 0:02:11 | |
-# And come on ta-ta-ta -# Please come on ta-ta-ta | 0:02:11 | 0:02:15 | |
# Yes, come on and ta-ta with me. # | 0:02:15 | 0:02:18 | |
# I was a good little girl | 0:02:18 | 0:02:23 | |
# Till I met you | 0:02:23 | 0:02:27 | |
# You set my head in a whirl my poor heart too | 0:02:27 | 0:02:35 | |
# Oh how you told me the tale | 0:02:35 | 0:02:40 | |
# You always knew | 0:02:40 | 0:02:43 | |
# I was a good little girl | 0:02:43 | 0:02:49 | |
# Till I met you. # | 0:02:49 | 0:02:54 | |
# Joshua | 0:02:54 | 0:02:57 | |
ENSEMBLE: # Joshua | 0:02:57 | 0:02:58 | |
# Why don't you call and see Mama | 0:02:58 | 0:03:01 | |
# She'll be pleased to know | 0:03:01 | 0:03:05 | |
# You are my best beau | 0:03:05 | 0:03:10 | |
# Joshua Joshua | 0:03:10 | 0:03:14 | |
# Nicer than lemon squash you are | 0:03:14 | 0:03:18 | |
# Yes, it's fine Gosh you are | 0:03:18 | 0:03:21 | |
# Josh-u, Joshua. # | 0:03:21 | 0:03:26 | |
Oh! | 0:03:28 | 0:03:29 | |
# I wonder why I always sigh the way I do | 0:03:33 | 0:03:38 | |
# And now it seems that all my dreams are all of you | 0:03:38 | 0:03:45 | |
# You used to be so nice to me in days gone by | 0:03:45 | 0:03:51 | |
# But all that now has changed somehow | 0:03:51 | 0:03:55 | |
# I wonder why | 0:03:55 | 0:03:58 | |
# You called me baby doll a year ago | 0:04:00 | 0:04:06 | |
# You told me I was very nice to know | 0:04:06 | 0:04:13 | |
# I soon learned what love was | 0:04:13 | 0:04:18 | |
# I thought I knew | 0:04:18 | 0:04:22 | |
# But all I've learnt has only taught me how to love you | 0:04:22 | 0:04:30 | |
# You made me think you loved me in return | 0:04:31 | 0:04:37 | |
# Don't tell me you were fooling after all | 0:04:37 | 0:04:43 | |
# For if you go away you'll be sorry some day | 0:04:43 | 0:04:50 | |
# You left behind | 0:04:50 | 0:04:54 | |
# A broken doll | 0:04:54 | 0:05:00 | |
# You called me baby doll a year ago | 0:05:02 | 0:05:06 | |
# Year ago | 0:05:06 | 0:05:07 | |
-AUDIENCE: -# Year ago | 0:05:07 | 0:05:08 | |
# Year ago | 0:05:08 | 0:05:10 | |
# You told me I was very nice to know | 0:05:10 | 0:05:13 | |
# Nice to know Nice to know | 0:05:13 | 0:05:16 | |
# Nice to know | 0:05:16 | 0:05:17 | |
# I soon learned what love was | 0:05:17 | 0:05:20 | |
# I thought I knew | 0:05:20 | 0:05:23 | |
# But all I've learnt has only taught me | 0:05:23 | 0:05:28 | |
# How to love you | 0:05:28 | 0:05:31 | |
# You made me think you loved me in return | 0:05:31 | 0:05:36 | |
AUDIENCE: # In return in return, in return | 0:05:36 | 0:05:39 | |
# Don't tell me you were fooling after all | 0:05:39 | 0:05:46 | |
# For if you go away | 0:05:46 | 0:05:49 | |
-# You'll be -AUDIENCE: Sorry some day | 0:05:49 | 0:05:52 | |
# Yes, you will | 0:05:52 | 0:05:53 | |
# You left behind a broken doll. # | 0:05:53 | 0:06:01 | |
# Jerry Jeremiah | 0:06:01 | 0:06:05 | |
# My heart's on fire | 0:06:05 | 0:06:08 | |
# Play again that sweet refrain | 0:06:08 | 0:06:11 | |
# Oom-to-ra-ra Oom-to-ra-ra | 0:06:11 | 0:06:14 | |
# Jerry Jeremiah | 0:06:14 | 0:06:18 | |
# It's the finest tune I've known | 0:06:18 | 0:06:21 | |
# Rag it Rag it | 0:06:21 | 0:06:24 | |
# Zig zigzag it on your ragtime trombone | 0:06:24 | 0:06:28 | |
ENSEMBLE: # Jerry Jeremiah | 0:06:28 | 0:06:32 | |
# My heart's on fire | 0:06:32 | 0:06:35 | |
# Play again that sweet refrain | 0:06:35 | 0:06:38 | |
# Oom-to-ra-ra Oom-to-ra-ra | 0:06:38 | 0:06:41 | |
# Jerry Jeremiah | 0:06:41 | 0:06:45 | |
# It's the finest tune I know | 0:06:45 | 0:06:48 | |
# Rag it Rag it | 0:06:48 | 0:06:50 | |
# Zig zigzag it on your ragtime | 0:06:50 | 0:06:54 | |
# Ragtime | 0:06:56 | 0:06:57 | |
# Ragtime trombone. # | 0:06:59 | 0:07:05 | |
CHEERING AND APPLAUSE | 0:07:05 | 0:07:07 | |
A French fanfaronade... | 0:07:20 | 0:07:23 | |
-AUDIENCE: -Ooh! | 0:07:23 | 0:07:25 | |
..from Mr Bernard Herrmann and his frenetic affiliates... | 0:07:25 | 0:07:29 | |
Oh! | 0:07:29 | 0:07:31 | |
..for the fabulous filigree of fouette, | 0:07:31 | 0:07:35 | |
the ecstasy of entrechat... | 0:07:35 | 0:07:39 | |
Oh! | 0:07:39 | 0:07:41 | |
..from prima ballerina assolutisima, | 0:07:41 | 0:07:44 | |
Chantal with Dumont! | 0:07:44 | 0:07:49 | |
CHEERING AND APPLAUSE | 0:07:49 | 0:07:51 | |
MUSIC: Swan Lake by Pyotr Ilyich Tchaikovsky | 0:07:53 | 0:07:56 | |
LAUGHTER | 0:08:57 | 0:08:59 | |
DRUMROLL, LAUGHTER | 0:09:10 | 0:09:12 | |
DRUMROLL, LAUGHTER | 0:09:24 | 0:09:26 | |
LAUGHTER | 0:09:41 | 0:09:43 | |
DRUMROLL, LAUGHTER | 0:10:04 | 0:10:07 | |
APPLAUSE | 0:10:14 | 0:10:17 | |
LAUGHTER | 0:10:39 | 0:10:41 | |
LAUGHTER | 0:11:22 | 0:11:24 | |
DRUMROLL | 0:11:39 | 0:11:41 | |
APPLAUSE | 0:11:43 | 0:11:45 | |
LAUGHTER | 0:12:12 | 0:12:14 | |
APPLAUSE | 0:12:24 | 0:12:26 | |
LAUGHTER | 0:13:08 | 0:13:10 | |
APPLAUSE | 0:13:30 | 0:13:33 | |
CHEERING | 0:13:38 | 0:13:40 | |
The ineluctable | 0:13:46 | 0:13:49 | |
deliquescences of Franz Lehar | 0:13:49 | 0:13:53 | |
made luminous by the ineffable effulgence | 0:13:53 | 0:13:58 | |
of Miss Lynn Kennington! | 0:13:58 | 0:14:02 | |
CHEERING AND APPLAUSE | 0:14:02 | 0:14:05 | |
# You that I now adore | 0:14:12 | 0:14:17 | |
# Have we not loved before? | 0:14:17 | 0:14:22 | |
# How could I else have known | 0:14:22 | 0:14:26 | |
# You were my love, my own? | 0:14:26 | 0:14:31 | |
# Love is a dream, you say | 0:14:31 | 0:14:36 | |
# Passing with break of day | 0:14:36 | 0:14:41 | |
# How does it seem | 0:14:41 | 0:14:49 | |
# Like a dream? | 0:14:49 | 0:14:56 | |
# Say not love is a dream | 0:14:56 | 0:15:03 | |
# Say not that hope is vain | 0:15:03 | 0:15:07 | |
# Say not that cruel fate will redeem | 0:15:07 | 0:15:14 | |
# Every joy with pain | 0:15:14 | 0:15:22 | |
# Look not, look not beyond | 0:15:22 | 0:15:29 | |
# Joy so dear | 0:15:29 | 0:15:36 | |
# Two hearts may not despond | 0:15:36 | 0:15:42 | |
# For love knows naught of fear | 0:15:42 | 0:15:50 | |
# True love breaks every bond | 0:15:50 | 0:15:57 | |
# And love, true love is here. # | 0:15:57 | 0:16:05 | |
# Please don't be offended if I preach to you a while | 0:16:29 | 0:16:34 | |
# Tears are out of place in eyes that were meant to smile | 0:16:34 | 0:16:40 | |
# There's a very simple way to make your troubles small | 0:16:40 | 0:16:47 | |
# Here's the simple secret to it all | 0:16:47 | 0:16:54 | |
# Look for the silver lining | 0:16:56 | 0:17:03 | |
# Whenever clouds appear in the blue | 0:17:03 | 0:17:11 | |
# Remember somewhere the sun is shining | 0:17:11 | 0:17:18 | |
# And so the right thing to do | 0:17:18 | 0:17:25 | |
# Is make it shine for you | 0:17:25 | 0:17:29 | |
# A heart full of joy and gladness | 0:17:29 | 0:17:36 | |
# Will always banish sadness and strife | 0:17:36 | 0:17:44 | |
# So always look for a silver lining | 0:17:44 | 0:17:52 | |
# And try to find the sunny side of life | 0:17:52 | 0:18:00 | |
# Look for a silver lining | 0:18:04 | 0:18:12 | |
# Whenever clouds appear in the blue | 0:18:12 | 0:18:19 | |
# Remember somewhere the sun is shining | 0:18:19 | 0:18:26 | |
# And so the right thing to do | 0:18:26 | 0:18:33 | |
# Is make it shine for you | 0:18:33 | 0:18:36 | |
# A heart full of joy and gladness | 0:18:36 | 0:18:43 | |
# Will always banish sadness and strife | 0:18:43 | 0:18:50 | |
# So always look for | 0:18:50 | 0:18:56 | |
# A silver lining | 0:18:56 | 0:19:02 | |
# And try to find the sunny side | 0:19:02 | 0:19:09 | |
# Of life. # | 0:19:09 | 0:19:17 | |
APPLAUSE AND CHEERING | 0:19:17 | 0:19:21 | |
Hieratical propensities | 0:19:38 | 0:19:42 | |
precipitate a hair-raising heterogeneity... | 0:19:42 | 0:19:47 | |
-AUDIENCE: -Oooh! | 0:19:47 | 0:19:50 | |
..that, madam, is a mixed bag... | 0:19:50 | 0:19:55 | |
LAUGHTER | 0:19:55 | 0:19:57 | |
..if you'll pardon the expression... | 0:19:57 | 0:19:59 | |
..of propulsive revolutionary | 0:20:00 | 0:20:04 | |
-projectiles! AUDIENCE: -Oh! | 0:20:04 | 0:20:06 | |
Juggling! | 0:20:06 | 0:20:08 | |
Ladies and gentlemen, Panto! | 0:20:08 | 0:20:11 | |
MUSIC: Sabre Dance by Aram Khachaturian | 0:20:11 | 0:20:14 | |
CHEERING | 0:20:48 | 0:20:50 | |
CHEERING AND APPLAUSE | 0:21:29 | 0:21:31 | |
CHEERING | 0:21:55 | 0:21:57 | |
LAUGHTER | 0:23:03 | 0:23:05 | |
Ole! | 0:23:09 | 0:23:11 | |
AUDIENCE GASPS | 0:23:11 | 0:23:12 | |
DRUMROLL | 0:23:15 | 0:23:17 | |
LAUGHTER | 0:23:19 | 0:23:21 | |
APPLAUSE | 0:23:36 | 0:23:38 | |
DRUMROLL CONTINUES | 0:23:38 | 0:23:40 | |
APPLAUSE | 0:23:42 | 0:23:44 | |
This is the last one! | 0:23:59 | 0:24:00 | |
Very dangerous! | 0:24:00 | 0:24:02 | |
LAUGHTER | 0:24:06 | 0:24:08 | |
LAUGHTER | 0:24:22 | 0:24:24 | |
No, no, it's not finished. | 0:24:24 | 0:24:26 | |
Yes, it's finished. | 0:24:33 | 0:24:34 | |
LAUGHTER | 0:24:34 | 0:24:36 | |
APPLAUSE | 0:24:38 | 0:24:40 | |
OK. | 0:24:46 | 0:24:47 | |
LAUGHTER | 0:24:50 | 0:24:52 | |
Mamma mia! | 0:24:54 | 0:24:55 | |
-Hey! -CHEERING AND APPLAUSE | 0:25:09 | 0:25:11 | |
MUSIC: Sabre Dance by Aram Khachaturian | 0:25:11 | 0:25:13 | |
CHEERING | 0:25:17 | 0:25:20 | |
CHEERING | 0:26:10 | 0:26:12 | |
Unquestionably unique, | 0:26:17 | 0:26:22 | |
the one and only... | 0:26:22 | 0:26:25 | |
Ken Dodd! | 0:26:25 | 0:26:28 | |
CHEERING AND APPLAUSE | 0:26:28 | 0:26:30 | |
SPEECH DROWNED OUT BY ENTRANCE MUSIC | 0:26:41 | 0:26:43 | |
-MUSIC STOPS -Chuck it! | 0:26:45 | 0:26:47 | |
Have you chucked it? Right, first of all, ladies and gentlemen, | 0:26:47 | 0:26:51 | |
any diddy kids, dogs, kids, cats and lodgers, | 0:26:51 | 0:26:54 | |
I'd like to say how tickled I am, how full of plumptiousness... | 0:26:54 | 0:26:57 | |
..how absolutely discum-knicker... | 0:26:59 | 0:27:01 | |
discumknockerated... | 0:27:01 | 0:27:02 | |
LAUGHTER | 0:27:02 | 0:27:04 | |
..standing here tonight, I feel absolutely goolified... | 0:27:04 | 0:27:07 | |
LAUGHTER | 0:27:07 | 0:27:09 | |
It's the... | 0:27:09 | 0:27:11 | |
It's the same as being contrapuntal. | 0:27:11 | 0:27:13 | |
..how full of lungpunkinotiousness, ladies and gentlemen, | 0:27:13 | 0:27:16 | |
standing here tonight in this magnificent...shed. | 0:27:16 | 0:27:19 | |
Standing here tonight on Ticklemass Eve, here in my hurrey-furry coat. | 0:27:22 | 0:27:26 | |
Like it, gaffer? Hurrey-furry. | 0:27:26 | 0:27:28 | |
Genuine moggy skin, this. It is, moggy skin, pussy cats. | 0:27:28 | 0:27:31 | |
It took 28 moggies to make this. | 0:27:31 | 0:27:33 | |
-HE SNIFFS, BLOWS RASPBERRY -All toms. | 0:27:33 | 0:27:34 | |
LAUGHTER | 0:27:34 | 0:27:36 | |
By Jove, it's full of life, this coat. | 0:27:36 | 0:27:38 | |
I've got a pair of underpants made of the same stuff. | 0:27:42 | 0:27:45 | |
Moggy-skin long johns. | 0:27:45 | 0:27:46 | |
When I walk down our street, people say, "Ah, 'hairy' comes!" | 0:27:46 | 0:27:50 | |
-LAUGHTER AND GROANING -"Hairy" comes! | 0:27:50 | 0:27:53 | |
GROANING AND CATCALLS | 0:27:53 | 0:27:57 | |
It's a joke! | 0:27:57 | 0:27:59 | |
It's a joke! It's what we call in show business "a shaft of wit." | 0:27:59 | 0:28:03 | |
-Now, a lot of people... -LAUGHTER | 0:28:03 | 0:28:06 | |
..often wonder where... | 0:28:06 | 0:28:09 | |
LAUGHTER CONTINUES | 0:28:09 | 0:28:10 | |
..where all these short shafts of wit are coming from. | 0:28:10 | 0:28:14 | |
Well, it's a firm here in Yorkshire in Clacuddinsdwyke | 0:28:14 | 0:28:16 | |
calls Jokes Ltd and we send the postal order off on a Monday | 0:28:16 | 0:28:19 | |
and they send us the jokes through by the weekend. | 0:28:19 | 0:28:22 | |
I wonder where my butler's got to, my valet. Knockers? Kno... | 0:28:22 | 0:28:25 | |
No, not you, Missy. Knockers! | 0:28:25 | 0:28:28 | |
This is my butler Knockers. How are you, Knockers? | 0:28:28 | 0:28:30 | |
-All right. -You're looking well. | 0:28:30 | 0:28:32 | |
You've been breathing again, haven't you? | 0:28:32 | 0:28:34 | |
Knockers, I want you to take him for a run round the block, | 0:28:34 | 0:28:36 | |
he hasn't been today. And don't forget the ball and bat. | 0:28:36 | 0:28:39 | |
-There you are. -Good. -Thank you very much, Knockers. | 0:28:39 | 0:28:41 | |
He's a good lad. I'd like to say once again, | 0:28:41 | 0:28:43 | |
I'd like to say, ladies and gentlemen, how tickled I am to... | 0:28:43 | 0:28:46 | |
Did you see that, love? They can't touch you for it, you know. | 0:28:46 | 0:28:49 | |
They can't! | 0:28:49 | 0:28:50 | |
Not if you've been sponsored. | 0:28:50 | 0:28:52 | |
Rubbish, get off. | 0:28:54 | 0:28:56 | |
There we are, now, then... | 0:28:56 | 0:28:58 | |
-AUDIENCE GASPS -This is the one. Right. | 0:28:58 | 0:29:00 | |
LAUGHTER | 0:29:04 | 0:29:05 | |
"Ooh, Ken Dodd, what a whopper!" | 0:29:10 | 0:29:13 | |
Now, then, who fancies a tickle in the first two rows? | 0:29:15 | 0:29:18 | |
-GERONIMO! -AUDIENCE SQUEALS | 0:29:18 | 0:29:21 | |
Ladies and gentlemen, I can't tell you how absolutely underwhelmed | 0:29:25 | 0:29:29 | |
I feel being here this evening. | 0:29:29 | 0:29:32 | |
All these hairy... | 0:29:34 | 0:29:36 | |
There's a fine, walrus, handlebar moustache. | 0:29:36 | 0:29:40 | |
How long did it take you to grow that, missus? | 0:29:40 | 0:29:42 | |
LAUGHTER | 0:29:42 | 0:29:44 | |
The young lady in the low-cut dress leaning out of the box up there. | 0:29:47 | 0:29:49 | |
Very nice, love. | 0:29:49 | 0:29:50 | |
Can you see everything? | 0:29:50 | 0:29:52 | |
-We can! -LAUGHTER | 0:29:53 | 0:29:56 | |
To be here tonight, here in the city, | 0:29:59 | 0:30:01 | |
this beautiful Edwardian Nissen hut, | 0:30:01 | 0:30:04 | |
this, one of the seven wonders of Briggate, | 0:30:04 | 0:30:07 | |
this... | 0:30:07 | 0:30:09 | |
this lovely theatre, ladies and gentlemen... | 0:30:09 | 0:30:11 | |
Actually, there's a story attached to this theatre. | 0:30:11 | 0:30:13 | |
It's on the wall in the gents. | 0:30:13 | 0:30:15 | |
The style of architecture here is early perpendicular | 0:30:18 | 0:30:21 | |
and the decorations are Baroque, or Ba-roke. | 0:30:21 | 0:30:24 | |
It's all "Ba-roke". | 0:30:24 | 0:30:26 | |
The windows are ba-roke, the doors are ba-roke... | 0:30:27 | 0:30:30 | |
The manager, he's not too flush either. | 0:30:30 | 0:30:32 | |
This beautiful... | 0:30:34 | 0:30:35 | |
The ceiling, the ceiling is an exact replica of the Sistine Chapel | 0:30:35 | 0:30:38 | |
done in whitewash. | 0:30:38 | 0:30:40 | |
And notice... | 0:30:40 | 0:30:41 | |
Notice how the floor is so cunningly made so it just reaches your feet. | 0:30:41 | 0:30:44 | |
-This is... -LAUGHTER | 0:30:44 | 0:30:46 | |
..a feature. | 0:30:46 | 0:30:48 | |
On your way in, you probably noticed the filigree foyer | 0:30:48 | 0:30:51 | |
and the half-timber gents | 0:30:51 | 0:30:52 | |
and... | 0:30:52 | 0:30:54 | |
All the features of this magnificent building, ladies and gentlemen, | 0:30:54 | 0:30:57 | |
and as I say, it is really wonderful. | 0:30:57 | 0:30:59 | |
Tonight is anniversary night. | 0:30:59 | 0:31:01 | |
It's exactly 25 years ago to the very night | 0:31:01 | 0:31:03 | |
since the circle collapsed | 0:31:03 | 0:31:05 | |
-and... Yes! -LAUGHTER | 0:31:05 | 0:31:07 | |
Laugh! 25... | 0:31:10 | 0:31:13 | |
25 years ago, love, there were people sitting up there, | 0:31:13 | 0:31:15 | |
just like you are now. | 0:31:15 | 0:31:18 | |
Rows and rows of Toby jugs, all... | 0:31:18 | 0:31:20 | |
LAUGHTER | 0:31:20 | 0:31:22 | |
"Here, Mother, have you got any more of that nut brittle?" | 0:31:25 | 0:31:29 | |
All of a sudden, there was this horrible creaking noise. | 0:31:29 | 0:31:32 | |
-There it goes again! -LAUGHTER | 0:31:32 | 0:31:35 | |
"Cavoomph!" The whole lot fell down, collapsed. | 0:31:35 | 0:31:37 | |
There was a little old lady, sitting in the middle, underneath, | 0:31:37 | 0:31:40 | |
just where you are, dear. | 0:31:40 | 0:31:41 | |
There was a dear, little old lady sitting in that seat | 0:31:41 | 0:31:44 | |
in the centre underneath, with her lolly ice sticking up in the air. | 0:31:44 | 0:31:47 | |
This man, this fella... | 0:31:47 | 0:31:48 | |
..upstairs... | 0:31:50 | 0:31:51 | |
LAUGHTER | 0:31:51 | 0:31:53 | |
-..in a kilt... -HE WHISTLES | 0:31:56 | 0:31:58 | |
She said, "By Jove, you get a big 'un for sixpence, don't you!" | 0:32:01 | 0:32:04 | |
LAUGHTER | 0:32:04 | 0:32:05 | |
They laugh at us down south, you know. They say we wear flat hats. | 0:32:09 | 0:32:12 | |
Course we wear flat hats, you know why? | 0:32:12 | 0:32:14 | |
Cos we're flatheads! That's why! | 0:32:14 | 0:32:16 | |
Those fellas, the men down south, they wear their socks in bed. | 0:32:17 | 0:32:22 | |
That's not fair to any woman, they should wear clogs like we do. | 0:32:22 | 0:32:25 | |
Now, my grandad, there was a fella. All his life he worked like a horse. | 0:32:27 | 0:32:30 | |
People used to follow him with a shovel. | 0:32:30 | 0:32:32 | |
APPLAUSE | 0:32:36 | 0:32:37 | |
Me little uncle Willie, he works on the docks in Liverpool, | 0:32:37 | 0:32:40 | |
and he's what they call a diesel fitter. | 0:32:40 | 0:32:42 | |
He goes round the dock shed looking in all the cases, saying, | 0:32:42 | 0:32:44 | |
"Deese'll fit 'er, deese'll fit 'er." | 0:32:44 | 0:32:46 | |
My grandad was on the stage. | 0:32:49 | 0:32:51 | |
My grandad was one of the all-time grates. | 0:32:51 | 0:32:53 | |
My granny used to have to black lead him. | 0:32:53 | 0:32:55 | |
She is very jealous of him. | 0:32:58 | 0:32:59 | |
When he goes down for a shovel of coal, she has him followed. | 0:32:59 | 0:33:02 | |
With a padlock and in braces. | 0:33:02 | 0:33:05 | |
She frightened the life out of me the other night, me granny. | 0:33:05 | 0:33:08 | |
She told my grandad she was saving up for a new perm. | 0:33:08 | 0:33:10 | |
He thought she said a new pram. | 0:33:10 | 0:33:12 | |
Of course, he hasn't been well, my grandad. | 0:33:13 | 0:33:15 | |
All through the winter my grandad stood with his back to the fire. | 0:33:15 | 0:33:18 | |
We had to have him swept. | 0:33:18 | 0:33:20 | |
Now... | 0:33:22 | 0:33:24 | |
And now, if you please, the latest news... | 0:33:26 | 0:33:29 | |
The latest news now is that ladies actually want the vote. | 0:33:29 | 0:33:32 | |
HIGH-PITCHED CHUCKLE | 0:33:32 | 0:33:33 | |
You can't do that. We can't let them have that, can we, lads? | 0:33:33 | 0:33:36 | |
-AUDIENCE: -Yes! -No! | 0:33:36 | 0:33:37 | |
-Cos we're British, aren't we, lads? -MEN IN AUDIENCE: -Yes! | 0:33:37 | 0:33:40 | |
And we will all put our backs out for Britain, won't we, lads? | 0:33:40 | 0:33:43 | |
-MEN IN AUDIENCE: -Yes! | 0:33:43 | 0:33:44 | |
Well, you will, I'm going to have a lie down. | 0:33:44 | 0:33:47 | |
No, you must admit, ladies, British men are the world's greatest. | 0:33:47 | 0:33:49 | |
-Aren't we, girls? -WOMEN IN AUDIENCE, WITHOUT CONVICTION: -Yes. | 0:33:49 | 0:33:52 | |
You wouldn't fancy one of those continental Romeos, | 0:33:52 | 0:33:54 | |
-would you, ladies? -WOMEN IN AUDIENCE: -Yes! | 0:33:54 | 0:33:57 | |
-One of these frisky Frenchmen? -WOMEN IN AUDIENCE: -Yes! | 0:33:57 | 0:34:00 | |
Cos they all think about is, "Aw-haw-haw-haw." | 0:34:00 | 0:34:03 | |
You wouldn't fancy one of those handsome Italians with | 0:34:05 | 0:34:07 | |
the black wavy hair, would you, girls? | 0:34:07 | 0:34:10 | |
-WOMEN IN AUDIENCE: -Yes! | 0:34:10 | 0:34:11 | |
You wouldn't! They'd creep up behind you when you're doing the sprouts. | 0:34:11 | 0:34:14 | |
HE BLOWS RASPBERRY | 0:34:14 | 0:34:15 | |
So I want to do something really dramatic, Mr Sachs, sir, | 0:34:19 | 0:34:22 | |
and I think the time has come for us to have a bad salad. | 0:34:22 | 0:34:24 | |
A sad ballad! Could we have something, Mr Herrmann, like | 0:34:24 | 0:34:27 | |
"Don't Go Down in the Mine Dad There's Plenty of Slack in Your Trousers"? | 0:34:27 | 0:34:30 | |
LAUGHTER | 0:34:30 | 0:34:32 | |
Something. What's something that really...? | 0:34:35 | 0:34:37 | |
We want to sing something that will really please | 0:34:37 | 0:34:40 | |
the ladies and gentlemen, a romantic song like | 0:34:40 | 0:34:42 | |
"It's Only the Hairs on a Gooseberry That Stop It Becoming a Grape." | 0:34:42 | 0:34:45 | |
What...? Fella looking at me through binoculars here, | 0:34:45 | 0:34:48 | |
he must think I'm a racehorse. | 0:34:48 | 0:34:50 | |
What? | 0:34:50 | 0:34:52 | |
For this romantic eisteddfod, what sort of music do you recommend, sir? | 0:34:52 | 0:34:56 | |
-Musical comedy. -Musical comedy! Beautifully judged. | 0:34:56 | 0:34:59 | |
Beautifully judged. I had three ambitions in my life. | 0:34:59 | 0:35:02 | |
My first was to sing under your baton. Wave it. | 0:35:02 | 0:35:04 | |
That's it, that's his baton. | 0:35:04 | 0:35:06 | |
If they play a wrong note, he bats them on the head with it. | 0:35:06 | 0:35:08 | |
My second ambition was to do a duet with a beautiful girl in A flat, | 0:35:08 | 0:35:11 | |
and my third ambition... | 0:35:11 | 0:35:12 | |
LAUGHTER | 0:35:12 | 0:35:15 | |
Musical comedy, beautiful. Any particular musical comedy? | 0:35:15 | 0:35:18 | |
Maid of the mountains. | 0:35:18 | 0:35:20 | |
The Maid of the Mountains. | 0:35:20 | 0:35:21 | |
PIANO STARTS AND HE CLEARS HIS THROAT | 0:35:21 | 0:35:23 | |
HE SINGS LONG WAVERING NOTE | 0:35:23 | 0:35:25 | |
NOTE DEEPENS | 0:35:25 | 0:35:26 | |
# Come tell me, pretty maiden | 0:35:26 | 0:35:30 | |
# Are there any more at home like you? | 0:35:30 | 0:35:33 | |
-ROUGH WOMAN'S VOICE: -# There are a few... # | 0:35:33 | 0:35:35 | |
LAUGHTER | 0:35:35 | 0:35:36 | |
The Prince one night shoots in for a quick sherbet, | 0:35:41 | 0:35:43 | |
and there she is, this vision of loveliness. | 0:35:43 | 0:35:45 | |
Standing on the bar counter on one leg, selling crisps | 0:35:45 | 0:35:49 | |
and drying out the pint classes with the end of her pigtail. | 0:35:49 | 0:35:52 | |
It is love at first fright. | 0:35:54 | 0:35:55 | |
Like all sweethearts in love, their eyes meet, and suddenly, he feels | 0:35:55 | 0:35:59 | |
something stir in his breast, and he realises... | 0:35:59 | 0:36:02 | |
his ferret has got loose. | 0:36:02 | 0:36:03 | |
So... | 0:36:03 | 0:36:05 | |
What a beautiful girl, but so thin. | 0:36:05 | 0:36:07 | |
One day she swallows a pickled onion and four lads leave the village. | 0:36:07 | 0:36:11 | |
Her mother is just the opposite. Her mother is a big, plump, jolly lady. | 0:36:17 | 0:36:20 | |
She used to go away to sea. She used to be a decoy for a whaling fleet. | 0:36:20 | 0:36:25 | |
The Prince is determined to serenade his gypsy sweetheart. | 0:36:25 | 0:36:27 | |
Because she looks very gypsy-ish. She has pierced ears. | 0:36:27 | 0:36:30 | |
She had walked in front of a dartboard one day, | 0:36:30 | 0:36:32 | |
wasn't looking where she was going. | 0:36:32 | 0:36:34 | |
He had met her in the street one day, | 0:36:34 | 0:36:36 | |
she was selling things door to door in Harrogate and... | 0:36:36 | 0:36:39 | |
Ha, no chance! So, he... | 0:36:39 | 0:36:41 | |
He said, "What have you got under your arm?" She said, "Lavender." | 0:36:42 | 0:36:45 | |
He said, "Oh, how unusual." Well, he... | 0:36:45 | 0:36:48 | |
He goes down her street at midnight singing his head off, | 0:36:51 | 0:36:53 | |
and people fling open their bedroom windows | 0:36:53 | 0:36:55 | |
and throw things down to him, so he goes home and gets changed, | 0:36:55 | 0:36:59 | |
comes back singing The Student Prince's Legal Aid. | 0:36:59 | 0:37:02 | |
-Serenade! -Serenade. | 0:37:02 | 0:37:04 | |
# Overhead, the moon is beaming | 0:37:04 | 0:37:09 | |
# O-Overhead, the moon... | 0:37:09 | 0:37:11 | |
# O... # | 0:37:11 | 0:37:13 | |
Could I have the note, please, sir? | 0:37:13 | 0:37:15 | |
MAN SINGS NOTE | 0:37:15 | 0:37:16 | |
Oh, hell. | 0:37:16 | 0:37:17 | |
What did you do to him then, missus? | 0:37:19 | 0:37:21 | |
Mr drummer, could I have the note, please? | 0:37:22 | 0:37:24 | |
SINGLE DRUMBEAT | 0:37:24 | 0:37:25 | |
# Overhead, the moon is beaming | 0:37:25 | 0:37:29 | |
# White as blossoms on the bow | 0:37:29 | 0:37:33 | |
# Nothing is heard but the sound of the bird... # | 0:37:35 | 0:37:39 | |
PFFRT! | 0:37:39 | 0:37:40 | |
LAUGHTER | 0:37:40 | 0:37:42 | |
Here is a message for the treasurer of the works' Christmas club. | 0:37:45 | 0:37:50 | |
# One fine day we'll find you... # | 0:37:50 | 0:37:53 | |
LAUGHTER | 0:37:53 | 0:37:55 | |
Something sort of romantic. Spanith Eyesh. | 0:37:56 | 0:38:00 | |
Spanith Eyesh. | 0:38:03 | 0:38:04 | |
Spanith Eyesh. | 0:38:05 | 0:38:08 | |
Who the hell are you pushing? | 0:38:08 | 0:38:10 | |
# Oh... | 0:38:10 | 0:38:13 | |
# Spanish eyes | 0:38:14 | 0:38:16 | |
CASTANETS CLICK | 0:38:16 | 0:38:18 | |
# Loveliest eyes in all of Mexico-ho-o... # | 0:38:18 | 0:38:22 | |
No, that's no good. No. | 0:38:22 | 0:38:24 | |
Something more traditional. The Lass With the Delicate Hair. | 0:38:26 | 0:38:30 | |
By Dan Druff. | 0:38:30 | 0:38:31 | |
# Young Molly who lived at the foot of the h-h-h-ill | 0:38:33 | 0:38:39 | |
# Whose fame ev'ry virgin with envy doth fill | 0:38:39 | 0:38:44 | |
# Of beauty is blessed with so ample a share | 0:38:44 | 0:38:50 | |
# Men call her the lass with the delicate hair | 0:38:50 | 0:38:55 | |
# With the fu-huh-huh | 0:38:55 | 0:38:57 | |
# Fu-huh-huh, fuh-huh-huh-huh-huh | 0:38:57 | 0:39:01 | |
# Men call her the lass with the... | 0:39:01 | 0:39:05 | |
# Fuh-huh-huh-huh-ur. # | 0:39:05 | 0:39:08 | |
INDISTINCT | 0:39:13 | 0:39:17 | |
Cornish Floral Dance, that's the one. | 0:39:17 | 0:39:20 | |
# As I walked home on a summer's night | 0:39:28 | 0:39:31 | |
# When starsh in heaven were shhhining bright | 0:39:31 | 0:39:35 | |
# Far away from the footlights' glare | 0:39:35 | 0:39:37 | |
# Into the sweet and scented air... # | 0:39:38 | 0:39:41 | |
Strange. | 0:39:41 | 0:39:42 | |
# Of a quaint old Cornish town | 0:39:42 | 0:39:45 | |
HE HOLDS NOTE | 0:39:45 | 0:39:48 | |
HE GASPS FOR AIR | 0:39:48 | 0:39:50 | |
# Borne from afar on a gentle breeze | 0:39:50 | 0:39:52 | |
# Soft as the murmur of summer seas | 0:39:52 | 0:39:55 | |
# Distant tones of an old world dance | 0:39:55 | 0:39:58 | |
# Played by the gasworks band perchance | 0:39:58 | 0:40:01 | |
# On the ca-a-a-lm air came flo-o-o-ating down | 0:40:01 | 0:40:07 | |
# I thought I could hear the spurious tone | 0:40:10 | 0:40:12 | |
# Of the cornet, clarinet and big trombone | 0:40:12 | 0:40:14 | |
# Fiddle, cello, big bass drum... | 0:40:14 | 0:40:16 | |
LOUD BLAST OF DRUM DROWNS OUT VOCALS | 0:40:16 | 0:40:17 | |
LAUGHTER | 0:40:17 | 0:40:19 | |
# Far away, as in a trance, I heard the sound of the Floral Dance... # | 0:40:19 | 0:40:24 | |
# Tiddlywinks, old man, suck a lemon if you can | 0:40:25 | 0:40:27 | |
# If you can't suck a lemon, suck an old tin can | 0:40:27 | 0:40:29 | |
# My ding-a-ling, my ding-a-ling... # | 0:40:29 | 0:40:32 | |
MAN SHOUTS | 0:40:32 | 0:40:34 | |
Cease? You mean "toss it." | 0:40:36 | 0:40:38 | |
Follow the stick. | 0:40:41 | 0:40:43 | |
# I felt so lonely standing there | 0:40:43 | 0:40:46 | |
# And I could only stand and swear... # | 0:40:46 | 0:40:48 | |
Stare. Sorry, sir. | 0:40:48 | 0:40:49 | |
# For I had no friend with me | 0:40:49 | 0:40:52 | |
# Lonely I would have to be | 0:40:52 | 0:40:54 | |
# In that quaint old Cornish town | 0:40:54 | 0:40:56 | |
# When suddenly hurrying down the lane | 0:41:00 | 0:41:03 | |
# A figure I knew I saw quite plain | 0:41:03 | 0:41:05 | |
# Twas Fanny from the fish shop! | 0:41:05 | 0:41:07 | |
# With outstretched arms I rushed along | 0:41:07 | 0:41:10 | |
# And carried her into that merry throng... # | 0:41:10 | 0:41:12 | |
Up and over, Fanny, show 'em what you're made of. Haway! | 0:41:12 | 0:41:15 | |
# And I fiddled, went dancing along... # | 0:41:15 | 0:41:20 | |
LAUGHTER | 0:41:23 | 0:41:25 | |
# The spurious tone of the cornet, clarinet and big trombone | 0:41:25 | 0:41:28 | |
# Fiddle, cello... | 0:41:28 | 0:41:29 | |
# Bassoon, flute and euphonium | 0:41:31 | 0:41:33 | |
# Each one making the most of his chance | 0:41:33 | 0:41:34 | |
# All together in the Floral Dance | 0:41:34 | 0:41:37 | |
# Dancing here, dancing there, jigging, jogging everywhere | 0:41:39 | 0:41:43 | |
# Up and down, around the town | 0:41:43 | 0:41:45 | |
# Hurrah for the Cornish Floral Dance! # | 0:41:45 | 0:41:52 | |
CHEERING | 0:41:52 | 0:41:54 | |
CHEERING CONTINUES | 0:42:00 | 0:42:03 | |
Now, there's just about time, ladies and gentlemen, | 0:42:21 | 0:42:24 | |
to ask Mr Ken Dodd to lead the company and yourselves | 0:42:24 | 0:42:26 | |
in the last chorus of the night, Down at the Old Bull and Bush. | 0:42:26 | 0:42:29 | |
Ladies and gentlemen, Mr Ken Dodd, the entire company, | 0:42:29 | 0:42:31 | |
Mr Bernard Herrmann and the entire orchestra! | 0:42:31 | 0:42:34 | |
CHEERING | 0:42:34 | 0:42:36 | |
And this time, chiefly... | 0:42:36 | 0:42:38 | |
-ALL: -..yourselves! | 0:42:38 | 0:42:40 | |
# Come, come, come and make eyes at me down at the old Bull and Bush | 0:42:44 | 0:42:51 | |
# Come, come, drink some port wine with me | 0:42:51 | 0:42:55 | |
# Down at the old Bull and Bush | 0:42:55 | 0:42:59 | |
# Hear the little German band "La-da-da, da-da-da" | 0:42:59 | 0:43:03 | |
# Just let me hold your hand, dear | 0:43:03 | 0:43:07 | |
# Do, do come and have a drink or two | 0:43:07 | 0:43:11 | |
# Down at the old Bull and Bush | 0:43:11 | 0:43:14 | |
# Bush-bush. # | 0:43:14 | 0:43:16 | |
CHEERING AND APPLAUSE | 0:43:16 | 0:43:18 |