Browse content similar to 18/03/1976. Check below for episodes and series from the same categories and more!
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AUDIENCE: # Hello, hello Who's your lady friend? | 0:00:08 | 0:00:11 | |
# Who's the little girlie by your side? | 0:00:11 | 0:00:15 | |
# I've seen you with a girl or two | 0:00:15 | 0:00:19 | |
# Oh, oh, oh, I am surprised at you | 0:00:19 | 0:00:23 | |
# Hello, hello Stop your little games | 0:00:23 | 0:00:27 | |
# Don't you think your ways you ought to mend? | 0:00:27 | 0:00:31 | |
# It's not the girl I saw you with at Brighton | 0:00:31 | 0:00:34 | |
# Who, who, who's your lady Who, who, who's your lady | 0:00:34 | 0:00:38 | |
# Who, who, who's your lady friend? # | 0:00:38 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:44 | 0:00:46 | |
FANFARE | 0:00:46 | 0:00:48 | |
LOUD CHEERING | 0:00:51 | 0:00:53 | |
EXPECTANT CHEERS | 0:00:58 | 0:01:00 | |
Once again! | 0:01:00 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:04 | |
Good evening, ladies and gentlemen! | 0:01:04 | 0:01:09 | |
LOUD CHEERING | 0:01:09 | 0:01:11 | |
-Esotericism... -AUDIENCE: Ooh! | 0:01:13 | 0:01:16 | |
-That means out-of-the-ordinariness. -LAUGHTER | 0:01:16 | 0:01:19 | |
Offers an exposition, | 0:01:19 | 0:01:23 | |
-an etymological exposition... -AUDIENCE: Ooh! | 0:01:23 | 0:01:27 | |
..exhibiting the multipotent pliability | 0:01:27 | 0:01:31 | |
of the Players' Theatre, | 0:01:31 | 0:01:34 | |
none other than Mr Robin Hunter! | 0:01:34 | 0:01:37 | |
LOUD CHEERING | 0:01:37 | 0:01:39 | |
# Rhyming slang, rhyming slang | 0:01:43 | 0:01:46 | |
# That's the Cockney way, you see | 0:01:46 | 0:01:49 | |
# Rhyming slang, rhyming slang | 0:01:49 | 0:01:51 | |
# You can learn to talk like me | 0:01:51 | 0:01:54 | |
# So just put on your I'm afloat | 0:01:54 | 0:01:57 | |
# And grab your tit-for-tat | 0:01:57 | 0:01:59 | |
# Take a ball of chalk That's a little walk | 0:01:59 | 0:02:02 | |
# Down the rub-a-dub, how's that? # | 0:02:02 | 0:02:05 | |
Evening, ladies and gents. | 0:02:05 | 0:02:06 | |
Us Cockneys, being a gregarious kind of people, | 0:02:06 | 0:02:09 | |
we like to have intercourse with our visitors. | 0:02:09 | 0:02:12 | |
In the nicest possible way, that is, of course. | 0:02:12 | 0:02:14 | |
Trouble is, sometimes they don't understand what we're talking about. | 0:02:14 | 0:02:18 | |
Now it's true, I'm not just sitting here on the green gage, | 0:02:18 | 0:02:21 | |
giving you a load of orchestra stalls. | 0:02:21 | 0:02:24 | |
So, to solve this little communication problem, | 0:02:24 | 0:02:27 | |
I've written this little song. It's called Rhyming Slang. | 0:02:27 | 0:02:30 | |
The first verse goes something like this. | 0:02:30 | 0:02:33 | |
# Now I am a genuine Cockney | 0:02:33 | 0:02:36 | |
# Not a Geordie or a Brummie or a Scouse | 0:02:36 | 0:02:39 | |
# And the sound of Bow bells can be clearly heard | 0:02:39 | 0:02:42 | |
# From the roof of my little old house | 0:02:42 | 0:02:44 | |
# Now I got a funny way of talking | 0:02:44 | 0:02:48 | |
# And I do it most of the time | 0:02:48 | 0:02:50 | |
# Cos when I use a word | 0:02:50 | 0:02:52 | |
# It's not the word what I've heard | 0:02:52 | 0:02:55 | |
# But another what with it will rhyme | 0:02:55 | 0:02:59 | |
# Rhyming slang, rhyming slang | 0:03:00 | 0:03:03 | |
# That's the Cockney way, you see? | 0:03:03 | 0:03:06 | |
# Rhyming slang, rhyming slang | 0:03:06 | 0:03:09 | |
# You can learn to talk like me | 0:03:09 | 0:03:12 | |
# So just put on your I'm afloat | 0:03:12 | 0:03:14 | |
# And grab your tit-for-tat | 0:03:14 | 0:03:17 | |
# Take a ball of chalk That's a little walk | 0:03:17 | 0:03:20 | |
# Down the rub-a-dub, how's that? | 0:03:20 | 0:03:23 | |
# Cos if you're a genuine Cockney | 0:03:23 | 0:03:27 | |
-# Your beer is your old... -Pig's ear | 0:03:27 | 0:03:30 | |
-# And your trouble and strife -That's your dear little wife | 0:03:30 | 0:03:33 | |
# She's your donor and you love her so dear | 0:03:33 | 0:03:36 | |
-# Your fire is your... -Anna Maria | 0:03:36 | 0:03:39 | |
-# And your door is your... -Rory O'Moore | 0:03:39 | 0:03:42 | |
# Yes, when we say a word | 0:03:42 | 0:03:44 | |
# It's not the word what we heard | 0:03:44 | 0:03:47 | |
# But another what we're searching for | 0:03:47 | 0:03:51 | |
# Rhyming slang, rhyming slang | 0:03:52 | 0:03:55 | |
# That's the Cockney way, you see? | 0:03:55 | 0:03:58 | |
# Rhyming slang, rhyming slang | 0:03:58 | 0:04:01 | |
# You can learn to talk like me | 0:04:01 | 0:04:04 | |
# So just put on your I'm afloat | 0:04:04 | 0:04:07 | |
# And grab your tit-for-tat | 0:04:07 | 0:04:09 | |
# Take a ball of chalk That's a little walk | 0:04:09 | 0:04:12 | |
# Down the rub-a-dub, how's that? # | 0:04:12 | 0:04:15 | |
You'll get me, ladies and gentlemen. | 0:04:15 | 0:04:17 | |
-Cos if you are boracic lint...? -AUDIENCE: Skint. | 0:04:17 | 0:04:20 | |
Thank you. | 0:04:20 | 0:04:22 | |
-And you want to tumble down the sink? -Drink. | 0:04:22 | 0:04:25 | |
-You've got to find some bees and honey. -Money! | 0:04:25 | 0:04:29 | |
-Of course, you can always have a drink on the garden gate. -Slate. | 0:04:29 | 0:04:33 | |
You know the slate, do you, madam? | 0:04:33 | 0:04:36 | |
But you've got to be very careful to pay up, | 0:04:36 | 0:04:38 | |
otherwise the guv'nor may give you a swift kick right up your Aris. | 0:04:38 | 0:04:42 | |
Ah...that's a difficult one, that. That's double. | 0:04:42 | 0:04:46 | |
That's Aris, that's Aristotle, that's bottle. | 0:04:46 | 0:04:48 | |
That's bottle and glass and that's where you get the kick! | 0:04:48 | 0:04:52 | |
On the other hand, you could get a bunch of fives | 0:04:52 | 0:04:55 | |
right in your I suppose. | 0:04:55 | 0:04:57 | |
# Cos if you're a genuine Cockney | 0:04:57 | 0:05:00 | |
-# Your nose is your... -I suppose | 0:05:00 | 0:05:03 | |
# And your great big mouth is your... | 0:05:03 | 0:05:05 | |
# North and south | 0:05:05 | 0:05:07 | |
# You can see how the language grows | 0:05:07 | 0:05:09 | |
-# Your best Sunday suit is your... -Whistle and flute | 0:05:09 | 0:05:12 | |
-# And your boots are your... -Daisy roots. | 0:05:12 | 0:05:15 | |
# Yes, when we say a word | 0:05:15 | 0:05:17 | |
# It's not the word what we've heard | 0:05:17 | 0:05:20 | |
# Cos for grammar we don't give two hoots... # | 0:05:20 | 0:05:23 | |
All together now! | 0:05:23 | 0:05:25 | |
AUDIENCE: # Rhyming slang, rhyming slang | 0:05:25 | 0:05:28 | |
# That's the Cockney way, you see? | 0:05:28 | 0:05:31 | |
# Rhyming slang, rhyming slang | 0:05:31 | 0:05:34 | |
# You can learn to talk like me | 0:05:34 | 0:05:37 | |
# So just put on your I'm afloat | 0:05:37 | 0:05:40 | |
# And grab your tit-for-tat | 0:05:40 | 0:05:42 | |
# Take a ball of chalk That's a little walk | 0:05:42 | 0:05:45 | |
# Down the rub-a-dub, how's that? | 0:05:45 | 0:05:47 | |
# Take a ball of chalk That's a little walk | 0:05:48 | 0:05:51 | |
-# Down the rub-a-dub, how's that? # -Oi! | 0:05:51 | 0:05:54 | |
-CHEERING AND APPLAUSE -Thank you! | 0:05:54 | 0:05:57 | |
Jubilance in a jaunty germination... | 0:06:09 | 0:06:13 | |
AUDIENCE: Ooh! | 0:06:13 | 0:06:15 | |
..of twinning | 0:06:15 | 0:06:17 | |
of juvenescent jocundity, | 0:06:17 | 0:06:20 | |
still very young - | 0:06:20 | 0:06:22 | |
The James Boys. | 0:06:22 | 0:06:24 | |
CHEERING | 0:06:24 | 0:06:26 | |
# I want a girl just like the girl | 0:06:31 | 0:06:35 | |
# That married dear old Dad | 0:06:35 | 0:06:38 | |
# She was a pearl and the only girl | 0:06:39 | 0:06:42 | |
# That Daddy ever had | 0:06:42 | 0:06:45 | |
# A good old-fashioned girl with heart so true | 0:06:46 | 0:06:49 | |
# One who loves nobody else but you | 0:06:49 | 0:06:52 | |
# I want a girl just like the girl | 0:06:54 | 0:06:57 | |
# That married | 0:06:57 | 0:06:59 | |
# Dear old Dad. # | 0:06:59 | 0:07:04 | |
APPLAUSE | 0:07:04 | 0:07:06 | |
# Rosie, you are my posey | 0:07:06 | 0:07:10 | |
# You are my heart's bouquet | 0:07:11 | 0:07:15 | |
# Why don't you come out here in the moonlight? | 0:07:16 | 0:07:21 | |
# There's something sweet, love | 0:07:21 | 0:07:23 | |
# I wanna say I wanna sing about for baby | 0:07:23 | 0:07:27 | |
# Your honey boy, I'm waiting | 0:07:27 | 0:07:32 | |
# Those ruby lips to greet | 0:07:33 | 0:07:38 | |
# Don't be so captivating | 0:07:39 | 0:07:45 | |
# My blushing Rosie | 0:07:45 | 0:07:49 | |
# My posey sweet | 0:07:49 | 0:07:52 | |
# My blushing Rosie | 0:07:53 | 0:07:57 | |
# My posey sweet. # | 0:07:57 | 0:08:01 | |
APPLAUSE | 0:08:03 | 0:08:05 | |
Two, three, four. | 0:08:18 | 0:08:20 | |
# Rock-a-bye your baby | 0:08:20 | 0:08:23 | |
# With a Dixie melody | 0:08:23 | 0:08:25 | |
# When you croon, you croon a tune | 0:08:26 | 0:08:30 | |
# From the heart of Dixie | 0:08:30 | 0:08:33 | |
# Just place that cradle, mammy mine | 0:08:33 | 0:08:37 | |
# Right on that Mason-Dixon Line | 0:08:37 | 0:08:41 | |
# And swing it from Virginia | 0:08:41 | 0:08:44 | |
# To Tennessee with all the love that's in ya | 0:08:44 | 0:08:47 | |
# Weep no more, my lady | 0:08:47 | 0:08:50 | |
# Sing that song again for me | 0:08:50 | 0:08:54 | |
# Sing it soft and low | 0:08:54 | 0:08:56 | |
# Just as though you had me on your knee | 0:08:56 | 0:09:01 | |
# A million baby kisses | 0:09:02 | 0:09:04 | |
# I'll deliver | 0:09:04 | 0:09:06 | |
# If you will only sing that Swanee River | 0:09:06 | 0:09:11 | |
# Rock-a-bye your rock-a-bye baby | 0:09:11 | 0:09:16 | |
# With a chosen | 0:09:17 | 0:09:20 | |
# Melody! # | 0:09:20 | 0:09:26 | |
CHEERING AND APPLAUSE | 0:09:28 | 0:09:30 | |
Twinkling terpsichorean... | 0:09:45 | 0:09:49 | |
AUDIENCE: Ooh! | 0:09:49 | 0:09:51 | |
Terpsichore with an 'an' at the end. | 0:09:51 | 0:09:54 | |
Transports inimitably initiated | 0:09:54 | 0:09:58 | |
in imperturbably impeccable immaculacy... | 0:09:58 | 0:10:02 | |
AUDIENCE: Ooh! | 0:10:02 | 0:10:03 | |
..by Mr Richard Hearne! | 0:10:03 | 0:10:05 | |
LOUD CHEERING | 0:10:05 | 0:10:07 | |
Hello! | 0:10:18 | 0:10:19 | |
AUDIENCE: Hello! | 0:10:19 | 0:10:21 | |
-Hello, Caroline. -LAUGHTER | 0:10:21 | 0:10:24 | |
That's my little granddaughter, Caroline. | 0:10:25 | 0:10:28 | |
I say, don't you look lovely? | 0:10:28 | 0:10:31 | |
You really do. You look absolutely marvellous. | 0:10:31 | 0:10:34 | |
-Cor! -LAUGHTER | 0:10:35 | 0:10:37 | |
You do, really. | 0:10:37 | 0:10:40 | |
Do you know, this is my fourth time here. | 0:10:40 | 0:10:43 | |
My fourth time. | 0:10:43 | 0:10:44 | |
And what do you think I've got to do? | 0:10:44 | 0:10:47 | |
They want me to dance the Lancers. | 0:10:47 | 0:10:50 | |
LAUGHTER | 0:10:50 | 0:10:52 | |
CHEERS OF ENCOURAGEMENT | 0:10:52 | 0:10:54 | |
-You want me to dance the Lancers? -AUDIENCE: Yes! | 0:10:59 | 0:11:02 | |
You must be potty! | 0:11:02 | 0:11:05 | |
Well, then, if there's anybody here, if there happens to be anybody here | 0:11:06 | 0:11:10 | |
who hasn't seen my dance the Lancers, may I just explain, | 0:11:10 | 0:11:14 | |
I want you to use your imagination. | 0:11:14 | 0:11:17 | |
I want you to imagine that this is an old Victorian ballroom | 0:11:17 | 0:11:22 | |
and dotted about are a lot of old Victorian couples, | 0:11:22 | 0:11:26 | |
-rather like we have in front here. -LAUGHTER | 0:11:26 | 0:11:29 | |
All beautiful. | 0:11:29 | 0:11:31 | |
Have you by any chance some Victorian Lancers music? | 0:11:31 | 0:11:36 | |
-Yes, we have. -Would you like to play it for me? | 0:11:36 | 0:11:39 | |
LANCERS MUSIC | 0:11:39 | 0:11:41 | |
LAUGHTER | 0:12:06 | 0:12:08 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
ROARS OF LAUGHTER | 0:12:33 | 0:12:35 | |
LAUGHTER | 0:12:39 | 0:12:41 | |
APPLAUSE | 0:12:41 | 0:12:43 | |
LAUGHTER | 0:12:56 | 0:12:58 | |
ROARS OF LAUGHTER | 0:13:00 | 0:13:02 | |
LAUGHTER | 0:13:19 | 0:13:21 | |
LAUGHTER | 0:13:32 | 0:13:34 | |
LAUGHTER | 0:13:50 | 0:13:52 | |
LAUGHTER AND APPLAUSE | 0:13:54 | 0:13:56 | |
AUDIENCE CLAP ALONG | 0:14:01 | 0:14:03 | |
CHEERING AND APPLAUSE | 0:14:11 | 0:14:13 | |
AUDIENCE: More! More! | 0:14:26 | 0:14:28 | |
More! More! | 0:14:29 | 0:14:31 | |
More! More! More! More! | 0:14:32 | 0:14:36 | |
Irrefutably aphrodisiacs... | 0:14:39 | 0:14:43 | |
Audience: Ooh! | 0:14:43 | 0:14:46 | |
The sergeant should know what that means. | 0:14:46 | 0:14:49 | |
-If not, you tell him, madam. -LAUGHTER | 0:14:49 | 0:14:51 | |
Effulgent in roseate | 0:14:51 | 0:14:55 | |
efflorescences, | 0:14:55 | 0:14:57 | |
Miss Jan Carrey! | 0:14:57 | 0:15:00 | |
CHEERING AND APPLAUSE | 0:15:00 | 0:15:02 | |
# I am the belle of New York | 0:15:08 | 0:15:12 | |
# The subject of all the town's talk | 0:15:12 | 0:15:16 | |
# I make the old Bowery fragrant and flowery | 0:15:16 | 0:15:20 | |
# When I go out for a walk | 0:15:20 | 0:15:24 | |
# I'm soft as a snowy white dove | 0:15:24 | 0:15:28 | |
# I'm simply created to love | 0:15:28 | 0:15:32 | |
# The fellas all sigh for me | 0:15:32 | 0:15:37 | |
# They'd even die for me | 0:15:37 | 0:15:41 | |
# I am the belle of New York | 0:15:41 | 0:15:45 | |
AUDIENCE CHEERS | 0:15:53 | 0:15:55 | |
# The American girl, she dance like this | 0:15:57 | 0:16:00 | |
# In a haughty manner | 0:16:02 | 0:16:05 | |
# But the lady from France, she dance like this... # | 0:16:06 | 0:16:10 | |
AUDIENCE: Oooh! | 0:16:10 | 0:16:12 | |
# In a naughty manner | 0:16:12 | 0:16:16 | |
# Now, which do you like the best, monsieur? | 0:16:17 | 0:16:21 | |
# Now, which do you like to see? | 0:16:21 | 0:16:24 | |
# The proud and haughty American girl | 0:16:25 | 0:16:29 | |
# Or the lady | 0:16:30 | 0:16:33 | |
# From Gay Paree? | 0:16:33 | 0:16:35 | |
# A la belle Parisienne | 0:16:38 | 0:16:43 | |
# I do captivate you men | 0:16:43 | 0:16:46 | |
# With a naughty little way I have of dancing | 0:16:46 | 0:16:50 | |
# When around the room I go | 0:16:51 | 0:16:54 | |
# I will kick my skirt just so | 0:16:54 | 0:16:56 | |
# It's the little kick that makes the dance entrancing | 0:16:56 | 0:17:01 | |
# The fellas all sigh for me | 0:17:03 | 0:17:08 | |
# They'd even die for me | 0:17:09 | 0:17:13 | |
# I am the belle | 0:17:13 | 0:17:16 | |
# Of New York! # | 0:17:16 | 0:17:22 | |
CHEERING AND APPLAUSE | 0:17:22 | 0:17:24 | |
# I used to dream | 0:17:43 | 0:17:45 | |
# That I would discover | 0:17:45 | 0:17:47 | |
# The perfect lover... # | 0:17:49 | 0:17:51 | |
LAUGHTER | 0:17:51 | 0:17:52 | |
-Is he? -Yes. | 0:17:52 | 0:17:54 | |
# Some day | 0:17:55 | 0:17:57 | |
# I knew I'd recognise him | 0:17:58 | 0:18:00 | |
# If ever | 0:18:01 | 0:18:04 | |
# He came down | 0:18:04 | 0:18:06 | |
# My way | 0:18:06 | 0:18:09 | |
# I always used to fancy then | 0:18:09 | 0:18:13 | |
# He'd be one of the god-like kind of men | 0:18:13 | 0:18:16 | |
# With a giant brain | 0:18:18 | 0:18:20 | |
# And a noble head | 0:18:20 | 0:18:22 | |
# Like the heroes bold | 0:18:23 | 0:18:27 | |
# In the books I've read | 0:18:27 | 0:18:32 | |
# But along came Bill | 0:18:33 | 0:18:38 | |
# He's not the type at all | 0:18:38 | 0:18:41 | |
# You'd see him on the street | 0:18:42 | 0:18:45 | |
# And never notice him | 0:18:45 | 0:18:48 | |
# His form and face | 0:18:49 | 0:18:51 | |
# His many grace | 0:18:52 | 0:18:55 | |
# Are not the kind that you | 0:18:55 | 0:18:59 | |
# Would find in a statue | 0:18:59 | 0:19:02 | |
# And I can't explain | 0:19:02 | 0:19:06 | |
# It's surely not his brain | 0:19:07 | 0:19:10 | |
# That makes | 0:19:10 | 0:19:12 | |
# That makes me thrill | 0:19:12 | 0:19:16 | |
# I love him | 0:19:17 | 0:19:19 | |
# Because he's wonderful | 0:19:19 | 0:19:22 | |
# Because he's just | 0:19:23 | 0:19:26 | |
# My Bill | 0:19:27 | 0:19:29 | |
# And I can't explain | 0:19:30 | 0:19:35 | |
# Surely not his brain | 0:19:35 | 0:19:37 | |
# That makes | 0:19:37 | 0:19:40 | |
# That makes me thrill | 0:19:40 | 0:19:44 | |
# I love him | 0:19:45 | 0:19:48 | |
# Because he's | 0:19:49 | 0:19:52 | |
# Wonderful | 0:19:52 | 0:19:56 | |
# Because he's just | 0:19:57 | 0:20:02 | |
# My | 0:20:02 | 0:20:05 | |
# Bill! # | 0:20:05 | 0:20:10 | |
APPLAUSE | 0:20:10 | 0:20:12 | |
-Now you know what aphrodisiac means. -LAUGHTER | 0:20:30 | 0:20:33 | |
Unabashed | 0:20:33 | 0:20:35 | |
in irreducibly exuberant... | 0:20:35 | 0:20:39 | |
AUDIENCE GROAN | 0:20:39 | 0:20:41 | |
..ebullient buffoonery. | 0:20:41 | 0:20:44 | |
Once again, Mr Robin Hunter! | 0:20:44 | 0:20:46 | |
APPLAUSE | 0:20:47 | 0:20:50 | |
# Jones was a fellow who went the pace with all his youthful might | 0:20:54 | 0:20:58 | |
# And took a great delight in staying out all night | 0:20:58 | 0:21:02 | |
# When people were thinking of going to bed around the West he'd roam | 0:21:02 | 0:21:06 | |
# He'd go to pubs and go to clubs but never would go home | 0:21:06 | 0:21:09 | |
# But one night inside the club he gave his pals a fright | 0:21:09 | 0:21:13 | |
# When he said, "I'm going home" and wished them all good night | 0:21:13 | 0:21:17 | |
# They thought that he was joking and they all laughed out aloud... # | 0:21:17 | 0:21:21 | |
-Ha-ha-ha. -LAUGHTER | 0:21:21 | 0:21:23 | |
# But Jones looked very serious as he shouted to the crowd | 0:21:23 | 0:21:28 | |
# "Oh, I must go home tonight | 0:21:29 | 0:21:32 | |
# "I must go home tonight | 0:21:32 | 0:21:34 | |
# "I don't care if it's snowing or blowing, I'm going | 0:21:34 | 0:21:38 | |
# "I only got married this morning It fills me with delight | 0:21:38 | 0:21:41 | |
# "I'll stay out as long as you like this week..." | 0:21:41 | 0:21:44 | |
Wait for it! | 0:21:44 | 0:21:46 | |
Revelations one. | 0:21:46 | 0:21:48 | |
# "But I must go home tonight | 0:21:48 | 0:21:51 | |
# Dee-diddle-di-di Diddly dum-de-da-da... # | 0:21:51 | 0:21:55 | |
Ow. Oh. | 0:21:55 | 0:21:57 | |
Oh, that's painful, madam. Especially in these trousers! | 0:21:57 | 0:22:01 | |
LAUGHTER | 0:22:01 | 0:22:03 | |
Do you like the suit? It's nice. | 0:22:04 | 0:22:07 | |
It's all a facade. A theatrical facade. | 0:22:07 | 0:22:10 | |
-Look at that tie. Look at that. -LAUGHTER | 0:22:11 | 0:22:14 | |
Ridiculous. The bleedin' hat doesn't fit. Look! | 0:22:14 | 0:22:16 | |
What are the words? What do you think I'm doing up here?! | 0:22:16 | 0:22:20 | |
# Off to the station he made a dash to ask about his train | 0:22:20 | 0:22:23 | |
# To take him home again, but he asked all in vain | 0:22:23 | 0:22:27 | |
# They said, "There's none running tonight to where you want to go | 0:22:27 | 0:22:30 | |
# "All traffic is suspended cos the line's blocked up with neige" | 0:22:30 | 0:22:34 | |
# He walked up and down the platform anything but gay... # | 0:22:34 | 0:22:38 | |
This is him... | 0:22:39 | 0:22:41 | |
walking up and down the platform. | 0:22:41 | 0:22:44 | |
When I first did this song 20 years ago, | 0:22:45 | 0:22:47 | |
the director said do something gay. | 0:22:47 | 0:22:50 | |
This is it! | 0:22:52 | 0:22:53 | |
LAUGHTER | 0:22:53 | 0:22:55 | |
Pathetic, isn't it? | 0:22:55 | 0:22:57 | |
# A porter said, "You'll have to wait till morning, I'm afraid" | 0:22:57 | 0:23:01 | |
# But Jones said, "That's impossible | 0:23:01 | 0:23:04 | |
# "I cannot be delayed"... # | 0:23:04 | 0:23:07 | |
All together now. | 0:23:07 | 0:23:08 | |
# "Oh, I must go home tonight | 0:23:08 | 0:23:12 | |
# "I must go home tonight | 0:23:12 | 0:23:14 | |
# "I don't care if it's snowing or blowing, I'm going | 0:23:14 | 0:23:18 | |
# "I only got married this morning It fills me with delight | 0:23:18 | 0:23:22 | |
# "I'll stay out as long as you like this week..." | 0:23:22 | 0:23:24 | |
Silence! | 0:23:24 | 0:23:25 | |
LAUGHTER | 0:23:25 | 0:23:27 | |
# "But I must go home tonight" | 0:23:27 | 0:23:30 | |
# Dee-diddle-di-di Diddly dum-de-da-da... # | 0:23:30 | 0:23:33 | |
Ow. Oh. | 0:23:33 | 0:23:35 | |
It doesn't get any easier. | 0:23:35 | 0:23:38 | |
A very difficult step, this. | 0:23:38 | 0:23:40 | |
Leonard Sachs taught me this step. | 0:23:41 | 0:23:44 | |
Well, he didn't teach me. It's how he walks. | 0:23:45 | 0:23:47 | |
LAUGHTER | 0:23:47 | 0:23:49 | |
# Out of the station he made a dive and in the street did land | 0:23:50 | 0:23:53 | |
# He yelled and waved his hand for a hansom off the Strand | 0:23:53 | 0:23:57 | |
# He gave his address to the driver and in confidence agreed | 0:23:57 | 0:24:00 | |
# To give him... ba-ca-doo-da-ca Look-a-ba-ca-boo... # | 0:24:00 | 0:24:04 | |
QUIET LAUGHTER | 0:24:04 | 0:24:06 | |
I've never learned that bit, have I? | 0:24:08 | 0:24:10 | |
# But smash | 0:24:10 | 0:24:12 | |
# Went the hansom for the speed was far too high | 0:24:12 | 0:24:15 | |
# Said Jones, "I don't live up here" as he shot in the sky | 0:24:15 | 0:24:18 | |
# He landed on the pave-myent... # | 0:24:18 | 0:24:21 | |
On the pave-myent! | 0:24:22 | 0:24:24 | |
# And a police-myan said | 0:24:24 | 0:24:26 | |
# "Hello | 0:24:27 | 0:24:28 | |
# "We'll take you to the hopital"... # | 0:24:30 | 0:24:33 | |
Where the hopity people go! | 0:24:35 | 0:24:36 | |
# But Jonesy whispered, "No"... # | 0:24:37 | 0:24:40 | |
Ladies and gentlemen, at this juncture, | 0:24:40 | 0:24:42 | |
I'm going to do a knee drop. | 0:24:42 | 0:24:44 | |
20 years ago, a knee drop was to me a matter of course. | 0:24:44 | 0:24:47 | |
Tonight, it may be the last knee drop... | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:51 | |
# "Oh, I must go home tonight | 0:24:51 | 0:24:54 | |
# "I must go home tonight | 0:24:54 | 0:24:56 | |
# "I don't care if it's snowing or blowing, I'm going | 0:24:56 | 0:25:00 | |
# "I only got married this morning It fills me with delight | 0:25:00 | 0:25:03 | |
# "I'll stay out as long as you like this week | 0:25:03 | 0:25:06 | |
# "But I must go home tonight | 0:25:06 | 0:25:08 | |
# "I must go home tonight, I must go home tonight | 0:25:08 | 0:25:12 | |
# "I don't care if it's snowing or blowing, I'm going | 0:25:12 | 0:25:15 | |
# "I only got married this morning It fills me with delight | 0:25:15 | 0:25:19 | |
# "I'll stay out as long as you like this week | 0:25:19 | 0:25:22 | |
# "But I must go home to..." | 0:25:22 | 0:25:27 | |
# Bee-ba-ba-bee-ba-ba-bo! # | 0:25:27 | 0:25:30 | |
Yeah! | 0:25:30 | 0:25:32 | |
APPLAUSE | 0:25:32 | 0:25:34 | |
Munificent in the mountebankery of | 0:25:43 | 0:25:46 | |
meandering malapropism, | 0:25:46 | 0:25:50 | |
the one and only Miss Hylda Baker! | 0:25:50 | 0:25:54 | |
MUSICAL FANFARE AND APPLAUSE | 0:25:54 | 0:25:57 | |
LAUGHTER | 0:26:05 | 0:26:08 | |
Hey, shurrup! | 0:26:08 | 0:26:10 | |
I feel awkward, you know. | 0:26:10 | 0:26:11 | |
CHEERING | 0:26:11 | 0:26:13 | |
No, like, I mean... | 0:26:13 | 0:26:15 | |
I'm just looking for my friend, you see. | 0:26:15 | 0:26:17 | |
Do you happen to have seen her? | 0:26:20 | 0:26:22 | |
She's tall. | 0:26:22 | 0:26:24 | |
She's tall and blonde. | 0:26:25 | 0:26:27 | |
With sort of, erm, aquamarine features. | 0:26:27 | 0:26:30 | |
Yes, she wears her hair | 0:26:30 | 0:26:32 | |
in a kind of Nutcracker Suite. | 0:26:32 | 0:26:35 | |
She looks a bit like Lolla Brigadier. | 0:26:36 | 0:26:38 | |
LAUGHTER | 0:26:38 | 0:26:40 | |
As a matter of fact, I think | 0:26:40 | 0:26:42 | |
it was yesterday a fella took her for Lolla Brigadier. | 0:26:42 | 0:26:45 | |
Then the police took him for being drunk and disorderly! | 0:26:45 | 0:26:49 | |
No, oh, she's here. | 0:26:50 | 0:26:51 | |
WHOOPING | 0:26:51 | 0:26:53 | |
Cynthia! | 0:26:56 | 0:26:59 | |
AUDIENCE: Ooooh! | 0:27:03 | 0:27:06 | |
Where you dashing to? | 0:27:11 | 0:27:13 | |
I said... | 0:27:13 | 0:27:16 | |
WHERE | 0:27:16 | 0:27:18 | |
ARE YOU | 0:27:18 | 0:27:20 | |
DASHING TO? | 0:27:20 | 0:27:22 | |
C'mere, I want you. | 0:27:24 | 0:27:26 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
Oooh. | 0:27:30 | 0:27:31 | |
I wish you wouldn't keep your purse down there. | 0:27:31 | 0:27:34 | |
It's one of those with a twisted top. It's got... | 0:27:34 | 0:27:37 | |
I've been... Where've you been, eh?! | 0:27:39 | 0:27:42 | |
It's quarter past... Oh, I must get a little hand put on this... | 0:27:42 | 0:27:45 | |
Where've you been, eh? | 0:27:48 | 0:27:50 | |
I told you it'd be soon, didn't I? | 0:27:50 | 0:27:52 | |
BE SOON, I said. | 0:27:52 | 0:27:56 | |
BE SOON! | 0:27:56 | 0:27:58 | |
Look at her... | 0:28:01 | 0:28:03 | |
She looks through you. | 0:28:03 | 0:28:04 | |
I wouldn't care, but she knows, you know. | 0:28:04 | 0:28:07 | |
Just won't let on, you see. | 0:28:07 | 0:28:10 | |
That's it. That... | 0:28:10 | 0:28:12 | |
SHE MUTTERS | 0:28:13 | 0:28:15 | |
She's not all she should be. | 0:28:15 | 0:28:18 | |
No, she's not been the same | 0:28:20 | 0:28:22 | |
since she fell off their Alfred's tantrum. | 0:28:22 | 0:28:26 | |
Oh, yes. What...What a thing that was, you know. | 0:28:29 | 0:28:33 | |
There was three of them on it, | 0:28:33 | 0:28:35 | |
should only be only two on a tantrum, you see. | 0:28:35 | 0:28:38 | |
They were riding along. | 0:28:38 | 0:28:40 | |
You'd only gone about 15 yards, hadn't you? | 0:28:40 | 0:28:42 | |
15 YARDS! | 0:28:42 | 0:28:44 | |
Say, yeah. | 0:28:44 | 0:28:45 | |
15 yards, but a dog comes right in front of them | 0:28:45 | 0:28:48 | |
so she being the biggest, | 0:28:48 | 0:28:49 | |
she went right over the top and hit herself right into the lamppost. | 0:28:49 | 0:28:52 | |
Their Alice, she was the first one to come to. | 0:28:52 | 0:28:55 | |
Alice she came to herself, out of herself | 0:28:55 | 0:28:57 | |
and she shouted to a fella, "Fetch the doctor!" So... | 0:28:57 | 0:29:00 | |
Well, she knows, Alice does, cos she works at the hospital. | 0:29:00 | 0:29:04 | |
She's a nurse there. Well, | 0:29:04 | 0:29:06 | |
not exactly a nurse. | 0:29:06 | 0:29:08 | |
She's a cleaner there, you know, so... | 0:29:08 | 0:29:11 | |
she knows what's she doing. | 0:29:11 | 0:29:13 | |
SHE'S CLEVER, ISN'T SHE, ALICE? | 0:29:13 | 0:29:15 | |
CLEVER, YOUR ALICE! | 0:29:15 | 0:29:16 | |
Hmmmm... | 0:29:16 | 0:29:18 | |
Nobody can make senna pods like their Alice. | 0:29:20 | 0:29:23 | |
She really ought to be certified, you know. Anyway, | 0:29:23 | 0:29:27 | |
she fetched the doctor, this fellow and the doctor... | 0:29:27 | 0:29:31 | |
He only looked at you once, didn't he? | 0:29:31 | 0:29:33 | |
He said, "I'm no use to her," he said. | 0:29:33 | 0:29:36 | |
"What this girl needs is the pie-chiatrist." | 0:29:36 | 0:29:39 | |
Anyway, she went to the pie-chiatrist and he says, | 0:29:39 | 0:29:42 | |
"I'm sorry," he says, "I won't be able to dog nose your case today, | 0:29:42 | 0:29:47 | |
"come back Thursday." | 0:29:47 | 0:29:49 | |
Thursday, yes, I've just told them that. "Thursday," he says, | 0:29:49 | 0:29:52 | |
"and I'll piecomanamalyse you." | 0:29:52 | 0:29:54 | |
You could feel the strength leaving her body, you know. | 0:29:57 | 0:30:00 | |
Cos she's never had it, you see. | 0:30:00 | 0:30:02 | |
Then he tried to "delve", that's what he said he was doing. | 0:30:02 | 0:30:06 | |
He says, "I'm trying to delve into her past. Are you married?" | 0:30:06 | 0:30:10 | |
"ARE YOU MARRIED," he said to you, didn't he? | 0:30:10 | 0:30:12 | |
So she said no. | 0:30:12 | 0:30:14 | |
And that's when I butted in. | 0:30:14 | 0:30:16 | |
I said, "No, she's not married, | 0:30:16 | 0:30:18 | |
"but she's not been neglected." | 0:30:18 | 0:30:20 | |
LAUGHTER | 0:30:20 | 0:30:22 | |
Well, I wasn't letting him have all his own way because she's not, | 0:30:22 | 0:30:24 | |
I mean, that fellow that she went out with, you know, ohhhhh! | 0:30:24 | 0:30:28 | |
He was... | 0:30:28 | 0:30:30 | |
He were... He was a sailor, wasn't he? | 0:30:31 | 0:30:34 | |
A SAILOR! | 0:30:34 | 0:30:36 | |
Yeah. He asked you to marry him, didn't he? Yes. | 0:30:36 | 0:30:40 | |
Well, he wasn't exactly a sailor, he leads a horse down the canal bank. | 0:30:40 | 0:30:44 | |
LAUGHTER | 0:30:44 | 0:30:47 | |
So... | 0:30:47 | 0:30:49 | |
wherever there was a canal, I mean... | 0:30:49 | 0:30:52 | |
He'd have to be there, wouldn't he? | 0:30:52 | 0:30:54 | |
When you get married you want them at home, don't you? | 0:30:54 | 0:30:56 | |
Well, at first you do any road. Anyway, | 0:30:56 | 0:30:59 | |
she should worry and spoil her shape cos she's a beautiful actress. | 0:30:59 | 0:31:02 | |
Oh, she's been in the amateurs now... | 0:31:02 | 0:31:05 | |
HOW LONG YOU BEEN IN THE AMATEURS NOW? | 0:31:05 | 0:31:07 | |
12 years? 12 years? | 0:31:07 | 0:31:09 | |
At the amateurs. | 0:31:09 | 0:31:11 | |
Yes. She hasn't been on yet, but... | 0:31:11 | 0:31:14 | |
I'll get her to give you a few things that she did... | 0:31:15 | 0:31:23 | |
A few exceptions from her repertory. | 0:31:23 | 0:31:26 | |
You'll hear her speak. When she speaks it's like silk. | 0:31:26 | 0:31:30 | |
Well, she's had lessons in electrocution. | 0:31:30 | 0:31:32 | |
Come over here a minute. That's right. Now... | 0:31:32 | 0:31:36 | |
If I... | 0:31:36 | 0:31:37 | |
I said come over there, I didn't say dash off! | 0:31:39 | 0:31:42 | |
Full pelt! | 0:31:43 | 0:31:45 | |
Come 'ere. | 0:31:45 | 0:31:46 | |
I want you to...to do something for the ladies and gentlemen. | 0:31:46 | 0:31:50 | |
You know, do something. | 0:31:50 | 0:31:52 | |
For the ladies and gentlemen. | 0:31:52 | 0:31:54 | |
Erm... Do that thing you did on the charabanc. | 0:31:54 | 0:31:57 | |
No, no, don't do that. | 0:31:58 | 0:32:00 | |
LAUGHTER | 0:32:00 | 0:32:02 | |
No, don't do that, no. Erm... | 0:32:02 | 0:32:03 | |
No, I'll tell you what, better still, | 0:32:03 | 0:32:06 | |
I'll get her to tell you jokes. She's ever so comical. | 0:32:06 | 0:32:09 | |
She has me in stitches of laughter. | 0:32:09 | 0:32:12 | |
Tell the ladies and gentlemen a joke, love, that's it. | 0:32:12 | 0:32:16 | |
A JOKE! | 0:32:19 | 0:32:21 | |
Tell that one you told on the charabanc. | 0:32:21 | 0:32:24 | |
And after you'd told it, | 0:32:24 | 0:32:25 | |
they had to stop the charabanc cos they all wanted air! | 0:32:25 | 0:32:28 | |
Eh?! | 0:32:30 | 0:32:32 | |
About that, erm... | 0:32:32 | 0:32:34 | |
(About that spinster.) | 0:32:34 | 0:32:37 | |
THAT SPINSTER THAT WASN'T MARRIED. | 0:32:39 | 0:32:42 | |
She was talking to the woman next door who was married. | 0:32:42 | 0:32:45 | |
The woman next door who was married, said to the spinster who | 0:32:45 | 0:32:48 | |
wasn't married, "Are you lonely, living by yourself?" | 0:32:48 | 0:32:51 | |
And the spinster says, "Oh, no," she says, | 0:32:51 | 0:32:55 | |
"because I have 1,000 goldfish." | 0:32:55 | 0:32:58 | |
1,000 goldfish, it's a lot, in't it, you know? | 0:32:58 | 0:33:02 | |
Anyway, the woman was taken aback, she says, "1,000 goldfish!" | 0:33:02 | 0:33:07 | |
Cos she'd peeped through the curtains many a time | 0:33:07 | 0:33:11 | |
and hadn't seen anything. | 0:33:11 | 0:33:12 | |
So she says, "Where do you put them?" | 0:33:12 | 0:33:16 | |
SHE GIGGLES | 0:33:16 | 0:33:19 | |
Tell them where she says she put them. | 0:33:19 | 0:33:22 | |
Where she says. | 0:33:22 | 0:33:23 | |
"I put them in the bath." | 0:33:23 | 0:33:25 | |
"In the bath?" said the woman. | 0:33:25 | 0:33:28 | |
"Well, what do you do with the goldfish | 0:33:28 | 0:33:31 | |
"when you want to take a bath?!" | 0:33:31 | 0:33:34 | |
Hylda GIGGLES | 0:33:34 | 0:33:37 | |
Tell them what she says she does with the goldfish when she wants to take a bath! | 0:33:37 | 0:33:41 | |
Hylda LAUGHS | 0:33:41 | 0:33:43 | |
Well, she says, "I blindfold them." | 0:33:43 | 0:33:46 | |
APPLAUSE | 0:33:50 | 0:33:52 | |
She has me in stitches. | 0:33:56 | 0:33:58 | |
And she knows. | 0:33:58 | 0:34:01 | |
MUSIC STARTS | 0:34:01 | 0:34:02 | |
# Yes, she knows! # | 0:34:02 | 0:34:04 | |
DRUM ROLL | 0:34:04 | 0:34:06 | |
Eh, you're bonny. | 0:34:06 | 0:34:09 | |
# She knows, you know! # | 0:34:09 | 0:34:12 | |
CYMBALS CLASH | 0:34:12 | 0:34:15 | |
APPLAUSE CONTINUES WITH MUSIC | 0:34:21 | 0:34:25 | |
Heart-throbbing, herald harbinger, | 0:34:39 | 0:34:44 | |
enhancing Hibernian... | 0:34:44 | 0:34:47 | |
AUDIENCE: Oooh! | 0:34:47 | 0:34:49 | |
..harmonies, your own, your very own, Mr Val Doonican. | 0:34:49 | 0:34:54 | |
APPLAUSE AND CHEERS | 0:34:54 | 0:34:58 | |
MUSIC PLAYS | 0:34:58 | 0:35:01 | |
Thank you! | 0:35:01 | 0:35:02 | |
Hello. | 0:35:02 | 0:35:05 | |
Good evening. | 0:35:05 | 0:35:07 | |
How are you? All right? | 0:35:07 | 0:35:08 | |
# Our love is teasin' and love is pleasin' | 0:35:08 | 0:35:15 | |
# And love is a pleasure when first it's new | 0:35:15 | 0:35:21 | |
# But as it grows older | 0:35:21 | 0:35:24 | |
# Then love grows colder | 0:35:24 | 0:35:28 | |
# And fades away like the mornin' dew | 0:35:28 | 0:35:34 | |
# I left me father, I left me mother | 0:35:36 | 0:35:43 | |
# I left me brothers and sisters too | 0:35:43 | 0:35:49 | |
# I left all me friends and me fine relations | 0:35:49 | 0:35:56 | |
# I left them all for the love of you | 0:35:56 | 0:36:03 | |
# Our love is teasin' and love is pleasin' | 0:36:03 | 0:36:10 | |
# And love is a pleasure when first it's new | 0:36:10 | 0:36:17 | |
# But as it grows older, then love grows colder | 0:36:17 | 0:36:24 | |
# And fades away like the mornin' dew! # | 0:36:24 | 0:36:32 | |
Thank you. | 0:36:42 | 0:36:44 | |
Thank you. Thank you very much. | 0:36:45 | 0:36:47 | |
-Good evening to you all. -ALL: Good evening. | 0:36:47 | 0:36:49 | |
I've been asked to sing, ladies and gentlemen, a little Irish song. | 0:36:49 | 0:36:52 | |
This is a song I learned when I was a child | 0:36:52 | 0:36:54 | |
because when I was a child, like lots of other people, all my family, | 0:36:54 | 0:36:58 | |
we would sit around in the evening and sing songs in harmony. | 0:36:58 | 0:37:02 | |
That's true, people would come for miles - to complain about it. | 0:37:02 | 0:37:06 | |
LAUGHTER | 0:37:06 | 0:37:07 | |
And... Ready? Here we go. Ssh! | 0:37:07 | 0:37:09 | |
# O'Rafferty's pig was a wonderful animal... # | 0:37:16 | 0:37:19 | |
-LAUGHTER -Ssh! No, please, please. | 0:37:19 | 0:37:22 | |
# Built like a battleship, solid and stout... # | 0:37:25 | 0:37:28 | |
ONE PERSON LAUGHS | 0:37:28 | 0:37:30 | |
# His ignorance would have disgraced any cannibal | 0:37:33 | 0:37:37 | |
# Impudence written all over his snout | 0:37:37 | 0:37:39 | |
# The night he got out, there was such a commotion | 0:37:41 | 0:37:43 | |
# The women were screaming and men turning pale | 0:37:43 | 0:37:47 | |
# Running and jumping, colliding and bumping | 0:37:47 | 0:37:50 | |
# And everyone making a grab at his tail | 0:37:51 | 0:37:53 | |
# Mickey Malone, the heavyweight champion, | 0:37:58 | 0:38:01 | |
# Ran at the pig with a big rolling pin | 0:38:01 | 0:38:03 | |
# He missed it a blow, caught Mrs Monroe | 0:38:05 | 0:38:07 | |
# And lifted her bustle up under her chin | 0:38:07 | 0:38:10 | |
# Widow Malone fell through the shop window | 0:38:15 | 0:38:18 | |
# In pickles and jam and red herrings she lay | 0:38:18 | 0:38:22 | |
# With egg and tomatoes all over her garters... # | 0:38:25 | 0:38:28 | |
LAUGHTER | 0:38:31 | 0:38:33 | |
# The night that O'Rafferty's pig ran away. # | 0:38:33 | 0:38:36 | |
This is the last verse. | 0:38:38 | 0:38:40 | |
# Then a terrible crowd led by Denis Cassidy | 0:38:40 | 0:38:43 | |
# Chased it with vengeance from Dublin to Cork | 0:38:43 | 0:38:45 | |
# And didn't they swear when the pig with audacity | 0:38:45 | 0:38:47 | |
# Jumped on a tram and sat watching them walk | 0:38:47 | 0:38:50 | |
# He ran through the legs of old Councillor Duffy | 0:38:59 | 0:39:02 | |
# A man of great standing and lofty ideas | 0:39:05 | 0:39:08 | |
# And when they collided, oul' Duffy backslided | 0:39:09 | 0:39:13 | |
# And down went the standing of 25 years. # | 0:39:13 | 0:39:16 | |
Ssh! | 0:39:18 | 0:39:19 | |
# Burke's wooden leg was broken and shattered | 0:39:19 | 0:39:22 | |
# He lay on his back, shouting Dr Lamont | 0:39:22 | 0:39:24 | |
# Barney O'Toole said, "Don't be a fool | 0:39:26 | 0:39:28 | |
# "It's a hammer and saw and a joiner you want." | 0:39:28 | 0:39:31 | |
# Then came the news that the pig had been captured | 0:39:39 | 0:39:43 | |
# The town had a thanksgiving supper that day | 0:39:43 | 0:39:46 | |
# With cabbage and bacon | 0:39:46 | 0:39:48 | |
# Unlawfully taken | 0:39:48 | 0:39:50 | |
# The night that O'Rafferty's pig...ran away. # | 0:39:51 | 0:39:55 | |
Thank you. | 0:40:00 | 0:40:02 | |
CHEERING | 0:40:03 | 0:40:06 | |
Thank you! | 0:40:09 | 0:40:11 | |
That one's been giving me funny looks all the time. | 0:40:14 | 0:40:17 | |
Do you feel like a little sing? | 0:40:17 | 0:40:20 | |
ALL: Yes! | 0:40:20 | 0:40:21 | |
Go on, then. | 0:40:21 | 0:40:23 | |
LAUGHTER | 0:40:23 | 0:40:24 | |
No. No, really, I'm going to sing you a song. | 0:40:24 | 0:40:26 | |
I'm going to sing you a song that's been sung around the music halls | 0:40:26 | 0:40:29 | |
by two colleagues of ours, a double act, and who knows, | 0:40:29 | 0:40:32 | |
one day this song might even be a hit. Here we go. | 0:40:32 | 0:40:35 | |
PIANO STARTS | 0:40:35 | 0:40:36 | |
Ahem! | 0:40:36 | 0:40:37 | |
# On a mountain in Virginia | 0:40:39 | 0:40:44 | |
# Stands a lonesome pine | 0:40:44 | 0:40:48 | |
# 'Neath the shade, in the cabin wood | 0:40:48 | 0:40:53 | |
# Lives that little girl of mine | 0:40:53 | 0:40:57 | |
# Her name is June | 0:40:57 | 0:40:59 | |
# And very, very soon | 0:40:59 | 0:41:02 | |
# She'll belong to me | 0:41:02 | 0:41:06 | |
# For I know she's waiting there for me | 0:41:06 | 0:41:11 | |
# 'Neath that old pine tree | 0:41:11 | 0:41:16 | |
AUDIENCE SINGS ALONG: # In the Blue Ridge Mountains of Virginia | 0:41:17 | 0:41:23 | |
# On the trail of the lonesome pine | 0:41:23 | 0:41:28 | |
# In the pale moonshine, our hearts entwine | 0:41:28 | 0:41:32 | |
# Where she carved her name and I carved mine | 0:41:32 | 0:41:37 | |
# Oh, June | 0:41:37 | 0:41:39 | |
# Like the mountains I'm blue | 0:41:39 | 0:41:41 | |
# Like the pine I am lonesome for you | 0:41:41 | 0:41:48 | |
AUDIENCE: # In the... | 0:41:48 | 0:41:51 | |
# Blue Ridge Mountains of Virginia | 0:41:51 | 0:41:55 | |
# On the trail of the lonesome pine. # | 0:41:55 | 0:41:59 | |
Ssh! | 0:42:01 | 0:42:02 | |
Gentlemen, ready? Bass solo. | 0:42:02 | 0:42:05 | |
That's not you! | 0:42:06 | 0:42:08 | |
Ssh! Ready? | 0:42:08 | 0:42:10 | |
-DEEP: -# In the Blue Ridge Mountains of Virginia | 0:42:10 | 0:42:14 | |
# On the trail of the lonesome pine | 0:42:14 | 0:42:19 | |
# When the pale moon shines, our hearts entwine | 0:42:19 | 0:42:24 | |
# Where she carved her name and I carved mine | 0:42:24 | 0:42:28 | |
# Oh, June, like the mountains I'm blue | 0:42:28 | 0:42:33 | |
# Like the pine, I am lonesome for you... # | 0:42:33 | 0:42:39 | |
Ladies? | 0:42:39 | 0:42:41 | |
LADIES: # In the Blue Ridge Mountains of Virginia | 0:42:41 | 0:42:48 | |
# On the trail of the lonesome pine... # | 0:42:48 | 0:42:51 | |
All together now! | 0:42:51 | 0:42:52 | |
# In the Blue Ridge Mountains of Virginia | 0:42:52 | 0:42:57 | |
# On the trail of the lonesome pine. # | 0:42:57 | 0:43:06 | |
CHEERING AND APPLAUSE | 0:43:10 | 0:43:14 | |
And now, ladies and gentlemen, | 0:43:30 | 0:43:31 | |
there's just time to ask Miss Hylda Baker, Mr Val Doonican, | 0:43:31 | 0:43:34 | |
to lead you in the last chorus for tonight, | 0:43:34 | 0:43:36 | |
Down at The Old Bull and Bush. | 0:43:36 | 0:43:37 | |
Ladies and gentlemen, Miss Hylda Baker, Mr Val Doonican, | 0:43:37 | 0:43:40 | |
the entire company, Mr Bernard Herrmann, | 0:43:40 | 0:43:42 | |
the entire and inexhaustible orchestra... | 0:43:42 | 0:43:44 | |
CHEERING | 0:43:44 | 0:43:46 | |
..but this time, chiefly... | 0:43:46 | 0:43:48 | |
ALL: Yourselves! | 0:43:48 | 0:43:50 | |
ORCHESTRA PLAYS | 0:43:50 | 0:43:53 | |
# Come, come, come and make eyes at me | 0:43:53 | 0:43:57 | |
# Down at the old Bull and Bush | 0:43:57 | 0:44:00 | |
# Da-da-da-da-da | 0:44:00 | 0:44:01 | |
# Come, come, drink some port wine with me | 0:44:01 | 0:44:05 | |
# Down at the old Bull and Bush | 0:44:05 | 0:44:07 | |
# Hear the little German band pa pa-pa-pa-pa-pa-pa | 0:44:09 | 0:44:12 | |
# Just let me hold your hand, dear | 0:44:12 | 0:44:16 | |
# Do, do, come and have a drink or two | 0:44:16 | 0:44:20 | |
# Down at the old Bull and Bush. # | 0:44:20 | 0:44:24 | |
APPLAUSE | 0:44:26 | 0:44:29 | |
AUDIENCE CLAPS ALONG WITH BAND | 0:44:33 | 0:44:37 |