Browse content similar to 09/07/1981. Check below for episodes and series from the same categories and more!
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-ALL: -Twi-twi-twilight | 0:00:06 | 0:00:09 | |
# Out in the beautiful twilight | 0:00:09 | 0:00:12 | |
# They all go out for a walk, walk, walk | 0:00:12 | 0:00:15 | |
# A quiet spoon and a talk, talk, talk | 0:00:15 | 0:00:19 | |
# That's the time they long for | 0:00:19 | 0:00:22 | |
# Just before the night | 0:00:22 | 0:00:26 | |
# And many a grand little wedding is planned | 0:00:26 | 0:00:28 | |
# In the twi-twilight! # | 0:00:28 | 0:00:34 | |
CHEERING AND APPLAUSE | 0:00:37 | 0:00:39 | |
ALL: # It's nice and warm | 0:00:47 | 0:00:48 | |
# I think that we shall have a lovely day | 0:00:48 | 0:00:51 | |
# Neigh, neigh, walk, walk, neigh | 0:00:51 | 0:00:53 | |
# 80 in the shade, they say | 0:00:53 | 0:00:55 | |
-GIRLS: -# That's fancy! | 0:00:55 | 0:00:56 | |
# It almost looks as though The sun has really come to stay | 0:00:56 | 0:00:59 | |
# Oh, what very charming weather! | 0:00:59 | 0:01:04 | |
-BOYS: -# It's nice and warm | 0:01:04 | 0:01:05 | |
# I think that we shall have a lovely day | 0:01:05 | 0:01:07 | |
-# We shall have a lovely day -# Neigh, neigh, walk, walk, neigh | 0:01:07 | 0:01:09 | |
-# Neigh, neigh, walk, walk, neigh -# 80 in the shade, they say | 0:01:09 | 0:01:11 | |
# Just fancy! | 0:01:11 | 0:01:12 | |
# It almost looks as though The sun has really come to stay | 0:01:12 | 0:01:16 | |
# Oh, what very charming weather! # | 0:01:16 | 0:01:20 | |
# So pack your fancy, pack your fancy | 0:01:20 | 0:01:22 | |
# Come and have a gamble | 0:01:22 | 0:01:24 | |
# But look at the prices once or twice | 0:01:24 | 0:01:26 | |
# Before you join the scramble | 0:01:26 | 0:01:27 | |
# Wait until your chicks are hatched Before you count them up | 0:01:27 | 0:01:31 | |
# There's many a slip between the tip | 0:01:31 | 0:01:33 | |
# And the horse that wins the cup | 0:01:33 | 0:01:35 | |
# There's many a slip between the tip | 0:01:35 | 0:01:37 | |
# And the horse that wins the cup. # | 0:01:37 | 0:01:39 | |
# So, horsey, keep your tail up, keep your tail up, keep your tail up | 0:01:41 | 0:01:46 | |
# So, horsey, keep your tail up Why don't you make it fly? | 0:01:46 | 0:01:52 | |
# Tell me how you get that way | 0:01:52 | 0:01:54 | |
# You mean yes but say, "Neigh, neigh" | 0:01:54 | 0:01:57 | |
# So, horsey, keep your tail up | 0:01:57 | 0:01:59 | |
# Keep the sun out of my eyes | 0:01:59 | 0:02:01 | |
# Keep the sun out of my eyes! # | 0:02:01 | 0:02:05 | |
# Oh, the horses are out See, there they go | 0:02:05 | 0:02:10 | |
# The horses are out See, there they go... # | 0:02:10 | 0:02:14 | |
THEY CHATTER EXCITEDLY | 0:02:14 | 0:02:16 | |
# Well, they're off, they're off The race begins | 0:02:17 | 0:02:20 | |
# And everyone grips the rail | 0:02:20 | 0:02:21 | |
# I hope the favourite wins | 0:02:21 | 0:02:23 | |
# The chestnut cannot fail! | 0:02:23 | 0:02:25 | |
# Faster, faster Oh, what a race | 0:02:25 | 0:02:27 | |
# Now number seven is through | 0:02:27 | 0:02:28 | |
# I think he will win if he keeps up the pace | 0:02:28 | 0:02:30 | |
# But look at the jockey in blue! | 0:02:30 | 0:02:32 | |
# He certainly knows how to ride | 0:02:32 | 0:02:34 | |
# But he took that corner wide | 0:02:34 | 0:02:36 | |
# Galloping, galloping, galloping, galloping | 0:02:36 | 0:02:38 | |
# Galloping on into the straight | 0:02:38 | 0:02:39 | |
# I can't see Dandy Dick | 0:02:39 | 0:02:41 | |
# Oh, there he is, he's number eight | 0:02:41 | 0:02:43 | |
# Galloping, galloping, nearly there | 0:02:43 | 0:02:45 | |
# The favourite is pulling away | 0:02:45 | 0:02:47 | |
# He's won by a length from Vanity Fair | 0:02:47 | 0:02:49 | |
# Hooray, hooray, hooray! | 0:02:49 | 0:02:50 | |
# He's won by a length from Vanity Fair | 0:02:50 | 0:02:52 | |
# Hooray, hooray, hooray! # | 0:02:52 | 0:02:57 | |
# I'll meet you at the bodega | 0:02:57 | 0:03:01 | |
# We'll spend the cash we've made | 0:03:01 | 0:03:05 | |
# I'll meet you at the bodega | 0:03:05 | 0:03:08 | |
# If it's only for a bottle of lemonade | 0:03:08 | 0:03:12 | |
# I'll meet you at the bodega | 0:03:12 | 0:03:16 | |
# My own, my heart's delight | 0:03:16 | 0:03:19 | |
# I'll meet you, treat you Lovingly I'll greet you | 0:03:19 | 0:03:23 | |
# At the bodega at nine o'clock tonight | 0:03:23 | 0:03:27 | |
# I'll meet you, treat you Lovingly I'll greet you | 0:03:27 | 0:03:31 | |
# At the bodega | 0:03:31 | 0:03:32 | |
# At the bodega! | 0:03:32 | 0:03:34 | |
# At nine o'clock tonight! # | 0:03:34 | 0:03:40 | |
CHEERING | 0:03:40 | 0:03:42 | |
BAND PLAYS FANFARE | 0:03:46 | 0:03:50 | |
CHEERING | 0:03:50 | 0:03:52 | |
CHEERING | 0:03:58 | 0:04:00 | |
Once again... | 0:04:01 | 0:04:05 | |
..good evening, ladies and gentlemen! | 0:04:05 | 0:04:11 | |
-AUDIENCE: -Good evening! | 0:04:11 | 0:04:14 | |
-Heterogeneities... -AUDIENCE: -Ooh! | 0:04:14 | 0:04:18 | |
..harmoniously homogenised... | 0:04:18 | 0:04:21 | |
I'm sorry. | 0:04:21 | 0:04:22 | |
..a herald harbinger of Highland hilarities... | 0:04:24 | 0:04:28 | |
Ooh! | 0:04:28 | 0:04:30 | |
..which, as you all know, means Scottish jokes. | 0:04:30 | 0:04:32 | |
Ladies and gentlemen, Mr Hamish...McGillivray! | 0:04:32 | 0:04:38 | |
CHEERING | 0:04:38 | 0:04:41 | |
BAND PLAYS Stop Your Tickling, Jock | 0:04:41 | 0:04:46 | |
Do you want to hear me sing it again? | 0:04:48 | 0:04:51 | |
Good evening. And good evening to you, Mr Sachs. | 0:04:51 | 0:04:55 | |
And good evening to you! | 0:04:55 | 0:04:57 | |
Resplendent in that lovely chair. It's so commodious, isn't it? | 0:04:57 | 0:05:00 | |
Well, it's been a long day. At rehearsals today... | 0:05:01 | 0:05:04 | |
Rehearsals?! Ha! | 0:05:04 | 0:05:06 | |
..our producer, Mr Barney "Oh, Is It My Round?" Colehan, said... | 0:05:06 | 0:05:10 | |
A man of rare gifts. ..said, "What are you doing for us tonight, | 0:05:12 | 0:05:17 | |
"Waterman?" That's my pen name. He said, "What are you doing? | 0:05:17 | 0:05:21 | |
"What are you doing for us tonight? | 0:05:21 | 0:05:22 | |
"Are you showing us your little speciality?" | 0:05:22 | 0:05:25 | |
And I said, "No, I shall be in poetic mood, Mr Colehan," | 0:05:25 | 0:05:28 | |
because today, ladies and gentlemen, is the 99th birthday | 0:05:28 | 0:05:32 | |
of the legendary but little-known Lowland poet Mungo Plinth. | 0:05:32 | 0:05:37 | |
He died when he was 32, but today would have been his 99th birthday. | 0:05:37 | 0:05:42 | |
He was in fact born in 1882. | 0:05:42 | 0:05:46 | |
Oh, I do like saying that. Would you like to join me in that? | 0:05:46 | 0:05:48 | |
-One, two, three... ALL, IN SCOTTISH ACCENT: -1882! | 0:05:48 | 0:05:51 | |
Thank you for joining me in that number. | 0:05:52 | 0:05:55 | |
He was born in Auchtermuchty the same year that, | 0:05:55 | 0:05:57 | |
across the Channel, Dr Louis Pasteur was conducting his experiments | 0:05:57 | 0:06:01 | |
and discovering a cure for which there was no known disease. | 0:06:01 | 0:06:04 | |
And his... Nice to hear them again, isn't it? | 0:06:04 | 0:06:08 | |
His wife used to sit in a bath of milk to help Pasteur | 0:06:10 | 0:06:14 | |
with his experiments, and she used to shout... | 0:06:14 | 0:06:17 | |
..she used to shout, "Louis, do you want the milk up to my chest?" | 0:06:18 | 0:06:21 | |
And he used to say, "No, 'pasteurise'." Now... | 0:06:21 | 0:06:23 | |
But I digress. And that can be habit-forming. | 0:06:25 | 0:06:27 | |
APPLAUSE Oh! Thank you. | 0:06:27 | 0:06:31 | |
God bless you! I thought it was raining in. Anyway, I digress. | 0:06:32 | 0:06:36 | |
That can be habit-forming. Back to Mungo Plinth. You remember the plot. | 0:06:36 | 0:06:38 | |
He was born in Auchtermuchty, a well-known watering place. | 0:06:38 | 0:06:43 | |
YOU try saying it! Sorry, dear, I splashed you. | 0:06:43 | 0:06:45 | |
And his father was the local doctor, and Mungo used to help him. | 0:06:45 | 0:06:49 | |
He used to sit outside the surgery and make people sick. | 0:06:49 | 0:06:51 | |
And from a very early age, he had a poetic bent. | 0:06:51 | 0:06:56 | |
But... | 0:06:57 | 0:06:59 | |
..his father treated it, | 0:06:59 | 0:07:00 | |
and once again he was able to ride his bicycle. | 0:07:00 | 0:07:04 | |
He had a maiden aunt who lived in Pitlochry. | 0:07:04 | 0:07:06 | |
He used to call her Auntie Macassar, | 0:07:06 | 0:07:08 | |
because she was usually spread over the chaise longue. | 0:07:08 | 0:07:11 | |
And she was a bit of a lady, a bit of a... | 0:07:11 | 0:07:15 | |
Yeah, well, for the gentlemen. And he wrote this poem dedicated to her. | 0:07:15 | 0:07:18 | |
There was an old maid of Pitlochry | 0:07:18 | 0:07:20 | |
Whose morals were truly a mockery | 0:07:20 | 0:07:23 | |
For under the bed She'd a fella instead | 0:07:23 | 0:07:25 | |
Of the usual porcelain crockery. | 0:07:25 | 0:07:27 | |
APPLAUSE | 0:07:27 | 0:07:29 | |
Now, the surge in that poem... There's enough serge to make a suit. | 0:07:33 | 0:07:37 | |
It's amazing, that poem. | 0:07:37 | 0:07:39 | |
He moved to Glasgow and there met the love of his life, | 0:07:39 | 0:07:41 | |
Flora MacTavish. The love of his life. | 0:07:41 | 0:07:44 | |
Flora, known to everyone as Marge, because she... | 0:07:44 | 0:07:46 | |
..she spread easily, inspired Mungo... | 0:07:49 | 0:07:51 | |
..inspired Mungo to write the following. | 0:07:53 | 0:07:56 | |
Each time Lady Sutherland swoons | 0:07:56 | 0:07:59 | |
Her bosoms pop out like balloons | 0:07:59 | 0:08:02 | |
But her butler stands by With a gleam in his eye | 0:08:02 | 0:08:05 | |
And lifts them back in with warm spoons. | 0:08:05 | 0:08:08 | |
DRUM FLOURISH | 0:08:08 | 0:08:09 | |
APPLAUSE | 0:08:09 | 0:08:12 | |
A true pioneer! | 0:08:12 | 0:08:14 | |
Your applause has been recorded and donated to a less fortunate artist. | 0:08:18 | 0:08:22 | |
Ladies and gentlemen... HE LAUGHS | 0:08:22 | 0:08:24 | |
..they were beautiful words and beautiful drumming, but not as | 0:08:25 | 0:08:29 | |
beautiful words as those spoken by our own blessed Queen to her | 0:08:29 | 0:08:33 | |
gillie, John Brown. | 0:08:33 | 0:08:36 | |
# Will you stop your ticking, Jock Stop your tickling, Jock? | 0:08:36 | 0:08:42 | |
# Dinna make me laugh so hearty Or you'll make me choke | 0:08:42 | 0:08:45 | |
# Oh, I wish you'd stop your nonsense | 0:08:45 | 0:08:47 | |
# Just look at all the folk | 0:08:47 | 0:08:49 | |
# Will you stop your tickling, tickle-ickle-ickling | 0:08:49 | 0:08:50 | |
# Stop your tickling, Jock? # | 0:08:50 | 0:08:52 | |
Yes! | 0:08:52 | 0:08:53 | |
CHEERING | 0:08:53 | 0:08:55 | |
-This orchidaceous assemblage... -Ooh! | 0:09:07 | 0:09:12 | |
..will have guessed that under that hoary sporran... | 0:09:12 | 0:09:17 | |
..was the elegant personage of | 0:09:18 | 0:09:21 | |
none other than Mr Barry Cryer! | 0:09:21 | 0:09:24 | |
CHEERING AND APPLAUSE | 0:09:24 | 0:09:26 | |
-Luminescent... -Ooh! | 0:09:30 | 0:09:34 | |
-..in a cosmopolitan coruscation... -Ooh! | 0:09:34 | 0:09:39 | |
..of continental cadenzas... | 0:09:39 | 0:09:42 | |
Italian. | 0:09:42 | 0:09:44 | |
..your own Miss Rita Morris! | 0:09:44 | 0:09:49 | |
CHEERING AND APPLAUSE | 0:09:49 | 0:09:51 | |
# Why ever should it be | 0:10:01 | 0:10:03 | |
# That men at once make love to me? | 0:10:03 | 0:10:06 | |
# When they are near me, there they stand | 0:10:06 | 0:10:08 | |
# Their eyes look deep in mine | 0:10:08 | 0:10:10 | |
# They always kiss my hand | 0:10:10 | 0:10:13 | |
# Why ever should it be | 0:10:13 | 0:10:15 | |
# They speak of magic charms in me | 0:10:15 | 0:10:18 | |
# That no man can resist? | 0:10:18 | 0:10:20 | |
# For every time they look at me | 0:10:20 | 0:10:23 | |
# These charms persist | 0:10:23 | 0:10:28 | |
# But when the soft lights glint and glance | 0:10:28 | 0:10:32 | |
# As midnight hour goes by | 0:10:32 | 0:10:35 | |
# They hear me sing, they see me dance | 0:10:35 | 0:10:38 | |
# It's then that I know why | 0:10:38 | 0:10:44 | |
# On my lips, every kiss is like wine | 0:10:44 | 0:10:51 | |
# In my arms, love is more than divine | 0:10:51 | 0:10:58 | |
# It's engraved in the stars high above me | 0:10:58 | 0:11:03 | |
# Men must kiss me, men must love me | 0:11:03 | 0:11:10 | |
# When my feet haunting rhythms inspire | 0:11:10 | 0:11:16 | |
# In my eyes gleam the flames of desire | 0:11:16 | 0:11:22 | |
# When I dance, then I know fate's design | 0:11:22 | 0:11:30 | |
# On my lips, every kiss is like wine! # | 0:11:30 | 0:11:42 | |
CHEERING AND APPLAUSE | 0:11:42 | 0:11:44 | |
Ah! | 0:11:48 | 0:11:49 | |
# Nous venions de voir le taureau | 0:12:00 | 0:12:03 | |
# Trois garcons, trois fillettes | 0:12:03 | 0:12:09 | |
# Sur la pelouse, il faisait beau | 0:12:09 | 0:12:12 | |
# Et nous dansions un bolero | 0:12:12 | 0:12:16 | |
# Au son des castagnettes | 0:12:16 | 0:12:24 | |
# Dites-moi, voisin, si j'ai bonne mine | 0:12:24 | 0:12:27 | |
# Et si ma basquine va bien ce matin | 0:12:27 | 0:12:30 | |
# Vous me trouvez la taille fine? | 0:12:30 | 0:12:32 | |
# Vous me trouvez la taille fine? | 0:12:33 | 0:12:40 | |
SHE VOCALISES | 0:12:40 | 0:12:42 | |
# Les filles de Cadiz aiment assez cela | 0:12:44 | 0:12:49 | |
# Les filles de Cadiz aiment assez cela-la-la la-la-la la-la-la | 0:12:56 | 0:13:03 | |
# Les filles de Cadiz aiment assez cela | 0:13:03 | 0:13:06 | |
# Et nous dansions un bolero | 0:13:25 | 0:13:27 | |
# Un soir - c'etait dimanche | 0:13:27 | 0:13:34 | |
# Vers nous s'en vint un hidalgo | 0:13:34 | 0:13:36 | |
# Cousu d'or, la plume au chapeau | 0:13:36 | 0:13:42 | |
# Et le poing sur la hanche | 0:13:42 | 0:13:50 | |
# Si tu veux de moi brune au doux sourire | 0:13:50 | 0:13:53 | |
# Tu n'as qu'a le dire Cet or est a toi | 0:13:53 | 0:13:56 | |
# Ah! Passez votre chemin, beau sire | 0:13:56 | 0:13:59 | |
# Passez votre chemin, beau sire | 0:13:59 | 0:14:05 | |
# Les filles de Cadiz n'entendent pas cela | 0:14:10 | 0:14:14 | |
# Les filles de Cadiz n'entendent pas cela-la-la la-la-la la-la-la. # | 0:14:21 | 0:14:28 | |
SHE VOCALISES | 0:14:28 | 0:14:32 | |
CHEERING AND APPLAUSE | 0:14:43 | 0:14:45 | |
With the inexhaustibly advancing years, I stray more and more often | 0:15:02 | 0:15:11 | |
through the murky, gas-lit alleyways of the metropolis... | 0:15:11 | 0:15:17 | |
Awww! | 0:15:17 | 0:15:19 | |
..trawling for talent... | 0:15:19 | 0:15:22 | |
..where my latest discovery displayed to me all her gifts. | 0:15:24 | 0:15:30 | |
But she is very nervous. | 0:15:30 | 0:15:32 | |
It is her very first public appearance, and I ask for your | 0:15:32 | 0:15:38 | |
encouragement, for your delight, ladies and gentlemen, | 0:15:38 | 0:15:43 | |
for my... | 0:15:43 | 0:15:45 | |
..niece. | 0:15:45 | 0:15:46 | |
Miss Popsy Wopsy! | 0:15:48 | 0:15:52 | |
CHEERING | 0:15:52 | 0:15:54 | |
LOUD AND OUT OF TUNE: # Popsy was a singer in a little revue | 0:16:25 | 0:16:30 | |
# Sang the sort of ditties that the people all knew | 0:16:30 | 0:16:35 | |
# Every night, they used to turn the limelight strong | 0:16:35 | 0:16:39 | |
# On someone's face as she sang her song | 0:16:39 | 0:16:43 | |
# Popsy loved her job, but every once in a while | 0:16:44 | 0:16:48 | |
# She thought it would be such bliss | 0:16:48 | 0:16:52 | |
# If the limelight would find A man both good and kind | 0:16:52 | 0:16:56 | |
# And he'd murmur something like this | 0:16:56 | 0:16:59 | |
# ..sing to me, my little Popsy Wopsy | 0:17:01 | 0:17:04 | |
# Turn the limelight right on me | 0:17:04 | 0:17:06 | |
# Will you, little Popsy Wopsy? | 0:17:06 | 0:17:08 | |
# When on that stage you come | 0:17:08 | 0:17:11 | |
# My little heart beats just like a drum | 0:17:11 | 0:17:14 | |
# Ya-ya | 0:17:14 | 0:17:15 | |
# I shall dream about you all night tonight | 0:17:15 | 0:17:19 | |
# You're the sweetest girl I've seen | 0:17:19 | 0:17:22 | |
# I would kiss you, my Popsy | 0:17:22 | 0:17:24 | |
# But there's one thing stops me | 0:17:24 | 0:17:26 | |
# Those footli... # | 0:17:26 | 0:17:27 | |
CHEERING AND APPLAUSE | 0:17:29 | 0:17:31 | |
More! More! | 0:17:37 | 0:17:40 | |
BAND CONTINUES | 0:17:40 | 0:17:42 | |
# Popsy fixed her eye upon an old boy one night | 0:17:51 | 0:17:56 | |
# Sitting in the stalls with not a lady in sight | 0:17:56 | 0:18:00 | |
# When she sang her loving song, he looked entranced | 0:18:00 | 0:18:04 | |
EVEN LOUDER: # She knew it was the way she danced | 0:18:04 | 0:18:09 | |
# That same evening to the stage door he sent a...note | 0:18:10 | 0:18:16 | |
# Which read, "Oh, Popsy, my pet | 0:18:16 | 0:18:19 | |
# "Though I'm 71 We could have lots of fun | 0:18:19 | 0:18:24 | |
# "There's life in the old mongrel yet" | 0:18:24 | 0:18:27 | |
# ..sing to me, my little Popsy Wopsy | 0:18:29 | 0:18:32 | |
# Turn the limelight right on me | 0:18:32 | 0:18:34 | |
# Will you, Popsy Wopsy? | 0:18:34 | 0:18:36 | |
# When on...that stage you come | 0:18:36 | 0:18:39 | |
# My little heart beats just like a drum | 0:18:39 | 0:18:41 | |
# Ya-ya | 0:18:41 | 0:18:43 | |
# I shall dream about you all night tonight | 0:18:43 | 0:18:47 | |
# You're the sweetest girl I've seen | 0:18:47 | 0:18:50 | |
# I would kiss you, my...Popsy Wopsy | 0:18:50 | 0:18:53 | |
# The... | 0:18:53 | 0:18:55 | |
# ..the lights... # | 0:18:55 | 0:18:56 | |
CHEERING AND APPLAUSE | 0:18:57 | 0:18:59 | |
More! More! | 0:19:02 | 0:19:05 | |
# Popsy still sings ditties on that stage every night | 0:19:15 | 0:19:20 | |
# Though she may not be a star, she's doing...all right | 0:19:20 | 0:19:24 | |
# And when johnnies think that they are sure to score | 0:19:24 | 0:19:28 | |
# And wait for her at the backstage door | 0:19:28 | 0:19:32 | |
# She appears in furs to keep her safe from the cold | 0:19:33 | 0:19:38 | |
# And if some masher should shout | 0:19:38 | 0:19:42 | |
# "I've some champagne on ice" | 0:19:42 | 0:19:44 | |
# She'll say, "Well, ain't that nice? | 0:19:44 | 0:19:46 | |
# "But Daddy won't let me go out" | 0:19:46 | 0:19:49 | |
# ..sing to me, my little Popsy Wopsy | 0:19:51 | 0:19:54 | |
# Turn the limelight right on... | 0:19:54 | 0:19:57 | |
# When... | 0:19:57 | 0:19:58 | |
# When...on...that stage you come | 0:19:58 | 0:20:01 | |
# My little heart beats just like a drum | 0:20:01 | 0:20:03 | |
# Ya... | 0:20:03 | 0:20:05 | |
# I shall dream about you all night tonight | 0:20:05 | 0:20:08 | |
# You're the sweetest girl I've seen | 0:20:08 | 0:20:11 | |
# I would kiss you, my Popsy | 0:20:11 | 0:20:13 | |
# But there's one thing stops me | 0:20:13 | 0:20:16 | |
# Those footlights in-between... # | 0:20:16 | 0:20:18 | |
SHE SCREAMS DELIGHTEDLY | 0:20:18 | 0:20:19 | |
# Sing to me, my little Popsy Wopsy | 0:20:19 | 0:20:22 | |
# Shine the limelight right on me | 0:20:22 | 0:20:23 | |
# Yeah! | 0:20:23 | 0:20:25 | |
# ..on that...stage you come | 0:20:25 | 0:20:27 | |
# My little heart beats just like a drum! | 0:20:27 | 0:20:29 | |
# Ya-ya-whoo! | 0:20:29 | 0:20:32 | |
# ..all night tonight | 0:20:32 | 0:20:34 | |
# You're the sweetest girl I've seen | 0:20:34 | 0:20:36 | |
# I would kiss you, my Popsy | 0:20:36 | 0:20:38 | |
# ..thing stops me | 0:20:38 | 0:20:39 | |
# Thefootlightsinbetwween! | 0:20:39 | 0:20:42 | |
# Footlights in-between... | 0:20:42 | 0:20:44 | |
# Footlights in-be... | 0:20:44 | 0:20:45 | |
BAND STOPS # ..tween. # | 0:20:45 | 0:20:48 | |
SHE SQUEALS | 0:20:49 | 0:20:50 | |
CHEERING | 0:20:50 | 0:20:52 | |
That was, of course, giving her all... | 0:21:03 | 0:21:06 | |
..Miss Sheila Steafel. And now... | 0:21:07 | 0:21:09 | |
CHEERING | 0:21:09 | 0:21:11 | |
-And now, scintillant... -Ooh! | 0:21:15 | 0:21:18 | |
..in a synthesis... | 0:21:18 | 0:21:20 | |
S-Y-N-T-H-E-S-I-S. | 0:21:20 | 0:21:24 | |
Greek. | 0:21:24 | 0:21:26 | |
-..of symphonic simultaneities... -Oooooohhh! | 0:21:26 | 0:21:31 | |
That means all together, like you. | 0:21:31 | 0:21:34 | |
..in short, ladies and gentlemen, | 0:21:34 | 0:21:36 | |
the King's Singers! | 0:21:36 | 0:21:39 | |
CHEERING AND APPLAUSE | 0:21:39 | 0:21:41 | |
# For those of you who like to study genealogy | 0:21:48 | 0:21:55 | |
# There's something funny going on up in my family tree | 0:21:55 | 0:22:01 | |
THEY HARMONISE | 0:22:01 | 0:22:05 | |
# I'm my own grandpa | 0:22:06 | 0:22:08 | |
# I really mean it, brother | 0:22:08 | 0:22:09 | |
# I'm my own grandpa | 0:22:09 | 0:22:12 | |
# It sounds funny, I know | 0:22:12 | 0:22:14 | |
# But it really is so | 0:22:14 | 0:22:16 | |
# Oh, I'm my own grandpa | 0:22:16 | 0:22:20 | |
# Oh, many, many years ago When I was 23 | 0:22:20 | 0:22:23 | |
# I was married to a widow Who was pretty as could be | 0:22:23 | 0:22:27 | |
# The widow had a grown-up daughter Who had hair of red | 0:22:27 | 0:22:30 | |
# My father fell in love with her And soon they too were wed | 0:22:30 | 0:22:33 | |
# This made my dad my son-in-law And changed my very life | 0:22:33 | 0:22:37 | |
# For my daughter was my mother Cos she was my father's wife | 0:22:37 | 0:22:40 | |
# To complicate the matter Even though it brought me joy | 0:22:40 | 0:22:43 | |
# I soon became the father Of a bouncing baby boy | 0:22:43 | 0:22:47 | |
# I'm my own grandpa | 0:22:47 | 0:22:49 | |
# I really mean it, brother | 0:22:49 | 0:22:51 | |
# I'm my own grandpa | 0:22:51 | 0:22:54 | |
# It sounds funny, I know | 0:22:54 | 0:22:55 | |
# But it really is so | 0:22:55 | 0:22:57 | |
# Oh, I'm my own grandpa | 0:22:57 | 0:23:01 | |
# My father's wife then had a son Who kept them on the run | 0:23:01 | 0:23:05 | |
# And he became my grandchild For he was my daughter's son | 0:23:05 | 0:23:08 | |
# Why wife is now my mother's mother And it makes me blue | 0:23:08 | 0:23:12 | |
# Because although she is my wife She's my grandmother, too | 0:23:12 | 0:23:16 | |
-# I'm my own grandpa -Grandpa | 0:23:18 | 0:23:21 | |
-# I'm my own grandpa -Grandpa | 0:23:21 | 0:23:25 | |
# It sounds funny, I know | 0:23:25 | 0:23:26 | |
# But it really is so | 0:23:26 | 0:23:28 | |
# Oh, I'm my own grandpa | 0:23:28 | 0:23:34 | |
# Oh, if my wife is my grandmother Then I'm her grandchild | 0:23:34 | 0:23:40 | |
# And every time I think of it It really drives me wild | 0:23:40 | 0:23:43 | |
# For now I have become The strangest case you ever saw | 0:23:43 | 0:23:47 | |
# As husband of my grandmother I am my own grandpaw | 0:23:47 | 0:23:51 | |
# Oh, I'm my own grandpa | 0:23:51 | 0:23:54 | |
# I really mean it, Granny | 0:23:54 | 0:23:56 | |
# I'm my own grandpa | 0:23:56 | 0:23:58 | |
# It sounds funny, I know | 0:23:58 | 0:24:00 | |
# But it really is so | 0:24:00 | 0:24:02 | |
# Oh, I'm my own grandpa | 0:24:02 | 0:24:05 | |
# Father, daughter, uncle, brother | 0:24:05 | 0:24:07 | |
# Wife and mother-in-law | 0:24:07 | 0:24:08 | |
# Oh, I'm my own grandpa! # | 0:24:08 | 0:24:16 | |
CHEERING AND APPLAUSE | 0:24:16 | 0:24:18 | |
THEY VOCALISE IN HARMONY | 0:24:30 | 0:24:32 | |
# 'Mid pleasures and palaces | 0:24:46 | 0:24:53 | |
# Though I may roam | 0:24:53 | 0:24:58 | |
# Be it ever so humble | 0:25:10 | 0:25:16 | |
# There's no place like home | 0:25:16 | 0:25:23 | |
# No more from that cottage | 0:25:30 | 0:25:37 | |
# Again will I roam | 0:25:37 | 0:25:43 | |
# Be it ever so humble | 0:25:50 | 0:25:57 | |
# There's no place like home | 0:25:57 | 0:26:02 | |
# Home, sweet home, sweet home | 0:26:11 | 0:26:17 | |
# There's no place like home | 0:26:17 | 0:26:26 | |
# There's no place like... | 0:26:27 | 0:26:32 | |
# ..home. # | 0:26:32 | 0:26:40 | |
APPLAUSE | 0:26:45 | 0:26:47 | |
-Inordinately overwhelming orotundities... -Ooh! | 0:27:03 | 0:27:10 | |
..of optimism from sartorially soigne... | 0:27:10 | 0:27:16 | |
Ooh! | 0:27:16 | 0:27:17 | |
French for "well groomed". | 0:27:17 | 0:27:19 | |
..Mr Bernard Cribbins! | 0:27:19 | 0:27:22 | |
CHEERING AND APPLAUSE | 0:27:22 | 0:27:24 | |
-Ladies and gentlemen, good evening. -Good evening! | 0:27:32 | 0:27:35 | |
How I envy you this evening. | 0:27:35 | 0:27:37 | |
Oh! I mean, I'm so envious of you. You know why? | 0:27:37 | 0:27:42 | |
I'm going to sing for you this evening. I am! What? | 0:27:42 | 0:27:45 | |
CATCALLS FROM ORCHESTRA | 0:27:45 | 0:27:46 | |
Shaddap! HE WHISTLES | 0:27:46 | 0:27:48 | |
Keep them under control. What have you been doing, | 0:27:48 | 0:27:50 | |
giving them meat again? | 0:27:50 | 0:27:52 | |
I shall go down there. I'm not going to be talked to like that by... | 0:27:52 | 0:27:55 | |
Every time, I do that. Every single time! | 0:27:56 | 0:27:59 | |
They should have it fixed by now. | 0:27:59 | 0:28:01 | |
Cheers. And so, with the aid of Mr Bernard Herrmann | 0:28:01 | 0:28:04 | |
and his sons of suction... | 0:28:04 | 0:28:06 | |
..I shall endeavour to tell you something which I think might | 0:28:07 | 0:28:10 | |
be of interest to you. Thank you. | 0:28:10 | 0:28:11 | |
PIANO INTRO | 0:28:11 | 0:28:13 | |
# I've found a new expression | 0:28:13 | 0:28:15 | |
# And when things are going wrong | 0:28:15 | 0:28:17 | |
# It takes away depression | 0:28:17 | 0:28:19 | |
# If you sing it like a song | 0:28:19 | 0:28:21 | |
# Cheerio, cheerio, chin-chin | 0:28:21 | 0:28:25 | |
# Cheerio, cheerio, chin-chin | 0:28:26 | 0:28:30 | |
# When the skies above are grey | 0:28:30 | 0:28:32 | |
# Just look up at 'em and say | 0:28:32 | 0:28:34 | |
# Cheerio, cheerio, chin-chin... # | 0:28:34 | 0:28:38 | |
Thank you very much. | 0:28:38 | 0:28:40 | |
# Well, a friend of mine was summoned | 0:28:40 | 0:28:42 | |
# By his tailor, Mr Thread | 0:28:42 | 0:28:44 | |
# And as they sentenced him to prison | 0:28:44 | 0:28:46 | |
# Here's what the fella said | 0:28:46 | 0:28:48 | |
AUDIENCE JOINS IN: # Cheerio, cheerio, chin-chin | 0:28:48 | 0:28:53 | |
# Cheerio, cheerio, chin-chin | 0:28:54 | 0:28:57 | |
# When I'm busy sewing sacks | 0:28:57 | 0:28:59 | |
# They'll remind me of your slacks | 0:28:59 | 0:29:01 | |
# Cheerio, cheerio, chin-chin... # | 0:29:01 | 0:29:05 | |
Much better. Much, much better, but I think we need a bit more practice | 0:29:05 | 0:29:08 | |
with the ch-ch sort of noises. You know. | 0:29:08 | 0:29:10 | |
Can we try saying, "Choo-choo-choo"? Would you do that for me, please? | 0:29:10 | 0:29:14 | |
Choo-choo-choo. All together, come on. | 0:29:14 | 0:29:16 | |
-Choo-choo-choo. -"Choo-choo-choo till your jaws drop." Try that. | 0:29:16 | 0:29:19 | |
-Choo-choo-choo till your jaws drop. -Now faster. | 0:29:19 | 0:29:23 | |
Choo-choo-choo till your jaws... | 0:29:23 | 0:29:25 | |
No, JAWS drop, dear. Jaws, dear! | 0:29:25 | 0:29:28 | |
Thank you. The next one, please. | 0:29:31 | 0:29:33 | |
# Now, a girl with nothing on | 0:29:33 | 0:29:35 | |
# Upon a big white horse was led | 0:29:35 | 0:29:37 | |
# I cried, "Why, that's Godiva" | 0:29:37 | 0:29:39 | |
# And my ignorant brother said... | 0:29:39 | 0:29:42 | |
# Cheerio, cheerio, chin-chin... # | 0:29:42 | 0:29:45 | |
Come on, then. | 0:29:45 | 0:29:46 | |
# Cheerio, cheerio, chin-chin | 0:29:46 | 0:29:50 | |
# He said, "Dear, oh, dear, O Lor | 0:29:50 | 0:29:52 | |
# I've never seen a horse before." | 0:29:52 | 0:29:54 | |
# Cheerio, cheerio, chin-chin... # | 0:29:54 | 0:29:58 | |
Now, you've tried very hard. | 0:29:58 | 0:29:59 | |
We've got the last verse and a reprise of the chorus. | 0:29:59 | 0:30:01 | |
I want you to raise the roof of this lovely establishment. | 0:30:01 | 0:30:05 | |
I mean, treat the theatre as if it were your very own. | 0:30:05 | 0:30:08 | |
I said that last week. A fella went out and sold it! | 0:30:08 | 0:30:12 | |
What did you get for it, Mr Chairman? Tell us. | 0:30:12 | 0:30:14 | |
Never mind, we'll do the last one. Thank you! | 0:30:14 | 0:30:17 | |
# I once went to the funeral | 0:30:17 | 0:30:19 | |
# Of a golfer, Mr Dodd | 0:30:19 | 0:30:21 | |
# And I said as they buried him | 0:30:21 | 0:30:23 | |
# And the diggers turned the sod | 0:30:23 | 0:30:26 | |
# Cheerio, cheerio, chin-chin | 0:30:26 | 0:30:29 | |
# Cheerio, cheerio, chin-chin | 0:30:30 | 0:30:34 | |
# I said, "I'm one up on you, old soul" | 0:30:34 | 0:30:37 | |
# He said, "Yes, but it's my hole" | 0:30:37 | 0:30:38 | |
# Cheerio, cheerio, chin-chin! # | 0:30:38 | 0:30:44 | |
Thank you! Thank you! CHEERING AND APPLAUSE | 0:30:44 | 0:30:47 | |
-Palpitant... -Ooh! | 0:30:59 | 0:31:02 | |
..from the United States of America... | 0:31:02 | 0:31:06 | |
-..outstandingly gorgeous, gorgeous, gorgeous... -Oooohh! | 0:31:06 | 0:31:12 | |
..Miss Bertice Reading! | 0:31:12 | 0:31:15 | |
CHEERING AND APPLAUSE | 0:31:15 | 0:31:17 | |
# Oh-oh... | 0:31:29 | 0:31:32 | |
# They said some people long ago | 0:31:32 | 0:31:36 | |
# Were searching for a different tune | 0:31:38 | 0:31:42 | |
# One that they could croon | 0:31:42 | 0:31:45 | |
# As only they can | 0:31:45 | 0:31:50 | |
# They only had the rhythm, so | 0:31:51 | 0:31:56 | |
# They started swaying to and fro | 0:31:56 | 0:32:00 | |
# They didn't know just what to use | 0:32:02 | 0:32:06 | |
# And that is how the blues | 0:32:06 | 0:32:09 | |
# Really began | 0:32:09 | 0:32:16 | |
# They heard the breeze in the trees | 0:32:19 | 0:32:24 | |
# Singing weird melodies | 0:32:24 | 0:32:28 | |
# And they made that as part of the blues | 0:32:28 | 0:32:34 | |
# Now, from a jail came the wail | 0:32:35 | 0:32:40 | |
# Of a downhearted frail | 0:32:40 | 0:32:44 | |
# And they played that as part of the blues | 0:32:44 | 0:32:50 | |
# Now, from a whippoorwill | 0:32:51 | 0:32:53 | |
# Out on a hill | 0:32:53 | 0:32:55 | |
# They took a new note | 0:32:55 | 0:32:58 | |
# Pushed it through a horn | 0:32:59 | 0:33:01 | |
# Till it was born | 0:33:01 | 0:33:03 | |
# Into a blue note | 0:33:03 | 0:33:05 | |
# And then they nursed it, rehearsed it | 0:33:06 | 0:33:11 | |
# And gave out the news | 0:33:11 | 0:33:14 | |
# That the Southland gave birth to the blues | 0:33:14 | 0:33:21 | |
# Yeah! Then they nursed it, rehearsed it | 0:33:21 | 0:33:25 | |
# They gave out the news | 0:33:25 | 0:33:26 | |
# That the Southland... | 0:33:26 | 0:33:29 | |
# ..gave birth to the blues! # | 0:33:29 | 0:33:34 | |
CHEERING AND APPLAUSE | 0:33:38 | 0:33:41 | |
Thank you! | 0:33:54 | 0:33:56 | |
# Won't you come home, Bill Bailey? | 0:33:57 | 0:34:00 | |
# Won't you come home? | 0:34:00 | 0:34:02 | |
# I cried and cried the whole night long | 0:34:02 | 0:34:06 | |
# I'll do the washing, honey | 0:34:06 | 0:34:08 | |
# And I'll pay the rent | 0:34:08 | 0:34:10 | |
# You know, I must have done you wrong, yeah | 0:34:10 | 0:34:15 | |
# Remember that rainy morning when I threw you out | 0:34:15 | 0:34:18 | |
# With nothing but a little piece of card about that size, yeah? | 0:34:18 | 0:34:23 | |
# Well, remember the day | 0:34:23 | 0:34:25 | |
# I'm telling you, say | 0:34:25 | 0:34:27 | |
# Bill Bailey, won't you please come on home? # | 0:34:27 | 0:34:31 | |
All ready? Is everybody here ready? | 0:34:35 | 0:34:39 | |
I want to know if you're ready. | 0:34:39 | 0:34:40 | |
AUDIENCE CHEERS Let's hear it. | 0:34:40 | 0:34:42 | |
Now! | 0:34:50 | 0:34:51 | |
# When them saints go marching in | 0:34:51 | 0:34:55 | |
# Now, when them saints go marching in | 0:34:55 | 0:34:59 | |
# Oh, Lord, I want to be in that number | 0:34:59 | 0:35:03 | |
# Now, when the saints go marching in! # | 0:35:03 | 0:35:12 | |
CHEERING | 0:35:12 | 0:35:15 | |
Ooh! | 0:35:22 | 0:35:23 | |
-Therapeutically thaumaturgic... -Ooh! | 0:35:35 | 0:35:39 | |
-..thespianism... -HE LAUGHS | 0:35:39 | 0:35:41 | |
-Ooh! -Once again, | 0:35:41 | 0:35:43 | |
Mr Barry Cryer! | 0:35:43 | 0:35:46 | |
CHEERING AND APPLAUSE | 0:35:46 | 0:35:48 | |
Thank you, ladies and gentlemen. With your kind permission, | 0:35:53 | 0:35:56 | |
I should like to recreate | 0:35:56 | 0:35:57 | |
a scene from Charles Dickens' immortal Oliver Twist. | 0:35:57 | 0:36:02 | |
In this, I shall be playing not only the parts | 0:36:02 | 0:36:04 | |
of Bill Sikes, Nancy, Fagin... | 0:36:04 | 0:36:08 | |
..the Artful Dodger, but also that of the dog. | 0:36:08 | 0:36:12 | |
Thank you, ladies and gentlemen. The scene in which Bill Sikes, | 0:36:14 | 0:36:18 | |
having discovered Nancy has betrayed him, wreaks a terrible revenge. | 0:36:18 | 0:36:22 | |
Nancy! Nancy, where are ya, Nancy? | 0:36:23 | 0:36:26 | |
I'm here, darling. | 0:36:26 | 0:36:28 | |
I'm here, darl... What?! | 0:36:28 | 0:36:30 | |
Who are you? | 0:36:31 | 0:36:32 | |
-Well, Nancy was a scrubber, wasn't she? -Yes. -Yes, well, I'm a sweeper. | 0:36:32 | 0:36:36 | |
-That's near enough. -Oh, really! -Innit? | 0:36:36 | 0:36:37 | |
-I repeat, who are you? -I'm Walter Wall. -Walter Wall? | 0:36:37 | 0:36:40 | |
I work here. I do all the cleaning. I specialise in the carpets. | 0:36:40 | 0:36:44 | |
Well, I mean, you must have heard of | 0:36:44 | 0:36:45 | |
-Walter Wall carpets. -Walter Wall carpets. Look... | 0:36:45 | 0:36:47 | |
-He must have! -You've got a nerve, coming on here. | 0:36:47 | 0:36:49 | |
I don't know how you dare show your face in here. | 0:36:49 | 0:36:51 | |
-Funny, we were just saying the same thing about you. -Never mind! | 0:36:51 | 0:36:54 | |
Never mind all that. What do you want to do? | 0:36:54 | 0:36:56 | |
Well, y'see, I play the spoons, y'see. | 0:36:56 | 0:36:58 | |
-Y'see, Mr Colehole... -Colehan! | 0:36:58 | 0:37:00 | |
Yeah, if you like, yes. | 0:37:00 | 0:37:01 | |
Yes. Anyway, he said I could come on, y'see, and have a quick burst. | 0:37:01 | 0:37:04 | |
-You play the spoons?! -That's right, yes. -What do you play? | 0:37:04 | 0:37:07 | |
Well, given a following wind, | 0:37:07 | 0:37:08 | |
I might knock hell out of The Flight Of The Bumblebee. | 0:37:08 | 0:37:12 | |
-And if you haven't got a following wind? -It's The Bells Of St Mary's. | 0:37:12 | 0:37:15 | |
I see. I'm sorry about this, ladies and gentlemen. | 0:37:15 | 0:37:17 | |
I shall be back with you in one moment. Oliver Twist! | 0:37:17 | 0:37:20 | |
-I'll, er, do it now, shall I? -Yes, do it now. | 0:37:20 | 0:37:22 | |
One, two, three, four, five, seven...eight. Never mind. | 0:37:22 | 0:37:26 | |
WALTER HUMS ALONG | 0:37:26 | 0:37:29 | |
Ooh! | 0:37:33 | 0:37:35 | |
HE CONTINUES HUMMING | 0:37:35 | 0:37:37 | |
-Yes, fair enough. Well, don't just stand there... -What? -..get off. | 0:37:37 | 0:37:40 | |
-Ladies and gentlemen, Oliver Twist. -Listen, why don't you do one of them | 0:37:40 | 0:37:44 | |
other things that he wrote, that Dickens fella? | 0:37:44 | 0:37:47 | |
-Like what? -Well, David Huddersfield. -Copperfield! -Copperfield, yes. | 0:37:47 | 0:37:51 | |
-You could do that famous one. -What's that? | 0:37:51 | 0:37:53 | |
-The Sale Of Two... -Stop that. -Oh! -Stop that. -Yes. | 0:37:53 | 0:37:55 | |
-You can't join me in this. -Oh, let me. -You can't help me, I'm sorry. | 0:37:55 | 0:37:58 | |
-Please, let me! -No. -I... I could play something in this. | 0:37:58 | 0:38:01 | |
-Oh, no, you couldn't. -Yes, I could. I could play the dog. | 0:38:01 | 0:38:03 | |
-No, you couldn't. -Yes. Please! Mr Chairman, have a word. | 0:38:03 | 0:38:06 | |
-I'd like to play something in this sketch. -Let him play! | 0:38:06 | 0:38:08 | |
-I could play in this sketch! -Oh, no, you couldn't! | 0:38:08 | 0:38:10 | |
-ALL: -Oh, yes, he could! | 0:38:10 | 0:38:12 | |
Oh, no, he couldn't! | 0:38:12 | 0:38:14 | |
Oh, yes, he could! | 0:38:14 | 0:38:15 | |
-Your turn. -I can't go on! -I tell you what we can do. | 0:38:15 | 0:38:19 | |
-What's that? -We can do the community singing. They love that tonight. | 0:38:19 | 0:38:22 | |
Wouldn't you like to do My Bonnie Lies Over The Ocean with us? | 0:38:22 | 0:38:25 | |
-A FEW PEOPLE: -Yes! -Well, that's three of 'em, anyway. Yes. | 0:38:25 | 0:38:28 | |
-Tell you what, tell 'em what you do on it. -The modus operandi. | 0:38:28 | 0:38:30 | |
-Well, yes. -The way we sing it. The first word beginning with | 0:38:30 | 0:38:33 | |
the letter B, ladies and gentlemen, you all stand up. | 0:38:33 | 0:38:37 | |
Stay there, and on the next word beginning with the letter B, | 0:38:37 | 0:38:40 | |
sit down. The first word, stand up, stay there. Next word... | 0:38:40 | 0:38:43 | |
And so on through the song. Words beginning with the letter B. | 0:38:43 | 0:38:46 | |
Is that all right? Thank you, Mr Herrmann! | 0:38:46 | 0:38:50 | |
BAND STRIKES UP | 0:38:50 | 0:38:51 | |
# My bonnie lies over the ocean | 0:38:51 | 0:38:55 | |
# My bonnie lies over the sea | 0:38:55 | 0:38:59 | |
# My bonnie lies over the ocean | 0:38:59 | 0:39:03 | |
# Oh, bring back my bonnie to me... # | 0:39:03 | 0:39:06 | |
Come on! | 0:39:06 | 0:39:07 | |
# Bring back, bring back | 0:39:07 | 0:39:11 | |
-# Oh, bring back my bonnie to me... # -Stop this! | 0:39:11 | 0:39:13 | |
HE WHISTLES | 0:39:13 | 0:39:15 | |
MUSIC STOPS Sorry. | 0:39:15 | 0:39:16 | |
-Cool down, please. -Rubbish! | 0:39:16 | 0:39:18 | |
Rubbish! | 0:39:19 | 0:39:21 | |
-Look at 'em! -I know! -It looks like overtime in a yo-yo factory. | 0:39:21 | 0:39:25 | |
-I've never seen anything like it. -Gentleman there's got to stand up | 0:39:26 | 0:39:29 | |
and sit down about three times to catch up! | 0:39:29 | 0:39:31 | |
-Could we do that? Could you do it? -He's been lapped! | 0:39:31 | 0:39:34 | |
Excuse me, madam, do you normally wear them round your ankles? | 0:39:34 | 0:39:37 | |
-Let's try again. -We'll do it again. Ready? | 0:39:37 | 0:39:39 | |
From "bring back". Thank you, Mr Herrmann. | 0:39:39 | 0:39:41 | |
# Bring back, bring back | 0:39:41 | 0:39:44 | |
# Oh, bring back my bonnie to me, to me | 0:39:44 | 0:39:49 | |
# Bring back, bring back | 0:39:49 | 0:39:52 | |
# Oh, bring back my bonnie to me! | 0:39:52 | 0:39:56 | |
# Boom-boom! # | 0:39:56 | 0:39:58 | |
-Thank you! -CHEERING AND APPLAUSE | 0:39:58 | 0:40:01 | |
CHEERING | 0:40:09 | 0:40:11 | |
It's crippling for the lumbar regions! | 0:40:15 | 0:40:19 | |
Absolutely indispensable, | 0:40:19 | 0:40:22 | |
the Players Theatre co-ordinates an emulatory accolade for the songs | 0:40:22 | 0:40:29 | |
of Miss Clarice Mayne, supporting none other | 0:40:29 | 0:40:34 | |
than Miss Jenny Wren! | 0:40:34 | 0:40:38 | |
CHEERING AND APPLAUSE | 0:40:38 | 0:40:40 | |
# Put on your tatter, little girlie You do what I want you to | 0:40:45 | 0:40:52 | |
# Far from the busy hurly-burly | 0:40:52 | 0:40:55 | |
# I've got lots to say to you | 0:40:55 | 0:40:59 | |
# My head's completely twirly-whirly | 0:40:59 | 0:41:02 | |
# My girl I want you to be | 0:41:02 | 0:41:05 | |
# So put on your tatter, your pretty little tatter | 0:41:05 | 0:41:08 | |
# And come out and tatter with me! | 0:41:08 | 0:41:11 | |
# Yes, put on your tatter, your pretty little tatter | 0:41:11 | 0:41:15 | |
# And come out and tatter with me! # | 0:41:15 | 0:41:23 | |
# Josh-u-ah, Josh-u-ah | 0:41:24 | 0:41:28 | |
# Why don't you call and see Mama? | 0:41:28 | 0:41:31 | |
# She'll be pleased to know | 0:41:31 | 0:41:34 | |
# You are my best beau | 0:41:34 | 0:41:38 | |
# Josh-u-ah, Josh-u-ah | 0:41:38 | 0:41:42 | |
# Nicer than lemon squash you are | 0:41:42 | 0:41:45 | |
# Yes, by gosh you are | 0:41:45 | 0:41:49 | |
# Josh-u-osh-u-ah. # | 0:41:49 | 0:41:53 | |
# He was a dear little boy | 0:41:54 | 0:41:57 | |
# She was a dear little girl | 0:41:57 | 0:41:59 | |
# She had no brothers No more had he | 0:41:59 | 0:42:03 | |
# He had no sisters No more had she | 0:42:03 | 0:42:06 | |
# She lived the house next to him | 0:42:06 | 0:42:08 | |
# He in the house next to her | 0:42:08 | 0:42:11 | |
# Once he looked over the garden wall | 0:42:11 | 0:42:15 | |
# She smiled at him, so he said | 0:42:15 | 0:42:23 | |
# Come on over the garden wall Little girl, to me | 0:42:23 | 0:42:31 | |
# I've been lonely a long, long time | 0:42:31 | 0:42:35 | |
# And the wall's not hard to climb | 0:42:35 | 0:42:38 | |
# So just jump up and then just jump down | 0:42:38 | 0:42:43 | |
# I won't let you fall | 0:42:43 | 0:42:46 | |
# We'll play at sweethearts We're going to be married | 0:42:46 | 0:42:50 | |
# Come over the garden wall. # | 0:42:50 | 0:42:54 | |
# I've got my eye on you I've got my eye on you | 0:42:54 | 0:43:01 | |
# I'd like to be Where I can see | 0:43:01 | 0:43:05 | |
# Everything you do | 0:43:05 | 0:43:09 | |
# I've got my eye on you | 0:43:09 | 0:43:12 | |
# Jolly good scenery, too | 0:43:12 | 0:43:16 | |
# But I'd like to see Your eye on me | 0:43:16 | 0:43:19 | |
# When I've got my eye on you | 0:43:19 | 0:43:23 | |
# I've got my eye on you I've got my eye on you | 0:43:23 | 0:43:29 | |
# I'd like to be Where I can see | 0:43:30 | 0:43:33 | |
# Everything you do | 0:43:33 | 0:43:35 | |
# I've got my eye on you | 0:43:36 | 0:43:40 | |
# Jolly good scenery, too | 0:43:40 | 0:43:43 | |
# But I'd like to see Your eye on me | 0:43:43 | 0:43:46 | |
# When I've got my eye, I've got my eye | 0:43:46 | 0:43:49 | |
# I've got my eye on you | 0:43:49 | 0:43:54 | |
# And you and you and you and you | 0:43:54 | 0:43:58 | |
# And you! # | 0:43:58 | 0:43:59 | |
CHEERING | 0:43:59 | 0:44:04 | |
# When I was young and innocent | 0:44:13 | 0:44:17 | |
# You stole into my heart | 0:44:17 | 0:44:20 | |
# You taught me things I now repent | 0:44:20 | 0:44:24 | |
# Whenever we're apart | 0:44:24 | 0:44:26 | |
# You taught me that the world was wide | 0:44:26 | 0:44:30 | |
# A bit too wide for me | 0:44:30 | 0:44:33 | |
# And now I am not satisfied | 0:44:33 | 0:44:37 | |
# With just a cup of tea | 0:44:37 | 0:44:42 | |
# I was a good little girl | 0:44:42 | 0:44:49 | |
# Till I met you | 0:44:49 | 0:44:53 | |
# You sent my head in a whirl | 0:44:53 | 0:44:57 | |
# My poor heart, too | 0:44:57 | 0:45:01 | |
# Oh, how you told me the tale | 0:45:01 | 0:45:05 | |
# You always do | 0:45:05 | 0:45:09 | |
# I was a good little girl | 0:45:09 | 0:45:15 | |
# Till I met you | 0:45:15 | 0:45:20 | |
# You called me baby doll a year ago | 0:45:20 | 0:45:26 | |
# A year ago | 0:45:26 | 0:45:29 | |
# You told me I was very nice to know | 0:45:29 | 0:45:34 | |
# Very nice to know | 0:45:34 | 0:45:37 | |
# I soon learned what love was | 0:45:37 | 0:45:42 | |
# I thought I knew | 0:45:42 | 0:45:46 | |
# But all I've learned has only taught me | 0:45:46 | 0:45:51 | |
# How to love you | 0:45:51 | 0:45:54 | |
# You made me think you loved me in return | 0:45:54 | 0:46:00 | |
# Loved you in return | 0:46:00 | 0:46:02 | |
# Don't tell me you were fooling after all | 0:46:02 | 0:46:08 | |
# Were fooling after all | 0:46:08 | 0:46:10 | |
# For if you go away | 0:46:10 | 0:46:14 | |
# You'll be sorry someday | 0:46:14 | 0:46:19 | |
# You left behind a broken doll | 0:46:19 | 0:46:27 | |
# You left behind... | 0:46:27 | 0:46:30 | |
# ..a broken doll. # | 0:46:30 | 0:46:35 | |
# Put on your tatter, little girlie... # | 0:46:35 | 0:46:39 | |
# Come on over the garden wall... # | 0:46:39 | 0:46:43 | |
# I've got my eye on you | 0:46:43 | 0:46:46 | |
# I've got my eye on you | 0:46:46 | 0:46:50 | |
# I've got my eye on... # | 0:46:50 | 0:46:55 | |
-Jeremiah! Oh! -Jeremiah?! | 0:46:55 | 0:46:59 | |
# Jerry, Jeremiah | 0:47:03 | 0:47:06 | |
# My heart's on fire | 0:47:06 | 0:47:10 | |
# Play again That sweet refrain | 0:47:10 | 0:47:13 | |
# On ta-ra-ra, on ta-ra-ra | 0:47:13 | 0:47:17 | |
# Jerry, Jeremiah | 0:47:17 | 0:47:20 | |
# It's the finest tune I know | 0:47:20 | 0:47:23 | |
# Rag it, drag it, sing-sing-sag it | 0:47:23 | 0:47:26 | |
# On your ragtime trombone | 0:47:26 | 0:47:30 | |
# Jerry, Jeremiah | 0:47:30 | 0:47:33 | |
# It's the finest tune I know | 0:47:33 | 0:47:36 | |
# Rag it, drag it, sing-sing-sag it | 0:47:36 | 0:47:40 | |
# On your ragtime trombone | 0:47:40 | 0:47:43 | |
-# Rag it -Rag it -Drag it -Drag it | 0:47:43 | 0:47:45 | |
# Sing-sing-sing-sing-sag it | 0:47:45 | 0:47:47 | |
# On your ragtime Doo doo-doo-doo | 0:47:47 | 0:47:50 | |
# Ragtime Doo doo-doo-doo | 0:47:50 | 0:47:54 | |
# R-A-G-T-I-M-E | 0:47:54 | 0:47:57 | |
# Ragtime trombone! # | 0:47:57 | 0:48:05 | |
CHEERING AND APPLAUSE | 0:48:05 | 0:48:08 | |
And now, there's just time to ask Mr Bernard Cribbins | 0:48:16 | 0:48:20 | |
and Miss Bertice Reading to lead you in the last chorus for tonight, | 0:48:20 | 0:48:23 | |
Down At The Old Bull And Bush. | 0:48:23 | 0:48:25 | |
Ladies and gentlemen, Mr Bernard Cribbins, Miss Bertice Reading, | 0:48:25 | 0:48:29 | |
the entire company, Mr Bernard Herrmann and his entire | 0:48:29 | 0:48:33 | |
and absolutely indefatigable orchestra... | 0:48:33 | 0:48:36 | |
CHEERING AND APPLAUSE | 0:48:36 | 0:48:38 | |
..but this time, chiefly... | 0:48:40 | 0:48:43 | |
..yourselves! | 0:48:43 | 0:48:46 | |
# Come, come, come and make eyes at me | 0:48:49 | 0:48:52 | |
# Down at the Old Bull and Bush Da-da da-da-da | 0:48:52 | 0:48:56 | |
# Come, come, drink some port wine with me | 0:48:56 | 0:48:59 | |
# Down at the Old Bull and Bush | 0:48:59 | 0:49:03 | |
# Hear the little German band Dah da-da da-da-da-da | 0:49:03 | 0:49:06 | |
# Come, let me hold your hand, dear | 0:49:06 | 0:49:09 | |
# Do, do, come and have a drink or two | 0:49:09 | 0:49:13 | |
# Down at the old Bull and Bush | 0:49:13 | 0:49:16 | |
# Bush, Bush! # | 0:49:16 | 0:49:18 | |
CHEERING AND APPLAUSE | 0:49:18 | 0:49:20 | |
AUDIENCE CLAPS ALONG | 0:49:23 | 0:49:26 |