Browse content similar to 16/07/1981. Check below for episodes and series from the same categories and more!
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ORCHESTRA PLAYS INTRO TO WHERE DID YOU GET THAT HAT? | 0:00:02 | 0:00:05 | |
# Oh, where did you get that hat? | 0:00:08 | 0:00:11 | |
# Where did you get that tile? | 0:00:11 | 0:00:13 | |
# Isn't it a nobby one and just the proper style? | 0:00:13 | 0:00:17 | |
# I should like to have one just the same as that | 0:00:17 | 0:00:21 | |
# Wherever I go, they'd shout, "Hello | 0:00:21 | 0:00:22 | |
# "Where did you get that hat?" # | 0:00:22 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:28 | |
THE PLAYERS SHOUT AND LAUGH | 0:00:31 | 0:00:34 | |
# I'm a bold, bad villain I roam the angry sea | 0:00:43 | 0:00:47 | |
# My life is one of crime and piracy | 0:00:47 | 0:00:50 | |
# If a sweet young damsel should chance to catch my eye | 0:00:50 | 0:00:54 | |
# I tell to her the story that the spider told the fly | 0:00:54 | 0:00:57 | |
-# Then I snap my finger Ha, ha, ha, ha! -Ha, ha, ha, ha! | 0:00:57 | 0:01:01 | |
-# And I snap the other one Ho, ho, ho, ho! -Ho, ho, ho, ho! | 0:01:01 | 0:01:05 | |
# I don't care should the parent pine | 0:01:05 | 0:01:08 | |
# Once aboard the lugger and the girl is mine | 0:01:08 | 0:01:11 | |
-# Then I set my sails and sail away -Sail away | 0:01:11 | 0:01:15 | |
# No pirate e'er was cooler | 0:01:15 | 0:01:18 | |
# For wheree'er I go, I fear no foe | 0:01:18 | 0:01:22 | |
# On the good ship Yacki-hicki-doo-la | 0:01:22 | 0:01:25 | |
# On the good ship Yacki-hicki-doo-la. # | 0:01:25 | 0:01:29 | |
# Yo ho, little girls, yo ho | 0:01:29 | 0:01:32 | |
# That's so, little girls, that's so | 0:01:32 | 0:01:34 | |
# Oh, it sounds all right in a sailor's song | 0:01:34 | 0:01:36 | |
# But you find out soon that it all goes wrong | 0:01:36 | 0:01:39 | |
# Heave ahead my hearties | 0:01:39 | 0:01:41 | |
# And if you want to know | 0:01:41 | 0:01:43 | |
# I'll spin you a yarn ahead and astarn | 0:01:43 | 0:01:45 | |
# Yo ho, little girls, yo ho | 0:01:45 | 0:01:47 | |
-# Yo ho, little girls, yo ho! -Yo, ho, yo, ho | 0:01:47 | 0:01:49 | |
-# That's so, little girls, that's so -That's so, that's so | 0:01:49 | 0:01:51 | |
# Oh, it sounds all right in a sailor's song | 0:01:51 | 0:01:53 | |
# But you find out soon that it all goes wrong | 0:01:53 | 0:01:56 | |
# Heave ahead my hearties | 0:01:56 | 0:01:58 | |
# And if you want to know | 0:01:58 | 0:02:00 | |
# I'll spin you a yarn ahead and astarn | 0:02:00 | 0:02:02 | |
# Yo ho, little girls, yo ho. # | 0:02:02 | 0:02:04 | |
# 'Twas in the broad Atlantic | 0:02:06 | 0:02:08 | |
# Mid the equinoctial gale | 0:02:08 | 0:02:10 | |
# A young fellow fell overboard | 0:02:10 | 0:02:12 | |
# Among the sharks and whales | 0:02:12 | 0:02:15 | |
# He fell right down so quickly | 0:02:15 | 0:02:17 | |
# So headlong down fell he | 0:02:17 | 0:02:19 | |
# But he went down the side like a streak of light | 0:02:19 | 0:02:21 | |
# To the bottom of the deep blue sea | 0:02:21 | 0:02:23 | |
# Singing Rule Britannia | 0:02:23 | 0:02:25 | |
# Britannia rule the waves | 0:02:25 | 0:02:27 | |
# Britons never, never, never shall be | 0:02:27 | 0:02:30 | |
# Married to a mermaid | 0:02:30 | 0:02:32 | |
# At the bottom of the deep blue sea | 0:02:32 | 0:02:34 | |
# Singing Rule Britannia | 0:02:34 | 0:02:36 | |
# Britannia rule the waves | 0:02:36 | 0:02:38 | |
# Britons never, never, never shall be | 0:02:38 | 0:02:41 | |
# Married to a mermaid | 0:02:41 | 0:02:43 | |
# At the bottom of the deep blue sea. # | 0:02:43 | 0:02:45 | |
Whoa! | 0:02:45 | 0:02:47 | |
# Oh, whiskey is the life of man | 0:02:47 | 0:02:49 | |
# Whiskey Johnny | 0:02:49 | 0:02:52 | |
# I'll drink whiskey while I can | 0:02:52 | 0:02:54 | |
# Whiskey, Whiskey Johnny | 0:02:54 | 0:02:55 | |
# Whiskey hot and whiskey cold | 0:02:55 | 0:02:58 | |
# Whiskey Johnny | 0:02:58 | 0:03:00 | |
# Whiskey new and whiskey old | 0:03:00 | 0:03:02 | |
# Whiskey, Whiskey Johnny | 0:03:02 | 0:03:04 | |
# Whiskey here and whiskey there | 0:03:04 | 0:03:06 | |
# Whiskey Johnny | 0:03:06 | 0:03:08 | |
# I have whiskey everywhere | 0:03:08 | 0:03:10 | |
# Whiskey, Whiskey Johnny | 0:03:10 | 0:03:13 | |
# Whiskey made me porn my clothes | 0:03:13 | 0:03:15 | |
# Whiskey Johnny | 0:03:15 | 0:03:17 | |
# Whiskey gave me this red nose | 0:03:17 | 0:03:19 | |
# Whiskey, Whiskey Johnny. # | 0:03:19 | 0:03:21 | |
THEY SHOUT AND LAUGH | 0:03:21 | 0:03:23 | |
# What shall we do with the drunken sailor? | 0:03:27 | 0:03:29 | |
# What shall we do with the drunken sailor? | 0:03:29 | 0:03:30 | |
# What shall we do with the drunken sailor early in the morning? | 0:03:30 | 0:03:34 | |
# Put him in the long boat till he's sober | 0:03:34 | 0:03:36 | |
# Put him in the long boat till he's sober | 0:03:36 | 0:03:38 | |
# Put him in the long boat till he's sober early in the morning | 0:03:38 | 0:03:41 | |
# Way-hay and up she rises | 0:03:41 | 0:03:44 | |
# Way-hay and up she rises | 0:03:44 | 0:03:46 | |
# Way-hay and up she rises early in the morning | 0:03:46 | 0:03:49 | |
# Way-hay and up she rises | 0:03:49 | 0:03:53 | |
# Way-hay and up she rises | 0:03:53 | 0:03:57 | |
# Way-hay and up she rises | 0:03:57 | 0:04:00 | |
# Early in the morning | 0:04:00 | 0:04:03 | |
# Early in the morning, way-hay! # | 0:04:05 | 0:04:11 | |
APPLAUSE | 0:04:11 | 0:04:14 | |
CHEERING AND APPLAUSE | 0:04:22 | 0:04:25 | |
CHEERING | 0:04:32 | 0:04:34 | |
Once again... | 0:04:34 | 0:04:36 | |
I thought you were never going to answer! | 0:04:36 | 0:04:38 | |
..good evening, ladies and gentlemen! | 0:04:38 | 0:04:47 | |
-AUDIENCE: -Good evening! | 0:04:47 | 0:04:49 | |
Lovely, elucidatorally | 0:04:49 | 0:04:53 | |
eulogising inaugurally for your approbation... | 0:04:53 | 0:04:57 | |
-AUDIENCE: -Whoo! | 0:04:57 | 0:04:58 | |
..itinerant musical street vendors, | 0:04:58 | 0:05:03 | |
the Cambridge Buskers! | 0:05:03 | 0:05:07 | |
APPLAUSE | 0:05:07 | 0:05:10 | |
THEY PLAY A JAUNTY TUNE | 0:05:17 | 0:05:21 | |
HE PLAYS TWO HARMONIES SIMULTANEOUSLY | 0:05:39 | 0:05:42 | |
CHEERING AND APPLAUSE | 0:06:31 | 0:06:35 | |
THEY PLAY A JAUNTY TUNE | 0:06:49 | 0:06:53 | |
THEY PLAY A JAUNTY TUNE | 0:07:22 | 0:07:25 | |
THEY SPEED UP | 0:07:55 | 0:07:59 | |
APPLAUSE | 0:08:06 | 0:08:10 | |
An exposition of post inebriacy... | 0:08:26 | 0:08:32 | |
-AUDIENCE: -Whoo! | 0:08:32 | 0:08:34 | |
..tristesse. | 0:08:34 | 0:08:36 | |
-French for a hangover. -LAUGHTER | 0:08:36 | 0:08:39 | |
The outrageous grotesquery of the musicologist's nightmare, | 0:08:39 | 0:08:45 | |
caviar to some several European generals... | 0:08:45 | 0:08:51 | |
Madame Anna Dawson! | 0:08:51 | 0:08:56 | |
APPLAUSE | 0:08:56 | 0:08:59 | |
Oh! | 0:09:09 | 0:09:11 | |
# Last night was one of those nights you remember | 0:09:12 | 0:09:16 | |
# The kind of night that you never forget | 0:09:18 | 0:09:22 | |
# A glass of wine, maybe two Who remembers? | 0:09:25 | 0:09:31 | |
# A lot of laughs with the people you met... # | 0:09:32 | 0:09:36 | |
Ha-ha-ha... Oh! | 0:09:36 | 0:09:37 | |
# A cavalry officer simply divine showed me his spurs... # | 0:09:38 | 0:09:43 | |
-AUDIENCE: -Ooh... | 0:09:43 | 0:09:46 | |
# Or did I show him mine? | 0:09:46 | 0:09:51 | |
# Though I know that I had a ball | 0:09:51 | 0:09:56 | |
# I can't recall last night at all | 0:09:56 | 0:10:02 | |
# What's that word I wrote on the wall? | 0:10:03 | 0:10:07 | |
# I don't wish to recall | 0:10:07 | 0:10:10 | |
# Last night at all... # | 0:10:10 | 0:10:14 | |
Phew. | 0:10:17 | 0:10:19 | |
# The night was perfect and bright stars were shining | 0:10:22 | 0:10:26 | |
# At 12 o'clock I recall we had rain | 0:10:28 | 0:10:33 | |
# A group sang madrigals while we were dining | 0:10:35 | 0:10:41 | |
# Someone kept filling my glass with champagne | 0:10:42 | 0:10:48 | |
# A woman got drunk It was dreadful to see | 0:10:49 | 0:10:51 | |
# She stripped to the waist... # | 0:10:51 | 0:10:53 | |
-AUDIENCE: -Ooh... | 0:10:53 | 0:10:55 | |
# Oh, my God | 0:10:55 | 0:10:58 | |
# Was that me? | 0:10:58 | 0:11:02 | |
# Though I know that I had a ball | 0:11:04 | 0:11:08 | |
# I don't recall last night at all | 0:11:08 | 0:11:14 | |
# I lost my broach | 0:11:15 | 0:11:17 | |
# I hope that was all | 0:11:17 | 0:11:21 | |
# I don't wish to recall last night at all. # | 0:11:21 | 0:11:27 | |
APPLAUSE | 0:11:30 | 0:11:33 | |
Thank you! | 0:11:36 | 0:11:37 | |
-AUDIENCE: -Whoa! | 0:11:45 | 0:11:47 | |
Thank you. | 0:11:49 | 0:11:51 | |
# Before I deliver a little encore | 0:11:51 | 0:11:55 | |
# There's something I wish to make clear | 0:11:55 | 0:11:58 | |
# They say I brought pleasure to millions or more | 0:11:58 | 0:12:01 | |
# They say that my singing helped win the last war | 0:12:01 | 0:12:04 | |
# When I sang to the troops in the rear | 0:12:04 | 0:12:09 | |
# I'm a dame with a name at the peak of my fame | 0:12:10 | 0:12:14 | |
# I'm known as the Empress of Song | 0:12:14 | 0:12:18 | |
# The critics bravo And the critics should know | 0:12:18 | 0:12:22 | |
# But I cannot help feeling they're wrong | 0:12:22 | 0:12:27 | |
# I'm lauded, applauded, recorded, but list' | 0:12:27 | 0:12:35 | |
# I've a musical flaw | 0:12:36 | 0:12:40 | |
# That they seem to have missed | 0:12:40 | 0:12:45 | |
# That they seem to have missed... # | 0:12:48 | 0:12:52 | |
LAUGHTER | 0:12:53 | 0:12:56 | |
# That they seem to have missed | 0:12:57 | 0:13:03 | |
# I'm tone deaf | 0:13:05 | 0:13:08 | |
# Music means nothing to me | 0:13:08 | 0:13:11 | |
# It's only the way my accompanists play | 0:13:11 | 0:13:15 | |
# That makes me appear I'm in key | 0:13:15 | 0:13:17 | |
# Stone tone deaf | 0:13:18 | 0:13:21 | |
# Can't tell a B from my F | 0:13:21 | 0:13:24 | |
# I stand by my pianist, watching his face | 0:13:24 | 0:13:28 | |
# For he told me to start when he gets to the place | 0:13:28 | 0:13:31 | |
# Where he gives me a whacking great... | 0:13:31 | 0:13:33 | |
DISCORDANT PIANO NOTE # ..in the bass | 0:13:33 | 0:13:36 | |
# Because I'm tone | 0:13:36 | 0:13:38 | |
OFF-KEY: # Deaf | 0:13:38 | 0:13:49 | |
# I'm tone deaf | 0:13:51 | 0:13:53 | |
# Never knew much about pitch | 0:13:53 | 0:13:57 | |
# Some people you know can sing so-la-ti-do | 0:13:57 | 0:14:00 | |
# And claim they can tell which is which | 0:14:00 | 0:14:03 | |
# Stone tone deaf | 0:14:04 | 0:14:07 | |
# Can't tell a B from an F | 0:14:07 | 0:14:10 | |
# Stravinsky once said, "Now I don't want to carp | 0:14:10 | 0:14:13 | |
# "But if that's a B natural played on that harp | 0:14:13 | 0:14:17 | |
# "Then you're either B-flat, dear, or bloody B-sharp" | 0:14:17 | 0:14:20 | |
# Oh, well, I'm tone | 0:14:22 | 0:14:24 | |
OFF-KEY: # Deaf | 0:14:24 | 0:14:35 | |
# I'm tone deaf | 0:14:38 | 0:14:41 | |
# But in most modern works for the voice | 0:14:41 | 0:14:44 | |
# The note that you hit doesn't matter a bit | 0:14:44 | 0:14:47 | |
# So it's purely a matter of choice | 0:14:47 | 0:14:51 | |
# Stone tone deaf | 0:14:51 | 0:14:54 | |
# Musically D-E-A-F | 0:14:54 | 0:14:56 | |
# Now, perhaps Covent Garden can do without me | 0:14:56 | 0:15:00 | |
# But whilst I provide an exorbitant fee | 0:15:00 | 0:15:05 | |
# I can always get work with the dear BBC... # | 0:15:05 | 0:15:12 | |
PIANIST PLAYS THREE NOTES | 0:15:12 | 0:15:15 | |
LAUGHTER | 0:15:15 | 0:15:18 | |
# D-F-C... # | 0:15:20 | 0:15:22 | |
PIANIST REPEATS PREVIOUS THREE NOTES | 0:15:22 | 0:15:26 | |
# N-B-G...? # | 0:15:26 | 0:15:28 | |
LAUGHTER | 0:15:28 | 0:15:30 | |
# Oh, well, I'm tone | 0:15:30 | 0:15:33 | |
# Deaf | 0:15:33 | 0:15:36 | |
# Yes, I'm tone | 0:15:36 | 0:15:39 | |
OFF-KEY: # Deaf. # | 0:15:39 | 0:15:47 | |
CHEERING AND APPLAUSE | 0:15:47 | 0:15:50 | |
CHEERING AND APPLAUSE | 0:15:57 | 0:16:01 | |
Voluble in verisimilitudinous... | 0:16:09 | 0:16:13 | |
From verisimilitude. | 0:16:13 | 0:16:16 | |
..vicissit... | 0:16:16 | 0:16:19 | |
..vicissitudinous vacuities, | 0:16:19 | 0:16:23 | |
that darling buttonholing veteran of the Army... | 0:16:23 | 0:16:28 | |
Who? Who but? | 0:16:28 | 0:16:30 | |
Mr Clive... Say it. | 0:16:30 | 0:16:32 | |
-ALL: -Dunn! | 0:16:32 | 0:16:34 | |
APPLAUSE | 0:16:34 | 0:16:38 | |
ORCHESTRA PLAYS A MARCH | 0:16:38 | 0:16:41 | |
Ladies and gent... HE CLEARS HIS THROAT | 0:16:50 | 0:16:53 | |
Ladies and gentlemen, Mr Chairman, | 0:16:53 | 0:16:56 | |
my lords, ladies and others... | 0:16:56 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:01 | |
It is not only a great honour to come to speak to you | 0:17:01 | 0:17:04 | |
in this hall tonight, | 0:17:04 | 0:17:06 | |
it is also highly inconvenient. | 0:17:06 | 0:17:09 | |
I see, by the way, sir, that you're showing your medals. | 0:17:10 | 0:17:13 | |
Really? | 0:17:13 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:16 | |
-Oh, the medals. -Yeah, yeah. -Yes, I got that one for bravery. -Oh. | 0:17:16 | 0:17:21 | |
-I saved the whole regiment from being killed. -How did you do that? | 0:17:21 | 0:17:25 | |
I shot the cook. LAUGHTER | 0:17:25 | 0:17:28 | |
-AUDIENCE: -Whoo! | 0:17:30 | 0:17:32 | |
Now, I've just remembered... | 0:17:32 | 0:17:34 | |
-I've just remembered, Mr Sachs. -Yes, sir? | 0:17:34 | 0:17:37 | |
Do you mind if I lend you my hat to look after for me? | 0:17:37 | 0:17:39 | |
-No, it's a lovely topi. -I've just remembered where I last saw you. | 0:17:39 | 0:17:42 | |
-Where was that? -In the Boer War, wasn't it? -Yes. | 0:17:42 | 0:17:45 | |
Course it was! | 0:17:45 | 0:17:47 | |
That was at the battle of Bloem... Boem..... | 0:17:47 | 0:17:50 | |
Yeah, Bloemfontein. And Majuba Hill. | 0:17:50 | 0:17:54 | |
You filthy swine. LAUGHTER | 0:17:54 | 0:17:56 | |
Yeah, that was where it was. | 0:17:56 | 0:17:58 | |
You were the young officer in charge of retreating. I remember you. | 0:17:58 | 0:18:01 | |
You had them boots made with the heels in the front. | 0:18:01 | 0:18:04 | |
I remember it well. | 0:18:04 | 0:18:06 | |
I've got to tell you about Africa and this campaign I was in. | 0:18:06 | 0:18:10 | |
It was terrifically exciting. | 0:18:10 | 0:18:12 | |
Me and my young friend, we were really happy. | 0:18:12 | 0:18:14 | |
We were in the infantry, you see. | 0:18:14 | 0:18:16 | |
And we were having a nice time and, suddenly, a young officer came in | 0:18:16 | 0:18:20 | |
and he said, "General Gordon wants to be relieved," he said. | 0:18:20 | 0:18:24 | |
Well, I thought that sounded a bit of fun, you know. | 0:18:24 | 0:18:28 | |
Anyway, he said, "You will have to join the Camel Corps | 0:18:29 | 0:18:32 | |
"and you must have a medical examination." | 0:18:32 | 0:18:34 | |
So, my friend went in to have his medical examination | 0:18:34 | 0:18:37 | |
and he came out all smiles. I said, "What you smiling for?" | 0:18:37 | 0:18:41 | |
He said, "I haven't got to go in the Camel Corps." I said, "Why not?" | 0:18:41 | 0:18:44 | |
He said, "You know I have to wear this truss. I don't have to go in." | 0:18:44 | 0:18:48 | |
So, I said, "Well, could you lend it to me for a few minutes?" | 0:18:48 | 0:18:52 | |
So, he said, "Of course." | 0:18:52 | 0:18:54 | |
So I went and hid behind a Sergeant Major and put it on | 0:18:54 | 0:18:57 | |
and then I went in and the doctor gave me a thorough examination | 0:18:57 | 0:19:00 | |
and he said, "Well, I'm afraid | 0:19:00 | 0:19:02 | |
"you'll have to go in the Camel Corps." | 0:19:02 | 0:19:04 | |
I said, "Why? What's the matter?" | 0:19:04 | 0:19:06 | |
And he said, How long have you been wearing that?" | 0:19:06 | 0:19:09 | |
I said, "Three years, sir." | 0:19:09 | 0:19:10 | |
He said, "You're definitely going in the Camel Corps. | 0:19:10 | 0:19:13 | |
"Anyone that can wear a truss upside down for three years | 0:19:13 | 0:19:15 | |
"can ride a camel." | 0:19:15 | 0:19:17 | |
LAUGHTER AND APPLAUSE | 0:19:17 | 0:19:20 | |
An officer said, "Come along now, Jones! | 0:19:24 | 0:19:26 | |
"Come along now! Get moving! Sound the advance!" I went... | 0:19:26 | 0:19:29 | |
HE BLOWS THE BUGLE | 0:19:29 | 0:19:32 | |
You've got it. It was a bloody difficult war to get started. | 0:19:32 | 0:19:35 | |
Anyway, eventually, we all marched off in columns. | 0:19:35 | 0:19:38 | |
We marched off into the African daytime. | 0:19:38 | 0:19:40 | |
The dust was flying, and the army officer said, | 0:19:40 | 0:19:44 | |
"Jonesy! Jonesy! Sound the get-down!" | 0:19:44 | 0:19:48 | |
I'd never sounded a get-down, so I went... | 0:19:48 | 0:19:50 | |
HE BLOWS THE BUGLE | 0:19:50 | 0:19:51 | |
And the officer said, "I know what we'll do." | 0:19:51 | 0:19:54 | |
He was a very excitable man. | 0:19:54 | 0:19:55 | |
He said, "One platoon, platoon on the right, | 0:19:55 | 0:19:58 | |
"fix bayonets and charge to the right. | 0:19:58 | 0:20:00 | |
"Platoon on the left, fix bayonets, charge to the left. | 0:20:00 | 0:20:02 | |
"Platoon in the middle, fix bayonets and charge down the centre. | 0:20:02 | 0:20:05 | |
"Ready, run!" And off they went, woo-woo, | 0:20:05 | 0:20:07 | |
and you couldn't see their bottoms for dust and small stones. | 0:20:07 | 0:20:10 | |
Away they went, way, way, whoa, whoa. | 0:20:10 | 0:20:12 | |
And he came to me, he crawled to me with a crooked smile on his face, | 0:20:12 | 0:20:16 | |
and he said, "Jonesy, do you remember | 0:20:16 | 0:20:19 | |
"when we were in the Crimea?" I said, "Yes." | 0:20:19 | 0:20:21 | |
He said, "Do you remember when I got the platoon to fix bayonets | 0:20:21 | 0:20:23 | |
"and charge to the east and another platoon to fix bayonets | 0:20:23 | 0:20:26 | |
"and charge to the west and another platoon up the middle | 0:20:26 | 0:20:28 | |
"and they all got killed?" I said, "Yes, sir." | 0:20:28 | 0:20:30 | |
He said, "I think I've done it again." | 0:20:30 | 0:20:32 | |
LAUGHTER | 0:20:32 | 0:20:35 | |
And then... | 0:20:39 | 0:20:40 | |
APPLAUSE CONTINUES | 0:20:40 | 0:20:43 | |
And then, suddenly, something terrible happened. | 0:20:44 | 0:20:47 | |
The tribe out on the right, they started to shout their cry. | 0:20:47 | 0:20:50 | |
Ya bum! Ya bum! Ya bum! | 0:20:50 | 0:20:53 | |
No, no, they didn't. What did they say? | 0:20:54 | 0:20:56 | |
No, that lot, they shouted, "Ya ba!" That's right, ya ba. | 0:20:56 | 0:20:59 | |
It was a different tribe, you see. Ya ba! Ya ba! | 0:20:59 | 0:21:02 | |
Listen, I can't do all this on my own. | 0:21:02 | 0:21:04 | |
Would you mind being that tribe all from down the middle? | 0:21:04 | 0:21:07 | |
When I hold my arm up, would you shout "Ya ba" for me, like that? | 0:21:07 | 0:21:10 | |
-Ya ba! HALF THE AUDIENCE: -Ya ba! Ya ba! Ya ba! | 0:21:10 | 0:21:14 | |
That's very, very good. Can you just remember those two words? | 0:21:14 | 0:21:17 | |
Now, the tribe on the west, I'm listening there with my earhole | 0:21:17 | 0:21:20 | |
and I heard them shouting, "Ya bum! Ya bum!" | 0:21:20 | 0:21:23 | |
LAUGHTER | 0:21:23 | 0:21:25 | |
If there are any clergyman, you can say, "Ya boom". Will you do that? | 0:21:25 | 0:21:30 | |
-Right, ya bum! AUDIENCE: -Ya bum! Ya bum! | 0:21:30 | 0:21:32 | |
TOGETHER: Ya bum! Ya boom! Ya bum! Ya boom! | 0:21:32 | 0:21:35 | |
See, that's the way it was. | 0:21:35 | 0:21:36 | |
Then, all this time, there was a big tribe of hyenas, | 0:21:36 | 0:21:39 | |
laughing their heads off. | 0:21:39 | 0:21:41 | |
Do you mind being the tribe...? | 0:21:42 | 0:21:44 | |
LAUGHTER | 0:21:44 | 0:21:46 | |
They were going like this... Ha-ha-ha-ha! | 0:21:46 | 0:21:49 | |
Would you do that for me? | 0:21:50 | 0:21:52 | |
AUDIENCE IN THE BALCONY LAUGH | 0:21:52 | 0:21:54 | |
Very good indeed. Thank you very much. | 0:21:54 | 0:21:55 | |
Give them a big round of applause. Yay. | 0:21:55 | 0:21:58 | |
Right, so, you're going, "Ya ba..." | 0:21:58 | 0:22:01 | |
-TOGETHER: -Ya bum! Ya ba! Ya bum! Ya ba! Ya bum! | 0:22:01 | 0:22:05 | |
Ha-ha-ha-ha! | 0:22:05 | 0:22:06 | |
Ya ba! Ya bum! Ya ba! Ya bum! Ya ba! Ya bum! | 0:22:06 | 0:22:09 | |
-DRUMS START ACCOMPANIMENT -Ya ba! Ya bum! Ya ba! Ya bum! | 0:22:09 | 0:22:13 | |
ORCHESTRA PLAYS INTRO | 0:22:13 | 0:22:15 | |
# It's a long way to Tipperary | 0:22:15 | 0:22:18 | |
# It's a long way to go | 0:22:18 | 0:22:22 | |
# It's a long way to Tipperary | 0:22:22 | 0:22:25 | |
# To the sweetest girl I know | 0:22:25 | 0:22:30 | |
# Goodbye, Piccadilly | 0:22:30 | 0:22:34 | |
# Farewell, Leicester Square | 0:22:34 | 0:22:37 | |
# It's a long, long way to Tipperary | 0:22:37 | 0:22:41 | |
# But my heart's right there. # | 0:22:41 | 0:22:46 | |
# Pack up your troubles in your old kitbag | 0:22:46 | 0:22:50 | |
# And smile, smile, smile | 0:22:50 | 0:22:54 | |
# While you've a lucifer to light your fag | 0:22:54 | 0:22:58 | |
# Smile, boys, that's the style | 0:22:58 | 0:23:01 | |
# What's the use of worrying? | 0:23:01 | 0:23:05 | |
# It never was worthwhile | 0:23:05 | 0:23:09 | |
# So, pack up your troubles in your old kitbag | 0:23:09 | 0:23:13 | |
# And smile, smile, smile. # | 0:23:13 | 0:23:21 | |
CHEERING AND APPLAUSE | 0:23:21 | 0:23:24 | |
CHEERING AND APPLAUSE | 0:23:30 | 0:23:32 | |
Ladies and gentlemen, I know that it will give my dear sister-in-law | 0:23:39 | 0:23:44 | |
and all of you particular pleasure | 0:23:44 | 0:23:46 | |
that I now am privileged to announce | 0:23:46 | 0:23:48 | |
-the charismatic crystallinity... -AUDIENCE: -Whoo! | 0:23:48 | 0:23:53 | |
..of those sibling scintillant serenaders, | 0:23:53 | 0:23:58 | |
Mr Vernon and Miss Maryetta Midgley! | 0:23:58 | 0:24:04 | |
APPLAUSE | 0:24:04 | 0:24:07 | |
MUSIC: Tornami A Dir from Don Pasquale by Gaetano Donizetti | 0:24:07 | 0:24:11 | |
THEY SING TORNAMI A DIR IN ITALIAN | 0:24:13 | 0:24:17 | |
THEY SING TORNAMI A DIR IN ITALIAN | 0:24:58 | 0:25:02 | |
THEY SING TORNAMI A DIR IN ITALIAN | 0:25:38 | 0:25:42 | |
THEY SING TORNAMI A DIR IN ITALIAN | 0:26:19 | 0:26:23 | |
APPLAUSE | 0:26:58 | 0:27:01 | |
# No rose in all the world | 0:27:21 | 0:27:26 | |
# Until you came | 0:27:26 | 0:27:30 | |
# No star until you smiled | 0:27:30 | 0:27:34 | |
# Upon life's sea | 0:27:34 | 0:27:36 | |
# Upon life's sea | 0:27:36 | 0:27:38 | |
# No song in all the world | 0:27:38 | 0:27:44 | |
# Until you spoke | 0:27:44 | 0:27:46 | |
# Until you spoke | 0:27:46 | 0:27:49 | |
# No hope | 0:27:49 | 0:27:51 | |
# No hope | 0:27:51 | 0:27:54 | |
# Until you gave your heart | 0:27:54 | 0:28:00 | |
# To me | 0:28:00 | 0:28:04 | |
# Oh, rose, bloom ever in | 0:28:16 | 0:28:22 | |
# My lonely heart | 0:28:22 | 0:28:24 | |
# My lonely heart | 0:28:24 | 0:28:27 | |
# Oh, star, shine steadfast | 0:28:27 | 0:28:31 | |
# With your light divine | 0:28:31 | 0:28:36 | |
# Ring on, oh, song | 0:28:36 | 0:28:39 | |
# Your melody of joy | 0:28:39 | 0:28:45 | |
# Your melody of joy | 0:28:45 | 0:28:47 | |
# Life's crowned at last | 0:28:47 | 0:28:50 | |
# Life's crowned at last | 0:28:50 | 0:28:53 | |
# And love | 0:28:53 | 0:28:56 | |
# And love is ever | 0:28:56 | 0:29:03 | |
# Mine. # | 0:29:03 | 0:29:13 | |
CHEERING AND APPLAUSE | 0:29:13 | 0:29:16 | |
In a protean proliferation, | 0:29:41 | 0:29:46 | |
multi-talented and, with it, much-loved... | 0:29:46 | 0:29:51 | |
your own, you're very, very own, | 0:29:51 | 0:29:54 | |
Mr Roy Castle! | 0:29:54 | 0:29:57 | |
APPLAUSE | 0:29:57 | 0:30:01 | |
Thank you, sir. Thank you, sir. All right? | 0:30:05 | 0:30:08 | |
AUDIENCE CLAPS IN RHYTHM | 0:30:08 | 0:30:11 | |
AUDIENCE CLAPS MORE SLOWLY | 0:30:16 | 0:30:18 | |
AUDIENCE CLAPS QUICKLY AND CHEER | 0:30:18 | 0:30:21 | |
Thank you. I could have finished on that. | 0:30:21 | 0:30:23 | |
LAUGHTER | 0:30:23 | 0:30:25 | |
It's never going to go any better than that, is it? | 0:30:25 | 0:30:27 | |
Well, goodnight, thank you very much. I've really enjoyed it. | 0:30:27 | 0:30:30 | |
So, what am I going to sing? | 0:30:30 | 0:30:32 | |
-AUDIENCE MEMBER: -Champagne Charlie. -Champagne Charlie? | 0:30:32 | 0:30:35 | |
No, we can't be topical on this show. | 0:30:35 | 0:30:38 | |
No, as a matter of fact, | 0:30:38 | 0:30:40 | |
the record for opening and drinking a bottle of champagne | 0:30:40 | 0:30:45 | |
by one person is 25 seconds. | 0:30:45 | 0:30:48 | |
And they're still trying to get him down from up there. | 0:30:48 | 0:30:51 | |
Let's try. 25 seconds. Are you counting, Sunbeam? OK. | 0:30:51 | 0:30:55 | |
Da-da-da-da-da... | 0:30:55 | 0:30:58 | |
LAUGHTER | 0:30:58 | 0:31:02 | |
I'll get it. It'll be all right. | 0:31:02 | 0:31:04 | |
AUDIENCE MEMBER SHRIEKS Ah... Ooh... | 0:31:04 | 0:31:07 | |
Pull that end, pull that end. Pull it! Pull it! | 0:31:07 | 0:31:10 | |
Pull it! Pull that end! LAUGHTER | 0:31:10 | 0:31:13 | |
We'll have your hat off, don't worry! | 0:31:13 | 0:31:15 | |
CHAMPAGNE CORK POPS Wait! Hello, hello... | 0:31:15 | 0:31:19 | |
-AUDIENCE: -Ah... | 0:31:21 | 0:31:24 | |
Dear, oh, dear, that's nice. All right, who's the culprit? | 0:31:24 | 0:31:28 | |
Come on! Da-da-da-da-da. | 0:31:28 | 0:31:31 | |
The first person to hiccup gets it. I'm watching you. | 0:31:31 | 0:31:34 | |
Have that looked at and get it fingerprinted. | 0:31:34 | 0:31:37 | |
Look who's wearing gloves. LAUGHTER | 0:31:39 | 0:31:42 | |
No wonder he sent me out to look for the orchestra just before the show! | 0:31:42 | 0:31:46 | |
No, I'm celebrating, ladies and gentlemen. Can you imagine? | 0:31:46 | 0:31:51 | |
Here I am, in my hometown... celebrating. | 0:31:51 | 0:31:55 | |
I have at last met Barney Colehan. | 0:31:55 | 0:31:58 | |
LAUGHTER | 0:31:58 | 0:32:00 | |
This is now my 73rd show here, | 0:32:00 | 0:32:02 | |
until I get it right. | 0:32:02 | 0:32:04 | |
APPLAUSE | 0:32:08 | 0:32:11 | |
Just a moment. | 0:32:11 | 0:32:13 | |
No, no, I'm really celebrating because I've met Mr Colehan. | 0:32:13 | 0:32:17 | |
At last! I got this missive. | 0:32:17 | 0:32:19 | |
It said, "You will come and meet me | 0:32:19 | 0:32:21 | |
"to discuss what you are going to give to my clients," he said. | 0:32:21 | 0:32:25 | |
So, that's it. At a local alehouse, we turned up there. | 0:32:25 | 0:32:30 | |
I had to be there at two o'clock, so I was there at quarter to two. | 0:32:30 | 0:32:33 | |
I thought, "I'll be there in good time." I was walking up and down... | 0:32:33 | 0:32:36 | |
Pa-pa-pa-pa. ..wondering what he's going to be like, you know. | 0:32:36 | 0:32:39 | |
I bet he'll be a big fellow | 0:32:39 | 0:32:41 | |
with one earring... | 0:32:41 | 0:32:44 | |
..and a tiara, and I won't be able to say anything about it. | 0:32:46 | 0:32:50 | |
He'll be a big fellow. And then I suddenly started to get worried. | 0:32:50 | 0:32:53 | |
You know how you get worried about your appearance? | 0:32:53 | 0:32:55 | |
You think, "Well, I've got time, I'll just go and check." | 0:32:55 | 0:32:59 | |
So, I thought, "I'll just nip into the men's room and check." | 0:32:59 | 0:33:02 | |
And that's where I made my mistake. | 0:33:02 | 0:33:04 | |
Have you got any mistake music here? | 0:33:04 | 0:33:06 | |
PIANIST PLAYS A TUNE | 0:33:06 | 0:33:09 | |
ROY CASTLE CLEARS HIS THROAT | 0:33:11 | 0:33:14 | |
Teeth are all right. Confident there. | 0:33:16 | 0:33:19 | |
Hair's all right, no Yorkshire pudding in there. | 0:33:19 | 0:33:22 | |
Bowtie, lovely. | 0:33:25 | 0:33:26 | |
Well, hello, Mr Calhoun... | 0:33:26 | 0:33:28 | |
No, no, no, no! Callaghan. | 0:33:28 | 0:33:32 | |
I've forgot his name now already. Hello, Mr Colehan. | 0:33:32 | 0:33:35 | |
Yeah, that's all right. I'll be all right. | 0:33:35 | 0:33:37 | |
Hey there! Wait a minute, my hair is a little bit off. | 0:33:37 | 0:33:41 | |
Um... Hello, hello, what's this here? Instant hair cream? | 0:33:41 | 0:33:47 | |
What do you have to do? Insert penny. | 0:33:48 | 0:33:51 | |
There, that's right. | 0:33:51 | 0:33:53 | |
Hold out hand. | 0:33:53 | 0:33:55 | |
Push plunger. | 0:33:55 | 0:33:56 | |
Pff! | 0:33:56 | 0:33:58 | |
LAUGHTER | 0:33:58 | 0:34:01 | |
Argh! | 0:34:05 | 0:34:07 | |
That's all right, that's all right. To continue. Look at this! | 0:34:11 | 0:34:15 | |
Freshen up with aftershave. | 0:34:15 | 0:34:17 | |
Great! That means if I don't look too well, at least I'll smell good. | 0:34:17 | 0:34:21 | |
Da-da-da-da! Insert penny. Right. | 0:34:21 | 0:34:24 | |
Hold out hand. | 0:34:26 | 0:34:28 | |
Push plunger. Ha-ha-ha. Seen this before. | 0:34:28 | 0:34:31 | |
Ow! | 0:34:33 | 0:34:35 | |
Oh, no, no, no! I don't believe it! | 0:34:35 | 0:34:36 | |
No, no, no, no! Where's the water? Water, water! | 0:34:36 | 0:34:40 | |
HE SHRIEKS | 0:34:41 | 0:34:43 | |
Oh, no, no! | 0:34:43 | 0:34:44 | |
Cold, hot, cold, hot, cold... | 0:34:44 | 0:34:47 | |
Cold. | 0:34:47 | 0:34:48 | |
Wrong! Wrong! Wrong! | 0:34:48 | 0:34:50 | |
Hot, cold, hot, cold... | 0:34:50 | 0:34:53 | |
Oh...oh... | 0:34:55 | 0:34:57 | |
Oh, yeah, yeah... | 0:34:57 | 0:35:00 | |
Now then, where's the towel? | 0:35:00 | 0:35:02 | |
It's stuck all right. I can see it's stuck. | 0:35:09 | 0:35:12 | |
Pull it hard. | 0:35:12 | 0:35:14 | |
Oh, I beg your pardon, sir. | 0:35:15 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:20 | |
It's these funny jackets with the big flaps. I'm terribly sorry. | 0:35:24 | 0:35:28 | |
The big flap. It was an accident. Is that all right with you? | 0:35:28 | 0:35:32 | |
Ooh! | 0:35:32 | 0:35:34 | |
Come on, come on. All right, what's all that about, Sunbeam, hey? | 0:35:38 | 0:35:43 | |
Who do you think YOU are? | 0:35:43 | 0:35:45 | |
Oh, hello, Mr Colehan. | 0:35:45 | 0:35:47 | |
LAUGHTER AND APPLAUSE | 0:35:47 | 0:35:50 | |
So, we discussed the whole thing, | 0:36:03 | 0:36:04 | |
and he said, "Well...I think you ought to play something | 0:36:04 | 0:36:10 | |
"you've never played before." | 0:36:10 | 0:36:12 | |
So, I said, "What?" He said, "Well..." | 0:36:12 | 0:36:14 | |
LAUGHTER | 0:36:14 | 0:36:16 | |
Nice, isn't it? He had the upper hand. | 0:36:16 | 0:36:19 | |
So, I'm going to play something I've never... Mr Herrmann... | 0:36:19 | 0:36:22 | |
Is it Herming or Hemmings? | 0:36:22 | 0:36:24 | |
-Ah, Mr Herrmann, thank you. You didn't pinch this, did you? -No, no. | 0:36:24 | 0:36:27 | |
Great. Lovely. Oh, where's the mouthpiece? | 0:36:27 | 0:36:29 | |
LAUGHTER | 0:36:29 | 0:36:31 | |
I've never played the xylophone before, have I, Mr Herrmann? | 0:36:31 | 0:36:34 | |
-You haven't. -What is it? Yes... | 0:36:34 | 0:36:36 | |
LAUGHTER | 0:36:36 | 0:36:38 | |
# It's lovely, this Edwardian fun | 0:36:38 | 0:36:42 | |
# Cos we still haven't faced the Hun | 0:36:42 | 0:36:45 | |
# But we're all right cos we've got Clive Dunn... # | 0:36:45 | 0:36:49 | |
Hey, don't panic. | 0:36:51 | 0:36:52 | |
HE BLOWS A RASPBERRY | 0:36:52 | 0:36:54 | |
# It's good in the good old days. # Here we go now. | 0:36:54 | 0:36:57 | |
HE PLAYS BANJOLELE | 0:36:57 | 0:37:00 | |
ORCHESTRA JOIN IN | 0:37:04 | 0:37:07 | |
HE TAPS IN RHYTHM TO THE MUSIC | 0:37:31 | 0:37:35 | |
APPLAUSE | 0:38:05 | 0:38:08 | |
Steady on. | 0:38:19 | 0:38:20 | |
Come on, Bernard, pies have come! Back in the good old... | 0:38:23 | 0:38:26 | |
# Back in the good old days | 0:38:26 | 0:38:28 | |
# Back in the good | 0:38:28 | 0:38:31 | |
# In the good old days. # | 0:38:31 | 0:38:33 | |
-Oggy, oggy, oggy... -Oi, oi, oi! -That's about it for now. | 0:38:33 | 0:38:36 | |
Whoa! | 0:38:38 | 0:38:39 | |
CHEERING AND APPLAUSE | 0:38:39 | 0:38:42 | |
Always exemplary auxiliaries, | 0:38:54 | 0:38:58 | |
the Players Theatre assist in the deliration of the songs | 0:38:58 | 0:39:02 | |
of Mr Fred Barnes with, ladies and gentlemen, | 0:39:02 | 0:39:06 | |
the distinguished, debonair | 0:39:06 | 0:39:09 | |
and very, very dashing Mr Dudley Stevens! | 0:39:09 | 0:39:15 | |
APPLAUSE | 0:39:15 | 0:39:17 | |
# Give me the moonlight | 0:39:21 | 0:39:24 | |
# Give me the girl | 0:39:24 | 0:39:25 | |
# And leave the rest to me | 0:39:25 | 0:39:30 | |
# Give me a babbling brook | 0:39:30 | 0:39:32 | |
# Give me a shady nook | 0:39:32 | 0:39:34 | |
# Where no-one can see | 0:39:34 | 0:39:38 | |
# Give me a bench for two | 0:39:38 | 0:39:40 | |
# Where we can bill and coo | 0:39:40 | 0:39:43 | |
# And mine she's bound to be | 0:39:43 | 0:39:47 | |
# If there's anyone in doubt | 0:39:47 | 0:39:49 | |
# And they'd like to try me out | 0:39:49 | 0:39:51 | |
# Give me the moonlight | 0:39:51 | 0:39:53 | |
# Give me the girl | 0:39:53 | 0:39:55 | |
# And leave the rest to me. # | 0:39:55 | 0:39:59 | |
# For I'm the black, black sheep of the family | 0:39:59 | 0:40:04 | |
# Everybody runs me down | 0:40:04 | 0:40:07 | |
# People shake their heads at me | 0:40:07 | 0:40:11 | |
# Say I'm a disgrace to society | 0:40:11 | 0:40:15 | |
# But I shall try my luck in the colonies | 0:40:15 | 0:40:19 | |
# And there I'll rise or fall | 0:40:19 | 0:40:22 | |
# And when I come back | 0:40:22 | 0:40:24 | |
# Then the sheep that was black | 0:40:24 | 0:40:26 | |
# Will perhaps be the whitest of them all. # | 0:40:26 | 0:40:30 | |
# I've just been wandering all alone | 0:40:33 | 0:40:36 | |
# Down Paradise Row | 0:40:36 | 0:40:38 | |
# When I was a kiddie, I'd a sweetheart | 0:40:38 | 0:40:41 | |
# And down there we would go | 0:40:41 | 0:40:44 | |
# I called her Nelly and she called me Joe | 0:40:44 | 0:40:48 | |
# And we would romp there hand in hand | 0:40:48 | 0:40:50 | |
# Then we'd both sit down on a doorway there | 0:40:50 | 0:40:54 | |
# And we'd picture the future grand | 0:40:54 | 0:41:00 | |
# On Mother Kelly's doorstep | 0:41:00 | 0:41:05 | |
-# Down Paradise Row -Mother Kelly's doorstep | 0:41:05 | 0:41:09 | |
-# I'd sit along Nelly -He sits there | 0:41:09 | 0:41:13 | |
-# She'd sit along Joe -She would sit along Joe | 0:41:13 | 0:41:17 | |
# She'd got a little hole in her frock | 0:41:17 | 0:41:21 | |
# A hole in her shoe | 0:41:21 | 0:41:23 | |
# A hole in her sock where her toe peeped through | 0:41:23 | 0:41:27 | |
# But Nelly was the smartest in our alley | 0:41:27 | 0:41:34 | |
# On Mother Kelly's doorstep | 0:41:34 | 0:41:38 | |
-# I'm wondering now -On Mother Kelly's doorstep | 0:41:38 | 0:41:43 | |
-# If little girl Nelly -If little girl Nelly | 0:41:43 | 0:41:47 | |
-# Remembers Joe, her beau -Remembers Joe | 0:41:47 | 0:41:51 | |
# And does she love me | 0:41:51 | 0:41:55 | |
# Like she used to | 0:41:55 | 0:41:59 | |
# On Mother Kelly's doorstep | 0:41:59 | 0:42:03 | |
# Down Paradise Row? # | 0:42:03 | 0:42:07 | |
# Give me a million beautiful girls | 0:42:09 | 0:42:12 | |
# To love, simply love all the time | 0:42:12 | 0:42:16 | |
# If they're small, if they're tall | 0:42:16 | 0:42:19 | |
# Anything in dresses and I'll fall for them all | 0:42:19 | 0:42:23 | |
# Give me a million kisses and hugs | 0:42:23 | 0:42:26 | |
# For loving is no crime | 0:42:26 | 0:42:29 | |
# I'd like to love every girlie and then | 0:42:29 | 0:42:33 | |
# Go back to the first and start all over again | 0:42:33 | 0:42:37 | |
# Give me a million beautiful girls | 0:42:37 | 0:42:40 | |
# But give me them one at a time | 0:42:40 | 0:42:44 | |
# Give me a million beautiful girls | 0:42:44 | 0:42:48 | |
# To love, simply love all the time | 0:42:48 | 0:42:51 | |
# If they're tall, if they're small | 0:42:51 | 0:42:55 | |
# Anything in dresses and I fall for them all | 0:42:55 | 0:42:58 | |
# Give me a million kisses and hugs | 0:42:58 | 0:43:01 | |
# For loving is no crime | 0:43:01 | 0:43:05 | |
# Girls who are bashful but willing to learn | 0:43:05 | 0:43:08 | |
# Leave me your address and then wait your turn | 0:43:08 | 0:43:12 | |
# Give me a million beautiful girls | 0:43:12 | 0:43:16 | |
# But give me them one at a time | 0:43:16 | 0:43:19 | |
# Give me them, give me them | 0:43:19 | 0:43:21 | |
# Give me them one at a time. # | 0:43:21 | 0:43:26 | |
APPLAUSE | 0:43:26 | 0:43:29 | |
Now, for everything that happens, there's a reason | 0:43:40 | 0:43:43 | |
No matter if it's large or if it's small | 0:43:43 | 0:43:47 | |
Now, why was poor old mother Adam teasing poor old father Adam | 0:43:47 | 0:43:51 | |
In the autumn when she knew the leaves would fall? | 0:43:51 | 0:43:55 | |
It's woman who has caused the trouble since the world began | 0:43:56 | 0:44:01 | |
And you can bet your life that when you see a ruined man... | 0:44:01 | 0:44:07 | |
# There's a woman, there's a woman | 0:44:09 | 0:44:13 | |
# There's a woman at the bottom of it all... # | 0:44:13 | 0:44:17 | |
Now, you will find many times through history | 0:44:17 | 0:44:21 | |
A girl has made a fellow look at things he shouldn't see | 0:44:21 | 0:44:25 | |
For a woman, for a woman | 0:44:25 | 0:44:28 | |
Every day some fellow seems to fall | 0:44:28 | 0:44:32 | |
Now, many years ago, before the days of you and I | 0:44:32 | 0:44:36 | |
Somebody asked Nelson how he came to lose his eye | 0:44:36 | 0:44:40 | |
Well, he ran his famous signal up and this was his reply | 0:44:40 | 0:44:43 | |
"If England expects every man to do his duty and not ask why | 0:44:43 | 0:44:47 | |
"There's a woman at the bottom of it all" | 0:44:47 | 0:44:50 | |
Now everybody's heard of Jonah What a silly tale | 0:44:50 | 0:44:54 | |
It seems that he fell overboard whilst in a heavy gale | 0:44:54 | 0:44:58 | |
But when a fellow leaves his home to live inside a whale... | 0:44:58 | 0:45:03 | |
HE LAUGHS | 0:45:03 | 0:45:07 | |
# There's a woman at the bottom of it all... # | 0:45:07 | 0:45:13 | |
There's a woman at the bottom of it all. | 0:45:15 | 0:45:18 | |
APPLAUSE | 0:45:23 | 0:45:26 | |
# I never worry if a girl is bashful | 0:45:34 | 0:45:39 | |
# Or if a girl is shy | 0:45:39 | 0:45:44 | |
# I never worry if she has that look | 0:45:45 | 0:45:49 | |
# Of "Don't you dare kiss me" in her eye | 0:45:49 | 0:45:55 | |
# I never worry if I want some loving | 0:45:55 | 0:46:01 | |
# I know just what to try | 0:46:01 | 0:46:06 | |
# You may wonder what I do | 0:46:06 | 0:46:11 | |
# There's nothing strange about it | 0:46:11 | 0:46:14 | |
# Here is all I ask of you | 0:46:14 | 0:46:19 | |
# Give me the moonlight | 0:46:19 | 0:46:23 | |
# Give me the girl | 0:46:23 | 0:46:25 | |
# And leave the rest to me | 0:46:25 | 0:46:30 | |
# Give me a babbling brook | 0:46:30 | 0:46:32 | |
# Give me a shady nook | 0:46:32 | 0:46:35 | |
# Where no-one can see | 0:46:35 | 0:46:40 | |
# Give me a bench for two | 0:46:40 | 0:46:42 | |
# Where we can bill and coo | 0:46:42 | 0:46:45 | |
# And mine she's bound to be | 0:46:45 | 0:46:50 | |
# If there's anyone in doubt | 0:46:50 | 0:46:52 | |
# And they'd like to try me out | 0:46:52 | 0:46:55 | |
# Give me the moonlight | 0:46:55 | 0:46:57 | |
# Give me the girl | 0:46:57 | 0:46:59 | |
# And leave the rest to me | 0:46:59 | 0:47:04 | |
# Give me the moonlight | 0:47:04 | 0:47:07 | |
# Give me the girl | 0:47:07 | 0:47:10 | |
# And leave the rest to me | 0:47:10 | 0:47:14 | |
# Give me a babbling brook | 0:47:14 | 0:47:17 | |
# Give me a shady nook | 0:47:17 | 0:47:19 | |
# Where no-one can see | 0:47:19 | 0:47:24 | |
# Give me a bench for two | 0:47:24 | 0:47:26 | |
# Where we can bill and coo | 0:47:26 | 0:47:29 | |
# And mine she's bound to be | 0:47:29 | 0:47:34 | |
# If there's anyone in doubt | 0:47:34 | 0:47:36 | |
# And they'd like to try me out | 0:47:36 | 0:47:38 | |
# Give me the moonlight | 0:47:38 | 0:47:41 | |
# Give me the girl | 0:47:41 | 0:47:43 | |
# And leave the rest to me | 0:47:43 | 0:47:47 | |
# And leave the rest | 0:47:47 | 0:47:52 | |
# To me. # | 0:47:52 | 0:47:57 | |
CHEERING AND APPLAUSE | 0:47:57 | 0:48:01 | |
And now there's just time to ask Mr Roy Castle | 0:48:14 | 0:48:17 | |
to lead the company and yourselves | 0:48:17 | 0:48:19 | |
in the last chorus for tonight, Down At The Old Bull And Bush. | 0:48:19 | 0:48:23 | |
Ladies and gentlemen, Mr Roy Castle, the entire company, | 0:48:23 | 0:48:27 | |
Mr Bernard Herrmann and the entire and unflappable orchestra! | 0:48:27 | 0:48:32 | |
CHEERING AND APPLAUSE | 0:48:32 | 0:48:35 | |
But this time, give me yourselves! | 0:48:35 | 0:48:41 | |
# Come, come, come and make eyes at me | 0:48:44 | 0:48:47 | |
# Down at The Old Bull And Bush La-la-la-la-la | 0:48:47 | 0:48:51 | |
# Come, come, drink some port wine with me | 0:48:51 | 0:48:54 | |
# Down at The Old Bull And Bush | 0:48:54 | 0:48:57 | |
# Hear the little German band La-la-la-la-la-la-la | 0:48:58 | 0:49:01 | |
# Just let me hold your hand, dear | 0:49:01 | 0:49:04 | |
# Do, do, come and have a drink or two | 0:49:04 | 0:49:08 | |
# Down at The Old Bull and Bush Bush, Bush. # | 0:49:08 | 0:49:12 | |
APPLAUSE | 0:49:12 | 0:49:15 |