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For almost 150 years, the Stirling museum and art gallery | 0:00:05 | 0:00:09 | |
has held the history, the heart | 0:00:09 | 0:00:11 | |
and the curiosities of Stirling in this magnificent little building. | 0:00:11 | 0:00:15 | |
And today, it's host to the Quizeum. | 0:00:15 | 0:00:18 | |
Welcome to a city that was once described as the brooch that | 0:00:30 | 0:00:33 | |
joins the Highlands to the Lowlands. We're in Stirling. | 0:00:33 | 0:00:37 | |
And no fewer than six great battles that decided the whole | 0:00:37 | 0:00:40 | |
future of Scotland have been fought near here. | 0:00:40 | 0:00:43 | |
Tonight, of course, we have another one. Ours is a battle of minds. | 0:00:43 | 0:00:47 | |
With four rounds of questions, drawing on just | 0:00:47 | 0:00:49 | |
some of the remarkable objects found in this wonderfully eclectic museum. | 0:00:49 | 0:00:53 | |
We have two teams ready to fight to the death. | 0:00:53 | 0:00:57 | |
On my right, battle scarred Quizeum field marshal Lars Tharp. | 0:00:57 | 0:01:02 | |
He's joined by distinguished art historian, | 0:01:02 | 0:01:05 | |
television presenter and adopted Scot, Helen Rosslyn. | 0:01:05 | 0:01:08 | |
Facing them are commander of medieval art, Dr Janina Ramirez. | 0:01:08 | 0:01:13 | |
And with her, presenter, comedian, journalist, author, | 0:01:13 | 0:01:16 | |
Scottish patriot, Hardeep Singh Kohli. | 0:01:16 | 0:01:18 | |
Welcome, all. Welcome to Stirling. | 0:01:18 | 0:01:20 | |
-Do you know Stirling well, Lars? -No. -Oh, OK. What about you, Hardeep? -Yes. | 0:01:20 | 0:01:25 | |
It's sort of the heart of Scotland, | 0:01:25 | 0:01:27 | |
so you'd come here for discounted shopping. | 0:01:27 | 0:01:29 | |
-And to see the castle. -Yes. | 0:01:29 | 0:01:31 | |
Although, funnily enough, there's also a pub on the | 0:01:31 | 0:01:34 | |
Great Western Road in Glasgow called Stirling Castle, | 0:01:34 | 0:01:36 | |
and I once drunkenly got into a cab and asked to go to Stirling Castle. | 0:01:36 | 0:01:39 | |
45 quid later, I was here, long after closing hours. | 0:01:39 | 0:01:42 | |
-So, still smarts slightly. -And which was better, in your opinion? | 0:01:42 | 0:01:47 | |
Eq... Equally valid. | 0:01:47 | 0:01:49 | |
Well, my plan in this first round is to try and get | 0:01:49 | 0:01:52 | |
a handle on the nature of this wee museum that we've found ourselves in. | 0:01:52 | 0:01:56 | |
Because it is quite a wee museum, Helen, isn't it? Quite a small one. | 0:01:56 | 0:01:59 | |
It's rather lovely. It's just like walking through a house. | 0:01:59 | 0:02:02 | |
So, fingers on your buzzers, because I'm going to ask a question, it's | 0:02:02 | 0:02:05 | |
open to both teams, and if you give the right answer, | 0:02:05 | 0:02:08 | |
you get a point and first go at a more complicated specialist | 0:02:08 | 0:02:11 | |
question, which is worth two points. | 0:02:11 | 0:02:13 | |
Have a look at this, this is a painting from the 1660s | 0:02:13 | 0:02:16 | |
by Johannes Vorstermans. | 0:02:16 | 0:02:18 | |
It is the oldest painting, in oils, of Stirling, | 0:02:18 | 0:02:22 | |
but which river are we sitting on? | 0:02:22 | 0:02:26 | |
BUZZER | 0:02:26 | 0:02:28 | |
-Yes. -It is the Forth. -The Forth. | 0:02:28 | 0:02:30 | |
So you get the specialist question. | 0:02:30 | 0:02:33 | |
Now, have a look at this painting here. | 0:02:33 | 0:02:35 | |
Can you tell me why did it not get the exhibition | 0:02:35 | 0:02:40 | |
that its painter desired? | 0:02:40 | 0:02:42 | |
Because it was quite controversial at the time. | 0:02:44 | 0:02:47 | |
It's by Thomas Stuart Smith, who founded the museum, | 0:02:47 | 0:02:51 | |
and it was all about the abolition of slavery. | 0:02:51 | 0:02:54 | |
And it's called The Pipe Of Freedom. | 0:02:54 | 0:02:57 | |
And, really, he was quite novel in using black | 0:02:57 | 0:03:00 | |
men as the celebrated protagonists of paintings. | 0:03:00 | 0:03:05 | |
Because normally they were just incidental in the 19th century. | 0:03:05 | 0:03:08 | |
So, therefore, he didn't get an exhibition | 0:03:08 | 0:03:11 | |
-because it was not in favour at the time. -Excellent. | 0:03:11 | 0:03:15 | |
This painting, The Pipe Of Freedom, | 0:03:15 | 0:03:17 | |
was completed by Thomas Stuart Smith between 1862 and 1868, | 0:03:17 | 0:03:20 | |
and it shows a freed slave enjoying a pipe of tobacco. | 0:03:20 | 0:03:23 | |
The borough provided the site for this museum. | 0:03:23 | 0:03:27 | |
Smith provided his own art collection in 1874, | 0:03:27 | 0:03:31 | |
but it is much more than a collection of art here. | 0:03:31 | 0:03:35 | |
It has many significant curiosities, and so here's another opener. | 0:03:35 | 0:03:39 | |
BUZZER Nina. | 0:03:39 | 0:03:42 | |
It's the world's oldest football? | 0:03:42 | 0:03:44 | |
That's not the question I've got written down here. Oh, no! | 0:03:45 | 0:03:48 | |
The question I have written here is, "This is believed to be | 0:03:48 | 0:03:52 | |
"the oldest football in the world to the nearest 50 years. How old is it?" | 0:03:52 | 0:03:57 | |
And it has to go over this side. | 0:03:57 | 0:03:59 | |
I would guess, being Shakespearean and before... You... | 0:04:01 | 0:04:05 | |
18... 1540. Would that do? | 0:04:07 | 0:04:10 | |
Well done. | 0:04:10 | 0:04:12 | |
This ball was found in Mary Queen of Scots' bedroom, | 0:04:12 | 0:04:15 | |
in Stirling Castle, behind the panelling, in the 1970s. | 0:04:15 | 0:04:18 | |
And they think it might have been kicked up there by somebody | 0:04:18 | 0:04:21 | |
while they were building. I'm sorry, you see, you fell into my trap. | 0:04:21 | 0:04:24 | |
What makes it worse is that now I've realised that Scotland | 0:04:24 | 0:04:26 | |
haven't qualified for a World Cup knockout stages since 1540. | 0:04:26 | 0:04:31 | |
I thought it was just since 1932. | 0:04:31 | 0:04:33 | |
Lars and Helen, on that note, we are going to pass on to your bonus | 0:04:33 | 0:04:36 | |
question, because I want you to tell me | 0:04:36 | 0:04:38 | |
why this lump of black basalt | 0:04:38 | 0:04:42 | |
-coming in... -Oh, my goodness. | 0:04:42 | 0:04:44 | |
-..is a rival to the football. -What's this groove in the top? | 0:04:46 | 0:04:50 | |
It's got a dimple in the back, and it's got a groove here, | 0:04:50 | 0:04:53 | |
so the idea is that whoever was using this, for whatever it was, | 0:04:53 | 0:04:57 | |
is holding it like this. It's not curling, is it, do you suppose? | 0:04:57 | 0:05:00 | |
-JANINA: -It is. | 0:05:00 | 0:05:02 | |
-I think it's curling. -Well done. -So what's your answer? | 0:05:02 | 0:05:06 | |
-We think it's a curling stone. -OK. And how would it rival the football? | 0:05:06 | 0:05:10 | |
-Oh, it's the oldest curling stone. -It is the oldest curling stone. | 0:05:10 | 0:05:13 | |
This was found in the Milton Bog, not far from here. | 0:05:13 | 0:05:17 | |
They also found the oldest rusty shopping trolley in the world. | 0:05:17 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
-That I believe, yes. -But they got the money back on that one. | 0:05:23 | 0:05:26 | |
Let's go onto another opening question. | 0:05:26 | 0:05:28 | |
Can you tell me who was this visitor to Stirling? | 0:05:28 | 0:05:32 | |
-BUZZER -Bonnie Prince Charlie. -Bonnie Prince Charlie. | 0:05:32 | 0:05:35 | |
You pick up another... | 0:05:35 | 0:05:37 | |
HE LAUGHS | 0:05:37 | 0:05:39 | |
Well done. Charles Edward Louis | 0:05:39 | 0:05:42 | |
John Casimir Sylvester Severino Maria Stuart, | 0:05:42 | 0:05:46 | |
"The Young Pretender". And he was given the key to | 0:05:46 | 0:05:49 | |
Stirling on 6 January 1746. | 0:05:49 | 0:05:52 | |
It wasn't actually returned until 1960. | 0:05:52 | 0:05:56 | |
I do a bit the same sometimes with hotel keys myself. | 0:05:56 | 0:05:59 | |
It's quite interesting, that portrait, | 0:05:59 | 0:06:01 | |
cos it's painted by somebody called Cosmo Alexandra, | 0:06:01 | 0:06:04 | |
and I think it was actually painted in Rome, | 0:06:04 | 0:06:06 | |
because after the Jacobite uprising, so many Jacobites fled to Rome | 0:06:06 | 0:06:11 | |
and he made his money painting portraits, in Rome, of Jacobites. | 0:06:11 | 0:06:16 | |
-There was a sort of sense of artists going where the money was. -Yes. | 0:06:16 | 0:06:20 | |
You get a specialist question. What was this fan | 0:06:20 | 0:06:24 | |
intended to support? | 0:06:24 | 0:06:27 | |
-Intended to support. -I'm going to pick it up. -Is it Chinese? | 0:06:27 | 0:06:32 | |
-Be very, very careful. -I'm going to be very careful with it, don't worry. | 0:06:32 | 0:06:35 | |
-Well, on the top left, that's surely Stirling Castle. -Yes. | 0:06:35 | 0:06:38 | |
It's obviously a piece of propaganda. | 0:06:38 | 0:06:40 | |
And there is this fella here who has a kneeling Highlander in plaid, | 0:06:40 | 0:06:45 | |
whilst all the other Highlanders seem to be going over the river. | 0:06:45 | 0:06:49 | |
Ah! And they are pursued by Hanoverians. | 0:06:49 | 0:06:53 | |
So I reckon that the gentleman on the horse could be | 0:06:53 | 0:06:56 | |
-Butcher Cumberland. -Indeed, you're quite right. | 0:06:56 | 0:06:59 | |
The Duke of Cumberland and the Hanoverian regime. | 0:06:59 | 0:07:02 | |
It is an anti-Jacobite fan that the ladies of Stirling were | 0:07:02 | 0:07:07 | |
expected to display in the Duke's presence. | 0:07:07 | 0:07:11 | |
Because it portrays the siege of Stirling in 1746, | 0:07:11 | 0:07:15 | |
which was yet another siege at Stirling. | 0:07:15 | 0:07:18 | |
There were a lot of sieges going on at that time, but if you | 0:07:18 | 0:07:20 | |
build your town on a strategic site, you have to expect a few sieges. | 0:07:20 | 0:07:24 | |
In reality, Cumberland had few real fans here. | 0:07:24 | 0:07:28 | |
-Oh! -Mm-hm. | 0:07:28 | 0:07:30 | |
-They love panto in Scotland, don't they, Hardeep? -Oh, no, they don't. | 0:07:30 | 0:07:33 | |
LAUGHTER | 0:07:33 | 0:07:35 | |
Stirling also has a distinguished history of trade industry | 0:07:35 | 0:07:38 | |
and learning, reflected in the museum. Now, look at this. | 0:07:38 | 0:07:40 | |
This is another opener question, so fingers on buzzers. | 0:07:40 | 0:07:43 | |
This is one of the rarest treasures in the museum. | 0:07:43 | 0:07:45 | |
It's about 12 inches long. | 0:07:45 | 0:07:47 | |
It was made around 1790, but why was it made? | 0:07:47 | 0:07:51 | |
BUZZER | 0:07:52 | 0:07:54 | |
It...was made to... | 0:07:54 | 0:07:58 | |
take coal...from Stirling to Edinburgh. | 0:07:58 | 0:08:03 | |
It is about 12 inches long. | 0:08:03 | 0:08:05 | |
LAUGHTER | 0:08:05 | 0:08:06 | |
Very small amounts. | 0:08:06 | 0:08:08 | |
Quality coal. No, I've got to offer it over to the other side. | 0:08:08 | 0:08:11 | |
-Why was it made? -I think it was made because it is a very early study | 0:08:11 | 0:08:14 | |
-of steam locomotion. -Yes. | 0:08:14 | 0:08:17 | |
-It predates any of the larger versions. -Yes. | 0:08:17 | 0:08:20 | |
And I think it was the smallest that could get in motion at this stage. | 0:08:20 | 0:08:25 | |
-It is very early. -None of you are really getting close to this. | 0:08:25 | 0:08:28 | |
It was made as a demonstration model, | 0:08:28 | 0:08:30 | |
to show the capabilities of steam power, to create locomotion. | 0:08:30 | 0:08:34 | |
Because at this stage, most of the steam engines that were being | 0:08:34 | 0:08:37 | |
made were being used as pumps, to simply pump out mines. | 0:08:37 | 0:08:40 | |
So this is the very early stages of the idea of locomotion, | 0:08:40 | 0:08:43 | |
before people thought of putting them on rails or anywhere. | 0:08:43 | 0:08:46 | |
This is a man called Murdoch. Now, he... | 0:08:46 | 0:08:48 | |
he worked with another Scottish engineer and steam pioneer. | 0:08:48 | 0:08:53 | |
Who was that? BUZZER | 0:08:53 | 0:08:55 | |
-James Watt. -James Watt. OK, well done. | 0:08:55 | 0:08:57 | |
An energy-related specialist question goes to you. | 0:08:57 | 0:09:01 | |
All right, have a look at this. It's a miner's banner. | 0:09:01 | 0:09:05 | |
Familiar enough, from the 1980s miners' strike. | 0:09:05 | 0:09:09 | |
But why was it never displayed at a picket line at its own colliery? | 0:09:09 | 0:09:14 | |
Was there a mining accident before the strike | 0:09:14 | 0:09:18 | |
and they felt it was in bad taste to put up a banner? | 0:09:18 | 0:09:22 | |
I can't think of any other... | 0:09:22 | 0:09:24 | |
I'll accept that as an answer, but it is a wrong answer. | 0:09:24 | 0:09:27 | |
Is it because they didn't go on strike? | 0:09:27 | 0:09:30 | |
No, it isn't actually, it's the opposite. | 0:09:31 | 0:09:33 | |
The strike was so solid, they didn't need a picket line. | 0:09:33 | 0:09:36 | |
-They didn't even need to picket. -Everybody was at it. | 0:09:36 | 0:09:39 | |
It was one of the strongest collieries | 0:09:39 | 0:09:41 | |
against the mine closures in the country. | 0:09:41 | 0:09:44 | |
So, another buzzer, quick question, to gain the advantage. | 0:09:44 | 0:09:47 | |
Fingers on the buzzers here. | 0:09:47 | 0:09:49 | |
Who would have worn one of these? | 0:09:49 | 0:09:53 | |
BUZZER | 0:09:54 | 0:09:56 | |
-A beggar. -It was indeed a beggar. | 0:09:56 | 0:09:58 | |
It was a beggar's badge for the town of Dysart. | 0:09:58 | 0:10:00 | |
You were given this by the town council, | 0:10:00 | 0:10:02 | |
and it was your licence to beg. You get the extra question. | 0:10:02 | 0:10:06 | |
What might you have to beg for | 0:10:06 | 0:10:10 | |
from the wearer of this cap, | 0:10:10 | 0:10:12 | |
had you travelled from Dysart to Edinburgh | 0:10:12 | 0:10:17 | |
in 1828? | 0:10:17 | 0:10:20 | |
-A very significant date. -1828. Dysart to Edinburgh. | 0:10:20 | 0:10:25 | |
Well, it is a military style hat, but it's got a huge visor | 0:10:26 | 0:10:30 | |
and it's got earflaps. So this suggests it's winter. Fuel, maybe. | 0:10:30 | 0:10:34 | |
-Would it help you guys to have a look at it? -Yes, please. | 0:10:34 | 0:10:37 | |
It's a deerskin cap. | 0:10:37 | 0:10:40 | |
The date was 1828. | 0:10:40 | 0:10:42 | |
-The streets were dark. And if this man came towards you wearing this cap. -Would you beg for a light? | 0:10:42 | 0:10:47 | |
-Not for a light. -Gas, no? -Not for gas. | 0:10:47 | 0:10:50 | |
I'm afraid I'm going to have to tell you. You'd have to beg for your life. | 0:10:50 | 0:10:54 | |
This is William Burke's. | 0:10:54 | 0:10:56 | |
-Oh, God! -Really? -Interesting. | 0:10:56 | 0:10:59 | |
HE GASPS | 0:10:59 | 0:11:01 | |
That does send a shiver. | 0:11:01 | 0:11:03 | |
Hardeep, tell me about William Burke? | 0:11:03 | 0:11:05 | |
Edinburgh being the Athens of the North, the city of the Enlightenment, | 0:11:05 | 0:11:08 | |
where the most pronounced breakthroughs in western | 0:11:08 | 0:11:11 | |
surgery took place, the requirement for raw materials, | 0:11:11 | 0:11:14 | |
if you will, was very much prized. | 0:11:14 | 0:11:16 | |
So Burke and Hare used to go up | 0:11:16 | 0:11:18 | |
and find bodies to hand over to the medical specialists. | 0:11:18 | 0:11:23 | |
And in the end, they couldn't find enough bodies, | 0:11:23 | 0:11:26 | |
so they took to providing a few bodies of their own. | 0:11:26 | 0:11:29 | |
And I imagine beggars numbered amongst them. | 0:11:29 | 0:11:31 | |
I saw Lars do exactly what I did when you said whose hat it was. | 0:11:31 | 0:11:34 | |
-You recoiled. -Yeah, absolutely. | 0:11:34 | 0:11:36 | |
It's a really unpleasant object to be in the presence of. | 0:11:36 | 0:11:39 | |
OK. Well, wait on. Wait on. | 0:11:39 | 0:11:42 | |
Because this is indeed the deerskin cap worn by William Burke, | 0:11:42 | 0:11:46 | |
the grave robber and murderer, | 0:11:46 | 0:11:48 | |
who was indeed caught and executed. | 0:11:48 | 0:11:51 | |
With his accomplice, William Hare, | 0:11:51 | 0:11:53 | |
he committed at least 16 murders to provide bodies for anatomists. | 0:11:53 | 0:11:57 | |
But the museum also possesses | 0:11:57 | 0:12:00 | |
-a piece of Burke's skin... -Oh! | 0:12:00 | 0:12:02 | |
..tanned and set in a frame. | 0:12:02 | 0:12:05 | |
-Oh, God! -Should we have a look at it? -Yes. | 0:12:05 | 0:12:10 | |
There it is. | 0:12:10 | 0:12:11 | |
And as souvenirs go from Scotland, | 0:12:11 | 0:12:13 | |
I think I prefer a tin of shortbread. | 0:12:13 | 0:12:16 | |
We're moving on because Stirling is also at the centre of the world, | 0:12:16 | 0:12:19 | |
so fingers on the buzzers. | 0:12:19 | 0:12:22 | |
In 1904, a field was found at Raploch Farm, | 0:12:22 | 0:12:26 | |
near this city, for this man to mount his show. | 0:12:26 | 0:12:31 | |
Who is he? | 0:12:31 | 0:12:32 | |
BUZZER | 0:12:32 | 0:12:34 | |
Buffalo Bill. | 0:12:34 | 0:12:35 | |
Ah! | 0:12:35 | 0:12:37 | |
-Well done. It is indeed. -So quick today. -Buffalo Bill. | 0:12:37 | 0:12:42 | |
So, it is your specialist question. | 0:12:42 | 0:12:44 | |
During a royal visit in 1901, | 0:12:44 | 0:12:47 | |
the Duke of York was presented with a feather from the huia bird. | 0:12:47 | 0:12:52 | |
How did this presentation help precipitate the bird's demise? | 0:12:52 | 0:12:57 | |
It was in a box like this. | 0:12:57 | 0:12:59 | |
Presumably, if this was well-known that he had been presented with | 0:12:59 | 0:13:02 | |
this feather, presumably everybody wanted to have one, | 0:13:02 | 0:13:04 | |
and the poor old bird didn't have enough feathers to go around. | 0:13:04 | 0:13:07 | |
Yes, that's exactly what happened. | 0:13:07 | 0:13:09 | |
They presented the sacred feathers of this bird to the Prince of Wales, | 0:13:09 | 0:13:13 | |
and everybody at home said, | 0:13:13 | 0:13:14 | |
"Those are pretty feathers, I'll have them in a hat." | 0:13:14 | 0:13:17 | |
So suddenly there was a real run on these | 0:13:17 | 0:13:20 | |
feathers across New Zealand, and the poor bird became extinct. | 0:13:20 | 0:13:24 | |
So, at the end of our first round, how are the scores looking? | 0:13:24 | 0:13:27 | |
Well, Nina and Hardeep, you haven't made a score yet. | 0:13:27 | 0:13:31 | |
You are at zero at the moment, but don't despair. | 0:13:31 | 0:13:34 | |
Although, Lars and Helen, you have made 14. | 0:13:34 | 0:13:36 | |
You've just got all the points going there, both of you. Good. | 0:13:36 | 0:13:40 | |
OK, but everything could change. That's what it says. | 0:13:40 | 0:13:44 | |
Everything could change with the next round, | 0:13:44 | 0:13:46 | |
a question of attribution. | 0:13:46 | 0:13:49 | |
Now, this is what happens. A mysterious object | 0:13:49 | 0:13:51 | |
from the Stirling Smith collection | 0:13:51 | 0:13:53 | |
is coming to the table for each team. | 0:13:53 | 0:13:55 | |
They'll give two differing accounts of what the object is, | 0:13:55 | 0:13:58 | |
and their opponents have to work out which of these is true. | 0:13:58 | 0:14:01 | |
These have three points on offer for the best barefaced liars. | 0:14:01 | 0:14:05 | |
So, can we bring in the object? | 0:14:05 | 0:14:08 | |
Here we are. | 0:14:08 | 0:14:10 | |
OK. So, Lars, you're first up to convince us. | 0:14:11 | 0:14:14 | |
You're in full possession of the facts about this | 0:14:14 | 0:14:17 | |
object in front of Nina and Hardeep. | 0:14:17 | 0:14:20 | |
Well, if you'd been in the St Giles district of London | 0:14:20 | 0:14:25 | |
and visiting their local Mothercare | 0:14:25 | 0:14:28 | |
in the 17th or, for that matter, | 0:14:28 | 0:14:30 | |
the 18th century, you would have found a stock of these. | 0:14:30 | 0:14:34 | |
And they would be particularly useful | 0:14:34 | 0:14:37 | |
if you were a wet nurse. | 0:14:37 | 0:14:41 | |
Because, of course, as we all know, we get very sore nipples | 0:14:41 | 0:14:44 | |
-when we suckle babies. -We do. -We do. | 0:14:44 | 0:14:47 | |
This was a gizmo, a device to help women | 0:14:47 | 0:14:51 | |
who were suffering from that particular complaint. | 0:14:51 | 0:14:53 | |
And if you look in Hogarth's Gin Lane, | 0:14:53 | 0:14:55 | |
you will see a wet nurse who's obviously lost her nipple guard. | 0:14:55 | 0:15:00 | |
Lars, I can see you can go on about this for quite a long time | 0:15:00 | 0:15:02 | |
and give us all sorts of reference points, but I have to leave it. | 0:15:02 | 0:15:05 | |
So, Helen, do you have a different opinion of what this object might be? | 0:15:05 | 0:15:08 | |
Yes, I do. | 0:15:08 | 0:15:09 | |
This is in fact a boil purger. | 0:15:09 | 0:15:11 | |
And if you imagine, in the 18th century, | 0:15:11 | 0:15:14 | |
medical doctors were really beginning to take themselves very | 0:15:14 | 0:15:19 | |
seriously, but their knowledge was not nearly as good | 0:15:19 | 0:15:21 | |
as their equipment. | 0:15:21 | 0:15:23 | |
So this was an integral part of their equipment. | 0:15:23 | 0:15:26 | |
You would grease the outside, you would put it on the wound | 0:15:26 | 0:15:30 | |
and then the assistant - not the medical practitioner himself - | 0:15:30 | 0:15:33 | |
would suck the puss out through the little holes that you can | 0:15:33 | 0:15:36 | |
see in the top. | 0:15:36 | 0:15:38 | |
And by that means, you would determine | 0:15:38 | 0:15:40 | |
-whether it was yellow bile, black bile or simple phlegm. -OK. | 0:15:40 | 0:15:44 | |
It is either a sort of... | 0:15:44 | 0:15:46 | |
heavy metal nipple guard, | 0:15:46 | 0:15:49 | |
or a sort of boil sucker. | 0:15:49 | 0:15:53 | |
I think Helen... There is something about the medical | 0:15:53 | 0:15:57 | |
and the Enlightenment history of Scotland | 0:15:57 | 0:15:59 | |
that makes me think this is... | 0:15:59 | 0:16:01 | |
I also think that with the nipple guard explanation, | 0:16:01 | 0:16:05 | |
I can't see how a newborn is going to particularly, easily get | 0:16:05 | 0:16:09 | |
-a grip on this and make it work. -So you are choosing Helen's account? | 0:16:09 | 0:16:14 | |
-Yes. -OK. So, Helen, can I ask you, is that really | 0:16:14 | 0:16:19 | |
a boil sucking device? | 0:16:19 | 0:16:21 | |
-It is not. -Oh! | 0:16:21 | 0:16:23 | |
No! | 0:16:23 | 0:16:25 | |
It is a solid pewter nipple protector. | 0:16:25 | 0:16:28 | |
So it is your chance to bamboozle the opposition now. | 0:16:28 | 0:16:32 | |
Nina, would you like to explain what the object is? | 0:16:32 | 0:16:37 | |
This was originally in parts, in three separate parts. | 0:16:37 | 0:16:42 | |
It's pewter, 18th century. | 0:16:42 | 0:16:45 | |
And what would have originally happened is that you would | 0:16:45 | 0:16:48 | |
put cigars into those holes. | 0:16:48 | 0:16:52 | |
You know, in a gentleman's club, | 0:16:52 | 0:16:53 | |
someone may wish to help themselves to a cigar or to be brought a cigar. | 0:16:53 | 0:16:57 | |
It is a 18th-century cigar holder. | 0:16:57 | 0:17:00 | |
OK. Thank you very much, Nina. | 0:17:00 | 0:17:02 | |
And, Hardeep, you have a different opinion. | 0:17:02 | 0:17:04 | |
This was originally, as Nina says, it was in three parts | 0:17:04 | 0:17:07 | |
and the handle was added. But when you joined... | 0:17:07 | 0:17:09 | |
This is particularly for the Bank of Scotland. | 0:17:09 | 0:17:12 | |
When you joined as a junior manager at the Bank of Scotland, | 0:17:12 | 0:17:15 | |
you were given one of these | 0:17:15 | 0:17:16 | |
and you would have a gold sovereign for each year you served. And as you moved up... | 0:17:16 | 0:17:20 | |
You'd be a junior, then you'd be middle manager, | 0:17:20 | 0:17:22 | |
the two were joined together. | 0:17:22 | 0:17:23 | |
And then when you became senior manager - you got a sovereign for each one. | 0:17:23 | 0:17:27 | |
So it's six times six, you'd get six sovereigns in each. | 0:17:27 | 0:17:30 | |
So you would have 36 sovereigns in each. | 0:17:30 | 0:17:32 | |
The more senior you were in the bank, | 0:17:32 | 0:17:34 | |
-the more money you would have to live on thereafter. -OK. | 0:17:34 | 0:17:37 | |
So your choice, I think, is between a sort of metal | 0:17:37 | 0:17:42 | |
cigar dispenser | 0:17:42 | 0:17:44 | |
and a pewter piggy bank. | 0:17:44 | 0:17:46 | |
I think Nina's thing is quite convincing. | 0:17:46 | 0:17:49 | |
If you were keeping track of how many cigars you'd sold to table number two or three or four, | 0:17:49 | 0:17:53 | |
you could simply count the number of cigars that weren't there. | 0:17:53 | 0:17:56 | |
But sovereigns are too big to go into this hole. | 0:17:56 | 0:18:00 | |
Unless it's a Scottish sovereign. | 0:18:00 | 0:18:02 | |
We are known for our pecunious-ness. so, yes. | 0:18:02 | 0:18:04 | |
Do you feel that... I think you know. | 0:18:06 | 0:18:07 | |
I think you're right, because I was just wondering about the numbers. | 0:18:07 | 0:18:10 | |
So, Helen, which are you going to choose, then? | 0:18:10 | 0:18:13 | |
I think we're going to choose Nina. | 0:18:13 | 0:18:15 | |
So, Nina, is it a cigar dispenser? | 0:18:15 | 0:18:18 | |
Well, continuing our glorious run, they are of course right, | 0:18:18 | 0:18:23 | |
and it is a cigar dispenser. | 0:18:23 | 0:18:25 | |
-Well done. -SHE LAUGHS | 0:18:26 | 0:18:28 | |
Right. Yes. It's a 19th-century cigar holder, | 0:18:28 | 0:18:31 | |
which might have been used in a gentleman's club. | 0:18:31 | 0:18:34 | |
So, after that dalliance with wilful deception, | 0:18:34 | 0:18:37 | |
Lars and Helen now have 20 points, | 0:18:37 | 0:18:40 | |
and Nina and Hardeep... | 0:18:40 | 0:18:42 | |
are yet to score, but don't despair! | 0:18:42 | 0:18:45 | |
HE LAUGHS | 0:18:45 | 0:18:46 | |
Don't despair, Nina, because we will...we are now off. | 0:18:46 | 0:18:50 | |
The time has come for me to take each team on a guided tour, | 0:18:50 | 0:18:53 | |
and encounter some of the museum's key objects at close quarters. | 0:18:53 | 0:18:56 | |
Lars and Helen - you're coming first. | 0:18:56 | 0:18:58 | |
We're going to stop here in front of this magnificent portrait. | 0:19:01 | 0:19:05 | |
What I'm looking for is a sort of join the dots. | 0:19:05 | 0:19:09 | |
I want five dots to take me from this portrait, | 0:19:09 | 0:19:13 | |
which I can tell you is by Joseph Denovan Adam, | 0:19:13 | 0:19:19 | |
and this piece of tartan. | 0:19:19 | 0:19:23 | |
Every time I give you a clue, you're going to lose a point. | 0:19:23 | 0:19:27 | |
So, what do we see here? What is this? | 0:19:27 | 0:19:29 | |
-Highland cattle. -Yeah. | 0:19:29 | 0:19:31 | |
-Highland tartan. -Yes. | 0:19:31 | 0:19:33 | |
-Highland tartan. That's good. -Start somewhere. | 0:19:33 | 0:19:35 | |
-Yes, all right! That's a point. That sounds fair enough. -Great. | 0:19:35 | 0:19:39 | |
But tell me what's happening with these cattle. | 0:19:39 | 0:19:42 | |
-They're being driven by drovers. -Drovers. | 0:19:42 | 0:19:45 | |
They're being driven by drovers. | 0:19:45 | 0:19:47 | |
Good. So, you're going to get a point. | 0:19:47 | 0:19:49 | |
That means I can show you this clue. | 0:19:49 | 0:19:50 | |
I don't have to show you this clue, but I want to give you it, | 0:19:50 | 0:19:53 | |
because I like it. | 0:19:53 | 0:19:54 | |
What do you suppose that is? | 0:19:54 | 0:19:55 | |
A hoof from the... | 0:19:57 | 0:20:00 | |
-cattle. -Yes, it is, isn't it? | 0:20:00 | 0:20:02 | |
And it's a badly worn cattle toenail | 0:20:02 | 0:20:05 | |
that's now being protected by a steel or iron hoof or shoe, I guess. | 0:20:05 | 0:20:12 | |
So, how does that relate to this? | 0:20:12 | 0:20:15 | |
Let's get through droving first. | 0:20:15 | 0:20:16 | |
Droving or driving cattle, | 0:20:16 | 0:20:18 | |
or sheep or whatever it is, is to take them from the summer | 0:20:18 | 0:20:21 | |
pastures to the winter pastures and then on to market. | 0:20:21 | 0:20:24 | |
So, you go from Highland to Lowland. | 0:20:24 | 0:20:26 | |
You're perfectly right, | 0:20:26 | 0:20:27 | |
and cattle were driven from the far extremes of the Highlands, | 0:20:27 | 0:20:30 | |
from as far away as Skye, to come to the Lowlands, to market to Falkirk, | 0:20:30 | 0:20:36 | |
-and therefore, they passed... -Across Stirling Bridge? | 0:20:36 | 0:20:40 | |
Across Stirling Bridge. | 0:20:40 | 0:20:41 | |
But so, as they came through the Highlands... | 0:20:41 | 0:20:44 | |
..who's this? | 0:20:46 | 0:20:47 | |
Well, YOU don't recognise it. | 0:20:49 | 0:20:51 | |
Do you want the clue as to that? | 0:20:51 | 0:20:54 | |
-I... -OK, it's a McGregor tartan. | 0:20:54 | 0:20:57 | |
I can see you're both staring at me blankly. I'm going to have to... | 0:20:58 | 0:21:01 | |
-Are we into Braveheart territory? No, not Braveheart. -No. | 0:21:01 | 0:21:03 | |
No, another film. | 0:21:03 | 0:21:06 | |
-Liam Neeson running around. No? -You're going to have to... | 0:21:06 | 0:21:09 | |
You're not... All right, I'm going to have to give you another clue. | 0:21:09 | 0:21:11 | |
You're losing your points here. | 0:21:11 | 0:21:14 | |
-Rob Roy MacGregor. -Oh... | 0:21:14 | 0:21:17 | |
Have you heard of Rob Roy MacGregor? | 0:21:17 | 0:21:19 | |
Yes, but I'm not a big Walter Scott fan or aficionado. | 0:21:19 | 0:21:23 | |
Well, Rob Roy MacGregor lived in various places. | 0:21:23 | 0:21:26 | |
These cattle came on their way, | 0:21:26 | 0:21:29 | |
on the drover's roads down to the Lowlands, | 0:21:29 | 0:21:33 | |
and Rob Roy himself extracted a tax from them | 0:21:33 | 0:21:37 | |
in the form of black cattle, which was known as... | 0:21:37 | 0:21:41 | |
-Um... Roy's tithe. -No. Black mail. | 0:21:43 | 0:21:47 | |
-Black... Oh... -Black mail! | 0:21:47 | 0:21:48 | |
Hence the origin of blackmail. | 0:21:48 | 0:21:50 | |
Blackmail will never be the same now. | 0:21:50 | 0:21:52 | |
It's quite a complicated story we're eking out here, | 0:21:52 | 0:21:56 | |
and so I'm going to give you three points for that. Well done. | 0:21:56 | 0:21:59 | |
-Very generous. -Thank you. | 0:21:59 | 0:22:00 | |
And I think it's time for me to go and test the other team. | 0:22:00 | 0:22:04 | |
I'm lost here. | 0:22:08 | 0:22:09 | |
So, you understand the idea? | 0:22:11 | 0:22:13 | |
I'm wanting you to make a connection between this work of art | 0:22:13 | 0:22:18 | |
and this, I was going to say work of art, | 0:22:18 | 0:22:20 | |
but let's just call it a portrait, over there. | 0:22:20 | 0:22:22 | |
You have five steps to make. | 0:22:22 | 0:22:24 | |
I have five clues I can give you, but if I start to give you clues, | 0:22:24 | 0:22:28 | |
-you start to lose points. -OK. | 0:22:28 | 0:22:29 | |
So, let's start with this. | 0:22:29 | 0:22:31 | |
-Well, I know who that is. -OK, well, tell me who it is. -Blind Harry. | 0:22:31 | 0:22:34 | |
-Yes, who's Blind Harry? -The poet. | 0:22:34 | 0:22:36 | |
So, Hardeep, do you know? | 0:22:36 | 0:22:38 | |
-Because Nina obviously does. Do you know who Blind Harry was? -No. -Or Henry... | 0:22:38 | 0:22:42 | |
-He wrote 12 volumes of poetry. -In the 15th century. -In the 15th century. | 0:22:42 | 0:22:46 | |
I'm going to give you a point. | 0:22:46 | 0:22:48 | |
It's the best extant example of Medieval Scots. | 0:22:48 | 0:22:55 | |
-How is your Medieval Scots? -I studied Scottish literature at university. | 0:22:55 | 0:22:58 | |
-Yes. -I still sometimes speak Medieval Scot, | 0:22:58 | 0:23:01 | |
but I need to have quite a wee bit of whiskey to do it! | 0:23:01 | 0:23:03 | |
THEY LAUGH | 0:23:03 | 0:23:04 | |
So, who, Hardeep, did he write his poetry about? | 0:23:04 | 0:23:10 | |
-I think... Can I have a stab? -Yes. -Is it Robert the Bruce? | 0:23:11 | 0:23:15 | |
-Not Robert the Bruce. -Is it William Wallace? -It'd be William Wallace, then, wouldn't it? | 0:23:15 | 0:23:19 | |
-I'm going to give you a point for William Wallace. -Well done. | 0:23:19 | 0:23:21 | |
So, what is the connection between William Wallace and Stirling? | 0:23:21 | 0:23:24 | |
William Wallace was triumphant at the Battle of Stirling Bridge, | 0:23:24 | 0:23:30 | |
on 11 September 1297. | 0:23:30 | 0:23:33 | |
Wow. OK, very good. So, can you... | 0:23:33 | 0:23:36 | |
Well, we've all seen the film, I hope. | 0:23:36 | 0:23:39 | |
They based the film of Braveheart | 0:23:39 | 0:23:41 | |
largely on the poem that Harry wrote. | 0:23:41 | 0:23:45 | |
Hardeep, what happens in the film, | 0:23:45 | 0:23:46 | |
and what happens in the actual battle, effectively? | 0:23:46 | 0:23:49 | |
The English were routed, and it was a successful uprising. | 0:23:49 | 0:23:53 | |
Then of course, he was captured. | 0:23:53 | 0:23:55 | |
But actually, what Wallace did... | 0:23:55 | 0:23:57 | |
Many argue without Wallace, there'd be no Bruce in terms of... | 0:23:57 | 0:24:02 | |
coagulating, if you like, the Scottish sense of themselves. | 0:24:02 | 0:24:05 | |
You're completely right about the idea of Scottish independence. | 0:24:05 | 0:24:08 | |
The idea of Scotland was preserved by Wallace as a sense. | 0:24:08 | 0:24:13 | |
But who is this? | 0:24:13 | 0:24:14 | |
-Can I give you a clue? -Yes. | 0:24:15 | 0:24:18 | |
Here in Scotland, very popular, is a type of biscuit, | 0:24:18 | 0:24:21 | |
made of wheat and raisins. | 0:24:21 | 0:24:25 | |
Garibaldi. | 0:24:25 | 0:24:27 | |
JANINA LAUGHS | 0:24:27 | 0:24:29 | |
-Yes! -Is it? -Yes! Garibaldi! | 0:24:29 | 0:24:32 | |
-So, who is this? -This is...Gari... -Garibaldi. -Garibaldi! | 0:24:32 | 0:24:37 | |
Garibaldi! JANINA LAUGHS | 0:24:37 | 0:24:39 | |
OK...good. | 0:24:39 | 0:24:41 | |
So, we're getting closer. HE LAUGHS | 0:24:41 | 0:24:43 | |
-Well, it's the freedom-fighting thing, isn't it? No? Am I...? -Yes. | 0:24:43 | 0:24:46 | |
-They wouldn't... -You're certainly on the right track. | 0:24:46 | 0:24:49 | |
Between Scotland and South America, weren't there? | 0:24:49 | 0:24:52 | |
-Not South America, Italy. -Sorry... | 0:24:52 | 0:24:54 | |
Garibaldi's in Italy, leading the unification. | 0:24:54 | 0:24:57 | |
So, it's freedom fighters | 0:24:57 | 0:25:00 | |
and the idea that people who were thinking in the 19th century | 0:25:00 | 0:25:03 | |
about Scottish identity, and that becoming a national issue, | 0:25:03 | 0:25:08 | |
saw in Garibaldi, saw him as a hero, | 0:25:08 | 0:25:11 | |
and they called him the...of Italy. | 0:25:11 | 0:25:16 | |
-The... -The Wallace. -The Wallace! | 0:25:16 | 0:25:19 | |
But, I mean, you'd be a bit cheesed off if you unified a country, | 0:25:19 | 0:25:21 | |
and all they did was name a biscuit after you, do you know what I mean? | 0:25:21 | 0:25:24 | |
So, well done. I'm going to give you...four points. | 0:25:24 | 0:25:29 | |
We'd better go back and see what that does to our totals. | 0:25:29 | 0:25:31 | |
At the end of that round, as you remember, you two scored three, | 0:25:35 | 0:25:42 | |
but you've broken your duck, | 0:25:42 | 0:25:44 | |
because these two scored four, so... | 0:25:44 | 0:25:47 | |
-We have points! -So, we have points. | 0:25:47 | 0:25:50 | |
Lars and Helen, you're now with 23, | 0:25:50 | 0:25:53 | |
and Nina and Hardeep are bringing up the rear, | 0:25:53 | 0:25:55 | |
and coming up to catch you up with...four. | 0:25:55 | 0:25:58 | |
We enter our final quickfire round. | 0:25:58 | 0:26:00 | |
There's one point for a correct answer, but if nobody gets it, we move swiftly on. | 0:26:00 | 0:26:03 | |
Fingers on buzzers, then, for your first question. | 0:26:03 | 0:26:06 | |
This roof boss from Stirling Castle appears to be an early | 0:26:06 | 0:26:09 | |
-satire of Margaret Thatcher, but who was it meant to be? -Apollo. | 0:26:09 | 0:26:13 | |
Apollo, well done, Nina. That's a point. | 0:26:13 | 0:26:15 | |
This is a kapkap from the Solomon Islands. | 0:26:15 | 0:26:17 | |
Whereabouts on the body would you wear it? | 0:26:17 | 0:26:20 | |
-On your chest. -Not on your chest. | 0:26:20 | 0:26:22 | |
-I'll offer it over to you. -Head. | 0:26:22 | 0:26:24 | |
On your head, on your forehead. | 0:26:24 | 0:26:26 | |
You get a point there. | 0:26:26 | 0:26:27 | |
Look at this. | 0:26:27 | 0:26:28 | |
Can you tell me who it is? | 0:26:28 | 0:26:30 | |
-It's... -SCOTTISH ACCENT: -Sir Walter Scott. | 0:26:30 | 0:26:32 | |
It is Sir Walter Scott. | 0:26:32 | 0:26:34 | |
This wooden beaver hung outside a Stirling shop. | 0:26:34 | 0:26:37 | |
What did the shop sell? | 0:26:37 | 0:26:39 | |
-Furs. -Furs? No. | 0:26:39 | 0:26:41 | |
I'm offering it over to you. | 0:26:41 | 0:26:43 | |
Ha...hats? | 0:26:43 | 0:26:45 | |
Hats? Yes, I'll give you a point for that. | 0:26:45 | 0:26:47 | |
Who is this figure intended to represent? | 0:26:47 | 0:26:51 | |
Justice. | 0:26:51 | 0:26:52 | |
Justice, Nina, you're quite right. | 0:26:52 | 0:26:53 | |
This is the mother of two Scottish sports stars. Who is she? | 0:26:53 | 0:26:57 | |
-Judy Murray. -Well done, Nina. | 0:26:57 | 0:26:58 | |
You get a point there. | 0:26:58 | 0:26:59 | |
Who would have worn this costume? | 0:26:59 | 0:27:03 | |
A tiger hunter. | 0:27:03 | 0:27:05 | |
Not a tiger hunter, no. | 0:27:05 | 0:27:07 | |
Hardeep, Nina, it's with you. | 0:27:09 | 0:27:11 | |
-Quickly? -A dragoon. | 0:27:11 | 0:27:12 | |
Not a dragoon, no. | 0:27:12 | 0:27:14 | |
It was Chinese soldiers in the Second Opium War. | 0:27:14 | 0:27:16 | |
Which partnership's works is commemorated in these gates? | 0:27:16 | 0:27:20 | |
I would say Ginger Rogers and Fred Astaire. | 0:27:21 | 0:27:24 | |
No, not Ginger Rogers and Fred Astaire. JANINA LAUGHS | 0:27:24 | 0:27:26 | |
Gilbert and Sullivan. | 0:27:26 | 0:27:27 | |
Lars, you get a point there. | 0:27:27 | 0:27:29 | |
Which regiment do these soldiers belong to? | 0:27:29 | 0:27:32 | |
-Scots Highlanders. -Not Scots Highlanders, no. | 0:27:34 | 0:27:37 | |
-Black Watch. -The Black Watch. | 0:27:37 | 0:27:38 | |
Well done, Lars. Yes. It's the Black Watch tartan. | 0:27:38 | 0:27:40 | |
BELL RINGS OK, well, there we are. | 0:27:40 | 0:27:42 | |
That's the most recent Battle of Stirling coming to an end there, | 0:27:42 | 0:27:46 | |
and I'm just adding up the scores, | 0:27:46 | 0:27:48 | |
because I can conclude that our winners today... | 0:27:48 | 0:27:52 | |
are Lars and Helen. | 0:27:56 | 0:27:58 | |
You've got 27, but you came back a bit in that last round, | 0:27:58 | 0:28:01 | |
and you got 8 points. Well done. | 0:28:01 | 0:28:03 | |
Thank you to all our contestants. | 0:28:03 | 0:28:06 | |
Thank you to the Stirling Smith Museum. | 0:28:06 | 0:28:08 | |
What a terrific city miscellany this is. | 0:28:08 | 0:28:10 | |
Everything from blue whale bones to Buffalo Bill. | 0:28:10 | 0:28:14 | |
All Stirling, all Scotland and all of us | 0:28:14 | 0:28:17 | |
have been contained in this little museum. | 0:28:17 | 0:28:20 | |
Everybody's done what I can't resist describing as sterling work. | 0:28:20 | 0:28:24 | |
No...I should have resisted that, shouldn't I? | 0:28:24 | 0:28:27 | |
Good night. | 0:28:27 | 0:28:28 |