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Highlighting the skill, the ingenuity and the invention | 0:00:05 | 0:00:08 | |
that created the Industrial Revolution | 0:00:08 | 0:00:10 | |
and fired up the white heat of technical innovation | 0:00:10 | 0:00:13 | |
across the north of England, | 0:00:13 | 0:00:15 | |
this is the Museum of Science and Industry | 0:00:15 | 0:00:19 | |
in Manchester. | 0:00:19 | 0:00:20 | |
And today, it's host to The Quizeum. | 0:00:20 | 0:00:22 | |
Welcome and this is an utter treat | 0:00:34 | 0:00:37 | |
because we are sitting here in the Textiles Gallery | 0:00:37 | 0:00:40 | |
amongst some hugely inspiring scientific and industrial clutter. | 0:00:40 | 0:00:45 | |
We've got four rounds to ask questions about the contents, | 0:00:45 | 0:00:48 | |
ranging from machines to models, | 0:00:48 | 0:00:50 | |
from tools to madcap devices. | 0:00:50 | 0:00:53 | |
And gagging to get amongst them | 0:00:53 | 0:00:56 | |
and show us how they work are our two teams. | 0:00:56 | 0:01:00 | |
On my right, from that other great industrial town - Oxford - | 0:01:00 | 0:01:05 | |
art historian Dr Nina Ramirez. | 0:01:05 | 0:01:09 | |
Joining her, we welcome back | 0:01:09 | 0:01:10 | |
Professor of the Public Understanding of Science, | 0:01:10 | 0:01:13 | |
also from Oxford, Marcus du Sautoy. | 0:01:13 | 0:01:16 | |
But ranged against that august university, | 0:01:16 | 0:01:20 | |
we have our opposing elements led by Professor Kate Williams | 0:01:20 | 0:01:23 | |
and her partner today, physicist, writer | 0:01:23 | 0:01:26 | |
and presenter Dr Helen Czerski. | 0:01:26 | 0:01:29 | |
So, Nina, how are you feeling about the coming battle today? | 0:01:29 | 0:01:33 | |
Pretty nervous about the idea of an art historian | 0:01:33 | 0:01:36 | |
pitting her wits against all of science and industry. | 0:01:36 | 0:01:38 | |
LAUGHTER You have Marcus here! | 0:01:38 | 0:01:40 | |
I'm the Professor for the Public Understanding of Science, | 0:01:40 | 0:01:43 | |
-so I know the whole of science. -The whole of science! | 0:01:43 | 0:01:45 | |
-So, the pressure is on me. Don't worry. -Good, good. | 0:01:45 | 0:01:48 | |
Helen, what I love about this place and is interesting about it | 0:01:48 | 0:01:50 | |
is we have science and industry. | 0:01:50 | 0:01:53 | |
Which comes first? | 0:01:53 | 0:01:54 | |
You know, is it the industry that says, "We need science to help us?" | 0:01:54 | 0:01:57 | |
Or is it science going, "We've got this idea, | 0:01:57 | 0:01:59 | |
-"how can you make a use of it?" -It's a little bit of both. | 0:01:59 | 0:02:01 | |
That's the best thing about all this is that you... | 0:02:01 | 0:02:03 | |
Some of it is accidental and people just found the thing | 0:02:03 | 0:02:06 | |
and some of it is people really, really wanting something | 0:02:06 | 0:02:08 | |
and trying hard until they've made it. So, we are in both. | 0:02:08 | 0:02:11 | |
I like the idea that as you go around, you think, | 0:02:11 | 0:02:14 | |
"Gracious, what a lot of mental effort went into some..." | 0:02:14 | 0:02:18 | |
I mean industry... No, seriously. | 0:02:18 | 0:02:20 | |
Industrial terms, we don't quite realise until you get amongst | 0:02:20 | 0:02:24 | |
these things how complicated they were to think up and then to make. | 0:02:24 | 0:02:28 | |
Anyway, we are going on into our first round. | 0:02:28 | 0:02:31 | |
I'm going to ask an open question worth one point. | 0:02:31 | 0:02:33 | |
The first right answer gets a more intriguing question | 0:02:33 | 0:02:36 | |
worth a more intriguing two points. | 0:02:36 | 0:02:39 | |
So, off we go into the museum to encounter this here. | 0:02:39 | 0:02:43 | |
So, which manufacturer produced this vehicle in Hulme, Manchester? | 0:02:43 | 0:02:48 | |
BELL RINGS | 0:02:48 | 0:02:50 | |
-It's Rolls-Royce. -Ford. -It's Rolls-Royce. | 0:02:50 | 0:02:52 | |
Kate and Helen, point to you. You get the specialist question. | 0:02:52 | 0:02:56 | |
Have a look at this coming in now. | 0:02:56 | 0:02:58 | |
So, your question here is - | 0:02:59 | 0:03:02 | |
why was driving this chisel into this 10,000-volt cable no accident? | 0:03:02 | 0:03:08 | |
-LAUGHS: -Sounds like a dangerous thing to do if it was an electrical cable. | 0:03:09 | 0:03:13 | |
But it was no accident, so it must have created... | 0:03:13 | 0:03:15 | |
It must have been... | 0:03:15 | 0:03:17 | |
It has something to do with creating a piston or a car or engine. | 0:03:17 | 0:03:21 | |
Would it send a telegraph signal? No. I don't know. | 0:03:21 | 0:03:24 | |
-So, should we guess something? -Go on. -Go on, you guess. | 0:03:24 | 0:03:27 | |
-HELEN LAUGHS -Is it a telegram or creating an engine? | 0:03:27 | 0:03:30 | |
-It's more likely to be a telegram. -OK, telegram. | 0:03:30 | 0:03:32 | |
We are going for telegram. | 0:03:32 | 0:03:34 | |
So, it made a message which it sent to somebody in the form of | 0:03:34 | 0:03:37 | |
-a sort of telegram - "Listen to this." -Yeah. -Yes. | 0:03:37 | 0:03:39 | |
That's not correct. I'm going to pass it over here. | 0:03:39 | 0:03:42 | |
There is a chisel | 0:03:42 | 0:03:44 | |
and next to the chisel is a very large, | 0:03:44 | 0:03:49 | |
tough-looking electrical cable. | 0:03:49 | 0:03:52 | |
Now, listen carefully to the question. | 0:03:52 | 0:03:55 | |
Why was driving this chisel into this 10,000-volt cable no accident? | 0:03:55 | 0:04:03 | |
-So it's done on purpose. -Was it creating a spark? | 0:04:04 | 0:04:07 | |
Is it an early form of spark plug? | 0:04:07 | 0:04:09 | |
It wasn't an early form of spark plug. No! | 0:04:09 | 0:04:12 | |
It's no accident, | 0:04:12 | 0:04:13 | |
so it was...it was done on purpose to break the flow, | 0:04:13 | 0:04:18 | |
the electrical current, presumably for safety reasons, but I don't... | 0:04:18 | 0:04:22 | |
When you mean for safety reasons, how do you mean? | 0:04:22 | 0:04:25 | |
Cos you're very close to it now. | 0:04:25 | 0:04:27 | |
-HE SCOFFS -Um... | 0:04:28 | 0:04:30 | |
-You've certainly got one point. -OK. -Yes. | 0:04:32 | 0:04:34 | |
-Safety reasons, so maybe the current was too great. -Almost there. | 0:04:34 | 0:04:39 | |
It was driven in to break the current for safety purposes... | 0:04:39 | 0:04:45 | |
-Yes! -..but it wasn't because there was an accident about to happen | 0:04:45 | 0:04:48 | |
if it didn't happen. | 0:04:48 | 0:04:50 | |
But slightly the opposite. | 0:04:50 | 0:04:51 | |
-It was a demonstration. -Oh! | 0:04:51 | 0:04:53 | |
It was a safety test made in 1889. | 0:04:53 | 0:04:57 | |
On the new power line from Deptford to London, | 0:04:57 | 0:05:00 | |
this very chisel was driven into this very cable, | 0:05:00 | 0:05:04 | |
which was very live with 10,000 volts. | 0:05:04 | 0:05:07 | |
It activated the main fuse and cut off the supply, | 0:05:07 | 0:05:09 | |
so the system was shown to be safe. | 0:05:09 | 0:05:12 | |
The engineer in charge was Sebastian Ferranti from Liverpool. | 0:05:12 | 0:05:16 | |
And he was just 23 at the time. | 0:05:16 | 0:05:20 | |
He was the original bright spark. | 0:05:20 | 0:05:23 | |
And luckily, he didn't have to spend half an hour in the cupboard | 0:05:23 | 0:05:26 | |
under the stairs trying to work out which fuse had gone. | 0:05:26 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:30 | |
-I think safely and fairly I can give you one point for that. -Well done. | 0:05:30 | 0:05:34 | |
I can't give you both points cos we missed the essential idea | 0:05:34 | 0:05:37 | |
that it was a demonstration. | 0:05:37 | 0:05:39 | |
Now, have a look at this. | 0:05:39 | 0:05:41 | |
Built into the fabric of the museum, | 0:05:41 | 0:05:43 | |
this is the oldest surviving passenger railway station | 0:05:43 | 0:05:45 | |
in the world. But what was the name of the locomotive | 0:05:45 | 0:05:48 | |
that won the competition...? BELL RINGS | 0:05:48 | 0:05:50 | |
-Rocket. -Planet. -The Rocket... -Shh! -No, no! | 0:05:50 | 0:05:52 | |
-Rocket! Rocket. -OK, she said it first. Sorry. | 0:05:52 | 0:05:55 | |
Marcus! Yes, you are correct, Nina. | 0:05:55 | 0:05:57 | |
So, just by the skin of your teeth you managed to get in | 0:05:57 | 0:06:00 | |
before Marcus came in with an inoperative name. | 0:06:00 | 0:06:04 | |
OK, yes, George and Robert Stephenson's Rocket, | 0:06:04 | 0:06:07 | |
the only locomotive to complete the trials | 0:06:07 | 0:06:09 | |
winning first prize of £500. | 0:06:09 | 0:06:12 | |
So, let's have a look at this. | 0:06:12 | 0:06:14 | |
This is a clock. | 0:06:14 | 0:06:16 | |
It's your two-pointer. | 0:06:16 | 0:06:18 | |
Installed in a mill in 1810. | 0:06:18 | 0:06:22 | |
But how did this clock two-time the workers? | 0:06:22 | 0:06:27 | |
Two-time the workers. | 0:06:27 | 0:06:29 | |
Yeah, I think...I think I've... I think it's something to do with | 0:06:29 | 0:06:32 | |
the water that was running... It's a mill, isn't it? | 0:06:32 | 0:06:34 | |
-It's in a mill, is that right? -It is in a mill, yes. | 0:06:34 | 0:06:37 | |
And I think it was something to do with if there wasn't... | 0:06:37 | 0:06:40 | |
If the water wasn't flowing fast enough, | 0:06:40 | 0:06:42 | |
then the machinery wouldn't work fast enough, | 0:06:42 | 0:06:45 | |
so the workers had to make up the time. | 0:06:45 | 0:06:47 | |
So, although they were looking at the clock above to say, | 0:06:47 | 0:06:50 | |
"Oh, I'm clocking off in five minutes." | 0:06:50 | 0:06:52 | |
In fact, they were having time added on for extra | 0:06:52 | 0:06:55 | |
work that they had to do at the end of the day. Is that right? | 0:06:55 | 0:06:57 | |
If that's not right, it deserves to be | 0:06:57 | 0:07:00 | |
cos it's such a brilliant answer. | 0:07:00 | 0:07:01 | |
-That's two points. You're completely right. -Yay! -That's fantastic! | 0:07:01 | 0:07:05 | |
Perhaps if it had really flooded and production time was flying by, | 0:07:05 | 0:07:08 | |
maybe everybody got the afternoon off. | 0:07:08 | 0:07:10 | |
-LAUGHS: -No. | 0:07:10 | 0:07:13 | |
No, I don't think so either. | 0:07:13 | 0:07:15 | |
Anyway, that's two points to you. Fingers back on your buzzers. | 0:07:15 | 0:07:19 | |
This is another opener, so for one point. | 0:07:19 | 0:07:20 | |
This triplane was the basis of the first company exclusively set up | 0:07:20 | 0:07:24 | |
to produce aeroplanes in Britain. What was it called? | 0:07:24 | 0:07:27 | |
BELL RINGS | 0:07:28 | 0:07:30 | |
Arvos, is it? | 0:07:30 | 0:07:31 | |
That's the... One of them, yeah. Go for that. | 0:07:31 | 0:07:34 | |
What's your answer? | 0:07:34 | 0:07:35 | |
-Arvos. -Arvos? -Arvos. | 0:07:35 | 0:07:37 | |
No, it's not Arvos. I'm going to pass it over here. | 0:07:37 | 0:07:42 | |
-Av... -Arvo? | 0:07:42 | 0:07:43 | |
-It's Avro. ALL: -Avro! | 0:07:43 | 0:07:45 | |
So, neither of you got the special question. | 0:07:45 | 0:07:47 | |
So, which bomber made by Avro first saw active service in 1942? | 0:07:47 | 0:07:54 | |
-BELL RINGS -Lancaster. | 0:07:54 | 0:07:56 | |
The Lancaster, the Avro Lancaster. | 0:07:56 | 0:07:59 | |
So, you get a two-point special question. | 0:07:59 | 0:08:02 | |
So, Nina and Marcus... | 0:08:04 | 0:08:06 | |
Oh! | 0:08:06 | 0:08:07 | |
Have a look at this. | 0:08:07 | 0:08:08 | |
Here is your question. | 0:08:10 | 0:08:12 | |
How did a brewer bring up a hot issue with this? | 0:08:12 | 0:08:16 | |
Right. How did a brewer bring up a hot issue? | 0:08:17 | 0:08:21 | |
-OK, so this is Joule. -Ah! | 0:08:21 | 0:08:24 | |
Joule was a brewer and measured energy. | 0:08:24 | 0:08:27 | |
-You are on exactly the right track. -He used precision instruments. | 0:08:27 | 0:08:30 | |
-You've got your point for Joule. He was a brewer. -Yeah. | 0:08:30 | 0:08:33 | |
So, the other part of the question, had a hot issue with this piece. | 0:08:33 | 0:08:37 | |
Oh, I know! No, it's about agitation. | 0:08:37 | 0:08:39 | |
So, this is agitating thing...is to show that heat is actually movement. | 0:08:39 | 0:08:42 | |
-That's it! Movement. -And so by moving the thing, it heated up. | 0:08:42 | 0:08:45 | |
So, this is actually moving the molecules inside the liquid | 0:08:45 | 0:08:50 | |
and by showing that that was heating up, | 0:08:50 | 0:08:52 | |
he demonstrated that kinetic energy, movement | 0:08:52 | 0:08:54 | |
being put into this thing translated into heat. | 0:08:54 | 0:08:57 | |
That sounds good enough for me. I'm going to give you the two points. | 0:08:57 | 0:09:01 | |
It was only a few years later the first law of thermodynamics | 0:09:01 | 0:09:05 | |
effectively was promulgated, as it were. | 0:09:05 | 0:09:08 | |
Although he had already said | 0:09:08 | 0:09:10 | |
that what his experiments were proving was that it was not possible | 0:09:10 | 0:09:15 | |
-to dissipate energy. -But this is really important | 0:09:15 | 0:09:18 | |
because it changed what people thought about energy. | 0:09:18 | 0:09:21 | |
It was still argued about, but he showed the nature of energy | 0:09:21 | 0:09:24 | |
for the first time. That was what was important about this apparatus. | 0:09:24 | 0:09:27 | |
My favourite story about him is that he was | 0:09:27 | 0:09:30 | |
so fascinated by heat that when he went on honeymoon | 0:09:30 | 0:09:33 | |
to the waterfalls in Switzerland, | 0:09:33 | 0:09:35 | |
decided he had to go and measure the heat of the waterfall | 0:09:35 | 0:09:38 | |
-while on honeymoon. -Romantic(!) | 0:09:38 | 0:09:40 | |
-HELEN: -Dedication to the cause, I think you'd agree. | 0:09:40 | 0:09:42 | |
So, fingers on your buzzers, another opener worth one point. | 0:09:42 | 0:09:45 | |
Have a look at this. | 0:09:45 | 0:09:47 | |
This lifting machine was powered by a horse walking in a circle, | 0:09:47 | 0:09:50 | |
but in the late 18th century, | 0:09:50 | 0:09:51 | |
who developed the concept of horsepower as a unit of measurement? | 0:09:51 | 0:09:55 | |
-BELL RINGS -Well, I think with Newcomen's... | 0:09:55 | 0:10:00 | |
engine, that was about replicating the energy of a horse | 0:10:00 | 0:10:03 | |
by up to six to ten, so I'd make a guess it's him, | 0:10:03 | 0:10:07 | |
but I'm probably wrong. | 0:10:07 | 0:10:08 | |
Newcomen. No, I'm afraid not. Do you want to pick this up? | 0:10:08 | 0:10:11 | |
-Is it Watt? -It was Watt. Yes! | 0:10:11 | 0:10:14 | |
Congratulations. Well done. | 0:10:14 | 0:10:17 | |
That's one point, but also the specialist question. | 0:10:17 | 0:10:20 | |
So, can you tell me why might a real one of these | 0:10:20 | 0:10:25 | |
be unwelcome here in two ways? | 0:10:25 | 0:10:28 | |
Well, it's got pipes running through it, which are closed at this end. | 0:10:32 | 0:10:37 | |
So, it could be for heating or cooling. | 0:10:38 | 0:10:40 | |
Is it something to do with the cotton and the fact that | 0:10:40 | 0:10:43 | |
if it was too...humid... If it wasn't humid enough, cotton... | 0:10:43 | 0:10:47 | |
-You needed a humid environment... -If it hasn't got the right | 0:10:47 | 0:10:50 | |
conditions... Yes. | 0:10:50 | 0:10:51 | |
As we are in the cotton mill producing area, | 0:10:51 | 0:10:56 | |
too much heat would mean that the cotton wasn't properly produced | 0:10:56 | 0:10:59 | |
cos it would get greasy and the machines would fail. | 0:10:59 | 0:11:03 | |
No. | 0:11:03 | 0:11:04 | |
No, I'm afraid, but I'm going to hand it over | 0:11:04 | 0:11:06 | |
because you haven't got close with that. | 0:11:06 | 0:11:08 | |
Would you like to guess what this object is? | 0:11:08 | 0:11:11 | |
I think it's from a nuclear power station. | 0:11:11 | 0:11:13 | |
I think it might be a nuclear fuel rod or something. | 0:11:13 | 0:11:16 | |
-I think you might be right. -Yes. | 0:11:16 | 0:11:17 | |
And I'm going to give you the point, | 0:11:17 | 0:11:19 | |
but why but why would it be doubly unwelcome here? | 0:11:19 | 0:11:23 | |
-In Manchester? -In Manchester? | 0:11:23 | 0:11:25 | |
I don't know. I was going to say a coal using area, | 0:11:25 | 0:11:27 | |
but no, I don't know. Why would nuclear power be unwelcome? | 0:11:27 | 0:11:30 | |
The council here declared this a nuclear-free zone. | 0:11:30 | 0:11:33 | |
You get the extra point. That's exactly what they did in 1980. | 0:11:33 | 0:11:39 | |
This is a dummy. | 0:11:39 | 0:11:40 | |
It's an advanced gas-cooled reactor fuel element from around 1975. | 0:11:40 | 0:11:45 | |
At least I was told it was a dummy. LAUGHTER | 0:11:45 | 0:11:50 | |
A real fuel rod would also be unwelcome here in Manchester | 0:11:50 | 0:11:53 | |
because in 1980, the city council declared it a nuclear-free zone. | 0:11:53 | 0:11:58 | |
Though these days, they also advertise it as the birthplace | 0:11:58 | 0:12:01 | |
-of nuclear physics... -Exactly! -LAUGHTER | 0:12:01 | 0:12:04 | |
..where Ernest Rutherford first split the atom. | 0:12:04 | 0:12:07 | |
That's called having your yellow cake and eating it. | 0:12:07 | 0:12:11 | |
LAUGHTER So, at the end of the round, | 0:12:11 | 0:12:14 | |
it's time to look at the scores. | 0:12:14 | 0:12:16 | |
And Helen and Kate, I thought you... | 0:12:16 | 0:12:18 | |
You appeared to know everything there... | 0:12:18 | 0:12:21 | |
-But... -..but you only scored two points. | 0:12:21 | 0:12:24 | |
-Can do better. -Nina and Marcus, who claimed ignorance | 0:12:24 | 0:12:27 | |
-of all things scientific, have scored nine points! -Nine! | 0:12:27 | 0:12:31 | |
But it can all change as we move into the next round. | 0:12:31 | 0:12:34 | |
We are going to bring an object to the table, | 0:12:34 | 0:12:36 | |
both members of one team will give an account of it, | 0:12:36 | 0:12:38 | |
but only one of those is actually true | 0:12:38 | 0:12:40 | |
and the other team has to guess which | 0:12:40 | 0:12:41 | |
and will earn three points for doing so. | 0:12:41 | 0:12:44 | |
It is time for a Question Of Attribution. | 0:12:44 | 0:12:47 | |
So, Nina and Marcus, you go first. | 0:12:47 | 0:12:49 | |
What does this purport to be | 0:12:52 | 0:12:57 | |
and who is going to start? | 0:12:57 | 0:12:58 | |
I'm going to tell you all about this contraption. | 0:12:58 | 0:13:02 | |
It's, in fact, a canary resuscitator. | 0:13:02 | 0:13:05 | |
So, you might know that down the mines, | 0:13:05 | 0:13:07 | |
people had to take canaries down | 0:13:07 | 0:13:09 | |
to check that the carbon monoxide level wasn't getting too high. | 0:13:09 | 0:13:14 | |
But of course, people got a bit upset at these canaries all dying. | 0:13:14 | 0:13:17 | |
So, this was when they spotted the canary keeling over, | 0:13:17 | 0:13:20 | |
they would take the canary out, pop it in here, | 0:13:20 | 0:13:22 | |
shoot it with a load of oxygen and resuscitate the canary. | 0:13:22 | 0:13:26 | |
-Nina, you have a different story. -I do. | 0:13:26 | 0:13:28 | |
OK, so, this was used for understanding | 0:13:28 | 0:13:32 | |
the levels of nitrogen balance | 0:13:32 | 0:13:35 | |
with the Haber-Bosch process | 0:13:35 | 0:13:37 | |
to make chemical fertilisers. | 0:13:37 | 0:13:39 | |
You'd put nitrogen into the gas... | 0:13:39 | 0:13:41 | |
or levels of nitrogen in the gas and check the levels of nitrogen | 0:13:41 | 0:13:44 | |
that would be then absorbed by the plants. | 0:13:44 | 0:13:48 | |
THEY LAUGH | 0:13:48 | 0:13:50 | |
So, it's either a sort of plant reviver | 0:13:50 | 0:13:55 | |
or a canary's iron lung. | 0:13:55 | 0:13:59 | |
I have to say that the canary is very funny, | 0:13:59 | 0:14:03 | |
-but I don't believe at all. -Oh! | 0:14:03 | 0:14:06 | |
The Haber-Bosch process was very important for producing | 0:14:06 | 0:14:08 | |
fertiliser and I could well believe that this... | 0:14:08 | 0:14:10 | |
-Could this work for that? -..is some gas apparatus. | 0:14:10 | 0:14:12 | |
-I don't think they cared about the canary. -I don't think they cared | 0:14:12 | 0:14:15 | |
-about the canary either. -Yes, I think they just thought, | 0:14:15 | 0:14:18 | |
"Well that's the science. He's a sacrifice to science." | 0:14:18 | 0:14:20 | |
I think that no-one would have bothered to take one down... | 0:14:20 | 0:14:23 | |
-It's got a perch. -Yeah, and they even put a perch in there. | 0:14:23 | 0:14:25 | |
-You know, a little mirror for it to play with. -Yeah! -Something to eat. | 0:14:25 | 0:14:30 | |
So, Helen and Kate, what is your decision? | 0:14:30 | 0:14:32 | |
I think it's the Haber-Bosch process | 0:14:32 | 0:14:34 | |
and something to do with measuring ammonia. | 0:14:34 | 0:14:36 | |
So, Nina, is it for measuring ammonia? | 0:14:36 | 0:14:39 | |
-I was lying! -It's for canaries! -Oh! | 0:14:39 | 0:14:42 | |
What an amazing object to be able to bring to the table - | 0:14:43 | 0:14:47 | |
a canary resuscitator. | 0:14:47 | 0:14:49 | |
Kate and Helen, we can go on now to your object and see | 0:14:49 | 0:14:54 | |
if you can similarly bamboozle this lot over here. | 0:14:54 | 0:14:56 | |
(Haber-Bosch - inspired.) | 0:14:56 | 0:14:57 | |
-So, off you go. Who is going to start? -I'm going to start. -Kate. | 0:14:59 | 0:15:03 | |
This is from about 1920 | 0:15:03 | 0:15:07 | |
and this is a cork maker, | 0:15:07 | 0:15:11 | |
particularly for Vimto, | 0:15:11 | 0:15:13 | |
which, as we all know, was created in Manchester. | 0:15:13 | 0:15:17 | |
And it was very popular | 0:15:17 | 0:15:18 | |
because in the First World War, | 0:15:18 | 0:15:20 | |
drink, Lloyd George said, was our greatest enemy | 0:15:20 | 0:15:23 | |
along with the Austrians and Germans | 0:15:23 | 0:15:25 | |
and he tried to stop us all drinking. | 0:15:25 | 0:15:27 | |
But also there was an upsurge of soft drinks like Vimto | 0:15:27 | 0:15:31 | |
and this is the way you make a cork for your Vimto | 0:15:31 | 0:15:34 | |
or for similar drinks. | 0:15:34 | 0:15:36 | |
You put some cork in at the top and you squash it | 0:15:36 | 0:15:40 | |
and a lovely cork comes out of the end. | 0:15:40 | 0:15:42 | |
OK, we are going to go onto another version | 0:15:42 | 0:15:45 | |
of what this might be from Helen. Helen, what is this now? | 0:15:45 | 0:15:47 | |
It's no such thing. It's much older than that. | 0:15:47 | 0:15:49 | |
It's from about 1850 and there's lots of canals around here. | 0:15:49 | 0:15:52 | |
And this is actually one of a pair of devices that were owned by | 0:15:52 | 0:15:56 | |
the lock keepers and various other people who were managing the canal. | 0:15:56 | 0:16:00 | |
So, when you stretch rope, if it gets wet, it stretches more. | 0:16:00 | 0:16:04 | |
And what you would do is get your rope wet | 0:16:04 | 0:16:07 | |
and you would stretch it between those two things. | 0:16:07 | 0:16:09 | |
You would wrap it around and pull the lever down | 0:16:09 | 0:16:11 | |
and then you have a very tight, well-stretched rope. | 0:16:11 | 0:16:15 | |
So, this is kept around in order to help with boat maintenance. | 0:16:15 | 0:16:18 | |
So, it's a bit of a stretch | 0:16:18 | 0:16:23 | |
or a total corker. | 0:16:23 | 0:16:25 | |
You have to make your choice, I'm afraid. | 0:16:25 | 0:16:27 | |
I like the rope because something thick here would be pushed through, | 0:16:29 | 0:16:32 | |
as you see it's getting narrower as it goes through. | 0:16:32 | 0:16:34 | |
-So, it would be pushed out. So, my feeling... -Yeah, I like it. | 0:16:34 | 0:16:37 | |
-I think it looks a little older. I think it looks... -'50. 1850. | 0:16:37 | 0:16:40 | |
More 19th-century. | 0:16:40 | 0:16:42 | |
To me, it makes sense that this would do what Helen was describing | 0:16:42 | 0:16:45 | |
purely because, as you say, | 0:16:45 | 0:16:46 | |
it does seem to be like you could pull a rope through there. | 0:16:46 | 0:16:49 | |
-But both good. -OK, so what are you going for? -Ropes. | 0:16:49 | 0:16:51 | |
We're going for the ropes. Rope stretcher. Helen, is that true? | 0:16:51 | 0:16:54 | |
-I was not telling the truth. -Yay! -APPLAUSE | 0:16:54 | 0:16:57 | |
-Well done. That was really convincing. -Amazing. | 0:16:57 | 0:17:00 | |
It is, in fact, a cork presser. | 0:17:00 | 0:17:02 | |
It made corks for Vimto bottles in Manchester. | 0:17:02 | 0:17:04 | |
Well, there we are. You two, you were fooled as well, I'm afraid. | 0:17:04 | 0:17:07 | |
So, you didn't get any points either. | 0:17:07 | 0:17:09 | |
Which means that at the end of that round of | 0:17:09 | 0:17:12 | |
HUGELY entertaining fantasy, | 0:17:12 | 0:17:15 | |
we've ended up with Nina and Marcus still with nine points | 0:17:15 | 0:17:18 | |
and Helen and Kate still with two points. | 0:17:18 | 0:17:20 | |
So, it is time to go exploring. | 0:17:20 | 0:17:23 | |
I'm taking each team on a guided tour of this museum | 0:17:23 | 0:17:27 | |
and putting their clogs on first are Nina and Marcus. | 0:17:27 | 0:17:30 | |
The team will look at two objects, they'll have three questions | 0:17:30 | 0:17:34 | |
worth one point each in order to make a connection between them. | 0:17:34 | 0:17:38 | |
Here are the two objects and I have three questions beginning with this. | 0:17:38 | 0:17:42 | |
Now, this is a Jacquard loom, | 0:17:42 | 0:17:43 | |
I know you are hoping to tell me it's a Jacquard loom, | 0:17:43 | 0:17:46 | |
but why might it not be correct to call it a Jacquard loom? | 0:17:46 | 0:17:52 | |
It looks like a Jacquard loom. I mean, the thing... | 0:17:52 | 0:17:54 | |
The only...about the only thing I know about a Jacquard loom | 0:17:54 | 0:17:57 | |
is that these cards go around and it tells | 0:17:57 | 0:17:59 | |
the loom, the various parts, what do, | 0:17:59 | 0:18:02 | |
but how is it not a Jacquard loom? | 0:18:02 | 0:18:04 | |
You've got the threads coming through | 0:18:04 | 0:18:06 | |
-and the...whatever the thing is called here... -Shuttle. | 0:18:06 | 0:18:09 | |
Shuttle! Very good. I can't see a shuttle, though. | 0:18:09 | 0:18:13 | |
There are pins coming through which see whether there is a hole or not. | 0:18:13 | 0:18:19 | |
Well, I suppose... | 0:18:19 | 0:18:20 | |
I mean, the way it works is it reads the punch holes at the top here, | 0:18:20 | 0:18:23 | |
so you've got a kind of reader | 0:18:23 | 0:18:25 | |
and that was Jacquard's great breakthrough. | 0:18:25 | 0:18:27 | |
So, maybe the loom isn't Jacquard's, | 0:18:27 | 0:18:29 | |
it's the reader that's Jacquard's. | 0:18:29 | 0:18:32 | |
So, in fact, the loom... You know you can just put it on top of any | 0:18:32 | 0:18:35 | |
-old loom. -You are quite correct. Well done. | 0:18:35 | 0:18:37 | |
I'm going to give you a point for that. | 0:18:37 | 0:18:39 | |
Do you know any more about Jacquard? | 0:18:39 | 0:18:41 | |
Well, no. Presumably, he is French. | 0:18:41 | 0:18:43 | |
French. I'm not going to give you a point for that, | 0:18:43 | 0:18:46 | |
-but that's quite a good guess. -Early 19th century. | 0:18:46 | 0:18:49 | |
Well, in fact, late 18th century on into the very early 19 century. | 0:18:49 | 0:18:54 | |
So, let's move on to the other object here. | 0:18:54 | 0:18:57 | |
Marcus, why were 550 of these needed to make a little one? | 0:18:57 | 0:19:04 | |
Well, I think this is possibly part of one of the very first | 0:19:04 | 0:19:08 | |
computers that were developed here in Manchester. | 0:19:08 | 0:19:11 | |
And the special thing about this computer was that it | 0:19:11 | 0:19:14 | |
stored things in memory as it was processing. | 0:19:14 | 0:19:18 | |
I think maybe these valves are | 0:19:18 | 0:19:20 | |
-what were being used to do the processing. -OK, so these... | 0:19:20 | 0:19:22 | |
And the "little one" is | 0:19:22 | 0:19:24 | |
because the first computer was called Baby, isn't it? | 0:19:24 | 0:19:26 | |
It was called Baby. And these were the valves. | 0:19:26 | 0:19:30 | |
And they had 550 of these valves. | 0:19:30 | 0:19:34 | |
Have you any idea why it was called Baby? | 0:19:34 | 0:19:36 | |
-No. -Probably because it was ginormous. -Yeah! | 0:19:37 | 0:19:39 | |
It wasn't just irony. They had had a much, much bigger one. | 0:19:39 | 0:19:43 | |
Oh, right, so this was the baby. | 0:19:43 | 0:19:45 | |
And when they made this machine, | 0:19:45 | 0:19:47 | |
they called it the Manchester Small-Scale Experimental Machine | 0:19:47 | 0:19:50 | |
and they nicknamed it Baby. | 0:19:50 | 0:19:53 | |
But even at that size, it weighed an Imperial ton. | 0:19:53 | 0:19:57 | |
Not really a baby, then. | 0:19:57 | 0:19:58 | |
Hence my ironic question. So, that's it. I will give you a point for that. | 0:20:00 | 0:20:04 | |
-So, your final question... -Big baby. | 0:20:04 | 0:20:06 | |
How are these two objects connected? | 0:20:06 | 0:20:09 | |
And you are almost there, I know. | 0:20:09 | 0:20:11 | |
It's to do with storage of data and information, | 0:20:11 | 0:20:13 | |
-repeating cycles of... -Not quite storage. | 0:20:13 | 0:20:15 | |
It's more about the programming. | 0:20:15 | 0:20:17 | |
So, we are going to say the Jacquard loom in some sense was | 0:20:17 | 0:20:19 | |
the inspiration for the first program | 0:20:19 | 0:20:21 | |
and here we see the computer, which was running prograes to do | 0:20:21 | 0:20:25 | |
calculations about numbers. | 0:20:25 | 0:20:26 | |
Essentially, in June 1948 here in Manchester, | 0:20:26 | 0:20:29 | |
they made the first programmable computer. | 0:20:29 | 0:20:33 | |
Baby had all the elements of a modern computer | 0:20:33 | 0:20:37 | |
except the capacity to leave it on a train. | 0:20:37 | 0:20:40 | |
And you got your three points, | 0:20:40 | 0:20:42 | |
so it's time to go and see how the others get on. | 0:20:42 | 0:20:44 | |
The task is the same - | 0:20:46 | 0:20:48 | |
to connect two objects by way of three questions. | 0:20:48 | 0:20:51 | |
Right. Now, here are our two precious...three objects, in fact. | 0:20:55 | 0:20:59 | |
Although, this is one and this the other. | 0:20:59 | 0:21:01 | |
So, Kate, here is your first question. | 0:21:01 | 0:21:03 | |
What discovery came from this sticky tape and this rock? | 0:21:03 | 0:21:05 | |
Erm... | 0:21:05 | 0:21:07 | |
Erm, sort of plastic? | 0:21:08 | 0:21:11 | |
-Not plastic, no. -Oh. | 0:21:11 | 0:21:14 | |
Helen, save us. | 0:21:14 | 0:21:16 | |
-Is a graphene? -Oh. -It is graphene, yes. Explain a bit more. | 0:21:16 | 0:21:20 | |
Graphene is very, very thin sheets of carbon, | 0:21:20 | 0:21:23 | |
so it's one-atom thick, carbon atoms, arranged in a lattice | 0:21:23 | 0:21:26 | |
and it's basically the thinnest material you can make. | 0:21:26 | 0:21:29 | |
And the reason I think it is related to the sticky tape is that | 0:21:29 | 0:21:32 | |
if you stick sticky tape on something made of lots of carbon | 0:21:32 | 0:21:34 | |
and peel it back, you bring back these very thin sheets. | 0:21:34 | 0:21:38 | |
But it's this fantastic material. | 0:21:38 | 0:21:39 | |
It conducts electricity very well. | 0:21:39 | 0:21:41 | |
It's very, very strong and then it turns out, | 0:21:41 | 0:21:43 | |
it's not just flat sheets. | 0:21:43 | 0:21:44 | |
You get little tubes and balls and all these funny shapes. | 0:21:44 | 0:21:47 | |
And carbon was doing all this thing and, like, one of the most common | 0:21:47 | 0:21:49 | |
atoms in the world and it's doing all this cool stuff | 0:21:49 | 0:21:52 | |
we didn't know about. | 0:21:52 | 0:21:53 | |
Because it's so thin we think it's really going to be | 0:21:53 | 0:21:56 | |
transformative in the sense that it is this amazing conductor. | 0:21:56 | 0:21:59 | |
So, it's going to be really good in computer chips | 0:21:59 | 0:22:01 | |
and also in materials. | 0:22:01 | 0:22:03 | |
So, a lot of people really think this is the future. | 0:22:03 | 0:22:05 | |
Well, there we are. | 0:22:05 | 0:22:06 | |
It's all coming from that little rock and that bit of sticky tape. | 0:22:06 | 0:22:09 | |
And I'll give you one point for that. | 0:22:09 | 0:22:11 | |
Here's your second question, then. | 0:22:11 | 0:22:13 | |
Why do you think people born to the purple were drawn to this bottle? | 0:22:13 | 0:22:19 | |
Oh. So, purple might be to do with dyes, aniline dyes. | 0:22:19 | 0:22:24 | |
I do know that mauve was the first aniline dye, | 0:22:24 | 0:22:26 | |
the first synthetic dye | 0:22:26 | 0:22:27 | |
because before that all pigments had come from nature. | 0:22:27 | 0:22:30 | |
You had to go to a plant or a rock or something that already had | 0:22:30 | 0:22:32 | |
that colour in it and then someone worked out how to make mauve | 0:22:32 | 0:22:35 | |
and it became fantastically popular. | 0:22:35 | 0:22:37 | |
So, I think it might be something to do with that. | 0:22:37 | 0:22:39 | |
If you were born to the purple, | 0:22:39 | 0:22:41 | |
what does that mean, "born to the purple"? | 0:22:41 | 0:22:43 | |
I think "born to the purple" relates to the fact that royals always | 0:22:43 | 0:22:46 | |
wore purple, that it was always seen as a royal colour, | 0:22:46 | 0:22:49 | |
an imperial colour because it was so incredibly expensive. | 0:22:49 | 0:22:52 | |
But this was also then taken up by royalty, mauve was. | 0:22:52 | 0:22:57 | |
Queen Victoria was very fond of mauve | 0:22:57 | 0:22:59 | |
and it also became a Victorian mourning colour. | 0:22:59 | 0:23:01 | |
You would have to wear a mauve dress between your movement | 0:23:01 | 0:23:04 | |
from black to normal clothes again. | 0:23:04 | 0:23:06 | |
And so, that's why mauve was a bestseller for the Victorians | 0:23:06 | 0:23:08 | |
because they loved death and they loved mourning. | 0:23:08 | 0:23:12 | |
Quite right. Queen Victoria took up mauve, in particular. | 0:23:12 | 0:23:15 | |
The first real synthetic chemical dye | 0:23:15 | 0:23:20 | |
as created by William Henry Perkin in 1856. | 0:23:20 | 0:23:24 | |
-So, you've got two of your three points. -Two points. | 0:23:24 | 0:23:27 | |
For your third point, | 0:23:27 | 0:23:30 | |
what is the connection between the bottle and what's in it | 0:23:30 | 0:23:34 | |
and the sticky tape and the rock? | 0:23:34 | 0:23:37 | |
Is it something to do with organic chemistry? Cos they are both... | 0:23:37 | 0:23:40 | |
You know, this has a base made of carbon atoms | 0:23:40 | 0:23:42 | |
and that's made of carbon. | 0:23:42 | 0:23:44 | |
It's not to do with organic chemistry. | 0:23:44 | 0:23:46 | |
I guess it's...they're both experiments or... | 0:23:46 | 0:23:50 | |
Is it...? I know! Is it happenstance? | 0:23:50 | 0:23:51 | |
Is it the fact that both of these were discovered by accident? | 0:23:51 | 0:23:55 | |
-Possibly. -That's a very good guess | 0:23:57 | 0:23:59 | |
-and it means that I do indeed have to give it to you because... -Hooray! | 0:23:59 | 0:24:03 | |
-It wasn't a guess, though. -Was it not? You worked it out. | 0:24:03 | 0:24:07 | |
But the whole point about graphene was it was discovered | 0:24:07 | 0:24:10 | |
and won a Nobel Prize for its discoverers | 0:24:10 | 0:24:13 | |
because they cleaned rocks of graphite with sticky tape. | 0:24:13 | 0:24:17 | |
And professors Andre Geim and Konstantin Novoselov | 0:24:17 | 0:24:20 | |
of Manchester University looked at the residues of the tape | 0:24:20 | 0:24:25 | |
until they realised they could make a material which was one-atom thick. | 0:24:25 | 0:24:29 | |
Mauve was discovered by William Perkin, | 0:24:29 | 0:24:32 | |
who was, in fact, looking for a synthetic quinine | 0:24:32 | 0:24:36 | |
when he discovered that he'd made something extremely purple, | 0:24:36 | 0:24:40 | |
which had the two very important qualities - | 0:24:40 | 0:24:42 | |
it didn't wash out and it didn't fade in sunlight. | 0:24:42 | 0:24:46 | |
-So, both of these were... -Wow! Fascinating. | 0:24:46 | 0:24:48 | |
..experiments which effectively looking for something else | 0:24:48 | 0:24:52 | |
and by accident turned into amazing inventions. | 0:24:52 | 0:24:57 | |
-And I'll give you three points... -Hooray! | 0:24:57 | 0:24:59 | |
..and we should now go back to the desk to compare results. | 0:24:59 | 0:25:05 | |
Well, you both got exactly the same score of three, | 0:25:09 | 0:25:14 | |
which means that Helen and Kate have come up to five | 0:25:14 | 0:25:17 | |
and Nina and Marcus are ahead with 12 still. | 0:25:17 | 0:25:20 | |
OK, but the gap between you is quite small | 0:25:20 | 0:25:23 | |
and might very well change in this final round | 0:25:23 | 0:25:25 | |
as we look for quickfire answers from this extraordinary collection. | 0:25:25 | 0:25:29 | |
So, stand by your digitally controlled, | 0:25:29 | 0:25:31 | |
finger-activated noise generators | 0:25:31 | 0:25:33 | |
and the first in, gets the point. | 0:25:33 | 0:25:35 | |
Have a look at this. This is Lucky Jim the cat. | 0:25:35 | 0:25:37 | |
He accompanied Alcock and Brown in 1919. | 0:25:37 | 0:25:40 | |
What were they doing? BELL DINGS | 0:25:40 | 0:25:42 | |
Crossing the Atlantic in a plane. | 0:25:42 | 0:25:44 | |
Nonstop. I'll give you that. | 0:25:44 | 0:25:46 | |
OK. This is the earliest known photographic | 0:25:46 | 0:25:48 | |
representation of Manchester dating from 1842. | 0:25:48 | 0:25:51 | |
What was the method used to create it? | 0:25:51 | 0:25:54 | |
-BELL DINGS -Is it daguerreotype? | 0:25:54 | 0:25:55 | |
-It's a daguerreotype. -Woo! -You get the point. | 0:25:55 | 0:25:58 | |
This vehicle went on sale in 1985. Who invented it? | 0:25:58 | 0:26:01 | |
-BELL DINGS -Clive Sinclair. | 0:26:01 | 0:26:03 | |
Clive Sinclair. | 0:26:03 | 0:26:04 | |
Issued by the London, Midland and Scotland Railway Company, | 0:26:04 | 0:26:07 | |
why did people get this medal just for doing their job in 1926? | 0:26:07 | 0:26:11 | |
BELL DINGS | 0:26:11 | 0:26:13 | |
Is it because they were breaking the general strike? | 0:26:13 | 0:26:15 | |
They were doing their job by staying at work during the general strike. | 0:26:15 | 0:26:18 | |
These are part of John Dalton's atomic model from 1808. | 0:26:18 | 0:26:21 | |
What did he propose distinguished one element from another? | 0:26:21 | 0:26:24 | |
-BELL DINGS You were first, Helen. -Its mass. | 0:26:24 | 0:26:27 | |
Its mass, its weight, yes. | 0:26:27 | 0:26:28 | |
So, which event in Manchester in 1819 does this jug commemorate? | 0:26:28 | 0:26:32 | |
-BELL DINGS -Um...um... | 0:26:32 | 0:26:35 | |
-The... -Now, I'm going to have to... You didn't come straight in. | 0:26:35 | 0:26:38 | |
-BOTH: -Peterloo massacre. -Peterloo massacre. | 0:26:38 | 0:26:40 | |
So, you came in there, Kate and Helen. | 0:26:40 | 0:26:42 | |
It was a peaceful public meeting that was broken up violently | 0:26:42 | 0:26:45 | |
by the local yeomanry. Have a look at these pants. | 0:26:45 | 0:26:48 | |
What innovative process created them? BELL DINGS | 0:26:48 | 0:26:51 | |
Are they made from artificial fibres? | 0:26:51 | 0:26:52 | |
They are made from artificial fibres, | 0:26:52 | 0:26:54 | |
but that's not the process that created them. | 0:26:54 | 0:26:56 | |
Are they waterproof? | 0:26:56 | 0:26:57 | |
-No, they are 3-D printed pants. -Really! | 0:26:57 | 0:27:00 | |
This is Arkwright's spinning frame, but what was used to power it? | 0:27:00 | 0:27:05 | |
BELL DINGS With you, Nina. | 0:27:05 | 0:27:06 | |
-BOTH: -Water. | 0:27:06 | 0:27:08 | |
Yes, it's a water frame. | 0:27:08 | 0:27:09 | |
Here is a model of a cart. What was it used for? | 0:27:09 | 0:27:11 | |
BELL DINGS With you, Helen. | 0:27:13 | 0:27:15 | |
That was a luncheon cart. | 0:27:15 | 0:27:16 | |
No, not luncheon. | 0:27:16 | 0:27:18 | |
-It's sewage. -It's sewage. Right, sir. Yes, it was sent to... | 0:27:18 | 0:27:21 | |
-The other end! -So... LAUGHTER | 0:27:21 | 0:27:24 | |
Here's a box of electrical adapters, but which country was it made for? | 0:27:24 | 0:27:28 | |
-BELL DINGS -It was made actually for here, | 0:27:28 | 0:27:30 | |
-wasn't it? -It was indeed. It was made for Britain in the 1940s. | 0:27:30 | 0:27:34 | |
This was found in millions of British homes for decades, but where exactly? | 0:27:34 | 0:27:37 | |
-BELL DINGS -Is it a light bulb? | 0:27:37 | 0:27:39 | |
It's not light bulb, no. | 0:27:39 | 0:27:41 | |
-Is it a TV? -Like a CRT. -Is that your answer? Quickly. | 0:27:41 | 0:27:43 | |
-I don't know. Helen knows best. -Quick! | 0:27:43 | 0:27:45 | |
-Is it the TV? -Yes. | 0:27:45 | 0:27:46 | |
It's the TV, yes. | 0:27:46 | 0:27:48 | |
I don't know why I was waiting for so long. | 0:27:48 | 0:27:49 | |
I heard it, but you have to commit, you have to commit! | 0:27:49 | 0:27:52 | |
FACTORY WHISTLE BLOWS Oh, that's it. | 0:27:52 | 0:27:54 | |
The factory whistle has sounded, so we are out of here. | 0:27:54 | 0:27:57 | |
But before we go, | 0:27:57 | 0:27:58 | |
we need to have a look at our teams' levels of productivity. | 0:27:58 | 0:28:02 | |
Well, Helen and Kate, you made a brave effort to catch up there. | 0:28:02 | 0:28:05 | |
And you've come up to 11 points, | 0:28:05 | 0:28:07 | |
but you haven't quite caught up with Nina and Marcus who got 16. | 0:28:07 | 0:28:11 | |
THEY CHEER | 0:28:11 | 0:28:14 | |
And we must say goodbye now | 0:28:14 | 0:28:16 | |
from the Museum of Science and Industry in Manchester. | 0:28:16 | 0:28:19 | |
This magnificent and extensive museum represents a real | 0:28:19 | 0:28:22 | |
insight into the relationship between science and industry. | 0:28:22 | 0:28:25 | |
And not only that, it provides quite a decent walk. | 0:28:25 | 0:28:29 | |
Now, sadly, we must down tools and from all of us here, goodnight. | 0:28:29 | 0:28:33 |