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APPLAUSE | 0:00:17 | 0:00:19 | |
University Challenge. | 0:00:19 | 0:00:21 | |
Asking the questions, Jeremy Paxman. | 0:00:22 | 0:00:25 | |
Hello. Boris Johnson once thought he'd insulted me | 0:00:28 | 0:00:31 | |
by calling me a swot. | 0:00:31 | 0:00:32 | |
But it's a rather treasured accolade for the two teams | 0:00:32 | 0:00:35 | |
competing in this second round match for a place in the quarterfinals. | 0:00:35 | 0:00:38 | |
Only one of them will go through - | 0:00:38 | 0:00:40 | |
for the losers, it'll be the final good night. | 0:00:40 | 0:00:43 | |
Now, the last time we saw them, the team from Newcastle University | 0:00:43 | 0:00:46 | |
put themselves on -5 with the first question. | 0:00:46 | 0:00:50 | |
But when they remembered that the object of the exercise | 0:00:50 | 0:00:52 | |
is to try to get things right, | 0:00:52 | 0:00:54 | |
they took the lead and managed to keep it throughout the entire match. | 0:00:54 | 0:00:57 | |
At the gong, they were ahead of their opponents, | 0:00:57 | 0:00:59 | |
Sheffield Hallam University, by a margin of 170 to a mere 40. | 0:00:59 | 0:01:05 | |
With an average age of 29, let's meet the Newcastle team again. | 0:01:05 | 0:01:09 | |
Hi, my name is Jack Reynard, I'm from Leeds | 0:01:10 | 0:01:12 | |
and I'm studying medicine. | 0:01:12 | 0:01:14 | |
My name is Molly Nielsen. | 0:01:14 | 0:01:16 | |
I'm from London and I'm studying medicine. | 0:01:16 | 0:01:18 | |
And here's their captain. | 0:01:18 | 0:01:20 | |
Hi, I'm Jonathan from Newcastle upon Tyne, studying for a PGCE. | 0:01:20 | 0:01:23 | |
Hello, my name is Adam Lowery. | 0:01:24 | 0:01:25 | |
I'm from Sunderland and I'm reading chemistry. | 0:01:25 | 0:01:28 | |
APPLAUSE | 0:01:28 | 0:01:30 | |
Playing against them, the team from the University of Southampton, | 0:01:32 | 0:01:36 | |
who prevented Cardiff University from getting much of a look-in | 0:01:36 | 0:01:38 | |
during their first round match, finally seeing them off by 280-40, | 0:01:38 | 0:01:43 | |
making them the second highest-scoring team | 0:01:43 | 0:01:46 | |
at that stage of the competition. | 0:01:46 | 0:01:48 | |
With an average age of 20, let's meet the Southampton team again. | 0:01:48 | 0:01:51 | |
Hi, my name is Juan-Paulo Ledesma, I grew up in Hampshire, | 0:01:52 | 0:01:55 | |
I'm originally from the Philippines and I'm studying medicine. | 0:01:55 | 0:01:58 | |
Hi, my name's Andrew Knighton, I'm from Fareham in Hampshire | 0:01:58 | 0:02:02 | |
and I'm also studying medicine. | 0:02:02 | 0:02:03 | |
And this is their captain. | 0:02:03 | 0:02:05 | |
Hello, I'm Lorna Frankel, I'm from Wiltshire | 0:02:05 | 0:02:07 | |
and I'm studying natural sciences. | 0:02:07 | 0:02:10 | |
Hello, I'm Niall Jones, I'm from Chalfont St Peter in Buckinghamshire | 0:02:10 | 0:02:13 | |
and I study English. | 0:02:13 | 0:02:15 | |
OK, let's just get on with it. | 0:02:19 | 0:02:20 | |
Fingers on the buzzers, here's your first starter for ten. | 0:02:20 | 0:02:23 | |
What's being described? | 0:02:23 | 0:02:25 | |
Depicting 49 trees, 55 dogs, 41 ships and boats | 0:02:25 | 0:02:30 | |
and 623 human figures... | 0:02:30 | 0:02:33 | |
-The Bayeux Tapestry. -Correct. | 0:02:35 | 0:02:37 | |
So you get the first set of bonuses, Newcastle. | 0:02:39 | 0:02:42 | |
They're on the importance of tea. | 0:02:42 | 0:02:44 | |
Firstly for five points, "Under certain circumstances, | 0:02:44 | 0:02:47 | |
"there are few hours in life more agreeable | 0:02:47 | 0:02:50 | |
"than the hour dedicated to the ceremony known as afternoon tea." | 0:02:50 | 0:02:54 | |
These words begin which novel by Henry James? | 0:02:54 | 0:02:57 | |
It's title figure is Isabel Archer. | 0:02:57 | 0:03:00 | |
It's not... That starts with a ghost story, doesn't it? | 0:03:05 | 0:03:09 | |
-You know anything else by Henry James? -No, sorry. | 0:03:10 | 0:03:12 | |
Turn Of The Screw. | 0:03:12 | 0:03:13 | |
No, it's The Portrait Of A Lady. | 0:03:13 | 0:03:16 | |
Secondly for five points, | 0:03:16 | 0:03:17 | |
"My hour for tea is half past five | 0:03:17 | 0:03:20 | |
"and my buttered toast waits for nobody." | 0:03:20 | 0:03:23 | |
In which novel by Wilkie Collins does Mrs Catherick | 0:03:23 | 0:03:25 | |
write a letter to Walter Hartright that ends with these words? | 0:03:25 | 0:03:29 | |
-Hey? -I don't know, it's Woman In White. | 0:03:31 | 0:03:33 | |
Women In White, yeah? | 0:03:33 | 0:03:35 | |
-Woman In White. -Correct. | 0:03:35 | 0:03:37 | |
"The world may go to pot for me, so long as I always get my tea." | 0:03:37 | 0:03:41 | |
This sentiment appears in Notes From Underground, | 0:03:41 | 0:03:44 | |
a novella of 1864 by which Russian author? | 0:03:44 | 0:03:48 | |
-It's Dostoevsky. -Is it? -Yeah. | 0:03:48 | 0:03:50 | |
-Dostoevsky. -Correct. | 0:03:50 | 0:03:52 | |
Ten points for this. | 0:03:52 | 0:03:53 | |
Which chemist gives his name | 0:03:53 | 0:03:54 | |
to the law stating that the pressure | 0:03:54 | 0:03:56 | |
exerted by a mixture of perfect gases | 0:03:56 | 0:03:59 | |
is the sum of the partial pressures that each gas...? | 0:03:59 | 0:04:02 | |
-Dalton. -Dalton is correct, yes. | 0:04:05 | 0:04:07 | |
Your bonuses are on a metal ore, Newcastle. | 0:04:10 | 0:04:13 | |
Hydrargyrum is a former name for which metallic element | 0:04:13 | 0:04:18 | |
that occurs chiefly in the ore cinnabar? | 0:04:18 | 0:04:21 | |
Mercury. | 0:04:21 | 0:04:22 | |
-Mercury. -Correct. | 0:04:22 | 0:04:24 | |
Which scarlet or red pigment was originally | 0:04:24 | 0:04:26 | |
made from powdered cinnabar? | 0:04:26 | 0:04:28 | |
It's a name derives ultimately from the Latin for "worm". | 0:04:28 | 0:04:32 | |
-Vermilion. -Yes. -Yeah? | 0:04:32 | 0:04:34 | |
-Vermilion. -Correct. | 0:04:34 | 0:04:35 | |
Named because the inside of her sarcophagus | 0:04:35 | 0:04:38 | |
was covered with cinnabar powder, | 0:04:38 | 0:04:40 | |
the Red Queen was discovered in 1994 in Palenque, | 0:04:40 | 0:04:44 | |
a ruined city of which civilisation? | 0:04:44 | 0:04:47 | |
-Mayans? -Mayans, yeah. | 0:04:47 | 0:04:48 | |
-Mayans. -Correct. | 0:04:48 | 0:04:49 | |
Ten points for this. | 0:04:49 | 0:04:51 | |
Known as Ra in ancient Greek and Itil or Atil in Tatar, | 0:04:52 | 0:04:56 | |
which major European river rises in the Valdai Hills near Moscow | 0:04:56 | 0:05:00 | |
and discharges into the Caspian Sea? | 0:05:00 | 0:05:02 | |
-The Volga. -The Volga is correct. | 0:05:04 | 0:05:06 | |
Your bonuses are on physics, Southampton. | 0:05:08 | 0:05:11 | |
In the theory of wave particle duality, | 0:05:11 | 0:05:14 | |
which French scientist gives his name to the wavelength | 0:05:14 | 0:05:17 | |
associated with a moving particle | 0:05:17 | 0:05:19 | |
that's defined as the Planck constant | 0:05:19 | 0:05:21 | |
divided by its linear momentum? | 0:05:21 | 0:05:24 | |
-Louis de Broglie. -De Broglie? | 0:05:24 | 0:05:25 | |
-De Broglie. -Correct. | 0:05:25 | 0:05:27 | |
Called a matter wave by De Broglie, what name is more commonly given | 0:05:27 | 0:05:31 | |
to the approximation of the trajectory of a particle | 0:05:31 | 0:05:34 | |
moving through space like a wave, denoted by the Greek letter psi? | 0:05:34 | 0:05:37 | |
That's a wave function. | 0:05:39 | 0:05:40 | |
-Wave function. -Correct. | 0:05:40 | 0:05:41 | |
The statement that the probability of finding a particle | 0:05:41 | 0:05:44 | |
in a small region, with volume V as proportional to psi squared | 0:05:44 | 0:05:48 | |
times V is attributed to which German-born scientist? | 0:05:48 | 0:05:52 | |
One of the winners of the 1954 Nobel Prize for Physics. | 0:05:52 | 0:05:56 | |
-Heisenberg? -Um... | 0:05:56 | 0:05:57 | |
Cos it's so do with... Yeah? | 0:06:00 | 0:06:02 | |
-Heisenberg. -No, it's Born, Max Born. | 0:06:02 | 0:06:05 | |
Ten points for this. | 0:06:05 | 0:06:07 | |
"At its best, her poetry is strong, personal and unforced, | 0:06:07 | 0:06:11 | |
"with a metrical cadence that is unmistakably her own." | 0:06:11 | 0:06:15 | |
These words refer to which poet who died in London in 1894? | 0:06:15 | 0:06:19 | |
Her works include Remember and In The Bleak Winter. | 0:06:19 | 0:06:22 | |
-Christina Rossetti. -Correct. | 0:06:24 | 0:06:26 | |
You get a set of bonuses on the Palace of Versailles. | 0:06:28 | 0:06:31 | |
Firstly for five points, | 0:06:31 | 0:06:32 | |
what name was given to an antechamber | 0:06:32 | 0:06:35 | |
used by Louis XIV at Versailles, | 0:06:35 | 0:06:37 | |
referring to the distinctive oval window in one wall? | 0:06:37 | 0:06:40 | |
In French, the term is also used symbolically | 0:06:40 | 0:06:43 | |
for a royal household or court. | 0:06:43 | 0:06:45 | |
-No. -I don't know. | 0:06:47 | 0:06:49 | |
Royal household, so... | 0:06:49 | 0:06:51 | |
-Was it named after the oval window? -Yeah. -Oriel? | 0:06:52 | 0:06:56 | |
I don't know. | 0:06:56 | 0:06:57 | |
-Oriel? -No, it's a bull's-eye, or Oeil-de-boeuf. | 0:06:57 | 0:07:00 | |
Which leading French landscape gardener was responsible | 0:07:00 | 0:07:03 | |
for the design of the gardens at Versailles in the 1660s? | 0:07:03 | 0:07:06 | |
His other big commissions included the redesign of the Champs-Elysees | 0:07:06 | 0:07:09 | |
and the gardens at Fontainebleau? | 0:07:09 | 0:07:11 | |
Anyone have anything else? | 0:07:12 | 0:07:14 | |
-It's Tuileries, like the name of a garden, or is that...? -I don't know! | 0:07:14 | 0:07:17 | |
Tuileries, go for it. | 0:07:17 | 0:07:19 | |
Tuileries? | 0:07:19 | 0:07:21 | |
No, it was Andre Le Notre. | 0:07:21 | 0:07:22 | |
Finally for five points, in which ornately-decorated room | 0:07:22 | 0:07:25 | |
was the Treaty of Versailles signed in 1919? | 0:07:25 | 0:07:28 | |
It's flanked by the Salon Of Peace and the Salon Of War. | 0:07:28 | 0:07:31 | |
-Hall Of Mirrors? -Yeah? | 0:07:31 | 0:07:33 | |
-Hall Of Mirrors. -Correct. | 0:07:33 | 0:07:35 | |
We'll take a picture round now. For your picture starter, | 0:07:35 | 0:07:37 | |
you'll see the abridged contents page | 0:07:37 | 0:07:39 | |
of a notable work of non-fiction. | 0:07:39 | 0:07:41 | |
Ten points if you can give me the title of the work. | 0:07:41 | 0:07:44 | |
Er, Das Kapital? | 0:07:49 | 0:07:51 | |
No, you can buzz, one of you from Newcastle, if you know. | 0:07:51 | 0:07:54 | |
The Wealth Of Nations. | 0:07:55 | 0:07:57 | |
It is The Wealth Of Nations, yes, by Adam Smith. | 0:07:57 | 0:07:59 | |
So you get the picture bonuses then, Newcastle. | 0:07:59 | 0:08:02 | |
I want you to identify three more notable 18th-century works | 0:08:02 | 0:08:05 | |
from a section of their table of contents. | 0:08:05 | 0:08:08 | |
This time for the points, I'll need both the title of the work | 0:08:08 | 0:08:11 | |
and its author. | 0:08:11 | 0:08:12 | |
Firstly, and note that an appearance of the title has been redacted. | 0:08:12 | 0:08:16 | |
Emile? By Rousseau, Emile? | 0:08:19 | 0:08:23 | |
Shall we go with that? | 0:08:25 | 0:08:26 | |
It could be Tristram Shandy by Laurence Sterne. | 0:08:26 | 0:08:29 | |
No, it's non-fiction. | 0:08:29 | 0:08:31 | |
-Oh, non-fiction. -Yeah. | 0:08:31 | 0:08:33 | |
Emile, Rousseau. | 0:08:33 | 0:08:34 | |
No, it's Fielding's Tom Jones. Secondly... | 0:08:34 | 0:08:37 | |
-I'll nominate you. -No. | 0:08:44 | 0:08:46 | |
-Mary Wollstonecraft? -Wollstonecraft. | 0:08:46 | 0:08:49 | |
Vindication Of The Rights Of The Woman. | 0:08:49 | 0:08:52 | |
The Second Sex... | 0:08:52 | 0:08:53 | |
-Nominate you? -Yeah, sure. -Nominate Reynard. | 0:08:54 | 0:08:57 | |
The Second Sex, by Simone De Beauvoir. | 0:08:57 | 0:08:59 | |
No, it's A Vindication Of The Rights Of Woman, | 0:08:59 | 0:09:01 | |
as you heard earlier, by Mary Wollstonecraft. | 0:09:01 | 0:09:04 | |
And finally, for five points, substantially truncated, | 0:09:04 | 0:09:07 | |
title and author again here, please. | 0:09:07 | 0:09:09 | |
Was it Gibbon? | 0:09:14 | 0:09:15 | |
Gibbon, Fall Of The Roman Empire? Yeah? Um... | 0:09:18 | 0:09:21 | |
Yeah, Fall Of The Roman Empire by Gibbon. | 0:09:22 | 0:09:24 | |
I'll accept that, | 0:09:24 | 0:09:25 | |
it's The Decline And Fall Of The Roman Empire by Gibbon. | 0:09:25 | 0:09:28 | |
Ten points for this. | 0:09:28 | 0:09:29 | |
Answer promptly. If the atomic number of tungsten is 74, | 0:09:29 | 0:09:33 | |
what is the sum of the atomic numbers of the three elements | 0:09:33 | 0:09:37 | |
whose symbols spells the word "pwn", P-W-N. | 0:09:37 | 0:09:40 | |
225. | 0:09:45 | 0:09:47 | |
No, anyone like to buzz from Southampton? | 0:09:47 | 0:09:49 | |
95. | 0:09:51 | 0:09:52 | |
No, it's 96. Ten points for this. AUDIENCE GROAN | 0:09:52 | 0:09:55 | |
In the mid-12th century, | 0:09:55 | 0:09:57 | |
Albert the Bear became the first Margrave of which historic state? | 0:09:57 | 0:10:01 | |
In 1356... | 0:10:01 | 0:10:03 | |
-Brandenburg. -Correct. | 0:10:04 | 0:10:06 | |
These bonuses are on Scotland, Newcastle. | 0:10:09 | 0:10:12 | |
The population density of England is 413 people per square kilometre, | 0:10:12 | 0:10:17 | |
Wales is 149, Northern Ireland 135. | 0:10:17 | 0:10:21 | |
What is the population density of Scotland? | 0:10:21 | 0:10:23 | |
You can have 10 either way. | 0:10:23 | 0:10:25 | |
-I think it would be less than 100. -Something like 90 or something? | 0:10:26 | 0:10:29 | |
-I was going to say about 80. -80? -85. -85? | 0:10:29 | 0:10:33 | |
-I don't know. -What do you think? -You decide. | 0:10:33 | 0:10:35 | |
80. | 0:10:35 | 0:10:37 | |
No, I can't accept that. It's 68, in fact. | 0:10:37 | 0:10:40 | |
Secondly, which Scottish council area has a population density | 0:10:40 | 0:10:43 | |
of nine per square kilometre? | 0:10:43 | 0:10:45 | |
It includes Britain's northernmost city. | 0:10:45 | 0:10:48 | |
Is that Inverness? Inverness-shire? | 0:10:49 | 0:10:52 | |
-No, Caithness. -I don't know. | 0:10:52 | 0:10:56 | |
Shall we go with that? | 0:10:57 | 0:10:58 | |
Oh, what's it called? | 0:10:58 | 0:10:59 | |
Let's have it, please. | 0:11:02 | 0:11:03 | |
-Caithness. -No, it's Highland. | 0:11:03 | 0:11:05 | |
And within Highland, the County of Sutherland | 0:11:05 | 0:11:08 | |
has the lowest population density with the 2.3 per square kilometre. | 0:11:08 | 0:11:13 | |
This is a level similar to that of which US state, | 0:11:13 | 0:11:17 | |
the most sparsely populated after Alaska? | 0:11:17 | 0:11:19 | |
Montana. | 0:11:19 | 0:11:21 | |
-It's... -After, I think, Montana. -Wyoming. | 0:11:21 | 0:11:24 | |
-I think it's Wyoming. -Yeah? | 0:11:26 | 0:11:28 | |
-Wyoming. -Correct. | 0:11:28 | 0:11:30 | |
Ten points for this. Born in 1906, | 0:11:30 | 0:11:32 | |
the Polish-American physician Albert Sabin | 0:11:32 | 0:11:35 | |
gives his name to an oral vaccine approved for use in the US in 1960, | 0:11:35 | 0:11:40 | |
and used to confer immunity against which...? | 0:11:40 | 0:11:42 | |
-Polio. -Polio is correct. | 0:11:44 | 0:11:46 | |
You get a set of bonuses then, Southampton, on the Mahabharata. | 0:11:49 | 0:11:53 | |
According to legend, the Sage Vyasa | 0:11:53 | 0:11:55 | |
dictated the Mahabharata to which Hindu god? | 0:11:55 | 0:11:58 | |
A son of Shiva, he is traditionally worshipped | 0:11:58 | 0:12:01 | |
before any major enterprise and is also the patron of intellectuals. | 0:12:01 | 0:12:05 | |
-Ganesh? -Vishnu. Oh, no... | 0:12:06 | 0:12:09 | |
-So what do you think? -Vishnu. -No, he's not a son of Shiva. | 0:12:10 | 0:12:13 | |
-I'm pretty sure Ganesh is a son of Shiva. -Which one's the monkey? | 0:12:13 | 0:12:17 | |
I don't know. Hanuman's the monkey. | 0:12:17 | 0:12:19 | |
Can I just say? | 0:12:19 | 0:12:21 | |
-Ganesh. -Correct. | 0:12:21 | 0:12:23 | |
Which revered Hindu text forms an episode in the Mahabharata | 0:12:23 | 0:12:27 | |
and incorporates basic teachings of the Upanishads and Samkhya yoga? | 0:12:27 | 0:12:31 | |
It was the subject of a commentary by Mahatma Gandhi? | 0:12:31 | 0:12:34 | |
Is that the...Bhagavad Gita? | 0:12:34 | 0:12:37 | |
-Oh, yes! Good shout. -Do you want to...? -Yeah. | 0:12:37 | 0:12:40 | |
Nominate Knighton? | 0:12:40 | 0:12:41 | |
-Bhagavad Gita. -Correct, yes. | 0:12:41 | 0:12:43 | |
And the Bhagavad Gita takes the form of a dialogue on the battlefield | 0:12:43 | 0:12:47 | |
between Prince Arjuna and which incarnation of the God Vishnu? | 0:12:47 | 0:12:50 | |
-Rama? -Rama? | 0:12:52 | 0:12:54 | |
-Rama. -No, it's Krishna. | 0:12:54 | 0:12:56 | |
Ten points for this. Which work of 1781 | 0:12:56 | 0:12:58 | |
presents the concepts of transcendental idealism? | 0:12:58 | 0:13:01 | |
-Critique Of Pure Reason. -Correct. | 0:13:03 | 0:13:05 | |
Your bonuses are on terms used in astronomy, Newcastle. | 0:13:07 | 0:13:11 | |
What term follows the word "inferior" to denote | 0:13:11 | 0:13:14 | |
the passing of Venus or Mercury between the earth and the sun, | 0:13:14 | 0:13:18 | |
marking the closest points to Earth in their respective orbits? | 0:13:18 | 0:13:21 | |
What do you think? | 0:13:26 | 0:13:28 | |
-I don't know. -Go for transit. | 0:13:28 | 0:13:30 | |
Transit. | 0:13:30 | 0:13:31 | |
No, it's conjunction. | 0:13:31 | 0:13:33 | |
Secondly, as viewed from Earth, the point between the inferior | 0:13:33 | 0:13:36 | |
and superior conjunctions, at which the angular separation of Venus | 0:13:36 | 0:13:41 | |
or Mercury from the sun is maximised, | 0:13:41 | 0:13:43 | |
is known as the greatest what? | 0:13:43 | 0:13:45 | |
-Elongation? -I don't know. -Yeah? | 0:13:47 | 0:13:50 | |
-Elongation. -Correct. | 0:13:50 | 0:13:52 | |
What term is used to refer to a superior planet, such as Mars, | 0:13:52 | 0:13:55 | |
reaching a location at its widest angle from the sun | 0:13:55 | 0:13:58 | |
in the celestial sphere as viewed from Earth? | 0:13:58 | 0:14:01 | |
Maximum elongation? | 0:14:03 | 0:14:04 | |
Or is it...? Is it...? | 0:14:06 | 0:14:08 | |
-Is not apogee, is it? -No. | 0:14:12 | 0:14:13 | |
Yeah, so maximum. | 0:14:15 | 0:14:16 | |
Maxim elongation. | 0:14:16 | 0:14:18 | |
No, it's opposition. | 0:14:18 | 0:14:19 | |
We're going to take a music round now. | 0:14:19 | 0:14:21 | |
For your music starter, you'll hear a piece of classical music. | 0:14:21 | 0:14:24 | |
For ten points, tell me the title of the ballet from which it's taken. | 0:14:24 | 0:14:27 | |
ORCHESTRAL MUSIC PLAYS | 0:14:29 | 0:14:31 | |
Swan Lake. | 0:14:31 | 0:14:32 | |
Swan Lake is right. | 0:14:32 | 0:14:34 | |
It's one of the works referenced by Susan Sontag in her 1964 attempt | 0:14:37 | 0:14:41 | |
to define the concept of camp. | 0:14:41 | 0:14:43 | |
Your music bonuses are three more classical works | 0:14:43 | 0:14:46 | |
mentioned in Sontag's Notes On Camp, | 0:14:46 | 0:14:48 | |
as illustrating camp's style and sensibility. | 0:14:48 | 0:14:51 | |
I just want the name of the composer of each. | 0:14:51 | 0:14:55 | |
# Casta Diva... # | 0:14:55 | 0:15:03 | |
No, I wouldn't say... | 0:15:05 | 0:15:07 | |
# Casta Diva... # | 0:15:07 | 0:15:10 | |
Puccini? | 0:15:10 | 0:15:12 | |
# Che inargenti... # | 0:15:12 | 0:15:17 | |
-We'll go Puccini? -Yeah. | 0:15:18 | 0:15:20 | |
Puccini. | 0:15:20 | 0:15:21 | |
No, that was from Norma by Bellini. Secondly... | 0:15:21 | 0:15:25 | |
SOPRANOS SING DUET | 0:15:25 | 0:15:29 | |
Verdi, maybe? | 0:15:37 | 0:15:38 | |
Any idea? | 0:15:43 | 0:15:45 | |
We'll go with that? | 0:15:45 | 0:15:46 | |
Verdi. | 0:15:48 | 0:15:50 | |
No, that was from Rosenkavalier by Richard Strauss. And finally... | 0:15:50 | 0:15:53 | |
# Martella? | 0:15:55 | 0:15:57 | |
# Chi del gitano... # | 0:15:58 | 0:16:00 | |
This is from Il Trovatore, isn't it? | 0:16:00 | 0:16:02 | |
So who's that by? Is that Verdi? | 0:16:02 | 0:16:05 | |
Yeah, I think it is. | 0:16:06 | 0:16:07 | |
-OK, is this one Verdi? -It is Verdi, yes. | 0:16:07 | 0:16:10 | |
It's the Anvil Chorus from Il Trovatore. | 0:16:10 | 0:16:12 | |
Ten points for this. | 0:16:12 | 0:16:13 | |
Which final two letters link the island birthplace | 0:16:13 | 0:16:17 | |
of Stokely Carmichael and Brian Lara, | 0:16:17 | 0:16:20 | |
the son of Lancelot and Elaine, | 0:16:20 | 0:16:22 | |
the SI unit of electrical capacitance...? | 0:16:22 | 0:16:25 | |
-AD. -AD is correct, yes. | 0:16:26 | 0:16:28 | |
You get a set of bonuses on compromises in US history. | 0:16:31 | 0:16:34 | |
Firstly for five points, | 0:16:34 | 0:16:36 | |
which US state gave its name to a compromise of 1787, | 0:16:36 | 0:16:39 | |
which determined that all states, regardless of population, | 0:16:39 | 0:16:43 | |
would have the same representation in the upper house | 0:16:43 | 0:16:46 | |
of the federal legislature? | 0:16:46 | 0:16:47 | |
That was... | 0:16:49 | 0:16:50 | |
No, no, it's the Constitution. | 0:16:50 | 0:16:52 | |
The Constitution is Virginia or... | 0:16:52 | 0:16:54 | |
-Yeah, which would make... Virginia? -I'm not sure. | 0:16:58 | 0:17:01 | |
-Virginia. -No, it's Connecticut. | 0:17:01 | 0:17:03 | |
Five Bills passed by Congress to defuse a confrontation | 0:17:03 | 0:17:06 | |
between slave and free states following the Mexican-American War | 0:17:06 | 0:17:10 | |
are known collectively as the Compromise of what year? | 0:17:10 | 0:17:14 | |
1850. 1850? | 0:17:14 | 0:17:15 | |
-1850. -Correct. | 0:17:15 | 0:17:17 | |
Which territory and future state gives its name | 0:17:17 | 0:17:19 | |
to a compromise of 1820 that regulated the westward extension | 0:17:19 | 0:17:23 | |
of slavery across the American continent? | 0:17:23 | 0:17:25 | |
-It's the Missouri Compromise. -Yes. | 0:17:25 | 0:17:27 | |
-Missouri. -Missouri is correct. | 0:17:27 | 0:17:28 | |
Ten points to this. | 0:17:28 | 0:17:30 | |
One of the Trois Grande Dames | 0:17:30 | 0:17:31 | |
of Impressionism, which French artist | 0:17:31 | 0:17:34 | |
is noted for her paintings of domestic life, such as...? | 0:17:34 | 0:17:37 | |
Mary Cassatt. | 0:17:39 | 0:17:41 | |
No, you lose five points. | 0:17:41 | 0:17:42 | |
..such as The Cradle. | 0:17:42 | 0:17:44 | |
Though never commercially successful, she outsold Monet, | 0:17:44 | 0:17:47 | |
Renoir and Sisley in her lifetime. | 0:17:47 | 0:17:49 | |
No-one wants to buzz from Southampton? | 0:17:54 | 0:17:57 | |
It's Berthe Morisot. | 0:17:57 | 0:17:58 | |
Ten points for this. | 0:17:58 | 0:17:59 | |
About 70 miles long, which river of northern England has a name | 0:17:59 | 0:18:03 | |
that rhymes with words meaning a band of painted decoration | 0:18:03 | 0:18:07 | |
or sculpture, an involuntary action known as sternutation...? | 0:18:07 | 0:18:11 | |
Tees. | 0:18:11 | 0:18:13 | |
Tees is correct, yes. | 0:18:13 | 0:18:14 | |
Right, this set of bonuses are on the ancient Greek geographer Strabo. | 0:18:16 | 0:18:20 | |
Living in an age without accurate maps, | 0:18:20 | 0:18:22 | |
Strabo attempted to give a visual idea of regions | 0:18:22 | 0:18:25 | |
and territories by likening them to familiar shapes. | 0:18:25 | 0:18:28 | |
Which large peninsula did Strabo liken to an oxhide, | 0:18:28 | 0:18:32 | |
whose neck parts fall over into the neighbouring Celtica? | 0:18:32 | 0:18:35 | |
-Italy. -What? -Is that not Italy? | 0:18:37 | 0:18:39 | |
-Celtic? -Northern Italy was Celtic. | 0:18:39 | 0:18:42 | |
-Italy. -No, it's the Iberian Peninsula. | 0:18:42 | 0:18:45 | |
Secondly, which peninsula of the Greek world did Strabo | 0:18:45 | 0:18:48 | |
compare to the leaf of a plane tree? | 0:18:48 | 0:18:51 | |
Peloponnese? Must be! | 0:18:51 | 0:18:53 | |
-Peloponnese. -Correct. | 0:18:53 | 0:18:55 | |
Finally, which large island did he liken to a triangle? | 0:18:55 | 0:18:58 | |
Er, Sicily. | 0:18:58 | 0:18:59 | |
-Sicily. -Sicily is correct, | 0:18:59 | 0:19:00 | |
Ten points for this. What is the seven-letter | 0:19:00 | 0:19:03 | |
common name of the brightest star in the constellation of Scorpius? | 0:19:03 | 0:19:06 | |
The name is thought... | 0:19:06 | 0:19:08 | |
-Antares. -Antares is right. | 0:19:08 | 0:19:11 | |
Your bonuses are on the names of chemical elements | 0:19:13 | 0:19:16 | |
and words that resemble them in spelling. | 0:19:16 | 0:19:18 | |
In each case, listen to the explanation and give both words. | 0:19:18 | 0:19:21 | |
Firstly, a noble gas | 0:19:21 | 0:19:23 | |
and a jargon or slang used by a particular group or class of people. | 0:19:23 | 0:19:28 | |
Argot and argon? | 0:19:28 | 0:19:30 | |
-Argot and argon? -Yes. | 0:19:30 | 0:19:32 | |
-Argot and argon. -Correct. | 0:19:32 | 0:19:34 | |
Secondly, an element of the nitrogen group | 0:19:34 | 0:19:37 | |
and a consequence of divorce, now known as maintenance. | 0:19:37 | 0:19:39 | |
Alimony and antimony. | 0:19:42 | 0:19:44 | |
-Alimony and antimony? -I don't know. | 0:19:44 | 0:19:47 | |
-Yes! -Yeah? | 0:19:47 | 0:19:49 | |
-Alimony and antimony. -Correct. | 0:19:49 | 0:19:51 | |
And, finally, a transition metal that occurs in a natural state | 0:19:51 | 0:19:54 | |
and the meaning of "ori" in the word origami. | 0:19:54 | 0:19:57 | |
-Fold and gold. -Fold and gold? | 0:19:59 | 0:20:02 | |
-Fold and gold. -Correct. | 0:20:02 | 0:20:03 | |
Ten points for this. | 0:20:03 | 0:20:05 | |
A chief European rival of Britain in 18th-century India, | 0:20:05 | 0:20:08 | |
which country was left with the enclaves of Chanda Nagar...? | 0:20:08 | 0:20:11 | |
-France. -France is correct, yes. | 0:20:13 | 0:20:15 | |
Right, your bonuses are on south-east Asian history, Newcastle. | 0:20:17 | 0:20:20 | |
From the late 19th to the mid-20th century, | 0:20:20 | 0:20:23 | |
what name was given to the Federation of Vietnam, | 0:20:23 | 0:20:26 | |
Laos and Cambodia under French control? | 0:20:26 | 0:20:29 | |
Indochina, French Indochina? | 0:20:29 | 0:20:31 | |
What? French Indochina? | 0:20:31 | 0:20:34 | |
French Indochina. | 0:20:34 | 0:20:35 | |
Correct, or the Indochinese Union. | 0:20:35 | 0:20:37 | |
And secondly, what abbreviated two-word name is generally used | 0:20:37 | 0:20:41 | |
for the coalition formed in May 1941 to seek independence | 0:20:41 | 0:20:45 | |
for Vietnam from the French Empire? | 0:20:45 | 0:20:47 | |
Cong. Could be Viet Cong, yes? | 0:20:49 | 0:20:52 | |
-Viet Cong. -No, it was the Viet Minh. | 0:20:52 | 0:20:54 | |
The Viet Cong were founded later. | 0:20:54 | 0:20:56 | |
The name of which European city is given to the accords | 0:20:56 | 0:20:59 | |
that formally ended the first Indochina War in 1954 | 0:20:59 | 0:21:03 | |
and effectively divided Vietnam along the 17th Parallel? | 0:21:03 | 0:21:07 | |
-European city. -European city? | 0:21:09 | 0:21:11 | |
Paris? London? | 0:21:13 | 0:21:16 | |
-Don't think it's Paris. -No, London? Berlin? | 0:21:16 | 0:21:19 | |
Berlin. | 0:21:19 | 0:21:21 | |
No, they were the Geneva Accords. | 0:21:21 | 0:21:22 | |
We're going to take a second picture round now. | 0:21:22 | 0:21:24 | |
For your picture starter, you'll see a promotional still from a film. | 0:21:24 | 0:21:27 | |
Ten points if you can give me the film's title. | 0:21:27 | 0:21:30 | |
-Wallace And Gromit, Curse Of The Were-Rabbit. -Correct, yes! | 0:21:32 | 0:21:36 | |
That won the Academy Award for Best Animated Feature in 2006, | 0:21:39 | 0:21:43 | |
making it the first example of stop-motion animation | 0:21:43 | 0:21:45 | |
to win the award. | 0:21:45 | 0:21:46 | |
Picture bonuses, three more stop-motion films | 0:21:46 | 0:21:49 | |
that have been nominated in the category. | 0:21:49 | 0:21:51 | |
Simply give me the title of each. Firstly... | 0:21:51 | 0:21:54 | |
Oh, that's Coraline! | 0:21:56 | 0:21:57 | |
-Coraline. -Coraline is correct. Secondly... | 0:21:57 | 0:22:00 | |
-Amma, Ammalisia? -What? -It's something like that. | 0:22:02 | 0:22:06 | |
I've seen it on Netflix! | 0:22:06 | 0:22:08 | |
-What's it called? -Which one is it? | 0:22:08 | 0:22:11 | |
Otherwise, I'm just going to say that. Ammalisia. | 0:22:13 | 0:22:17 | |
No, it's not precise enough. It's Anomalisa. | 0:22:17 | 0:22:19 | |
-Oh, OK! -And finally... | 0:22:19 | 0:22:21 | |
Oh, Fantastic Mr Fox. | 0:22:22 | 0:22:24 | |
-Fantastic Mr Fox! -Correct. | 0:22:24 | 0:22:25 | |
Ten points for this. | 0:22:25 | 0:22:27 | |
Work this out before you buzz. | 0:22:27 | 0:22:29 | |
If X equals pi radians, | 0:22:29 | 0:22:32 | |
what is the value of sin X plus cos X plus tan X? | 0:22:32 | 0:22:37 | |
--1. -Correct. | 0:22:44 | 0:22:46 | |
Your bonuses are on the novelist George Eliot. | 0:22:48 | 0:22:51 | |
In the mid-1850s, Eliot spent time translating | 0:22:51 | 0:22:55 | |
the ethics of which philosopher, who died in 1677? | 0:22:55 | 0:22:59 | |
Her translation remained unpublished until 1981. | 0:22:59 | 0:23:02 | |
Spinoza? | 0:23:02 | 0:23:04 | |
-Spinoza. -Correct. | 0:23:04 | 0:23:06 | |
What was George Eliot's first full-length novel, | 0:23:06 | 0:23:08 | |
published in 1859? | 0:23:08 | 0:23:10 | |
The title character is a carpenter in love with Hetty Sorrel? | 0:23:10 | 0:23:14 | |
Anything? | 0:23:15 | 0:23:17 | |
Do you know any George Eliot, apart from Middlemarch? | 0:23:17 | 0:23:20 | |
-George Eliot apart from Middlemarch? -No. | 0:23:20 | 0:23:22 | |
It's not Middlemarch. Shall we just pass? | 0:23:22 | 0:23:24 | |
-Sorry, we don't know. -It's Adam Bede. | 0:23:24 | 0:23:26 | |
In 1860, Eliot travelled to Italy and later published which novel, | 0:23:26 | 0:23:30 | |
set in Florence in the late 15th century? | 0:23:30 | 0:23:33 | |
Again, I don't know. Pass? | 0:23:35 | 0:23:37 | |
-Sorry, we don't know. -It's Romola. | 0:23:37 | 0:23:38 | |
Four minutes to go, ten points for this. | 0:23:38 | 0:23:40 | |
Plains, mountain | 0:23:40 | 0:23:42 | |
and Grevy's are three species of which distinctive...? | 0:23:42 | 0:23:45 | |
-Zebra. -Zebra is correct, your bonuses are on electronics now. | 0:23:46 | 0:23:51 | |
In electronics, for what does the C stand in the abbreviation CMOS? | 0:23:51 | 0:23:55 | |
-Capacitor? -Cathode, I don't know. | 0:23:57 | 0:24:00 | |
-Let's have it, please. -Capacitor. -No, it's complimentary. | 0:24:02 | 0:24:05 | |
What two letters of the alphabet denote the two complimentary types | 0:24:05 | 0:24:09 | |
of transistor in CMOS technology? | 0:24:09 | 0:24:11 | |
They form a current gate for electrical control. | 0:24:11 | 0:24:14 | |
-P and S? -Yes. | 0:24:15 | 0:24:16 | |
P and S? | 0:24:16 | 0:24:17 | |
No, it's P and N. | 0:24:17 | 0:24:19 | |
And finally, used in computer logic circuits, the acronym FET, | 0:24:19 | 0:24:23 | |
F-E-T, stands for what kind of transistor? | 0:24:23 | 0:24:26 | |
Fixed energy? | 0:24:29 | 0:24:31 | |
No, it's not that, it's something really weird, but I can't remember. | 0:24:31 | 0:24:34 | |
-Let's have it. -Fixed energy. | 0:24:34 | 0:24:36 | |
No, it's a field effect transistor. | 0:24:36 | 0:24:38 | |
Ten points for this. | 0:24:38 | 0:24:39 | |
In a calendar year, to the nearest whole number, a hebdomadal event | 0:24:39 | 0:24:44 | |
occurs how many times more frequently than one that is annual? | 0:24:44 | 0:24:48 | |
-52. -Correct. | 0:24:51 | 0:24:52 | |
A set of bonuses for you on the collection | 0:24:54 | 0:24:56 | |
of the Prado Museum in Madrid. | 0:24:56 | 0:24:58 | |
In each case, the artist is a figure of the Northern Renaissance. | 0:24:58 | 0:25:01 | |
Firstly, born 1525, | 0:25:01 | 0:25:03 | |
which Flemish artist's works in the Prado | 0:25:03 | 0:25:06 | |
include The Triumph Of Death and The Wine Of St Martin's Day? | 0:25:06 | 0:25:10 | |
Flemish artist? | 0:25:10 | 0:25:11 | |
-Could be Bruegel. -Bosch. | 0:25:11 | 0:25:12 | |
-If it's death... -Bosch. | 0:25:12 | 0:25:14 | |
-No, it's Bruegel. -Sorry. | 0:25:14 | 0:25:15 | |
The Descent From The Cross is a work by which artist | 0:25:15 | 0:25:18 | |
born in Tournai in about 1400? | 0:25:18 | 0:25:20 | |
-1400. -Tournai, French. | 0:25:22 | 0:25:23 | |
Belgium, I think. No... | 0:25:24 | 0:25:27 | |
-1400s. -Van Eyck. | 0:25:27 | 0:25:29 | |
Van Eyck? | 0:25:29 | 0:25:30 | |
No, it's van der Weyden. | 0:25:30 | 0:25:31 | |
And finally, born in Brabant in about 1450, | 0:25:31 | 0:25:34 | |
who painted Extracting The Stone Of Madness, | 0:25:34 | 0:25:37 | |
The Adoration Of The Magi triptych and The Garden Of Earthly Delights? | 0:25:37 | 0:25:41 | |
-That's Bosch. -That is Bosch, | 0:25:41 | 0:25:42 | |
Ten points for this. In 19th-century literature, | 0:25:42 | 0:25:44 | |
Phineas Finn and Phileas Fogg | 0:25:44 | 0:25:46 | |
were both members of which London gentlemen's club? | 0:25:46 | 0:25:49 | |
Reform Club. | 0:25:49 | 0:25:51 | |
The Reform Club is right. 15 points for these bonuses. | 0:25:51 | 0:25:54 | |
They're on English cities. | 0:25:54 | 0:25:55 | |
In each case, name the city from the present-day | 0:25:55 | 0:25:57 | |
local government entities that its borders. | 0:25:57 | 0:25:59 | |
Firstly, South Tyneside, Gateshead and County Durham? | 0:25:59 | 0:26:02 | |
-Newcastle. -Newcastle. -No, it's Sunderland. -Ah! | 0:26:02 | 0:26:05 | |
Second, Walsall, Sandwell, Dudley and South Staffordshire. | 0:26:05 | 0:26:09 | |
-Birmingham. -South Staffordshire, though? | 0:26:09 | 0:26:12 | |
-Come on. -Birmingham. | 0:26:12 | 0:26:13 | |
No, it's Wolverhampton. Finally, Leeds, Kirklees and Calder Vale. | 0:26:13 | 0:26:17 | |
-Bradford. -Bradford. | 0:26:17 | 0:26:19 | |
Correct, Ten points for this. | 0:26:19 | 0:26:20 | |
Which four-letter word links a leading academic and professional | 0:26:20 | 0:26:23 | |
publishing company, a wise person in history or legend...? | 0:26:23 | 0:26:26 | |
-Sage. -Sage is right. | 0:26:28 | 0:26:29 | |
Your bonuses are on 19th-century literature, Newcastle. | 0:26:31 | 0:26:34 | |
In each case, give the title of the novel | 0:26:34 | 0:26:36 | |
that refers to the character described. | 0:26:36 | 0:26:38 | |
Firstly, Sir Willoughby Patterne, | 0:26:38 | 0:26:39 | |
the dashing and arrogant title character | 0:26:39 | 0:26:41 | |
of a novel of 1879 by George Meredith? | 0:26:41 | 0:26:44 | |
-I don't know. -Do you know? -Come on. -No, we don't know, sorry. | 0:26:45 | 0:26:48 | |
It's The Egoist. | 0:26:48 | 0:26:49 | |
Prince Myshkin, the generous but unworldly title character | 0:26:49 | 0:26:52 | |
of a novel by Dostoevsky. | 0:26:52 | 0:26:54 | |
-The Idiot. -Correct. | 0:26:56 | 0:26:57 | |
Finally, a scientist named Griffin, | 0:26:57 | 0:26:59 | |
the subject of a science-fiction work of 1897 by HG Wells. | 0:26:59 | 0:27:04 | |
-The Invisible Man. -The Invisible Man is correct, | 0:27:04 | 0:27:06 | |
Ten points for this. In analytical biochemistry, | 0:27:06 | 0:27:09 | |
what biopolymers are stained using Coomassie Blue? | 0:27:09 | 0:27:13 | |
-Lipids. -No. | 0:27:17 | 0:27:19 | |
-Proteins. -Proteins is correct! | 0:27:21 | 0:27:23 | |
You get a set of bonuses now on islands of the River Thames. | 0:27:23 | 0:27:26 | |
Pharaoh's Island at Shepperton was given to Lord Nelson | 0:27:26 | 0:27:30 | |
following his victory in which battle of 1798? | 0:27:30 | 0:27:32 | |
-Battle Of The Nile? -I think so. | 0:27:32 | 0:27:34 | |
-Battle Of The Nile. -Correct. GONG | 0:27:34 | 0:27:37 | |
And at the gong, Southampton have 130, Newcastle have 215. | 0:27:37 | 0:27:41 | |
APPLAUSE | 0:27:41 | 0:27:44 | |
Well, who knows, Southampton? | 0:27:45 | 0:27:47 | |
You had a good run there towards the end, | 0:27:47 | 0:27:49 | |
but it's not enough, I'm afraid. We shall have to say goodbye to you. | 0:27:49 | 0:27:52 | |
Newcastle, many congratulations. | 0:27:52 | 0:27:53 | |
We shall look forward to seeing you in the quarterfinals. | 0:27:53 | 0:27:56 | |
Congratulations. | 0:27:56 | 0:27:57 | |
I hope you can join us next time for another second-round match, | 0:27:57 | 0:28:00 | |
but until then, it's goodbye from Southampton University. | 0:28:00 | 0:28:02 | |
-Goodbye. -It's goodbye from Newcastle University. -Goodbye. | 0:28:02 | 0:28:05 | |
And it's goodbye from me, goodbye. | 0:28:05 | 0:28:06 | |
APPLAUSE | 0:28:06 | 0:28:09 |