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University Challenge. | 0:00:20 | 0:00:22 | |
Asking the questions, Jeremy Paxman. | 0:00:23 | 0:00:26 | |
APPLAUSE | 0:00:26 | 0:00:29 | |
Hello. Too late now to wish they'd applied for Pointless, | 0:00:29 | 0:00:32 | |
instead, two more teams of students are about to tackle several dozen | 0:00:32 | 0:00:36 | |
general knowledge questions in full view of an expectant nation, | 0:00:36 | 0:00:40 | |
with the chance to do it all over again in the second round | 0:00:40 | 0:00:43 | |
for the winners. We might see tonight's losers again, | 0:00:43 | 0:00:46 | |
if they're among the four highest-scoring losing teams | 0:00:46 | 0:00:49 | |
from these first-round matches too. | 0:00:49 | 0:00:51 | |
Now, Oxford Brookes University began life in the 19th century | 0:00:51 | 0:00:54 | |
as a one-room art school in the city centre. | 0:00:54 | 0:00:57 | |
The artist and author John Henry Brookes became | 0:00:57 | 0:01:00 | |
its vice principal in 1928, | 0:01:00 | 0:01:03 | |
and was a powerful influence on its development over the next 30 years. | 0:01:03 | 0:01:07 | |
In 1970, it became Oxford Polytechnic, | 0:01:07 | 0:01:09 | |
and it took its present form as a university in 1992. | 0:01:09 | 0:01:13 | |
Alumni include the politicians Lynne Featherstone and Jonathan Djanogly, | 0:01:13 | 0:01:17 | |
and the double-Olympic rowing gold medallist, Steve Williams. | 0:01:17 | 0:01:21 | |
With an average age of 36 and representing around 17,000 students, | 0:01:21 | 0:01:25 | |
let's meet the Oxford Brookes team. | 0:01:25 | 0:01:28 | |
Hello, I'm Inigo Purcell, I'm from Chiswick in west London, | 0:01:28 | 0:01:32 | |
and I'm a third-year English literature student. | 0:01:32 | 0:01:35 | |
Hello, I'm Pat O'Shea, I live in Oxford and I'm studying film. | 0:01:35 | 0:01:38 | |
And this is their captain. | 0:01:38 | 0:01:40 | |
Guten Tag, hoeijendagh, bonjour - I'm Thomas De Bock, | 0:01:40 | 0:01:43 | |
I'm from Liege in Belgium, and I study motorsport engineering. | 0:01:43 | 0:01:46 | |
Hi, I'm Emma-Ben Lewis, I'm originally from Woodford Green in | 0:01:46 | 0:01:50 | |
north-east London, and I'm studying for a Master's in psychology. | 0:01:50 | 0:01:53 | |
APPLAUSE | 0:01:53 | 0:01:55 | |
Now, the Courtauld Institute of Art owes its foundation | 0:01:58 | 0:02:01 | |
to a number of art collectors in the 1930s, | 0:02:01 | 0:02:03 | |
among them the textile magnate, Samuel Courtauld, | 0:02:03 | 0:02:06 | |
who leant the Institute both his name and the bulk of its funding. | 0:02:06 | 0:02:11 | |
And it now occupies a corner of Somerset House | 0:02:11 | 0:02:13 | |
on the Strand in London. | 0:02:13 | 0:02:15 | |
The spy Anthony Blunt was its director from 1947 until 1974, | 0:02:15 | 0:02:19 | |
where he taught the late Brian Sewell. | 0:02:19 | 0:02:22 | |
Andrew Graham-Dixon studied there, as did the actor Vincent Price, | 0:02:22 | 0:02:25 | |
the former director of the British Museum, Neil MacGregor, | 0:02:25 | 0:02:28 | |
and the former director of the Tate, Nicholas Serota. | 0:02:28 | 0:02:31 | |
With an average age of 23 and representing only 460 students, | 0:02:31 | 0:02:36 | |
let's meet some of the current lot. | 0:02:36 | 0:02:38 | |
Hi, I'm Ty Vanover I'm from Clintwood, Virginia, | 0:02:38 | 0:02:41 | |
and I'm studying for an MA in 19th-century art. | 0:02:41 | 0:02:43 | |
Hi, I'm Margaret-Anne Logan from Patchogue, New York, | 0:02:45 | 0:02:47 | |
and I'm studying for an MA in 18th-century French art. | 0:02:47 | 0:02:50 | |
And here's their captain. | 0:02:50 | 0:02:52 | |
Hello, I'm Harvey Shepherd, I'm from Chesterfield in north Derbyshire, | 0:02:52 | 0:02:55 | |
and I'm studying for a BA in the history of art. | 0:02:55 | 0:02:57 | |
Hello, I'm Jack Snape, I'm from Bolton and I'm studying | 0:02:57 | 0:03:00 | |
for a Master's degree in the conservation of wall paintings. | 0:03:00 | 0:03:03 | |
APPLAUSE | 0:03:03 | 0:03:05 | |
OK, the rules are the same as ever. | 0:03:08 | 0:03:10 | |
Starter questions are worth 10 points, | 0:03:10 | 0:03:12 | |
they have to be answered on your own, on the buzzer, | 0:03:12 | 0:03:14 | |
but you can confer on bonuses for a possible 15 points. | 0:03:14 | 0:03:18 | |
So, fingers on the buzzers, here's the first starter for ten - | 0:03:18 | 0:03:21 | |
from a word meaning "forced labour", | 0:03:21 | 0:03:24 | |
what short word did the Czech author, Karel Capek...? | 0:03:24 | 0:03:27 | |
Robot. | 0:03:29 | 0:03:30 | |
Robot is correct, yes. | 0:03:30 | 0:03:32 | |
APPLAUSE | 0:03:32 | 0:03:33 | |
So you get the first set of bonuses, Oxford Brookes, | 0:03:35 | 0:03:37 | |
they're on English indie bands. | 0:03:37 | 0:03:40 | |
Chocolate and The City are tracks on the 2013 number-one debut album | 0:03:40 | 0:03:44 | |
by which Manchester four-member band? | 0:03:44 | 0:03:47 | |
Its name includes the year that saw the Sex Pistols first gig | 0:03:47 | 0:03:50 | |
at St Martin's School of Art. | 0:03:50 | 0:03:52 | |
-1975. -The 1975? | 0:03:52 | 0:03:54 | |
Correct. | 0:03:54 | 0:03:55 | |
In 2015, which band had their first number-one album with | 0:03:55 | 0:03:58 | |
Marks To Prove It? | 0:03:58 | 0:04:00 | |
Their name is that of a priestly family of Jews who organised | 0:04:00 | 0:04:04 | |
a successful rebellion against Antiochus IV | 0:04:04 | 0:04:06 | |
in the second century BC. | 0:04:06 | 0:04:08 | |
I think it begins with M... | 0:04:09 | 0:04:11 | |
-Maccabees? -Maccabees, yeah. | 0:04:11 | 0:04:13 | |
-Maccabees. -The Maccabees is right. | 0:04:13 | 0:04:16 | |
And finally, which band had | 0:04:16 | 0:04:17 | |
a number-one album in 2013 with Bad Blood? | 0:04:17 | 0:04:21 | |
It shares its name with the Paris fortress that was | 0:04:21 | 0:04:23 | |
first used by Colonel Richelieu as a state prison? | 0:04:23 | 0:04:26 | |
-Bastille. -Correct. | 0:04:26 | 0:04:29 | |
Ten points for this - now in common use, | 0:04:29 | 0:04:30 | |
which two terms did William Whewell recommend | 0:04:30 | 0:04:33 | |
in 1834 for describing opposing directions of electric current | 0:04:33 | 0:04:38 | |
after rejecting...? | 0:04:38 | 0:04:39 | |
AC/DC. | 0:04:40 | 0:04:42 | |
No. ..after rejecting... You lose five points too. | 0:04:42 | 0:04:45 | |
..after rejecting some of Michael Faraday's suggestions? | 0:04:45 | 0:04:49 | |
-Positive and negative? -No, it's anode and cathode. | 0:04:51 | 0:04:54 | |
Ten points for this - what seven-letter word is this? | 0:04:54 | 0:04:57 | |
Originally an American slang term for a dishonest means of regulating | 0:04:57 | 0:05:01 | |
a gambling game, it can also mean an item used | 0:05:01 | 0:05:03 | |
in a conjuring trick, a professional wrestler's in-ring persona... | 0:05:03 | 0:05:07 | |
Prestige. | 0:05:09 | 0:05:11 | |
No, I'm afraid you lose five points. | 0:05:11 | 0:05:12 | |
..a professional wrestler's in-ring persona, | 0:05:12 | 0:05:15 | |
and a showy device used to attract attention or publicity. | 0:05:15 | 0:05:18 | |
You may not confer, one of you may buzz. | 0:05:20 | 0:05:22 | |
-Enigma? -No, it's a gimmick. | 0:05:24 | 0:05:26 | |
Ten points for this - although considered to be | 0:05:26 | 0:05:28 | |
one of the founding members of the Impressionist movement, which | 0:05:28 | 0:05:32 | |
French artist preferred to call himself a realist or an independent? | 0:05:32 | 0:05:36 | |
His outdoor scenes... | 0:05:36 | 0:05:37 | |
-Edouard Manet? -No, I'm afraid you lose five points. | 0:05:38 | 0:05:41 | |
..his outdoor scenes often depicted horse races, | 0:05:41 | 0:05:43 | |
but he's chiefly associated with indoor subjects, | 0:05:43 | 0:05:46 | |
such as lawn dresses and ballet dancers? | 0:05:46 | 0:05:49 | |
Degas. | 0:05:51 | 0:05:52 | |
Degas is correct, yes. | 0:05:52 | 0:05:54 | |
APPLAUSE | 0:05:54 | 0:05:55 | |
These bonuses are on Galileo, Oxford Brookes. | 0:05:57 | 0:06:00 | |
In 1613, Galileo published a work on what astronomical phenomena, | 0:06:00 | 0:06:04 | |
disputing Christophe Scheiner's contention that there were | 0:06:04 | 0:06:07 | |
satellites orbiting a major heavenly body? | 0:06:07 | 0:06:10 | |
Erm... | 0:06:12 | 0:06:13 | |
Meteors? | 0:06:14 | 0:06:16 | |
Could be that there may be satellites around the moon? | 0:06:17 | 0:06:20 | |
Satellites around the moon? | 0:06:20 | 0:06:21 | |
No, it's sunspots. | 0:06:21 | 0:06:23 | |
Studied and named by Galileo in 1599, | 0:06:23 | 0:06:26 | |
which curve is the locus of a point on the rim of a circle | 0:06:26 | 0:06:30 | |
of radius A, if the circle is rolled along a straight line? | 0:06:30 | 0:06:33 | |
That is a cycloid... Cycloid? | 0:06:34 | 0:06:37 | |
Correct. | 0:06:37 | 0:06:38 | |
When Galileo used a telescope to observe the night sky, | 0:06:38 | 0:06:41 | |
which was the furthest of the planets he studied in detail? | 0:06:41 | 0:06:45 | |
He initially described it as, "Not a single star, | 0:06:45 | 0:06:48 | |
"but a composite of three, which almost touch each other." | 0:06:48 | 0:06:51 | |
Maybe, like, Saturn, and he thinks maybe Saturn and...? | 0:06:52 | 0:06:55 | |
-Yeah. -Saturn. | 0:06:55 | 0:06:57 | |
Saturn is correct. | 0:06:57 | 0:06:58 | |
Ten points for this - | 0:06:58 | 0:07:00 | |
the body of Mary Queen of Scots was interred for a time at which | 0:07:00 | 0:07:03 | |
East Anglian cathedral before it was removed to Westminster Abbey, | 0:07:03 | 0:07:07 | |
at the wish of James I? | 0:07:07 | 0:07:09 | |
Catherine of Aragon was also buried there, | 0:07:09 | 0:07:11 | |
and is commemorated each year by a festival in January. | 0:07:11 | 0:07:15 | |
Norwich. | 0:07:16 | 0:07:17 | |
Anyone like to buzz from Oxford Brookes? | 0:07:17 | 0:07:20 | |
Peterborough. | 0:07:20 | 0:07:21 | |
Peterborough is correct, yes. | 0:07:21 | 0:07:23 | |
APPLAUSE | 0:07:23 | 0:07:24 | |
These bonuses are on Ancient Greece and modern theme parks. | 0:07:26 | 0:07:30 | |
In each case, listen to the explanation | 0:07:30 | 0:07:32 | |
and give the single-word name of the roller coaster | 0:07:32 | 0:07:35 | |
and the name of the UK theme park at which it's located. | 0:07:35 | 0:07:38 | |
Firstly, one of the seven wonders of the ancient world, | 0:07:38 | 0:07:41 | |
it commemorated a victory over Demetris the Besieger, | 0:07:41 | 0:07:45 | |
the son of Antigonus the One-eyed. | 0:07:45 | 0:07:47 | |
It's Colossus, but what's the theme park? | 0:07:48 | 0:07:51 | |
-Thorpe Park? -Yeah. | 0:07:51 | 0:07:53 | |
Nominate Purcell. | 0:07:53 | 0:07:55 | |
-Colossus at Thorpe Park? -Correct. | 0:07:55 | 0:07:57 | |
Secondly, a long, poetic work, | 0:07:57 | 0:08:00 | |
its characters include Polyphemus, Calypso and Circe? | 0:08:00 | 0:08:03 | |
-Odyssey. -But where is it? | 0:08:03 | 0:08:05 | |
There's only a certain number of theme parks. | 0:08:05 | 0:08:07 | |
Chessington...? | 0:08:07 | 0:08:10 | |
Yeah, go for that. | 0:08:10 | 0:08:12 | |
Nominate Lewis. | 0:08:12 | 0:08:14 | |
Odyssey, Chessington World of Adventures. | 0:08:14 | 0:08:16 | |
No, it is Odyssey, but it's at Fantasy Island, near Skegness. | 0:08:16 | 0:08:19 | |
LAUGHTER And finally... | 0:08:19 | 0:08:21 | |
Why is Skegness funny? | 0:08:21 | 0:08:23 | |
And finally, the single-word name of which roller coaster means - | 0:08:23 | 0:08:27 | |
"Spirit of retribution against those who display hubris"? | 0:08:27 | 0:08:31 | |
-Nemesis, Alton Towers? -OK. | 0:08:31 | 0:08:33 | |
Nemesis, Alton Towers. | 0:08:33 | 0:08:34 | |
Correct, yes. | 0:08:34 | 0:08:35 | |
APPLAUSE | 0:08:35 | 0:08:37 | |
Time for a picture round. | 0:08:38 | 0:08:40 | |
We're going to take a picture starter, | 0:08:40 | 0:08:42 | |
which will show you three flags. | 0:08:42 | 0:08:44 | |
For ten points, name the country that's bordered by | 0:08:44 | 0:08:46 | |
all three of these countries. | 0:08:46 | 0:08:48 | |
-Cambodia. -Cambodia is correct. | 0:08:52 | 0:08:54 | |
They're the flags of Thailand, Laos and Vietnam. | 0:08:54 | 0:08:56 | |
APPLAUSE | 0:08:56 | 0:08:59 | |
For your bonuses, you're going to see three more sets of three flags, | 0:08:59 | 0:09:02 | |
in each case, name the country that borders all three, but no others. | 0:09:02 | 0:09:07 | |
Firstly... | 0:09:07 | 0:09:08 | |
That's Ethiopia, Djibouti and Kenya. | 0:09:10 | 0:09:12 | |
Like...Somalia. | 0:09:13 | 0:09:14 | |
Somalia would be my guess. | 0:09:14 | 0:09:15 | |
-Somalia? -Correct. | 0:09:15 | 0:09:17 | |
Secondly... | 0:09:17 | 0:09:18 | |
Guyana, Brazil and France. | 0:09:20 | 0:09:21 | |
So, Suriname. | 0:09:21 | 0:09:23 | |
Suriname. | 0:09:23 | 0:09:24 | |
Suriname is right. And finally... | 0:09:24 | 0:09:27 | |
So, Serbia, Croatia, Montenegro. | 0:09:27 | 0:09:29 | |
Erm... | 0:09:31 | 0:09:32 | |
Bosnia? | 0:09:32 | 0:09:33 | |
It could be Bosnia. | 0:09:33 | 0:09:34 | |
-Bosnia-Herzegovina. -Correct. | 0:09:34 | 0:09:37 | |
APPLAUSE | 0:09:37 | 0:09:40 | |
Ten points for this - | 0:09:40 | 0:09:41 | |
born in Brunswick in 1777, | 0:09:41 | 0:09:43 | |
which German mathematician gives his name both to the law that | 0:09:43 | 0:09:47 | |
states that the electric flux across...? | 0:09:47 | 0:09:49 | |
-Gauss. -Gauss is correct, yes. | 0:09:51 | 0:09:53 | |
APPLAUSE | 0:09:53 | 0:09:54 | |
These bonuses are on fathers and sons known as | 0:09:56 | 0:09:58 | |
the elder and the younger. | 0:09:58 | 0:09:59 | |
Firstly, for five points - | 0:09:59 | 0:10:01 | |
give the surname of the two 18th-century British architects | 0:10:01 | 0:10:04 | |
and town planners, best known for Palladian buildings | 0:10:04 | 0:10:07 | |
in Bath, such as the Circus and the Royal Crescent. | 0:10:07 | 0:10:10 | |
THEY CONFER | 0:10:10 | 0:10:11 | |
Me? The surname, I don't know. | 0:10:16 | 0:10:19 | |
I have no idea. | 0:10:19 | 0:10:21 | |
-Pass. -It's Wood, the elder and younger. | 0:10:21 | 0:10:24 | |
Secondly, what name can denote either of two Roman literary | 0:10:24 | 0:10:27 | |
figures, the elder being a teacher of rhetoric, while the younger | 0:10:27 | 0:10:30 | |
was an author of verse tragedies, who tutored the Emperor Nero? | 0:10:30 | 0:10:34 | |
-Seneca. -Correct. | 0:10:35 | 0:10:38 | |
Give the surname of the two 16th-century Flemish painters, | 0:10:38 | 0:10:41 | |
whose works between them include The Peasant Wedding | 0:10:41 | 0:10:44 | |
and The Census At Bethlehem? | 0:10:44 | 0:10:46 | |
-HE USES FLEMISH PRONUNCIATION, THEN CORRECTS TO ENGLISH -Breugel. | 0:10:46 | 0:10:49 | |
Breugel is correct, yes. | 0:10:49 | 0:10:51 | |
Or as we call it, incorrectly, no doubt. | 0:10:51 | 0:10:53 | |
You would know. | 0:10:53 | 0:10:54 | |
Ten points for this - "A happy ending was imperative, | 0:10:54 | 0:10:57 | |
"I was determined that, in fiction, anyway, two men should fall | 0:10:57 | 0:11:00 | |
"in love and remain in it for the ever and ever that fiction allows." | 0:11:00 | 0:11:05 | |
These words refer to which novel, published in 1971...? | 0:11:05 | 0:11:09 | |
-Maurice. -Maurice is correct, yes. | 0:11:11 | 0:11:14 | |
APPLAUSE | 0:11:14 | 0:11:15 | |
By EM Forster. | 0:11:15 | 0:11:17 | |
So you get your first set of bonuses, Courtauld, | 0:11:17 | 0:11:19 | |
they're on American artists. | 0:11:19 | 0:11:22 | |
Firstly, born in 1915, which abstract expressionist | 0:11:22 | 0:11:26 | |
created the series entitled Elegy To The Spanish Republic? | 0:11:26 | 0:11:29 | |
His surname is also the name of a town in North Lanarkshire. | 0:11:29 | 0:11:33 | |
-Robert Motherwell. -Correct. | 0:11:33 | 0:11:35 | |
Secondly, appearing in various forms in different media, | 0:11:35 | 0:11:38 | |
which pop artist's most enduring image is the word "love" | 0:11:38 | 0:11:41 | |
in upper case, red lettering, | 0:11:41 | 0:11:43 | |
with the L and a tilted O on top of the V and E? | 0:11:43 | 0:11:47 | |
In 1958, he changed his surname to that of his home state. | 0:11:47 | 0:11:51 | |
-Robert Indiana. -Correct. | 0:11:51 | 0:11:54 | |
And finally, adopting the name | 0:11:54 | 0:11:55 | |
of the Midwest city in which she was born, | 0:11:55 | 0:11:57 | |
which feminist artist's works include the large, | 0:11:57 | 0:12:00 | |
1970s, mixed-media installation entitled The Dinner Party? | 0:12:00 | 0:12:03 | |
Judy Chicago. | 0:12:05 | 0:12:07 | |
-Judy Chicago. -Correct. | 0:12:07 | 0:12:09 | |
Ten points for this - | 0:12:09 | 0:12:11 | |
in the 1947-48 cricket season, the Australian Bill Brown | 0:12:11 | 0:12:15 | |
was twice run out while backing up, by which Indian bowler? | 0:12:15 | 0:12:20 | |
His name is now used eponymously for this form of dismissal, | 0:12:20 | 0:12:22 | |
regarded by some as controversial. | 0:12:22 | 0:12:24 | |
Bodyline. | 0:12:28 | 0:12:29 | |
No, that was a style of bowling. | 0:12:29 | 0:12:31 | |
No, anyone like to buzz from The Courtauld? | 0:12:32 | 0:12:34 | |
It's Mankad. Ten points for this - published in 2016, | 0:12:38 | 0:12:41 | |
The Bricks That Built The Houses is the debut novel by which | 0:12:41 | 0:12:45 | |
south London poet, playwright, spoken-word performer and rapper...? | 0:12:45 | 0:12:49 | |
-Kate Tempest. -Correct. | 0:12:51 | 0:12:52 | |
APPLAUSE | 0:12:52 | 0:12:54 | |
You get three questions on the shipping forecast, Oxford Brookes. | 0:12:56 | 0:12:59 | |
Two shipping forecast areas share their names with firths, | 0:12:59 | 0:13:02 | |
or estuaries, on the Scottish coast. | 0:13:02 | 0:13:04 | |
Please name both of them. | 0:13:04 | 0:13:06 | |
Forth and...? | 0:13:08 | 0:13:10 | |
-I don't know, Clyde? -Yeah. -Try that. | 0:13:11 | 0:13:14 | |
Forth and Clyde? | 0:13:14 | 0:13:15 | |
No, it's Forth and Cromarty. | 0:13:15 | 0:13:17 | |
And secondly, in 2002, the Finisterre shipping forecast area | 0:13:17 | 0:13:21 | |
was renamed after which historical figure, | 0:13:21 | 0:13:24 | |
the founder of the meteorological office? | 0:13:24 | 0:13:27 | |
I don't, sorry. | 0:13:28 | 0:13:29 | |
Does anyone listen to the shipping forecast at all? | 0:13:29 | 0:13:31 | |
Just say somebody's name. | 0:13:31 | 0:13:33 | |
Erm...Smith. | 0:13:33 | 0:13:34 | |
No, it's Robert FitzRoy, the captain of HMS Beagle. | 0:13:34 | 0:13:37 | |
And finally, "Is this your ridiculous idea of a joke?" - | 0:13:37 | 0:13:40 | |
says a teacher in the 1969 film Kes, | 0:13:40 | 0:13:43 | |
when Billy Casper interrupts his reading of the register | 0:13:43 | 0:13:47 | |
after the name Fisher. | 0:13:47 | 0:13:49 | |
What shipping forecast area does Billy call out? | 0:13:49 | 0:13:52 | |
-German Bight. -Dogger. -Dogger? Is it Dogger? | 0:13:52 | 0:13:55 | |
Dogger. | 0:13:55 | 0:13:56 | |
No, it's German Bight. | 0:13:56 | 0:13:58 | |
Ten points for this - | 0:13:58 | 0:13:59 | |
what six-letter surname links a general who | 0:13:59 | 0:14:02 | |
defected to the British during the American Revolution...? | 0:14:02 | 0:14:05 | |
Arnold. | 0:14:07 | 0:14:08 | |
Arnold is right, yes. | 0:14:08 | 0:14:09 | |
APPLAUSE | 0:14:09 | 0:14:11 | |
You get a set of bonuses on the works of Tennyson, Courtauld. | 0:14:12 | 0:14:16 | |
In a poem by Tennyson, who what is described as sleeping... | 0:14:16 | 0:14:19 | |
"Below the thunders of the ancient deep | 0:14:19 | 0:14:22 | |
"Far, far beneath, in the abysmal sea | 0:14:22 | 0:14:25 | |
"His ancient, dreamless, uninvaded sleep"? | 0:14:25 | 0:14:28 | |
-King Arthur. -No, it's the Kraken. | 0:14:31 | 0:14:34 | |
"To strive, to seek, to find and not to yield," | 0:14:34 | 0:14:37 | |
is the last line of which dramatic monologue by Tennyson, | 0:14:37 | 0:14:41 | |
named after a figure in Greek myth? | 0:14:41 | 0:14:42 | |
Odysseus. | 0:14:42 | 0:14:44 | |
Odysseus. | 0:14:44 | 0:14:46 | |
No, it's Ulysses. | 0:14:46 | 0:14:47 | |
And finally, referring to an episode in Homer's Odyssey, | 0:14:47 | 0:14:50 | |
which poem by Tennyson states that, | 0:14:50 | 0:14:52 | |
"Surely, surely, slumber is more sweet than toil"? | 0:14:52 | 0:14:55 | |
THEY CONFER | 0:14:55 | 0:14:56 | |
Circe. | 0:15:06 | 0:15:07 | |
No, it's the Lotus-eaters. | 0:15:07 | 0:15:09 | |
Right, we're going to take a music round now. | 0:15:09 | 0:15:11 | |
For your music starter, you'll hear a piece of music from an opera. | 0:15:11 | 0:15:14 | |
For ten points, I want you to name the opera, please. | 0:15:14 | 0:15:16 | |
SPARSE, ETHEREAL MUSIC | 0:15:17 | 0:15:20 | |
# Summertime... # | 0:15:21 | 0:15:28 | |
Porgy and Bess. | 0:15:30 | 0:15:32 | |
Correct. | 0:15:32 | 0:15:33 | |
APPLAUSE | 0:15:33 | 0:15:34 | |
Summertime is, of course, one of the most-covered songs of all time. | 0:15:36 | 0:15:39 | |
For your music bonuses, three more recordings of Summertime, | 0:15:39 | 0:15:42 | |
each by a different solo artist. | 0:15:42 | 0:15:44 | |
Five points in each case if you can give me the name of the artist. | 0:15:44 | 0:15:47 | |
Firstly... | 0:15:47 | 0:15:49 | |
LIVELY JAZZ SAXOPHONE | 0:15:49 | 0:15:51 | |
Charlie Parker did play saxophone. | 0:16:04 | 0:16:07 | |
-Miles Davis? -No, Miles Davis was the trumpet. | 0:16:07 | 0:16:11 | |
No, I think Charlie Parker seems... Charlie Parker? | 0:16:13 | 0:16:16 | |
-Charlie Parker. -No, that's John Coltrane. | 0:16:16 | 0:16:19 | |
Secondly, who's this? | 0:16:19 | 0:16:21 | |
SHUFFLING BLUES SOPRANO SAX AND GUITAR | 0:16:21 | 0:16:25 | |
I don't think it's Miles Davis, because I think of Kind Of Blue... | 0:16:45 | 0:16:49 | |
Louis Armstrong? | 0:16:49 | 0:16:51 | |
No, that's Sidney Bechet. And finally... | 0:16:51 | 0:16:54 | |
BRASS-BACKED FEMALE VOCALS | 0:16:54 | 0:16:55 | |
# Summertime | 0:16:55 | 0:16:59 | |
# And the living is easy | 0:16:59 | 0:17:03 | |
# Fish are jumping | 0:17:04 | 0:17:08 | |
# And the cotton is high... # | 0:17:08 | 0:17:12 | |
Billie Holiday. | 0:17:12 | 0:17:13 | |
It is Billie Holiday, yes. | 0:17:13 | 0:17:15 | |
APPLAUSE Right, ten points for this - | 0:17:15 | 0:17:17 | |
with a total mass probably no more than 5% of that of our moon, | 0:17:17 | 0:17:21 | |
which group of objects are classified according to their | 0:17:21 | 0:17:25 | |
reflection spectra by letters including S for siliceous, | 0:17:25 | 0:17:29 | |
M for metallic, and C for carbonaceous? | 0:17:29 | 0:17:32 | |
Asteroids. | 0:17:34 | 0:17:36 | |
Correct. | 0:17:36 | 0:17:37 | |
APPLAUSE | 0:17:37 | 0:17:40 | |
You get a set of bonuses on the British coast, | 0:17:40 | 0:17:42 | |
this time, Oxford Brookes. | 0:17:42 | 0:17:43 | |
Flamborough Head is a chalk promontory that separates | 0:17:43 | 0:17:46 | |
Filey Bay from which other bay, immediately to the south? | 0:17:46 | 0:17:51 | |
It's also named after a seaside resort. | 0:17:51 | 0:17:53 | |
Whitby? | 0:17:54 | 0:17:55 | |
-Because they're both in Yorkshire. -Yes, yes. Go for Whitby. | 0:17:55 | 0:17:59 | |
Whitby? | 0:17:59 | 0:18:01 | |
No, it's Bridlington Bay. | 0:18:01 | 0:18:03 | |
At the Battle of Flamborough Head, | 0:18:03 | 0:18:05 | |
the Bonhomme Richard embarrassed the Royal Navy by capturing HMS Serapis. | 0:18:05 | 0:18:10 | |
During which conflict did that occur? | 0:18:10 | 0:18:12 | |
So, it's British and...American, did I hear? | 0:18:14 | 0:18:17 | |
Or something else completely? | 0:18:17 | 0:18:20 | |
I don't know. | 0:18:22 | 0:18:24 | |
Conflict in British waters, I don't know... | 0:18:24 | 0:18:27 | |
-Could it be the Civil War? -No, not in the water. | 0:18:27 | 0:18:29 | |
I think we'd better have an answer, please. | 0:18:29 | 0:18:32 | |
-Sorry, we don't know. -It's the American War of Independence. | 0:18:32 | 0:18:34 | |
And finally - a few miles north of Flamborough Head, Bempton Cliffs | 0:18:34 | 0:18:38 | |
is the site of a visitor centre owned by which registered charity? | 0:18:38 | 0:18:42 | |
-Is that Salvation Army? -RSPCA? | 0:18:44 | 0:18:48 | |
RSP... Birds. | 0:18:48 | 0:18:51 | |
-The RSPB. -Yep, go with that. | 0:18:51 | 0:18:53 | |
-What's that? -RSPB. | 0:18:53 | 0:18:55 | |
RSPB. | 0:18:55 | 0:18:56 | |
The RSPB, the Royal Society for the Protection of Birds, is correct. | 0:18:56 | 0:19:00 | |
Ten points for this - | 0:19:00 | 0:19:02 | |
"Is he French or is he Flemish? | 0:19:02 | 0:19:04 | |
"Whatever we say, someone will complain." | 0:19:04 | 0:19:07 | |
To which painter does this refer? | 0:19:07 | 0:19:09 | |
Born in 168... | 0:19:09 | 0:19:10 | |
-Watteau. -Watteau is correct, yes. | 0:19:10 | 0:19:14 | |
APPLAUSE | 0:19:14 | 0:19:16 | |
You get a set of bonuses, Courtauld Institute, on human anatomy. | 0:19:16 | 0:19:19 | |
To which organ of the human body does the adjective "otic" refer? | 0:19:19 | 0:19:24 | |
The spleen. | 0:19:34 | 0:19:35 | |
No, it's the ear. | 0:19:35 | 0:19:37 | |
Secondly, which two nerve branches transmit sensory impulses | 0:19:37 | 0:19:41 | |
for balance and hearing to the brain? | 0:19:41 | 0:19:43 | |
Any ideas? | 0:19:51 | 0:19:52 | |
-Central nervous system... -No, it's the vestibular and the cochlear. | 0:19:57 | 0:20:00 | |
And finally, the cochlear and the vestibular nerves form | 0:20:00 | 0:20:03 | |
a cranial nerve given what numerical designation? | 0:20:03 | 0:20:07 | |
-Ten. -No, it's eight, or the eighth. | 0:20:12 | 0:20:13 | |
Ten points for this - | 0:20:13 | 0:20:16 | |
in 1984, what did George Orwell describe as, | 0:20:16 | 0:20:19 | |
"The one public event to which the proles paid serious attention?" | 0:20:19 | 0:20:23 | |
Ford's Day? | 0:20:25 | 0:20:27 | |
No, I'm afraid you lose five points. | 0:20:27 | 0:20:28 | |
"..the proles paid serious attention. | 0:20:28 | 0:20:31 | |
"It was their delight, their folly, their anodyne, | 0:20:31 | 0:20:33 | |
"their intellectual stimulant." | 0:20:33 | 0:20:35 | |
You may not confer. | 0:20:36 | 0:20:37 | |
Drinking. | 0:20:42 | 0:20:44 | |
No, it's the lottery. | 0:20:44 | 0:20:45 | |
Ten points for this - which novel by Thackeray relates the life | 0:20:45 | 0:20:49 | |
and times of its eponymous narrator, an 18th-century Irishman...? | 0:20:49 | 0:20:53 | |
-Barry Lyndon. -Correct. | 0:20:55 | 0:20:57 | |
APPLAUSE | 0:20:57 | 0:20:59 | |
Your bonuses are on women buried in London's Highgate Cemetery. | 0:20:59 | 0:21:03 | |
Born in Bournemouth in 1880, | 0:21:03 | 0:21:05 | |
which author was noted for The Unlit Lamp and The Well Of Loneliness? | 0:21:05 | 0:21:09 | |
Any ideas? | 0:21:13 | 0:21:15 | |
..I think early '20s... | 0:21:15 | 0:21:17 | |
-I think we'd better have an answer, please. -Erm... | 0:21:17 | 0:21:20 | |
Ah... | 0:21:20 | 0:21:22 | |
Agatha Christie. | 0:21:22 | 0:21:23 | |
No, I don't think so, no. It's Radclyffe Hall. | 0:21:23 | 0:21:26 | |
Born in London in 1829, a poet, artist | 0:21:26 | 0:21:30 | |
and model for several of the Pre-Raphaelite artists, | 0:21:30 | 0:21:32 | |
known by what name before she married | 0:21:32 | 0:21:35 | |
Dante Gabriel Rossetti in 1860? | 0:21:35 | 0:21:38 | |
-Lizzie Siddal. -Correct. | 0:21:38 | 0:21:40 | |
And finally - born in London in 1902, | 0:21:40 | 0:21:42 | |
an author and journalist noted for the 1932 novel, Cold Comfort Farm? | 0:21:42 | 0:21:48 | |
-Stella Gibbons. -Correct. | 0:21:48 | 0:21:49 | |
Right, we're going to take another picture round now. | 0:21:51 | 0:21:53 | |
For your picture starter, you're going to see a painting. | 0:21:53 | 0:21:55 | |
Ten points if you can tell me who painted it? | 0:21:55 | 0:21:57 | |
Turner. | 0:22:02 | 0:22:03 | |
No, anyone like to buzz from The Courtauld? Quickly? | 0:22:03 | 0:22:06 | |
You should have got this! | 0:22:09 | 0:22:11 | |
It's by Constable. | 0:22:12 | 0:22:13 | |
So we're going to take the picture bonuses in a moment or two, | 0:22:13 | 0:22:16 | |
when someone gets a starter question right. | 0:22:16 | 0:22:19 | |
Ten points at stake for this - the eighth-century Muslim saint, | 0:22:19 | 0:22:22 | |
Rabiah al-Adawiyah, is seen principally as a mystic | 0:22:22 | 0:22:26 | |
with direct experience of the divine, | 0:22:26 | 0:22:29 | |
and hence is associated with which branch of Islam? | 0:22:29 | 0:22:33 | |
-Sufi. -Sufism is correct, yes. | 0:22:34 | 0:22:37 | |
APPLAUSE | 0:22:37 | 0:22:39 | |
Now, you'll recall that you failed to identify | 0:22:39 | 0:22:41 | |
John Constable's Harwich Lighthouse, which is | 0:22:41 | 0:22:43 | |
part of the collection of the Birmingham Museum and Art Gallery. | 0:22:43 | 0:22:46 | |
For your bonuses, you're going to see | 0:22:46 | 0:22:48 | |
three more English artists who are housed there. | 0:22:48 | 0:22:51 | |
Five points for each artist you can identify. Firstly... | 0:22:51 | 0:22:54 | |
THEY CONFER | 0:22:56 | 0:22:58 | |
Come on. | 0:23:06 | 0:23:08 | |
Erm...Waterhouse. | 0:23:08 | 0:23:10 | |
No, that's Edwin Landseer, The Hunting Of Chevy Chase. | 0:23:10 | 0:23:12 | |
Secondly, who's this by? | 0:23:12 | 0:23:15 | |
THEY CONFER | 0:23:17 | 0:23:19 | |
Turner. | 0:23:26 | 0:23:27 | |
No, that's by Joseph Wright of Derby. And finally... | 0:23:27 | 0:23:30 | |
-Ford Madox Brown. -Correct. | 0:23:33 | 0:23:35 | |
You would have been in really deep doo-doo if you hadn't got that one. | 0:23:35 | 0:23:38 | |
Right, ten points for this - whose use of the | 0:23:38 | 0:23:40 | |
modularity conjecture for semistable elliptic curves was noted | 0:23:40 | 0:23:44 | |
in the official citation for the Abel Prize for mathematics in 2016, | 0:23:44 | 0:23:49 | |
in particular, as part of his proof of Fermat's Last Theorem? | 0:23:49 | 0:23:52 | |
-Wiles. -Andrew Wiles is correct, yes. | 0:23:54 | 0:23:57 | |
APPLAUSE | 0:23:57 | 0:23:59 | |
So you get a set of bonuses on African capitals. | 0:23:59 | 0:24:02 | |
In each case, name both the capital and its country. | 0:24:02 | 0:24:06 | |
Firstly, the first four letters of the name of which African | 0:24:06 | 0:24:09 | |
capital spell a word meaning a thump or sudden explosive noise? | 0:24:09 | 0:24:15 | |
Bang. It might just be bang? | 0:24:16 | 0:24:18 | |
Mombasa...? | 0:24:18 | 0:24:19 | |
I don't know what starts with a bang. | 0:24:22 | 0:24:25 | |
-Starts with bang? -Three letters? -No, four letters. | 0:24:25 | 0:24:27 | |
Erm... | 0:24:27 | 0:24:29 | |
I can't think of anything, really. | 0:24:29 | 0:24:31 | |
Ah... | 0:24:33 | 0:24:36 | |
Oh, Bangui, Central African Republic. | 0:24:36 | 0:24:38 | |
Correct, yes. | 0:24:38 | 0:24:40 | |
The first four letters of which capital spell an everyday, natural | 0:24:40 | 0:24:44 | |
phenomenon, examples of which include helm, chinook and mistral? | 0:24:44 | 0:24:49 | |
It's wind, so Windhoek... | 0:24:49 | 0:24:52 | |
-Windhoek, Namibia. -Correct. | 0:24:52 | 0:24:54 | |
And finally, the first four letters of which capital spell | 0:24:54 | 0:24:57 | |
the name of an extinct, flightless bird of Mauritius? | 0:24:57 | 0:25:01 | |
Dodo... So, Dodoma, Tanzania. | 0:25:01 | 0:25:03 | |
-Dodoma, Tanzania. -Correct. | 0:25:03 | 0:25:05 | |
APPLAUSE | 0:25:05 | 0:25:07 | |
Ten points at stake for this - in 1935 and '57, | 0:25:07 | 0:25:10 | |
which current German state was returned to Germany...? | 0:25:10 | 0:25:13 | |
-Saarland. -Saarland is correct, yes. | 0:25:15 | 0:25:17 | |
APPLAUSE | 0:25:17 | 0:25:19 | |
Your bonuses are on baroque architecture now, Oxford Brookes. | 0:25:19 | 0:25:22 | |
One of Germany's largest baroque palaces, the Ludwigsburg is | 0:25:22 | 0:25:26 | |
situated in the south-west, just north of which state capital? | 0:25:26 | 0:25:30 | |
What's southwest? | 0:25:31 | 0:25:33 | |
It's Baden-Wurttemberg, so it might be Stuttgart that's around there. | 0:25:33 | 0:25:36 | |
-Munich? -No, Munich is south-east. | 0:25:36 | 0:25:39 | |
Stuttgart? | 0:25:39 | 0:25:40 | |
Stuttgart is correct. | 0:25:40 | 0:25:42 | |
And secondly, a Unesco World Heritage Site, | 0:25:42 | 0:25:44 | |
the baroque residence of the former Prince-bishops is in which | 0:25:44 | 0:25:48 | |
Bavarian city, between Nuremberg in Frankfurt? | 0:25:48 | 0:25:52 | |
It's not Munich, that's nowhere near. | 0:25:53 | 0:25:56 | |
Heidelberg? | 0:25:56 | 0:25:58 | |
I don't think that's in Bavaria. | 0:25:58 | 0:25:59 | |
We can try that. | 0:25:59 | 0:26:01 | |
Heidelberg? | 0:26:03 | 0:26:04 | |
No, it's Wurzburg. | 0:26:04 | 0:26:05 | |
And finally, the Chinese House is in the grounds of the | 0:26:05 | 0:26:09 | |
Palace of Sanssouci, in which German state capital, not far from Berlin? | 0:26:09 | 0:26:14 | |
Leipzig isn't far from Berlin? | 0:26:14 | 0:26:17 | |
I don't know if it's a state capital. | 0:26:17 | 0:26:19 | |
Leipzig? | 0:26:19 | 0:26:20 | |
-No, it's Potsdam. -Potsdam! | 0:26:20 | 0:26:22 | |
Ten points for this - | 0:26:22 | 0:26:24 | |
in 1914, the ruler of which Empire held | 0:26:24 | 0:26:26 | |
titles including King of Jerusalem, Lord of the Windic March, | 0:26:26 | 0:26:29 | |
Grand Prince of Transylvania and Grand Duke...? | 0:26:29 | 0:26:32 | |
-Ottoman Empire. -No, you lose five points. | 0:26:33 | 0:26:36 | |
..and Grand Duke of Tuscany and Krakow? | 0:26:36 | 0:26:39 | |
One of you buzz, Courtauld? | 0:26:40 | 0:26:42 | |
Austro-Hungarian Empire? | 0:26:44 | 0:26:45 | |
Correct. You get a set of bonuses now on the US performer, Danny Kaye. | 0:26:45 | 0:26:50 | |
Firstly for five - early in his career, | 0:26:50 | 0:26:52 | |
Danny Kaye was noted for a patter song that recited names | 0:26:52 | 0:26:55 | |
such as Stravinsky, Glinka and Rachmaninov in rapid succession. | 0:26:55 | 0:26:59 | |
Which composer is the title figure of the song? | 0:26:59 | 0:27:02 | |
THEY CONFER | 0:27:04 | 0:27:05 | |
Come on. | 0:27:08 | 0:27:09 | |
Who did Flight Of The Bumblebee? | 0:27:09 | 0:27:11 | |
Let's have it, please. | 0:27:14 | 0:27:16 | |
Tchaikovsky. | 0:27:16 | 0:27:17 | |
It is Tchaikovsky. And other Russians. | 0:27:17 | 0:27:19 | |
In a 1947 film, Kaye played which henpecked husband, | 0:27:19 | 0:27:24 | |
the title character of a short story by James Thurber? | 0:27:24 | 0:27:26 | |
THEY CONFER | 0:27:28 | 0:27:29 | |
-Come on. -We don't know. | 0:27:34 | 0:27:35 | |
It's Walter Mitty, as in The Secret Life Of. | 0:27:35 | 0:27:37 | |
And finally, form the 1950s... | 0:27:37 | 0:27:39 | |
GONG | 0:27:39 | 0:27:40 | |
And at the gong, the Courtauld Institute of Art have 85, | 0:27:40 | 0:27:43 | |
Oxford Brookes have 175. | 0:27:43 | 0:27:45 | |
APPLAUSE | 0:27:45 | 0:27:47 | |
Well, bad luck, Courtauld. | 0:27:47 | 0:27:49 | |
You are going to get some stick for not identifying one or two | 0:27:49 | 0:27:52 | |
of those paintings, I think. But never mind. Thank you very much. | 0:27:52 | 0:27:55 | |
And Oxford Brookes, congratulations to you, we shall look forward to | 0:27:55 | 0:27:58 | |
seeing you in the second round. Thank you for joining us. | 0:27:58 | 0:28:01 | |
I hope you can join us next time for another first-round match. | 0:28:01 | 0:28:03 | |
But until then, it's goodbye from the Courtauld Institute of Art... | 0:28:03 | 0:28:06 | |
-Goodbye. -It's goodbye from Oxford Brookes University... | 0:28:06 | 0:28:09 | |
-Goodbye. -And it's goodbye from me, goodbye. | 0:28:09 | 0:28:12 | |
APPLAUSE | 0:28:12 | 0:28:14 |