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Hello and welcome to Man Lab, | 0:00:02 | 0:00:03 | |
where we strive to release the image of the modern male | 0:00:03 | 0:00:06 | |
from the concrete jodhpurs of your preconception. | 0:00:06 | 0:00:09 | |
'Striking out on behalf of optimists everywhere...' | 0:00:27 | 0:00:29 | |
Two, one, we have lift-off! | 0:00:29 | 0:00:32 | |
'..we poke Thor with a self-propelled pointy stick | 0:00:32 | 0:00:35 | |
'in an attempt to capture a lightning bolt.' | 0:00:35 | 0:00:37 | |
You'll have to get in, cameraman, I'm afraid, or you could get blown to bits. | 0:00:37 | 0:00:41 | |
'We recruit an army of crime-fighting cats...' | 0:00:41 | 0:00:44 | |
So any burglar hiding in there would be bang to rights. | 0:00:44 | 0:00:48 | |
'And we strive for international sporting glory | 0:00:48 | 0:00:51 | |
'in one of the oldest games in the world.' | 0:00:51 | 0:00:54 | |
CHEERING | 0:00:54 | 0:00:58 | |
Bruce Springsteen told us that you can't start a fire without a spark. | 0:01:00 | 0:01:05 | |
And this has always been true. | 0:01:05 | 0:01:07 | |
For decades now, we've had little piezoelectric lighters, | 0:01:07 | 0:01:10 | |
but before that, we had matches. | 0:01:10 | 0:01:12 | |
Before that, we had flints and tinderboxes. | 0:01:12 | 0:01:14 | |
Before that, we had pieces of wood that could be rubbed together. | 0:01:14 | 0:01:17 | |
But before all of that, way back when the world was young, | 0:01:17 | 0:01:22 | |
we had the great spark that lit man's first red fire. | 0:01:22 | 0:01:26 | |
The very thing that Freddie Mercury said was "very, very frightening" - | 0:01:26 | 0:01:30 | |
lightning. | 0:01:30 | 0:01:32 | |
Since the dawn of time, mankind has cowered in awe | 0:01:33 | 0:01:36 | |
at the destructive power of a decent thunderstorm. | 0:01:36 | 0:01:39 | |
The old Norse sagas told of thunder god Thor striking down his quaking enemies with Mjolnir, | 0:01:39 | 0:01:46 | |
his lightning-emitting war hammer. | 0:01:46 | 0:01:48 | |
In Greek mythology, Prometheus stole fire from the gods | 0:01:48 | 0:01:52 | |
for us mortals to use, and in doing so, created the first human skill | 0:01:52 | 0:01:57 | |
that gave us progress and civilisation. | 0:01:57 | 0:02:00 | |
We could buy a lighter, but where's the skill in that? | 0:02:00 | 0:02:03 | |
Much better to steal the spark ourselves | 0:02:03 | 0:02:07 | |
by capturing a bolt of lightning. | 0:02:07 | 0:02:09 | |
We're now going to talk about Nikola Tesla, 1856 to 1943, | 0:02:12 | 0:02:16 | |
one of the great electrical pioneers, | 0:02:16 | 0:02:18 | |
probably the closest thing we've had | 0:02:18 | 0:02:20 | |
to a human being who does understand electricity. | 0:02:20 | 0:02:23 | |
He's been called the father of the electric motor, | 0:02:23 | 0:02:26 | |
he was a champion of alternating current | 0:02:26 | 0:02:28 | |
and the widespread distribution of electricity | 0:02:28 | 0:02:30 | |
on what we now call the National Grid. | 0:02:30 | 0:02:32 | |
Among Tesla's many inventions was this - the Tesla coil. | 0:02:32 | 0:02:36 | |
It actually belongs to Steve. How does it work, actually? | 0:02:36 | 0:02:40 | |
Well, all the Tesla coil is is a special kind of transformer. | 0:02:40 | 0:02:44 | |
And Tesla invented it | 0:02:44 | 0:02:46 | |
to experiment with wireless power and radio. | 0:02:46 | 0:02:50 | |
Tesla built increasingly larger versions of these coils | 0:02:50 | 0:02:53 | |
in an attempt to develop the first global wireless power grid. | 0:02:53 | 0:02:57 | |
Inadvertently, he invented a form of man-made lightning, | 0:02:57 | 0:03:00 | |
which should give us a chance of seeing what we're dealing with. | 0:03:00 | 0:03:04 | |
-The voltage on this is enormous, isn't it? -Yes, about 250,000 volts. | 0:03:06 | 0:03:10 | |
-Can you fire it up? -Yes. | 0:03:10 | 0:03:12 | |
Everybody stand back a safe distance, please. | 0:03:12 | 0:03:15 | |
-What is a safe distance? -About two metres or so. | 0:03:15 | 0:03:20 | |
Lights off. | 0:03:23 | 0:03:24 | |
ELECTRICAL BUZZING | 0:03:28 | 0:03:30 | |
Unless I'm mistaken, one of those lighting bolts earthed on the table. | 0:03:36 | 0:03:40 | |
-Did you see that? -Yes. | 0:03:40 | 0:03:41 | |
-So that WAS a bolt of lightning? -Indeed. -If we consider that the cloud | 0:03:41 | 0:03:45 | |
-and that the ground? -Yes. | 0:03:45 | 0:03:47 | |
'Small boys, including us, will see this as a hi tech electric whoopee cushion. | 0:03:47 | 0:03:52 | |
'But it also shows us that lightning might be something we can tame.' | 0:03:52 | 0:03:57 | |
This is a quarter of a million volts, | 0:03:57 | 0:04:00 | |
a thousand times what you get out of the plug at home - and that hurts, let's be honest. | 0:04:00 | 0:04:06 | |
'It's a fraction of the power of the real thing. | 0:04:06 | 0:04:09 | |
'But it's the same stuff.' | 0:04:09 | 0:04:12 | |
That's spectacular, and our quest, should we succeed, | 0:04:12 | 0:04:15 | |
is to get that same phenomenon in the real world, | 0:04:15 | 0:04:18 | |
thousands of feet long, a real lightning bolt hitting the ground, | 0:04:18 | 0:04:22 | |
captured on the television for you. | 0:04:22 | 0:04:24 | |
'Stirring words indeed. | 0:04:24 | 0:04:26 | |
'But the only way to turn this ambitious dream into reality | 0:04:26 | 0:04:30 | |
'is to use a vehicle with which Man Lab has already chalked up | 0:04:30 | 0:04:34 | |
'a depressing litany of failure. | 0:04:34 | 0:04:35 | |
'When we first tried rocketry, back in the innocent days of series one, | 0:04:35 | 0:04:40 | |
'our technical approach consisted mostly of shouting at them.' | 0:04:40 | 0:04:44 | |
Rocket! | 0:04:44 | 0:04:45 | |
-No? -No. | 0:04:45 | 0:04:46 | |
Rocket! | 0:04:48 | 0:04:49 | |
'And although this tactic did show some eventual promise... | 0:04:49 | 0:04:52 | |
'our rockets had a nasty habit | 0:04:52 | 0:04:55 | |
'of zeroing in on us, rather than the sky.' | 0:04:55 | 0:04:58 | |
CHUCKLING | 0:05:01 | 0:05:02 | |
'But now we've found a man who insists | 0:05:02 | 0:05:05 | |
'he can not only launch a rocket, | 0:05:05 | 0:05:07 | |
'but also capture a lightning bolt and live to tell the tale.' | 0:05:07 | 0:05:10 | |
This is Charlie Adcock. Regular viewers will remember him | 0:05:10 | 0:05:14 | |
as the man who cut down the Christmas tree using explosives. | 0:05:14 | 0:05:17 | |
This was actually his idea, | 0:05:17 | 0:05:19 | |
and the key to capturing our own bolt of lightning | 0:05:19 | 0:05:22 | |
is, believe it or not, this 0.15mm diameter stainless steel... | 0:05:22 | 0:05:29 | |
-What would you call this? Not line, really. -Filament, I guess, | 0:05:29 | 0:05:33 | |
would be a good word for it. | 0:05:33 | 0:05:34 | |
We're going to wind around 800 metres of this onto a coil | 0:05:34 | 0:05:38 | |
which will form part of a rocket | 0:05:38 | 0:05:41 | |
that we will fire into a thunder cloud, pregnant with electricity, | 0:05:41 | 0:05:46 | |
and because electricity is essentially lazy and wants to go the easiest route to Earth, | 0:05:46 | 0:05:50 | |
it should fly down the wire, | 0:05:50 | 0:05:52 | |
and that way, we will know exactly where it's going to hit the ground. | 0:05:52 | 0:05:56 | |
This is our transmitter for talking to Thor. | 0:05:56 | 0:06:00 | |
It all seems pretty straightforward. | 0:06:00 | 0:06:04 | |
We fire our rocket into a cloud and its trailing wire | 0:06:04 | 0:06:07 | |
instantly becomes a 2,500ft-long lightning conductor, | 0:06:07 | 0:06:11 | |
leading into a barrel of sand. | 0:06:11 | 0:06:13 | |
The only other thing we'll need is one of these - | 0:06:13 | 0:06:16 | |
a thunder cloud, or anvil cumulonimbus. | 0:06:16 | 0:06:19 | |
These gigantic stacks of vapour are formed | 0:06:19 | 0:06:22 | |
by the collision of unstable weather fronts | 0:06:22 | 0:06:24 | |
and rub themselves into a one-billion-volt static electrical frenzy. | 0:06:24 | 0:06:28 | |
Our ambition here is not merely to give you an extremely exciting piece of television, | 0:06:28 | 0:06:33 | |
a lovely image of a lightning bolt, | 0:06:33 | 0:06:35 | |
but also to record it in the ground, | 0:06:35 | 0:06:37 | |
because when the lightning bolt reaches Earth, | 0:06:37 | 0:06:40 | |
the immense heat creates something called a fulgurite, | 0:06:40 | 0:06:43 | |
which is a sort of glass sculpture if the material it hits is right. | 0:06:43 | 0:06:48 | |
When the lightning hits our barrel of sand, | 0:06:50 | 0:06:53 | |
the immense heat will instantly turn it to glass, | 0:06:53 | 0:06:56 | |
leaving a three-dimensional record of the lightning bolt. | 0:06:56 | 0:07:00 | |
And this will be our trophy. | 0:07:00 | 0:07:03 | |
It couldn't really be any simpler. | 0:07:05 | 0:07:07 | |
It doesn't mean it's going to work, but it should do. | 0:07:07 | 0:07:09 | |
THEY CHUCKLE | 0:07:09 | 0:07:11 | |
'To ensure our filament doesn't snag or break during the attempt, | 0:07:11 | 0:07:14 | |
'we're using a computerised lathe to wind it neatly | 0:07:14 | 0:07:18 | |
'around the fins of the rocket. | 0:07:18 | 0:07:20 | |
'But, to be perfectly honest, breaking the wire is the least of my worries.' | 0:07:20 | 0:07:23 | |
It's a well-worn cliche, but we really should say don't try this at home. | 0:07:23 | 0:07:28 | |
Don't stand on the roof with a long stick and a piece of wire pointing at thunder clouds | 0:07:28 | 0:07:32 | |
because it's potentially very dangerous. We'll have to stand back. | 0:07:32 | 0:07:35 | |
There is a significant electrocution hazard. | 0:07:35 | 0:07:38 | |
'Since he's clearly already received a glancing blow to the head | 0:07:39 | 0:07:42 | |
from Thor's hammer, Charlie insists on a test launch | 0:07:42 | 0:07:45 | |
'to practise our safety procedures. | 0:07:45 | 0:07:47 | |
'Time to confront our rocketry demon.' | 0:07:47 | 0:07:51 | |
This is the flame pit of our rocket test launch facility. | 0:07:51 | 0:07:55 | |
This is merely a way of making sure | 0:07:55 | 0:07:59 | |
that the rocket launch filament trail all works. | 0:07:59 | 0:08:03 | |
This is not a thundery day. | 0:08:03 | 0:08:04 | |
Those clouds are too high, they're the wrong sort. | 0:08:04 | 0:08:07 | |
And apart from everything else, this sky-scan device, | 0:08:07 | 0:08:09 | |
used by people who work up pylons, tall buildings, | 0:08:09 | 0:08:14 | |
warns of the build-up of electrostatic activity. | 0:08:14 | 0:08:17 | |
It's on, the range is set to 0-3 miles. | 0:08:17 | 0:08:20 | |
If there was anything threatening | 0:08:20 | 0:08:22 | |
within an immediate radius, we'd know about it. | 0:08:22 | 0:08:25 | |
And there isn't. So, this is a safe launch, | 0:08:25 | 0:08:28 | |
but we're going to also practise the safety procedures we'll have to use in a real storm | 0:08:28 | 0:08:33 | |
because obviously we can't stand here next to this long piece of wire | 0:08:33 | 0:08:36 | |
going "Ha-ha-ha!" while it goes into a thunder cloud. | 0:08:36 | 0:08:39 | |
I and my crew will have to retreat to our safe van. | 0:08:39 | 0:08:42 | |
'This is a full dress rehearsal, | 0:08:42 | 0:08:45 | |
'so we're also testing this electric field mill. | 0:08:45 | 0:08:48 | |
'It tells us when the overhead clouds are fit to burst with static | 0:08:48 | 0:08:51 | |
'and is outstanding in its field.' | 0:08:51 | 0:08:54 | |
So this is measuring the electric field in the atmosphere. | 0:08:54 | 0:08:58 | |
If you can turn it on... | 0:08:58 | 0:09:00 | |
-you can hear a sort of motor going. -Yeah. | 0:09:00 | 0:09:03 | |
There's a rotating plate in there, which is alternately | 0:09:03 | 0:09:07 | |
uncovering and covering up the bottom plate. | 0:09:07 | 0:09:10 | |
This is measuring the rate at which the charge goes on to that bottom plate, then back off again, | 0:09:10 | 0:09:14 | |
from which you can estimate the strength of the electric field in the atmosphere. | 0:09:14 | 0:09:17 | |
'When we launch for real, any reading higher than 1.5 | 0:09:17 | 0:09:21 | |
should indicate a highly-charged atmosphere.' | 0:09:21 | 0:09:24 | |
This is always a nerve-racking moment, | 0:09:24 | 0:09:27 | |
the launch of a Man Lab rocket. | 0:09:27 | 0:09:29 | |
It's never been successful so far in three or even four attempts, | 0:09:29 | 0:09:33 | |
but anyway, here we go. | 0:09:33 | 0:09:34 | |
That's the rocket there. | 0:09:34 | 0:09:37 | |
Preparing to launch. | 0:09:37 | 0:09:39 | |
Power on. | 0:09:39 | 0:09:41 | |
Holding down... | 0:09:41 | 0:09:44 | |
constant red light, armed. | 0:09:44 | 0:09:46 | |
Please let this work. | 0:09:46 | 0:09:49 | |
OK, everybody, firing in five, four, three, | 0:09:50 | 0:09:54 | |
two, one, | 0:09:54 | 0:09:55 | |
we have lift-off! | 0:09:55 | 0:09:57 | |
It worked! | 0:10:04 | 0:10:05 | |
Absolutely tremendous! | 0:10:07 | 0:10:09 | |
You'll have noticed there wasn't a bolt of lightning. | 0:10:09 | 0:10:12 | |
We can't honestly claim there's anything wrong with that. | 0:10:15 | 0:10:20 | |
It's all good - rocket works, | 0:10:20 | 0:10:22 | |
direction works, filament's attached, | 0:10:22 | 0:10:25 | |
it's attached this end. | 0:10:25 | 0:10:27 | |
-We just need to do that in a cloud. -I think that's, um... | 0:10:27 | 0:10:29 | |
as good as it can get, really. | 0:10:29 | 0:10:31 | |
That's our first successful rocket launch. | 0:10:32 | 0:10:35 | |
What a fantastic, warm feeling I have. | 0:10:35 | 0:10:36 | |
It's not just that the sun has finally broken through up there, | 0:10:36 | 0:10:40 | |
that's broken our rocket duck. | 0:10:40 | 0:10:42 | |
'Coming up, Thundernerds are go!' | 0:10:47 | 0:10:49 | |
Drive! Drive! | 0:10:49 | 0:10:50 | |
'And the chase for lightning is on.' | 0:10:50 | 0:10:52 | |
Fire! | 0:10:52 | 0:10:53 | |
A number of viewers have written in to say that Man Lab hasn't exactly | 0:11:08 | 0:11:12 | |
covered itself in golden glory in the gruelling arena of sport. | 0:11:12 | 0:11:17 | |
Here are a few action replays. | 0:11:17 | 0:11:20 | |
Let's face it, I was rowlocks at boating. | 0:11:20 | 0:11:23 | |
I was firing blanks in duelling, I got hobbled in the 100-metre sprint, | 0:11:23 | 0:11:28 | |
pulled a muscle in the pool and I can't even take a penalty. | 0:11:28 | 0:11:32 | |
Ohhh! You mug! Everyone hates you now! | 0:11:33 | 0:11:35 | |
However, we now think we've found an event in which | 0:11:37 | 0:11:40 | |
we can compete successfully at an international level. | 0:11:40 | 0:11:44 | |
The sport I've chosen to finally finish our flow of failure is | 0:11:47 | 0:11:50 | |
rock-paper-scissors. | 0:11:50 | 0:11:52 | |
The oldest, simplest game imaginable. | 0:11:54 | 0:11:56 | |
Before people were kicking balls or stumping wickets, | 0:11:57 | 0:12:00 | |
back when the Greeks were inventing the 100 metres, | 0:12:00 | 0:12:03 | |
people in BC China were already playing forms of this game. | 0:12:03 | 0:12:07 | |
Although back then there tended to be a lot of draws, as paper | 0:12:07 | 0:12:11 | |
and scissors had yet to be invented. | 0:12:11 | 0:12:13 | |
We've decided it's time for me and the team Man Lab to finally claim | 0:12:14 | 0:12:17 | |
sporting glory at the Team Olympic rock-paper-scissors championship. | 0:12:17 | 0:12:23 | |
Yes, it does exist. | 0:12:23 | 0:12:25 | |
Now, this isn't a joke. | 0:12:31 | 0:12:33 | |
There is such a thing as UK RPS champion and here is his trophy - | 0:12:33 | 0:12:39 | |
a very valuable piece of silverware, said to be worth up to 500 pence. | 0:12:39 | 0:12:45 | |
-So, Max, I think we should have a game. -Yeah, absolutely. -Right, OK. | 0:12:45 | 0:12:48 | |
One, two... | 0:12:48 | 0:12:50 | |
-One-nil to you. -Yup. | 0:12:50 | 0:12:51 | |
One, two... Two-nil. | 0:12:51 | 0:12:54 | |
-Three-nil. -Three-nil?! | 0:12:55 | 0:12:57 | |
Four-nil. | 0:12:59 | 0:13:00 | |
Five-nil. | 0:13:00 | 0:13:01 | |
Six-nil. | 0:13:03 | 0:13:05 | |
That's amazing! | 0:13:05 | 0:13:07 | |
'Rock-paper-scissors is surely a game of chance. | 0:13:07 | 0:13:10 | |
'Unless you're Abu Hamza, you're as likely to win as the next bloke. | 0:13:10 | 0:13:13 | |
'Or are you?' | 0:13:13 | 0:13:15 | |
There is obviously more to this game than simply luck. | 0:13:15 | 0:13:19 | |
We're going to do a bit of analysis. | 0:13:19 | 0:13:21 | |
We're going to replay mine and Max's game from earlier on | 0:13:21 | 0:13:26 | |
in slow motion and we're going to join a psychologist who specialises | 0:13:26 | 0:13:30 | |
in sports people to see if we can find out what makes this game tick. | 0:13:30 | 0:13:34 | |
'Dr Tim O'Brien is an elite performance psychologist. | 0:13:36 | 0:13:40 | |
'If anyone can unlock the mysteries of RPS, it's him.' | 0:13:40 | 0:13:44 | |
There clearly is something happening psychologically. | 0:13:44 | 0:13:47 | |
There you are - scissors. | 0:13:49 | 0:13:50 | |
James, you slightly move before you do the scissors, | 0:13:50 | 0:13:54 | |
giving Max an opportunity to see your hand. | 0:13:54 | 0:13:57 | |
-That means he has to be very quick, doesn't it? -Rock for you? | 0:13:57 | 0:14:00 | |
-Yes, it is. -How did you know? -Your hand's very, very tight. | 0:14:00 | 0:14:03 | |
Too tight, and you don't look like you're going to release anything. | 0:14:03 | 0:14:06 | |
Are you aware when you're playing of using a technique? | 0:14:06 | 0:14:10 | |
I'm watching how your body is, where your hand is | 0:14:10 | 0:14:14 | |
and what you're going to do. | 0:14:14 | 0:14:16 | |
It's a very good point because I was watching my own hand, which is | 0:14:16 | 0:14:19 | |
stupid, cos I know what that's going to do, cos it's in my own brain. | 0:14:19 | 0:14:22 | |
I should be looking at HIM. | 0:14:22 | 0:14:24 | |
Also, if you notice, when you're losing, | 0:14:24 | 0:14:27 | |
you lose focus immediately, nodding. | 0:14:27 | 0:14:29 | |
-A little shake of the head there. -Yeah, negative body language. | 0:14:29 | 0:14:32 | |
-Max is laughing at you. -Yup. | 0:14:32 | 0:14:35 | |
It's looking to me like you need | 0:14:35 | 0:14:37 | |
to develop a technique that works for you | 0:14:37 | 0:14:39 | |
and then there are the standard techniques | 0:14:39 | 0:14:41 | |
for all performance sports - | 0:14:41 | 0:14:43 | |
avoid any distractions, stay focused on winning, | 0:14:43 | 0:14:46 | |
and also not be affected when it doesn't go well for you. | 0:14:46 | 0:14:50 | |
'Armed with Max and Tim's invaluable techniques, I get down to work, | 0:14:52 | 0:14:56 | |
'determined never to suffer sporting humiliation on national | 0:14:56 | 0:14:59 | |
'television again.' | 0:14:59 | 0:15:01 | |
One, two, three. | 0:15:01 | 0:15:02 | |
I won! Did I? I never know when I've won! | 0:15:03 | 0:15:06 | |
'A day's practice, combined with motivational montage music, | 0:15:06 | 0:15:10 | |
'sees my technique affected.' | 0:15:10 | 0:15:12 | |
Aha ha ha! | 0:15:13 | 0:15:14 | |
By the time match day comes, I've convinced champion Max | 0:15:16 | 0:15:20 | |
and Dan from the Man Lab to join my all-star Olympic team. | 0:15:20 | 0:15:24 | |
But due to a slight oversight, | 0:15:24 | 0:15:25 | |
we will be representing the historic homeland of hand games. | 0:15:25 | 0:15:29 | |
The reason we are representing China is actually quite simple. | 0:15:29 | 0:15:33 | |
Another team has already bagged the role of being Great Britain | 0:15:33 | 0:15:38 | |
and China unfortunately can't be here, | 0:15:38 | 0:15:40 | |
so we have presumed to be China. | 0:15:40 | 0:15:42 | |
We've taken advice on this. These are genuine kung fu jackets. | 0:15:42 | 0:15:47 | |
This legend here actually says "Man Lab" in Mandarin. | 0:15:47 | 0:15:50 | |
And of course this is part of the psychological battle, | 0:15:50 | 0:15:53 | |
because anybody who knows anything about rock-paper-scissors | 0:15:53 | 0:15:56 | |
will know that the Chinese are the masters of it. | 0:15:56 | 0:16:00 | |
To complete our four-strong Chinese powerhouse, | 0:16:00 | 0:16:02 | |
I've recruited a man with enormous hands. | 0:16:02 | 0:16:05 | |
A man who almost guided me to glory on the football pitch. | 0:16:05 | 0:16:09 | |
Take the penalties back there. | 0:16:09 | 0:16:11 | |
This ain't your friend. Get angry. Get in the zone. | 0:16:11 | 0:16:14 | |
Show me your zone face. | 0:16:14 | 0:16:16 | |
Here is his zone face. | 0:16:16 | 0:16:18 | |
It shows us that former Liverpool | 0:16:18 | 0:16:19 | |
and Spurs defender Neil "Razor" Ruddock is in the vicinity of a pub. | 0:16:19 | 0:16:23 | |
His weapon - intimidation. | 0:16:23 | 0:16:25 | |
Right, what you've got to do is use your aggression and your focus, | 0:16:27 | 0:16:31 | |
see the other guy, psych him out, hate the ball, | 0:16:31 | 0:16:35 | |
hate the rock, hate the scissors, hate the paper. | 0:16:35 | 0:16:38 | |
One, two, three, scissors. One, two, three, rock. One, two, three, paper. | 0:16:38 | 0:16:41 | |
-I'm in! Thanks. -Right. -Thanks, mate. | 0:16:43 | 0:16:45 | |
-How've you been, all right? -Yeah, how are you? -I'm all right, thanks. | 0:16:45 | 0:16:48 | |
-Lost a bit of weight. -I have lost a bit of weight. | 0:16:48 | 0:16:50 | |
-Aaargh! I touched you! -You touched my Man Lab. | 0:16:50 | 0:16:54 | |
I don't like to be immodest, especially about sporting | 0:16:55 | 0:16:59 | |
occasions, cos I don't have a good record, but I am quietly confident. | 0:16:59 | 0:17:02 | |
Look at the opposition. | 0:17:02 | 0:17:04 | |
They are a lot of already fairly inebriated students and wasters. | 0:17:04 | 0:17:10 | |
I'm feeling very good about the Republic of China's | 0:17:10 | 0:17:13 | |
chances in this competition. | 0:17:13 | 0:17:15 | |
Despite my bullishness, China finds itself drawn in a tough group, with | 0:17:19 | 0:17:23 | |
five teams including the reigning world champions, Great Britain. | 0:17:23 | 0:17:28 | |
We must win the group or finish second | 0:17:28 | 0:17:30 | |
if we're to progress to the semifinals. | 0:17:30 | 0:17:32 | |
The rules that we're playing by is - one, two, throw. | 0:17:32 | 0:17:39 | |
Each match is decided by a series of one-on-one encounters. | 0:17:39 | 0:17:43 | |
First team to reach four points wins. | 0:17:43 | 0:17:46 | |
CHEERING | 0:17:46 | 0:17:47 | |
'With the atmosphere building, | 0:17:47 | 0:17:48 | |
'I repeat to myself the simple tips that might guide our team to glory. | 0:17:48 | 0:17:53 | |
'Watch your opponent's hand. | 0:17:53 | 0:17:56 | |
'Don't signal your throw. | 0:17:56 | 0:17:58 | |
'Keep your cool when it's going wrong | 0:17:58 | 0:18:00 | |
'and remember, there's no "me" in "team".' | 0:18:00 | 0:18:03 | |
Tonight, you've never been more ready. | 0:18:03 | 0:18:07 | |
-We compete. -Yes. | 0:18:07 | 0:18:08 | |
-We perform. -Yeah. | 0:18:08 | 0:18:09 | |
-Are you ready? I'm ready! -Brilliant. MAN LAB! | 0:18:09 | 0:18:12 | |
ALL: MAN LAB! | 0:18:12 | 0:18:13 | |
'Here we go. | 0:18:13 | 0:18:16 | |
'Up steps the Kentish Confucius, Razor Rudduck. | 0:18:16 | 0:18:19 | |
'The first team in our way, Lichtenstein.' | 0:18:21 | 0:18:23 | |
MAN LAB TEAM CHEER | 0:18:25 | 0:18:26 | |
'A strangely nervous Razor squanders the opening point. | 0:18:34 | 0:18:37 | |
'But ice-cool Max steps up to level the scores one-all.' | 0:18:39 | 0:18:43 | |
China, come on! | 0:18:43 | 0:18:45 | |
'Dan from the Man Lab throws it away. | 0:18:45 | 0:18:47 | |
'Next up, me.' | 0:18:51 | 0:18:53 | |
Yeah! | 0:18:58 | 0:19:00 | |
'I bloody won! The unexpected belief | 0:19:00 | 0:19:02 | |
'that we might have finally found a sport | 0:19:02 | 0:19:04 | |
'I can actually do buoys up the team and we slam down two more victories...' | 0:19:04 | 0:19:09 | |
CHEERING | 0:19:09 | 0:19:11 | |
'..winning our first match 4-3. | 0:19:11 | 0:19:14 | |
'We're now at the top of our league table, | 0:19:14 | 0:19:16 | |
'but our next match is the big one - | 0:19:16 | 0:19:19 | |
'champions Great Britain.' | 0:19:19 | 0:19:20 | |
Well done every one of you. Everyone contributed. What did you think? | 0:19:21 | 0:19:24 | |
How do I deal with me nerves? That's nervous stuff in there. | 0:19:24 | 0:19:27 | |
I let the pressure get to me a bit. | 0:19:27 | 0:19:29 | |
I was watching my own hand, not the other guy's. | 0:19:29 | 0:19:31 | |
I was a bit lucky, I have to admit. | 0:19:31 | 0:19:33 | |
Right, the next team is GB. | 0:19:33 | 0:19:35 | |
So we get ready, we carry on believing in the team, | 0:19:35 | 0:19:38 | |
we do it together. | 0:19:38 | 0:19:39 | |
Come on, let's show them who's the boss! | 0:19:39 | 0:19:42 | |
'But our second game starts with Team China in disarray.' | 0:19:42 | 0:19:45 | |
Razor! He's at the bar! | 0:19:45 | 0:19:48 | |
'Razor's attempt at calming his nerves costs us | 0:19:50 | 0:19:53 | |
'dearly with a crushing defeat. | 0:19:53 | 0:19:55 | |
'And Max is quickly disposed of. | 0:19:55 | 0:19:58 | |
'Even a feisty comeback by Welsh Dan is cancelled out | 0:19:58 | 0:20:02 | |
'as I completely stuff it up.' | 0:20:02 | 0:20:04 | |
What's the score? | 0:20:04 | 0:20:06 | |
'We are match point down to the world champions. | 0:20:06 | 0:20:09 | |
'Our rock paper scissors hands are of clay but cometh the moment...' | 0:20:09 | 0:20:13 | |
YES! | 0:20:15 | 0:20:17 | |
YES! | 0:20:17 | 0:20:19 | |
YES! | 0:20:19 | 0:20:21 | |
RAZOR SHOUTS | 0:20:21 | 0:20:24 | |
'But victory is short-lived as just a few moments later, | 0:20:24 | 0:20:28 | |
'a poor choice of paper hands the match to the champions. | 0:20:28 | 0:20:31 | |
'A sobering defeat and Razor's erratic behaviour | 0:20:32 | 0:20:35 | |
is starting to worry coach Tim.' | 0:20:35 | 0:20:38 | |
OK, guys. We've won one, we've lost one. | 0:20:38 | 0:20:40 | |
There's a few things we need to do. | 0:20:40 | 0:20:42 | |
-Razor, you can't pick up a yellow card. -I know, I lost it. I lost it. | 0:20:42 | 0:20:45 | |
But I want, I want to win. | 0:20:45 | 0:20:46 | |
'But Razor's resolution proved as shallow as the dregs of my pint | 0:20:46 | 0:20:51 | |
'as within moments, he loses the plot entirely.' | 0:20:51 | 0:20:54 | |
Ready? | 0:20:54 | 0:20:55 | |
Whoa! Whoa! What's this? What's this? | 0:20:55 | 0:20:58 | |
CHEERING No, no, no! | 0:20:58 | 0:21:01 | |
Behave! | 0:21:03 | 0:21:05 | |
'We picked Razor because he's big and frightening | 0:21:05 | 0:21:08 | |
'but beer has blunted his competitive edge. | 0:21:08 | 0:21:12 | |
'We go on to lose to Vatican City | 0:21:12 | 0:21:14 | |
'and we get off to a terrible start against Lapland B. | 0:21:14 | 0:21:19 | |
'Facing an early exit from the competition, | 0:21:19 | 0:21:21 | |
'a chastened Razor grabs the game by the scruff of its neck. | 0:21:21 | 0:21:25 | |
'Yellow card forgiven, we are finally back in full flow.' | 0:21:25 | 0:21:29 | |
CHEERING | 0:21:29 | 0:21:32 | |
-Who's next? ME? -We won. -We won! -We won! -You're worse than me! | 0:21:32 | 0:21:35 | |
'It's a crucial victory. | 0:21:35 | 0:21:38 | |
'We are now at two wins, two defeats. | 0:21:38 | 0:21:40 | |
'The whole of my plight to claw back some semblance | 0:21:40 | 0:21:42 | |
'of sporting credibility rests on this next match. | 0:21:42 | 0:21:48 | |
'To stand any chance of making it through our league, | 0:21:48 | 0:21:51 | |
-'we must tackle the might of Indonesia.' -Yes! | 0:21:51 | 0:21:54 | |
'But our old foe, nervousness, is lurking ever near. | 0:21:56 | 0:22:00 | |
'It's Razor's final warning. | 0:22:02 | 0:22:05 | |
'And I've got my own problems. | 0:22:09 | 0:22:11 | |
-'Try as I might, I just can't throw a winning hand.' -One, two, three. | 0:22:11 | 0:22:15 | |
One, two, three. One, two, three. | 0:22:15 | 0:22:19 | |
One, two, three. | 0:22:19 | 0:22:21 | |
'Then I remember, stop thinking what I'm going to throw | 0:22:21 | 0:22:24 | |
'and think what my opponent is going to throw. | 0:22:24 | 0:22:28 | |
-CHEERING -'It works! | 0:22:28 | 0:22:31 | |
'The match remains on a knife edge. The result could go either way. | 0:22:33 | 0:22:37 | |
'It's all down to the 2011 UK champion to get us over the line.' | 0:22:37 | 0:22:43 | |
-One, two, three. One, two, three. -CHEERING | 0:22:43 | 0:22:45 | |
In case you can't follow this, and we certainly can't, | 0:22:49 | 0:22:52 | |
there are two leagues going on. | 0:22:52 | 0:22:54 | |
One on this table, one on that table. | 0:22:54 | 0:22:56 | |
They are now working out which teams from the two leagues | 0:22:56 | 0:22:59 | |
go into the knockout. | 0:22:59 | 0:23:00 | |
We're waiting to find out if we're in the championship. | 0:23:00 | 0:23:03 | |
And it's genuinely tense and if they put this on in the Olympic arena | 0:23:03 | 0:23:07 | |
with close-up cameras and genuine international teams, | 0:23:07 | 0:23:10 | |
absolutely fantastic! | 0:23:10 | 0:23:11 | |
Gripping! | 0:23:11 | 0:23:13 | |
'Decision time. I've done everything I can. I've trained with the best. | 0:23:13 | 0:23:18 | |
'I've used psychology. | 0:23:18 | 0:23:20 | |
'I've picked the easiest sport I could possibly find | 0:23:20 | 0:23:23 | |
'and I've turned up to the tournament with a bloody great big camera crew and a gorilla. | 0:23:23 | 0:23:27 | |
'We must succeed.' | 0:23:27 | 0:23:30 | |
OK. | 0:23:30 | 0:23:32 | |
The four teams who have made it through... | 0:23:32 | 0:23:36 | |
-..are Lapland A... -CHEERING | 0:23:36 | 0:23:40 | |
-Great Britain... -CHEERING | 0:23:42 | 0:23:45 | |
-San Marino... -CHEERING | 0:23:48 | 0:23:51 | |
And the last team is... | 0:23:55 | 0:23:57 | |
-Vatican City! -CHEERING | 0:24:02 | 0:24:04 | |
-'Oh, no. It's happened again.' -PIANO MUSIC PLAYS | 0:24:07 | 0:24:11 | |
James, James. | 0:24:18 | 0:24:20 | |
Chin up, James. Chin up, chin up. | 0:24:20 | 0:24:22 | |
-I'm crap, aren't I? That's the problem. -We won three, we lost two. | 0:24:22 | 0:24:26 | |
I've been terrible at sport since I was a foetus. | 0:24:27 | 0:24:30 | |
Football, no. Cricket, no. Tennis, no. | 0:24:30 | 0:24:33 | |
Athletics, no. Throwing the javelin, no. | 0:24:33 | 0:24:36 | |
Swimming, no. Cycling, not really. | 0:24:36 | 0:24:38 | |
I thought I could be good at going like that but I'm still crap. | 0:24:38 | 0:24:42 | |
'We finished third in our group, edged out by Great Britain | 0:24:44 | 0:24:48 | |
'and a bunch of pontiffs. | 0:24:48 | 0:24:49 | |
'The slim margin of defeat hits me harder than any of my previous abject failures.' | 0:24:49 | 0:24:54 | |
I'll be honest, at this point, the one thing we can take | 0:24:54 | 0:24:58 | |
away from this, I think, if we want to be positive, rock-paper-scissors. | 0:24:58 | 0:25:02 | |
It's thousands of years old. Simple to learn, takes 10 seconds. | 0:25:02 | 0:25:06 | |
Everybody can play it. It's multicultural. | 0:25:06 | 0:25:08 | |
It's multilingual and it can be used to sort out any debate. | 0:25:08 | 0:25:11 | |
So, who's paying the bar tab? | 0:25:12 | 0:25:15 | |
Aargh! | 0:25:16 | 0:25:18 | |
'In case there are any avid RPS followers watching | 0:25:18 | 0:25:21 | |
'and you missed this year's newsletter, | 0:25:21 | 0:25:24 | |
'Lapland A went on to win the tournament while we championed the sport of beer drinking. | 0:25:24 | 0:25:29 | |
'The remainder of the night is remembered as a grey fog. | 0:25:29 | 0:25:32 | |
'All I know is I woke up the next morning in a hedge, | 0:25:32 | 0:25:34 | |
'but that gave me an idea.' | 0:25:34 | 0:25:36 | |
This is a typical small, | 0:25:36 | 0:25:39 | |
semi-rural road somewhere in the middle of England. | 0:25:39 | 0:25:42 | |
The hedgerow bursts with small wildlife, the houses are neat, | 0:25:42 | 0:25:47 | |
the breeze rustles the well-tended gardens. | 0:25:47 | 0:25:50 | |
There is a sense of community. Cheese and wine. all the rest of it. | 0:25:50 | 0:25:54 | |
There is, though, a small problem. | 0:25:54 | 0:25:57 | |
A recent rise in antisocial behaviour, petty theft and burglary. | 0:25:57 | 0:26:02 | |
Something has to be done. | 0:26:02 | 0:26:04 | |
'In days gone by, the great British public | 0:26:04 | 0:26:07 | |
'could rest easy in the knowledge that between them | 0:26:07 | 0:26:09 | |
'and the seedy criminal underworld stood the bobby on the beat, | 0:26:09 | 0:26:12 | |
'who could conquer any machine gun-toting criminal | 0:26:12 | 0:26:16 | |
'with the power of his enormous helmet. | 0:26:16 | 0:26:18 | |
'But with the modern police force stretched thinner than ever, | 0:26:18 | 0:26:21 | |
'where do we now turn to protect our homesteads?' | 0:26:21 | 0:26:25 | |
The locals have done exactly what you would expect. | 0:26:25 | 0:26:28 | |
They have established a Neighbourhood Watch scheme | 0:26:28 | 0:26:30 | |
but the problem with Neighbourhood Watch is it is a little bit boring. | 0:26:30 | 0:26:34 | |
If you're on duty, it's like being the designated driver on a stag night. | 0:26:34 | 0:26:38 | |
You can't have a drink, you have to patrol the streets, | 0:26:38 | 0:26:41 | |
look out of the window and so on. | 0:26:41 | 0:26:43 | |
We believe that we have overlooked a vital, | 0:26:43 | 0:26:47 | |
underused community resource. | 0:26:47 | 0:26:49 | |
'This resource has a top speed of 30 miles an hour. | 0:26:51 | 0:26:54 | |
'At night, it can see six times better than a human. | 0:26:54 | 0:26:57 | |
'It carries piercing weaponry | 0:26:57 | 0:26:59 | |
'and has an operational duration of nine lives. | 0:26:59 | 0:27:02 | |
'We are going to turn a local neighbourhood of cats | 0:27:03 | 0:27:06 | |
'into a surveillance-equipped, omnipresent long arm of the claw. | 0:27:06 | 0:27:10 | |
A lightning-fast crack feline Neighbourhood Watch. | 0:27:10 | 0:27:14 | |
# Look what the cat dragged in. # | 0:27:14 | 0:27:16 | |
'All we needed was some modified collars, | 0:27:19 | 0:27:22 | |
'each containing a top-of-the-line miniature camera | 0:27:22 | 0:27:24 | |
'and the Agatha Kitties of whodunnit were ready. | 0:27:24 | 0:27:27 | |
'But were they willing?' | 0:27:27 | 0:27:29 | |
Here we see Ozzy the cat being rigged for his shift by Jane, his owner. | 0:27:29 | 0:27:34 | |
Before anybody writes in, we have consulted the BBC Wildlife Department, | 0:27:34 | 0:27:38 | |
who put cameras on all sorts of animals, | 0:27:38 | 0:27:40 | |
and the Blue Cross about how to do this so the cat isn't distressed. | 0:27:40 | 0:27:44 | |
We only put them on cats that like having them on. | 0:27:44 | 0:27:47 | |
If they don't like it, we don't do it. | 0:27:47 | 0:27:49 | |
The camera will fall off if the cat gets stuck anywhere | 0:27:49 | 0:27:52 | |
so it doesn't trap it down a drain pipe or something like that. | 0:27:52 | 0:27:55 | |
The great thing about this is the cat is perfect for this role. | 0:27:55 | 0:27:59 | |
Cats are agile, they are indiscriminate, they approach people, | 0:27:59 | 0:28:03 | |
they can see in the dark, they go out at night. | 0:28:03 | 0:28:06 | |
They are the Sherlock Holmes of domestic pets. | 0:28:06 | 0:28:10 | |
Right, Ozzy. | 0:28:10 | 0:28:12 | |
Go and catch burglars! | 0:28:12 | 0:28:14 | |
-Go! -Ozzy, come on. | 0:28:16 | 0:28:19 | |
-Go! -Come on. -Come on. Come on, Ozzy. | 0:28:21 | 0:28:23 | |
Come and catch burglars. | 0:28:25 | 0:28:27 | |
You can have some prawns. | 0:28:27 | 0:28:29 | |
A piece of smoked salmon. | 0:28:29 | 0:28:30 | |
-Come on. -Off you go. Yeah! | 0:28:34 | 0:28:36 | |
'As Ozzy starts his first beat, | 0:28:37 | 0:28:39 | |
'joining him are three other cat coppers, | 0:28:39 | 0:28:42 | |
'all fitted with our surveillance cameras. | 0:28:42 | 0:28:45 | |
'As they disperse into the neighbourhood on their natural territorial paths, | 0:28:45 | 0:28:49 | |
'you can see from the Man Lab helicopter | 0:28:49 | 0:28:52 | |
'how a whole swathe of the village can be simultaneously | 0:28:52 | 0:28:55 | |
'under the protection of our Cat's Eye system.' | 0:28:55 | 0:28:59 | |
Over here is the headquarters of the FBI, | 0:28:59 | 0:29:01 | |
the Feline Bureau of Investigation, | 0:29:01 | 0:29:04 | |
and the live feeds from our cats show, actually, | 0:29:04 | 0:29:07 | |
that they have a very comprehensive view of the local neighbourhood. | 0:29:07 | 0:29:13 | |
This one is Lilly. | 0:29:16 | 0:29:17 | |
Lilly is making her way through the back garden of one of the houses. | 0:29:17 | 0:29:21 | |
Any burglar trying to force a window would be spotted. | 0:29:21 | 0:29:24 | |
Here we have a cat on top of the wall. | 0:29:28 | 0:29:30 | |
Cats getting into places where your typical Neighbourhood Watch officer | 0:29:30 | 0:29:33 | |
wouldn't actually be able to go. | 0:29:33 | 0:29:36 | |
This one has been looking at this bit of undergrowth | 0:29:37 | 0:29:40 | |
for a good 20 minutes now, | 0:29:40 | 0:29:42 | |
so any elfin burglar hiding their would be bang to rights. | 0:29:42 | 0:29:45 | |
You couldn't do this as the Neighbourhood Watch officer. | 0:29:46 | 0:29:50 | |
You couldn't have four eyeballs in four different places | 0:29:50 | 0:29:52 | |
along this road, in the gardens and adjoining fields. | 0:29:52 | 0:29:55 | |
It wouldn't be possible. You'd need four people. | 0:29:55 | 0:29:58 | |
Four cats do the job extremely well | 0:29:58 | 0:30:00 | |
and all they need in return is some food and maybe a little scratch behind the ear. | 0:30:00 | 0:30:05 | |
Of course, most of the time, there will be nothing to see. | 0:30:08 | 0:30:12 | |
You might think there's a lot of wasted effort here. | 0:30:12 | 0:30:15 | |
But burglars, petty thieves could be anywhere. They hide. | 0:30:15 | 0:30:18 | |
They are sneaky but they are not as sneaky as cats. | 0:30:18 | 0:30:22 | |
'With that in mind, we decide to try the system out. | 0:30:22 | 0:30:25 | |
'We distract the cats from things like doing the crossword | 0:30:25 | 0:30:28 | |
'while I transform myself into the character of James May-riarty... | 0:30:28 | 0:30:32 | |
'villain.' | 0:30:32 | 0:30:34 | |
The astute viewer will have noticed a change of T-shirt. | 0:30:35 | 0:30:38 | |
That's because we are now going to test the system | 0:30:38 | 0:30:41 | |
because I am going to go and pretend to burgle one of the houses in the neighbourhood. | 0:30:41 | 0:30:46 | |
Dan here will be monitoring the material, | 0:30:46 | 0:30:50 | |
the evidence coming back from our cat patrols | 0:30:50 | 0:30:53 | |
and will be assembling anything incriminating | 0:30:53 | 0:30:56 | |
for me to see when I get back. | 0:30:56 | 0:30:58 | |
Obviously, I am dressing like this, | 0:30:58 | 0:31:00 | |
like a character from a comic in the 1930s, so that people realise | 0:31:00 | 0:31:04 | |
I'm not a real burglar and they don't come out and beat me to death with pickaxe handles, | 0:31:04 | 0:31:08 | |
or whatever they do in the countryside. | 0:31:08 | 0:31:10 | |
I'm ready to go. Where is my swag bag? Happy? | 0:31:10 | 0:31:14 | |
Good luck, sir. | 0:31:14 | 0:31:16 | |
Go get me, cats. | 0:31:16 | 0:31:18 | |
'To make this a genuinely accurate and impartial test, | 0:31:21 | 0:31:24 | |
'we've switched off our main camera entirely, | 0:31:24 | 0:31:26 | |
'as well as our helicopter tracking system for the cats. | 0:31:26 | 0:31:30 | |
'I haven't told anyone which house I'm going to try and get into | 0:31:30 | 0:31:33 | |
'so it's entirely down to our cat Neighbourhood Watch to spot me. | 0:31:33 | 0:31:38 | |
# Well I'm hiding, police on my back | 0:31:38 | 0:31:40 | |
# There was a shooting, police on my back | 0:31:40 | 0:31:43 | |
# And the victim, well, he won't come back | 0:31:43 | 0:31:46 | |
# I've been running Monday Tuesday Wednesday Thursday Friday Saturday Sunday | 0:31:46 | 0:31:52 | |
# Running Monday Tuesday Wednesday Thursday Friday Saturday Sunday... # | 0:31:52 | 0:31:58 | |
-Right. Did you get me? -I don't... I think the cats got you. | 0:32:00 | 0:32:05 | |
I saw one cat. Under a bench. | 0:32:05 | 0:32:07 | |
And it ran off pretty quickly and I wasn't sure if it was one of ours. | 0:32:07 | 0:32:11 | |
-It was too quick to see if it had a camera on. -Some fish. -Right. | 0:32:11 | 0:32:15 | |
-Cat by the fishpond. -That one is cleaning himself. | 0:32:15 | 0:32:18 | |
Oh, I'm not sure if we can show that. | 0:32:18 | 0:32:21 | |
-Oh, there! That is my feet. -Oh, there we are. | 0:32:21 | 0:32:25 | |
SIREN SOUNDS | 0:32:25 | 0:32:27 | |
That's the car on the drive of the house that I burgled. | 0:32:27 | 0:32:30 | |
-I stopped and tried the door. -Oh! -Ah! | 0:32:30 | 0:32:33 | |
Hang on, that's the one under the bench. | 0:32:33 | 0:32:36 | |
SIREN SOUNDS | 0:32:36 | 0:32:38 | |
That's very obviously a burglar from the Beano. | 0:32:38 | 0:32:42 | |
-It's ironic that a cat burglar was stopped... -By a cat! | 0:32:46 | 0:32:48 | |
'I've just had my collar pawed.' | 0:32:50 | 0:32:52 | |
He gets me again, going to the window. | 0:32:52 | 0:32:55 | |
'I think I'm nicked, me old China.' | 0:32:55 | 0:32:58 | |
-That's not bad, is it? -You were outwitted by a cat, James. | 0:32:58 | 0:33:01 | |
And that would stand up in court as well as any CCTV footage, | 0:33:01 | 0:33:04 | |
anything like that. That is what it is, isn't it, really? | 0:33:04 | 0:33:07 | |
-Cat cam footage. -Cat cam. | 0:33:07 | 0:33:09 | |
'There are currently eight million domestic house cats in the UK. | 0:33:11 | 0:33:15 | |
'That's enough to revolutionise community policing overnight. | 0:33:15 | 0:33:19 | |
'Now to put my own misdemeanours before the rozzers.' | 0:33:19 | 0:33:22 | |
-Right, is that downloaded on to the little flashcard? -It certainly is. | 0:33:22 | 0:33:25 | |
-I'll leave you to it. -Top man. | 0:33:25 | 0:33:27 | |
And now we shall make use of another much-maligned and underutilised British urban animal. | 0:33:27 | 0:33:35 | |
'The nearest police station is five miles away. | 0:33:36 | 0:33:39 | |
'With a top speed of 58mph, it's time to launch Lieutenant Pigeon.' | 0:33:39 | 0:33:43 | |
This little fellow is actually a police homing pigeon | 0:33:45 | 0:33:50 | |
and is trained to go straight to the cop shop with the evidence. | 0:33:50 | 0:33:55 | |
Sorry about that, mate. | 0:33:55 | 0:33:57 | |
Off you go. | 0:34:00 | 0:34:01 | |
Just think of all the money that has been spent on CCTV, | 0:34:07 | 0:34:12 | |
patrol cars, there's this arguments about policemen on the beat, it's all nonsense, really. | 0:34:12 | 0:34:17 | |
The whole job can be done by a cat and a pigeon. | 0:34:17 | 0:34:19 | |
If your cat's rather lazy, why not write to us? | 0:34:21 | 0:34:23 | |
Remember to mark your subject line "mine would like to be Purr-gerac". | 0:34:26 | 0:34:30 | |
Now, every man knows that any condition in the world | 0:34:36 | 0:34:39 | |
can be sorted out with carbolic soap and a wire brush. | 0:34:39 | 0:34:42 | |
But what about Simmy's hands? | 0:34:42 | 0:34:45 | |
Here's a brief flashback to him eating a pizza earlier in the series. | 0:34:45 | 0:34:49 | |
Clearly, Simmy needs some soap and a wire brush. | 0:35:02 | 0:35:06 | |
Now, we already have a wire brush here in the Man Lab | 0:35:06 | 0:35:08 | |
and we could, of course, go round to the shops and buy some soap, | 0:35:08 | 0:35:12 | |
but where's the skill in that? | 0:35:12 | 0:35:14 | |
# He ain't gonna wash | 0:35:14 | 0:35:16 | |
# He ain't gonna wash | 0:35:16 | 0:35:18 | |
# He ain't gonna wash for a week. # | 0:35:18 | 0:35:21 | |
Right, making your own soap. | 0:35:21 | 0:35:22 | |
You need some beef fat, which has been dissolved with water | 0:35:22 | 0:35:27 | |
and set in the fridge overnight. That's what this is here. | 0:35:27 | 0:35:30 | |
You need the lye, which is caustic soda, | 0:35:30 | 0:35:33 | |
which you mix with distilled water. We need a mould. | 0:35:33 | 0:35:37 | |
We need some scales, we need some salt and you need a chemist. | 0:35:37 | 0:35:40 | |
-We've got one - he's called Bob. Hello, Bob. -Hello. | 0:35:40 | 0:35:43 | |
'The kind of soap we're going to be making is old-fashioned | 0:35:43 | 0:35:46 | |
'coal tar soap, but you'll have noticed that our thrilling | 0:35:46 | 0:35:49 | |
'table of ingredients doesn't include any coal. | 0:35:49 | 0:35:52 | |
'Someone from the Man Lab has to venture | 0:35:52 | 0:35:54 | |
'deep into the bowels of the earth to dig some out for us.' | 0:35:54 | 0:35:57 | |
# Boom, boom, boom, boom... # | 0:35:57 | 0:35:59 | |
Rory volunteered, following a vote, | 0:35:59 | 0:36:01 | |
and was immediately dispatched with his favourite club megamix | 0:36:01 | 0:36:04 | |
150 miles away to the Big Pit coal mine in Blaenavon, Wales. | 0:36:04 | 0:36:09 | |
As well as being a somewhat unlikely ingredient in our soap, | 0:36:09 | 0:36:13 | |
coal was once the industrial lifeblood of the nation, | 0:36:13 | 0:36:16 | |
the fuel that fired Britain's might. | 0:36:16 | 0:36:19 | |
Mines like this would have hauled up crate loads of the stuff all over | 0:36:19 | 0:36:22 | |
South Wales, until this lady decided the whole thing was pointless. | 0:36:22 | 0:36:27 | |
Coal, that is, not Wales. | 0:36:27 | 0:36:29 | |
# But I want nothing this society's got | 0:36:29 | 0:36:31 | |
# I'm going underground | 0:36:31 | 0:36:33 | |
# Going underground...# | 0:36:33 | 0:36:34 | |
-You come down here every day, Ian? -Every day, I'm afraid, yeah. | 0:36:34 | 0:36:38 | |
I'm what we call a fireman or deputy, so I come underground | 0:36:38 | 0:36:41 | |
first thing in the morning and I check for gas and safety everywhere. | 0:36:41 | 0:36:44 | |
We're going down 90 metres now. It's quite shallow for a mine. | 0:36:44 | 0:36:47 | |
What I've found, the deeper the mines, the more gassy they become. | 0:36:47 | 0:36:51 | |
So this is a good mine. | 0:36:51 | 0:36:52 | |
Gassy? I become a bit gassy as well sometimes, Ian, I tell you. | 0:36:52 | 0:36:55 | |
Ian clearly despaired of the circumstances that made | 0:36:55 | 0:37:01 | |
the legacy of his and his forebears' work this feckless teenager. | 0:37:01 | 0:37:05 | |
This is a world that was once inhabited by real men, | 0:37:06 | 0:37:10 | |
men stout of heart | 0:37:10 | 0:37:12 | |
and strong of arm who chiselled away in the blackness so that Britain | 0:37:12 | 0:37:16 | |
could resonate to the beat of her awesome industry, power and speed. | 0:37:16 | 0:37:21 | |
Nowadays, these tunnels are frequented | 0:37:21 | 0:37:24 | |
by rather different blokes. | 0:37:24 | 0:37:26 | |
# Yo, VIP | 0:37:26 | 0:37:28 | |
# Let's kick it | 0:37:28 | 0:37:30 | |
# Pressure... # | 0:37:30 | 0:37:31 | |
Ian said that this just happened to be Jedward's favourite | 0:37:31 | 0:37:33 | |
Welsh mine, but it seemed more likely that we had in fact | 0:37:33 | 0:37:36 | |
found the black pit that spawned them. | 0:37:36 | 0:37:39 | |
Sensing a plot, we told Rory to get chipping | 0:37:39 | 0:37:42 | |
and to get out before they came back and gave him a job. | 0:37:42 | 0:37:46 | |
That'll have to be enough. | 0:37:46 | 0:37:48 | |
'Coal mined and devastated at missing his chance to meet | 0:37:48 | 0:37:51 | |
'one of his mixtape heroes, Rory heads back to the lab, | 0:37:51 | 0:37:54 | |
'where we'd been waiting around the chemistry table for two days.' | 0:37:54 | 0:37:58 | |
Come in! | 0:37:58 | 0:37:59 | |
Thank you. Well done. | 0:38:02 | 0:38:04 | |
Go and have a shower. No, you can't. We haven't got any soap. | 0:38:07 | 0:38:10 | |
Go and have a seat. | 0:38:10 | 0:38:12 | |
We'll come back to you in a minute. | 0:38:12 | 0:38:15 | |
The first and most important thing we do, | 0:38:15 | 0:38:17 | |
I think, is extract coal tar from coal. | 0:38:17 | 0:38:19 | |
Blimey. Whoa. | 0:38:19 | 0:38:21 | |
Lovely. | 0:38:21 | 0:38:23 | |
'I'm quite excited about this, | 0:38:25 | 0:38:26 | |
'but considering this is the Man Lab, it's about time | 0:38:26 | 0:38:29 | |
'we got some bubbling test tubes in here and did some chemistry.' | 0:38:29 | 0:38:32 | |
Do we get to light something now and blow it up? | 0:38:32 | 0:38:35 | |
Why do you always think chemists blow things up? | 0:38:35 | 0:38:37 | |
That's the only reason anybody does chemistry at school, | 0:38:37 | 0:38:39 | |
is it smells and bangs. | 0:38:39 | 0:38:41 | |
Bang! | 0:38:42 | 0:38:44 | |
'This may be a little less mad scientisty than | 0:38:44 | 0:38:46 | |
'we were hoping for, but we are getting the reaction we need.' | 0:38:46 | 0:38:50 | |
So, coal is being heated in the tube | 0:38:50 | 0:38:52 | |
and the stuff that would normally go up the chimney in ye olde house | 0:38:52 | 0:38:55 | |
is going through the wool, so the wool is trapping the tar | 0:38:55 | 0:38:58 | |
and what's coming out is just the gas. | 0:38:58 | 0:39:02 | |
Light the pipe. | 0:39:02 | 0:39:04 | |
So that is coal gas coming off, which used to be used for lighting. | 0:39:04 | 0:39:07 | |
Isn't this brilliant? | 0:39:07 | 0:39:09 | |
This is the first time I've done chemistry since 1974. | 0:39:09 | 0:39:12 | |
'Coal tar soap has antiseptic properties, | 0:39:12 | 0:39:14 | |
'but we should point out that these days it's not widely used, | 0:39:14 | 0:39:17 | |
'because in large doses it's carcinogenic. | 0:39:17 | 0:39:20 | |
'But, for a one-off wash for someone like Simmy, | 0:39:21 | 0:39:24 | |
'who has semi-evolved species living under his fingernails, | 0:39:24 | 0:39:26 | |
'it should do just fine. | 0:39:26 | 0:39:28 | |
'Next, it's time to get our ingredients mixed, | 0:39:28 | 0:39:31 | |
'so in goes 125 grams of tallow, | 0:39:31 | 0:39:34 | |
'or delicious beef fat.' | 0:39:34 | 0:39:36 | |
Right, then you make the lye, which is caustic soda mixed with water. | 0:39:36 | 0:39:40 | |
-You need to put your eye protection on for this. -Do I? -Yes. | 0:39:40 | 0:39:43 | |
'Lye may be dangerous stuff, but you can't make true soap without it. | 0:39:43 | 0:39:47 | |
'Because it's strongly alkaline, | 0:39:47 | 0:39:49 | |
'it will react with the oil in our animal fat, causing | 0:39:49 | 0:39:52 | |
'a reaction called saponification, | 0:39:52 | 0:39:54 | |
'which should give us our soap base. | 0:39:54 | 0:39:56 | |
What is caustic soda, Bob? | 0:39:56 | 0:39:58 | |
Sodium hydroxide. And it's very corrosive. | 0:39:58 | 0:40:02 | |
I'm amazed people developed the enthusiasm for washing their hands and becoming clean, | 0:40:02 | 0:40:06 | |
given that the coal tar can blow up, the caustic soda can blind you, you can go deaf. | 0:40:06 | 0:40:12 | |
'In fact, the process is so hazardous that Bob' | 0:40:12 | 0:40:14 | |
has to take the equipment outside to a safe distance to extract the coal tar. | 0:40:14 | 0:40:20 | |
He is using another dangerous chemical called toluene | 0:40:20 | 0:40:22 | |
to wash the coal tar from the wool. | 0:40:22 | 0:40:25 | |
With that done, the liquid needs to evaporate in a petri dish | 0:40:27 | 0:40:29 | |
for 24 hours to end up with the tar. | 0:40:29 | 0:40:32 | |
'We will speed this bit up because it is television | 0:40:32 | 0:40:34 | |
'and I'm sick of waiting around a boring table.' | 0:40:34 | 0:40:37 | |
That's our beef dripping, fully melted, so we can go back to the soap making | 0:40:37 | 0:40:42 | |
factory over here. | 0:40:42 | 0:40:44 | |
To this we add the lye, which we made with the caustic soda earlier. | 0:40:44 | 0:40:49 | |
I do need the safety glasses on for this because it can be a bit aggressive. | 0:40:49 | 0:40:54 | |
It could melt my face off or something. | 0:40:54 | 0:40:56 | |
I should not stand over it. Here we go. This is a tiny amount. I can't really believe this is... | 0:40:56 | 0:41:00 | |
-Bang! -..going to work. | 0:41:00 | 0:41:02 | |
Roaring conflagration so far(!) Thank God I put this shirt on. | 0:41:02 | 0:41:09 | |
-Hello. -Hello. -Have you been successful? -Coal tar. -Fantastic. | 0:41:09 | 0:41:14 | |
This is very exciting by the standards of what has happened | 0:41:14 | 0:41:17 | |
so far. The mixture is beginning to resemble lemon curd. | 0:41:17 | 0:41:21 | |
Do you see that? Quick, add... What have we got to add? I can't remember. | 0:41:21 | 0:41:25 | |
Patchouli oil for that authentic smell of people who don't wash at all. | 0:41:25 | 0:41:29 | |
And your coal tar please. | 0:41:29 | 0:41:31 | |
A bit more coal tar please. It's not smelling quite institutional enough yet. | 0:41:36 | 0:41:41 | |
It smells tremendous. | 0:41:44 | 0:41:46 | |
We are now in a position to pour this into our mould and let it set. | 0:41:47 | 0:41:53 | |
That's a bar of soap. That's a bar of soap. | 0:41:53 | 0:41:57 | |
'I know this looks like the first soap designed to make you | 0:41:57 | 0:42:00 | |
'even dirtier, but I think we've done it.' | 0:42:00 | 0:42:03 | |
I believe we have successfully made soap. | 0:42:03 | 0:42:07 | |
'A few minutes to solidify and it's ready to test on our "Simmy pig."' | 0:42:07 | 0:42:11 | |
That is soap. It smells like soap, and it feels like soap. | 0:42:11 | 0:42:18 | |
So, Simmy, if you'd like to step this way. | 0:42:18 | 0:42:20 | |
-Ooh. -A piece of soap. | 0:42:24 | 0:42:27 | |
-Happy? -Reasonably happy. -Off you go. -Thank you. | 0:42:29 | 0:42:32 | |
From the dust of the earth we have created soap. The scourge of dirt. | 0:42:32 | 0:42:37 | |
The catalyst for healthy prison shower relationships | 0:42:37 | 0:42:40 | |
and the basis of casual jibes between nations. | 0:42:40 | 0:42:44 | |
But popular tabletop science will cleanse us all. | 0:42:44 | 0:42:47 | |
Here are some soap facts. | 0:42:47 | 0:42:49 | |
First used in Bristol, | 0:42:49 | 0:42:50 | |
it has now made it to the home of Simeon Oakley. | 0:42:50 | 0:42:53 | |
The average Briton is thought to use around £20 of soap-based | 0:42:53 | 0:42:57 | |
-products per year. -Where's the soap? -Hmm? -Where's the soap? | 0:42:57 | 0:43:00 | |
I've given it to Simmy. | 0:43:00 | 0:43:01 | |
I can make you some more but I'll need some more coal. | 0:43:01 | 0:43:05 | |
"Dear Man Lab, I come from a very clumsy and ill-mannered family. | 0:43:21 | 0:43:26 | |
"Mealtimes are a disaster with things being spilled everywhere | 0:43:26 | 0:43:29 | |
"and people speaking during speeches. | 0:43:29 | 0:43:31 | |
"Anything you can do to help. Yours sincerely, Mrs Sugar." | 0:43:31 | 0:43:35 | |
We've had a think about this. | 0:43:35 | 0:43:37 | |
We've come up with a dining solution in which the guests may not | 0:43:37 | 0:43:41 | |
so much as lift a fork without the express permission of, | 0:43:41 | 0:43:46 | |
and intervention by, the head of the table. | 0:43:46 | 0:43:49 | |
Here is a typical four-place meal setting such as you might | 0:43:49 | 0:43:53 | |
find in the Sugar household. | 0:43:53 | 0:43:56 | |
Everything can easily be knocked over, thrown around, | 0:43:56 | 0:44:00 | |
and all the rest of it, but they couldn't if they were stuck in place. | 0:44:00 | 0:44:03 | |
If they were stuck in place they would then of course be completely useless. | 0:44:03 | 0:44:06 | |
You wouldn't be able to have a drink. But what if you could | 0:44:06 | 0:44:09 | |
selectively unstick individual pieces at the flick of a switch? | 0:44:09 | 0:44:13 | |
This we can achieve with the miracle of electromagnetism. | 0:44:13 | 0:44:18 | |
'We set about hacking into the beautiful solid pine | 0:44:25 | 0:44:28 | |
'Scandinavian unlimited-edition £22 table | 0:44:28 | 0:44:32 | |
'which was kindly lent to us by television's Oz Clarke.' | 0:44:32 | 0:44:34 | |
Nice. | 0:44:34 | 0:44:36 | |
MUSIC PLAYS | 0:44:36 | 0:44:40 | |
'Purists will be pleased that we have preserved the table's original | 0:44:40 | 0:44:44 | |
'simple design.' | 0:44:44 | 0:44:45 | |
This is only a prototype. Could we not show you this wiring and this gaffer taping please? | 0:44:47 | 0:44:52 | |
'To test our magnetic table, we've convened an elegant | 0:44:54 | 0:44:57 | |
'and sophisticated Man Lab dinner party.' | 0:44:57 | 0:45:00 | |
-I like your quiff. -And it's really fluffy. | 0:45:00 | 0:45:02 | |
Here's how it works. | 0:45:02 | 0:45:03 | |
This bank of switches controls the fixing of every piece of glass, | 0:45:03 | 0:45:08 | |
cutlery and crockery to the table. | 0:45:08 | 0:45:10 | |
Each one controls an electromagnet. | 0:45:10 | 0:45:12 | |
There's a grid - side plate, fork, plate, knife, glass. | 0:45:12 | 0:45:15 | |
Here are the names of the guests. | 0:45:15 | 0:45:17 | |
And if, for example, I were to show you my side plate, | 0:45:17 | 0:45:21 | |
you would see fixed to each piece of crockery, | 0:45:21 | 0:45:24 | |
there is a special magnet keeper. | 0:45:24 | 0:45:26 | |
So put that down in its rightful place... | 0:45:26 | 0:45:29 | |
There it is. | 0:45:29 | 0:45:31 | |
There is an interesting override function on this system, | 0:45:31 | 0:45:33 | |
which has several uses. | 0:45:33 | 0:45:35 | |
One is when we're ready for the toast. | 0:45:35 | 0:45:37 | |
To me, I can hit Master, which simply turns everything off. | 0:45:37 | 0:45:40 | |
So if you raise your glasses. | 0:45:40 | 0:45:42 | |
In three, two, one... | 0:45:42 | 0:45:44 | |
-Me. -Me. -Me. | 0:45:46 | 0:45:49 | |
THEY CHUCKLE | 0:45:49 | 0:45:51 | |
'Most dinner parties eventually get a bit rowdy | 0:45:51 | 0:45:54 | |
'and especially when Rory's had one too many tropical alcopops. | 0:45:54 | 0:45:57 | |
'But not to worry - with one flick of a switch, | 0:45:57 | 0:46:00 | |
'the host can assume control.' | 0:46:00 | 0:46:02 | |
The other very obvious application of this is at sea, | 0:46:10 | 0:46:12 | |
where, obviously, the table can't be relied upon | 0:46:12 | 0:46:15 | |
to remain flat and level. | 0:46:15 | 0:46:16 | |
And also, if the crew is mutinying and, you know, threatening | 0:46:16 | 0:46:19 | |
to drink all the rum on the first three days of the voyage. | 0:46:19 | 0:46:22 | |
If you could all just put your bits down for a minute. | 0:46:22 | 0:46:25 | |
If we sort of simulate being at sea with your knees. | 0:46:25 | 0:46:28 | |
So you'd go, "Whoa, whoa, it's rough! It's really rough." | 0:46:31 | 0:46:34 | |
I'd like you to... Tip it, tip it, tip it. There you go. | 0:46:34 | 0:46:36 | |
Through waves like that, nothing falls off. | 0:46:36 | 0:46:39 | |
So as it, you know, goes through the waves | 0:46:39 | 0:46:42 | |
and then, it gradually calms down. | 0:46:42 | 0:46:44 | |
The sea gradually settles, put it back down on the floor then. | 0:46:44 | 0:46:48 | |
So, there you are, restored to calm. | 0:46:48 | 0:46:50 | |
So, there you are, | 0:46:52 | 0:46:54 | |
with the application of simple DC circuitry, | 0:46:54 | 0:46:57 | |
some single-pole, single-throw switches, | 0:46:57 | 0:46:59 | |
a transformer, a power supply, | 0:46:59 | 0:47:00 | |
some soldering, lots of soldering, | 0:47:00 | 0:47:02 | |
we've restored order to the chaos of the British dining table, | 0:47:02 | 0:47:08 | |
the nucleus of the family and of discussion | 0:47:08 | 0:47:10 | |
and the art of conversation and progress. | 0:47:10 | 0:47:12 | |
Absolutely marvellous, all done with magnets. | 0:47:12 | 0:47:15 | |
I hope that's what you were looking for, Mrs Sugar. | 0:47:15 | 0:47:17 | |
'Earlier on, we built a rocket with the aim of capturing | 0:47:28 | 0:47:31 | |
'our very own bolt of lightning. | 0:47:31 | 0:47:33 | |
'The theory was simple - we'd fire a rocket | 0:47:33 | 0:47:35 | |
'trailing 800 metres of fine steel wire into a thunder cloud, | 0:47:35 | 0:47:39 | |
'and conduct a lightning strike down to our waiting tub of sand. | 0:47:39 | 0:47:43 | |
'The test firing goes without a hitch.' | 0:47:43 | 0:47:46 | |
Three, two, one. | 0:47:46 | 0:47:48 | |
We have lift-off! | 0:47:48 | 0:47:49 | |
It worked! | 0:47:52 | 0:47:53 | |
'But then, we were hit by a rare phenomenon - a British summer. | 0:47:53 | 0:47:57 | |
'In response, we launched Operation Barbecue.' | 0:47:57 | 0:48:01 | |
Does anyone want a burger? | 0:48:01 | 0:48:03 | |
'A weather-changing tactic never known to fail. | 0:48:03 | 0:48:06 | |
'And even before the diarrhoea had subsided, | 0:48:06 | 0:48:08 | |
'the clouds rolled in and I received a very interesting phone call.' | 0:48:08 | 0:48:12 | |
-Sean, are you on? -Yes. | 0:48:13 | 0:48:15 | |
Hang on, Helen. Sorry. | 0:48:15 | 0:48:17 | |
Are you running? | 0:48:17 | 0:48:18 | |
-Yeah, yeah. -Yeah. Go on, go on. It's the Met Office. | 0:48:18 | 0:48:21 | |
Yeah, yeah. Brilliant. | 0:48:21 | 0:48:24 | |
No, we'll go now, we'll go now. | 0:48:24 | 0:48:26 | |
Thank you. Bye, bye. | 0:48:26 | 0:48:29 | |
Lightning on Salisbury, come on. | 0:48:29 | 0:48:32 | |
Lightning. | 0:48:32 | 0:48:33 | |
-Get in the van, who's got the van keys? -I've got it. | 0:48:37 | 0:48:39 | |
We have a thunder and lightning hotline at the Met Office, | 0:48:49 | 0:48:52 | |
manned by a very nice lady called Helen Chivers. | 0:48:52 | 0:48:54 | |
And she rings us up the instant there are reports | 0:48:54 | 0:48:58 | |
of possible thunder and lightning. | 0:48:58 | 0:49:00 | |
And today, there's a 50-50 chance of it happening on Salisbury Plain, | 0:49:00 | 0:49:04 | |
between about 12 and three. | 0:49:04 | 0:49:07 | |
It's very exciting. | 0:49:07 | 0:49:08 | |
We are now on Army property. | 0:49:14 | 0:49:17 | |
The red flag is flying specifically | 0:49:17 | 0:49:18 | |
because we're about to launch our rocket. | 0:49:18 | 0:49:21 | |
Just as soon as it gets here. | 0:49:21 | 0:49:23 | |
Look at the clouds. Quite promising. | 0:49:23 | 0:49:25 | |
Lots of wind, it's been warm, the conditions are good. | 0:49:25 | 0:49:29 | |
'An hour later, the rocket eventually shows up, | 0:49:31 | 0:49:34 | |
'bearing news that our expert, Charlie, is held up. | 0:49:34 | 0:49:38 | |
'But with the right weather bearing down on us, | 0:49:38 | 0:49:40 | |
'we just can't wait for him. | 0:49:40 | 0:49:42 | |
'We've got to go for launch.' | 0:49:42 | 0:49:44 | |
We're aiming for that cloud, which isn't directly above the rocket, | 0:49:44 | 0:49:47 | |
but we've allowed for the wind. We should go into that. | 0:49:47 | 0:49:50 | |
Is everybody ready? Right, arming rocket. | 0:49:50 | 0:49:52 | |
And... | 0:49:53 | 0:49:55 | |
In three, two, one | 0:49:55 | 0:49:58 | |
and lightning launch. | 0:49:58 | 0:50:00 | |
BEEPING | 0:50:02 | 0:50:04 | |
Ambrose! | 0:50:08 | 0:50:09 | |
Go for the fire extinguisher. | 0:50:11 | 0:50:13 | |
'The Man Lab rocket jinx is back. | 0:50:13 | 0:50:15 | |
'By the time we've put out the small fire | 0:50:15 | 0:50:18 | |
'and replaced the burnt-out wiring...' | 0:50:18 | 0:50:19 | |
Is it the yellow wire or the black wire? | 0:50:19 | 0:50:22 | |
'..we've missed the weather and lost our opportunity.' | 0:50:22 | 0:50:24 | |
To have any chance of success, | 0:50:26 | 0:50:27 | |
we need to be quicker, sharper and better. | 0:50:27 | 0:50:30 | |
By the time the next call from the lightning hotline comes through, we are ready. | 0:50:32 | 0:50:37 | |
We've practised our launch procedure... | 0:50:37 | 0:50:39 | |
'..and we've armed ourselves with cutting-edge mapping technology | 0:50:42 | 0:50:45 | |
'that pinpoints lightning strikes in real time.' | 0:50:45 | 0:50:48 | |
We're heading to this sort of area in Somerset, | 0:50:48 | 0:50:52 | |
where there have been lightning strikes in the last ten minutes | 0:50:52 | 0:50:55 | |
and the last 20 minutes. | 0:50:55 | 0:50:57 | |
This time, we've had the rocket pre-rigged on a special trailer. | 0:50:57 | 0:51:01 | |
It's a straightforward bang, bang, bang, set-up, | 0:51:01 | 0:51:03 | |
retreat to the van, countdown, fire when ready. | 0:51:03 | 0:51:06 | |
'This time, we deploy like Fighter Command in 1940. | 0:51:06 | 0:51:10 | |
'Within minutes, the rocket is up | 0:51:10 | 0:51:11 | |
'and our lightning detection kit is screaming, "Scramble!"' | 0:51:11 | 0:51:15 | |
This is very promising. | 0:51:15 | 0:51:16 | |
We've had three strikes on the nought-to-three mile range. We've heard one of them. | 0:51:16 | 0:51:20 | |
We've got an excellent reading on there, we've got our rocket set up. | 0:51:20 | 0:51:23 | |
That cloud there is a thunder cloud. | 0:51:23 | 0:51:25 | |
-It's going up. -Is it? | 0:51:25 | 0:51:28 | |
Oh, let's get in the van. Get in the van. | 0:51:28 | 0:51:31 | |
In the van! | 0:51:31 | 0:51:33 | |
You'll have to get in, cameraman, I'm afraid. | 0:51:33 | 0:51:35 | |
Otherwise, you could get blown to bits. | 0:51:35 | 0:51:37 | |
We're ready. Right, launching! | 0:51:39 | 0:51:41 | |
Three, two, one. And we... | 0:51:41 | 0:51:43 | |
Come on! | 0:51:46 | 0:51:47 | |
-Ah, bother! -BLEEP | 0:51:50 | 0:51:53 | |
Never mind. It's British summer. There'll be loads of thunder. | 0:51:56 | 0:51:59 | |
'As the days pass, our launch tally starts to rival NASA's...' | 0:52:04 | 0:52:09 | |
Fire! | 0:52:09 | 0:52:10 | |
'..while our success rate remains an obstinate zero.' | 0:52:14 | 0:52:17 | |
Going in three, two, one and fire! | 0:52:17 | 0:52:21 | |
Bugger! I really thought that was it. | 0:52:29 | 0:52:31 | |
Charlie "the ferret" is already in the bushes. | 0:52:31 | 0:52:33 | |
After a dozen fruitless attempts, | 0:52:36 | 0:52:38 | |
we're still no closer in persuading Thor to come out and play. | 0:52:38 | 0:52:43 | |
'Not only that, we're running low on time and rockets.' | 0:52:43 | 0:52:47 | |
Where the bloody hell are we going? | 0:52:47 | 0:52:49 | |
There's a happy holiday atmosphere aboard the rocket van. | 0:52:52 | 0:52:55 | |
Everybody's got up very early on Sunday to do this. | 0:52:55 | 0:52:57 | |
As you can imagine, the mood is cheerful, upbeat and positive(!) | 0:52:57 | 0:53:01 | |
-When's lunch? -Yeah. | 0:53:04 | 0:53:07 | |
That's a good point, actually. | 0:53:07 | 0:53:08 | |
Fire! | 0:53:23 | 0:53:24 | |
'After a month drawing a ballistic blank, | 0:53:30 | 0:53:33 | |
'we're down to our last pair of rockets.' | 0:53:33 | 0:53:35 | |
The trick is to pick your spot and be patient. | 0:53:37 | 0:53:40 | |
Well, we didn't get here on time. | 0:53:42 | 0:53:44 | |
HE CLEARS HIS THROAT | 0:53:45 | 0:53:47 | |
But just when all seems lost, | 0:53:51 | 0:53:53 | |
the weather gods finally deliver the goods. | 0:53:53 | 0:53:56 | |
THUNDER | 0:53:58 | 0:54:02 | |
'The Met Office have issued an amber storm warning. | 0:54:02 | 0:54:05 | |
'That's the second highest warning issued by the Met. | 0:54:05 | 0:54:08 | |
'There's some very stormy weather on the cards | 0:54:08 | 0:54:10 | |
'for the next couple of days | 0:54:10 | 0:54:12 | |
'across much of the country, affecting Wales...' | 0:54:12 | 0:54:14 | |
It's a bit of a classic. | 0:54:14 | 0:54:15 | |
Updraught, anvil-shaped cloud. | 0:54:15 | 0:54:17 | |
There's probably a more technical term for it than that. | 0:54:17 | 0:54:20 | |
But that is the sort of thing we want. | 0:54:20 | 0:54:23 | |
This is where we are. Look. | 0:54:26 | 0:54:28 | |
Lightning, lightning, lightning. | 0:54:28 | 0:54:31 | |
Tons of it. | 0:54:31 | 0:54:32 | |
I think this is probably the best chance we're ever going to get. | 0:54:32 | 0:54:36 | |
Come on. Drive, drive! | 0:54:36 | 0:54:38 | |
If we don't get blown up today, I'm going to be bitterly disappointed. | 0:54:42 | 0:54:45 | |
Look at that. Hang on, there you go, flashing. | 0:55:01 | 0:55:04 | |
It was 20 to 40 miles away, eight to 20. It is coming this way. | 0:55:04 | 0:55:08 | |
This box is brilliant and gives us hope. | 0:55:08 | 0:55:13 | |
We have readings just now of over two, | 0:55:18 | 0:55:21 | |
and 1.5 gives us enough charge in the air. | 0:55:21 | 0:55:25 | |
It gives us a lightning strike. | 0:55:25 | 0:55:26 | |
We've been getting warnings... | 0:55:29 | 0:55:32 | |
Warnings of three to eight miles flashing on the sky scan. | 0:55:32 | 0:55:35 | |
If we get one at nought to three, | 0:55:35 | 0:55:36 | |
we're pretty much guaranteed to be hit by lightning ourselves. | 0:55:36 | 0:55:40 | |
I just got a nought to three. | 0:55:49 | 0:55:52 | |
I just got a nought to three. | 0:55:52 | 0:55:53 | |
There's another one, can you see it? | 0:55:55 | 0:55:58 | |
-Can you see it? -Shall I spark those cameras in? Nought to three. | 0:55:58 | 0:56:01 | |
Yeah, yeah, spark everything. | 0:56:01 | 0:56:03 | |
Here we go. | 0:56:07 | 0:56:08 | |
Arming. | 0:56:11 | 0:56:13 | |
And in three, two, one...fire. | 0:56:15 | 0:56:19 | |
This is our final entreaty to the god of thunder | 0:56:23 | 0:56:27 | |
to grasp our humble offering and hurl down his sacred fire. | 0:56:27 | 0:56:32 | |
If we can devote a whole programme to this subject, | 0:56:48 | 0:56:51 | |
we might stand a chance of doing it. | 0:56:51 | 0:56:52 | |
Plus if we went to somewhere like Hawaii, Croatia, | 0:56:52 | 0:56:57 | |
we might, after several months of driving around | 0:56:57 | 0:56:59 | |
and every day sleeping in tents, growing beards, | 0:56:59 | 0:57:01 | |
eventually get a chance of a lightning strike. | 0:57:01 | 0:57:03 | |
But doing it like this, | 0:57:03 | 0:57:04 | |
I calculate that it would take approximately 35 years. | 0:57:04 | 0:57:10 | |
As the great writer and philosopher Friedrich von Schiller once said, | 0:57:10 | 0:57:14 | |
"Disappointments are to the soul | 0:57:14 | 0:57:16 | |
"what the thunderstorm is to the air." | 0:57:16 | 0:57:19 | |
But, in our case, | 0:57:19 | 0:57:20 | |
it's that busy old fool, the unruly sun, | 0:57:20 | 0:57:23 | |
who dashes our hopes. | 0:57:23 | 0:57:25 | |
Nothing. | 0:57:25 | 0:57:27 | |
Not a sausage. | 0:57:27 | 0:57:29 | |
Diddly squat, jack, nada, nildo. | 0:57:29 | 0:57:34 | |
The only thing the yellow box | 0:57:34 | 0:57:36 | |
apparently is telling me at the moment | 0:57:36 | 0:57:38 | |
is that the battery is running out. | 0:57:38 | 0:57:39 | |
I'm sorry. | 0:57:39 | 0:57:41 | |
Off. | 0:57:44 | 0:57:45 | |
Pack up! | 0:57:48 | 0:57:50 | |
'This may be over for now, but when, at a future date, | 0:57:50 | 0:57:53 | |
'we have replenished our ballistic supplies, | 0:57:53 | 0:57:55 | |
'we shall return to challenge Thor once again.' | 0:57:55 | 0:57:58 | |
If you've got some lightning near you, do write to us. | 0:57:58 | 0:58:01 | |
And please mark your subject line, "Scramble." | 0:58:03 | 0:58:06 | |
Well, we're nearing the end of a disappointedly low-voltage edition of Man Lab, | 0:58:13 | 0:58:17 | |
so we thought we'd entrust the finale | 0:58:17 | 0:58:19 | |
to someone who really did understand electricity - Nikola Tesla. | 0:58:19 | 0:58:23 | |
Here to play us out with the theme from Man Lab | 0:58:23 | 0:58:26 | |
is the Electric Lightning Orchestra. | 0:58:26 | 0:58:29 | |
Thank you for watching and goodbye! | 0:58:29 | 0:58:31 | |
GUITAR PLAYS | 0:58:32 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:58 |