Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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Hello, welcome to the show. Is it any wonder that Wonder Villains are | :00:26. | :00:35. | |
being kept as our next big thing? They will be playing live later. | :00:35. | :00:40. | |
One of Northern Ireland's most prolific sculptors is here. Maurice | :00:40. | :00:45. | |
Harron is making this week's 60 minute masterpiece. | :00:45. | :00:49. | |
Every time you listen to Will Young, Take That, or even when it Paltrow, | :00:49. | :00:53. | |
you hear a little bit of her, it is for his coach to the stars, Carrie | :00:53. | :01:03. | |
:01:03. | :01:04. | ||
Grant. -- a voice coach. Nice to see you. You are now a member of | :01:04. | :01:08. | |
the one show family. You have been coaching megastars. Everything is | :01:08. | :01:15. | |
going well. It is busy but it is diverse. It is a good place to be. | :01:15. | :01:21. | |
And you have got a CBeebies series? Yes, we cover every age group. We | :01:21. | :01:26. | |
are passionate about day -- about getting good music to be under | :01:26. | :01:32. | |
fives. The series was a bit of a labour of love. When you are making | :01:32. | :01:36. | |
a programme, you don't think about it, you just think about making | :01:36. | :01:46. | |
:01:46. | :01:47. | ||
music. I have been out this year with World Vision, doing nights | :01:47. | :01:50. | |
colt girls' night out. Why do motivational speaking and sing some | :01:50. | :02:00. | |
:02:00. | :02:00. | ||
songs. I said at the piano and just play for myself as well. | :02:00. | :02:05. | |
We will be asking carry later if she thinks anyone can thing. -- | :02:05. | :02:11. | |
Carrie Grant. Yesterday we stopped 25,000 children in a mass choir for | :02:11. | :02:16. | |
Children In Need. With the success of Glee and The Choir -- Military | :02:17. | :02:26. | |
:02:27. | :02:27. | ||
Wives, singing his back. -- singing is back. | :02:27. | :02:32. | |
# Amazing Grace, how sweet the sound... #. | :02:32. | :02:37. | |
The melodic harmonies of traditional choirs have been | :02:37. | :02:42. | |
ringing out across Northern Ireland's churches and halls for | :02:42. | :02:49. | |
decades. Bihar Mandic male-voice choir is one of the oldest in | :02:49. | :02:59. | |
:02:59. | :03:00. | ||
Northern Ireland. It has been going for almost 70 years. You come | :03:00. | :03:05. | |
together once a week. Why are you so dedicated? When I was working, | :03:05. | :03:09. | |
it was a great release. It was great fun coming in for two ours. | :03:09. | :03:14. | |
It takes your mind off everything. Our numbers are steady because of | :03:14. | :03:21. | |
the loyalty of the members. Over the course of a year we average | :03:21. | :03:27. | |
about 12 or 13 concerts and outings. Last year we went to Hungary. We | :03:27. | :03:33. | |
tried to introduce at least two or three pieces every year and try and | :03:33. | :03:38. | |
have more modern music but when we go to concerts, the audience prefer | :03:38. | :03:43. | |
the older stuff. So you are not going to do eight Lady Gaga up | :03:43. | :03:51. | |
medley any time soon? -- a Lady Gaga medley? You might get some | :03:51. | :03:58. | |
impersonations at the weekend! Choirs go back as far as the second | :03:58. | :04:07. | |
century BC, when the ancient Greeks sang Delphic hymns. Ever since then, | :04:07. | :04:12. | |
choirs have delighted audiences through the years, from Gregorian | :04:12. | :04:18. | |
chanting to the barbershop quartet. There is a new sound changing all | :04:18. | :04:24. | |
the rules. All-singing all-dancing, it is high-kicking its way into | :04:24. | :04:34. | |
:04:34. | :04:40. | ||
Northern Ireland... We used to do choral work and actually lots of | :04:40. | :04:45. | |
choral festivals. We always listen to what the audiences and members | :04:45. | :04:55. | |
:04:55. | :04:57. | ||
work. It came into it that we wanted to do more music and shows. | :04:57. | :05:01. | |
Show choirs have arrived in town with catchy pop songs and energetic | :05:01. | :05:11. | |
dance routines, and they have captured the imagination of people | :05:11. | :05:16. | |
who want to sing and dance. It has been popular in America for decades. | :05:17. | :05:26. | |
:05:27. | :05:29. | ||
The first recorded the club was started in 1787. Extremely popular | :05:29. | :05:35. | |
at the time, they were eight specific form of English song with | :05:35. | :05:45. | |
:05:45. | :05:48. | ||
two or more and voice parts. The Newcastle Glee Singers are just one | :05:48. | :05:58. | |
group capturing this. We are giving kids music they want to hear. We | :05:58. | :06:02. | |
gave them modern dance which they are in tune with and are familiar | :06:02. | :06:10. | |
with. You get to meet lots of people and be with them often as | :06:10. | :06:20. | |
:06:20. | :06:24. | ||
well. All of my friends are there. The made so many new friends. | :06:24. | :06:29. | |
Gospel choirs, community choirs, gay choirs, male-voice choirs, and | :06:29. | :06:35. | |
now show choirs. There is a quiet out there for everyone. -- choir. | :06:35. | :06:42. | |
Years ago, traditional choirs would have stopped to him next but now, | :06:42. | :06:52. | |
:06:52. | :06:52. | ||
everyone is broadening their horizons. Take it away, boys! | :06:52. | :07:02. | |
:07:02. | :07:21. | ||
That was a handsome bunch of boys! You would fall for them just for | :07:21. | :07:27. | |
their voices. Do you think choirs are making a comeback? Absolutely. | :07:27. | :07:32. | |
Singing has been on the rise of for the last decade. There is every | :07:32. | :07:36. | |
tide of quiet represented out there. You can pretty much decide where | :07:36. | :07:40. | |
you fit in and there is something for you. And the Irish do love | :07:40. | :07:50. | |
:07:50. | :07:50. | ||
singing, all my gosh! -- though my gosh. | :07:50. | :08:00. | |
Graham and I sing often in the office. | :08:00. | :08:10. | |
:08:10. | :08:12. | ||
# Don't Go breaking My Heart... #. Elton John must be quaking in his | :08:12. | :08:20. | |
boots! Now you just have to find out which key you are in! The right | :08:20. | :08:27. | |
notes, just not the right order. Is it true, can you teach anybody to | :08:27. | :08:32. | |
think? You can teach anyone to thing. You guys could be taught is | :08:32. | :08:38. | |
saying, but not necessarily together! -- taught to sing. Not | :08:38. | :08:41. | |
everyone will be amazing but you would go up -- can be taught to | :08:41. | :08:49. | |
hold a tune. You have coached big- names like Gwyneth Paltrow, who | :08:50. | :08:54. | |
appeared in Glee. It must have been hard to get her constructive | :08:54. | :09:00. | |
criticism? She is the most disarming and amazing woman. She is | :09:00. | :09:05. | |
fantastic and it made me realise, when people going to the A-list, | :09:05. | :09:10. | |
they are a whole other League of talent. She was able to transfer | :09:10. | :09:15. | |
everything as an actress over to her singing. She is lovely and very | :09:15. | :09:23. | |
humble. She wants to make you a cup of tea immediately. You went to her | :09:23. | :09:30. | |
house, of course? She is lovely. You are an exceptional singer in | :09:30. | :09:37. | |
her own right. You have a MOBO. Tell us about that. We did this | :09:37. | :09:42. | |
project, which we just wanted to do because it was important to us. My | :09:42. | :09:46. | |
father had just died in Sierra Leone, he was a missionary, and I | :09:46. | :09:50. | |
wanted to make a gospel amble -- are bum off the back of that | :09:50. | :09:57. | |
experience. We just made it for ourselves and the next thing we | :09:57. | :10:04. | |
knew, we were winning a MOBO. It is always good to be recognised. | :10:04. | :10:09. | |
It has been known as the balls on the Falls. Monique Rise sculpture | :10:09. | :10:18. | |
rose up earlier this year. -- the Rise sculpture. It has, in for a | :10:18. | :10:23. | |
shed loads of comment from those who ticket is either a steel | :10:23. | :10:33. | |
:10:33. | :10:49. | ||
stunner or eight metal monster. -- I work at the West Belfast | :10:49. | :10:57. | |
partnership. I am standing in front of the Rise, Northern Ireland's | :10:57. | :11:03. | |
legit -- largest piece of public art. It is positioned at the | :11:03. | :11:09. | |
gateway of the city. It opened into tempered this year. I love this | :11:09. | :11:16. | |
because it draws its inspiration from nature. It represents the sun | :11:16. | :11:22. | |
rising over a new Belfast, the reeds from the bog meadow, and a | :11:22. | :11:29. | |
dandelion. Public art is important for us. This places Belfast on the | :11:29. | :11:34. | |
map. We need good public art. It inspires his all and improves our | :11:34. | :11:40. | |
sense of well-being, and gives us pride of place. This turns its back | :11:40. | :11:46. | |
on at no 1. It is round and belongs to all of us. It represents the new | :11:47. | :11:56. | |
:11:57. | :12:00. | ||
Belfast. I am Daniel, an artist based in Belfast. When I look at | :12:00. | :12:04. | |
the Rise sculpture, it doesn't convince me. I do not believe it | :12:04. | :12:10. | |
tells us about our past or future. I appreciate some people think it | :12:10. | :12:15. | |
is an improvement on what there was before but to me, it is simplistic | :12:15. | :12:19. | |
and derivative and does not stand for anything. I think a lot of | :12:19. | :12:23. | |
people feel like it doesn't speak to them. Maybe a lot of people look | :12:23. | :12:28. | |
at this piece and feel like they do not understand it. I don't | :12:28. | :12:32. | |
understand why we need to spend half a million pounds on a piece of | :12:32. | :12:36. | |
art like this. I work every day with artists and organisations in | :12:36. | :12:40. | |
the City who are struggling day-in and day-out and I think we deserve | :12:40. | :12:50. | |
:12:50. | :12:58. | ||
more. Now you have had -- heard both sides, but with your feet. -- | :12:58. | :13:08. | |
:13:08. | :13:11. | ||
and vote. It is a dead heat. What is it for? People do not understand | :13:11. | :13:17. | |
what it is for. Visit a football, golf ball? There is no sense in it | :13:17. | :13:23. | |
at all. It looks like a representation of the Engineering | :13:23. | :13:30. | |
history of Belfast. It gets people to react. It is a talking point and | :13:30. | :13:39. | |
that is a good thing. The sculpture is supposed to | :13:39. | :13:48. | |
represent the sun rising and of course there was a downpour or! | :13:48. | :13:54. | |
Thanks to everyone for it singing their praises and prejudices. | :13:54. | :14:04. | |
:14:04. | :14:18. | ||
It is time to put your musical No expense spared on BBC Northern | :14:18. | :14:25. | |
Ireland! We have four tracks carefully selected from the | :14:25. | :14:27. | |
extensive BBC Northern Ireland library and we are going to play | :14:27. | :14:31. | |
all four of them and see how many of them are you can recognise | :14:31. | :14:41. | |
:14:41. | :14:49. | ||
within the first few seconds. a little respect by a river front | :14:49. | :14:55. | |
and will stop respect for the singing! At the have a song of | :14:55. | :15:05. | |
:15:05. | :15:13. | ||
years? Yes, it will be in the summer. This is the second one. | :15:13. | :15:23. | |
:15:23. | :15:25. | ||
Don't cry for Me Argentina. Another favourite of years. You're doing | :15:26. | :15:35. | |
:15:36. | :15:40. | ||
well! This is number three. Oh, my husband. I'm missing him now, he's | :15:40. | :15:45. | |
putting the kids to bed and I am missing Henna. Check-in at in his | :15:45. | :15:55. | |
:15:55. | :15:55. | ||
big career. I know what this one is! I just know because you've only | :15:55. | :16:05. | |
got one left and it can only be one thing. Yes, it is! It's just so | :16:05. | :16:12. | |
terribly bad. Tell us what it is. This is my Eurovision entry for | :16:12. | :16:22. | |
:16:22. | :16:50. | ||
1983. We do have a clip of you on Have you still got the Shorts! | :16:50. | :16:58. | |
great legs. I still have the Shorts and buy somewhere have those legs! | :16:58. | :17:03. | |
What was the Eurovision experience like? We came sex and that is now | :17:04. | :17:12. | |
so good but at this time, we were so ashamed. I remember I came to | :17:12. | :17:16. | |
Belfast during the promotion of that and I was 17 years old and | :17:16. | :17:23. | |
what an amazing place that was. Eurovision still attracting mass of | :17:23. | :17:28. | |
viewers but it is now more about politics, isn't it? I think it | :17:28. | :17:31. | |
always was about politics but Eurovision is just a national | :17:31. | :17:35. | |
treasure, it is wonderful, a chance to get together and love that | :17:35. | :17:43. | |
everyone which we are very good at. And the outfits. Great having you | :17:43. | :17:47. | |
here. Belfast has been the side of human | :17:47. | :17:53. | |
settlements since the Bronze Age. A bizarre civilisation that got by | :17:53. | :17:56. | |
without nationals or Unionists but it was just 200 years ago that it | :17:56. | :18:01. | |
really got going as a city. architects, the land in the Belfast | :18:01. | :18:04. | |
Hills was a great urban canvas they could create great works on but | :18:04. | :18:10. | |
there was fierce competition. it was high noon for two of the | :18:10. | :18:14. | |
bright young things who helped build this city. Colin Bateman took | :18:14. | :18:21. | |
to the streets to see who won. The quadrangle at Queen's University, | :18:21. | :18:27. | |
the impressive as that of the Custom House. Even the great sprawl | :18:27. | :18:33. | |
of trees towering over the outskirts of Ballymoney. Very | :18:33. | :18:37. | |
different landmarks but all the work of one man. This is one of his, | :18:37. | :18:42. | |
too, the majestic palm house in the Botanic Gardens. Charles was an | :18:42. | :18:47. | |
architect who was recklessly driven to be the best in town. He sees not | :18:47. | :18:51. | |
just commissions but titles, too. Lord mayor of Belfast, Conservative | :18:51. | :18:57. | |
MP and even amounted, all handed in landing the big jobs. One in | :18:57. | :19:00. | |
pretender to his architectural Crown wasn't prepared to let him | :19:00. | :19:04. | |
have it all his own way. The pair tussled over at Tower and clashed | :19:04. | :19:10. | |
over a clock. William Bach was the man who dared take on Charles at | :19:10. | :19:15. | |
his own game, designing standard buildings for an expanding city. | :19:15. | :19:19. | |
The king across now, it is hard to imagine that but ins 1800, Belfast | :19:19. | :19:24. | |
was still small time, only 20,000 people lived here but by 1850, the | :19:24. | :19:30. | |
number had gone to 100,000 and for a brief period, it over to Dublin. | :19:30. | :19:35. | |
Belfast in fact in 19 century was probably the fastest growing urban | :19:35. | :19:38. | |
centre in the whole of the Magic Kingdom. The linen industry to | :19:39. | :19:45. | |
govern Belfast and this is the Belfast that Charles London came to. | :19:45. | :19:49. | |
It was a great opportunity for hungry architects so competition | :19:49. | :19:54. | |
for commissions were really fierce. William Barr was 17 years Charles | :19:54. | :19:57. | |
Linehan's Junior and he came to Belfast in 1859 from Newry after | :19:58. | :20:04. | |
the Year competition to build the Ulster Hall. But he was to have a | :20:04. | :20:08. | |
bruising encounter with his arch- rival before he had even made hand | :20:08. | :20:15. | |
on a Belfast brick. Ba could only get work by a winning competitions, | :20:15. | :20:25. | |
he didn't have the connections that London had. From time to time, too | :20:25. | :20:33. | |
of London was the big man and his battles resulted from that. | :20:33. | :20:38. | |
Scrabble tower was to be the unlikely location where Charles and | :20:38. | :20:43. | |
Bach first crossed swords. In 1856, a competition was held to design | :20:43. | :20:47. | |
and build this monument for Lord Londonderry. Newcomer bard was | :20:47. | :20:53. | |
declared the winner. But behind the scenes saw the selection committee | :20:53. | :20:56. | |
was nursed the decision and give the job to London. The official | :20:56. | :21:01. | |
reason was that Bart's plan was too expensive but the architectural | :21:01. | :21:03. | |
world felt it had more to do with London's high-powered connections | :21:03. | :21:09. | |
than anything else. Mannion had stolen the commission from about's | :21:09. | :21:13. | |
nose. In the next nine years, bard worked tirelessly to put his stamp | :21:13. | :21:17. | |
on Belfast's skyline, designing a Bryson House and finishing the | :21:17. | :21:22. | |
Ulster Hall. In 1865 another competition, this time to design | :21:22. | :21:28. | |
the Albert Clock. Both men entered plans are one. Surely they couldn't | :21:28. | :21:34. | |
take it away from him again? But they did. Ba was stripped of the | :21:34. | :21:37. | |
commission but this time his supporters put up a fight in the | :21:37. | :21:41. | |
press and a selection committee announced a U-turn on their U-turn. | :21:41. | :21:45. | |
Ba had won this architectural scrap but in the fight to dominate the | :21:45. | :21:50. | |
skyline, it would only be one winner. After his stints at mayor | :21:50. | :21:54. | |
and MP, London got his knighthood and a blue plaque adorns his | :21:54. | :21:58. | |
workplace in Mollington place. The land beside the Waterfront Hall | :21:58. | :22:03. | |
bears his name pastels part of Queen's itself. William Barr has no | :22:03. | :22:10. | |
plaques in his honour, no work proclaims his name, he is died of | :22:10. | :22:18. | |
tuberculosis aged just 37 before the Albert Clock was even unveiled. | :22:18. | :22:23. | |
While it London went from strength to strength from the Italian | :22:23. | :22:27. | |
renaissance of the Crumlin Road jail to the magnificent Victorian | :22:27. | :22:33. | |
Gothic that is Queen's University. Even in death, bar and London it | :22:33. | :22:38. | |
seemed locked in competition. Both their graves are marked with Barnet | :22:38. | :22:42. | |
stones carved in the grand style. London's of course this just that | :22:42. | :22:50. | |
there will be better. He has had 60 minutes of to turn a | :22:50. | :22:53. | |
lump of walks into something more recognisable. How did you get on? | :22:53. | :22:59. | |
That is for the audience to say! looks fantastic. This is obviously | :22:59. | :23:03. | |
entirely made of wax, not what we will be giving to the charity, this | :23:03. | :23:07. | |
is only the start of making a bronze? Tonight I thought I will | :23:07. | :23:13. | |
make something along the classical themes, a horse with rider. It is a | :23:13. | :23:21. | |
craft that has got the 2500 years and I'm using exactly same method. | :23:21. | :23:24. | |
We will let it dry and fired in a furnace and the works will pour out | :23:24. | :23:29. | |
of it and in the cavity of the clay, with poor or bronze. So there will | :23:29. | :23:36. | |
be a bronze... I will give that to pick Children in Need option will | :23:36. | :23:43. | |
stop you going to Schreiber into the wax for us. I am sorry we | :23:43. | :23:48. | |
didn't have longer to talk to you, you have done a lot of great public | :23:48. | :23:53. | |
sculptures in the UK and abroad so good luck. If you fancy getting | :23:53. | :24:00. | |
your hands on the horse, a all the works made by artists on out Mark | :24:00. | :24:03. | |
are being auctioned off with proceeds going to BBC Children in | :24:03. | :24:11. | |
Need. A musical feast this week comes | :24:11. | :24:15. | |
from a Derry band, Wonder Villains, whose music has been described by | :24:15. | :24:21. | |
one critic as made entirely of sherbet. This is a massive moment | :24:21. | :24:28. | |
for you on school because not only are you for from the school in | :24:28. | :24:36. | |
Derry, this man used to be able to teach you art. How do you react to | :24:36. | :24:42. | |
hearing your music described as being made of sherbet? Unbelievably | :24:42. | :24:52. | |
:24:52. | :24:52. | ||
well. People have been using very cool words to describe us. We had | :24:52. | :24:55. | |
someone describe us as a bag of money is being unleashed on the | :24:55. | :25:00. | |
stage so we love it. What is it like when you're all living | :25:00. | :25:07. | |
together? We just live in a big house and it is great! Is a quite | :25:07. | :25:13. | |
crazy? Yes. You to only finished school in June and you've achieved | :25:13. | :25:18. | |
so much already. Would you go from here? We just released her first | :25:18. | :25:21. | |
ever single a few weeks ago and are next on his coming out early next | :25:21. | :25:25. | |
year so we're really excited about everything. You have even written a | :25:25. | :25:31. | |
Christmas song? Just for fun! the any particular Christmas | :25:31. | :25:37. | |
influences? But this Christmas CD and it's every single good | :25:37. | :25:47. | |
:25:47. | :25:53. | ||
Christmas song. Was a figure one? John Lennon's the war is over. | :25:53. | :25:59. | |
recorded at Maida Vale, that must have been incredible. Is coming out | :25:59. | :26:03. | |
Wednesday week on the Huw Stephens Show at midnight, we're really | :26:03. | :26:08. | |
excited to hear it. We don't have to wait that long to hear from you, | :26:08. | :26:13. | |
we are delighted. You can hear Wonder Villains Christmas song on | :26:13. | :26:17. | |
the Huw Stephens Show on BBC Radio 1 on 7th December. Next week we | :26:17. | :26:21. | |
have the story of the Northern Irish man who has come back from | :26:21. | :26:24. | |
California to give our animation artists and Holywood burst. Carrie | :26:24. | :26:29. | |
Neely and covers what makes a great portrait. If all goes to plan, | :26:29. | :26:34. | |
Irish twins Jedward will be bouncing around here on the service. | :26:34. | :26:39. | |
As 7:30pm next Monday but for now, here's Wonder Villains and Zola! | :26:39. | :26:49. | |
:26:49. | :27:23. | ||
Zola! Zoila! Could you be any slower? | :27:23. | :27:30. | |
Zola's! And captain of this team but I | :27:30. | :27:37. | |
don't know, I'm going to rip his party. | :27:37. | :27:45. | |
I know this game was great but I can't say. | :27:45. | :27:50. |