Pennod 6 Pobol y Rhondda


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-Shwmae!

-I'm Sion Tomos Owen, a Rhondda boy.

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-I love it here. It's full of

-possibilities for artists like me.

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-I always look for different ways

-of portraying the valley in my work.

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-During the series, I'll speak

-to lots of interesting people.

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-I'll paint pictures reflecting

-what the valley is really like.

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-I'll put them together

-to create a large new map...

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-..of the lives

-of the Rhondda people.

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-I'm above Cwmparc, one of

-the Rhondda's most famous views.

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-This will be my biggest challenge

-of the series so far.

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-Looking at the weather, I'm not sure

-I'll be able to start...

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-..let alone finish!

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-We're on top of Bwlch...

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-..on a cold and windy day.

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-But, we've got this view.

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-As nature

-is the theme of this mural...

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-..that's why I'm painting it

-in the open air.

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-It's nature at its best.

-Or worst, I'm not sure!

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-Let's see how long we can stay here.

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-Many artists

-have painted the Rhondda, of course.

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-But only a few have captured

-the valley's spirit in their work.

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-Elwyn Thomas

-is certainly one of those.

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-He's a great artist who knows the

-valley like the back of his hand.

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-Mr Thomas.

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-Mr Thomas.

-

-Hello. Welcome to Rhiwlas.

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-Thank you.

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-Thank you.

-

-Nice to see you.

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-Come in.

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-Thank you for letting us...

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-..not just into your home

-but into your gallery.

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-Gallery!

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-It's an honour for me to be here...

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-..because you're a hero of mine

-for the work you've done.

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-A lot of your paintings

-are of Rhondda Fach.

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-Is that where you're from?

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-I used to live in Tylorstown

-in Rhondda Fach.

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-There's something about

-Rhondda Fach...

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-..that's different to Rhondda Fawr.

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-It's more interesting to paint.

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-This painting of Wattstown

-is interesting.

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-Is it opposite the tip,

-where you look down on Wattstown?

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-Yes.

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-Do you sketch for a long time?

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-I prepare lots of details...

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-..for every part of the painting.

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-It's the way I've worked for years.

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-I use a sketchbook.

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-My brother and my mother

-were very interested in painting.

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-We used to work together

-in the house.

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-That's the reason

-why I'm very interested in painting.

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-You went to school in Ferndale...

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-..and then studied art in college.

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-I was interested

-in working as a draughtsman...

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-..but the required

-mathematical skills was very high...

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-..so the headmaster

-asked whether I was interested...

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-..in doing a course

-at the art college in Cardiff.

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-After graduating,

-he became a teacher in Kent...

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-..before returning to the Rhondda...

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-..where he became head of art at

-Ferndale Grammar School until 1987.

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-After retirement,

-I concentrated fully on painting.

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-Since you retired?

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-Since you retired?

-

-Since I retired.

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-Thank you for retiring then

-because you've given us these!

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-I feel happy and comfortable...

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-..to have pictures around the house.

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-I sit down and look at the pictures.

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-I only paint occasionally now.

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-It makes me relaxed and I enjoy it.

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-Elwyn's work

-has inspired people for years.

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-I believe that all types of art...

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-..should be available to the public,

-free of charge.

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-When you come into the Rhondda

-from Pontypridd...

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-..one of the first things you'll see

-is this sculpture near Trehafod.

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-Ann Catrin Evans is the artist.

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-She made the sculpture

-from one iron girder split in two.

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-I love this sculpture.

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-It's no coincidence

-we're here in the rain.

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-Cymmer is the name of the sculpture.

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-It's the confluence

-of two steel rivers.

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-It's perfect for the valley.

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-At the bottom are the words

-to the hymn Cwm Rhondda.

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-We all know how that goes.

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-SION HUMS CWM RHONDDA

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-Tonypandy,

-a few miles up the valley...

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-..is the location

-for the next artwork.

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-It's a more traditional depiction

-of the Rhondda.

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-Robert Thomas from Cwmparc made this

-sculpture of a collier's family.

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-Without a doubt, this is Robert

-Thomas' most famous sculpture.

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-I have a personal connection to him.

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-Thomas Gruar, my brother-in-law,

-was the model for the baby up there.

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-He's changed!

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-There's plenty to inspire me

-as an artist in the valley.

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-But what inspires

-the Rhondda's young artists?

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-Where better to ask the question

-than Ysgol y Cymer...

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-..where I studied art

-almost 15 years ago.

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-Hello!

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-Mr Sion Tomos Owen, how are you?

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-Good, thanks.

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-It's changed in here!

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-It's changed in here!

-

-It's changed a lot.

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-It's colourful. Bolder.

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-It's just been redecorated.

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-You're sitting with the pupils.

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-With the sixth form, it's easier

-to just sit with the pupils.

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-It's easier for me

-to give my input...

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-..because everyone's

-working on a different theme.

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-It's nice

-because they can experiment more...

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-..and find their forte so to speak.

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-They can go further after school.

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-They go to school in the Valleys...

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-..so are there elements

-of the Valleys in their work?

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-Of course. I take the pupils out.

-There's great scenery nearby.

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-The pupils seem to think,

-"I just live in the Valleys."

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-I try to open their minds

-to what's around them.

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-They then think they can use where

-they live to develop their work.

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-Joseph, you're not painting

-using conventional methods.

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-No, coffee.

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-Coffee? I've never seen anyone

-use coffee before.

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-It's experimental.

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-It's a life study using different

-techniques, such as using coffee.

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-It leaves a nice tone.

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-As it dries, it spreads out.

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-It's great.

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-Do you use coffee too

-or just normal paint?

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-Well, it depends!

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-I usually use acrylic paint.

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-I'm using watercolours today.

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-I've heard you did that.

-What shall we call it, a piece?

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-Monstrosity!

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-Monstrosity!

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-We've named her Dalia.

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-She has her own personality,

-bless her!

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-Where did you get the inspiration?

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-In AS, we were given natural forms

-as inspiration.

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-I looked at trees - their form

-and how they grow.

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-I looked into people too.

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-It's some sort of commentary

-on people within nature.

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-We're still a part of nature

-but we don't realize it.

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-Seren, you're doing some textiles.

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-I'm focusing on structure.

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-I've been looking at skeletons.

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-I usually make things

-like that piece over there.

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-You did that.

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-You did that.

-

-Yes, by hand.

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-I sewed...

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-All of it?

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-All of it?

-

-Yes, and all the embroidery.

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-How long did it take?

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-Between six weeks and two months.

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-I stitched the Welsh flag

-and that took me ages.

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-But this is a lot more detailed.

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-But this is a lot more detailed.

-

-It took a lot of time.

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-This is a top -

-something fashionable.

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-Is that what you hope to do?

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-I want to do textiles

-and make pieces of clothing...

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-..rather than

-the designing and sketching part.

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-Coffee, trees, clothing?

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-Goodness me, things have changed

-since I was in school!

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-That's evident

-in the exhibition room.

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-They're doing more creative work

-with materials.

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-There's an element

-of making clothes...

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-..though it doesn't

-have to be clothes.

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-That's a chunky book!

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-There are lots of materials.

-Lots of burning, stitching.

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-It looks like

-there's a lot of experimenting.

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-A lot of experimenting early on

-in the project and less sketching.

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-The other change

-is the developments in technology.

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-You can see children

-coming through...

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-..with the ability

-to put their work on the Web.

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-They're making films

-and working with digital software.

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-A few sixth formers

-have made short stop-motion films.

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-I get them to work with music...

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-..and different stills

-to bring photography work in.

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-Things have changed with

-the development of this software...

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-..and with apps on the phones,

-things like Instagram.

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-They're using these things

-to develop the project.

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-They might not end up

-doing photography...

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-..they might want to paint.

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-You're the only teacher who lets

-children play on their phones!

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-With a few rules!

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-There'll be more art of all types

-after the break.

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-I'll visit the grave of one

-of the Rhondda's famous people...

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-..through this hole...

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-..I'll launch my first book

-and I'll recite some poetry.

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-"Do you know Tom Jones?"

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-"Yeah. Whoa! Huh!"

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-I lost feeling in my fingers

-around 20 minutes after I started.

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-The picture looks better

-than I thought it would...

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-..despite the shaking - not just me

-but because of the wind too.

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-In this picture is a mixture

-of different elements of nature.

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-There are sheep, obviously,

-and Highland cattle from Fforch...

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-..which feature

-on Cwm Rhondda Ales bottles.

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-There's also a river and waterfalls

-from the top of the valley...

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-..trout, as people

-are fishing them more here...

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-..trees and dry stone walls,

-which can be seen all over.

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-I'm determined to finish,

-even if I turn into a block of ice!

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-I've started

-so nothing's going to stop me.

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-From the windy mountain

-to tranquillity in Blaenllechau...

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-..home to one of my best friends.

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-Cup of tea?

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-Cup of tea?

-

-Please.

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-Or coffee?

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-Um, tea.

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-Or Azera?

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-Ooh, posh!

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-Ooh, posh!

-

-Posh juice.

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-Posh coffee, please.

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-Hywel is an artist, musician,

-wall builder and film set painter.

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-This house

-is like a second home to me.

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-Whenever this house

-comes to my mind...

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-..I say,

-"You've got to see this house."

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-The Habitat house.

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-The Habitat house.

-

-No, because of the art.

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-It's like a gallery!

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-My entire family does art.

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-Mam-gu did art.

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-My brother and sister do too.

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-My parents' house

-is choc-a-block with art.

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-It made me feel artistic.

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-It influences you.

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-Does this house influence you?

-As I said, it's like a gallery.

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-It does.

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-You said on Facebook the other day

-that you were going to do more art.

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-When we were in school...

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-We've been friends since...

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-..since GCSE Art really.

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-Yes.

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-I've only now started

-to do more art.

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-I really enjoy it.

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-I really enjoy it.

-

-Do you enjoy it more?

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-Yes.

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-I felt that in art college...

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-..there were teachers

-who didn't want to teach...

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-..and pupils

-who didn't want to learn.

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-You know what I'm talking about.

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-I remember you having trouble...

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-..because our teacher

-was a digital artist.

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-You're textual and liked painting.

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-I found it very hard.

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-I remember

-you getting very frustrated.

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-As Photoshop was quite new,

-we were forced to do it.

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-I was trying to paint and he was

-saying, "Put it on the computer."

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-Photoshop!

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-Photoshop!

-

-We did a lot like that.

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-It's brilliant now because

-we know how to use Photoshop.

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-At the time, both of us

-were busting to do traditional art.

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-What I didn't know was that Hywel

-had a surprise for me.

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-Do you remember this picture?

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-This is the one

-from the other house.

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-This is what inspired

-the map in the first series.

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-Tom Hutchinson.

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-That's why here

-is so good for sketching.

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-Everyone knows about the landscape

-and so on.

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-But in work by artists like

-Elwyn, Zobole and Charlie Burton...

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-..it's the houses along with the

-landscape that make the difference.

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-Terraces, bridges and the tips.

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-The landscape, where you come from,

-is in your blood.

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-With the map I'm doing,

-I had to go out again...

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-..as I'd forgotten

-how good the landscape was.

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-When you look at the artists' work,

-they all like the lines.

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-The wavy lines.

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-If you look out the window,

-that's what you see.

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-You're on the top of the valley

-looking down.

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-It's all just jagged lines

-and curves.

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-It does influence you.

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-What's really odd is being in

-this house when there's no music on.

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-I think of this house

-as the place where the band started.

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-That's how it was.

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-It's where we made it all.

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-This was the Pine Barons' house.

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-Pine Barons!

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-Come on then. Off we go.

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-Here we are,

-the Pine Barons in our prime.

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-Hywel, Kyle, Neil and me.

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-The Rhondda Fab Four.

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-I'm off to Ferndale next

-to see more art.

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-This sculpture was made by pupils

-from the local primary schools...

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-..Llyn y Forwyn and Darran Park.

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-This is what the village is like

-according to the children.

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-A place full of interesting

-buildings and funny characters.

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-It's great that the children

-get to create art...

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-..which is then

-put on public display.

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-Some of you may know...

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-..that Guto Nyth Bran is buried

-at Llanwonno church cemetery.

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-But not many know about this

-sculpture which commemorates him.

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-Rebecca Buck, an American artist...

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-..made the sculpture

-out of clay bricks from the area.

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-There's no picture of Guto

-on the stone...

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-..but Celtic legends

-do feature on it.

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-There's also a hole in the middle.

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-If you look through the hole...

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-..you'll see Guto Nyth Bran's grave

-in the church cemetery.

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-As well as painting and cartooning,

-I also write.

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-I'm about to publish my first book.

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-The title of the book is Cawl...

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-..because cawl

-is a mixture of ingredients.

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-There are 12 poems.

-One's a long poem.

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-I wrote some in Welsh,

-some in English.

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-There's a graphic novel,

-28 cartoons...

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-..eight short stories

-and two essays.

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-I wanted it to seem like...

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-..lots of people

-had contributed to the book...

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-..but it's actually one author.

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-I haven't seen

-a book like it before.

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-I wanted to do something that's

-different to anything I've read.

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-It's not only the contents

-that's different.

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-Everyone who pre-ordered the book

-gets a personalized bookmark...

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-..a cawl recipe...

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-..and an invitation to the launch

-night at Treorchy rugby club.

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-Shaking hands!

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-Congratulations.

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-Congratulations.

-

-I haven't seen you in ages.

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-It's odd to see it in a book

-that other people can buy in shops.

0:20:310:20:36

-But to see other people read it

-is a blush moment, I suppose.

0:20:360:20:42

-I'm not boasting

-but I'm chuffed with it.

0:20:420:20:45

-It's nice to see it as a book

-and not as a Dropbox file.

0:20:460:20:49

-I've matched my T-shirt

-to the cover as well.

0:20:500:20:54

-Since we're in the clubhouse, I

-thought I'd read from a short story.

0:20:550:20:59

-BABY CRIES

0:20:590:21:00

-Who brought that baby?!

0:21:000:21:02

-Who brought that noisy baby?!

0:21:020:21:04

-"A language that's a part

-not a language that's forced

0:21:070:21:10

-"The language of grandchildren

-and grandparents

0:21:100:21:13

-"Not a grey language,

-but food and blood and feet

0:21:130:21:16

-"To walk out of conquest

-on a battling journey

0:21:160:21:19

-"Saving a nation

-while being parochial

0:21:190:21:22

-"A crown was lost

-but the language prevails

0:21:230:21:26

-"Almost 500 years

-since the Word was translated

0:21:260:21:29

-"We're still bound

-to the same masters"

0:21:290:21:33

-Thank you very much. You're my hero.

0:21:390:21:41

-I love the orange.

0:21:420:21:43

-What's the orange about?

0:21:430:21:45

-The first 200

-are limited edition orange colours.

0:21:450:21:48

-The rest are normal.

0:21:480:21:49

-The rest are normal.

-

-That's why you're wearing that!

0:21:490:21:51

-How to project the country

-next to England.

0:21:520:21:54

-"Where are you from?"

0:21:550:21:56

-"Wales. Do you know Tom Jones?"

0:21:560:21:59

-"Yeah. Woah! Huh!"

0:21:590:22:00

-"That's it. Where he's from."

0:22:010:22:03

-"California?"

0:22:030:22:04

-"No. Wales. Catherine Zeta-Jones.

-Anthony Hopkins.

0:22:040:22:07

-"Where they're from."

0:22:070:22:09

-"Sir, they're from California."

0:22:090:22:11

-"No, they're from Treforest, Swansea

-and Margam."

0:22:110:22:15

-It was hopeless.

0:22:150:22:16

-Well done.

0:22:170:22:18

-Well done.

-

-What for?

0:22:180:22:19

-For writing a book...

0:22:190:22:21

-..with a lot of swearing in it!

0:22:210:22:23

-Yes, lots of swearing.

0:22:230:22:24

-This is a contemporary map

-of the Rhondda.

0:22:320:22:36

-Wind turbines

-are now a part of the landscape.

0:22:360:22:39

-Though nature is present...

0:22:400:22:41

-..the purpose of the wind turbines

-is so we don't use fossil fuels.

0:22:420:22:46

-It's ironic, because it's coal

-that created the valley.

0:22:460:22:51

-I'm pleased with that.

0:22:580:23:00

-Ha-ha! I've done it!

0:23:000:23:02

-Cut!

0:23:110:23:12

-S4C Subtitles by Testun Cyf.

0:23:290:23:31

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0:23:310:23:31

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