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Fire at a packed night club! Hundreds of clubbers attempt to escape, | 0:00:02 | 0:00:05 | |
but one of their exits is blocked by a wall of flames. | 0:00:05 | 0:00:10 | |
I realised it's at the top of the fire escape | 0:00:10 | 0:00:12 | |
and that's a great concern, because the worst-case scenario was | 0:00:12 | 0:00:16 | |
that somebody had tried to come out that way and been caught in the flames. | 0:00:16 | 0:00:20 | |
And the horse that led itself to water, | 0:00:20 | 0:00:22 | |
but is now stuck down a well, and unless she's freed, | 0:00:22 | 0:00:26 | |
is in danger of drowning. | 0:00:26 | 0:00:28 | |
She was starting to shake because she'd been in for some time | 0:00:28 | 0:00:31 | |
by the looks of things. At this time, we had no idea | 0:00:31 | 0:00:35 | |
how deep the water was or how deep the well was, or what she was actually stood on. | 0:00:35 | 0:00:39 | |
Hello and welcome to Real Rescues. We're at the heart | 0:01:03 | 0:01:06 | |
of a 999 emergency operation. This is the police control centre | 0:01:06 | 0:01:10 | |
near Southampton. If a 999 call comes in here, | 0:01:10 | 0:01:12 | |
the team are trained to answer, analyse, then act. | 0:01:12 | 0:01:15 | |
Their expertise can make the difference between life and death. | 0:01:15 | 0:01:18 | |
Even in the daytime on a weekday, it's still very busy. | 0:01:18 | 0:01:22 | |
It is. Let's speak to Inspector Dave Ryan, who's in charge today. | 0:01:22 | 0:01:25 | |
-Are you OK to talk, Dave? -I am. -I want to talk about something | 0:01:25 | 0:01:28 | |
that happened recently - 1:30 AM, people in Portsmouth | 0:01:28 | 0:01:31 | |
could hear somebody shouting, and thought he was in the water. | 0:01:31 | 0:01:35 | |
We had a number of calls in the early hours | 0:01:35 | 0:01:37 | |
to a male believed to be in the harbour down in Portsmouth. | 0:01:37 | 0:01:40 | |
He was in serious distress and he had to be rescued from the water. | 0:01:40 | 0:01:44 | |
-How did you find him? It was dark. -Because of the lack of lighting, | 0:01:44 | 0:01:47 | |
the best thing to do was call our air-support unit. | 0:01:47 | 0:01:50 | |
Our plane was launched with a thermal-imaging camera | 0:01:50 | 0:01:53 | |
that could identify a heat source in the water. | 0:01:53 | 0:01:56 | |
The chap was half in and half out of the water, hanging on to a boat | 0:01:56 | 0:01:59 | |
that was moored. We could direct the Solent coastguard in. | 0:01:59 | 0:02:03 | |
They picked him up, gave him immediate medical attention, and he made a full recovery. | 0:02:03 | 0:02:07 | |
-Excellent work. Everybody coordinating together. Thank you. -No problem at all. Thanks. | 0:02:07 | 0:02:12 | |
A city-centre night club is having a busy night. | 0:02:12 | 0:02:15 | |
The dance floor is packed with hundreds of people. | 0:02:15 | 0:02:17 | |
Then smoke is spotted pouring through a fire exit, | 0:02:17 | 0:02:20 | |
effectively blocking that way out, and the alarm is raised. | 0:02:20 | 0:02:24 | |
ALARM BLARES | 0:02:24 | 0:02:26 | |
It's two o'clock on a Sunday morning, | 0:02:29 | 0:02:31 | |
and White Watch have been called to a fire in a popular night club | 0:02:31 | 0:02:35 | |
in Southampton city centre. | 0:02:35 | 0:02:36 | |
-We got a job. Going out. -HORN BLARES | 0:02:36 | 0:02:39 | |
It's the busiest night of the week, | 0:02:39 | 0:02:41 | |
and more than 200 people could be inside. | 0:02:41 | 0:02:44 | |
The firefighters are well aware of what they could be facing. | 0:02:45 | 0:02:49 | |
Adrenaline starts pumping, and you start thinking what you can do, | 0:02:49 | 0:02:52 | |
what you can't, and all the rest of it, so you are in an alert state. | 0:02:52 | 0:02:55 | |
They arrive to see flames lighting up the night sky. | 0:02:55 | 0:02:59 | |
We need these cars moved! | 0:03:00 | 0:03:02 | |
The police have set up a cordon. | 0:03:02 | 0:03:04 | |
Young clubbers are all over the street, | 0:03:04 | 0:03:06 | |
just where the firefighters need to park their trucks. | 0:03:06 | 0:03:10 | |
The fire is round the back of the building. | 0:03:13 | 0:03:15 | |
Martin Bone and Guy Buxton head down a side lane | 0:03:15 | 0:03:18 | |
while the hoses are fed through to them. | 0:03:18 | 0:03:21 | |
The fire has started in potentially the most devastating place. | 0:03:24 | 0:03:28 | |
It was at the top of the fire escape, and that's a great concern. | 0:03:29 | 0:03:33 | |
The worst case scenario was that someone had tried to come out | 0:03:33 | 0:03:36 | |
that way, and been caught in the smoke and the flames. | 0:03:36 | 0:03:39 | |
The fire has been going for some time on the steel fire escape. | 0:03:40 | 0:03:44 | |
It's very hot, and the crews can only do so much from here to stop the flames. | 0:03:44 | 0:03:49 | |
The main danger for us was, because it was set above ground level - | 0:03:49 | 0:03:53 | |
there was a small metal staircase going up - | 0:03:53 | 0:03:56 | |
and it had been going for quite some time, so it got hold | 0:03:56 | 0:03:59 | |
as a fully developed fire, and on our initial approach with the hoser, | 0:03:59 | 0:04:03 | |
it just wasn't enough. We stopped the fire, | 0:04:03 | 0:04:06 | |
but we couldn't put it out. It was still very hot. | 0:04:06 | 0:04:08 | |
We were forced to our knees. There was thick black smoke. | 0:04:08 | 0:04:11 | |
But we was making progress, so we could work our way in - on our knees, unfortunately. | 0:04:11 | 0:04:16 | |
At the front, club manager Carl confirms to Shaun | 0:04:16 | 0:04:20 | |
that everyone's out. He acted quickly | 0:04:20 | 0:04:22 | |
after the disco lights and music suddenly stopped inside the club. | 0:04:22 | 0:04:26 | |
As I approached my doorman, who was standing by these double doors, | 0:04:26 | 0:04:30 | |
I, um... I thought I could smell smoke. | 0:04:30 | 0:04:33 | |
I went through the doors into the ladies' toilet area, | 0:04:33 | 0:04:36 | |
and we've got, like, an inside fire exit | 0:04:36 | 0:04:39 | |
which leads out onto the outside fire exit. | 0:04:39 | 0:04:41 | |
Once I opened that door, smoke just come billowing out, | 0:04:41 | 0:04:44 | |
and I just slammed the door shut and put on the radio that we were evacuating. | 0:04:44 | 0:04:48 | |
We've got a fire and we need to evacuate. | 0:04:48 | 0:04:51 | |
With smoke pouring in through the fire exit upstairs, | 0:04:51 | 0:04:55 | |
Carl and his staff calmly led more than 200 clubbers to safety | 0:04:55 | 0:04:59 | |
via the ground floor. | 0:04:59 | 0:05:00 | |
There was no major panic. There was no-one running. | 0:05:00 | 0:05:04 | |
It was just lucky that not a lot of people, I don't think, | 0:05:04 | 0:05:07 | |
apart from the girls that were in the toilet when I opened the door | 0:05:07 | 0:05:10 | |
and had seen the smoke, and probably a few people had smelt it, | 0:05:10 | 0:05:13 | |
but I don't think many people, like, knew there was a fire. | 0:05:13 | 0:05:17 | |
The clubbers are safe, but there are people in the adjoining building | 0:05:18 | 0:05:22 | |
unaware of the danger creeping up on them. | 0:05:22 | 0:05:26 | |
There is an entrance to a flat right next to the burning fire escape. | 0:05:27 | 0:05:31 | |
I just saw some flats to the left of the fire escape, | 0:05:31 | 0:05:35 | |
and as we arrived and they started to fight the fire, | 0:05:35 | 0:05:38 | |
the flat door opened and we saw someone inside. | 0:05:38 | 0:05:41 | |
So it was immediately, "Get him out as soon as we can." | 0:05:41 | 0:05:43 | |
Scott was just about to go to bed when his dog raised the alarm. | 0:05:43 | 0:05:47 | |
I sort of noticed this big orange glow. | 0:05:48 | 0:05:52 | |
So from there I went to open the door, | 0:05:52 | 0:05:54 | |
and it wasn't light. It was flames coming straight across the door, | 0:05:54 | 0:05:59 | |
and there's a fire crew at the front gate | 0:05:59 | 0:06:02 | |
shouting, "Get out, get out, get out!" | 0:06:02 | 0:06:04 | |
First thing, run out with the dog. The missus obviously came out. | 0:06:04 | 0:06:08 | |
There's people outside the front of the club, police officers, | 0:06:08 | 0:06:12 | |
fire department... There was a lot of emotion, and commotion as well. | 0:06:12 | 0:06:16 | |
It was quite hectic. | 0:06:16 | 0:06:17 | |
The flat's been evacuated, but thick black smoke | 0:06:17 | 0:06:20 | |
is billowing out of the roof. The fire is still alight. | 0:06:20 | 0:06:24 | |
Shaun has got to send his crews in to stop the blaze spreading | 0:06:24 | 0:06:27 | |
throughout the terrace. | 0:06:27 | 0:06:29 | |
Obviously, going into a night club, if all the lights are out, | 0:06:29 | 0:06:32 | |
and you've got all different staircases going all over the place, | 0:06:32 | 0:06:36 | |
mirrored walls and that sort of thing that can throw your eye, | 0:06:36 | 0:06:40 | |
and also we didn't know what sort of damage the fire had caused. | 0:06:40 | 0:06:44 | |
The construction of the Rhino club, it's a very old club, | 0:06:44 | 0:06:47 | |
and it's got wooden floors, so for all we knew, | 0:06:47 | 0:06:50 | |
we could have had weakened floors, weakened ceiling joists, | 0:06:50 | 0:06:53 | |
roofs coming down, that sort of thing. | 0:06:53 | 0:06:56 | |
RADIO CHATTER | 0:06:56 | 0:06:57 | |
Shaun sends in one crew through the front door of the club | 0:06:57 | 0:07:01 | |
to see how far the fire has spread along the first floor. | 0:07:01 | 0:07:04 | |
Although there are fire-escape doors, they're heavy doors | 0:07:05 | 0:07:08 | |
and had held the fire back, so we didn't have much damage in the club. | 0:07:08 | 0:07:12 | |
It had all been... At that point, we thought it had all been held | 0:07:12 | 0:07:16 | |
just outside in the back. | 0:07:16 | 0:07:18 | |
The club may be untouched, but above in the roof space, | 0:07:18 | 0:07:22 | |
more and more smoke is pouring out from under the eaves. | 0:07:22 | 0:07:25 | |
OK, it's broken through into the roof. | 0:07:25 | 0:07:28 | |
We need to get access from external first | 0:07:28 | 0:07:30 | |
while crews enter from the front and go up into the loft space, try and get it from there. | 0:07:30 | 0:07:34 | |
Two more fire engines arrive. They'll need plenty of manpower | 0:07:37 | 0:07:41 | |
if they're going to win this battle to save the terrace. | 0:07:41 | 0:07:44 | |
They have to get the dangerous gases out of the roof | 0:07:45 | 0:07:48 | |
before anything catches alight. | 0:07:48 | 0:07:51 | |
This was massive when we got here, along this ridge, | 0:07:51 | 0:07:54 | |
so we've knocked it down quite a lot, but if it's in the roof, we've got an issue. | 0:07:54 | 0:07:58 | |
As you can see, the firefighters' job is fraught with danger, | 0:07:59 | 0:08:02 | |
and there are inflammable chemicals and live power cables | 0:08:02 | 0:08:06 | |
to be contended with. Louise. | 0:08:06 | 0:08:08 | |
What is it with animals and wells? | 0:08:08 | 0:08:11 | |
Recently we saw a bullock stuck down one. | 0:08:11 | 0:08:14 | |
Here's the amazing sight of him curled up at the bottom, | 0:08:14 | 0:08:17 | |
and they had to demolish the whole well to get him out. | 0:08:17 | 0:08:20 | |
Well, that's one bullock saved. Now, this time it's a horse. | 0:08:20 | 0:08:24 | |
This is the incredible sight which meets a team of firefighters | 0:08:25 | 0:08:29 | |
when they're called to rescue a 23-year-old horse from an old well | 0:08:29 | 0:08:33 | |
at the edge of her enclosure. Azali is completely stuck in the water, | 0:08:33 | 0:08:38 | |
and all they can see are her twitching ears. | 0:08:38 | 0:08:40 | |
And there's no easy way of getting her out. | 0:08:40 | 0:08:43 | |
She didn't look to be in much distress, | 0:08:43 | 0:08:47 | |
but she was shaking because she'd been in there for some time, | 0:08:47 | 0:08:50 | |
by the looks of things, and the water level was up round her waist. | 0:08:50 | 0:08:54 | |
At this time we didn't have any idea how deep the water was | 0:08:54 | 0:08:57 | |
or how deep the well was, and what she was actually stood on. | 0:08:57 | 0:09:01 | |
Using buckets, they empty out as much water as they can by hand. | 0:09:01 | 0:09:06 | |
We didn't want to scare it or make the situation any worse. | 0:09:06 | 0:09:10 | |
Vet Mike Barrott has to go down the well | 0:09:10 | 0:09:13 | |
to assess what condition Azali is in. | 0:09:13 | 0:09:15 | |
But checking out a horse in such a confined space, | 0:09:15 | 0:09:18 | |
with no easy escape route, could put Mike in real danger | 0:09:18 | 0:09:22 | |
should Azali suddenly start to panic. | 0:09:22 | 0:09:25 | |
We put bales of hay down into the cistern | 0:09:25 | 0:09:27 | |
to restrict the movement of the horse, | 0:09:27 | 0:09:29 | |
and it gave her something else to concentrate on - food, you know. | 0:09:29 | 0:09:33 | |
Keep the horse happy. So we pinched her between the bales of hay | 0:09:33 | 0:09:38 | |
and the ladder to stop her moving and damaging herself. | 0:09:38 | 0:09:41 | |
No-one knows how she ended up down the hole or when it happened. | 0:09:41 | 0:09:46 | |
When I first looked at her down in the well, | 0:09:46 | 0:09:50 | |
I remember her being quite cold. | 0:09:50 | 0:09:52 | |
She was quiet and calm. Sometimes it's quite hard to decide | 0:09:52 | 0:09:56 | |
whether they're just very calm and quiet | 0:09:56 | 0:09:59 | |
or they've been there a very long time, | 0:09:59 | 0:10:01 | |
so I gave her a low dose of sedative. | 0:10:01 | 0:10:03 | |
The amount of sedative is critical. | 0:10:03 | 0:10:06 | |
Mike can't risk making her too sleepy. | 0:10:06 | 0:10:09 | |
I was quite concerned that, if I sedated her too much, | 0:10:09 | 0:10:13 | |
she would then drop her head and drop it into the water, | 0:10:13 | 0:10:17 | |
and that, if she had been down in the water for a long period, | 0:10:17 | 0:10:20 | |
she could collapse at any stage. | 0:10:20 | 0:10:23 | |
We didn't know how exhausted she was. | 0:10:23 | 0:10:25 | |
It's dark and stagnant inside the well, | 0:10:25 | 0:10:28 | |
but the only way of getting Azali out is to pull her out. | 0:10:28 | 0:10:32 | |
It means the firefighters have to go down to put wide straps | 0:10:32 | 0:10:36 | |
around her chest and belly in preparation for a lift. | 0:10:36 | 0:10:40 | |
Her only chance of getting out of this is the firefighters' crane, | 0:10:40 | 0:10:44 | |
which could haul her clear. But there's a massive problem. | 0:10:44 | 0:10:47 | |
This well actually wasn't a well. It was a cistern, | 0:10:47 | 0:10:51 | |
shaped like an old-fashioned milk bottle, maybe. | 0:10:51 | 0:10:54 | |
We decided to break the top open | 0:10:54 | 0:10:56 | |
so we could actually lift the horse out. | 0:10:56 | 0:10:59 | |
It's easy, the horse going in, but to get it out in one piece, | 0:10:59 | 0:11:03 | |
we had to break something. And we wanted to break the cistern and not the horse. | 0:11:03 | 0:11:08 | |
They're going to have to make the entrance to the well bigger, | 0:11:08 | 0:11:11 | |
all the time ensuring that Azali is not harmed in the process. | 0:11:11 | 0:11:15 | |
So we painstakingly broke individual bricks | 0:11:16 | 0:11:19 | |
out of the top of the cistern and removed those to a safe distance. | 0:11:20 | 0:11:24 | |
And it was a long, arduous task! | 0:11:24 | 0:11:27 | |
They have to take care that chunks of brick don't drop down onto the horse. | 0:11:28 | 0:11:32 | |
This could take hours, and all the time Azali is getting colder | 0:11:32 | 0:11:37 | |
and more tired. If she can no longer stand up, | 0:11:37 | 0:11:40 | |
she'll just slip below the water. But vet Mike comes up with a plan. | 0:11:40 | 0:11:45 | |
My dad runs a plant-hire business, | 0:11:45 | 0:11:48 | |
has lots of diggers and excavators. | 0:11:48 | 0:11:50 | |
And he's only 20 minutes away from where we were, | 0:11:50 | 0:11:54 | |
and he's always quite helpful if an emergency arises. | 0:11:54 | 0:11:59 | |
And he happened to be around, put a machine on a lorry, | 0:11:59 | 0:12:03 | |
and came straight up. | 0:12:03 | 0:12:05 | |
With great care, the soil is dug away from the side of the well | 0:12:05 | 0:12:09 | |
until all the brickwork is exposed | 0:12:09 | 0:12:11 | |
and the firefighters can continue dismantling it. | 0:12:11 | 0:12:15 | |
And finally the hole is big enough to attempt the evacuation. | 0:12:15 | 0:12:19 | |
Azali's a sorry sight, | 0:12:19 | 0:12:21 | |
wet through and covered in brick dust. | 0:12:21 | 0:12:24 | |
But she's calm, and she's even nibbling at the hay bale. | 0:12:24 | 0:12:28 | |
If this was an inanimate load, getting it out with a crane | 0:12:29 | 0:12:33 | |
would be no problem, but Azali is a living animal, | 0:12:33 | 0:12:36 | |
already exhausted. One wrong move could mean the end for her. | 0:12:36 | 0:12:41 | |
I always try and keep control of the head - | 0:12:43 | 0:12:46 | |
that way you've got more control over the rest of the horse - | 0:12:46 | 0:12:50 | |
so the fire brigade could work around the horse, | 0:12:50 | 0:12:52 | |
and when she came out, I could help steer her in the right direction. | 0:12:52 | 0:12:57 | |
Azali's back above ground in fresh air again. | 0:12:59 | 0:13:02 | |
And, against all the odds, as her feet touch the ground, | 0:13:02 | 0:13:06 | |
it's all looking good. | 0:13:06 | 0:13:08 | |
We don't know until they're actually standing | 0:13:09 | 0:13:11 | |
how well they're going to bear weight, | 0:13:11 | 0:13:13 | |
whether they've got muscle pain or a lameness | 0:13:13 | 0:13:16 | |
or an injury we couldn't have seen before she came out of the water. | 0:13:16 | 0:13:20 | |
When she got out of the well, her supports were dropped | 0:13:20 | 0:13:24 | |
and she just stood quite well on all four legs. | 0:13:24 | 0:13:27 | |
There were no obvious major injuries. | 0:13:27 | 0:13:30 | |
She stood quite well and calmly. | 0:13:30 | 0:13:32 | |
And for the firefighters, it's another successful job. | 0:13:32 | 0:13:36 | |
We're always happy when a job goes well. | 0:13:36 | 0:13:40 | |
The way she came out, the way she stood up, | 0:13:40 | 0:13:43 | |
and her whole demeanour was fantastic, | 0:13:43 | 0:13:46 | |
and it was a well worked job. | 0:13:46 | 0:13:49 | |
Good one for us and a good one for the animal. | 0:13:49 | 0:13:52 | |
-All's well that ends well. -Oh, very good! See what you did there! | 0:13:55 | 0:13:59 | |
-Bit of work there! -Animals get stuck in some pretty bizarre places. | 0:13:59 | 0:14:03 | |
-We'll show you more later. -Can't wait for that, | 0:14:03 | 0:14:05 | |
and the puns that go with it. Come over this way. | 0:14:05 | 0:14:08 | |
I want to introduce you to Jo, to talk about hoax calls, | 0:14:08 | 0:14:12 | |
because, being a call centre here, they also get to take... | 0:14:12 | 0:14:16 | |
-Are you on a call? -No. -You're free? Thank you. | 0:14:16 | 0:14:19 | |
Let me squeeze in. We're talking about hoax calls. | 0:14:19 | 0:14:22 | |
-You had a particularly dramatic one recently. -Yes. | 0:14:22 | 0:14:25 | |
I had a young girl call me on 999, very much out of breath, | 0:14:25 | 0:14:29 | |
very scared, saying she was being chased by a murderer. | 0:14:29 | 0:14:32 | |
Trying to get information out of her was very hard. | 0:14:32 | 0:14:36 | |
So out of breath, very convinced there was possibly something wrong. | 0:14:36 | 0:14:39 | |
She then said that she was being stabbed. | 0:14:39 | 0:14:42 | |
-What, while... -Whilst on the phone. | 0:14:42 | 0:14:45 | |
I said, "At this moment in time?" She said yes, | 0:14:45 | 0:14:48 | |
then started making death noises, like she was dying, gurgly noises. | 0:14:48 | 0:14:52 | |
At that point I realised that it was possibly a hoax call. | 0:14:52 | 0:14:55 | |
She then went on to put on an American accent, | 0:14:55 | 0:14:59 | |
just saying American phrases from movies. | 0:14:59 | 0:15:03 | |
What sort of person does this? | 0:15:03 | 0:15:05 | |
-Um...kids. -Really? | 0:15:05 | 0:15:07 | |
Yeah. We have regular callers, as well. | 0:15:07 | 0:15:10 | |
-Who think it's funny? -Yeah. -Seriously, if you do that, | 0:15:10 | 0:15:13 | |
-you're blocking people from getting through. -Yes, you are. | 0:15:13 | 0:15:16 | |
-Can you be prosecuted for that? -Yes. -Are you prosecuting? | 0:15:16 | 0:15:19 | |
-Yes, a lot more now than we have done previously. -Thank you. | 0:15:19 | 0:15:22 | |
So be warned - it's not funny, it's not big and it's not clever. | 0:15:22 | 0:15:26 | |
Thank you. | 0:15:26 | 0:15:27 | |
Still to come on Real Rescues - firefighters have to tear apart | 0:15:29 | 0:15:33 | |
a night club's roof to stop a fire spreading to an entire city block. | 0:15:33 | 0:15:37 | |
The fire's in the roof. We'll push through the ceiling, | 0:15:37 | 0:15:40 | |
pull the plasterboard down and fight the fire from underneath, | 0:15:40 | 0:15:43 | |
try and get up into the roof. | 0:15:43 | 0:15:46 | |
And it's a dash from playground to hospital for Harley | 0:15:46 | 0:15:49 | |
after he's hit on the head with a golf club. | 0:15:49 | 0:15:52 | |
I'm going to say one thing for sure - you're a tough fella! | 0:15:52 | 0:15:56 | |
That's a big strong bat, that is. | 0:15:57 | 0:15:59 | |
Swimmers, sailors, surfers and bodyboarders, | 0:16:01 | 0:16:05 | |
all fighting for space. Welcome to the British seaside on a hot day. | 0:16:05 | 0:16:09 | |
When they come together, it can be disastrous. | 0:16:09 | 0:16:12 | |
A jet skier has slammed into the side of a speedboat head first. | 0:16:12 | 0:16:16 | |
A sunny Saturday on the South Coast. | 0:16:19 | 0:16:21 | |
Coastguard rescue helicopter 106 has been scrambled to a man | 0:16:27 | 0:16:30 | |
who's injured himself on a jet ski. | 0:16:30 | 0:16:34 | |
On board, pilots Len Stracey and Captain Mike Roughton, | 0:16:34 | 0:16:38 | |
winch man Pat Holder and winch operator Tony Campbell. | 0:16:38 | 0:16:43 | |
The accident's happened just off the famous Sandbanks peninsula, | 0:17:01 | 0:17:05 | |
one of the most exclusive places to live in the world. | 0:17:05 | 0:17:08 | |
The jet skier has come off worst after a collision with a speedboat. | 0:17:09 | 0:17:13 | |
Another boat, called the Cat's Whiskers, saw it happen | 0:17:13 | 0:17:17 | |
and came to the man's aid. | 0:17:17 | 0:17:18 | |
Up ahead, they get their first sighting of the boat | 0:17:41 | 0:17:43 | |
and the damaged jet ski. | 0:17:43 | 0:17:45 | |
-OK, prepare to winch when you're ready. -Winching now. | 0:18:06 | 0:18:10 | |
Outboard. | 0:18:10 | 0:18:12 | |
Winch man paramedic Pat is lowered down | 0:18:12 | 0:18:15 | |
to the waiting boat and the jet ski. | 0:18:15 | 0:18:18 | |
Pat's safely aboard. To reduce noise and draughts, | 0:18:24 | 0:18:28 | |
they pull up and away from the speedboat. | 0:18:28 | 0:18:31 | |
Now it's easier for him to treat Roy, the wounded man. | 0:18:31 | 0:18:34 | |
I could see Roy had a fair bit of swelling to his right cheekbone | 0:18:34 | 0:18:38 | |
and round the socket of his eye, | 0:18:38 | 0:18:41 | |
but if he's fractured his cheek or his eye socket, | 0:18:41 | 0:18:44 | |
that needs treatment, and he needs to go to hospital and get X-rayed. | 0:18:44 | 0:18:48 | |
Pat dresses the wound on Roy's cheek, then signals to the crew | 0:18:51 | 0:18:55 | |
that they'll both come up together in a double harness. | 0:18:55 | 0:18:59 | |
Roy's face has taken the brunt of the accident. | 0:19:01 | 0:19:04 | |
He hit the boat face first. After such a bang to his head, | 0:19:04 | 0:19:08 | |
the fear is that he's suffered more serious internal injuries. | 0:19:08 | 0:19:11 | |
Roy only has a hazy recollection of the accident. | 0:19:21 | 0:19:25 | |
'I was jet-skiing. I slowed down to turn round | 0:19:25 | 0:19:28 | |
'and go back to my mates. That was the... I ended up like this. | 0:19:28 | 0:19:32 | |
'It was my first time on it today, and it's been smashed up!' | 0:19:32 | 0:19:35 | |
The helicopter lands in the open space of Poole Park. | 0:19:38 | 0:19:42 | |
Roy will be taken by ambulance to the hospital nearby for X-rays. | 0:19:42 | 0:19:46 | |
Being put back on dry land in such a dramatic fashion | 0:19:47 | 0:19:50 | |
has allowed Roy to wallow in a bit of nostalgia. | 0:19:50 | 0:19:54 | |
It's brought back the army days, that. | 0:19:54 | 0:19:57 | |
I was driving the helicopter in the army, so it's all right. | 0:19:57 | 0:20:01 | |
Roy's egg-sized lump went down, and his cut was glued together at hospital. | 0:20:06 | 0:20:10 | |
He's since made a full recovery, but hasn't been back on a jet ski. | 0:20:10 | 0:20:14 | |
Parents can expect their children to get the odd cut and scrape | 0:20:17 | 0:20:20 | |
while they're playing, but for one boy, | 0:20:20 | 0:20:22 | |
a bit of rough and tumble with a plastic golf club | 0:20:22 | 0:20:25 | |
left him feeling a little under par. | 0:20:25 | 0:20:27 | |
SIREN WAILS | 0:20:27 | 0:20:29 | |
When an ambulance is called to a young child with a head injury, | 0:20:29 | 0:20:32 | |
it's always a matter of urgency. | 0:20:32 | 0:20:35 | |
Dave Palmer is on blue lights, answering just such a call | 0:20:35 | 0:20:38 | |
from a junior school. A ten year old has suffered a blow to the head. | 0:20:38 | 0:20:42 | |
First thing we'll be interested in is what effect | 0:20:44 | 0:20:47 | |
this incident has had on his level of consciousness. | 0:20:47 | 0:20:51 | |
We've also got to be aware that, at ten, they're quite strong, | 0:20:51 | 0:20:54 | |
and to do that kind of damage, we need to think about the mechanism | 0:20:54 | 0:20:59 | |
of injury, and think through whether we could have any other injuries | 0:20:59 | 0:21:03 | |
we don't obviously see. | 0:21:03 | 0:21:05 | |
How is the young man? | 0:21:05 | 0:21:06 | |
The accident happened in the playground, | 0:21:06 | 0:21:08 | |
but Harley has been brought into the school. | 0:21:08 | 0:21:11 | |
-Harley, where have you been hit? -He hit his head. | 0:21:11 | 0:21:14 | |
He's got a lump. | 0:21:14 | 0:21:16 | |
OK... | 0:21:16 | 0:21:18 | |
This side of your jaw - does that hurt? OK. | 0:21:18 | 0:21:22 | |
This side of your jaw - does that hurt? It doesn't? | 0:21:22 | 0:21:25 | |
Can you open your mouth slowly for us? | 0:21:25 | 0:21:28 | |
He said his teeth were loose at the bottom. | 0:21:28 | 0:21:30 | |
I'll have a look in your little mouth if I can. Like that. | 0:21:30 | 0:21:34 | |
And a look this side. Where do they feel loose? Is it that one? | 0:21:34 | 0:21:38 | |
-Mm-hm. -Oh, I can see it. | 0:21:38 | 0:21:40 | |
Harley's unsure, but these could still be his first teeth. | 0:21:40 | 0:21:44 | |
If Harley was knocked out, he could be suffering from concussion. | 0:21:46 | 0:21:50 | |
-Did you go to sleep for a short period of time? -Uh-uh. | 0:21:50 | 0:21:54 | |
-HARLEY SPEAKS INDISTINCTLY -Pardon? | 0:21:54 | 0:21:56 | |
-I remember everything. -And you got walloped with a plastic golf club? | 0:21:56 | 0:22:00 | |
-Mm-hm. -Was it Tiger Woods? -SCHOOL STAFF LAUGH | 0:22:00 | 0:22:03 | |
Tiger Woods is a famous golfer. | 0:22:03 | 0:22:05 | |
Harley is covered in blood. | 0:22:05 | 0:22:07 | |
Have you got a piece of tissue? | 0:22:07 | 0:22:09 | |
I want to see whether the bleeding's from the outside shell of the ear | 0:22:09 | 0:22:13 | |
or if it's actually coming from the inside. | 0:22:13 | 0:22:16 | |
No. It's just from the outside. | 0:22:17 | 0:22:20 | |
Thankfully there doesn't seem to be internal bleeding. | 0:22:20 | 0:22:24 | |
But the cut on his head is giving cause for concern. | 0:22:24 | 0:22:27 | |
We're going to need to take you up to the hospital. | 0:22:27 | 0:22:31 | |
Basically you've got a little dink in your head there, | 0:22:31 | 0:22:35 | |
you've cut your ear, and we might need to have a look at your face. | 0:22:35 | 0:22:39 | |
Are you able to stand up with us and come out to my ambulance? Well done, that man. | 0:22:39 | 0:22:44 | |
It's a good sign that Harley is able to walk to the ambulance | 0:22:44 | 0:22:47 | |
-with just a helping hand from Dave. -How are you feeling? | 0:22:47 | 0:22:50 | |
The plastic golf club that caused the injury is also going. | 0:22:50 | 0:22:54 | |
I'm going to say one thing for sure - you're a tough fella! | 0:22:54 | 0:22:58 | |
Cos that's a big strong bat, that is. | 0:22:58 | 0:23:01 | |
Harley's teacher, Marion Cooper, is travelling in with him. | 0:23:01 | 0:23:05 | |
Are you able to take a big deep breath for me? | 0:23:05 | 0:23:07 | |
And then force it out. So you have no problems in breathing? | 0:23:09 | 0:23:12 | |
On there we've got blood pressure. Can you tell me what that says? | 0:23:12 | 0:23:16 | |
97. | 0:23:16 | 0:23:18 | |
97, and then there's a pulse of 96. | 0:23:18 | 0:23:20 | |
So that tells me that everything's working for you. | 0:23:20 | 0:23:24 | |
But Dave is still concerned about Harley's teeth. | 0:23:24 | 0:23:27 | |
Unfortunately you've managed to unseat one of your teeth. | 0:23:27 | 0:23:31 | |
Not a problem. If they can push it back into the right place, | 0:23:32 | 0:23:36 | |
it will sometimes just set back where it was. | 0:23:36 | 0:23:39 | |
But I think it's one of your first teeth, | 0:23:39 | 0:23:41 | |
and that would have normally fallen out anyway, | 0:23:41 | 0:23:44 | |
and then it gets replaced by other teeth. OK? | 0:23:44 | 0:23:47 | |
Dave now needs to patch up the cut on Harley's forehead. | 0:23:47 | 0:23:51 | |
It's all stopped bleeding, but they've hit you good and hard. | 0:23:51 | 0:23:54 | |
Just move your finger now. | 0:23:54 | 0:23:56 | |
OK? | 0:23:57 | 0:23:59 | |
And Harley's just remembered what his dentist told him on the last visit. | 0:23:59 | 0:24:04 | |
They said I need to wobble out two teeth. | 0:24:04 | 0:24:06 | |
You need to wiggle out two teeth? Was this one of them? | 0:24:06 | 0:24:09 | |
-I suggest the dentist didn't mean for you to do it with a bat. -No. | 0:24:11 | 0:24:16 | |
The schoolboy is being very brave, | 0:24:16 | 0:24:18 | |
but the cut on his head is deep and is still giving him a lot of pain. | 0:24:18 | 0:24:23 | |
When we get you to the hospital, they'll give you some paracetamol | 0:24:23 | 0:24:27 | |
to get rid of the pain. Be a little syrup to drink. | 0:24:27 | 0:24:31 | |
Once in A&E, Dave hands the patient over. | 0:24:33 | 0:24:36 | |
Throughout with us, he's been fine. No concerns there at all. | 0:24:37 | 0:24:40 | |
He's as you see him, a little bit covered in blood, | 0:24:40 | 0:24:43 | |
and there's a cut about an inch across on his head, | 0:24:43 | 0:24:46 | |
but that's stopped bleeding. Doesn't seem to go very deep down. | 0:24:46 | 0:24:50 | |
Doesn't seem to be any structural damage. I brought the offending item in so you can see what did it! | 0:24:50 | 0:24:55 | |
Harley's grandmother is on her way, | 0:24:55 | 0:24:57 | |
and, as promised, there's some medicine to dull his pain. | 0:24:57 | 0:25:00 | |
Do you want to do it yourself? | 0:25:00 | 0:25:02 | |
Pop it in your mouth then you can just fire it in yourself. | 0:25:02 | 0:25:06 | |
-It is just juice? -Just paracetamol, and that one's some Nurofen. | 0:25:06 | 0:25:10 | |
-Just to help with your pain. -Do you want the nurse to do it? | 0:25:10 | 0:25:13 | |
Do you want me to do it, darling? There you go. | 0:25:13 | 0:25:16 | |
That's it. A big swallow of that one for me. | 0:25:16 | 0:25:19 | |
Good boy. | 0:25:19 | 0:25:21 | |
Harley did have to have three stitches in that cut on his head, | 0:25:23 | 0:25:26 | |
and he was off games for a fortnight, but he is now fighting fit. Nick? | 0:25:26 | 0:25:31 | |
Ahh! Right, back to chat to Jo again. | 0:25:31 | 0:25:34 | |
She's obviously not on a call. She's not got her headset on. | 0:25:34 | 0:25:38 | |
I want to have a chat with her about a different subject. | 0:25:38 | 0:25:40 | |
We talked about hoax calls earlier. I wanted to have a chat with you | 0:25:40 | 0:25:45 | |
-about, um...about road rage. -Yes. | 0:25:45 | 0:25:48 | |
-Because you have a lot of calls about road rage. You had an extraordinary one recently. -Yes. | 0:25:48 | 0:25:54 | |
I took a call from a guy who thought he was being followed down the M3 | 0:25:54 | 0:25:58 | |
at very high speeds. He'd come in from out of county, | 0:25:58 | 0:26:02 | |
so he wasn't sure where he was. He wasn't from our area. | 0:26:02 | 0:26:06 | |
Um... Turns out there's more than one car following him. | 0:26:06 | 0:26:09 | |
I could hear the engines of the other cars, | 0:26:09 | 0:26:12 | |
because they were that close to him. He was screaming, frantic. | 0:26:12 | 0:26:15 | |
We were constantly playing catch-up with him. | 0:26:15 | 0:26:18 | |
-So you had cars on the road trying to catch up with him? -Yeah. | 0:26:18 | 0:26:22 | |
I managed to say to him to get up onto a motorway junction, | 0:26:22 | 0:26:26 | |
and we were going to direct him to a local police station. | 0:26:26 | 0:26:29 | |
He tried to do that, got to the top of the slip road. | 0:26:29 | 0:26:32 | |
The traffic lights were on red. These cars came flying after him. | 0:26:32 | 0:26:35 | |
He had to jump the red light. I said to get back onto the motorway, | 0:26:35 | 0:26:39 | |
-at which point we had gained... -So you caught up with them? | 0:26:39 | 0:26:43 | |
-And pulled them over? -Yes. -And were they chasing him? | 0:26:43 | 0:26:46 | |
Yes, but it was a case of mistaken identity. | 0:26:46 | 0:26:49 | |
They thought that he was somebody else in a very similar car | 0:26:49 | 0:26:52 | |
-that they were looking for. -That's outrageous! | 0:26:52 | 0:26:55 | |
-You must have had a very hard word with them. -Yes, we did. | 0:26:55 | 0:26:58 | |
-You can't go acting like that. -No. It's dangerous driving. | 0:26:58 | 0:27:01 | |
-They could have killed him. -And he was terrified. | 0:27:01 | 0:27:04 | |
-Yes. They were trying to box him in. -Is there a lot of road rage around? | 0:27:04 | 0:27:08 | |
Yes. It's getting more, to be honest. | 0:27:08 | 0:27:11 | |
Seriously, do something. Get some anger management. | 0:27:11 | 0:27:14 | |
Nothing's so important you need to do that. Thank you very much. | 0:27:14 | 0:27:18 | |
Earlier we were with White Watch at the scene of a fire | 0:27:20 | 0:27:23 | |
in a busy city-centre night club. The night clubbers are safe, | 0:27:23 | 0:27:26 | |
but the fire has spread onto the roof, | 0:27:26 | 0:27:29 | |
and the entire terrace is in danger. | 0:27:29 | 0:27:31 | |
The firefighters are preparing to get into the roof space to tackle the fire. | 0:27:34 | 0:27:38 | |
It's spread from the fire escape through a hole in the wall. | 0:27:38 | 0:27:41 | |
There were more than 200 clubbers inside, | 0:27:41 | 0:27:44 | |
but thanks to the quick thinking of the manager, they're all safe. | 0:27:44 | 0:27:47 | |
"I need two more, please, to the rear of the premises." | 0:27:47 | 0:27:51 | |
Two more behind and one round the back. | 0:27:51 | 0:27:55 | |
They've been fighting the fire for more than an hour. | 0:27:58 | 0:28:00 | |
People have been evacuated from flats in the adjoining building, | 0:28:00 | 0:28:04 | |
and six fire tenders are at the scene, including the aerial platform. | 0:28:04 | 0:28:08 | |
Because the fire's in the roof void, we're going through the ceiling, | 0:28:08 | 0:28:11 | |
pull the plasterboard or whatever down | 0:28:11 | 0:28:14 | |
and fight the fire from underneath, try to get up into the roof. | 0:28:14 | 0:28:18 | |
But there are all kinds of dangers for the firefighters up in the roof. | 0:28:19 | 0:28:23 | |
Their safety is Shaun's top priority. | 0:28:23 | 0:28:26 | |
As well as inflammable chemicals, there are live power cables hanging down. | 0:28:32 | 0:28:36 | |
Club manager Carl is helping the crews | 0:28:36 | 0:28:39 | |
by explaining the layout of the building. | 0:28:39 | 0:28:41 | |
-I want to cut power to the place. -Down here, the main power. | 0:28:41 | 0:28:45 | |
At the back. Is that door still open, that fire exit? | 0:28:45 | 0:28:48 | |
If it was open a minute ago, yeah. | 0:28:48 | 0:28:51 | |
To cut the power, they need to get into the building via another door. | 0:28:51 | 0:28:55 | |
That back entry, just inside there, is the power. | 0:28:55 | 0:28:59 | |
We need to cut it. We've got wires all over the place. | 0:28:59 | 0:29:02 | |
We'll do that first. So we need to gain entry in there, yeah? | 0:29:02 | 0:29:06 | |
-I'll go back round my sector. -Lovely. -All right. | 0:29:06 | 0:29:08 | |
Once the power is off, the crews can work through the roof | 0:29:11 | 0:29:14 | |
to tackle the fire. They work in relays, and can only stay inside | 0:29:14 | 0:29:18 | |
for 20 minutes at a time. | 0:29:18 | 0:29:20 | |
The aerial ladder platform has now been put in place, | 0:29:22 | 0:29:25 | |
giving them a good view of where the smoke has spread to. | 0:29:25 | 0:29:28 | |
See the chimney breast? | 0:29:28 | 0:29:31 | |
We're hoping it's stopped this side of it. | 0:29:31 | 0:29:33 | |
Going to knock a hole in the ceiling on the other side of it, | 0:29:33 | 0:29:36 | |
so if you can see anything the other side of it... | 0:29:36 | 0:29:39 | |
The other side of that breast, yeah. | 0:29:39 | 0:29:42 | |
At the same time, a team is checking the roof space | 0:29:42 | 0:29:45 | |
of the adjoining flats for signs of fire. | 0:29:45 | 0:29:49 | |
Fire's spotted coming through the partition wall | 0:29:49 | 0:29:51 | |
from the scene of the fire into this side of the terrace. | 0:29:51 | 0:29:56 | |
Thankfully it looks like the partition wall, | 0:29:56 | 0:29:59 | |
which goes right up through the roof, has protected the flats | 0:29:59 | 0:30:02 | |
from the fire. It's a different story in the roof above the club, | 0:30:02 | 0:30:06 | |
but the firefighters have stopped it in its tracks. | 0:30:06 | 0:30:09 | |
There's no sign of fire? | 0:30:13 | 0:30:15 | |
-Have you used the camera on it? -Yeah. | 0:30:15 | 0:30:19 | |
-Yeah? So there's no sign of it in there at the moment? -Fire? -Fire. | 0:30:22 | 0:30:27 | |
More ceilings will have to be pulled down | 0:30:37 | 0:30:39 | |
so the spaces above can be thoroughly checked. | 0:30:39 | 0:30:42 | |
Shaun needs to be completely satisfied that there's no chance | 0:30:42 | 0:30:45 | |
that the fire can spring up again, | 0:30:45 | 0:30:48 | |
and it's beginning to look like this fire started outside the club. | 0:30:48 | 0:30:52 | |
If you look at the doors, which are the fire doors, | 0:30:52 | 0:30:55 | |
all the damage...is on the outside. | 0:30:55 | 0:30:58 | |
OK? The inside of the doors, as you can see, no problem with them. | 0:30:58 | 0:31:03 | |
So I would say the fire definitely started in this area, | 0:31:03 | 0:31:06 | |
on the outside of the building. | 0:31:06 | 0:31:08 | |
Fire-investigation officer Eric Barker has been called in | 0:31:08 | 0:31:12 | |
whilst the clues are still hot. His investigations begin | 0:31:12 | 0:31:16 | |
with questioning the firefighters on the ground. | 0:31:16 | 0:31:19 | |
-It seemed to be concentrated round this area. -Yeah. | 0:31:19 | 0:31:22 | |
Couldn't really progress very far. | 0:31:22 | 0:31:25 | |
What they saw were the flames coming out. | 0:31:25 | 0:31:28 | |
-Initially it was around this area. -Yeah. | 0:31:28 | 0:31:31 | |
Progressed into here, and it wasn't until it sort of finished in here | 0:31:31 | 0:31:36 | |
that there was really, really heavy smoke. | 0:31:36 | 0:31:40 | |
As you see, contained area. They gained access through here, | 0:31:40 | 0:31:44 | |
because smoke came up through the top as well. | 0:31:44 | 0:31:46 | |
It's always a very tricky balance between fire crews attending a fire | 0:31:46 | 0:31:50 | |
and ensuring the fire is extinguished fully, | 0:31:50 | 0:31:53 | |
and also preserving the scene so a fire-investigation officer | 0:31:53 | 0:31:57 | |
can come in and carry out a full investigation, | 0:31:57 | 0:32:00 | |
and any clues he's looking for within the fire scene remain in place. | 0:32:00 | 0:32:05 | |
How the fire has burned can give Eric valuable information about where it started. | 0:32:05 | 0:32:10 | |
You can tell by the areas of burning, the depth of charring | 0:32:10 | 0:32:14 | |
and the smoke and burn patterns exactly where the seat of fire would have occurred. | 0:32:14 | 0:32:18 | |
There was a lot of severe charring to the outside of the fire doors. | 0:32:18 | 0:32:22 | |
When we looked from the area of least damage | 0:32:22 | 0:32:25 | |
to the area of worst damage, | 0:32:25 | 0:32:27 | |
then, that would seem to indicate where the seat of fire has occurred. | 0:32:27 | 0:32:31 | |
No-one died as a result of the fire, | 0:32:33 | 0:32:35 | |
but if it hadn't been for the quick thinking of the manager, | 0:32:35 | 0:32:38 | |
it could have been a very different story. | 0:32:38 | 0:32:41 | |
If it had gone undetected and gone up into the roof, | 0:32:41 | 0:32:44 | |
it could have spread across the top of the club, | 0:32:44 | 0:32:47 | |
and the revellers inside may well have been unaware for some time, | 0:32:47 | 0:32:51 | |
until the fire had actually got hold. | 0:32:51 | 0:32:53 | |
Clubs are safer places than they used to be, | 0:32:58 | 0:33:00 | |
all because of a terrible fire in America 70 years ago. | 0:33:00 | 0:33:03 | |
492 people died in the Cocoanut Grove night club in Boston - | 0:33:03 | 0:33:07 | |
an appalling loss of life, but the lessons learned there | 0:33:07 | 0:33:10 | |
have influenced the safety blueprint for clubs all around the world. | 0:33:10 | 0:33:14 | |
Here to chat us through that is Alan House, a retired fire officer | 0:33:14 | 0:33:17 | |
and Hampshire fire historian. | 0:33:17 | 0:33:20 | |
Looking at what happened during the course of the fire | 0:33:20 | 0:33:24 | |
in the night club that we just saw, they seemed to deal with it well. | 0:33:24 | 0:33:28 | |
Yes, because of tried-and-tested practices | 0:33:28 | 0:33:31 | |
and also, of course, the legislation had built a lot of safety | 0:33:31 | 0:33:35 | |
into the building itself. So the big thing is, people were outside | 0:33:35 | 0:33:39 | |
when we arrived, not still in the building. | 0:33:39 | 0:33:42 | |
So what was the big deal with this Cocoanut Grove fire in Boston? | 0:33:42 | 0:33:46 | |
-Quite a loss of life there, wasn't there? -Yes. | 0:33:46 | 0:33:49 | |
A very high loss of life. It was a converted garage originally, | 0:33:49 | 0:33:53 | |
and then it had been modified many times | 0:33:53 | 0:33:57 | |
and exits had been blocked up. | 0:33:57 | 0:34:00 | |
A lot of lacquer-coated materials inside. | 0:34:00 | 0:34:04 | |
It was a basement area where the fire occurred, | 0:34:04 | 0:34:07 | |
only one staircase up, and the fire spread very, very quickly, | 0:34:07 | 0:34:12 | |
trapping people in. They then couldn't get out the building. | 0:34:12 | 0:34:15 | |
The front of the building only had a revolving door, | 0:34:15 | 0:34:19 | |
and people just tried to push one another through | 0:34:19 | 0:34:22 | |
and couldn't get out, and one other escape at the back of the building | 0:34:22 | 0:34:26 | |
was inward-opening, so with the push of the people there, | 0:34:26 | 0:34:29 | |
it couldn't be opened, and they literally died behind the door. | 0:34:29 | 0:34:32 | |
Extraordinary. But we'd already had some considerable changes, | 0:34:32 | 0:34:37 | |
and that really just firmed up changes we'd already made | 0:34:37 | 0:34:42 | |
in this country from way, way back after a fire in Exeter. | 0:34:42 | 0:34:45 | |
Yes. In the 1800s, there'd been several theatre fires, | 0:34:45 | 0:34:48 | |
and the big one, that changed things in the UK, | 0:34:48 | 0:34:51 | |
was the Theatre Royal in Exeter in 1887, | 0:34:51 | 0:34:53 | |
and that was... Again, it was people within the building | 0:34:53 | 0:34:57 | |
that couldn't get out. It wasn't even full to capacity. | 0:34:57 | 0:35:01 | |
So there was a lot of changes then, about widths of exits, | 0:35:01 | 0:35:04 | |
number of exits, routes to exits and the type of materials in the building. | 0:35:04 | 0:35:09 | |
These days we can be confident because all these places | 0:35:09 | 0:35:12 | |
have to be inspected by firefighters before they get a licence to open. | 0:35:12 | 0:35:15 | |
Absolutely, and in that inspection they would have looked at the number of exits, | 0:35:15 | 0:35:20 | |
decided how many people could be there to capacity. | 0:35:20 | 0:35:23 | |
In the Cocoanut Grove fire, they were twice the capacity they should have been. | 0:35:23 | 0:35:27 | |
That's why the guys are on the door counting you in | 0:35:27 | 0:35:30 | |
on their little counters, and counting people out. Fascinating! | 0:35:30 | 0:35:34 | |
Thank you for coming and chatting to us. | 0:35:34 | 0:35:36 | |
I want to find out about something that's happening right now. | 0:35:39 | 0:35:42 | |
An old lady's been injured by a horse. | 0:35:42 | 0:35:44 | |
We've had a report of a 90-year-old female in the Hook area | 0:35:44 | 0:35:47 | |
having been injured by a horse. She's had a nasty kick to the back. | 0:35:47 | 0:35:51 | |
Due to her location, the air ambulance was called, | 0:35:51 | 0:35:54 | |
but it's been decided to transport her by road. | 0:35:54 | 0:35:57 | |
I've authorised a police escort to assist the ambulance | 0:35:57 | 0:36:00 | |
in getting her to hospital as smoothly and quickly as possible | 0:36:00 | 0:36:04 | |
so she can get emergency treatment straight away. | 0:36:04 | 0:36:06 | |
-And she's arrived? -She's just arrived there now. | 0:36:06 | 0:36:09 | |
Best of luck to her. Thank you. | 0:36:09 | 0:36:11 | |
Now, getting motorists trapped in vehicles out of them | 0:36:11 | 0:36:15 | |
is more dangerous than it looks, when they've crashed. | 0:36:15 | 0:36:17 | |
One wrong cut through an airbag or gas cylinder, | 0:36:17 | 0:36:20 | |
and the consequences could prove fatal. | 0:36:20 | 0:36:23 | |
White Watch fire crew are on a callout. | 0:36:28 | 0:36:31 | |
They're at the scene in minutes. There's been a collision | 0:36:36 | 0:36:40 | |
just down the road from the fire station. | 0:36:40 | 0:36:42 | |
Where's the actual car? | 0:36:42 | 0:36:44 | |
-It's the taxi. Look. -Oh, the taxi and the bus. | 0:36:44 | 0:36:47 | |
A bus has gone into the back of a taxi at the traffic lights. | 0:36:48 | 0:36:52 | |
The taxi driver, Mohammed, is inside, | 0:36:52 | 0:36:54 | |
complaining of pain in his neck and lower back. | 0:36:54 | 0:36:58 | |
-There's only one way to get him out. -They want the roof off? | 0:36:58 | 0:37:01 | |
Yeah. So just get stability sorted out. | 0:37:01 | 0:37:04 | |
They want full glass management. He's had a rear shunt | 0:37:04 | 0:37:08 | |
in the vehicle. Just made up for the SCU to get back here. | 0:37:08 | 0:37:12 | |
Another truck's coming. We need it to come in here. | 0:37:14 | 0:37:17 | |
The back windscreen has caved in, which gives the paramedics some idea | 0:37:17 | 0:37:21 | |
of the damage that might have been done to Mohammed's spine. | 0:37:21 | 0:37:25 | |
With the speed of the bus - the bus is a lot heavier than the taxi - | 0:37:25 | 0:37:29 | |
but also we look at the intrusion into the actual vehicle itself, | 0:37:29 | 0:37:33 | |
into the boot compartment... The chap is complaining of back pain. | 0:37:33 | 0:37:37 | |
So take all that into consideration, the safest thing for us to do | 0:37:37 | 0:37:41 | |
is extricate him the way we are with the help of the fire brigade. | 0:37:41 | 0:37:45 | |
Before crew manager Colin Burford and his team can start cutting, | 0:37:45 | 0:37:49 | |
they have to identify all the danger points they must avoid. | 0:37:49 | 0:37:52 | |
Everyone's got to be aware, the gas generator is between there and here. | 0:37:52 | 0:37:56 | |
-And we'll cut... -Yeah. | 0:37:56 | 0:37:58 | |
Modern cars are packed with gas cylinders, which operate airbags. | 0:37:58 | 0:38:02 | |
Accidentally cutting through one would result in a small explosion, | 0:38:02 | 0:38:06 | |
putting everyone nearby at risk, so Andy has marked the danger zones. | 0:38:06 | 0:38:11 | |
We're going to flap the glass forward, flap the roof forward. | 0:38:11 | 0:38:15 | |
As the fire crews get to work cutting through the car's side supports, | 0:38:15 | 0:38:18 | |
a friend of the driver has arrived on the scene. | 0:38:18 | 0:38:21 | |
I was just passing when I see the bus, the hazard lights flashing. | 0:38:21 | 0:38:26 | |
And I just take a right when I see an accident's happened. | 0:38:26 | 0:38:30 | |
He's one of my colleagues and my friend, as well. | 0:38:30 | 0:38:33 | |
He was just sitting, and he said, you know, "I feel fine, | 0:38:33 | 0:38:37 | |
but I have pain in my neck and my back, because I was, you know, | 0:38:37 | 0:38:42 | |
pushed from the back." | 0:38:42 | 0:38:43 | |
With the windscreen and supports cut through, | 0:38:43 | 0:38:46 | |
it's just a matter of lifting off the roof. | 0:38:46 | 0:38:49 | |
Mohammed is almost free now. They're keeping his neck absolutely still | 0:38:54 | 0:38:59 | |
as his rescuers gently slide him onto the spinal board. | 0:38:59 | 0:39:02 | |
Is his feet all right? | 0:39:02 | 0:39:05 | |
On "slide", then. | 0:39:05 | 0:39:07 | |
One, two, three, slide. | 0:39:07 | 0:39:10 | |
One, two, three, slide. | 0:39:11 | 0:39:13 | |
One more, and he's out and on the stretcher. | 0:39:13 | 0:39:17 | |
-All right, there, chief? -Think so. -We'll get you on the ambulance | 0:39:22 | 0:39:26 | |
and get you warmed up, then we'll sort that pain out for you. | 0:39:26 | 0:39:29 | |
OK, mate? | 0:39:29 | 0:39:31 | |
The taxi is a write-off, but Mohammed is on his way in the ambulance | 0:39:31 | 0:39:35 | |
to the hospital, where his injuries can be fully investigated. | 0:39:35 | 0:39:38 | |
Fortunately Mohammed didn't have any serious injuries, | 0:39:40 | 0:39:43 | |
but he was in a lot of pain from the whiplash | 0:39:43 | 0:39:45 | |
and needed to take time off work. | 0:39:45 | 0:39:47 | |
Early in the programme we heard about Azali, | 0:39:47 | 0:39:50 | |
the 23-year-old horse down a well. She's not the first stuck animal | 0:39:50 | 0:39:54 | |
we've featured on Real Rescues, and she probably won't be the last. | 0:39:54 | 0:39:58 | |
In the past we've seen bulls being pulled from a ditch... | 0:39:58 | 0:40:02 | |
..even an albino snake in the boot of a car. | 0:40:03 | 0:40:06 | |
-Oh, he's coming out. That's good. -Come on, Jack! Good boy! | 0:40:06 | 0:40:09 | |
We've seen how the rescue services go about removing | 0:40:12 | 0:40:15 | |
nearly a ton of shire horse from a bog... | 0:40:15 | 0:40:17 | |
..an upside-down horse being lifted out of trouble... | 0:40:26 | 0:40:29 | |
..and even a pregnant donkey that had tried to go for a swim. | 0:40:31 | 0:40:36 | |
Steady! | 0:40:36 | 0:40:38 | |
Don't poke me. That's not nice. | 0:40:39 | 0:40:41 | |
Wonderful rescues, and the good news is that they all turned out OK. | 0:40:42 | 0:40:46 | |
Buster here is an animal-rescue specialist. | 0:40:46 | 0:40:48 | |
It is really important. I guess if you rescue an animal, | 0:40:48 | 0:40:51 | |
-you're also helping save people. -That's our primary role, | 0:40:51 | 0:40:55 | |
to make sure people don't put themselves at risk | 0:40:55 | 0:40:58 | |
when they're trying to rescue any animal. | 0:40:58 | 0:41:01 | |
And you've got a particular example about a horsebox. | 0:41:01 | 0:41:04 | |
Quite recently we had a horsebox that was being towed | 0:41:04 | 0:41:07 | |
with two horses in it, which turned over during a traffic collision. | 0:41:07 | 0:41:11 | |
One horse was thrown from the vehicle. Another was trapped in it. | 0:41:11 | 0:41:14 | |
The accident caused the traffic to stop, | 0:41:14 | 0:41:17 | |
and members of the public, with the best intentions, entered the horsebox | 0:41:17 | 0:41:21 | |
to release one of the animals. That creates an awful lot of danger. | 0:41:21 | 0:41:25 | |
An animal that's trapped will kick, fight, bite, head-butt, | 0:41:25 | 0:41:29 | |
do an awful lot of damage, and in the rescue of this horse, | 0:41:29 | 0:41:32 | |
the gentleman trying to release it got kicked in the leg. | 0:41:32 | 0:41:35 | |
And he was quite badly injured? | 0:41:35 | 0:41:37 | |
He was given quite a nasty shin injury. | 0:41:37 | 0:41:40 | |
It wasn't broken, but he has a very nasty bruise. | 0:41:40 | 0:41:43 | |
And you lot have specialist equipment as well, don't you? | 0:41:43 | 0:41:47 | |
Yeah. We've got equipment that we've developed in Hampshire | 0:41:47 | 0:41:50 | |
for animal rescue, which tries to keep us in a safer environment, | 0:41:50 | 0:41:54 | |
away from the kick and head-butt zone. | 0:41:54 | 0:41:57 | |
And it's a natural reaction, is it? Because you love your animals. | 0:41:57 | 0:42:01 | |
A dog in a river or something, you want to go after it. | 0:42:01 | 0:42:04 | |
-What is your advice to people? -We advise everybody | 0:42:04 | 0:42:07 | |
not to put themselves in danger. It's natural to try and assist your animal, | 0:42:07 | 0:42:10 | |
but when people do go into rivers to rescue their dog, | 0:42:10 | 0:42:14 | |
it is historically proven that people can drown | 0:42:14 | 0:42:17 | |
and the animal is found later alive, and this is one of the problems. | 0:42:17 | 0:42:21 | |
People risk themselves to rescue animals where they might not do so | 0:42:21 | 0:42:25 | |
-to rescue a human being. -They should call you instead. | 0:42:25 | 0:42:28 | |
-Call the fire service. -Thank you. -That's all we've got time for. | 0:42:28 | 0:42:31 | |
-We've got action all over the place today. -Absolutely, | 0:42:31 | 0:42:34 | |
and that old lady is now in hospital, who'd been kicked by the horse. | 0:42:34 | 0:42:38 | |
That's wrapped that up nicely. We'll have more Real Rescues | 0:42:38 | 0:42:41 | |
-by more heroes soon. Bye bye. -Bye bye. | 0:42:41 | 0:42:44 | |
Subtitles by Red Bee Media Ltd | 0:42:49 | 0:42:53 | |
E-mail [email protected] | 0:42:53 | 0:42:57 |