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'What do you have to do when a Queen decides to pop in to see you? And not just any old Queen - Victoria! | 0:00:03 | 0:00:10 | |
'Like a pair of obsessed Victoria groupies, | 0:00:10 | 0:00:12 | |
'we're pursuing her around the country to the posh pads she visited. | 0:00:12 | 0:00:17 | |
'We'll be delving into her personal diaries to reveal what happened behind closed doors.' | 0:00:17 | 0:00:22 | |
Welcome to Lincolnshire. | 0:00:23 | 0:00:26 | |
Our journey today in the footsteps of Queen Victoria has brought us to the magnificent Burghley House. | 0:00:26 | 0:00:33 | |
'And as someone who has spent a lifetime getting excited by antiques, | 0:00:33 | 0:00:38 | |
'I'll be upstairs exploring what would have excited the Queen on her visit here.' | 0:00:38 | 0:00:44 | |
On Victoria's bed is a pair of doves billing and cooing and we all know where that leads! | 0:00:44 | 0:00:51 | |
'I'll be downstairs leafing through some extraordinary mementos of her stay.' | 0:00:51 | 0:00:56 | |
-And there is Victoria's signature. -How magnificent! | 0:00:56 | 0:00:59 | |
'As a chef passionate about food...' I love the smell. | 0:00:59 | 0:01:03 | |
'..I'll be in the kitchen rediscovering a 19th century recipe made in honour of Victoria's stay. | 0:01:03 | 0:01:09 | |
'And teasing Tim's sweet tooth!' | 0:01:09 | 0:01:11 | |
-Can I have quite a big bit? -No. -You're such a meanie! | 0:01:11 | 0:01:14 | |
Burghley House was built in 1555, | 0:01:19 | 0:01:22 | |
not in Victoria's era, but during the reign of an earlier Queen. | 0:01:22 | 0:01:27 | |
Queen Rosemary... Sorry, Queen Elizabeth I. | 0:01:27 | 0:01:31 | |
Ah, yes. But we're interested | 0:01:31 | 0:01:33 | |
in what happened here in 1844 when Victoria came to stay. | 0:01:33 | 0:01:37 | |
Victoria and Albert stayed here for four days, | 0:01:37 | 0:01:41 | |
travelling by train from London to Weedon near Northampton | 0:01:41 | 0:01:45 | |
before a five-hour coach journey to Burghley. | 0:01:45 | 0:01:48 | |
They were here by invitation of the host, the Marquess of Exeter, for a very special purpose. | 0:01:48 | 0:01:54 | |
The purpose being the christening of the Marquess and Marchioness's daughter. | 0:01:54 | 0:02:00 | |
-And in return, they called the daughter Victoria. Isn't that a lovely story? -How nice! | 0:02:00 | 0:02:06 | |
Albert was to be the godfather of baby Victoria, | 0:02:07 | 0:02:11 | |
so this was a very personal and private occasion for the families. | 0:02:11 | 0:02:15 | |
But that didn't stop the Marquess bankrolling exuberant celebrations in the local town of Stamford | 0:02:15 | 0:02:21 | |
and on approach to the gates of Burghley, | 0:02:21 | 0:02:23 | |
he had even arranged for 700 horsemen, mainly his tenants, | 0:02:23 | 0:02:27 | |
to ride behind the royal procession. | 0:02:27 | 0:02:30 | |
He didn't do things by halves, did the old chap. No, no. | 0:02:31 | 0:02:35 | |
Did you know, Rozza, | 0:02:35 | 0:02:38 | |
it was decided that the townsfolk of Stamford would be given a whole half day off, | 0:02:38 | 0:02:44 | |
so that they'd be able to turn out in force to welcome their Majesty's arrival? How about that? | 0:02:44 | 0:02:51 | |
Well, they might have got a day off, | 0:02:51 | 0:02:54 | |
but the staff at Burghley, their work was only just beginning. | 0:02:54 | 0:02:58 | |
-I'm heading off downstairs to see how they did it. -I'm heading off upstairs. | 0:02:58 | 0:03:03 | |
Burghley was an outrageous display of design and architecture. | 0:03:05 | 0:03:10 | |
With its turrets and towers, domes and steeples, | 0:03:10 | 0:03:13 | |
it was described as more of a small city than a single building. | 0:03:13 | 0:03:18 | |
Even though Victoria had visited here when she was 18, | 0:03:18 | 0:03:22 | |
her first sight of Burghley, nine years later, was no less impressive. | 0:03:22 | 0:03:27 | |
She wrote in her diary, "I remembered its beautiful exterior | 0:03:27 | 0:03:32 | |
"and splendid situation, but I was even more struck when I arrived this time." | 0:03:32 | 0:03:37 | |
This is the entrance that Victoria used. | 0:03:38 | 0:03:42 | |
We also know that she arrived at about 5pm | 0:03:42 | 0:03:46 | |
and that the weather had been rough and miserable. | 0:03:46 | 0:03:49 | |
I suspect Victoria might have been a bit rough herself | 0:03:49 | 0:03:53 | |
because she'd just given birth to her fourth child | 0:03:53 | 0:03:57 | |
and had a month in convalescence in the Highlands. | 0:03:57 | 0:04:01 | |
So you can imagine the amount of correspondence that was happening | 0:04:01 | 0:04:06 | |
between the 2nd Marquess's household and her household | 0:04:06 | 0:04:10 | |
to make quite sure that the timing of this visit was convenient all round. | 0:04:10 | 0:04:16 | |
So keen were the hosts on capturing this momentous occasion | 0:04:16 | 0:04:20 | |
that they gave a VIP pass to The Illustrated London News, | 0:04:20 | 0:04:26 | |
the world's first illustrated weekly publication, | 0:04:26 | 0:04:30 | |
the Hello magazine of its day. | 0:04:30 | 0:04:33 | |
They commissioned an artist by the name of Ziegler to produce sketches to accompany the story. | 0:04:33 | 0:04:39 | |
This is the North Entrance Hall | 0:04:39 | 0:04:42 | |
where Victoria would have entered | 0:04:42 | 0:04:45 | |
and today it forms part of the private piece of Burghley occupied by the Cecil family, | 0:04:45 | 0:04:51 | |
so I feel rather privileged to be allowed to walk literally in Victoria's footsteps. | 0:04:51 | 0:04:57 | |
This is a marvellous piece of memorabilia relating to her visit. | 0:04:57 | 0:05:02 | |
It's a poster produced by the Mayor of Stamford, look. | 0:05:02 | 0:05:06 | |
"F Jelley, Mayor." | 0:05:06 | 0:05:09 | |
What a lovely name that is! | 0:05:09 | 0:05:11 | |
And amongst other things, it records the resolutions | 0:05:11 | 0:05:15 | |
that "businesses be suspended and the shops closed at one o'clock | 0:05:15 | 0:05:20 | |
"for the remainder of the day," the day the Queen visited, | 0:05:20 | 0:05:25 | |
and also that "subscriptions would be raised for the purpose of erecting triumphal arches | 0:05:25 | 0:05:30 | |
"and making any other demonstrations of loyalty they may think proper." | 0:05:30 | 0:05:36 | |
Well, what could be more proper than that? | 0:05:36 | 0:05:39 | |
'While Victoria was being ushered through the hallway, | 0:05:45 | 0:05:49 | |
'her servants would have been making their way to the staff quarters | 0:05:49 | 0:05:54 | |
'where one room in particular would have been full of hustle and bustle - this wonderful kitchen. | 0:05:54 | 0:06:00 | |
'Today, I'm going to be recreating some Victorian treats cooked in honour of the Queen | 0:06:00 | 0:06:06 | |
-'with food historian Ivan Day.' -This was really aimed at children. | 0:06:06 | 0:06:10 | |
'The treats were sold to local well-wishers in celebration.' | 0:06:10 | 0:06:14 | |
-It's going to be very sticky. -Bung it all in. | 0:06:14 | 0:06:17 | |
'On today's menu, Victorian gingerbread. | 0:06:17 | 0:06:21 | |
'I can't wait to cook in this incredible, evocative kitchen | 0:06:21 | 0:06:26 | |
'which, remarkably, is exactly the same as it was during Victoria's visit.' | 0:06:26 | 0:06:31 | |
It's an Elizabethan kitchen. It goes right back to the reign of Elizabeth I. | 0:06:31 | 0:06:36 | |
What you see there is the lantern which is a place where you can get an extra bit of light coming in, | 0:06:36 | 0:06:42 | |
but it's mainly for venting all of the fumes and the smoke. | 0:06:42 | 0:06:46 | |
It would have been very different in the 16th century. It's been much modified since. | 0:06:46 | 0:06:51 | |
'We know the Queen was given a tour of this amazing kitchen | 0:06:52 | 0:06:57 | |
'because it was featured in The Illustrated London News, | 0:06:57 | 0:07:00 | |
'together with this sketch. | 0:07:00 | 0:07:03 | |
'Here we can see the servants standing to attention | 0:07:03 | 0:07:07 | |
'as Victoria and Albert marvel at a large painting at the far end of the room, | 0:07:07 | 0:07:12 | |
'which is still here today.' | 0:07:12 | 0:07:15 | |
-But what do you think of this fellow here? -Oh! | 0:07:15 | 0:07:19 | |
Well, knowing they ate turtle soup, is it a turtle soup tureen? | 0:07:19 | 0:07:23 | |
-It is, exactly. -Really? -Yes. Well done. | 0:07:23 | 0:07:26 | |
There is some archaeological evidence in this kitchen | 0:07:26 | 0:07:30 | |
that turtles were served up at Burghley | 0:07:30 | 0:07:34 | |
because if you look up above the dresser, you can see this macabre display. They're turtle skulls. | 0:07:34 | 0:07:40 | |
-What a bit of history in the kitchen! -Every one is a turtle dinner. -Every one is a turtle dinner. | 0:07:45 | 0:07:52 | |
'Turtle soup would be frowned upon today, but back then, it was quite trendy. | 0:07:52 | 0:07:58 | |
'Sophia Cecil, the sister-in-law of the Marquess, noted in her diary | 0:07:58 | 0:08:02 | |
'that the Queen was served soup during her stay. | 0:08:02 | 0:08:06 | |
'If it was turtle soup, I'm hoping it came without the bones. | 0:08:06 | 0:08:10 | |
'While the kitchen was throwing together the most delectable royal delicacies, | 0:08:10 | 0:08:15 | |
'on the evening Victoria arrived, | 0:08:15 | 0:08:18 | |
'the Queen would have been about to witness another unique part of the house upstairs.' | 0:08:18 | 0:08:24 | |
This is one of the most spectacular sights at Burghley | 0:08:24 | 0:08:28 | |
or indeed in any British stately home. | 0:08:28 | 0:08:31 | |
It's called quite simply The Hell Staircase. | 0:08:31 | 0:08:36 | |
This is the route that Victoria and Albert would have taken | 0:08:40 | 0:08:45 | |
to get to their apartments upstairs. | 0:08:45 | 0:08:47 | |
But when you think of the religious significance of their visit, | 0:08:47 | 0:08:52 | |
after all, Albert was here to become a godparent... | 0:08:52 | 0:08:56 | |
..this ceiling is enough to put the fear of God in anyone. | 0:08:58 | 0:09:02 | |
Frankly, it gives me the willies. | 0:09:03 | 0:09:06 | |
In matters of religion, Victoria was devout, yet broad-minded. | 0:09:08 | 0:09:12 | |
And you'd need to be, confronted by these scary scenes of Hell by Italian painter Antonio Verrio. | 0:09:12 | 0:09:20 | |
You've got this cat-like creature with its gob wide open, | 0:09:20 | 0:09:24 | |
consuming naughty people. | 0:09:24 | 0:09:27 | |
Death itself is represented by the Grim Reaper | 0:09:27 | 0:09:30 | |
with its scythe, the scythe that could cut you down at any time. | 0:09:30 | 0:09:36 | |
This is something straight out of Harry Potter. | 0:09:36 | 0:09:40 | |
'As Victoria was having the wits scared out of her on Hell Staircase, | 0:09:40 | 0:09:45 | |
'downstairs, the kitchen staff would have been battling with their own fire and furnaces | 0:09:45 | 0:09:52 | |
'as, nerves jangling, they prepared the royal dinner. | 0:09:52 | 0:09:55 | |
'We know, at the same time, the local bakers made gingerbread to sell for a penny, | 0:09:55 | 0:10:02 | |
'so that's what we'll do today...' Fantastic! | 0:10:02 | 0:10:05 | |
'..using these original Victorian moulds, | 0:10:05 | 0:10:08 | |
'except today, Tim will scoff the lot and I rather doubt I'll get a penny for it.' | 0:10:08 | 0:10:14 | |
-What I've got here is a pound of plain white flour. -Fine. | 0:10:14 | 0:10:18 | |
And I'm going to ask you if you can rub that butter into it. | 0:10:18 | 0:10:22 | |
While you're doing that, I'm going to continue turning this candied orange and lemon peel | 0:10:22 | 0:10:27 | |
into almost a puree. | 0:10:27 | 0:10:30 | |
'To the flour and butter, add the brown sugar and ginger, followed by nutmeg, cinnamon and mace.' | 0:10:30 | 0:10:37 | |
I love the smell! 'They liked their gingerbread spicy, the Victorians.' | 0:10:37 | 0:10:41 | |
But I think that's really the smell of England in the past. | 0:10:41 | 0:10:45 | |
-It's got such a wonderful, evocative smell. -It's fabulous. | 0:10:45 | 0:10:49 | |
-It's time now to give it a kind of marmalade touch. -This is your peel. | 0:10:49 | 0:10:53 | |
This is pureed peel. Taste it and tell me what you think. It's a mixture of Seville and lemon. | 0:10:53 | 0:10:59 | |
-That's delicious. -Rub that in really thoroughly. | 0:10:59 | 0:11:03 | |
The final touch which is going to turn that into a pliable paste is going to be very sticky for you. | 0:11:03 | 0:11:09 | |
Oh, no, no. Bung it all in. | 0:11:09 | 0:11:11 | |
-Try and get it into a lump. It will be very short. -No, it'll be fine. | 0:11:16 | 0:11:21 | |
-That looks really good. Perfect. -Is that good? | 0:11:21 | 0:11:25 | |
'Next, we halve the dough to make two penny gingerbreads | 0:11:25 | 0:11:28 | |
'and then press it firmly on to our moulds.' | 0:11:28 | 0:11:31 | |
The technique is this. We just let it drop off of its own weight on to the board and there it is. | 0:11:31 | 0:11:38 | |
Oh, fantastic! | 0:11:38 | 0:11:40 | |
-There's just one other thing we have to do before it goes into the oven. -Mm-hm. | 0:11:40 | 0:11:45 | |
-We need to dock it, which is prick it with a fork all over. -Dock it? That's a new word. -It's a very old word. | 0:11:45 | 0:11:52 | |
-Biscuits often had these little holes in them. -Yes. | 0:11:52 | 0:11:56 | |
They were made with a thing called a biscuit docker. | 0:11:56 | 0:11:59 | |
That will ensure it doesn't puff up and spoil the design. | 0:11:59 | 0:12:03 | |
I can just imagine the salesman saying, "Penny for a gingerbread! Come and get it!" | 0:12:03 | 0:12:09 | |
'The gingerbreads go into the pastry oven where they'll bake at around 160 degrees Celsius | 0:12:09 | 0:12:15 | |
'for 40 minutes. | 0:12:15 | 0:12:17 | |
'In Victorian times, there were no temperature gauges, | 0:12:17 | 0:12:21 | |
'so the instructions would have been to cook it in a cool oven. | 0:12:21 | 0:12:25 | |
'Meanwhile, upstairs, Victoria and Albert were being shown to the lavish royal apartments.' | 0:12:25 | 0:12:31 | |
Having survived the hellish ascent of the stairs, | 0:12:31 | 0:12:36 | |
the royal party would have been ushered into this room, | 0:12:36 | 0:12:40 | |
the first of the private apartments set aside for their use during the visit. | 0:12:40 | 0:12:45 | |
It's called, appropriately enough, the Heaven Room. And look at that! | 0:12:45 | 0:12:50 | |
The royal party might have been reassured by this. | 0:12:54 | 0:12:58 | |
They have got some salvation after all. | 0:12:58 | 0:13:02 | |
'The royal apartments at Burghley are amongst the finest | 0:13:03 | 0:13:07 | |
'the Queen found on her travels, oozing opulence. | 0:13:07 | 0:13:10 | |
'Victoria and Albert had the run of six bespoke rooms, | 0:13:10 | 0:13:15 | |
'decked out with luxurious gilded furniture, exquisite ceramics | 0:13:15 | 0:13:19 | |
'and original works of art by the old masters. | 0:13:19 | 0:13:23 | |
'The Marquess really splashed the cash | 0:13:23 | 0:13:26 | |
'to make sure there was no shortage of servants to look after Victoria. | 0:13:26 | 0:13:30 | |
'Incredibly, curator Jon Culverhouse has the original accounts book from the visit | 0:13:30 | 0:13:36 | |
'and it makes fascinating reading.' | 0:13:36 | 0:13:39 | |
It was an incredibly expensive visit. | 0:13:39 | 0:13:41 | |
Lord Exeter, as host, was responsible for everything. | 0:13:41 | 0:13:44 | |
He put up people all over Stamford. He entertained people royally. It was well-planned. | 0:13:44 | 0:13:50 | |
-Yes. -He'd been planning for four or five years as he'd been carrying out improvements to the house | 0:13:50 | 0:13:55 | |
to make it even more grand and comfortable for Her Majesty. | 0:13:55 | 0:13:59 | |
-Surely, he didn't have to go to the extent that he went to? -I think he did. | 0:13:59 | 0:14:04 | |
He was a courtier. He was known to the Royal Family very well | 0:14:04 | 0:14:08 | |
and this was his big chance to show off at home quite how grand he was. | 0:14:08 | 0:14:12 | |
It was really the quintessential point in his career, having Her Majesty and Prince Albert to stay. | 0:14:12 | 0:14:18 | |
It was a very good marketing ploy for him. | 0:14:18 | 0:14:21 | |
'But this isn't the only treasure. | 0:14:21 | 0:14:24 | |
'There's also the original diary, | 0:14:24 | 0:14:27 | |
'written by Sophia Cecil, the sister-in-law of Victoria's host.' | 0:14:27 | 0:14:31 | |
-"The Queen and Prince... -'In which she reveals the Queen's rather cheeky sense of humour.' | 0:14:31 | 0:14:38 | |
"In passing through the Blue Dressing Room occupied by the Duke of Rutland, | 0:14:38 | 0:14:42 | |
"Her Majesty appeared to be much amused at something | 0:14:42 | 0:14:46 | |
'which turned out to be His Grace's wig and whiskers on a block." | 0:14:46 | 0:14:50 | |
'But the piece de resistance is this wonderful guestbook from the visit.' | 0:14:52 | 0:14:57 | |
-Isn't that pretty? -1844. | 0:14:57 | 0:14:59 | |
'The Marquess had planned this visit for four years.' | 0:14:59 | 0:15:03 | |
-The crest of Lord Exeter. -'No wonder he wanted the royal autographs!' | 0:15:03 | 0:15:07 | |
That of the Queen and there is Victoria's signature. | 0:15:07 | 0:15:11 | |
-How beautiful! -As is always when the Royal Family come, it's a signature to a page. | 0:15:11 | 0:15:16 | |
-Yes. -And so Prince Albert's crest and Prince Albert... | 0:15:16 | 0:15:20 | |
Oh, it's very special. | 0:15:20 | 0:15:22 | |
-It is indeed. -Well, Jon, I can't believe this. It's beautiful to hold. | 0:15:22 | 0:15:27 | |
It's a great treasure. | 0:15:27 | 0:15:30 | |
Victoria had stayed here nine years earlier with her mother, the Duchess of Kent, | 0:15:33 | 0:15:39 | |
but there was one room up here that she wouldn't have stayed in before. | 0:15:39 | 0:15:44 | |
The ultimate destination in the suite of rooms is not unnaturally the bedroom. | 0:15:44 | 0:15:49 | |
And what a delicious room it is, | 0:15:49 | 0:15:52 | |
hung on three sides with tapestries, but the centre piece of the room has to be the bed. | 0:15:52 | 0:15:58 | |
At the time of Victoria's visit, this bed was thought to have been a lot taller. | 0:15:58 | 0:16:04 | |
And I guess that was because, at the time, | 0:16:04 | 0:16:07 | |
it was quite commonplace to have not one mattress like today, but about six of them. | 0:16:07 | 0:16:13 | |
The problem with these high beds is how to get into them. | 0:16:13 | 0:16:17 | |
The answer, quite simple, a pair of bed steps. | 0:16:17 | 0:16:21 | |
Victoria and Albert would have gone to bed by stepping up these steps, | 0:16:21 | 0:16:26 | |
rather like going up a diving board, either side of the bed, | 0:16:26 | 0:16:30 | |
then both jumped in. | 0:16:30 | 0:16:33 | |
Lovely. | 0:16:33 | 0:16:34 | |
But these steps have an additional function. | 0:16:34 | 0:16:38 | |
I can remove that tread to reveal a pull-out commode, look. | 0:16:38 | 0:16:44 | |
Now, history doesn't record whether Queen Victoria actually used this commode, | 0:16:45 | 0:16:51 | |
so I think I'll just shut it up and let it be our little secret. | 0:16:51 | 0:16:57 | |
Victoria was a big fan of this bed. | 0:17:00 | 0:17:03 | |
Her diary says how all morning she admired "its extreme splendours | 0:17:03 | 0:17:07 | |
"with beautiful embroideries". | 0:17:07 | 0:17:10 | |
It seems to me that Victoria and Albert spent an extraordinary length of time in this bedroom. | 0:17:11 | 0:17:19 | |
Now, Sophia Cecil records that on the third day, | 0:17:20 | 0:17:24 | |
"At breakfast, we saw the Queen and the Prince walking out together in the garden." | 0:17:24 | 0:17:30 | |
Indeed, the Queen records that she skipped breakfast one day. | 0:17:30 | 0:17:35 | |
And I reckon that she and Albert were spending most of their time in this bed. | 0:17:35 | 0:17:40 | |
Therefore, it's perhaps appropriate that the cresting on the bed | 0:17:43 | 0:17:48 | |
is in the form of a pair of doves amorously billing and cooing. | 0:17:48 | 0:17:53 | |
And we all know where that leads! | 0:17:53 | 0:17:56 | |
In the 1820s, they went in for a bit of modernisation in these state rooms. | 0:18:16 | 0:18:22 | |
They simply hatcheted a hole through the wall to give access behind to the... | 0:18:22 | 0:18:28 | |
-Ah! Look at this! How are you? -Hello, darling. | 0:18:28 | 0:18:31 | |
-I was just walking up the corridor. -What are you doing scurrying down the servants' passageways? | 0:18:31 | 0:18:37 | |
I wanted to see where they led. And I'm in this room. Look at this. | 0:18:37 | 0:18:41 | |
-How magnificent is this! -This is wonderful. I never get to see upstairs. | 0:18:41 | 0:18:46 | |
You never come upstairs. I never go downstairs. It's lovely to see you. | 0:18:46 | 0:18:50 | |
-It's great to be here, but I've got to get back downstairs. I can't stay with you. -Can't you? -No, I can't. | 0:18:50 | 0:18:57 | |
-What are you and Ivan up to? -It's something that's going to take the biscuit. | 0:18:57 | 0:19:02 | |
-Is that a hint? -I'm not going to tell you. Find out later. | 0:19:02 | 0:19:06 | |
They're terribly coy, these servants. I've had trouble... | 0:19:06 | 0:19:10 | |
-I've got a programme to make. You head off... -I'll see you later. We've got work to do. | 0:19:10 | 0:19:15 | |
I've got a programme to make. | 0:19:15 | 0:19:17 | |
What a treat! | 0:19:17 | 0:19:19 | |
I love being able to sneak around upstairs like this. | 0:19:19 | 0:19:23 | |
Whilst the servants' corridor was brand-new for Burghley at the time of the visit, | 0:19:24 | 0:19:30 | |
one addition really was last-minute. | 0:19:30 | 0:19:34 | |
This portrait of Prince Albert was hung just the day before the royals arrived. | 0:19:34 | 0:19:39 | |
A touch of flattery perhaps? | 0:19:39 | 0:19:41 | |
Or given that they were here for a christening, maybe it was just a fitting tribute to the man | 0:19:41 | 0:19:47 | |
who was about to become godfather to a member of the Cecil family. | 0:19:47 | 0:19:51 | |
What more prestigious or appropriate place to hang your portrait | 0:19:51 | 0:19:56 | |
of an esteemed guest than this, the Great Hall? | 0:19:56 | 0:20:00 | |
I mean, just look at this place! | 0:20:00 | 0:20:02 | |
Victoria was certainly impressed, describing the Great Hall as "beautiful" | 0:20:02 | 0:20:08 | |
and it was here where the royal banquet took place at 8pm on the first evening. | 0:20:08 | 0:20:14 | |
The guest list read like a who's who of Victorian politics, | 0:20:14 | 0:20:18 | |
not surprising, given the Marquess was a politician himself. | 0:20:18 | 0:20:22 | |
The Prime Minister Sir Robert Peel was there, as was the Foreign Secretary, Lord Aberdeen. | 0:20:22 | 0:20:28 | |
In total, 40 of the country's great and good attended the grand dinner. | 0:20:28 | 0:20:33 | |
This is the scene immaculately recorded | 0:20:33 | 0:20:37 | |
by the artist HB Ziegler. | 0:20:37 | 0:20:40 | |
We've got the same light fittings, look. | 0:20:40 | 0:20:43 | |
The gallery filled with musicians - what they call the fiddlers' gallery. | 0:20:43 | 0:20:48 | |
There is Victoria herself with her back to the fireplace, | 0:20:48 | 0:20:54 | |
wearing her sash. | 0:20:54 | 0:20:56 | |
And, of course, we've got droves of these footmen, | 0:20:56 | 0:21:00 | |
wearing the Cecil family blue livery. | 0:21:00 | 0:21:03 | |
'The footmen were the reserve of only the grandest households and really looked the part. | 0:21:05 | 0:21:11 | |
'I've banished Tim from the Great Hall, | 0:21:11 | 0:21:14 | |
'so Ivan and I can find out more about the most sought after servants who waited on Victoria. | 0:21:14 | 0:21:20 | |
'And some modern-day equivalents are waiting on us.' | 0:21:20 | 0:21:23 | |
We've got some wonderful-looking footmen here. | 0:21:23 | 0:21:27 | |
And they're wearing 19th century livery of Burghley House. | 0:21:27 | 0:21:31 | |
The footmen aren't from that period, but the livery actually is, so these are absolutely authentic. | 0:21:31 | 0:21:37 | |
How wonderful! And what did the footmen do? What was their actual job? | 0:21:37 | 0:21:42 | |
They had a whole range of tasks to undertake during the day - | 0:21:42 | 0:21:46 | |
polishing boots and brass or working in the lamp room cleaning the glass. | 0:21:46 | 0:21:51 | |
When they really came into their own was, for instance, like Queen Victoria's visit. | 0:21:51 | 0:21:56 | |
At the great meal when Victoria was entertained here, the drinks were superintended by the footmen. | 0:21:56 | 0:22:02 | |
They could never talk to the guests, could they? | 0:22:02 | 0:22:06 | |
They were like ghosts. When you needed one, one always appeared. | 0:22:06 | 0:22:10 | |
Sometimes, just thinking about needing a drink, one would magically appear from behind you. | 0:22:10 | 0:22:16 | |
A well-trained one knew exactly what the guests wanted. Gentlemen, would you show us what you wore outside? | 0:22:16 | 0:22:22 | |
That's wonderful. | 0:22:22 | 0:22:24 | |
So would people have recognised the various liveries? | 0:22:24 | 0:22:28 | |
Instantaneously. When Victoria came here with her retinue from the London palaces, | 0:22:28 | 0:22:33 | |
she had her own footmen in royal livery and everybody knew who they were. | 0:22:33 | 0:22:38 | |
Without question. | 0:22:38 | 0:22:40 | |
The morning after Victoria arrived, | 0:22:43 | 0:22:45 | |
she noted in her diary, "It was pouring wet and the rain continued all day." | 0:22:45 | 0:22:51 | |
So that put paid to exploring the grounds. | 0:22:51 | 0:22:54 | |
She had to wait until the following day to do that | 0:22:54 | 0:22:57 | |
when she enjoyed a romantic walk with Albert | 0:22:57 | 0:23:00 | |
and later that afternoon, she was invited by the Marquess to plant an oak tree. | 0:23:00 | 0:23:05 | |
And here it is, the very one, planted more than 160 years ago | 0:23:06 | 0:23:12 | |
by Victoria's dainty spadework and still standing proud. | 0:23:12 | 0:23:16 | |
Of course, we can't leave without taking a glimpse | 0:23:16 | 0:23:21 | |
at the place that is the reason for the visit | 0:23:21 | 0:23:24 | |
and this is the Cecil family's private chapel on the first floor. | 0:23:24 | 0:23:29 | |
When not doing a bit of horizontal PT upstairs with Albert, | 0:23:31 | 0:23:35 | |
this is where Victoria attended morning prayers. | 0:23:35 | 0:23:39 | |
Indeed, the local newspaper, The Stamford Mercury, | 0:23:39 | 0:23:44 | |
even reports that "Victoria adopted the same spot | 0:23:44 | 0:23:49 | |
"on the left side nearest the altar that had been used by Elizabeth I | 0:23:49 | 0:23:54 | |
"when she visited Burghley three centuries earlier." | 0:23:54 | 0:23:58 | |
Wow! | 0:23:58 | 0:24:00 | |
The christening service took place on the second day and was taken by the Bishop of Peterborough. | 0:24:00 | 0:24:06 | |
For once, Albert was the centre of attention. | 0:24:06 | 0:24:09 | |
Now, if you believe the mother of the child Lady Sophia's account, | 0:24:09 | 0:24:14 | |
Albert is said to have sat at a table in the centre of the chapel. | 0:24:14 | 0:24:18 | |
If you believe Victoria's account, then her husband stood alongside her. | 0:24:18 | 0:24:23 | |
Who would dare argue with the Queen's version of events? | 0:24:23 | 0:24:27 | |
Lady Sophia also noted that the holy ceremony wasn't without the odd blunder. | 0:24:27 | 0:24:32 | |
"The Bishop of Peterborough seemed lost without his spectacles | 0:24:32 | 0:24:36 | |
"and began the service before the baby was brought in, | 0:24:36 | 0:24:40 | |
"so he had to stop short and begin it all over again. | 0:24:40 | 0:24:45 | |
"The Bishop did not ask the name of the child." | 0:24:45 | 0:24:49 | |
So even though "the Bish" wasn't on top form, | 0:24:49 | 0:24:53 | |
our diarist, Sophia Cecil, did not miss a trick. | 0:24:53 | 0:24:58 | |
Both the Victorias, Queen and baby, were dressed in white | 0:24:59 | 0:25:04 | |
and it's said that Albert gave his godchild a gold cup. | 0:25:04 | 0:25:09 | |
The Queen herself continues, "We then returned to our rooms | 0:25:09 | 0:25:13 | |
"from the windows of which we saw some very pretty fireworks | 0:25:13 | 0:25:18 | |
"and there we played on the piano till dinner." | 0:25:18 | 0:25:22 | |
'After the ceremony, I expect there would have been some refreshments | 0:25:25 | 0:25:29 | |
'and that's what I've been promised by Rosemary who is serving up some Victorian party food.' Ah, Rosemary! | 0:25:29 | 0:25:35 | |
'She hinted earlier something about biscuits.' | 0:25:35 | 0:25:38 | |
Stay in the ante-chapel. Servants aren't allowed in there. | 0:25:38 | 0:25:42 | |
You mean there are two Gods? One for the toffs and one for the servants? I don't approve of that one. | 0:25:42 | 0:25:48 | |
It's always been thus! What are these two brown jobs here? | 0:25:48 | 0:25:52 | |
This is gingerbread, not gingerbread as you know it today. | 0:25:52 | 0:25:55 | |
It is "penny a gingerbread". That would cost you one penny and it's street food. | 0:25:55 | 0:26:01 | |
-Would you like a piece? -I'd love a piece. | 0:26:01 | 0:26:04 | |
My olfactory passage is telling me that there's quite an odour from this. Can I have quite a big bit? | 0:26:04 | 0:26:11 | |
-No. -What do you mean, "no"? -Start off with that. -You're such a meanie. | 0:26:11 | 0:26:15 | |
-No, seriously, it smells very, very intensely. -Lots of ginger in there. | 0:26:15 | 0:26:20 | |
But also it's quite cakey. | 0:26:20 | 0:26:23 | |
-Hmm! -Hmm! | 0:26:23 | 0:26:25 | |
Orange comes through. | 0:26:25 | 0:26:27 | |
-I think it's rather fun. -I'm surprised they don't make such things today. | 0:26:27 | 0:26:32 | |
-I think you should go into business making these things. It's delicious. -Absolutely lovely. | 0:26:32 | 0:26:38 | |
You've done terribly well with this. It's fantastic. Your biscuits won't last for ever. | 0:26:38 | 0:26:43 | |
But you have a look at this thing that I found upstairs that has lasted from 1844. | 0:26:43 | 0:26:49 | |
-So what do you make about that? -It's a child's spade for digging into sand. | 0:26:49 | 0:26:55 | |
-Bucket and spade stuff. -Bucket and spade stuff, yes. | 0:26:55 | 0:26:59 | |
-Queen Victoria planted those great oak trees in 1844. -Beautiful. | 0:26:59 | 0:27:03 | |
She was given a solid silver spade to do it with. | 0:27:03 | 0:27:07 | |
It was too heavy for her, so they gave her this little child's toy spade | 0:27:07 | 0:27:12 | |
which is made of beech. | 0:27:12 | 0:27:14 | |
At the top, there's some very indistinct pen-and-ink writing on to the wood | 0:27:14 | 0:27:19 | |
that says this is the spade used by Victoria. The family have kept it and here it is. | 0:27:19 | 0:27:24 | |
-Isn't that a treasure? -But it's really super that something as insignificant and valueless as this | 0:27:24 | 0:27:32 | |
has been treasured and survived since 1844. | 0:27:32 | 0:27:36 | |
We've had a wonderful day, haven't we? | 0:27:36 | 0:27:39 | |
Do you know what? It couldn't have been better. | 0:27:39 | 0:27:42 | |
'So Victoria and Albert came to Burghley for a christening, but there were many more to come. | 0:27:42 | 0:27:48 | |
'You're not wrong there. In her lifetime, Victoria had 50 godchildren | 0:27:48 | 0:27:53 | |
'and just to help her remember them, they were nearly all named Victor or Victoria.' | 0:27:53 | 0:27:58 | |
'Next time on Royal Upstairs Downstairs, we're at Hatfield House | 0:28:02 | 0:28:07 | |
'where Prince Albert gets handy with a gun.' | 0:28:07 | 0:28:09 | |
Double the bag of anybody else, he was machine-gunning them down. | 0:28:10 | 0:28:15 | |
'I encounter the most enormous record book.' | 0:28:15 | 0:28:18 | |
This is the biggest account book I have ever seen. | 0:28:18 | 0:28:22 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:28:43 | 0:28:47 | |
Email [email protected] | 0:28:47 | 0:28:50 |