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Just what do you have to do when a queen decides she's going to pop in to see you? | 0:00:02 | 0:00:06 | |
Not just any old queen, Victoria. | 0:00:06 | 0:00:10 | |
Like a pair of obsessed Victoria groupies, | 0:00:10 | 0:00:13 | |
we're pursuing her around the country to the posh pads she visited. | 0:00:13 | 0:00:17 | |
We'll be delving into her personal diaries to reveal what happened behind closed doors. | 0:00:17 | 0:00:23 | |
Today, the former home of Elizabeth I, Hatfield House, | 0:00:23 | 0:00:27 | |
where our odyssey in the footsteps of Victoria brings us | 0:00:27 | 0:00:31 | |
to the very outskirts | 0:00:31 | 0:00:32 | |
of Greater London. | 0:00:32 | 0:00:35 | |
And as someone who's spent a lifetime getting excited by antiques, I'll be looking for things | 0:00:35 | 0:00:39 | |
that would have impressed Her Majesty on her visit here. | 0:00:39 | 0:00:44 | |
And here it would have sat, groaning with food for Victoria's luncheon. | 0:00:44 | 0:00:49 | |
And, as a chef who loves food, I'll be getting a flavour of work below stairs and creating | 0:00:49 | 0:00:56 | |
a super 19th century recipe that was served to Victoria. | 0:00:56 | 0:00:59 | |
I'm so excited about this pie. | 0:00:59 | 0:01:04 | |
-And tantalising Tim's taste buds with this magnificent Victorian treat. -Oh, my lord. | 0:01:04 | 0:01:10 | |
In 1846, Victoria and Albert came to Hatfield House. | 0:01:15 | 0:01:19 | |
Victoria was 27 years old and had been on the throne for nine years. | 0:01:19 | 0:01:25 | |
Renowned as a great political and social centre, | 0:01:25 | 0:01:29 | |
Hatfield also had a very special connection to royalty. | 0:01:29 | 0:01:34 | |
You know, when it comes to Hatfield, Queen Victoria isn't the first queen that springs to mind | 0:01:34 | 0:01:39 | |
because nearly 300 years earlier, this was the home | 0:01:39 | 0:01:44 | |
to another celebrated queen, Elizabeth I. | 0:01:44 | 0:01:48 | |
She spent chunks of her childhood here, but, at the end of Elizabeth I's reign, it became home | 0:01:48 | 0:01:55 | |
to the earls and marquesses of Salisbury | 0:01:55 | 0:01:57 | |
and it's still their family home. | 0:01:57 | 0:01:59 | |
And it was the second marquess who was in residence when Queen Victoria and Albert came to stay. | 0:01:59 | 0:02:04 | |
But, by jingo, he did not have the easiest of times | 0:02:04 | 0:02:08 | |
getting ready for their visit, oh, no. | 0:02:08 | 0:02:11 | |
Victoria's advisers told the marquess two years before that she planned to come | 0:02:12 | 0:02:17 | |
and stay for two nights, but nothing was formally agreed | 0:02:17 | 0:02:20 | |
and in the end, confirmation of her visit only reached the marquess | 0:02:20 | 0:02:24 | |
just ten days before she actually arrived. | 0:02:24 | 0:02:27 | |
After all that waiting, the sudden panic. I can just imagine, which is my cue to find out | 0:02:27 | 0:02:35 | |
how those hasty preparations went on as I head downstairs. | 0:02:35 | 0:02:38 | |
And that's my cue to stay upstairs | 0:02:38 | 0:02:42 | |
and make sure that the arrangements for Victoria's arrival were set fair. | 0:02:42 | 0:02:47 | |
As Victoria and Albert travelled to Hatfield, they were greeted by well-wishers. | 0:02:50 | 0:02:57 | |
The Illustrated London News reports the scene as "truly exhilarating. | 0:02:57 | 0:03:02 | |
"Bands played and the streets were filled with groups of delighted and loyal people." | 0:03:02 | 0:03:07 | |
But not everything went according to plan. | 0:03:10 | 0:03:13 | |
As the royal carriage thundered towards the entrance, it was found | 0:03:13 | 0:03:16 | |
that the gates were locked and no-one could find the keys. | 0:03:16 | 0:03:21 | |
The Times newspaper reported that a last-minute panic ensued and just before | 0:03:21 | 0:03:26 | |
they rounded the corner, the gates had to be taken off their hinges. Oh, dear. | 0:03:26 | 0:03:30 | |
Now, as Victoria entered through this door, | 0:03:30 | 0:03:34 | |
all was calm and serene and regal. | 0:03:34 | 0:03:39 | |
The Royal Standard was flapping on the roof. | 0:03:39 | 0:03:42 | |
And the Queen was greeted here in what is called the armoury. | 0:03:42 | 0:03:48 | |
She was met by her host's two daughters, | 0:03:48 | 0:03:51 | |
Lady Mildred Hope, the eldest, and Lady Blanche Balfour, who, by all accounts, was a bit of a stunner. | 0:03:51 | 0:03:59 | |
Even Victoria said, "She was so pretty." | 0:03:59 | 0:04:04 | |
So far, so good, but the last-minute hullabaloo to get things ready | 0:04:04 | 0:04:09 | |
had prompted the marquess to write to the Queen in advance to ask | 0:04:09 | 0:04:13 | |
"that she and the prince will have the goodness | 0:04:13 | 0:04:15 | |
"to excuse any imperfections they may find in their reception." | 0:04:15 | 0:04:18 | |
Little wonder. | 0:04:18 | 0:04:21 | |
In the ten days that the house had to prepare before Queen Victoria | 0:04:21 | 0:04:26 | |
actually got to stand here, it was absolute chaos. | 0:04:26 | 0:04:31 | |
Iron gates had to be welded, gate piers repaired, furniture ordered, so much so that the marquess himself | 0:04:31 | 0:04:39 | |
took direct control, urging everything on, on, and he says, "with the greatest of vigour." | 0:04:39 | 0:04:47 | |
We know this detail, thanks to the Rev Arthur Starkey, the tutor to the Salisbury children. | 0:04:49 | 0:04:56 | |
The marquess himself asked the good reverend to record Victoria's visit and in his journal, he tells us, | 0:04:56 | 0:05:02 | |
"The time was so short, it was almost thought incredible that everything should be ready. | 0:05:02 | 0:05:09 | |
"All, however completed in time. | 0:05:09 | 0:05:12 | |
"Though with so little to spare, that the coverlet for the royal bed | 0:05:12 | 0:05:16 | |
"was only put in place as the royal carriages drove into the park." | 0:05:16 | 0:05:21 | |
And the family motto, sero sed serio, late, but earnest, must have felt rather appropriate. | 0:05:21 | 0:05:29 | |
No doubt, the Queen was blissfully unaware of the chaos as she moved through the house with her host. | 0:05:29 | 0:05:35 | |
Not only do we have Rev Starkey's journal of what was going on upstairs during the visit, | 0:05:36 | 0:05:42 | |
we also have the impressive accounts book that tells us what was going on downstairs, and boy, what a book! | 0:05:42 | 0:05:49 | |
Vicky Perry, the archivist, is going to tell me more. | 0:05:49 | 0:05:53 | |
This is the biggest account book I have ever seen. | 0:05:53 | 0:05:56 | |
Well, this is the account book dating from 1846, which shows | 0:05:56 | 0:06:01 | |
the household expenses, and we've got it open on the week of the royal visit. | 0:06:01 | 0:06:05 | |
So you can see along here are all the provisions | 0:06:05 | 0:06:08 | |
that were purchased and details of game that were caught that week as well. | 0:06:08 | 0:06:13 | |
Oh, fantastic, so let's look at some of this up here. | 0:06:13 | 0:06:16 | |
They had a ball and dinner on the Friday night, the 23rd of October, | 0:06:16 | 0:06:22 | |
and you can see that they fed 550 guests. | 0:06:22 | 0:06:25 | |
-That was a lot of people. -It was. -Take us through what they were having. | 0:06:25 | 0:06:29 | |
These show the provisions that were purchased for the visit, | 0:06:29 | 0:06:33 | |
so there were 709 bottles of wine that week. | 0:06:33 | 0:06:37 | |
They did enjoy their drink. | 0:06:37 | 0:06:38 | |
-It is more than one each. -That's more than one each! | 0:06:38 | 0:06:41 | |
And this shows the ox that they purchased and they roasted it outside for all the estate workers. | 0:06:41 | 0:06:46 | |
Amazing, they roasted a 96-stone ox in the grounds for the estate workers. | 0:06:46 | 0:06:52 | |
That's quite a barbecue. | 0:06:52 | 0:06:54 | |
But what was on the menu for the royal guests upstairs? | 0:06:54 | 0:06:58 | |
No menus have survived so we don't know exactly | 0:06:58 | 0:07:00 | |
what they ate during the royal visit, but we do have a few clues. | 0:07:00 | 0:07:04 | |
-Right. -Over the page...here, | 0:07:04 | 0:07:08 | |
the week before the visit, they spent £13 on turtle, | 0:07:08 | 0:07:12 | |
which would almost certainly have been made into turtle soup. | 0:07:12 | 0:07:16 | |
That was very popular, wasn't it? | 0:07:16 | 0:07:18 | |
It was very popular and it was a bit of a status symbol, too, turtle soup, because it was so expensive. | 0:07:18 | 0:07:23 | |
Expensive, and of course, nowadays, illegal. | 0:07:23 | 0:07:27 | |
I love this, the turtles came to £13/five/eight. | 0:07:27 | 0:07:32 | |
That would be an incredible £800 today. | 0:07:32 | 0:07:37 | |
Well, they certainly pulled all the stops out for Queen Victoria's visit. | 0:07:37 | 0:07:42 | |
They did, they spent over £1,200 during the week on food. | 0:07:42 | 0:07:46 | |
That's some food bill. In fact in today's money, that is over £70,000. | 0:07:46 | 0:07:54 | |
Ivan Day, our food historian, is in the kitchen | 0:07:54 | 0:07:58 | |
and has more clues about just what the royals would have eaten. | 0:07:58 | 0:08:02 | |
And it's not just the accounts book that reveals | 0:08:02 | 0:08:05 | |
what was on the royal table. | 0:08:05 | 0:08:07 | |
We have an amazing watercolour | 0:08:07 | 0:08:10 | |
of the dinner served on the second night of the visit, | 0:08:10 | 0:08:13 | |
which shows a very special game pie. | 0:08:13 | 0:08:16 | |
If you look at it very carefully, you will see | 0:08:16 | 0:08:19 | |
that it's actually emblazoned with the initials "V" and "A", | 0:08:19 | 0:08:23 | |
Victoria and Albert, and it was made certainly especially for the occasion. | 0:08:23 | 0:08:27 | |
And that's the dish we're going to make today. | 0:08:27 | 0:08:31 | |
Ivan's brought some amazing Victorian pie moulds to do the job. | 0:08:31 | 0:08:35 | |
Originally they used cardboard to do this | 0:08:35 | 0:08:38 | |
and the fashion was to have a pie that looked a bit like a corset. | 0:08:38 | 0:08:43 | |
-You see, it's waisted just like a Victorian corset. -Yes. | 0:08:43 | 0:08:47 | |
And amazingly, originally this cardboard corset you made to put round your pie | 0:08:47 | 0:08:52 | |
even had laces on the back to pull tight, so you got that shape. | 0:08:52 | 0:08:56 | |
But by the 1820s, they were making these things. | 0:08:56 | 0:08:58 | |
-They're beautiful, aren't they? -Yes, some of them are extraordinary. | 0:08:58 | 0:09:02 | |
'We get started using a special pastry which contains egg yolk to make it firm. | 0:09:02 | 0:09:08 | |
'Our game pie is known as a raised pie | 0:09:08 | 0:09:10 | |
'because the pastry holds it together rather than a pie dish. | 0:09:10 | 0:09:15 | |
'To start the lining, Ivan's cutting the pastry.' | 0:09:16 | 0:09:21 | |
OK, and we open it up like that | 0:09:21 | 0:09:24 | |
and what I'm going to do is I'm going to put some flour inside that | 0:09:24 | 0:09:29 | |
and then I'm going to put it down on here. | 0:09:29 | 0:09:32 | |
With the rolling pin, I'm going to knock it out and roll it | 0:09:34 | 0:09:40 | |
so that I can make a pocket. | 0:09:40 | 0:09:43 | |
By doing this, we can make kind of a wallet-shaped structure which we can then... | 0:09:43 | 0:09:50 | |
You see, it's got a nice hollow. We just put that inside to drop in. | 0:09:50 | 0:09:57 | |
then it's a case of drawing up the pastry. | 0:09:57 | 0:10:02 | |
'I think it's time for me to have a go.' | 0:10:02 | 0:10:05 | |
I'm just going to get another little tool that we need. | 0:10:05 | 0:10:09 | |
-Now, this is really being used just to flatten the base. -OK. | 0:10:12 | 0:10:16 | |
'As we toil away downstairs, | 0:10:18 | 0:10:20 | |
'Tim is still on the trail of Her Majesty as she was shown around the house.' | 0:10:20 | 0:10:27 | |
Upstairs, Victoria's tour continued. | 0:10:27 | 0:10:31 | |
She records in her journal that, having been in the armoury, she actually walked up this staircase. | 0:10:31 | 0:10:38 | |
And it's this staircase which so amply illustrates what a wonderful early Jacobean house Hatfield is. | 0:10:39 | 0:10:47 | |
This staircase was put in some 250 years before Victoria's visit. | 0:10:47 | 0:10:53 | |
But this rib-vaulted ceiling above me is much more modern. | 0:10:56 | 0:11:00 | |
And this was created in 1846 specifically for Victoria's visit by the second marquess | 0:11:00 | 0:11:08 | |
who wanted a decorative scheme that looked like the early Jacobean. | 0:11:08 | 0:11:13 | |
The marquess was keen to restore the Jacobean style throughout the house and had refurbished the east wing | 0:11:15 | 0:11:21 | |
to the tune of £1 million, | 0:11:21 | 0:11:24 | |
spurred on to complete it just before Victoria's visit in 1846. | 0:11:24 | 0:11:29 | |
The west wing had already been refurbished in the 1830s after a huge fire. | 0:11:29 | 0:11:35 | |
The story goes that the marquess's eccentric 80-year-old mother, known as Dowager Sal, | 0:11:35 | 0:11:42 | |
caused the blaze when her hair caught fire while writing by candlelight. | 0:11:42 | 0:11:47 | |
Needless to say, like the west wing, she didn't survive. | 0:11:47 | 0:11:52 | |
Back downstairs, in the kitchen, our pie is really coming together. | 0:11:52 | 0:11:57 | |
What we've got in here is a mixture of veal... | 0:11:57 | 0:12:01 | |
It's rose veal so it's not that veal that's been locked away in cages, it's perfectly humane. | 0:12:01 | 0:12:07 | |
A little bit of suet, some herbs. | 0:12:07 | 0:12:10 | |
Which gives it the moisture. | 0:12:10 | 0:12:12 | |
Got to have fat in there, fat is flavour, isn't it? | 0:12:12 | 0:12:15 | |
And what we're going to do with that is we're going to put about half an inch of it | 0:12:15 | 0:12:20 | |
in the base of the pie. | 0:12:20 | 0:12:22 | |
'This is going to be a game pie with many layers. | 0:12:22 | 0:12:26 | |
'I'll be brushing each layer with an egg yolk, and seasoning with salt, pepper, and nutmeg.' | 0:12:26 | 0:12:32 | |
This egg yolk will stick everything together. | 0:12:32 | 0:12:35 | |
-Right. -So the next thing is to put in a couple of these chicken breasts. | 0:12:35 | 0:12:40 | |
'This is followed by another layer of the strongly-seasoned ground veal or forcemeat.' | 0:12:40 | 0:12:46 | |
The next layer is the venison. | 0:12:47 | 0:12:51 | |
'We know from the huge accounts book that haunches of venison were indeed | 0:12:51 | 0:12:56 | |
'purchased for the visit and were likely used in the pie. | 0:12:56 | 0:13:00 | |
'It's not just meat that goes into the pie, | 0:13:00 | 0:13:04 | |
'cooked egg yolks are brushed with raw egg, rolled in parsley, | 0:13:04 | 0:13:08 | |
'and buried in the middle of the many layers.' | 0:13:08 | 0:13:11 | |
-It's beautiful. -They remind me of little furry critters. | 0:13:13 | 0:13:16 | |
They do, they're lovely. | 0:13:16 | 0:13:18 | |
Green aliens. | 0:13:18 | 0:13:21 | |
These sort of pies, you know, everyone thinks they were sliced down the middle, but they weren't. | 0:13:21 | 0:13:26 | |
They used to take the lids off them and then cut the meat up. | 0:13:26 | 0:13:30 | |
'I think I'll stick to slicing, it seems a shame not to try the pastry too.' | 0:13:30 | 0:13:35 | |
We top this with a layer of pigeon breast and another layer of veal. | 0:13:36 | 0:13:42 | |
-To cook this, you'd have to cook it on quite a low heat to keep it nice and moist. -Yes, that's right. | 0:13:42 | 0:13:47 | |
It would have been put in when the oven was quite low, in modern terms you're probably talking about 150. | 0:13:47 | 0:13:54 | |
We are finishing our pie with a layer of pheasant breast brushed with egg and seasoned. | 0:13:55 | 0:14:00 | |
They did love their meat, those Victorians. | 0:14:00 | 0:14:03 | |
There we go, OK, perfect. | 0:14:03 | 0:14:05 | |
The last thing | 0:14:05 | 0:14:08 | |
is to just get this little thin layer of forcemeat on top, | 0:14:08 | 0:14:14 | |
and then we're ready to put the lid on. | 0:14:14 | 0:14:17 | |
Back upstairs, the efforts of the marquess to impress his royal guests were clear. | 0:14:20 | 0:14:26 | |
Lord Salisbury definitely wanted this place to look at its best | 0:14:26 | 0:14:29 | |
for Victoria's visit though, | 0:14:29 | 0:14:32 | |
and shortly before she came here, he went out and he acquired a magnificent series | 0:14:32 | 0:14:39 | |
of four tapestries, | 0:14:39 | 0:14:41 | |
which were woven by Ralph Sheldon in the Sheldon tapestry works around 1611, | 0:14:41 | 0:14:48 | |
more or less exactly the right period for the building of this house. | 0:14:48 | 0:14:54 | |
Imagine trying to find something THIS special at such short notice. | 0:14:54 | 0:14:59 | |
But one piece that wasn't bought in is this magnificent table. | 0:14:59 | 0:15:04 | |
It is the origin of the sideboard, literally one enormous board of oak | 0:15:04 | 0:15:11 | |
laid on some trestle-type bases and made around about the time of the house, about 1600. | 0:15:11 | 0:15:18 | |
And here it would have sat, groaning with food for Victoria's luncheon. | 0:15:18 | 0:15:24 | |
And when it came to dining, the marquess had a trick or two up his sleeve for impressing the Queen | 0:15:24 | 0:15:31 | |
because Victoria in her journal notes, "Lady Mildred brought in | 0:15:31 | 0:15:35 | |
"the coffee after dinner and Lord Salisbury did the same for Albert." | 0:15:35 | 0:15:40 | |
So no servants served the coffee, the marquess did it himself. | 0:15:40 | 0:15:46 | |
I bet he didn't brew it though. | 0:15:46 | 0:15:48 | |
Meanwhile, back downstairs, it's time to put the lid on our pie. | 0:15:50 | 0:15:54 | |
'At the time of the visit, the man responsible for making this pie would've been a French chef, | 0:15:54 | 0:16:00 | |
'Casimir Tessier, who began working for the second Marquess of Salisbury a couple of years earlier. | 0:16:00 | 0:16:07 | |
'He was paid almost £40,000 a year in today's money and would have been expected | 0:16:07 | 0:16:12 | |
'to produce interesting delicacies with many seasonings and flavours. | 0:16:12 | 0:16:17 | |
'Cooking for Victoria was the highlight of his career.' | 0:16:17 | 0:16:20 | |
Now, this is the dodgiest bit of all | 0:16:20 | 0:16:23 | |
because we have got to get those two sheets | 0:16:23 | 0:16:26 | |
to join together perfectly, | 0:16:26 | 0:16:29 | |
-and in order to do that, we use one of these things. -Which is called? | 0:16:29 | 0:16:36 | |
-A pastry jagger. -Oh, jagger, OK. | 0:16:36 | 0:16:39 | |
And these little marks we make are known as crinklecranks | 0:16:39 | 0:16:43 | |
actually, they were called crinklecranks so there's a word for you. | 0:16:43 | 0:16:47 | |
So we crinklecrank | 0:16:47 | 0:16:49 | |
around the pie to really seal the pastry. It's important that our filling doesn't leak. | 0:16:49 | 0:16:55 | |
If we don't get this right, the pie will be ruined. | 0:16:55 | 0:16:58 | |
And a vent hole allows the steam to escape, we don't want our pie to explode. | 0:16:58 | 0:17:05 | |
-What do we do now? -Well, we're going to ornament it, which is very important. | 0:17:05 | 0:17:11 | |
What I've got here is what is called a pie board. | 0:17:11 | 0:17:15 | |
-Now, you won't have seen one of these before. -I haven't. | 0:17:15 | 0:17:17 | |
They're amazingly rare. So I'm going to show you | 0:17:17 | 0:17:21 | |
how to make the leaves. I'm going to cut out two leaf shapes, | 0:17:21 | 0:17:26 | |
if you'd like to take that one. | 0:17:26 | 0:17:29 | |
'This time-consuming Victorian ornamentation | 0:17:29 | 0:17:33 | |
'could only be achieved because of the huge numbers of staff in the kitchen.' | 0:17:33 | 0:17:38 | |
Now, the thing is, in order to ornament this very large pie, | 0:17:38 | 0:17:41 | |
-we're going to need about 60 of those. -Right. | 0:17:41 | 0:17:44 | |
'Fortunately, Ivan's already been busy.' | 0:17:44 | 0:17:46 | |
What we've got to do is to wet | 0:17:46 | 0:17:48 | |
the whole pie lid. | 0:17:48 | 0:17:52 | |
'A pie like this would have been a real collaborative effort on the part of the servants. | 0:17:52 | 0:17:57 | |
'The gamekeeper would have caught the game, the housemaids would have plucked it, the housekeeper | 0:17:57 | 0:18:01 | |
'would have been in charge of the pastry, and the chef would have been responsible for the filling.' | 0:18:01 | 0:18:07 | |
Now, Ivan, I'm so excited about this pie, I cannot tell you. | 0:18:07 | 0:18:13 | |
This is incredible. | 0:18:13 | 0:18:15 | |
After lunch on the second day of the visit, | 0:18:20 | 0:18:24 | |
Albert couldn't wait to get out onto the estate to do some shooting. | 0:18:24 | 0:18:28 | |
Victoria herself paid little attention to this event, | 0:18:28 | 0:18:31 | |
she simply says in her diary, "Albert went out shooting." | 0:18:31 | 0:18:34 | |
But you wait till you hear what our Rev Starkey has to say about it. | 0:18:34 | 0:18:39 | |
Well, for a kick-off there's the party itself. | 0:18:39 | 0:18:42 | |
We've got the prince, we've got the Marquess of Salisbury, | 0:18:42 | 0:18:45 | |
we've got the Marquess of Exeter, we've got the Duke of Wellington - | 0:18:45 | 0:18:49 | |
he of Waterloo fame - | 0:18:49 | 0:18:51 | |
we've got Earl Spencer. | 0:18:51 | 0:18:53 | |
So it's a pretty top-notch party and it would appear | 0:18:53 | 0:18:57 | |
that they were pretty serious about their business too. | 0:18:57 | 0:19:00 | |
Rev Starkey states that "Albert had four guns, | 0:19:02 | 0:19:06 | |
"more guns on this occasion than he had ever had before." | 0:19:06 | 0:19:09 | |
DOG BARKS | 0:19:09 | 0:19:11 | |
Quite barking. | 0:19:11 | 0:19:12 | |
The whole head of game killed was as follows, | 0:19:16 | 0:19:20 | |
the Rev continues, "Lord Spencer - 80; Lord Exeter - 50; | 0:19:20 | 0:19:25 | |
"Lord John Russell - 30; the Duke of Wellington - 16; | 0:19:25 | 0:19:29 | |
"Prince Albert, 150 head, being at a rate of a head of game per minute | 0:19:29 | 0:19:36 | |
"for the whole time he was out." | 0:19:36 | 0:19:39 | |
Hah, double the bag of anybody else. He was machine-gunning them down. | 0:19:39 | 0:19:44 | |
While the privileges of the royals and their pals were unending, | 0:19:47 | 0:19:51 | |
below stairs, the harsh realities of life could also be unending. | 0:19:51 | 0:19:56 | |
One servant's tale at Hatfield reads like a storyline from a costume drama. | 0:19:56 | 0:20:02 | |
Vicky Perry is going to tell me more. | 0:20:02 | 0:20:04 | |
One of the most interesting things that we have in the archives | 0:20:04 | 0:20:07 | |
is a series of letters from John Mott who was the porter at the time of the royal visit. | 0:20:07 | 0:20:13 | |
He'd worked here for about 18 years at that time, but, in 1848, he was sacked | 0:20:13 | 0:20:18 | |
-after he was accused of stealing beer from the marquess. -No! | 0:20:18 | 0:20:23 | |
What does he say? | 0:20:23 | 0:20:25 | |
In this letter, he says, "I have nothing, but poverty and distress before my eyes. | 0:20:25 | 0:20:29 | |
"I have now my wife on the bed of sickness and son out of employ, and nothing to help myself with. | 0:20:29 | 0:20:35 | |
"I do hope, my lord, that you will take it into your consideration and not send me away so disgraced." | 0:20:35 | 0:20:40 | |
Oh, that is really... | 0:20:40 | 0:20:42 | |
That's really quite sad. | 0:20:42 | 0:20:44 | |
He did write a few letters to the second marquess claiming | 0:20:44 | 0:20:49 | |
that he didn't steal the beer and he says here, | 0:20:49 | 0:20:52 | |
"I have served your lordship upwards of 21 years and to be | 0:20:52 | 0:20:56 | |
"disgraced to leave your lordship for a fault I'm not guilty of, it is too much for me to bear." | 0:20:56 | 0:21:01 | |
So when the second marquess replied to his letter he said, "I am exceedingly sorry | 0:21:01 | 0:21:07 | |
"that it is impossible for me to requite you of any guilt in the pilfering of which I complained." | 0:21:07 | 0:21:13 | |
And we do know from the letters that he never managed to find another job and died in poverty in London. | 0:21:13 | 0:21:19 | |
So just two years after Victoria's visit, the porter was sacked. | 0:21:19 | 0:21:24 | |
What a hard life if you fell out of favour below stairs. | 0:21:24 | 0:21:27 | |
Back out in the grounds, | 0:21:30 | 0:21:31 | |
Prince Albert put down his gun and joined his wife for a romantic tour | 0:21:31 | 0:21:35 | |
of the grounds in a phaeton, a small carriage built for two. | 0:21:35 | 0:21:41 | |
Victoria and Albert's destination on their carriage drive was this spot. | 0:21:41 | 0:21:47 | |
You have to imagine that Victoria would have had a frisson | 0:21:47 | 0:21:50 | |
of excitement, a little tingling of the spine when she arrived here because it's extremely special. | 0:21:50 | 0:21:57 | |
In 1558, nearly 300 years to the day before Victoria's visit, | 0:21:57 | 0:22:03 | |
the then Princess Elizabeth, | 0:22:03 | 0:22:06 | |
the 25-year-old daughter of Henry VIII | 0:22:06 | 0:22:09 | |
and Anne Boleyn, discovered that she was to become Queen Elizabeth. | 0:22:09 | 0:22:15 | |
The great oak under which Elizabeth sat when she received | 0:22:15 | 0:22:19 | |
this momentous news was still alive during Victoria's visit, but only just. | 0:22:19 | 0:22:24 | |
This picture in the Illustrated London News shows it on its last legs. | 0:22:24 | 0:22:28 | |
Victoria was given the only acorn that could be found on the tree | 0:22:28 | 0:22:32 | |
before it died, but her gardeners were unable to propagate it. | 0:22:32 | 0:22:37 | |
The oak that's here today is thanks to another monarch. | 0:22:37 | 0:22:42 | |
And there's one final chapter that relates to this replacement tree, | 0:22:42 | 0:22:47 | |
planted 25 years ago in 1985 by Queen Elizabeth II. | 0:22:47 | 0:22:54 | |
Three incredible monarchs reigning for more than 150 years between them, | 0:22:54 | 0:22:59 | |
linked by their femininity, Hatfield House, and a tree. | 0:22:59 | 0:23:05 | |
Back downstairs, the moment of truth has arrived. | 0:23:05 | 0:23:09 | |
Ivan, the moment has come. | 0:23:09 | 0:23:11 | |
-Yes, it's a bit like unveiling a statue. -It is. | 0:23:11 | 0:23:14 | |
I cut the string and... | 0:23:14 | 0:23:18 | |
It's been cooling down for about two hours, so if I get this pin out... | 0:23:18 | 0:23:23 | |
..we can then gently reveal... | 0:23:25 | 0:23:30 | |
-..our pie! -Fantastic! | 0:23:32 | 0:23:36 | |
That is fabulous! | 0:23:36 | 0:23:41 | |
Absolutely fantastic! | 0:23:41 | 0:23:44 | |
Well, I can't wait to take this to Tim. | 0:23:44 | 0:23:48 | |
The pie was served at what was to be the climax of the Queen's day | 0:23:48 | 0:23:52 | |
at Hatfield, as these pictures show. | 0:23:52 | 0:23:55 | |
On the second and final night of Victoria's visit, | 0:23:57 | 0:24:02 | |
dinner was served at 8pm. Meanwhile, up here in the gallery, | 0:24:02 | 0:24:06 | |
the preparations were being made for a ball that was to follow. | 0:24:06 | 0:24:12 | |
A great number of additional guests gathered, so much so that when Victoria ascended to the gallery, | 0:24:12 | 0:24:20 | |
there was a crowd of some 300 people to greet her to the strains of God Save The Queen. | 0:24:20 | 0:24:27 | |
The dancing commenced at 9pm and, as Rev Starkey's account records, | 0:24:30 | 0:24:36 | |
"it did not abate until 1am." In short, they had a rave-up. | 0:24:36 | 0:24:42 | |
Queen Victoria did the diplomatic thing and had the first dance | 0:24:42 | 0:24:47 | |
with her host Lord Salisbury, whilst Prince Albert, as Starkey | 0:24:47 | 0:24:53 | |
rather amusingly recorded, had his first dance with Salisbury's daughter, Lady Blanche. | 0:24:53 | 0:25:00 | |
After all, Victoria had recorded that Blanche was a bit of eye candy. | 0:25:00 | 0:25:07 | |
I'm not surprised the guests were able to stay up late and dance the night away, they had the most | 0:25:07 | 0:25:12 | |
amazing food and plenty of it, and there's plenty for Tim and me too. | 0:25:12 | 0:25:18 | |
Here's Rosemary. Gosh, that looks heavy. | 0:25:18 | 0:25:20 | |
Now, this is... | 0:25:20 | 0:25:22 | |
-quite weighty. -That's a pie. | 0:25:22 | 0:25:26 | |
-Well, it IS a pie. -Tell me about it. | 0:25:26 | 0:25:29 | |
This is a raised pie that Queen Victoria would have eaten, | 0:25:29 | 0:25:33 | |
incredibly ornate, absolutely beautiful, and there is so much in it. | 0:25:33 | 0:25:39 | |
Now, what I'm going to do, before I'd tell you what is in it, I'm going to open it up. | 0:25:39 | 0:25:45 | |
Are any blackbirds going to get out? | 0:25:45 | 0:25:47 | |
Well, that remains to be seen, Tim. | 0:25:47 | 0:25:49 | |
I'm going to move that little decorative rose there | 0:25:49 | 0:25:52 | |
and what I'm going to do, I'm literally going to saw through it. | 0:25:52 | 0:25:56 | |
Oh, this is a moment. | 0:25:56 | 0:25:58 | |
It certainly is. | 0:25:58 | 0:26:00 | |
It's like a chainsaw massacre, isn't it? | 0:26:00 | 0:26:02 | |
Can I hold the board for you because you've got to get through that bottom bit? | 0:26:02 | 0:26:06 | |
-Really, it's like the last bit of a log you're doing. -Yeah. | 0:26:06 | 0:26:10 | |
OK, now... | 0:26:10 | 0:26:11 | |
Now, that is beautiful. | 0:26:15 | 0:26:20 | |
It's got veal forcemeat, | 0:26:20 | 0:26:22 | |
it's got chicken, it's got pheasant, it's got pigeon, it's got venison, | 0:26:22 | 0:26:28 | |
all layered up with a lovely egg yolk covered in parsley. So what I'm going to do now, I'm just going to slice. | 0:26:28 | 0:26:33 | |
Look at that jelly. | 0:26:33 | 0:26:36 | |
Can it be quite a big piece, please? | 0:26:36 | 0:26:38 | |
SHE LAUGHS | 0:26:38 | 0:26:40 | |
It's the only way to do this, I'm going to take it like this, | 0:26:40 | 0:26:44 | |
pop it on your plate there. | 0:26:44 | 0:26:46 | |
That's lovely. Oh, yes, look at that. | 0:26:46 | 0:26:48 | |
Would you like to have a little bit of condiments? This is horseradish. | 0:26:48 | 0:26:51 | |
-I love horseradish. -This is a sweet plum. | 0:26:51 | 0:26:54 | |
A bit of horseradish. | 0:26:54 | 0:26:56 | |
So I'm going to just take it au naturel to begin with. | 0:26:56 | 0:27:00 | |
Does it get the seal of approval? | 0:27:02 | 0:27:04 | |
That is delicious. | 0:27:04 | 0:27:08 | |
I'll have that little morsel. | 0:27:08 | 0:27:09 | |
Oh, my lord. | 0:27:12 | 0:27:14 | |
Mm-mmm. | 0:27:15 | 0:27:18 | |
But there is one last story that our Rev Starkey observed | 0:27:18 | 0:27:24 | |
and that was there was a great furore because | 0:27:24 | 0:27:28 | |
somebody, after she got up from the table, nicked one of the glasses | 0:27:28 | 0:27:34 | |
that she had drunk from, so keen were they to have a royal memento at the end of this supper party. | 0:27:34 | 0:27:41 | |
Of course Her Majesty didn't nick any mementoes from the house to remind her of her visit, but we do know | 0:27:41 | 0:27:47 | |
that she left something behind - | 0:27:47 | 0:27:50 | |
gifts of gold bracelets for her host's two daughters wishing them well. | 0:27:50 | 0:27:55 | |
According to Rev Starkey, the trip had been a great success, commenting as Victoria left | 0:27:55 | 0:28:02 | |
that "she was in the highest health and spirits during the whole time." | 0:28:02 | 0:28:06 | |
Join us tomorrow on Royal Upstairs Downstairs at Castle Howard, where the royal couple's | 0:28:08 | 0:28:13 | |
high spirits were tempered by their eldest son and heir, naughty Bertie, | 0:28:13 | 0:28:18 | |
but also lifted by their fabulous surroundings. | 0:28:18 | 0:28:21 | |
You can imagine that titchy Queen Victoria coming into this entrance hall | 0:28:21 | 0:28:26 | |
and literally standing gaping. | 0:28:26 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:53 | |
E-mail [email protected] | 0:28:53 | 0:28:56 |