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Just what do you have to do when a queen decides she's going to pop in to see you? | 0:00:02 | 0:00:06 | |
And not just any old queen - Victoria. | 0:00:06 | 0:00:10 | |
Like a pair of obsessed Victoria groupies, | 0:00:10 | 0:00:13 | |
we're pursuing her around the country to the posh pads she visited. | 0:00:13 | 0:00:17 | |
We'll be delving into her personal diaries to reveal what happened behind closed doors. | 0:00:17 | 0:00:23 | |
And today, one of the largest and most easily recognisable houses in the north of England, Castle Howard. | 0:00:23 | 0:00:31 | |
She came here in 1850 when she'd been queen for 13 years. | 0:00:31 | 0:00:35 | |
And as someone who has spent a lifetime getting excited by antiques, I'll be exploring upstairs | 0:00:37 | 0:00:42 | |
looking for things that would have impressed Victoria on her visit here. | 0:00:42 | 0:00:47 | |
What a dome. | 0:00:47 | 0:00:49 | |
And as a chef who is passionate about food, I'll be getting a flavour of life below stairs, | 0:00:49 | 0:00:53 | |
creating another 19th-Century recipe that was served to Victoria... | 0:00:53 | 0:00:57 | |
That is so strong. | 0:01:00 | 0:01:03 | |
'And trying to tantalise Tim's taste buds...' | 0:01:03 | 0:01:07 | |
Absolutely marvellous. | 0:01:07 | 0:01:09 | |
In our journey following in the footsteps of Victoria, | 0:01:14 | 0:01:18 | |
we've arrived in the summer of 1850 | 0:01:18 | 0:01:21 | |
when she and Prince Albert were asked to stay here | 0:01:21 | 0:01:25 | |
in the fabulous home of the Howard family. | 0:01:25 | 0:01:29 | |
It was August and the royal family stopped here for two nights | 0:01:29 | 0:01:34 | |
on their way to Scotland for a summer break at Balmoral. | 0:01:34 | 0:01:38 | |
The 31-year-old queen was mother to seven children and she brought the eldest four with her. | 0:01:41 | 0:01:48 | |
Castle Howard is still owned by the Howard family. | 0:01:48 | 0:01:52 | |
They've been here for 300 years. | 0:01:52 | 0:01:54 | |
The man in the driving seat for Victoria | 0:01:54 | 0:01:57 | |
was George William Howard, | 0:01:57 | 0:01:59 | |
otherwise known as the 7th Earl of Carlisle. | 0:01:59 | 0:02:03 | |
The Earl was a close friend and confidante of the royal couple | 0:02:03 | 0:02:06 | |
and had suggested Victoria stop off at Castle Howard during one of his regular visits to Buckingham Palace. | 0:02:06 | 0:02:13 | |
Well, it's time for me now to go downstairs to see how the staff coped. | 0:02:16 | 0:02:20 | |
And as usual, I'm heading upstairs to see how the aristos were getting on. | 0:02:20 | 0:02:25 | |
Victoria and Albert came to Castle Howard in Yorkshire from London. | 0:02:25 | 0:02:31 | |
They arrived on a steam train that left from Euston Station | 0:02:31 | 0:02:37 | |
and this was the furthest north she had ever travelled by train. | 0:02:37 | 0:02:41 | |
This form of transport was still pretty new, but thanks to their host's interest in railways | 0:02:43 | 0:02:49 | |
they were almost dropped at the door because he had just opened Castle Howard's own station. | 0:02:49 | 0:02:55 | |
This picture in the Illustrated London News shows the royal party alighting. | 0:02:55 | 0:02:59 | |
No longer operating as a station, it's now a private house, but looks just like it did in Victoria's time. | 0:02:59 | 0:03:06 | |
They travelled the final two miles to Castle Howard by horse and carriage, a real clash of the old and the new. | 0:03:06 | 0:03:13 | |
In her diary, the 31-year-old queen recalls the moment she arrived that evening. | 0:03:14 | 0:03:19 | |
"We reached the house at half past six. It is a magnificent building." | 0:03:19 | 0:03:24 | |
The Earl recalls that as the carriage stopped, | 0:03:24 | 0:03:27 | |
he had to let down its steps himself, there being no-one else to do it. | 0:03:27 | 0:03:32 | |
Who knows if the queen was amused by her host's sudden demotion to footman, | 0:03:32 | 0:03:38 | |
but she certainly would have been impressed on entering one of Britain's most beautiful houses. | 0:03:38 | 0:03:42 | |
Wow, what a space. | 0:03:46 | 0:03:48 | |
So this is where Queen Victoria met the assembled dignitaries, | 0:03:53 | 0:03:56 | |
most notably the Earl's mother, the Countess of Carlisle. | 0:03:56 | 0:04:01 | |
The Earl remained unmarried throughout his life and was devoted to his old mum. | 0:04:01 | 0:04:07 | |
In 1700, Sir John Vanbrugh was the man tasked with designing and building Castle Howard. | 0:04:07 | 0:04:15 | |
But the scream is he had never designed or built any other building. | 0:04:17 | 0:04:22 | |
He was helped by Nicholas Hawksmoor, a leading architect who had worked | 0:04:24 | 0:04:28 | |
with Sir Christopher Wren, he of St Paul's cathedral fame, with its iconic dome. | 0:04:28 | 0:04:34 | |
And those connections explain why Castle Howard was the first | 0:04:34 | 0:04:38 | |
private house in the country to feature a dome. | 0:04:38 | 0:04:42 | |
What a dome. | 0:04:42 | 0:04:44 | |
And you can imagine that titchy Queen Victoria | 0:04:47 | 0:04:50 | |
coming into this entrance hall and literally standing, gaping, | 0:04:50 | 0:04:55 | |
taking in this extraordinary space. | 0:04:55 | 0:04:59 | |
And the Earl, of course, would want to show it off to best advantage | 0:04:59 | 0:05:03 | |
and I'm going to go and have a closer look. | 0:05:03 | 0:05:06 | |
From the very top of the house to the bottom, | 0:05:06 | 0:05:10 | |
where our historical food expert and chef Ivan Day is starting to prepare our Victorian dish of the day. | 0:05:10 | 0:05:17 | |
The kitchens at Castle Howard were destroyed in a fire in the 1940s, | 0:05:17 | 0:05:21 | |
but that's not going to stop us from creating another amazing dish. | 0:05:21 | 0:05:27 | |
So what are we making today? | 0:05:27 | 0:05:29 | |
We're going to make a dish which is called a salad of grouse a la Soyer. | 0:05:29 | 0:05:36 | |
Alexis Soyer, a celebrated chef, was invited by the Earl to cook | 0:05:36 | 0:05:40 | |
the ball supper for Victoria's visit to Castle Howard in 1850. | 0:05:40 | 0:05:45 | |
And this was his signature dish. | 0:05:45 | 0:05:48 | |
He won a competition in Paris with this salad. | 0:05:48 | 0:05:51 | |
Let's hope we can do it justice. | 0:05:51 | 0:05:54 | |
-Soyer instructs us to make a sauce first of all. -Mm-hm. | 0:05:54 | 0:05:59 | |
And I've got a couple of egg yolks in the bowl here. | 0:05:59 | 0:06:02 | |
-Right. -And what I'd like you to do is whisk those up for me... -Yes. | 0:06:02 | 0:06:08 | |
While I pour in, very slowly... | 0:06:08 | 0:06:13 | |
some olive oil. Just a little bit at a time, | 0:06:13 | 0:06:16 | |
just a steady, very tiny stream like that. | 0:06:16 | 0:06:20 | |
'First, we're making the dressing for the salad. | 0:06:22 | 0:06:26 | |
'It seems a bit like mayonnaise at this stage. | 0:06:26 | 0:06:29 | |
'This is hard work. | 0:06:32 | 0:06:34 | |
'I think Ivan's got the easy job.' | 0:06:34 | 0:06:37 | |
-Today we'd use an electric whisk I think, if you were at home. -We'd plug you in. Come on. | 0:06:37 | 0:06:43 | |
'If you think that's hard work, Rosemary, you should try these stairs.' | 0:06:48 | 0:06:52 | |
Oh! | 0:06:52 | 0:06:54 | |
Welcome to Castle Howard's dome. | 0:06:54 | 0:06:57 | |
Who's got the oxygen? | 0:06:57 | 0:06:59 | |
Not many people make it up here | 0:06:59 | 0:07:01 | |
and I tell you for one I am not going to get too close to this edge | 0:07:01 | 0:07:07 | |
with its vertiginous drop down to the great hall. | 0:07:07 | 0:07:10 | |
Ooh! Look at that. | 0:07:10 | 0:07:13 | |
On the evening of Victoria's arrival, | 0:07:16 | 0:07:18 | |
they had a pre-dinner reception down there in the great hall | 0:07:18 | 0:07:23 | |
and much to the amazement of the monarch and all the guests, | 0:07:23 | 0:07:28 | |
the Earl had arranged up here in the dome a coup de theatre. | 0:07:28 | 0:07:33 | |
He had had no less than 2,000 tiny gas lamps applied to the inside | 0:07:33 | 0:07:41 | |
of this banister all the way round, that when lit, | 0:07:41 | 0:07:44 | |
spelt out the words God Save The Queen... | 0:07:44 | 0:07:49 | |
..as this picture from the Illustrated London News shows. | 0:07:51 | 0:07:55 | |
There was even a valve that adjusted the brightness so as the guests left | 0:07:58 | 0:08:02 | |
the reception below and headed to dinner, the lights went down | 0:08:02 | 0:08:07 | |
and when they came out from dinner, as if by magic, by turning the valve, up came the lights. | 0:08:07 | 0:08:15 | |
Positively environmental, what? | 0:08:15 | 0:08:18 | |
And I'm still being environmental with my hand whisk. | 0:08:21 | 0:08:25 | |
Now look, that's absolutely perfect. | 0:08:25 | 0:08:27 | |
It's a wonderful unctuous ointment. | 0:08:27 | 0:08:30 | |
-Yes. -A lovely emulsion, isn't it? | 0:08:30 | 0:08:32 | |
-Beautiful colour, too. -Looks great. | 0:08:32 | 0:08:34 | |
To our salad dressing we add salt, pepper and sugar. | 0:08:34 | 0:08:39 | |
And once that's mixed in, we add the herbs and shallots. | 0:08:41 | 0:08:46 | |
-Two tablespoonfuls... -Yes. | 0:08:46 | 0:08:49 | |
Of the chervil, the tarragon and the shallots. | 0:08:49 | 0:08:51 | |
How delicious. | 0:08:51 | 0:08:54 | |
And we're just going to put those into the bowl. | 0:08:54 | 0:08:57 | |
Look at this. | 0:09:01 | 0:09:02 | |
What a delicious herbal mixture and what a lovely colour, I mean, that's wonderful. | 0:09:02 | 0:09:07 | |
Monsieur Soyer instructs us to put the mixture on ice. | 0:09:09 | 0:09:13 | |
And there is one rather surprising ingredient to add - two tablespoons of chilli vinegar. | 0:09:13 | 0:09:19 | |
This recipe sounds rather contemporary, doesn't it? | 0:09:19 | 0:09:23 | |
It sounds very modern indeed. | 0:09:23 | 0:09:25 | |
Soyer actually said that he didn't think this dish was suitable | 0:09:25 | 0:09:29 | |
for the ladies because of the strength of the shallot | 0:09:29 | 0:09:33 | |
and I think the fieriness of the chilli vinegar. | 0:09:33 | 0:09:36 | |
Well, THIS lady likes it! | 0:09:37 | 0:09:39 | |
That's lovely. It really is special. | 0:09:41 | 0:09:43 | |
That is delicious. The sauce will stand on ice until we're ready to add the final ingredient. | 0:09:43 | 0:09:49 | |
Castle Howard was finished in 1811, just 39 years before Victoria's visit. | 0:09:51 | 0:09:57 | |
It had taken over 100 years to complete and work in the garden was still ongoing. | 0:10:00 | 0:10:06 | |
The current owner, Simon Howard, has agreed to tell me more. | 0:10:08 | 0:10:12 | |
Well, Simon, on the face of it, this looks to be an immensely grand room. | 0:10:14 | 0:10:19 | |
Is it thought that Victoria slept in this suite of rooms? | 0:10:19 | 0:10:23 | |
Well, we're certain she did. After all, we do have the record of the queen's visit | 0:10:23 | 0:10:28 | |
and here it says, the Queen and Prince in the green room, | 0:10:28 | 0:10:31 | |
the blue room and, of course, in the high saloon. | 0:10:31 | 0:10:33 | |
And they used this room which was a wonderful painted salon - | 0:10:33 | 0:10:37 | |
it was painted by Pellegrini in the original 18th-Century decoration. | 0:10:37 | 0:10:42 | |
Either side you have the bedrooms and, of course, | 0:10:42 | 0:10:45 | |
Prince Albert and the Queen would have used this room as a sitting room | 0:10:45 | 0:10:49 | |
and also for their dinners, lunches, breakfasts "a deux" rather than when they were with the whole family. | 0:10:49 | 0:10:56 | |
There were at least 14 members in the royal party's entourage, | 0:10:56 | 0:11:00 | |
including the Earl's sister, the Duchess of Southerland, | 0:11:00 | 0:11:03 | |
who was mistress of the wardrobe, and 15 other attendant servants such as governesses | 0:11:03 | 0:11:09 | |
and maids for the children and although Castle Howard looks enormous, | 0:11:09 | 0:11:13 | |
accommodation was surprisingly tight. | 0:11:13 | 0:11:16 | |
Would accommodating them have been a problem? | 0:11:16 | 0:11:18 | |
Well, it is extraordinary, how they managed to sleep them all I don't know, | 0:11:18 | 0:11:22 | |
but at the moment we could sleep 32 in the house if we tried. | 0:11:22 | 0:11:25 | |
It'd be a squash and I don't think we've got a dining room | 0:11:25 | 0:11:28 | |
big enough for them but even so, there were 16 bedrooms here. | 0:11:28 | 0:11:32 | |
Notably actually, the Earl of Carlisle stayed in | 0:11:32 | 0:11:35 | |
his own apartment, so he wasn't being kicked out of his room. | 0:11:35 | 0:11:38 | |
But quite a lot of rearranging anyway to get them all in and get them all comfy. | 0:11:38 | 0:11:44 | |
I would agree with that and I think the organisation | 0:11:44 | 0:11:47 | |
would have been tremendous and it would be today as well. | 0:11:47 | 0:11:50 | |
If one was to have the Queen or the Prince of Wales to stay | 0:11:50 | 0:11:53 | |
you have quite a large entourage following on. | 0:11:53 | 0:11:55 | |
Simon, the view is absolutely marvellous, but was the fountain here when Victoria was staying? | 0:11:55 | 0:12:03 | |
No, it wasn't. We think it was about to be constructed or they may have even had some | 0:12:03 | 0:12:08 | |
of the work going on, it may have been pegged out, we're not sure. | 0:12:08 | 0:12:11 | |
But ultimately, what happened was Nesfield, | 0:12:11 | 0:12:14 | |
having designed this fountain, put it in, it was completed about 1853, | 0:12:14 | 0:12:19 | |
and indeed we have a letter here from him to the Earl of Carlisle talking about doing some testing. | 0:12:19 | 0:12:26 | |
You must have a look at it. | 0:12:26 | 0:12:28 | |
Look at that. So it's dated October '53. | 0:12:28 | 0:12:31 | |
"My Lord..." I love it, don't you? | 0:12:31 | 0:12:33 | |
"The fountain is reported as being all ready." | 0:12:33 | 0:12:38 | |
This is having spent how much? | 0:12:38 | 0:12:40 | |
Rather a lot. In fact he went way over budget, but then that's normal these days too, isn't it? | 0:12:40 | 0:12:45 | |
But I think that's so sweet though, to do your own little ink drawing of the Atlas Fountain, and there it is. | 0:12:45 | 0:12:51 | |
I mean, it is what we see now, isn't it? | 0:12:51 | 0:12:53 | |
And it still works. | 0:12:53 | 0:12:55 | |
The Earl not only made the royals comfortable in his home, | 0:12:57 | 0:13:00 | |
but as a discreet friend, he made them feel comfortable talking about their eldest son, | 0:13:00 | 0:13:05 | |
Edward, the Prince of Wales, known as Bertie. | 0:13:05 | 0:13:09 | |
Victoria and Albert frequently consulted the Earl about Bertie | 0:13:09 | 0:13:13 | |
who was, in their minds, not very bright and proving almost impossible to teach. | 0:13:13 | 0:13:17 | |
The children's governess wrote of his constant interruptions, | 0:13:17 | 0:13:22 | |
getting under the table, upsetting the books and other anti-studious practices. | 0:13:22 | 0:13:29 | |
A year before the visit, | 0:13:30 | 0:13:32 | |
the royal parents had taken the Earl's advice to employ Henry Birch, a tutor from Eton. | 0:13:32 | 0:13:39 | |
But things were not going well and Albert had resorted to submitting Bertie's bumps | 0:13:39 | 0:13:44 | |
to the professional inspection of a phrenologist, Dr George Combe. | 0:13:44 | 0:13:49 | |
The Earl supported Albert's decision. | 0:13:49 | 0:13:53 | |
Like Albert, he was a big fan of this popular pseudo science which claimed | 0:13:53 | 0:13:57 | |
to be able to reveal a person's characteristics by examining the skull. | 0:13:57 | 0:14:02 | |
Bertie's bumps were duly examined and Combe gloomily concluded | 0:14:03 | 0:14:09 | |
that the organs of ostentatiousness, destructiveness, | 0:14:09 | 0:14:14 | |
self-esteem, combativeness and love of approval are all at large. | 0:14:14 | 0:14:19 | |
Gosh. | 0:14:19 | 0:14:22 | |
This came as no surprise to Albert who clearly didn't hold out much hope for his son | 0:14:22 | 0:14:27 | |
and moaned that such a brain could not have come from his side of the family. | 0:14:27 | 0:14:32 | |
Back downstairs, Castle Howard's curator, Christopher Ridgeway, | 0:14:37 | 0:14:42 | |
is here to tell me about the lengths the family went to to host the royals. | 0:14:42 | 0:14:47 | |
What are your favourite documents from the downstairs part of the house? | 0:14:47 | 0:14:52 | |
Well, the documents that are really revealing from downstairs and I like most, | 0:14:52 | 0:14:57 | |
are this memorandum between John Henderson, the resident agent, and the 7th Earl. | 0:14:57 | 0:15:01 | |
The agent, Henderson, would have been the Earl's right-hand man, | 0:15:01 | 0:15:05 | |
involved in all aspects of running the estate. | 0:15:05 | 0:15:08 | |
Henderson sends down a series of suggestions and prompts | 0:15:08 | 0:15:12 | |
to the 7th Earl and we get his comments alongside them. | 0:15:12 | 0:15:16 | |
So it's a dialogue on paper. | 0:15:16 | 0:15:19 | |
"Will the crimson cloth, which we can get here, have to be laid from the north door | 0:15:19 | 0:15:24 | |
"to the south and from the dining to the drawing room doors and down to the bottom of the great steps?" | 0:15:24 | 0:15:32 | |
'I love the fact that the Earl has answered yes, yes, yes, to these questions!' | 0:15:32 | 0:15:38 | |
They talk about whether the billiard room here should be dismantled | 0:15:38 | 0:15:42 | |
and turned into a drawing room and the Earl says, "No, I am quite against this. | 0:15:42 | 0:15:47 | |
"Four sitting rooms together would be monotonous and the billiard table is of much use in the evening." | 0:15:47 | 0:15:53 | |
They did keep a bit of an eye on the cost. | 0:15:53 | 0:15:56 | |
They did and in the final bill prepared there's a lot of things | 0:15:56 | 0:16:00 | |
that were simply hired for the occasion, perfectly normal, really. | 0:16:00 | 0:16:04 | |
-How very sensible. -I think so. They didn't have to indulge in a massive outlay for all sorts of new things. | 0:16:04 | 0:16:10 | |
As you would for an event today, you hire it in. | 0:16:10 | 0:16:13 | |
So what sort of things would have been hired in? | 0:16:13 | 0:16:17 | |
Well, we have an expenses account for the visit, prepared afterwards. | 0:16:17 | 0:16:22 | |
-OK. -And here we see things that were hired in and purchased | 0:16:22 | 0:16:26 | |
and this talks about, well, the hire of staff, waiters, cooks. | 0:16:26 | 0:16:30 | |
Then you'd have the hire of silver, of carpets too, they talk here. | 0:16:30 | 0:16:34 | |
Whether it's hiring carpets or cleaning them, I'm not quite sure. | 0:16:34 | 0:16:37 | |
Then there's the hire of candelabras, all sorts of things that you want, | 0:16:37 | 0:16:42 | |
and then you've got all the food supplies. Then you've got the carriage and delivery of | 0:16:42 | 0:16:47 | |
everything that comes here, and then you have a kind of rough figure of thumb for wines, spirits and so on. | 0:16:47 | 0:16:54 | |
So the whole lot comes to £1,594, | 0:16:54 | 0:16:59 | |
which was a lot of money at that time, but it was pretty light. | 0:16:59 | 0:17:04 | |
I mean, I think when she went to Chatsworth, it was probably nearly ten times that. | 0:17:04 | 0:17:10 | |
TIM: The Earl might have hired in the carpets, but he certainly didn't need | 0:17:13 | 0:17:17 | |
to hire in works of art or antiques - the place is stuffed to the gizzards. | 0:17:17 | 0:17:23 | |
Well, this is Castle Howard's antique passage, | 0:17:23 | 0:17:27 | |
lined with exquisite examples of Roman sculpture | 0:17:27 | 0:17:32 | |
dating from the first and second centuries, garnered by the 4th Earl | 0:17:32 | 0:17:37 | |
from various parts of Italy during his grand tour early in the 18th Century. | 0:17:37 | 0:17:43 | |
It would appear that Victoria's host, the 7th Earl, was no great expert when it came to these antiquities | 0:17:45 | 0:17:53 | |
but needless to say, Albert was incredibly interested. | 0:17:53 | 0:17:57 | |
Albert had been collecting art all his life, indeed he was part of a committee | 0:17:58 | 0:18:05 | |
that oversaw the purchasing of paintings and decorations | 0:18:05 | 0:18:08 | |
for the new Houses of Parliament and was described by committee members | 0:18:08 | 0:18:12 | |
as showing not only taste,, but considerable knowledge. | 0:18:12 | 0:18:17 | |
Which was not good news for his less knowledgeable host here at Castle Howard, who writes in his diary, | 0:18:20 | 0:18:26 | |
"Albert asks many questions about busts and statues I am quite unable to answer." | 0:18:26 | 0:18:33 | |
Poor old 7th Earl, he'd have been embarrassed. | 0:18:33 | 0:18:37 | |
Despite their host's artistic shortcomings, | 0:18:40 | 0:18:43 | |
there is no doubt the royal couple enjoyed the wonderful art on show. | 0:18:43 | 0:18:48 | |
Queen Victoria notes in her diary, | 0:18:48 | 0:18:52 | |
"There are fine prints, curious drawings and rare and beautiful antiques which enchanted Albert." | 0:18:52 | 0:18:58 | |
Well, while the royal party wandered the corridors admiring the views upstairs, | 0:19:02 | 0:19:08 | |
those below stairs would have been keeping the place running as if by magic. | 0:19:08 | 0:19:13 | |
Building and maintaining fires night and day was just one of the many tasks for the servants. | 0:19:13 | 0:19:19 | |
And talking of magic, this fireplace is a real optical illusion. | 0:19:19 | 0:19:23 | |
Directly above the fireplace there is no chimney, | 0:19:23 | 0:19:29 | |
it's just thin air. | 0:19:31 | 0:19:34 | |
This is a very clever piece of engineering because what happens is | 0:19:34 | 0:19:39 | |
the flue goes into the column on the right, leaving a clear space above where the statues seem to float. | 0:19:39 | 0:19:45 | |
I wonder if Her Majesty noticed. | 0:19:45 | 0:19:49 | |
Victoria certainly noticed the heat they gave out. | 0:19:49 | 0:19:52 | |
It was recorded that she asked that they be reduced and that the windows be opened. | 0:19:52 | 0:19:58 | |
On the second day of their visit, Victoria took a tour of the grounds | 0:20:07 | 0:20:11 | |
and headed for the last resting place of the Howard family. | 0:20:11 | 0:20:15 | |
It's a mile from the house and Victoria and the children walked there after breakfast. | 0:20:15 | 0:20:20 | |
The Castle Howard mausoleum, like the main building, | 0:20:23 | 0:20:27 | |
was the creation of the 7th Earl of Carlisle's great-great-grandfather. | 0:20:27 | 0:20:31 | |
Now, the queen was clearly fascinated at having the opportunity | 0:20:36 | 0:20:41 | |
of examining this building as part of her tour of the estate. | 0:20:41 | 0:20:47 | |
The Earl records that she examined every single foot | 0:20:47 | 0:20:52 | |
and expressed great interest. | 0:20:52 | 0:20:55 | |
As far as Victoria was concerned, the Earl was absolutely spot-on | 0:20:59 | 0:21:04 | |
because she records in her journal the mausoleum as being, "Most beautiful. | 0:21:04 | 0:21:10 | |
"The whole is a circular chapel with three little curious ones, | 0:21:10 | 0:21:15 | |
"it's just the sort of thing I might one day build for ourselves." | 0:21:15 | 0:21:21 | |
Morbid. | 0:21:21 | 0:21:22 | |
Just over ten years later, | 0:21:23 | 0:21:26 | |
the death of her dear Albert meant she did indeed need to build a mausoleum | 0:21:26 | 0:21:31 | |
and she hastily constructed the Frogmore mausoleum near Windsor. | 0:21:31 | 0:21:35 | |
And as you can see in this picture from the Illustrated London News, | 0:21:35 | 0:21:39 | |
it's a monument strikingly similar to the mausoleum at Castle Howard. | 0:21:39 | 0:21:44 | |
Back at the house, it's rather less gloomy with our colourful salad to cheer us up. | 0:21:47 | 0:21:53 | |
The first thing we need to do is to start putting in the salad stuff. | 0:21:53 | 0:21:59 | |
-OK. -Now, in the Victorian period, they grew more salad varieties | 0:21:59 | 0:22:06 | |
than we have now and in fact I'm going to show you this one. | 0:22:06 | 0:22:12 | |
Now that looks a little bit like a rocket. | 0:22:12 | 0:22:14 | |
It's related, but it isn't. Try that. | 0:22:14 | 0:22:17 | |
Oh, my giddy aunt. | 0:22:17 | 0:22:20 | |
That is SO strong. | 0:22:20 | 0:22:23 | |
That is hot, peppery... | 0:22:23 | 0:22:27 | |
cressy. | 0:22:27 | 0:22:28 | |
It is, it's a cress. It's called land cress. | 0:22:28 | 0:22:31 | |
There's one other one I want to introduce you to, | 0:22:31 | 0:22:35 | |
which has been used in England probably since the Tudor period, | 0:22:35 | 0:22:40 | |
but which is completely out of favour now. | 0:22:40 | 0:22:43 | |
-Do I eat that? -Yes, it's the pod. | 0:22:43 | 0:22:45 | |
Mmm. | 0:22:47 | 0:22:49 | |
Mild pea, | 0:22:49 | 0:22:52 | |
delicious, absolutely delicious. What is it? | 0:22:52 | 0:22:56 | |
They're radish pods. | 0:22:56 | 0:22:58 | |
-No! -Yeah, yeah, if you let your radish... -Seriously? | 0:22:58 | 0:23:01 | |
If you let your radishes grow and go to seed, that's what you get, | 0:23:01 | 0:23:04 | |
-which I think is better than the things underground, the roots. -And there they are. | 0:23:04 | 0:23:09 | |
I love these salad leaves Ivan's introduced me to | 0:23:10 | 0:23:13 | |
and for Soyer's grouse salad, we line our dish with them. | 0:23:13 | 0:23:19 | |
We follow this with a layer of cooked, shredded grouse. | 0:23:19 | 0:23:22 | |
Onto our bed of salad. | 0:23:22 | 0:23:27 | |
Before we go any further, we have to go back to the fabulous egg, | 0:23:27 | 0:23:30 | |
oil and herb dressing that we put together earlier. | 0:23:30 | 0:23:33 | |
It has one final ingredient - whipped cream. | 0:23:36 | 0:23:39 | |
We make our dressing almost like cumulonimbus cloud. | 0:23:39 | 0:23:45 | |
Victoria's chef tells us to "mask" the salad with dressing. | 0:23:46 | 0:23:51 | |
Masking was a common Victorian term meaning to completely cover. | 0:23:51 | 0:23:56 | |
I think that's probably enough. | 0:23:56 | 0:23:58 | |
And now we build up the layers. | 0:23:59 | 0:24:02 | |
Right, that's the very last spoonful | 0:24:11 | 0:24:14 | |
-of that wonderful dressing. -Delicious. | 0:24:14 | 0:24:17 | |
Ornamentation was everything in the Victorian period, | 0:24:17 | 0:24:21 | |
so to finish the dish off, | 0:24:21 | 0:24:23 | |
we're going to decorate it with what was called a garniture. | 0:24:23 | 0:24:28 | |
-OK. -Which is a little surrounding of garnishes. | 0:24:28 | 0:24:32 | |
And this one is based on these quarter eggs. | 0:24:32 | 0:24:36 | |
But we're told by Soyer to put a little point of radish on the top. | 0:24:36 | 0:24:44 | |
As well as the eggs, Soyer tells us to ornament | 0:24:45 | 0:24:48 | |
with radishes and little diamonds cut from anchovies and gherkins. | 0:24:48 | 0:24:53 | |
It reminds me of a kaleidoscope. | 0:24:55 | 0:24:58 | |
It's wonderful. | 0:24:58 | 0:25:01 | |
-Now this man won the gold medal with this. -Amazing. | 0:25:01 | 0:25:05 | |
-I just hope it is going to be appreciated by Tim. -Well, so do I. | 0:25:05 | 0:25:08 | |
-You've got to take your time over this sort of cookery. -You do. | 0:25:11 | 0:25:14 | |
You can't rush this, can you, Ivan? | 0:25:14 | 0:25:15 | |
-Not at all, no. -No. When would this have been served in the meal? | 0:25:15 | 0:25:18 | |
-Well, from all accounts, very early on in the meal, possibly after the soup. -OK. | 0:25:18 | 0:25:24 | |
-Possibly even before. -That is early. | 0:25:24 | 0:25:27 | |
He may not be in his salad days, | 0:25:27 | 0:25:30 | |
but I rather hope Tim enjoys this offering. | 0:25:30 | 0:25:34 | |
We're eating in the long gallery where Victoria and Albert themselves would have been served. | 0:25:34 | 0:25:40 | |
Now... | 0:25:40 | 0:25:41 | |
-There we go. -I say. -Doesn't that look wonderful? | 0:25:41 | 0:25:44 | |
You have been naughty, girl, look at that. | 0:25:44 | 0:25:46 | |
Is that the most beautiful dish I have ever seen? | 0:25:46 | 0:25:51 | |
Isn't this stunning? Absolutely so. | 0:25:51 | 0:25:53 | |
It is called salade de grouse a la Soyer, which is Alexis Soyer | 0:25:53 | 0:26:01 | |
-who invented it, and he won awards with it. -Did he? | 0:26:01 | 0:26:05 | |
We are sure that Victoria would have actually eaten this because it was the grouse season that she came in, | 0:26:05 | 0:26:10 | |
he was famous for this dish and this would be the dish. | 0:26:10 | 0:26:14 | |
It's absolutely beautiful. | 0:26:14 | 0:26:15 | |
But I just love the whole idea that you're eating a game bird, | 0:26:15 | 0:26:20 | |
the thing is wholesome and healthy, you've got all this greenery and delicious veg with it. | 0:26:20 | 0:26:25 | |
Absolutely. | 0:26:25 | 0:26:27 | |
With these exquisite shapes. | 0:26:27 | 0:26:29 | |
You can't help but take too much. | 0:26:29 | 0:26:31 | |
I want plenty, actually. And please may I have an egg, too? | 0:26:31 | 0:26:34 | |
-I love the decoration with these eggs. -Well, you can. I'll just take it off. | 0:26:34 | 0:26:38 | |
You're a very good egg yourself. | 0:26:38 | 0:26:40 | |
-Oh, thank you. -How lovely. | 0:26:40 | 0:26:42 | |
-I'm going to go for a bit of grouse, myself. -Yes. | 0:26:42 | 0:26:44 | |
Find a little piece, just see how succulent this is going to be. Now... | 0:26:44 | 0:26:49 | |
-Oh, my gosh. -My golly gosh. | 0:26:52 | 0:26:55 | |
-I tell you, girl, that's the business, isn't it? -Oh. | 0:26:55 | 0:26:57 | |
I mean, Soyer or not, absolutely marvellous. | 0:26:57 | 0:27:01 | |
Now, there's one final story that I want to share with you | 0:27:03 | 0:27:06 | |
that relates to Victoria's departure from Castle Howard. | 0:27:06 | 0:27:10 | |
Four days after the queen departed, | 0:27:13 | 0:27:15 | |
more than 2,000 people travelled by rail from West Yorkshire to Castle Howard station. | 0:27:15 | 0:27:20 | |
They were keen to see the house where Her Maj had stayed. | 0:27:20 | 0:27:24 | |
Today's visitors are well catered for, but back then, | 0:27:26 | 0:27:30 | |
this was a completely new idea. | 0:27:30 | 0:27:32 | |
They only had two servants on duty and in the scrum that followed, | 0:27:32 | 0:27:36 | |
windows were broken and ladies swooned. | 0:27:36 | 0:27:39 | |
The Earl was so infuriated, he created a guidebook | 0:27:42 | 0:27:46 | |
outlining how one should behave if one wished to visit Castle Howard. | 0:27:46 | 0:27:50 | |
Well, I believe we've behaved appropriately, so here's to you and your delicious food, Rosemary. | 0:27:50 | 0:27:58 | |
To the cooks and to Ive. | 0:27:58 | 0:28:00 | |
-Well, I think so, definitely, to all the cooks. -Good. | 0:28:00 | 0:28:05 | |
Join us next time on Royal Upstairs Downstairs | 0:28:05 | 0:28:10 | |
when we'll be heading for the Midlands to Stoneleigh Abbey... | 0:28:10 | 0:28:13 | |
So here it is, Stoneleigh Abbey. | 0:28:13 | 0:28:16 | |
..to discover some special legacies of a royal visit. | 0:28:16 | 0:28:19 | |
This is the dessert that was served to Queen Victoria, this is the shopping list for it. | 0:28:19 | 0:28:24 | |
-Really special. -That is very, very special. | 0:28:24 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 | |
E-mail [email protected] | 0:28:55 | 0:28:58 |