Browse content similar to Iris. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Imagine going for a job interview | 0:00:03 | 0:00:05 | |
where the boss got to know everything about you. | 0:00:05 | 0:00:08 | |
Would it help you get the job? | 0:00:11 | 0:00:14 | |
-I've told everyone to their face, you all annoy me to -BLEEP! | 0:00:14 | 0:00:18 | |
Now some companies are trying a radical new way to find talent. | 0:00:21 | 0:00:26 | |
There is no way any interview can possibly compete with what we've just been through. | 0:00:28 | 0:00:32 | |
-The strongest applicants have been invited to live... -Bring it on! | 0:00:34 | 0:00:37 | |
It makes me think I'm not good enough. | 0:00:37 | 0:00:40 | |
-..and work... -Can we stop arguing? | 0:00:40 | 0:00:42 | |
..alongside one another for ten days. | 0:00:42 | 0:00:45 | |
-I'm sick of it! Make a decision! -We've all just had enough of it. | 0:00:45 | 0:00:48 | |
But they're not all they seem. | 0:00:48 | 0:00:51 | |
One of them is actually a senior manager in the company, | 0:00:51 | 0:00:54 | |
who is secretly reporting back to the bosses. | 0:00:54 | 0:00:58 | |
-You put everybody else's ideas down. -That's not true. | 0:00:58 | 0:01:00 | |
I'm not sure that we were all professional. | 0:01:00 | 0:01:02 | |
"Keeping cover is much harder than I expected." | 0:01:02 | 0:01:05 | |
"It was a real eye-opener." | 0:01:05 | 0:01:06 | |
"One of the candidates in particular showed real promise." | 0:01:06 | 0:01:09 | |
And it's the insider who decides who gets the job. | 0:01:09 | 0:01:12 | |
You are going to be the one that has to work with them so don't screw up. | 0:01:12 | 0:01:16 | |
This week, | 0:01:18 | 0:01:20 | |
a group of job hopefuls will compete to work in the advertising industry. | 0:01:20 | 0:01:24 | |
I think it's very unfair that you said we don't listen to your ideas. | 0:01:24 | 0:01:27 | |
I found it very, very difficult working with these people. | 0:01:27 | 0:01:30 | |
But which one is the insider? | 0:01:30 | 0:01:32 | |
I'm going to go upstairs and let you guys decide between yourselves | 0:01:33 | 0:01:36 | |
how you're going to do it. | 0:01:36 | 0:01:38 | |
-I'm like, -BLEEP! -I want this more than ever. | 0:01:38 | 0:01:40 | |
I don't think I've wanted anything more. | 0:01:40 | 0:01:43 | |
-Yeah! -BLEEP! -THEY LAUGH | 0:01:46 | 0:01:49 | |
And when their identity is finally revealed... | 0:01:51 | 0:01:54 | |
The person who's going to be making the decision | 0:01:54 | 0:01:56 | |
around which candidate Iris takes on is sitting here in the room. | 0:01:56 | 0:02:00 | |
-What the hell? -Oh, my gosh! | 0:02:00 | 0:02:03 | |
Is this actually happening? What is going on? | 0:02:03 | 0:02:06 | |
Who will get the job? | 0:02:06 | 0:02:09 | |
Creative, glamorous, fun, exciting. | 0:02:22 | 0:02:26 | |
Advertising is one of the most competitive industries to break into... | 0:02:28 | 0:02:32 | |
..and one company that's flooded with CVs is Iris, | 0:02:33 | 0:02:37 | |
an award-winning agency responsible for some of the biggest campaigns in the world, | 0:02:37 | 0:02:42 | |
including Adidas, Sony and the 2012 Olympic Games mascots. | 0:02:42 | 0:02:48 | |
Iris is seen as one of the top agencies in the marketplace. | 0:02:48 | 0:02:51 | |
If you're willing to work hard and to get on, | 0:02:51 | 0:02:53 | |
there's the opportunity to travel round the world with your job | 0:02:53 | 0:02:56 | |
with all the different offices that are worldwide. | 0:02:56 | 0:02:59 | |
The philosophy for culture at Iris is work hard, play hard. | 0:02:59 | 0:03:02 | |
Every day there's always going to be something that's going | 0:03:02 | 0:03:05 | |
to make you smile at Iris and that's probably the biggest benefit. | 0:03:05 | 0:03:08 | |
Now an exciting opportunity has come up for a new account executive. | 0:03:08 | 0:03:11 | |
You have to be incredibly hardworking, dynamic, organised. | 0:03:11 | 0:03:16 | |
You have to be able to deal with clients and creative. | 0:03:16 | 0:03:18 | |
You definitely have to be an all-rounder. | 0:03:18 | 0:03:20 | |
And this is a creative company so of course, | 0:03:20 | 0:03:22 | |
they're not going to hire them the ordinary way. | 0:03:22 | 0:03:25 | |
I think interviews are a flawed technique. | 0:03:25 | 0:03:28 | |
Within an hour interview you can find out | 0:03:28 | 0:03:31 | |
if somebody's very bright and articulate. | 0:03:31 | 0:03:33 | |
What you can't find out is how they get on with people. | 0:03:33 | 0:03:35 | |
From hundreds of applicants, | 0:03:36 | 0:03:38 | |
four people have been short-listed for their dream job. | 0:03:38 | 0:03:42 | |
But there's a twist, a fifth contender is joining them - | 0:03:42 | 0:03:46 | |
a mole who's already a senior manager in the company. | 0:03:46 | 0:03:49 | |
It'll be up to them to secretly assess the others, | 0:03:49 | 0:03:52 | |
and decide who to employ. | 0:03:52 | 0:03:54 | |
We've always been extremely innovative in the way that we've attracted talent. | 0:03:54 | 0:03:58 | |
I think what this gives us an opportunity to do | 0:03:58 | 0:04:01 | |
is to truly get on the inside of a group of individuals. | 0:04:01 | 0:04:03 | |
Trying to find out how they tick when they're outside of the offices | 0:04:03 | 0:04:06 | |
is just as important as how they tick when they're in the office. | 0:04:06 | 0:04:09 | |
To really get to know their potential workmates, | 0:04:13 | 0:04:15 | |
over the next ten days the insider will be working and living with them. | 0:04:15 | 0:04:20 | |
-Oh, my gosh! -Not too bad! | 0:04:21 | 0:04:24 | |
-They've got a conservatory. -Excellent! | 0:04:24 | 0:04:26 | |
This is my throne. | 0:04:29 | 0:04:32 | |
This is beautiful. | 0:04:32 | 0:04:34 | |
It's such an amazing place, you want to run around and have a look at all the bits and pieces. | 0:04:34 | 0:04:38 | |
Yeah, it's really cool. I like this one. | 0:04:38 | 0:04:41 | |
-Yeah, I like this. I like this one. -This one's warmer as well. | 0:04:41 | 0:04:43 | |
We'll get along well in this house, | 0:04:43 | 0:04:45 | |
we've all got our own rooms and there's a good vibe so far. | 0:04:45 | 0:04:49 | |
The job-seekers have been told they're being assessed 24/7 | 0:04:49 | 0:04:52 | |
but little do they know it's one of their housemates deciding their fate. | 0:04:52 | 0:04:58 | |
So, who is the insider? | 0:04:58 | 0:05:00 | |
No stranger to a bit of self-promotion | 0:05:01 | 0:05:04 | |
is Chelsea boy and nightclub host Jon. | 0:05:04 | 0:05:06 | |
I do get people that look at me and think, you know, | 0:05:06 | 0:05:09 | |
"This guy, he's surrounded by the nice-looking women | 0:05:09 | 0:05:12 | |
"and he's partying with the most amounts of champagne." | 0:05:12 | 0:05:15 | |
So it does attract the kind of wrong attention. | 0:05:15 | 0:05:17 | |
But frankly I don't really care | 0:05:17 | 0:05:19 | |
because at the end of the day it's all about showing off. | 0:05:19 | 0:05:21 | |
A lot of his friends do call him the Champagne King. | 0:05:21 | 0:05:24 | |
He is a popular guy, the guys just want to be his mate. | 0:05:24 | 0:05:26 | |
He's one of the lads to the guys and to the girls, | 0:05:26 | 0:05:28 | |
it's a bit more than that for some of them. | 0:05:28 | 0:05:30 | |
I was born into a life of opportunity, shall we say, | 0:05:30 | 0:05:33 | |
which basically means that I have fairly rich parents. | 0:05:33 | 0:05:37 | |
I would pretty much go to any length to win this. | 0:05:37 | 0:05:41 | |
I can't remember the last time I lost anything, | 0:05:41 | 0:05:44 | |
it was probably the egg and spoon race at primary school. | 0:05:44 | 0:05:46 | |
Planning to make an impact is Danielle, | 0:05:48 | 0:05:51 | |
a streetwise advertising graduate from Birmingham. | 0:05:51 | 0:05:54 | |
I'd say my journey's had quite a few ups and downs. | 0:05:55 | 0:05:58 | |
We lived in council accommodation, | 0:05:58 | 0:06:00 | |
my mum was a single parent at 21 with two kids. | 0:06:00 | 0:06:03 | |
My mum's been my inspiration. | 0:06:03 | 0:06:06 | |
She's always been there for me, | 0:06:06 | 0:06:08 | |
and I think it's her support what kind of builds my confidence. | 0:06:08 | 0:06:11 | |
She's so determined and so committed to succeeding for herself | 0:06:11 | 0:06:15 | |
and I know a lot of it is for me as well. | 0:06:15 | 0:06:18 | |
I'd probably be prepared to go to any lengths to get the job. | 0:06:18 | 0:06:20 | |
This is what I want, this is what I'm working towards | 0:06:20 | 0:06:23 | |
and this is what I have been working towards for a good few years now | 0:06:23 | 0:06:26 | |
so I'm not going to fall at the final hurdle, | 0:06:26 | 0:06:28 | |
I'm going to do whatever it takes. | 0:06:28 | 0:06:29 | |
Joker of the pack Carl, | 0:06:30 | 0:06:32 | |
an advertising graduate from Northern Ireland, | 0:06:32 | 0:06:35 | |
is ready to launch his own campaign. | 0:06:35 | 0:06:37 | |
If I had to market myself as a product, | 0:06:37 | 0:06:40 | |
the product I would choose would be an aeroplane. | 0:06:40 | 0:06:43 | |
Like a plane I'm split into three classes - | 0:06:44 | 0:06:46 | |
economy class because I can do a lot with a little bit of money, | 0:06:46 | 0:06:50 | |
business class because I've got a good head for business | 0:06:50 | 0:06:53 | |
and first class, because all the work I do is first class. | 0:06:53 | 0:06:56 | |
People's biggest misconception of him is that he doesn't care | 0:06:59 | 0:07:02 | |
and he doesn't really take anything seriously, | 0:07:02 | 0:07:05 | |
and actually he really does care. | 0:07:05 | 0:07:08 | |
I'm that passionate about advertising | 0:07:08 | 0:07:10 | |
I feel it's part of my make-up, it's part of my DNA. | 0:07:10 | 0:07:13 | |
It runs through my veins and it's in my lifeblood. | 0:07:13 | 0:07:15 | |
Then there's Jo from the Isle of Wight, | 0:07:17 | 0:07:19 | |
with some impressive achievements to plug. | 0:07:19 | 0:07:22 | |
At school and college, I've always been a straight A student. | 0:07:22 | 0:07:25 | |
I was the first young apprentice | 0:07:25 | 0:07:27 | |
for the Isle of Wight Chamber of Commerce. | 0:07:27 | 0:07:30 | |
People's biggest misconception of me is I'm Daddy's little princess... | 0:07:30 | 0:07:34 | |
erm, which to some extent is true. | 0:07:34 | 0:07:36 | |
She gets what she wants. She puts a big hole in my pocket. | 0:07:36 | 0:07:40 | |
I'm driven and motivated by the desire to do well, to be successful. | 0:07:40 | 0:07:45 | |
To make my parents proud is probably my ultimate goal. | 0:07:45 | 0:07:48 | |
The final contender is Ross, | 0:07:48 | 0:07:50 | |
an ex-recruitment consultant from Scotland | 0:07:50 | 0:07:53 | |
with an ear for a catchy tune. | 0:07:53 | 0:07:55 | |
I'm the one that gets the beers in. | 0:07:56 | 0:08:00 | |
I'm the one that's up for a laugh, | 0:08:00 | 0:08:02 | |
but then I'm also the one | 0:08:02 | 0:08:04 | |
you can confide in and trust | 0:08:04 | 0:08:07 | |
and I tend to give a lot of myself to people. | 0:08:07 | 0:08:11 | |
He's got a brain like a sponge. | 0:08:11 | 0:08:13 | |
You tell him something once and he'll remember it for ever. | 0:08:13 | 0:08:16 | |
To get the job done I'd go to any lengths | 0:08:16 | 0:08:19 | |
-beyond risking someone else's life! -HE LAUGHS | 0:08:19 | 0:08:24 | |
Whoever the insider is, | 0:08:31 | 0:08:34 | |
the interviewees are unaware that the double agent amongst them | 0:08:34 | 0:08:38 | |
is secretly reporting their findings back to Steve, the CEO. | 0:08:38 | 0:08:43 | |
"Hi, Steve, in terms of keeping the cover | 0:08:45 | 0:08:47 | |
"it's so much harder than I thought. | 0:08:47 | 0:08:49 | |
"I feel like I'm working nothing short of an MI6 operation. | 0:08:49 | 0:08:52 | |
"Lives are at risk. | 0:08:52 | 0:08:53 | |
"There's a mixed bag here, a good dynamic of introverts and extroverts. | 0:08:53 | 0:08:56 | |
"There are candidates I feel I could be friends with | 0:08:56 | 0:08:59 | |
"at this stage, and this might make picking one person for the job hard, | 0:08:59 | 0:09:02 | |
"as I'll have a personal relationship with them. | 0:09:02 | 0:09:04 | |
"I doubt anyone suspects a thing. Over and out. | 0:09:04 | 0:09:07 | |
"See you on the other side." | 0:09:07 | 0:09:09 | |
Today the group will reveal what they're made of at work. | 0:09:14 | 0:09:17 | |
-KNOCK ON DOOR -Morning. | 0:09:17 | 0:09:19 | |
-You're very much naked! -Just a bit! -Morning! | 0:09:19 | 0:09:23 | |
They're about to be thrown in at the deep end of advertising. | 0:09:23 | 0:09:28 | |
No easy first day for this lot. | 0:09:28 | 0:09:30 | |
In just 24 hours they'll have to pitch a new campaign | 0:09:30 | 0:09:33 | |
for SoBe Pure Rush, an energy drink aimed at the female market. | 0:09:33 | 0:09:37 | |
Hi, pleased to meet you. I'm Jo. | 0:09:37 | 0:09:39 | |
And it's an awkward meeting for the insider, | 0:09:39 | 0:09:42 | |
who's good mates with account director Elisha. | 0:09:42 | 0:09:44 | |
Maybe best to avoid eye contact. | 0:09:44 | 0:09:47 | |
The GB energy drinks market is a really, really big market, | 0:09:48 | 0:09:52 | |
it's worth £869 million. | 0:09:52 | 0:09:54 | |
We sort of specifically said we want to target females | 0:09:54 | 0:09:58 | |
aged between 25 to 35. | 0:09:58 | 0:10:00 | |
Would you be going for a sort of music angle? | 0:10:00 | 0:10:04 | |
We could do music, we could do art, that's the question. | 0:10:04 | 0:10:06 | |
What is the right thing for us to be going down? | 0:10:06 | 0:10:08 | |
We need you guys to think about a creative idea that can be | 0:10:08 | 0:10:11 | |
brought to life through lots of different channels. | 0:10:11 | 0:10:13 | |
Just try and stay on the brief as much as possible. | 0:10:13 | 0:10:16 | |
Good luck. | 0:10:16 | 0:10:18 | |
Being in the same room as the insider was incredibly difficult. | 0:10:18 | 0:10:22 | |
We've been working together and socialising together | 0:10:22 | 0:10:25 | |
so seeing that person and obviously briefing them | 0:10:25 | 0:10:28 | |
was incredibly tricky not to blow the whole thing really early on. | 0:10:28 | 0:10:31 | |
It's not just Elisha the insider has to worry about. | 0:10:38 | 0:10:41 | |
They're well known by another 450 members of staff, | 0:10:41 | 0:10:44 | |
who've all been trusted to keep shtoom. | 0:10:44 | 0:10:47 | |
In nine days, one of the advertising wannabes will land the job of their dreams. | 0:10:49 | 0:10:54 | |
With that in mind, they get down to business | 0:10:54 | 0:10:56 | |
and start brainstorming ideas for their pitch. | 0:10:56 | 0:10:58 | |
That number one is, do you want to just whack "25 hour clock" | 0:10:58 | 0:11:02 | |
or "get 25 hours in a day" in the middle? | 0:11:02 | 0:11:05 | |
It's saying that we can give them this extra hour, | 0:11:05 | 0:11:08 | |
so they've got this energy to do more stuff, | 0:11:08 | 0:11:10 | |
basically they can fit more in. | 0:11:10 | 0:11:12 | |
Just so I'm clear, the concept is basically | 0:11:12 | 0:11:14 | |
this drink will allow women to fill their day with more, | 0:11:14 | 0:11:18 | |
-that we're basically giving them an extra hour. -Got it. | 0:11:18 | 0:11:20 | |
Do you want to get that line down? | 0:11:20 | 0:11:22 | |
We're giving them an extra hour. I think that sums it up nicely. | 0:11:22 | 0:11:25 | |
The insider is an experienced account manager | 0:11:25 | 0:11:28 | |
who's now pretending to be a complete rookie. | 0:11:28 | 0:11:31 | |
Is it the planner? The peacemaker? Or the player? | 0:11:31 | 0:11:35 | |
What they've got to do is get the trust from the group as a whole. | 0:11:35 | 0:11:39 | |
They've also got to try and push to one side everything they know about the industry, | 0:11:39 | 0:11:44 | |
and I think that's going to be really, really difficult. | 0:11:44 | 0:11:47 | |
Let's think about it, what could go on the page? | 0:11:47 | 0:11:49 | |
It's only taken this lot two hours of working together before the cracks start to show. | 0:11:49 | 0:11:54 | |
What about if you had a picture of a woman drinking the can? | 0:11:54 | 0:11:57 | |
-As...that's an idea, if you like? -Yeah. | 0:11:57 | 0:12:01 | |
There are a lot of variables in that. | 0:12:01 | 0:12:03 | |
Like what does she look like? Where is she from? | 0:12:03 | 0:12:05 | |
How old is she? What colour hair has she got? How long is it? | 0:12:05 | 0:12:08 | |
Yeah, but that's irrelevant. | 0:12:08 | 0:12:09 | |
It doesn't matter what colour hair she has! | 0:12:09 | 0:12:12 | |
-BLEEP! -We're talking about hair. | 0:12:12 | 0:12:14 | |
Bloody hell. It's advertising. | 0:12:14 | 0:12:16 | |
She's just said, right, we need to make... | 0:12:16 | 0:12:19 | |
-Can we stop arguing? -Just focus on this one. | 0:12:19 | 0:12:22 | |
When I plant a seed of an idea, | 0:12:22 | 0:12:24 | |
it's a starting point that we can all discuss and develop, | 0:12:24 | 0:12:27 | |
but instead of that what we're doing is just saying no. | 0:12:27 | 0:12:32 | |
We work in different ways, so let's just agree to disagree. | 0:12:32 | 0:12:35 | |
You work in a way that basically puts everyone else's ideas down. | 0:12:35 | 0:12:38 | |
That's just not true. | 0:12:38 | 0:12:40 | |
Me and Jo, erm...yeah, we were kind of on the same page | 0:12:40 | 0:12:43 | |
when it came to looking at the female target audience. | 0:12:43 | 0:12:46 | |
What kind of things do females like? | 0:12:46 | 0:12:48 | |
Whereas Jon kind of lost the whole sight of who we're aiming at | 0:12:48 | 0:12:51 | |
and what does it mean and why we're doing it. | 0:12:51 | 0:12:54 | |
The competition is quite fierce, looking at all of us as individuals, | 0:12:54 | 0:12:58 | |
but what is paramount to me at the moment is satisfying the brief, | 0:12:58 | 0:13:02 | |
because I think the main thing to do is deliver good work which the client's going to be happy with. | 0:13:02 | 0:13:08 | |
After an afternoon of bickering and with less than 24 hours before the pitch, | 0:13:09 | 0:13:14 | |
the insider grabs a few minutes | 0:13:14 | 0:13:16 | |
to secretly report back to their boss, Steve. | 0:13:16 | 0:13:19 | |
"Having to do the pitch is helping me to see | 0:13:20 | 0:13:23 | |
"people's different capabilities in a way an interview wouldn't. | 0:13:23 | 0:13:26 | |
"One of the candidates in particular showed real promise. | 0:13:26 | 0:13:28 | |
"There are some candidates that are better at building relationships. | 0:13:28 | 0:13:32 | |
"Some listen more than others, which shows patience. | 0:13:32 | 0:13:35 | |
"Keeping cover is much harder than I expected. | 0:13:35 | 0:13:37 | |
"Then worrying that someone has noticed. | 0:13:37 | 0:13:39 | |
"Personally I found the day pretty draining, | 0:13:39 | 0:13:41 | |
"probably more stressful than other candidates, | 0:13:41 | 0:13:44 | |
"considering I've had to do everything they're doing, | 0:13:44 | 0:13:46 | |
"whilst also self-assessing 100% of the time to stay on point." | 0:13:46 | 0:13:50 | |
Can we stop arguing? | 0:13:51 | 0:13:54 | |
The insider is now deep undercover with a group | 0:14:05 | 0:14:08 | |
of unsuspecting wannabe account executives. | 0:14:08 | 0:14:11 | |
Shall we start...shall we start spreading out papers | 0:14:11 | 0:14:14 | |
and seeing where we're at and seeing what we feel? | 0:14:14 | 0:14:16 | |
Could it be the person playing it safe? | 0:14:16 | 0:14:18 | |
The one keeping a low profile? | 0:14:18 | 0:14:20 | |
Or the one who's purposely stirring things up? | 0:14:20 | 0:14:23 | |
One thing's for sure, Jon's determined to make his point known. | 0:14:23 | 0:14:26 | |
If you've managed to have a marketing campaign | 0:14:26 | 0:14:29 | |
that was basically our customers, we would basically get them to say, | 0:14:29 | 0:14:33 | |
"If I got a million likes, I will get this sponsored by Pure Rush." | 0:14:33 | 0:14:39 | |
This is a genius social marketing viral... | 0:14:39 | 0:14:43 | |
It's not genius, it's been done a billion times. It's dead. | 0:14:43 | 0:14:46 | |
We're getting something back, we're getting advertising. | 0:14:46 | 0:14:49 | |
That's the whole purpose of it. Does that not make sense? | 0:14:49 | 0:14:52 | |
I understand your idea, I understand where you're coming from. | 0:14:52 | 0:14:54 | |
I just don't think it would work in practice. | 0:14:54 | 0:14:56 | |
What I'll say is that you basically decide exactly what it is | 0:14:56 | 0:15:02 | |
you want me to pitch tomorrow and I'll pitch that tomorrow. | 0:15:02 | 0:15:04 | |
-Is that a decision you're making? -That's a decision I'm making. | 0:15:04 | 0:15:07 | |
Jon, are you walking out of this meeting? | 0:15:07 | 0:15:10 | |
I'm going to go upstairs and let you guys decide between yourselves | 0:15:10 | 0:15:13 | |
how you're going to do it. | 0:15:13 | 0:15:15 | |
I'm not writing any of his work. | 0:15:15 | 0:15:17 | |
If he wants to take the risk and trust us | 0:15:17 | 0:15:19 | |
for no apparent reason, he can do that. | 0:15:19 | 0:15:21 | |
If they direct a question to him | 0:15:21 | 0:15:23 | |
and he hasn't a clue what we've been talking about, it looks like we've all failed. | 0:15:23 | 0:15:27 | |
I think the best thing to do is get him to flick the PowerPoint. | 0:15:27 | 0:15:30 | |
That's a really good idea! That's a really good idea! | 0:15:30 | 0:15:34 | |
-"And Jon." -THEY LAUGH | 0:15:34 | 0:15:37 | |
"When you're ready." | 0:15:37 | 0:15:39 | |
I feel like I'm the only person with half a brain cell down there | 0:15:40 | 0:15:44 | |
but I thought the best solution was for me to basically | 0:15:44 | 0:15:48 | |
get out of the situation and leave them to, | 0:15:48 | 0:15:50 | |
you know, talk about pointless things. | 0:15:50 | 0:15:52 | |
You know, I'm going to try and work with them | 0:15:52 | 0:15:55 | |
but unless they start listening to me and start respecting me | 0:15:55 | 0:15:58 | |
I think it's just going to continue down this route. | 0:15:58 | 0:16:00 | |
It's the morning of the big pitch. | 0:16:07 | 0:16:09 | |
-I'll be, like, one minute. -Thanks. | 0:16:10 | 0:16:12 | |
Today the insider will have the chance to see how the others present under pressure. | 0:16:12 | 0:16:17 | |
Last night we wrapped up trying to get this pitch polished off | 0:16:17 | 0:16:21 | |
at about four o'clock in the morning. | 0:16:21 | 0:16:23 | |
Because of the lack of Jon's input, | 0:16:25 | 0:16:27 | |
we're kind of forced to not give him much to do | 0:16:27 | 0:16:30 | |
so he's going to be introducing us as individuals to the clients, | 0:16:30 | 0:16:36 | |
if he can remember our names. | 0:16:36 | 0:16:38 | |
This is an everyday job for the insider. | 0:16:42 | 0:16:44 | |
But if they show themselves off as a know-it-all, | 0:16:44 | 0:16:46 | |
they could easily blow their cover. | 0:16:46 | 0:16:48 | |
Right, guys. We only have half an hour before the pitch. | 0:16:50 | 0:16:53 | |
So will we get these mounted? | 0:16:53 | 0:16:54 | |
As the team prepare... | 0:16:54 | 0:16:57 | |
I'd start by saying, "Just to reintroduce ourselves, | 0:16:57 | 0:16:59 | |
"I'm Jon, blah, blah, blah, blah, blah, blah." | 0:16:59 | 0:17:02 | |
..it seems 27-year-old posh party boy Jon | 0:17:02 | 0:17:05 | |
isn't used to playing second fiddle to a bunch of uni graduates. | 0:17:05 | 0:17:08 | |
Just so I don't mess up my part, let me just check your names again. | 0:17:08 | 0:17:12 | |
Erm...Charlotte... Jo. | 0:17:12 | 0:17:13 | |
-Close. It's Danielle. -Danielle, sorry. My bad. | 0:17:13 | 0:17:17 | |
Danielle. Good start. | 0:17:17 | 0:17:19 | |
Jo, Ross... | 0:17:19 | 0:17:21 | |
..and Gary. | 0:17:22 | 0:17:24 | |
There we go. One out of four isn't bad. | 0:17:24 | 0:17:28 | |
-Did you say Gary? -Did you say Gary? | 0:17:28 | 0:17:30 | |
I don't think we're going in to a presentation | 0:17:32 | 0:17:35 | |
where we're not prepared, where we don't have a good idea to back it up. | 0:17:35 | 0:17:38 | |
We worked really hard on this and from where we were this time yesterday to where we've come today, | 0:17:38 | 0:17:42 | |
I think we've got something to really be proud of. | 0:17:42 | 0:17:44 | |
To target their energy drink to women, | 0:17:44 | 0:17:47 | |
the clients are expecting an energetic and original pitch. | 0:17:47 | 0:17:50 | |
Just to reintroduce ourselves, I'm Jon... | 0:17:51 | 0:17:54 | |
Jo, nice to meet you. | 0:17:54 | 0:17:56 | |
-Carl. -Danielle. | 0:17:56 | 0:17:58 | |
I'm Ross. | 0:17:58 | 0:17:59 | |
I will pass you on to Jo who will explain in a bit more detail what we've been up to. | 0:17:59 | 0:18:03 | |
-Thanks very much, thank you very much. -Thank you. | 0:18:03 | 0:18:05 | |
Although this has been a very challenging brief for us, | 0:18:05 | 0:18:08 | |
we feel as though we've uncovered the concept | 0:18:08 | 0:18:11 | |
that will speak to the 25-to-35-year-old female market. | 0:18:11 | 0:18:14 | |
We don't want to just be a passing kind of face | 0:18:14 | 0:18:16 | |
in the very cluttered market at the moment, we want to stand out. | 0:18:16 | 0:18:19 | |
We are trying to create a relationship, something like a bond. | 0:18:19 | 0:18:22 | |
The visual representation is the installation of a clock, | 0:18:22 | 0:18:27 | |
it could be in any park. | 0:18:27 | 0:18:29 | |
As you can see the focal point of this concept | 0:18:29 | 0:18:31 | |
is the 25th hour in the day, | 0:18:31 | 0:18:32 | |
this is what we wanted to symbolise, | 0:18:32 | 0:18:34 | |
that women drinking Pure Rush, the women engaging in this kind of | 0:18:34 | 0:18:38 | |
lifestyle, it's very normal to want a little bit more time in the day. | 0:18:38 | 0:18:41 | |
Jo is such a good presenter, she's got great presentation skills, | 0:18:41 | 0:18:44 | |
she's like a duck to water, really. | 0:18:44 | 0:18:46 | |
It's something to keep her going, consistently, | 0:18:46 | 0:18:48 | |
giving her that extra hour. | 0:18:48 | 0:18:50 | |
She can do Bikram yoga, picking up her hummus from Waitrose. | 0:18:50 | 0:18:53 | |
THEY LAUGH So that's our experiential idea. | 0:18:53 | 0:18:59 | |
I was impressed, given that you've only had two days | 0:18:59 | 0:19:02 | |
and you've done quite a lot of work. | 0:19:02 | 0:19:04 | |
So I think what we would like to do is actually explore the potential | 0:19:04 | 0:19:07 | |
of the idea with Iris and see if we could make it work. | 0:19:07 | 0:19:11 | |
Who was the leader of this task? Cos every task has a leader. | 0:19:11 | 0:19:16 | |
I would say we all played a really, really important part. | 0:19:16 | 0:19:19 | |
Four of us were up last night at 4:30 thinking, | 0:19:19 | 0:19:21 | |
"We are not going to bed until we are so proud to say | 0:19:21 | 0:19:24 | |
"we've done Iris proud," because we know we're representing you in front of the client. | 0:19:24 | 0:19:27 | |
I would say, as opposed to the other candidates, | 0:19:27 | 0:19:30 | |
probably the most creative. | 0:19:30 | 0:19:32 | |
I...have naturally a very creative person. | 0:19:32 | 0:19:35 | |
Whereas I think as they've been to university | 0:19:35 | 0:19:38 | |
they're much more planners and, you know, | 0:19:38 | 0:19:40 | |
me being in that situation wasn't helping anything. | 0:19:40 | 0:19:43 | |
I have to say I disagree with you, I think we would have got... | 0:19:43 | 0:19:45 | |
I feel about myself. | 0:19:45 | 0:19:47 | |
Every time I was there... | 0:19:47 | 0:19:49 | |
See, this is exactly a prime example of what happens when... | 0:19:49 | 0:19:52 | |
I also think it's very unfair that you said | 0:19:52 | 0:19:54 | |
we didn't listen to your ideas. | 0:19:54 | 0:19:56 | |
There was numerous times when we kind of congratulated you on a good idea, we said, "That's good". | 0:19:56 | 0:20:02 | |
-I found it very, very difficult working with these people, yeah. -OK. | 0:20:02 | 0:20:05 | |
I'm not sure that we were all professional from start to finish. | 0:20:05 | 0:20:09 | |
Jon, at certain times, behaves in a certain way | 0:20:09 | 0:20:13 | |
that tends to rub people up the wrong way. | 0:20:13 | 0:20:15 | |
It's getting to the point where I think we've all had enough of it. | 0:20:15 | 0:20:18 | |
He just cares about his ego | 0:20:18 | 0:20:20 | |
and demonstrating that he's amazing when he clearly isn't. | 0:20:20 | 0:20:24 | |
Steve might be confused now, | 0:20:24 | 0:20:26 | |
but it's all about to become a whole lot clearer. | 0:20:26 | 0:20:29 | |
This afternoon he's meeting his informer to get the inside story. | 0:20:29 | 0:20:34 | |
I'm going to go upstairs and let you guys decide between yourselves | 0:20:35 | 0:20:38 | |
how you're going to do it. | 0:20:38 | 0:20:39 | |
The group have been called in to feed back to CEO Steve on their week so far. | 0:20:45 | 0:20:49 | |
For the insider, this is the first chance to break cover | 0:20:51 | 0:20:54 | |
and share some home truths with their boss. | 0:20:54 | 0:20:57 | |
-Jonny. -Hi. | 0:20:59 | 0:21:00 | |
-How are you doing? -Very well, yeah. | 0:21:00 | 0:21:02 | |
-Hi, Steve. -Hi, Jo. How are you? -Very well, thank you. -Good, good. | 0:21:02 | 0:21:06 | |
So, how are you finding things? | 0:21:12 | 0:21:16 | |
It's been really eye-opening for me, really enjoying it. | 0:21:16 | 0:21:19 | |
Quite tough, hard work. | 0:21:19 | 0:21:21 | |
It's been a crazy couple of days | 0:21:21 | 0:21:23 | |
and it's something that I think takes a lot of adjusting. | 0:21:23 | 0:21:26 | |
It's been really interesting. | 0:21:26 | 0:21:29 | |
It's been a complete change from, you know, what I'm used to. | 0:21:29 | 0:21:32 | |
And how are you finding being the insider? | 0:21:32 | 0:21:35 | |
A lot harder than I thought it was going to be! | 0:21:48 | 0:21:51 | |
Really, really, really hard. | 0:21:51 | 0:21:53 | |
Constantly having to think about what I'm going to say, | 0:21:53 | 0:21:57 | |
self-assessing, having to be on point the whole time. | 0:21:57 | 0:21:59 | |
It's a full-time job just trying to keep the cover. | 0:21:59 | 0:22:02 | |
I have been working at Iris the last two years. | 0:22:07 | 0:22:09 | |
I am an account manager here. | 0:22:09 | 0:22:12 | |
I worked across a variety of global projects | 0:22:14 | 0:22:17 | |
and it's a privilege to work here and it's now a privilege | 0:22:17 | 0:22:20 | |
to be spying on who's going to be the next employee. | 0:22:20 | 0:22:24 | |
Are there any standout candidates at the moment? | 0:22:25 | 0:22:27 | |
At this moment in time I don't think there's any one | 0:22:27 | 0:22:30 | |
that's head and shoulders above. | 0:22:30 | 0:22:32 | |
Danielle's really grown on me, | 0:22:32 | 0:22:34 | |
working on the pitch she was so on brief the whole time. | 0:22:34 | 0:22:38 | |
I was really, really impressed. | 0:22:38 | 0:22:41 | |
If she thought about a way of expressing herself more clearly | 0:22:41 | 0:22:44 | |
and getting her point across more directly, | 0:22:44 | 0:22:46 | |
she would be the obvious choice. | 0:22:46 | 0:22:48 | |
Carl's character is very friendly and funny. | 0:22:48 | 0:22:51 | |
He's motivated to do the job and you warm to him very easily. | 0:22:51 | 0:22:56 | |
-And what about Jo? -She's very, very keen and very organised. | 0:22:56 | 0:23:00 | |
I personally don't think she has the flair | 0:23:00 | 0:23:03 | |
and understanding of trying to inspire imagination from the client. | 0:23:03 | 0:23:08 | |
Let's talk about Jonny. | 0:23:08 | 0:23:10 | |
Yeah. My honest feedback on Jon is that there's something there, | 0:23:10 | 0:23:15 | |
but it's buried beneath layers and layers and layers | 0:23:15 | 0:23:18 | |
of arrogance and lack of tact. | 0:23:18 | 0:23:20 | |
If you wanted to employ him here, I would leave. | 0:23:20 | 0:23:24 | |
-Wow! That's a pretty bold statement! -Yeah. | 0:23:24 | 0:23:26 | |
We sat down last night to go through exactly what we're going to do for us to present today. | 0:23:26 | 0:23:30 | |
He was throwing out ideas. Some were great, some were not. | 0:23:30 | 0:23:33 | |
However, if an idea gets shot down and he goes, | 0:23:33 | 0:23:37 | |
"You know, this isn't productive for any of us," it was like, | 0:23:37 | 0:23:41 | |
"I have to be centre stage, if I'm not centre stage I'll go away." | 0:23:41 | 0:23:44 | |
We've got to work out whether there is something there. | 0:23:44 | 0:23:47 | |
I can see something there. | 0:23:47 | 0:23:48 | |
I want him to be part of the process cos I think he can challenge | 0:23:48 | 0:23:51 | |
and I think your role is to almost try and act as the cog to that. | 0:23:51 | 0:23:54 | |
Remember, Ross, you're going to be the one that has to work with them. | 0:23:54 | 0:23:58 | |
So don't screw it up. | 0:23:58 | 0:24:00 | |
In a week's time, Ross will have to make his decision and own up to who he really is. | 0:24:01 | 0:24:07 | |
The task ahead of me is quite a difficult one. | 0:24:07 | 0:24:09 | |
The responsibility weighs heavy on my shoulders | 0:24:09 | 0:24:12 | |
that I need to choose the right person for this | 0:24:12 | 0:24:15 | |
and I've been trusted to do that. | 0:24:15 | 0:24:17 | |
After several stressful days, Jon's clearly not Ross's cup of tea. | 0:24:22 | 0:24:27 | |
-Would you say I'm posh? -I'd say you're posh. -Really? | 0:24:27 | 0:24:30 | |
-Posh boy. -I think you like to be posh, don't you? -I like it, yeah. | 0:24:30 | 0:24:34 | |
But could he be about to offer a sweetener? | 0:24:34 | 0:24:37 | |
We've obviously had a very difficult week and, you know, | 0:24:37 | 0:24:41 | |
it's frustrating for everyone. | 0:24:41 | 0:24:44 | |
I'm getting used to working within a team | 0:24:44 | 0:24:47 | |
cos as we all realise, | 0:24:47 | 0:24:49 | |
I'm a very individual, independent thinker and person. | 0:24:49 | 0:24:52 | |
If I can compromise on that and you guys know where | 0:24:52 | 0:24:56 | |
I'm coming from sometimes, I think we may scrape through. | 0:24:56 | 0:25:01 | |
The Jon I'm seeing now, we can listen to you, | 0:25:01 | 0:25:03 | |
we can have a conversation now, it's working well. | 0:25:03 | 0:25:06 | |
And I think if you had delivered your ideas in that way, | 0:25:06 | 0:25:09 | |
I don't know, we would have heard them a little bit better. | 0:25:09 | 0:25:12 | |
I thought it was important to sit down and have a chat | 0:25:12 | 0:25:14 | |
and try and clear as much of the air as possible. | 0:25:14 | 0:25:17 | |
I think moving forward I think it'll probably be a good thing for us all. | 0:25:17 | 0:25:20 | |
It feels like a real turning point. | 0:25:20 | 0:25:22 | |
Obviously he lacks a fair amount of knowledge in social skill | 0:25:22 | 0:25:26 | |
in certain instances, however he has a lot of creativity | 0:25:26 | 0:25:29 | |
and he's probably not an account handler | 0:25:29 | 0:25:32 | |
but I'd hope for the rest of the week he'd be a better person. | 0:25:32 | 0:25:34 | |
Faint praise indeed. | 0:25:34 | 0:25:36 | |
It looks like he's still got a way to go | 0:25:36 | 0:25:38 | |
to win over his undercover assessor. | 0:25:38 | 0:25:41 | |
It's Saturday night | 0:25:48 | 0:25:49 | |
and the candidates are getting ready to hit the town. | 0:25:49 | 0:25:52 | |
Should be a laugh, going out with all the guys, | 0:25:52 | 0:25:55 | |
we're all together tonight so...should be fun. | 0:25:55 | 0:25:58 | |
Advertising is about working hard, but playing hard too. | 0:25:58 | 0:26:02 | |
Ross has seen them graft | 0:26:02 | 0:26:04 | |
but tonight he's more interested to see if they know how to party. | 0:26:04 | 0:26:07 | |
If someone doesn't play hard enough, | 0:26:07 | 0:26:09 | |
it's probably going to affect them more than if they play too hard. | 0:26:09 | 0:26:14 | |
So fingers crossed no-one takes themselves too seriously. | 0:26:14 | 0:26:17 | |
Cheers! | 0:26:20 | 0:26:23 | |
Who's had like a mental night out? Or what are your biggest nights out? | 0:26:25 | 0:26:28 | |
I sort of base how good my night is | 0:26:28 | 0:26:30 | |
on how much I've been able to show off, basically, so... | 0:26:30 | 0:26:34 | |
-No, you like to show off? -Yeah! Unbelievable, right? | 0:26:34 | 0:26:36 | |
Biggest night I've had is probably Ibiza. | 0:26:36 | 0:26:39 | |
-Yeah, boy! -Yeah, first night. | 0:26:39 | 0:26:41 | |
Because you arrive, don't you? | 0:26:41 | 0:26:43 | |
And you're just in party mode, like holiday mode. | 0:26:43 | 0:26:46 | |
And I ended up just raving on a stage in some Irish pub with a pint. | 0:26:46 | 0:26:51 | |
Slipped on me flip-flops and just face planted the ground on me first night. | 0:26:51 | 0:26:56 | |
Coming out and being social, | 0:26:56 | 0:26:59 | |
I'd say that probably Carl is the most like an Iris person. | 0:26:59 | 0:27:03 | |
We seem to be having a bit of a laugh and, yeah... | 0:27:07 | 0:27:10 | |
-Yeah, definitely! -BLEEP! -THEY LAUGH | 0:27:12 | 0:27:16 | |
Me and Carl have had a lot of fun this evening | 0:27:17 | 0:27:20 | |
and I've never been on a night out with an Iris person and not had fun. | 0:27:20 | 0:27:24 | |
It's Monday morning. | 0:27:28 | 0:27:30 | |
Hi. I'm Coxy, I'm the personal trainer here at Iris. | 0:27:31 | 0:27:34 | |
And after a heavy weekend, some of the candidates | 0:27:34 | 0:27:37 | |
are more bright-eyed and bushy-tailed than others. | 0:27:37 | 0:27:40 | |
Everything you've got! Drive it! | 0:27:40 | 0:27:43 | |
-I just really don't like it. -But for half an hour can you just do it? | 0:27:43 | 0:27:46 | |
I don't mind doing the boxing. | 0:27:46 | 0:27:47 | |
It's just running, specifically running just irritates me. | 0:27:47 | 0:27:51 | |
Tough luck, Jon. | 0:27:51 | 0:27:53 | |
This company is all about work hard, play hard and train hard too, | 0:27:53 | 0:27:57 | |
because they offer complimentary personal training to their staff. | 0:27:57 | 0:28:01 | |
Go! Nice jump. | 0:28:01 | 0:28:03 | |
SHE LAUGHS | 0:28:04 | 0:28:06 | |
Look at the sweat! | 0:28:06 | 0:28:08 | |
Facing a dilemma about who to choose for the job | 0:28:08 | 0:28:11 | |
and with the contenders literally metres away, | 0:28:11 | 0:28:14 | |
Ross steals a chat with his colleague. | 0:28:14 | 0:28:16 | |
My first impressions are really good, of the girl and the guy, | 0:28:16 | 0:28:19 | |
-Jo and... -Jo and Carl. -Lovely, really enthusiastic. | 0:28:19 | 0:28:23 | |
How are you finding the rest of them? | 0:28:23 | 0:28:25 | |
All right, there's a winner there. | 0:28:25 | 0:28:27 | |
It's tough, it's a really difficult decision. | 0:28:27 | 0:28:30 | |
All of the candidates are impressing me in different ways | 0:28:30 | 0:28:32 | |
but it's become pretty apparent to me that the two | 0:28:32 | 0:28:35 | |
that I'm having to really struggle to make a decision about | 0:28:35 | 0:28:38 | |
are Carl and Danielle. | 0:28:38 | 0:28:39 | |
I think that's going to be the ones | 0:28:39 | 0:28:41 | |
that are going to go down to the wire. | 0:28:41 | 0:28:43 | |
We've still got five days left, so technically | 0:28:43 | 0:28:45 | |
anything could happen, the decisions haven't been made yet. | 0:28:45 | 0:28:49 | |
Ross is a cool customer. | 0:28:49 | 0:28:52 | |
I've known him a while and he's a good mate. | 0:28:52 | 0:28:54 | |
And, you know, he's got to be seriously biting his tongue. | 0:28:54 | 0:28:57 | |
It's really good, it's fun to see. | 0:28:57 | 0:29:00 | |
The pressure level will be switched up a notch | 0:29:01 | 0:29:04 | |
for the candidates' final job. | 0:29:04 | 0:29:06 | |
They must create a large-scale stunt for Kit Kat. | 0:29:06 | 0:29:10 | |
And for Ross, there's the added pressure | 0:29:10 | 0:29:12 | |
of keeping it together sitting opposite his creative director Andy. | 0:29:12 | 0:29:17 | |
We want you to take Kit Kat Chunky Milk, | 0:29:17 | 0:29:20 | |
out to the streets of London, get people to taste it, | 0:29:20 | 0:29:23 | |
and we want you to put a smile | 0:29:23 | 0:29:25 | |
in 1,000 of our target consumers' breaks. | 0:29:25 | 0:29:27 | |
It will be Waterloo station in London, | 0:29:27 | 0:29:30 | |
which is one of the busiest train stations in Europe. | 0:29:30 | 0:29:32 | |
You will have two hours where you need to stop 1,000 people. | 0:29:32 | 0:29:35 | |
Are you quite precious about what it stands for at the moment? | 0:29:35 | 0:29:38 | |
Or would you be open to more kind of pushing it in one direction? | 0:29:38 | 0:29:42 | |
Quite precious! Yeah, I'm quite precious. | 0:29:42 | 0:29:45 | |
'You could sort of sense the frustration on his part, | 0:29:45 | 0:29:49 | |
'that he wanted to kind of lead the thing.' | 0:29:49 | 0:29:52 | |
And instead just sort of having to stay there | 0:29:52 | 0:29:54 | |
and watch them making mistakes and asking stupid questions. | 0:29:54 | 0:29:57 | |
Just, yeah, very entertaining. | 0:29:57 | 0:29:59 | |
Let's put it this way, we still hope to have Kit Kat as a client | 0:29:59 | 0:30:01 | |
at the end of the week so we need you to go out there and do us proud. | 0:30:01 | 0:30:06 | |
Let's read through what we have on the wall. | 0:30:06 | 0:30:09 | |
Over the next three days the team must come up with a big idea, | 0:30:09 | 0:30:13 | |
sell it to the client and then pull it off. | 0:30:13 | 0:30:16 | |
One of the ideas was basically having kind of like a Royal scene, | 0:30:16 | 0:30:20 | |
so you'd have the Queen, and I do actually know these lookalikes, | 0:30:20 | 0:30:23 | |
Prince William and Kate, | 0:30:23 | 0:30:25 | |
and I thought it would be quite funny for them to also be sat there | 0:30:25 | 0:30:29 | |
and Kate and Wills were cradling a giant Kit Kat Chunky type thing. | 0:30:29 | 0:30:34 | |
They would also walk away with a kind of Polaroid or a picture of them in that scene. | 0:30:34 | 0:30:38 | |
-That's really good. -That was my main idea, | 0:30:38 | 0:30:39 | |
I think my other ones probably wouldn't be as good. | 0:30:39 | 0:30:42 | |
Jon's been pretty good today, pretty impressive like a decent creative, | 0:30:42 | 0:30:45 | |
coming up with an idea, understanding it's not formed | 0:30:45 | 0:30:49 | |
but appreciating the feedback he's got and allowing | 0:30:49 | 0:30:51 | |
other people time to take the floor, which is a real first for him. | 0:30:51 | 0:30:54 | |
I liked the idea initially when I was thinking of the inside | 0:30:54 | 0:30:57 | |
of the sort of awkward Britishness, with queues and stuff like that | 0:30:57 | 0:31:00 | |
and people queue-jumping and getting you to...daring someone to jump | 0:31:00 | 0:31:04 | |
the queue or to do something which is considered rude... | 0:31:04 | 0:31:08 | |
-Boring! Sorry. -How is it...sorry? | 0:31:08 | 0:31:10 | |
That's so rich! That's so rude! | 0:31:10 | 0:31:13 | |
You've sat there, he puts one on the table and you say "boring", that's ridiculous! | 0:31:13 | 0:31:17 | |
Queue-jumping though, that's not, like, it's not... | 0:31:17 | 0:31:20 | |
I just think that's disgraceful! That is just disgraceful! | 0:31:20 | 0:31:24 | |
We've sat listening to your ideas all day, | 0:31:24 | 0:31:27 | |
Carl gives it a go and you yell "boring" over the top. | 0:31:27 | 0:31:30 | |
It's never her that's done the wrong thing unfortunately, | 0:31:30 | 0:31:33 | |
which doesn't make a very good account handler. | 0:31:33 | 0:31:35 | |
Later, Chelsea boy Jon and cheeky Irish lad Carl | 0:31:38 | 0:31:41 | |
seem to be enjoying a love-in as they assess the competition. | 0:31:41 | 0:31:45 | |
As much as I think that Ross has brown-nosed his way | 0:31:45 | 0:31:50 | |
into becoming the kind of secondary leader, you know, | 0:31:50 | 0:31:54 | |
I would love to see you win it and I want you to win it. | 0:31:54 | 0:31:57 | |
So I'm championing you, | 0:31:57 | 0:31:59 | |
obviously, apart from myself. So congratulations. | 0:31:59 | 0:32:02 | |
-Congratulations. -You have my approval! | 0:32:02 | 0:32:05 | |
Meanwhile mystery mole Ross is trying not to blow his cover | 0:32:05 | 0:32:08 | |
as he subtly grills Jo about why she really wants the job. | 0:32:08 | 0:32:13 | |
I didn't think I'd want this job as much as I did when I first started. | 0:32:13 | 0:32:16 | |
And now I've kind of come here and I thought, | 0:32:16 | 0:32:18 | |
-"This is -BLEEP -awesome! This company is amazing!" | 0:32:18 | 0:32:21 | |
I'm like, I want this more than ever, like... | 0:32:21 | 0:32:23 | |
I don't think I've ever wanted anything more. | 0:32:23 | 0:32:26 | |
It's obvious that you're really motivated and driven. | 0:32:26 | 0:32:28 | |
Where do you think you get your drive from? | 0:32:28 | 0:32:30 | |
Mainly it's probably come from my parents. | 0:32:30 | 0:32:32 | |
They're really motivated and they've worked hard. | 0:32:32 | 0:32:35 | |
They're self-starters. | 0:32:35 | 0:32:36 | |
Everything they've done is what they wanted, they aspired for more | 0:32:36 | 0:32:39 | |
and they have always pushed us to do our best. | 0:32:39 | 0:32:41 | |
This experience for me has shown me this is kind of what I want to do. | 0:32:41 | 0:32:45 | |
Obviously I've not worked in an advertising agency before, so I don't really know. | 0:32:45 | 0:32:50 | |
But imagine, in ten years' time if I was the boss of Iris, | 0:32:50 | 0:32:53 | |
like, that's an incredible idea. | 0:32:53 | 0:32:54 | |
-Yeah. -What about you, where are you going to be in ten? | 0:32:54 | 0:32:57 | |
-CEO of a Fortune 500 company. -THEY LAUGH | 0:32:57 | 0:32:59 | |
-How very corporate. -Yeah. | 0:32:59 | 0:33:02 | |
Yeah, in terms of who I feel the frontrunners are, | 0:33:02 | 0:33:06 | |
there are constant adjustments. | 0:33:06 | 0:33:08 | |
And it's little things that may happen in private conversations | 0:33:08 | 0:33:12 | |
or the insight someone may have that they've not really shared. | 0:33:12 | 0:33:15 | |
It's little things like that that just make me go, | 0:33:15 | 0:33:17 | |
"Oh, right. OK, I'll note that down." | 0:33:17 | 0:33:19 | |
So, yeah. It's going to be the hardest decision in the world at the end of the week. | 0:33:19 | 0:33:24 | |
Boring! | 0:33:24 | 0:33:25 | |
I want you to win it! | 0:33:27 | 0:33:29 | |
Despite being rank amateurs when it comes to advertising, | 0:33:32 | 0:33:35 | |
the team have come up with the idea of using | 0:33:35 | 0:33:38 | |
a comedian for their stunt in Waterloo station. | 0:33:38 | 0:33:41 | |
It's very engaging with the audience... | 0:33:41 | 0:33:43 | |
I'm holding a PR stunt | 0:33:45 | 0:33:48 | |
and I'm looking for two comedians, ideally. | 0:33:48 | 0:33:52 | |
They have just 24 hours to create artwork and brief the designers | 0:33:52 | 0:33:57 | |
if they can come up with a catchy slogan. | 0:33:57 | 0:34:00 | |
Is everybody OK with "Give or take a break"? | 0:34:00 | 0:34:02 | |
-Cos I feel like that's a good one. -I think that's the best one so far. | 0:34:02 | 0:34:06 | |
-Jo, do you want to write "Give and take a break" down? -I don't like that. | 0:34:06 | 0:34:09 | |
"A thousand breaks to give or take", what's wrong with that? | 0:34:09 | 0:34:13 | |
"A thousand breaks to give or take". | 0:34:13 | 0:34:15 | |
"One thousand breaks to give or take". | 0:34:15 | 0:34:18 | |
Yes. Oh, I'm such a genius. | 0:34:18 | 0:34:21 | |
The position that we were in last night | 0:34:21 | 0:34:24 | |
to today is a lot more positive. | 0:34:24 | 0:34:26 | |
Everyone's pretty happy with where we've got to. | 0:34:26 | 0:34:29 | |
"A thousand breaks to give and take" across the top. | 0:34:29 | 0:34:33 | |
We've now briefed design and got some ideas on the table of how | 0:34:33 | 0:34:37 | |
things are going to look | 0:34:37 | 0:34:39 | |
and we can almost see the light at the end of the tunnel | 0:34:39 | 0:34:42 | |
in terms of what we're actually going to deliver. | 0:34:42 | 0:34:44 | |
To get the inside track on the group, | 0:34:47 | 0:34:49 | |
and knowing that one of them will be a future workmate, | 0:34:49 | 0:34:52 | |
some of the Iris staff have invited them all out for drinks. | 0:34:52 | 0:34:55 | |
Hi, how you doing? | 0:34:55 | 0:34:57 | |
But Ross' cover is in danger of being blown. | 0:34:57 | 0:35:01 | |
These people are some of his best mates | 0:35:01 | 0:35:03 | |
and drinking buddies from the office. | 0:35:03 | 0:35:06 | |
-Cheers. -Cheers, guys. | 0:35:06 | 0:35:08 | |
How is it, all living together? | 0:35:08 | 0:35:10 | |
It's quite...it's quite intense cos obviously we're working together | 0:35:10 | 0:35:14 | |
during the day and then going home and living with each other, | 0:35:14 | 0:35:17 | |
it's quite like a... | 0:35:17 | 0:35:18 | |
You don't...I don't think you get that in a normal job so... | 0:35:18 | 0:35:22 | |
-It is a little bit like uni again, yeah. -A little bit like that, yeah. | 0:35:22 | 0:35:25 | |
I feel quite lucky to have been thrown into the situation | 0:35:25 | 0:35:27 | |
because I feel like I'm with like-minded people | 0:35:27 | 0:35:30 | |
who'd all do something like this. | 0:35:30 | 0:35:32 | |
As his friends leave, Ross takes a risk, | 0:35:37 | 0:35:39 | |
makes his excuses and dashes outside. | 0:35:39 | 0:35:42 | |
THEY LAUGH | 0:35:42 | 0:35:44 | |
That was so weird! | 0:35:46 | 0:35:48 | |
That was weird. | 0:35:48 | 0:35:50 | |
You have no idea. | 0:35:50 | 0:35:52 | |
That is one of the worst things I've ever done in my whole life. | 0:35:52 | 0:35:55 | |
Were you aware of my strategy of just ignoring you? | 0:35:55 | 0:35:59 | |
Only because I nearly gave the game away as soon as I saw you, | 0:35:59 | 0:36:03 | |
I was like, I need to just not do this, I need to just not talk. | 0:36:03 | 0:36:06 | |
You've done an amazing job. You've done an amazing job. | 0:36:06 | 0:36:09 | |
Done so well! | 0:36:09 | 0:36:11 | |
Have fun with your normal lives! | 0:36:11 | 0:36:14 | |
See you later. | 0:36:14 | 0:36:16 | |
'There was a few moments where just, like,' | 0:36:16 | 0:36:18 | |
me and Jess were looking at each other and she was talking | 0:36:18 | 0:36:21 | |
and I just couldn't do it any more. | 0:36:21 | 0:36:23 | |
And she was just looking at me, trying to continue her conversation. | 0:36:23 | 0:36:26 | |
I was like, I can't... This... | 0:36:26 | 0:36:27 | |
"I need to turn round, | 0:36:27 | 0:36:30 | |
"I'm going to ruin this for everyone if I don't stop looking at you." | 0:36:30 | 0:36:34 | |
If you guys need to talk about "marketing" | 0:36:37 | 0:36:40 | |
and "experiential" and boring terms... | 0:36:40 | 0:36:43 | |
In the morning, the gang have their most important pitch to date | 0:36:45 | 0:36:50 | |
but this doesn't seem to bother the lads. | 0:36:50 | 0:36:52 | |
Ross is not amused. | 0:36:52 | 0:36:54 | |
Bearing in mind that we have got the biggest client meeting we've had tomorrow, | 0:36:54 | 0:37:01 | |
it's a bit out of line, | 0:37:01 | 0:37:02 | |
considering we've not even built a presentation yet. | 0:37:02 | 0:37:05 | |
Jo was in her room sorting out budgets | 0:37:05 | 0:37:09 | |
and Danielle's working really hard, or trying to. | 0:37:09 | 0:37:13 | |
This is a huge responsibility and a huge opportunity, | 0:37:16 | 0:37:19 | |
your last chance to shine, and this is what you're choosing to do. | 0:37:19 | 0:37:22 | |
This has an impact on the future career that any one of these people could have. | 0:37:22 | 0:37:26 | |
With only two days left until the group find out who has won the job, | 0:37:32 | 0:37:37 | |
have Jon and Carl blown their chances? | 0:37:37 | 0:37:40 | |
Ross has told the others he's off to the doctor, | 0:37:41 | 0:37:45 | |
but after last night's shenanigans, | 0:37:45 | 0:37:46 | |
he's actually off to warn Steve | 0:37:46 | 0:37:48 | |
that their pitch to one of the company's most important clients | 0:37:48 | 0:37:52 | |
could be about to go horribly wrong. | 0:37:52 | 0:37:55 | |
-How's it been going? -Jon and Carl got pretty pissed last night. | 0:37:55 | 0:37:59 | |
Incredible. | 0:37:59 | 0:38:01 | |
I was a bit like, "Wow! That's not what I was expecting." | 0:38:01 | 0:38:03 | |
-Especially about Carl. -Especially about Carl cos Carl's really... | 0:38:03 | 0:38:07 | |
He really put in the effort this week. | 0:38:07 | 0:38:09 | |
Danielle really stepped up to the plate | 0:38:09 | 0:38:11 | |
and actually sat up till four in the morning, on her own, | 0:38:11 | 0:38:14 | |
doing a presentation for the meeting that we've got at 11 o'clock. | 0:38:14 | 0:38:18 | |
I really like Danielle and she's bright and she's insightful | 0:38:18 | 0:38:21 | |
and strategically she's on it. | 0:38:21 | 0:38:23 | |
But has she got what it takes to be able to be that show person | 0:38:23 | 0:38:26 | |
that the clients hang on every word that she's saying? | 0:38:26 | 0:38:28 | |
I guess we've got a big meeting with the client, | 0:38:28 | 0:38:30 | |
so we've got to make sure that the presentation is sharp. | 0:38:30 | 0:38:33 | |
The group will be pitching to Kit Kat via video conference call. | 0:38:33 | 0:38:38 | |
-Hi, guys. -Morning. | 0:38:38 | 0:38:40 | |
Their whole concept rides on the use of comedy. | 0:38:40 | 0:38:44 | |
Let's just hope that the client is laughing, | 0:38:44 | 0:38:46 | |
otherwise they'll lose the company a very valuable job. | 0:38:46 | 0:38:50 | |
Big client, big opportunity. | 0:38:50 | 0:38:51 | |
Obviously Danielle's done all the work | 0:38:51 | 0:38:54 | |
so who knows what's going to happen on this video conference? | 0:38:54 | 0:38:57 | |
Focusing on the fact that we really want to put a smile | 0:38:57 | 0:38:59 | |
on consumers' faces, we'd really like to focus on the comedy element. | 0:38:59 | 0:39:04 | |
So basically what we wanted to do was kind of really set it up | 0:39:04 | 0:39:07 | |
as an audience and so it's like an intimate performance. | 0:39:07 | 0:39:11 | |
We want to set out deckchairs in a way that the people | 0:39:11 | 0:39:14 | |
who are sitting on them really feel as though they're at a show. | 0:39:14 | 0:39:17 | |
Using our deckchairs, creating a stage, | 0:39:17 | 0:39:19 | |
we could have on stage comedians conveying humour. | 0:39:19 | 0:39:23 | |
I think the use of comedy is really strong. | 0:39:23 | 0:39:26 | |
We haven't actually booked the comedians yet, | 0:39:26 | 0:39:28 | |
that's something we're still looking into, | 0:39:28 | 0:39:31 | |
avenues of which comedians and timings. | 0:39:31 | 0:39:33 | |
But, yeah, we're hoping to have more than a couple. | 0:39:33 | 0:39:35 | |
Did we say we're 90% sure we can get a comedian, yeah? | 0:39:35 | 0:39:38 | |
I really like the quirkiness and the comedic value. | 0:39:40 | 0:39:43 | |
I would urge you to try and make sure that happens. | 0:39:43 | 0:39:47 | |
I don't know why Jo decided to promise three comedians | 0:39:47 | 0:39:49 | |
when we've not even got one on the table yet. | 0:39:49 | 0:39:52 | |
It really showed me her lack of experience, lack of thought, | 0:39:52 | 0:39:55 | |
lack of collaboration. | 0:39:55 | 0:39:57 | |
-We said to the client in the end... -Two or more. | 0:39:57 | 0:40:00 | |
..two or more, didn't we? | 0:40:00 | 0:40:02 | |
With the success of the project now depending on them | 0:40:02 | 0:40:05 | |
finding two comedians, everyone hits the phone. | 0:40:05 | 0:40:09 | |
Yeah, we're going to pull in as many people as possible around the area. | 0:40:09 | 0:40:13 | |
It's a really exciting kind of experiential marketing campaign. | 0:40:13 | 0:40:16 | |
Is there anyone else you could recommend? | 0:40:16 | 0:40:19 | |
After hours of searching for a comedian, | 0:40:19 | 0:40:21 | |
it seems cheeky Carl's friendly phone manner has paid off. | 0:40:21 | 0:40:24 | |
We really like Paul Piers, we think he really fits the bill really well. | 0:40:24 | 0:40:29 | |
We think this guy is probably perfect for us, | 0:40:29 | 0:40:31 | |
we're really happy with him and I think we | 0:40:31 | 0:40:34 | |
definitely want to confirm Paul with you, Clive, please. | 0:40:34 | 0:40:37 | |
Funnily enough, although Carl's behaviour last night | 0:40:37 | 0:40:39 | |
was like sort of blowing off some steam, | 0:40:39 | 0:40:42 | |
he's really stepped up to the plate today. | 0:40:42 | 0:40:44 | |
My decision's a really, really difficult one now. | 0:40:44 | 0:40:47 | |
In less than 48 hours, | 0:40:47 | 0:40:49 | |
Ross must decide who gets the job of account executive, | 0:40:49 | 0:40:53 | |
but it seems that some are sizing him up as their main competition. | 0:40:53 | 0:40:57 | |
I feel that whenever we're in a group situation, | 0:40:57 | 0:41:00 | |
Ross will always, he'd always... naturally likes to take the lead. | 0:41:00 | 0:41:04 | |
I don't know, I've always got that impression from him, that he's just like, | 0:41:04 | 0:41:07 | |
"I'm worthy of the job and I'm the full package" | 0:41:07 | 0:41:09 | |
and he doesn't feel anyone could compete with him. | 0:41:09 | 0:41:12 | |
Meanwhile, he's subtly trying to work out where Danielle's lack of confidence stems from | 0:41:12 | 0:41:16 | |
and if it's something she can overcome. | 0:41:16 | 0:41:19 | |
My mum worked her way up and I feel as though I'm here | 0:41:19 | 0:41:22 | |
-because she provided that for me. -Yeah. -Do you know what I mean? | 0:41:22 | 0:41:24 | |
But I think I kind of carry that kind of background with me, | 0:41:24 | 0:41:30 | |
more on show than what the rest of yous do. | 0:41:30 | 0:41:32 | |
I do kind of put extra pressure on myself and I probably am | 0:41:32 | 0:41:36 | |
more critical about myself than what I probably should be. | 0:41:36 | 0:41:40 | |
I don't know, I feel as though I've kind of retreated a little bit. | 0:41:40 | 0:41:43 | |
I see you as my biggest competition here. | 0:41:43 | 0:41:46 | |
If you stop thinking what you've not got | 0:41:46 | 0:41:48 | |
and realise what you do have, you can absolutely kill it. | 0:41:48 | 0:41:52 | |
It's such a sweet thing to say. | 0:41:52 | 0:41:54 | |
Give me a hug now. | 0:41:54 | 0:41:56 | |
If she could get over the idea of "that's not for the likes of me", | 0:42:00 | 0:42:04 | |
and obviously if she can learn to express herself more directly | 0:42:04 | 0:42:07 | |
in the way that her point cuts through first time, | 0:42:07 | 0:42:10 | |
she seems like a great choice. | 0:42:10 | 0:42:12 | |
He doesn't feel like anyone else could compete with him. | 0:42:15 | 0:42:17 | |
The team have just one day left | 0:42:27 | 0:42:29 | |
before one of them wins the job at Iris. | 0:42:29 | 0:42:32 | |
It's their last chance to impress as they execute their stunt | 0:42:32 | 0:42:35 | |
in London's Waterloo station. | 0:42:35 | 0:42:37 | |
Once we get the bins in we can sort of start stuffing those in again. | 0:42:39 | 0:42:43 | |
They have until 11am to set up their stand | 0:42:46 | 0:42:49 | |
and just two hours to convince 1,000 commuters | 0:42:49 | 0:42:52 | |
to take a break and have a chocolate bar. | 0:42:52 | 0:42:55 | |
We need to get these unwrapped. | 0:42:55 | 0:42:57 | |
We need the screen, and the Kit Kat Chunky bars we need to get into these. | 0:42:57 | 0:43:00 | |
We still have another about 400 sleeves to put on the bars | 0:43:00 | 0:43:05 | |
so yeah, a lot to do. | 0:43:05 | 0:43:07 | |
So they've only got two hours and they're five minutes into that already. | 0:43:07 | 0:43:11 | |
It's not the best of starts, if I'm being honest. | 0:43:11 | 0:43:14 | |
The bosses may be watching from the sidelines, | 0:43:14 | 0:43:16 | |
but Ross is in the thick of it | 0:43:16 | 0:43:18 | |
just as the bottom falls out of their plan. | 0:43:18 | 0:43:21 | |
Um, what are we going to do? | 0:43:22 | 0:43:23 | |
-Um? -Um, there's still so many in there. | 0:43:25 | 0:43:29 | |
Shall we lift this up? | 0:43:29 | 0:43:32 | |
Oh, my gosh! | 0:43:32 | 0:43:33 | |
We've had a number of disasters. | 0:43:36 | 0:43:39 | |
It's panic rather than enjoyment at this stage for everyone. | 0:43:40 | 0:43:43 | |
Let's get these off and let's do this. OK, let's go. | 0:43:43 | 0:43:46 | |
Free comedy. Take a break with Kit Kat Chunky. | 0:43:46 | 0:43:49 | |
Take a break? Yeah, yeah, let's do that. | 0:43:49 | 0:43:51 | |
Despite starting 15 minutes late and their bin collapsing, | 0:43:51 | 0:43:55 | |
their stunt is finally under way. | 0:43:55 | 0:43:58 | |
Luckily just as the clients show up. | 0:43:58 | 0:44:00 | |
-Good to see you. -Audience! CHEERING | 0:44:01 | 0:44:04 | |
Do you like Kit Kat? Go on, you can have a Kit Kat just for that. | 0:44:04 | 0:44:06 | |
You've got one already, have another one. Yes. | 0:44:06 | 0:44:09 | |
Give us a cheer if you're from, say, London originally. | 0:44:09 | 0:44:12 | |
Oh, very polite! How British are you? You're so... | 0:44:13 | 0:44:17 | |
So far Danielle has been a favourite for the job, | 0:44:17 | 0:44:20 | |
but today she's struggling. | 0:44:20 | 0:44:22 | |
Excuse me, have you got five minutes to have a break with us? | 0:44:22 | 0:44:25 | |
I'm from Kit Kat Chunky. Free comedy. | 0:44:25 | 0:44:27 | |
This is no good. | 0:44:27 | 0:44:29 | |
It really dents your confidence when you can't give away chocolate. | 0:44:29 | 0:44:33 | |
It's really frustrating. | 0:44:33 | 0:44:36 | |
Have a lovely day. | 0:44:36 | 0:44:37 | |
At least party boy Jon still believes his own hype. | 0:44:37 | 0:44:40 | |
I feel like I'm still very much the frontrunner for this. | 0:44:40 | 0:44:43 | |
-You know, the tag line is...um, yes. -Where do you want this? | 0:44:43 | 0:44:46 | |
And look what he's turfed up now. | 0:44:46 | 0:44:48 | |
Are we going to be able to put this... | 0:44:48 | 0:44:51 | |
How are we going to do this? | 0:44:51 | 0:44:52 | |
Can we? We can't do it. | 0:44:52 | 0:44:54 | |
Jon decided that it would look rubbish | 0:44:54 | 0:44:56 | |
if it was just the concourse floor and there wasn't like a, you know, | 0:44:56 | 0:45:00 | |
I don't know, a separation area kind of reserved. | 0:45:00 | 0:45:03 | |
So he wanted like an AstroTurf square | 0:45:03 | 0:45:05 | |
and what actually happened was Jon ordered that at eight this morning. | 0:45:05 | 0:45:09 | |
It cost 420 quid, which is a huge sort of misjudgment. | 0:45:09 | 0:45:13 | |
It's an error. | 0:45:13 | 0:45:15 | |
Tomorrow, one person will be given a full-time job at Iris. | 0:45:15 | 0:45:20 | |
With this in mind, Steve steals a chat with Ross to get his thoughts. | 0:45:20 | 0:45:24 | |
-How's it going? -Yeah, I'm not overly impressed, to be honest. | 0:45:24 | 0:45:28 | |
-Really? -It's just... -It is a shambles. | 0:45:28 | 0:45:30 | |
-Yeah, it is a shambles. -But who's... | 0:45:30 | 0:45:32 | |
The only two people actually shining right now are Jo and Carl. | 0:45:32 | 0:45:35 | |
Jo is really on it with the comedian, Carl's just putting in a lot of effort. | 0:45:35 | 0:45:39 | |
So those are the only two that are really actually doing stuff for me. | 0:45:39 | 0:45:42 | |
With just ten minutes to go, | 0:45:42 | 0:45:45 | |
there's certainly no time for the candidates to take a break. | 0:45:45 | 0:45:48 | |
I'm going to make sure everyone gets a box each and starts | 0:45:48 | 0:45:50 | |
handing out Kit Kats whilst drawing people in at the same time. | 0:45:50 | 0:45:54 | |
Have a break with Kit Kat and smile. Thank you. | 0:45:54 | 0:45:56 | |
-Guys, take a seat, have a break. -Thank you. | 0:45:56 | 0:45:59 | |
Free stand-up. | 0:45:59 | 0:46:00 | |
We hit a thousand smiles, ladies and gentlemen! | 0:46:00 | 0:46:04 | |
-Yes! A thousand smiles! -APPLAUSE | 0:46:04 | 0:46:07 | |
People who took charge, some people who really impressed, | 0:46:07 | 0:46:09 | |
some people who kind of just stood back and handed out | 0:46:09 | 0:46:11 | |
chocolate bars, and it's kind of... the decision's a really hard one. | 0:46:11 | 0:46:15 | |
I think after today and I think after the execution | 0:46:15 | 0:46:18 | |
of the Kit Kat challenge I think I'm the favourite for the job tomorrow. | 0:46:18 | 0:46:20 | |
I feel pretty confident about tomorrow. | 0:46:20 | 0:46:22 | |
I think that I've sort of progressed a lot since coming into this agency last week. | 0:46:22 | 0:46:27 | |
In terms of getting the job done and contributing to the tasks | 0:46:27 | 0:46:30 | |
I have gone out of my way to do that | 0:46:30 | 0:46:31 | |
so I've tried to do the job as best as I can. | 0:46:31 | 0:46:34 | |
I'm still very much the frontrunner for this competition | 0:46:34 | 0:46:36 | |
and I should be, you know, signing the contract any day now. | 0:46:36 | 0:46:40 | |
I feel pretty confident about tomorrow. | 0:46:40 | 0:46:43 | |
Frontrunner to this competition. | 0:46:43 | 0:46:45 | |
Gone out of my way to do that. | 0:46:45 | 0:46:47 | |
It's their last night together | 0:46:48 | 0:46:50 | |
and the unsuspecting housemates think it's a chance to relax. | 0:46:50 | 0:46:54 | |
I've told everyone to their face | 0:46:54 | 0:46:56 | |
how I felt about the last couple of weeks, | 0:46:56 | 0:46:58 | |
and you all annoying me, apart from him. | 0:46:58 | 0:47:01 | |
Little do they know that they're hanging out with the person | 0:47:01 | 0:47:04 | |
who'll decide which one of them gets the job. | 0:47:04 | 0:47:07 | |
You're actually not bad people, which is good. | 0:47:07 | 0:47:09 | |
And I had a good chat with Ross... That's your name, isn't it? | 0:47:09 | 0:47:13 | |
Yeah. | 0:47:13 | 0:47:15 | |
Yeah, he's not a bad lad. Bit boring but he's fine. | 0:47:15 | 0:47:19 | |
-And I respect you for that, so... -You don't know me! -Fair play. | 0:47:19 | 0:47:22 | |
He's a nice guy. | 0:47:22 | 0:47:24 | |
You, no matter what you do you still bore me to death. | 0:47:24 | 0:47:27 | |
Danielle, you're a lovely person | 0:47:27 | 0:47:29 | |
and, you know, you've gone downhill the last couple of days. | 0:47:29 | 0:47:34 | |
Carl, Carl's my baby. | 0:47:34 | 0:47:36 | |
I love this guy, he's a funny guy. | 0:47:36 | 0:47:39 | |
Is he good at the job? Phhph, rubbish. | 0:47:39 | 0:47:41 | |
THEY LAUGH | 0:47:41 | 0:47:43 | |
'I genuinely didn't think | 0:47:43 | 0:47:44 | |
'I would care about the people as much as I do.' | 0:47:44 | 0:47:47 | |
Like they're all, they're all great in their own different ways. | 0:47:47 | 0:47:50 | |
They're all very different, which makes it even harder for me. | 0:47:50 | 0:47:53 | |
Tomorrow, yeah, delivering the best news to some people | 0:47:53 | 0:47:57 | |
and the worst news to others. | 0:47:57 | 0:48:00 | |
Effectively I'm breaking up with three people | 0:48:00 | 0:48:02 | |
and telling someone I'd like to see them for a very long time. | 0:48:02 | 0:48:06 | |
For the last ten days, the four wannabe account executives | 0:48:08 | 0:48:12 | |
have competed for the job of a lifetime. | 0:48:12 | 0:48:14 | |
Today the winner will be announced. | 0:48:14 | 0:48:18 | |
It's the morning of one of the biggest days of my life. | 0:48:18 | 0:48:22 | |
They know what they're looking for and I hope it's me. | 0:48:22 | 0:48:26 | |
If not, I mean, I think it might be Carl or Ross. | 0:48:26 | 0:48:30 | |
I think if I had to sum up the past two weeks in three words | 0:48:30 | 0:48:33 | |
they would be intense, real and affirming. | 0:48:33 | 0:48:40 | |
Despite my somewhat annoying ways, you know, | 0:48:43 | 0:48:46 | |
I can bring a lot to the table when needed to. | 0:48:46 | 0:48:50 | |
When it comes to it I can work in a team. | 0:48:52 | 0:48:54 | |
If you'd asked me that question at the start of this I would have said absolutely no way. | 0:48:54 | 0:49:00 | |
I literally do think that this is going to be life-changing for me. | 0:49:00 | 0:49:04 | |
Even though I don't think I'm going to win the job, | 0:49:04 | 0:49:06 | |
this experience is really going to help who I am and my career. | 0:49:06 | 0:49:10 | |
Ross not only has the pressure of deciding their fate | 0:49:10 | 0:49:14 | |
but later will also reveal his true identity. | 0:49:14 | 0:49:17 | |
It's crunch time for me. | 0:49:17 | 0:49:19 | |
I know what's happening today and I'm pretty happy with it. | 0:49:22 | 0:49:25 | |
I'm sure one other person's going to be very happy with it | 0:49:25 | 0:49:28 | |
so it's going to be a strange day and one I'll remember for ever. | 0:49:28 | 0:49:33 | |
The group are heading into Iris | 0:49:37 | 0:49:39 | |
to find out who's got the job of account executive. | 0:49:39 | 0:49:42 | |
They're also about to get the shock of their lives. | 0:49:45 | 0:49:49 | |
It's been a pretty tough two weeks for you, | 0:50:05 | 0:50:07 | |
you've been chucked in at the deep end, | 0:50:07 | 0:50:09 | |
you've been given real briefs from real clients. | 0:50:09 | 0:50:12 | |
This is a tough time for us cos we have to make a decision now. | 0:50:12 | 0:50:15 | |
Although in normal situations it would be myself | 0:50:20 | 0:50:25 | |
that made the decision when it comes to | 0:50:25 | 0:50:27 | |
employing talent within the agency, | 0:50:27 | 0:50:30 | |
I think there's somebody who is going to be a much better person | 0:50:30 | 0:50:34 | |
than myself to actually make the decision | 0:50:34 | 0:50:37 | |
when it comes to which of the five candidates we actually take on. | 0:50:37 | 0:50:41 | |
And that person is sitting here in the room. | 0:50:44 | 0:50:48 | |
What the hell? | 0:50:48 | 0:50:52 | |
-Is this actually happening? -I'm so confused right now. | 0:50:52 | 0:50:56 | |
That person is one of the most talented account managers | 0:50:56 | 0:50:59 | |
that we've got within the agency. | 0:50:59 | 0:51:01 | |
It's going to be Ross. | 0:51:02 | 0:51:04 | |
-Oh, my gosh! -Oh! | 0:51:07 | 0:51:10 | |
Oh, my gosh. | 0:51:17 | 0:51:20 | |
-Oh, my God! -Oh, dear! | 0:51:20 | 0:51:23 | |
Oh, my God! | 0:51:23 | 0:51:25 | |
I have been working at Iris for the last two years, | 0:51:26 | 0:51:29 | |
I'm an account manager here | 0:51:29 | 0:51:30 | |
and this has become the greatest job interview | 0:51:30 | 0:51:33 | |
and the most insightful job interview you're ever going to have. | 0:51:33 | 0:51:36 | |
This now means that nothing you have said | 0:51:36 | 0:51:38 | |
can be taken out of context, | 0:51:38 | 0:51:40 | |
that you've not had to impress me, but you have. | 0:51:40 | 0:51:43 | |
All of you have. | 0:51:43 | 0:51:44 | |
If you could all leave the room now | 0:51:49 | 0:51:51 | |
and then Ross will feed back to you individually. | 0:51:51 | 0:51:54 | |
This is so confusing. | 0:51:54 | 0:51:56 | |
This is the first time in the last week or two weeks | 0:52:00 | 0:52:04 | |
that I'm actually lost for words. | 0:52:04 | 0:52:07 | |
My mind is blank, | 0:52:07 | 0:52:08 | |
I just feel like...cos he's probably the one out of all of you... | 0:52:08 | 0:52:11 | |
I'm getting emotional... | 0:52:11 | 0:52:13 | |
..who I've spoken to on a level... It just feels... | 0:52:13 | 0:52:15 | |
Wow. Confusing. | 0:52:21 | 0:52:24 | |
-Hey, don't worry about it, come on. -What's so upsetting? | 0:52:28 | 0:52:31 | |
I don't know. It just feels like... | 0:52:31 | 0:52:33 | |
That's good, because you said that they don't know the real you, but they do. | 0:52:33 | 0:52:36 | |
Because Ross knows the real you and that's more important than them thinking that they know who you are. | 0:52:36 | 0:52:40 | |
-And that's good. -It's just really like, literally... | 0:52:40 | 0:52:43 | |
-Overwhelming? -Yes. | 0:52:43 | 0:52:45 | |
Win or lose, I know it'll be made on the right decision. | 0:52:46 | 0:52:50 | |
I know he's got a full picture of me and I know he knows the real me. | 0:52:50 | 0:52:53 | |
I'm shocked but I think my chances of getting the job have increased. | 0:52:53 | 0:52:58 | |
It'll be quite cringeworthy if I'm wrong but we'll just have to wait and see what happens | 0:52:58 | 0:53:02 | |
but, yeah, I think I've nailed it. | 0:53:02 | 0:53:04 | |
-Hello. -Hello. | 0:53:09 | 0:53:11 | |
Ross, if that is your real name. | 0:53:11 | 0:53:14 | |
It is definitely Ross. | 0:53:14 | 0:53:16 | |
-Hello. -Hi, Jo. | 0:53:16 | 0:53:19 | |
-Hi, Carl. -Ross, how's it going? | 0:53:19 | 0:53:22 | |
Good. Please have a seat. | 0:53:22 | 0:53:23 | |
Ah, right. | 0:53:28 | 0:53:30 | |
First of all I do want to point out that you've done incredibly well. | 0:53:30 | 0:53:33 | |
You can't teach creativity, | 0:53:33 | 0:53:35 | |
you can't teach someone to be a creative genius. | 0:53:35 | 0:53:38 | |
I'm definitely not calling you a creative genius | 0:53:38 | 0:53:40 | |
but you were the one that came up with the good ideas. | 0:53:40 | 0:53:44 | |
You're very professional, always on point, | 0:53:44 | 0:53:47 | |
always understanding how to present. | 0:53:47 | 0:53:49 | |
It's hard not to smile when you're around you | 0:53:49 | 0:53:52 | |
and that is something that's so transferable to this job. | 0:53:52 | 0:53:55 | |
You're worth your weight in gold, Carl, | 0:53:55 | 0:53:57 | |
in terms of creating relationships. | 0:53:57 | 0:53:59 | |
You get a client brief and you know exactly what needs to be done | 0:53:59 | 0:54:02 | |
and how it's going to be done and that's a gift. | 0:54:02 | 0:54:05 | |
To cut to the chase, there's one job. | 0:54:05 | 0:54:09 | |
Ultimately, I would... | 0:54:19 | 0:54:21 | |
-I'd like to offer you a job here at Iris. -Thank you. | 0:54:21 | 0:54:24 | |
Come over here. THEY LAUGH | 0:54:26 | 0:54:28 | |
-Well done. -I'm so chuffed. -Good, you should be! | 0:54:31 | 0:54:33 | |
I couldn't be happier with this result, | 0:54:33 | 0:54:35 | |
I mean, it's the best outcome I could have hoped for. | 0:54:35 | 0:54:38 | |
I definitely want to go into the advertising industry. | 0:54:38 | 0:54:41 | |
In fact, I am in the advertising industry now. Yes! | 0:54:41 | 0:54:44 | |
I think they made a decision based on what | 0:54:44 | 0:54:46 | |
they were looking for in a candidate and if I wasn't that person | 0:54:46 | 0:54:49 | |
then that's something they obviously weren't looking for. | 0:54:49 | 0:54:52 | |
It's been very difficult at times to sort of bite my tongue | 0:54:53 | 0:54:56 | |
and fit into a team. | 0:54:56 | 0:54:59 | |
But, you know, I've realised that sometimes it's worth trying | 0:54:59 | 0:55:02 | |
not to cause too much friction, for the benefit of everyone. | 0:55:02 | 0:55:06 | |
It's been the most truthful job interview I've ever had. | 0:55:08 | 0:55:11 | |
Gets a fully rounded picture so it's the fairest way to do it | 0:55:11 | 0:55:15 | |
and because of that I'm not disappointed by the result. | 0:55:15 | 0:55:19 | |
I'm really happy to have Carl. | 0:55:19 | 0:55:21 | |
He's a great guy, he's so nice | 0:55:21 | 0:55:23 | |
and friendly and funny, so I can't wait for him | 0:55:23 | 0:55:25 | |
to get stuck in just as much as he can't himself. | 0:55:25 | 0:55:29 | |
There's no way that any interview could possibly compete | 0:55:29 | 0:55:31 | |
with what we've just been through. | 0:55:31 | 0:55:33 | |
This is getting to know real people | 0:55:33 | 0:55:35 | |
in real situations to offer them a real job. | 0:55:35 | 0:55:38 | |
# I want to sing | 0:55:40 | 0:55:42 | |
# I want to shout | 0:55:42 | 0:55:45 | |
# I want to scream till the words dry out | 0:55:45 | 0:55:48 | |
# So put it in all of the papers | 0:55:49 | 0:55:53 | |
# I'm not afraid | 0:55:53 | 0:55:54 | |
# They can read all about it | 0:55:55 | 0:55:58 | |
# Read all about it | 0:55:58 | 0:56:00 | |
# Oh... # | 0:56:00 | 0:56:03 | |
Next time, four hopefuls go head-to-head | 0:56:12 | 0:56:17 | |
to win a job at one of the UK's fastest-growing websites. | 0:56:17 | 0:56:20 | |
It was stupid. | 0:56:20 | 0:56:22 | |
But what happens when they discover a company mole has infiltrated the group? | 0:56:22 | 0:56:27 | |
That person is sitting at this table right now. | 0:56:27 | 0:56:32 | |
# I want to sing | 0:56:32 | 0:56:34 | |
# I want to shout | 0:56:34 | 0:56:36 | |
# I want to scream till the words dry out | 0:56:36 | 0:56:40 | |
# So put it in all of the papers | 0:56:40 | 0:56:44 | |
# I'm not afraid | 0:56:44 | 0:56:46 | |
# They can read all about it | 0:56:46 | 0:56:49 | |
# Read all about it | 0:56:49 | 0:56:51 | |
# Oh. # | 0:56:51 | 0:56:53 | |
Subtitles by Red Bee Media Ltd | 0:56:59 | 0:57:01 |