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From the depths of the earth... to the crests of the mountains... | 0:00:02 | 0:00:04 | |
My legs have gone weird. | 0:00:04 | 0:00:06 | |
..these crusading grooms must rise to the challenge. | 0:00:06 | 0:00:10 | |
£12,000... | 0:00:11 | 0:00:12 | |
..and just three weeks... | 0:00:14 | 0:00:15 | |
I love that girl! I love her! | 0:00:15 | 0:00:18 | |
..to plan a wedding worthy of their betrothed. | 0:00:18 | 0:00:20 | |
Oh, my God. What's he done?! | 0:00:20 | 0:00:22 | |
He just took my dress! | 0:00:22 | 0:00:24 | |
These fair maidens are bound by contract to be legally wedded... | 0:00:24 | 0:00:28 | |
I hate it. | 0:00:28 | 0:00:29 | |
..but have no say in their big day. | 0:00:29 | 0:00:31 | |
Is it all just going to be last-minute and just rubbish? | 0:00:31 | 0:00:34 | |
Where'd he get green from?! | 0:00:34 | 0:00:37 | |
Can these hapless heroes marshal their armies... | 0:00:37 | 0:00:40 | |
Just leave me to drown! | 0:00:42 | 0:00:44 | |
..vanquish dragons... | 0:00:44 | 0:00:46 | |
-Oh! -Do as your future mother-in-law tells you! | 0:00:46 | 0:00:49 | |
..and conquer all before them? | 0:00:49 | 0:00:51 | |
Get out of my pub! | 0:00:51 | 0:00:53 | |
Or will they be... | 0:00:53 | 0:00:55 | |
..defeated? | 0:00:56 | 0:00:58 | |
I'm not doing it. | 0:00:58 | 0:00:59 | |
Tonight, professional magician Jack... | 0:01:01 | 0:01:03 | |
..Not any more. | 0:01:03 | 0:01:06 | |
..wants a show-stopping wedding with his magic centre stage. | 0:01:06 | 0:01:09 | |
We're having a theatre, fact. It's got to be done. | 0:01:09 | 0:01:12 | |
While all his bride Sarah wants is one day without any tricks. | 0:01:12 | 0:01:16 | |
I just want us to be the centre of attention, | 0:01:16 | 0:01:19 | |
not magic be the centre of attention. | 0:01:19 | 0:01:21 | |
Can Jack keep control of his conjuring? | 0:01:21 | 0:01:23 | |
Paul Daniels and Debbie McGee. | 0:01:23 | 0:01:25 | |
Without one, you wouldn't have the other. | 0:01:25 | 0:01:27 | |
Will he sweep his bride off her feet? | 0:01:27 | 0:01:29 | |
Not only is it my first illusion, I'm floating my wife. | 0:01:29 | 0:01:33 | |
Brilliant. | 0:01:33 | 0:01:34 | |
Could it be magic, or will it be tragic? | 0:01:34 | 0:01:38 | |
-Sarah, are you all right, darling? -WEEPING | 0:01:38 | 0:01:40 | |
Oh, for goodness' sake. | 0:01:40 | 0:01:41 | |
What is he thinking of? | 0:01:41 | 0:01:43 | |
21-year-old Jack from Burton-upon-Trent | 0:01:55 | 0:01:58 | |
first laid eyes on his 20-year-old bride-to-be Sarah four years ago | 0:01:58 | 0:02:02 | |
in a bar on board a cruise. | 0:02:02 | 0:02:04 | |
Words cannot describe the butterflies that a man gets | 0:02:04 | 0:02:08 | |
when you know something is right. | 0:02:08 | 0:02:10 | |
You just get this wave of... wow, she is just amazing. | 0:02:10 | 0:02:16 | |
We was both suited and booted. It was in one of the cabaret lounges. | 0:02:19 | 0:02:22 | |
Every time we picked up our drink, it was just like an awkward moment | 0:02:22 | 0:02:25 | |
and then looking away again. | 0:02:25 | 0:02:28 | |
It was nice, but we just didn't know what to say. | 0:02:28 | 0:02:31 | |
And then, all of a sudden, | 0:02:31 | 0:02:32 | |
a conga line went past and Jack went, "Do you like the show?" | 0:02:32 | 0:02:35 | |
Cruise over, they decided to conga for longer | 0:02:37 | 0:02:41 | |
and fell completely in love. | 0:02:41 | 0:02:42 | |
Can I be honest? I do love absolutely everything about her. | 0:02:42 | 0:02:47 | |
I honestly don't think there's one thing | 0:02:47 | 0:02:50 | |
I could turn around and say, "That's something I don't like." | 0:02:50 | 0:02:53 | |
I just love how fun and friendly and happy he is | 0:02:53 | 0:02:57 | |
because, before I met him, I was quite a reserved person. | 0:02:57 | 0:03:01 | |
Now, we don't really have a dull moment. | 0:03:01 | 0:03:04 | |
But there is another love in Jack's life. His day job. | 0:03:04 | 0:03:08 | |
Me and magic are like this. I'm a magician for the rest of my life. | 0:03:08 | 0:03:13 | |
Without the magic, there would definitely be no Jack. | 0:03:13 | 0:03:16 | |
Not only does he do magic when he is outside at events, | 0:03:16 | 0:03:19 | |
he also brings it back home so we could be sat on the sofa | 0:03:19 | 0:03:22 | |
and he could be learning new magic tricks or asking me, | 0:03:22 | 0:03:25 | |
"Does this look all right? | 0:03:25 | 0:03:26 | |
"What do you think of this trick? What's your reaction?" | 0:03:26 | 0:03:29 | |
You're born to be a dancer or a singer or an actor. | 0:03:31 | 0:03:34 | |
I was born to be a magician. | 0:03:34 | 0:03:36 | |
In fact, it's tricks and illusions 24/7 for these love birds. | 0:03:36 | 0:03:39 | |
And it's in the bedroom that the magic really happens. No, really. | 0:03:39 | 0:03:44 | |
Babe, did you see how high I got that one there? | 0:03:44 | 0:03:46 | |
Sometimes when he's learning a new trick, | 0:03:46 | 0:03:48 | |
he'll just keep practising it over and over and over again. | 0:03:48 | 0:03:51 | |
It's really repetitive and really quite frustrating sometimes. | 0:03:51 | 0:03:54 | |
But while Sarah sometimes wishes her showman would put his wand away, | 0:03:54 | 0:03:58 | |
Jack just can't resist an opportunity to whip it out. | 0:03:58 | 0:04:02 | |
How are you, dude? Good to see you. Are you well? | 0:04:02 | 0:04:05 | |
Sometimes it feels like magic's a bit in front of me | 0:04:05 | 0:04:09 | |
and I'm a bit on the back burner a bit. | 0:04:09 | 0:04:11 | |
-I've got a new one, do you want to see it? -Go on, mate. | 0:04:11 | 0:04:14 | |
Shall I show him the trick? | 0:04:14 | 0:04:16 | |
Jack has been performing close-up hand magic professionally | 0:04:16 | 0:04:20 | |
since he was 15 | 0:04:20 | 0:04:21 | |
and has ambitions to take it all the way to the top. | 0:04:21 | 0:04:24 | |
My buzz is getting either a round of applause | 0:04:24 | 0:04:26 | |
or seeing people's faces and those reactions. | 0:04:26 | 0:04:29 | |
That is what gets my adrenaline going. | 0:04:29 | 0:04:31 | |
For some people, it might be going on a rollercoaster | 0:04:31 | 0:04:34 | |
or going on a ride. For me, | 0:04:34 | 0:04:35 | |
it's simply standing in front of an audience and doing what I do best. | 0:04:35 | 0:04:39 | |
-The two. -Not any more. | 0:04:40 | 0:04:42 | |
That, for me, is the reason I am a magician. | 0:04:42 | 0:04:46 | |
But there is one trick he hasn't mastered yet. | 0:04:49 | 0:04:53 | |
Moving out of Mum and Dad's. | 0:04:53 | 0:04:55 | |
I think I'm a lot more mature than he is. | 0:04:55 | 0:04:57 | |
Sometimes he can act a little bit immature. | 0:04:57 | 0:04:59 | |
Like, I've gone to university, | 0:04:59 | 0:05:01 | |
I've become a lot more independent from my parents. | 0:05:01 | 0:05:04 | |
I pay my bills, do my own cleaning and washing, all that kind of thing. | 0:05:04 | 0:05:08 | |
When I come here, he gets his mum and dad to do everything. | 0:05:08 | 0:05:11 | |
Lovely. Thank you. | 0:05:11 | 0:05:13 | |
Being taken care of by Mum | 0:05:13 | 0:05:15 | |
means Jack can really focus all his energy on his magic. | 0:05:15 | 0:05:19 | |
It does make my life a slight bit easier | 0:05:19 | 0:05:21 | |
because it just means I get to do magic all day, | 0:05:21 | 0:05:24 | |
come home and things have pretty much been dealt with. | 0:05:24 | 0:05:27 | |
I do say it at all the time | 0:05:27 | 0:05:29 | |
that I wear the trousers and, "You can't organise anything. | 0:05:29 | 0:05:33 | |
"If your head wasn't screwed on, you'd lose it," and all this. | 0:05:33 | 0:05:37 | |
It is his time to shine and say, | 0:05:37 | 0:05:40 | |
"Go on, then, organise it and prove me wrong." | 0:05:40 | 0:05:43 | |
Despite his devotion to his craft, | 0:05:45 | 0:05:47 | |
Sarah knows Jack is the magic man for her. | 0:05:47 | 0:05:50 | |
I really want to marry him because I just know he is the right person. | 0:05:50 | 0:05:53 | |
He's truly the match to me. | 0:05:53 | 0:05:55 | |
We've got so much in common, we just clicked so well. | 0:05:55 | 0:05:59 | |
We rarely have arguments. We're just made for each other. | 0:05:59 | 0:06:03 | |
I just think getting married to him would be the icing on the cake. | 0:06:03 | 0:06:07 | |
Getting married is the one thing that is going to click in our life, | 0:06:07 | 0:06:11 | |
that says, "Right, we are together, end of." | 0:06:11 | 0:06:15 | |
Sarah may sometimes feel like the magician's assistant to Jack, | 0:06:15 | 0:06:18 | |
but for her wedding, she would like to be the centre of attention. | 0:06:18 | 0:06:22 | |
I'm a very traditional person. | 0:06:22 | 0:06:24 | |
I've always wanted to be the princess on my wedding day. | 0:06:24 | 0:06:27 | |
I want to be the centre of attention for once. | 0:06:27 | 0:06:30 | |
I hope that he thinks, "Well I'm always the centre of attention, | 0:06:30 | 0:06:33 | |
"so let's let Sarah be in the limelight for once." | 0:06:33 | 0:06:35 | |
And there is definitely one thing she doesn't want on her big day. | 0:06:38 | 0:06:42 | |
If, on the wedding day, | 0:06:42 | 0:06:43 | |
he pulled out a pack of cards or did a magic trick, | 0:06:43 | 0:06:46 | |
or did something magic-related, I think I would be feeling like, | 0:06:46 | 0:06:50 | |
"Back to square one, this is just like any other day, | 0:06:50 | 0:06:54 | |
"this is like work, not a special day." | 0:06:54 | 0:06:57 | |
But Jack's got far more plans than pulling out a pack of cards. | 0:06:57 | 0:07:01 | |
In the show, in the evening. | 0:07:01 | 0:07:03 | |
Sarah is absolutely going to be top of the bill, | 0:07:03 | 0:07:05 | |
as they would call it in showbiz. | 0:07:05 | 0:07:07 | |
She is going to be the top, | 0:07:07 | 0:07:08 | |
she is going to be the one that everyone is waiting to see. | 0:07:08 | 0:07:11 | |
They will see all the acts, and Sarah is the headline. | 0:07:11 | 0:07:14 | |
Sounds more like the Royal variety Performance than a wedding. | 0:07:14 | 0:07:18 | |
But Jack is serious about taking his relationship to the next level - | 0:07:18 | 0:07:23 | |
his relationship with magic that is - | 0:07:23 | 0:07:25 | |
all on the one day that Sarah wants Jack's tricks | 0:07:25 | 0:07:29 | |
kept firmly in their box. | 0:07:29 | 0:07:31 | |
I want to put on one of the biggest shows that I have ever put on. | 0:07:31 | 0:07:35 | |
We are going to make it very theatrical, very cabaret style, | 0:07:35 | 0:07:39 | |
and, of course, during the show, I want to do a part to Sarah, | 0:07:39 | 0:07:43 | |
and do a piece of magic that she's never, ever seen before. | 0:07:43 | 0:07:47 | |
If he could just put that to one side for a day, | 0:07:47 | 0:07:50 | |
and we could just enjoy it without all the magic element, | 0:07:50 | 0:07:54 | |
I'd really appreciate it. | 0:07:54 | 0:07:56 | |
She knew from the moment that we met I'm a performer. | 0:07:56 | 0:07:59 | |
And if that means being a performer on your wedding day, so be it. | 0:07:59 | 0:08:02 | |
It's time for Jack and Sarah to say goodbye. | 0:08:07 | 0:08:11 | |
How are you feeling? | 0:08:11 | 0:08:13 | |
I can't believe it's going to be three weeks till I see you again. | 0:08:13 | 0:08:16 | |
The next time they see each other will be on their wedding day. | 0:08:16 | 0:08:20 | |
Are you ready? | 0:08:20 | 0:08:22 | |
CRYING | 0:08:22 | 0:08:23 | |
-You all right? -Yeah. | 0:08:26 | 0:08:28 | |
Sarah's heading back to her parents' house 50 miles away in Telford. | 0:08:28 | 0:08:32 | |
-Have you got a picture? -Yeah. -Everything you need? | 0:08:34 | 0:08:36 | |
-Spend wisely. -And get the dress right or else? -Yes. Or else. | 0:08:36 | 0:08:41 | |
And I'll see you on our wedding day. | 0:08:41 | 0:08:44 | |
I love you. | 0:08:44 | 0:08:46 | |
See you, baby, I love you. | 0:08:46 | 0:08:48 | |
That goodbye was quite tough. | 0:08:59 | 0:09:00 | |
I didn't think it was going to be easy, | 0:09:00 | 0:09:03 | |
but that really was hard to say goodbye. | 0:09:03 | 0:09:07 | |
The show is on. And this is it. | 0:09:10 | 0:09:12 | |
It's like the curtains are about to open | 0:09:12 | 0:09:15 | |
and I'm about to just go, phew, spotlight on, you're on. | 0:09:15 | 0:09:20 | |
With no idea Jack is hoping to turn her wedding day | 0:09:20 | 0:09:24 | |
into his biggest magic show yet, Sarah arrives back home, | 0:09:24 | 0:09:27 | |
where she is greeted by her glamorous assistants - | 0:09:27 | 0:09:30 | |
Mum and two of her bridesmaids. | 0:09:30 | 0:09:32 | |
I cried and cried and cried while we were packing. | 0:09:34 | 0:09:37 | |
-Stress-free for you. You're the lucky one, you are. -Stress-free? | 0:09:37 | 0:09:41 | |
You can relax for three weeks. | 0:09:41 | 0:09:44 | |
He's quite romantic, | 0:09:44 | 0:09:45 | |
so he should pull it out the bag, not a bunny rabbit, but... | 0:09:45 | 0:09:49 | |
Don't! We're not having any magic at the wedding. | 0:09:49 | 0:09:55 | |
No magic at the wedding? At all? | 0:09:55 | 0:09:56 | |
No, I've said no, it's not a work day, it's not a normal day, | 0:09:56 | 0:09:59 | |
it's a big, special day so I don't want any magic. | 0:09:59 | 0:10:01 | |
I just want us to be the centre of attention, | 0:10:01 | 0:10:03 | |
not magic to be the centre of attention. | 0:10:03 | 0:10:06 | |
Back in Burton upon Trent, | 0:10:07 | 0:10:08 | |
magic Jack needs a new glamorous assistant | 0:10:08 | 0:10:11 | |
to help him pull off the show of a lifetime. | 0:10:11 | 0:10:14 | |
Where is a best man when you need it? | 0:10:14 | 0:10:17 | |
Ta-dah! | 0:10:20 | 0:10:22 | |
As if by magic, best man and twin brother Tom. | 0:10:22 | 0:10:25 | |
So, we're doing a show. | 0:10:25 | 0:10:27 | |
OK. | 0:10:27 | 0:10:29 | |
But not just a show, we're not going to see a show, | 0:10:29 | 0:10:31 | |
-I'm producing a show. -You are the show. -Yeah. | 0:10:31 | 0:10:35 | |
-This is a wedding, isn't it? -Yeah. A bit of magic. | 0:10:35 | 0:10:37 | |
By yours truly. | 0:10:39 | 0:10:40 | |
-Now, you're performing on your own wedding day? -Yeah. | 0:10:40 | 0:10:44 | |
You work all the time, you're always performing at weddings. | 0:10:44 | 0:10:47 | |
Yeah, I know. | 0:10:47 | 0:10:49 | |
The only thing I'm worried about | 0:10:49 | 0:10:51 | |
is that Jack is going to make it about him on the day. | 0:10:51 | 0:10:54 | |
He's very focused on his magic, work-based, performing, big theatre. | 0:10:54 | 0:10:58 | |
But he's got to remember it's Sarah's day as well. | 0:10:58 | 0:11:01 | |
This isn't the Jack show. | 0:11:01 | 0:11:04 | |
Most women in general, it's their big day, | 0:11:04 | 0:11:06 | |
it's what they dream of since they were a little girls. | 0:11:06 | 0:11:08 | |
You need to make it special. | 0:11:08 | 0:11:10 | |
So, why don't...obviously, when we do the magic piece, | 0:11:10 | 0:11:13 | |
have no-one else on the stage other than just me and Sarah? | 0:11:13 | 0:11:18 | |
I don't want his personality to overrun the day | 0:11:18 | 0:11:21 | |
and I want it to be as much about her as it is for him. | 0:11:21 | 0:11:25 | |
I want her to enjoy it and not feel like, | 0:11:25 | 0:11:28 | |
"Oh, I'm going to one of his gigs," | 0:11:28 | 0:11:29 | |
as his helper or his assistant. | 0:11:29 | 0:11:32 | |
Looks like Sarah's dream of a traditional wedding | 0:11:38 | 0:11:41 | |
may be performing a spectacular vanishing act. | 0:11:41 | 0:11:44 | |
But first, Jack needs to work a bit of hocus-pocus to find a venue | 0:11:44 | 0:11:47 | |
fit for his spectacular magic show. I mean, wedding. | 0:11:47 | 0:11:51 | |
At the top of his list | 0:11:51 | 0:11:52 | |
is the venue he has always dreamed of performing in - | 0:11:52 | 0:11:57 | |
the 1,800 seater Birmingham Hippodrome. Yeah...! | 0:11:57 | 0:12:00 | |
Oh, my word. Look at the size of it. | 0:12:00 | 0:12:04 | |
Imagine doing a show or something up there. | 0:12:04 | 0:12:07 | |
Or maybe doing something that doesn't involve your day job, you know? | 0:12:07 | 0:12:11 | |
Like a wedding? | 0:12:11 | 0:12:12 | |
We've got a built-in aisle for her to walk down. | 0:12:12 | 0:12:15 | |
-Red carpet. -Can you imagine that? | 0:12:15 | 0:12:17 | |
While Jack is getting increasingly excited | 0:12:18 | 0:12:20 | |
by the potential for a big performance, | 0:12:20 | 0:12:23 | |
in her hometown of Wellington, Sarah is visiting All Saints Church, | 0:12:23 | 0:12:27 | |
a place with very special connections to her family | 0:12:27 | 0:12:31 | |
and where she has always dreamed of getting married. | 0:12:31 | 0:12:35 | |
Wow. Beautiful. | 0:12:35 | 0:12:37 | |
Nice-sized aisle and everything to walk on. | 0:12:37 | 0:12:40 | |
Obviously, your grandmother and grandad got married here, | 0:12:40 | 0:12:45 | |
you auntie and uncle got married here, | 0:12:45 | 0:12:46 | |
me and your dad got married here. | 0:12:46 | 0:12:48 | |
-So really sentimental connection. -Yeah. | 0:12:48 | 0:12:50 | |
I love the stained-glass window. | 0:12:50 | 0:12:53 | |
-It's gorgeous, isn't it? So big as well. -It's really pretty. | 0:12:53 | 0:12:56 | |
I want something big and grand like this. | 0:12:56 | 0:12:59 | |
Big and grand? Try this. | 0:12:59 | 0:13:02 | |
I don't do things by halves, mate, do I? | 0:13:02 | 0:13:05 | |
We wanted a stage, you don't get bigger than this. | 0:13:05 | 0:13:07 | |
It's just you all over. | 0:13:07 | 0:13:09 | |
Sarah wants a magical day, but without the magic tricks. | 0:13:09 | 0:13:13 | |
Whereas Jack is bedazzled | 0:13:13 | 0:13:14 | |
by a venue perfect for his biggest performance to date. | 0:13:14 | 0:13:18 | |
-I like it. -But do you think Sarah will like it? | 0:13:18 | 0:13:20 | |
You've got to remember it's a wedding. | 0:13:20 | 0:13:22 | |
Yeah, we come here all the time to watch shows | 0:13:22 | 0:13:24 | |
and it's going to be the biggest show you have ever seen. | 0:13:24 | 0:13:26 | |
-Yeah? -Yeah. I'm loving it, me. | 0:13:26 | 0:13:29 | |
Imagine when the lights are on in here, and the lights go down and dim | 0:13:29 | 0:13:32 | |
and there is a spotlight on me and Sarah. | 0:13:32 | 0:13:35 | |
We need to look at numbers. How many are we looking across? | 0:13:35 | 0:13:37 | |
50, something like that? | 0:13:37 | 0:13:39 | |
50-odd back. | 0:13:39 | 0:13:40 | |
That's a lot. I'm getting all excited. | 0:13:40 | 0:13:44 | |
I've been coming here since I was a babby, watching shows. | 0:13:44 | 0:13:49 | |
-And now I'm doing my own show. -Your wedding day. | 0:13:49 | 0:13:53 | |
While Jack is getting excited about the potential for his big show, | 0:13:53 | 0:13:57 | |
best man Tom is a bit more focused on the fact it's a wedding. | 0:13:57 | 0:14:00 | |
Do you think she will understand | 0:14:00 | 0:14:02 | |
the thought pattern behind everything? | 0:14:02 | 0:14:04 | |
Yeah, well she must do... | 0:14:04 | 0:14:06 | |
It's a wedding, it's a big special day, obviously it's what you want... | 0:14:06 | 0:14:09 | |
She's getting married to a magician. | 0:14:09 | 0:14:12 | |
I'm making a decision. | 0:14:12 | 0:14:13 | |
We are having a stage, done. | 0:14:13 | 0:14:15 | |
We're having a theatre, fact. | 0:14:15 | 0:14:17 | |
It's got to be done. | 0:14:17 | 0:14:18 | |
Back at All Saints Church, | 0:14:18 | 0:14:21 | |
Sarah is realising just how much getting married here | 0:14:21 | 0:14:24 | |
would mean to her and her family. | 0:14:24 | 0:14:26 | |
Here in this, one of our wedding registers, | 0:14:26 | 0:14:29 | |
-we've looked up to see if we could find you. -Right, oh, lovely. | 0:14:29 | 0:14:33 | |
-Oh, yes, look. -Just at the top. | 0:14:34 | 0:14:38 | |
That is so special. | 0:14:38 | 0:14:40 | |
That's lovely to see, isn't it, 33 years on? | 0:14:40 | 0:14:43 | |
It'd be nice, in times to come, that I can come and show my kids... | 0:14:43 | 0:14:47 | |
that this is where me and Jack got married. | 0:14:47 | 0:14:49 | |
Imagine if we didn't go somewhere like this, | 0:14:50 | 0:14:53 | |
like, traditional and grand, | 0:14:53 | 0:14:55 | |
and it was like something that's just not traditional, | 0:14:55 | 0:14:57 | |
somewhere that's just really out there and different | 0:14:57 | 0:15:00 | |
and like, why are we getting married here? | 0:15:00 | 0:15:03 | |
-TOM: -My only concern is obviously, is it too big? | 0:15:03 | 0:15:08 | |
We've got budget to, you know, to consider. | 0:15:08 | 0:15:12 | |
We've got, you know, we've got to get everyone here, you know. | 0:15:12 | 0:15:16 | |
We've got the show to sort out, | 0:15:16 | 0:15:18 | |
as well as the dress and everything else that we've got to deal with. | 0:15:18 | 0:15:23 | |
Tom may have his doubts but Jack's set his heart on his dream venue. | 0:15:23 | 0:15:27 | |
All he needs now is to see if he can get it in budget | 0:15:27 | 0:15:31 | |
and on the right day. | 0:15:31 | 0:15:32 | |
There's only really two dates that I've got in my head. | 0:15:32 | 0:15:36 | |
It's either 12 August, or the 13th. | 0:15:36 | 0:15:40 | |
Now over both those dates, the auditorium is in use. | 0:15:40 | 0:15:44 | |
Um, it will be in use by the company in the day and then obviously, | 0:15:44 | 0:15:47 | |
the performance on the evening. | 0:15:47 | 0:15:49 | |
Looks like the lights may be going down on the theatre dream. | 0:15:49 | 0:15:53 | |
But for Jack, the show MUST go on. | 0:15:53 | 0:15:55 | |
So I'm thinking an option of stopping | 0:15:55 | 0:15:58 | |
a show during the interval, and doing something like that. | 0:15:58 | 0:16:02 | |
It's a professional show, Jack. | 0:16:02 | 0:16:04 | |
People have paid tickets. You can't just waltz in - | 0:16:04 | 0:16:06 | |
"Hi, I'm Jack. Don't stop, I'm getting married." | 0:16:06 | 0:16:10 | |
It's... It's... I'm afraid to say it, mate. | 0:16:10 | 0:16:12 | |
There's some things you can do and some things you can't do. | 0:16:12 | 0:16:15 | |
On this occasion, there's a show on. | 0:16:15 | 0:16:17 | |
As the curtain finally falls on Jack's plan, Sarah's come to see | 0:16:20 | 0:16:25 | |
the reception venue she would choose if she was in charge. | 0:16:25 | 0:16:28 | |
She's at Soulton Hall, an Elizabethan manor house in Shropshire, | 0:16:28 | 0:16:33 | |
along with Mum, Nan, and bridesmaids Rachel and Rachel. | 0:16:33 | 0:16:37 | |
Wow! | 0:16:37 | 0:16:39 | |
Oh, my days! That's so pretty. | 0:16:39 | 0:16:42 | |
Oh, it's really pretty, isn't it? | 0:16:43 | 0:16:45 | |
It's just so like elegant and like classy. | 0:16:45 | 0:16:48 | |
Yeah. | 0:16:48 | 0:16:49 | |
I like this kind of venue, because it's just fairytale, | 0:16:49 | 0:16:52 | |
quite princessey, | 0:16:52 | 0:16:54 | |
and I think a wedding has to have that magical theme about it. | 0:16:54 | 0:16:58 | |
Did she just say magical? Sarah, you could be in luck. | 0:16:58 | 0:17:01 | |
Imagine if it wasn't like this, though - | 0:17:01 | 0:17:03 | |
all like light and airy and it was all like dark and dingy. | 0:17:03 | 0:17:05 | |
You wouldn't want that, would you? Definitely not, no. This is lovely. | 0:17:05 | 0:17:09 | |
While Sarah daydreams in her bright and airy country manor, | 0:17:11 | 0:17:14 | |
Jack has conjured up another potential venue - | 0:17:14 | 0:17:17 | |
a converted cinema above an all-you-can-eat buffet. | 0:17:17 | 0:17:21 | |
Sounds perfect for a wedding! | 0:17:21 | 0:17:23 | |
-Oh, my God! -Wow! | 0:17:23 | 0:17:25 | |
-Look at the size of it. -You've even got like a stage and dance floor. | 0:17:27 | 0:17:32 | |
You are kidding me! | 0:17:32 | 0:17:34 | |
JACK GUFFAWS | 0:17:38 | 0:17:40 | |
Dude, are you thinking what I'm thinking? | 0:17:40 | 0:17:42 | |
-What are you thinking? -I think we might have just found a venue. | 0:17:42 | 0:17:45 | |
Imagine, you've got everybody else down there, looking. | 0:17:45 | 0:17:48 | |
Oh, God. I'm bricking it already. I'm getting all nervous. | 0:17:48 | 0:17:50 | |
Imagine you've got all them people waiting. | 0:17:50 | 0:17:52 | |
All the way down, like that. | 0:17:52 | 0:17:54 | |
And we get married right on the stage. | 0:17:54 | 0:17:56 | |
I said I wanted a stage. | 0:17:56 | 0:17:58 | |
Jack might have found a venue for his show, | 0:17:58 | 0:18:00 | |
but Sarah doesn't want a show. | 0:18:00 | 0:18:03 | |
She wants a wedding. | 0:18:03 | 0:18:04 | |
Imagine us walking through here and everyone like just... | 0:18:06 | 0:18:09 | |
Walk down, all clapping. | 0:18:11 | 0:18:14 | |
Thanks, guys! | 0:18:14 | 0:18:15 | |
Now I've seen some venues that I've looked around | 0:18:16 | 0:18:19 | |
for a church and a venue to have a party in, | 0:18:19 | 0:18:21 | |
I think it's really like brought it real to me, that like | 0:18:21 | 0:18:25 | |
it's happening and that I really haven't got a say in anything. | 0:18:25 | 0:18:28 | |
I'm hoping that Jack, after four years, will know Sarah very well. | 0:18:28 | 0:18:31 | |
So I'm hoping that he will surprise her in the way | 0:18:31 | 0:18:33 | |
that she wants on her wedding day. | 0:18:33 | 0:18:35 | |
I think he's going to surprise us, you know. I've just get a feeling. | 0:18:35 | 0:18:38 | |
-Yeah. -He's going to pull it out of the bag. | 0:18:38 | 0:18:40 | |
-He's good at... -Yeah, I do. | 0:18:40 | 0:18:42 | |
Well, he's more likely to be pulling rabbits out of hats, | 0:18:42 | 0:18:45 | |
cos Jack's busy sealing the deal on HIS perfect venue. | 0:18:45 | 0:18:50 | |
-So we're looking at having the ceremony done here... -Yep. | 0:18:50 | 0:18:52 | |
Um, we've got the aisle and obviously drinks reception, | 0:18:52 | 0:18:54 | |
that sort of thing while they change the space around, | 0:18:54 | 0:18:57 | |
ready for the evening with the cabaret tables. | 0:18:57 | 0:19:00 | |
And even best man Tom has given up trying to talk him around. | 0:19:00 | 0:19:04 | |
I'll leave this. Your call. But I... I know what I'd do. | 0:19:04 | 0:19:07 | |
-My call? -I know... -My call? -If it was me, Tom. | 0:19:07 | 0:19:10 | |
-Suzanne, we're doing it. -Great. Look forward to it. | 0:19:10 | 0:19:12 | |
We are in. We're in. We're doing it. I've got my venue! Oh, my God! | 0:19:12 | 0:19:17 | |
And just like that, Jack spends a budget-busting | 0:19:17 | 0:19:20 | |
£5,200 on his wedding ceremony and his full-on magic cabaret reception. | 0:19:20 | 0:19:27 | |
Got a full-blown stage and everything. I can't wait. | 0:19:27 | 0:19:29 | |
We've got like a full lighting rig which is going to make this show | 0:19:29 | 0:19:32 | |
look ten times better, um... Oh, I can't wait! | 0:19:32 | 0:19:35 | |
It's just perfect. | 0:19:35 | 0:19:37 | |
We've just spent pretty much half the budget on the venue. | 0:19:37 | 0:19:40 | |
I can't believe we've spent that much money already so fast! | 0:19:40 | 0:19:44 | |
Hopefully he's being successful | 0:19:44 | 0:19:45 | |
in getting on with things. Planning things. | 0:19:45 | 0:19:48 | |
I want to see an itemised list of what he's spent it on and | 0:19:48 | 0:19:50 | |
if he's budgeted. | 0:19:50 | 0:19:52 | |
What do you think the first thing is that he's going to look...to book? | 0:19:52 | 0:19:55 | |
-I hope it's the dress, the first thing he's booked. -Do you? | 0:19:55 | 0:19:58 | |
-And planned, but... -No, ensure there's a venue. | 0:19:58 | 0:20:01 | |
-Really? -Yeah. -No, a dress. I reckon dress. | 0:20:01 | 0:20:03 | |
Unfortunately for Sarah, he's not shopping | 0:20:06 | 0:20:09 | |
for a show stopping wedding dress, | 0:20:09 | 0:20:11 | |
but an ambitious show stopping illusion to add to his box of tricks. | 0:20:11 | 0:20:16 | |
When we go and buy this illusion today, and look at them, | 0:20:16 | 0:20:19 | |
It's going to be a bit kind of... | 0:20:19 | 0:20:21 | |
-Mmm. -I'm going to be a bit nervous. | 0:20:21 | 0:20:22 | |
I'm going to be a bit nervous, | 0:20:22 | 0:20:24 | |
cos I know I've not got much money to play with. | 0:20:24 | 0:20:26 | |
And we've still not got the dress yet. | 0:20:26 | 0:20:28 | |
As the centrepiece of his wedding, Jack is planning to put Sarah | 0:20:28 | 0:20:31 | |
at the heart of his most daring and magnificent illusion yet. | 0:20:31 | 0:20:36 | |
Something he hopes will amaze and dazzle all his guests. | 0:20:36 | 0:20:40 | |
Close the doors and then down. | 0:20:40 | 0:20:44 | |
And there you have it. Dah-dah! | 0:20:45 | 0:20:48 | |
Enough of the tricks. | 0:20:48 | 0:20:49 | |
It's time to get down to some serious wedding business. | 0:20:49 | 0:20:52 | |
What can I do for you? | 0:20:52 | 0:20:53 | |
I need to make my fiance, my wife-to-be, | 0:20:53 | 0:20:56 | |
-float on her wedding day. -Right. | 0:20:56 | 0:20:58 | |
-So I'm thinking of levitation, so I want to make her float. -Right. | 0:20:58 | 0:21:01 | |
In front of... It's like the feature piece at the end of the show. | 0:21:01 | 0:21:04 | |
-So she's not going to know about it, how it works, so... -No. | 0:21:04 | 0:21:08 | |
-..it leaves us with only really one choice. -Oh, OK. | 0:21:08 | 0:21:13 | |
Which is going to be the Yogano. | 0:21:13 | 0:21:16 | |
This one's simply a chair the bride will stand on. | 0:21:16 | 0:21:19 | |
You'll give her two poles that she will hold on to and then literally, | 0:21:19 | 0:21:23 | |
you get the stool and you remove the stool and she's floating in midair. | 0:21:23 | 0:21:27 | |
-Wow. With nothing else? -With nothing else. -Oh! | 0:21:27 | 0:21:29 | |
-As simple as that. -That's amazing, isn't it? | 0:21:29 | 0:21:31 | |
Mate, obviously, it's got to be as special | 0:21:31 | 0:21:33 | |
for her as well as for him, so... | 0:21:33 | 0:21:34 | |
But she's got to understand what she's getting into. | 0:21:34 | 0:21:37 | |
-That's it. -It is, though, isn't it? -Paul Daniels and Debbie McGee. | 0:21:37 | 0:21:40 | |
Without one, you wouldn't have the other. | 0:21:40 | 0:21:42 | |
She doesn't want him to be working on his wedding day. | 0:21:42 | 0:21:45 | |
-Yeah. -Never mind an illusion. -But I've said, on the flipside, | 0:21:45 | 0:21:47 | |
she is marrying a magician, so she's got to expect it at some point. | 0:21:47 | 0:21:50 | |
She knows what she's having. | 0:21:50 | 0:21:51 | |
It's my dream, this! Forget the wedding, it's my dream! | 0:21:51 | 0:21:54 | |
It's your dream, but you've got to remember, | 0:21:54 | 0:21:56 | |
it's her day as well. She's getting married. | 0:21:56 | 0:21:58 | |
She's looking amazing in a dress, heels, | 0:21:58 | 0:22:00 | |
-and you're asking her to go on stage... -Stand on a stool. | 0:22:00 | 0:22:02 | |
Step on a stool. Is she really going to feel comfortable? | 0:22:02 | 0:22:05 | |
Yes, because the way you do it, it's... | 0:22:05 | 0:22:07 | |
"I want you to stand up there, cos I'm looking up," | 0:22:07 | 0:22:09 | |
and it's all the height difference and it's... | 0:22:09 | 0:22:11 | |
This is the romance coming out now, isn't it? | 0:22:11 | 0:22:14 | |
-Oh, it's a story. -I'm nervous for you. | 0:22:14 | 0:22:15 | |
Adam, thank you very, very, very much for your help. | 0:22:15 | 0:22:18 | |
It's a pleasure. | 0:22:18 | 0:22:19 | |
That's just over £700 of Jack's budget gone up in a puff of smoke | 0:22:19 | 0:22:23 | |
on the star of the wedding - a magic trick. | 0:22:23 | 0:22:26 | |
This, for me, at the end of the night, | 0:22:27 | 0:22:29 | |
being able to float Sarah up and up and up is just amazing. | 0:22:29 | 0:22:32 | |
To be able to do that on my wedding day, | 0:22:32 | 0:22:35 | |
knowing it's something that she's never seen before, ever, | 0:22:35 | 0:22:38 | |
ever, ever, and that we're able to do it - oh! Insane. | 0:22:38 | 0:22:41 | |
That's over half the budget gone with just an old cinema | 0:22:42 | 0:22:45 | |
and a magic trick booked. | 0:22:45 | 0:22:47 | |
Doubting Thomas has decided it's time to pin down his twin brother | 0:22:49 | 0:22:52 | |
for a budget chat. | 0:22:52 | 0:22:55 | |
You've got your illusion and that is... | 0:22:55 | 0:22:57 | |
That's a big chunk of the budget. £700. | 0:22:57 | 0:22:59 | |
You know, that's a lot of money. | 0:22:59 | 0:23:00 | |
It is. I completely agree with you but it's worth it, Tom. | 0:23:00 | 0:23:04 | |
That's a big part of what we're doing. | 0:23:04 | 0:23:06 | |
-You've still got to do the dress. -Dresses. -Rings. -Yeah. | 0:23:06 | 0:23:08 | |
Guest list and all the little details. | 0:23:08 | 0:23:12 | |
Transport, bridal dresses... | 0:23:12 | 0:23:14 | |
Yeah. | 0:23:14 | 0:23:15 | |
Bridesmaids dresses. You've got plenty to do. | 0:23:15 | 0:23:17 | |
It's the end of the first week and in Shropshire, Sarah is still hoping | 0:23:25 | 0:23:29 | |
for her traditional white wedding. | 0:23:29 | 0:23:31 | |
She's come to look for a dress perfect for her dream day | 0:23:31 | 0:23:33 | |
along with her mum, nan, and two of her bridesmaids, | 0:23:33 | 0:23:36 | |
Rachel and Steph. | 0:23:36 | 0:23:37 | |
My dress is the most important part of the wedding, because it's just... | 0:23:37 | 0:23:41 | |
I want to look nice, I want to feel comfortable, | 0:23:41 | 0:23:43 | |
I want to be the centre of attention, | 0:23:43 | 0:23:45 | |
everyone looking at me and how pretty my dress is | 0:23:45 | 0:23:48 | |
and looking like a princess and feeling like a princess for the day. | 0:23:48 | 0:23:52 | |
-That's nice as well. -It's a different colour, isn't it? -Yeah. | 0:23:52 | 0:23:55 | |
-Oh, there's so many gorgeous ones! -I know how you feel. | 0:23:55 | 0:23:58 | |
This is like my dream shop, | 0:23:58 | 0:24:00 | |
like this is like exactly what I want the dress to be. | 0:24:00 | 0:24:03 | |
Back in Burton-upon-Trent, | 0:24:05 | 0:24:07 | |
Jack and Tom are also on the look for the perfect dress. | 0:24:07 | 0:24:09 | |
The perfect dress for levitating his glamorous assistant, | 0:24:09 | 0:24:12 | |
AKA the bride, two feet off the ground. | 0:24:12 | 0:24:15 | |
The show that we're doing, um, in the evening at the venue, um, | 0:24:15 | 0:24:20 | |
Sarah's dress has got to be convenient for that, | 0:24:20 | 0:24:22 | |
obviously, with regards to the illusion that we're doing, | 0:24:22 | 0:24:24 | |
the dress does play a part within what we're doing. | 0:24:24 | 0:24:26 | |
Oh, wow. Hello. | 0:24:28 | 0:24:29 | |
Hello. | 0:24:29 | 0:24:31 | |
Blissfully unaware she's going to be Jack's Debbie McGee, | 0:24:31 | 0:24:35 | |
Sarah's looking for a dress perfect for the one day | 0:24:35 | 0:24:38 | |
that she wants to be all about her. | 0:24:38 | 0:24:40 | |
Got to have a look at this one over here. | 0:24:40 | 0:24:43 | |
I've got to try that one, definitely. | 0:24:43 | 0:24:46 | |
It looks like Jack has the magic touch. | 0:24:46 | 0:24:49 | |
The first dress he's drawn to would definitely make Sarah shine. | 0:24:49 | 0:24:53 | |
Wow! That's well nice. | 0:24:53 | 0:24:56 | |
Hey, that's lovely, that is. | 0:24:56 | 0:24:58 | |
Don't want to jump straight in, but that is really like... | 0:24:58 | 0:25:00 | |
That's dead pretty. It don't feel right! | 0:25:00 | 0:25:03 | |
You can't see a dress and go, "That's the one!" | 0:25:03 | 0:25:06 | |
All the sparkle on the netting and all of that, well pretty. | 0:25:06 | 0:25:10 | |
It is really nice. | 0:25:10 | 0:25:11 | |
But all that glitters may not be gold for this bride. | 0:25:11 | 0:25:15 | |
Sarah's falling for a simple classic dress without a sparkle in sight. | 0:25:15 | 0:25:21 | |
-That's beautiful. -Oh, Sarah, that's gorgeous. -I love that bow. -Yeah. | 0:25:21 | 0:25:27 | |
It's the colour as well, Sarah, I think, that suits you. | 0:25:27 | 0:25:31 | |
-Yeah. -Isn't that gorgeous? -There's no bling, really. | 0:25:31 | 0:25:35 | |
-There's no bling on it. -But it's simple and it's just classy. | 0:25:35 | 0:25:38 | |
While Sarah's enchanted by a traditional gown, | 0:25:38 | 0:25:42 | |
Jack is still looking for a dress | 0:25:42 | 0:25:46 | |
that will make his bride twinkle in the spotlight. | 0:25:46 | 0:25:50 | |
Oh, my word! | 0:25:50 | 0:25:52 | |
Look at the bling of it! But it's not too much. | 0:25:55 | 0:25:57 | |
You've got all the diamonds, | 0:25:57 | 0:25:58 | |
I keep getting flickers on the dress on the bottom bit. Oh, Tom... | 0:25:58 | 0:26:01 | |
Imagine what it'd be like to see her in that. | 0:26:01 | 0:26:04 | |
That is absolutely stunning. | 0:26:04 | 0:26:07 | |
While Jack may have found the perfect dress for his show, | 0:26:07 | 0:26:10 | |
Sarah's found the perfect dress for her wedding. | 0:26:10 | 0:26:13 | |
-This is the one, is it? -Yeah, this is the one. -That's just very classy. | 0:26:13 | 0:26:17 | |
So classy, isn't it? And very traditional as well. | 0:26:17 | 0:26:21 | |
'If it wasn't my dream dress what Jack chose,' | 0:26:21 | 0:26:24 | |
I think I would be a little disappointed | 0:26:24 | 0:26:26 | |
because obviously I know what I've got in my mind | 0:26:26 | 0:26:29 | |
and what I really like and what my mind's set on. | 0:26:29 | 0:26:32 | |
-That is gorgeous, isn't it? -Yes. | 0:26:32 | 0:26:34 | |
If you had a church, which one would you choose? | 0:26:34 | 0:26:38 | |
This one. | 0:26:38 | 0:26:40 | |
If you had a big manor house? | 0:26:40 | 0:26:43 | |
This one. | 0:26:44 | 0:26:46 | |
And if you had...a magic cabaret in an old cinema? | 0:26:46 | 0:26:50 | |
This one. | 0:26:50 | 0:26:51 | |
I think for the trick that we're doing in the evening, | 0:26:51 | 0:26:54 | |
that's going to be suitable. | 0:26:54 | 0:26:56 | |
I've got to make her float in it, two foot from the floor. | 0:26:56 | 0:26:59 | |
-How's that...? -I can't tell you my secret, I'm afraid! | 0:26:59 | 0:27:02 | |
There's no harnesses or anything, is there? | 0:27:02 | 0:27:05 | |
No, nothing that needs to be dealt with. | 0:27:05 | 0:27:07 | |
What I like is, if you look at the base of the dress, | 0:27:07 | 0:27:10 | |
-it's going below your feet, which is great. -How's that? | 0:27:10 | 0:27:14 | |
-I'm wearing very high heels. -Oh, OK, that's worth knowing. | 0:27:14 | 0:27:18 | |
So, height wise, it'll definitely be fine on that. | 0:27:18 | 0:27:21 | |
So Jack spends £950 on a glittering, show-stopping dress, tiara and veil. | 0:27:21 | 0:27:29 | |
Sarah's dream of a classic, traditional wedding | 0:27:29 | 0:27:33 | |
has been sawn in two. | 0:27:33 | 0:27:35 | |
It's, in my mind, the perfect dress. | 0:27:35 | 0:27:38 | |
In her mind, I would HOPE that it's the perfect dress. | 0:27:38 | 0:27:43 | |
It's the beginning of week two. | 0:27:45 | 0:27:47 | |
Jack and Tom are heading to Telford on a special mission | 0:27:47 | 0:27:50 | |
to give Sarah an admission ticket to her own wedding and, for once, | 0:27:50 | 0:27:54 | |
there's no magic involved. | 0:27:54 | 0:27:56 | |
Phase one - get Sarah out of the house without suspecting a thing. | 0:27:56 | 0:28:00 | |
"Hi, Rachel, it's Tom Dent. | 0:28:00 | 0:28:03 | |
"Jack would like to surprise Sarah | 0:28:03 | 0:28:05 | |
"and the girls for a rematch of one of our recent games. | 0:28:05 | 0:28:10 | |
"Get yourselves ready and have a great afternoon." What the hell? | 0:28:10 | 0:28:15 | |
Phase two - get into the house, deliver the invitation | 0:28:18 | 0:28:21 | |
and get out of there undetected. | 0:28:21 | 0:28:22 | |
Right, quick, quick, quick. | 0:28:22 | 0:28:24 | |
-Walkie-talkie. Ticket. -Yep. | 0:28:24 | 0:28:27 | |
-Rose petals, number 12 nice and big on the pillow. -That on the pillow. | 0:28:27 | 0:28:31 | |
-And that on the bed. -OK. | 0:28:31 | 0:28:33 | |
He might have a magical twin... | 0:28:33 | 0:28:35 | |
Testing, one-two. | 0:28:35 | 0:28:36 | |
I've got you. | 0:28:36 | 0:28:37 | |
..but the only way Tom is going to know if the girls get back early | 0:28:37 | 0:28:40 | |
is if Jack keeps a lookout. | 0:28:40 | 0:28:42 | |
To make his fiancee disappear, | 0:28:43 | 0:28:45 | |
Jack has arranged for the girls to go clubbing. | 0:28:45 | 0:28:47 | |
Hand these in when you're finished. | 0:28:47 | 0:28:49 | |
I say clubbing - it's mini-golf. | 0:28:49 | 0:28:52 | |
'I think Jack organising the crazy golf, | 0:28:52 | 0:28:54 | |
'we did have a game a few weeks ago | 0:28:54 | 0:28:55 | |
'and obviously he wanted to see if I was still good at it | 0:28:55 | 0:28:58 | |
'cos I did beat him the other day.' | 0:28:58 | 0:29:00 | |
What? No, I give up, I just give up. | 0:29:00 | 0:29:04 | |
-JACK ON WALKIE-TALKIE: -Not got much time, mate, try and be quick. | 0:29:04 | 0:29:07 | |
This is so stressful. | 0:29:08 | 0:29:10 | |
Time's running out. | 0:29:10 | 0:29:12 | |
The girls have finished their game and are heading back home. | 0:29:12 | 0:29:15 | |
Right, I'm on my way, on my way. | 0:29:15 | 0:29:17 | |
Yes! | 0:29:18 | 0:29:20 | |
Well done, sunshine, put it there! Good job, let's go. | 0:29:20 | 0:29:23 | |
Ohhh! | 0:29:36 | 0:29:39 | |
What's it say on your ticket? | 0:29:41 | 0:29:43 | |
It just says "admit one - | 0:29:43 | 0:29:46 | |
"Jack and Sarah's wedding on the 12th of August 2015." | 0:29:46 | 0:29:50 | |
Jack's admission ticket invite has got the girls worried | 0:29:50 | 0:29:53 | |
about what's in store for the big day. | 0:29:53 | 0:29:55 | |
Maybe this is just the wedding theme. | 0:29:55 | 0:29:57 | |
Yeah, maybe it's like your golden ticket to go to the ball. | 0:29:58 | 0:30:02 | |
I can't think of how it would be on the actual wedding day, though. | 0:30:02 | 0:30:05 | |
How's he going to get a theme into the whole wedding? | 0:30:05 | 0:30:09 | |
Without it being, like, really over the top? | 0:30:09 | 0:30:12 | |
It is kind of scaring me a little | 0:30:12 | 0:30:14 | |
because I thought he might have toned it down a little bit | 0:30:14 | 0:30:17 | |
whereas I think a lot of theatre shows and productions, | 0:30:17 | 0:30:20 | |
all the name in lights and stuff, is quite big, bold and in your face. | 0:30:20 | 0:30:24 | |
That's kind of not what I want! | 0:30:24 | 0:30:26 | |
Oh, dear! | 0:30:26 | 0:30:29 | |
I kind of need your help, my friend, cos JD is getting married. | 0:30:29 | 0:30:34 | |
Alongside his own star performance on the big day, | 0:30:34 | 0:30:37 | |
Jack wants to book a big name act. | 0:30:37 | 0:30:39 | |
And, in typical Jack fashion, he's aiming high - | 0:30:39 | 0:30:42 | |
VERY high. | 0:30:42 | 0:30:44 | |
How much do you think it'd cost me | 0:30:44 | 0:30:45 | |
to get Lionel Ritchie at the wedding? | 0:30:45 | 0:30:47 | |
Hello there, have I got the right number | 0:30:47 | 0:30:49 | |
for Lionel Ritchie's publicity and press, please? | 0:30:49 | 0:30:52 | |
Although she said he might not be in the UK, | 0:30:52 | 0:30:55 | |
to me, that doesn't mean anything. | 0:30:55 | 0:30:57 | |
That's not saying that he CAN'T be in the UK, anything's possible. | 0:30:57 | 0:31:00 | |
If he had to be here, then he would be here. | 0:31:00 | 0:31:02 | |
But on the off-chance Lionel doesn't want to perform | 0:31:02 | 0:31:05 | |
in a converted cinema above an all-you-can-eat buffet, | 0:31:05 | 0:31:08 | |
Jack has got a few backups. | 0:31:08 | 0:31:09 | |
I'm organising an evening variety performance with myself, | 0:31:09 | 0:31:13 | |
my twin brother Tom, we're looking at getting some special guests in. | 0:31:13 | 0:31:17 | |
Adam Ant. | 0:31:17 | 0:31:18 | |
Oh, really? Oh, wow! | 0:31:18 | 0:31:21 | |
Jamiroquai. | 0:31:21 | 0:31:22 | |
That's perfect. | 0:31:22 | 0:31:23 | |
-Robbie Williams. -Really?! | 0:31:23 | 0:31:25 | |
Wicked! Elton John. | 0:31:25 | 0:31:27 | |
I'm wondering if, er, if they'd like to be part of our wedding day. | 0:31:27 | 0:31:32 | |
-Pavarotti. -Er, he's dead. | 0:31:32 | 0:31:34 | |
Thank you very much. Have a nice day, bye-bye. | 0:31:34 | 0:31:37 | |
It'd be a nice surprise for her | 0:31:37 | 0:31:38 | |
if we could get some of you guys down there. | 0:31:38 | 0:31:40 | |
All being well, Mr Lionel Ritchie. | 0:31:40 | 0:31:43 | |
The lookalike. | 0:31:43 | 0:31:45 | |
I did try getting the original, but it proved to be very, very tricky. | 0:31:45 | 0:31:49 | |
With his A-list of lookalikeys booked, | 0:31:49 | 0:31:52 | |
Jack's very own lookalikey is getting worried. | 0:31:52 | 0:31:56 | |
She said when they first got engaged, | 0:31:56 | 0:31:59 | |
"I don't want you to work on your wedding day," | 0:31:59 | 0:32:01 | |
and that's exactly what he's going to be doing so fingers crossed, | 0:32:01 | 0:32:04 | |
I hope she understands and kind of sees where he's coming from, | 0:32:04 | 0:32:08 | |
but it's a bit of a risk. | 0:32:08 | 0:32:10 | |
It's been nearly two weeks since Sarah and Jack said their goodbyes. | 0:32:13 | 0:32:18 | |
Since I've been apart from Jack, I've actually started doing | 0:32:18 | 0:32:21 | |
a diary of what I've been doing every day | 0:32:21 | 0:32:23 | |
and what I think Jack's been planning | 0:32:23 | 0:32:26 | |
or what I hope he's been planning or I wonder what he's been planning. | 0:32:26 | 0:32:30 | |
So it's kind of keeping me occupied cos it's giving me something to do. | 0:32:30 | 0:32:34 | |
'I've really thought about getting married | 0:32:34 | 0:32:36 | |
'and having a big wedding day | 0:32:36 | 0:32:37 | |
'since I was little with, you know, the big princessy,' | 0:32:37 | 0:32:39 | |
traditional big white wedding with the traditional themes throughout - | 0:32:39 | 0:32:45 | |
the church, the entertainment, the transport, everything like that. | 0:32:45 | 0:32:50 | |
So I've really dreamt about this for ages. | 0:32:52 | 0:32:55 | |
Entertainment that I'd like, | 0:32:57 | 0:32:59 | |
I'd like maybe a band or some kind of music in the background | 0:32:59 | 0:33:04 | |
that people could listen to or have a dance to, | 0:33:04 | 0:33:06 | |
but I won't really want anything that's too in your face, | 0:33:06 | 0:33:10 | |
like circus acts and aerial silks or something like that | 0:33:10 | 0:33:14 | |
that's a bit wacky and out there or anything to do with magic | 0:33:14 | 0:33:17 | |
or a classic stage show or something like that | 0:33:17 | 0:33:20 | |
because that's what he does a lot all the time every day. | 0:33:20 | 0:33:23 | |
So I think that if that was at our wedding, | 0:33:23 | 0:33:25 | |
I'd feel like I'm just at work with him. | 0:33:25 | 0:33:27 | |
Even if it wasn't him performing and someone else doing it, | 0:33:27 | 0:33:30 | |
I'd still feel like, "I'm just at a magic show." | 0:33:30 | 0:33:32 | |
It's not JUST a magic show - there's a whole host of acts. | 0:33:32 | 0:33:36 | |
There's Robbie Williams, Elton John, Pavarotti back from the dead. | 0:33:36 | 0:33:41 | |
But that's all to come. Now, it's time for your hen do. | 0:33:41 | 0:33:44 | |
I'm just a bit anxious about where we're going to go, | 0:33:46 | 0:33:49 | |
what we're going to do. | 0:33:49 | 0:33:50 | |
We're getting all dolled up like this and then it'll be like... | 0:33:50 | 0:33:53 | |
-Bingo! -Yeah! | 0:33:53 | 0:33:54 | |
Let's go. | 0:33:56 | 0:33:57 | |
Their transport has arrived to whisk them off to their secret location. | 0:33:57 | 0:34:01 | |
But with all the money blown on Burton's ultimate variety night, | 0:34:01 | 0:34:04 | |
it's not quite what Sarah was hoping for. | 0:34:04 | 0:34:07 | |
A white minibus! Are you joking? | 0:34:07 | 0:34:09 | |
Well, he's sorted out the luxury travel(!) | 0:34:15 | 0:34:17 | |
Leather seats! | 0:34:18 | 0:34:20 | |
I think you'd like to do a spa and then, at night-time, | 0:34:20 | 0:34:23 | |
get ready, have your hair done, make-up and then go out. | 0:34:23 | 0:34:26 | |
Yeah, a spa would be quite relaxing. | 0:34:26 | 0:34:28 | |
A spa is exactly what Jack has planned... | 0:34:30 | 0:34:33 | |
for himself. | 0:34:33 | 0:34:34 | |
Oh, this is lovely! | 0:34:34 | 0:34:35 | |
With the show just days away, Jack's taking some time to fully prepare. | 0:34:35 | 0:34:40 | |
Oh, my God! | 0:34:40 | 0:34:41 | |
JD decided to treat himself | 0:34:41 | 0:34:44 | |
because, you know, throughout this whole process of this, | 0:34:44 | 0:34:48 | |
I've done everything for my girl, for Sarah. | 0:34:48 | 0:34:51 | |
It's the only one thing out of the whole budget, | 0:34:51 | 0:34:55 | |
the whole experience, that I've done for myself. | 0:34:55 | 0:34:57 | |
Unless you count buying magic tricks and booking acts for your show, | 0:34:57 | 0:35:00 | |
but let's not quibble. | 0:35:00 | 0:35:02 | |
While Jack relaxes at the spa, Sarah and her bridesmaids | 0:35:04 | 0:35:07 | |
arrive in Shrewsbury for a cocktail masterclass, followed by a meal. | 0:35:07 | 0:35:11 | |
Obviously, he knows that I'm quite a classy girl, | 0:35:11 | 0:35:13 | |
he has thought about that when he's planned this hen party | 0:35:13 | 0:35:16 | |
cos it's a really classy venue. | 0:35:16 | 0:35:17 | |
We're doing some classy things | 0:35:17 | 0:35:19 | |
and hopefully he has thought about that | 0:35:19 | 0:35:20 | |
in the way he has planned the wedding. | 0:35:20 | 0:35:22 | |
Sarah, this is a special moment, my darling, | 0:35:22 | 0:35:24 | |
cos you're going to create something special. | 0:35:24 | 0:35:26 | |
Thoughtful Jack has arranged for the girls to make cocktails | 0:35:26 | 0:35:29 | |
that were available on the cruise ship | 0:35:29 | 0:35:31 | |
the first night he and Sarah met. | 0:35:31 | 0:35:35 | |
THEY CHEER | 0:35:35 | 0:35:38 | |
-Wow! -Oh, lovely-jubbly! | 0:35:38 | 0:35:41 | |
'I really think Jack's thought about me | 0:35:41 | 0:35:44 | |
'when he's planned this hen party.' | 0:35:44 | 0:35:45 | |
It does really make me think that he's going to think about me | 0:35:45 | 0:35:48 | |
for everything else he's planning. | 0:35:48 | 0:35:50 | |
On the massage table, | 0:35:52 | 0:35:53 | |
Jack is already thinking about his happily ever after. | 0:35:53 | 0:35:56 | |
I tell you now, I'll definitely be bringing her back | 0:35:56 | 0:35:59 | |
cos as Mr and Mrs Dent, we are going to be sparring all the time. | 0:35:59 | 0:36:04 | |
And there might be sparring of a different kind fairly soon | 0:36:04 | 0:36:08 | |
once Sarah realises what's in store for her wedding. | 0:36:08 | 0:36:11 | |
It's the final week and, with around £2,000 left, | 0:36:12 | 0:36:16 | |
magic man Jack is on a mission to make it vanish as fast as possible. | 0:36:16 | 0:36:20 | |
He takes a gamble on a fun casino... | 0:36:20 | 0:36:22 | |
We'll do it for you for £800 plus the VAT, which brings you to 960. | 0:36:22 | 0:36:28 | |
..hires suits. | 0:36:28 | 0:36:30 | |
You're paying £300 for four suits. | 0:36:30 | 0:36:32 | |
That, for me, is absolutely spot on. | 0:36:32 | 0:36:36 | |
..and, most importantly, collects his show-stopping illusion. | 0:36:36 | 0:36:40 | |
Absolutely stunning! It feels like a million dollars. | 0:36:40 | 0:36:44 | |
Not only is it my first illusion, I'm floating my WIFE! Brilliant. | 0:36:44 | 0:36:49 | |
With time and budget running out, | 0:36:49 | 0:36:51 | |
the boys still have one big job left - | 0:36:51 | 0:36:54 | |
to buy dresses for five demanding bridesmaids. | 0:36:54 | 0:36:57 | |
That's a really nice blue, actually. What size is that? | 0:36:57 | 0:37:00 | |
Six! | 0:37:00 | 0:37:02 | |
What does that mean? | 0:37:04 | 0:37:05 | |
These are going to be the ones. | 0:37:05 | 0:37:07 | |
£544.85, sweetheart. | 0:37:10 | 0:37:13 | |
Wow! | 0:37:13 | 0:37:14 | |
With the dresses and shoes in the bag, | 0:37:14 | 0:37:16 | |
the boys head off to deliver them to five anxious bridesmaids. | 0:37:16 | 0:37:20 | |
-I'm worried mine is not going to fit. -Yeah, same. | 0:37:21 | 0:37:24 | |
We're not the same size. It's going to be difficult. | 0:37:24 | 0:37:27 | |
I would find it difficult. | 0:37:27 | 0:37:28 | |
He's got a challenge. | 0:37:28 | 0:37:29 | |
'There's still a lot of worry.' | 0:37:29 | 0:37:32 | |
Now, we've got Monday and Tuesday | 0:37:32 | 0:37:34 | |
to potentially go and re-buy bridesmaids dresses. | 0:37:34 | 0:37:37 | |
I think that's what we've all sort of discussed together - | 0:37:37 | 0:37:39 | |
that if they are horrendous, then we can go and buy our own! | 0:37:39 | 0:37:44 | |
-Hi, everyone! -Hello! -Lovely to see you. -And you. | 0:37:44 | 0:37:49 | |
Just hold. OK, you can stand up and have a nosey. One, two, three - go. | 0:37:52 | 0:37:56 | |
Oh, wow! | 0:37:56 | 0:37:58 | |
So, go and get them on. Quick as you can, I'm so nervous! | 0:37:58 | 0:38:02 | |
Good luck, everyone! | 0:38:02 | 0:38:04 | |
-Have we all got the right size? -Yep. | 0:38:07 | 0:38:11 | |
-No. -Oh, dear. -Mine says size six. | 0:38:11 | 0:38:15 | |
What happens if it doesn't fit? | 0:38:15 | 0:38:18 | |
If they start complaining, I'm gone. | 0:38:18 | 0:38:21 | |
End of! | 0:38:22 | 0:38:23 | |
-I'm so nervous, guys, really. -So are we! -Oh, no! | 0:38:23 | 0:38:28 | |
I'm sweating really bad. | 0:38:28 | 0:38:30 | |
-ALL BRIDESMAIDS: -Three, two, one... | 0:38:30 | 0:38:33 | |
Oh, wow! | 0:38:34 | 0:38:36 | |
-Wow! -Oh, my God! -Did we do good? | 0:38:36 | 0:38:40 | |
Steph's got something to tell you. | 0:38:40 | 0:38:43 | |
-It's a bit tight. -Steph's is two sizes too small. | 0:38:43 | 0:38:47 | |
Right, OK, cool. | 0:38:47 | 0:38:48 | |
Have you paid for alterations? | 0:38:48 | 0:38:51 | |
No. That's all been spent on his tricks. But, as if by magic... | 0:38:51 | 0:38:56 | |
-She's got her auntie that can do it? -Yeah, we've got a seamstress. | 0:38:56 | 0:38:59 | |
Brilliant! Put it there. | 0:38:59 | 0:39:01 | |
Absolutely amazing. | 0:39:01 | 0:39:03 | |
I'll be honest with you, it could have gone a lot worse, | 0:39:03 | 0:39:05 | |
it could have gone a hell of a lot worse. | 0:39:05 | 0:39:07 | |
These are glamorous, we're going to a ball. | 0:39:07 | 0:39:11 | |
Going to a ball or going to the theatre. | 0:39:11 | 0:39:14 | |
Well, more of a cinema. But it's Ritzy! | 0:39:14 | 0:39:17 | |
It's two days before Jack hopes to wow his bride | 0:39:20 | 0:39:23 | |
with a spectacular magic show | 0:39:23 | 0:39:25 | |
and, with the help of his magician friend Paul, | 0:39:25 | 0:39:27 | |
he's planning to give her a taste of what's to come | 0:39:27 | 0:39:30 | |
with a cunning stunt involving the dress. | 0:39:30 | 0:39:32 | |
You can just clip... | 0:39:33 | 0:39:37 | |
Using magical tools of the trade, | 0:39:37 | 0:39:39 | |
they are going to conjure up a surprise illusion. | 0:39:39 | 0:39:42 | |
Cool! | 0:39:42 | 0:39:43 | |
She told me and swore to me, "Jack, don't do magic on our wedding day." | 0:39:43 | 0:39:47 | |
Is Jack beginning to realise he may be overdoing it on the magic? | 0:39:47 | 0:39:51 | |
No, of course not! | 0:39:54 | 0:39:55 | |
What else do I do? | 0:40:03 | 0:40:05 | |
Mess with the wedding dress, get her up on stage, host a show, | 0:40:05 | 0:40:09 | |
have it a cabaret, have it on a stage. | 0:40:09 | 0:40:12 | |
Here we go. Do you know what they call it, Mr P? | 0:40:12 | 0:40:15 | |
-Job done. -Job...done. | 0:40:15 | 0:40:17 | |
Boom, we're in! | 0:40:17 | 0:40:19 | |
We will hear it from our house | 0:40:21 | 0:40:23 | |
whether she likes it or doesn't like it. | 0:40:23 | 0:40:25 | |
It's the day before the wedding | 0:40:33 | 0:40:35 | |
and the moment the bride has been dreaming of for years | 0:40:35 | 0:40:39 | |
is just around the corner. | 0:40:39 | 0:40:41 | |
Sarah, her mum, her nan | 0:40:41 | 0:40:43 | |
and her five bridesmaids are about to see the dress she'll get married in. | 0:40:43 | 0:40:48 | |
I'm really excited to see my wedding dress. | 0:40:48 | 0:40:51 | |
I'm a little bit anxious and a bit worried. | 0:40:51 | 0:40:53 | |
I think cos I'm such a traditional person, | 0:40:53 | 0:40:54 | |
if this is slightly wrong or completely wrong, it will put doubts | 0:40:54 | 0:40:58 | |
in my mind of everything being completely different to what I want. | 0:40:58 | 0:41:01 | |
Sarah longed for a sophisticated classic dress | 0:41:01 | 0:41:05 | |
to match her dream of a traditional church wedding. | 0:41:05 | 0:41:07 | |
What will she make of the blinged-up dress Jack chose | 0:41:07 | 0:41:11 | |
to fit in with his showcase? | 0:41:11 | 0:41:13 | |
Not to mention the extra magical touch he conjured up yesterday. | 0:41:13 | 0:41:17 | |
-Would you like to come and try your dress, then? -Yeah, I think so! | 0:41:17 | 0:41:21 | |
If you'd like to come through... | 0:41:21 | 0:41:23 | |
-It looks quite big in the back so hopefully it's... -OK. | 0:41:23 | 0:41:27 | |
-Is that good? -Yeah, that's good. -OK. | 0:41:27 | 0:41:29 | |
OK, so this is the dress Jack's picked for you. | 0:41:29 | 0:41:32 | |
He's put a lot of thought into this | 0:41:32 | 0:41:35 | |
and thinks it's going to go with your whole wedding theme | 0:41:35 | 0:41:37 | |
so here we are. | 0:41:37 | 0:41:40 | |
SHE GASPS | 0:41:40 | 0:41:42 | |
Oh, my God! | 0:41:45 | 0:41:47 | |
Don't you like it? | 0:41:51 | 0:41:52 | |
Don't you like it? | 0:41:55 | 0:41:56 | |
Oh, Sarah... | 0:41:56 | 0:41:58 | |
-SARAH WEEPS -Is she crying? -Yeah. | 0:41:58 | 0:42:00 | |
Sarah, are you all right? | 0:42:00 | 0:42:02 | |
-I don't like the colour. -Do you want me to come in? | 0:42:02 | 0:42:05 | |
Sarah, are you all right, darling? | 0:42:07 | 0:42:10 | |
Darling, darling, what's wrong? | 0:42:10 | 0:42:13 | |
-I don't like the colour. -Oh, for goodness' sake! | 0:42:13 | 0:42:15 | |
-What is he thinking of? -He said it would go with the wedding. | 0:42:15 | 0:42:20 | |
He knows you don't like green. Where did he get green from? | 0:42:21 | 0:42:24 | |
-No way! -What did she say? -Green. | 0:42:24 | 0:42:29 | |
-Just try it. Just try it. -Just try it, darling. | 0:42:29 | 0:42:32 | |
I know it's not what you want. | 0:42:32 | 0:42:34 | |
SARAH CONTINUES TO WEEP | 0:42:34 | 0:42:38 | |
Sarah, look, just try it. | 0:42:38 | 0:42:41 | |
SARAH SCREAMS | 0:42:41 | 0:42:43 | |
Oh, my God! | 0:42:43 | 0:42:45 | |
Oh, my God, it's beautiful! | 0:42:48 | 0:42:50 | |
-What's he done? -I was going to kill him! | 0:42:55 | 0:42:59 | |
-Oh, my God, it's beautiful! -Isn't it beautiful? -Is that the one? | 0:42:59 | 0:43:03 | |
That's you, that's your dress. | 0:43:03 | 0:43:05 | |
-What's he done? -I'm going to kill him! | 0:43:05 | 0:43:10 | |
-It was two dresses in one bag. -It was green and it was vile. | 0:43:10 | 0:43:14 | |
It's like bright green, like frog green, like Nan's cardigan green. | 0:43:14 | 0:43:20 | |
I'm literally going to kill him when I see him. | 0:43:22 | 0:43:24 | |
I'm actually going to kill him. | 0:43:24 | 0:43:26 | |
I'm already stressed enough and he shows me a green wedding dress. | 0:43:26 | 0:43:30 | |
Oh, dear! Oh, dear! | 0:43:30 | 0:43:32 | |
How did you just do that? Is that a magic trick? | 0:43:32 | 0:43:35 | |
-It was a magic trick. -Really? | 0:43:35 | 0:43:39 | |
ALL GASP | 0:43:43 | 0:43:45 | |
-Oh, my goodness! -Oh, Sarah, that's beautiful. | 0:43:45 | 0:43:49 | |
Gorgeous! | 0:43:49 | 0:43:52 | |
It feels amazing. | 0:43:52 | 0:43:54 | |
The jewels and everything on, | 0:43:54 | 0:43:56 | |
they're just right, just the right amount. | 0:43:56 | 0:43:58 | |
-That tiara is absolutely gorgeous. -Do I look good? -Yeah, you do. | 0:43:59 | 0:44:05 | |
-That sprinkle of jewels as well... -Yeah. -And it's very not green. -Yeah! | 0:44:05 | 0:44:10 | |
-I'm so glad it's not green. -Oh, it's gorgeous! -Look at that! -Oh, wow! | 0:44:11 | 0:44:16 | |
That fits perfect. | 0:44:16 | 0:44:18 | |
SHE GASPS | 0:44:19 | 0:44:21 | |
Oh, my God... | 0:44:21 | 0:44:24 | |
I love it! | 0:44:24 | 0:44:26 | |
Oh, it's amazing! | 0:44:26 | 0:44:28 | |
-I love it. -Do you feel like a princess? -Yeah, a proper princess. | 0:44:28 | 0:44:32 | |
I think he knew if he got it wrong, he'd actually be dead. | 0:44:34 | 0:44:36 | |
I'm actually going to kill him, anyway, cos of the green one, but... | 0:44:36 | 0:44:40 | |
-You'll forget all about that tomorrow. -No, I won't. | 0:44:40 | 0:44:42 | |
I think the dress that he's bought for me is absolutely beautiful | 0:44:42 | 0:44:45 | |
and I think he really knew that that was going to suit me | 0:44:45 | 0:44:49 | |
and he wanted me to be a princess, obviously, | 0:44:49 | 0:44:52 | |
so he got the right shape, the right fit. | 0:44:52 | 0:44:55 | |
I think he's got it spot on and he's really done well. | 0:44:55 | 0:44:58 | |
The dress that Jack has actually chosen for the day is just perfect. | 0:44:58 | 0:45:02 | |
He couldn't have chosen better. | 0:45:02 | 0:45:03 | |
Come on, Princess Fiona! | 0:45:03 | 0:45:05 | |
LAUGHTER | 0:45:05 | 0:45:08 | |
-It does fit nice, but imagine me turning up with this -- | 0:45:08 | 0:45:11 | |
green veil, green tiara, green shoes. | 0:45:11 | 0:45:14 | |
Did you hear what they said? | 0:45:14 | 0:45:16 | |
Yeah, I look like Princess Fiona. | 0:45:16 | 0:45:18 | |
He's Shrek and I'm Fiona. | 0:45:18 | 0:45:19 | |
I'm actually really fuming that he's decided to pull a trick on me | 0:45:19 | 0:45:23 | |
this close to the wedding cos he'll know I'm really anxious | 0:45:23 | 0:45:26 | |
cos obviously it's the day before the wedding | 0:45:26 | 0:45:28 | |
and I haven't seen my dress yet. | 0:45:28 | 0:45:30 | |
To pull that prank was a bit stupid, really. | 0:45:30 | 0:45:32 | |
Frog green! Toad green! | 0:45:32 | 0:45:34 | |
There you go, you've got your laughs now. | 0:45:35 | 0:45:37 | |
This is what I was screaming about. | 0:45:37 | 0:45:39 | |
It's the morning of the wedding and the girls are still reeling | 0:45:45 | 0:45:48 | |
from the magic trick Jack pulled on Sarah yesterday. | 0:45:48 | 0:45:52 | |
If you think he did that little trick with your dress, | 0:45:52 | 0:45:55 | |
what else do you think he might have done? | 0:45:55 | 0:45:57 | |
I hope that he does think of me and think, | 0:45:57 | 0:46:00 | |
"No, that's the trick over and done with. | 0:46:00 | 0:46:02 | |
"Let's get the serious side of it out now | 0:46:02 | 0:46:04 | |
"and do something really nice." | 0:46:04 | 0:46:06 | |
Well, Jack IS getting on with the serious stuff, | 0:46:06 | 0:46:09 | |
doing what he does best - organising a variety show. | 0:46:09 | 0:46:13 | |
Look at that rig! | 0:46:13 | 0:46:14 | |
Those lasers looked amazing, Roger. | 0:46:14 | 0:46:16 | |
Perfect! | 0:46:16 | 0:46:18 | |
We have a blue door, everyone. | 0:46:18 | 0:46:21 | |
A blue door - the second illusion. | 0:46:22 | 0:46:24 | |
We're producing Lionel Ritchie, everyone, for real. | 0:46:24 | 0:46:28 | |
While Jack ensures the magic really WILL happen on the day, | 0:46:31 | 0:46:35 | |
Sarah gets her first look | 0:46:35 | 0:46:36 | |
at the dresses he's chosen for the bridesmaids. | 0:46:36 | 0:46:39 | |
Oh, you all look beautiful! You're my bridesmaids! | 0:46:39 | 0:46:45 | |
Oh, girls, I'm so happy. | 0:46:46 | 0:46:49 | |
Happy with the bridesmaids' dresses, Sarah gets to be centre stage | 0:46:49 | 0:46:54 | |
as she reveals her wedding dress to the other man in her life - her dad. | 0:46:54 | 0:46:58 | |
You look absolutely gorgeous, darling. Beautiful. | 0:47:02 | 0:47:06 | |
I've got Nan's cross on the back for you. | 0:47:06 | 0:47:07 | |
Come here, Dad. | 0:47:09 | 0:47:10 | |
Oh, I'm so proud of you, darling. You're beautiful, you really are. | 0:47:13 | 0:47:18 | |
In her traditional dress, Sarah gets into her traditional wedding car, | 0:47:18 | 0:47:22 | |
hoping she's going to the traditional wedding of her dreams. | 0:47:22 | 0:47:26 | |
-We're going to a wedding! -We are! -Going to MY wedding. | 0:47:26 | 0:47:30 | |
-The thing is where are we going? -I don't know! That's the scary thing. | 0:47:30 | 0:47:34 | |
Look at the lights! Oh, look at that! | 0:47:36 | 0:47:39 | |
This is one of our illusions later on. | 0:47:39 | 0:47:41 | |
It's very, very thin so I can't have any lighting from behind. | 0:47:41 | 0:47:44 | |
Back on the road, Sarah has driven past the town | 0:47:44 | 0:47:46 | |
with the family church she was hoping to be married in. | 0:47:46 | 0:47:49 | |
It is hard, thinking that getting married in Wellington | 0:47:49 | 0:47:53 | |
would have been the ideal. That's what the tradition was, wasn't it? | 0:47:53 | 0:47:57 | |
Hopefully, he's got something of the same standard, the same look, maybe. | 0:47:57 | 0:48:02 | |
Meanwhile, at the venue, Jack's planning a surprise illusion | 0:48:03 | 0:48:07 | |
the moment Sarah walks down the aisle. | 0:48:07 | 0:48:10 | |
I'm going to crawl down here. | 0:48:11 | 0:48:12 | |
I'm going to crawl under and then we're literally just going to go... | 0:48:12 | 0:48:16 | |
That's when I'll crawl under. | 0:48:16 | 0:48:17 | |
As soon as you see me stand up, just go one, two, three... | 0:48:17 | 0:48:20 | |
Let go and I'll appear. | 0:48:20 | 0:48:21 | |
Back in the car, it dawns on Sarah she won't be getting | 0:48:23 | 0:48:26 | |
the traditional wedding she was hoping for after all. | 0:48:26 | 0:48:30 | |
Where are we going? | 0:48:30 | 0:48:33 | |
This can't be the wedding venue. | 0:48:33 | 0:48:35 | |
At last, the scene is set and the guests are gathered | 0:48:35 | 0:48:40 | |
as a very confused bride makes her way into the lobby. | 0:48:40 | 0:48:42 | |
-It's very different to what I imagined! -Yes, absolutely. | 0:48:42 | 0:48:47 | |
I didn't think that it'd be in a restaurant. | 0:48:47 | 0:48:49 | |
Where is everyone, Dad? | 0:48:49 | 0:48:52 | |
I don't know, we just keep going round and round, don't we? | 0:48:52 | 0:48:56 | |
Where have we got to go? | 0:48:56 | 0:48:58 | |
Oh, my days, is he being serious? He knew how big this dress was! | 0:48:58 | 0:49:04 | |
Oh, my... What is he doing? Where are we going? | 0:49:04 | 0:49:07 | |
Oh, and there's more steps. | 0:49:07 | 0:49:10 | |
After three weeks of waiting and five flights of stairs, | 0:49:10 | 0:49:14 | |
the bride who wanted a traditional church wedding | 0:49:14 | 0:49:17 | |
finally gets a glimpse of the magic in store. | 0:49:17 | 0:49:19 | |
-SHE SCREAMS -Oh, my God! | 0:49:19 | 0:49:24 | |
It's stunning! | 0:49:24 | 0:49:26 | |
I thought we were getting married in a restaurant! | 0:49:26 | 0:49:30 | |
Everything is set for a magical wedding. | 0:49:35 | 0:49:39 | |
But there's one thing missing - the groom. | 0:49:39 | 0:49:42 | |
Where is he? | 0:49:42 | 0:49:43 | |
I can see his dad and his brother, but where is he? | 0:49:46 | 0:49:48 | |
It's time for Jack's first big illusion. | 0:49:48 | 0:49:51 | |
Where's he hiding? | 0:49:51 | 0:49:53 | |
Is he behind that cloth? | 0:49:56 | 0:49:58 | |
Yes, Sarah, yes, he is. | 0:49:58 | 0:50:00 | |
Ta-dah! | 0:50:02 | 0:50:03 | |
-I love you. -I love you, too. | 0:50:14 | 0:50:16 | |
(Compose yourself.) | 0:50:21 | 0:50:23 | |
I, Jack David Dent, take you, Sarah Louise Robinson, | 0:50:26 | 0:50:30 | |
as my best friend for life. | 0:50:30 | 0:50:32 | |
I pledge to honour, encourage and support you. | 0:50:32 | 0:50:36 | |
-Through our walk together. -Through our walk together. | 0:50:36 | 0:50:39 | |
When our way becomes difficult, I promise I'll stand by your side. | 0:50:39 | 0:50:43 | |
I now pronounce you husband and wife. | 0:50:45 | 0:50:50 | |
-You may now kiss. -APPLAUSE | 0:50:50 | 0:50:53 | |
When I pulled up to this restaurant, | 0:51:00 | 0:51:02 | |
I was thinking I was going to be walking down between two tables | 0:51:02 | 0:51:05 | |
was going to be the aisle. | 0:51:05 | 0:51:07 | |
As soon as I walked through that door, I was just like, "Whoa!" | 0:51:07 | 0:51:10 | |
And the best part is you still don't know what's coming. | 0:51:10 | 0:51:13 | |
I don't need any more surprises! | 0:51:13 | 0:51:15 | |
With the ceremony over, Sarah's had a taste of the magic to come. | 0:51:15 | 0:51:20 | |
The room is transformed, ready for Jack's big show | 0:51:20 | 0:51:23 | |
with his brand-new illusion as the grand finale. | 0:51:23 | 0:51:28 | |
It's very theatrical, very Las Vegas. | 0:51:28 | 0:51:32 | |
-I've got quite a lot of surprises in store for you. -Mmm, OK! | 0:51:32 | 0:51:35 | |
I've got stuff to do! I've got illusions to do later on. | 0:51:35 | 0:51:38 | |
It's all very... Lots to do. | 0:51:38 | 0:51:40 | |
We're doing the doorframe illusion, we're also making Sarah float | 0:51:40 | 0:51:43 | |
so we've still got lots of magic to put in there yet. | 0:51:43 | 0:51:46 | |
-Please save my seat next to you here. -Yeah, that's fine. | 0:51:46 | 0:51:49 | |
-I'm excited! -Hold tight! | 0:51:49 | 0:51:52 | |
It does feel like I'm just sat down ready for a show to start, | 0:51:54 | 0:51:57 | |
not actually at a wedding | 0:51:57 | 0:51:59 | |
where I'm supposed to be mingling with the guests. | 0:51:59 | 0:52:01 | |
I think everyone's going to be sat down and told to just watch. | 0:52:01 | 0:52:04 | |
As the audience files in, they are met by an A-list cast, | 0:52:04 | 0:52:07 | |
including Simon Cowell, Pavarotti and Harry Hill. | 0:52:07 | 0:52:11 | |
Well, their lookalikes, at least. | 0:52:11 | 0:52:14 | |
Ladies and gentlemen... | 0:52:14 | 0:52:17 | |
..it's showtime! | 0:52:19 | 0:52:20 | |
CHEERING | 0:52:20 | 0:52:23 | |
To warm the crowd up, Jack has got his very special guests. | 0:52:23 | 0:52:26 | |
Please welcome to the stage, Mr Adam Ant! | 0:52:26 | 0:52:29 | |
# Stand and deliver... # | 0:52:31 | 0:52:34 | |
A very, very close friend - Pavarotti! | 0:52:36 | 0:52:40 | |
HE MIMES TO PAVAROTTI RECORDING | 0:52:40 | 0:52:44 | |
It did feel like he's working a bit because he was just up | 0:52:44 | 0:52:47 | |
and down all the time and that's what he's like, | 0:52:47 | 0:52:49 | |
he wants to be part of it and he doesn't like to just sit back | 0:52:49 | 0:52:52 | |
so that's probably why he wants to get involved. | 0:52:52 | 0:52:54 | |
It's like, "Just sit with me | 0:52:54 | 0:52:56 | |
-"and enjoy it and hold my hand and relax!" -It's Robbie Williams! | 0:52:56 | 0:52:59 | |
Over the next three hours, they come thick and fast. | 0:52:59 | 0:53:02 | |
Jamiroquai! | 0:53:02 | 0:53:04 | |
Now, it's the moment everyone has been waiting for. | 0:53:04 | 0:53:08 | |
The next act on stage you're about to see... | 0:53:08 | 0:53:12 | |
-..is myself. -CHEERING | 0:53:13 | 0:53:16 | |
It's Jack's time to shine and the bride, | 0:53:16 | 0:53:20 | |
who just wanted a traditional wedding with no magic, | 0:53:20 | 0:53:22 | |
is about to be put under the spotlight | 0:53:22 | 0:53:25 | |
at the centre of Jack's biggest trick. | 0:53:25 | 0:53:29 | |
APPLAUSE | 0:53:47 | 0:53:49 | |
The bride, who wanted to be centre of attention for the day, | 0:53:49 | 0:53:53 | |
is left literally floating on air. | 0:53:53 | 0:53:56 | |
When he got me up, I was like, "What are you doing?" | 0:53:58 | 0:54:01 | |
I thought he was going to saw me in half or something! | 0:54:01 | 0:54:03 | |
The crowd love it, but has Jack's biggest show ever | 0:54:03 | 0:54:06 | |
impressed the one person who didn't want a magic-filled day? | 0:54:06 | 0:54:11 | |
I really didn't want magic at the wedding so I was a bit like, | 0:54:11 | 0:54:13 | |
"Grrr, I didn't want you to do that on our wedding day! | 0:54:13 | 0:54:16 | |
"I wanted it just to be relaxed and everyone enjoy it, | 0:54:16 | 0:54:18 | |
"not you working and trying to impress and everything." | 0:54:18 | 0:54:21 | |
But I married a magician so I think I've just got to live with it now! | 0:54:21 | 0:54:24 | |
CHEERING AND APPLAUSE | 0:54:24 | 0:54:26 | |
And the magic's not over yet. Jack has another trick up his sleeve. | 0:54:28 | 0:54:34 | |
Well, actually, it's behind that door. | 0:54:34 | 0:54:37 | |
# Hello | 0:54:37 | 0:54:39 | |
# Is it me you're looking for? # | 0:54:40 | 0:54:44 | |
How can you put that into words? How can you explain that to people? | 0:54:44 | 0:54:47 | |
"Oh, we went to the World Buffet last night | 0:54:47 | 0:54:49 | |
"and we saw Robbie Williams and we saw Pavarotti and Jamiroquai." | 0:54:49 | 0:54:55 | |
# Cos I wonder where you are | 0:54:56 | 0:55:00 | |
# And I wonder what you do... # | 0:55:00 | 0:55:03 | |
It's not your traditional wedding. It's not your average wedding. | 0:55:03 | 0:55:06 | |
It's massive and it's gone down really well | 0:55:06 | 0:55:09 | |
and I don't know about being a magician, | 0:55:09 | 0:55:12 | |
I think we should go into wedding planning. | 0:55:12 | 0:55:14 | |
# Cos I wonder where you are... # | 0:55:14 | 0:55:17 | |
And what does the magic man himself think of his performance? | 0:55:17 | 0:55:21 | |
Even I'm shocked at what has just happened - | 0:55:21 | 0:55:24 | |
the biggest and best show I've ever been to. | 0:55:24 | 0:55:27 | |
I wanted the stately home, traditional, | 0:55:27 | 0:55:30 | |
country, simple, classy wedding. | 0:55:30 | 0:55:33 | |
It's gone kind of Las Vegas-y, cabaret show theme, | 0:55:33 | 0:55:39 | |
but he did it and I couldn't be more proud of you so I'll let you off. | 0:55:39 | 0:55:44 | |
48 hours later and with her feet now firmly on the ground, | 0:55:44 | 0:55:49 | |
Sarah and Jack make their marriage official. | 0:55:49 | 0:55:53 | |
Next time, laidback last-minute groom Josh... | 0:55:58 | 0:56:02 | |
Sorry I'm late. | 0:56:02 | 0:56:03 | |
Sorry I'm late, boys. | 0:56:03 | 0:56:04 | |
..plans a big beach wedding abroad, | 0:56:04 | 0:56:06 | |
while his bride-to-be Amy dreams of a simple affair much closer to home. | 0:56:06 | 0:56:11 | |
This is what I want, definitely, definitely, definitely. | 0:56:11 | 0:56:14 | |
Will his plans take flight... | 0:56:14 | 0:56:16 | |
We have nothing - in Spain, sweating, panicking. | 0:56:16 | 0:56:20 | |
..or will his hope for a fiesta... | 0:56:20 | 0:56:21 | |
Bit wet down there now. | 0:56:21 | 0:56:23 | |
..turn into a fiasco? | 0:56:23 | 0:56:25 | |
Anywhere but here would have been great. | 0:56:25 | 0:56:27 | |
MUSIC: Hello by Lionel Ritchie | 0:56:27 | 0:56:30 |