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Although each of the world's countries dispute this fact, | 0:00:25 | 0:00:28 | |
we French know the truth. The best food in the world is made in France. | 0:00:28 | 0:00:32 | |
The best food in France is made in Paris. | 0:00:32 | 0:00:35 | |
The best food in Paris is made by chef Auguste Gusteau. | 0:00:35 | 0:00:39 | |
Gusteau's restaurant is the toast of Paris, | 0:00:39 | 0:00:41 | |
booked five months in advance. | 0:00:41 | 0:00:43 | |
His ascent to the top of fine French cuisine | 0:00:43 | 0:00:45 | |
has made his competitors envious. | 0:00:45 | 0:00:47 | |
He is the youngest chef ever to achieve a five-star rating. | 0:00:47 | 0:00:51 | |
Chef Gusteau's cookbook, 'Anyone Can Cook', | 0:00:51 | 0:00:53 | |
climbed to the top of the bestseller list. | 0:00:53 | 0:00:55 | |
But not everyone celebrates its success. | 0:00:55 | 0:00:57 | |
Amusing title. "Anyone Can Cook". | 0:00:57 | 0:01:00 | |
What is even more amusing is that Gusteau seems to believe it. | 0:01:00 | 0:01:04 | |
I, on the other hand, take cooking seriously, | 0:01:04 | 0:01:07 | |
and no, I don't think anyone can do it. | 0:01:07 | 0:01:11 | |
THUNDER ROLLS | 0:01:26 | 0:01:29 | |
SCREAM/CRASH | 0:01:32 | 0:01:35 | |
'This...is me. | 0:01:46 | 0:01:48 | |
'I think it's apparent I need to rethink my life. | 0:01:48 | 0:01:51 | |
'What's my problem? | 0:01:51 | 0:01:53 | |
'First of all, I'm a rat. | 0:01:53 | 0:01:57 | |
'Which means life is hard. | 0:01:57 | 0:02:00 | |
'And second, I have a highly developed sense of taste and smell.' | 0:02:00 | 0:02:06 | |
Flour, eggs, sugar, vanilla bean. | 0:02:06 | 0:02:10 | |
Oh, small twist of lemon! | 0:02:10 | 0:02:12 | |
You can smell all that? | 0:02:12 | 0:02:14 | |
You have a gift. | 0:02:14 | 0:02:16 | |
'This is Emile, my brother. | 0:02:16 | 0:02:18 | |
-'He is easily impressed.' -So, you can smell ingredients. | 0:02:18 | 0:02:22 | |
-So what? -'This is my dad. | 0:02:22 | 0:02:24 | |
'He is never impressed. | 0:02:24 | 0:02:26 | |
'He also happens to be the leader of our clan. | 0:02:26 | 0:02:30 | |
'What's wrong with having highly developed senses?' | 0:02:30 | 0:02:33 | |
-Whoa, whoa, don't eat that! -What's going on here? | 0:02:33 | 0:02:37 | |
'Turns out that funny smell was rat poison. | 0:02:37 | 0:02:41 | |
'Suddenly Dad didn't think my talent was useless. | 0:02:41 | 0:02:44 | |
'I was feeling pretty good about my gift. | 0:02:44 | 0:02:47 | |
'Until Dad gave me a job.' | 0:02:47 | 0:02:48 | |
Clean... Clean... | 0:02:48 | 0:02:52 | |
'That's right. Poison checker.' | 0:02:52 | 0:02:54 | |
Cleanarino... Close to godliness... | 0:02:54 | 0:02:59 | |
..which means "clean". | 0:02:59 | 0:03:01 | |
You know, cleanliness is close to... Never mind. | 0:03:01 | 0:03:05 | |
'It made my dad proud.' | 0:03:05 | 0:03:08 | |
Don't you feel better, Remy? | 0:03:08 | 0:03:10 | |
-You've helped a noble cause. -Noble? | 0:03:10 | 0:03:13 | |
We're thieves, Dad. | 0:03:13 | 0:03:15 | |
And what we're stealing is, let's face it, garbage. | 0:03:15 | 0:03:18 | |
It isn't stealing if no-one wants it. | 0:03:18 | 0:03:20 | |
If no-one wants it, why are we stealing it? | 0:03:20 | 0:03:23 | |
'Let's just say we have different points of view. | 0:03:23 | 0:03:26 | |
'This much I knew - if you are what you eat, | 0:03:26 | 0:03:28 | |
then I only want to eat the good stuff. | 0:03:28 | 0:03:32 | |
'But to my dad...' | 0:03:32 | 0:03:34 | |
Food is fuel. | 0:03:34 | 0:03:35 | |
If you get picky about what you put in the tank, your engine will die. | 0:03:35 | 0:03:38 | |
Now shut up and eat your garbage. | 0:03:38 | 0:03:40 | |
If we're going to be thieves, why not steal stuff in the kitchen? | 0:03:40 | 0:03:43 | |
Where nothing is poisoned. | 0:03:43 | 0:03:45 | |
First of all, we are not thieves. | 0:03:45 | 0:03:48 | |
Secondly, stay out of the kitchen and away from the humans. | 0:03:48 | 0:03:50 | |
It's dangerous. | 0:03:50 | 0:03:52 | |
'I know I'm supposed to hate humans, but there's something about them. | 0:03:52 | 0:03:56 | |
'They don't just survive - they discover, they create. | 0:03:56 | 0:04:00 | |
'Just look at what they do with food!' | 0:04:00 | 0:04:04 | |
'Good food is like music you can taste, colour you can smell.' | 0:04:04 | 0:04:07 | |
'There is excellence all around you.' | 0:04:07 | 0:04:10 | |
'You need only be aware to stop and savour it.' | 0:04:10 | 0:04:14 | |
'Gusteau was right. | 0:04:18 | 0:04:20 | |
'Mmm, yeah. Amazing. | 0:04:20 | 0:04:24 | |
'Each flavour was totally unique. | 0:04:24 | 0:04:29 | |
'But, combine one flavour with another | 0:04:31 | 0:04:34 | |
'and something new was created. | 0:04:34 | 0:04:38 | |
'So now I had a secret life.' | 0:04:43 | 0:04:46 | |
HE CHUCKLES | 0:04:51 | 0:04:52 | |
'The only one who knew about it was Emile.' | 0:04:52 | 0:04:55 | |
Pst! Hey, Emile. Emile! | 0:04:55 | 0:04:58 | |
I found a mushroom. | 0:04:58 | 0:05:00 | |
You're good at hiding food, help me find a place to put this. | 0:05:00 | 0:05:03 | |
'He doesn't understand me, but I can be myself around him.' | 0:05:03 | 0:05:07 | |
Why are you walking like that? | 0:05:07 | 0:05:08 | |
I don't want to constantly wash my paws. | 0:05:08 | 0:05:11 | |
Do you ever think how we walk on the same paws that we handle food with? | 0:05:11 | 0:05:15 | |
-Think about what we put into our mouths? -All the time. | 0:05:15 | 0:05:18 | |
When I eat, I don't want to taste everywhere my paws have been. | 0:05:18 | 0:05:20 | |
Well, go ahead. | 0:05:20 | 0:05:22 | |
But if Dad see you walking like that, he's not going to like it. | 0:05:22 | 0:05:25 | |
What have you got there? | 0:05:25 | 0:05:27 | |
HE CHUCKLES | 0:05:29 | 0:05:30 | |
You found cheese? And not just any cheese. | 0:05:30 | 0:05:34 | |
Tomme de chevre de pays! | 0:05:34 | 0:05:36 | |
That would go beautifully with my mushroom! | 0:05:36 | 0:05:39 | |
And... and... | 0:05:39 | 0:05:41 | |
..And this rosemary. | 0:05:41 | 0:05:43 | |
With - maybe - maybe a few drops from this sweet grass. | 0:05:43 | 0:05:49 | |
Well, throw it on the pile, I guess. And then we'll... | 0:05:49 | 0:05:52 | |
We don't want to throw this in with the garbage! This is special. | 0:05:52 | 0:05:56 | |
But we're supposed to return before sundown... | 0:05:56 | 0:05:59 | |
Emile! There are possibilities unexplored here. | 0:05:59 | 0:06:02 | |
We've got to cook this. | 0:06:02 | 0:06:04 | |
Now exactly HOW we cook this is the real question... | 0:06:04 | 0:06:08 | |
Ooh! Yeah! | 0:06:08 | 0:06:11 | |
The key is to keep turning, get the smoky flavour nice and even. | 0:06:11 | 0:06:18 | |
That storm is getting closer. | 0:06:18 | 0:06:20 | |
Hey, Remy. | 0:06:20 | 0:06:22 | |
You think that maybe we shouldn't be so... | 0:06:22 | 0:06:25 | |
THEY SCREAM | 0:06:25 | 0:06:27 | |
THUD | 0:06:27 | 0:06:28 | |
REMY GROANS | 0:06:29 | 0:06:31 | |
NIBBLES FOOD | 0:06:32 | 0:06:34 | |
Whoa! You've got to taste this! | 0:06:36 | 0:06:39 | |
It's got this kind of burny... melty... | 0:06:39 | 0:06:42 | |
It's not really a smoky taste. | 0:06:42 | 0:06:43 | |
It's kind of like a...boom! Zap! Kind of taste. | 0:06:43 | 0:06:49 | |
What would you call that flavour? | 0:06:49 | 0:06:52 | |
-Lightning-y? -Yeah! It's lightning-y! | 0:06:52 | 0:06:55 | |
We've got to do that again! | 0:06:55 | 0:06:58 | |
When the next storm comes, we'll go up on the roof... | 0:06:58 | 0:07:00 | |
I know what this needs. Saffron! A little saffron would MAKE this! | 0:07:00 | 0:07:03 | |
-Saffron. Why do I get the feeling... -BOTH: It's in the kitchen! | 0:07:03 | 0:07:08 | |
COOKING PROGRAMME ON TV | 0:07:08 | 0:07:10 | |
Er... Saffron... | 0:07:13 | 0:07:17 | |
-Not good. -Saffron... | 0:07:17 | 0:07:18 | |
Don't like it. She's going to wake up. | 0:07:18 | 0:07:21 | |
I've been down here a million times. | 0:07:21 | 0:07:24 | |
She turns on the cooking channel, boom. She never wakes up. | 0:07:24 | 0:07:26 | |
You've been here a million times? | 0:07:26 | 0:07:29 | |
Saffron will be just the thing. Gusteau swears by it. | 0:07:29 | 0:07:32 | |
-Who's Gusteau? -Just the greatest chef in the world. | 0:07:32 | 0:07:36 | |
Wrote this cookbook. | 0:07:36 | 0:07:37 | |
Wait, wait, you...read? | 0:07:37 | 0:07:40 | |
-Well...not excessively. -Man, does Dad know? | 0:07:40 | 0:07:44 | |
You could fill a book - a lot of books - with things Dad doesn't know. | 0:07:44 | 0:07:49 | |
And they have. Which is why I read. | 0:07:49 | 0:07:52 | |
Which is also our secret. | 0:07:52 | 0:07:54 | |
I don't like secrets. | 0:07:54 | 0:07:55 | |
All this cooking and reading and TV watching. | 0:07:55 | 0:07:58 | |
While we...read and cook. | 0:07:58 | 0:08:01 | |
It's like you're involving me in crime, and I let you. | 0:08:01 | 0:08:04 | |
Why do I let you? | 0:08:04 | 0:08:05 | |
What's taking those kids so long? | 0:08:09 | 0:08:12 | |
L'Aquila Saffron. Italian. Gusteau says it's excellent. | 0:08:12 | 0:08:17 | |
Good thing the old lady is a food lov... | 0:08:17 | 0:08:19 | |
Hey, that's Gusteau. Emile, look. | 0:08:21 | 0:08:25 | |
'Great cooking is not for the faint of heart. | 0:08:25 | 0:08:27 | |
'You must be imaginative, strong-hearted, | 0:08:27 | 0:08:30 | |
'you must try things that may not work | 0:08:30 | 0:08:32 | |
'and you must not let anyone define your limits | 0:08:32 | 0:08:34 | |
'because of where you come from. Your only limit is your soul. | 0:08:34 | 0:08:39 | |
'What I say is true, anyone can cook. | 0:08:39 | 0:08:41 | |
'But only the fearless can be great.' | 0:08:41 | 0:08:46 | |
Pure poetry. | 0:08:46 | 0:08:47 | |
'But it was not to last. | 0:08:47 | 0:08:50 | |
'Gusteau's restaurant lost one of its five stars | 0:08:50 | 0:08:52 | |
'after a scathing review by France's top food critic, Anton Ego. | 0:08:52 | 0:08:57 | |
'It was a severe blow to Gusteau. | 0:08:57 | 0:09:00 | |
'The broken-hearted chef died shortly afterwards. | 0:09:00 | 0:09:03 | |
'Which, according to tradition, meant the loss of another star.' | 0:09:03 | 0:09:07 | |
Gusteau is dead? | 0:09:07 | 0:09:09 | |
SHE GASPS, HE SQUEAKS | 0:09:11 | 0:09:13 | |
Oh! Ohh! | 0:09:13 | 0:09:15 | |
Whoah! | 0:09:15 | 0:09:16 | |
Oh. | 0:09:19 | 0:09:21 | |
Blood! | 0:09:22 | 0:09:24 | |
Run! | 0:09:24 | 0:09:26 | |
No, you'll lead her to the colony! | 0:09:26 | 0:09:28 | |
GUN CLICKS | 0:09:41 | 0:09:42 | |
-Help, Remy, help! -Emile, start swinging the light. | 0:09:46 | 0:09:49 | |
SQUEAKING | 0:09:49 | 0:09:51 | |
I'll try to grab you! | 0:09:51 | 0:09:54 | |
Emile, swing to me! | 0:09:56 | 0:09:58 | |
HE YELLS | 0:10:05 | 0:10:06 | |
CEILING CRACKS | 0:10:20 | 0:10:22 | |
SHE SCREAMS | 0:10:29 | 0:10:31 | |
Evacuate! Everyone to the boats! | 0:10:31 | 0:10:34 | |
The book! | 0:10:39 | 0:10:40 | |
BREATHES HEAVILY | 0:10:49 | 0:10:51 | |
Go, go! Move, move! | 0:10:58 | 0:11:00 | |
Move it! Move it! | 0:11:03 | 0:11:04 | |
Give me your paw! | 0:11:16 | 0:11:17 | |
Hey, wait for me! | 0:11:17 | 0:11:19 | |
Do we have everybody? Where's Remy? | 0:11:25 | 0:11:27 | |
Right here, I'm coming! | 0:11:27 | 0:11:29 | |
I'm coming! | 0:11:29 | 0:11:31 | |
Hold on, Son. Give him something to grab on to. | 0:11:31 | 0:11:34 | |
Paddle, son. | 0:11:34 | 0:11:36 | |
Come on, reach for it. | 0:11:36 | 0:11:38 | |
-Remy! -Dad! | 0:11:44 | 0:11:46 | |
Come on, you can make it! | 0:11:46 | 0:11:48 | |
Guys, wait! Stop! | 0:11:54 | 0:11:56 | |
-Remy, come on! -Wait for me! | 0:11:56 | 0:12:00 | |
Hold on. | 0:12:00 | 0:12:02 | |
Dad? | 0:12:04 | 0:12:06 | |
Dad? | 0:12:08 | 0:12:10 | |
Argh! | 0:12:29 | 0:12:31 | |
HE COUGHS | 0:12:33 | 0:12:36 | |
GASPS FOR AIR | 0:12:41 | 0:12:43 | |
'I waited... | 0:13:10 | 0:13:12 | |
'..for a sound... | 0:13:14 | 0:13:16 | |
'..a voice... | 0:13:17 | 0:13:19 | |
'..a sign... | 0:13:21 | 0:13:23 | |
'..something.' | 0:13:24 | 0:13:26 | |
STOMACH GROWLS | 0:13:37 | 0:13:39 | |
If you are hungry, go up and look around, Remy. | 0:13:43 | 0:13:48 | |
Why do you wait and mope? | 0:13:50 | 0:13:52 | |
Well, I've just lost my family. | 0:13:52 | 0:13:55 | |
All my friends. Probably forever. | 0:13:55 | 0:13:58 | |
How do you know? | 0:13:58 | 0:14:00 | |
Well... I... YOU are an illustration. | 0:14:00 | 0:14:04 | |
Why am I talking to you? | 0:14:04 | 0:14:06 | |
You just lost your family, all your friends. | 0:14:06 | 0:14:09 | |
You are lonely. | 0:14:09 | 0:14:11 | |
Yeah, well, you're dead. | 0:14:11 | 0:14:13 | |
But zat is no match for wishful thinking! | 0:14:13 | 0:14:16 | |
If you focus on what you have left behind | 0:14:16 | 0:14:18 | |
you will never see what lies ahead. | 0:14:18 | 0:14:20 | |
Now go up and look around! | 0:14:20 | 0:14:22 | |
HUM OF CONVERSATION | 0:14:44 | 0:14:46 | |
HE SNIFFS | 0:14:48 | 0:14:50 | |
CORK POPS, PEOPLE EXCLAIM | 0:14:57 | 0:14:59 | |
-What are you doing? -I'm hungry. | 0:15:01 | 0:15:04 | |
I don't know where I am and I don't know when I'll find food again. | 0:15:04 | 0:15:07 | |
Remy, you are better than zat. | 0:15:07 | 0:15:09 | |
You are a cook. | 0:15:09 | 0:15:11 | |
A cook makes. A thief takes. | 0:15:11 | 0:15:14 | |
-You are not a thief. -I AM hungry. | 0:15:14 | 0:15:18 | |
Food will come, Remy. | 0:15:19 | 0:15:21 | |
Food always comes to those who love to cook. | 0:15:21 | 0:15:25 | |
MAN SHOUTS: You don't have the guts! | 0:15:37 | 0:15:40 | |
GUNSHOT | 0:15:40 | 0:15:42 | |
DOG BARKS | 0:15:54 | 0:15:56 | |
Paris. | 0:16:24 | 0:16:26 | |
All this time I've been underneath Paris? | 0:16:26 | 0:16:30 | |
Wow. | 0:16:32 | 0:16:33 | |
It's beautiful. | 0:16:36 | 0:16:38 | |
Ze most beautiful. | 0:16:38 | 0:16:41 | |
Gusteau's? Your restaurant? | 0:16:41 | 0:16:44 | |
You've led to me to your restaurant? | 0:16:44 | 0:16:46 | |
It seems as though I have. | 0:16:46 | 0:16:49 | |
Yes. There it is, I have led you to it! | 0:16:49 | 0:16:52 | |
I've got to see this. | 0:16:52 | 0:16:54 | |
Ready to go on table seven! | 0:16:54 | 0:16:57 | |
I need more soup bowls, please. | 0:16:57 | 0:17:00 | |
I need two salmon, three salades composes and three filets! | 0:17:01 | 0:17:06 | |
Two orders seared salmon. | 0:17:06 | 0:17:08 | |
Three filets, working! I need plates. | 0:17:08 | 0:17:11 | |
Hello, Chef Skinner. | 0:17:20 | 0:17:22 | |
Evening, Chef. | 0:17:24 | 0:17:27 | |
Hey, boss, look who's here. Alfredo Linguini. | 0:17:27 | 0:17:30 | |
Renata's little boy. | 0:17:30 | 0:17:32 | |
All grown up, eh? You remember Renata. | 0:17:32 | 0:17:34 | |
Gusteau's old flame. | 0:17:34 | 0:17:37 | |
-Ah, yes. How are you, erm... -Linguini. | 0:17:37 | 0:17:40 | |
Yes, Linguini. So nice of you to visit. | 0:17:40 | 0:17:43 | |
-How is... -My mother? | 0:17:43 | 0:17:45 | |
-Renata. -Yes, Renata. How is she? | 0:17:45 | 0:17:48 | |
Good, well, not good. She's been better. | 0:17:48 | 0:17:52 | |
She died. | 0:17:52 | 0:17:54 | |
Oh. I'm sorry. | 0:17:54 | 0:17:56 | |
Don't be. | 0:17:56 | 0:17:58 | |
She believed in heaven, so she's covered. | 0:17:58 | 0:18:00 | |
You know, afterlife-wise. | 0:18:00 | 0:18:03 | |
-What is this? -She left it for you. | 0:18:10 | 0:18:14 | |
I think she hoped it would help. | 0:18:14 | 0:18:16 | |
Me. You know, get a job. Here. | 0:18:16 | 0:18:20 | |
But of course, Gusteau wouldn't hesitate. | 0:18:20 | 0:18:22 | |
Any son of Renata... | 0:18:22 | 0:18:24 | |
Well, we could file this and if something suitable opens up... | 0:18:24 | 0:18:27 | |
-We've already hired him. -What?! | 0:18:27 | 0:18:29 | |
-How dare you hire someone without... -We needed a garbage boy. | 0:18:29 | 0:18:34 | |
Oh, garbage. | 0:18:34 | 0:18:36 | |
Well... I'm glad it worked out. | 0:18:36 | 0:18:39 | |
Er... | 0:18:41 | 0:18:42 | |
I can't believe it. | 0:18:48 | 0:18:50 | |
A real gourmet kitchen and I get to watch. | 0:18:50 | 0:18:52 | |
You've read my book. Let's see how much you know. | 0:18:52 | 0:18:56 | |
-Which one is the chef? -Oh... Er... | 0:18:56 | 0:19:00 | |
-That guy. -Very good. | 0:19:00 | 0:19:02 | |
-Who is next in command? -The sous-chef... | 0:19:02 | 0:19:05 | |
there. | 0:19:05 | 0:19:07 | |
The sous is responsible for the kitchen when the chef is not around. | 0:19:07 | 0:19:11 | |
Saucier, in charge of sauces. Very important. | 0:19:11 | 0:19:15 | |
Chef de partie, demi-chef de partie, both important. | 0:19:15 | 0:19:18 | |
Commis, commis... They're cooks, very important. | 0:19:18 | 0:19:21 | |
You are a clever rat. Now, who is that? | 0:19:21 | 0:19:24 | |
Oh, him? He's nobody. | 0:19:24 | 0:19:26 | |
Not nobody, he is part of zee kitchen. | 0:19:26 | 0:19:29 | |
He's a plongeur, or something. | 0:19:29 | 0:19:31 | |
He washes dishes or takes out the garbage. | 0:19:31 | 0:19:33 | |
-He doesn't cook. -But he could. | 0:19:33 | 0:19:35 | |
Er, no. | 0:19:35 | 0:19:37 | |
How do you know? What do I always say? | 0:19:37 | 0:19:39 | |
Anyone can cook. | 0:19:39 | 0:19:41 | |
Yeah, anyone CAN. That doesn't mean that anyone SHOULD. | 0:19:41 | 0:19:44 | |
Zat is not stopping him. See? | 0:19:44 | 0:19:48 | |
What is he doing? | 0:19:48 | 0:19:50 | |
No. No! This is terrible. | 0:19:50 | 0:19:53 | |
He's ruining the soup! | 0:19:53 | 0:19:56 | |
And nobody is noticing. | 0:19:56 | 0:19:58 | |
It's your restaurant, do something! | 0:19:58 | 0:20:00 | |
What can I do? I'm a figment of your imagination. | 0:20:00 | 0:20:04 | |
But he's ruining the soup, we have to tell someone! | 0:20:04 | 0:20:06 | |
HE GASPS | 0:20:20 | 0:20:22 | |
Whoah! | 0:20:29 | 0:20:31 | |
Gah! | 0:20:45 | 0:20:46 | |
HE SNIFFS | 0:21:28 | 0:21:29 | |
CLASSICAL MUSIC PLAYS | 0:21:44 | 0:21:45 | |
-Ooh! -Ah! | 0:21:50 | 0:21:52 | |
HE PANTS | 0:22:01 | 0:22:03 | |
Huh! | 0:22:05 | 0:22:07 | |
HE GAGS | 0:22:15 | 0:22:17 | |
HE SNIFFS | 0:22:24 | 0:22:26 | |
-Remy! -What are you waiting for? | 0:22:52 | 0:22:54 | |
Is this going to become a regular thing? | 0:22:54 | 0:22:56 | |
You know how to fix it, this is your chance. | 0:22:56 | 0:22:59 | |
The soup! Where is the soup? | 0:23:51 | 0:23:54 | |
Out of my way. | 0:23:54 | 0:23:55 | |
Move it, garbage boy. | 0:23:55 | 0:23:59 | |
YOU are cooking? | 0:23:59 | 0:24:01 | |
How dare you cook in my kitchen? | 0:24:01 | 0:24:05 | |
Where do you get the gall to even attempt something | 0:24:05 | 0:24:08 | |
so monumentally idiotic? | 0:24:08 | 0:24:11 | |
I should have you drawn and quartered. | 0:24:11 | 0:24:12 | |
I'll do it! I think the law is on my side. | 0:24:12 | 0:24:16 | |
Put him in the duck press to squeeze the fat out! | 0:24:19 | 0:24:24 | |
What are you blathering about? | 0:24:24 | 0:24:25 | |
The soup! | 0:24:25 | 0:24:26 | |
Soup. | 0:24:28 | 0:24:30 | |
Stop that soup! | 0:24:30 | 0:24:32 | |
Nooooo! | 0:24:32 | 0:24:36 | |
Waiter! | 0:24:49 | 0:24:51 | |
Linguini! | 0:24:52 | 0:24:54 | |
You're fired! | 0:24:54 | 0:24:56 | |
F-I-R-E-D! | 0:24:56 | 0:24:58 | |
-Fired! -She wants to see the chef. | 0:24:58 | 0:25:01 | |
But, he-he... | 0:25:01 | 0:25:04 | |
What did the customer say? | 0:25:18 | 0:25:19 | |
It was not a customer. It was a critic. | 0:25:19 | 0:25:22 | |
-Ego? -Celine LeClaire. | 0:25:22 | 0:25:24 | |
LeClaire. What did she say? | 0:25:24 | 0:25:27 | |
She likes the soup. | 0:25:27 | 0:25:28 | |
What do you mean, "wait"? You're the reason I'm in this mess. | 0:25:28 | 0:25:31 | |
Someone is asking about your soup. | 0:25:31 | 0:25:33 | |
What are you playing at? | 0:25:43 | 0:25:45 | |
I, um... Am I still fired? | 0:25:45 | 0:25:49 | |
-You can't fire him. -What?! | 0:25:49 | 0:25:50 | |
LeClaire likes it. She made a point of telling you so. | 0:25:50 | 0:25:54 | |
If she writes a review and finds out you fired the cook responsible... | 0:25:54 | 0:25:57 | |
-He is a garbage boy. -Who made something she likes. | 0:25:57 | 0:26:00 | |
How can we claim to represent the name of Gusteau | 0:26:00 | 0:26:03 | |
if we don't uphold his most cherished belief? | 0:26:03 | 0:26:05 | |
And what belief is that, Mademoiselle Tatou? | 0:26:05 | 0:26:08 | |
Anyone can cook. | 0:26:08 | 0:26:10 | |
Perhaps I have been a bit...'arsh on our new garbage boy. | 0:26:13 | 0:26:19 | |
'Ee has taken a bold risk. We should reward that. | 0:26:19 | 0:26:23 | |
As Chef Gusteau would have. | 0:26:23 | 0:26:26 | |
If he wishes to swim in dangerous waters, who are we to deny him? | 0:26:26 | 0:26:32 | |
-You were escaping. -Oh, yeah. | 0:26:32 | 0:26:34 | |
Since you have expressed such an interest in his cooking career, | 0:26:34 | 0:26:37 | |
you shall be responsible for it. | 0:26:37 | 0:26:41 | |
Anyone else? | 0:26:41 | 0:26:43 | |
Then back to work! | 0:26:45 | 0:26:47 | |
You are either very lucky or very unlucky. | 0:26:47 | 0:26:51 | |
You will make the soup again and zis time, I'll be paying attention. | 0:26:51 | 0:26:56 | |
Very close attention. | 0:26:56 | 0:26:59 | |
They think you might be a cook. | 0:26:59 | 0:27:01 | |
But you know what I think, Linguini? | 0:27:01 | 0:27:03 | |
I think you are a sneaky, over-reaching little... | 0:27:03 | 0:27:08 | |
Rat! | 0:27:08 | 0:27:09 | |
Get the rat! | 0:27:12 | 0:27:14 | |
Get something to trap it! | 0:27:14 | 0:27:16 | |
-What should I do now? -Kill it. | 0:27:17 | 0:27:19 | |
-Now? -No, not in the kitchen. | 0:27:19 | 0:27:22 | |
Do you know what would happen to us | 0:27:22 | 0:27:24 | |
if anyone knew we had a rat in our kitchen? | 0:27:24 | 0:27:26 | |
They'd close us down. | 0:27:26 | 0:27:28 | |
Our reputation is 'anging by a thread as it is. | 0:27:28 | 0:27:30 | |
Take it away from here. Far away. Kill it. Dispose of it. | 0:27:30 | 0:27:33 | |
Go! | 0:27:33 | 0:27:34 | |
REMY PANTS | 0:28:01 | 0:28:03 | |
Don't look at me like that. | 0:28:09 | 0:28:11 | |
You aren't the only one who's trapped. | 0:28:11 | 0:28:13 | |
They expect me to cook it again! | 0:28:13 | 0:28:16 | |
I'm not ambitious, I wasn't trying to cook, | 0:28:16 | 0:28:18 | |
I was just trying to stay out of trouble. | 0:28:18 | 0:28:20 | |
You're the one who was getting fancy with the spices. | 0:28:20 | 0:28:23 | |
What did you throw in there? Oregano? | 0:28:23 | 0:28:25 | |
No? Rosemary? | 0:28:25 | 0:28:28 | |
That's a spice, isn't it? Rosemary. | 0:28:28 | 0:28:30 | |
You didn't throw rosemary in there? | 0:28:30 | 0:28:33 | |
Then what was all the flipping and throwing and... | 0:28:33 | 0:28:37 | |
I need this job. | 0:28:41 | 0:28:43 | |
I've lost so many. | 0:28:43 | 0:28:45 | |
I don't know how to cook and now I'm actually talking to a rat as if you... | 0:28:45 | 0:28:48 | |
Did you nod? Have you been nodding? | 0:28:50 | 0:28:54 | |
You understand me? | 0:28:54 | 0:28:56 | |
So I'm not crazy. | 0:28:57 | 0:28:59 | |
Wait a second, wait a second. | 0:28:59 | 0:29:02 | |
I can't cook. Can I? | 0:29:03 | 0:29:06 | |
But you... You can. Right? | 0:29:08 | 0:29:12 | |
Don't be so modest, you're a rat, for Pete's sake. | 0:29:13 | 0:29:16 | |
Whatever you did, they liked it. | 0:29:16 | 0:29:19 | |
Yeah... This could work. | 0:29:19 | 0:29:22 | |
Hey, they liked the soup. Ah! | 0:29:22 | 0:29:25 | |
They liked the soup. | 0:29:26 | 0:29:28 | |
Do you think you could... do it again? | 0:29:28 | 0:29:32 | |
OK, I'm going to let you out now. | 0:29:35 | 0:29:37 | |
But we're together on this. | 0:29:37 | 0:29:40 | |
Right? | 0:29:40 | 0:29:42 | |
OK. | 0:29:43 | 0:29:44 | |
HE CHUCKLES | 0:29:58 | 0:30:00 | |
HE SIGHS | 0:30:11 | 0:30:13 | |
Nng! | 0:30:38 | 0:30:40 | |
GRUNTING | 0:30:40 | 0:30:42 | |
HE CURSES | 0:30:45 | 0:30:47 | |
So, this is it. | 0:30:51 | 0:30:54 | |
It's not much, but it's... | 0:30:54 | 0:30:57 | |
You know... | 0:30:57 | 0:30:58 | |
Not much. | 0:31:00 | 0:31:02 | |
Could be worse. There's heat and light and a couch with a TV, | 0:31:03 | 0:31:07 | |
so what's mine is yours. | 0:31:07 | 0:31:10 | |
-'Are you... Is this...a dream? -'Ze best kind of dream. | 0:31:10 | 0:31:16 | |
'One we can share. | 0:31:16 | 0:31:18 | |
-'But why here, why now?' -HE SNORES | 0:31:18 | 0:31:23 | |
'Why NOT here, why NOT now? | 0:31:23 | 0:31:28 | |
'What better place to dream than in Paris?' | 0:31:28 | 0:31:32 | |
Morning, little chef. | 0:31:44 | 0:31:46 | |
Rise and shi... | 0:31:46 | 0:31:47 | |
Oh, no. | 0:31:47 | 0:31:51 | |
Idiot, I knew this would happen! | 0:31:51 | 0:31:52 | |
I let a rat in to my place and tell him what's mine is his. | 0:31:52 | 0:31:55 | |
Eggs, gone! | 0:31:55 | 0:31:56 | |
Stupid, he stole my food and hit the road. | 0:31:56 | 0:31:59 | |
What did I expect? That's what I get for trusting a... | 0:31:59 | 0:32:02 | |
Is that for me? | 0:32:05 | 0:32:06 | |
Mm! That's good. What did you put in this? | 0:32:15 | 0:32:19 | |
Where did you get that? | 0:32:20 | 0:32:22 | |
Look, it's delicious, but don't steal. | 0:32:25 | 0:32:28 | |
I'll buy some spices, OK? | 0:32:28 | 0:32:29 | |
Now, we're going to be late and on the first day! | 0:32:32 | 0:32:36 | |
Come on, little chef. | 0:32:36 | 0:32:37 | |
"Though I, like many other critics, | 0:32:37 | 0:32:39 | |
"have written off Gusteau as irrelevant | 0:32:39 | 0:32:41 | |
"since the great chef's death, the soup was a revelation. | 0:32:41 | 0:32:44 | |
"A spicy yet subtle taste experience." | 0:32:44 | 0:32:47 | |
-Celine LeClaire? -Yes! | 0:32:47 | 0:32:49 | |
"Against all odds, Gusteau's has recaptured our attention. | 0:32:49 | 0:32:53 | |
"Only time will tell if they deserve it." | 0:32:53 | 0:32:56 | |
Well... | 0:32:59 | 0:33:01 | |
You know. | 0:33:07 | 0:33:09 | |
Look, I know it's stupid and weird, | 0:33:11 | 0:33:14 | |
but neither of us can do this alone so we got to do it together, right? | 0:33:14 | 0:33:17 | |
You with me? | 0:33:17 | 0:33:19 | |
So, let's do this thing! | 0:33:20 | 0:33:23 | |
DOORS BANG | 0:33:23 | 0:33:24 | |
HE WINCES AND MUTTERS | 0:33:30 | 0:33:32 | |
Welcome to hell. | 0:33:38 | 0:33:40 | |
Now, recreate the soup. | 0:33:40 | 0:33:43 | |
Take as much time as you need. | 0:33:43 | 0:33:45 | |
All week, if you must. | 0:33:45 | 0:33:47 | |
Soup. | 0:33:47 | 0:33:49 | |
HE LAUGHS | 0:33:57 | 0:33:59 | |
Ow! (You little...) | 0:34:01 | 0:34:02 | |
Ow! | 0:34:03 | 0:34:04 | |
Ow! | 0:34:06 | 0:34:08 | |
HE SHOUTS REPEATEDLY | 0:34:11 | 0:34:12 | |
(Just stop that...) Oooh! | 0:34:14 | 0:34:16 | |
Ow! (You...!) | 0:34:21 | 0:34:24 | |
Argh! | 0:34:32 | 0:34:34 | |
HE SHOUTS | 0:34:34 | 0:34:35 | |
HE SHOUTS | 0:34:37 | 0:34:38 | |
This is NOT going to work, little chef! | 0:34:39 | 0:34:41 | |
I'm going to lose it if we do this any more. | 0:34:41 | 0:34:43 | |
We've got to figure out something else. | 0:34:43 | 0:34:45 | |
Something that doesn't involve any biting or nipping | 0:34:45 | 0:34:48 | |
or running up and down my body with your little rat feet. | 0:34:48 | 0:34:51 | |
The biting - no! | 0:34:51 | 0:34:52 | |
Scampering - no! | 0:34:52 | 0:34:53 | |
No scampering or scurrying. | 0:34:53 | 0:34:55 | |
Understand, little chef? | 0:34:55 | 0:34:57 | |
Little chef? | 0:34:57 | 0:34:59 | |
Oh, you're hungry. | 0:35:00 | 0:35:02 | |
OK, so let's think this out. | 0:35:08 | 0:35:12 | |
You know how to cook and I know how to appear...human. | 0:35:12 | 0:35:18 | |
We just need to work out a system so I do what you want | 0:35:18 | 0:35:21 | |
in a way that doesn't look like I'm being controlled by a tiny rat chef. | 0:35:21 | 0:35:24 | |
Will you listen to me, I'm insane, I'm insane! | 0:35:24 | 0:35:26 | |
Talking to a rat in a refrigerator! | 0:35:26 | 0:35:28 | |
MUFFLED SHOUTING | 0:35:28 | 0:35:30 | |
-Linguini? -We've got to communicate. | 0:35:30 | 0:35:32 | |
I can't be constantly checking for a yes or no head shake from a rat... | 0:35:32 | 0:35:38 | |
The rat! I saw it! | 0:35:38 | 0:35:40 | |
-The rat? -Yes, yes, a rat, right next to you. | 0:35:40 | 0:35:43 | |
What are you doing in here? | 0:35:43 | 0:35:46 | |
I'm just...familiarising myself with the vegetables and such. | 0:35:46 | 0:35:51 | |
Get out! | 0:35:51 | 0:35:53 | |
One can get too familiar with vegetables, you know. | 0:35:54 | 0:35:57 | |
That was close. | 0:35:58 | 0:36:00 | |
Are you OK up there? | 0:36:00 | 0:36:02 | |
HE LAUGHS | 0:36:06 | 0:36:08 | |
How did you do that? | 0:36:13 | 0:36:16 | |
Oh. | 0:36:19 | 0:36:20 | |
Whoah! That's strangely involuntary. | 0:36:27 | 0:36:31 | |
'One look and I knew, we had the same crazy idea.' | 0:36:32 | 0:36:37 | |
OK. | 0:36:37 | 0:36:38 | |
Huh? | 0:36:41 | 0:36:42 | |
Ow! | 0:36:44 | 0:36:45 | |
Where are you taking me? | 0:36:48 | 0:36:50 | |
Wait... | 0:36:50 | 0:36:51 | |
CRASH | 0:36:51 | 0:36:53 | |
I'm sorry. | 0:37:00 | 0:37:02 | |
Whoa. | 0:37:03 | 0:37:05 | |
OK. | 0:37:06 | 0:37:07 | |
HE SNIFFS | 0:37:21 | 0:37:22 | |
HE SNIFFS | 0:37:26 | 0:37:27 | |
TYRES SCREECH | 0:37:39 | 0:37:41 | |
CRASH | 0:37:42 | 0:37:43 | |
Whoa! | 0:37:52 | 0:37:54 | |
Whoa! | 0:38:11 | 0:38:13 | |
A votre sante. | 0:38:15 | 0:38:17 | |
HE LAUGHS | 0:38:21 | 0:38:24 | |
That should do it. | 0:38:48 | 0:38:51 | |
Congratulations. | 0:38:54 | 0:38:56 | |
You were able to repeat your accidental success. | 0:38:56 | 0:38:59 | |
But you will need to know more than soup | 0:38:59 | 0:39:00 | |
if you are to survive in my kitchen, boy. | 0:39:00 | 0:39:03 | |
Colette will be responsible for teaching you how we do things here. | 0:39:03 | 0:39:07 | |
Listen, I just want you to know how honoured I am | 0:39:08 | 0:39:12 | |
to be studying under such a... | 0:39:12 | 0:39:14 | |
No, you listen. I want you to know who you are dealing with. | 0:39:14 | 0:39:17 | |
-How many women do you see in this kitchen? -Well, I... | 0:39:17 | 0:39:20 | |
Only me. Why do you think that is? | 0:39:20 | 0:39:22 | |
Because Haute Cuisine is an antiquated hierarchy | 0:39:22 | 0:39:25 | |
built on rules written by stupid old men. | 0:39:25 | 0:39:27 | |
Rules designed to make it impossible for women to enter this world. | 0:39:27 | 0:39:31 | |
But still I am here. How did this happen? | 0:39:31 | 0:39:34 | |
Because, well, because... | 0:39:34 | 0:39:35 | |
Because I am the toughest cook in this kitchen. | 0:39:35 | 0:39:38 | |
I worked too hard for too long to get here | 0:39:38 | 0:39:40 | |
and I'm not going to jeopardise it for some garbage boy who got lucky. | 0:39:40 | 0:39:42 | |
Got it? | 0:39:42 | 0:39:44 | |
Wow. | 0:39:47 | 0:39:49 | |
Easy to cook, easy to eat. | 0:39:49 | 0:39:51 | |
Gusteau makes Chinese food Chin-easy! | 0:39:51 | 0:39:56 | |
-Excellent work, Francois, as usual. -It's good, isn't it? | 0:39:56 | 0:40:00 | |
I want you to work up something for my latest frozen food concept. | 0:40:00 | 0:40:04 | |
Gusteau's corn puppies. They are like corn dogs, only smaller. | 0:40:04 | 0:40:09 | |
-Bite size. -What are corn dogs? | 0:40:09 | 0:40:13 | |
Cheap sausages dipped in batter and deep fried. You know, American. | 0:40:13 | 0:40:17 | |
Whip something up. Maybe Gusteau in overalls. | 0:40:17 | 0:40:21 | |
Or as a big ear of corn in doggy make-up. | 0:40:21 | 0:40:26 | |
But please, with dignity. | 0:40:26 | 0:40:29 | |
Get my lawyer! | 0:40:54 | 0:40:56 | |
Well, the will stipulates that if after a period of two years | 0:40:56 | 0:41:00 | |
from the date of death no heir appears, | 0:41:00 | 0:41:03 | |
Gusteau's business interests will pass to his sous-chef. You. | 0:41:03 | 0:41:08 | |
I know what the will stipulates. | 0:41:08 | 0:41:09 | |
What I want to know is if this letter... | 0:41:09 | 0:41:12 | |
If this BOY changes anything. | 0:41:12 | 0:41:15 | |
-There is not much resemblance. -There's no resemblance at all! | 0:41:19 | 0:41:23 | |
He is not Gusteau's son. Gusteau had no children. | 0:41:23 | 0:41:25 | |
And what of the timing of all this? | 0:41:25 | 0:41:27 | |
The deadline in the will expires in less than a month. | 0:41:27 | 0:41:30 | |
Some boy arrives with a letter from his recently-deceased mother | 0:41:30 | 0:41:36 | |
claiming Gusteau's his father. Highly suspect. | 0:41:36 | 0:41:39 | |
-This is Gusteau's. -Yes, yes. | 0:41:39 | 0:41:41 | |
-May I? -Of course, of course. | 0:41:41 | 0:41:42 | |
But the boy does not know. | 0:41:42 | 0:41:45 | |
She claimed she never told him or Gusteau. And asks that I don't tell. | 0:41:45 | 0:41:48 | |
-Why you? What does she want? -A job for the boy. | 0:41:48 | 0:41:52 | |
-Only a job? -Well, yes. | 0:41:52 | 0:41:55 | |
Then what are you worried about? | 0:41:55 | 0:41:57 | |
If he works here, you will be able to keep an eye on him | 0:41:57 | 0:41:59 | |
while I do a little digging, find out how much of this is real. | 0:41:59 | 0:42:02 | |
I'll need you to collect some DNA samples from the boy. | 0:42:02 | 0:42:06 | |
-Hair, maybe. -Mark my words, the whole thing is highly suspect. | 0:42:06 | 0:42:11 | |
He knows something. | 0:42:11 | 0:42:14 | |
Relax, he's a garbage boy. I think you can handle him. | 0:42:14 | 0:42:17 | |
-What are you doing? -I'm cutting vegetables. | 0:42:24 | 0:42:26 | |
-Cutting vegetables. -No, you waste energy and time. | 0:42:26 | 0:42:29 | |
You think cooking is a cute job. Like Mummy in the kitchen. | 0:42:29 | 0:42:32 | |
Mummy never had to face the dinner rush when orders come flooding in | 0:42:32 | 0:42:34 | |
and every dish is different with different cooking times, | 0:42:34 | 0:42:37 | |
but must arrive on the customer's table at exactly the same time. I am chopping. | 0:42:37 | 0:42:41 | |
Every second counts and you cannot be Mummy! | 0:42:41 | 0:42:44 | |
What is this? Keep your station clear. | 0:42:46 | 0:42:49 | |
Messy station, sloppy stance. Orders pile up, disaster. | 0:42:49 | 0:42:55 | |
I'll make this easy to remember. | 0:42:55 | 0:42:56 | |
Keep your station clear | 0:42:56 | 0:42:58 | |
or I will kill you! | 0:42:58 | 0:43:00 | |
Eurgh! Your sleeves look like you threw up on them. | 0:43:02 | 0:43:04 | |
Keep your hands and arms in, close to the body. | 0:43:04 | 0:43:07 | |
Always return to this position. | 0:43:07 | 0:43:08 | |
Cooks move fast, sharp utensils, hot metal. Keep your arms in, | 0:43:08 | 0:43:11 | |
you will minimise cuts and burns and keep your sleeves clean. | 0:43:11 | 0:43:14 | |
Mark of a chef, messy apron, clean sleeves. | 0:43:14 | 0:43:17 | |
I know the Gusteau style code. | 0:43:17 | 0:43:19 | |
In every dish, Gusteau always had something unexpected. | 0:43:19 | 0:43:22 | |
I'll show you. I memorised all his recipes. | 0:43:22 | 0:43:25 | |
-Always do something unexpected. -No, follow the recipe. | 0:43:25 | 0:43:28 | |
-But you just said... -No, it was his job be unexpected. | 0:43:28 | 0:43:31 | |
It is our job to follow the recipe. | 0:43:31 | 0:43:35 | |
How do you tell how good bread is without tasting it? | 0:43:35 | 0:43:38 | |
Not the smell, not the look, but the sound. | 0:43:38 | 0:43:41 | |
The crust. Listen. | 0:43:41 | 0:43:42 | |
BREAD CRACKLES | 0:43:42 | 0:43:44 | |
A symphony of crackle. Only great bread sounds this way. | 0:43:44 | 0:43:48 | |
The only way to get the best produce is to have first pick of the day. | 0:43:48 | 0:43:51 | |
Only two ways to get first pick. Grow it yourself, or bribe a grower. | 0:43:51 | 0:43:56 | |
Bonjour. | 0:43:56 | 0:43:57 | |
Voila. The best restaurants get first pick. | 0:43:57 | 0:43:59 | |
People think Haute Cuisine is snooty. | 0:43:59 | 0:44:01 | |
So the chef must also be snooty. But not so. | 0:44:01 | 0:44:04 | |
Lalo there, ran away from home at 12. | 0:44:04 | 0:44:07 | |
Got hired by circus people as an acrobat. | 0:44:07 | 0:44:09 | |
And then he gets fired | 0:44:09 | 0:44:11 | |
for messing around with the ringmaster's daughter. | 0:44:11 | 0:44:14 | |
-Horst has done time. -What for? | 0:44:14 | 0:44:16 | |
No-one knows. He changes the story every time you ask. | 0:44:16 | 0:44:20 | |
I defrauded a major corporation. | 0:44:20 | 0:44:22 | |
I robbed the second largest bank in France using only a ballpoint pen. | 0:44:22 | 0:44:25 | |
I created a hole in the ozone over Avignon. | 0:44:25 | 0:44:28 | |
I killed a man...with this thumb. | 0:44:28 | 0:44:31 | |
Don't ever play cards with Pompidou. | 0:44:31 | 0:44:33 | |
He's been banned from Las Vegas and Monte Carlo. | 0:44:33 | 0:44:36 | |
-Larousse ran guns for the Resistance. -Which Resistance? | 0:44:36 | 0:44:39 | |
He won't say. Apparently they didn't win. | 0:44:39 | 0:44:43 | |
So you see, we are artists. Pirates. | 0:44:43 | 0:44:46 | |
-More than cooks are we. -We? | 0:44:46 | 0:44:50 | |
-We. You are one of us now, oui? -Oui! | 0:44:50 | 0:44:53 | |
Thank you, for the advice about cooking. | 0:44:53 | 0:44:57 | |
-Thank you, too. -For what? | 0:44:57 | 0:44:59 | |
For taking it. | 0:44:59 | 0:45:01 | |
The rat! | 0:45:05 | 0:45:07 | |
I just dropped my keys. | 0:45:09 | 0:45:11 | |
Have you decided this evening? | 0:45:15 | 0:45:17 | |
-The soup is excellent... -But we order it every time. | 0:45:17 | 0:45:20 | |
-What else do you have? -We have a very nice foie gras... | 0:45:20 | 0:45:24 | |
I know about the foie gras, the old standby. | 0:45:24 | 0:45:27 | |
What does the chef have that's new? | 0:45:27 | 0:45:29 | |
-Someone has asked what is new! -New? | 0:45:31 | 0:45:33 | |
-What did you tell them? -I told them I would ask! | 0:45:33 | 0:45:36 | |
What are you blathering about? | 0:45:36 | 0:45:37 | |
-Customers asking what is new. -What should I tell them? | 0:45:37 | 0:45:40 | |
-What DID you tell them? -I told them I would ask! | 0:45:40 | 0:45:43 | |
This is simple. Just pull out an old Gusteau recipe. | 0:45:43 | 0:45:46 | |
-One we haven't made in a while... -They know about the old stuff. | 0:45:46 | 0:45:50 | |
They like Linguini's soup. | 0:45:50 | 0:45:52 | |
They are asking for food from Linguini? | 0:45:53 | 0:45:57 | |
A lot of customers like the soup. That's all we're saying. | 0:45:57 | 0:46:00 | |
Very well, if it's Linguini they want, tell them chef Linguini | 0:46:02 | 0:46:07 | |
has prepared something special for them, something definitely off-menu. | 0:46:07 | 0:46:13 | |
-And don't forget to stress its Linguini-ness. -Oui, Chef. | 0:46:13 | 0:46:17 | |
Now is your chance to try something worthy of your talent, Linguini. | 0:46:17 | 0:46:21 | |
A forgotten favourite of the chef's. Sweetbread a la Gusteau. | 0:46:21 | 0:46:26 | |
-Colette will help you. -Oui, Chef. | 0:46:26 | 0:46:29 | |
Hurry up, our diners are hungry. | 0:46:29 | 0:46:31 | |
Are you sure? That recipe was a disaster. Gusteau himself said so. | 0:46:31 | 0:46:35 | |
Just the sort of challenge a budding chef needs. | 0:46:35 | 0:46:39 | |
Sweetbread a la Gusteau. Sweetbread cooked in a sweet salt crust | 0:46:39 | 0:46:43 | |
with cuttlefish tentacle, duck egg, | 0:46:43 | 0:46:47 | |
dried white fungus and liquorice sauce. | 0:46:47 | 0:46:51 | |
I don't know this one, but it's Gusteau. So - Lalo! | 0:46:51 | 0:46:55 | |
-We have some veal stomach soaking, yes? -Yes! | 0:46:55 | 0:46:59 | |
Veal stomach? | 0:46:59 | 0:47:00 | |
I'll be right back. | 0:47:17 | 0:47:19 | |
Where? | 0:47:19 | 0:47:20 | |
Y...OK! | 0:47:20 | 0:47:23 | |
Hey! Don't mind me! I just... | 0:47:23 | 0:47:25 | |
Need to borrow this, real quick. | 0:47:25 | 0:47:27 | |
Let's see...over here. | 0:47:27 | 0:47:29 | |
I'll be back. | 0:47:29 | 0:47:31 | |
Thank you. | 0:47:31 | 0:47:33 | |
Excuse me. Apparently I need this. I'll be right back. | 0:47:33 | 0:47:37 | |
I'm going to have some of that... spice. | 0:47:37 | 0:47:42 | |
OK. | 0:47:42 | 0:47:43 | |
What are you doing? Prepare the Gusteau recipe! | 0:47:43 | 0:47:46 | |
This is the recipe. | 0:47:46 | 0:47:47 | |
The recipe doesn't call for white truffle oil. | 0:47:47 | 0:47:51 | |
You are improvising?! | 0:47:51 | 0:47:52 | |
This is no time to experiment. The customers are waiting. | 0:47:52 | 0:47:54 | |
You're right, I should listen to you. | 0:47:54 | 0:47:57 | |
-Stop that. -Stop what? | 0:47:57 | 0:47:59 | |
Freaking me out. Whatever you're doing, stop it. | 0:47:59 | 0:48:01 | |
-Where is the special order? -Coming! | 0:48:01 | 0:48:04 | |
-I thought we were together on this. -We are together. | 0:48:04 | 0:48:06 | |
-There what are you doing? -It's very hard to explain. | 0:48:06 | 0:48:09 | |
-The special! -Come get it. | 0:48:09 | 0:48:12 | |
Whoa! I forgot the anchovy liquorice sauce. | 0:48:13 | 0:48:15 | |
-Don't you dare. -I'm not, I'm not! | 0:48:20 | 0:48:23 | |
Sorry. | 0:48:27 | 0:48:28 | |
-Is Linguini's dish done yet? -It's as bad as we remember. | 0:48:30 | 0:48:35 | |
-Just went out. -Did you taste it? | 0:48:35 | 0:48:37 | |
-Of course, before he changed it. -Good. | 0:48:37 | 0:48:39 | |
What? How could he change it? | 0:48:39 | 0:48:42 | |
He changed it as it was going out the door! | 0:48:42 | 0:48:45 | |
-Argh! -They love it! | 0:48:45 | 0:48:46 | |
Other diners are already asking about it. | 0:48:46 | 0:48:49 | |
-I have seven more orders. -That's... wonderful. | 0:48:49 | 0:48:53 | |
Special order. | 0:49:01 | 0:49:02 | |
Special order. Special order! Special order! | 0:49:07 | 0:49:10 | |
(ALL) To Linguini! | 0:49:19 | 0:49:21 | |
Take a break, little chef. Get some air. | 0:49:29 | 0:49:31 | |
We really did it tonight. | 0:49:33 | 0:49:35 | |
Da! | 0:49:39 | 0:49:41 | |
Got your toque! | 0:49:44 | 0:49:46 | |
Seriously now. I would love to have a little talk with you, | 0:49:46 | 0:49:51 | |
-Linguini - in my office. -Am I in trouble? | 0:49:51 | 0:49:54 | |
Trouble? No! A little wine, a friendly chat. | 0:49:54 | 0:49:57 | |
Just us cooks. | 0:49:57 | 0:50:00 | |
The plongeur won't be coming to you for advice any more, eh, Colette? | 0:50:00 | 0:50:04 | |
He's gotten all he needs. | 0:50:04 | 0:50:06 | |
Toasting your success, eh, Linguini? | 0:50:09 | 0:50:13 | |
Good for you. | 0:50:13 | 0:50:15 | |
I just took it to be polite. I don't really drink. | 0:50:15 | 0:50:18 | |
Of course you don't. | 0:50:18 | 0:50:20 | |
I wouldn't either if I was drinking zat. | 0:50:20 | 0:50:23 | |
But you would have to be an idiot of elephantine proportions | 0:50:23 | 0:50:27 | |
not to appreciate this '61 Chateau Latour. | 0:50:27 | 0:50:31 | |
And you, Monsieur Linguini, are no idiot. | 0:50:31 | 0:50:36 | |
Let us toast your non-idiocy. | 0:50:36 | 0:50:38 | |
GLASSES CLINK | 0:50:38 | 0:50:39 | |
CRASH | 0:50:49 | 0:50:51 | |
-Remy! -Emile? | 0:51:01 | 0:51:03 | |
I can't believe you're alive! | 0:51:03 | 0:51:05 | |
I thought I'd never see you guys again! | 0:51:05 | 0:51:07 | |
We thought you didn't survive the rapids. | 0:51:07 | 0:51:10 | |
What ARE you eating? | 0:51:10 | 0:51:12 | |
I don't really know. | 0:51:14 | 0:51:16 | |
I think it was some sort of wrapper once. | 0:51:16 | 0:51:19 | |
What? No. | 0:51:19 | 0:51:21 | |
You're in Paris now, baby. My town. | 0:51:21 | 0:51:23 | |
No brother of mine eats rejectamenta in my town. | 0:51:23 | 0:51:27 | |
Remy! You're stealing? | 0:51:36 | 0:51:38 | |
You told Linguini he could trust you. | 0:51:38 | 0:51:40 | |
-And he can, it's for my brother. -But the boy could lose his job. | 0:51:40 | 0:51:43 | |
Which means I would too. It's under control, OK? | 0:51:43 | 0:51:47 | |
More wine? | 0:51:47 | 0:51:49 | |
I-I shouldn't, but... OK. | 0:51:49 | 0:51:51 | |
-So, where did you train, Linguini? -Train? | 0:51:51 | 0:51:56 | |
Surely you don't expect me to believe | 0:51:57 | 0:51:59 | |
this is your first time cooking? | 0:51:59 | 0:52:01 | |
-It's not. -I knew it! | 0:52:01 | 0:52:04 | |
It's my...(third, fourth...) fifth time. | 0:52:04 | 0:52:06 | |
Monday was my first time. | 0:52:06 | 0:52:08 | |
But I've taken out the garbage lots of times before that. | 0:52:08 | 0:52:11 | |
Yes, yes, have some more wine. | 0:52:11 | 0:52:13 | |
Tell me, Linguini, about your interests. | 0:52:13 | 0:52:16 | |
-Do you like animals? -What? Animals? | 0:52:16 | 0:52:20 | |
What kind? | 0:52:20 | 0:52:22 | |
The usual - dogs, cats, horses, guinea pigs... | 0:52:22 | 0:52:26 | |
rats? | 0:52:26 | 0:52:27 | |
I brought you something... | 0:52:28 | 0:52:30 | |
No, no, no! Spit that out right now! | 0:52:30 | 0:52:34 | |
I have GOT to teach you about food. Close your eyes. | 0:52:34 | 0:52:38 | |
Now, take a bite of this... | 0:52:38 | 0:52:40 | |
-No, no, don't just hawk it down! -Too late. | 0:52:40 | 0:52:45 | |
Here, chew it slowly. Only think about the taste. | 0:52:45 | 0:52:51 | |
See? | 0:52:53 | 0:52:54 | |
Not really. | 0:52:54 | 0:52:56 | |
Creamy, salty, sweet... An oaky nuttiness. | 0:52:56 | 0:52:59 | |
-You detect that? -Oh, I'm detecting nuttiness. | 0:52:59 | 0:53:02 | |
Close your eyes. Now taste this. | 0:53:02 | 0:53:05 | |
A whole different thing, right? | 0:53:05 | 0:53:07 | |
Sweet, crisp, a slight tang on the finish. | 0:53:07 | 0:53:10 | |
-OK. -Now, try them together. | 0:53:10 | 0:53:14 | |
I think I'm getting a little something there. | 0:53:15 | 0:53:19 | |
-Might be the nuttiness. -See? | 0:53:19 | 0:53:21 | |
-Could be the tang. -That's it. | 0:53:21 | 0:53:23 | |
Now imagine every great taste in the world, | 0:53:23 | 0:53:26 | |
combined in infinite combinations. Tastes that no-one has tried yet! | 0:53:26 | 0:53:29 | |
Discoveries to be made! | 0:53:29 | 0:53:30 | |
-I think... -Uh-uh? | 0:53:30 | 0:53:32 | |
You lost me again. But that was interesting. | 0:53:32 | 0:53:37 | |
Most interesting garbage I ever... What are we doing?! | 0:53:37 | 0:53:39 | |
Dad doesn't know you're alive yet. We've got to go to the colony. | 0:53:39 | 0:53:42 | |
-Everyone will be thrilled! -Yeah, but... | 0:53:42 | 0:53:45 | |
-What? -The thing is, I kind of have to... | 0:53:45 | 0:53:48 | |
What do you "have to" more than family? | 0:53:48 | 0:53:50 | |
What's more important here? | 0:53:50 | 0:53:52 | |
Well... | 0:53:52 | 0:53:53 | |
It wouldn't hurt to visit. | 0:53:54 | 0:53:57 | |
-Have you ever had a pet rat? -No. | 0:53:57 | 0:53:58 | |
-Did you work in a lab with rats? -No. | 0:53:58 | 0:54:00 | |
-Perhaps you lived in squalor at some point? -Nopety-nopety-no. | 0:54:00 | 0:54:03 | |
You know something about rats, you know you do! | 0:54:03 | 0:54:06 | |
You know who-know do, whack-a-do. | 0:54:06 | 0:54:08 | |
Rat-a-tat-a... Hey, why do they call it that? | 0:54:08 | 0:54:11 | |
-What? -Ratatouille. | 0:54:11 | 0:54:13 | |
It's like a stew, right? Why do they call it that? | 0:54:13 | 0:54:16 | |
If you're going to name a food, give it a name that sounds delicious. | 0:54:16 | 0:54:20 | |
Ratatouille doesn't sound delicious. | 0:54:20 | 0:54:22 | |
It sounds like rat and patootie. | 0:54:22 | 0:54:25 | |
Rat-patootie. | 0:54:25 | 0:54:27 | |
Which does NOT sound delicious. | 0:54:27 | 0:54:29 | |
Regrettably, we are all out of wine. | 0:54:32 | 0:54:37 | |
My son has returned! | 0:54:37 | 0:54:41 | |
CHEERING | 0:54:41 | 0:54:42 | |
JAZZ PLAYS | 0:54:46 | 0:54:48 | |
Finding someone to replace you for poison checker has been a disaster. | 0:55:04 | 0:55:09 | |
Nothing's been poisoned, thank God, | 0:55:09 | 0:55:11 | |
but it hasn't been easy. You didn't make it easy. | 0:55:11 | 0:55:15 | |
I know. I'm sorry, Dad. | 0:55:15 | 0:55:18 | |
Well, the important thing is that you're home. | 0:55:18 | 0:55:21 | |
-Yeah, well, about that... -You look thin. Why's that? | 0:55:21 | 0:55:26 | |
A shortage of food or a surplus of snobbery?! | 0:55:26 | 0:55:30 | |
It's tough out there in the big world all alone, isn't it? | 0:55:32 | 0:55:35 | |
Sure, but it's not like I'm a kid any more. | 0:55:35 | 0:55:38 | |
I can take care of myself. | 0:55:38 | 0:55:41 | |
I've found a nice spot not far away, so I'll be able to visit often. | 0:55:41 | 0:55:44 | |
Nothing like a cold splash of reality to... | 0:55:44 | 0:55:48 | |
Visit? | 0:55:48 | 0:55:49 | |
-I will, I promise. Often. -You're not staying? | 0:55:49 | 0:55:52 | |
No. It's not a big deal, Dad. | 0:55:52 | 0:55:54 | |
You didn't think I was going to stay forever, did you? | 0:55:54 | 0:55:58 | |
Eventually a bird has to leave the nest. | 0:55:58 | 0:56:00 | |
We're not birds. We are rats. | 0:56:00 | 0:56:03 | |
We don't leave our nests, we make them bigger. | 0:56:03 | 0:56:06 | |
Maybe I'm a different kind of rat. | 0:56:06 | 0:56:07 | |
-Maybe you're not a rat at all. -Maybe that's a good thing. | 0:56:07 | 0:56:10 | |
Hey, the band's really on tonight. | 0:56:10 | 0:56:12 | |
Rats - all we do is take. I'm tired of taking. | 0:56:12 | 0:56:15 | |
I want to make things. | 0:56:15 | 0:56:17 | |
I want to ADD something to this world. | 0:56:17 | 0:56:19 | |
-You're talking like a human. -Who are not as bad as you say. | 0:56:19 | 0:56:22 | |
Oh, yeah? What makes you so sure? | 0:56:22 | 0:56:25 | |
I've...been able to observe them at a close-ish sort of range. | 0:56:25 | 0:56:31 | |
-Yeah? How close? -Close enough. | 0:56:31 | 0:56:34 | |
And they're not so bad as you say. | 0:56:34 | 0:56:37 | |
Come with me. I got something I want you to see. | 0:56:37 | 0:56:41 | |
I'm going to stay here. | 0:56:43 | 0:56:46 | |
Make sure the floors and counter tops are clean before you lock up. | 0:56:46 | 0:56:50 | |
-You want me to stay and clean? -Is that a problem? | 0:56:50 | 0:56:54 | |
-No. -Good boy. | 0:56:54 | 0:56:57 | |
See you tomorrow. | 0:56:57 | 0:56:58 | |
HE GROANS | 0:57:01 | 0:57:02 | |
We're here. | 0:57:05 | 0:57:07 | |
HE GASPS | 0:57:13 | 0:57:15 | |
Take a good long look, Remy. | 0:57:16 | 0:57:19 | |
This is what happens when a rat | 0:57:19 | 0:57:21 | |
gets a little too comfortable around humans. | 0:57:21 | 0:57:26 | |
The world we live in belongs to the enemy. | 0:57:26 | 0:57:30 | |
We must live carefully. | 0:57:30 | 0:57:33 | |
We look out for our own kind, Remy. | 0:57:33 | 0:57:36 | |
When all is said and done, we're all we've got. | 0:57:36 | 0:57:40 | |
No. | 0:57:45 | 0:57:46 | |
What? | 0:57:46 | 0:57:48 | |
No. Dad, I don't believe it. | 0:57:48 | 0:57:51 | |
You're telling me that the future is, can only be, more of this? | 0:57:51 | 0:57:57 | |
This is the way things are. You can't change nature. | 0:57:57 | 0:58:02 | |
Change IS nature, Dad. The part that we can influence. | 0:58:02 | 0:58:07 | |
And it starts when we decide. | 0:58:07 | 0:58:10 | |
-Where are you going? -With luck, forward. | 0:58:11 | 0:58:15 | |
Hey. | 0:58:38 | 0:58:40 | |
Oof! | 0:58:40 | 0:58:42 | |
SNORING | 0:58:58 | 0:59:00 | |
MOTORBIKE PULLS UP | 0:59:06 | 0:59:08 | |
(Stop it.) | 0:59:35 | 0:59:38 | |
Morning. | 1:00:09 | 1:00:10 | |
(Ahem.) Good morning. | 1:00:12 | 1:00:13 | |
So... | 1:00:15 | 1:00:16 | |
The chef, he invited you in for a drink. That's big. | 1:00:16 | 1:00:20 | |
That's big. What did he say? | 1:00:21 | 1:00:24 | |
What? | 1:00:28 | 1:00:29 | |
You can't tell me? | 1:00:29 | 1:00:33 | |
Oh, forgive me for intruding on your deep personal relationship | 1:00:33 | 1:00:36 | |
with the Chef. | 1:00:36 | 1:00:37 | |
I see how it is. | 1:00:37 | 1:00:39 | |
You get me to teach you a few kitchen tricks to dazzle the boss | 1:00:39 | 1:00:43 | |
and then you blow past me. | 1:00:43 | 1:00:45 | |
(Wake up. Wake up!) | 1:00:45 | 1:00:47 | |
I thought you were different. | 1:00:47 | 1:00:51 | |
-I thought you thought -I -was different. | 1:00:51 | 1:00:53 | |
-I thought... -HE SNORES | 1:00:53 | 1:00:56 | |
I didn't have to help you! | 1:00:59 | 1:01:01 | |
If I looked out only for myself, I would have let you drown. | 1:01:01 | 1:01:04 | |
But... I wanted you to succeed. | 1:01:04 | 1:01:08 | |
I liked you. | 1:01:09 | 1:01:11 | |
-My mistake. -Colette. | 1:01:12 | 1:01:15 | |
Wait, wait! | 1:01:15 | 1:01:16 | |
It's over, little chef. I can't do it any more. | 1:01:16 | 1:01:19 | |
Colette, wait, wait! | 1:01:19 | 1:01:22 | |
Don't motorcycle away! | 1:01:22 | 1:01:23 | |
I'm no good with words, I'm no good with food, either. | 1:01:23 | 1:01:27 | |
At least, not without your help. | 1:01:27 | 1:01:29 | |
I hate false modesty. | 1:01:29 | 1:01:31 | |
It's just another way to lie. | 1:01:31 | 1:01:33 | |
-You have talent. -But I don't, really. It's not me. | 1:01:33 | 1:01:36 | |
When I added that ingredient instead of following a recipe like you said, | 1:01:37 | 1:01:41 | |
-that wasn't me. -What do you mean? | 1:01:41 | 1:01:45 | |
-I mean -I -wouldn't have done that. I would have followed the recipe. | 1:01:45 | 1:01:48 | |
I would have followed your advice. | 1:01:48 | 1:01:50 | |
I would have followed your advice because I love you...r advice. | 1:01:50 | 1:01:55 | |
But? | 1:01:55 | 1:01:56 | |
-But, I... -Don't do it. | 1:01:56 | 1:01:59 | |
I have a secret. It's sort of disturbing. | 1:01:59 | 1:02:02 | |
I have a r... | 1:02:04 | 1:02:06 | |
What...? | 1:02:06 | 1:02:08 | |
I have a ra... | 1:02:08 | 1:02:10 | |
You have a...rash? | 1:02:10 | 1:02:12 | |
No, no. I have this tiny little... | 1:02:12 | 1:02:17 | |
..a tiny chef who tells me what to do. | 1:02:19 | 1:02:21 | |
-A...tiny...chef. -Yes, yes. | 1:02:21 | 1:02:25 | |
He's... | 1:02:25 | 1:02:27 | |
-He's up here. -In...your brain? | 1:02:27 | 1:02:30 | |
HE GROANS Why is it so hard to talk to you? | 1:02:30 | 1:02:34 | |
OK. Here we go. | 1:02:34 | 1:02:37 | |
You inspire me. | 1:02:37 | 1:02:39 | |
I'm going to risk it all. | 1:02:39 | 1:02:41 | |
I'm going to risk looking like the biggest idiot psycho ever. | 1:02:41 | 1:02:44 | |
You want to know why I'm such a fast learner? | 1:02:44 | 1:02:47 | |
You want to know why I'm such a great cook? | 1:02:47 | 1:02:50 | |
Don't laugh. I'm going to show you. | 1:02:50 | 1:02:53 | |
No! No! | 1:02:55 | 1:02:57 | |
TYPEWRITER KEYS CLACK | 1:03:28 | 1:03:31 | |
-What is it, Ambrister? -Gusteau's. | 1:03:40 | 1:03:42 | |
-Finally closing, is it? -No. | 1:03:42 | 1:03:45 | |
-More financial trouble? -No. | 1:03:45 | 1:03:48 | |
Announced a new line of microwave egg rolls? | 1:03:48 | 1:03:51 | |
What? What? Spit it out! | 1:03:51 | 1:03:53 | |
It's...come back. It's popular. | 1:03:53 | 1:03:56 | |
-I haven't reviewed Gusteau's in years. -No, sir. | 1:04:00 | 1:04:03 | |
-My last review condemned it to the tourist trade. -Yes, sir. | 1:04:03 | 1:04:07 | |
I said, "Gusteau has finally found his rightful place in history, | 1:04:07 | 1:04:11 | |
"right alongside another equally famous chef, Monsieur Boyardee." | 1:04:11 | 1:04:16 | |
Touche. | 1:04:16 | 1:04:17 | |
That is where I left it. That was my last word. | 1:04:17 | 1:04:21 | |
-THE last word. -Yes. | 1:04:21 | 1:04:24 | |
Then tell me, Ambrister - how could it be popular? | 1:04:24 | 1:04:30 | |
-No, no, no, no, no! -The DNA matches. | 1:04:31 | 1:04:37 | |
The timing works. Everything checks out. | 1:04:37 | 1:04:39 | |
-He is Gusteau's son. -But this can't just happen. | 1:04:39 | 1:04:42 | |
The whole thing is a set-up. The boy knows. | 1:04:42 | 1:04:46 | |
Look at him out there, pretending to be an idiot. | 1:04:46 | 1:04:48 | |
He's toying with my mind like a cat with a ball. | 1:04:48 | 1:04:51 | |
-Of...something. -String? | 1:04:51 | 1:04:54 | |
Yes, playing dumb, taunting me with that rat. | 1:04:54 | 1:04:57 | |
-Rat? -Yes, he's consorting with it. | 1:04:57 | 1:04:59 | |
Deliberately trying to make me think it's important. | 1:04:59 | 1:05:02 | |
-Ze rat? -Exactly. | 1:05:02 | 1:05:04 | |
-Is the rat important? -Of course not. | 1:05:06 | 1:05:09 | |
He just wants me to think that it is. | 1:05:09 | 1:05:12 | |
I see the theatricality of it. | 1:05:12 | 1:05:13 | |
The rat appears on the boy's first night. | 1:05:13 | 1:05:15 | |
I order him to kill it and now he wants me to see it everywhere. | 1:05:15 | 1:05:18 | |
Oooh! | 1:05:18 | 1:05:20 | |
It's here, no it isn't, it's here. | 1:05:20 | 1:05:22 | |
Am I seeing things? Am I crazy? Is there a phantom? | 1:05:22 | 1:05:26 | |
No, I REFUSE to be sucked into his little game. | 1:05:26 | 1:05:30 | |
Of... | 1:05:30 | 1:05:32 | |
Should I be concerned about this? | 1:05:34 | 1:05:37 | |
About you? | 1:05:37 | 1:05:40 | |
I can't fire him, he's getting attention. | 1:05:58 | 1:06:00 | |
If I fire him now, everyone will wonder why. | 1:06:00 | 1:06:03 | |
And the last thing I want is people looking into this. | 1:06:03 | 1:06:06 | |
What are you so worried about? Isn't it good to have the press? | 1:06:06 | 1:06:09 | |
Good to get headlines? | 1:06:09 | 1:06:11 | |
Not if they're over his face. | 1:06:11 | 1:06:13 | |
Gusteau's already has a face and it's fat and lovable and familiar. | 1:06:13 | 1:06:17 | |
And it sells burritos. | 1:06:17 | 1:06:19 | |
Millions and millions of burritos. | 1:06:19 | 1:06:22 | |
Ze deadline passes in three days. | 1:06:22 | 1:06:24 | |
Zen you can fire him whenever he ceases to be valuable. | 1:06:24 | 1:06:27 | |
And no-one will ever know. | 1:06:27 | 1:06:29 | |
I was worried about the hair sample you gave me. | 1:06:29 | 1:06:32 | |
I had to send it back to the lab. | 1:06:32 | 1:06:34 | |
The first time it came back identified as rodent hair. | 1:06:34 | 1:06:39 | |
No, no, no. Try this. | 1:06:43 | 1:06:46 | |
It's better. | 1:06:46 | 1:06:48 | |
Whoah! | 1:07:04 | 1:07:06 | |
ENGINE ROARS | 1:07:06 | 1:07:07 | |
Rat! | 1:07:26 | 1:07:28 | |
SCREAMING | 1:07:28 | 1:07:30 | |
Disgusting little creatures. | 1:07:34 | 1:07:36 | |
'I was reminded how fragile it all was. | 1:07:45 | 1:07:49 | |
'How the world really saw me. | 1:07:49 | 1:07:53 | |
'And it just kept getting better.' | 1:07:53 | 1:07:56 | |
Remy? | 1:07:56 | 1:07:58 | |
Hey, little brother! | 1:08:00 | 1:08:03 | |
We were afraid you weren't going to show up. | 1:08:03 | 1:08:07 | |
Hey, Remy. How you doing? | 1:08:07 | 1:08:09 | |
You told them? | 1:08:09 | 1:08:10 | |
Emile, that's exactly what I said not to do. | 1:08:10 | 1:08:13 | |
You know these guys, they're my friends. | 1:08:13 | 1:08:15 | |
I didn't think you meant them. | 1:08:15 | 1:08:17 | |
I'm sorry. | 1:08:17 | 1:08:18 | |
Don't tell ME you're sorry, tell THEM you're sorry. | 1:08:18 | 1:08:21 | |
Is there a problem over here? | 1:08:21 | 1:08:23 | |
No. There is not. | 1:08:23 | 1:08:25 | |
Wait here. | 1:08:25 | 1:08:27 | |
It's locked. | 1:08:32 | 1:08:34 | |
Remy, what are you doing in here? | 1:08:40 | 1:08:42 | |
Emile shows up with... I said not to, I told him. | 1:08:42 | 1:08:47 | |
He goes and blabs to... It's a disaster. | 1:08:47 | 1:08:51 | |
Anyway, they're hungry, the food safe is locked and I need the key. | 1:08:51 | 1:08:54 | |
-Zey want you to steal food? -Yes. No. | 1:08:54 | 1:08:58 | |
It's complicated. | 1:08:58 | 1:09:00 | |
It's family. They don't have your ideals. | 1:09:00 | 1:09:02 | |
Ideals? | 1:09:02 | 1:09:03 | |
If Chef fancy pants had ideals, you think I'd be hocking barbecue here? | 1:09:03 | 1:09:07 | |
Or microwave burritos? | 1:09:07 | 1:09:08 | |
Or tooth - I say tooth-pickin' Chicken? | 1:09:08 | 1:09:10 | |
-About as French as a corn dog. -BARKS | 1:09:10 | 1:09:13 | |
We're inventing new ways to sell out over here. | 1:09:13 | 1:09:15 | |
-Would you be wanting some haggis back there? -ALL TALK AT ONCE | 1:09:15 | 1:09:19 | |
Shut up! | 1:09:19 | 1:09:21 | |
I've got to think. | 1:09:21 | 1:09:23 | |
Word is getting out and if I can't keep them quiet, | 1:09:23 | 1:09:26 | |
the entire clan is going to be after me | 1:09:26 | 1:09:28 | |
with their mouths open... Oh, here it is. | 1:09:28 | 1:09:31 | |
Hey! Your will! This is interesting. | 1:09:31 | 1:09:34 | |
-Mind if I...? -Not at all. | 1:09:34 | 1:09:37 | |
Linguini? | 1:09:39 | 1:09:41 | |
Why would Linguini be filed with your will? | 1:09:41 | 1:09:44 | |
Zis used to be my office. | 1:09:44 | 1:09:47 | |
-He's your SON?! -I have a son?! | 1:10:08 | 1:10:12 | |
-How could you not know this? -I'm a figment of your imagination. | 1:10:12 | 1:10:15 | |
You did not know, how could I? | 1:10:15 | 1:10:18 | |
Your SON is the rightful owner of this restaurant! | 1:10:18 | 1:10:21 | |
No, no! | 1:10:22 | 1:10:23 | |
The rat! | 1:10:23 | 1:10:24 | |
Aaaargggh! | 1:10:27 | 1:10:29 | |
-Sorry, Chef. -The rat has stolen my documents! | 1:10:29 | 1:10:32 | |
It's getting away! | 1:10:32 | 1:10:34 | |
Whooah! | 1:10:56 | 1:10:58 | |
Ow! | 1:10:58 | 1:10:59 | |
Aaaargh! | 1:11:46 | 1:11:49 | |
SPLASH | 1:11:49 | 1:11:50 | |
SHOES SQUELCH | 1:12:00 | 1:12:02 | |
You! | 1:12:05 | 1:12:06 | |
Get out of my office! | 1:12:06 | 1:12:09 | |
He's not in YOUR office. YOU are in HIS. | 1:12:09 | 1:12:11 | |
THEY CHEER | 1:12:13 | 1:12:15 | |
MUSIC: "Le Festin" by Camille | 1:12:15 | 1:12:18 | |
Your rise has been meteoric, yet you have no formal training. | 1:13:27 | 1:13:31 | |
-What is the secret to your genius? -Secret? You want the truth? | 1:13:31 | 1:13:35 | |
I am... | 1:13:35 | 1:13:37 | |
..Gusteau's son. | 1:13:38 | 1:13:40 | |
It's in my blood, I guess. | 1:13:40 | 1:13:41 | |
-But you weren't aware of that until very recently. -No. | 1:13:41 | 1:13:44 | |
And it resulted in your taking ownership of this restaurant. | 1:13:44 | 1:13:47 | |
How did you find out? | 1:13:47 | 1:13:49 | |
Well, some part of me just knew. | 1:13:49 | 1:13:52 | |
The Gusteau part. Ow! | 1:13:52 | 1:13:55 | |
Where do you get your inspiration? | 1:13:55 | 1:13:57 | |
Inspiration has many names. | 1:13:57 | 1:14:00 | |
Mine is named Colette. | 1:14:00 | 1:14:03 | |
What?! SQUEAKING | 1:14:03 | 1:14:05 | |
Something stuck in my teeth. | 1:14:05 | 1:14:06 | |
PHONE RINGS | 1:14:06 | 1:14:09 | |
-Health inspector. -I wish to report a rat infestation. | 1:14:09 | 1:14:13 | |
It's taken over my... Gusteau's restaurant. | 1:14:13 | 1:14:16 | |
'Gusteau's, eh?' | 1:14:16 | 1:14:18 | |
I can drop by... Let's see... First opening is...three months. | 1:14:18 | 1:14:22 | |
'It must happen now.' | 1:14:22 | 1:14:23 | |
Monsieur, I have the information. | 1:14:23 | 1:14:25 | |
'If someone cancels, I will slot you in.' | 1:14:25 | 1:14:27 | |
But-but... The rat! You must! | 1:14:27 | 1:14:29 | |
It stole...my documents. | 1:14:29 | 1:14:33 | |
-It's past opening time. -He should have finished an hour ago. | 1:14:33 | 1:14:38 | |
Bonjour, ma cherie. Join us. | 1:14:39 | 1:14:42 | |
-We're just talking about my inspiration. -Yes, | 1:14:42 | 1:14:44 | |
-he calls it his tiny chef. -Not that, dearest, I meant YOU. | 1:14:44 | 1:14:50 | |
DOOR CREAKS | 1:14:50 | 1:14:51 | |
CROWD WHISPERS It's him. | 1:14:51 | 1:14:54 | |
(I can't believe it.) | 1:14:57 | 1:14:59 | |
You are Monsieur Linguini? | 1:14:59 | 1:15:02 | |
Pardon me for interrupting your premature celebration. | 1:15:02 | 1:15:06 | |
But I thought it only fair to give you a sporting chance | 1:15:06 | 1:15:10 | |
as you are new to this game. | 1:15:10 | 1:15:13 | |
-Game? -Yes. | 1:15:13 | 1:15:14 | |
And you've been playing without an opponent. | 1:15:14 | 1:15:17 | |
Which is, as you may have guessed, against the rules. | 1:15:17 | 1:15:23 | |
You're Anton Ego. | 1:15:23 | 1:15:26 | |
You're slow for someone in the fast lane. | 1:15:26 | 1:15:30 | |
And...you're thin for someone who likes food. | 1:15:30 | 1:15:33 | |
GASPS | 1:15:33 | 1:15:35 | |
I don't LIKE food, | 1:15:37 | 1:15:39 | |
I LOVE it. | 1:15:39 | 1:15:41 | |
If I don't love it, I don't swallow. | 1:15:41 | 1:15:45 | |
I will return tomorrow night with high expectations. | 1:15:46 | 1:15:50 | |
Pray you don't disappoint me. | 1:15:50 | 1:15:53 | |
We hate to be rude, but we are French, and it is dinner-time. | 1:16:00 | 1:16:04 | |
She meant to say, it's dinner time and we're French. | 1:16:04 | 1:16:07 | |
Don't give me that look. | 1:16:08 | 1:16:11 | |
You were distracting me in front of the press. | 1:16:11 | 1:16:13 | |
How am I supposed to concentrate with you yanking on my hair all the time? | 1:16:13 | 1:16:16 | |
And that's another thing, | 1:16:16 | 1:16:18 | |
your opinion isn't the only one that matters here. | 1:16:18 | 1:16:21 | |
Colette knows how to cook too, you know. Ow! | 1:16:21 | 1:16:24 | |
All right, that's it. | 1:16:24 | 1:16:26 | |
You take a break, little chef. | 1:16:29 | 1:16:30 | |
I'm not your puppet. | 1:16:30 | 1:16:32 | |
And you're not my... puppet-controlling guy. | 1:16:32 | 1:16:35 | |
The rat is the cook! | 1:16:35 | 1:16:37 | |
Get your mind right, little chef. | 1:16:37 | 1:16:39 | |
Ego is coming and I need to focus. | 1:16:39 | 1:16:43 | |
Grrr... You...stupid... | 1:16:44 | 1:16:46 | |
Wow. I have never seen that before. | 1:16:49 | 1:16:53 | |
Yeah. It's like you're his fluffy bunny or something. | 1:16:53 | 1:16:55 | |
ALL LAUGH | 1:16:55 | 1:16:56 | |
I'm sorry, Remy. | 1:16:56 | 1:16:59 | |
I know there are too many guys... | 1:16:59 | 1:17:01 | |
It's OK, I've been selfish. You guys hungry? | 1:17:01 | 1:17:04 | |
-You kidding? -Dinner's on me. We'll go after closing. | 1:17:04 | 1:17:08 | |
In fact, tell Dad to bring the whole clan. | 1:17:08 | 1:17:11 | |
Little chef? | 1:17:12 | 1:17:14 | |
This is great, Son. | 1:17:23 | 1:17:25 | |
-An inside job. I see the appeal. -Sh! | 1:17:25 | 1:17:28 | |
THUD | 1:17:58 | 1:17:59 | |
Little chef? Little chef? | 1:18:03 | 1:18:06 | |
Hey, little chef. | 1:18:07 | 1:18:09 | |
I thought you went back to the apartment. | 1:18:09 | 1:18:12 | |
Then when you weren't there, I... I don't know, | 1:18:12 | 1:18:15 | |
it didn't seem right to leave things the way that we did. | 1:18:15 | 1:18:19 | |
So, look, I don't want to fight. I've been under a lot of pressure. | 1:18:19 | 1:18:26 | |
A lot has changed in not very much time. | 1:18:26 | 1:18:28 | |
I'm suddenly a Gusteau and I gotta be a Gusteau. | 1:18:28 | 1:18:32 | |
Or people will be disappointed. It's weird. | 1:18:32 | 1:18:37 | |
I've never disappointed anyone before, | 1:18:37 | 1:18:39 | |
because nobody has ever expected anything of me. | 1:18:39 | 1:18:43 | |
And the only reason anyone expects anything of me now is because of you. | 1:18:43 | 1:18:49 | |
I haven't been fair to you. | 1:18:49 | 1:18:51 | |
You've never failed me and I should never forget that. | 1:18:51 | 1:18:54 | |
You've been a good friend. | 1:18:54 | 1:18:56 | |
The most honourable friend a guy could ever... | 1:18:56 | 1:18:59 | |
Urgh! | 1:18:59 | 1:19:01 | |
What is this? | 1:19:01 | 1:19:03 | |
What's going on? | 1:19:03 | 1:19:05 | |
You're... You're stealing food? | 1:19:09 | 1:19:12 | |
How could you? | 1:19:12 | 1:19:14 | |
I thought you were my friend! I trusted you! | 1:19:14 | 1:19:17 | |
Get out! You and all your rat buddies. | 1:19:17 | 1:19:19 | |
And don't come back | 1:19:19 | 1:19:20 | |
or I'll treat you the way restaurants are supposed to treat pests. | 1:19:20 | 1:19:24 | |
You're right, Dad. | 1:19:32 | 1:19:33 | |
Who am I kidding? | 1:19:33 | 1:19:35 | |
We are what we are. | 1:19:35 | 1:19:37 | |
And we're rats. | 1:19:37 | 1:19:39 | |
He'll leave soon and now you know how to get in. Steal all you want. | 1:19:40 | 1:19:46 | |
You're not coming? | 1:19:46 | 1:19:47 | |
I've lost my appetite. | 1:19:47 | 1:19:50 | |
Do you know what you would like this evening, sir? | 1:20:02 | 1:20:05 | |
Yes, I'd like your heart, roasted on a spit. | 1:20:05 | 1:20:10 | |
HE LAUGHS | 1:20:10 | 1:20:13 | |
KNOCK ON DOOR Come in! | 1:20:14 | 1:20:16 | |
Today's the big day. You should say something to them. | 1:20:16 | 1:20:19 | |
-Like what? -You're the boss, inspire them. | 1:20:19 | 1:20:23 | |
Attention. | 1:20:26 | 1:20:28 | |
Attention, everyone. | 1:20:28 | 1:20:31 | |
Tonight is a big night. | 1:20:31 | 1:20:33 | |
Appetite is coming and he is going to have a big ego. | 1:20:33 | 1:20:36 | |
I mean, Ego. He's coming. The critic. | 1:20:36 | 1:20:41 | |
And he's going to order... something. | 1:20:41 | 1:20:44 | |
Something from our menu. | 1:20:44 | 1:20:47 | |
And we'll have to cook it. | 1:20:47 | 1:20:49 | |
Just can't leave it alone, can you? | 1:20:51 | 1:20:54 | |
You shouldn't be here during restaurant hours. | 1:20:54 | 1:20:56 | |
It's not safe. | 1:20:56 | 1:20:58 | |
I'm hungry. And I don't need inside food to be happy. | 1:20:58 | 1:21:01 | |
The key, my friend, is to not be picky. | 1:21:01 | 1:21:04 | |
Observe. | 1:21:04 | 1:21:05 | |
No, wait! | 1:21:05 | 1:21:07 | |
Oh, no. What do I do? | 1:21:08 | 1:21:10 | |
I'll go get Dad. | 1:21:10 | 1:21:12 | |
HE LAUGHS EVILLY | 1:21:12 | 1:21:14 | |
You might think you're a chef, but you are still only a rat. | 1:21:14 | 1:21:20 | |
Sure, he took away a star last time he reviewed this place. | 1:21:20 | 1:21:23 | |
-Sure, it probably killed Guste... -This is very bad juju here. | 1:21:23 | 1:21:29 | |
-But I'll tell you one thing... -Ego is here. | 1:21:29 | 1:21:31 | |
Anton Ego is just another customer. Let's cook. | 1:21:34 | 1:21:38 | |
Yeah! Let's... | 1:21:38 | 1:21:40 | |
OK. | 1:21:40 | 1:21:42 | |
So, I have in mind a simple arrangement. | 1:21:43 | 1:21:46 | |
You will create for me a new line of Chef Skinner frozen foods. | 1:21:46 | 1:21:50 | |
And I, in return, will not kill you. | 1:21:50 | 1:21:54 | |
Au revoir, rat. | 1:21:57 | 1:22:00 | |
Do you know what you would like this evening, sir? | 1:22:07 | 1:22:10 | |
Yes, I think I do. | 1:22:10 | 1:22:12 | |
After reading a lot of overheated puffery about your new cook, | 1:22:12 | 1:22:15 | |
you know what I'm craving? | 1:22:15 | 1:22:19 | |
A little perspective. | 1:22:19 | 1:22:22 | |
That's it. | 1:22:22 | 1:22:23 | |
I'd like some fresh, clear, well-seasoned perspective. | 1:22:23 | 1:22:27 | |
Can you suggest a good wine to go with that? | 1:22:27 | 1:22:30 | |
With...what, sir? | 1:22:30 | 1:22:32 | |
Perspective. Fresh out, I take it? | 1:22:32 | 1:22:35 | |
I erm, er... | 1:22:35 | 1:22:37 | |
Very well. Since you are all out of perspective | 1:22:37 | 1:22:40 | |
and no-one else seems to have it in this bloody town, | 1:22:40 | 1:22:43 | |
I will make you a deal. | 1:22:43 | 1:22:45 | |
You provide the food, I will provide the perspective. | 1:22:45 | 1:22:49 | |
Which would go nicely with a bottle of Cheval Blanc 1947. | 1:22:49 | 1:22:53 | |
I'm afraid... Your dinner selection? | 1:22:53 | 1:22:59 | |
Tell your chef Linguini that I want whatever he dares to serve me. | 1:22:59 | 1:23:03 | |
Tell him to hit me with his best shot. | 1:23:03 | 1:23:07 | |
I will 'ave whatever 'ee is having. | 1:23:10 | 1:23:14 | |
-So. We have given up. -Why do you say that? | 1:23:20 | 1:23:23 | |
We are in a cage. Inside a car trunk. | 1:23:23 | 1:23:27 | |
Awaiting a future in frozen food products. | 1:23:27 | 1:23:30 | |
No, I'M the one in a cage. | 1:23:30 | 1:23:32 | |
I'VE given up. | 1:23:32 | 1:23:34 | |
You...are free. | 1:23:34 | 1:23:36 | |
I am only as free as you imagine me to be. | 1:23:36 | 1:23:39 | |
As you are. | 1:23:39 | 1:23:41 | |
Oh, please. I'm sick of pretending. | 1:23:41 | 1:23:43 | |
I pretend to be a rat for my father, I pretend to be a human for Linguini, | 1:23:43 | 1:23:48 | |
I pretend you EXIST so I have someone to talk to. | 1:23:48 | 1:23:50 | |
You only tell me stuff I already know! | 1:23:50 | 1:23:52 | |
I KNOW who I am. Why do I need YOU to tell me? | 1:23:52 | 1:23:55 | |
Why do I NEED to pretend? | 1:23:55 | 1:23:58 | |
Ah, but you don't, Remy. | 1:23:58 | 1:24:01 | |
You never did. | 1:24:01 | 1:24:03 | |
BANG | 1:24:09 | 1:24:12 | |
No, my OTHER left! | 1:24:12 | 1:24:14 | |
MUFFLED: Dad? Dad, I'm here! | 1:24:14 | 1:24:16 | |
BANG What the...? | 1:24:16 | 1:24:18 | |
-Dad! -Hey, little brother. | 1:24:18 | 1:24:20 | |
Emile! | 1:24:20 | 1:24:23 | |
I love you guys. | 1:24:25 | 1:24:27 | |
Where you going? | 1:24:29 | 1:24:30 | |
Back to the restaurant. They'll fail without me! | 1:24:30 | 1:24:33 | |
-Why do you care? -Because I'm a cook! | 1:24:33 | 1:24:37 | |
CRASH! | 1:24:42 | 1:24:44 | |
It's your recipe. How can you not know your own recipe?! | 1:24:44 | 1:24:48 | |
I didn't write it down, it just came to me. | 1:24:48 | 1:24:51 | |
Well make it come to you again, ja? | 1:24:51 | 1:24:53 | |
Because we've got service! | 1:24:53 | 1:24:55 | |
-Where is my order? -Can't we serve them something else? -This is what they're ordering. | 1:24:55 | 1:25:00 | |
-Tell them we're all out! -We can't be all out, we just opened. | 1:25:00 | 1:25:03 | |
I have another idea, what if we... SERVE THEM WHAT THEY ORDERED?! | 1:25:03 | 1:25:06 | |
-Just tell us what you did. -I don't know what I did! | 1:25:06 | 1:25:09 | |
We need to tell the customers something. | 1:25:09 | 1:25:11 | |
Tell them... Tell them... | 1:25:11 | 1:25:13 | |
HE SCREAMS | 1:25:13 | 1:25:15 | |
"Aah?" | 1:25:17 | 1:25:18 | |
Remy, don't do it! | 1:25:18 | 1:25:21 | |
They'll see you, stop! | 1:25:21 | 1:25:23 | |
They're talking about what to do right no... | 1:25:23 | 1:25:27 | |
ALL YELL | 1:25:27 | 1:25:30 | |
Don't - touch him! | 1:25:31 | 1:25:34 | |
Thanks for coming back, little chef. | 1:25:35 | 1:25:38 | |
I know this sounds insane, but the truth sounds insane sometimes. | 1:25:38 | 1:25:44 | |
But that doesn't mean it's not. | 1:25:44 | 1:25:46 | |
Er... The truth. | 1:25:46 | 1:25:48 | |
And the truth is, I have no talent at all. | 1:25:48 | 1:25:53 | |
But this rat, he is the one behind these recipes. | 1:25:53 | 1:25:57 | |
He's the cook. | 1:25:57 | 1:25:58 | |
The real cook. | 1:25:58 | 1:25:59 | |
He's been hiding under my toque. | 1:25:59 | 1:26:01 | |
He's been controlling my actions. | 1:26:01 | 1:26:06 | |
He's the reason I can cook the food that's exciting everyone. | 1:26:06 | 1:26:10 | |
The reason Ego is outside that door. | 1:26:10 | 1:26:12 | |
You've been giving me credit for his gift. | 1:26:12 | 1:26:15 | |
I know it's a hard thing to believe, | 1:26:15 | 1:26:17 | |
but hey, you believed I could cook, right? | 1:26:17 | 1:26:22 | |
Look, this works. It's crazy, but it works. | 1:26:22 | 1:26:26 | |
We can be the greatest restaurant in Paris. | 1:26:26 | 1:26:29 | |
This rat, this brilliant little chef...can lead us there. | 1:26:29 | 1:26:35 | |
What do you say? Are you with me? | 1:26:35 | 1:26:38 | |
SHE SIGHS | 1:27:10 | 1:27:12 | |
ENGINE STARTS | 1:27:18 | 1:27:20 | |
HORN BEEPS | 1:27:47 | 1:27:48 | |
TYRES SQUEAL | 1:27:48 | 1:27:49 | |
HORNS BEEP | 1:28:04 | 1:28:06 | |
Dad. | 1:28:20 | 1:28:22 | |
Dad, I... I don't know what to say. | 1:28:25 | 1:28:29 | |
I was wrong about your friend. | 1:28:29 | 1:28:31 | |
And...about you. | 1:28:31 | 1:28:33 | |
I don't want you to think I'm choosing this over family. | 1:28:33 | 1:28:37 | |
I can't choose between two halves of myself. | 1:28:37 | 1:28:39 | |
I'm not talking about cooking. | 1:28:39 | 1:28:42 | |
I'm talking about guts. | 1:28:42 | 1:28:43 | |
This really means that much to you? | 1:28:43 | 1:28:47 | |
WHISTLES | 1:28:49 | 1:28:51 | |
We're not cooks, but we ARE family. | 1:28:54 | 1:28:57 | |
You tell us what to do and we'll get it done. | 1:28:57 | 1:29:01 | |
Stop that health inspector! | 1:29:07 | 1:29:09 | |
Go, go, go! | 1:29:09 | 1:29:11 | |
The rest of you - stay and help Remy! | 1:29:11 | 1:29:13 | |
IGNITION STRAINS | 1:29:16 | 1:29:17 | |
Team three will be handling fish. Team four, roasted items. | 1:29:35 | 1:29:38 | |
Team five, grill. Team six, sauces. | 1:29:38 | 1:29:42 | |
Get to your stations. Let's go, go, go. | 1:29:42 | 1:29:44 | |
Those handling food will walk on two legs. | 1:29:44 | 1:29:47 | |
We need someone to wait tables. | 1:29:56 | 1:29:58 | |
I'm sorry for any delay, we're a little short tonight. | 1:30:13 | 1:30:15 | |
Please, take all the time you need. | 1:30:15 | 1:30:17 | |
Make sure that steak is nice and tenderised. | 1:30:28 | 1:30:30 | |
Work it. | 1:30:30 | 1:30:32 | |
Easy with that salt. | 1:30:32 | 1:30:34 | |
Less salt, more butter. | 1:30:34 | 1:30:37 | |
Whoa, whoa. Compose the salad like you're painting a picture. | 1:30:38 | 1:30:41 | |
Not too much vinaigrette. | 1:30:41 | 1:30:44 | |
Don't let that beurre blanc separate. Keep whisking. | 1:30:44 | 1:30:47 | |
Gently poach the scallops. | 1:30:47 | 1:30:49 | |
Taste check. Spoons, down. | 1:30:49 | 1:30:52 | |
Good - too much salt - good. | 1:30:52 | 1:30:54 | |
-Don't boil the consomme. Emile! -Sorry! | 1:30:54 | 1:30:57 | |
SHE GASPS | 1:30:57 | 1:30:59 | |
Colette, wait! | 1:31:00 | 1:31:02 | |
Colette. You came back. | 1:31:02 | 1:31:05 | |
-Colette. -Don't say a word. | 1:31:05 | 1:31:07 | |
If I think, I might change my mind. | 1:31:07 | 1:31:09 | |
Just tell me what the rat wants to cook. | 1:31:09 | 1:31:12 | |
Ratatouille? It's a peasant dish. | 1:31:14 | 1:31:17 | |
Are you sure you want to serve THIS to Ego? | 1:31:17 | 1:31:21 | |
CRASH | 1:31:26 | 1:31:27 | |
What? I'm making ratatouille. | 1:31:37 | 1:31:40 | |
Well, how would YOU prepare it? | 1:31:40 | 1:31:42 | |
Ratatouille? They must be joking. | 1:32:14 | 1:32:17 | |
HE SNIFFS | 1:32:32 | 1:32:34 | |
Mmm. | 1:33:01 | 1:33:02 | |
I can't believe it. | 1:33:06 | 1:33:08 | |
Who cooked that ratatouille? I demand to know. | 1:33:08 | 1:33:11 | |
HE GASPS | 1:33:11 | 1:33:12 | |
I can't remember the last time | 1:33:18 | 1:33:20 | |
I asked a waiter to give my compliments to the chef. | 1:33:20 | 1:33:24 | |
And now I find myself in the extraordinary position | 1:33:24 | 1:33:26 | |
of having my waiter be the chef. | 1:33:26 | 1:33:29 | |
Thanks, but I'm just your waiter tonight. | 1:33:29 | 1:33:31 | |
Then who do I thank for the meal? | 1:33:31 | 1:33:35 | |
Er... Excuse me a minute. | 1:33:35 | 1:33:37 | |
MUFFLED SHOUTING | 1:33:42 | 1:33:44 | |
-You must be the chef. -If you wish to meet the chef, | 1:33:48 | 1:33:50 | |
you will have to wait until all the other customers have gone. | 1:33:50 | 1:33:53 | |
So be it. | 1:33:55 | 1:33:57 | |
'At first, Ego thinks it's a joke. | 1:34:17 | 1:34:19 | |
'But as Linguini explains, Ego's smile disappears. | 1:34:19 | 1:34:25 | |
'He doesn't react beyond asking an occasional question. | 1:34:31 | 1:34:35 | |
'And when the story is done, Ego stands, thanks us for the meal... | 1:34:35 | 1:34:41 | |
'..and leaves, without another word. | 1:34:41 | 1:34:46 | |
'The following day... | 1:34:46 | 1:34:47 | |
'his review appears.' | 1:34:47 | 1:34:51 | |
"In many ways, the work of a critic is easy. | 1:34:52 | 1:34:56 | |
"We risk very little, yet enjoy a position over those | 1:34:56 | 1:35:01 | |
"who offer up their work and theirselves to our judgment. | 1:35:01 | 1:35:04 | |
"We thrive on negative criticism. | 1:35:04 | 1:35:07 | |
"Which is fun to write and to read. | 1:35:07 | 1:35:10 | |
"But the bitter truth we critics must face | 1:35:10 | 1:35:13 | |
"is that in the grand scheme of things, the average piece of junk | 1:35:13 | 1:35:19 | |
"is probably more meaningful than our criticism designating it so. | 1:35:19 | 1:35:24 | |
"There are times when a critic truly risks something. | 1:35:24 | 1:35:28 | |
"And that is in the discovery and defence of the new. | 1:35:28 | 1:35:32 | |
"The world is often unkind to new talent. New creations. | 1:35:32 | 1:35:37 | |
"The new needs friends. | 1:35:37 | 1:35:40 | |
"Last night, I experienced something new. | 1:35:40 | 1:35:43 | |
"An extraordinary meal from a singularly unexpected source. | 1:35:43 | 1:35:48 | |
"To say that both the meal and its maker | 1:35:48 | 1:35:51 | |
"have challenged my preconceptions about fine cooking | 1:35:51 | 1:35:54 | |
"is a gross understatement. | 1:35:54 | 1:35:57 | |
"They have rocked me to my core. | 1:35:57 | 1:36:01 | |
"In the past, I have made no secret of my disdain | 1:36:01 | 1:36:04 | |
"for Chef Gusteau's famous motto, 'anyone can cook'. | 1:36:04 | 1:36:10 | |
"But I realise only now do I truly understand what he meant. | 1:36:10 | 1:36:16 | |
"Not everyone can become a great artist, | 1:36:16 | 1:36:19 | |
"but a great artist can come from anywhere. | 1:36:19 | 1:36:24 | |
"It is difficult to imagine more humble origins | 1:36:24 | 1:36:27 | |
"than those of the genius now cooking at Gusteau's, | 1:36:27 | 1:36:31 | |
"who is, in this critic's opinion, | 1:36:31 | 1:36:34 | |
"nothing less than the finest chef in France. | 1:36:34 | 1:36:38 | |
"I will be returning to Gusteau's soon, hungry for more." | 1:36:38 | 1:36:44 | |
'It was a great night. | 1:36:44 | 1:36:45 | |
'The happiest of my life. | 1:36:45 | 1:36:47 | |
'But the only thing predictable about life is its unpredictability. | 1:36:47 | 1:36:52 | |
'Well, we HAD to let Skinner and the health inspector loose. | 1:36:52 | 1:36:55 | |
'And of course they ratted us out. | 1:36:55 | 1:36:58 | |
'The food didn't matter - once it got out there were rats in the kitchen, | 1:36:58 | 1:37:01 | |
'the restaurant was closed' | 1:37:01 | 1:37:04 | |
and Ego lost his job and his credibility. | 1:37:04 | 1:37:06 | |
But don't feel bad for him, | 1:37:06 | 1:37:08 | |
he's doing very well as a small business investor. | 1:37:08 | 1:37:12 | |
He seems very happy. | 1:37:12 | 1:37:13 | |
How do YOU know? | 1:37:13 | 1:37:15 | |
MUSIC: 'Le Festin' by Camille | 1:37:20 | 1:37:22 | |
Got to go. Dinner rush. | 1:37:22 | 1:37:24 | |
You know how he likes it. | 1:37:32 | 1:37:33 | |
Thanks, little chef. | 1:37:38 | 1:37:40 | |
Can I interest you in a desert this evening? | 1:37:46 | 1:37:49 | |
Don't you always? | 1:37:49 | 1:37:51 | |
Which one would you like? | 1:37:51 | 1:37:53 | |
Surprise me! | 1:37:53 | 1:37:55 | |
-Believe me, that story gets better when -I -tell it. | 1:38:07 | 1:38:10 | |
Come on, bring the food over here, we're starving! | 1:38:12 | 1:38:15 | |
Subtitles by Red Bee Media Ltd | 1:38:36 | 1:38:38 |