Browse content similar to The War Bride. Check below for episodes and series from the same categories and more!
Line | From | To | |
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AIR-RAID SIREN | 0:00:16 | 0:00:19 | |
AIRCRAFT ENGINES ROAR | 0:00:38 | 0:00:41 | |
EXPLOSION | 0:00:42 | 0:00:44 | |
BOMBS WHISTLING | 0:00:49 | 0:00:51 | |
ANTI-AIRCRAFT FIRE | 0:00:51 | 0:00:54 | |
EXPLOSIONS | 0:00:58 | 0:01:01 | |
LOUD EXPLOSION | 0:01:12 | 0:01:15 | |
AIR-RAID SIREN | 0:01:20 | 0:01:23 | |
FIRE ENGINE BELL RINGS | 0:01:31 | 0:01:34 | |
VOICES SHOUTING | 0:01:45 | 0:01:48 | |
-Hey! Just over there! Up there. -Right oh. | 0:01:55 | 0:01:58 | |
-You should've been there last night. -They were gorgeous. | 0:01:59 | 0:02:03 | |
-Tell her about his mate. You've got no taste. -Hold on, you slut. It wasn't me who dated that bleeder! | 0:02:03 | 0:02:10 | |
-What was his name? -Peter. -Yeah, Peter, the hedgehog, with the big teeth! -Yeah, yeah, big teeth! | 0:02:10 | 0:02:17 | |
Very big lips! | 0:02:17 | 0:02:20 | |
LAUGHTER | 0:02:20 | 0:02:22 | |
SWING MUSIC | 0:02:22 | 0:02:25 | |
SHOUTING AND WHOOPING | 0:02:32 | 0:02:35 | |
Whoo! | 0:02:40 | 0:02:42 | |
Hiya! | 0:02:42 | 0:02:44 | |
Hey, hey! | 0:02:45 | 0:02:47 | |
Come on. | 0:02:47 | 0:02:49 | |
-What are you having, girls? -Can we get two G and Ts and a port and lemon, please? | 0:02:53 | 0:02:59 | |
Hello, darling. | 0:02:59 | 0:03:02 | |
-Look at him, he's drooling. -Eugh! | 0:03:02 | 0:03:04 | |
-Where are they? -I don't know. I can only see ours. | 0:03:04 | 0:03:09 | |
Hey, Charlie, come on. Come on. | 0:03:11 | 0:03:14 | |
-Oh, my God, they're here. Look! -Oh, God, look at them! | 0:03:15 | 0:03:20 | |
-All right, cowboy, where's your 'orse? -Come over here and I'll show you! | 0:03:22 | 0:03:29 | |
-Here, Rosie, look at those two. -'Ere, are they Yanks? -I don't recognise the uniform. | 0:03:29 | 0:03:36 | |
Get in there. | 0:03:36 | 0:03:39 | |
Look at that one! He's smashing! | 0:03:39 | 0:03:42 | |
-He's staring at you. -Well, he can forget it. | 0:03:42 | 0:03:47 | |
-He wants to dance with you. Look at him. -He's gorgeous. | 0:03:48 | 0:03:52 | |
Go on! I'll dance with him if you don't want to. Go on. He's bloody gorgeous! | 0:03:52 | 0:03:58 | |
-Well, maybe just the one. -Go on! -Go on! | 0:03:58 | 0:04:04 | |
Look at the way he's looking at her! | 0:04:09 | 0:04:12 | |
He's really got a fancy for her. | 0:04:16 | 0:04:18 | |
MUSIC INCREASES TEMPO | 0:04:27 | 0:04:29 | |
Whoo! | 0:04:29 | 0:04:32 | |
Come on, Moira. | 0:04:37 | 0:04:39 | |
MUSIC: "Moonlight Serenade" - Glenn Miller | 0:04:39 | 0:04:43 | |
Let's get a drink, eh? | 0:04:51 | 0:04:53 | |
So what's your name, Corporal? | 0:04:56 | 0:04:58 | |
Charlie Travis, Spring Hill, Alberta. And you must be Ginger. | 0:04:58 | 0:05:04 | |
Why do you say that? | 0:05:04 | 0:05:06 | |
-Well, I could've sworn I was dancing with Ginger Rogers out there. -You! | 0:05:06 | 0:05:11 | |
-All right, what's your hurry, soldier? -There's a war on. -So I've heard. | 0:05:13 | 0:05:19 | |
Oh, come on, this might be our last night on Earth. | 0:05:19 | 0:05:23 | |
-We could all end up as dust tomorrow. -You've got some cheek! | 0:05:23 | 0:05:28 | |
-My name's Lily. -That's pretty, like that song, Lily Of Laguna. My dad used to whistle it when I was a kid. | 0:05:29 | 0:05:36 | |
Your dad in Spring Hill, Alberta? | 0:05:36 | 0:05:39 | |
Well, he was. He, uh... | 0:05:40 | 0:05:42 | |
He died. Now it's just my mother and my sister. | 0:05:42 | 0:05:47 | |
My dad disappeared when I was five. | 0:05:47 | 0:05:50 | |
-Did your mum look after you? -Kidneys copped it when I was born. Never met her. | 0:05:50 | 0:05:56 | |
-You had no home? -Of course I had a home, silly! | 0:05:56 | 0:05:59 | |
Northford School was home to me and my mates over there. | 0:05:59 | 0:06:04 | |
Cheeky! | 0:06:04 | 0:06:06 | |
They're the closest thing I've ever had to a real family. | 0:06:06 | 0:06:11 | |
But it's not the same, I reckon, having a mum and a dad and all that. | 0:06:11 | 0:06:16 | |
No. I don't think it's the same at all. | 0:06:16 | 0:06:20 | |
You're a real softie, aren't you? And you being in the army, acting so tough. | 0:06:20 | 0:06:26 | |
-They don't make them like you in Spring Hill. -Is that a good thing? -Right now, it's a very good thing. | 0:06:26 | 0:06:34 | |
MUSIC: "In The Mood" - Glenn Miller | 0:06:36 | 0:06:39 | |
CHEERING AND WHISTLING | 0:06:40 | 0:06:43 | |
-What is it? -That's my buddy Louie causing all the commotion. Man, can he kick! | 0:06:44 | 0:06:51 | |
-Let's go and dance. -They learn that kind of thing in Montreal, you know. | 0:06:56 | 0:07:02 | |
WOLF-WHISTLES | 0:07:02 | 0:07:04 | |
Here, what was your bloke like? | 0:07:05 | 0:07:08 | |
-So-PHIE! -I didn't know they spoke French in Montreal. | 0:07:09 | 0:07:14 | |
-Oh, yeah. My family owns an estate in Quebec. -No kidding? -3,000 acres. | 0:07:14 | 0:07:19 | |
-Well, my family has a spread on the prairie. -Really? | 0:07:20 | 0:07:25 | |
Yeah, just outside of Spring Hill, Alberta. | 0:07:25 | 0:07:28 | |
-Where's Spring Hill, Alberta? -It's near Hollywood, I think. -Yeah, like a big old ranch on the prairie. | 0:07:28 | 0:07:36 | |
-Just around the corner from John Wayne. -Now I know you're kidding! | 0:07:38 | 0:07:43 | |
AIR-RAID SIREN, BOMBS EXPLODE | 0:07:43 | 0:07:47 | |
Oh, my Lord! > | 0:07:47 | 0:07:49 | |
SIREN CONTINUES | 0:07:49 | 0:07:52 | |
Where is...? There we go, look. | 0:07:58 | 0:08:01 | |
LAUGHTER | 0:08:01 | 0:08:03 | |
Where's the bit about the suit? Right, here we go. Listen. | 0:08:03 | 0:08:08 | |
"If someone asks where were you in the winter of '41, | 0:08:08 | 0:08:13 | |
-"you should answer, 'In a coloured suit.'" I don't like that material. -It's awful. -But the shape's good. | 0:08:13 | 0:08:20 | |
"It's your duty to be beautiful. The hands at work today can be both beautiful and busy." | 0:08:20 | 0:08:26 | |
Look, I've got red ones! | 0:08:26 | 0:08:29 | |
Right, you lot, back to work! Don't you know there's a war on? | 0:08:31 | 0:08:36 | |
Come on. Come on. Hurry up! | 0:08:36 | 0:08:39 | |
-SIREN GOES OFF -Oh, no. | 0:08:43 | 0:08:46 | |
Oh, not today. We're behind as it is. Well, come on then. | 0:08:46 | 0:08:50 | |
Cheers, love. | 0:08:55 | 0:08:57 | |
DISTANT EXPLOSIONS | 0:09:00 | 0:09:02 | |
Give us one then. Come on, don't be tight. | 0:09:02 | 0:09:06 | |
-We'll be late. -Let's take the Underground. -You can't get trains. It's used as a bomb shelter now. | 0:09:06 | 0:09:13 | |
Come on, let's have a look anyway. | 0:09:13 | 0:09:15 | |
-You're lucky, you are. -Why? | 0:09:31 | 0:09:33 | |
You don't get bombs dropped on your head in Spring Hill, Alberta. | 0:09:33 | 0:09:38 | |
-That's why we came here, so we could get a taste of it. -Are you scared? -Of you? -No, silly, the war? | 0:09:38 | 0:09:46 | |
Yeah, I'm a little scared of the war. But I am petrified of you. | 0:09:46 | 0:09:52 | |
AIR-RAID SIREN, VOICES OUTSIDE | 0:10:31 | 0:10:35 | |
Charlie! | 0:10:35 | 0:10:38 | |
Quickly now! | 0:10:40 | 0:10:43 | |
Oh, dear me. Over there! | 0:10:44 | 0:10:47 | |
EXPLOSIONS OVERHEAD | 0:10:49 | 0:10:51 | |
-Not bad for an old tablecloth. -Do you reckon that's even? -Oh, you look beautiful! | 0:10:54 | 0:11:01 | |
-Oh, Soph, don't blub. You've got to go through the whole bloody palaver next week. -In a synagogue. | 0:11:01 | 0:11:08 | |
That's the best bit. Look at that. | 0:11:08 | 0:11:11 | |
BOTH: Whoo! | 0:11:11 | 0:11:13 | |
-Do they wear white in a synagogue? -You look gorgeous. -Thanks, love. Just got to heave that up a bit. | 0:11:13 | 0:11:20 | |
And have declared the same by giving and receiving of a ring and by joining of hands. | 0:11:20 | 0:11:27 | |
I pronounce that they be man and wife together in the name of the Father and of the Son and of the Holy Ghost. | 0:11:27 | 0:11:34 | |
Amen. You may kiss the bride. | 0:11:34 | 0:11:36 | |
GIGGLING | 0:11:50 | 0:11:53 | |
We've got a regular bed. | 0:12:05 | 0:12:07 | |
-What happened? -The war. | 0:12:23 | 0:12:26 | |
It's not gonna happen any more. | 0:12:40 | 0:12:42 | |
I'll take care of you. | 0:12:42 | 0:12:45 | |
I'll take care of you for ever. | 0:12:45 | 0:12:48 | |
-I'll miss you, my darling! -I'll miss you too. | 0:13:06 | 0:13:10 | |
-It's only been six days. -Only two for you and me, Lou. -Don't be upset, Sophie. | 0:13:10 | 0:13:16 | |
-I'll send you a silk scarf from Europe. -I've got to go. -I don't want you to go! -I've got to go. | 0:13:16 | 0:13:24 | |
You just get home in one piece, all right? Come here, sunshine. | 0:13:25 | 0:13:30 | |
-You write to me, yeah? -Every day. | 0:13:31 | 0:13:34 | |
Throw your stuff in. > | 0:13:34 | 0:13:36 | |
-I've got something to tell you. -Travis! -Yes, sir! -I wasn't going to tell you, but... -What? | 0:13:38 | 0:13:45 | |
-Oh, Charlie... -NOW, Corporal Travis! -I'm coming! | 0:13:45 | 0:13:49 | |
I might be pregnant. | 0:13:49 | 0:13:52 | |
-What? -I don't know for sure, but... | 0:13:52 | 0:13:55 | |
-Charlie, you don't want to be AWOL before we even ship out. -These things happen. -Come on! Let's go! | 0:13:55 | 0:14:02 | |
-I love you! -Corporal Travis. Private Maldoff. | 0:14:02 | 0:14:06 | |
-And boys, keep your peckers up! -What? -What? | 0:14:06 | 0:14:11 | |
Your peckers! Keep 'em up. | 0:14:11 | 0:14:15 | |
Louie! | 0:14:15 | 0:14:18 | |
-That's it. -Aagh! -Come on. Push! Push! Push! Push! Push! | 0:14:23 | 0:14:28 | |
PUSH! | 0:14:31 | 0:14:33 | |
Come on. | 0:14:33 | 0:14:35 | |
BABY CRIES | 0:14:36 | 0:14:39 | |
It's a girl. | 0:14:39 | 0:14:41 | |
SOBBING | 0:14:42 | 0:14:44 | |
Oh, she's lovely. | 0:14:44 | 0:14:47 | |
She's beautiful! | 0:14:50 | 0:14:52 | |
Hello. | 0:14:52 | 0:14:54 | |
Hello. | 0:14:57 | 0:14:59 | |
Hello. | 0:15:00 | 0:15:02 | |
Lil. | 0:15:38 | 0:15:40 | |
-Charlie! -Hello, Lil. -Charlie! -They gave me three days. | 0:15:46 | 0:15:51 | |
Lindy, meet your daddy. | 0:15:56 | 0:15:58 | |
-She's perfect. -Isn't she? | 0:15:58 | 0:16:01 | |
Every single time I look at her face, I just see you. | 0:16:01 | 0:16:06 | |
God, I've missed you so much! | 0:16:07 | 0:16:10 | |
I remember you. | 0:16:10 | 0:16:12 | |
Oh, Charlie! | 0:16:12 | 0:16:15 | |
Do you want to take her? | 0:16:19 | 0:16:22 | |
Who's that? | 0:16:22 | 0:16:24 | |
She's... | 0:16:24 | 0:16:26 | |
She's got your nose. | 0:16:26 | 0:16:29 | |
Oh, no. | 0:16:34 | 0:16:36 | |
OK... | 0:16:38 | 0:16:40 | |
SHE SIGHS | 0:16:40 | 0:16:42 | |
Let's say goodbye here. | 0:16:42 | 0:16:45 | |
I gotta go. | 0:16:54 | 0:16:57 | |
Gotta go. | 0:16:57 | 0:16:59 | |
-Lily! -What? -Lily! | 0:17:07 | 0:17:10 | |
Lily! | 0:17:10 | 0:17:12 | |
-They've come Special Delivery. -What? Two of them? | 0:17:12 | 0:17:16 | |
Well, surely they can't both have copped it at once? | 0:17:16 | 0:17:20 | |
We're going to bloody Canada. | 0:17:23 | 0:17:25 | |
-Oh, my God! We're going to Canada! -"Report to the Royal Canadian Army Regional Transportation Office | 0:17:25 | 0:17:32 | |
"at Euston Station at 8pm, 20th March, 1943. | 0:17:32 | 0:17:36 | |
"Baggage should be marked only with the individual's name and code. | 0:17:36 | 0:17:41 | |
-"And tell no-one." Well, March 20th, that's in three days' time. -Yes! | 0:17:41 | 0:17:46 | |
-We've got to leave in three days' time? -The whole neighbourhood has already gone! -13 days! | 0:17:46 | 0:17:52 | |
I've seen my husband for a total of 13 days. | 0:17:52 | 0:17:56 | |
But we're going to bloody Canada! | 0:17:56 | 0:17:59 | |
SCREAMING | 0:17:59 | 0:18:02 | |
-We've got to pack. -What time have we got to be at the station for? We've got a lot to do in three days. | 0:18:04 | 0:18:11 | |
'Canada welcomes the British wives and ladies of Canadian servicemen. | 0:18:13 | 0:18:18 | |
'Montreal takes care of the new arrivals, war brides and babies on their way to various parts of Canada. | 0:18:18 | 0:18:25 | |
'Married in Britain, a new life awaits these mothers and children, who are to become Canadian citizens. | 0:18:25 | 0:18:32 | |
'All that initial strangeness will disappear in the warmness of Canadian hospitality, | 0:18:32 | 0:18:38 | |
'so freely given to these war brides and babies.' | 0:18:38 | 0:18:42 | |
# Here I go again | 0:18:43 | 0:18:46 | |
# I hear those trumpets blow again | 0:18:46 | 0:18:51 | |
# All aglow again | 0:18:51 | 0:18:55 | |
# Taking a chance on love | 0:18:55 | 0:19:00 | |
# Here I slide again | 0:19:00 | 0:19:05 | |
# About to take that ride again | 0:19:05 | 0:19:09 | |
# Starry-eyed again | 0:19:09 | 0:19:13 | |
# Taking a chance on love | 0:19:13 | 0:19:17 | |
# I thought that cards were a frame-up | 0:19:17 | 0:19:21 | |
# I never would try | 0:19:21 | 0:19:25 | |
# But now I'm taking the game up | 0:19:25 | 0:19:29 | |
# And the ace of hearts is high... # | 0:19:29 | 0:19:35 | |
Come on, sweetheart. All right then. Time to wake up, love. Say goodbye to Auntie Soph. | 0:19:36 | 0:19:42 | |
Ma'am, need any help? > | 0:19:51 | 0:19:53 | |
-All right, baby? -Thank you. | 0:19:53 | 0:19:57 | |
-I shouldn't have come. Oh, no, we shouldn't have come. -Of course you should. | 0:19:58 | 0:20:04 | |
Sophie Maldoff? Mrs Louie Maldoff Junior? | 0:20:04 | 0:20:09 | |
Oh, Lord! I've hit the bleeding jackpot! | 0:20:09 | 0:20:13 | |
Is it Sophie? Come here. | 0:20:17 | 0:20:20 | |
-Elle est jolie. -We're together now. | 0:20:25 | 0:20:28 | |
You take care, love, all right? | 0:20:34 | 0:20:37 | |
-Don't blub! -I'm trying. | 0:20:37 | 0:20:40 | |
All right, darling? | 0:20:40 | 0:20:43 | |
-And don't forget me, all right? -Look at you! You've got a big posh scarf. | 0:20:43 | 0:20:48 | |
-You write to me, all right? -Come on. Come on, darling. | 0:20:49 | 0:20:53 | |
Bye. | 0:20:53 | 0:20:55 | |
All aboard! All stations to Vancouver! | 0:21:01 | 0:21:05 | |
All aboard! | 0:21:06 | 0:21:09 | |
All stations west! | 0:21:09 | 0:21:12 | |
Ooh! Do you look gorgeous? Mummy's little pretty girl? | 0:21:44 | 0:21:49 | |
-Let's see. -WOLF-WHISTLES | 0:21:49 | 0:21:51 | |
-It's good to be home, Dad. -You just need some good home cooking! | 0:22:09 | 0:22:14 | |
Hello. You must be the Travises. I'm Lily. | 0:22:20 | 0:22:25 | |
And this is your grand-daughter, Lindy-Jane. | 0:22:25 | 0:22:29 | |
Can you do what we were practising? Go, "Howdy, all! Howdy!" | 0:22:31 | 0:22:36 | |
Follow us. | 0:22:44 | 0:22:47 | |
We don't wear that here. | 0:22:56 | 0:22:59 | |
All aboard! | 0:23:01 | 0:23:04 | |
Oh, dear. | 0:23:04 | 0:23:06 | |
-Come on, love. I thought you did very well. -I did? -Yes. | 0:23:06 | 0:23:10 | |
I said, "Where is it you live?" He said, "Canada." I said, "Canada?" | 0:23:10 | 0:23:15 | |
He said, "Yes, I live on a big ranch on the prairie." I said, "You don't!" "He said, "I do." | 0:23:15 | 0:23:22 | |
He said, "Yeah. And I live just round the corner from John Wayne." | 0:23:22 | 0:23:27 | |
-We haven't heard from him in three months. -And his pay cheque goes to you now, you're his wife. | 0:23:27 | 0:23:34 | |
That's that. | 0:23:34 | 0:23:36 | |
MOUTHS SILENTLY | 0:23:36 | 0:23:38 | |
Welcome to the ranch(!) | 0:24:03 | 0:24:06 | |
Yeah, it's a farm, love. | 0:24:07 | 0:24:10 | |
Mum... | 0:24:10 | 0:24:11 | |
Well, it's a sort of farm. | 0:24:11 | 0:24:14 | |
All right, careful down the steps. Careful! There we go. Big girl. Wait for Mum. Oh, yes! | 0:24:39 | 0:24:45 | |
Bloody hell! | 0:24:47 | 0:24:49 | |
Come here, love. | 0:24:51 | 0:24:53 | |
Come here. | 0:24:53 | 0:24:56 | |
It's all right, love. | 0:25:01 | 0:25:03 | |
Through here. | 0:25:08 | 0:25:10 | |
Now... You and your, uh... | 0:25:14 | 0:25:17 | |
You and your girl, you're going to have to both sleep here because we have no spare room. | 0:25:17 | 0:25:23 | |
-Unless you want to sleep in the barn? -So there's a barn then? With cows and horses and such? -Oh, yes. | 0:25:23 | 0:25:31 | |
It's a big barn on a big ranch. | 0:25:31 | 0:25:34 | |
-Lovely. -Come on and I'll show you. -All right then. | 0:25:34 | 0:25:38 | |
See? | 0:25:46 | 0:25:48 | |
The barn. | 0:25:48 | 0:25:51 | |
Oh. Well, in Canada, you might call that the barn. | 0:25:51 | 0:25:56 | |
In the big European cities, you call it the lavatory. | 0:25:56 | 0:26:01 | |
Well, well, Charlie boy, you've stitched me up good and proper, haven't you? | 0:26:09 | 0:26:15 | |
Come on, Lil, old girl, keep your pecker up. | 0:26:17 | 0:26:21 | |
For the cold. | 0:26:25 | 0:26:27 | |
-They're lovely. -They're warm. | 0:26:27 | 0:26:30 | |
Eugh! | 0:26:39 | 0:26:41 | |
Bleeding hell! | 0:26:41 | 0:26:44 | |
Ta-da! If someone were to ask you, "Where were you in the winter of '43," | 0:26:52 | 0:26:58 | |
-you should be able to answer, "In a coloured scarf." -We don't do that here. -Oh, really? | 0:26:58 | 0:27:05 | |
-Well, in London, we do it all the time. -Oh, really? As far as I can tell, you're not in London any more. | 0:27:05 | 0:27:12 | |
LOUD THUMPING | 0:27:12 | 0:27:15 | |
Oh, it's bloody freezing! | 0:28:05 | 0:28:08 | |
Ohh! | 0:28:09 | 0:28:11 | |
WIND WHISTLES | 0:28:20 | 0:28:23 | |
What have I done? | 0:28:31 | 0:28:33 | |
FRONT DOOR OPENS > | 0:28:51 | 0:28:53 | |
Mom, you didn't have to do that. | 0:28:53 | 0:28:56 | |
CONVERSATION CONTINUES > | 0:28:57 | 0:29:00 | |
Oh! | 0:29:00 | 0:29:02 | |
-Do you want eggs? -I'd love some. We haven't had eggs since before the war. -Put the boots on and get some. | 0:29:07 | 0:29:16 | |
COCK CROWS | 0:29:25 | 0:29:28 | |
CLUCKING | 0:29:32 | 0:29:34 | |
-LOUD SQUAWK -Oh, God! | 0:29:51 | 0:29:54 | |
Right, come on, shoo! Shoo, you smelly old things! Out the way! | 0:29:54 | 0:29:59 | |
Right, that's it, nice chicken. | 0:30:01 | 0:30:04 | |
Lift up. | 0:30:04 | 0:30:06 | |
Oh, I can't do it. | 0:30:06 | 0:30:08 | |
Sit. | 0:30:08 | 0:30:10 | |
I can't... Come on. | 0:30:14 | 0:30:17 | |
Oh, God, you bit me, you bugger! | 0:30:17 | 0:30:20 | |
You bloody bit me! Go on, get out of it. Get out! Go on! | 0:30:20 | 0:30:25 | |
Go on, shoo! | 0:30:25 | 0:30:27 | |
Nasty bleeder! | 0:30:27 | 0:30:29 | |
Smelly, horrible things, aren't ya? There we go. | 0:30:33 | 0:30:37 | |
That's it. | 0:30:40 | 0:30:42 | |
So where's the nearest town then? | 0:30:50 | 0:30:53 | |
-What town? -Well, you know, um, Spring Hill...Alberta. | 0:30:53 | 0:30:58 | |
Seven miles north. | 0:30:58 | 0:31:00 | |
It's where you came in. | 0:31:00 | 0:31:03 | |
No, I mean the stores and the picture house and such. | 0:31:03 | 0:31:07 | |
There's no picture houses here. | 0:31:07 | 0:31:10 | |
You have to drive 60 miles to Drayton. Cost you 40 cents in gas just to get there. | 0:31:10 | 0:31:17 | |
Cover yourself. | 0:31:20 | 0:31:22 | |
How's that gonna get me home? Nowhere near enough. | 0:31:41 | 0:31:45 | |
-Hi, Peggy. -Hi, Peggy. Come on in. Here, have a seat. | 0:31:57 | 0:32:02 | |
< CONVERSATION CONTINUES | 0:32:05 | 0:32:08 | |
She gets off the train. She's got her and the kid dressed in red cowboy hats. So ridiculous! | 0:32:12 | 0:32:19 | |
Syl! | 0:32:19 | 0:32:21 | |
Hello. | 0:32:21 | 0:32:24 | |
You must be Lily. It's very nice to make your acquaintance. | 0:32:24 | 0:32:28 | |
-Peggy is a friend of Charlie's. -Charmed, I'm sure. -(Charming!) | 0:32:28 | 0:32:32 | |
-Blimey, looks like a salon in here! -Since Charlie's pay cheque goes to you, we have to make money somehow. | 0:32:32 | 0:32:39 | |
-And this must be...? -This is Lindy, Charlie's daughter. | 0:32:40 | 0:32:44 | |
-She's very pretty. -Thank you. | 0:32:44 | 0:32:47 | |
And your dress, why, that is very nice! | 0:32:47 | 0:32:51 | |
Do you like it, Peggy? Ta. I made it myself. I've got a passion for sewing. | 0:32:51 | 0:32:57 | |
I could make you one if you want. | 0:32:57 | 0:33:00 | |
Lord, no, I don't think so! You can see right through it in the light. | 0:33:00 | 0:33:05 | |
-Would anyone like a cuppa? -A what? -A cuppa. Tea. -No, thanks. No cuppa. | 0:33:08 | 0:33:13 | |
-That ain't your colour. -Pardon? | 0:33:13 | 0:33:16 | |
-You should wear autumn colours. Sienna Sunset would look devastating on you. -I like pink. | 0:33:16 | 0:33:22 | |
-It was Charlie's favourite colour. -Oh! -Oh, I see. | 0:33:22 | 0:33:27 | |
Well, it was very nice to make your acquaintance, Peggy. | 0:33:31 | 0:33:35 | |
Yeah, well, she can be like that. | 0:33:40 | 0:33:42 | |
-Very nice. -Yeah. | 0:33:42 | 0:33:44 | |
Bye! | 0:33:44 | 0:33:46 | |
-Oh, thank you. -Thanks, Mrs Travis. | 0:33:49 | 0:33:52 | |
-Bye, Syl! -Ta-ta! | 0:33:52 | 0:33:54 | |
-Syl, no girls' stuff! -Ta-ta! -Come on, out. | 0:33:54 | 0:33:58 | |
-Come out for a cuppa! -Stop, Sylvia! -What does she expect? | 0:33:58 | 0:34:03 | |
Many things. I expected a long trip and a strange place and a frightened baby, | 0:34:03 | 0:34:09 | |
but what I never expected is that you wouldn't even want me here! | 0:34:09 | 0:34:13 | |
I think this belongs to you. It's Charlie's pay. | 0:34:13 | 0:34:17 | |
Thank you. | 0:34:17 | 0:34:20 | |
SLAMS DOOR > | 0:34:25 | 0:34:28 | |
Go on, tidy up. | 0:34:28 | 0:34:30 | |
# Sometimes I wonder... # | 0:34:30 | 0:34:33 | |
TAPS ON DOOR AND WHISTLES | 0:34:33 | 0:34:36 | |
-What the bloody hell are you looking at? -Sorry. -So you should be! | 0:34:40 | 0:34:45 | |
# And each kiss an inspiration | 0:34:45 | 0:34:48 | |
# But that was long ago... # | 0:34:48 | 0:34:52 | |
Joe? | 0:34:52 | 0:34:54 | |
I didn't see nothing, sweet pea. | 0:34:54 | 0:34:57 | |
# Beside a garden wall | 0:34:58 | 0:35:01 | |
# When stars are bright | 0:35:01 | 0:35:04 | |
# You are in my arms | 0:35:06 | 0:35:08 | |
# The nightingale tells his fairy tale... # | 0:35:08 | 0:35:12 | |
-My physical said that I had a heart murmur. -What's a heart murmur? | 0:35:14 | 0:35:18 | |
It's bloody freezing! Hello. | 0:35:18 | 0:35:21 | |
-You haven't got a spare cup of tea for me there, have you? -Oh... | 0:35:21 | 0:35:26 | |
Thanks. | 0:35:28 | 0:35:30 | |
Lily, this is Joe, Peggy's brother. They run the grocer's. | 0:35:30 | 0:35:34 | |
-Sorry if I intruded. -No harm done. | 0:35:34 | 0:35:37 | |
I like the way... I like the way you talk. | 0:35:37 | 0:35:41 | |
Ta! Thanks. | 0:35:41 | 0:35:44 | |
It's coffee. | 0:35:44 | 0:35:46 | |
Well, it's hot anyway, innit? | 0:35:47 | 0:35:49 | |
# This is the GI jive | 0:35:56 | 0:35:59 | |
# Man alive | 0:35:59 | 0:36:01 | |
# It starts with the bugler blowin' reveille over your bed when you arrive | 0:36:01 | 0:36:08 | |
# Jack, that's the GI jive | 0:36:08 | 0:36:11 | |
# Roodley-toot | 0:36:12 | 0:36:14 | |
# Jump in your suit and make a salute | 0:36:14 | 0:36:17 | |
# Voot | 0:36:17 | 0:36:19 | |
# After you wash and dress | 0:36:19 | 0:36:22 | |
# More or less | 0:36:22 | 0:36:24 | |
# You go get your breakfast in a beautiful little cafe... # | 0:36:24 | 0:36:28 | |
-Hello. Have you got any work available? -No, no. Sorry. | 0:36:28 | 0:36:32 | |
# Jack, when you convalesce | 0:36:32 | 0:36:35 | |
# Out of your seat Out on the street | 0:36:35 | 0:36:38 | |
# And make with the feet... # | 0:36:38 | 0:36:41 | |
-Hello. Do you have any jobs available? -Oh... No. | 0:36:41 | 0:36:45 | |
Excuse me, sir. Have you got any jobs going? | 0:36:49 | 0:36:53 | |
-No. -What, nothing? | 0:36:53 | 0:36:55 | |
-This is a garage. We work on trucks here. -Well, I can see that. | 0:36:55 | 0:37:00 | |
So have you got any jobs? | 0:37:00 | 0:37:02 | |
-Doing what? -Anything. I'm very mechanical. | 0:37:02 | 0:37:06 | |
-Why don't you go home and fix your family some dinner? -Thanks very much. | 0:37:06 | 0:37:11 | |
Hello. | 0:37:19 | 0:37:21 | |
(She looks like a tramp.) | 0:37:49 | 0:37:52 | |
Does she help around the house...? | 0:38:08 | 0:38:11 | |
..I know and she married somebody else. | 0:38:13 | 0:38:17 | |
- How long did they know each other? - Seven and a half years... | 0:38:17 | 0:38:21 | |
Yee-ha! | 0:39:51 | 0:39:53 | |
Ha! | 0:39:53 | 0:39:55 | |
Come on, I've got work to do here. | 0:39:57 | 0:39:59 | |
Yeah, just, just wait. Here we are. | 0:39:59 | 0:40:02 | |
Come on. | 0:40:03 | 0:40:05 | |
Here, Sylvia. She won't bite you. | 0:40:05 | 0:40:08 | |
Mrs Travis? | 0:40:12 | 0:40:14 | |
Look. | 0:40:14 | 0:40:17 | |
From tablecloth...to table wear. | 0:40:17 | 0:40:21 | |
-What's that? -It's for you. | 0:40:21 | 0:40:23 | |
Look. | 0:40:23 | 0:40:25 | |
Women of today are both practical and beautiful. | 0:40:25 | 0:40:30 | |
Well, that's good. | 0:40:30 | 0:40:32 | |
And look, Syl, for you. | 0:40:32 | 0:40:35 | |
Sensual appeal in a slinky slip by Lily of London! | 0:40:35 | 0:40:39 | |
What do you reck? | 0:40:40 | 0:40:43 | |
-Syl... -No, thank you. | 0:40:46 | 0:40:48 | |
-KNOCK AT DOOR -Syl? | 0:41:02 | 0:41:04 | |
Can I come in, love? | 0:41:04 | 0:41:07 | |
What is it? | 0:41:08 | 0:41:10 | |
-SOBBING -Go away! -No. | 0:41:10 | 0:41:13 | |
You have no idea. Do you see this? | 0:41:14 | 0:41:18 | |
-Do you see this is what polio did to me? -I know, sweetheart. | 0:41:20 | 0:41:24 | |
That's the whole point. | 0:41:24 | 0:41:27 | |
Look, I'll show you something. | 0:41:27 | 0:41:29 | |
Look at me. | 0:41:37 | 0:41:40 | |
-You are perfect. -No, look! | 0:41:40 | 0:41:43 | |
See that? | 0:41:43 | 0:41:45 | |
That's what comes from living in a war zone. It hurt like bloody hell! | 0:41:48 | 0:41:53 | |
It looks awful, but when I wear pretty things, it makes me feel better. | 0:41:53 | 0:41:59 | |
Will you try it for me? | 0:42:00 | 0:42:03 | |
No. I don't want it. | 0:42:03 | 0:42:06 | |
This has got to stop. You've got to stop putting ideas in her head. | 0:42:14 | 0:42:19 | |
-I wasn't putting any ideas... -Don't pretend you don't know what I'm talking about. | 0:42:19 | 0:42:25 | |
Charlie might have liked your smart city ways, but we are simple country folk, so don't try it here. | 0:42:25 | 0:42:32 | |
Leave her alone. | 0:42:32 | 0:42:35 | |
I can't bear to be in this house. | 0:42:39 | 0:42:42 | |
I can wear it myself. Fine! | 0:42:43 | 0:42:46 | |
COCK CROWS | 0:42:46 | 0:42:49 | |
Thank you very much. | 0:42:50 | 0:42:52 | |
All right, we're done. | 0:42:53 | 0:42:56 | |
Excuse me. | 0:42:56 | 0:42:58 | |
Who the hell's that? | 0:43:18 | 0:43:21 | |
Soph? | 0:43:22 | 0:43:25 | |
-Bonjour, ducky! -Sophie, what are you doing here? | 0:43:25 | 0:43:29 | |
EXCITED SCREAMS | 0:43:29 | 0:43:32 | |
-You're a laugh! What are you doing here? -Look at you! -Look at YOU in your fur! | 0:43:32 | 0:43:38 | |
-It's a bleedin' dump! -I know, look at it. I can't believe it. | 0:43:38 | 0:43:42 | |
-When did you decide to come? -It was a surprise. -It's lovely to see you! | 0:43:42 | 0:43:47 | |
-And making you all this stuff? -I know! | 0:43:48 | 0:43:52 | |
I says, "Just put me on the train to Alberta and I'll find my way." | 0:43:52 | 0:43:57 | |
-Whose car is it? -Do you like it? | 0:43:57 | 0:44:00 | |
It was all arranged. They found me a lovely hotel in Drayton. | 0:44:00 | 0:44:04 | |
-The Stratford. -No? -You should go there some time. C'est fantastique. | 0:44:04 | 0:44:10 | |
You've got to have money to stay at The Stratford. | 0:44:10 | 0:44:14 | |
Cover yourself. | 0:44:17 | 0:44:19 | |
Excusez-moi! | 0:44:19 | 0:44:21 | |
Anyway, Lil, tell me everything. Tous les everything! | 0:44:21 | 0:44:26 | |
-There's not much to tell. I'm still sewing. -I'm so happy to be finished with all that! | 0:44:26 | 0:44:32 | |
-I've got to sell what I sew. -You've got to make your own way round here. | 0:44:32 | 0:44:37 | |
Um, so, do you hear from Charlie? | 0:44:37 | 0:44:41 | |
Yeah, occasionally, not enough. | 0:44:41 | 0:44:44 | |
I, um... | 0:44:44 | 0:44:46 | |
(I think they're hiding the letters from me.) | 0:44:50 | 0:44:54 | |
So how's Louie then? | 0:44:56 | 0:44:58 | |
-26 scarves from France so far. -No? -I wanted one husband, I got 26 scarves. Silk. | 0:44:58 | 0:45:05 | |
You can pass them on to me when you're done. | 0:45:05 | 0:45:09 | |
GIGGLING | 0:45:09 | 0:45:12 | |
Let's go and have a look at your room, eh? | 0:45:12 | 0:45:16 | |
It's through there. It's all right, Lind! | 0:45:16 | 0:45:20 | |
GIGGLING > | 0:45:22 | 0:45:24 | |
Well, welcome to my boudoir. | 0:45:26 | 0:45:29 | |
I've got to get you out of here. | 0:45:30 | 0:45:32 | |
Soph, what are you talking about? | 0:45:32 | 0:45:35 | |
Lil, this place, it's awful. | 0:45:35 | 0:45:37 | |
-It's not so bad. -Damn that Charlie, he lied about everything! | 0:45:37 | 0:45:42 | |
-I've been saving up. I've been thinking of going back, but I'm not sure. -Come to Montreal with me. | 0:45:42 | 0:45:48 | |
Soph, don't be so silly. Look... | 0:45:48 | 0:45:51 | |
Sometimes I hate it here. I absolutely hate it. | 0:45:53 | 0:45:57 | |
But he's still my husband. | 0:45:58 | 0:46:01 | |
Got to remember that. | 0:46:01 | 0:46:03 | |
-Will you think about it? -I will. | 0:46:03 | 0:46:06 | |
-All right, love. -See you tomorrow, Soph. | 0:46:11 | 0:46:15 | |
-So that's it then? -I don't expect you to understand. I don't think I do. | 0:47:44 | 0:47:49 | |
-I could stay. -Yeah, right(!) You in your fur coat in these parts? | 0:47:49 | 0:47:54 | |
-There's still so much to talk about. -Yeah, I know. | 0:47:56 | 0:48:00 | |
I just need time to think, Soph. | 0:48:00 | 0:48:03 | |
-But I'll write to you. -You've learnt how to write(?) -Shut up, you! | 0:48:04 | 0:48:10 | |
I will. I'll write to you. | 0:48:11 | 0:48:13 | |
-All right. -Now, you take care. Look after yourself. | 0:48:14 | 0:48:18 | |
-I'll miss you. -I'll miss you too. Stop it, I'll cry. | 0:48:18 | 0:48:22 | |
You keep your pecker up, eh? | 0:48:22 | 0:48:25 | |
LILY LAUGHS | 0:48:26 | 0:48:29 | |
As always! | 0:48:29 | 0:48:31 | |
-OK, three pedals - forward, back and stop. -Here goes. | 0:48:53 | 0:48:57 | |
ENGINE STARTS | 0:48:57 | 0:48:59 | |
Oh, God! | 0:49:02 | 0:49:04 | |
Good, good. | 0:49:04 | 0:49:06 | |
Good. Careful now. | 0:49:06 | 0:49:08 | |
-Brake! -Agh! -Brake! | 0:49:10 | 0:49:14 | |
-I can't stop it! -LOUD MOOING | 0:49:14 | 0:49:17 | |
LAUGHTER | 0:49:17 | 0:49:20 | |
Oh, God! | 0:49:26 | 0:49:28 | |
-Lily, brake! -Agh! | 0:49:28 | 0:49:31 | |
TOOTS HORN | 0:49:37 | 0:49:40 | |
Thank you. | 0:49:40 | 0:49:42 | |
All right. | 0:49:45 | 0:49:47 | |
There we go. Thank you. | 0:49:47 | 0:49:50 | |
Oops! | 0:49:50 | 0:49:52 | |
And can I get four cans of powdered milk | 0:49:53 | 0:49:56 | |
and a bag of oatmeal, please? | 0:49:56 | 0:49:59 | |
-And two spools of yellow thread. -We don't have yellow thread. | 0:49:59 | 0:50:04 | |
-Eggshell blue then. -We don't have eggshell blue. | 0:50:04 | 0:50:07 | |
-Scarlet red? -We definitely do not have scarlet red. | 0:50:07 | 0:50:12 | |
People here don't like scarlet red. | 0:50:12 | 0:50:14 | |
Yeah, I forgot. They like pink, if I recall. | 0:50:14 | 0:50:18 | |
Or they used to. It's a shame, that, innit? | 0:50:18 | 0:50:21 | |
-CLATTER -Lindy! | 0:50:21 | 0:50:24 | |
-Can't you watch your child? -Yes, I can, thanks very much. | 0:50:25 | 0:50:29 | |
Now, what have you done? Let's put these back. Come on! | 0:50:30 | 0:50:35 | |
SLOW JAZZ MUSIC PLAYS | 0:50:39 | 0:50:42 | |
There... | 0:50:43 | 0:50:45 | |
-Oh, thanks. -That's pretty. -Yeah, it is. We used to dance to this back in England. | 0:50:45 | 0:50:51 | |
Whoo! Up we go! | 0:50:51 | 0:50:54 | |
-You're a long way from home. -That depends on how you look at it. Move up for Mum. | 0:50:54 | 0:51:00 | |
Come on. Move up. | 0:51:00 | 0:51:02 | |
Move over. Come on. | 0:51:02 | 0:51:04 | |
-Thanks. -Here! | 0:51:04 | 0:51:07 | |
-That's lovely. Thanks. -Don't tell Peggy. | 0:51:09 | 0:51:13 | |
She lied. Some people here like scarlet red a lot. | 0:51:13 | 0:51:17 | |
Thanks. | 0:51:18 | 0:51:20 | |
I'm not sure you're ready for this. | 0:51:28 | 0:51:30 | |
Give over. Course I am! I've got it down pat now. | 0:51:30 | 0:51:34 | |
-Syl, are you sure you don't wanna come, love? It'll be fun. -No! | 0:51:34 | 0:51:40 | |
All right then. | 0:51:40 | 0:51:42 | |
-Oops! -Thanks. | 0:51:46 | 0:51:49 | |
I'll see you later on. Ta-ta! | 0:51:49 | 0:51:52 | |
Hello, smellies! | 0:51:54 | 0:51:56 | |
TOOTS HORN | 0:52:18 | 0:52:21 | |
Too much pride, Sylvia. | 0:52:24 | 0:52:27 | |
# Now, I don't care what the weatherman says | 0:52:49 | 0:52:52 | |
# When the weatherman says it's raining | 0:52:52 | 0:52:55 | |
# You never hear me complaining | 0:52:55 | 0:52:58 | |
# I'm certain the sun will shine | 0:52:58 | 0:53:00 | |
# I don't care how the weatherman points | 0:53:00 | 0:53:03 | |
# When the weatherman points to gloomy | 0:53:03 | 0:53:06 | |
# It's got to be sunny to me | 0:53:06 | 0:53:08 | |
# When your eyes look into mine | 0:53:08 | 0:53:10 | |
# Oh, jeepers, creepers | 0:53:10 | 0:53:14 | |
# Where d'ya get those peepers? | 0:53:14 | 0:53:17 | |
# Jeepers, creepers | 0:53:17 | 0:53:20 | |
# Where d'ya get those eyes? | 0:53:20 | 0:53:22 | |
# Oh, gosh, all get up | 0:53:22 | 0:53:25 | |
# How'd they get so lit up? | 0:53:25 | 0:53:28 | |
# Gosh, all get up | 0:53:28 | 0:53:31 | |
# How'd they get that size...? # | 0:53:31 | 0:53:33 | |
Hello, Charlie love. It's me, it's Lily. | 0:54:01 | 0:54:05 | |
They've said I can record in here and they'll make a record of it. | 0:54:05 | 0:54:10 | |
Only in Canada, eh? Wouldn't get that in London! | 0:54:10 | 0:54:13 | |
I hope you're well. I miss you. I miss you so much, you wouldn't even believe it. | 0:54:13 | 0:54:20 | |
Um... I hope you miss me. | 0:54:20 | 0:54:22 | |
Um... | 0:54:22 | 0:54:24 | |
Well, here I am in Canada. It's everything you said it'd be(!) | 0:54:24 | 0:54:29 | |
Cheeky bugger! I'm on a... | 0:54:29 | 0:54:31 | |
On a farm in the middle of nowhere. | 0:54:31 | 0:54:34 | |
I feel quite alone at times, but I keep thinking of you coming back, which you will. | 0:54:34 | 0:54:41 | |
So I hope you're well and warm and happy. | 0:54:41 | 0:54:44 | |
Or you're not cold. Anyway, enough of that. | 0:54:44 | 0:54:48 | |
Please miss me and please still love me and please come back soon. | 0:54:48 | 0:54:53 | |
We're thinking of you. We're really proud of you. | 0:54:53 | 0:54:57 | |
Can you get that? Can you get my kisses...? | 0:54:57 | 0:55:01 | |
I'll send you lots of them. | 0:55:01 | 0:55:04 | |
I love you. | 0:55:04 | 0:55:07 | |
-May I help you? -I hope so. | 0:55:12 | 0:55:14 | |
I had some extra fabric. It's for you. | 0:55:14 | 0:55:18 | |
In London, they call it a teddy. | 0:55:21 | 0:55:25 | |
Oh... | 0:55:26 | 0:55:28 | |
I couldn't. | 0:55:29 | 0:55:31 | |
Oh, Peggy, please. I want us to be friends. | 0:55:31 | 0:55:35 | |
All right, I suppose. | 0:55:36 | 0:55:39 | |
Good. Well, I'm cooking tonight. A real English meal. Will you come? | 0:55:39 | 0:55:44 | |
-That sounds nice. Thank you. -Smashing. | 0:55:44 | 0:55:48 | |
-Oh, and bring your family too if you want to. -All right. | 0:55:51 | 0:55:56 | |
Well, I'll see you this evening. | 0:55:56 | 0:55:58 | |
Oh, and Peggy... You look good in pink. | 0:55:58 | 0:56:02 | |
-Is it OK? -It's amazing what you can do with a pair of old curtains. | 0:56:55 | 0:57:00 | |
-It's not too trampy? -I'm not even gonna answer that. -I'm sorry. | 0:57:00 | 0:57:05 | |
I'm sorry, Lily. I'm just nervous. | 0:57:05 | 0:57:07 | |
I hope Joe likes it. | 0:57:08 | 0:57:11 | |
Course he will. | 0:57:11 | 0:57:13 | |
-Syl, do you want to learn how to dance? -I can't. | 0:57:14 | 0:57:18 | |
-You can. I'll show you. -No, I CAN'T. My leg. | 0:57:18 | 0:57:23 | |
Stuff your bloody boring leg! I'm fed up hearing about it. Come here. | 0:57:23 | 0:57:28 | |
Put all your weight into that hand there. I won't let you fall. Ready? | 0:57:28 | 0:57:33 | |
Now watch my feet. I'm gonna go back... | 0:57:33 | 0:57:37 | |
side...together. | 0:57:37 | 0:57:39 | |
And...back, side, together. | 0:57:39 | 0:57:43 | |
And...one, two, three. And one, two, three. | 0:57:43 | 0:57:48 | |
Sylvia is dancing. | 0:57:48 | 0:57:51 | |
Sylvia is dancing. | 0:57:51 | 0:57:54 | |
-And twirl! -Agh! | 0:57:56 | 0:57:58 | |
Right, it's just you, innit, Joe? | 0:58:01 | 0:58:04 | |
So we've got steak and kidney pie, black pudding, bubble and squeak, | 0:58:07 | 0:58:13 | |
-then for dessert, we've got a lovely lime swirl. -It's good. | 0:58:13 | 0:58:17 | |
-You like my cooking, Joe? You like my sour apple pie? -It's not bad. | 0:58:17 | 0:58:22 | |
-Do you want more? -I'm OK. Thank you. -I think it's very tasty. | 0:58:22 | 0:58:27 | |
-What's this? -It's a bit of bacon. | 0:58:33 | 0:58:36 | |
-Is it raw? -No, it's just soft-cooked. | 0:58:36 | 0:58:41 | |
-It's how we have it in England. -Well, it's different. I'll say that. | 0:58:41 | 0:58:46 | |
I can't eat it. | 0:58:52 | 0:58:55 | |
I'll take it, Mom. | 0:58:59 | 0:59:01 | |
TRIES SEVERAL STATIONS | 0:59:26 | 0:59:28 | |
WALTZ MUSIC PLAYS | 0:59:30 | 0:59:33 | |
(Syl, go on. Ask him to dance. Go on.) | 0:59:34 | 0:59:38 | |
Joe, do you wanna dance? | 0:59:46 | 0:59:49 | |
With you? | 0:59:49 | 0:59:51 | |
Yes. | 0:59:51 | 0:59:54 | |
OK. | 0:59:54 | 0:59:56 | |
Hold on now. Hold on. Hold on. | 1:00:07 | 1:00:10 | |
Good. | 1:00:14 | 1:00:16 | |
Good. | 1:00:16 | 1:00:18 | |
Good. That's great. | 1:00:22 | 1:00:25 | |
No, just let me. | 1:00:25 | 1:00:27 | |
-Oh! -OK... | 1:00:31 | 1:00:34 | |
Never mind. | 1:00:34 | 1:00:36 | |
You keep practising like that, Syl, you'll be Rita Hayworth in no time! | 1:00:36 | 1:00:41 | |
She's doing well, ain't she? | 1:00:41 | 1:00:44 | |
-How about you, Miss Lily? -Not me. | 1:00:44 | 1:00:46 | |
Show us how they do it in England. | 1:00:46 | 1:00:50 | |
-It's not my type of music. -Just the one. Just one. | 1:00:50 | 1:00:54 | |
All right then, what the hell? Let me change it. | 1:00:54 | 1:00:58 | |
SWITCHES STATIONS | 1:00:59 | 1:01:02 | |
SWING MUSIC | 1:01:02 | 1:01:04 | |
I'll take my pinny off. | 1:01:04 | 1:01:07 | |
I'll show you how the London girls do it, shall I? | 1:01:07 | 1:01:11 | |
Ready? Just get straight... | 1:01:11 | 1:01:13 | |
Syl, watch my feet. See? | 1:01:27 | 1:01:29 | |
When you get really good, you can add a bit of a twist to it, like, you know... | 1:01:35 | 1:01:41 | |
You're good, Joe. | 1:01:50 | 1:01:53 | |
Syl! Syl! | 1:02:00 | 1:02:02 | |
Syl, I thought that went really well. He was really taken by you. | 1:02:02 | 1:02:07 | |
You're a slut. | 1:02:07 | 1:02:10 | |
-That is all you are. A slut! -How dare you! -You stole Charlie from Peggy and now you want to steal Joe! | 1:02:11 | 1:02:18 | |
-I'm not stealing Joe! -What do you call it? -Dancing! It was harmless. | 1:02:18 | 1:02:23 | |
-How can I look like a woman to him with you... -Stop hiding behind that leg and get on with your life! | 1:02:23 | 1:02:30 | |
-LINDY CRIES -Ssh, ssh, ssh, ssh. | 1:02:40 | 1:02:43 | |
Ssh! | 1:02:43 | 1:02:45 | |
Ssh, ssh, ssh. | 1:02:45 | 1:02:47 | |
-Mummy! -Ssh, ssh. -Mummy! -Let's go. | 1:02:47 | 1:02:49 | |
Please be quiet. Come on. Ssh. Be a good girl for me. Please. | 1:02:49 | 1:02:54 | |
Come on, we'll get some pots. | 1:02:54 | 1:02:57 | |
You're only taking out what's yours. | 1:03:04 | 1:03:06 | |
Now, where's that key? | 1:03:13 | 1:03:16 | |
Look. What have I got? | 1:03:18 | 1:03:21 | |
Mummy! | 1:03:24 | 1:03:26 | |
-It's all right. -Mummy! | 1:03:26 | 1:03:28 | |
-Mummy! -What, babe? | 1:03:28 | 1:03:31 | |
LINDY CRIES | 1:03:53 | 1:03:55 | |
Ssh, ssh. All right, Lind. | 1:03:55 | 1:03:58 | |
Mummy will be right back. | 1:03:58 | 1:04:00 | |
For goodness sake! It's the middle of the night! | 1:04:19 | 1:04:23 | |
Oh! | 1:04:26 | 1:04:28 | |
I'm sorry to disturb you, Mrs Clark, but is Joe there? | 1:04:28 | 1:04:32 | |
My car's broken down. | 1:04:32 | 1:04:35 | |
-Hi. -Have you got a minute? | 1:04:42 | 1:04:44 | |
-You want me to take you where? -To the bus station in Drayton. | 1:04:44 | 1:04:49 | |
-Where are you headed this time of night? -Montreal. | 1:04:49 | 1:04:53 | |
-Montreal? -I've no place else to go. | 1:04:53 | 1:04:56 | |
Look, Joe, I can't take the car. They can call me any name under the sun, but I'm no thief. | 1:04:56 | 1:05:02 | |
I was kinda hopin' you were comin' to see me. | 1:05:02 | 1:05:06 | |
Yeah, well, I wasn't, all right? | 1:05:08 | 1:05:10 | |
Nasty scars. | 1:05:11 | 1:05:14 | |
I thought you didn't see nothing. | 1:05:15 | 1:05:17 | |
I lied. | 1:05:20 | 1:05:22 | |
I can't do this. I'm married. I'm a married woman. | 1:05:56 | 1:06:01 | |
LINDY STARTS CRYING | 1:06:02 | 1:06:05 | |
It's all right, darling. | 1:06:05 | 1:06:07 | |
Stop, stop, stop. | 1:06:07 | 1:06:10 | |
It's all right, darling. I'm here. Mummy's here. | 1:06:12 | 1:06:16 | |
It's all right, sweet. | 1:06:17 | 1:06:19 | |
It's all right, darling. There we go. Ssh. There we go. | 1:06:19 | 1:06:24 | |
It's Mum. There we go. Ssh. | 1:06:24 | 1:06:27 | |
Joe, stop it. | 1:06:28 | 1:06:31 | |
Stop. It's not what I want. | 1:06:33 | 1:06:35 | |
It's just that I... | 1:06:40 | 1:06:42 | |
You're so... | 1:06:42 | 1:06:45 | |
-Different, you know? -You think that's good? | 1:06:45 | 1:06:49 | |
Maybe that's why I like you, eh? | 1:06:51 | 1:06:54 | |
Do you still love Charlie? | 1:06:54 | 1:06:57 | |
I did once. God, I really loved him! | 1:06:57 | 1:07:01 | |
Now I can't even remember his face, I can't remember what he looks like, I can't remember how he speaks. | 1:07:01 | 1:07:08 | |
I can't remember anything about him, my husband! | 1:07:08 | 1:07:12 | |
I'm sorry. | 1:07:15 | 1:07:17 | |
I can still drive you to Drayton if you want. | 1:07:17 | 1:07:21 | |
I'll take her. | 1:07:52 | 1:07:55 | |
Come on. | 1:07:55 | 1:07:57 | |
How are you? | 1:08:03 | 1:08:06 | |
Come on, sit down here. There's a good girl. | 1:08:16 | 1:08:20 | |
LINDY SHOUTS OUT | 1:08:23 | 1:08:26 | |
-Are you hungry? -Yeah. -You know what it is? -Yeah. -Try that. | 1:08:26 | 1:08:31 | |
More...? OK. | 1:08:31 | 1:08:33 | |
Well? Is there anything? | 1:08:53 | 1:08:55 | |
-From Charlie...? Nothing from Montreal either? -No, nothing. | 1:08:55 | 1:09:00 | |
# It don't mean a thing if it ain't got that swing | 1:09:04 | 1:09:08 | |
# Do-wah, do-wah, do-wah, do-wah Do-wah, do-wah, do-wah, do-waaah | 1:09:08 | 1:09:13 | |
# It don't mean a thing All you've got to do is sing | 1:09:13 | 1:09:18 | |
# Do-wah, do-wah, do-wah, do-wah Do-wah, do-wah, do-wah, do-waaah | 1:09:18 | 1:09:23 | |
# It makes no difference if it's sweet or hot... # | 1:09:23 | 1:09:26 | |
-All right? -Thanks. | 1:09:26 | 1:09:29 | |
Ta-ta! Bye-bye! | 1:09:29 | 1:09:32 | |
# It don't mean a thing if it ain't got that swing | 1:09:32 | 1:09:36 | |
# Do-wah, do-wah, do-wah, do-wah Do-wah, do-wah, do-wah, do-waaah... # | 1:09:36 | 1:09:41 | |
Forwards, backwards, stop. | 1:09:42 | 1:09:45 | |
Right, so gently, go easy, go easy. | 1:09:45 | 1:09:48 | |
Right, that's it. | 1:09:48 | 1:09:51 | |
Keep your foot ready by the brake in case you have to stop. | 1:09:51 | 1:09:55 | |
I know. | 1:09:55 | 1:09:58 | |
HORN TOOTS | 1:10:02 | 1:10:05 | |
Mummy! | 1:10:35 | 1:10:37 | |
What is it, Lind? Come here, darling. Come here. Come here. | 1:10:39 | 1:10:44 | |
What's the matter, sweetheart? | 1:10:46 | 1:10:48 | |
SHE CRIES | 1:10:48 | 1:10:51 | |
What's the matter? Eh? | 1:10:51 | 1:10:54 | |
Come on, what's the matter? Let's go and see. | 1:10:54 | 1:10:58 | |
Good girl. | 1:11:00 | 1:11:02 | |
There's nothing there, you silly sausage! What are you talking about? | 1:11:06 | 1:11:11 | |
Charlie! | 1:11:12 | 1:11:14 | |
Hello, Lil. | 1:11:19 | 1:11:22 | |
They didn't tell me that you were coming home! They didn't... | 1:11:22 | 1:11:27 | |
Oh, Charlie! | 1:11:27 | 1:11:30 | |
How are you, love? | 1:11:33 | 1:11:35 | |
Are you all right? Are you in one piece? | 1:11:35 | 1:11:39 | |
One piece. | 1:11:39 | 1:11:42 | |
God, I don't know what to say! | 1:11:42 | 1:11:44 | |
This is your daughter. This is Lindy. | 1:11:44 | 1:11:48 | |
-Lindy. -There's your daddy. Remember I said Daddy would be coming home? | 1:11:48 | 1:11:53 | |
-That's him. -Hey, Lindy. | 1:11:53 | 1:11:55 | |
Oh, Charlie! | 1:11:56 | 1:11:58 | |
I hardly recognised the place. | 1:11:58 | 1:12:01 | |
Looks nice. | 1:12:02 | 1:12:04 | |
-Do you want a cup of tea or something? -Some pie would be great. | 1:12:04 | 1:12:09 | |
Do you want to stay and talk to Daddy? | 1:12:09 | 1:12:13 | |
Look! It's your dad! | 1:12:13 | 1:12:16 | |
-All right? -Hi. | 1:12:39 | 1:12:41 | |
-Mrs Travis, look. -I can't open it. -Look. -What? -Look! | 1:12:50 | 1:12:54 | |
-Oh, Jesus, Jesus! -Hello, Mom. | 1:12:54 | 1:12:57 | |
Hello, Syl. | 1:13:03 | 1:13:05 | |
Oh, my God! | 1:13:07 | 1:13:09 | |
Oh, Charlie, come here! Charlie! Charlie! | 1:13:17 | 1:13:21 | |
Charlie... Oh! | 1:13:30 | 1:13:32 | |
Oh! Oh! | 1:13:32 | 1:13:34 | |
I'm all here. Mom, you look good. | 1:13:34 | 1:13:37 | |
Oh, Charlie! | 1:13:37 | 1:13:40 | |
Thank God! Oh, Charlie! | 1:13:42 | 1:13:44 | |
Good night, Lil. | 1:14:26 | 1:14:29 | |
Good night, Charlie. | 1:14:32 | 1:14:34 | |
Charlie! | 1:15:05 | 1:15:07 | |
Come to bed, sweetheart. | 1:15:15 | 1:15:18 | |
Cover yourself. My mother's in this house. | 1:15:23 | 1:15:27 | |
Well, you never used to complain, soldier. | 1:15:28 | 1:15:32 | |
We're not in London any more, Lily. | 1:15:32 | 1:15:34 | |
Don't I know it! | 1:15:36 | 1:15:38 | |
BANGING | 1:16:02 | 1:16:04 | |
LINDY CRIES | 1:16:04 | 1:16:07 | |
Oh... | 1:16:07 | 1:16:09 | |
BANGING CONTINUES | 1:16:09 | 1:16:11 | |
Ohhh! | 1:16:11 | 1:16:13 | |
What the bleeding hell is that? | 1:16:13 | 1:16:16 | |
SOUND OF SAWING | 1:16:21 | 1:16:23 | |
What are you doing, love? | 1:16:32 | 1:16:35 | |
-I'm building a bathroom. -Really? | 1:16:35 | 1:16:38 | |
-Yeah, working with my hands again. -That's good. | 1:16:38 | 1:16:42 | |
-So, tell me, how is Louie doing? Has he gone home yet? -I don't know. | 1:16:42 | 1:16:48 | |
Charlie, please look at me when you're talking to me. | 1:16:48 | 1:16:52 | |
I know it must've been hard. | 1:16:54 | 1:16:57 | |
I know it must've been very hard. | 1:16:57 | 1:16:59 | |
But I've just missed someone to talk to so much, Charlie. | 1:16:59 | 1:17:04 | |
You don't know. | 1:17:04 | 1:17:07 | |
I don't know what to do. | 1:17:49 | 1:17:52 | |
Well, it ain't easy. I can tell you that. | 1:17:52 | 1:17:56 | |
It's never easy. | 1:17:56 | 1:17:58 | |
You know, when I met Frank... | 1:17:58 | 1:18:01 | |
when I married Frank, I was a child. | 1:18:01 | 1:18:04 | |
I knew nothing. | 1:18:04 | 1:18:07 | |
-The shock! -What did you do? -We worked hard, we got nowhere. | 1:18:09 | 1:18:14 | |
We were filled with longing. We just kept going until one day Frank's heart stopped. | 1:18:14 | 1:18:20 | |
I don't even know him any more. He's like a different person. | 1:18:20 | 1:18:25 | |
Time. | 1:18:25 | 1:18:27 | |
Give him time. | 1:18:28 | 1:18:31 | |
Yeah, hello. Can you hear me? | 1:18:50 | 1:18:53 | |
Yeah, I'll hold. Yeah. | 1:18:54 | 1:18:57 | |
Hello? | 1:19:01 | 1:19:03 | |
Yeah, can I speak to Sophie, please? Sophie. | 1:19:03 | 1:19:07 | |
All right, OK. Well, can I leave a message? | 1:19:10 | 1:19:13 | |
Just say that Lily called. | 1:19:13 | 1:19:16 | |
Yeah, Lily. | 1:19:16 | 1:19:18 | |
No, there's no number. | 1:19:18 | 1:19:21 | |
No, just, um, tell her... | 1:19:21 | 1:19:23 | |
Um... Tell her to keep her pecker up. | 1:19:25 | 1:19:29 | |
Her pecker. Keep her pecker up. | 1:19:30 | 1:19:33 | |
That's right. Yeah. | 1:19:34 | 1:19:37 | |
All right, thanks. Bye. | 1:19:38 | 1:19:40 | |
HORN TOOTS | 1:19:54 | 1:19:57 | |
< Joe! Charlie! | 1:20:15 | 1:20:18 | |
< Where have you been keepin'? | 1:20:18 | 1:20:20 | |
Look at you! | 1:20:20 | 1:20:23 | |
Welcome home. | 1:20:24 | 1:20:26 | |
So Lil tells me you've been looking after her. That's mighty fine of you. | 1:20:26 | 1:20:31 | |
No... No trouble. So, back in one piece, eh? | 1:20:31 | 1:20:36 | |
Yeah. | 1:20:41 | 1:20:43 | |
Looks like you could use some help. What are you doing? | 1:20:43 | 1:20:47 | |
Oh, indoor bathroom. | 1:20:47 | 1:20:50 | |
Looks all right. | 1:20:50 | 1:20:52 | |
I'll get my tools, eh? | 1:20:52 | 1:20:55 | |
Yeah. | 1:20:55 | 1:20:57 | |
BANGING | 1:21:16 | 1:21:18 | |
Is that what you're wearing? | 1:21:37 | 1:21:40 | |
Yeah. | 1:21:41 | 1:21:43 | |
Is that what YOU'RE wearing? | 1:21:44 | 1:21:47 | |
Well, the uniform's gone. The war's over for me. | 1:21:47 | 1:21:53 | |
KNOCK AT DOOR | 1:22:07 | 1:22:10 | |
-Hello. -Good evening. -Hi. How are you doing? | 1:22:16 | 1:22:20 | |
-Peggy. -Hi, Lily. -Sweet dress. -Thank you. How are you? -All right. How are you? Can I take your coat? | 1:22:20 | 1:22:27 | |
Hello, Charlie. | 1:22:27 | 1:22:30 | |
Hello, Peggy. You look nice. | 1:22:32 | 1:22:35 | |
-Can I get you a drink? -Tea would be lovely. -Sugar? -Just clear, thanks. | 1:22:38 | 1:22:43 | |
Looks lovely. > | 1:22:43 | 1:22:45 | |
-There you go. -Thank you. -Nice cake if you want some cake or... -Mm-hm. | 1:22:51 | 1:22:56 | |
SHE WHISPERS | 1:22:56 | 1:22:58 | |
-Charlie, hey, Charlie! -What? | 1:23:04 | 1:23:07 | |
What was it like in the war? | 1:23:07 | 1:23:10 | |
Uh, I don't know. | 1:23:10 | 1:23:13 | |
Did you kill anyone? | 1:23:13 | 1:23:16 | |
I don't know. | 1:23:17 | 1:23:19 | |
I thought you were a hero. | 1:23:19 | 1:23:22 | |
You thought wrong. | 1:23:25 | 1:23:28 | |
Are you all right, Charlie? | 1:23:35 | 1:23:38 | |
Everything's swell. | 1:23:38 | 1:23:40 | |
Will you dance with me? | 1:23:42 | 1:23:44 | |
Please. | 1:23:46 | 1:23:47 | |
Come on, love. Let's dance. | 1:23:49 | 1:23:52 | |
SLOW WALTZ MUSIC PLAYS | 1:23:58 | 1:24:00 | |
-This is just like London, eh? -Mm-hm. | 1:24:06 | 1:24:09 | |
Come on. I think we're gonna have to show 'em how it's done. | 1:24:09 | 1:24:13 | |
She can't dance. | 1:24:23 | 1:24:26 | |
Oh, yes, I can. | 1:24:26 | 1:24:29 | |
Why don't you show us how you dance with Joe? | 1:24:40 | 1:24:44 | |
-Peggy... -No, come on. Like that night the truck broke down | 1:24:46 | 1:24:51 | |
-and you were dancing and kissing out on the back road. -Peggy! | 1:24:51 | 1:24:56 | |
Joe? | 1:24:57 | 1:24:59 | |
Peggy, you are heartless. | 1:24:59 | 1:25:02 | |
-Joe? -It didn't mean nothing, sweet pea. I swear. | 1:25:04 | 1:25:08 | |
Is that true, Joe? Is this true? Not you, Joe! Not you! | 1:25:11 | 1:25:16 | |
Stop! Stop fighting! | 1:25:16 | 1:25:19 | |
Just stop tearing each other apart and bringing poison into my home. | 1:25:19 | 1:25:24 | |
-Why did you come here? Because you loved me or because it was an easy way out of London? -Charlie... | 1:25:24 | 1:25:31 | |
I lost a husband and I almost lost you. Does family mean nothing to you? This is just irreplaceable! | 1:25:31 | 1:25:38 | |
STARTS SOBBING | 1:25:48 | 1:25:50 | |
Do you wanna go home? | 1:26:02 | 1:26:05 | |
Yeah, I think I do. Yeah. | 1:26:05 | 1:26:08 | |
I've been earning some money... | 1:26:10 | 1:26:13 | |
Things change. If you go home, you might find that you don't fit in any more. People aren't the same. | 1:26:13 | 1:26:20 | |
-Yeah, well, then I'll just have to start again then, won't I? -How? | 1:26:20 | 1:26:25 | |
-How do you start all over again? -I wish I knew, Charlie. | 1:26:26 | 1:26:31 | |
I'm real sorry, Lil. | 1:26:31 | 1:26:33 | |
Charlie... | 1:26:37 | 1:26:39 | |
I don't blame you. | 1:26:39 | 1:26:41 | |
Even if I wanted to, I couldn't blame you. | 1:26:41 | 1:26:45 | |
We were both so young. | 1:26:46 | 1:26:49 | |
-Both so young. -I feel like I've lived a hundred years since then. | 1:26:50 | 1:26:55 | |
I know. | 1:26:56 | 1:26:58 | |
-Soph, what are you doing here? -Surprise, eh? -Hiya. -Oh! | 1:27:17 | 1:27:22 | |
How are you, love? Are you all right? | 1:27:22 | 1:27:26 | |
Just a bit tired. It's been a long journey. | 1:27:26 | 1:27:29 | |
Hey, cowboy. Hello, Sophie. | 1:27:31 | 1:27:34 | |
Where's your 'orse(?) | 1:27:34 | 1:27:37 | |
SHE SOBS | 1:27:39 | 1:27:42 | |
Soph? What's the matter? | 1:27:43 | 1:27:46 | |
Let's go inside, eh? | 1:27:47 | 1:27:50 | |
Soph? | 1:27:51 | 1:27:53 | |
We need to talk. | 1:27:53 | 1:27:56 | |
Look at me, all a-blub! | 1:27:57 | 1:28:00 | |
Soph, what's going on? | 1:28:00 | 1:28:03 | |
I'm going home, Lil. Back to London. | 1:28:03 | 1:28:06 | |
Why are you going home to London? | 1:28:06 | 1:28:09 | |
Louie's dead. | 1:28:10 | 1:28:13 | |
What do you mean? | 1:28:15 | 1:28:17 | |
No, you said he'd gone back home. You said Louie had gone back home. | 1:28:19 | 1:28:24 | |
I didn't, Lil. | 1:28:24 | 1:28:26 | |
I just... I just couldn't talk about it. | 1:28:26 | 1:28:30 | |
I'm sorry. | 1:28:30 | 1:28:32 | |
Is this true, Soph? | 1:28:32 | 1:28:35 | |
He was captured. | 1:28:35 | 1:28:37 | |
He died in the camp. | 1:28:38 | 1:28:41 | |
No, he didn't! | 1:28:41 | 1:28:44 | |
Oh, Soph, I'm so sorry, love! | 1:28:50 | 1:28:52 | |
Why didn't you tell me? Why didn't I know? Eh? | 1:28:58 | 1:29:02 | |
WIRELESS CRACKLES | 1:29:10 | 1:29:13 | |
'Good afternoon, ladies and gentlemen. | 1:29:13 | 1:29:16 | |
'I'm speaking to you from the downtown area of Edmonton, | 1:29:16 | 1:29:20 | |
'around 103rd with Main. | 1:29:20 | 1:29:23 | |
'Although the Minister of Information has announced | 1:29:23 | 1:29:27 | |
'that Victory Day in Europe will be proclaimed tomorrow, | 1:29:27 | 1:29:31 | |
-'the citizens of Edmonton...' -Oh, Lord! | 1:29:31 | 1:29:35 | |
'..like the citizens of London, Paris, Toronto and all over the world, | 1:29:35 | 1:29:41 | |
'from coast to coast, are celebrating VE Day today. | 1:29:41 | 1:29:45 | |
'If you could possibly see this scene, | 1:29:45 | 1:29:49 | |
'you would see an endless stream of cars going past...' | 1:29:49 | 1:29:54 | |
-Mom! -Ssh. -Mom, come down here! | 1:29:54 | 1:29:57 | |
You won it for us, Charlie. | 1:29:57 | 1:29:59 | |
'Hundreds of people out here are all celebrating this great day...' | 1:29:59 | 1:30:05 | |
-What? What's going on? -'And people are dancing...' | 1:30:05 | 1:30:08 | |
It's over? | 1:30:08 | 1:30:11 | |
Oh, that's wonderful! | 1:30:12 | 1:30:15 | |
At last! | 1:30:15 | 1:30:17 | |
'Almost everyone here in the street has a flag in their hands.' | 1:30:18 | 1:30:22 | |
-Dear God, thank you! How about that then, eh? -'They're having the time of their lives.' | 1:30:22 | 1:30:28 | |
-Have you done it, Charlie? Let's have a butcher's. -Voila! -Charlie! Look at that! | 1:30:28 | 1:30:34 | |
-It's so shiny! -TOILET FLUSHES | 1:30:34 | 1:30:37 | |
LAUGHTER | 1:30:37 | 1:30:40 | |
LAUGHTER AND CHEERING | 1:30:58 | 1:31:00 | |
FIREWORKS EXPLODE | 1:31:10 | 1:31:13 | |
Jeez, would you look at all this? | 1:31:13 | 1:31:16 | |
SHOUTING AND CHEERING CONTINUES | 1:31:35 | 1:31:38 | |
SINGING IN DISTANCE: "Land Of Hope And Glory" | 1:31:39 | 1:31:43 | |
HORN TOOTS | 1:31:52 | 1:31:55 | |
Come on. | 1:32:31 | 1:32:33 | |
# Land of hope and glory | 1:32:34 | 1:32:39 | |
# Mother of the free | 1:32:39 | 1:32:46 | |
# How shall we extol thee | 1:32:46 | 1:32:54 | |
# Who are born of thee? | 1:32:54 | 1:33:01 | |
# Wider still and wider | 1:33:01 | 1:33:08 | |
# Shall thy bounds be set | 1:33:08 | 1:33:15 | |
# God, who made thee mighty | 1:33:15 | 1:33:23 | |
# Make thee mightier yet... # | 1:33:23 | 1:33:30 | |
That's not clean. | 1:33:37 | 1:33:39 | |
-No, no... -Give it back. | 1:33:41 | 1:33:43 | |
Do you think, uh... | 1:33:49 | 1:33:52 | |
Do you think there's somethin'... special about me? | 1:33:54 | 1:33:58 | |
I mean, uh... | 1:34:00 | 1:34:03 | |
You know, the way I think there's somethin' special about you? | 1:34:03 | 1:34:07 | |
Yeah. | 1:34:07 | 1:34:09 | |
I mean... Yes. | 1:34:09 | 1:34:12 | |
Cos, uh... | 1:34:13 | 1:34:15 | |
I think... I think we get along real good. | 1:34:15 | 1:34:19 | |
Hello, love. | 1:34:36 | 1:34:38 | |
I think it's... It's about time I showed you this. | 1:34:59 | 1:35:03 | |
What is it? | 1:35:04 | 1:35:06 | |
It's a journal I kept in the war. | 1:35:06 | 1:35:09 | |
I think it'll help. | 1:35:20 | 1:35:22 | |
I'd never even been to Calgary. | 1:35:41 | 1:35:43 | |
Lily, um... | 1:35:53 | 1:35:55 | |
I've never been a religious man. | 1:35:55 | 1:35:58 | |
But now I pray for forgiveness. | 1:35:59 | 1:36:01 | |
I'm so tired. | 1:36:09 | 1:36:12 | |
I'm so sorry, Lil. | 1:36:15 | 1:36:17 | |
I'm so sorry. | 1:36:17 | 1:36:20 | |
Oh, my darling! | 1:36:27 | 1:36:30 | |
Come here, love. | 1:36:30 | 1:36:32 | |
HE SOBS | 1:36:34 | 1:36:36 | |
My sweet, sweet darling. | 1:36:39 | 1:36:42 | |
-SOBS UNCONTROLLABLY -It's all right. | 1:36:43 | 1:36:46 | |
Darling, I'm so sorry. | 1:36:46 | 1:36:49 | |
I was so alone. | 1:36:50 | 1:36:52 | |
-We're going up here. -I'm not going up there! -Yes, you're going up there! | 1:37:37 | 1:37:42 | |
-Get lost! -Get up there! -Oh, no, it's slippy! | 1:37:42 | 1:37:46 | |
Be careful if I fall! | 1:37:47 | 1:37:50 | |
SHE LAUGHS | 1:38:02 | 1:38:04 | |
Show us your name. | 1:38:07 | 1:38:10 | |
I'm not gonna drop you. I promise you. | 1:39:31 | 1:39:35 | |
# Give me a kiss to build a dream on | 1:39:42 | 1:39:46 | |
# And my imagination will thrive upon that kiss | 1:39:46 | 1:39:51 | |
# Hmm, sweetheart, I ask no more than this | 1:39:51 | 1:39:56 | |
# A kiss to build a dream on | 1:39:56 | 1:39:59 | |
# Give me a kiss before you leave me | 1:40:03 | 1:40:07 | |
# And my imagination will feed my hungry heart | 1:40:07 | 1:40:12 | |
# Leave me one thing before we part | 1:40:13 | 1:40:17 | |
# A kiss to build a dream on | 1:40:17 | 1:40:20 | |
# When I'm alone with my fancies | 1:40:22 | 1:40:29 | |
# I'll be with you | 1:40:30 | 1:40:33 | |
# Weaving romances | 1:40:35 | 1:40:39 | |
# Making believe they're true | 1:40:40 | 1:40:43 | |
# Hmm, give me what you alone can give | 1:40:43 | 1:40:48 | |
# A kiss to build a dream on... # | 1:40:48 | 1:40:52 |