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This film contains strong language | 0:00:04 | 0:00:06 | |
CONTINUOUS BEEPING | 0:00:06 | 0:00:09 | |
He can probably still hear us. | 0:00:16 | 0:00:17 | |
Can you hear me, Dad? | 0:00:37 | 0:00:39 | |
Can you hear? | 0:00:41 | 0:00:42 | |
Me and Miranda are here, Dad. | 0:00:42 | 0:00:45 | |
'My name is Morgan Matthews. | 0:01:17 | 0:01:19 | |
'I'm a film-maker. | 0:01:19 | 0:01:20 | |
'This is me in 2005, driving to see my dad, | 0:01:20 | 0:01:24 | |
'who I hadn't seen in over a year. | 0:01:24 | 0:01:26 | |
'Dad wasn't very good at keeping in touch, | 0:01:27 | 0:01:29 | |
'and perhaps like many fathers and sons, | 0:01:29 | 0:01:32 | |
'we didn't always communicate very well. | 0:01:32 | 0:01:34 | |
'I decided to go and meet him with my camera, | 0:01:40 | 0:01:42 | |
'in the hope of reconnecting.' | 0:01:42 | 0:01:43 | |
How are you doing? Not bad. | 0:01:45 | 0:01:47 | |
The old car made it? | 0:01:47 | 0:01:48 | |
Uh-huh. It's done well. | 0:01:48 | 0:01:49 | |
Better come in for a beer, I think. | 0:01:52 | 0:01:55 | |
Probably need one. How are you doing? | 0:01:55 | 0:01:57 | |
All right. It's great to see you. I've missed you. | 0:01:57 | 0:02:00 | |
'I didn't know it at the time, | 0:02:00 | 0:02:02 | |
'but filming with Dad would become a way of maintaining a relationship | 0:02:02 | 0:02:05 | |
'between us, and I would spend the next ten years recording through the | 0:02:05 | 0:02:09 | |
'trials and tribulations of his life and death.' | 0:02:09 | 0:02:13 | |
Come and get yourself a beer. | 0:02:15 | 0:02:17 | |
Following you around with a camera. | 0:02:29 | 0:02:31 | |
Do you mind? Not at all. | 0:02:31 | 0:02:33 | |
A bit odd, isn't it? No, it's all right. | 0:02:33 | 0:02:36 | |
That's a pigeon. | 0:02:37 | 0:02:38 | |
One of the doves that was attacked by a sparrowhawk. | 0:02:38 | 0:02:42 | |
He can't fly. | 0:02:42 | 0:02:44 | |
Anyway, he's perfectly happy in there and he's very fond of his dad. | 0:02:44 | 0:02:49 | |
You're the big pigeon, aren't you, eh? | 0:02:50 | 0:02:54 | |
Go on, stretch your wings. | 0:02:54 | 0:02:55 | |
There you go. Oh, he's talking. PIGEON COOS | 0:02:55 | 0:02:58 | |
'Whilst Dad seemed to be caring for increasing numbers of animals, | 0:03:00 | 0:03:03 | |
'he had become distant from all six of his children.' | 0:03:03 | 0:03:06 | |
Right, my big dog, what are you doing? | 0:03:07 | 0:03:10 | |
What are you doing, big dog? | 0:03:10 | 0:03:12 | |
There's a lot of stuff, isn't there? | 0:03:12 | 0:03:14 | |
Yeah, it will be a nightmare, won't it, packing it and moving it? | 0:03:14 | 0:03:17 | |
You want to see the attic. | 0:03:17 | 0:03:19 | |
I haven't started on that yet. | 0:03:19 | 0:03:21 | |
So, I've done all the books and everything, and... | 0:03:24 | 0:03:28 | |
put the computer back in here where it should be. | 0:03:28 | 0:03:31 | |
But...you know, I've been working quite hard, really, | 0:03:31 | 0:03:36 | |
trying to get the place together. | 0:03:36 | 0:03:39 | |
So you can sell it? Oh, yeah, purely to sell it. | 0:03:39 | 0:03:43 | |
'In the previous years, | 0:03:46 | 0:03:48 | |
'Dad had got into severe financial trouble and had recently lost his | 0:03:48 | 0:03:52 | |
'part-time job at the local university. | 0:03:52 | 0:03:54 | |
'He was now being forced to sell the house that belonged to his partner, | 0:03:56 | 0:04:00 | |
'my stepmother, Anna.' | 0:04:00 | 0:04:02 | |
Should really clean the floor, | 0:04:05 | 0:04:07 | |
but that's about as good as it gets in the time we've got. | 0:04:07 | 0:04:11 | |
It's a bit of a panic, isn't it? | 0:04:13 | 0:04:15 | |
Well, we've... This is, I think the eighth or ninth visit | 0:04:15 | 0:04:19 | |
and, of course, you have to go round and... | 0:04:19 | 0:04:22 | |
clean the place up as best you can for every visit. | 0:04:22 | 0:04:26 | |
DOORBELL RINGS | 0:04:26 | 0:04:27 | |
Come in, please. | 0:04:31 | 0:04:32 | |
And welcome. So, downstairs cloakroom. | 0:04:32 | 0:04:37 | |
Yes. A pretty good-sized cupboard under there with a lamp in it. | 0:04:37 | 0:04:42 | |
This is where it all goes pear-shaped, | 0:04:42 | 0:04:44 | |
because the window cleaners were in a week ago. Uh-huh. | 0:04:44 | 0:04:49 | |
Cleaned the windows on the flat roof | 0:04:49 | 0:04:52 | |
and you know the first rain we had yesterday? Yeah. | 0:04:52 | 0:04:55 | |
They've trod on it. We've got a leak, so... | 0:04:55 | 0:04:59 | |
If you are... There's no point in disguising it. | 0:04:59 | 0:05:02 | |
You know, it's a bloody leak. | 0:05:02 | 0:05:05 | |
We'll go to the disaster area first. | 0:05:05 | 0:05:07 | |
Right. The estate agent said, "In need of some attention," | 0:05:07 | 0:05:12 | |
so this is where it's in need of some attention. | 0:05:12 | 0:05:15 | |
This is a beautiful room. | 0:05:16 | 0:05:18 | |
It's a sad story. | 0:05:18 | 0:05:19 | |
Anna's stepson had a problem... | 0:05:19 | 0:05:23 | |
a couple of years back and actually threatened to kill Anna, | 0:05:23 | 0:05:26 | |
but in the process of having his problem, | 0:05:26 | 0:05:29 | |
he smashed this door. Oh, right. | 0:05:29 | 0:05:32 | |
And he also, with a hammer, smashed the washbasin and the bath. | 0:05:32 | 0:05:39 | |
Look where you walk, because we have three dogs and... | 0:05:39 | 0:05:44 | |
I need not say any more. | 0:05:44 | 0:05:47 | |
There's no broadband here as yet. | 0:05:47 | 0:05:50 | |
How do you think that went? | 0:05:50 | 0:05:53 | |
As well as can be expected. | 0:05:53 | 0:05:55 | |
I don't know if it's the best idea to draw attention to... | 0:05:56 | 0:06:01 | |
the bad things like | 0:06:01 | 0:06:03 | |
Philip smashing up the room and things like that. | 0:06:03 | 0:06:05 | |
Well, it's there and you can see it, | 0:06:05 | 0:06:08 | |
so I mean it probably needs an explanation. | 0:06:08 | 0:06:12 | |
ALL SHOUT | 0:06:16 | 0:06:19 | |
After inheriting her family home without a mortgage, | 0:06:23 | 0:06:27 | |
my stepmother, Anna, had never had a conventional job. | 0:06:27 | 0:06:30 | |
Now she faced losing everything. | 0:06:31 | 0:06:33 | |
The cards seem to have quite an uncanny relevance | 0:06:38 | 0:06:42 | |
to our circumstances as they have been and are at present. | 0:06:42 | 0:06:46 | |
And that card very much represents anger, and quite a lot of it. | 0:06:48 | 0:06:54 | |
It says that something has caused me enormous emotional... | 0:06:55 | 0:07:00 | |
A deep emotional torment and upset and depression, if you like. | 0:07:00 | 0:07:05 | |
And loss, a sense of loss and, I feel, a serious amount of anger. | 0:07:05 | 0:07:11 | |
And I feel as if my world is in suspension. | 0:07:11 | 0:07:16 | |
There's a crisis coming. | 0:07:16 | 0:07:17 | |
And then some beer. | 0:07:26 | 0:07:27 | |
In terms of what you've got coming in, Dad, moneywise, | 0:07:32 | 0:07:35 | |
how are you getting by? | 0:07:35 | 0:07:37 | |
Now that the... | 0:07:37 | 0:07:40 | |
university job sort of ended a bit suddenly, | 0:07:40 | 0:07:44 | |
there is nothing coming in. | 0:07:44 | 0:07:45 | |
There is no income at all. | 0:07:46 | 0:07:48 | |
The mortgage should go out at about 3,000. | 0:07:49 | 0:07:53 | |
There are various standing orders which I think... | 0:07:53 | 0:07:56 | |
amount to just about 1,000 a month. | 0:07:56 | 0:08:00 | |
And there's sort of a day-to-day living and eating | 0:08:00 | 0:08:04 | |
and feeding the animals, | 0:08:04 | 0:08:05 | |
which is, at a minimum, probably 1,000 a month. | 0:08:05 | 0:08:10 | |
So, I've got to clear ?5,000 every month to stay in and live in the | 0:08:10 | 0:08:17 | |
house we're living in. | 0:08:17 | 0:08:18 | |
I know we're a bit stupid. | 0:08:21 | 0:08:22 | |
We probably spend at least as much money feeding the dogs and cats | 0:08:22 | 0:08:27 | |
as we do on feeding ourselves. | 0:08:27 | 0:08:29 | |
Spot of choccy? | 0:08:32 | 0:08:33 | |
I offered her some Cadbury's or something like that once. | 0:08:35 | 0:08:38 | |
She sniffed it very delicately and said... | 0:08:38 | 0:08:42 | |
"You don't expect me to eat that? | 0:08:42 | 0:08:45 | |
"It's cheap and nasty." | 0:08:45 | 0:08:48 | |
So, we get Tesco's Finest | 0:08:48 | 0:08:51 | |
with little bits of orange flavouring in it. | 0:08:51 | 0:08:53 | |
And I mustn't give them too much more, | 0:08:53 | 0:08:55 | |
otherwise he'll vomit or something. | 0:08:55 | 0:08:57 | |
They've got expensive tastes, the dogs? | 0:08:57 | 0:08:58 | |
They have expensive tastes, the dogs. | 0:08:58 | 0:09:01 | |
We're going bunny fucking. | 0:09:06 | 0:09:08 | |
What does that mean? | 0:09:08 | 0:09:09 | |
It means chasing bunnies and trying to fuck them. | 0:09:09 | 0:09:11 | |
As in, polish them off. | 0:09:11 | 0:09:14 | |
But we don't often get that lucky, but we sometimes do. | 0:09:14 | 0:09:17 | |
You've always lived round here, Anna? | 0:09:20 | 0:09:22 | |
Yes. And I've always had connections and roots here. | 0:09:22 | 0:09:27 | |
I discovered that the direct line goes back to an entry, | 0:09:27 | 0:09:31 | |
I think, in 1535 in Parish Records. | 0:09:31 | 0:09:36 | |
Gilliamus and Benjaminus Kelsey. | 0:09:36 | 0:09:39 | |
I think we grew barley and went into brewing, | 0:09:39 | 0:09:44 | |
and gradually, sort of, moved over to Birmingham and... | 0:09:44 | 0:09:49 | |
had the brewery there, and it sort of slowly grew. | 0:09:49 | 0:09:52 | |
It's somewhere I wouldn't want to say goodbye to, really. | 0:09:54 | 0:09:57 | |
I know it sounds stupid, | 0:09:58 | 0:10:00 | |
but I should like to be buried here somewhere. | 0:10:00 | 0:10:03 | |
I should like to become a part of something... | 0:10:04 | 0:10:09 | |
that I... | 0:10:09 | 0:10:10 | |
..am already a part of. | 0:10:12 | 0:10:14 | |
Stupid. | 0:10:14 | 0:10:16 | |
Oh, dear. Anyway... | 0:10:16 | 0:10:17 | |
Collecting dust for a while. | 0:10:20 | 0:10:23 | |
Whilst Anna's family had owned a brewery, | 0:10:23 | 0:10:26 | |
Dad had been adopted into a family of farm labourers | 0:10:26 | 0:10:29 | |
who picked hops for a living. | 0:10:29 | 0:10:31 | |
But he was a bright boy and won a place at grammar school, | 0:10:31 | 0:10:34 | |
then went on to study car design at the Royal College of Art. | 0:10:34 | 0:10:38 | |
That's about 1972. | 0:10:46 | 0:10:49 | |
It was called the Talbot Alpine. | 0:10:49 | 0:10:51 | |
After leaving the Royal College, | 0:10:57 | 0:10:59 | |
Dad embarked on a career as a hotshot young car designer. | 0:10:59 | 0:11:02 | |
He came up with the concept for the first people carrier, | 0:11:04 | 0:11:07 | |
the Renault Espace. | 0:11:07 | 0:11:09 | |
My original drawings for the Espace. | 0:11:09 | 0:11:12 | |
And then landed the top design job at Citroen in France. | 0:11:13 | 0:11:16 | |
I actually inherited a department of | 0:11:18 | 0:11:22 | |
64 Frenchmen, that was my department, | 0:11:22 | 0:11:26 | |
and every single one of them was older than I was. | 0:11:26 | 0:11:30 | |
And I wasn't the most popular person in the world...for them. | 0:11:30 | 0:11:37 | |
You know, some... | 0:11:37 | 0:11:40 | |
young, long-haired Englishmen telling them what to do. | 0:11:40 | 0:11:43 | |
It didn't go down very well at all, I'm afraid. | 0:11:43 | 0:11:46 | |
After parting company with Citroen, | 0:11:51 | 0:11:53 | |
Dad set up his own vehicle design business. | 0:11:53 | 0:11:55 | |
When we were running Geoff Matthews Design, | 0:11:57 | 0:12:00 | |
we made a very good living building cars for Bentley, | 0:12:00 | 0:12:04 | |
for the Sultan of Brunei. | 0:12:04 | 0:12:06 | |
The best year, I think we turned over ?3.4 million. | 0:12:06 | 0:12:12 | |
We went down from, like, 3.4 million a year turnover | 0:12:14 | 0:12:18 | |
to something like less than a million a year, | 0:12:18 | 0:12:23 | |
just at the point that we'd invested in... | 0:12:23 | 0:12:29 | |
10,000 square feet of commercial property. | 0:12:29 | 0:12:32 | |
The biggest tragedy, of course, is that when Anna met me, | 0:12:35 | 0:12:38 | |
there was no mortgage on the house. | 0:12:38 | 0:12:40 | |
And she allowed it to be successively remortgaged | 0:12:43 | 0:12:48 | |
to try and keep the company alive but, of course, as you know, | 0:12:48 | 0:12:52 | |
the money was poured into the company | 0:12:52 | 0:12:54 | |
and effectively down the drain. | 0:12:54 | 0:12:57 | |
Eventually, Dad lost his business and was left with the responsibility | 0:12:59 | 0:13:03 | |
of a huge mortgage on Anna's house that he couldn't pay. | 0:13:03 | 0:13:06 | |
It's the end of the road, really. | 0:13:08 | 0:13:10 | |
I could be stacking shelves at Sainsbury's, you know? | 0:13:10 | 0:13:14 | |
I mean, that's the truth. | 0:13:14 | 0:13:16 | |
That's the way it's going to go, I think. | 0:13:16 | 0:13:18 | |
That's a bit big, isn't it? | 0:13:25 | 0:13:26 | |
It falls out between your teeth if it's too big. | 0:13:26 | 0:13:28 | |
Times have been very difficult recently, haven't they, financially? | 0:13:31 | 0:13:34 | |
Oh, yes, frightful. | 0:13:34 | 0:13:36 | |
What's it been like? Hm? What's it been like? | 0:13:36 | 0:13:39 | |
Grizzly. | 0:13:42 | 0:13:43 | |
I suppose it's the worrying and stuff, but... | 0:13:46 | 0:13:50 | |
I mean, as long as I've got a fag and a spot of vodka... | 0:13:50 | 0:13:54 | |
I can survive. | 0:13:54 | 0:13:56 | |
You know, I can live in my head. | 0:13:56 | 0:13:58 | |
But how do you feel about the prospect of losing the house? | 0:14:01 | 0:14:04 | |
Well, it's not a prospect, it's a certainty. | 0:14:04 | 0:14:07 | |
I don't want to say anything cruel about your father, | 0:14:09 | 0:14:11 | |
apart from the odd comment that he can't hold his drink, | 0:14:11 | 0:14:15 | |
because I... | 0:14:15 | 0:14:16 | |
I'm genuinely very deeply fond of him. | 0:14:19 | 0:14:21 | |
He's basically a good man. | 0:14:22 | 0:14:24 | |
I had one of the best careers in the motor industry. | 0:14:28 | 0:14:33 | |
I was the high-flyer, | 0:14:34 | 0:14:36 | |
I was in the top two people at the age of 35, | 0:14:36 | 0:14:42 | |
and all I needed to do, I had to butter up to people. | 0:14:42 | 0:14:47 | |
Butter up to people who were, on paper, my bosses, | 0:14:48 | 0:14:53 | |
who were intellectually shallow, stupid and ignorant. | 0:14:53 | 0:14:59 | |
But if I could only have said, "Yes, sir. No, sir. Three bags full, sir," | 0:14:59 | 0:15:05 | |
I could have retired | 0:15:05 | 0:15:07 | |
four years ago at the age of 55 | 0:15:07 | 0:15:12 | |
on two thirds of a golden salary. | 0:15:12 | 0:15:15 | |
And I can't do that. | 0:15:17 | 0:15:19 | |
I couldn't do it. | 0:15:19 | 0:15:21 | |
You know, where would I get my self-respect | 0:15:21 | 0:15:24 | |
and my self-esteem from? | 0:15:24 | 0:15:27 | |
Which is probably the only thing that carries me through | 0:15:28 | 0:15:31 | |
my effective bankruptcy. | 0:15:31 | 0:15:34 | |
I thought there were two bottles of vodka that Geoff... | 0:15:44 | 0:15:46 | |
Well, you very kindly appear to have got. | 0:15:46 | 0:15:49 | |
Am I right or wrong? Were there two bottles like that? | 0:15:49 | 0:15:52 | |
There were. | 0:15:52 | 0:15:53 | |
One... | 0:15:53 | 0:15:54 | |
..was started last night and... | 0:15:57 | 0:15:58 | |
..the other one seems to have disappeared. | 0:16:00 | 0:16:02 | |
It doesn't really matter, but I just wondered what had happened to it, | 0:16:02 | 0:16:05 | |
because nobody seems to be sort of... | 0:16:05 | 0:16:09 | |
Unless your dad took it upstairs with him, which is always possible, | 0:16:09 | 0:16:11 | |
I suppose. I think if you go upstairs, you'll find it. | 0:16:11 | 0:16:15 | |
That's probably... Probably what has happened to it. | 0:16:15 | 0:16:17 | |
Yes, yes, you're right. | 0:16:17 | 0:16:19 | |
I think I can actually tell because of the way he's moving about. | 0:16:19 | 0:16:23 | |
Oh, dear, Morgan. | 0:16:25 | 0:16:28 | |
Dear Morgan. | 0:16:29 | 0:16:31 | |
I wish we'd have been closer. | 0:16:32 | 0:16:35 | |
I love you. | 0:16:37 | 0:16:39 | |
Don't be upset. | 0:16:39 | 0:16:41 | |
You're the best boy. | 0:16:41 | 0:16:43 | |
Oh, dear. | 0:16:45 | 0:16:47 | |
I wish I could have talked to you... | 0:16:48 | 0:16:53 | |
in many ways. | 0:16:53 | 0:16:54 | |
You could have given me a call. | 0:16:54 | 0:16:56 | |
Well, I try and... HE MUMBLES | 0:16:56 | 0:16:59 | |
But... | 0:16:59 | 0:17:01 | |
..love you. | 0:17:03 | 0:17:05 | |
I think you're amazing. | 0:17:06 | 0:17:08 | |
And I don't need to do anything. | 0:17:10 | 0:17:12 | |
You know, you've done everything you've... | 0:17:12 | 0:17:16 | |
Well...I did have... | 0:17:16 | 0:17:18 | |
You know, you helped me out. | 0:17:18 | 0:17:20 | |
No, I haven't. You helped me out when I was a student. | 0:17:20 | 0:17:22 | |
You did. No, I didn't. | 0:17:22 | 0:17:24 | |
Are you all right, Dad? | 0:17:26 | 0:17:27 | |
No, I'm not all right. | 0:17:29 | 0:17:33 | |
I know, but... | 0:17:33 | 0:17:34 | |
You know, this is fucking painful. | 0:17:34 | 0:17:38 | |
I do hope he hasn't drunk it all. | 0:17:42 | 0:17:44 | |
Oh, please, God, don't let him have drunk at all. | 0:17:44 | 0:17:47 | |
Dear Christ. | 0:17:47 | 0:17:48 | |
Does it bother you, though, now? | 0:17:49 | 0:17:51 | |
What, him getting arse-holed? Yeah. | 0:17:51 | 0:17:54 | |
It depends what he says when he is. | 0:17:54 | 0:17:56 | |
Yes, it does bother me because A, | 0:17:57 | 0:17:59 | |
I think it's incredibly bad for him because it frightens me the amount | 0:17:59 | 0:18:02 | |
that he drinks, and he gets offensive. | 0:18:02 | 0:18:04 | |
Not a little bit offensive, or ever so slightly, kind of... | 0:18:04 | 0:18:08 | |
I mean offensive. Big time. | 0:18:08 | 0:18:10 | |
Awful, really. | 0:18:13 | 0:18:14 | |
I mean, your dad, fortunately, doesn't... | 0:18:16 | 0:18:19 | |
do that quite so often now, thank Christ. | 0:18:19 | 0:18:23 | |
He does do it sometimes, which is... Do what? | 0:18:23 | 0:18:26 | |
You've seen him do it. | 0:18:28 | 0:18:30 | |
You know what I'm talking about. | 0:18:30 | 0:18:32 | |
A few drinks... | 0:18:32 | 0:18:35 | |
and then he throws a funny. | 0:18:35 | 0:18:37 | |
Dad would drink every night and his behaviour when he was drunk | 0:18:39 | 0:18:43 | |
was one of the main reasons | 0:18:43 | 0:18:45 | |
I'd stopped having so much contact with him. | 0:18:45 | 0:18:47 | |
He came very close to me ending it several times and I'd be talking to | 0:18:48 | 0:18:53 | |
somebody and we'd have friends round or something, | 0:18:53 | 0:18:56 | |
and then he'd start another drink, and then he'd suddenly turn on his | 0:18:56 | 0:19:01 | |
heel, he'd come up to me and he says, "You fucking bitch! | 0:19:01 | 0:19:05 | |
"You stupid piece of shit!" | 0:19:05 | 0:19:07 | |
It was all madness. | 0:19:08 | 0:19:10 | |
Bearing in mind the number of viewings we've had, | 0:19:22 | 0:19:25 | |
the number of times we've advertised, | 0:19:25 | 0:19:27 | |
I'm slightly disappointed by the number of people | 0:19:27 | 0:19:29 | |
who've actually been to look. | 0:19:29 | 0:19:31 | |
Having had an offer at 620... Yes. | 0:19:31 | 0:19:34 | |
..against a guide price of 695... Yes. | 0:19:34 | 0:19:37 | |
..it may be that we can go back and split the difference | 0:19:37 | 0:19:41 | |
between her initial offer and the guide price | 0:19:41 | 0:19:44 | |
and our initial expectations. | 0:19:44 | 0:19:47 | |
What we get out of this place | 0:19:47 | 0:19:49 | |
is what we're left with to buy something else | 0:19:49 | 0:19:53 | |
and you're fully aware that with the size of mortgage we've got, | 0:19:53 | 0:19:58 | |
that, say we get 200,000, | 0:19:58 | 0:20:00 | |
you know you can't get much for 200,000, | 0:20:00 | 0:20:03 | |
but we still have to consider our future as, | 0:20:03 | 0:20:06 | |
you know, in terms of the money... | 0:20:06 | 0:20:08 | |
At the end of the day, you've got one chance to sell it. Yes. | 0:20:08 | 0:20:11 | |
And so you've got to make sure that you sell it | 0:20:11 | 0:20:13 | |
for the very best possible price. Yes. | 0:20:13 | 0:20:15 | |
I'm afraid what you need... | 0:20:15 | 0:20:17 | |
Yes. ..doesn't actually enter into... | 0:20:17 | 0:20:19 | |
Her equation. ..her equation. | 0:20:19 | 0:20:20 | |
No, no, I quite understand. | 0:20:20 | 0:20:23 | |
Oh, wow! | 0:20:26 | 0:20:27 | |
So, what's that saying? Saying yes. | 0:20:41 | 0:20:43 | |
It's what it is. What is it? | 0:20:44 | 0:20:47 | |
What it is, it says it is. | 0:20:47 | 0:20:49 | |
See, look, it's saying, "That's what it is," it says. | 0:20:49 | 0:20:51 | |
What is it? Well, it's a little mushroom and as a little mushroom... | 0:20:51 | 0:20:57 | |
Have you ever eaten these, Anna? | 0:20:57 | 0:20:58 | |
Well, occasionally. | 0:20:58 | 0:21:02 | |
But not often. | 0:21:02 | 0:21:05 | |
Are they hallucinogenic? | 0:21:05 | 0:21:06 | |
I don't know. Otherwise known as magic mushrooms. | 0:21:07 | 0:21:11 | |
You can call them... | 0:21:11 | 0:21:13 | |
You can't get much magic out of anything these days. | 0:21:13 | 0:21:15 | |
Oh, fuck, I've run out of drink. | 0:21:17 | 0:21:20 | |
I'm just trying to... | 0:21:20 | 0:21:22 | |
It's nice to see you two in the same room together. | 0:21:22 | 0:21:25 | |
It's, you know... We often are. | 0:21:25 | 0:21:27 | |
Yeah, we are, believe it or not. | 0:21:27 | 0:21:29 | |
But we do try and avoid each other mostly. | 0:21:29 | 0:21:32 | |
So, there you have it from the arse's mouth, as it were. | 0:21:35 | 0:21:37 | |
GEOFF LAUGHS THEN COUGHS | 0:21:37 | 0:21:40 | |
That's the main reason for this circular architecture, because you | 0:21:40 | 0:21:44 | |
can actually be in one room and someone says, "Where are you?" | 0:21:44 | 0:21:49 | |
And you say, "Here," and you keep hopping round this circle. | 0:21:49 | 0:21:52 | |
Well, I mean, the "Here," as far as I'm concerned, | 0:21:52 | 0:21:54 | |
you might just as well not bother to answer. | 0:21:54 | 0:21:56 | |
You can avoid each other for years, you know? | 0:21:56 | 0:21:59 | |
Is that true? Is that really what you think? | 0:21:59 | 0:22:02 | |
No. We're not like that. | 0:22:02 | 0:22:04 | |
I only avoid him when he's drunk. And that's true. | 0:22:04 | 0:22:07 | |
Sometimes you seem... | 0:22:11 | 0:22:13 | |
..you know, quite separate sometimes. | 0:22:14 | 0:22:16 | |
We are, in many ways. | 0:22:16 | 0:22:18 | |
But that's... It's probably my fault. | 0:22:18 | 0:22:22 | |
I tend to... When I'm depressed or miserable or whatever, | 0:22:22 | 0:22:26 | |
I tend to go into myself, I tend to... | 0:22:26 | 0:22:29 | |
I don't communicate with people, | 0:22:29 | 0:22:32 | |
because I work on the theory that what's the point of, you know, | 0:22:32 | 0:22:37 | |
burdening other people with your miseries? | 0:22:37 | 0:22:39 | |
There's nothing they can do about it and you don't really want to hear | 0:22:39 | 0:22:43 | |
their solutions, because they don't actually mean anything and they are, | 0:22:43 | 0:22:47 | |
you know, just... | 0:22:47 | 0:22:50 | |
somebody making a noise just to make you feel better, which it doesn't. | 0:22:50 | 0:22:53 | |
So I tend to keep it to myself. | 0:22:53 | 0:22:58 | |
They've got so big, these, that they've actually split, | 0:23:02 | 0:23:05 | |
some of them have split their skins. | 0:23:05 | 0:23:08 | |
I suppose landing on the floor with a large splat doesn't help. | 0:23:09 | 0:23:12 | |
I'd always been fascinated by Anna and first filmed with her when I was | 0:23:17 | 0:23:20 | |
a student in the mid-90s, shortly after she got together with Dad. | 0:23:20 | 0:23:25 | |
They met in the local pub | 0:23:25 | 0:23:27 | |
and lived quite extravagantly when things were good. | 0:23:27 | 0:23:30 | |
I'd never met anyone like Anna before | 0:23:30 | 0:23:33 | |
and was intrigued by her complex family background. | 0:23:33 | 0:23:35 | |
They say families can be full of surprises | 0:23:37 | 0:23:40 | |
and I suppose mine's no exception. | 0:23:40 | 0:23:42 | |
In the sense that the man I understood from childhood | 0:23:43 | 0:23:48 | |
who was my father | 0:23:48 | 0:23:51 | |
turns out that he was my grandfather. | 0:23:51 | 0:23:53 | |
The person... | 0:23:56 | 0:23:58 | |
I was led to believe was my biological mother was in fact | 0:23:58 | 0:24:03 | |
no blood relation whatsoever, and I refer to her as Violet Emma. | 0:24:03 | 0:24:08 | |
This is the woman who is meant to be my mother, | 0:24:08 | 0:24:13 | |
the woman I was told was my mother. | 0:24:13 | 0:24:15 | |
She's holding a baby, which I... | 0:24:16 | 0:24:19 | |
I'm pretty sure it's me. | 0:24:19 | 0:24:20 | |
And I hold this over her... | 0:24:22 | 0:24:25 | |
and it's saying no. | 0:24:25 | 0:24:27 | |
For many months after her death, you know, she haunted the place. | 0:24:32 | 0:24:36 | |
I'm not joking. | 0:24:36 | 0:24:37 | |
I decided to exorcise it. | 0:24:44 | 0:24:46 | |
I've never done an exorcism before. | 0:24:46 | 0:24:48 | |
And I'll tell you what, it's very strange. | 0:24:48 | 0:24:51 | |
It worked. It never came back. | 0:24:51 | 0:24:54 | |
It wasn't a good relationship then? | 0:24:54 | 0:24:57 | |
No, it wasn't a good relationship. | 0:24:57 | 0:24:58 | |
I mean, she never liked me from... Well, she never liked me. | 0:24:58 | 0:25:01 | |
In fact, she hated me. | 0:25:04 | 0:25:05 | |
Fortunately, I had a nanny and all that type of thing, so I wasn't | 0:25:06 | 0:25:12 | |
much or often at her mercy. | 0:25:12 | 0:25:14 | |
But there were times when there was days off and things like that. | 0:25:14 | 0:25:17 | |
So she would... | 0:25:17 | 0:25:20 | |
attack me on those occasions. | 0:25:20 | 0:25:22 | |
Hair pulling, biting. Stuff like that. | 0:25:26 | 0:25:30 | |
And name-calling. | 0:25:32 | 0:25:33 | |
Anyway, now I want to clean my teeth and I prefer to do that in private. | 0:25:35 | 0:25:39 | |
I suppose on paper, you know, your family were relatively wealthy. | 0:25:47 | 0:25:51 | |
I suppose. | 0:25:51 | 0:25:52 | |
I mean, they weren't, you know, the Guinnesses, but they were OK. | 0:25:52 | 0:25:56 | |
Whereas Dad's family were farm labourers, weren't they? | 0:25:56 | 0:26:00 | |
Yeah, but your dad's family weren't. | 0:26:00 | 0:26:01 | |
They were his adoptive parents and that's where it gets interesting. | 0:26:01 | 0:26:05 | |
Whilst Dad and Anna had come from very different backgrounds, | 0:26:07 | 0:26:11 | |
they had in common the fact that neither of them | 0:26:11 | 0:26:13 | |
knew who their parents were. | 0:26:13 | 0:26:15 | |
He was like... | 0:26:18 | 0:26:20 | |
the signet in the duck's nest. | 0:26:20 | 0:26:22 | |
He was incredibly bright and when he went to school, | 0:26:25 | 0:26:28 | |
they thought, "He's only a piss-poor labourer's son." | 0:26:28 | 0:26:31 | |
And that is not diminishing Geoff's adopted father, | 0:26:31 | 0:26:34 | |
who was absolutely sterling. | 0:26:34 | 0:26:36 | |
Your father was something and he is something. | 0:26:37 | 0:26:41 | |
He's very, very bright. | 0:26:41 | 0:26:43 | |
And it was as if he knew he was something else. | 0:26:43 | 0:26:46 | |
DOG SNORES | 0:26:51 | 0:26:53 | |
Hm? Can you just give the dog a nudge? | 0:26:56 | 0:26:59 | |
Just leave the fucking dog snoring. | 0:26:59 | 0:27:03 | |
It's a dog, the only thing he does is fucking snore. | 0:27:03 | 0:27:09 | |
Leave him snoring. | 0:27:09 | 0:27:11 | |
You know, don't wind him out, he's part of the family. | 0:27:11 | 0:27:16 | |
All right. Whatever it is. | 0:27:16 | 0:27:18 | |
Whatever the family is. | 0:27:18 | 0:27:21 | |
What is the family? | 0:27:21 | 0:27:22 | |
The family is... | 0:27:23 | 0:27:25 | |
..I think... | 0:27:27 | 0:27:28 | |
The people who like me | 0:27:34 | 0:27:37 | |
are my family. | 0:27:37 | 0:27:39 | |
Of Dad's six children, | 0:27:41 | 0:27:43 | |
my sister and I were from his first marriage to our mother, | 0:27:43 | 0:27:46 | |
whilst our three half-brothers and half-sister | 0:27:46 | 0:27:49 | |
came from a second marriage, before he met Anna. | 0:27:49 | 0:27:53 | |
Over the years, he'd become estranged from us all. | 0:27:53 | 0:27:57 | |
Morgan, Miranda. | 0:27:57 | 0:28:01 | |
Maximilian, Mark Andrew, | 0:28:02 | 0:28:06 | |
Mitchell and Michelle. | 0:28:06 | 0:28:10 | |
And they think... | 0:28:10 | 0:28:12 | |
..the old man's a... | 0:28:14 | 0:28:17 | |
You know, may be a piece of shit... | 0:28:17 | 0:28:21 | |
but I love those kids. | 0:28:21 | 0:28:24 | |
It was Mitchell's birthday yesterday. | 0:28:24 | 0:28:26 | |
He was 16. | 0:28:26 | 0:28:28 | |
Yeah, I made a terrible mistake, I forgot about it. | 0:28:28 | 0:28:32 | |
I haven't got it in my head. | 0:28:33 | 0:28:36 | |
I tried to maintain a contact with the children, | 0:28:38 | 0:28:44 | |
but the phone number never changed, my mobile number never changed. | 0:28:44 | 0:28:49 | |
And did any of them bother? | 0:28:49 | 0:28:52 | |
No, they didn't. | 0:28:52 | 0:28:54 | |
And that hurts. | 0:28:54 | 0:28:55 | |
That will hurt forever. | 0:28:55 | 0:28:57 | |
That's the other side of the story. | 0:28:57 | 0:29:00 | |
# All masonic hearts to meet you | 0:29:04 | 0:29:09 | |
# Hands of fellowship to greet you | 0:29:09 | 0:29:15 | |
# May our welcome here today | 0:29:15 | 0:29:20 | |
# Help to cheer you on your way. # | 0:29:20 | 0:29:26 | |
The ladies. | 0:29:26 | 0:29:29 | |
The ladies. CHEERING AND APPLAUSE | 0:29:29 | 0:29:31 | |
Hooray! The ladies. | 0:29:31 | 0:29:33 | |
..All that type of thing. Ladies, gentlemen, brethren.... | 0:29:36 | 0:29:39 | |
Oh, yes, my list. BANGING | 0:29:39 | 0:29:41 | |
Ladies, gentlemen and brethren, to respond to the toast to the ladies, | 0:29:44 | 0:29:48 | |
Mrs Anna Matthews would be delighted to reply. | 0:29:48 | 0:29:52 | |
But you've just said... APPLAUSE | 0:29:52 | 0:29:55 | |
You've just said all the people that you told me to say. | 0:29:55 | 0:29:58 | |
Well, it says, "Worshipful master, brother wardens, ladies, gentlemen, | 0:29:58 | 0:30:02 | |
"brethren." I think that's sort of gentlemen comma brethren. | 0:30:02 | 0:30:07 | |
Anyway, all I really want to say is how really delighted we are, | 0:30:07 | 0:30:11 | |
especially Geoff, that... | 0:30:11 | 0:30:14 | |
I knew I'd make a cock up of it. | 0:30:14 | 0:30:15 | |
But anyway, really delighted we are to see you all here. | 0:30:15 | 0:30:20 | |
You've probably heard more than enough, | 0:30:20 | 0:30:23 | |
so I'll sit down and let you get on with it. | 0:30:23 | 0:30:25 | |
Have I done the right thing? APPLAUSE | 0:30:25 | 0:30:28 | |
I thank Anna for being so brief. | 0:30:28 | 0:30:31 | |
It allows me to tell one or two stories. | 0:30:31 | 0:30:35 | |
Which she's not expecting. | 0:30:35 | 0:30:38 | |
So we went to buy a Hoover together and we went into Comet, and we had a | 0:30:38 | 0:30:43 | |
very young salesman in a suit. | 0:30:43 | 0:30:47 | |
And Anna said she didn't want one with all the frills and bits on it, | 0:30:47 | 0:30:51 | |
she just wanted a very strong hoover. | 0:30:51 | 0:30:55 | |
And the gentleman said, | 0:30:55 | 0:30:57 | |
"Well, how do you define a strong hoover, madam?" | 0:30:57 | 0:31:01 | |
And she said, "Well, I think it's one that will suck up | 0:31:01 | 0:31:04 | |
"a semi-dried dog's turd | 0:31:04 | 0:31:05 | |
"without it sticking to the pipe." | 0:31:05 | 0:31:07 | |
LAUGHTER | 0:31:07 | 0:31:09 | |
What do you think about Dad? | 0:31:17 | 0:31:18 | |
He's irritating, he drinks too much and he's unreasonable. | 0:31:18 | 0:31:23 | |
He's a bit mad and he gets over-sentimental | 0:31:23 | 0:31:26 | |
and says the wrong things or too much of the right things, | 0:31:26 | 0:31:30 | |
which will turn them into an embarrassment. | 0:31:30 | 0:31:32 | |
He does that sort of thing. | 0:31:32 | 0:31:34 | |
But he's brave, he's true, | 0:31:34 | 0:31:36 | |
he's better than pretty much anybody I know alive at the moment. | 0:31:36 | 0:31:41 | |
And he's fucking brilliant. | 0:31:41 | 0:31:42 | |
That's what I think about your father. | 0:31:42 | 0:31:44 | |
And I love him...for all that. | 0:31:44 | 0:31:46 | |
I think you once filmed me on the floor of the bathroom, | 0:31:53 | 0:31:59 | |
absolutely in tears, trying to explain that Anna | 0:31:59 | 0:32:06 | |
had given me all she'd got | 0:32:06 | 0:32:10 | |
and that included her inheritance of her house. | 0:32:10 | 0:32:15 | |
And I think even through my tears, whatever you thought of them, | 0:32:16 | 0:32:22 | |
I said, "I will endeavour... | 0:32:22 | 0:32:26 | |
"to pay it back and give her something very special." | 0:32:26 | 0:32:32 | |
I've found a solution to give something back. | 0:32:32 | 0:32:37 | |
And that is the most important thing in the world to me. | 0:32:37 | 0:32:42 | |
Dad had finally managed to sell the house | 0:32:53 | 0:32:55 | |
just before it was repossessed. | 0:32:55 | 0:32:57 | |
He'd also got some work with a motley crew of guys | 0:33:01 | 0:33:05 | |
who were trying to hand-build a prototype | 0:33:05 | 0:33:07 | |
for a new British sports car. | 0:33:07 | 0:33:08 | |
The company had won a grant to relocate to Wales. | 0:33:12 | 0:33:15 | |
So it was time for a fresh start. | 0:33:17 | 0:33:19 | |
The plan is that we leave one bedroom alone. | 0:33:28 | 0:33:31 | |
OK. And I've got a very wild cat | 0:33:31 | 0:33:35 | |
and I'm keeping the door shut because of the cat. | 0:33:35 | 0:33:38 | |
It won't hurt you, but if it sees you, it will run away and then I'll | 0:33:38 | 0:33:41 | |
never catch it. So there's an end bedroom | 0:33:41 | 0:33:45 | |
and I've got two guns in there, | 0:33:45 | 0:33:47 | |
so leave that alone, I'll sort that. | 0:33:47 | 0:33:49 | |
I'll unscrew it and sort it. | 0:33:49 | 0:33:51 | |
Some of this is pretty valuable. | 0:33:51 | 0:33:54 | |
That's off a World War I German aeroplane. | 0:33:54 | 0:33:57 | |
Really? That Anna's grandfather shot down. | 0:33:57 | 0:34:00 | |
That's the actual bit of the aeroplane. Yeah? Yeah. | 0:34:00 | 0:34:04 | |
This always feels a bit strange, doesn't it? | 0:34:22 | 0:34:24 | |
In what way? Well, you know... | 0:34:24 | 0:34:26 | |
..picking up and starting again. | 0:34:28 | 0:34:30 | |
But it's a nice start. | 0:34:30 | 0:34:32 | |
It's something that's good and something to look forward to. | 0:34:32 | 0:34:35 | |
Good luck. Thanks a lot. | 0:34:40 | 0:34:42 | |
Cheerio. | 0:34:42 | 0:34:44 | |
'With only a small deposit left after selling the house | 0:34:44 | 0:34:46 | |
'for much less than he'd hoped for, | 0:34:46 | 0:34:49 | |
'Dad had somehow managed to get a very large mortgage | 0:34:49 | 0:34:53 | |
'on a farmhouse in South Wales.' | 0:34:53 | 0:34:54 | |
Wow. | 0:35:02 | 0:35:04 | |
So, what do you reckon? | 0:35:04 | 0:35:07 | |
It's not a huge house but it's really quite pretty. | 0:35:07 | 0:35:11 | |
But isn't it brilliant? | 0:35:14 | 0:35:16 | |
There's even a lavvy there. | 0:35:16 | 0:35:18 | |
Despite losing her family home, Anna seemed upbeat about the move. | 0:35:18 | 0:35:22 | |
I'm not sure what that is. | 0:35:23 | 0:35:25 | |
This spot is just beautiful. | 0:35:26 | 0:35:29 | |
I love it. | 0:35:29 | 0:35:30 | |
And the isolation of it, Anna...? | 0:35:31 | 0:35:33 | |
That's what I like. | 0:35:33 | 0:35:34 | |
Why is it that? Why is it that you like that? | 0:35:36 | 0:35:38 | |
I just don't like other people much. | 0:35:38 | 0:35:41 | |
Neighbours, and, "Oh, you got a new car..." | 0:35:41 | 0:35:44 | |
I don't mind, I'll talk to people, | 0:35:44 | 0:35:46 | |
but I'm just not that interested in having them on my doorstep. | 0:35:46 | 0:35:49 | |
And this is wonderful. | 0:35:51 | 0:35:52 | |
Oh, look at her. She is happy. | 0:35:54 | 0:35:56 | |
Yeah, that's the sign of Ezzie being happy. | 0:35:56 | 0:35:58 | |
Ezzie is jolly happy. | 0:35:58 | 0:36:00 | |
Morgan, look. Ezzie is happy. Ezzie being happy. | 0:36:00 | 0:36:02 | |
HE LAUGHS | 0:36:04 | 0:36:06 | |
Well, we're here. We made it. | 0:36:06 | 0:36:07 | |
Yeah, it was difficult, wasn't it? | 0:36:07 | 0:36:09 | |
But we're here. It's not going to be easy now we are here, | 0:36:09 | 0:36:12 | |
by the look of it. | 0:36:12 | 0:36:13 | |
LAUGHTER | 0:36:13 | 0:36:14 | |
We're going to have to do some serious wall bashing, I think. | 0:36:14 | 0:36:18 | |
Never mind. We can do it, can't we? | 0:36:18 | 0:36:20 | |
You are happy? Oh, I'm really happy. | 0:36:20 | 0:36:22 | |
Once he moved to Wales, Dad and I have become distant again. | 0:36:37 | 0:36:41 | |
He only seemed to call when he needed money. | 0:36:41 | 0:36:43 | |
HORN TOOTS | 0:36:43 | 0:36:45 | |
And since the car company he worked for had gone bust, | 0:36:45 | 0:36:48 | |
he was in financial trouble again. | 0:36:48 | 0:36:50 | |
Hi, big fella. How you doing, Dad? | 0:36:52 | 0:36:53 | |
All right. Good as can be expected. | 0:36:53 | 0:36:56 | |
Good to see you. | 0:36:56 | 0:36:58 | |
So how have things been? Well, it's tough, I can tell you. | 0:37:03 | 0:37:06 | |
I mean, it's a year now since I've been out of work. | 0:37:09 | 0:37:12 | |
And I've dragged us through this far | 0:37:13 | 0:37:15 | |
but it's getting tougher and tougher, | 0:37:15 | 0:37:18 | |
I can tell you, financially. | 0:37:18 | 0:37:20 | |
So there is... | 0:37:22 | 0:37:23 | |
If I can't find a solution, there is a serious risk | 0:37:25 | 0:37:29 | |
that we get another house repossessed. | 0:37:29 | 0:37:31 | |
That's how tough it is, really. | 0:37:31 | 0:37:34 | |
Do you think you might lose the house? | 0:37:36 | 0:37:38 | |
Yeah, but don't tell Anna yet. | 0:37:38 | 0:37:41 | |
We're back. | 0:37:41 | 0:37:43 | |
I don't appear to have anything stuck to me. | 0:37:45 | 0:37:47 | |
Are you picking up my... | 0:37:47 | 0:37:49 | |
deathless prose? | 0:37:49 | 0:37:51 | |
Just about. On the top mic, yeah. | 0:37:51 | 0:37:53 | |
Oh, yes, I missed that furry thing. | 0:37:53 | 0:37:56 | |
Your hair is a lot longer, Anna, since I last saw you. | 0:37:56 | 0:37:59 | |
Yes, it grows. | 0:37:59 | 0:38:00 | |
Once I started having that, what do you call it, replacement thingy. | 0:38:00 | 0:38:06 | |
Thyroid stuff, it took off. | 0:38:06 | 0:38:09 | |
And it keeps growing. | 0:38:09 | 0:38:12 | |
It was probably, considering her health, | 0:38:16 | 0:38:18 | |
it was probably a pretty bad choice, | 0:38:18 | 0:38:21 | |
in that we're up the top of a very steep hill, | 0:38:21 | 0:38:24 | |
which neither of us can walk up any more. | 0:38:24 | 0:38:27 | |
But we've had | 0:38:28 | 0:38:30 | |
three and a half years here being very happy together. | 0:38:30 | 0:38:34 | |
Apart from health miseries and money miseries, | 0:38:34 | 0:38:38 | |
but the actual place is charming, absolutely charming. | 0:38:38 | 0:38:43 | |
After years of smoking a pipe, | 0:38:47 | 0:38:49 | |
Dad had developed emphysema and was finding any physical work difficult. | 0:38:49 | 0:38:54 | |
Most of Anna's possessions from the old house remained unpacked. | 0:38:54 | 0:38:58 | |
Yeah, so you can see... | 0:38:58 | 0:39:00 | |
You know, the sort of... | 0:39:03 | 0:39:05 | |
They are all packed up, | 0:39:05 | 0:39:07 | |
they are all there but you can see that they've been there | 0:39:07 | 0:39:10 | |
for three and a half years. And they are sinking into each other. | 0:39:10 | 0:39:15 | |
If this chest does get worse, I'm not leaving Anna with an absolute | 0:39:15 | 0:39:20 | |
nightmare of stuff that she can't manage and can't unpack. | 0:39:20 | 0:39:25 | |
So that's the theory. | 0:39:25 | 0:39:27 | |
But you're starting to worry about what might happen | 0:39:27 | 0:39:31 | |
with you if you are not around? | 0:39:31 | 0:39:34 | |
Yeah. Because it's... | 0:39:34 | 0:39:37 | |
you know, Anna's strong and has got a strong character, | 0:39:37 | 0:39:42 | |
but just to leave her with... | 0:39:42 | 0:39:44 | |
..what could turn out to be a huge | 0:39:46 | 0:39:48 | |
pile of shit, the longer you leave it there, | 0:39:48 | 0:39:50 | |
you know, I don't feel good about that. | 0:39:50 | 0:39:53 | |
So what can I do or where can I start, then? | 0:39:53 | 0:39:56 | |
Oh, yeah, I can give you lots of jobs. | 0:39:56 | 0:39:59 | |
One thing really is to sort out if there's stuff that you can sell off | 0:39:59 | 0:40:04 | |
to make a little bit of money to | 0:40:04 | 0:40:06 | |
help pay the mortgage, really. | 0:40:06 | 0:40:09 | |
HE WHEEZES | 0:40:11 | 0:40:12 | |
Oh, there's an alpaca. | 0:40:13 | 0:40:15 | |
Why did you get alpacas, Dad? | 0:40:16 | 0:40:19 | |
Anna always wanted a couple. | 0:40:19 | 0:40:21 | |
Oh, they're coming to see us. | 0:40:21 | 0:40:23 | |
Look. | 0:40:23 | 0:40:24 | |
They're from Peru, I think, originally. | 0:40:24 | 0:40:26 | |
Why did Anna want a couple? | 0:40:28 | 0:40:30 | |
I don't know. She just fancied... She likes the look of them. | 0:40:30 | 0:40:34 | |
Come on then, big fella. | 0:40:34 | 0:40:35 | |
But do they do anything, Dad? | 0:40:38 | 0:40:40 | |
No, they're decorative. | 0:40:40 | 0:40:42 | |
HE WHEEZES | 0:40:46 | 0:40:48 | |
Is it difficult, Dad, walking... | 0:40:48 | 0:40:50 | |
..any kind of distance now? | 0:40:52 | 0:40:53 | |
Oh, yeah. Yeah. | 0:40:53 | 0:40:54 | |
When I'm not carrying anything, | 0:40:57 | 0:41:00 | |
and providing I go slowly, I can walk. | 0:41:00 | 0:41:04 | |
But I mean, I shall probably have to stop before we get... | 0:41:05 | 0:41:10 | |
Well, just stop and have a pause at each fence, | 0:41:10 | 0:41:14 | |
just to get a bit more oxygen in the lungs. | 0:41:14 | 0:41:18 | |
HE WHEEZES | 0:41:18 | 0:41:19 | |
So these are the portable cylinders. | 0:41:28 | 0:41:32 | |
Which you can put in a knapsack and wear them on your back. | 0:41:34 | 0:41:39 | |
This one generates oxygen out of the air. | 0:41:39 | 0:41:43 | |
MACHINE BEEPS | 0:41:43 | 0:41:45 | |
And then that stops | 0:41:45 | 0:41:48 | |
and then you just put these up your nostrils. | 0:41:48 | 0:41:53 | |
HE COUGHS | 0:41:53 | 0:41:55 | |
Like that. How often are you using that? | 0:41:57 | 0:42:01 | |
I use this most nights, to help me get to sleep. | 0:42:01 | 0:42:05 | |
And I sleep down here on there. | 0:42:06 | 0:42:09 | |
Because it saves me going upstairs, | 0:42:09 | 0:42:11 | |
so I just come in here and flop down on there. | 0:42:11 | 0:42:14 | |
Quite often sat up with my head resting on the cushion | 0:42:15 | 0:42:20 | |
because that's the least stress on my chest, you know? | 0:42:20 | 0:42:23 | |
DOG SNORES | 0:42:23 | 0:42:25 | |
Are we allowed to film the smoking? | 0:42:32 | 0:42:33 | |
HE COUGHS | 0:42:33 | 0:42:36 | |
You can...film the smoking and the coughing. | 0:42:39 | 0:42:43 | |
I'm just thinking that if some medical person saw it, they might... | 0:42:43 | 0:42:49 | |
It's OK. | 0:42:49 | 0:42:51 | |
Are you not supposed to be smoking? | 0:42:51 | 0:42:53 | |
I shouldn't smoke, because every time I smoke | 0:42:53 | 0:42:58 | |
I reduce the capacity of my lungs. | 0:42:58 | 0:43:01 | |
Which hastens death. | 0:43:03 | 0:43:05 | |
I'm off to bed. | 0:43:10 | 0:43:12 | |
Night-night. Night-night. | 0:43:12 | 0:43:13 | |
Good night, my darling. Night-night. | 0:43:13 | 0:43:15 | |
Thank you for making such a lovely day out of today. | 0:43:15 | 0:43:19 | |
And thank you too, Geoff. | 0:43:19 | 0:43:20 | |
Thank you very much. | 0:43:20 | 0:43:23 | |
Night, Dad. Night-night, big boy. | 0:43:24 | 0:43:26 | |
AIR WHISTLES | 0:43:26 | 0:43:28 | |
How long do you have to stay like that, Dad? | 0:43:28 | 0:43:30 | |
I shall fall asleep like this... | 0:43:30 | 0:43:33 | |
and then I'll wake up in a couple of hours | 0:43:33 | 0:43:36 | |
and probably have to have a pee | 0:43:36 | 0:43:38 | |
and then I shall try and get back to sleep again. | 0:43:38 | 0:43:42 | |
BIRDSONG | 0:43:50 | 0:43:51 | |
Whilst things were pretty ominous on the health and financial front, | 0:43:59 | 0:44:02 | |
there had been some significant news about our family history. | 0:44:02 | 0:44:05 | |
What about... We haven't talked | 0:44:07 | 0:44:09 | |
about the major development yet, have we? | 0:44:09 | 0:44:13 | |
Becoming old and decrepit? | 0:44:13 | 0:44:14 | |
LAUGHTER | 0:44:14 | 0:44:16 | |
That's the most major development. | 0:44:16 | 0:44:19 | |
We is decrepit. We're fucked. | 0:44:19 | 0:44:22 | |
I would assume you're referring to my biological father. | 0:44:22 | 0:44:27 | |
Oh, that? Oh, that was a clever guess. | 0:44:27 | 0:44:29 | |
No, we haven't talked about that, which is very recent. | 0:44:31 | 0:44:34 | |
It happened within the last couple of weeks. | 0:44:34 | 0:44:37 | |
Having found the name of the man we | 0:44:37 | 0:44:39 | |
believe to be Dad's biological father in some old papers, | 0:44:39 | 0:44:43 | |
my sister had done some detective work and discovered that he was a | 0:44:43 | 0:44:46 | |
Canadian veteran of the Second World War, | 0:44:46 | 0:44:49 | |
and what's more - he was still alive. | 0:44:49 | 0:44:52 | |
He's quite famous | 0:44:55 | 0:44:58 | |
in many respects | 0:44:58 | 0:45:00 | |
and he's well-known and... | 0:45:00 | 0:45:05 | |
He's a war veteran, a war hero, | 0:45:06 | 0:45:09 | |
and has worked all his life and has been chairman of this, | 0:45:09 | 0:45:14 | |
that and the other. He's absolutely someone to be proud of. | 0:45:14 | 0:45:17 | |
That's only happened within the last three weeks or so. | 0:45:18 | 0:45:23 | |
My eldest daughter has written him a letter | 0:45:24 | 0:45:29 | |
and at the end it just asks... | 0:45:29 | 0:45:30 | |
..if you are interested, we are here, | 0:45:34 | 0:45:36 | |
and if you're not interested please let us know. | 0:45:36 | 0:45:39 | |
But probably the most important thing in my life at the moment | 0:45:39 | 0:45:43 | |
is just trying to fucking survive. | 0:45:43 | 0:45:47 | |
And that's true. | 0:45:47 | 0:45:50 | |
Whether it's for health or finance or whatever reason, | 0:45:50 | 0:45:54 | |
I'm trying to survive. | 0:45:54 | 0:45:56 | |
GRAND CLASSICAL MUSIC | 0:45:59 | 0:46:01 | |
I've got that terrible picture of your dad, | 0:46:21 | 0:46:24 | |
just losing it and waiting for the ambulance to come. | 0:46:24 | 0:46:28 | |
I don't mean losing it... | 0:46:28 | 0:46:30 | |
He just couldn't breathe. | 0:46:31 | 0:46:33 | |
I couldn't do anything. | 0:46:33 | 0:46:35 | |
And I know it sounds the most selfish, terrible thing in the world | 0:46:35 | 0:46:39 | |
but I just wanted somebody else to take responsibility for it | 0:46:39 | 0:46:42 | |
because I didn't know how long I'd be able to hang in there | 0:46:42 | 0:46:45 | |
and get him to hang in there. | 0:46:45 | 0:46:47 | |
And that was frightening. | 0:46:47 | 0:46:49 | |
And then, you know...oh... | 0:46:49 | 0:46:50 | |
LAUGHTER | 0:46:56 | 0:46:57 | |
With Dad in hospital, | 0:46:57 | 0:46:59 | |
my sister Miranda and Anna's sister Jan came to Wales to rally round. | 0:46:59 | 0:47:05 | |
The thing is, there's a lot of people in the house, | 0:47:05 | 0:47:07 | |
and they all talk to me at once. | 0:47:07 | 0:47:10 | |
All want to know something at the same time. | 0:47:10 | 0:47:12 | |
I sort of don't quite get how she can't cope with anything. | 0:47:14 | 0:47:17 | |
What do you mean? Well, I mean, you know, | 0:47:17 | 0:47:20 | |
making a cup of tea for six people. | 0:47:20 | 0:47:23 | |
Don't you think? She does find it hard. | 0:47:23 | 0:47:25 | |
Why do you think that is? | 0:47:27 | 0:47:29 | |
Because she's never had to do anything for herself, really. | 0:47:30 | 0:47:34 | |
Nothing, nothing... | 0:47:34 | 0:47:37 | |
Sorry, she was brought up to do nothing. | 0:47:38 | 0:47:41 | |
She was brought up with staff and... | 0:47:41 | 0:47:44 | |
And again, as much as I love her, she's eccentric. | 0:47:48 | 0:47:52 | |
Yeah. What do you think? I think it's difficult. | 0:47:52 | 0:47:55 | |
I mean, I think she's wonderfully eccentric. | 0:47:55 | 0:47:58 | |
And we all love her for that. | 0:47:58 | 0:47:59 | |
Yeah. | 0:47:59 | 0:48:01 | |
I think she's probably quite difficult to be around all the time. | 0:48:01 | 0:48:05 | |
But I also think Dad is... | 0:48:05 | 0:48:08 | |
and together... | 0:48:08 | 0:48:10 | |
They work. ..strangely, it works. | 0:48:10 | 0:48:12 | |
I know. I know. | 0:48:12 | 0:48:14 | |
We've run out of dog food. | 0:48:15 | 0:48:17 | |
God, have I got enough spaghetti? | 0:48:17 | 0:48:19 | |
Oh, I've got some noodles I can cook for them. | 0:48:19 | 0:48:21 | |
I mean, it makes me feel peculiar thinking about it. | 0:48:22 | 0:48:26 | |
Shit. I'm sorry. | 0:48:26 | 0:48:28 | |
I think I've got an appointment sometime. | 0:48:28 | 0:48:30 | |
Oh, dear. | 0:48:30 | 0:48:32 | |
I'm meant to have a blood test taken. | 0:48:32 | 0:48:35 | |
It's not Tuesday... No, I think it's tomorrow. | 0:48:35 | 0:48:38 | |
It's Monday today. Yeah, sorry. | 0:48:38 | 0:48:40 | |
Obviously I don't know if I'm coming, | 0:48:42 | 0:48:44 | |
which way I'm going, whatever. | 0:48:44 | 0:48:46 | |
I wrote it down somewhere. | 0:48:46 | 0:48:47 | |
I'll have to ring the surgery and check. | 0:48:47 | 0:48:50 | |
Help. What's up? | 0:48:50 | 0:48:52 | |
Just trod in dog poo. | 0:48:52 | 0:48:55 | |
Why do you need help for that? | 0:48:55 | 0:48:56 | |
Cos I've got my socks on. | 0:48:56 | 0:48:58 | |
And I need a clean pair of socks. | 0:48:58 | 0:49:00 | |
Take off your socks, Miranda. | 0:49:00 | 0:49:02 | |
Where did you tread in it? | 0:49:03 | 0:49:06 | |
It's there. That's poo, isn't it? | 0:49:06 | 0:49:09 | |
I wouldn't think it's... Come here. | 0:49:09 | 0:49:11 | |
It's all right, it won't kill you. | 0:49:13 | 0:49:15 | |
I just need a different pair of socks. | 0:49:15 | 0:49:17 | |
It's only shit. | 0:49:17 | 0:49:19 | |
The dog only probably ate it last night. | 0:49:20 | 0:49:24 | |
SHE LAUGHS | 0:49:24 | 0:49:26 | |
Oh, God. You see what I mean? | 0:49:28 | 0:49:29 | |
I was going to fill a bowl so | 0:49:29 | 0:49:32 | |
Miranda can wash her foot, but I can't sodding find it. | 0:49:32 | 0:49:36 | |
I said, "Please don't throw it out or hide it." | 0:49:36 | 0:49:39 | |
I'm not having a go at anybody, | 0:49:42 | 0:49:44 | |
but has anybody left the tap on upstairs? | 0:49:44 | 0:49:47 | |
I'll check the tap. | 0:49:49 | 0:49:51 | |
I would be grateful because the water is cold. | 0:49:51 | 0:49:54 | |
Nobody has had a bath, have they? | 0:49:54 | 0:49:56 | |
I had a bath this morning. That's all right. | 0:49:56 | 0:49:59 | |
Maybe that's what it is. | 0:49:59 | 0:50:00 | |
There is no tap on. | 0:50:02 | 0:50:04 | |
No. I think we've sourced the cock-up. | 0:50:04 | 0:50:07 | |
The er... | 0:50:07 | 0:50:09 | |
What have they done with the cleaning stuff? | 0:50:09 | 0:50:11 | |
You see what I mean? | 0:50:11 | 0:50:13 | |
How long do you think you can stay here? | 0:50:13 | 0:50:15 | |
I'm going to have to go back today. | 0:50:15 | 0:50:17 | |
Yeah. | 0:50:17 | 0:50:19 | |
If Dad is in a stable condition, I'm going to have to go back. | 0:50:19 | 0:50:21 | |
I haven't got any more clothes with me and... | 0:50:21 | 0:50:24 | |
..and...there is my cat, and it's just all a bit nuts. | 0:50:27 | 0:50:32 | |
What do you think about Dad's situation at the moment? | 0:50:34 | 0:50:37 | |
I don't think he's got long. | 0:50:40 | 0:50:42 | |
6 months? 12 months? | 0:50:42 | 0:50:44 | |
I think it's just almost a period for us all to be able to... | 0:50:47 | 0:50:52 | |
It's sad that it gets to this, | 0:50:53 | 0:50:56 | |
but for us all to say goodbye properly and be with him | 0:50:56 | 0:50:59 | |
and let him know how we care and also, | 0:50:59 | 0:51:04 | |
even though Anna drives me mad occasionally, | 0:51:04 | 0:51:06 | |
to let him know that, one way or the other, we'll make sure Anna is OK. | 0:51:06 | 0:51:11 | |
Which is, I know, what he really wants. | 0:51:11 | 0:51:14 | |
Do you want me to take you in to see Dad today, Anna? | 0:51:17 | 0:51:20 | |
I daren't go in...with this... | 0:51:20 | 0:51:22 | |
It really isn't very good. | 0:51:23 | 0:51:25 | |
Oh, for God's sake! | 0:51:25 | 0:51:27 | |
Right. I don't know. | 0:51:28 | 0:51:31 | |
I feel awful not going in. | 0:51:31 | 0:51:32 | |
He must think I'm an unnatural, cold bitch. | 0:51:32 | 0:51:35 | |
But I've got this | 0:51:36 | 0:51:38 | |
awful flu that he's had. | 0:51:38 | 0:51:42 | |
I don't know. | 0:51:42 | 0:51:44 | |
All right, tits, I'm coming. | 0:51:44 | 0:51:47 | |
Can I just fill these up? | 0:51:47 | 0:51:49 | |
I'm... | 0:51:50 | 0:51:51 | |
So you've been looking after Anna? | 0:51:58 | 0:52:00 | |
Been trying. | 0:52:00 | 0:52:02 | |
She's high maintenance. Yeah. | 0:52:02 | 0:52:04 | |
I don't know how you manage it. I never have. | 0:52:05 | 0:52:09 | |
Let's see how much... | 0:52:11 | 0:52:12 | |
..time we can get out of life together. | 0:52:14 | 0:52:17 | |
What sort of state it will be, you know? | 0:52:18 | 0:52:21 | |
No. I think you've been magic. | 0:52:25 | 0:52:28 | |
You've been an absolute star. | 0:52:28 | 0:52:30 | |
Just ring up Anna now and again and make sure she doesn't get lonely. | 0:52:31 | 0:52:35 | |
And just going on... | 0:52:36 | 0:52:38 | |
..doing what you have been doing, | 0:52:39 | 0:52:41 | |
which has been the biggest help in the world. | 0:52:41 | 0:52:43 | |
Taking a load off of my mind. | 0:52:43 | 0:52:46 | |
Yeah. Yeah. | 0:52:50 | 0:52:55 | |
Yeah, I think you are right. | 0:53:04 | 0:53:06 | |
Yeah. | 0:53:12 | 0:53:14 | |
ALPACA SNIFFS | 0:53:22 | 0:53:23 | |
Oh, oh, not there. Not there. | 0:53:39 | 0:53:41 | |
I think she's stopped. She's wiping her bottom. | 0:53:41 | 0:53:44 | |
PHONE RINGS | 0:53:44 | 0:53:45 | |
Oh, gawd! | 0:53:45 | 0:53:46 | |
VOICE BREAKING: Hello... Arthur? | 0:53:50 | 0:53:52 | |
Sorry, my voice is... Oh... | 0:53:52 | 0:53:54 | |
Just a minute. Just a second. | 0:53:56 | 0:53:57 | |
SHE COUGHS | 0:53:57 | 0:54:00 | |
Hello. That is a bit better. | 0:54:00 | 0:54:02 | |
Well, yes, that's worrying me. | 0:54:04 | 0:54:06 | |
I haven't been in to see him. | 0:54:06 | 0:54:08 | |
I write him letters and send them. | 0:54:08 | 0:54:10 | |
Not long ones, but little notes, | 0:54:10 | 0:54:12 | |
I try to think of something funny to say. | 0:54:12 | 0:54:14 | |
How are you feeling about coming home now, Dad? | 0:54:19 | 0:54:21 | |
I'm hoping to come home as soon as I can, you know? | 0:54:22 | 0:54:26 | |
I don't want to come out and make life difficult but... | 0:54:26 | 0:54:29 | |
I noticed they've taken all the rest of the vein things out, | 0:54:32 | 0:54:36 | |
so they must be thinking I'm pretty much ready to go. | 0:54:36 | 0:54:39 | |
Shall I get a couple of chairs? | 0:54:43 | 0:54:45 | |
Hello, my darling. Yeah, get a couple of chairs. | 0:54:45 | 0:54:48 | |
Hello. | 0:54:48 | 0:54:49 | |
You can have the big chair if you want. | 0:54:49 | 0:54:52 | |
I don't mind. Miranda can sit in it. | 0:54:52 | 0:54:53 | |
Thanks, Miranda. There's a big chair. | 0:54:53 | 0:54:56 | |
SHE COUGHS | 0:54:56 | 0:54:57 | |
Oh, God. | 0:54:57 | 0:54:58 | |
Do you want a banana? | 0:54:59 | 0:55:01 | |
Everybody keeps offering me bananas. | 0:55:01 | 0:55:03 | |
I feel like Ed Miliband. | 0:55:03 | 0:55:06 | |
How are the doggies? | 0:55:06 | 0:55:07 | |
The doggies, the last time I saw them, which wasn't very long ago, | 0:55:07 | 0:55:10 | |
were in good form. | 0:55:10 | 0:55:12 | |
They are sods, though. | 0:55:12 | 0:55:15 | |
You know the cats like a bit of sprinkle on their food...? | 0:55:15 | 0:55:19 | |
And you remember what sprinkle does to dogs' stomachs? | 0:55:19 | 0:55:22 | |
It liquidises them. | 0:55:22 | 0:55:24 | |
Yeah. But Esme always manages to do a dump, | 0:55:24 | 0:55:27 | |
preferably right in the middle of the bloody road | 0:55:27 | 0:55:29 | |
when there is a bus coming and they have to slow down for her, | 0:55:29 | 0:55:34 | |
and then I never have a bloody bag to pick it up in. | 0:55:34 | 0:55:37 | |
Anyway... | 0:55:38 | 0:55:39 | |
And I just had the idea of two of them doing it... | 0:55:40 | 0:55:42 | |
Anyway, I got her across the road so bloody fast she didn't... | 0:55:45 | 0:55:48 | |
have the time to arrange herself, so... | 0:55:48 | 0:55:50 | |
URINE SPLASHES | 0:55:51 | 0:55:53 | |
I shall do my level best to look after your father... | 0:55:56 | 0:55:59 | |
..for as long as I can physically manage it. | 0:56:02 | 0:56:07 | |
Does that frighten you, Anna? | 0:56:08 | 0:56:11 | |
I don't know if it frightens me, | 0:56:11 | 0:56:13 | |
but everybody's life comes to an end and you just have to look at it | 0:56:13 | 0:56:16 | |
squarely in the unpleasant face, if you like. | 0:56:16 | 0:56:19 | |
I'll tell you what does frighten me, | 0:56:21 | 0:56:22 | |
is getting ill and then having to go into hospital | 0:56:22 | 0:56:24 | |
and being treated like a piece of shit. | 0:56:24 | 0:56:27 | |
It just means that I'm going to have to make damn sure | 0:56:27 | 0:56:30 | |
I have enough medication so that if I get... | 0:56:30 | 0:56:35 | |
..ill I can take myself out. | 0:56:36 | 0:56:39 | |
I think that's the only thing you're going to be able to do quite soon. | 0:56:39 | 0:56:44 | |
Because they don't want all these bloody old people. | 0:56:44 | 0:56:47 | |
Not very nice to think about it, though, Anna. | 0:56:47 | 0:56:50 | |
Well, you asked. True. | 0:56:50 | 0:56:52 | |
That's what life is. | 0:56:53 | 0:56:55 | |
Hello... | 0:57:00 | 0:57:02 | |
DOG BARKS | 0:57:02 | 0:57:03 | |
And here we've got the welcome. | 0:57:05 | 0:57:07 | |
Welcome from the dogs. | 0:57:07 | 0:57:08 | |
'After the scare of his collapse, | 0:57:08 | 0:57:11 | |
'Dad recovered and came out of hospital.' | 0:57:11 | 0:57:13 | |
So these are Welsh pasties? | 0:57:13 | 0:57:15 | |
Well, they are... What do they call them? | 0:57:15 | 0:57:17 | |
Mushroom and chicken. | 0:57:17 | 0:57:18 | |
In puff pastry. But they're quite nice, you know? | 0:57:18 | 0:57:21 | |
'And after nearly 50 years of smoking, | 0:57:21 | 0:57:23 | |
'he finally gave it up | 0:57:23 | 0:57:25 | |
'and managed to get around and sleep without using his oxygen machine.' | 0:57:25 | 0:57:30 | |
We've got a tootsie here. | 0:57:30 | 0:57:33 | |
'He was also drinking less | 0:57:33 | 0:57:34 | |
'and seemed to have a reasonable quality of life.' | 0:57:34 | 0:57:37 | |
These are the vitamins and stuff, | 0:57:37 | 0:57:41 | |
to try and stop my muscles from shrinking, | 0:57:41 | 0:57:45 | |
but they've already fallen away, so... | 0:57:45 | 0:57:47 | |
You've lost a lot of weight, haven't you? | 0:57:47 | 0:57:49 | |
Yeah. I've lost a stone in about a year. | 0:57:49 | 0:57:51 | |
I was about 9st and I'm now about 8st, | 0:57:53 | 0:57:57 | |
so it's a stone gone in a year. | 0:57:57 | 0:57:59 | |
Dad was also looking into the future and had another car design dream | 0:58:03 | 0:58:07 | |
that he was trying to get off the ground. | 0:58:07 | 0:58:09 | |
The business plan is completely foolproof. | 0:58:11 | 0:58:14 | |
It's based on previous work that I've done with | 0:58:14 | 0:58:17 | |
Bentley Motor Company Limited, | 0:58:17 | 0:58:20 | |
in making very special vehicles for very special people. | 0:58:20 | 0:58:25 | |
So this is just a bit of supplementary food for the alpacas. | 0:58:27 | 0:58:32 | |
They've come down. | 0:58:32 | 0:58:34 | |
Come on, brown boy. | 0:58:34 | 0:58:36 | |
Come on, black boy. | 0:58:36 | 0:58:38 | |
Come on, big boys. | 0:58:38 | 0:58:40 | |
But do you still want to stay here, Dad, now? | 0:58:40 | 0:58:42 | |
Yeah, I do, really. | 0:58:42 | 0:58:45 | |
It's a home together sort of thing. | 0:58:45 | 0:58:47 | |
It's something that's just plain us, really. | 0:58:51 | 0:58:55 | |
For as long as we can stay here, you know, | 0:58:55 | 0:58:58 | |
this is what we like out of life. | 0:58:58 | 0:59:00 | |
THUNDER RUMBLES | 0:59:04 | 0:59:06 | |
BEEPING | 0:59:12 | 0:59:13 | |
I've been in since Thursday now. | 0:59:18 | 0:59:19 | |
I fought my way back, as you know, two years eight months ago. | 0:59:21 | 0:59:25 | |
I had this very serious intensive care thing | 0:59:25 | 0:59:29 | |
with the breathing problem and then, I think it was April, | 0:59:29 | 0:59:33 | |
I was diagnosed with prostate cancer. | 0:59:33 | 0:59:36 | |
With a minor area in the left hip | 0:59:38 | 0:59:42 | |
and lower back of bone cancer. | 0:59:42 | 0:59:45 | |
Then they did another bone cancer thing, | 0:59:47 | 0:59:51 | |
and it had spread like buggery. | 0:59:51 | 0:59:53 | |
It had spread to hips, pelvis, lower spine and even, | 0:59:53 | 0:59:58 | |
during the course of last year, when I coughed a lot, | 0:59:58 | 1:00:01 | |
I'd cracked two or three ribs, | 1:00:01 | 1:00:03 | |
and that's cos it was in the rib, you know. | 1:00:03 | 1:00:06 | |
It might only be three years and it might be a bit less | 1:00:06 | 1:00:10 | |
if it really suddenly takes off again. | 1:00:10 | 1:00:13 | |
But they're not telling you that, you know. | 1:00:13 | 1:00:16 | |
So, it's.... | 1:00:17 | 1:00:20 | |
There's quite a few things I've got to do in my life | 1:00:20 | 1:00:23 | |
before that time is up, sort of thing. | 1:00:23 | 1:00:27 | |
Like what? | 1:00:27 | 1:00:28 | |
Well, I've got to sort Anna out properly | 1:00:28 | 1:00:31 | |
and I really want to... | 1:00:31 | 1:00:34 | |
..make my peace with some of the other kids. | 1:00:35 | 1:00:38 | |
You and me are mostly all right. | 1:00:38 | 1:00:41 | |
I hardly ever see Mark or Mitchell. | 1:00:41 | 1:00:44 | |
But I'll fight it. | 1:00:45 | 1:00:47 | |
I'll find a way. | 1:00:51 | 1:00:52 | |
HE COUGHS | 1:00:54 | 1:00:56 | |
Pardon me. | 1:01:00 | 1:01:01 | |
'His life is on an edge. | 1:01:01 | 1:01:03 | |
'One thing has to go wrong and he'll die.' | 1:01:06 | 1:01:09 | |
And you know that. | 1:01:11 | 1:01:13 | |
Well, I don't know if I did know that. | 1:01:13 | 1:01:15 | |
Well, you do now. I think I came here thinking | 1:01:15 | 1:01:17 | |
he was sort of taken in for observation | 1:01:17 | 1:01:20 | |
and then I saw him and he was much iller than I, er... | 1:01:20 | 1:01:27 | |
Well, perhaps I'd put too pretty a gloss on it. | 1:01:27 | 1:01:30 | |
No. I was trying not to wind you up, | 1:01:30 | 1:01:32 | |
but I was also trying to tell you | 1:01:32 | 1:01:34 | |
that you haven't got your darling dad for long. | 1:01:34 | 1:01:37 | |
You know, I don't want to be without him either. | 1:01:39 | 1:01:42 | |
But I mean, obviously, you know, | 1:01:42 | 1:01:44 | |
we're not spring chickens and somebody is going to die. | 1:01:44 | 1:01:47 | |
Although my health isn't wonderful, it's not going to kill me. | 1:01:48 | 1:01:52 | |
It's bloody painful. | 1:01:52 | 1:01:54 | |
I can hardly walk about, but it's not going to kill me. | 1:01:54 | 1:01:57 | |
But what's wrong with him will. | 1:01:57 | 1:01:59 | |
And so I suspect that I'm going to lose him. | 1:02:00 | 1:02:04 | |
The first person in your family to go to university and... | 1:02:17 | 1:02:19 | |
..got a first in engineering. | 1:02:21 | 1:02:23 | |
And then did something... | 1:02:24 | 1:02:26 | |
..just amazingly creative by going into car design after that. | 1:02:27 | 1:02:31 | |
SHE SIGHS | 1:02:32 | 1:02:34 | |
I can remember just little things that you made me | 1:02:34 | 1:02:37 | |
when I was a little girl, | 1:02:37 | 1:02:38 | |
like the little piano you made me out of wood, | 1:02:38 | 1:02:42 | |
and you drew the piano keys on it. | 1:02:42 | 1:02:44 | |
And I can remember the little shop that you made me | 1:02:45 | 1:02:48 | |
with the little clay bits of food... | 1:02:48 | 1:02:51 | |
..and just little toys that he made me out of wood. | 1:02:52 | 1:02:55 | |
And there was that picture of Harry the starling | 1:03:01 | 1:03:03 | |
on Mum's finger, which... | 1:03:03 | 1:03:05 | |
SHE SNIFFLES | 1:03:05 | 1:03:06 | |
It was really important to me and I... | 1:03:06 | 1:03:08 | |
Made it into wallpaper to cover the whole of the room, for my degree. | 1:03:11 | 1:03:14 | |
Because it was that important to me. | 1:03:17 | 1:03:19 | |
It symbolised... | 1:03:19 | 1:03:20 | |
..such a lot from my childhood. | 1:03:22 | 1:03:25 | |
Um... | 1:03:25 | 1:03:27 | |
There were so many important, sweet, little, funny, creative things | 1:03:29 | 1:03:35 | |
that we got from you. | 1:03:35 | 1:03:38 | |
We wouldn't be who we are if it hadn't been for you. | 1:03:41 | 1:03:45 | |
So that's really important. | 1:03:51 | 1:03:54 | |
You gave us our lives. | 1:03:54 | 1:03:55 | |
SHE EXHALES | 1:04:02 | 1:04:04 | |
I'm here, Dad. | 1:04:20 | 1:04:23 | |
We're here. | 1:04:23 | 1:04:24 | |
Me and Miranda are here, Dad. | 1:04:26 | 1:04:27 | |
We love you, Dad. | 1:04:37 | 1:04:39 | |
We do love you very much, Dad. | 1:04:39 | 1:04:41 | |
We love you. | 1:04:43 | 1:04:44 | |
Anna...it's Morgan. | 1:04:57 | 1:05:00 | |
Um... | 1:05:01 | 1:05:02 | |
Yeah, I'm with Dad now and he's... | 1:05:04 | 1:05:07 | |
He's just passed away. | 1:05:07 | 1:05:09 | |
Yes, yes. | 1:05:11 | 1:05:13 | |
It just happened very quickly. | 1:05:15 | 1:05:17 | |
Miranda and me were both with him. | 1:05:17 | 1:05:19 | |
We were talking to him, holding his hand and... | 1:05:19 | 1:05:24 | |
And then his breathing, he just stopped breathing. | 1:05:24 | 1:05:28 | |
But it wasn't... | 1:05:28 | 1:05:30 | |
It was very peaceful. | 1:05:32 | 1:05:34 | |
It was very peaceful. | 1:05:35 | 1:05:36 | |
Dad opened his eyes just as he was going... | 1:05:37 | 1:05:40 | |
..and we went to get the nurses | 1:05:41 | 1:05:44 | |
and they came in and said, "Yes, this is him, | 1:05:44 | 1:05:47 | |
"this is, it is imminent now." | 1:05:47 | 1:05:50 | |
And we could either decide to stay in the room or not, | 1:05:50 | 1:05:53 | |
and we stayed in the room, so we held his hand | 1:05:53 | 1:05:56 | |
and Morgan was talking to him right up to the end | 1:05:56 | 1:05:59 | |
and I filmed Morgan, because that's been important to Morgan. | 1:05:59 | 1:06:04 | |
Morgan filmed me talking to him, as well. | 1:06:04 | 1:06:06 | |
In loving memory of Geoffrey Leonard Matthews, | 1:06:16 | 1:06:21 | |
known to us as Geoff... | 1:06:21 | 1:06:23 | |
..loving father of Miranda, Morgan, | 1:06:24 | 1:06:27 | |
Maximilian, Mark, Mitchell and Michelle. | 1:06:27 | 1:06:33 | |
Grandfather of... | 1:06:33 | 1:06:34 | |
Clearly, there is a bit of a theme going on here, | 1:06:34 | 1:06:37 | |
which I never really got to the bottom of, | 1:06:37 | 1:06:39 | |
but I think he wanted to create his own little tribe of M's. | 1:06:39 | 1:06:43 | |
Mini-Matthewses to follow in his footsteps. | 1:06:43 | 1:06:46 | |
Geoff has left a huge legacy. | 1:06:46 | 1:06:49 | |
Since his passing, I have received a lot of messages | 1:06:49 | 1:06:52 | |
from designers around the world, who worked with Geoff... | 1:06:52 | 1:06:55 | |
As your children have grown, and your grandchildren born, | 1:06:55 | 1:06:58 | |
lots of love from us all, from first night to last dawn. | 1:06:58 | 1:07:02 | |
Lots of love from us all, from first night to last dawn. | 1:07:02 | 1:07:06 | |
Oh, my darling, darling, darling man. | 1:07:16 | 1:07:19 | |
I miss you. | 1:07:19 | 1:07:20 | |
The fact that you're not there any more, | 1:07:20 | 1:07:23 | |
you've gone. I love you. | 1:07:23 | 1:07:26 | |
I was grieving before it happened, | 1:07:28 | 1:07:30 | |
because I knew it was so horribly inevitable, | 1:07:30 | 1:07:33 | |
and I felt so helpless and useless. | 1:07:33 | 1:07:35 | |
I hope I did everything I could for him, while he was here. | 1:07:37 | 1:07:41 | |
I tried. | 1:07:41 | 1:07:43 | |
CAT MEOWS | 1:07:43 | 1:07:44 | |
You miss Geoff, you do, don't you, my darling little cat? | 1:07:46 | 1:07:49 | |
You really loved him. | 1:07:49 | 1:07:51 | |
You don't think much of me. | 1:07:51 | 1:07:52 | |
I'm not that fond of you, either, | 1:07:52 | 1:07:55 | |
but as long as it takes, I'll care for you. | 1:07:55 | 1:07:58 | |
Gosh, there are literally hundreds of these. | 1:08:00 | 1:08:04 | |
Yeah, that sums up a Sunday. | 1:08:06 | 1:08:10 | |
Brought together by the funeral, my sister Miranda | 1:08:11 | 1:08:14 | |
and brothers Max, Mark and Mitchell, all visited Anna at home. | 1:08:14 | 1:08:19 | |
These are holiday snaps, I think. | 1:08:19 | 1:08:21 | |
That's when... | 1:08:21 | 1:08:22 | |
When were we there? | 1:08:24 | 1:08:25 | |
That's a really... That's a really good pose. | 1:08:25 | 1:08:28 | |
Yeah, probably quite a regular thing! | 1:08:31 | 1:08:34 | |
Headache. | 1:08:34 | 1:08:35 | |
Too much alcohol. | 1:08:35 | 1:08:37 | |
HE LAUGHS | 1:08:37 | 1:08:38 | |
Yeah. That's my favourite photo so far. | 1:08:38 | 1:08:43 | |
My brothers and younger sister, who wasn't able to come to the funeral, | 1:08:45 | 1:08:49 | |
had only really known Dad when they were children. | 1:08:49 | 1:08:52 | |
It's a shame. Just what could have been and what was. | 1:08:53 | 1:08:58 | |
It is a shame. | 1:08:58 | 1:08:59 | |
That's one of mine. Oh, yeah. | 1:09:08 | 1:09:10 | |
I didn't know he'd kept any of these. | 1:09:13 | 1:09:16 | |
Of course, he would. | 1:09:16 | 1:09:17 | |
Yeah. | 1:09:19 | 1:09:21 | |
These are all, like, manuals and things. | 1:09:23 | 1:09:25 | |
This is Masonic... | 1:09:27 | 1:09:29 | |
Royal Arch Ritual. | 1:09:29 | 1:09:31 | |
The Warwickshire Working of the Royal Arch Ritual. | 1:09:31 | 1:09:34 | |
That's almost a tongue-twister, isn't it? | 1:09:34 | 1:09:36 | |
Especially if you can't say your Rs. | 1:09:36 | 1:09:39 | |
Lots of phone chargers. | 1:09:39 | 1:09:41 | |
Very yellow phone. | 1:09:43 | 1:09:45 | |
What's these letters? Where's the letter that you found from his mum, | 1:09:45 | 1:09:49 | |
is it this? | 1:09:49 | 1:09:50 | |
This is the letter from Dad's birth mother, | 1:09:50 | 1:09:54 | |
who, in very sad circumstances, had to give Dad over for adoption. | 1:09:54 | 1:10:00 | |
And it's written to his adoptive mother, Doris Matthews. | 1:10:00 | 1:10:05 | |
"Miss Grettan has told me how very well little Geoffrey is looked after | 1:10:05 | 1:10:09 | |
"and I would like to thank you for | 1:10:09 | 1:10:11 | |
"all the care and love you have shown him. | 1:10:11 | 1:10:14 | |
"It broke my heart to part with him at first, | 1:10:14 | 1:10:16 | |
"because he was my last link with a past which had promised to be so | 1:10:16 | 1:10:22 | |
"very beautiful. And when I knew my baby would be illegitimate..." | 1:10:22 | 1:10:26 | |
So she was expecting to marry his father. | 1:10:26 | 1:10:29 | |
"..I couldn't bear it. | 1:10:29 | 1:10:30 | |
"And I knew that for his dear sake, I must part with him. | 1:10:30 | 1:10:35 | |
"I suppose now there is little more for me to say, | 1:10:35 | 1:10:38 | |
"except to thank you once again. | 1:10:38 | 1:10:40 | |
"Please give baby Geoffrey one last | 1:10:40 | 1:10:42 | |
"kiss from his mother and may God bless you all. | 1:10:42 | 1:10:45 | |
"Yours very sincerely, Joan Rundle." | 1:10:45 | 1:10:50 | |
What a beautiful letter. | 1:10:51 | 1:10:53 | |
What comes across very clearly to me is she was expecting to marry | 1:10:53 | 1:10:57 | |
Dad's father, which I didn't know. | 1:10:57 | 1:11:00 | |
And, because then his actual father, who we traced, | 1:11:00 | 1:11:05 | |
went back to marry somebody else in Canada in the same year. | 1:11:05 | 1:11:08 | |
Hm. There are the little shoes that she sent him. | 1:11:08 | 1:11:11 | |
Oh, that's heartbreaking, isn't it? | 1:11:13 | 1:11:16 | |
"To little Geoffrey, from one who will always love you." | 1:11:16 | 1:11:19 | |
SHE SOBS | 1:11:24 | 1:11:26 | |
And that, I believe, is all I have to say. | 1:11:32 | 1:11:36 | |
Carry on enjoying your evening. | 1:11:36 | 1:11:38 | |
Thank you so much for coming and making it a good evening. | 1:11:38 | 1:11:42 | |
Thank you very much. | 1:11:42 | 1:11:44 | |
APPLAUSE | 1:11:44 | 1:11:45 | |
That's my son and he's filming me before I die. | 1:11:47 | 1:11:52 | |
Oh, right. Yeah, yeah. | 1:11:52 | 1:11:53 | |
And he's been picking up bits and pieces of my life. | 1:11:53 | 1:11:58 | |
One for the record. | 1:11:58 | 1:12:00 | |
LAUGHTER | 1:12:00 | 1:12:01 | |
"This was my dad". | 1:12:01 | 1:12:03 | |
Dad had always joked that this story would end with him dying, | 1:12:05 | 1:12:09 | |
but when that happened, we just felt sad and empty. | 1:12:09 | 1:12:13 | |
Whatever issues we had when he was alive, | 1:12:13 | 1:12:16 | |
suddenly there was a big hole where our dad used to be. | 1:12:16 | 1:12:19 | |
It now seemed more important to connect with the man we believed | 1:12:21 | 1:12:24 | |
to be our biological grandfather, whilst we still could. | 1:12:24 | 1:12:27 | |
Who are we going to see? | 1:12:41 | 1:12:43 | |
Canada. Does he know who we're going to see? | 1:12:43 | 1:12:47 | |
Yeah, we're going to see Mummy's grandad. | 1:12:47 | 1:12:50 | |
Yeah. He's called Charlie. | 1:12:50 | 1:12:51 | |
Like Charlie and Lola. | 1:12:53 | 1:12:55 | |
Oh. | 1:12:55 | 1:12:56 | |
ENGINES ROAR | 1:12:56 | 1:12:58 | |
How you feeling this morning? | 1:13:07 | 1:13:09 | |
OK. Yeah, OK. | 1:13:11 | 1:13:12 | |
Kind of, sort of a bit on edge, you know. | 1:13:17 | 1:13:21 | |
A bit on edge and a bit anxious. | 1:13:21 | 1:13:25 | |
Is it ringing? | 1:13:25 | 1:13:26 | |
Hi, Charlie, it's Miranda. | 1:13:30 | 1:13:32 | |
OK, yeah, we are in town and we're at the hotel. | 1:13:34 | 1:13:38 | |
I wondered when would be a good time to come over? | 1:13:38 | 1:13:42 | |
Charlie's saying come in. I think he's having... | 1:13:50 | 1:13:52 | |
He's having oxygen, or a pill, or something. | 1:13:52 | 1:13:55 | |
DOG BARKS | 1:13:55 | 1:13:56 | |
OK. See the doggie. | 1:13:56 | 1:13:58 | |
Hi, Charlie. Hey, guys. | 1:14:02 | 1:14:05 | |
Hello, little doggie. | 1:14:05 | 1:14:06 | |
Is this OK? Eh? Is this OK? | 1:14:06 | 1:14:09 | |
Yeah, it's OK, yeah. | 1:14:09 | 1:14:11 | |
I'm just taking my powder. | 1:14:11 | 1:14:15 | |
What's this one for? My emphysema. | 1:14:15 | 1:14:17 | |
Good morning, young lady, how're you doing? | 1:14:20 | 1:14:22 | |
All right, yeah. You're awake, eh? | 1:14:22 | 1:14:24 | |
Yeah. All right? | 1:14:24 | 1:14:26 | |
Yeah. Who's the little red head? | 1:14:26 | 1:14:28 | |
Hi. Hi. Hi. | 1:14:28 | 1:14:30 | |
Wow. | 1:14:33 | 1:14:34 | |
And there's a picture of me back in the '40s. | 1:14:34 | 1:14:37 | |
You look such a happy young man in that photo. | 1:14:37 | 1:14:39 | |
You've got a happy character, haven't you? | 1:14:39 | 1:14:41 | |
A really happy character. Happy character. Yeah. | 1:14:41 | 1:14:45 | |
So I'll make copies of all those and send them to you. | 1:14:45 | 1:14:48 | |
Is that all right? Yeah, yeah. | 1:14:48 | 1:14:50 | |
And these are the medals that I have earned, | 1:14:50 | 1:14:53 | |
because I fought in France and I helped drive the Germans out. | 1:14:53 | 1:14:57 | |
This is the insignia badge of the First Special Service Force | 1:14:57 | 1:15:03 | |
and its job was to handle anything | 1:15:03 | 1:15:05 | |
that other units possibly couldn't handle. | 1:15:05 | 1:15:09 | |
They trained us in just about every aspect of fighting | 1:15:09 | 1:15:14 | |
you'd want to get involved with. | 1:15:14 | 1:15:16 | |
This medal is a replica of a gold medal that was given to the unit | 1:15:16 | 1:15:21 | |
by the United States... | 1:15:21 | 1:15:23 | |
'After fighting in many historical battles, | 1:15:23 | 1:15:25 | |
'Charlie found himself stationed in England at the end of the war.' | 1:15:25 | 1:15:28 | |
As the troops were coming back from Europe and going back to Canada, | 1:15:30 | 1:15:33 | |
they came through this so-called Repat depot, | 1:15:33 | 1:15:37 | |
where they got re-equipped and all that and | 1:15:37 | 1:15:39 | |
sent back home to Canada. | 1:15:39 | 1:15:41 | |
I was the acting sergeant major for a while, at that barracks. | 1:15:41 | 1:15:45 | |
And every Saturday night, they had a party. | 1:15:45 | 1:15:50 | |
And, of course, you can't have a party | 1:15:50 | 1:15:52 | |
unless you have somebody to dance with. | 1:15:52 | 1:15:55 | |
So we found some young ladies and that's how Joan got involved | 1:15:55 | 1:15:58 | |
with the parties, and I got involved with Joan. | 1:15:58 | 1:16:03 | |
Our biological grandmother Joan, who Charlie had an affair with, | 1:16:05 | 1:16:09 | |
never saw him again after he left for Canada, | 1:16:09 | 1:16:12 | |
and had my dad adopted shortly afterwards. | 1:16:12 | 1:16:14 | |
Has Miranda shown you the letter that Joan... | 1:16:16 | 1:16:19 | |
Joan wrote? Yeah. | 1:16:19 | 1:16:21 | |
Oh, yeah, I've got it in there. | 1:16:21 | 1:16:22 | |
And she talks about you... It made me cry, it made me cry. | 1:16:22 | 1:16:25 | |
It made me cry, too. Yeah. | 1:16:25 | 1:16:27 | |
She was so young when she died. | 1:16:27 | 1:16:29 | |
I think in her 40s. Is that right? I think so. | 1:16:29 | 1:16:32 | |
Joan was a nice girl. | 1:16:34 | 1:16:36 | |
She was a nice woman. Yeah. | 1:16:36 | 1:16:38 | |
I thought she was all right. | 1:16:40 | 1:16:42 | |
She definitely thought you were all right. | 1:16:42 | 1:16:44 | |
According to that letter. | 1:16:44 | 1:16:46 | |
I've never read anything like that before. | 1:16:46 | 1:16:48 | |
I wonder if I made a mistake... | 1:16:51 | 1:16:54 | |
Yeah. But you can't answer it and neither can I. | 1:16:56 | 1:16:59 | |
You know, what's clear, Charlie, as well, | 1:17:00 | 1:17:03 | |
is that you're a very brave man, | 1:17:03 | 1:17:05 | |
that you've been very brave in the past, | 1:17:05 | 1:17:07 | |
but I also think that you've been brave by agreeing to see us. | 1:17:07 | 1:17:12 | |
You know, I did worry, because I didn't even know | 1:17:12 | 1:17:14 | |
if you knew that Joan was pregnant. | 1:17:14 | 1:17:18 | |
It must've been quite overwhelming at the time. | 1:17:18 | 1:17:21 | |
Life goes on. | 1:17:22 | 1:17:24 | |
Life goes on. So... | 1:17:24 | 1:17:27 | |
Well, cheers, people. Cheers, Charlie. | 1:17:27 | 1:17:29 | |
Cheers. God bless you all. | 1:17:29 | 1:17:31 | |
Do you do that with a mug? | 1:17:32 | 1:17:34 | |
Sure, I do. Why not? | 1:17:34 | 1:17:36 | |
THEY CHUCKLE | 1:17:36 | 1:17:39 | |
'It's amazing how much he looks like Dad, though, isn't it?' | 1:17:39 | 1:17:42 | |
'It is, yeah. He looks really, really like Dad. | 1:17:42 | 1:17:45 | |
'I just think I'm talking to Dad, sometimes. | 1:17:45 | 1:17:48 | |
'I feel like I'm talking to Dad. | 1:17:48 | 1:17:50 | |
'He's got these very blue eyes, like Dad had.' | 1:17:50 | 1:17:53 | |
'I see it in his mouth.' | 1:17:53 | 1:17:54 | |
'And his mouth, too. | 1:17:54 | 1:17:56 | |
'And also... But the shape of his nose, that kind of slightly...' | 1:17:56 | 1:17:59 | |
'It's exactly the same.' | 1:17:59 | 1:18:01 | |
'So I see it basically in all his features, really! | 1:18:01 | 1:18:04 | |
'He looks like Dad.' | 1:18:04 | 1:18:05 | |
I just think that for me, it's cathartic, | 1:18:08 | 1:18:11 | |
because I think it ended so... | 1:18:11 | 1:18:13 | |
Just horribly with Dad. | 1:18:13 | 1:18:15 | |
And it was so... | 1:18:15 | 1:18:17 | |
..mixed up with... | 1:18:19 | 1:18:21 | |
..you know, guilt and grief... Mm... and anger... | 1:18:22 | 1:18:26 | |
and just sadness that his life had ended in the way that it had and, | 1:18:26 | 1:18:32 | |
you know, in that very unhappy way, | 1:18:32 | 1:18:35 | |
and that he was in the pickle that he was in. Hm... | 1:18:35 | 1:18:39 | |
That our relationship was weird | 1:18:40 | 1:18:43 | |
and your relationship was weird with him. | 1:18:43 | 1:18:46 | |
Everybody's relationship was weird with him... Hm. | 1:18:46 | 1:18:49 | |
..at times. | 1:18:49 | 1:18:50 | |
That to sort of have something that ends in a good way... | 1:18:52 | 1:18:57 | |
Yeah. Is a sort of... | 1:18:57 | 1:18:59 | |
And what's funny is, like, talking to Charlie, | 1:18:59 | 1:19:01 | |
it's like talking to Dad, but talking to somebody who is happy. | 1:19:01 | 1:19:05 | |
PHONE RINGS | 1:19:05 | 1:19:07 | |
'Hello.' | 1:19:09 | 1:19:11 | |
Hello, Anna? | 1:19:11 | 1:19:13 | |
Anna? 'Yes.' | 1:19:13 | 1:19:15 | |
It's Morgan. 'How's it going, my love?' | 1:19:15 | 1:19:18 | |
Yeah, it's OK. | 1:19:18 | 1:19:19 | |
We've just met Charlie for the first time. | 1:19:19 | 1:19:23 | |
'Oh, wow.' Do you know what? | 1:19:23 | 1:19:25 | |
He looks so much like Dad, it's extraordinary. | 1:19:25 | 1:19:28 | |
'I know. | 1:19:28 | 1:19:30 | |
'I saw the photographs and thought, "My God, you can't deny that one." ' | 1:19:30 | 1:19:33 | |
But in the flesh, even more. | 1:19:33 | 1:19:36 | |
And just his mannerisms and the way he talks and everything, | 1:19:36 | 1:19:40 | |
it's just uncanny. | 1:19:40 | 1:19:42 | |
That's Geoff? Yeah. | 1:19:44 | 1:19:46 | |
Who's this? His wife? | 1:19:46 | 1:19:49 | |
Yeah. | 1:19:49 | 1:19:50 | |
What did he pass away from? | 1:19:50 | 1:19:52 | |
He had emphysema... | 1:19:52 | 1:19:54 | |
The same as me. And prostate cancer. | 1:19:54 | 1:19:56 | |
Oh. | 1:19:56 | 1:19:58 | |
Runs in the family! Mm... | 1:19:58 | 1:20:01 | |
This is Joan. | 1:20:01 | 1:20:03 | |
That's the way I remember her, just like that. | 1:20:03 | 1:20:06 | |
I even remember the sweater. | 1:20:06 | 1:20:08 | |
Oh, yeah, that's Joan. | 1:20:09 | 1:20:10 | |
Well, we just wanted to meet our grandad, Charlie, | 1:20:14 | 1:20:17 | |
and I hope you don't mind me saying that. | 1:20:17 | 1:20:19 | |
You want to consider me a grandfather? | 1:20:19 | 1:20:22 | |
Thank you. I'd be honoured. | 1:20:22 | 1:20:24 | |
It's been a very, | 1:20:24 | 1:20:26 | |
very wonderful experience to meet the two of you | 1:20:26 | 1:20:30 | |
and know you and talk to you and compare notes. | 1:20:30 | 1:20:35 | |
I'm sorry you're going home. | 1:20:35 | 1:20:37 | |
Anyway, have a safe trip home. | 1:20:38 | 1:20:40 | |
You know, it's been so lovely to meet you and to meet your family, | 1:20:40 | 1:20:43 | |
it's just wonderful. | 1:20:43 | 1:20:44 | |
Bye-bye, Charlie. | 1:20:44 | 1:20:46 | |
Sure, nice to meet you too. | 1:20:46 | 1:20:48 | |
Bye, Charlie. Bye, honey. Look after mummy. | 1:20:48 | 1:20:51 | |
See you soon. | 1:20:51 | 1:20:53 | |
Bye. Bye, bye. | 1:20:53 | 1:20:55 | |
Bye-bye. See you later. Bye. | 1:20:56 | 1:20:57 | |
Hello, big boy. | 1:21:16 | 1:21:17 | |
Hiya. | 1:21:18 | 1:21:19 | |
Is there anywhere, any preference, Anna? | 1:21:21 | 1:21:24 | |
Well, sort of there. | 1:21:24 | 1:21:26 | |
I don't know, the hedge seems to have grown over because there was | 1:21:26 | 1:21:29 | |
some bluebells all along there, last year. | 1:21:29 | 1:21:31 | |
But I just thought, sort of about... | 1:21:31 | 1:21:33 | |
So long as it's not going to be... | 1:21:33 | 1:21:35 | |
You know, because the wind will blow them, I expect, | 1:21:35 | 1:21:38 | |
and they will become a part of everything else. | 1:21:38 | 1:21:41 | |
Do you want to hold them, or...? | 1:21:46 | 1:21:48 | |
Er, yeah, I could hold them. | 1:21:48 | 1:21:50 | |
Have you got it? It's quite heavy. | 1:21:51 | 1:21:53 | |
But I don't know if there is, like, a little hole there... | 1:21:53 | 1:21:57 | |
I don't know if that, if you sort of shake it out of that, but... | 1:21:57 | 1:22:01 | |
No, you couldn't really do it with the lid on. | 1:22:01 | 1:22:03 | |
I think it's easier just to tip it. | 1:22:03 | 1:22:05 | |
If you could keep Dante back, because it's blowing down. | 1:22:05 | 1:22:07 | |
Dante, darling, come back here. | 1:22:07 | 1:22:09 | |
It's blowing. It's gone in his eye. There's a good boy. | 1:22:09 | 1:22:11 | |
Oh, dear. Are you OK, baby? | 1:22:11 | 1:22:15 | |
BOY CRIES | 1:22:15 | 1:22:16 | |
I've got some wipes here. | 1:22:16 | 1:22:18 | |
Oh, darling, I do miss you. God, I miss you. | 1:22:20 | 1:22:24 | |
Shall we maybe save some, Anna? Sorry? | 1:22:24 | 1:22:27 | |
Shall we maybe save some? Oh, yes, there's tonnes here. | 1:22:27 | 1:22:30 | |
Oh, there's quite a lot, yeah! | 1:22:30 | 1:22:32 | |
It's a beautiful day and we can see the water rushing | 1:22:35 | 1:22:38 | |
and the light through the trees. | 1:22:38 | 1:22:40 | |
Thinking of you. | 1:22:42 | 1:22:44 | |
PERCUSSIVE CLICKING | 1:23:57 | 1:23:59 | |
WHISTLE | 1:23:59 | 1:24:00 | |
6 Music... Recommends. | 1:24:00 | 1:24:02 | |
We pick... | 1:24:02 | 1:24:04 | |
..new music. | 1:24:04 | 1:24:05 | |
No-one... ..tells us... ..what to choose. | 1:24:07 | 1:24:10 | |
Whoo! | 1:24:10 | 1:24:11 |